Page

Kel survived her first year as a page, but her training is only increasing as she gets older. She still has her studies and combat training, riding, and etiquette lessons. But now that Lord Wyldon has discovered her fear of heights, he constantly gives her tasks that test her limits—such as climbing to the top of the palace wall and mapping the lands beyond. To her friends, Kel insists that Lord Wyldon is just training her to be a better knight, but secretly she wonders if he is trying to drive her to quit.

Meanwhile, Joren claims he wants to turn over a new leaf and be friends. Kel outwardly agrees, but worries Joren is merely becoming craftier. Still, she has little time to worry about what Joren and his friends are up to because she is horrified to discover that she is becoming a woman. First, her breasts begin to grow, and then she starts her monthlies. While Kel wants things to stay exactly how they were, at least one of her friends has begun to notice that Kel is a girl…

Page is a strong follow-up to the first Protector of the Small novel. The same enjoyable cast remains, with the interesting addition of new characters such as Kel’s maid Lalasa. Similar to the first book, Kel has to prove herself capable despite her perceived “weakness” of being a girl. One obstacle that Kel must overcome is her deep fear of heights. Even though she does not want to confront her fears, she proves that she has the strength to pursue her dream. As Kel progresses through her training, Page continues with the theme of behaving honorably, as a true knight should.

Readers will enjoy the advancement of Kel’s training and watching as her relationships with her friends grow and change. Kel’s maid Lalasa is a well-developed character that grows throughout the story. At first, Lalasa is timid because she has suffered great abuse from men. However, while she is in Kel’s service, Lalasa develops confidence and flourishes into a capable young lady. This story highlights the importance of friendship as well as the importance of perusing one’s dreams.

While this book covers the span of three years, where the first book covered only the span of one, the story does not feel rushed or lacking. Kel is a unique heroine who must fight against her own fears as well as discrimination. Both male and female readers will be drawn to Kel’s world and will come away with a positive message—with hard work and determination, dreams can come true.

Sexual Content

  • Garvey asks Kel’s friend, “So, Faleron, you’re friends with her now because you can have her whenever you want?” In retaliation, Neal says, “Joren is so pretty. Say, Garvey, are you two friends because you can have him?”
  • When thinking about self-defense, Kel remembers how, “Nariko had taught the court ladies, including Kel’s family, how to preserve their honor from rapists.”
  • Kel tells Neal, “What you said about Harvey and Joren—it’s not an insult in Yaman. Some men prefer other men. Some women prefer other women.” Neal replies, “In the Eastern Lands, people like that pursue their loves privately . . . Manly fellows like Joren think it’s a deadly insult to be accused on wanting other men.”
  • Kel is shocked to notice she is growing breasts. “Flabbergasted, Kel stared at the front of her nightgown. Sure enough, there were two slight bulges in the proper area for such a thing.”
  • Kel starts her period. “Blood was on her loincloth and inner thighs. She stared at it, thinking something dreadful was happening. Then she remembered several talks she’d had with her mother. This had to be her monthlies, the bleeding that told every girl she was ready to have babies if she wanted them.”
  • Kel’s mother tells her that she, “didn’t have much of a bosom until I got pregnant . . . your sister Patricine, though, she developed at twelve . . . Remember-you may be able to do so, but no one can force you to have babies. You do have a choice in these things. I’ll get you a charm to ward off pregnancy until you are ready for it.”
  • Owen asks Kel, “When did you turn into a real girl?” Kel replies, “I’ve been a girl for a while, Owen.” He then exclaims, “It’s not like you’ve got melons or anything, they’re just noticeable.”
  • When a man attacks her maid, Kel threatens to take him, “‘before the court of the Goddess . . . A man convicted of hurting women in the Goddess’s court faced harsh penalties; those for actual rape were the worst of all.”

Violence

  • Kel gets in a fight with a group of bullies. “Garvey came at Kel from the right, punching at her head. She slid away from his punch, grabbed his arm, pushed her right foot forward, and twisted to the left. Garvey went over her hip into Vinson, who’d attacked on her left. Joren, at the center, came in fast as his friends hit the wall. Kel blocked Joren’s punch to her middle, but his blow was a feint; his left fist caught her right eye squarely.”
  • The squires get in a fight when Neal insults Joren. “Garvey roared and charged, but Joren got to Neal first. Before they landed more than a punch each, Neal’s friends, including Kel, attacked them. More boys entered the brawl, kicking and hitting blindly, striking friend as often as foe. Kel nearly fainted when someone’s boot hit her bruised collarbone.”
  • Kel and her friends are attacked by a group of bandits. The fight takes place over the course of eleven pages. “The enemy coming at her raised a short, curved sword. She saw he would be unable to touch her until he was directly alongside. Kel dropped her extra spear out of her way, making sure she wouldn’t trip on it. She brought her other spear point-down by her right calf, holding it in the glaive position broom-sweeps-clean. The Hillman was almost on her, just five yards, now –She stepped forward, to the right of the charging raider, and brought the spear up in a firm, sweeping movement. The leaf-shaped blade, razor-sharp, cut deep into the man’s leg before Kel had to dodge the downward sweep of his sword. The man turned his horse and came back at Kel. This time she drove her spear through his belly, where it lodged.”
  • Kel fights off a man who attacked her maid. “Rather than shatter Vinson’s kneecap, she hit just above it, where the thigh muscle narrowed. He lurched, knocking Lalasa against the window frame, then let go. Lalasa scrambled back inside Kel’s room, tears streaming down her face.”

Drugs and Alcohol

  • Adults sometimes drink a goblet of wine with dinner.

Language

  • Phrases such as Goddess bless and by the gods are used frequently as a part of Tortallian culture.
  • The word wench is used several times.

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher.
  • Several people at court have the Gift, which can be used for light, to heal, and more. One time, the king, “called a ball of light from the air so he could read.”

Spiritual Content

  • Tortall has many gods. They are named differently but are similar to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture, but are not an integral part of the plot.
  • Characters often pray before meals or battles. “We ask the guidance of Mithros in these uncertain times, when change threatens all that is time-honored and true. May the god’s light show us a path back to the virtues of our fathers and an end to uncertain times. We ask this of Mithros, god of the sun.”
  • When climbing a terrifyingly high tower, Kel thinks that “When I reach the Realms of the Dead . . . I’m going to find the genius who designed this tower and I’m going to kill him a second time. Horribly.”

by Morgan Lynn

 

First Test

Keladry of Mindelan dreams of becoming a lady knight. A generation ago, that would not have been possible. But ten years ago, the King announced that ladies could try for their knighthood. In the decade since, no girl has dared to try. Until now.

Kel knows becoming a knight will not be easy. Years of hard training and study lie between Kel and her dream. But that’s not all. Kel did not know she would be placed on probation—something no boy has ever endured. And she did not realize how much resistance she would meet. Knights don’t think she is strong enough, her trainer does not think women should be knights, and the other trainees are determined to drive her away.

A delightful start to the Protector of the Small Quartet, First Test is a thoroughly enjoyable read. Kel is a brave and kind soul that readers will fall in love with. The other characters in this book are also refreshingly well-developed, from her training master and friends, to her enemies and even her horse. Protector of the Small is an enjoyable story filled to the brim with equal parts fun and excitement. It teaches readers how to be a true knight—how to be honorable, selfless, brave, and to always protect those who are weaker than yourself.

Kel wants to fight, but she’s not interested in glory. She wants to use her shield to protect those who can’t protect themselves. Unlike many female heroines, Kel doesn’t disguise herself as a boy or throw temper tantrums. Instead, she uses quiet determination and her intelligence to overcome obstacles. Kel’s story touches on themes of friendship, bravery, and shows the importance of not bullying others.

Several characters from the Song of the Lioness series appear throughout The Protector of the Small series, which will be a treat for fans of Alanna. However, readers do not have to read the Song of the Lioness series first in order to understand this series. Jump into a medieval world where fantasy and action combine to create a girl-centered adventure that will keep readers turning the pages until the very end.

Sexual Content

  • None

Violence

  • Kel survived a pirate attack when she was a girl. “The lady tumbled to the ground. Kel slid out the door on her belly. Turning, too startled to cry, she saw the lady at her mother’s feet. There was an arrow in the Yamani woman’s back.”
  • Kel fights with a group of boys when they try to drown a bag of kittens. No one is seriously injured. “Another lad grabbed a branch and swung at her; she blocked it with hers, then rammed the length of wood into his stomach. He doubled over, gasping.”
  • Kel tries to rescue a bag of kittens from a spidren that wants to eat them. The spidren bites a kitten in half, then comes after Kel. Kel freezes in terror, and she does not see when soldiers kill the spidren.
  • Kel fights a group of bullies several times. “Gripping Zahir’s index finger, Kel jammed her thumbnail into the base of Zahir’s own nail . . . He yelped and let go. Joren lunged for her. She stepped back, ducking under Zahir’s frantic punch . . . She grabbed Joren’s tunic and turned, kneeling as she did. He went flying over her shoulder.”
  • The pages say that “a page failed the examinations about six years ago and jumped off the Needle.”
  • The pages go on a spidren hunt with a group of knights. The spidren took a woman, and the knights say they have to find the spidrens because, “Often they bite off a victim’s limb, then slap a web on it, to keep them from dying of blood loss. The woman they took may yet live.”
  • The pages fight when the knights find the spidrens. “The weapon’s slim razor point sliced through the spidren’s chest and arm, releasing a spray of dark blood. Kel reversed the spear and cut back, dragging the blade down. It bit into the spidren at the neck and stuck there as crossbow bolts riddled the immortal.”
  • After the battle, soldiers rolled, “a barrel of blazebalm into the [spidren’s] nest. A mage whispered, and the blazebalm roared into flames. Hearing the young shriek as they burned, Kel found it was her turn to vomit.”

Drugs and Alcohol

  • Adults sometimes drink wine with their meals.

Language

  • Phrases such as Goddess bless are used frequently as a part of Tortallian culture. One time, Alanna thinks, “Goddess bless . . . How will I ever get on with him if I’m to help this girl Keladry?” Another time, Neal asks Kel, “Why in the name of all the gods in all the Eastern and Southern Lands would you start a fight with them?”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher. “The creature was fully seven feet tall, not counting the long tail it used to balance itself, and it was viewing her with fascination. Its large gray slit-pupiled eyes regarded her over a short, lipless muzzle.”
  • Several people, called mages, have the ability to use magic and some can heal with magic. Kel’s friend Neal is one of them. “Neal rested her foot on his hands and bowed his head. A soft light of such a deep green as to be nearly black shimmered between his palms and Kel’s flesh . . . The pounding in her foot began to soften until it had ceased. Her toes shrank back to their normal size as she watched.”
  • “A mage was briefly granted the power to raise the dead last year.” One of the things he brought back to life was, “a kind of living skeleton, a creature of bone and air. It had flown to perch on her, yet its wings were empty, slender fans made of very long finger bones.”

Spiritual Content

  • Tortall has many gods. They are named similarly to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot.
  • Characters often pray before meals or battles. “We ask the guidance of Mithros in these uncertain times, when change threatens all that is time-honored and true. May the god’s light show us a path back to the virtues of our fathers and an end to uncertain times. We ask this of Mithros, god of the sun.”
  • While visiting a foreign land, Kel hears about their sacred relics. “They are the swords given to the children of the fire goddess, Yama . . . The short sword is the sword of law. Without it, we are only animals. The long sword is the sword of duty. It is the terrible sword, the killing sword.”

by Morgan Lynn

 

 

 

Trapped

When the snow started falling, students were excited to be released from school early. Scotty and his friends Pete and Jason are among the last seven kids at their high school waiting to get picked up. But as the snow continues to fall, they realize that no one is coming for them. The boys aren’t too upset about staying the night at the school, especially because there are two pretty girls who are stuck with them.

At first, being trapped in the school doesn’t seem so terrible. After all, they are safe from the snow, and there’s enough food to feed 400 students for a week. But then the power goes out, then the heat, and then the pipes freeze. The students watch as the snow continues to fall. As the days pass, the snow inches higher and higher. Suddenly, the roof shudders and begins to cave in. How will they survive in a freezing school that is in danger of crushing them? Should someone set out for help?

Told from Scotty’s point of view, the story uses a matter-of-fact tone to discuss the disastrous blizzard. Although Scotty is clearly worried about the snow, he also worries about typical teen issues—missing basketball, talking to a pretty girl, getting rid of a big zit, and keeping the peace. Readers will be drawn into the suspenseful story not only because of the impending disaster, but also because Scotty is a relatable teen.

Scotty is trapped in the school with several people that he considers stereotypical teens. He thinks that one boy is a trouble maker and the other is an emotionally disturbed goth. However, when Scotty is forced to spend time with the two boys, he realizes that his perception of them was incorrect.

The ending is abrupt, and although the reader learns what happens to many of the characters, the conclusion does not answer all of the questions about who lives or dies. The story will make readers question why the characters withheld information that may have led to the death of another. The quick read will leave readers wondering what they would do in a similar situation. Trapped is an engaging story that both reluctant and strong readers will enjoy.

Sexual Content

  • A boy said that he was going to go to the dance “‘cause I’m going to get me some.” The boy was planning on going to the dance with a girl with whom he had, “gotten his hands up her shirt just last week.”
  • Scotty thinks that his friend snuck off to make out with a girl. “It just kind of bothered me that he didn’t feel like he couldn’t tell his friends about it.”
  • When Scotty is alone with a girl, he thinks about “making a move, try to kiss her.”

Violence

  • After a misunderstanding with a girl, Pete hits Les. Pete “took the first swing, which I guess is how he landed it. Then Les had just dismantled him. He hurt practically every part of him. . . Pete was lying on his side on the floor, holding his hand up to his nose or high right eye or maybe both.” Pete is not seriously hurt.
  • A boy flips a snow-kart and the cart lands on him, killing him. Scotty finds his body. “I saw it all: the soft horrible blue that had crept into his face, the way his hands were frozen stiff, like the curled talons of a bird.”

Drugs and Alcohol

  • A boy talks about a blizzard that happened in the ’60s. Scotty said the blizzard probably lasted a day. “Those people were stoned.”

Language

  • Profanity is used occasionally. Profanity includes crap, piss, frickin’.
  • When the electricity went out, kids were upset, and there were “F-bombs going off like fireworks.”
  • A group of boys plans on working on a “crappy go-kart.”
  • Someone calls a boy a jerk. Later someone calls a boy a moron.
  • “Screw you” is used several times.

Supernatural

  • None

Spiritual Content

  • When a girl stops two boys from fighting, someone thinks, “Thank God there are girls around.”
  • After being stuck in the school for several days, Scotty prays. “I prayed for myself. I prayed for my mom. I prayed for all of us. . . I just curled up tight in the scratchy wool and whispered.” Soon, his friend Jason joins in the prayer. Scotty thinks, “It was probably the ten-thousandth time I’d heard Jason say ‘Jesus,’ but it was the first time I’d heard him mean it.”
  • Scotty and several others pray. Someone calls them “Bible thumpers.” When Scotty prays, he decided to pray to “the archangel Gabriel. He’s the one with the trumpet, the one that made the announcement.”
  • Scotty “prayed to Gabriel again. I figured God and Jesus were hearing from a lot of people at this time of night. But who else was praying to the less glamorous of the two archangels. . . I prayed for him to keep my mom safe instead, though if I’m being honest, I was sort of hoping he’d be impressed by my selflessness. . . I’m pretty sure they (angels) don’t fall for dumb tricks like that.”

Harry Potter and the Deathly Hallows

The ministry has fallen to He-Who-Must-Not-Be-Named, who is the new Minister of Magic in all but name. Wizards and witches across the nation whisper, too frightened to fight, unsure of who to trust. And elsewhere, the Hogwarts Express is on its way to school without three of its students – Harry, Ron, and Hermione.

Rather than return to school, the three friends set off on a quest to find He-Who-Must-Not-Be-Named’s horcruxes—and destroy them. Only then can He-Who-Must-Not-Be-Named be stripped of his immortality and defeated. But seemingly insurmountable obstacles pile up, leaving the trio of friends scared, confused, and frustrated with the world and with each other. Near-death experiences abound in the most harrowing, adventured-packed book of the series. While the first half of the story may drag for some readers, the payoff is spectacular and the novel ends in a whirlwind of revelations.

This epic conclusion to the Harry Potter series satiates readers with a deluge of their favorite characters from all seven books, woven together in a realistic and nostalgic masterpiece. With plenty of twists and turns, readers will be reeling by the time they finish and sad that this marvelous adventure has finally come to an ending that is heartbreaking and joyful at the same time.

Sexual Content

  • Ginny kisses Harry on his birthday. “Then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion, better than firewhisky; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair.”
  • Auntie Muriel comments that “Ginevra’s dress is far too low cut.”
  • In a hallucination, Harry and Hermione kiss. “Riddle-Hermione . . . stretched like a snake and entwined herself around Riddle-Harry, wrapping him in a close embrace: Their lips met.”
  • Ron and Hermione kiss. “Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.”

Violence

  • He-Who-Must-Not-Be-Named kills a witch. “The flash of green light illuminated every corner of the room. Charity fell, with a resounding crash, onto the table below.”
  • Harry and Hagrid are chased by Death Eaters. The fight takes place over eight pages. “As he looked back again two jets of green light flew past his left ear: Four Death Eaters had broken away from the circle and were pursuing them, aiming for Hagrid’s broad back.”
  • George loses an ear. Harry isn’t there during the fight, but afterwards he sees, “George, who was unconscious and whose face was covered in blood . . . Harry’s stomach lurched: One of George’s ears was missing. The side of his head and neck were drenched in wet, shockingly scarlet blood.”
  • The Order of the Phoenix raises a toast to a dead comrade. “The firewhisky seared Harry’s throat. It seemed to burn feeling back into him, dispelling the numbness and sense of unreality, firing him with something that was like courage.”
  • During a heated argument, “Scrimgeour limped toward Harry and jabbed him hard in the chest with the point of his wand: It singed a hole in Harry’s T-shirt like a lit cigarette.”
  • Kreacher has to punish himself when he misbehaves. “The elf was already punishing himself: He fell to the ground and banged his forehead on the floor.”
  • Kreacher hits Mundungus “over the head with a saucepan.”
  • When escaping from the Ministry of Magic, Harry “raised an enormous fist and punched him, sending him flying through the air.”
  • Ron accidently splinches himself. “Hermione laid bare Ron’s upper arm, where a great chunk of flesh was missing, scooped cleanly away as though by a knife.”
  • A snake disguises itself as a woman. “She moved weirdly: He saw it out of the corner of his eye; panic made him turn and horror paralyzed him as he saw the old body collapsing and the great snake pouring from the place where her neck had been.” There is a fight that takes place over three pages. “There was a loud bang and a flash of red light, and the snake flew into the air, smacking Harry hard in the face as it went.”
  • After Ron runs away, “Hermione launched herself forward and started punching every inch of him that she could reach.”
  • Hermione is tortured. It is not shown, but Harry heard. “Hermione’s screams echoed off the walls upstairs.”
  • Wormtail tries to kill Harry. “Wormtail’s wand emitted sparks; his silver hand closed around Harry’s throat . . . Wandless, helpless, Pettigrew’s pupils dilated in terror. His eyes had slid from Harry’s face to something else. His own silver fingers were moving inexorably toward his own throat . . . Harry tried to pull the crusting metal fingers from around Wormtails’s throat, but it was no use. Pettigrew was turning blue . . . he gave a last twitch, and was still.”
  • He-Who-Must-Not-Be-Named kills several people in a fit of rage. “Green light erupted through the room; the kneeling goblin rolled over, dead; the watching wizards scattered . . . again and again his wand fell, and those who were left were slain, all of them.”
  • Dobby is stabbed. “Harry looked down at the silver hilt of the knife protruding from the elf’s heaving chest.”
  • Harry uses an Unforgivable Curse. “The Death Eater was lifted off his feet. He writhed through the air like a drowning man, thrashing and howling in pain, and then, with a crunch and a shattering of glass, he smashed into the front of a bookcase and crumpled, insensible, to the floor.”
  • Professor McGonagall duels Snape. “She brandished her wand at a torch on the wall and it flew out of its bracket . . . the descending flames . . . became a ring of fire that filled the corridor and flew like a lasso at Snape – Then it was no longer fire, but a great black serpent that McGonagall blasted to smoke, which re-formed and solidified in seconds to become a swarm of pursuing daggers.”
  • The final battle at the end of the book spans five chapters, with a few calmer scenes in between. Several people die. At one point, “The world was rent apart. Harry felt himself flying through the air . . . He heard the screams and yells of his companions without a hope of knowing what had happened to them – And then the world resolved itself into pain and semidarkness: He was half buried in the wreckage of a corridor that had been subjected to a terrible attack . . . and Fred’s eyes stared without seeing, the ghost of his last laugh still etched upon his face.” Later on, “The house-elves of Hogwarts swarmed into the entrance hall, screaming and waving carving knives and cleavers . . . Harry saw Yaxley slammed to the floor by George and Lee Jordan, saw Dolohov fall with a scream at Flitwick’s hands, saw Walden Macnair thrown across the room by Hagrid, hit the stone wall opposite, and slide unconscious to the ground.”
  • He-Who-Must-Not-Be-Named kills Snape. “The snake’s fangs pierced his neck . . . his knees gave way and he fell to the floor . . . [Snape] fell sideways onto the floor, blood gushing from the wounds in his neck.”

Drugs and Alcohol

  • The adults often drink a glass of wine or brandy, either with dinner or during meetings.
  • After a fight, Hagrid asks if Mrs. Weasley has brandy “Fer medicinal purposes.”
  • Fred reminisces about an uncle. “Before he went loopy he was the life and soul of the party . . . He used to down an entire bottle of firewhisky, then run onto the dance floor, hoist up his robes, and start pulling bunches of flowers out of his –”
  • Champagne is served at a wedding.
  • Hermione gets catcalled by “a group of men . . . singing and weaving across the pavement.” They tell her to “ditch ginger and come and have a pint!”

Language

  • God is used as an exclamation once. Ron says “God, that’s revolting.”
  • Ron uses the word git several times.
  • Damn and hell are used a few times. Harry says, “Let’s get rid of the damn thing.”
  • Ron tells Malfoy, “That’s the second time we’ve saved your life tonight, you two-faced bastard!”
  • Neville tells He-Who-Must-Not-Be-Named, “I’ll join you when hell freezes over.”
  • When Bellatrix almost kills Ginny, Mrs. Weasley shouts, “NOT MY DAUGHTER, YOU BITCH!”

Supernatural

  • Harry Potter is a wizard and lives in a world full of magic. He went to Hogwarts School of Witchcraft and Wizardry, where he studied charms, potions, and defense against the dark arts. He is fighting a dark wizard who split his soul into seven pieces in order to become immortal. He works together with dragons and goblins in order to save the wizarding world from dementors and violent giants. In short, Harry is surrounded by magic and supernatural occurrences every day of his life. As such, not all instances are listed here.
  • Although the series revolves around magic, the story does not encourage children to try magic on their own. To cast a spell, wizards simply say a word and wave their wand. For example, saying luminos casts light.
  • Professor Trelawney made a prophecy about the Dark Lord before Harry was born. She does not remember making the prophecy afterward, but it is stored in a secret Hall of Prophecies hidden in the Ministry of Magic.
  • Harry can see flashes of what He-Who-Must-Not-Be-Named is thinking and seeing, which causes his scar to burn.

Spiritual Content

  • There are ghosts in the castle that behave like regular (although transparent) people. One of Harry’s teachers is even a ghost.
  • He-Who-Must-Not-Be-Named splits his soul and hides pieces of his soul in precious, hidden objects. His goal is to become immortal and unkillable. If he is killed, the pieces of his soul remain, and therefore he cannot truly die.
  • When visiting his parents’ gravestone, Harry asks about the inscription, “The last enemy that shall be destroyed is death.” Hermione says, “It means . . . you know . . . living beyond death. Living after death.”
  • When He-Who-Must-Not-Be-Named tries to kill him, Harry has an out-of-body experience, a vision of being in a train station. He speaks to Dumbledore who tells Harry that he can go back and continue to fight, or he can board a train. Harry asks, “‘Where would it take me?’ ‘On,’ said Dumbledore simply.”

by Morgan Lynn

Learning to Play Gin

Julia James was on top of her game. Her new book 101 Ways to Cheat at Solitaire has sold millions. As the queen of self-help books, she has shown women how to be happy without a man. Julia had no desire to find romance, and she wasn’t prepared for Lance, a gorgeous actor, or the feelings that she had for him.

Suddenly Julia’s books fall off the bestseller list, and her movie star boyfriend moves to L.A. Lost and confused, Julia decides to head to the West Coast to spend some time with her new man. But life in L.A. comes with its own set of complications. Can Julia put her single life behind her and figure out how to win at the game of love?

For maximum enjoyment, readers should read Cheating at Solitaire before picking up Learning to Play Gin because the stories have many of the same characters. The funny, flirty tone does not carry through into the second book of the series. Instead, much of the conflict is internal as Julia tries to figure out how to live her new life. Even though Julia is trying to figure out how to win at love, Lance is absent for most of the book, which leaves the reader wondering why Julia would want to stay with a man more concerned with making movies than making a life with her.

Each chapter starts out with advice on how to play the game of gin; this advice ties into what is going to happen in Julia’s life. The interesting quotes lead the reader to think about the complicated nature of relationships, which is a focus of Learning to Play Gin. The story doesn’t just focus on Julia and Lance, but also shows a divorced couple, a struggling married couple, and a couple who have been happily married for 40 years. The story doesn’t only show the positive, glowing feelings of love that a happy couple feels, but shows how staying in love is often a choice made despite difficult times.

Learning to Play Gin’s slow pace and focus on Julia’s internal conflict makes the story less enjoyable than the first. The ending of the story falls flat because it lacks a clear resolution. Lance appears infrequently in the story, which is a huge disappointment. If you’re looking for a romance with the same fun, flirty tone as Cheating at Solitaire, you may want to leave Learning to Play Gin on the shelf.

Sexual Content

  • While at a party, Julia kisses Lance. As Julia is leaving, “Lance placed one arm on either side of her and leaned down to kiss her good-bye.”
  • Julia and Lance work on their problems. Then, “there was some crying. There was some hugging. And, finally there was a long, sweet kiss.”

Violence

  • None

Drugs and Alcohol

  • As Lance is going to an interview, he notices a bartender. Lance “remembered how it felt to trek home with aching feet and beer-soaked clothes.”
  • In order to help Nina get through her first flight, she gets drunk. Julia thinks, “Maybe I should have gotten her drunk and put her on a plane years ago.”
  • At a party, champagne is served. Lance’s agent wants to introduce him to someone who, “is four drinks into a twelve-drink night and history has taught me you want to catch him somewhere between three and seven.”
  • At Thanksgiving dinner, Julia offers her guest tea, which he accepts “looking like a man who’d give his right arm for a gin and tonic.” Another guest can’t understand why Julia doesn’t drink alcohol and wonders if she is pregnant.
  • When a preteen throws a fit, her mother “searched her purse for a silver flask, which she emptied into her iced tea.”

Language

  • Profanity includes: ass, bitch, damn, crap, hell
  • Lance asks his mother, “Why were you a bitch to Julia?”
  • Lance tells his mother that Julia could go home and be “a lot better without the likes of me, but she doesn’t because I’m the greedy bastard that keeps asking her to stay.”
  • Lance’s mom tells her ex-husband, “I was just getting ready to tell our son he’s being a horse’s ass, and I thought you might want to join me.”
  • In an email, Julia’s mother writes, “When little Robbie Matthews came into church he shook the preacher’s hand and said, ‘Oh shit, I forgot my Bible.’”

Supernatural

  • None

Spiritual Content

  • When Nina’s pants split, Julia “said a silent prayer that, at least, Nina had worn underwear.”
  • Julia goes to a coffee shop that is “like church. No one spoke, but people were saying a lot of prayers. . . They were praying for agents and publicists and six-figure deals. There were praying for what she had.”
  • Lance prays, “Dear God, thank you for this wonderful meal. . . Julia felt pretty sure that Lance could have been struck down that very moment for lying to God.”

Harry Potter and the Half-Blood Prince

The world finally believes that He-Who-Must-Not-Be-Named is back. While the ministry is scrambling to respond, Dumbledore has called the Order of the Phoenix, a secret society that fought He-Who-Must-Not-Be-Named last time, back into service. Harry, who is still reeling from the death of his godfather, is ready to join the Order and fight. But things prove more complicated. He-Who-Must-Not-Be-Named is in hiding, and the adults in Harry’s life seem to think it is more important for him to return to school than to join the Order and fight.

Dumbledore is the only person who seems to think Harry can be of use. Dumbledore enlists Harry’s aid in exploring one of the most cloaked mysteries in the magical world – how He-Who-Must-Not-Be-Named rose to power and achieved immortality. While He-Who-Must-Not-Be-Named has returned, Dumbledore believes there is a way to make the Dark Lord mortal once more, and Harry is the only one who can solve this vital mystery.

Harry Potter and the Half-Blood Prince continues the theme of a longer page count, which can be found in books 4-7 of the Harry Potter series. Although this novel has a serious tone, there are lighter moments that keep the story from becoming too heavy. The original cast continues to develop in interesting ways, and Harry’s frequent trips into He-Who-Must-Not-Be-Named’s past bring vivid new characters to life.

While still appropriate for most elementary readers, the end of this story does include Inferius, which are dead bodies bewitched to do a dark wizard’s bidding. This scene may frighten more timid readers. However, more mature elementary students and junior high students will love exploring the mysterious web that is the childhood of He-Who-Must-Not-Be-Named, and will wait with bated breath to see where it leads.

Sexual Content

  • Fleur is a beautiful French woman who kisses people on the cheek as a form of greeting. Once she, “swoop[ed] to kiss [Harry] on each cheek; He felt the places where her mouth had touched him burn.”
  • In a fit of rage, Mr. Gaunt tries to strangle his daughter. “His hands closed around his daughter’s throat . . . with a roar of rage, Morfin leapt out of his chair and ran at Ogden, brandishing his bloody knife and firing hexes indiscriminately from his wand. Ogden ran for his life.”
  • When Harry realizes Mundungus has been stealing Sirius’ things, he “pinned Mundungus against the wall of the pub by the throat.”
  • The headmistress of an orphanage mentions a bullying problem. “Billy Stubbs’s rabbit . . . well, Tom said he didn’t do it, and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it.”
  • Harry sees “Dean and Ginny, who were locked in a close embrace and kissing fiercely as though glued together.”
  • Ron gets a girlfriend and kisses her frequently. “There, in full view of the whole room, stood Ron wrapped so closely around Lavender Brown it was hard to tell whose hands were whose.”
  • After winning the Quidditch Cup, “without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments – or it might have been half an hour – or possibly several sunlit days – they broke apart.”

Violence

  • Malfoy freezes Harry with a charm and, “stomped, hard, on Harry’s face. Harry felt his nose break; blood spurted everywhere.”
  • Snape has posters on the wall in his classroom. One is a poster of what happens when someone is attacked by Inferius (corpses bewitched to do a dark wizard’s bidding). The poster merely shows, “a blood mass upon the ground.”
  • Ron gets attacked by birds. He, “helped and covered his face with his hands, but the birds attacked, pecking and clawing at every bit of flesh they could reach.”
  • Ron punches Harry while under the influence of a potion. “A crashing blow hit him on the right ear . . . Ron’s fist was drawn right back; his face was contorted with rage.”
  • Dobby and Kreacher get in a fight. “Dobby sank his knobbly little fist into Keacher’s mouth and knocked out half of his teeth. Harry and Ron both leapt out of their beds and wrenched the two elves apart, though they continued to try and kick and punch each other.”
  • Harry uses a spell without knowing what it does. “Blood spurted from Malfoy’s face and chest as though he had been slashed with an invisible sword. He staggered backward and collapsed onto the waterlogged floor with a great splash, his wand falling from his limp right hand.”
  • Snape kills Dumbledore. “A jet of green light shot from the end of Snape’s wand and hit Dumbledore squarely in the chest. Harry’s scream of horror never left him; silent and unmoving, he was forced to watch as Dumbledore was blasted into the air. For a split second, he seemed to hang suspended beneath the shining skull, and then he fell slowly backward, like a great rag doll, over the battlements and out of sight.”
  • Dumbledore and Harry are attacked by Inferius. “The surface of the lake was no longer mirror-smooth; it was churning, and everywhere Harry looked, white heads and hands were emerging from the dark water, mem and women and children with sunken, sightless eyes were moving toward the rock: an army of the dead rising from the black water.”
  • There is a fight when Death Eaters get into Hogwarts. It takes place over seven pages. “One of the fighters detached themselves from the fray and flew at him: It was the werewolf, Fenrir. He was on top of Harry before Harry could raise his wand: Harry fell backward, with filthy matted hair in his face, the stench of sweat and blood filling his nose and mouth.” Later, a Death Eater “slashed at the air: Harry felt a white-hot, whiplike something hit him across the face and was slammed backward into the ground. Spots of light burst in front of his eyes.”

Drugs and Alcohol

  • The Minister of Magic offers the Prime Minister whisky during a meeting.
  • Snape serves wine to his visitors. “Snape poured out three glasses of bloodred wine and handed two of them to the sisters.”
  • When Dumbledore picks Harry up at the Dursleys, he conjures a glass of “Madam Rosmerta’s finest oak-matured mead” for everyone. The Dursleys don’t drink it, but Harry, “sipped. He had never tasted anything like it before, but enjoyed it immensely.”
  • The headmistress of an orphanage gets tipsy on gin during a meeting with Dumbledore. “It soon became clear that Mrs. Cole was no novice when it came to gin drinking. Pouring both of them a generous measure, she drained her own glass in one gulp.”
  • Professor Trelawny often leaves “a whiff of cooking sherry behind her.”
  • Harry is given Chocolate Cauldrons with firewhisky in them, but he does not eat them.
  • A professor has a “glass of mead in one hand” during a party.
  • After Christmas, the Fat Lady is hungover because she and her friend “drank their way through all the wine in that picture of drunk monks.”
  • Dumbledore “handed Voldemort a goblet of wine” when Tom Riddle applied to be a teacher at Hogwarts, many years ago.
  • Ron is poisoned by a glass of mead. “Ron had dropped his glass; he half-rose from his chair and then crumpled, his extremities jerking uncontrollably. Foam was dribbling from his mouth, and his eyes were bulging from their sockets.”
  • Professor Slughorn and Hagrid get drunk after a funeral. The scene takes place over seven pages. At one point, Hagrid and Slughorn were sitting side by side, arms around each other, singing a slow sad song about a dying wizard called Odo.”

Language

  • Damn and hell are used a few times. For example, Harry says Snape, “didn’t think my mother was worth a damn either.”
  • Mr. Dursley yells, “what the hell is that?” when he sees a house elf.
  • Ron calls his brothers gits.

Supernatural

  • Harry Potter goes to a school of wizards and is a part of an entire world of magic. His studies include divination, potions, and defense against the dark arts. He goes to school in a castle with magical rooms, house elves, and a potion master who can brew liquid luck. He encounters borrowed memories, the magical equivalent of zombies, and a prophecy. In short, Harry is surrounded by magic and supernatural occurrences every day of his life. As such, not all instances are listed here.
  • Although the series revolves around magic, the story does not encourage children to try magic on their own. To cast a spell, wizards simply say a word and wave their wand. For example, saying luminos casts light.
  • Professor Trelawney made a prophecy about the Dark Lord before Harry was born. She does not remember making the prophecy afterward, but it is stored in a secret Hall of Prophecies hidden in the Ministry of Magic.

Spiritual Content

  • There are ghosts in the castle that behave like regular (although transparent) people. One of Harry’s teachers is even a ghost.
  • He-Who-Must-Not-Be-Named splits his soul and hides pieces of his soul in precious, hidden objects. His goal is to become immortal and unkillable. If he is killed, the pieces of his soul remain, and therefore he cannot truly die.

by Morgan Lynn

 

 

The Lonely Dead

For years, doctors have told Adele that she has schizophrenia, that the ghosts she sees are just a figment of her imagination. Adele is tired of living in a drug-induced fog and decides to ditch the drugs. But now the ghosts are back. When Adele finds her ex-best friend’s body and her ghost, she realizes the dead aren’t really dead and only she can talk to them.

When Tori’s body is found in a shallow grave, the police focus their investigation on Adele. As the prime suspect in the murder, Adele decides to find the killer, which means working with Tori’s ghost. When Tori begins questioning others, danger comes from all directions. Will she be able to find the murderer or will the murderer silence Adele forever?

The Lonely Dead has an interesting premise but lacks suspense or any sense of urgency. Adele lacks personality and common sense. In her search to find the killer, the clues come too easily and she makes unwise choices. It is difficult to believe that she would trust a murder suspect just because the suspect is good-looking. Even though Tori’s death should add a tragic tone to the story, it is hard to feel sorry for the self-centered girl who was mean to everyone and lacked self-control.

The story teaches about the dangers of alcohol and the importance of being aware of one’s surroundings. However, the author takes the idea of a blackout too far. Tori does not know who killed her because she blacked out, and Adele wonders if she blacked out and then killed Tori. Not only is this unrealistic, but Adele’s confusion borders on the absurd.

Adele is surrounded by turmoil; both her mother and grandmother died due to mental disorders, her harsh grandfather gives her little support, and she is friendless. The story focuses too much on Adele’s inner monologue as well as her past struggles. Instead of being interesting, the family’s background takes away from the murder mystery and adds little to the story. To make matters worse, the police, the student teacher, and the psychologist are all portrayed in a negative light.

One good point of the story is the focus on Tori’s bad behavior. Adele points out that Tori hurt people when she ignored them. Adele said, “You might not ever have laid a hand on them, but it still hurts when someone acts like you’re not even there.” You may want to avoid The Lonely Dead since the murder mystery lacks interesting characters, surprises, or a sense of urgency.

Sexual Content

  • Adele goes to kiss a boy. “My improvised plan is to cover his mouth with my thumbs and then kiss them. It’s a game kids used to play. . . And instead of kissing my thumbs, I press my lips against Charlie’s warm, soft ones.”
  • While playing hide and seek at a party, Adele ends up in a closet with Tori’s boyfriend, Luke. They kiss. Adele, “found my mouth suddenly pressed against his. We weren’t making a sound, but it was like everything inside of me was singing and shouting. I was alive and kissing. . . Under my hands, his shoulders were taunt with muscle. My nose filled with his sharp smell that was at once familiar and not. His mouth tasted like beer.” Tori finds them.
  • At the party, Tori was “dirty dancing with some of the guys, even at one point dropping the straps on her dress and flashing everyone.”
  • Someone says that Tori was “all over Ethan” even though he has a girlfriend.
  • Tori implied that she had a sexual relationship with a student teacher and “that it was her idea.”
  • One of the character’s dads was cheating on his wife, so she kicks him out of the house.
  • Luke kisses Adele. She thinks, “Luke’s lips are so soft, but then they press into me hard. I freeze. My heart pulses in my ears. My skin feels tight. It’s like I’m drowning, like there isn’t enough air.”
  • Adele kisses Charlie. “I put my arms around him. Then I close my eyes and press my mouth to Charlie’s. Just as I remember, his lips are soft and warm, and he tastes like peppermint.”

Violence

  • The story revolves around discovering who murdered Tori. When Adele finds the body, she discovers a “dark line that runs across her throat. She wasn’t choked with hands, but with something like a thin rope. Other, shallower red marks run from just under her chin to the hollow of her throat. Tori must have clawed her own skin, trying to save herself. On the back of her neck, the dark line ends in two purple-red oval bruises.”
  • Tori said her father never “leaves bruises,” but “he’s pushed me a few times when I made him mad. Once he grabbed me and wouldn’t let me go to a party.”
  • Adele meets the ghost of a prostitute that was killed by a customer. The ghost tells Adele, “The guy who did it was one of my regulars.”
  • When Adele’s grandfather discovers that Adele has stopped taking her medication, he slaps her. “My mouth falls open as the blood rushes to my stinging skin.”
  • A girl accuses Adele of killing Tori, then pushes Adele. Someone throws something at Adele. Luke steps in to protect Adele, and fists are thrown. “Then Luke hits him square in the nose. Justin staggers back, blood slicking his upper lip.” A girl slips and hurts her arm.
  • The person who killed Tori tries to kill Adele. “He shifts his grip, and the leash tightens even further, making me cough.” Adele hits the person in the throat and is able to escape. There is a chase and Adele is able to hit the person with a board. “It hits his head with a sound like a cantaloupe falling to the floor.” The person is arrested.

Drugs and Alcohol

  • When Adele is walking through the park, a girl calls out to her. Adele thinks, “I’m afraid of homeless guys, of drunk guys, of guys who might try to drag me into the bushes. Not of some girl who knows my name.”
  • Adele wonders if her friend is drunk or on drugs.
  • Adele sees ghosts, but her doctor and grandfather think she is schizophrenic. She is supposed to take pills to keep her from being delusional. Adele doesn’t like taking drugs because they “bleed the color from everything. How they make me feel dizzy and drowsy and sick to my stomach.”
  • Adele attends Tori’s party, where teens are drinking alcohol. The ghost of Tori doesn’t remember much about the party because she was drinking “shots.” When Adele saw Tori at the party, “she had a glass in her hand, and half of those times she was shouting ‘Shots’ then tossing down her drink.” The class discusses the dangers of drinking including alcohol poisoning and blackouts.
  • A class assignment asks students to think about Dwight. He “drinks on weekends, he turns into a different person. He is belligerent and aggressive, and often gets into fights.”
  • At the funeral viewing, “cigarette and even pot smoke lingers in the air, and a few of my classmates are tipping back flasks I’m pretty sure hold more than just water.”

Language

  • Oh God and Oh my God are used several times as exclamations.
  • Hell is used three times. For example, when Tori finds Adele kissing her boyfriend, she yells, “What the hell? What the actual hell?”
  • Crap, damn, and pissed are used once.
  • Tori calls Luke a jerk.

Supernatural

  • Adele can see and talk to ghosts of people and animals. The dead are tethered to their body by a cord that runs to their bodies ’ skull. Tori says that some ghosts, “who’ve been here a long time say that folks from really old graves keep getting fainter and fainter. A couple have just disappeared. And people who’re cremated—they say you never see them at all, even if the remains are buried here on the grounds.”
  • Adele meets the ghost of a girl who died on the Oregon Trail. The ghost tells her that wolves would dig up the graves. While on the trail she saw, “an arm lying in the wagon ruts. Just an arm. We never could find the grave from which it came.”

Spiritual Content

  • Tori wonders if she is in “limbo.” But Adele tells her, “I think the Catholics did away with that.” Then Tori asks, “So is this hell? Being stuck here with no one to talk to besides you?”
  • After Tori dies, she realizes how painful it is to have people ignore her, and she says, “Maybe God has a sense of humor.”

Cheating at Solitaire

Julia James has made a career of being single. Her self-help books have helped millions learn to be happy without a man. Her fame, fortune, and future all depend on her staying happily single. When her latest book, 101 Ways to Cheat at Solitaire, is about to hit shelves, the unthinkable happens.

A picture of Julia and a gorgeous out-of-work actor hit the papers. The papers speculate the queen of single has finally found a man. Some women think Julia’s hot romance shows that anyone can find a man and happiness. Other women think that Julia has betrayed all single women. As the debate rages on, Julia’s credibility and book sales hit rock bottom. In order to save her reputation and hide from the press, Julia heads to her home in Oklahoma. The only problem is that the hot actor has decided to hide with her.

Cheating at Solitaire is a fast-paced, fun romance that takes a humorous look at falling in love. Julia is a relatable character who worries about her weight, her reputation, and how to stay on top of the game. She hides her many insecurities and has perfected being alone. Julia clearly does not know how to handle having a hot man around. The interaction between Julia and Lance is humorous and heart-warming. Even though the story focuses on their complicated relationship, it doesn’t follow the typical romantic format.

Julia’s family is full of interesting characters who add depth to the story and highlight the importance of supporting family. Although Ally Carter has made her name writing teen fiction, her debut novel Cheating at Solitaire is aimed at adults. Nevertheless, the easy-to-read story is still appropriate for teens who are fans of Ally Carter. Cheating at Solitaire doesn’t have the same intrigue as her teen novels, but for readers looking for a funny, flirty romance the story hits the target.

Sexual Content

  • When a picture of Lance and Julia appears in the newspaper, several people “congratulated him on ‘getting some of that.’”
  • Julia was admiring how Lance looked in a suit when, “like a magnet, her hand was drawn to a piece of nonexistent lint. Her fingers lingered a little longer than she had intended, and Lance suddenly grabbed her wrist. He put his other arm around her waist and pulled her lightly to him. Electric sparks sizzled up and down her spine.”
  • There is a rumor that Julia is pregnant.
  • Lance asks Julia if he can kiss her. She gets upset and leaves.

Violence

  • Lance covers Julia’s mouth so she will stop talking. When he moves his hand away, “she bit—hard. . . Lance moved away from her and studied the red semicircle that surrounded the knuckle on his pinkie.”
  • The paparazzi tried to take a picture of Julia. “. . .the photographers closed in, pinning her with no escape. Desperate, she grabbed a makeup case from the luggage cart and swung it at the offending light. She heard a crash and a crunch like breaking glass. Feeling the rhythm, she swung again and again.”
  • A man shoves Julia against a wall. “She crashed and felt her elbow bang sharply. . .” Lance steps in, and the man leaves.

Drugs and Alcohol

  • Lance goes into a restaurant and approaches a woman he does not know. He thinks that he’s “looking at the kind of woman a normal man would probably only approach if he was drunk or on a dare.”
  • Lance and Julia attend a party where “free booze” is served.
  • Myrtle, a neighbor, drinks “judging by the number of whisky bottles Myrtle hauls to the curb on recycling days.” Lance runs into her while she is drunk. “Myrtle was sloshed. She wasn’t stumbling or slurring her words like a cheap, once-in-a-blue-moon drunk. Instead, she had the body control of a full-fledged alcoholic.”
  • A drunk neighbor thinks Lance is a stripper.

Language

  • Profanity is used occasionally. Each word is used once or twice. Profanity includes ass, crap, damn, shit, and hell.
  • A woman tells Julia that her son’s “sorry SOB of a father ran off.”
  • A man calls Julia a bitch.
  • Julia’s aunt “feels like bitching.”

Supernatural

  • None

Spiritual Content

  • Lance is “grateful that God had granted him naturally straight teeth and a better-than-average metabolism.”
  • Julia “said a silent prayer of thanks” that no one noticed her friend wearing the same dress as her.

The Siren

Kahlen and her parents are on a luxury ship when suddenly the passengers begin jumping overboard and the ship sinks. In a panic, Kahlen calls out—she doesn’t want to die. The Ocean itself saves Kahlen and demands that she serve as a siren for 100 years. Kahlen and the other sirens use their beauty and deadly voice to lure humans to their deaths. Kahlen mourns for the strangers that she causes to die, but she is obedient to the Ocean who spared her life.

Kahlen loves her sisters but is looking forward to being released from her siren duties. In twenty years, Kahlen will be a regular human girl. But then she meets Akinli and falls hopelessly in love. Will she risk everything to be with the boy of her dreams? Or will the Ocean kill their love forever?

The story is told from Kahlen’s point of view. Much of the conflict in the story comes from the internal struggle of the sweet, submissive siren. After one date, Kahlen is so in love with Akinli that she cannot live without him. Akinli appears so infrequently that the readers will be left wondering why Kahlen is head over heels in love with him. Although their romance drives the story, there is not enough interaction and chemistry between the two to keep readers emotionally interested in the outcome of their tragic love story.

Although the siren’s world is interesting, most of the time the girls live on land, blending in with ordinary humans. Not only is the sea world underdeveloped, but so are Kahlen’s sister sirens. However, it is clear that the sirens care for each other and will go to any lengths to help each other. Having the Ocean as a character adds interest, but unfortunately, the possessiveness of the Ocean makes the sirens go to great lengths to hide their deeds from her. In the end, the Ocean is much like a possessive, overbearing mother who only thinks of her own needs.

Similar to Cass’s Selection series, The Siren is an easy-to-read story that follows one girl’s struggle. However, The Siren lacks the action of the Selection series. The Siren is like Romeo and Juliet without the fight scenes. For readers who don’t mind spending an entire book reflecting on one character’s internal struggle, The Siren will be an enjoyable read.

Sexual Content

  • Elizabeth goes to bars to find men where she is “quietly luring boys to bed.” She goes home with the men. “Elizabeth could regularly go to a stranger’s apartment, be as intimate as two people could be. . .”
  • Elizabeth says she has “shared plenty of . . . fluids with human men.”
  • Akinli and Kahlen kiss twice. “With my face still cupped in Akinli’s hand, he kissed me. It was brief, but it was enough to send fireworks running down my veins.”

Violence

  • When explaining the background of sirens, Kahlen thinks about a siren that “used her voice to make three girls who had teased her jump into a well . . . She’d put an entire town in an uproar, and the Ocean had silenced her to keep our secret.” Another Siren “murdered a household of people in the night, including an infant, in an outburst. . .”
  • Padma’s father tried to kill her because girls are “too expensive.” When the sirens find her in the ocean, her clothes, “Had been viciously ripped at. There were fresh bruises all over her arms and legs, but most horrifically, when we followed the trail of welts to her ankles and wrists, we saw there were cinder blocks tied to her, keeping her trapped.”
  • The sirens cause a cruise ship to crash and all the people on the ship die. “All around us, people plunged into the water, their fine dresses and slacks seeming grotesque against the backdrop of so much death. . . We sang until the last scream quieted, until the ship was resting on the Ocean floor.” The scene is described over three pages.
  • When a homeless man attacks Elizabeth, “She whispered in his ear to get him off her, and he threw himself into the Hudson.”
  • When the sirens cause a ship to crash, one man calls out to the girls until his voice was “thicker with gargled water” and then he died.
  • Padma and two others kill Padma’s parents because “none of us could allow her to live in the same world as her abusers did.” Their murder is not described.
  • The Ocean threatens to kill Padma. The Ocean “ripped Padma from Elizabeth’s arms, holding her in a vice grip of nothing but water. Padma screamed, trying to move her arms, but was completely paralyzed.”

Drugs and Alcohol

  • Kahlen goes out with her siren sisters and had “two drinks, hoping to take the edge off my nerves.”
  • Elizabeth goes to bars to pick up men. One evening, she chooses a boy who had “more to drink that she realized, and he passed out at their table.”
  • Akinli shows Kahlen a picture of him and another guy; the other guy “had a beer in his hand.”

Language

  • One of the characters says his roommate, “took lessons in how to be an ass.”
  • Damn is used twice.
  • Crap is used once.
  • Hell is used three times. For example, Kahlen yells at the Ocean, “Get the hell out of my head!”

Supernatural

  • The story revolves around sirens who are “servants to the Ocean” for a hundred years.
  • The Ocean is a living being that must feed on humans to survive.
  • The Ocean changes the girls into sirens. When Padma is changed, “The Ocean opened Padma’s mouth and forced a strange, dark liquid down her throat. . .” The change makes it so that the girls do not age, but their voices are deadly.
  • Akinli and Kahlen are dying from a mysterious illness. The Ocean explains, “If he hadn’t heard your voice, he’d be fine. . . Now, what happens to one body happens to the other. And since your voice has taken hold of him, killing him slowly, you fall down with him.”

Spiritual Content

  • Kahlen said a prayer.

I Hunt Killers

Jasper Francis Dent, who goes by Jazz, is the son of a famous serial killer who has been imprisoned for four years, but still has lasting effects on the boy’s life. Although Jazz is plagued by memories of the teachings his father gave to him, Jazz was almost adapting to living normally. He took care of his grandmother and had a best friend and girlfriend.

However, a serial killer imitating his father causes Jazz to change his life drastically. Instead of following in his father’s footsteps, he uses the inner workings of a serial killer’s mind to try to find out who is committing the murders. Jazz has to deal with reporters constantly hounding him, a sheriff who won’t let him look into the investigation, and a killer who is always one step ahead of everyone else.

I Hunt Killers has an exciting premise that hooks readers instantly. The story immediately throws Jazz into a crime scene surrounding a dead body. The gore and violence that the book opens up with are present throughout, but so is the thrill Jazz experiences trying to discover who committed the crime. The characters are well developed, unique, and convincing.

Jazz’s character is relatable because of his complexity and his competing desires. The reader is given a glimpse into Jazz’s thought process and is allowed to see his torment. Jazz wants to do good, but also struggles with the darker parts of himself, those parts that might be like this father. The themes in the book seem somewhat forced at times, but also provide messages related to independence, persevering through difficulty, and breaking cycles of abuse.

The book contains a somewhat predictable story, although the characters are unique and compelling. The story is written in a very approachable way, utilizing understandable language that clearly and quickly conveys Lyga’s message. At times, it seems like Jasper almost magically discovers clues to his victim. It is difficult to believe that a thirteen year old would reach the conclusions he does. This results in many of the revelations in the story feeling somewhat forced, and the twists feeling less surprising.

I Hunt Killers is a dark, disturbing, character-focused mystery in which the plot is often overlooked in favor of humor or graphic violence. Its story is predictable, but is otherwise an enticing read. The story shows the horrific nature of brutal crimes. Readers will want to take caution before picking up I Hunt Killers because of the subject matter, the graphic crime scenes, and the mind games that are played throughout the story.

Sexual Content

  • Many of the dead bodies in the book, including the first one, are found naked.
  • Jazz thinks of a time he and his girlfriend spent “tangled up” at their hideout.
  • Jazz says that another character’s reaction “felt like he’d just seen a nun do a striptease.”
  • Jazz mentions having a pistol pointed at his “thirteen-year-old junk” in a memory from when his dad was first apprehended. He is seventeen at the time the book takes place.
  • Howie wonders if the killer was just “having sex and stuff” and suggests that the killer’s girlfriend might have just hit her head and had a heart attack, resulting in him abandoning her at the scene.
  • Howie perks up at the mention of “cleavage” while a dead body is investigated.
  • Howie and Jazz contemplate whether or not the killer “did stuff” to his victim.
  • Jazz and Connie kiss several times. Their kisses range from a “quick kiss on the lips” to “kissing and groping” that includes descriptive visuals such as “the soft insistence of Connie’s plush lips, to the warm of her tongue” and “a long, lingering kiss that warmed him [Jasper] all over.”
  • Connie and Jazz spend the beginning of rehearsal “feverishly kissing and groping back in the wings.”
  • A character is suspected to have “entertained some R-rated fantasies about the girls in his class.”
  • Jazz says that “if you were in a room alone with her [Harriet Klein], you’d feel it.”
  • Gramma Dent accuses Jazz of “Putting [his] thing inside them [whores]!”
  • Jazz explains how serial killers often “jerk off” after revisiting crime scenes, which Howie says “ruined masturbation” for him.
  • Howie calls a toe ring “sexy.”
  • Jazz thinks about how he is obsessed with sex. “He was terrified of sex. Like every teenage boy, he was obsessed with it, of course, and wanted to have as much of it as humanly possible…”
  • When Connie sits on Jazz’s lap, “he felt himself respond to her weight in his lap the only way a teen boy should respond.” Then, Connie adjusts herself in Jazz’s lap and grinds “her butt into his groin in that special pleasant/painful way.”
  • Connie mentions how people dream about “having sex with a supermodel.”
  • A character whose initials are “VD” reminds Howie of “venereal disease.”
  • Jazz remembers how a female character’s breasts had pressed against him when they hugged.
  • When Howie is hospitalized, Jazz asks jokingly if he wants “a hot nurse and a stripper pole.”
  • Jazz recounts that one of Billy Dent’s victims was “sexually assaulted, invaded both vaginally and rectally.”
  • Jazz suspects that the killer used “a sex toy or something” on one of his victims.
  • Jazz says to Connie, “I bet I could warm you up,” implying sex. Connie “shifted, locking her ankles together.”
  • Jazz thinks that “any straight male snuggling with Connie would be desperate to get those jeans off.”
  • Gramma Dent, upon seeing a horde of reporters outside her home, believes they are enemy warriors and yells that “They’re gonna rape mongrel babies into me!”
  • Howie suggests to Jazz that he “stick [his] tongue down her [Connie’s] throat.”
  • Billy Dent asks if Jazz has “a little piece of tail [he] like[s] to bang,” and if “girls. . . line up for a taste of [his] dick.”
  • Billy Dent talks to his son and asks, “are you always the one buyin’ the rubbers? Hmm? Or maybe she’s on that pill? Cause you can’t always trust ‘em, Jasper. You look at them rubbers real close-like, see?”
  • Billy asks Jazz to “Tell Dear Old Dad your little pussy’s name.”
  • Billy describes a victim with “Perfect little titties.”
  • Billy says to Jazz “I’m glad you’re getting’ your dick wet.”
  • Billy is suspected to have left semen and committed rape at a murder scene.
  • G. William searched Jazz and placed a hand “uncomfortably close to the family jewels.”

Violence

  • The book opens up with a police scene surrounding a dead body, and it is made clear that this will be a common theme in the novel.
  • There are multiple instances of body bags being opened or used to store/view bodies. “Two cops approached the corpse with a body bag hanging limp between them… he focused on the struggle with the body bag.”
  • Jazz often imagines entering violent scenarios with different characters.
  • The killer’s specialty is to sever his victim’s fingers. Removed fingers are referred to as excised digits.
  • Billy Dent killed over one hundred people, whose deaths are frequently referenced.
  • Jazz experiences memories of his father describing his methods to commit murder. “Good boy. Good boy. (one cut, two cuts) Just like that.”
  • Vivid descriptions of dead bodies are provided. “Dead female Caucasian… Found at least two miles from anywhere in any direction. Naked. No apparent bruising. Missing fingers.”
  • Billy Dent kept trophies from his victims.
  • Jazz has what looks like the “biggest god-damn pistol in the entire universe [pointed] right at [his] thirteen-year-old junk.”
  • The experimentation process of serial killers is described as they try new methods of violence. “And they experiment. Cutting off the fingers…”
  • G. William threatens to shoot Jazz.
  • Jazz “was certain that the next day would have seen G. William dead by his own hand” if Billy Dent had not been found.
  • Jazz imagines cutting a finger off.
  • Jazz says that the death isn’t just “Joe-Bob McHick smacking around his girlfriend and then leaving her to die.”
  • An autopsy is performed on a corpse.
  • Jazz imagines G. William drawing his service revolver and putting “two slugs into his center of mass.”
  • A joke is made about pointing an excised finger.
  • Howie is a “type-A hemophiliac, which meant that he bled if you looked at him too hard,” and experiences large amounts of bleeding in the novel.
  • Jazz beat up Howie’s bullies.
  • Jazz experiences a bloody nose.
  • A reference is made to Hannibal Lecter, the cannibal villain.
  • Jazz thinks a crime would be easier to identify if there had been “some sort of savagery before death—torture, cutting mutilation…”
  • Victims are strangled.
  • During the investigation of a body, eyelids are peeled back.
  • Howie’s face bleeds profusely from a nosebleed.
  • Genocide and famine are referenced.
  • A body is nailed naked to a ceiling in a church. “Her head lolling downward, her limbs bearing the weight of her body. When the reverend who found the body called the police, the skin and muscle were already coming loose.”
  • An angered parent of a victim threatened to kidnap Jazz and perform his father’s crimes on him.
  • Eyes are removed from a corpse and fed to cats.
  • There are multiple references to famous serial killers.
  • Gramma Dent often threatens people with a shotgun.
  • Jazz imagines a character having a “Glock or Magnum” in their purse.
  • Jazz’s grandmother smacks him multiple times.
  • Billy Dent disjointed a corpse.
  • Billy Dent is said to have raped and abused his victims as well as killed them.“He tormented them. Tortured them. Raped them and abused them.” More details are given later on when Billy Dent’s victim is described as “Sexually assaulted, invaded both vaginally and rectally.”
  • Jazz imagines ripping out a character’s larynx.
  • Jazz wonders why Billy has not been shanked in prison, as well as why he hasn’t committed suicide.

Drugs and Alcohol

  • G. William is said to very rarely drink.
  • Jazz gives his grandmother a “poor man’s sedative” so that he can go out without her arguing.
  • Jazz also puts a “powerful tranquilizer” in his grandmother’s breakfast for a similar purpose.
  • Jazz’s grandmother is sedated and held captive by the novel’s antagonist.
  • Jazz “clambered down the fire escape like a monkey on crystal meth.”

Language

  • There is an immense amount of profanity including crap, Christ, God, Devil/Satan, Hell, idiot, moron, badass, douche, goddamn, demon, piss, whores, ho, bastard, ass, hellfire, jackass, smart-ass, butt, buttocks, damn, BS, pussy, titties, dick, bitch.
  • When Jazz tells G. William that he had been spying on the crime scene at the beginning of the book, “G. William slammed a fist on the desk and swore.”
  • A killer leaves behind his victim’s middle finger while taking other digits.
  • Doug Weathers is called a “bottom-feeding moron.”
  • Jazz and Howie say “bros before hos.”
  • Gramma Dent uses the “hellfire o’ Jesus” as an exclamation.
  • Jazz exclaims “Jesus!” at one point.
  • Connie gasps “Oh my God.”
  • Billy Dent is said to have “a real PhD in slinging high-grade horse manure.”

Supernatural

  • Witchcraft and witches are mentioned as a part of the Salem Witch Trials that took place in The Crucible.

Spiritual Content

  • G. William is said to have “catholic guilt.”
  • The Devil/Satan, demons, Heaven, Christ, and God are mentioned as slurs, although not in actual religious contexts.
  • Jazz describes faith as “being certain of something without any kind of evidence.”
  • Howie says that he “deftly avoids the crushing throngs of heathens.”
  • The Crucible is being performed by Jazz’s drama group, and he acts as a reverend in the play during the witch trials that were performed in Salem by the Puritans.
  • A quote from The Crucible says “Theology, sir, is a fortress; no crack in a fortress may be accounted small.”
  • A quote from The Crucible says “Man, remember, until an hour before the Devil fell, God thought him beautiful in Heaven.”
  • Gramma Dent has a collection of “religious dogma.”
  • Billy Dent says that “Cain slew Abel, all under God’s eye” as justification for his murders, specifically of Jasper’s dog Rusty.
  • Jazz asks that “God bless Ginny Davis.”
  • Billy Dent describes the sound of someone dying as “sacred an’ holy.”
  • Gramma Dent cries out “Praise God!”
  • Jasper’s grandmother recalls how she had “said all her Hail Marys” when she shifts into the persona of a young girl.
  • Billy Dent claims he is the god of his victims.
  • Jazz says Billy “had been a god” that he worshiped, although later states that Billy “had been a devil, not a god.”
  • Billy sighs “as if asking the Good Lord.”
  • A serial killer believes that Billy Dent, a serial killer, is a god, and that Jasper is a “child of divinity.”

by Dylan Chilcoat

 

Fangirl

Cath is the world’s biggest Simon Snow fan. Simon Snow is her everything—his magical world consumes Cath until her entire world revolves around it. Ever since she was little, she and her twin sister Wren poured over the series, continually reading and re-reading, and eventually writing. In Cath’s case, writing an extremely popular fanfiction that has hundreds of thousands of followers. Cath loves being immersed in this fictional world with her sister, but she must soon face reality.

Cath’s freshman year of college is quickly approaching, and in addition to having to pull herself out of her Simon Snow hole, she has to deal with an entirely new obstacle— her sister. As they have been best friends for the entirety of their lives, Cath is shocked when Wren suddenly decides that she does not want to be roommates for their freshman year. This causes Cath’s social anxiety to spiral as she attempts to survive in a new collegiate world without her sister.

Cath is grappling with her pressure-filled, Simon Snow fanfiction and the rough transition to college. Additionally, her emotionally fragile, single father is alone for the first time in eighteen years, and she can’t help but worry about what might happen to him in her absence. She also must confront new feelings towards a male classmate who only seems to want to talk about writing, and a wild roommate with a fascinating best friend.  Can Cath hold it all together while the world around her feels like it is all falling apart?

Fangirl is a delightful coming-of-age novel that accurately encapsulates the strong emotional response to the transition to university. Cath’s struggles with her mental health and social anxiety are relatable to modern-day teens, particularly those leaving home for the first time. Her relationship with her sister represents the drifting apart from friends and siblings that can occur as a person grows up.

Despite this novel’s enthralling story and heartfelt characters, Fangirl may not be appropriate for younger audiences. As it is set in college, there are mature events and themes. Sexuality, alcohol, and drugs are discussed often, making the story more appropriate for older readers.  Fangirl is also a long and semi-difficult book due to more advanced vocabulary and complex plot lines, making it tough for less advanced readers. For mature readers, Fangirl will be a highly enjoyable read that delves into the depths of a teen’s emotions and life.

Sexual Content

  • When Cath’s roommate has a guy waiting outside their room on move-in day, she is very uncomfortable. She tells him, “I can’t just let strange guys into my room. I don’t even know your name. This whole situation is too rapey.”
  • Cath writes fanfiction about the homosexual romance between Simon Snow and his nemesis Baz.
  • Cath had a boyfriend in high school named Abel, but they weren’t particularly serious or romantic. Wren always calls him an “end table” and accuses Cath of not liking to kiss him.
  • Wren’s high school boyfriend Jesse never seemed all that interested in her, which made her crazy for him. Cath laments, “He never had eyes only for Wren, not even after they had sex last fall. It threw off Wren’s game.”
  • Cath’s roommate Reagan asks if she has, “gay homemade Simon Snow posters.”
  • Levi wants to walk Cath to the library at night because she has a “little red riding hood vibe.” Cath responds by saying, “I don’t think rapists care about self-confidence.”
  • When writing with Nick, Cath tells him that she doesn’t want, “to write about, like, dead bodies or . . . naked bodies.”
  • Cath talks to Wren about the first time that she kissed Abel. “He kissed me that day, on our seventeenth birthday, for the first time. Or maybe I kissed him… I remember thinking… that he made me feel safe.”
  • Cath tells Wren about her writing sessions with Nick. Wren responds by asking, “Does it involve kissing?” Cath thinks to herself, “Wren wouldn’t leave the kissing thing alone. Ever since Abel had dumped Cath, Wren was on her about chasing her passions and letting loose the beast within.” After this point, Cath sees boys everywhere and as a constant distraction to her, particularly their physical qualities.
  • Cath gets a ride home with a girl named Erin who talked too much. “All she talked about was her boyfriend who still lived in Omaha and who was probably cheating on her.”
  • Cath writes Simon Snow fanfiction for her creative writing professor. A friend responds to this information by laughing and asking, “Do you really expect an elderly English professor to be down with gay Simon Snow fanfiction?”
  • Levi wants her to read fanfiction aloud to him. She searches her computer for something, “not too romantic. Or dirty.”
  • Cath describes the time after her mom left their family and says that Wren, “scratched a boy who said they were gay in the eye.”
  • There is an excerpt from Cath’s fanfiction that carries sexual innuendo. Baz asks, “Have you ever done this before?” Simon responds, “Yes. Not like this.” Baz then asks, “Not with a boy?” and Simon responds, “Not when I really wanted it.”
  • Levi leans against Cath when she is reading to him, making her nervous about what their relationship status is. This is followed by Levi sleepily kissing her. A half-page make-out scene follows.
  • When Cath tries to convince herself that she does not want romantic involvement with Levi, she says, “He’s different… He’s older. He smokes. And he drinks. And he’s probably had sex. I mean, he looks like he has.” She then proceeds to think that the last person that he slept with was Reagan.
  • When Reagan helps Cath get ready for a party, she discusses her hair, saying, “If you’re not going to blow it out… you may as well look like you’ve just been fucked.”
  • When Cath gets to a party, she sees Levi kissing a girl, “with his mouth smiling and open. He made it look so easy.”
  • Every time Cath sees Levi, she is reminded of the relationship that they almost had. “She tried not looking at him— because every time she did, she imagined him kissing someone, either her or that other girl, and both memories were equally painful.”
  • When Cath tries to tell her father that she doesn’t want to go back to school, he first asks, “Are you pregnant? Are you gay? I’d rather you were gay than pregnant. Unless you’re pregnant. Then we’ll deal.”
  • After Cath makes up with Levi, Reagan asks, “Did you sleep with him?” She proceeds to ask about their relationship, to which Cath responds, “Things you pressure me to do: one, underage drinking; two, prescription drug abuse; three, premarital sex.” Reagan then tells Cath that she lost her virginity to Levi.
  • Cath talks about her feelings towards Levi and says, “God, she wanted to tackle him and roll around in him like a cat in a field of daisies.” She also says that his eyebrows are, “pornographic.”
  • There are several make-out scenes, each lasting about a half-in page in length. They are fairly detailed.
  • Cath’s mother told her daughters about her unwanted pregnancy. Cath wonders if her mom told them as a warning to, “Stay away from men? Maybe just ‘use a condom.’ Or ‘stay away from men who don’t know how to work a condom.”
  • Levi and Cath talk about having sex, but she is not comfortable with it, so she consents to “touching.” Even in this situation, she must read fanfiction with him to feel comfortable.

Violence

  • Wren’s boyfriend Alejandro punched a “drunk pervert right in the chin” when they were at a bar.
  • Cath gets hit in the ribs by the doorknob of her dorm room door when Reagan barges in. She is not injured.
  • In Cath’s fanfiction, Simon fights a rabbit with his sword. Baz later kills it. “He ran toward the rabbit, holding his sword with both hands over his head, then plunged it with all his strength into one red eye. The rabbit collapsed, utterly limp, a paw falling into the fire.”

Drugs and Alcohol

  • Cath discusses the observation that all of the upperclassmen and professors wear black Ray-Ban frames. “If Cath got a pair of black Ray-Bans, she could probably order a gin and tonic around here without getting carded.”
  • Cath says that Reagan smokes.
  • Cath asks if engineering fraternities, “get drunk and build bridges.”
  • Wren declares that “drinking tequila is more about the journey than the destination.”
  • Reagan asks Cath if she is on drugs. When Cath responds with no, Reagan says, “maybe you should be…” Reagan later proclaims that she is on drugs and that they are, “a beautiful thing.”
  • Cath discusses illegal drinking on campus. She said that it didn’t matter on campus as “there was booze everywhere. Wren already had a fake ID.”
  • When Cath calls her dad, he says, “Don’t hang out with frat guys, Cath, they’re terrible. All they do is get drunk and watch
  • On weekend mornings, Reagan always looked like a mess because she, “drank too much and slept too little… She still smelled sweat and cigarette smoke.”
  • Cath is harassed by drunk perverts in a bar. The scene lasts several pages and many characters are inebriated.
  • Cath says that she does not want to go to Levi’s party because she doesn’t want to “drink, smoke, or get high.”
  • When Cath objects to dating Levi, Reagan says, “You’re making him sound like he’s some rowdy mountain man who like, smokes cigars and has sex with prostitutes.”
  • Cath’s date struggles with mental health issues and is supposed to take medication for his problem, but it never lasts as he believes it blocks his creative process.
  • Reagan tries to quit smoking by never lighting the cigarettes that are in her mouth.
  • Wren gets alcohol poisoning and is taken to the hospital. When Cath arrives, she has to answer a list of medical questions. “Was Wren a regular drinker? Did she often drink to drunkenness? Yes. Did she black out? Yes. Did she use any other drugs? I don’t know. Was she on any medication? Birth control.”
  • Nick always writes about girls with nicotine-stained fingers.

Language

  • Profanity is used frequently throughout the novel. This includes shit, fuck, fuck off, thank god, bitch, damn, hell, crap, ass, asshole, goddamn, and horseshit.
  • During move-in day, Reagan says, “If you’ve got feng shui issues, feel free to move my shit.”
  • Simon Snow calls Baz a, “complete git.” He also later calls him a “prat.”
  • Wren’s roommate says that she is on the “skinny bitch
  • Levi has an, “especially shitty truck.”
  • Wren flips off a drunken pervert at a bar.
  • When Cath looks in the mirror before going to a party she thinks she, “looked like exactly who she was— an eighteen-year-old nerd who knew eff-all about boys or parties.”
  • One character is always referred to as, “fucking Kelly.”
  • God, Jesus, oh my god, godforsaken, and Jesus Christ are all used frequently.

Supernatural

  • Cath is a huge fangirl for a book series about teenage magicians. Their exploits are often described, as are their uses of magic. This series is very similar in content and tone to Harry Potter.
  • Baz, a character from Simon Snow, is revealed to be a vampire.

Spiritual

  • Reagan tells Cath, “If God put me in your life to keep you from wearing a fucking tail… I accept the assignment.”
  • Levi calls the town that he is from, “god’s country…All the gods. Brahma and Odin would love it there.”
  • When Cath wears a ponytail, Reagan asks her, “Do you have to wear your hair like that? Is it some kind of Mormon thing?” Cath is not Mormon.
  • Cath’s English professor talks about the power of writing. She says, “Think about it, Cath. That’s what makes a god—or a mother. There’s nothing more intoxicating than creating something from nothing.”
  • The English professor says, “I can do whatever I want with my student’s grades. I’m the god of this small thing.”
  • Levi’s mom is active in her Baptist church.

by Morgan Filgas

 

Night

Although news of World War II reaches Elie and his family, they feel safe. They believe the Germans will never make it to their hometown of Sighet, Transylvania. But soon, the SS are in their town, but no one believes the horror stories of torture and death. And then, Elie and his family are taken from their home.

Night is Elie’s personal story, beginning at age 12. Elie, who was a deeply observant Jew, must confront the evil he witnesses while in the Auschwitz and Buchenwald concentration camps. He recalls the terrifying memories of the death of his family, the death of his own innocence, and the death of his beliefs. Elie wants others to understand that the cruelty of the camps and the death of innocents must never happen again.

Night uses powerful imagery that will stay with the reader for years. Unlike the Diary of Anne Frank, Night shows the horrors that took place during World War II. Elie often recalls people’s deaths, and he does not shy away from gruesome descriptions. Even though Elie describes the murder of many people including children, the descriptions are not bloody and do not glorify the events. As Elie describes the events that he experienced, he shows how the SS soldiers as well as ordinary people were cruel.

The real-life testimony in Night gives readers insight into the minds of the Jewish people and to the suffering of those who went to the concentration camp. Although the events are not easy to read about, Night is a must-read because everyone should understand how anti-Semitism played a part in the murder of over six million people. Through Elie’s journey, he chronicles his changing relationship with his God and with his father. He describes how the concentration made people act like animals, who were willing to kill for a crust of bread. The desperation and hopelessness of those in the concentration camp is difficult to read about, however, it sheds light on the conditions of the camps. Elie’s story will help readers understand the importance of standing up for those in need and hopefully prevent another Holocaust from taking place.

Sexual Content

  • While being deported in the cattle cars, “some of the young let go of their inhibitions and, under cover of darkness, caressed one another, without any thought of others, alone in the world.”
  • While moving prisoners from one camp to another, the guards flirted with some girls. “The girls giggled. They allowed themselves to be kissed, and tickled, bursting with laughter.”
  • At the concentration camp, some of the German’s “liked children” and brought them food, but “this affection was not entirely altruistic; there existed here a variable traffic of children among homosexuals.”
  • Elie accidentally saw one of the supervisors with a girl who was “half naked, on a straw mat.”

Violence

  • Moishe the Beadle is deported. Once in Polish territory, the train is taken over by the Gestapo. The Jews “were forced to dig huge trenches. When they had finished their work, the men from the Gestapo began theirs. Without passion or haste, they shot their prisoners, who were forced to approach the trench one by one and offer their necks. Infants were tossed into the air and used as targets for the machine guns.”
  • When the Jews were being deported, “The Hungarian police used their rifle butts, their clubs to indiscriminately strike old men and women, children and cripples.”
  • When Elie’s family was being deported, “the police were lashing out with their clubs.” The police also yelled at the Jews, “Move, you lazy good-for-nothings!”
  • While being deported in the cattle cars, a woman kept screaming. When she would not be quiet, “the young men bound and gagged her. When they actually struck her, people shouted their approval. . . She received several blows to the head, blows that could have been lethal.”
  • When Elie and his family got to Auschwitz, “strange-looking creatures, dressed in striped jackets and black pants, jumped into the wagon. Holding flashlights and sticks, they began to strike at us left and right. . .” As others were getting out of the train car, “an old man fell to the ground. Nearby, an SS man replaced his revolver in its holster.”
  • At Auschwitz, Elie saw, “flames, huge flames, were rising from a ditch. Something was being burned there. A truck drew close and unloaded its hold: small children. Babies! Yes, I did see this, with my own eyes. . . children thrown into the flames.”
  • While at the concentration camp, men were beaten often. Eliezer sees, “So many crazed men, so much shouting, so much brutality. Dozens of inmates were there to receive us, sticks in hand, striking anywhere, anyone, without reasons.”
  • When Eliezer’s father asks for the restroom, a Gypsy, “slapped my father with such force that he fell down and then crawled back to his place on all fours.”
  • When Elie and another man crossed paths, “he threw himself on me like a wild beast, beating me in the chest, on my head, throwing me to the ground and picking me up again, crushing me with even more silent blows, until I was covered in blood. . . Abruptly, he calmed down and sent me to work like nothing had happened. . .I was aching all over.”
  • A supervisor beat Elie’s father “with an iron bar. At first, my father simply doubled over under the blows, but then he seemed to break in two like an old tree struck by lightning.”
  • A supervisor had Elie lie down on a crate. Elie was then lashed with a whip. Elie “no longer felt anything except the lashes of the whip. . . It was over. I had not realized it, but I had fainted.”
  • During an air raid, a prisoner sneaks out to try to eat soup from a cauldron. The man, “thrust his head toward the still steaming liquid. We jumped at the sound of the shot. Falling to the ground, his face stained by the soup, the man writhed a few seconds at the base of the cauldron, and then he was still.”
  • After a prisoner stole food, he was hung. “The entire camp, block after block, filed past the hanged boy and stared at his extinguished eyes, the tongue hanging from his gaping mouth.”
  • Another time, three prisoners including a “little pipel, a sad-eyed angel” were hung. The other prisoners were forced to walk by them. When Elie walked by the dead, “The two men were no longer alive, but the third rope was still moving; the child, too light, was still breathing. And so he remained for more than half an hour, lingering between life and death, writhing before our eyes. . . His tongue was still red, his eyes not yet extinguished.”
  • As the SS was evacuating the camp, “From time to time, a shot exploded in the darkness. . . Their fingers on the triggers, they did not deprive themselves of the pleasure. If one of us stopped for a second, a quick shot eliminated the filthy dog.”
  • Someone tried to strangle Elie.
  • A man’s son kills him for a piece of bread. The son tries to eat the bread, but “two men had been watching him. They jumped him. Others joined in. When they withdrew, there were two dead bodies next to me, the father and son.”

Drugs and Alcohol

  • None

Language

  • At Auschwitz, someone yells at the inmates, “Sons of bitches, why have you come here?”

Supernatural

  • None

Spiritual Content

  • Eliezer describes his spiritual relationship with God throughout the book. Not all quotes are included in the review because a main theme through the book is Elie’s changing relationship with God.
  • Moishe the Beadle is guiding Elie’s studies of Kabbalah. Moishe the Beadle says, “Man comes closer to God through the questions he asks Him, he liked to say. Therein lies true dialogue. Man asks and God replies. But we don’t understand His replies. We cannot understand them. Because they dwell in the depths of our souls and remain there until we die. The real answers, Eliezer, you will find only within yourself.”
  • While being deported, someone said, “Oh God, Master of the Universe, in your infinite compassion, have mercy on us. . .”
  • Some evenings, the men would try to sing, and “some of the men spoke of God: His mysterious ways, the sins of the Jewish people, and the redemption to come. . . I was not denying his existence, but I doubted His absolute justice. . .” One of the men said, “God is testing us. He wants to see if we are capable of overcoming our base instincts, of killing the Satan within ourselves. . . And if He punishes us mercilessly, it is a sign that He loves us all that much more.”
  • On the eve of Rosh Hashanah, the Jews gathered for prayer, and Elie wonders, “What are You, my God. . . How do you compare to this stricken mass gathered to affirm to You their faith, their anger, their defiance? What does Your grandeur mean, Master of the Universe, in the face of all this cowardice, this decay, and this misery? Why do you go on troubling these poor people’s wounded mind, their ailing bodies?”
  • During prayer, Elie wonders why he should bless God’s name. “Why, but why would I bless him. . . Because He caused thousands of children to burn in His mass graves? Because he kept six crematoria working day and night, including Sabbath and the Holy Days? . . . How could I say to Him: Blessed be Though, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night, to watch as our fathers, our mothers, our brothers end up in the furnaces?”
  • During a prayer service, Elie thinks, “Man is stronger, greater than God. . .” Since God has not stopped the killing, Elie thinks God has betrayed them by “allowing them to be tortured, slaughtered, gassed, and burned.”

 

 

 

 

How to Be Popular

Steph has been a social outcast for the past five years because she accidentally spilled a cherry Big Gulp on a popular girl. This year, Steph’s determined to step out of her comfort zone and join the popular crowd. In order to change her social standing, Steph plans to follow the book How to Be Popular.

In the process of gaining the friendship of the popular crowd, Steph must decide if she’s ready to get rid of her nerdy best friends Becca and Jason. Will Steph throw away her old friends in order to party with the popular kids and hang out with the school quarterback?

Steph is a relatable character who, like many, struggles with the desire to be part of the popular group. Steph’s character is well developed, and her point of view is endearing. Steph’s family relationships add an interesting and often comic element to the story. The book revolves around the usual cast of stereotypical high school characters—the mean girl, the cute high school quarterback, and the nerdy friends.

How to Be Popular is an easy-to-read story that follows a familiar, predictable plot. Although the story contains few surprises, Steph’s journey will entertain those looking for a romance appropriate for middle school readers. If you’re looking for a fun story to take to the beach, How to Be Popular would make a good choice.

Sexual Content

  • Steph finds a “steamy romance novel from the eighties. . . the heroine in one of them turned out to like having sex ‘Turkish-style,’ which in the book did NOT mean ‘while wearing a fez.’”
  • Steph thinks about Mark and Lauren who, “were totally canoodling” and how her friends, “don’t like seeing people putting their tongues in other people’s mouths, on account of the grossness factor.”
  • If Steph looks through her bathroom window, she can see into her neighbor’s window. She likes to watch him undress. She thinks, “my interest in seeing Jason undressed is purely scientific. Which is why I use the binoculars. . .”
  • Darlene has a large bust and Steph thinks boys “flock to her in hopes of someday being able to sink into her soft good-smellingness.” When Steph sits next to Darlene, “all eight of the guys at Darlene’s table yanked their gazes off the front of her chest and looked at me. Or the area just above the sticky part of my thigh-highs, to be more exact.”
  • Someone says that Steph’s grandpa is “warm for your form.”
  • Steph’s grandpa tries to explain how he got his fiancée. He says, “Well, the fact is, Steph, we Kazoulises, well, we’re a passionate bunch, and we know how to please a woman. . . Kitty’s a woman with needs, you know. . .”
  • Steph’s mom thinks Mark is going out with Lauren because Lauren “puts out.” Steph thinks her mom is “out of touch with reality” because “if I were going out with Mark Finley, I would totally put out, too. Even Father Chuck would understand that.”
  • When Steph is looking through her neighbor’s window, she sees him kissing a girl. “BAM!!! They were smashing their lips up together.”
  • In order to manipulate Steph, Mark kisses her. “. . . Mark had leaned down and put his mouth over mine. . . I have no idea whether or not I kissed him back. I was so surprised, I didn’t know what to do. . . I think I just stood there, letting him kiss me. . .” While kissing she “tried really hard to see the fireworks and hear the choir and the birds. . . And I saw them. And heard them. Did I ever.”
  • Steph kisses a boy “so much, in fact, my lips feel a little chapped. But in a good way.”

Violence

  • None

Drugs and Alcohol

  • While watching teens cruise up and down the street, Steph sees a girl “barf up all the Mike’s Hard Lemonade she ingested while sunning herself over at the lake that afternoon.”
  • During an assembly, Steph describes the convocation, “when we all gather in the auditorium to listen to ex-drug addicts and people who killed their friends in drunk driving accidents talk about their experiences.”
  • Several times Steph’s mom says, “God, I need a drink.”
  • A boy from school is planning a party where everyone will get drunk. Someone brings a keg to the party.

Language

  • Damn, dang, and beeyotch are used once.
  • God and oh my God are occasionally used as exclamations.
  • Steph thinks she is a moron.

Supernatural

  • None

Spiritual Content

  • Steph is Catholic and thinks about going to confession. “I am fully going to ask God for forgiveness about this during Communion in church tomorrow. Since I can’t ask Father Chuck. Might as well go straight to the top.”
  • Steph’s “Grandpa stopped going to church after Grandma died. . . But Grandpa says he can worship God just as well on the ninth hole as he can in the church—if not better; since he’s closer to nature, and therefore, God, on the golf course than he is in our pew at St. Charles. I fear for his immortal soul. . . but I figure if God really is all-forgiving . . . Gramps will be all right.”
  • Steph thinks that Darlene is nice because when the mean girls “were in line to get meanness from God, Darlene must have seen a butterfly and gone running after it, or something, since she doesn’t have a mean bone in her body.”

The Storm Runner

Zane keeps to himself because other kids tend to tease him about his limp and because he walks with a cane. But he doesn’t mind, because he spends his days exploring a nearby sleeping volcano with his dog. One evening, as Zane is exploring the volcano, a plane with twin engines crashes. Even stranger, as the plane was going down, Zane thought he saw a monster in the cockpit.

Things get more complicated when a girl named Brooks shows up demanding that Zane meet her at the volcano. Zane follows the beautiful girl who leads Zane down a twisted path. Soon Zane is running from monsters controlled by the Maya god of death. According to an ancient prophecy, Zane’s decisions may allow the god of death to escape a prison that is centuries old.

Zane soon realizes that magic, monsters, and Maya gods are more than just fables. In a web of secrets, the Gods are trying to manipulate Zane to their own advantage. Zane tries to do what is right, but what does a flawed eleven-year-old boy know about stopping the destruction of the world? In a battle against good and evil, is there any way Zane can win against a Maya god?

The Storm Runner brings the magic of Maya mythology to life in a fast-paced, action-packed story that will leave readers wondering who can be trusted. Despite being self-conscious about it, Zane doesn’t let his disability deter him from trying to save the world. Although some of Zane’s decisions are questionable, his imperfections make him a truly relatable character.

Zane is not the only well-developed character; the story contains a cast of interesting characters including giants, demi-gods, and even an overprotective mother. The Storm Runner is perfect for fans of the Percy Jackson series or Aru Shah and the End of Time. However, Zane’s story takes a more serious tone and lacks the humor of the other series.

 The Storm Runner contains elements common to other mythological fantasy books—for instance, a boy discovers that his father is a god and must travel to strange places in order to save the world. Despite these similarities, this story effectively brings Maya mythology to life through an exciting series of events.

The length of the story, the complicated plot, and the extensive cast of characters may be overwhelming for some readers. The first third of the story introduces a lot of people, gods, and situations that cause the pace to drag. Despite a slow start, the monsters, the magical creatures, and the relationship between the characters make The Storm Runner an exciting adventure well worth reading. Readers will root for Zane as he fights evil, and they will pull their hair in frustration as Zane makes well-intentioned, but stupid decisions. In the end, readers come away with the powerful message that a person’s flaws don’t define them.

Sexual Content

  • None

Violence

  • A demon attacks and kills Zane’s dog and then attacks Zane. The demon, “grabbed me by the arms, sinking its long claws into my flesh. I screamed in pain and fell to the ground . . . Slime sizzled through my shirt sleeve, burning my skin like acid.”
  • Zane finally stabs the demon with his cane. “It sank right into the creature’s gel-like body, and there was a disgusting sucking sound as the cane disappeared inside. . . I blinked as the monster dissolved into a dark pool of thick mucus. . .” The scene is described over four pages.
  • A creature tries to kidnap Zane. “While my uncle tussled with the alux, she hauled me back through the bank and out the front doors, then stuffed me in the car.” The creature “jerked Mom’s head back by her hair and mimicked her desperate voice.” Brooks turns into a hawk and picked, “up the monster by the back of its neck. . . Brooks shook it hard like it was her mouse prey and she was trying to break its neck.” The scene is described over three pages.
  • Ah-Puch eats a creature. He “scrambled to clutch the thing. Bones snapped. Then he brought it to his mouth, bit its neck, and sucked all the blood from it before tossing the drained corpse to the cave floor below. . . “
  • Demon runners attack Zane and Brooks. When Zane tries to escape, “The hair reached me, climbed my body, and wrapped itself around my neck, covering my mouth and pinning me to the asphalt.” Zane is able to jerk “my guy’s neck back” and “his thick-skinned neck ripped open easily.” Hondo threw a screwdriver that wedged into the demon’s skull. The demon’s “face began to crack like dried mud, crumbling to the ground to reveal. . . a blue-skinned monster head. Green veins throbbed and budged.” The fight takes place over six pages.
  • Twins who were fathered by a god are grabbed by creatures. “The creatures holding Bird and Jordan folded their wings tighter and tighter. Each of the twins’ faces puckered like their heads were being sucked dry. Their skin turned gray, and purplish veins spread beneath. Their eyeballs bugged out and turned dark red.” The creatures take the twins away.
  • Zane throws a spear at Ah-Puch’s bird. “Muwan released a terrible scream and started tumbling through the air. I watched in horror as she crashed into the bare trees below. They shook on impact, their sharp branches splitting her open.”
  • The final battle takes place over several chapters. Ah-Puch and his demons attack Zane and his group. Demon runners attack Ah-Puch’s army. “They shrieked, leaping onto the back of Ah-Puch’s little army with amazing force. Teeth gnashed. Claws ripped. Hair chocked.” Finally, Zane turns into a jaguar and Ah-Puch turns into a snake. Zane attacks, “launching myself onto his neck as we hurtled over the step’s edge, down, down, down. . . As I sank my teeth into his slimy scales, I prayed that he didn’t bleed maggots. He did. They poured into my mouth as he screamed.”

 

Drugs and Alcohol

  • One night, Zane’s uncle Hondo drinks beer and smokes cigars.

Language

  • Crap and heck are used often. One example is when Brooks shows up at Zane’s house, he wonders, “How the heck had she found me?”
  • “Oh God” is used as an exclamation a few times.
  • A monster attacks Zane and his uncle. His uncle asks, “What the hell was that little thing?”
  • Someone tells Zane, “Believe me, when I catch the idiot bonehead who let Ah-Puch out, I’m going to send him spinning into the center of the Milky Way.”

Supernatural

  • Gods and monsters from Maya mythology are real. Brooks explains, “Myths are real, Zane. Well, most are. And gods are very real—an important part of the universe and its balance.”
  • The first creature, a demon, has “pasty bluish gray” skin. “Its bloated body was covered in patches of dark hair. Cauliflower-like ears drooped down to its bulging neck.”
  • Brooks is a nawal (a shapeshifter) who can turn into a hawk.
  • Ah-Puch, the Maya god of death, disaster, and darkness, is trapped in a magical artifact until Zane lets him out. Ah-Puch “looked like a bloated zombie with decomposing gray skin with nasty black spots, and he had a dark, twisted smile. He wore this weird helmet that had eyes hanging off it, the eyes of the people he’d recently killed.”
  • Ms. Cab works as a psychic and is a Maya seer. A god later turns all seers into chickens.
  • Zane discovers that he is the son of a Maya God. He can spirit jump, which allows him to leave his body and appear in another realm.
  • Pacific, the keeper of time, helps Zane.
  • When going to a party, Zane and his friends wear enchanted clothes that “fix all imperfections.” When they get to the party, a “gray-bearded skeleton materialized. . . Eyeballs floated in his eye sockets, and he wore a long white tuxedo jacket with a dead red rose pinned to one of his silk lapels.”

Spiritual Content

  • Zane gets a scholarship to attend a Catholic school. When Zane gets into trouble at school, his punishment is “ten rosaries, detention for a week, a call to Mom, and an apology to the jerk I’d torpedoed with my cane.”
  • After an explosion, Zane’s mom says, “Thank the saints, he’s safe now.”
  • Zane sent “a prayer up to the saints and anyone else listening.” Later in the story, he says a couple of Hail Mary’s.
  • Zane splashes holy water on a picture of a demon.

The Nature of Jade

After moving and starting at a new high school, Jade begins having panic attacks. Jade is trying her best to stay calm and focus on her senior year of high school. One thing that calms her down is watching the elephants at a nearby zoo on her webcam. That’s how she sees Sebastian for the first time.

Even before they meet, Jade feels drawn towards Sebastian, a twenty-year-old who has a baby. When she finally meets him, she quickly falls in love with him. She begins spending her free time with Sebastian, his son, and his grandmother. Even though Sebastian’s life is complicated, getting to know him has helped alleviate Jade’s panic attacks. Then Jade discovers that Sebastian has been hiding a terrible secret. Will their new love be able to survive?

Jade’s work at the zoo gives an interesting aspect to their romance. Jade compares the animal world to the human world and her insights can be interesting. Working with the elephants helps Jade deal with her anxiety disorder. Her inner reflection illuminates her thought process and shows how a random thought can lead her down a spiral of fear. However, too much of the story is told through Jude’s inner dialogue, which makes the story drag. Although many teens may be able to relate to Jude’s anxiety, others will find her constant inner dialogue difficult to wade through.

Jade’s story bounces from her family life, her school life, her zoo life, and finally her relationship with Sebastian. Each aspect of her life seems completely separated. This separation doesn’t allow the author to fully develop the other characters in the story. Even though Jude has come to realize that many of her high school relationships are based on familiarity and habit instead of true connections, the reader is left wondering why they should care.

Jade, her parents, and her boyfriend all have destructive secrets. Jade comes to realize that lives are complicated and messy. She discovers that not all actions can be labeled as good or bad. Sebastian and his grandmother both wonder if they are doing the right thing when they hide their whereabouts, which allows the reader to reflect on what they would do in a similar situation. As Jade grows, she learns that people cannot be seen as just a stereotype, because all people are more complicated than that.

Readers who want to look at the complicated workings of the inner mind will enjoy The Nature of Jade. However, the majority of readers may struggle due to the lack of character development, absence of action, and slow pacing of the story.

Sexual Content

  • Jade’s friend has become boy crazy. Jade thinks, “God, sorry if this is crude, but she had begun to remind me of those baboons that flaunt their red butts around when they’re in heat.”
  • Jade’s friend thinks a boy has “the sweetest ass.”
  • Michael tells his friends, “Some of us want to go to med school and become doctors and not just meet some guy and have sex.” His friend replies, “Some of us want to have a social life. You’ve been more intimate with your laptop than an actual female.”
  • Jade thinks that fathers don’t show compassion when their kids are hurt because of a fear that “compassion equals homosexuality.”
  • Someone teases a boy saying he might be gay.
  • When Sebastian found out his girlfriend was pregnant, he would have considered other options, but she hid the pregnancy from him.
  • A girl doesn’t think her friend can have fun at a Christian school. She wants to go to a college that has “Guy fun. Party fun. Drinking fun.
  • Jade and Sebastian kiss several times. The first time they kiss “for a while, not long enough. His mouth is chili-warm. . . He puts his hand behind my neck, pulls me to him and kisses my forehead.”
  • Jade and Sebastian have sex. “Sabastian strokes my hair. We start to kiss. We kiss for a long while. His hands are gentle. I guess that’s the only thing that is necessary to know about Sebastian and me on that hard dock, the blanket around us. He is careful, so very careful with me.”
  • While in the high school library, someone sees Jade’s mother kiss the librarian. The girl tells Jade, “Someone had their tongue down someone’s throat, is what I heard.” When Jade confronts her mother, she doesn’t deny it.

Violence

  • During a football game, Jade’s brother is hurt. He tells Jade, “Number forty-six. Jeez, he just bashed his shoulder into my chest, and when I was on the ground, he steps on my leg with his cleat.”

Drugs and Alcohol

  • Michael went to a party that had “more booze than a liquor store convention.” While there he “had half a beer and I could barely talk.”

Language

  • Profanity is used often when the teens talk. Profanity includes ass, bastard, bitch, crappy, damn, goddamn, fuck, and shit.
  • Jesus, God, oh my God, and for God’s sake are frequently used as exclamations.
  • When Jade hears baboons scream, it frightens her. When her dad shows up, he says, “God, Jade. Zoo animals! Baboons, for Christ sake.”
  • Jade tells her counselor that she feels “like shit.”
  • Jade tells her brother that the guy that tackled him in football is a “bastard. The minute he gets off the field I’m going to kick him in the balls.”

Supernatural

  • None

Spiritual Content

  • Jade’s friend Jenna has begun going to church. Jenna gets upset when some of her friends “take the Lord’s name in vain.”
  • A couple of Jade’s friends think it would be fun to be the Pope for a day.
  • While watching the webcam, Jade sees Sebastian praying.
  • Jade lights candles to different patron saints and prays to them. “There’s a saint for everything . . . They got these cool candles for each different one, a column of tall glass with a picture of the saint on the front, and a matching prayer on the back, one in English and one in Spanish.” Jade says several of the prayers.

 

 

 

Defending Taylor

Taylor Lukens, the daughter of Senator Lukens of Tennessee, has grown up with the philosophy of working hard. She needs to work hard at school and extracurricular activities to get accepted into Yale or another Ivy League school, an expectation of her family—and especially her father. However, when school officials find her with a bag of her boyfriend’s pills, she takes the fall and is kicked out of her boarding school. All of a sudden, her chances of Yale and her father’s reelection get smaller. Will she be able to manage the weight of her lies and her family’s expectations?

Defending Taylor is a story that perfectly captures the pressure that is placed on soon-to-be high school graduates. Taylor struggles between her family’s expectations and her own passions. When she starts to fall for a family friend Ezra, she starts to understand that some risks are positive. With the support of Ezra and her new friends on the soccer team, she tries to follow her dreams and still make her father proud. She realizes that taking the blame for another’s mistakes has cost her a lot and that coming clean is important.

Although this story may seem at first glance to be all about sports, it is not. Soccer is simply a unifying part of the story because it is told from Taylor’s point of view, and soccer is an important part of her life. It helps her build friendships and allows her to do something that she genuinely enjoys. While readers will enjoy the scenes where she is at practice and games, readers should not expect a story revolving around soccer. The story is mainly about Taylor’s budding romance with Ezra and her struggle to live up to her family’s expectations.

Readers will connect with Taylor’s struggles to make friends at her new school and the pressure she feels to please her parents. This story portrays family conflict as a natural part of growing up. While this may seem negative, Taylor’s parents are misguided yet loving family members. There are several good scenes between Taylor and her father. Even though Taylor wants to be perfect, she and other characters are shown to have flaws, making them more relatable.

Defending Taylor is an easy-to-read story that deals with teen issues. The ending is predictable yet satisfying, because everyone finds their way to happiness, even if it’s not where they thought it would be. The story doesn’t shy away from the tough topic of Adderall, Ritalin, and other drugs. Defending Taylor has a good storyline, but the unnecessary profanity and steam sex scenes may turn off some readers.

Sexual Content

  • As Taylor walks the halls of her new public school, she sees “a couple is making out against the wall next to the fire alarm.”
  • Jenna, Taylor’s sister, is being described. She asks for music to be turned down so she can read “a hot sex scene” in one of the historical romance books that she loves. She is also characterized as being “horny” and someone who enjoys sleeping around.
  • Taylor thinks back about her and Ben’s, her ex-boyfriend’s, relationship. “We lost our virginity to each other.”
  • While texting with her friends Steph and Madison, Taylor gets a text saying that she should “lick” Ezra because he is so attractive.
  • Someone makes a joke about Taylor dating Ben, who was a scholarship student. “You’re really dating down, huh, Lukens? You must like ‘em on their knees.”
  • Taylor has had a crush on Ezra since they were younger. When describing their past, she thinks of the first time she wore a bikini around him. “He checked out my boobs.” Later, she thinks, “My first kiss, my first hookup, my virginity. I wanted him to have them all.”
  • Taylor remembers her time with Ben at St. Andrews boarding school. “Sometimes, his hands would inch under my plaid skirt and cup my bottom through my underwear.” She misses him but thinks, “I can take care of my needs myself.” She then remembers how they lost their virginity to each other. “I’d never touched a guy there before, and when I saw him naked, I was afraid that when we did have sex, it would hurt.”
  • When Ben and Taylor are in the woods together, they have sex. “He pushed up my plaid skirt, pulled down my panties, rolled on a condom, then crawled on top of me.”
  • Taylor jokes in her head that she expects a man flirting with her in a coffee shop to “send a horny pelvic thrust in my direction.”
  • Nicole, a girl on Taylor’s soccer team, is rude to Taylor and says, “He said pairs. Not threesomes. Is that the kind of shit you’re into? Two guys at once?”
  • Jack Goodwin, a supporting character, is said to be “shacking up with the help.”
  • At a wedding, someone tells a crude joke. “‘What do you call a bad circumcision.?’ Jack asks. ‘A rip-off!’”
  • Taylor and Ezra are together alone at his apartment. They start kissing and “his hands trail up and down my arms. . . I pull him hard against me. . . His gaze grows heated as his fingers gently caress my breast through my shirt. . . I push my hips into his. . . He discovers the bluebird tattoo on my ankle, kissing it once before his lips begin working their way back up my legs and between them. His hands join his mouth.” Later, he says that their relationship probably isn’t a good idea. Taylor is shocked; she thinks “I just went down on him—I would’ve slept with him if he’d asked.”
  • Taylor and Ezra go on a date after deciding to be together and come back to his house. “He crawls on top of me, moving his hips against mine. I grip his bottom, pulling him closer. He groans at the sensation.” Taylor asks him a question about a previous girl and then they continue to kiss. “I press my hips to his and rock, loving the intimate feel of him.” The scene ends after Taylor accidentally falls off the bed.
  • Taylor and Ezra finally decide to sleep together. “His fingertips slide up and down my spine. . . he presses his hot mouth against my core. I tangle my fingers in his hair until I can’t wait any longer.” They have sex, but it is not described in any more detail.

Violence

  • None

Drugs and Alcohol

  • Taylor gets in trouble at her boarding school for being in possession of enough Adderall to be put into juvenile detention. While at school there, she takes Adderall occasionally to study, but the drugs were her boyfriend’s. She does not take any drugs during the course of the novel.
  • Before Taylor was caught in the woods with all the pills, her and Ben drank “a bottle of Jack Daniel’s” together.
  • When talking about how she always follows the rules, Taylor thinks about how her behavior is not that bad. “Sure, I drink alcohol when I have the opportunity. I drop the F-bomb pretty fucking frequently.”
  • Taylor is worried she will be known as “the druggie girl.”
  • After the reason why Taylor was kicked out of St. Andrews is made public, a student at her new school keeps approaching her for Ritalin. She looks it up and learns it’s as addictive as cocaine.
  • Taylor’s brother Oliver comes home from college. Oliver and Ezra start taking shots in the kitchen after having a talk about Ezra dating Taylor. Taylor ends up stealing two shots. All of them are underage.

Language

  • Profanity is used every few pages. Profanity includes ass, assholes, hell, damn, shit, bullshit, bitchy, bitch, and fuck.
  • God and goddamned are used a couple times.
  • “Jesus, Mary, and Joseph” is used as an exclamation several times.
  • Motherfucking, badass, dick, bastard, and dipshit are all used once or twice.
  • The narrator uses the phrase “having the balls” to do something several times.

Supernatural

  • None

Spiritual Content

  • Jenna is described as being a perfect daughter. Taylor says, “She goes to Bible study, for crying out loud.”
  • Taylor describes her new calculus teacher as having “the most Biblical beard I’ve ever seen.” She thinks, “Seriously, this guy could’ve given Moses a run for his money.”
  • Taylor’s siblings Jenna and Oliver went on a mission trip to Mexico to build houses.

by Hannah Neeley

Paper Valentine

In the last six months, Hannah’s life has been turned upside down because Hannah’s best friend Lillian died and is now haunting her. Not only is Hannah struggling to understand the self-destructive behavior that led to Lillian’s death, but she is also grappling with changes in her elite friend group. When Hannah runs into bad boy Finny, she can’t decide if she should stay away from the boy with a bad reputation or if she should explore her growing attraction to him.

Then, when someone begins murdering young girls and leaving behind paper valentines, Lilian’s ghost encourages Hannah to look into the crimes. As Hannah discovers gruesome details about the murders, the ghosts of the dead girls begin appearing. But why do they appear when Finny is near? And by investigating, is Hannah making herself a target for the murderer?

Over the course of the book, Hannah struggles with depression and dealing with the death of Lillian. To make matters worse, Lillian has changed in death. Lillian criticizes Hannah for spending time with her friends, even though they were Lillian’s friends when she was alive. Lillian is mean to Hannah and says things like, “Hannah doesn’t like to live in real life. Hannah just wants to pretend that we all live in happy fairy-land, where everyone is super-best friends and no one is a heinous bitch and nothing bad is ever going to happen.” Although much of Hannah’s behavior seems week, she is like many teenagers who struggle with wanting to fit in.

Paper Valentine does an excellent job showing the complexities of people. Although most people think Finny is just a delinquent, he also has a streak of kindness. Hannah is able to look past Finny’s ‘bad boy’ image and see his good side. In addition, Hannah realizes that she and Lillian, “were always trying so hard to be perfect . . . when the funny thing was, we didn’t have to.”

Paper Valentine bounces from topic to topic, including the desire to be perfect, depression, eating disorders, child abuse, and ghosts. None of the topics are dealt with in detail and will leave the readers with unanswered questions. The conclusion was predictable, typical, and lacks insight into the mind of the killer. Those looking for an excellent murder mystery may want to bypass Paper Valentine. Despite its flaws, Paper Valentine is an enjoyable, unique story that junior high readers will enjoy. Paper Valentine is a fast-paced story that has a bit of a scare factor due to the ghosts. Readers will enjoy looking for clues to discover the murderer, and Hannah and Finny have some sweet moments.

Sexual Content

  • While watching the news, someone makes a comment about the news correspondents. “I bet they make out like hyenas as soon as Jim Dean starts giving the weather report.”
  • A boy that Hannah knows “used to go out with Lillian in junior high and now sometimes made out with Angelie.”
  • A boy at school would “grab girls around the waist when they walked by his table in the cafeteria last year and say things like, ’Want to sit on my lap and talk about the next thing that pops up.’”
  • When Hannah picks out some lipstick, she’s afraid her friend will think the “colors are perfect for a disco-clown hooker.”
  • When Hannah thinks of pressing her hips against Finny, “the thought of this is electric, beating in my chest like a birthday wish, dark and warm and secret.”
  • Finny and Hannah kiss several times. The first time, Finny “bends his head and kisses me, just once, then lets me go. When Connor would kiss Angelie in the halls last spring, he did it like he was trying to suck the chocolate off the outside of a Klondike bar. It could last hours. This is more like seeing a star fall—thrilling and soundless and then over.”
  • When Finny kisses Hannah a second time, “his tongue brushes the curve of my bottom lip, grazing the hollow underneath, and something leaps and fidgets in my chest. . . I want him to never stop.”
  • When Hannah goes to Dairy Queen, a girl she knows was “leaning against the side of the little brick building, frantically kissing Austin Dean.”
  • A boy asks, “Hey, do you think if I bleached my hair and started vandalizing street signs or something, Carmen would let me near those exquisite titties?”
  • While in a public place, Hannah kisses Finny so that her friends will see. “He doesn’t react right away, but then his hands move to my hips.”

Violence

  • When someone was bothering Hannah, Finny came to her aid. “Finny had Connor by the collar of his shirt and was holding him so their foreheads were almost touching, but he didn’t say anything. He just leaned over me while Connor yanked on Finny’s wrist, trying to get loose. . . With his hand on the back of Connor’s neck, Finny held Connor away from me. . .”
  • Hannah talks about the murder of Monica Harris. “One of the city garbage collectors found her out in the parking lot behind the Bowl-A-Rama in her pink polyester jacket, beaten dead with a piece of two-by-four and her own ice skates.”
  • Hannah looks at the crime scene photos and sees, “Her face is shockingly white—dead white—and there are dark finger-shaped bruises all over one shoulder. In the blue evening light, the bruises look black. Almost as black as the blood that’s splashed in the weedy grass around her.” The photo is described over five paragraphs.
  • When Finny was younger, a dog bit off his finger. He also has cigarette burns on his back. The abuse is not described.
  • While in elementary school, Hannah was mean to Finny, and he washed her face with snow. “The snow was weeks old, crusty with ice, and when he scrubbed my face with it, the crystals were so sharp they made me bleed.”
  • A boy is in foster care because “his dad was using him for a punching bag.”
  • Hannah and a group of people find a dead body. “I’m looking into the face of a girl, and there’s blood in her hair and splashed down the side of her neck. There’s a smell. . . Her face is pale blue in the light. . .” The scene is described over three paragraphs.
  • The murderer tries to kill Hannah. “He turns and grabs me by the shoulders, slamming me hard against the wall of the bridge. . . When I try to squirm away, prying at his fingers with my free hand, he gives me a shake that nearly pops my shoulder out of its socket. . . That’s when he slaps me. . .” The murderer hits Hannah’s head with something heavy. She is injured but survives. The scene takes place over a chapter.

Drugs and Alcohol

  • A shop owner “runs off prints of scowling tattooed drug dealers and drunk, disorderly frat boys standing against a dirty wall outside one of the college bars.”
  • The Qwick-mart has “smashed beer bottles” on the ground outside.
  • Hannah remembers when Lillian was younger and “took that bottle of Sour Apple Pucker from her mom’s liquor cabinet, and we drank it in the back of her garage.”
  • Lillian thinks her mother, “spent the last three years drinking a perfectly decent chardonnay on the couch and waiting for me to stop being so dramatic.”

Language

  • Profanity is used often. Profanity includes ass, asshole, bastard, bitch, crappiest, damn, fuck, goddamn, pussies, hell, shit, shitty.
  • Thank god, Jesus, and God are used as exclamations. For example, Hannah’s friends tell her, “God, you’re such a weenie sometimes.”
  • Finny tells someone, “Don’t be a douche.”
  • Ghost Lillian calls a boy a pervert.
  • When a girl’s thong is showing, someone says, “Damn! That is just too much ass for those jeans!”
  • Finny took a stolen bracelet away from a boy and gave it back to Hannah. When she asks if the boy was mad, Finny replies, “Do I give a shit? He can fucking deal with it! I told him that maybe he’s free to act like a total dick any other time, but not to girls and little kids. Not when he’s with me.”

Supernatural

  • Hannah’s friend is a ghost. Hannah narrates, “Ghosts are the kind of thing you go your whole life with everyone telling you they aren’t real. I believe in them anyways, because the world is full of things that no one actually understands. Mostly though, I believe in them because my best friend died six months ago and now she’s with me all the time, materializing silently out of the shadows, creeping closer, reaching out.”
  • Several times, Hannah uses an Ouija board to talk to the spirits of the murdered girls.

Spiritual Content

  • The murderer tells Hannah, “As far as those little bitches knew, I was God.”

 

 

 

Five Feet Apart

Stella Grant has cystic fibrosis, making her no stranger to hospitals and surgeries. Despite her precarious lung function, she’s pretty used to being in control. That is until a handsome hospital newcomer, Will Newman, arrives, sending Stella into a whirlwind of feelings she’s never experienced before. Feelings she didn’t think she’d ever get to experience.

Will is bad news for Stella. His floppy black hair and sea-blue eyes are no danger compared to his incredibly aggressive and contagious form of CF, B. Capaecia. Not to mention that he refuses to follow the doctor’s orders or participate fully in his treatments, which drives Stella absolutely mad.

A not-so-classic forbidden love story ensues. Stella and Will must figure out how to navigate their relationship while maintaining their required distance apart. With their feelings growing and changing, those five feet apart began to feel larger and larger.

Five Feet Apart is a sweet romance with elements of fierce friendship and family turmoil. Stella and Will start out seeing each other as complete opposites but come to realize they have a lot in common. The most important thing they discover is how much they care for one another. Five Feet Apart is not only informative about Cystic Fibrosis, but also witty and entertaining.

Teens will be drawn into the character’s drama right from the start. Both Will and Stella are likable characters, who have their quirks and unique attributes. The story alternates between Will and Stella’s point of view, which makes it hard not to feel for and relate to both characters.

Following the same type of formulas as The Fault in Our Stars and Everything, Everything, Lippincott delivers an emotional, easy-to-read novel chronicling young love. Even though the story’s plot is familiar, Five Feet Apart is worth reading because it describes not only the common turmoil of teenage romance but also puts these commonplace emotions in an uncommon setting, which makes the story thought-provoking and fresh. Romantic and heartwarming to the extreme, this book will command the reader’s attention from start to finish.

Sexual Content

  • Stella is resting during the evening, when she gazes “out the window as the afternoon fades and sees a couple about my age, laughing and kissing as they walk into the hospital.”
  • Stella realizes that Will is letting his friends use his bed for sex. “Oh my god. Gross. He’s letting his friends do it in his room, like it’s a motel.” Stella confronts Will, saying “You letting your friends borrow your room for sex isn’t cute.” Will takes this to mean Stella has something against sex, to which Stella proclaims, “‘Of course not! I’ve had sex.’”
  • Will is reflecting on his encounter with Stella and says she actually looked kind of hot.
  • Stella is describing Poe’s romantic life. Stella describes his past relationships, “Before Michael it was Tim, the week after this it could be David.”
  • Stella has convinced Will to follow his medicine regimen in exchange for her letting him draw her. She tells him there will be no nude drawings allowed.
  • Will asks Poe if he and Stella have ever “hooked up.”
  • Will jokes to Stella that since he can’t meet Bob Ross, he’ll “just have to settle for sex in the Vatican.”
  • Stella is preparing for her first date with Will. Stella “put on some mascara and lip gloss, smiling at the idea of Will seeing me not just alive, but with makeup on, his blue eyes gazing at my gloss-covered lips. Would he want to kiss me?” She also enlists Poe’s help to pick out an outfit. “I pull out a pair of skimpy, silky boxers, eyeing them. I couldn’t. Could I?”
  • Will and Stella are on their first date. While on the date, “She reaches for her silk tank top, her eyes fixed on mine as she pulls it slowly off to reveal a black lace bra. She drops the tank top onto the deck of the pool, my jaw going with it. Then she slips down her shorts, stepping carefully out of them and straightening up. Inviting me to look.” Will looks at her, but knows he can’t do anything more than that.

Violence

  • None

Drugs and Alcohol

  • Will is reminiscing on his time in public high school, “where my old classmates are slowly chugging their way to finals.”

Language

  • Oh my god and my god are often used as exclamations.
  • Stella says goodbye to her friends leaving for Cabo. “Your plane is at, like, the ass crack of dawn tomorrow.”
  • Stella says the food at prom didn’t suck. She later says she’s been at this hospital for a “freaking decade.”
  • All of the CF patients mention not wanting to “piss off” Barb, because she’s such a “hard ass.”
  • Will and Stella often refer to their circumstances as shitty or bullshit.
  • Will is dreaming about his future once he turns 18. “I could sketch the landscape, draw a final cartoon of me giving the middle finger to the universe, then bite the big one.”
  • Damn is used often. Barb and the adults in the story often use “damn” when a surgery doesn’t go well.
  • Fucking is used occasionally. Some examples are “Are you fucking kidding me,” “That is a complete mind-fuck,” and “All you see of me is my fucking disease.” For example, when Will is in a fight with his mother on his birthday, he screams “all you see of me is my fucking disease.”
  • Poe and Stella call each other a bitch and an asshole during a fight. These words are only used in this encounter.

Supernatural

  • None

Spiritual Content

  • Will finds Poe sitting in the hospital’s church. When Will asks why he’s there, Poe replies “My mom likes to see me in here. I’m Catholic, but she’s Catholic.”
  • “So what do you think happens when we die?” Will asks Stella.

by Tori Gellman

The War Outside

Margot’s German-American family lived in a small Iowa community. After attending a rally, her father is detained in the family internment camp in Crystal City. In order to keep the family together, Margot and her mother follow him. Since being in the internment camp, her mother’s health is deteriorating and her father is changing. Instead of being a loving father, he is spending time with Nazis and learning how to hate.

Haruko wants to pretend that Crystal City is just another town. She’s made friends and goes to school. On the outside, she looks calm, but on the inside, she is stricken by fear. She questions her father’s innocence and wants to know what he is hiding. Her soldier brother, who is fighting in the Japanese-American unit of the US Army, is also keeping secrets. Haruko wants to know the truth, but will the truth help her family or destroy it?

A dust storm throws Haruko and Margot together. Despite being of different ethnicities, the two start a secret friendship. The two begin to trust and rely on each other. Can this fragile friendship last in the desert prison camp or will the two discover that hate is stronger?

The War Outside gives readers a glimpse of the fear caused by World War II and explains why the internment camps came to exist. Margot’s family highlights how being imprisoned in an internment camp begins to change everyone. Margot’s father’s anger begins to control his actions, and he begins spending time with Nazi sympathizers. Margot struggles with the fact that she loves her father, but doesn’t approve of his actions. Margot knows that “marching with a Nazi swastika is not like algebra, where you can get the wrong answer but be right some of the time. This is all wrong.”

The story is told from the perspectives of both Haruko and Margot, which allows the reader to understand the motivation of both characters. The struggles of the internment camp bring Haruko and Margot together, and they both have romantic feelings for each other. While the girls’ attraction is hinted at, the topic is not explored in depth which makes it hard to relate to the girls’ strong feelings for each other. In the end, Haruko wonders how she can make a decision based on a moment, “for a person I have known barely a month? For a feeling that was so fast and so strong, and that I can barely even describe?” The reader is left wondering the same thing—why are the two girls so devastated by the other’s actions?

There are several family conflicts that should have been explored in more detail. Even though it is clear that the girls love their families, the story lacks family interaction that would have brought their relationships into focus. In the end, the characters lack development, the ending seems rushed, and the conclusion falls flat. Although the story is an interesting read, it will be easily forgotten.

Sexual Content

  • Margot and Haruko hide so they can talk. As they are talking, “I (Haruko) press my index and middle finger to my own mouth, which suddenly feels hot and swollen, and hold them there for a minute, and then I take those same fingers and press them against Margot’s. Her lips are chapped. She closes her eyes. . . I feel my pulse, very faintly, in the tips of my fingers, pressing against the cool of Margot’s lips, and slowing so that every beat crashes in my ears.” The two are interrupted.
  • While talking to Haruko, Margot “has a sudden urge to touch her nose, her hair, to go with her to the icehouse where it’s dark and private. There is throbbing, deep in the pit of my stomach.”

Violence

  • Haruko accidentally hit her sister. Her sister’s “mouth falls open and she reaches to where there are four white finger-shaped lines appearing on the side of her face.”
  • Haruko thinks back to when “a car drove past and the window rolled down and the driver threw a bottle of soda at us that splashed all over our clothes.”
  • While in the internment camp, Margot finds out that someone “painted swastikas on the barn and burned the house to the ground.” Her family has no home to return to.
  • Margot’s father tries to hit his pregnant wife. When Margo stops him, she “reached for his hand and he pulls away from me, and then I’m off balance and spilling to the ground. My mother rushed towards me, but she’s forgotten about the fallen chair. Her foot twists around the rung, and instead of shooting her hands out in front of herself for support the way I did, she’s kept them wrapped around her midsection, protecting her baby.” Her mom ends up with a bruised face.
  • There is news that at another internment camp, a riot began and, “guards fired into the crowd with a machine gun. . . Two people died.”
  • Two girls drown in the swimming pool. They are “pulled out of the pool, limp as rag dolls.” When people get upset, a guard points a rifle at the people.

Drugs and Alcohol

  • The general store sells cigarettes and German beer.
  • Some of the men at the internment camp are “building secret distilleries to get drunk on grain alcohol.” This is discussed several times.

Language

  • Thank God, for God’s sake, and Oh God are used as exclamations several times.
  • Someone calls Haruko a “yellow bitch.”
  • A man tells Margot that she would like his son because he’s “not an ass like me.”

Supernatural

  • None

Spiritual Content

  • During a funeral, the mourners “sing hymns that most of us know by rote. We recite the Apostles’ Creed, we recite the lord’s prayer.”

 

Travel Team

Danny Walker has a head for basketball. With his dad being the famous Richie Walker, a professional basketball player, basketball is in Danny’s DNA. Just as his dad led his seventh-grade travel team to the finals, Danny hopes to have the same chance this year. But when he doesn’t make the team due to his size, those hopes fade. With his dad back in town and a band of unlikely teammates, Danny tries to have an amazing season with a new team.

Travel Team is an exciting story about family and second chances. Danny’s dad comes back to Middletown to get closer to his son and help him develop his basketball skills. His dad is a heavy drinker, but quits to become a better coach and father. Richie teaches the team what it means to play for the love of the game.

The story examines the complicated relationships between parents and children. Danny’s dad has been absent for a lot of his life, but he still hopes for an authentic relationship with him. Although Richie is not a perfect parent, he supports Danny and wants the team to succeed. One of Richie’s flaws is his use of inappropriate language around his wife and his son. Richie is the reason for most of the inappropriate language in this story. While the story includes some explicit language, the story clearly expresses that it is not appropriate language for children. In contrast, Danny’s mom is a character many readers can look up to as an example of a great parent. She understands Danny’s love for the sport and his friends, but she knows when he needs a break. She supports him in his passion for basketball.

Sports lovers will enjoy the detailed play-by-play action. With a balanced mix of characters who play and those who don’t, even readers unfamiliar with the sport will be engaged by the story as they learn about basketball. With an action-packed narrative and funny dialogue between friends, Travel Team is an entertaining read. It does have a relatively familiar sports plot, where the underdogs ultimately come out on top.

Travel Team will engage readers who are looking for a good sports book that also teaches about overcoming obstacles. As the story explores real-life problems, Danny learns the importance of taking responsibility and shows that anyone can become a leader.

Sexual Content

  • Tess, a girl Danny likes, “leaned over and kissed him on the cheek” while they were sitting on the swings in his backyard.

 Violence

  • After Teddy Moran insulted his family, Danny tackled him. After they separated, Danny thought of “Teddy hitting the floor hard as Danny heard people start to yell all around them.” Danny threatens him, “You’re the one who’s going to get hurt.”

 Drugs and Alcohol

  • When his wife asks a difficult question, Richie answers as “he drank down about half his beer in one gulp, like he was incredibly thirsty all of a sudden.”
  • Being dramatic, Richie says the team is “where all the bad boys go when they come out of drug rehab.”
  • Danny’s mom is upset with her husband’s drinking habits. She tells him, it’s “. . . not the children’s fault that you’re still hungover the next night. . . . Quit drinking. Now. . . It’ll be better that way than letting your son be the last one to find out what a drunk you are.”
  • Danny is thinking about parents and how they can be “pissed off” or “hungover.”
  • Richie gets in a car accident in Middletown and tells Danny and his wife that he “wasn’t drunk.” Later, Richie tells his son about the car crash that destroyed his basketball career. “I lost control of the car because I was drunk. . . That was one of the nights I drank a whole six-pack before I got in my jeep.”

 Language

  • Danny’s father, Richie, is one of the few characters who use foul language. Profanity includes: Goddamn, rat’s ass, hell, damn, screw’em, ass, bitching and moaning, for Chrissakes, swear to God, and frigging. Most of these are only used once.
  • Danny describes the park in Middletown, “to feed the butt-ugly ducks.”
  • Danny watches Mr. Ross get upset about try-outs. Danny was “curious to see when Mr. Ross, the most important guy in Middletown, was going to figure out what a jackass he was making of himself.”
  • After the fight, Danny says, “I should have kicked his ass.”
  • Danny says he “could tell how pissed off his mom was” when she is arguing with his father about drinking.
  • Danny uses the word “crap” several times.
  • Coach Kel, an old travel coach of Danny’s, uses “damn” several times. It serves to develop his character.
  • Ross speaks to Ali and Danny about his mistake in not giving Danny a position on his team. He says, “I was so hell bent on maintaining the process.”
  • Danny and Richie talk to each other about Danny coaching the Warriors himself. Danny expresses worry and at one point says “heck no,” to which his dad replies “shut your piehole.”
  • Danny calls the opponents “scumweasels” and “scumwads” while hyping up his team in an important game.

 Supernatural

  • None

 Spiritual Content

  • Richie speaks about planning to start a new basketball team. “It’s like your mom says. You want to make God laugh? Tell Him about your plans.”
  • Richie is talking to his players at the end of a very important game and says, “Thirty seconds in basketball is longer than church.”
  • Danny thinks about his mom and her strange expressions. “God Bless America. It was one of his mom’s expressions when she wanted to swear.”
  • Danny describes his mom’s plans. “His mom was meeting Will’s mom for a girls’ brunch after church on Sunday.”
  • Danny thinks about the possibility of Ty playing for his team. “Having just come from church, he wasn’t sure whether he should be praying for stuff like this, but he was praying hard now that Ty Ross didn’t really hate his guts.”
  • Danny’s teammate Will is sitting on the bench during a game “with a towel on his head that he’d fashioned into some kind of turban.” Danny says to him, “Uh, Mohammed?” Will replies by saying, “I was actually going for that do-rag look.”

By Hannah Neeley

Dragon Pearl

Thirteen-year-old Min lives an ordinary life. No one knows that her family comes from a long line of fox spirits. Her family hides their powers, and Min’s mother doesn’t allow any of them to use fox-magic. Instead of shape-shifting and using Charm, Min always appears as a human.

Min dreams of leaving her dust-ridden planet and joining her brother Jun in the Space Forces. When Min gets older, they hope to see more of the Thousand Worlds together. Then an investigator appears and informs the family that Jun has deserted. The investigator thinks Jun is searching for the mythical Dragon Pearl that is rumored to have tremendous power.

After reading a strange message from Jun, Min knows that something is wrong. Min runs away to search for her brother. During her journey, she will meet gamblers, pirates, and ghosts. She will have to use deception, sabotage, and magic. Min will need all of her courage to complete her journey. Will she be able to find the answers she needs to find her brother?

Sci-fi enthusiasts will enter an imaginative world that includes Korean mythology. The Korean mythology is seamlessly integrated into Min’s story and helps create an interesting world. The story is a perfect blend of mystery, action, and space travel. Although most of the story is fast-paced, parts of the story are difficult to read because of long descriptions.

Dragon Pearl is told from Min’s point of view, which allows the reader to understand her thought process as she searches for her brother. Middle school readers will enjoy reading about Min because of her daring actions and can-do attitude.

Although Min has spent her life hiding her magical abilities, once she leaves her house, she consistently relies on Charm. Readers may question how she can be so skilled using her Charm when she has had no practice. Another bothersome inconsistency is that Min notices when other supernaturals use their powers, but no one notices when Min uses her Charm. Even though Min uses her Charm to deceive others, she is still a likable character. At the end of the book, Min realizes that she should rely less on magic, but it would have been nice to see Min use her brain to solve some problems throughout the story, instead of always using Charm.

The ending is a little predictable, but there are enough surprises to satisfy readers. Middle school readers who are interested in mythology may want to begin with the Percy Jackson Series or Aru Shah and the End of Time, which have better character development as well as humor. Overall, Dragon Pearl creates an interesting world filled with magic. The danger, magic, and mystery will draw readers into the story and keep them engaged. However, some readers may struggle with the long descriptions and difficult vocabulary.

Sexual Content

  • Some people wear “a small symbol next to the name that let me know they should be addressed neutrally, as neither female or male.” One of the characters, a goblin, is gender neutral and referred to as they.

Violence

  • When an investigator finds out that Min is a fox, he “snatched me up by the throat. I scrabbled for air, my fingernails lengthening into claws, and tore desperately at his fingers.” Min turns into a block of metal and fell on the man’s foot. When he lets her go, “I snatched a saucepan and brought it crashing down against his head. He fell without a sound.”
  • Mercenaries attack the ship that Min is on. Min “cried as a burst of violet fire hit us in the side.” The scene takes place over nine pages. Someone pulls Min “behind the copilot’s seat. Great timing: A bolt sizzled over me, where my head had been just a second earlier. . . Two more bolts flew over my head. I peeked around the side of the seat and fired once at the first shadowy figure I saw. I heard a yelp.” Min is hit and “slid out of consciousness.” Later, Min discovers that one cadet died.
  • A person accidently crashed into Min, who is appearing as a boy. Min “emitted a strange yell when the person’s knee accidently connected with my crotch. I was going to have to be more careful about guarding that part of my body!”
  • A space ship is attacked, and the Goblin is injured. “Sunjin jumped back from their workstation, clutching their side. An enormous burning line of light had seared the goblin from the neck all the way to their waist, as though someone had slashed them with a whip of fire. . .”
  • Min discovers that the colonist, “stopped making offerings to the pox spirits, and the spirits took their vengeance by wiping out the colony.”
  • Min helps two mercenaries escape. They get on a ship and the pilot, “blew open the hatch with a missile at short range. . . Acceleration slammed us sideways as our ship veered hard to starboard, then rolled.”
  • Min turns into a bird, and someone shoots at her. “Fire pierced my right wing. . . I plummeted, struggling. . . The pain made me light headed.”
  • A man grabs Min. “I stifled a gasp as his fingers dug into my flesh and he yanked me toward him, wrenching my injured shoulder.” The ghost helps Min escape.

Drugs and Alcohol

  • When Min knocks the investigator unconscious, her family discusses using a “subtle poison” to kill him.
  • Min questions a guard, who tells her that he got his information from a “drunk spacer who was spilling secrets last night.”
  • Min meets a guard who had, “the flushed skin of someone who had been drinking too much cheap wine, and he reeked of the stuff.”
  • For a few hours, Min works in a gambling hall where she serves wine and uses “Charm to encourage customers to relax.” While working, she gives wine to customers.
  • When Min is injured, she is given a dose of painkiller.

Language

  • None

Supernatural

  • The main character is a fox spirit, who lives as a human. A fox spirit can, “shape-shift into whatever she wants: human, animal, even a dining room table.” Fox spirits can choose to be female or male. Fox spirits can also use Charm “to manipulate human emotions and make people see things that aren’t there.”
  • Besides fox spirits, there are other supernatural creatures, “such as dragons, who can control weather, and goblins, who can conjure things out of thin air.”
  • Shamans can communicate with ancestors and spirits.
  • Throughout the story, Min uses Charm to disguise herself. The first time, she made, “myself plainer, drabber, harder to see.” She also uses Charm to turn into an inanimate object several times. The majority of the story, she disguises herself as a cadet who had been killed. The cadet is a ghost and gave Min permission to pretend to be him.
  • The story revolves around the Fourth Colony, “whose entire population had perished when they’d angered disease spirits a few centuries ago.” The ghosts of the colonists haunt the planet.
  • A ghost is one of the supporting characters. “Ghosts weren’t necessarily unfriendly, but many of them became vengeful over time, especially if the unfinished business that bound them to the world of the living went unresolved.” Later in the story, the reader learns that “most ghosts were bound near the site of whatever had felled them.”
  • Ghosts can be dangerous because, “wrongful death warped people’s souls and made them vengeful toward the living.”
  • Several times, the goblin uses his magical sport to create food. The first time the goblin uses the magic, “Sunjin waved the sport, and a box of chocolate-dipped cookies magically appeared.”
  • People are looking for the Dragon Pearl, which could, “transform an entire barren world, give it forests and seas and make it suitable for habitation, it could just as easily destroy a world, turn it into a lifeless desert.”
  • Both people and space ships have an energy flow, which affects luck. “Just like you could have flows of good or back luck in a room, depending on how furniture and ornaments were arranged, there could be flows of good or bad luck across star systems and beyond.”
  • Min meets her brother’s ghost. “Through the disheveled locks I recognized the face—what remained of it, anyway. Half of it flickered with ghostly flames, as though he were on fire. Between that, and the hair, I could barely see his surviving eye.”
  • A shaman was “going to rid the Fourth Colony of its ghosts by singing us into the underworld.” The ghosts stop her.
  • Min uses the Dragon Pearl to give the ghosts a proper burial. “The ghosts shimmered, and I could sense their joy.”

Spiritual Content

  • A pilot whispers a “spacer’s prayer that heaven would see us safely through the gate.”
  • When Min’s escape pod crashes, she “prayed to every ancestor I knew to watch over us.”
  • Min sees that the dead colonist “didn’t have gruesome lesions of smallpox, the disease that gods had once wielded to teach humankind respect. . .”

Turtles All the Way Down

Aza and Davis haven’t spoken in years. Their childhood bond fizzled as the distance of adolescence separated their lives. Then Davis’s father, multi-billionaire Russell Pickett, goes missing the night before the police raid his house. Aza doesn’t plan to pursue the mystery of Russell Pickett’s whereabouts.  But there is a one-hundred-thousand-dollar reward, and, as Aza’s best friend Daisy likes to point out, shouldn’t they take advantage of a childhood friendship?

Meanwhile, Aza is grappling with an ever-tightening mental spiral of her own thoughts. Every day she must fight to regain control and stop her fears from consuming her. This story of first love, mystery, and mental health blends effortlessly to create one of John Green’s finest works to date.

Many sensitive topics are discussed and analyzed in this novel, making it a teen must-read. Aza’s difficulties coping with depression and OCD are beautifully articulated, giving the reader a greater understanding of these issues. Aza battles mental health challenges while navigating the complications of everyday life, making this a relatable story for readers who may feel overwhelmed by the weight that life can carry.

However, this story is not for the faint of heart. Younger readers may be disturbed by the sensitive issues the story explores, including the loss of a parent, intense mental health issues, burgeoning teen sexuality, and abandonment. There is also a fair amount of unnecessary profanity that may not be appropriate for younger readers.

The importance of parental figures in the novel highlights an aspect of teen life that is often overlooked in young adult fiction. The parents are presented in the wake of traumatic events as multi-dimensional characters, a contrast to how they are often depicted in other young adult novels.

Fans of John Green’s previous works will not be disappointed as Turtles All the Way Down carries his familiar style and packs the emotional punch that readers have grown to expect from his work. Although the story drags in places, Turtles All the Way Down will delight, inspire, and captivate readers through the masterful use of words, emotions, and thorough development of characters.

Sexual Content

  • Daisy writes fanfiction about Chewbacca’s love life. “In my fic, Chewbacca and Rey were in love. He’s saying it is—and I am quoting—‘criminal’ because it’s interspecies romance. Not sex, even—I keep it rated Teen for the kids out there—just love.” She later defends her argument against human males in the Star Wars universe. “Nobody complains about male humans hooking up with female Twi’leks! Because of course men can choose whatever they want to bone.”
  • Daisy tells David that Aza had a crush on him when they were children. Daisy says, “Holmsey here told me she had a crush on you when you were kids . . . And I was, like, let’s go see him, I bet it’s true love.”
  • The idea of being in a romantic relationship makes Aza feel anxious. “I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn’t much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing. . .”
  • During a dinner conversation, Daisy asks Aza if “you ever gotten a dick pic? . . . I mean have you ever received an unsolicited, no-context dick pic. Like, a dick pic as a form of introduction.” Daisy then hands Aza a picture that she received on her phone, to which Aza replies, “Yeah, that’s a penis.”
  • Russell Pickett had been sued several times for sexual harassment allegations in the past. These incidents are not described.
  • When Daisy is nervous about going on a date with Mychal, she confides in Aza. “I have not actually made out with a human being in
  • Aza has a forearm fetish. “I’m not sure why, but I’ve always been pretty keen on the male forearm.”
  • Aza wants to kiss Davis, despite her anxiety towards germs. “I wondered why I wanted him to kiss me, and how to know why you want to be with someone, how to disentangle the messy knots of wanting.”
  • Aza accidentally walks into a room where “Daisy and Mychal were kissing in a large four-poster bed.”
  • After her first date with Mychal, Daisy weighs the possibility of their future relationship when she has a conversation with Aza. “I actually think upon close examination he is hot. And in general, quite charming and very sexually open and comfortable, although we didn’t do it or anything.”
  • When Aza asks Davis to read his poetry to her, he says, “Reading someone’s poetry is like seeing them naked.” Aza responds to this by saying, “So I’m basically saying I want to see you naked.”
  • After a few times hanging out, Aza and Davis make out. Aza “liked feeling his body against mine, one of his hands tracing my spine . . . I felt my chest tighten, his cold lips and warm mouth, his hands pulling me closer to him through the layers of our coats.” The scene lasts about two pages.
  • When Davis drops Aza off at her house, he “kissed me chastely on my sweaty lips.”
  • Due to her anxiety and the constant spiral in her mind, Aza finds kissing terrifying. She always starts making out with Davis, but once the overwhelming fear of shared microbes takes over, she must pull away. Her therapist says that her anxiety is causing intimacy issues.
  • When Daisy greets Mychal at school, she “threw her arms around him, and kissed him dramatically on the lips, one leg raised at the knee like she was in a movie or something.”
  • There is a brief make-out scene near the climax of the novel. Aza “liked the warmth of his mouth. I wanted more of it. . . I wanted to feel the brain-fuzzing intimacy I’d felt when I kissed him, and I liked kissing him. He was a good kisser.” This scene lasts about half a page.
  • In his blog, Davis writes about E. E. Cummings, saying, “He wrote of love and longing. That often got him laid I’m sure.”
  • Daisy wants to have a tombstone next to Aza that will say, “Holmsey and Daisy: They did everything together, except the nasty.”
  • Daisy feels that her virginity is inescapable, which is a problem she had with her relationship with Mychal. Daisy is upset that “he doesn’t want to have sex unless he’s in love, and yes, I know that virginity is a misogynistic and oppressive social construct, but I still want to lose it.”

Violence

  • Aza and Daisy get into a car crash in which Aza is hospitalized because she sustains serious injuries. Following the crash, Aza “lifted myself up, and the pain blinded me for a minute, but the black dots scattered so I could see the damage.”
  • Aza and Daisy smell Pickett’s body rotting. They aren’t sure and do not look, but they tell Davis who later notifies the authorities. The news reports that “Pickett likely died of exposure.” The dead body is not described.

Drugs and Alcohol

  • Aza takes medication for her anxiety. “I’d had a bit of a crack-up my freshman year, after which I was prescribed a circular white pill to be taken once daily. I took it, on average, maybe thrice weekly.” She also takes supplemental medication when she is feeling panicky.
  • When Aza and her mom discuss how to pay for college, she says, “I’ve got plenty of time to win the lottery. And if that doesn’t work out, I’ll just pay for school by selling meth.”
  • When having dinner at Applebee’s, Aza jokingly asks the server for a glass of red wine.
  • When her mom asks her about her thoughts on taking medication for her mental health, Aza thinks, “I wasn’t convinced the circular white pill was doing anything when I did take it, and for another, I was not taking it quite as often as I was technically supposed to.” Later, when talking to her therapist, she says, “Who’s deciding what me means—me or the employees of the factory that makes Lexapro? It’s like I have this demon inside of me, and I want it gone, but the idea of removing it via pills is. . . weird.”
  • Davis describes his father as hiding “cash like alcoholics hide vodka bottles.”
  • Davis’s little brother gets caught with pot at school. This scene is not described.
  • Aza begins ingesting hand sanitizer after kissing Davis in an attempt to kill the bacteria. “I pulled the hand sanitizer out of my jacket and squeezed a glob of it into my mouth. I gagged a little as I swished the burning slime of it around my mouth, then swallowed.”
  • When Aza has a rough night devoid of sleep, Daisy says, “You look like you just got off work from your job playing a ghoul at a haunted house, and now you’re in a parking lot trying to score some meth.”
  • After the car accident, Aza has to take large doses of pain medication.
  • While in the hospital, Aza says, “Even though I was pretty high on morphine or whatever, I couldn’t sleep.”
  • After Aza attempts to drink hand sanitizer in the hospital, the staff, “figured me for an alcoholic—that I’d gone to the sanitizer because I was desperate for a drink.”
  • Davis’s younger brother Noah sinks into depression after their father’s disappearance. Davis remarks, “It’s like Noah’s two people almost: There’s the miniature dude bro who drinks bad vodka and is the king of his little gang of eighth-grade pseudo-badasses. And then the kid who crawls into bed with me some nights and cries.”
  • Daisy, Aza, and Mychal go to an art show where they see an image of “a portly rat drinking a bottle of wine.” During the art show, wine is passed around.

Language

  • Profanity is used frequently throughout the book. This includes holy shit, hell, shit, dumbass, fuck, bullshit, and asshole.
  • Oh my God, Christ, God, thank God, and oh God are used frequently as exclamations.
  • Daisy bemoans the ugliness of her Chuck E. Cheese uniform and calls it, “Fucking systematic oppression.”
  • Davis calls his dad, “a huge shitbag.”
  • After saying something a little rude to Aza, Davis says, “That probably sounded dickish.”
  • Russell Pickett is described as being, “skeezy as hell.”
  • Daisy pretends to be someone’s boss and says, “He went to the fucking office and emailed me scans of the fucking police report.”
  • Davis says that he is “just so goddamned lonely” and that he had a “shitty day.”
  • Aza talks about the parasites that she fears and says, “The parasite breeds there, and then baby parasites get crapped into the water by birds.”
  • When asking Noah what he is doing in his video game, he says, “kickin’ ass and takin’ names.”
  • After going on a date with Mychal, Daisy says, “Do not think I am becoming the best friend who falls in love and ditches her bitches.”
  • In text messages, Davis repeatedly says that he likes Aza’s ass.
  • When trapped in her mental spiral, Aza repeatedly thinks, “oh for fuck’s sake.”
  • Daisy created a character in her Star Wars fan fiction that was based on Aza, and doing so was regarded as a “dick move.”

 Supernatural

  • Aza personifies her mental illness as a demon that is trapped within her body.

Spiritual Content

  • Davis says, “Star Wars is the American religion.” Mychal responds by saying, “I think religion is the American religion.”
  • Daisy laments about how adults, particularly her parents, don’t seem to care. She says, “You watch them try to fill themselves up with booze or money or God or fame or whatever they worship, and it all rots them from the inside until nothing is left but the money or booze or God they thought would save them.”
  • Aza thinks about what it is to be like within her spiral or within love and she says, “I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God being everywhere.”

by Morgan Filgas

The Penderwicks at Last

The Penderwicks are back for the final installment of Jeanne Birdsall’s beloved series about family, friendship, and adventure. The entire family is coming together once again for a wedding, and it just so happens to be at their favorite place in the world, the Arundel estate. Lydia, the youngest Penderwick sister, is now eleven years old and is a boundless ball of dancing energy, excited to experience the wonderful place that she has heard so many stories about. New surprises await as the charming family returns to the estate where it all began.

Following the same simple, yet charming style of the first four books, The Penderwicks at Last is a delightful read. However, it is the least interesting of the series. Although it has the trademark humor and wonder that captivated readers from the beginning, this book tends to drag and lose momentum. Curious readers excited to discover the fate of the family that they have grown to love may find that part of the magic has faded.

The best elements of the book include when Lydia interacts with her family, rather than what the majority of the book focuses on–her relationship with her new friend Alice. As Lydia becomes a better person over the course of her stay at the enormous estate, she learns important lessons about kindness, friendship, and familial bonds.

The story revolves around Lydia as she navigates and discovers Arundel for the first time. She begins to understand the secrets of what makes the Berkshire estate so magical to her family, from the gardens to the rolling fields, allowing the reader to feel the wonder and excitement along with her. Since Lydia was only in the last two books of the series, she is less fascinating than her siblings are. Readers willing to overlook this will find it an enjoyable tale of weddings, space alien movies, and new friendships.

Although The Penderwicks at Last can be read as a stand-alone novel, readers will find the story more amusing if they have read the previous books. Younger readers may find the diction difficult and may not be interested in the older characters and their adult problems.

Despite disappointments for long-time fans of the series, Birdsall uses her trademark style to create a story that is still pleasant to read. Mimicking the mood and story arc of Louisa May Alcott’s Little Women, The Penderwicks at Last is a feel-good story for readers of all ages.

Sexual Content

  • Batty has a boyfriend from college named Wesley who is a dedicated art student. “Lydia liked him more than any of Batty’s boyfriends from high school. Indeed, he was among her top four or five picks of all her sisters’ boyfriends put together.”
  • Jane has distinctive views about love in her life. “She cared only about becoming a great novelist. Everything else was secondary, including love and romance. Those she’d sworn off after a few heartbreaks had used too much of her writing time.”
  • When they were young, Enam promised to marry Lydia when they grew up. When Enam gets a girlfriend when he is older, Lydia “wasn’t awfully upset, but was also comforted when Aunt Claire told her that boys–even her own two sons–can be dopes when it comes to love, and then took Lydia out for ice cream and a movie.”
  • Tifton perpetually is getting married, divorced, and remarried.
  • Alice tells Lydia the story of how her parents fell in love. “Dad met her when they both started teaching . . . and fell in love with her because of how talented she was, but then he had to beat out the math teacher, the gym teacher, and also Mom’s boyfriend from college before he could win her heart.”
  • When Lydia is trying to stage a procession rehearsal for the wedding, Rosalind, “sneaked off with Tommy to hide behind the pavilion, where they thought they couldn’t be seen.” Alice laments that they are kissing again.

Violence

  • Lydia dislikes a girl in her dance class. Lydia wishes that she could, “do something dramatic about her dislike–shout it to the world or kick Deborah in the shins.”
  • Alice has a conspiracy theory about Mrs. Tifton murdering her husbands in her giant mansion. “She could have poisoned them and used the ax to chop them into pieces. Look right there….I bet that’s blood.”
  • In a tragic scene of Ben’s sci-fi movie, Alice acts out the part of a dying alien who gets murdered. They shoot this scene several times and Alice is regarded as being very good at it.

Drugs and Alcohol

  • None

Language

  • Jeffrey comes back home to Arundel. “He spotted me at the tunnel and thought, What the heck is that, and do I need to protect my friends from it–”

Supernatural

  • Arundel is described as a magical place. “Jane had said that the stone pillars were a magical boundary that kept out the real world.”
  • Alice believes that all of Mrs. Tifton’s husbands became ghosts after she allegedly killed them. “The husbands could now be ghosts, waiting for their revenge.” These ghosts make Lydia reluctant to sleep alone in the mansion.

Spiritual Content

  • None

by Morgan Filgas

 

 

Amber House

Sarah had never seen Amber House, the family estate until her family traveled to Maryland in order to sell it. The house has been in the family for three hundred years, but Sarah doesn’t care – that is, until she starts seeing visions of its past. It turns out the women of Amber House have the gift of seeing the home’s echoes, and not all of them are moments for which the family would like to be remembered.

Despite her fear, the lure of hidden diamonds keeps Sarah at Amber House, digging to uncover its secrets. As her family gets closer to selling the estate, Sarah becomes more attached, desperate to save her family’s heritage. But when her little brother gets trapped in the in-between world of spirits and memories, Sarah realizes her family heritage is darker than she had ever imagined.

Filled with beautiful imagery, Amber House is a delight from beginning to end. The constant unraveling of numerous mysteries is complemented by the troubles of a normal teenage girl—parental discord, family drama, and a sprinkle of romance that complements the story while not becoming overbearing. In a surprising feat, the main and supporting cast of characters are all well-developed, creating a story full of people to root and long for.

While this story has a fair amount of violence, it is not graphically described. For a young adult novel, the sexual content and language are also refreshingly mild. The book is a must-read because of the well-developed cast, beautiful imagery, and a delectably unique storyline. Also, the main character, Sarah, is extremely likable. Overall, Amber House is a joy to read and it leaves readers desperately hoping the sequel can live up to its predecessor’s impressive feat.

Sexual Content

  • Sarah’s dad cheated on her mother before the start of the book. “He’d gotten a little too close to Sammy’s overly friendly pediatrician back in Seattle.”
  • It’s mentioned in passing that the founder of John Hopkins Hospital “fell in love with his first cousin, Elizabeth” and that neither one “of this tragic pair ever got married.”
  • Sarah idly flips through a magazine and sees a Cosmo article titled, “Ten Spicy Ways to Do It in the Summer!”
  • At a party, Sarah follows Kathryn “up the carpeted steps, her nearly naked bottom exactly two steps up and directly in front of my face. No cellulite, I noted.”
  • Sarah and Richard kiss several times. “He leaned over, put his finger under my chin. He hesitated a moment, then gave me the softest kiss. I liked it. I liked it a lot.”
  • Richard’s friends go swimming in their underwear. Sarah sits on the side and watches. “Chad stopped undressing when he got down to his boxers. He took a running jump and cannonballed into the pool. Kathryn—now in nothing but a matching bra and panty set—followed.”
  • Sarah’s mom thinks the senator wants something from her. “He may be looking for a – companion. . . Or maybe he’s more ambitious. He’s single, I’m newly wealthy, and he doesn’t seem to like it much when your father is around.”
  • Sarah sees a man and woman kissing in a vision, but the woman seems to see Sarah too. “‘You’re watching, aren’t you?’ she said. ‘What, honey?’ the man said, not stopping, slipping the shoulder of Fiona’s dress down to reveal bare skin. ‘It’s all right,’ she said to the door—to me. ‘Sometimes I watch too.’”
  • Sarah sends her best friend an email. “You will not believe where I am. . .in the bedroom of the Abercrombie model…and no, we’re not doing anything except picking up some party clothes, you filthy-minded hussy.”
  • Sarah and Richard kiss in the garden. “He kissed me again, harder, more urgently, his hands folding my face, and I found myself kissing him hungrily, my fingers in his hair.”

Violence

  • Jackson tells the story of a “car accident when I was three. Burned me pretty bad all over my left side. . . got a head injury and a few broken ribs, but I survived. My parents didn’t.”
  • Sarah sees a young girl trying to drown a baby in a vision. “Oh, God. Two little fists flailing; the dark curls on the top of a small head submerged under roiling water. A black woman ran up, shoved the girl back, and snatched the baby from the tub.” The girl tells the woman, “You can’t save it, you know. The gypsy told Papa it has to die.”
  • Later Sarah sees the same black woman being whipped. “He stopped in front of a black woman, stripped naked to the waist, bound by her wrists to a low branch of the tree. ‘Where’s the child, you damned witch?’ She did not answer. . . and bleeding welts crisscrossed the white stripes of old scars on both sides of her spine. Dark drops sprayed from the blow, and I could see that the crop’s leather was stained wet brown.”
  • A woman and her husband get in a fight. The woman “screamed, turning and swinging the thing in her hand down in an arc. He saw her at the last second and parried the thing with his forearm. Then he swore, reaching for the gem-set handle suddenly protruding from his shoulder…’Lock her in the nursery,’ he said. ‘I never want to see her again.’”
  • Richard punches Jackson when he catches him dancing with Sarah. “I could smell the sour notes of champagne, and I could hear it in his voice…Richard turned and struck him in the face. ‘Shut up!’ Blood beaded on Jackson’s lip, purple-red in the half light.”

Drugs and Alcohol

  • Sarah overhears someone talking about her deceased grandmother. “I heard her liver failed, but with all poor Ida suffered, it was no wonder she drank.”
  • Sarah’s mother finds “a stash of medical supplies in a narrow cupboard that contained mostly liquor.” She then “came out with a bottle of vodka and poured herself an inch over ice.”
  • Sarah almost falls down after riding a horse for an hour. Richard says, “Woah, Parsons, you look like you’ve been hitting the sauce.”
  • Richard drinks at Sarah’s party. “I noticed a nearly empty champagne flute at his elbow and wondered if it was his. The dealer didn’t seem to question it.”

Language

  • God, hell, and Jesus are used as exclamations.
  • When Sarah bruises her forehead, her mother says, “Oh my God, what the Hell did you do to your face?”
  • Sarah’s mother says, “Jesus, I can’t take this today.”
  • Sarah says that “spending an evening with a hundred strangers is her idea of hell.”
  • A kid says Amber House has “got a damn cemetery right on the property.”
  • When Richard loses a race, Sarah hears him “choking out a few choice four-letter words.”
  • A friend says Sarah made “an ass out of Richard in front of all his friends. . . It was about time someone took him down a peg.”
  • Sarah’s mom says, “You think I’m some kind of conniving bitch because I want to use the senator’s connections?”

Supernatural

  • Sarah sees visions of Amber House’s pasts when she touches certain objects. Some are harmless and fun, but some are frightening. “A woman stood in the shaft of moonlight. . . She might have been carved of stone. A spider ran down a lock of her hair, and air escaped me in the smallest gasp. . . The voice rose almost to a scream. ‘You think you are safe? You think I can’t hurt you? I can. I can get you. I can find you in your dreams.’”
  • Sarah’s visions of Amber House are passed down among the woman of the family. Jackson says, “Ida saw things too. She called them echoes. When she touched certain things, little bits of the past came to life for her. She said they were the house’s memory.”
  • An old woman named Nanga can see visions of the future, allowing her and Sarah to interact on several occasions. “She can see the future. And because I can see the past, we could talk to each other.”
  • A woman in Sarah’s vision tries to stop her husband from burying their dead son. “’He’s not dead,’ she said, horror in her voice. ‘He’s sleeping. I’ve seen him in my dreams. His spirit comes to me. I won’t let you put him in the ground.”
  • Sarah gets her fortune told at her birthday party. She is told, “I have never seen a board that spoke so powerfully of change as this one.”
  • When Sammy goes into a coma, Sarah sees her brother’s face in a mirror. Jackson says, “There’s an old superstition that spirits can be trapped in mirrors.”

Spiritual Content

  • At her grandmother’s funeral, the housekeeper covers all mirrors with black cloths. The housekeeper says it is “just a southern superstition. . . to help the departed’s soul cross over and not get trapped in the looking-glass world. . . People used to believe you could see through to the other side in a mirror. To the place where souls go after death before they move on to their final destination.”
  • Sarah and her mother go to church to socialize. “It had been years since I’d been inside a church. My mother liked religion about as much as she liked anything else supernatural. But she led the way up the steps the next morning.”
  • “I fell asleep still thinking about people watching me, thinking that the eyes in Amber House were kind of like the eyes of God, knowing every failing. Except God could forgive.”

by Morgan Lynn

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