Reading Level: Young Adult

Pretend She’s Here

Emily can’t believe that her best friend Lizzie is gone. Every day she misses Lizzie now that she’s dead and her family has moved away. When Lizzy’s parents and her sister come back to town to visit Lizzie’s grave, Emily is happy to see them. Emily thinks that they are the only people who can understand her pain.

Emily doesn’t think twice about getting into the vehicle with them. After all, they are her second family. But soon, Emily realizes that Lizzie’s parents aren’t in town for a quick visit. Instead, they have come on a desperate attempt to bring Lizzie back to life. Soon Emily is trapped by the desperate parents, and she’s afraid there is no escape.

Pretend She’s Here is a unique story that has a major creep factor to keep the pages turning. The story focuses on Emily, who is kidnapped at the beginning of the book. Much of the story is told through Emily’s memory, which unfortunately eliminates much of the suspense. Emily’s large Catholic family is difficult to keep track of, and the many flashbacks of the seven siblings become confusing. There are simply too many characters to keep track of and many of them do not have a distinct personality.

Lizzie’s mom, Mrs. Porter, clearly wants to turn Emily into a replacement for Lizzie. The fact that Mrs. Porter’s family goes along with the plot allows the reader to see how desperate Mrs. Porter has become. However, Mr. Porter fades into the background, and readers will miss seeing how he fits into the family dynamic. The ending of the story is also a bit frustrating because Emily has so many chances to tell people who she really is, and yet she stays silent. At one point, she faints and is taken to the doctor, who sees many clues that Emily is in a desperate situation, but the doctor doesn’t act on her suspicions. Even though the author manages to make this unlikely scenario with the doctor believable, the ending of the book stretches the imagination too far.

Pretend She’s Here isn’t just a frightening kidnapping story; it also has themes of alcoholism, grief, friendship, and the power of forgiveness. While some readers may enjoy the kidnapping story, others may be frightened by it, especially because Emily is taken by someone who she considered her second family. Readers looking for a frightening story that examines the desperation that grief can cause will enjoy Pretend She’s Here. However, readers who are easily frightened should leave this book on the shelf.

Sexual Content

  • Emily’s friend says that she sees “stars” when she kisses her boyfriend.
  • Emily thinks back to her sister who would go up to the church steeple with her boyfriend “to kiss.”
  • Emily thinks about Casey and imagines “the feeling of his lips on mine.”
  • While at school, Emily sees Casey, and “all I wanted was for him to kiss me right there, that exact moment.”
  • While sledding, Emily and Casey’s sled crashes. They started laughing. “Then all at once the laughter stopped, I looked into his eyes, and he kissed me. The world fell out from under me, and I was floating in space, held up by Casey’s arms. . . His lips were soft and the kiss was hot, and I forgot I had a body and a life—and I was part of Casey and he was part of me.”

Violence

  • Emily is kidnapped and her hands are bound behind her back. She tries to escape. Emily “crouched as if about to bar, then used my legs as springs and smashed into Mrs. Porter, knocking her down, making her cry out. I turned and ran as fast as I could into the trees.”
  • In order to get Emily to behave, Mrs. Porter videotapes herself walking with Emily’s mom. Emily sees, “Mrs. Porter’s red plaid jacket and then, in her other hand, a knife with a thick, sharp silver blade. She made a jabbing motion.” After she watches the video, Emily “slapped her in the face as hard as I could, fumbled for the phone. Cloe (Mrs. Porter’s daughter) charged at me, clawed the phone out of my hand. We kept fighting for it, but then she shoved me.”
  • Emily sees her family and tries to get out of the car, but “Mrs. Porter wriggled between the two front seats and pulled my hair so hard my head smashed the headrest. She slapped my face. . . Mrs. Porter had now wriggled her way into the back seat beside me. Fingers still tangled in my hair, she tightened her grip, shaking my head, making every nerve in my scalp scream with pain.” Emily stops struggling when Mrs. Porter tells her, “I’ll kill your mother here and now.”
  • Mrs. Porter stops Emily from leaving. “I started to jump up. But she clawed my wrist, nails digging into my skin, pulling me back down. . . Then I saw the other hand. Her fingers were closed around the knife with the silver blade. . .” Mrs. Porter tries to kill Emily, but Emily “fought her. I hit her as hard as I could, heard my fist crack her cheekbone. I tried to kick her, but she’d leapt up from the bed, gripping my wrist, and my foot missed. She was waving the knife, stabbing the air, but I kept ducking, trying to pull away.” Mrs. Porter stabs Emily, who is rushed to the hospital in critical condition.

Drugs and Alcohol

  • Someone kidnaps Emily and gives her drugs so she will sleep. “A bottle clinked. I turned my head, saw her lift a small vial in front of her face, insert a syringe into the rubber cap to withdraw liquid, and lightly pump the plunger so a tiny clear stream squirted into the air. . . I felt the needle prick, then a slow ache in my bicep. Almost instantly, I felt light-headed.” Emily falls asleep.
  • Emily’s mother is an alcoholic, and Emily thinks back to a time when her mother missed her play because she was drunk. Emily’s mother, “had been sober over a year now. Since the last horrible fight that had sent her to rehab. . .” Emily thinks about her mom not being at the play, and when she got home, “I found my mother passed out in bed. The fumes left no doubt that there’d been alcohol involved.”
  • Casey’s mom was prescribed oxycodone. She became addicted and died of an overdose. Casey says, “One day she took too many. She never woke up.”
  • A doctor gives Mrs. Porter a prescription for Xanax.
  • While Emily is in the hospital, she is given Morphine which puts her in a “sick, sleepy twilight state.” She is also given opioids.

Language

  • Oh god is used as an exclamation twice; oh my God and OMG are used as an exclamation once.
  • Damn is used once.

Supernatural

  • None

Spiritual Content

  • Emily’s family is Catholic and attends church. Emily thinks about all of her siblings’ names and how they were “Catholic to the max. My mom had gone to St. Joseph’s College; my dad had gone to Holy Cross.” She and her siblings were given saint’s names and were baptized. Emily thinks, “even though we skipped Mass a lot, we did our best. We believed in the sacraments and had all made our first communion and confirmations.”
  • Emily’s mother says, “By the grace of God, I haven’t picked up a drink since.”
  • Casey, who was blind, tells Emily about his mother. “. . . She never stopped hoping I’d be able to see better someday. . .I had the best doctors, but her real faith was in St. Anthony.”
  • When Emily is in the hospital, she thinks about her mother. “I prayed you wouldn’t drink. I just wanted everything to be okay.”
  • While Emily was missing her mother, she “tried to pray, but I felt there was no one listening. I couldn’t hear God talking back to me. The priest from All Souls Church came, but I told your father not to let him in.”

Losing the Field

Tallulah has always been the overweight girl no one wants to spend time with. She focuses on her studies, ignores the teasing, and bides her time until graduation. But when Nash, the boy she’s had a crush on for years, makes a joke about her weight, she becomes bent on revenge. Tallulah thought she and Nash were friends because Nash was the only person who seemed to be genuinely nice to her. After his teasing, Tallulah walks and walks all summer, losing weight and increasing her anger towards Nash, the boy who broke her heart. When her senior year starts, she’s the most attractive and revenge-bent girl in school.

Tallulah’s year isn’t what she expects though. Once Nash realizes his mistake, he and Tallulah become friends. Then they become more than friends. He is a brand-new person this year too, after a football accident leaves him with a permanent limp and he can’t play anymore. They find understanding and friendship in each other. They have to cling to this new relationship as car accidents, rumors, and inappropriate teachers all threaten to destroy their feelings for each other.

Losing the Field is a dramatic take on a tumultuous senior year of high school. The characters are easy to connect with, but at some points the plot and dialogue are overly dramatic. However, the plot does bring up important topics such as body image, bullying, substance abuse, and friendship. The main character Tallulah teaches readers that your outside appearance doesn’t matter as much as what’s on the inside, and she stands up for herself by telling the truth, even in a difficult situation.

This story is entertaining but predictable. The characters get themselves into hard situations because of misunderstandings and eventually come back together when they have learned the truth. Profanity is used often and is used to differentiate between the voices of Tallulah and Nash. The chapters are written in alternating perspectives and Nash uses expletives and coarse language in his narration.

The story does deal with a teacher who makes inappropriate advances on a student (Tallulah). Nothing beyond a kiss and words are exchanged, but it is presented as a serious issue. Tallulah does the right thing by telling the truth to the administration and voicing her objections to the teacher’s advances. The teacher is fired, though Tallulah decides to not press charges.

Readers looking for an easy-to-read book about teenagers in love will find Losing the Field a good read. Although Tallulah lost weight, she did it for the wrong reason—to get a guy. The story does hint that in order to be beautiful, you must be thin. Another negative aspect of the story is that the non-stop drama becomes hard to believe. While the book was about Tallulah and Nash’s relationship, this part of the storyline should have been better developed. It is also a misleading novel in its presentation; this book is not about sports. Nash did play football, but that is a minor plot point. Overall, Losing the Field is a quick, easy read for someone looking for a dramatic and action-packed plot. While Losing the Field is the fourth in a series, readers do not need to read the others in order to understand the plot of this book.

Sexual Content

  • Tallulah says to Nash that she can’t be late to class because she doesn’t want it to affect her college acceptance. Nash thinks, “Jesus she was serious. And it was sexy as hell.”
  • Nash’s ex-girlfriend sees him and Tallulah together at a restaurant only days after they officially broke up. Nash’s ex-girlfriend accuses him of being a player, and Tallulah gets upset and defends Nash. She says, “Oh, y’all just broke up on Tuesday? Was Hunter aware of that? Because the groping session that was going on in the hallway during second period Monday between the two of you made it seem you were perfectly available.”
  • Tallulah tells Nash that she knew Blakely, his ex-girlfriend, wasn’t right for him, but that his love life wasn’t her business. He corrects her and says, “Sex life, Tallulah. There was no love there.” Tallulah is embarrassed he said “sex” and when he realizes this, he says, “What if I say ‘blow job’?” He says this just to embarrass her. They share a first kiss after this conversation that is not described in any detail.
  • Before Nash heads to the sidelines of the football game, he kisses Tallulah. “Closing the distance between us, I slid a hand around her waist and tugged her close before placing my mouth firmly on hers. Just enough pressure to taste her.”
  • When Nash meets a famous YouTube vlogger the day after the football game, he asks him why he’s moving to Lawton. The vlogger says, “When your mother catches your father fucking your little brother’s college-age nanny in the pool, then shit happens.”
  • Tallulah and Nash go to his house to make out while his parents are at work. They kiss and take their tops off, but don’t go any further. “His eyes were locked on my chest. My breathing making it heave with each deep intake. . . He tugged me down on top of him, and I felt the rigidness under his pants as it pressed into my stomach.” Tallulah is nervous, and Nash says, “Tallulah, my pants are staying on. This is all I want. To hold you. I promise.” The scene lasts two pages.
  • A teacher and coach at school named Mr. Dace develops an inappropriate relationship with Tallulah. He asks her to help him with grading after school one day because she is his teacher’s assistant. While she’s helping him, he leans in and kisses her. “Coach D leaned in closer. . . (Coach D) closed the space between them.” Tallulah is shocked. “I jumped up, tripping. . . I had no words and wanted to leave just as his mouth covered mine. This was definitely not okay.” She runs away to the girl’s bathroom. Mr. Dace follows her to tell her how much she means to him and how much he loves her. Nothing else physical happens. This scene lasts four pages.
  • Nash’s ex-girlfriend is suspended from school. Nash “even told me about Blakely being suspended for being caught in the guys’ restroom giving Hunter a blow job in one of the stalls.” The guy was also suspended.
  • Dace makes advances on Tallulah again when she comes in early to help enter grades. She is uncomfortable being in his classroom with him alone. He invades her personal space. “It had moved past inappropriate now. . . He turned his head, and our faces were inches apart. . . He leaned in like he was going to kiss me again. . . I jerked my head to the side to miss his mouth and it landed on my cheek.” Tallulah runs out of the classroom, and the principal walks in to confront Mr. Dace after being alerted of the situation by a student who saw what happened. The scene lasts three pages.
  • Nash and Tallulah kiss after they reconcile at the end of the novel. “His palm touched my back and he pressed me closer. . . Then his lips touched mine.”

Violence

  • At school, a couple of girls get in a fight over the new superstar vlogger Haegan Baylor. The fight lasts two pages, is not described in detail, and is more drama than actual violence. “Pam had a handful of Julie’s red curly hair, and Julie was slapping the shit out of Pam’s face.”
  • Nash is in a car accident with Haegan. They are both extremely high after smoking weed. Their car collides with another car. Nash “heard the horn then. It was loud, the tires screeching almost sounded like screams. . . the clash of the vehicles slammed so hard my body jerked violently against the seat belt. . . His head was turned the other way, and he seemed limp. . . I shook his arm and his head fell forward, but not before I saw his eyes. Open and vacant. No life there.” Haegan dies in the crash. The scene lasts four pages.

Drugs and Alcohol

  • Nash’s cousin brings Nash to a party after school because Nash has been feeling sorry for himself. It’s an effort to cheer him up, but all Nash thinks is how irresponsible it is to be drinking on a school night during the football season. Nash tells his cousin, “Stay focused. Get rest. Not drink beer for God’s sake.” Later during the party, the football coach shows up. He says, “if I call the cops, they’ll only care about the teens consuming alcohol and the smell of weed in the air.”
  • While walking towards the football field, Nash runs into a stranger smoking weed. The stranger throws his joint on the ground. Nash tells him, “This is Alabama, man. Pot’s not fucking legal.”
  • After seeing Coach Dace kiss Tallulah, Nash is very upset. He tells Haegan, “I need to get smoked.” They go to Haegan’s car to smoke pot when the chapter ends. In a following chapter, the scene picks back up. “Getting lit was probably the worst idea I’d had in a long time. . . We’d go to fucking jail if we were pulled over.” They continue to drive somewhere while high. It ends in a deadly accident.
  • While visiting Nash after the car accident, his cousin asks him if he has any beer. Nash doesn’t, saying, “My parents are being strict with that shit. Mom is worried I have a drug problem.”

Language

  • Profanity is used frequently. Profanity includes Holy shit, shit, fucking, fuck, fucked, bullshit, ass, hell, dick, damn, asshole, shit, shitty, bitch, helluva, bastard, dammit, douche, douchebag, and motherfucking.
  • Ryker, a kid at school, said, “Damn, I hope she don’t wear swimsuits in the summer. No one needs to see that.”
  • After Nash calls himself a cripple, Ryker says, “Jesus, Nash, don’t call yourself that.”
  • After it surfaces that Mr. Dace and Tallulah were involved, a girl says, “You deserve this, you little whore.”
  • Tallulah is viciously bullied after the school finds out about Mr. Dace and her being involved intimately. Students write “SLUT” in red lipstick on her locker and call her various names. People tell her. “Go home, you whore,” “No one wants you here, slut,” and various other insults.
  • Jesus, goddamn, and God are all used as exclamations a couple of times.

Supernatural

  • None

Spiritual Content

  • None

by Hannah Neeley

Fragments of the Lost

People blame Jessa for her boyfriend Caleb’s death, but most of them don’t know about the breakup. Instead, they focus on the day he died. The last time Jessa saw Caleb was standing in the bleachers during a track meet. When her good luck dragonfly necklace broke, she ran to him, handed him the necklace. And then he left.

Jessa knows that the teens at school aren’t the only ones who blame her for Caleb’s death. His mother thinks the accident was Jessa’s fault. But when Caleb’s mother asks Jessa to pack up his things, Jessa agrees. She’s hoping that it will help her work through her grief, take away her guilt, and lessen her depression.

But as Jessa begins to box up the pieces of Caleb’s life, every item she touches brings back memories. As the memories flood over her, she thinks that maybe she didn’t know Caleb at all. Each fragment of his life reveals a new clue that propels Jessa to search for the truth about Caleb’s accident. Can she put the pieces together to reveal what really happened on the day he died?

Fragments of the Lost, which is told from Jessa’s point of view, gives a unique perspective on the life of a person. As Jessa reflects on Caleb, her memories are mixed with other people’s memories of Caleb. Each person, each object, each memory shows a different fragment of Caleb, which adds mystery. The story is broken into two parts, with the second part ramping up the action. Although the ending of the story is action-packed, the beginning of the story is character-driven and readers must emotionally connect to Jessa or they will not enjoy the story.

The main part of the story is about Caleb’s death; however, Fragments of the Lost also gives a glimpse into Jessa’s home life, where she often feels overshadowed by her older brother. As Jessa recounts the past, she learns valuable lessons about love, life, and the importance of being honest with others. Although the story has mystery, the clues fall into place too easily which allows the readers to correctly guess what will happen next. This will not make the story less enjoyable for those who enjoy character-driven stories such as E. Lockhart’s We Were Liars. Fragments of the Lost will leave readers wondering what fragments they leave behind.  

Sexual Content

  • Jessa and her boyfriend kiss. The first time they kiss, Caleb “stepped even closer, so his body brushed up against mine. I could feel his breath, the tremble of his hand, smell the salt and sunscreen and summer air as he leaned in to kiss me. I kissed him back, my hands sliding around his waist. . .”
  • After a dance, Caleb and Jessa sit in the car. “My fingers on the buttons of his white button-down shirt. His hands on my bare shoulders when he kissed me.” Nothing else happens. Jessa and Caleb kiss 4 more times, but it is not described.
  • Once Mia’s sister walked into Caleb’s room and saw Jessa and Caleb. Caleb “was easing my shirt over the sunburn when the door opened. . . I yanked my shirt back down.”
  • The story implies that Jessa and Caleb had sex. Someone finds condoms hidden in Caleb’s room.
  • Someone catches Caleb in Jessa’s room when “Caleb wasn’t supposed to be in my room. We were only doing homework. And okay, his hand was on the small of my back, under my shirt, but still. Homework.”
  • Jessa wonders if Caleb talks about their sex life. “I had always thought Caleb was like me, keeping those details to himself. But suddenly I wasn’t sure, and I couldn’t stand the thought—that I might be a secret, to be shared.”
  • As part of school spirit week, someone wrote on the school flag and “they’d added a line in black marker about their opponent. Specifically referring to how badly, and what, they sucked.”
  • While at school, Caleb and Jessa sneak into the “locker room to fool around in the ten minutes before their pregame warm-up.”
  • Jessa kisses a boy that is not her boyfriend. When he “finally lowers his lips to my own, I think I have never felt something so real.” Jessa contrasts how the two boys kiss. One boy’s “kisses more tentative, unsure. My first thought down by the riverbank, when he finally lowered his lips to mine, was frustration that he was pulling away and stepping back, until something tipped and he pulled me closer, our clothes cold and clinging to our skin, my body trembling against his. . . where Caleb was all anticipation and surprise.”
  • Jessa kisses Mas. “I close the gap between us, and I kiss him. I feel him smiling in the second before he kisses me back. His hand at the side of my face, his fingers in my hair.”

Violence

  • Caleb and his step-father had a fight. Caleb said, “Sean was hurting me. He was choking me.” Caleb’s mother pushes a man out the window, and he falls to his death.
  • While in a forest, Caleb’s mother finds Jessa and pushes her over a waterfall.

Drugs and Alcohol

  • When Caleb doesn’t answer Jessa’s calls she wonders if he had a hangover.
  • At a graduation party, “an ice bucket of cheap beer” went missing. The teens play beer games with it.

Language

  • Badass is used once.
  • Ass and damn are used twice. Jessa’s friends Hailey “could transform from ‘girl in a dress with red lipstick’ to ‘girl who can kick your ass in red lipstick’ in the time it took to slip on running shoes.”
  • Crap is used occasionally.
  • Oh God and oh my God are occasionally used as an exclamation. Jesus is used as an exclamation once.
  • Hell is used four times. For example, when someone grabs a paper out of Jessa’s hands, she gets a paper cut and says, “What the hell?”
  • “Dick move” is used twice. Jessa thinks about telling someone something “just to watch him squirm, but that would be a dick move too, so I don’t.”
  • A girl calls someone a jerk.

Supernatural

  • None

Spiritual Content

  • None

 

 

When Zachary Beaver Came to Town

Nothing ever happens in Toby’s small Texas town. When Zachary Beaver comes to town, almost everyone is willing to give up their money to see the “fattest boy in the world” who weighs over 600 pounds. Toby and his best friend Cal try to befriend the boy, who says he’s been everywhere including Paris. Toby realizes that most people only see Zachary’s large size, not the sad boy underneath.

Zachary isn’t the only thing on Toby’s mind. Everyone seems to be leaving. His mother leaves home to chase her dream of being a country singer. His best friend Cal’s older brother is fighting in the Vietnam war. Toby doesn’t want anyone to know that his mom isn’t coming back, so he makes up a crazy tale. It is then that Toby realizes that he and Zachary might not be so different after all.

Set during the Vietnam era, When Zachary Beaver Came to Town gives the reader a glimpse into life in a small Texas town, where everyone knows everyone. Although Zachary Beaver is the main focus of the story, there are other subplots that weave their way into the story. Toby is dealing with teen love, his mother leaving, as well as his best friend fighting in a war and eventually being killed.

Even though all of the events are told in a kid-friendly manner, many younger readers will find the character-driven story less than exciting. The beginning of the story introduces many, many characters who are difficult to remember. Toby, who tells his story, is interesting and brings humor to the story. Even though the story is told by a 12-year-old narrator, the story deals with some heavy topics including feelings of abandonment, death, dementia, and forgiveness.

Readers will eventually fall in love with Toby and the community; however, readers who are looking for an action-packed adventure will be disappointed in When Zachary Beaver Came to Town. The story highlights the importance of not judging others and forgiveness. The ending of the story will leave readers in tears as it highlights the importance of striving to make your dreams come true. There is a reason When Zachary Beaver Came to Town is taught in schools—it gives readers a picture of the time period as well as teaches important life lessons.

Sexual Content

  • Toby makes a joke about Miss Myrtie Mae who wears a “wide-brim straw hat.” Toby says it’s to “protect her virgin skin.” Cal laughs, “That ain’t the only thing virgin about her.”
  • Toby talks to a girl he has a crush on. He thinks, “I want to reach for her, pull her toward me, and tell her it will be all right. I want to smooth her hair, massage her neck, kiss her toes. Instead, I wrap my arms around my knees.” They dance and then she “kisses me on the cheek.”
  • After Toby accidentally sprays himself with a girl’s perfume, someone tells him, “You smell like a French prostitute.”

Violence

  • Some kids start hitting Zachary’s trailing and yelling insults, so Cal and Toby throw rocks at them.  Toby’s “rock sails through the air and hits a perfect target. Mason’s hands fly to his porky bottom. ‘Ow!’ When Cal hits Simon Davis’s leg, Simon takes off crying, his hand pressed against his thigh.” Toby and Cal accidentally break a window.
  • Cal rides his bike to the lake, hoping to outrun Toby. When Toby appears, Cal kicked water in his face. When Toby doesn’t leave, Cal “slugs me on the arm. I still don’t move and he punches me again. My arm throbs in pain.” The two friends make peace.

Drugs and Alcohol

  • One of the adult characters, Ferris, got a tattoo when he was drunk. “He said he got them the night he met Jim Beam. Cal thought he was talking about a real person until I explained that Jim Beam was whiskey and Ferris was drunk as a skunk when he got the tattoos. That was before Ferris met Jesus and got religion.”
  • While the townspeople are at a funeral, Ferris stays in his restaurant and gets drunk. He tells Toby, “Don’t ever start drinking, Toby. Next to money, it’s the root of all evil.”
  • Cal gets a letter from his brother who is fighting in the Vietnam war. His brother writes, “it doesn’t seem like anyone wants us here. Not even the people we’re protecting. They just want to sell us cigarettes, booze, and anything else we’re willing to put down our money for.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Before Ferris was hurt, he “wanted to be a preacher. He even went a semester to a Bible college in Oklahoma. Now he never goes to church, but Mom says he knows the Bible from Genesis to Revelation.”
  • Ferris owns a restraint and his “chalkboard hangs near the kitchen window behind the counter. . . Beneath the menu is the daily Bible verse. ‘It is an honor for a man to cease from strife: but every fool will be meddling.’ Proverbs 20:3. Mom says some people wear their religion on their sleeves. Ferris posts his on the chalkboard.”
  • Toby includes Wayne, a boy who is fighting in the Vietnam War, in his nightly prayers.
  • Toby asks about baptism. Miss Myrtie Mae tells him, “The good Lord knows what state our mind is in when we make such a commitment. But it’s a wonderful commitment, Tobias. The Christian life is not an easy life, but it brings such joy. And of course, there is the gift of eternal life.” She then tells him the steps involved and hands him a paper with John 3:16 written on it.
  • Toby prepares to baptize Zachary, in case Ferris doesn’t show up to perform the ceremony. Toby reads the Bible looking for a verse. “But as I read the story, I forget about searching for verses. I read that Jesus goes to John the Baptist and asks to be baptized, but John doesn’t think he’s worthy enough to baptize Jesus. Then Jesus says, ‘Suffer it to be so now: for thus it becometh us to fulfill all righteousness.’ So, John baptizes him.” Toby calls Ferris and tells him to read the verse.
  • Zachary is baptized. As part of the ceremony, he must agree to “take the Lord Jesus Christ as your savior.”

Anger is a Gift

Moss Jeffries is anything but an average teenager. Ever since his father was shot by the Oakland police outside their home, Moss has dealt with intense anger issues and constant panic attacks. In addition, Moss has a difficult time going outside because of the kinks of the homosexual community, his popularity amongst protesting groups, and his constant fear of the local police. After meeting Javier on a metro train and falling in love, it seems everything is finally coming together for Moss. He is happy; his friend Esperanza is going to a great school; his mother just received a promotion–life is good.

However, when school starts things begin to change. Due to a lack of school funds and the influence of the local police, Moss and his friends encounter more troubles as they are harassed and berated by the school’s administration. However, after a school cop brutalizes one of Moss’s friends, police-patrolled metal detectors cripple another, and his organized school-wide walkout turns chaotic and deadly, Moss personally takes the fight to the police, gathering a city-wide protest that will change the city, and leave readers with a new sense of community and self-determination.

With its diverse characters, Mark Oshiro paints a brutal yet beautiful picture of problems today’s teens face. The well-developed characters each have their own individual type of problems. Esperanza is adopted and struggles to keep in tune with her own culture. Reg was crippled by a car accident when he was younger. Moss struggles with his anxiety. But Oshiro makes them appear to be real people with their own type of language, jokes, and emotions. Readers will fall in love with these realistic characters and root for them.

Moss has a huge group of friends, and the large cast of supporting characters may confuse some readers. The diverse group of characters gives a wide range of people a voice—the story focuses on minorities and also includes the following: gay characters, non-binary characters, bisexual characters, asexual characters, Muslim characters, undocumented characters, and disabled characters. The one thing that brings these groups together is the social injustice they face.

Anger is a Gift has a rapid and suspenseful plot with a perfect mix of teen society and real-world problems. However, Oshiro pushes the extremes of some of the moral problems today’s young adults face. Told from Moss’s point of view, it allows the reader to get a glimpse of what a person feels when they are faced with PTSD and panic attacks. Moss’s descriptions of his grief and anger, in addition to the brutal descriptions of the senseless acts of violence, can, at times, be hard to read.

Besides detailing the oppression minorities face, Anger is a Gift has a hint of romance. Issues of sexuality, race, ethnicity and class affect each of the characters, while senseless anger and violence threaten them all, killing some and injuring others. This book is not for the faint of heart and is intended for older readers. Nonetheless, Anger is a Gift is a book for those wishing for a new perspective on how police brutality, oppression, and racism affects poor people of color from the author’s perspective. The character development mixed with the book’s brutal, bloody action scenes will leave readers with a different perspective of racism in America.

Sexual Content

  • Ever since they started to date, Javier and Moss make a game out of kissing each other when they see each other. When they see each other, they will peck each other on the cheek. For instance, “Moss kissed him back for just a little bit longer, pushing back against the awkwardness that tried to conquer him. He had never kissed anyone in front of his friends, but he focused on how it made him feel. Warm. Secure. Admired.”
  • Before Moss’s first date with Javier, his mom asks, “You have any condoms?”
  • On their first date at Javier’s apartment, Moss and Javier get intimate. “But Javier pulled Moss to him again, only this time they faced each other, and Javier brought them back down on the couch. He wrapped his leg around Moss’s and squeezed his hand. Moss felt moisture and thought his palms had started sweating again, but it was Javier’s sweat this time. Moss went still, and he could feel Javier’s heart beating against his chest. It was racing even faster than Moss’s was. The two enjoyed the warmth of each other’s bodies. . .” They do not have intercourse.
  • On a brunch date, Moss asks Javier, “Maybe you just wanted me for sex. We’re gay men. That’s not exactly an unbelievable suggestion.”
  • While escaping the chaos after the school walkout, Moss suggests that they escape out the back of the school through the hallway down by the science labs “where the football players always take their girlfriends to make out.”
  • After Javier’s death, Moss remembers him, thinking about how much he loved Javier, “The way you kissed my jaw. The way sweat ran down your chest. The feel of the muscles in your arm, the scent of your breath, the blackness of your hair, the curled smile.”

Violence

  • Wanda tells Moss that she stopped protesting after she saw a cop that had previously threatened her “standing over your father’s body.”
  • After finding drugs in Shawna’s locker, “Hull’s arm shot out, hard, and his forearm hit the spot just below Shawna’s throat, and the man pinned Shawna against a locker, her back hitting the metal so hard that it buckled. Moss dropped his lock on the ground, heard it clatter against the tile, and Shawna tried to yelp.” Shawna is epileptic and falls to the ground, shaking, as students gather around them. This scene takes place over four pages.
  • After the metal detectors are installed in the school, Reg refuses to go through due to the six metallic pins in his knee. One of the officers shoves him through, and “Reg didn’t make it through. His right knee jerked to the side and the metal detector seemed to respond to Reg. Thrum! His body hit the frame hard, hard enough that it made a hollow ringing like a steel drum, and Moss saw that Reg’s breath had been knocked out of him. As his hands went to his chest, Njemile and Kaisha shouted, scrambling to reach their friend as he doubled over, his arms shooting out to the ground to catch himself.” Reg goes to the hospital and has to go through surgery and physical therapy. This scene takes place over eight pages.
  • After their school-wide student walk-out turns chaotic, Moss and his friends seek shelter in a nearby room to plan their escape. A cop finds them and uses the infamous Mosquito weapon – a weaponized sonic sound used to disperse crowds of teenagers. After being blasted by the sound, “Chandra threw up. It was violent, loud, and her wrenching caused Sam to do the same, and it was in their hair, all over the floor.” Moss and some of his friends remain uninjured while Chandra and Sam go unconscious. This scene lasts over two pages.
  • During the same walkout, Javier is shot by Officer James Daley. “The beet-faced cop had a gun trained on Javier. And then he fired. it wasn’t the first time Moss had heard the pop of a gunshot. Nor was it the first time he’d heard the sickening sound of the air leaving someone’s body. The sound that meant the worst. Javier curled into himself; his brown hands jerked up to his chest, and blood squirted out between his fingers. Moss screamed, again and again, and pitched himself forward as Javier crumpled to the ground, the life too quickly draining out of him.” Javier dies, Mr. Jacobs and Moss are beaten, and many of the students are sent to the hospital. This scene takes place over three pages.
  • Moss’s city-wide protest turns chaotic after the militarized Oakland PD uses a Silent Guardian, an infamous heat ray, against the protestors. The narrator describes the Silent Guardian in action saying, “The antenna on the top of the box would move sluggishly, and as soon as it seemed to be pointing at someone, that person would drop to the ground. Hands scraped at skin. People clawed at their faces, into the side of a car, trying to escape the sensation that Martin had described to him, and she lay still on the ground.” Many protestors are sent to the hospital, Haley dies, and Moss’s mother almost dies. Moss and his friends’ wounds are described later. “He watched Kaisha and Reg sit as still as they could, saw the sweat on Reg’s bloody face, felt his own pulse pounding in his head.” This scene takes place over fourteen pages.

Drugs and Alcohol

  • During Shawna’s locker check, Officer Hull finds drugs in her locker. Moss describes the encounter saying, “Hull held a Ziplock bag up in the air, and Moss’s heart dropped. White pills. Lots of them.” They are Shawna’s epilepsy medication.

Language

  • Typically, characters use profanity in the heat of the moment. Profanity is used infrequently but includes phrases like “dickwad,” “piss,” “jerk,” “ass,” every variation of “shit,” derogatory terms, and “assholes.”
  • When Reg is trying to go through the metal detectors for the first time, someone shouts “Hurry up, dickwad!”
  • Before shooting Javier, James Daley snarls, “You little shits never learn.”
  • After Javier’s death, Moss gets angry and yells at Esperanza, “I hate your mother, and if her nosy, white savior ass hadn’t called Mr. Elliot, Javier might be alive today.”
  • During the Oakland Police Department’s press conference at the end, somewhere near the back of the crowd, someone yells out “Bullshit!”
  • Afnan describes Mr. Jacobs when he says, “That man was a smug asshole…I bet no one has ever told him otherwise”.
  • During Moss’s protest, Martin hands him an empty bottle and says, “You’re gonna have to take a mean piss eventually.”
  • After slipping on a canister, James Daley falls and Reg shouts out, “Did you see that jerk hit the ground?”
  • During the discussion amongst friends after Javier’s death, Kaisha suggests, “Do you think the cops aren’t capable of just making shit up?”
  • Moss reflects on his father’s death when he says, “Months of those Piedmont assholes teasing me at school, telling me he deserved it because he was a thug and the streets were cleaner without him.”
  • Racist terms are used throughout the book, and the characters’ skin colors come up a lot. One time during a discussion about what to do about the metal detectors, a man in the audience steps up and says, “You call a spade a spade.” Another time, when thinking about Javier, Moss thought to himself, “Oh god, he thought, that makes me sound so white.”
  • “Oh my god” and “Oh god” are used as exclamations.

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

Neverwas

Neverwas continues the story of Sarah and Jackson in Amber House, who are not quite the same people. History has shifted thanks to Sarah’s successful rescue of her brother and aunt. As a result, this Sarah’s parents are happily married. There are other changes too, some good and some bad. Jackson’s aunt Ruth is dying. Hathaway’s mother never left him. Sarah’s best friend no longer exists.

The small changes Sarah understands, but there are deeper changes as well from farther back in history. The American Revolution failed. Nazi Germany won the war. North America is split into three countries, with Amber House located in the Confederate-like country where slavery has only recently been abolished.

How could saving her brother and aunt have caused such large changes to history? It makes no sense, and Sarah doesn’t want to fix it. She doesn’t believe that she can fix it. Together, she and Jackson start to unravel what happened—Jackson eagerly, Sarah unwillingly. Together they realize where history went wrong, and that it’s up to them to fix it, again.

Neverwas is a strong second book in the Amber House series. Though it lacks the beautiful imagery that made the first book a delight, Neverwas is based on an interesting “what-if” concept that will hook readers. The story explores what might have happened if the American Revolution failed, and the ripple effects it would have on world history; these changes keep the story interesting enough to keep the pages turning. The authors also did a wonderful job developing the alternate-Sarah. Sarah is still clearly herself, yet there are changes to her personality and how she views the world, changes that are there due to the fact that her parents are happily married, her aunt is alive, and other small alterations to her past.

This Sarah is not as likable as the Sarah in book one. The Neverwas Sarah is not as strong, she can be frivolous and clueless, and she would rather bury her head in the sand than try to change history again. But with Jackson and her brother urging her on, she does a commendable job of pulling herself up by her bootstraps, and in the end, she does all she can to rectify history and bring a better future. Overall, Neverwas has a theme of helping others, even when the cost to yourself may be great.

 Sexual Content

  • When a boy sees that he and Sarah are under the mistletoe, “his lips softly brushed my cheek.”
  • In an echo of the past, Sarah sees two people whose “lips met in a kiss that made me look away.”
  • In another echo, “A man had Maeve pinned against the wall. She was struggling to get away from him, but he had her arm twisted up behind her back. He kissed her. Hard. A possessive, violent gesture.” She is rescued, and tells him, “I should kill you, Ramsay. Just know if I ever see you on my property again, I will shoot first and swear you tried to rape me later.”
  • Jackson kisses Sarah once. “His lips met mine. Gently—so gently—but also fiercely. As if this belonged to him. As if he had waited for it. As if there was nothing in the world but that kiss. It could have lasted forever and it would have ended too soon. My first kiss.”

Violence

  • Deirdre finds a female slave who was “a tumble of limbs, her face battered and bloody.”
  • Sarah lives in an alternate world where Nazi Germany won the war and still exists. She is furious when a Nazi comes to her family’s Christmas party. “In seventy-five years, the Nazis had wiped out all the Jews, Gypsies, homosexuals, and disabled people in Europe.”
  • Jackson hits his head and has a seizure as a result. “He got to his feet abruptly, bumping his head hard against the mantel. He lifted his hand to his temple and brought away fingers wet with blood. Then his head jerked backward as he crumpled to the floor…his left arm and leg began to shake, and a trickle of blood oozed from his nose.”
  • A racist man asks Jackson, “What happened to you, boy? Half a lynching?”
  • Jackson and Sarah are attacked. “Jaeger raised a hand, and a blade into view. He stabbed it into Jackson. I saw the crimson of blood spreading all around the wound.” Sarah later shoots Jaeger. “Jaeger staggered back, sinking to one knee, his hand clapped to his shoulder. He brought his hand away to see; it was covered with blood.”
  • When a Nazi tries to stab a Jew, another man’s “hand came up and slammed into the Reichsleiter’s face…then [the Reichsleiter’s] face sank into the circle of backs surrounding him. The crowd seemed to swallow him. His protests ceased. The thud of blows continued.”
  • A man tries to kill Nyangu. “She reached out with claws and slashed his face…She grabbed the door frame and leapt up, jamming her bent legs forward to hit the Captain’s midsection with her heels. He doubled over, gasping, and she jerked loose, scrabbling up and away.”
  • When the Captain tries to kill her, Nyangu throws a sack of poisonous spider eggs at him. The spiders hatch, and “I saw tiny spiders swarming his face. Hundreds of them. More. They filled the claw marks down the cheek. They crawled along the lashes of his staring eyes.”

Drugs and Alcohol

  • Sarah describes a bow of hers as, “hanging drunkenly to one side.”
  • A boy teasingly asks Sarah if she has “been sampling too much eggnog” when she spaces off.
  • In an echo, Sarah sees a man who “wavered slightly on his feet, and I understood he was drunk.”

Language

  • “God,” “Good Lord,” and other variations are used as exclamations frequently. For example, Sarah’s mother says, “Oh, my God.” Another time Rose exclaims, “Lordy, child.”
  • “Holy Jesus” is used once. A man says, “Holy Jesus, I just about lost my lunch looking at you.”
  • A boy calls himself a “git.”
  • “Damn it” is used twice. A sheriff yells, “Stop, dammit! You come back here.”
  • Sarah’s brother tells her, “You always get the crappy fortunes.”
  • “Bitch” is used in a poem once, referring to a dog. “A restless hound intent to make her bed…one chance there is to bring this bitch to heel.”
  • When a Jew calls a Nazi a murderer and grabs his arm, the Nazi says, “Unhand me, you filthy Jew.”
  • A news report in a Confederate-like state says, “The only known casualty is a negro youth who is presumed to have set the blaze.”

Supernatural

  • Sarah can see visions of things that happened in Amber House’s past when she touches items from its past, such as a doorknob or Christmas ornament. They are called echoes.
  • Jackson can see pieces of the future and different possible futures.
  • Sarah can feel where Jackson is, even when she cannot see him. She can use this strange sense of “Hotter, Colder” to find him.
  • Sarah finds an evil coin that a man used to change the future. “It seemed almost to squirm. My mind’s eye exploded with telescoping images…I felt possessed, attacked…violence surrounded them, every form of corruption, every kind of death, and I was drowning in it.”

Spiritual Content

  • Sarah’s family goes to a Catholic church service. The service itself is described very briefly; the morning is treated more like a social outing.
  • A girl says, “Merciful Lord” and “crossed myself to ward off evil,” when she finds a nearly dead woman.
  • A little girl says she doesn’t like the story of Pandora or of Eve from the Bible. Her grandmother says, “I used to think that too, Annie. But then I thought, what if we should be grateful to Pandora and Eve instead of blaming them? What if they did exactly what God wanted them to do—to choose choice itself? To bring change and chance into an orderly world.”
  • Sarah has her fortune told by a woman who says she is Catholic. The woman owns The New Dawn Metaphysical Bookshop and says, “Person can’t help it if she can see things other people can’t.”
  • Sarah’s aunt says, “Maybe God is an artist. He saw something deeper. And you must be here to help Him lay it bare.”

by Morgan Lynn

 Rogue Wave

Four thousand years ago an ancient evil destroyed Atlantis. This evil is stirring again, and it will take six mermaids—Serafina, Neela, Ling, Ava, Becca, and Astrid—to defeat it. The mermaids are descendants of the Six Who Ruled—powerful mages who once governed Atlantis. In order to defeat this evil, the mermaids must find the magical talismans that belonged to the six.

Serafina mourns the loss of her betrothed—the traitor who is working for the man who destroyed her realm. But Serafina doesn’t have time to mourn; she must research the location of the talisman and discover its hidden location before anyone else can. While following leads, she must avoid death riders, who have been ordered to capture her.

Neela travels to her home realm, Matali, to warn her parents of the impending danger. However, her parents don’t believe her outlandish story and confine her to her chamber so she can rest and recover. Neela needs to escape so she can find a talisman, which is in the possession of the fierce razor mouth dragons. As they hunt for the talismans, both Serafina and Neela need to rely on courage, cunning, and their allies. Can they endure danger, defeat death, and discover the secret locations of the talismans?

Rogue Wave, the second book in the Waterfire Saga, is full of action, intrigue, and a hint of romance. Even though the first book, Deep Blue, focuses on bringing the six mermaids together, none of the mermaids work together in the second book. Instead, Rogue Wave jumps back and forth between Serafina and Neela, as they both look for a talisman. Often one mermaid’s experience would end with a cliffhanger, and then jump to the other mermaid’s story.

Despite the interesting mermaid world, many of the events were extremely unrealistic. One minute Serafina is a strong, brave girl ready to face down evil, and the next minute, she makes rash decisions that make no sense. Instead of connecting with Serafina, some readers may find the whinny, impulsive mermaid hard to relate to. On the other hand, many readers will relate to Neela, who tries to cope with difficulties with eating sweets. Neela’s parents are more concerned with Neela’s appearance than anything else. Neela has been taught that as royalty, she must always look pretty wearing jewels. Readers will root for Neela as she tries to break out of her parents’ mold.

Rogue Wave continues the intrigue that began in book one. As Serafina travels looking for the talisman, she meets an interesting Spanish princess and is reunited with her betrothed. Serafina hopes to defeat evil and help her realm; however, she is unwilling to accept the obvious and naively ignores clues that prove some people plotted against her mother. Younger readers may enjoy the mermaid world and the intrigue, but more advanced readers will have a difficult time believing Serafina can become a strong leader. The conclusion of Rogue Wave reveals an important plot twist, and readers will want to read the third book in the series, Dark Tide, to discover how the other mermaids fit into the complicated plan of saving the mermaid realm.

Sexual Content

  • As part of a disguise, Serafina uses a spell to give her an enormous bosom. Serafina complained, “It looks like I have two sea mounts stuck on the front of me. . . All I can see is my chest.” Her friend says the goal is to make the soldiers focus on her bosom, “not the face.”
  • Mahdi and Serafina kiss. “And then she was in his arms and his lips were on hers, silently telling her who he was. Hers. Always. And for a moment there was no safe house, no danger, no grief. All she knew was the heat of his kiss and the feel of his heart beating under her hand.”
  • The ghost of a Spanish princess tells Serafina about a pirate trying to capture her. The ghost says, “I vowed I would not be taken. I was a princess of Spain, meant to be wife to a French prince, not a wench to warm a pirate’s bed.”
  • Mahdi tells Serafina that he has kissed another girl but that it meant nothing.
  • Serafina and Mahdi get married, and Mahdi “cupped Sera’s face in his hands and kissed her, and Sera kissed him back, forgetting there were others nearby.”
  • After Sera and Mahdi are married, as part of his secrete identity, he becomes betrothed to another.

Violence

  • Serafina goes to Atlantis, where the Opafango live. Someone warns her, “The Opafango eat their victims alive. . . while their hearts are still beating and their blood’s still pumping.”
  • Serafina ties a man up.
  • When a soldier comes into a room, Serafina threw a dagger at him. His arm was “immobilized because her dagger had pinned his sleeve to the door.” The soldier is uninjured.
  • A villain tortures people to get information. “Four days ago, he cut a finger off a child—a child, Sera—to make her mother tell him where her father was hiding. I saw him do it.”
  • Someone tells Serafina about the raids that have been taking place. “Some of the villagers must’ve tried to fight. There were bloodstains on the wall and floors of the houses. They scribbled notes and left them behind. Please tell my wife . . . Please help us . . . They’ve got my children. . .”
  • Death riders attack a safe house. Serafina uses a spell and “the explosion was instantaneous. The concussive force was so great, it shook the ground. . . she heard the impact of debris as it was flung against the iron and the bubbling and hissing of lava.” Someone tells her, “No one could survive a blast like that.” The scene takes place over two chapters. Most of the scene is running from the death riders.
  • Someone captures Serafina in a net, but lets her go when they discover she is one of them.
  • Someone tells Serafina about a man’s experiences with soldiers. “Traho’s soldiers beat him so badly, he lost consciousness. They left him for dead.” Someone found the man and took him to safety, but the soldiers “were rounding everyone up. . . My dad tried to fight them off, but they beat him up.”
  • The ghost of a Spanish princess explains how she died. A pirate “locked me in my cabin. He boarded his ship and gave orders to bombard my vessel. . . I can still hear the cannon shot. I can smell the gunpowder. I faced death bravely, as a princess of Spain must. . . Drowning is not an easy death.”
  • Neela and several others try to take a moonstone from a dragon’s nest. A baby dragon clawed her. “A swipe of pain across her back, sudden and blinding, made her scream. She dropped the moonstone. . . Blood rose from the jagged tears in Neela’s skin, curling through the water.” When Neela and the others try to leave the dragon’s lair, a baby dragon screeches and the father comes after them. The dragon knocks a girl down and “was advancing on her now, lashing his tail, baring his horrible teeth.” The group flees, and when the dragons follow, the mermaids lead dragons to a bloom of jellyfish. The scene takes place over 7 pages.
  • A woman “nodded at two of her guards and they sized the grand vizier. She drew a crimson-tipped finger across her throat and they dragged him away.”
  • During the introduction of the new regime, goblins patrol the crowds. A merman was “cheering halfheartedly. A goblin noticed, and punched him.”A human captures a mermaid and wants information. “His right hand was bloodied. Across from him was a mermaid bound to a chair with a rope. Blood dripped off her chin. Her head lolled on her chest. . . The mermaid lifted her head and spat out a mouthful of blood. Her lip was split. One of her eyes was swollen shut.” The man tells her, “I’d like to kill you, I’d like that very much. . . Unfortunately, I can’t. You’re valuable to me and you know it.”

Drugs and Alcohol

  • Serafina uses a potion to put a group of men to sleep.
  • Mahdi tells Seraphina about his partying and playing a beer game.

Language

  • Someone calls Serafina an “idiot girl.”
  • Serafina calls a man a “lumpsucker.”
  • Several times, someone is referred to as “sea scum.”
  • “My gods” is used as an exclamation several times.
  • Hell is used twice. Someone tells Serafina death riders are coming and to “Get the hell out of here.”
  • A death rider calls his companion a “dumbwrasse.”

Supernatural

  • Some mermaids have magic. “Magic depended on so many things—the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown.”
  • Serafina and several other mermaids cast a bloodbind spell, which required them to mix their blood. The mermaids now share each other’s powers. For example, Serafina can now understand other ocean creatures’ languages.
  • Some ghosts live in mirrors. An unknown evil man tries to use the mirror to get to Serafina. He watches Serafina through a mirror, but “Long, jagged cracks, running through the glass like a network of veins, held him back now. The spaces between the cracks were too small to fit his body through but large enough for his hand. Slowly, silently, they pushed through the mirror, hovering only inches from the mermaid. It would be so easy to wrap them around her slender neck and end what the Iele had started. But, no, the man thought, drawing back.”
  • The ghosts, vitrine, that live in mirrors “stayed within the bounds of their own mirrors; others wandered through the realm. Some spoke to the living, others refused to. There was, however, one all were bound by: when a vitrina’s own mirror was broken, the soul was released from the glass.”
  • While in the mirror realm, Serafina meets Rorrim, who feeds off of dankling. Rorrim explains, “It’s a little piece of fear. They burrow into backbones. A few of them will infest a nice strong spine, and then as the bones weaken, more come. . . There’s nothing, absolutely nothing, as tasty as fear. Doubt is delectable, of course. Insecurities, anxieties—all delicious, but fear? Oh, fear is exquisite!”
  • Serafina uses a bloodsong, and “even after four thousand years, the blood came to life under Sera’s hand. It brightened as if newly spilled, then spun up from the floor in a violent crimson vortex. The mermaids heard a voice. And then another. And more. Until there were dozens of them. Screaming. Sobbing. Pleading. Shrieking.”
  • In order to create an escape route, Serafina uses a vortex spell to make pikes burst.
  • Several times throughout the story mermaids use transparensea pearls. “The songspell of invisibility used shadow and light and was notoriously difficult to cast. Spellbinders—highly skilled artisans—knew how to insert the spell into pearls that a mermaid could carry with her and deploy in an instant.”
  • Serafina meets the ghost of a Spanish princess. Serafina agrees to take the princess back to Spain. The princess took Serafina’s hand “and Serafina arched her back, gasping. It was as if the ghost had reached inside her and wrapped a cold hand around her heart.” When the princess got to an island off of Spain, “Her body glittered now, became a million points of silver light, and then crumbled into a fine, shimmering dust. As Serafina watched, the warm Spanish winds swept her away, until all that remained was the echo of her laughter.” However, Serafina was exhausted because “the ghost had taken too much from her.” Serafina’s friends find her and help her recover.
  • Orfeo appears even though he has been dead for four thousand years.

Spiritual Content

  • Morsa, the scavenger goddess of the dead, can change forms and practices necromancy, “the forbidden art of conjuring the dead.”
  • When someone dies, a priest places a white pearl under the person’s tongue to catch the soul as it left the body. Horok—the ancient coelacanth, the Keeper of the Soul—would take the pearl and carry it to the underworld.
  • When Orfeo’s wife died, he built a temple for Morsa and summoned the goddess. Morsa gave Orfeo power, and he sacrificed people for Morsa. At first, he sacrificed “those without families in Atlantis, those who wouldn’t be missed. Then he came for us. He came at night. . . Orfeo gave her death, and in return, she gave him her forbidden knowledge. It made him so powerful that he created Abbadon and declared he would use the monster to march on the underworld” and take his wife back.
  • When Neela finds a sweet, she says, “Oh, thank gods!”

Satellite

Named after constellations, Leo, Libra, and Orion have been trapped since birth on Moon 2, a space station orbiting Earth. Not old or strong enough to survive re-entry into Earth’s atmosphere, the teens have been parented by teams of astronauts, training their entire lives to one day return home. Each teen anxiously awaits their sixteenth birthday, the day they would be declared strong enough to return home. They meticulously plan out their bucket lists for Earth while Earth taunts them from outside their windows.

However, after mechanical errors send them hurtling back to Earth earlier than expected, the group of teens soon find their new environment hard to adapt to, despite all its wondrous beauties. To survive, the friends must defy unimaginable odds while facing a dangerous monopoly, a new and strange world, and their own self-identity problems. Their bonds of friendship and their definition of home and family will be put to the test. Going back home will not be as easy as they thought.

With its text-speech writing style, futuristic setting, and an incredible amount of space facts, Nick Lake tells an extraordinary tale. Lake explores the meaning of home and family, the definition of love, and the search for one’s self-identity. Lake’s use of interludes and first-person narration makes Leo come alive on the page, causing readers to empathize with the teenager searching for a place to call home. Riddled with space politics, action, and references to our own modern-day culture, the fast-paced story is a page-turner from start to finish. A diverse set of characters will leave readers crying at the end.

Satellite has a unique plot with the perfect mix of action, space, suspense, and drama. The well-developed characters, who are all distinctly different, act like real people. Even though Leo has a secret crush on Orion, the story does not go overboard on the romance. Instead, the story focuses on Leo’s relationship with his grandfather and his mother as he strives to find out who he really is. Through Leo’s experience, the reader will be forced to look at Earth in a new light. When Leo gets to earth, he is overcome with wonder when he sees birds, fire, and even the simple act of throwing a ping-pong ball for the first time while other characters think of their surroundings as “just Nevada.”

Often called Andy Weir’s The Martian for teens, Satellite is so much more. It explores some of the true moral questions young adults have about life, and it seeks to answer these questions by teaching readers about the value of home and family. However, due to the constant cussing by the characters during stressful times, this book is best suited for older readers. The story’s text-speech, which mimics those of NASA commands, does not demonstrate proper grammatical concepts, which may frustrate some readers. Nevertheless, it is a must-read – not only entertaining young readers but teaching them not to take their everyday lives for granted.

Sexual Content

  • At the beginning of the novel, Leo describes how both he and the twins ended up being born in space and how they were conceived. Leo says, “1 of the results of the experiment was unexpected: if u put male and female astronauts in a confined space for 2 years, they will eventually have sex.” Leo also describes his own conception saying, his mother “had a fling a few nights before she launched.”
  • Throughout the book, Leo has constant feelings for Orion and Soto, which he recounts in detail saying, “he stands still while i get up, & i put a hand on his shoulder. i feel the strength of his muscles thru his shirt. a little electric current goes thru me. i feel something happen, in the center of me.”
  • Just before Orion dies due to his inability to live in 1g, Leo says, “u can’t go anyway u can’t … u can’t because I always thought my first kiss would be with u I always dreamed of it anyway and u can’t go because I haven’t had my first kiss, so u can’t go u can’t go u can’t go.” Orion and Leo kiss while Orion imagines Leo as Leo’s mother.

Violence

  • Wile e Coyote and the Road Runner are mentioned continuously throughout the book along with the various ways the main characters can die during space travel including burning to death, exploding, splattering, and suffocating.
  • When traveling through a ghost town in Sonoma County California, Leo notices that there are long lines at both the bank and multiple gun stores while other businesses have no activity. Leo asks his grandfather why, and Grandpa says, “hard to make a living these days. So people want to keep their money liquid. & they want guns to protect it.”
  • Grandpa is a rancher and during the book, Leo watches as they send cows to slaughter. Although not explicitly stated in the book, Leo ponders how his grandfather’s cows are raised only to die.
  • After discovering Leo’s location, a group of rebels against the Company tries to rescue Leo by attacking the ranch. When Leo’s grandfather walks in and sees one of the mercenaries pointing a gun at Leo, Leos says that his grandfather “doesn’t hesitate for a moment. He fires as easy as breathing, and the man is thrown back against the wall, a spray of blood, an arc of it, his head hitting the wood with a thud.” All three mercenaries die, Leo sprains his wrist, and Leo’s mother dislocates her shoulder during the fight.
  • While escaping Mountain Dome, Leo glances back and sees the muzzle flare and hears the “whistling sound” of a bullet as he notices one of the facilities guards shooting at them. None of them are injured.

Drugs and Alcohol

  • Virginia describes Commander Boutros when she says, “get him drunk, he’s a whole different person.”
  • Before their launch, Grandpa, Yuri, and Leo all drink vodka mixed with rocket fuel for good luck. Yuri, of course, leaves out the vodka for 16-year-old Leo.
  • Medications are used frequently throughout the book, such as acetaminophen used to treat Leo’s fever and painkillers used to relieve the pain in Leo’s mother’s dislocated shoulder.

Language–

  • Profanity is used in the extreme. Almost all the characters at one point in the novel use it. Profanity includes: shit, fuck, fricking, bitch, ass, piss, oh my god, and goddamned.
  • Leo’s grandfather bets Leo that he cannot play catch on Earth because “gravity is a bitch.”
  • After astronaut Brown dies, Virginia responds with “fuck. what went wrong with the program? what did I do?”
  • After realizing that they will place a huge reliance on the boosters of Moon Two to maintain attitude instead of using their gyros, engineer Singh says, “shit.
  • After realizing they will never be able to survive on Earth outside of a hospital, Orion says, “well, this sucks ass, doesn’t it.”
  • Grandpa describes Kazakhstan as “a bit of a shithole.”
  • After seeing a Soyuz rocket, Grandpa says, “holy shit.” Later, he fights with Yuri about the legitimacy of their mission saying, “we can’t fly a Soyuz either! It’s a goddamned rocket.”
  • Former cosmonaut Yuri and former astronaut Freeman are “piss brothers for life” after their many adventures in space together.
  • After the Soyuz rocket fails to detach from Moon 2’s peripheral system, astronaut Sara says “dammit.” Later, astronaut Sara does her first EVA and describes space as “in-fricking-sane.”
  • When Leo saves Sara from dying by using his EVA suit rockets, he says, “I can hear her still in my helmet saying oh my god oh my god like all other words have been wiped from her mind.”

Supernatural

  • None

Spiritual Content

  • Libra loves plants and dreams of being a botanist. While at Mount Dome, she spends most of her time in one of the company’s projects where they attempt to create perfect biodomes for construction on earthlike plants. The project is entitled Creating Eden.
  • The book references an EE cummings poem with the starting line of “I thank You God for most his amazing day.”
  • Throughout the book, Leo, Orion, and Libra are referred to as angels returning to Earth from heaven, and when Leo returns to Moon 2, he is like an angel returning to heaven once more.

by Matthew Perkey

 

Ender’s Game

Earth has been attacked twice by the Buggers—aliens attempting to colonize Earth’s solar system. The whole world waits with bated breath for the Third Invasion and sends its best and brightest children to Battle School when they are six years old to be trained in strategy and warfare. Eventually, these children will become the pilots, commanders, and soldiers that will save the human race from extinction.

Ender is a governmentally approved Third child in a world with a strict two-child rule. He was allowed to be born in the hopes that he will be a genius like his two older siblings, but with the correct temperament for Battle School. The experiment succeeds, but Ender doesn’t want to go to Battle School. He doesn’t want to hurt anyone. He especially doesn’t want to leave behind his beloved sister Valentine, though he will not miss his psychopathic brother Peter. But Colonel Graff tells Ender that the world needs him, and Ender believes him.

What follows is Ender’s journey through Battle School, where his brilliance generates both respect and hatred from the other children. As the children study how to fight, Ender finds himself at the center of an immense web of manipulations, all designed to turn him into the Commander that Earth needs to defend itself. It doesn’t matter that Ender doesn’t want to kill anyone; it’s what he is good at and will become great at with the right push. And push him, they do.

Ender’s Game is a masterpiece, which is why it is required reading at many high schools. There is heavy content that is inappropriate for younger and sensitive readers: profanity and name-calling are used often, there are bouts of violence (including attempted murder), and there is a thematic question of whether cruel, immoral means are justified by an end that benefits humanity.

These masterfully woven questions will keep readers up at night, and readers will relate to Ender and his struggle to define himself. Is he a monster like his brother Peter? Is he a killer like the teachers want him to be? It is Ender’s emotional turmoil of self-loathing, loneliness, and despair that will haunt readers long after they read the last page—more than the aliens, the fights, and even the theological questions. Ender’s Game will leave readers desperately wishing that Ender’s life had not been so hard. Readers will forget that Ender is just an ink-and-paper boy from a story, and not the son, brother, or friend that they have fondly come to know him as.

Sexual Content

  • When Valentine says she has an oral exam at school, her brother says it could be worse. “It could be an anal exam.”
  • Dink says, “Hey, look! Salamander’s getting babies now! Look at this! He could walk between my legs without touching my balls!”
  • When Valentine is offered a weekly column in a newspaper, she says, “I can’t do a weekly column…I don’t even have a monthly period yet.” Later in the same argument, Peter asks her, “Are you sure you’re not having a period, little woman?”
  • When Peter is also asked to write a column, he says, “Not bad for two kids who’ve only got about eight pubic hairs between them.”
  • After a bully makes fun of another boy’s butt, “Look how he shimmies his butt when he walks,” the other boys start calling the bully, “Buttwatcher.”
  • One of the commanders “had programmed his desk to display and animate a bigger-than-lifesize picture of male genitals, which waggled back and forth as Rose held the desk on his naked lap.”
  • Ender jokingly calls his friend, “you circumcised dog.”
  • When the Buggers procreate, “each male in turn penetrated the larval queen, shuddered in ecstasy, and died, dropping to the tunnel floor and shriveling.”

Violence

  • Ender is attacked, and he beats the main bully thoroughly, to make sure no one is ever bold enough to attack him again. “Ender walked to Stilson’s supine body and kicked him again, viciously, in the ribs. Stilson groaned and rolled away from him. Ender walked around him and kicked him again, in the crotch.”
  • Ender’s older brother threatens to kill him. Peter “knelt on Ender, his knee pressing into Ender’s belly just below the breastbone. He put more and more of his weight on Ender. It became hard to breathe. ‘I could kill you like this,’ Peter whispered. ‘Just press and press until you’re dead. And I could say that I didn’t know it would hurt you, that we were just playing, and they’d believe me, and everything would be fine. And you’d be dead.’”
  • A boy hits Ender repeatedly when they are on a space shuttle. “Just as the next blow was coming, Ender reached up with both hands, snatched the boy by the wrist, and then pulled down on the arm, hard…The boy sailed through the air, bouncing against the ceiling, then down against another boy in his seat, then out into the aisle, his arms flailing until he screamed as his body slammed into the bulkhead at the front of the compartment, his left arm twisted under him.”
  • Two teachers mention a prior student’s suicide in passing. “Everybody looks like Pinual at one time or another. But he’s the only one who killed himself.”
  • Ender plays a computer game that sometimes has gruesome deaths. One time, “the Giant cut him open along the spine, deboned him like a fish, and began to eat while his arms and legs quivered.” Another time, “He jumped at the Giant’s face, clambered up his lip and nose, and began to dig in the Giant’s eye. The stuff came away like cottage cheese, and as the Giant screamed, Ender’s figure burrowed into the eye.”
  • A commander slaps one of his soldiers. “Madrid stepped closer to the girl and slapped her across the face with the back of his hand. It made little sound, for only his fingernails had hit her. But there were bright red marks, four of them, on her cheek, and little pricks of blood marked where the tips of his fingernails had struck.”
  • Ender’s commander hits him after Ender disobeys orders. “Suddenly Bonzo swung at him, caught his jaw with a vicious open-handed slap. It knocked Ender sideways, into his bunk, and he almost fell. Then Bonzo slugged him, hard, in the stomach. Ender dropped to his knees.”
  • Ender and his friends are attacked by an older group of guys in the Battle Room. “Someone caught Ender by the foot. The tight grip gave Ender some leverage; he was able to stamp firmly on the other boy’s ear and shoulder, making him cry out and let go. . . the boy had hung on too well; his ear was torn and scattering blood in the air, and Ender was drifting even more slowly. I’m doing it again, thought Ender. I’m hurting people again, just to save myself. Why don’t they leave me alone, so I don’t have to hurt them?”
  • Ender gets picked on several times during Battle School. “So Ender got knocked down in the shower that morning. One of Bernard’s boys pretended to trip over him and managed to plant a knee in his belly.”
  • Valentine, “had seen a squirrel half-skinned, spiked by its little hands and feet with twigs pushed into the dirt. She pictured Peter trapping it, staking it, then carefully parting and peeling back the skin without breaking into the abdomen, watching the muscles twist and ripple.”
  • Bonzo tries to kill Ender. “Bonzo’s tight, hard ribs came against Ender’s face, and his hands slapped against his back, trying to grip him…instead of kicking, he lunged upward off the floor, with a powerful lunge of the soldier bounding from the wall, and jammed his head into Bonzo’s face. Ender whirled in time to see Bonzo stagger backward, his nose bleeding.” The fight takes place over two pages.
  • “Late one night [Ender] woke up in pain…He saw that in his sleep he had been gnawing on his own fist. The blood was still flowing smoothly.”

Drugs and Alcohol

  • None

Language

  • “Bastard” is used often. Peter tells his brother, “No, no, I don’t want your help. I can do it on my own, you little bastard.” Another time Colonel Graff says, “We promise gingerbread, but we eat the little bastards alive.”
  • “Hell,” “asshole,” and “ass” are used several times. Valentine says her older brother is “The biggest asshole.” Graff tells a teacher, “your ass is covered, go to hell.”
  • “Damn” is used a few times. Graff tells Ender, “I told them you were the best. Now you damn well better be.” Another time a student says, “I be the best soldier I can, and any commander worth a damn, he take me.”
  • Another student tells Ender to “kiss butts if you’ve got to.”
  • Variants of “piss” are used several times. One boy in the Game Room tells Ender, “Beating you…would be as easy as pissing in the shower.”
  • At Battle School, the boys’ slang includes frequent name calling. For example, Graff says, “Scumbrains, that’s what we’ve got in this launch. Pinheaded little morons.” Other variants include pisshead, fartface, etc.
  • “Son of a bitch” is used once. “I’m a pilot, you son of a bitch, and you got no right to lock me up on a rock!”
  • “There was a myth that Jewish generals didn’t lose wars.” The commander of Rat Army is Jewish, so it, “was often called the Kike Force, half in praise, half in parody of Mazer Rackham’s Strike Force.”

Supernatural

  • An alien race, called “Buggers,” invaded Earth’s solar system twice before. All of Earth is preparing for the Third Invasion.

Spiritual Content

  • When talking about how humans won the last war, Graff says, “Call it fate, call it God, call it damnfool luck, we had Mazer Rackham.”
  • Graff says if Ender is not the one, “then in my opinion God is a bugger. You can quote me on that.”
  • After a battle, Ender saw that some people “knelt or lay prostrate, and Ender knew they were caught up in prayer.”
  • An admiral says piloting is “a god. And a religion. Even those of us who command by ansible know the majesty of flight among the stars.”
  • Speaker for the Dead is a book that became “a religion among many religions” on Earth. “But for those who traveled the great cave of space and lived their lives in the hive queen’s tunnels and harvested the hive queen’s fields, it was the only religion.”

by Morgan Lynn

 

 

The Host

Earth has been invaded and successfully conquered by tiny, worm-like aliens called “souls,” who invade the bodies of humans and take over their minds. The invasion is over, the souls have won, and only a handful of wild humans are left in hiding.

When one of those humans is captured, Wanderer is inserted into its body to report to the other souls what life this wild human led, and to discover if there were other wild humans with her. But when Wanderer enters Melanie’s body, Wanderer is shocked to find Melanie still conscious and resisting. This is Wanderer’s body now; Melanie should have faded away.

Melanie’s presence frightens and shames Wanderer, who feels weak at not being able to control her host body. But then Melanie’s memories start to seep in, memories of a human brother and a lover who are still in hiding, memories of what it means to be human. Wanderer starts to love these people who she has never met and longs for them. When the opportunity arises, will Wanderer destroy Melanie and sell out her family to the other souls? Or will Wanderer turn her back on her fellow souls and attempt to find Melanie’s family to taste just what makes humanity so special?

Many readers will want to pick up The Host because Stephenie Myers is the author. Even though The Host is considered an adult novel and has more advanced vocabulary than the Twilight series, the content level is similar to Stephenie Meyer’s Twilight series. One area that may be controversial is that Melanie has a romantic relationship with a slightly older man; during The Host Melanie is 21 and her love interest is 29. However, there are many flashbacks to when Melanie is 17 and first met Jared, who was then 26. When she wants to be intimate, Jared initially says no because he does not want to take advantage of her. They do get together at some point after that, though their ages are not specified.

The Host is an emotional story that explores the bounds of love and examines what it means to be human. Wanderer is a kind, gentle soul who hates her host at first, but then grows to love her; Melanie is a spirited and sometimes violent girl who has learned to survive in the world the souls have created. Both Melanie and Wanderer have to set aside their preconceived ideas about the other species and find common ground. There is an array of characters who are all richly drawn and satisfyingly complex. The story contains enough danger to constantly keep readers on their toes. For readers looking for love, adventure, and an emotionally wrenching story, The Host is sure to delight.

Sexual Content

  • Jared kisses Melanie. “He kisses me again, and this time I feel it. His lips are softer than his hands, and hot, even in the hot desert night.”
  • When Melanie says she wants to share a room with Jared, he says that’s a bad idea because when he was stocking his place, “birth control was pretty much the last thing on my mind.”
  • Jared kisses Wanderer to test her reaction. “I think he just meant to touch his lips to mine, to be soft, but things changed when our skin met. His mouth was abruptly hard and rough, his hands trapped my face to his while his lips moved mine in urgent, unfamiliar patterns.”
  • The first time Ian kisses Wanderer, he “ducked in and touched his lips to my forehead.” The second time, “His lips were soft and warm. He pressed them lightly to mine, and then brushed them back and forth across my mouth. . . He caught my lower lip between his and pulled on it gently.”
  • After a soccer game, two friends are playing around. “She laughed, tugging away, but Wes reeled her in and planted a solid kiss on her laughing mouth.”
  • Wanderer and Ian kiss twice more, both described in similar fashion. When they kissed, Wanderer “shoved my mouth against his, gripping his neck tighter with my arms…Remembering how his mouth had moved with mine before, I tried to mimic that movement now. His lips opened with mine, and I felt an odd thrill of triumph at my success. I caught his lower lip between my teeth and heard a low, wild sound break free from his throat in surprise.”
  • When Wanderer and Jared kiss, “My hands knotted in his hair, pulling him to me as if there were any possible way for us to be closer. My legs wrapped around his waist, the wall giving me the leverage I needed. His tongue twisted with mine, and there was no part of my mind that was not invaded by the insane desire that possessed me. . . My hands fisted around the fabric of Jared’s T-shirt, yanking it up.”
  • When they agree to move into the same room, Wanderer thinks, “Ian and I would be together, partners in the truest sense.”

Violence

  • When Melanie is robbing a house, a man grabs her. “‘One sound and you die,’ he threatens gruffly. I am shocked to feel a thin, sharp edge pushing into the skin under my jaw.”
  • When Jared first kisses Melanie, “his lips come hard on mine…I jerk my knee up in a sharp thrust.”
  • Wanderer reads the headlines of an old human newspaper. There are stories including “Man Burns Three-Year-Old Daughter to Death” and “beneath this was the face of a man wanted for the murders of his wife and two children.”
  • When Jared first sees Wanderer, “his arm shot out and the back of his hand smashed into the side of my face. The blow was so hard that my feet left the ground before my head slammed into the rock floor. I heard the rest of my body hit the floor with dull thumps, but I didn’t feel it. My eyes rolled back in my head.”
  • A group of humans try to kill Wanderer. The struggle takes place over two pages. “His hands wrapped around my throat, choking off my air. I clawed at his hands with my useless, stubby nails. He gripped me tighter, dragging my feet off the floor.”
  • Jamie hits Jared. “There was a sharp crack, and someone gasped…Jared had one hand over his nose, and something dark was oozing down over his lips. His eyes were wide with surprise.”
  • Kyle tries to kill Wanderer; the fight is described over eight pages. “His hand locked on the back of my neck, forcing my face into the shallow stream…He fought to push me back into the stream, but I wriggled and wedged myself under him so that this own weight was working against his goal…He jumped over the smaller stream with a bound and carried me toward the closest sinkhole. The steam from the hot spring washed my face. He was going to throw me into the dark, hot hole and let the boiling water pull me into the ground as it burned me.”
  • Wanderer discovers that the humans tried to cut out one of the alien souls. “Brighter than these were other silver things. Shimmering segments of silver stretched in twisted, tortured pieces across the table…tiny silver strands plucked and naked and scattered…splatters of silver liquid smeared on the table, the blankets, the walls.”
  • Wanderer asks Jared to hit her face with a rock, to cover a scar. “It made a squishing sound and a thud—that was the first thing I noticed—and then the shock of the blow wore off, and I felt it, too.”
  • To fake an injury, Wanderer deliberately stabs herself with a knife. “I jammed the knife into my arm. The headrest muffled my scream, but it was still loud. The knife fell from my hand—jerking sickeningly out from the muscle—and then clunked against the floor.”
  • Ian punches Jared. “Ian’s fist struck Jared so fast that I missed the blow—I just felt the lurch in his body and saw Jared reel back into the dark hall.”
  • Melanie attacks Jared when she thinks he killed Wanderer. “He’s got my right hand, so instead of punching, I throw out a vicious backhand with my left, catching his face across the cheekbone. The force of the blow stings in the bones of my hand.”

Drugs and Alcohol

  • None.

Language

  • “Hell” is used a few times. When Wanderer remembers her host body’s death, she was, “sucked into the hell that was the last minute of her life.” Another time Jeb says, “How the hell would I know?”
  • “Damn” is used several times. One time Jared says, “Damn it, Jeb! We agreed not to—”?”

Supernatural

  • Earth has been overrun with aliens called souls, which take over the body of their human hosts. “The soul shone in the brilliant lights of the operating room, brighter than the reflective silver instrument in his hand. Like a living ribbon, she twisted and rippled…her thin, feathery attachments, nearly a thousand of them, billowed softly like pale silver hair.”

Spiritual Content

  • When Melanie asks Wanderer if souls believe in an afterlife, Wanderer says, “There’s a reason we call it the final death…We have so many lives. Anything more would be…too much to expect…When I die here, that will be the end.”
  • When a friend dies, Wanderer says at his funeral, “I hope your fairytales are true. I hope you find your Gladdie.”
  • A soul commits suicide. “Then his face went blank, and his body slumped, unresisting, to the cot. Two trails of blood flowed from his nostrils.”

Deep Blue

Serafina has always known that she will eventually rule her nation, located deep in the Mediterranean Sea. She needs to prepare for her Dokimí, when she will be introduced to the Mer people as their future ruler and will announce her future husband. But rather than worrying about her Dokimí, Serafina is obsessed with the strange dreams of sea witches that have been haunting her.

Everything changes when, during her Dokimí, a poisoned assassin’s arrow strikes her mother, and her father is killed. Now, Serafina must embark on a quest to find the assassin’s master and prevent a war between the Mer nations. Along the way, Seraphina will meet five other mermaids; will the six mermaids be able to discover who is behind the conspiracy that threatens the Mer world?

Many readers will pick up Deep Blue because of the beautiful cover image of a mermaid; however, the story is not as intriguing as the cover photo. The mermaid world has a complicated history and a confusing number of characters (both gods, humans, and mermaids). Much of the mermaid world is mundanely similar to the human world and there are overly long descriptions of clothing. Another negative aspect of the story is the main character Serafina, as her character is inconsistent. In some scenes, she is fearful and runs from danger. Other times Serafina shows bravery, but that bravery makes her make stupid choices that endanger others. Serafina never takes the advice of more knowledgeable mermaids, even when she should.

Throughout the story, six mermaids must meet and make it to the sea witches’ lair. The six mermaids eventually find each other; however, readers will question how the mermaids come together at exactly the right landmarks that lead to the witches’ lair. The action slows down considerably as the characters talk about the history of the mermaids and much of the dialogue feels stilted.

In the end, Deep Blue is a typical story about a beautiful princess who loses everything including her parents. She takes a difficult journey, which teaches her some important lessons. Serafina must learn not to believe other people’s cruel remarks and that everyone makes mistakes. She also must overcome fear. Vrăja tells her, “You fear you will fail at the very thing you were born for. And your fear torments you, so you try to swim away from it. Instead of shunning your fear, you must let it speak and listen carefully to what it’s trying to tell you. It will give you good counsel.”

Even though the story has some positive messages, Deep Blue will leave readers slightly confused, disappointed, and wondering why anyone would want the whiny Serafina to rule their realm. Readers looking for a good mermaid book may want to try Atlantia by Ally Condie instead.

Sexual Content

  • Serafina overhears a conversation about her fiancé’s girlfriends.
  • When a mean girl tells Serafina that her fiancé has a girlfriend, Serafina says she isn’t upset because “I just hope she’s done a good job with him. Taught him a few dance strokes or how to send a proper love conch. Someone has to. Merboys are like hippokamps, don’t you think? No fun until they’re broken in.”
  • Serafina thinks back to when her fiancé kissed her. “It was lovely, that kiss. Slow and sweet.”
  • She finds her fiancé and one of his friends “lying on their backs. Mahdi had a purple scarf tied around his head and a smudged lipstick kisses on his cheek. . .” Someone had drawn a lipstick smiley face on Mahdi’s friend.
  • A merboy says that “Merl’s so hot, she melts my face off.”
  • Three human girls continue to fight over a boy, even though the girls are dead. Someone explains, “Must be something irresistible about rivers to sad girls. They just have to throw themselves into them. I’ve seen a lot of river ghosts.”

Violence

  • A man grabs an eel and “bit into it. The creature writhed in agony. Its blood dripped down his chin. He swallowed the eel. . .”
  • In the past “Kalumnus had tried to assassinate Merrow and rule in her stead. He’d been captured and beheaded, and his family banished.”
  • During a ceremony, men attack. An arrow “came hurling through the water and lodged in her mother’s chest. . . Her mother’s chest was heaving; the arrow was moving with every breath she took. It had shattered her breastplate and pierced her left side. Isabella touched her fingers to her wound. They came away crimson. . . The assassin, barely visible in the dark waters, fired. The arrow buried itself in Bastian’s chest. He was dead by the time his body hit the seafloor.” Both of Serafina’s parents are killed as well as many merfolk.
  • As the invaders try to capture Serafina, they blow up a wall. Serafina “looked up, still dazed, just in time to see a large chunk of the stateroom’s east wall come crashing down. Courtiers screamed as they rushed to get out of the way. Some didn’t make it and were crushed by falling stones. Others were engulfed by flames ignited by lava pouring from broken heating pipes buried inside the wall.” Serafina is able to run away.
  • The invaders use a dragon in their attack. “The dragon bashed her head against the palace wall and another large chunk of it fell in . . . the dragon knocked more of the wall down. The creature pulled her head out of the hole she’d made, and dozens of soldiers, all clad in black, swam inside. The leader pointed toward the throne . . . Arrows came through the water . . . Isabella spotted a dagger next to the corpse of a fallen Janiҫari. She conjured a vortex in the water, and sent the knife hurtling at the invaders’ leader. The dagger hit home, knocking him to the floor.” The Janiҫari “gurgled, drowning in his own blood.”
  • When Serafina and her friend were hiding in a cave, a merman appeared demanding “rent for staying in his cave. He signaled to the morays. They swam to the mermaids and began divesting them of their jewelry. . . One of the eels had dropped the necklace he’d taken from Serafina and had thrust his head down the front of her gown to retrieve it. Sera, lashing her tail furiously, caught another eel with her fins, and sent him spinning into a wall. He hit the stone hard and fell to the cave’s floor, motionless. The other eels were on her immediately, snarling. Tiberius sank his teeth into her tail fin. Sera screamed again, and tried to pull away.” The mermaids are sold to soldiers.
  • Soldiers capture Serafina and her friend. “They shackled Serafina’s wrists with iron cuffs and blindfolded her. They forced an iron gag into her mouth and wrapped a net around her. Then, one of the soldiers slung her over the back of his hippokamp and rode fast. . . The ride was agony. The net’s filament bit into Sera’s skin. The gag, with its bitter taste of metal, made her retch.” When they arrive at their destination, Serafina and her friend are put in prison with another mermaid. “Her face was bruised. She held her manacled hands close to her chest. Blood swirled above them, pulsing from the stump of bone where her left thumb used to be.”
  • While in prison, Serafina and her friends are immobilized with a metal collar that is padlocked to the wall. Serafina sees her friend, who was “chained to another pole only a few feet away. Her eye was swollen and bruised. Her skin was a sickly gray-blue.”
  • A merman frees Serafina and her friends from prison. During the break-out, “the guard’s throat had been cut. He was arching his back, flailing his tail. His eyes, pleading and desperate, found Sera’s. She gasped and backed away.”
  • While Serafina and her friend are hiding out, men appear and try to capture them. A man points a spear gun at Serafina. “Luckily, the duca lunged at the man and grabbed his arm. The gun went off. Trailing a thin nylon line, the spear hit a wall and fell into the water. . . the duca threw a punch at him, but he deflected it, grabbed the duca, and hurled him against a wall. The duca crashed to the floor, motionless.” Two mako sharks are mortally wounded. A merman who was helping Serafina was shot with a spear gun. The speargun hit “with a sickening thunk and exited his body under his collarbone. His attacker yanked on the line attached to the spear, pulling the cruel, barbed head into his flesh.” Later Serafina learns that several were killed during the fight. The scene takes place over five pages.
  • When Serafina enters the mirror realm, Rorrim tries to keep her there. When Serafina tries to leave, “He grabbed her hair and yanked her back. The pain was electric. She screamed and tried to pull away, but he only tightened his grip.” Serafina cuts off her hair and is able to escape.
  • Serafina’s friend, Ling, gets caught in a fishing net. When she is caught, Seraphina sees Ling’s “eyes wild with terror, mouth open in a scream.” Ling’s friends are able to free her.
  • As Serafina and her friends are traveling, they see “on the seabed below, maybe twenty feet off the ship’s port side, were bodies. At least a dozen of them. . . They were dead. Some were lying on their backs, others facedown. Some had the kind of open, gaping wounds that were made by a spear gun. Others had bruises on their faces.”
  • When Serafina sat against a tree, “she was jerked against the tree roots. She heard a snarl and smelled a gut-wrenching stench. She screamed and tried to pull away, but was pulled back.” Serafina’s friend took out her blade. “The blade came down to the right of Sera’s head. An instant later, she was free. . . and a human arm was lying on the ground. She whirled around to see what had attacked her. It was a terragogg. Or what was left of him. He was dead . . .” Someone had used forbidden magic to “reanimate the human dead and make them do their bidding.”
  • Three river witches are in a circle, casting a spell to keep a monster in his cage. “Blood streaked the lips of one, and dripped from the nose of another. Bruises mottled the face of a third. Sera could see that the magic cost them dearly. . .the monster grabbed the witch by her throat. She screamed in pain as its nails dug into her flesh. It jerked her forward, breaking her grip on the incanti at either side of her. The waterfire went out.” Serafina and her friends try to help the witches. “With a warrior’s roar, she (Astrid) swung her sword at the monster, the muscles in her strong arms rippling. The blade came down on one of its outstretched arms and cut off a hand. The monster shrieked in pain and fled into the depths of its prison.” The scene takes place over five pages.

Drugs and Alcohol

  • Serafina’s fiance, Mahdi, is rumored to be a party boy.

Language

  • “Good gods” and “Oh gods” are used as an exclamation several times throughout the book.
  • The villain and his soldiers are often referred to as sea scum.

Supernatural

  • Some mermaids have magic. “Magic depended on so many things—the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown.”
  • Magic is used throughout the story. One spell is a vello spell. The mermaid said, “Waters blue, Hear me cast, Rise behind us, Make us fast!”
  • The story has several human ghost that live inside mirrors. “Ghosts lived inside it—vitrina—souls of beautiful, vain humans who’d spent too much time gazing into it. The mirror had captured them. Their bodies had withered and died, but their spirits lived on, trapped behind the glass forever.”
  • A witch uses a mirror to beckon Serafina. When Serafina looks at the mirror, she raised her hand slowly, as if in a trance.” Someone else enters the mirror, and the witch leaves.
  • Serafina and other mermaids can use songspells. “Canta mirus was a demanding type of magic that called for a powerful voice and a great deal of ability. . . Mirus casters could bind light, wind, water, and sound. The best could embellish existing songspells or create new ones.”
  • A mermaid can cast a bloodsong which shows someone else their memories. When a mermaid causes herself to bleed, “the crimson swirled through the water like smoke in the air, then coalesced into images. As it did, Serafina saw the bloodsong—the memories that lived in her teacher’s heart.”
  • Several times throughout the story mermaids use transparensea pearls. “The songspell of invisibility used shadow and light and was notoriously difficult to cast. Spellbinders—highly skilled artisans—knew how to insert the spell into pearls that a mermaid could carry with her and deploy in an instant.”
  • In order to help Serafina and her friend escape, a mermaid uses magic. “She pulled wind down into the water and spiraled giant vortexes one after another, until she’d raised a wall of spinning typhoons. She was no longer a mere mermaid. She was a storm system, a category five. And she was bearing down on the enemy.”
  • In order to escape, Serafina and her friend go through a mirror, where thousands of ghosts live. Many of the ghosts in the mirror realm are lifeless because they, “craved admiration. They become listless without it.” While in the mirror realm, Serafina meets Rorrim, who feeds off of dankling. Rorrim explains, “It’s a little piece of fear. They burrow into backbones. A few of them will infest a nice strong spine, and then as the bones weaken, more come. . . There’s nothing, absolutely nothing as tasty as fear. Doubt is delectable, of course. Insecurities, anxieties—all delicious, but fear? Oh, fear is exquisite!”
  • One mermaid was omnivoxa and could speak and understand any language.
  • A river witch uses a bloodsong to show Atlantis being destroyed. “People ran shrieking through the streets of Elysia, the capital, as the ground trembled and buildings fell around them. Bodies were everywhere. Smoke and ash filled the air. Lava flowed down a flight of stone steps. A child, too small to walk, sat at the bottom of them, screaming in terror, her mother dead beside her.” The story is retold over four pages.
  • The sea witches teach Serafina and her companions magic. One mermaid cast a spell trying to make waterfire. “Whirl around me/Like a gyre, /This I ask you, /Ancient fire. /Hot blue flames, /Throw your heat, /Cause my enemy/To retreat.”
  • One of the mermaids has the power of prophecy and sees visions of the future.
  • Serafina and her companions perform darksong. “Canta malus was said to have been a poisonous gift to the mer from Morsa, in mockery of Neria’s gifts. The invocation of the malus spells could get the caster imprisoned: the clepio spells, used for stealing; a habeo, which took control of another’s mind or body; the nocérus, used to cause harm; and the nex songspell which was used to kill.” A bloodbind is forever and if a mer breaks it, they die. The mermaids perform the bloodbind. The girls cut themselves and share their blood. “As the last notes of the songspell rose, the blood of all five mermaids spiraled together into a crimson helix and wrapped itself around their hands. Like the sea pulling the tide back to itself, their flesh summoned the blood’s return. It came, flowing back through the waters, back through the wounds. The slashed edges of their palms closed and healed.” The spell is described over four pages.
  • A witch tells the mermaids about silverfish who live in the mirror realm. “Tell it where you need to go, and it will take you.”

Spiritual Content

  • A witch, who is helping cast a spell says, “Gods help me!” As the witches are attempting to cast a spell, a witch says, “Come, devil, come. . . you’re near. . . I feel you.”
  • Serafina must face Alitheia. She is told, “The gods themselves made her. Bellogrim, the smith, forged her, and Neria breathed life into her. . . When Merrow was old and close to death, she wanted to make sure only her descendants ruled Miromara. So she asked the goddess of the sea, Neria, and Bellogrim, the god of fire, to forge a creature of bronze.” The creature must taste a meril’s blood to determine if she is a descendant of Merrow.
  • Serafina “prayed to the gods” that her magic would work.
  • The history of mermaids is told. When Atlantis was falling into the ocean, Merrow “saved the Atlanteans by calling them into the water and beseeching Neria to help them. As the dying island sank beneath the waves, the goddess transformed its terrified people and gave them sea magic. They fought her at first, struggling to keep their heads above water, to breathe air, screaming as their legs knit together and their flesh sprouted fins. As the sea pulled them under, they tried to breath water. It was agony. Some could do it. Others could not, and the waves carried their bodies away.”
  • After Serafina is questioned, the villain tells her, “Gods help you if you’ve lied to me.”
  • When Serafina and her friends are freed from prison, Serafina says, “Oh, thank gods!”
  • Serafina was told a story about the sea goddess, Neria, who “fell in love with Cassio, god of the skies. She made a plan to steal away from her palace and meet him on the horizon. Trykel found out and was jealous. He went to Fragor, the storm god, and asked him to fill the sky with clouds so he could hide in them, pretend to be Cassio, and steal a kiss. . .” The story is not completed.

Genesis

Noah has died again. Now he is determined to live. After an asteroid destroys the Earth, the planet is left in the hands of Fire Lake’s sophomore class.  After being murdered and uploaded into a simulation, the group of 64 students is left to duke it out and hopefully make it through the Guardian’s game. There are no rules, but repeatedly dying has trained Noah. Now, he plans to lead the strong into the future. At any cost.

Min Wilder knows that survival isn’t enough. In a world where violence is king, Min rebels against allowing others to determine who lives and who dies. She will fight for what is right. She will fight against anyone who stands in her way.

The second book of Project Nemesis follows the same group of kids, alternating perspectives between Min, Tack, and Noah. The kids are told by the Guardian, the one in charge of the computer program, that they must fight each other to make it through the program and eventually return to real life. He claims that the simulation will only allow the strongest and smartest to return to the real world. This spurs the kids to form groups and turn on one another as their existence becomes a fight for survival.

Min, Tack, and Noah all take separate journeys and handle the violence and new reality differently. Min refuses to bow to the moral pits that the violence keeps tugging the students into. Tack completely gives himself over to the violence, willing to do anything to make it out alive. And Noah believes completely in the program’s rules, until Min reminds him of his humanity. All three teenagers’ journeys spotlight different ways of handling grief, trauma, and catastrophe. The students’ struggle with whom to trust and what to believe is both interesting and thought-provoking.

In order to fully understand Genesis, readers need to read Nemesis first. Reichs does an excellent job of incorporating past events from Nemesis into the story; the short reminders help the reader stay engaged. However, what makes the reader keep turning the pages are the intriguing situations the students face—the story has non-stop action and startling surprises.

Genesis is extremely violent and has an outrageous storyline. While it takes some faith from readers, this story does an excellent job navigating this unique plot. Genesis will keep the readers guessing until the very end. Readers who enjoy suspense and adventure will enjoy the plot twists and action sequences. Readers who are fans of Maze Runner will want to pick up the Project Nemesis series.

Sexual Content

  • Tack says Noah is “too busy roasting people like marshmallows, or making out with his hunting knife” to look for him and Min.
  • Toby volunteers to take Min back to the jail in town. Min says, “Screw you, Toby.” He replies, “You offering?” As they start back into town, he “put a hand to the small of my (Min’s) back. He left it there for a few paces, then ran his fingers up and over my bra strap.”
  • Min announces that she’s willing to sacrifice herself so the group can make it to Phase Three. Noah is filled with emotion and insists that she’s their leader. Noah then kisses Min “in front of the others. His touch was electric, and soft, and sad.” Noah insists that he should be the one to sacrifice himself. Min says, “‘Don’t leave me, okay? I forgive you. I . . . I love you.’ I kissed him then, hard on the mouth.”
  • Right before Noah and Min get in their tubes to be regenerated, they share a kiss. “Then Noah’s lips found mine and I wrapped my arms around him, squeezing, losing myself in his warmth. . . I grabbed him again and mashed his face with another kiss.”

Violence

  • A group of kids is ambushed as they are sneaking through the woods. Their rivals who ambushed them start shooting. “Zach dropped like a puppet with its strings cut, a dark stain spreading. . .Morgan’s body jerked . . .Then she slumped onto her butt, blubbering, glossy liquid spilling from her mouth.” Later in the scene, the rest of the group gets away and sets fire to a cabin with the rivals inside. The people inside screamed and were locked inside as the cabin burned down. The people are not described as they are dying.
  • Chris and Mike kill Min by locking her in an elevator and blowing up the cables. “The wall exploded, shards of metal lacerating my arms and legs. Flames licked my skin. . . My legs smashed up into my body. The roof slammed down on top of me.”
  • While on their way to the Silo, Min and Tack run into Neb who is staying at a summer camp with four others. While talking, “Neb spun sideways. . . gasping in confusion as a red bloom spread across his chest.” Two kids are attacking the camp, and one shoots Min and Tack with an assault rifle. It is not depicted in any detail.
  • Min is ambushed. When the three assailants try to capture her, one “caught a fist in his teeth for his trouble.” They put a bag over her head and tie her up.
  • Devin drops some food, and Ethan overreacts. “. . . he raised his gun and shot Devin in the stomach.” Devin doesn’t die immediately, so Ethan shoots him again. This is all done with the understanding that he will revive at one of the reset points.
  • Zach, part of the team trying to ransack a store, gets shot in an ambush. “. . . a line of bullets ripped into his jacket.” Then Noah shoots the sniper who killed Zach. The sniper “toppled forward and fell to the sidewalk with a sickening crunch. . . leaving a wide smear on the icy concrete.”
  • The convenience store is blown up. A couple of kids standing in front of the store were shot and killed. One of them “had been tossed face-first into the gutter and was smoldering with tiny flames. The victim, a girl, lay unnaturally, her neck twisted too far around.”
  • In order to give Min an extra life, Tack tricks her into shooting him and causing him to reset. It is not described in any detail.
  • Noah and another kid use machine guns to shoot a group of kids following them. No details are given.
  • In order to escape the jail and show up at the reset points, Akio and a couple of other kids used a fork to kill themselves. “The most horrifying jailbreak in history—a human murder chain. . . Ran myself into a wall.”
  • Noah and Tack get in a fistfight. Noah’s “left fist flew, striking Tack across the face. . . Punching. Kicking. Clawing. . .” The fight lasts two pages.
  • Tack, Noah, and their team try to ambush Ethan’s group but instead get ambushed themselves. “The barrel hit him chest-high and broke open, covering him in flaming liquid. Richie screamed. . . he collapsed in seconds. . . A tongue of red enveloped Jamie. She made a sickly screaming sound, a red stream leaking from her mouth.” Tack and Noah throw grenades, and “Toby’s left leg was missing. . . Toby put his gun in his mouth and calmly pulled the trigger.”Noah gets ambushed. “The first shot took me in the shin. The second struck my side.”
  • Min must shoot Noah four times to even her life count. Noah “was lying on the ground in a puddle of warm, slick blood. . . I was down again. The drop cloth was soaked through with dark red liquid. . . I closed my eyes as she thrust the gun barrel against my forehead. . . Bang. Bang. Bang.”
  • Ethan’s group and Min’s group attack each other. Over twenty kids are involved in the fighting. “Then Kyle stood over his body, unloading on Chris every time he tried to get up. . . Dropping his gun, he unsheathed a KA-BAR knife from his belt and stabbed Leighton in the chest. . . Before he could fire, Ethan tried to tackle him, but Toby sidestepped in a blink and tripped him, then shot Ethan five times in the back.” The fighting lasts six pages.
  • Tack sacrifices himself to get the group to Phase Three of the program. “Tack put the gun to his head and pulled the trigger.”

Drugs and Alcohol

  • At the beginning of the simulation, Sarah “destroyed the liquor store the first week. I let Cash and Finn get drunk and smash everything.”

Language

  • “Jesus” and “God” are used as exclamations.
  • Profanity is used extensively. Profanity includes: “jackass, “ass,” “fucking,” “fuck,” “hell,” “damn,” “crap,” “freaking,” “assholes,” “pissed,” “bastards,” “shit,” “bullshit,” “bitch,” “bitchin’,” “goddamn,” “douchebag,” and “prick.”
  • Derrick says, “Sarah’s lost her damn mind.”Casey
  • is upset when Noah acts like only the boys are good at fighting. “‘Since when did sex matter?’ Casey shouted. . . ‘Don’t count up penises and assume you know the score.’”
  • Ferris walked across the valley to get to Noah’s house. He says that the lake was, “colder than Santa’s balls with that wind.”
  • Noah asks Tack to eliminate him. “No way, Noah. . . Fuck you, Noah! You want to play Jesus, do it your goddamn self.”

Supernatural

  • In the program, the kids figure out that as they kill each other, they gain strength and powers from the confirmed kill.

Spiritual Content

  • While traveling across the valley to try and unite the groups of kids against Ethan, Tack jokes, “So we’re not seeking converts along the way? . . . This is the worst mission trip ever.”
  • Min is worried she will be captured or killed by those after her. “Pray to God Noah isn’t sitting there waiting for me. Pray to God? Or the Guardian?”
  • Min says a small prayer because she believes that Sarah cannot manipulate the program.
  • Min is nervous when she learns that Sarah actually has the power to manipulate the program on her own. “Sarah was playing God, and there was nothing anyone could do about it.”
  • Sarah discovers how to change the program. Derrick says, “Sarah acting like the voice of God.”
  • To even people’s numbers, Hector needs to shoot someone. He refuses, saying, “My religion forbids it.”

by Hannah Neeley

 

 

Lady Knight

The Chamber of the Ordeal has given Kel a task that could win the war and save countless lives. Kill the Nothing Man, who entraps the souls of children to fuel metal killing machines. But the Chamber is unable to give her any details, leaving her wondering how she can find the Nothing Man. Is there a way to fulfill her mission without breaking her oaths and abandoning her duty? Or will Kel have to sacrifice everything—including her life?

Unfortunately, Kel quickly finds herself trapped in Tortall when Lord Wyldon assigns her to run a refugee camp. Refugees are pouring in due to the war, and Kel worries they may be a target as the Nothing Man needs children to use for his machines. Kel cannot abandon the refugees, so she sets aside the Ordeal’s mission and works to make New Haven the best fort it can be. With constant attacks by Scanran forces, things are never quiet for long. And soon, an unimaginable tragedy will set Kel on a course that will end up with her going head to head against the Nothing Man, his magic, and his army.

Many readers will relate to Kel because she faces her troubles with determination, understanding that her actions have consequences. Kel’s journey was not easy. Throughout her journey, she shows physical and mental strength, but also the strength of conviction. Kel understands the importance of duty and is willing to go to any length to protect others.

Knight is a roller coaster from beginning to end. The story has a slightly darker tone than the previous books because it focuses on war and describes war’s causalities. Kel has become the knight she always wanted to be. She is kind, and brave, and noble—a great example for girls and boys everywhere. The plot will keep readers engaged, as will the wide cast of new characters. From Scanrans to refugees, Tamora Pierce once again has managed to create a wide cast of diverse characters that are as well-developed as they are lovable. The only disappointing thing about Knight is that it is the last book in Kel’s wonderful story.

Sexual Content

  • Kel thinks about how, “She and Cleon had kissed, had yearned for time and privacy in which to become lovers. He’d wanted to marry her, though she was not sure that she wanted marriage.”
  • A man is shocked that a woman is in charge. He calls Kel, “’a shameless girl, a chit who’s no better than she ought to be!’ The insult to Kel, the claim that she was nearly a prostitute, brought the soldiers growling to their feet.”

Violence

  • Kel’s fort is attacked several times. “Three raiders still galloped toward the eastern wall. One of them went down, an arrow in his throat. . . . Numair’s spell had done its work: flames rose from the ground at the enemy’s rear. There was no sign of either shaman in that large blaze. He’d burned them out of existence.”
  • Killing devices attack the fort. “A man went down, gutted by a dagger-hand. A soldier flew off the walkway to the ground twenty feet below . . . One refugee wasn’t quick enough; the device cut him lengthwise from behind as he turned to flee.”
  • When her men don’t want to bury the dead after a battle, she says, “Then, sir, you shall plow the section where the bodies are, two days hence . . . The feel of a plow as it hits rotting flesh and bone must be . . . interesting.”
  • Two men fight over a woman. “Two young men, both larger than Kel, punched, kicked, and rolled on the ground, trying to rip one another apart.”
  • Kel goes to Haven after reports of a battle. She finds, “a few dead sword- or axe-cut animals . . . All had bloody muzzles and, in the case of the cats, bloody claws . . . [there] was a maroon-and-brown pile. There Oluf’s cold, dead face, his eyes wide, seemed to stare right at her. He lay on a stack of dead men, all in army maroon.”
  • Kel finds several dead bodies as she tracks a group of kidnapped refugees. “Though animals had fed on the dead woman, the Stormwings hadn’t touched her. The earth had protected her face. Gently Kel brushed the mud away. Through the dirt, bloat, and darkening of dead flesh, Kel recognized Hildurra.” Later, “A woman lay crumpled at the roadside. Kel thought her skirts were dull maroon until she saw that they were stained with blood.”
  • At a castle, “corpses hung from the walls in iron cages. Some of the bodies were beginning to fall apart. At least two looked fairly recent.”
  • Kel and her troops storm a castle. The fight takes place over a chapter. “The door opened and a man stuck his head out. Kel cut him down. Another man stumbled across his body to die at Connac’s hand. Inside, Kel heard men hammering at the blocked doors and shutters. Here came another soldier, half armed over a nightshirt. Kel rammed her glaive into his unprotected side while Connac chopped at the man’s neck.”
  • When Stenmun attacks her, Kel “hooked her leg around one of his, and jerked, a leg sweep from her studies in hand-to-hand-combat . . . He went down on his back . . . Kel didn’t wait for an invitation. She brought the iron-shod butt of the glaive down with all her strength, striking him right between the eyes, breaking through his skull. That probably finished him, but to be sure, she cut his throat.”
  • Kel finds Blayce. “She caught Blayce at the knees, cutting the muscles behind them. He dropped, turning visible to her unaided eyes, his control over his invisibility spell gone. Kel seized her glaive two-handed and yanked the blade toward her, neatly beheading the Gallan.”

Drugs and Alcohol

  • Tobe thinks Kel was drunk when she bought him. “I don’t care if you was drunk or mad or takin’ poppy or rainbow dream or laugh powder, you bought my bond and signed your name and paid money for me and you can’t return me.”
  • When offered wine or cider, Kel chooses cider. She thinks about how, “recently she had found that wine or liquor gave her ferocious, nauseous headaches. She was happy to give up spirits; she hadn’t liked the loose, careless feeling they gave her.”
  • A woman had been “smuggling poppy” to the children that Blayce chose to kill.

Language

  • Phrases such as Goddess bless and By the gods are used frequently as a part of Tortallian culture.
  • An angry cook calls a dog, “you thankless rat turd.”
  • An innkeeper calls an orphan a “whore’s brat.”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher.
  • Several people at court are mages. They have the Gift, which can be used for light, to heal, and more. For example, “Daine, known as the Wildmage, shared a magical bond with animals . . . For three years her eagles, hawks, owls, pigeons, and geese had carried tidings south while the land slept.”
  • Neal puts a spell on an abusive man. Neal says the spell won’t hurt the man, “as long as you don’t hit anyone. When you do, well, you’ll feel the blow as if you struck yourself.”
  • A little girl, “is a seer . . . She prophesied that you would come and save us from the Gallan.”

Spiritual Content

  • Tortall has many gods. They are named differently but are similar to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot.
  • An evil mage captures the spirits of dead children and uses them to fuel killing machines, metal monsters with knife fingers.
  • At one point, Neal asks why the gods don’t stop the killing machines. “All the legends say they loathe necromancy. It interferes with the balance between the mortal realm and that of the dead.”
  • When stopping at an old battleground, Kel “added a soft Yamani prayer . . . It seemed to work with most ghosts. She’d never seen any in the Yamani Islands.”

The Raft

Robie feels lucky living on the small island of Midway which sits in the middle of the Pacific Ocean. But sometimes being the only kid on the island makes her feel like she’s going crazy. To keep Robie sane, she goes to visit her aunt in Hawaii. After her aunt suddenly has to leave the island for work, Robie decides to catch a cargo flight home. When the plane hits a nasty storm, Robie thinks everything will be alright. Robie is wrong.

Suddenly, Robie is submerged in water. She’s fighting for her life. Then Max, the only other survivor, pulls her onto a raft, and that’s when the real terror begins. They have no water. Their only food is a bag of skittles. There are sharks. They have no idea if help is on the way. How long can they survive in the middle of the ocean?

The Raft is a sensational survival story that has several twists that will surprise readers. The story is told from Robie’s point of view, which allows her fears to jump to the surface. When Robie is on the raft, she finds a “Survival at Sea” card that adds irony to the story, as well as helps Robie stay alive. Robie clearly loves nature but also fears nature’s violence. Through Robie’s experiences, the story highlights the dangers humans pose to wildlife by throwing trash into the sea; this aspect of the story will encourage readers to make small changes that can dramatically help ocean creatures survive.

The story doesn’t only focus on survival at sea. Max is dealing with overcoming a tragedy. As his story unfolds, Max retells his story of love and loss. Readers will be pulled into his story and will cry at his loss. Max’s story adds suspense and a unique aspect to the story.

The story has short chapters, and some of the paragraphs are only one sentence; this makes the story easy to read as well as increases the story’s suspense. Robie makes several references to The Hunger Games which adds an interesting element to the story. The Raft is a fast-paced story that pulls the reader in from the very first chapter. Fans of survival stories will absolutely enjoy The Raft. For those who want to dip their toes into other ocean survival stories, add Adrift by Paul Griffin and Surrounded by Sharks by Michael Northrop to your reading list.

Sexual Content

  • None

Violence

  • While walking home, a man thinks Robie is someone he knows. The man attacks Robie. Unexpectedly, “a hand grabbed a chunk of my cornrows and yanked. My food went flying as I whipped around. . . He grabbed my cornrows tighter, forcing my head down so I could only look at the ground . . .” Some men begin yelling at the man, and he lets Robie go.
  • A shark attacks a seal, which is able to escape to the beach. To stop the seal’s suffering, Robie grabbed a board, and “just as I was ready to bring the board down, her head fell my way, both of her eyes looking up at mine. There was no surprised in her gaze. Like she expected me to be there. To help her. . . Then I cried out as I brought the board down as hard as I could.”
  • Max’s journal details how his girlfriend, Brandy, died in a car crash. His truck rolled over, and Max found her body. “Brandy lay where she’d been thrown through the windshield as soon as we’d rolled, just off the road. . . Oh God. Her neck was at an impossible angle, and I held her hand to my chest.”

Drugs and Alcohol

  • None

Language

  • Crap and holy crap are used occasionally.
  • Frickin’ is used five times. For example, when Robie was on an airplane, she “tried not to think about the dark and the water underneath us. Nothing by dark and all that frickin’ water.”
  • Hell is used several times. When a man sees Robie on a deserted island, he asks, “What the hell is she doing out here?”
  • Oh my God and Oh God are used as exclamations six times.
  • Pissed is used four times. Robie is upset when she drops a partial bag of Skittles, she “blubbered, as part of me cursed the carelessness that had just lost us all the food we had, and another part was just pissed that I hadn’t eaten them all when I had the chance.”

Supernatural

  • None

Spiritual Content

  • When Robie is on a plane, an engine stops. She prayed, “God, please please let everything be okay. Please don’t let us crash and please just let me get to Midway. And please let them (the pilots) be calm when I look up there.”
  • The plane crashes, and Robie is pushed out into the ocean. When she is underwater, she prays, “God, please kill me already. This is more than I can take.” As she is still submerged, she prays, “God, please, let me reach the light. I want to live.”
  • Robie found a “Survival at Sea” card in the raft. As she was reading it, the card explained how to escape a fire caused by a plane’s oil slick. Robie thought, “Thank God for small favors. My plane crashed, but at least there wasn’t a fiery oil slick to deal with.”
  • When Robie hears a plane’s engine, Robie “said a silent prayer” hoping that it would find her.
  • When Robie finds a tube of Carmex, she “cradled it to my chest for a moment, thanking Max, thanking God, thanking whoever put that ditty bag on the beach.”
  • When Robie is worried that she is going to die, she says a prayer. Then she thinks, “When I was little, I did say my prayers every night. But when it was just me, and I was older, without Mom and Dad putting me to bed, I stopped. Midway didn’t even have a church. We did have a white cross though, on an edge of the island, overlooking the lagoon. . . Every Easter, the residents of Midway did gather at the cross at sunrise. Sometimes someone read from the Bible or said a few words. Usually we sang a hymn. This year I had slept in.. . I could bargain with God. Isn’t that what people did in these situations?” Robie decides she is too tired to plead her case, and God could make his own decision on what happens to her.
  • When Robie is rescued and calls her mom, her mom says, “thank God.”

Squire

It was Kel’s proudest moment when she passed her page examinations and was named a squire. But as months pass without any knight taking her onto their service, Kel worries that no knight will want a girl squire. Will she be stuck as a glorified scribe in the palace forever?

That is not her only worry. Now that she is a squire, the Chamber of the Ordeal weighs heavily on her mind. Every squire must enter the Chamber at the end of their squireship. If they survive, they become a knight. But some have been driven mad by the Chamber. Determined to prove herself unafraid, Kel visits the Chamber several times and places her hand on the outside of the door. And each time, the Chamber sends her horrifying nightmares built from her deepest fears.

But Kel cannot dwell on the Chamber too often, because her wildest dreams come true when Raoul asks her to be his squire. As the Knight Commander of the King’s Own, Raoul is a noble warrior that will take Kel on many adventures—not all of them enjoyable. He is a character that readers will fall in love with, as he is good and noble, but also great fun with a solid sense of humor.

Kel is a strong female character who grows and changes throughout the story. Kel has been able to succeed in a male-dominated world because of her hard work and determination. Kel stands up for other women, admires other women rather than becoming jealous, and her behavior highlights the importance of women supporting each other. Kel has a strong moral code that will encourage readers to also stand up for others.

Although Kel is a strong woman, she also has a supportive family and friends. These relationships give the story more depth and show the importance of having positive relationships. As Kel becomes older and begins to think about romantic relationships, Kel discusses sex with her mother, which helps the reader understand Tortall’s sexual morals. Even though Raoul felt uncomfortable talking about sex with Kel, they have a conversation about how it might affect her career, and he gives her advice and information to help Kel make the decision that is right for her. Although Kel never has a sexual relationship, Kel does obtain birth control. Having a sexual relationship is discussed in a nonjudgmental way that allows Kel to make the best decision for herself.

 Squire does not disappoint, with an exciting plot full of monsters, magic, and fun. Raoul and the men of the King’s Own add well-developed new characters to the mix, while Kel’s page friends still make appearances. Readers will feel as though they are squires as they follow Kel on her jousts and into battle. As Kel explores being in a relationship for the first time, readers will relate to her doubts and awkwardness. With a tantalizing ending that sets up the next book, readers should be sure to have Knight handy, because they will not want to wait to read the final book in the Protector of the Small series.

Sexual Content

  • It’s mentioned in passing that Kel’s maid, “put out her clothes, including a fresh breastband and loincloth, and one of the cloth pads Kel wore during her monthly bleeding.”
  • A centaur offers to buy Kel with three slaves, which are horses he owns, and “two more if she breeds successfully within a year.”
  • When Peachblossom gets in a centaur’s way, the centaur “reared to show the geldings his stallion parts, and hissed.”
  • A woman sees bruises on Keladry’s body and thinks she is being abused. She offers Kel protection. “They’ll get the man who did it . . . Even if it’s a noble. After the rapes last winter, they have a new commander.”
  • “Cleon leaned down and pressed his lips gently to [Kel]’s . . . He turned crimson, and strode down the hall.”
  • Cleon kisses Kel a second time. “He lowered his head just a few inches to press his mouth to hers.”
  • Cleon and Kel start secretly dating, and kiss several times. Once, “Cleon pulled her into a corner invisible to passerby and kissed her again. Then he strode out of the tent. Kel pressed her fingers to lips that throbbed from this new and different use.”
  • Raoul warns that if women are in command, they’ll “take Rider men as lovers, and it’s found out, they encounter trouble. Men who dislike their orders offer to work it out in bed. Jealousies spring up.”
  • Twice, when Kel is challenged to a joust, Cleon says a variation of, “Gods protected me, you’re going to die a virgin.”
  • A man confesses to the court. “Two girls of the Lower City were attacked, beaten. A third was—must I say it?—a third was beaten and raped. I did it.”
  • Cleon and Kel almost get carried away twice, but they are interrupted. “That got her another round of very warm kisses. They had each other’s tunics off and were fumbling with shirt lacings when Raoul called outside.”
  • Just in case, Kel “found a midwife-healer traveling with the progress and purchased the charm against pregnancy.” She never uses it, however.

Violence

  • After entering the Chamber of the Ordeal, “a squire went mad there. Five months later he escaped his family and drowned himself.”
  • Kel visits a town shortly after it was attacked. “Bodies were set along the streets, pieces of cloth over their faces. Kel could only glance at those who’d burned; the sight of their swollen black flesh was too much . . . Raoul crouched beside a dead man who clutched a long-handled war-axe. He hadn’t died in a fire: five arrows peppered his corpse.”
  • Keladry knows the bandits she captured are going to be hung. “Kel shuddered: she hated hangings. No matter what the crime was, she saw no malice in those hooded and bound silhouettes dangling against the sky. Worse, to her mind, was the thought that the condemned knew they were to die, that a day and time had been set, that strangers planned each step of their killing.”
  • Centaurs say they have to cull traitorous centaurs and the dumb horses they mated with because, “You don’t want bad blood in the herd, particularly not in the slaves . . . That’s probably what Graystreak’s doing now, culling the slaves that bred with that crowd.” Kel thinks that is “obscene.”
  • Kel fights a centaur. The battle takes place over three pages. “He hurled the axe. Kel dodged left, still between him and escape, and stepped in with a long slash across his middle . . . Kel lunged, sinking the eighteen-inch blade deep below the centaur’s waist and yanking up. His belt dropped, cut in two; his forelegs buckled. Kel pulled her glaive free as her foe went down, clutching his belly. Blood spilled around his hands.”
  • Kel has several nightmares when visiting the Chamber of the Ordeal. “Another centaur clubbed her with a spiked mace. . . They were clubbed down as Kel fought to do something, anything.” Another time, the Chamber gives her a nightmare where, “Men, armed and mounted on horses, galloped down the street . . . she toppled as the man’s sword bit deep into her good shoulder. She lay on her side in the mud, blood pooling under her.”
  • A man “tried to run her through” during a joust. Kel unhorses him, then “flipped up his visor with her sword point and pressed the sharp tip to his nose. ‘Yield,’ she advised, her voice even. ‘Or I carve my initials right there.’”
  • Kel is in a brief fight with bandits. “The man who followed him carried a sword: Kel parried his cut at Peachblossom and ran him through.”
  • Kel fights in a battle. “Kel shot her officer squarely in the throat. He too dropped. . . Her arrow punched into the frothing man’s eye. He dropped like a stone.”

Drugs and Alcohol

  • Kel’s knight master, “doesn’t drink spirits, and he doesn’t serve them. He says he had a problem as a young man, so he doesn’t care to have liquor about. Captain Flyndan likes a glass or two. He serves it in his tent, but only when my lord isn’t there.”
  • The squires serve refreshments at a party, including “liquid refreshments: wine, punch, brandy, and, for the Yamanis, rice wine and tea.”

Language

  • Phrases such as Goddess bless and By the gods are used frequently as a part of Tortallian culture. Once Raoul says, “Gods . . . [she was] green the whole trip, I swear.”
  • Bitch is used three times. An angry knight tells Kel, “One of us will spear you through your bitch’s heart.” Later Joren tells her, “Once I’m a knight, you’d best keep an eye behind you, bitch.”

Supernatural

  • Kel lives in Tortall, a world filled with monsters and magic. The monsters include griffins, centaurs, and more. Some are good, some are not. Kel even has a basilisk for a teacher.
  • Several people at court have the Gift, which can be used for light, to heal, and more. Once, “The king reached a hand toward Vinson and twisted his fingers. The blue fire of his magic settled over the weeping squire. It blazed fiercely white, then vanished. ‘He tells the truth,’ King Jonathan said grimly.”
  • Squires have to spend a night in the Chamber of the Ordeal before they can become knights. “Generations of squires had entered it to experience something. None told what they saw; they were forbidden to speak of it. Whatever it was, it usually let squires return to the chapel to be knighted.”
  • Kel visits the Chamber several times. When she touches the door, she receives nightmarish visions of death and violence.
  • Daine has animal magic; she can speak to animals and shapeshift. “An eagle hurtled from the sky . . . It immediately began to change shape until a small form of Daine’s head perched on the eagle’s body.”

Spiritual Content

  • Tortall has many gods. They are named differently but are similar to the Greek gods. For example, Mithros is the god of the sun, and there is a god of death. The gods are mentioned often in the Tortallian culture but are not an integral part of the plot. After she passes a test, Kel thinks “Thank you, Mithros, for this gift.”
  • Characters often pray before meals or battles. “We ask the guidance of Mithros in these uncertain times, when change threatens all that is time-honored and true. May the god’s light show us a path back to the virtues of our fathers and an end to uncertain times. We ask this of Mithros, god of the sun.”
  • Raoul points out, “Haven’t you ever noticed that people who win say it’s because the gods know they are in the right, but if they lose, it wasn’t the gods who declared them wrong? Their opponent cheated, or their equipment was bad.”
  • Scanrans, from the country up north, sometimes froth “at the mouth as Scanrans did when they claimed war demons had possessed them.”

Burning Blue

Nicole has it all. She’s rich, beautiful, and popular. When unknown assailant splashes acid onto Nicole’s face, her tragedy is splashed over the national news. As Nicole tries to come to terms with her disfigurement, the reporters follow her trying to get a gruesome picture of her wounds.

Jay has always been a loner. Because of an embarrassing epileptic seizure he had during an assembly, his classmates treat him like a freak. When he sees Nicole’s damaged face, he decides to find out who did it. As he begins to dig for clues, he discovers that Nicole is surprisingly down-to-earth. Jay uses his hacking skills to try to uncover the truth, but this leads him into danger. He realizes that everyone is a suspect—teachers, friends, and even Nicole herself. Can Jay find the assailant before there is another attack?

After a chance meeting in the school counselor’s office, Jay and Nicole form a fragile relationship. Both are trying to deal with an event that has changed the way their classmates see them. Both are trying to figure out how to deal with a difficult situation. The author highlights that people who face trauma do not bounce back immediately. Instead, they need time and therapy to heal their wounds.

Readers will be able to relate to Jay, who not only has a troubled relationship with his father, but also struggles with fitting in with his peers and allows his fear of being embarrassed to control his choices. Because Jay has been the target of other’s mean comments and has faced difficulty because of his epilepsy, Jay has empathy for others. Jay’s hacking abilities give the story an interesting twist. As Jay hunts for clues, the reader will want to continue turning the pages to find out what happens next.

There is never a dull moment in Burning Blue, which has elements of romance, teenage anguish, and high school drama. The wide cast of possible suspects allows the readers to question each person’s motives. The ending contains several surprises and will leave the reader questioning the nature of evil. Teens looking for an action-packed mystery will want to grab Burning Blue. Besides being a highly entertaining story, Burning Blue highlights that appearances can be deceptive. After you’ve read Burning Blue, you may want to check out Griffin’s book Adrift, which is another packed story.

Sexual Content

  • Nicole’s boyfriend was usually a gentleman, but one “afternoon he was jacked up on too many Red Bulls or whatever, desperate. He wouldn’t let her go. He kept saying, ‘One last kiss.’”
  • When the police were interviewing people, Jay thinks the police “were looking for someone who hated Nicole, not somebody who was trying to bone her.”
  • Jay hacks into someone’s social media and sees a text that says, “Somebody should blow her boyfriend and post the video on her fb.”
  • After Nicole’s face is burned, a girl stops and stares “like she’d stumbled onto a rape in progress.”
  • Some boys invite a girl to a party with “the intention of having her pull the train.” Jay takes the girl outside “with the intention of walking her home. She was smashed, tackled me onto the hood of this Mercedes sedan, rammed her tongue down my throat.” Then she pukes. This girl was the “only girl I (Jay) had ever kissed. I mean, I’d gotten hand jobs before from this chick in my building who was a year older than I was, but when you kiss a girl on the mouth, even if it’s only for three seconds and she pukes after, that’s kind of serious in my book.”
  • Jay sees a custodian’s email. “Somebody named Isabella1801 had emailed what she wanted to do with him that night. No whips or chains, but it was borderline hard-core.”
  • A girl likes to take her friends’ phones and send texts. Someone explains, “You’d check your Sent folder and see you’d just zipped the dude an invitation to give him a blow job.”
  • Someone asked Jay if he’d “boned her (Nicole) yet?”
  • Jay kisses Nicole. “I put my hands on her face as I leaned in and kissed her. I kissed her checks, her eyes, her mouth. In time, we stopped trembling, and the cold was gone from us. . .”

Violence

  • Someone squirts acid on Nicole’s face. She screamed as she was “trying to wipe off the acid made the situation worse. She burned her hands.”
  • Jay pinned someone in a wrestling match. Afterwards, the boy got his friends together for revenge. “After practice the guys stuffed up the sink and held my head under the water until Dave came in. He shoved everyone back. . .”
  • A reporter was trying to take pictures of Nicole and wouldn’t leave her alone. Jay “grabbed his camera and smashed it on the pavement.”
  • Someone attacked Jay. He “ran, but she kicked my foot from behind. She smashed my head face-first into musty green mini-golf carpet. I felt her knee in my back and something smooth, cold and heavy behind my ear. Metal, the nose of a pistol.” The police appear and help Jay.
  • While in a car, a boy grabs Jay. “The arm was around my neck, and the chokehold was tightening. . .My neck was pinned to the edge of the seat back. . .I was fading out. . . I was sure they were going to kill me, and I panicked. With images of that childhood car crash blinding me, I drove my feet into and through the back of the driver’s seat.” The car crashed. Jay ends up in the hospital and one person was seriously injured.
  • A girl was having sex with David. She’s angry that he “let me such your dick no problem, but you’re embarrassed to be seen in public with me.” She thinks his dad would say she is a “low-class whore.”
  • Nicole’s mom “poured the oil onto herself.”

Drugs and Alcohol

  • There is a rumor that one of the boys was “willing to do anything to win, including possibly giving himself steroid-induced testicular cancer.”
  • Jay takes anticonvulsant medication for his epilepsy.
  • After Nicole is burned, she is given pain medication, but sometimes she flushes it down the toilet because it makes her feel numb. She also takes Xanax to help her sleep. Later in the story, she takes Prozac.
  • Jays dad was drinking “a bottle of red wine, the second one.” It is implied that Jay’s dad has a drinking problem and has gotten a DUI before.
  • A reporter “liked to buy the cops ending their eight-to-fours a pony beer or two.”
  • Jay takes an adult friend “a six of Becks.”
  • Jay didn’t want Nicole to see his apartment because, “once in a while people hung out in the lot and smoked weed and drank and yelled and fought.”
  • An adult tells Jay that he’ll give him twenty bucks if he got a haircut. Jay jokes, “Might just blow it on meth too.”
  • When a girl had “a few too many drinks” and puked in the bathroom, Nicole helped her out.
  • Jay’s dad calls to check on him, and Jay says, “I’m just mainlining a little heroin.” Jay was upset that when his dad called he had been drinking.
  • When Jay called a friend, she said she was drinking “straight vodka.” Later she tells Jay that, “If you were really thankful, you’d get me the Budweiser.” Jay recommends she go to rehab.
  • Jay, his mother, and father went to a party. Jay’s mother and father had been drinking. His mom drove even though she’d “had a few.” The car hit black ice and crashed. His mother died.
  • After a car accident, Jay is given pain killers.

Language

  • Crap is used often.
  • Profanity is used occasionally and includes ass, bitch, damn, hell, piss, and shit.
  • “Oh my God” is used as an exclamation six times. “Goddamn” is used once.
  • When Jay breaks a reporter’s camera, the man yells, “fuck you.”
  • Jay calls a guy a “douche.” Later, someone calls someone a douche bag.
  • Dick is used three times. Jay asked Nicole if her dad was “being a dick about money.”
  • Jay says he needs to act tough or he’d get his “ass kicked.”
  • Jay thinks, “I was going to catch the son of a bitch who burned Nicole Castro.”
  • Someone said Nicole’s father was a “bona fide prick.”

Supernatural

  • None

Spiritual Content

  • None

Catching Jordan

As a quarterback, senior Jordan Woods dreams to play in the big leagues. The only problem? She’s a girl. That doesn’t stop her from pursuing a football scholarship to the University of Alabama. When a new quarterback comes to town, she realizes that she will have some competition for her position on the field—and for her heart. Ty Green, the new quarterback, is extremely good-looking. Jordan has an instant crush on her competition, but he isn’t her only problem.

Her father, a starting NFL quarterback, won’t come to her games, and she’s under the scrutiny of college recruiters. To make matters worse, her best friend, Sam Henry, is in love with her. But Jordan doesn’t know how Sam feels, and it soon becomes complicated when Sam reveals his feelings. Jordan must figure out how to stand out on the football field and how to navigate dating relationships and young love.

Catching Jordan is a story that pulls readers in with realistic struggles. All her life she has had to fight against the world telling her that a girl could never stand up and play at the college level. Her own dad, a former NFL player, doesn’t want her playing out of fear of injury. She also has trouble trying to navigate dating and love, something she has always avoided out of fear of losing the respect of her teammates.

Although the story has some cliches, Jordan’s character makes reading Catching Jordan worthwhile. Readers will fall in love with Jordan. Even though Jordan is considered “one of the guys,” she has the same emotions as any other girl.  Whether she is venting about her father, or trying to figure out how to kiss, her voice comes across as real, honest, and funny. Readers will be able to connect with Jordan, who will take them on an emotional ride full of laughs and tears.

Even though the story features football, at the heart of the story is fun, flirty romance. However, the story isn’t just about love; it is also about overcoming obstacles and never giving up. Jordan isn’t afraid of standing up for what she believes in and she is willing to reach for her dream, even if it seems unattainable. The strong character development and interwoven football plays make Catching Jordan an excellent read for mature readers. Although the story appeals to sports fans, anyone who wants to read a fabulously fun story should pick up Catching Jordan.

Sexual Content

  • Henry speaks about a cheerleader saying, “I’d never fool around with Kristen—I have standards, you know.”
  • While joking around with some of the players, Henry says, “We’re a package deal.” JJ responds jokingly, saying, “That’s ‘cause all you ever think about is your package.” Just after this joke, JJ starts kissing Lacey, a cheerleader. They “start kissing as if winning the state championship depends on it.”
  • Jordan thinks about how she’s never had a boyfriend or even been kissed when her “friends are off hooking up with cheerleaders.”
  • Jordan asks why Henry is so confused about who he wants to date. He says, “I dunno. . . the sex is okay. . .” She asks him, “Why do you keep sleeping with girls you aren’t dating?”
  • Jordan says that JJ owed her because she covered for him once when “he’d been making out with Lacey and had lost track of time.” Later, Lacey asks Jordan if JJ has mentioned her. Jordan thinks to herself, “You mean, besides to tell me you guys slept together in the back of your mom’s car last night?”
  • Mike’s best friend Jake makes an inappropriate joke, saying, “I can teach you math in bed, Jordan. You know, I’ll add the bed, you subtract the clothes, you divide the legs, and I’ll multiply.” Later, Jake makes another comment saying, “Damn, Jordan. You should play tight end because your ass is wound tighter than a baseball.”
  • After Jordan tells her brother Mike about crushing on Ty, he says, “You might get hungry for his hunk of man meat.”
  • Jordan spends extra time getting ready in the morning to impress Ty. She wears lace underwear saying, “Provided they stay the hell out of my butt crack, they might make me feel sexier later on today.” Speaking of her bra, she says, “It shows off my boobs.”
  • Ty tells Jordan about the night he spent with Henry and some girls. “Henry and Marie made out for, like, an hour. . . Pretty soon I’m the only person still wearing clothes.” He does not describe anything that happened.
  • JJ asks where the fake baby that Jordan and Henry are taking care of for school is, and she replies, “He’s with his father, who’s probably sleeping with Marie Baird right now.” JJ says, “She’s a damn nice piece of ass.” Jordan responds, “Don’t be such a pig.”
  • Jordan is dared to jump in the lake in her underwear. She does, and Ty follows suit and jumps in with her in only his underwear. They start to kiss and become physical. “He drags his hands across my stomach, dipping a fingertip into my belly button, and I feel his mouth on my shoulder. . . I inch my fingertips across his shoulders and elbows as I move my mouth to his throat. . . I shiver when he runs a finger across my bare stomach, right above the elastic of my boy shorts, before exploring my body with his lips.” The scene lasts two pages.
  • Two girls talk badly about Jordan in the bathroom, upset and confused about why Ty would want to be with Jordan instead of them. They say, “Maybe he just wants to screw her because she’s a virgin.” They go on to say, “Maybe she’s a slut.”
  • Jordan is nervous that people will think badly of her when they find out she and Ty are dating. She tells Henry she’s afraid people will call her a “slut.” He responds saying, “Of course not. . . because I think you have to sleep with more than one person, possibly several, to be considered a slut.”
  • Jordan and Ty sleep together. It does not go into any detail. “And I just have to have him. Every bit of him. Now. . . A little while later, we’re still clinging to each other under the covers.”
  • Jordan talks to JJ about how she feels conflicted about dating Ty when she doesn’t know if she loves him. JJ says, “Hey, if the sex is good, what else do you need, eh?” She replies, “Well, um, I bet sex might be better if you’re actually in love.”
  • Jordan and Henry finally decide to become girlfriend and boyfriend. They make out in their hotel room, but don’t do anything else. The scene is not detailed. “We make out for what seems like hours, pausing only for cookies and champagne.”

Violence

  • Jordan gets sacked during a football practice. “I fly backward, slamming to the ground, my head rattling around inside my helmet. Ow.”
  • Jordan says that last year after a game, “JJ punched a guy from Northgate High for grabbing my butt after a game. ‘Show Woods some respect! Or I’ll kick your ass.’”

Drugs and Alcohol

  • Henry and Carter go to a party. The next morning Henry texts Jordan saying, “Carter got trashed and made out with the freshman from lunch.”
  • A cheerleader brings drinks to a hangout at Jordan’s house. “‘Who wants a drink?’ Lacey asks, pulling these lame piña colada wine coolers out of her bag and passing them out to the other girls.”
  • Jordan and Henry drink champagne the night they finally become official. They are underage. “He opens his wallet and pulls out a fake ID, showing it off for me.”

Language

  • There is an extreme amount of foul language in this book. Jordan, the main character and narrator, uses “hell” and “shit” regularly.
  • Profanity is used in extreme. Profanity includes: “hell,” “asshole,” “ass,” “badass,” “idiot,” “shit,” “bullshit,” “shitload,” “damn,” “damned,” “fucking,” “fucked,” “fuck,” “bitch,” “whore,” “tool,” “slut,” “man-slut,” “dyke,” and “skank.” For example, someone says, “If I lose my confidence, I’m going to play like shit, and shitty players don’t get offered spots on Division 1 teams like Alabama.”
  • “Oh my God” and “Jesus” are both used as exclamations.
  • One of the cheerleaders and an opposing player both call Jordan a “dyke.”
  • Jordan calls some of the cheerleaders the “local bimbos” and one of them a “floozy.”

Supernatural

  • None

Spiritual Content

  • Jordan is thinking about the cheerleaders’ lack of knowledge about football. “Especially since he’s been spending time with girls who think a Hail Mary is a prayer to Jesus’s mom.”
  • Henry likes to say that Jordan should start “living life like I’m going to hell tomorrow.”
  • Jordan is thinking about Ty and how he is from Texas. “Texans take their football seriously. It’s practically a religion down there.” Later on, she says, “A Texas football player who doesn’t kneel down and pray to the Cowboys every Sunday?”
  • Jordan and Henry remember when they were younger and they went to Carter’s church Halloween bazaar. “It’s been nine years since Carter invited us to that Halloween bazaar at his church. . . all the booths were Bible-themed. The church had converted this long dark hallway into a replica of the inside of a whale’s stomach, so people could experience what it was like for Jonah after he was swallowed.”
  • Jordan plays poorly at a football game while a scout is watching. She says that she will “pray to the football gods to give” her another chance.

by Hannah Neeley

Edenbrooke

Marianne Daventry is a seventeen-year-old girl in 1816 England who finds no pleasure in becoming a proper lady. She loves to be in the country and twirl, but since her mother passed away and her father ran away to France to mourn, she has been stuck in Bath with her grandmother who shows her little affection. When Marianne’s twin sister Cecily invites her to stay in Edenbrooke, the country estate of one of their mother’s childhood friends, Marianne thinks things might just be looking up for her. She is excited to escape boring Bath and bask in the countryside. However, Marianne’s grandmother will only allow her to go to Edenbrooke if Marianne agrees to become a proper lady.

While on her way to Edenbrooke, Marianne has a frightening encounter with a highwayman, who shoots her coachman. She seeks help at an inn, where she meets a mysterious handsome stranger who helps her. The mysterious stranger leaves before Marianne can discover his full name. Edenbrooke may not be her tranquil escape after all, as romance enters her life in a way she never expected, and her sister tries to win the heart of the heir of Edenbrooke. Marianne is forced to decide if her loyalties lie with her sister or with her own heart.

Edenbrooke is a sappy romance much like any of Jane Austen’s classic novels. Although the storyline is very predictable, readers will fall in love with Marianne and her quick wit. Her desire for true friendship and to feel loved by her family makes her character relatable and believable. Even though it is a romance novel, most of the book is about the friendship the characters first develop and how Marianne’s feelings begin to shift from friendship to romance. Because the story is told from first-person point of view, readers become close to Marianne’s thoughts, making her even more relatable.

Because the story is set in 1816, the author uses older difficult words, such as “incorrigible” and “odious.” Although the beginning is a little slow, once the reader gets past the first chapter, they won’t want to put the book down, because they will be intrigued by the mysterious man Marianne meets at the inn and her mixed feelings for him. Readers searching for a pure, heartfelt, romantic story will find what they are looking for in Edenbrooke.

Sexual Content

  • Marianne’s cousin, Mr. Kellet, is known for being promiscuous. “Nothing put Grandmother in a sour mood as surely as hearing about the latest scandal involving her heir. He was a rake and a scoundrel and had gambled away all of his own money while waiting to inherit Grandmother’s sizeable fortune.”
  • Marianne often compares herself to her sister Cecily, who is much more flirtatious than she is. She thinks her sister, “flirted easily with gentlemen.”
  • Mr. Whittles, a middle-aged man who is rather repulsive, tries to court Marianne. When she is leaving for Edenbrooke, “he grabbed my hand and lifted it to his mouth. The kiss he bestowed on my hand was so wet it actually left a mark on my glove.”
  • Philip often flirts with Marianne and makes her blush. His flirting consists mainly of friendly teasing and playful compliments. On the night they first meet, Philip tells Marianne, “‘I don’t think I have ever met a lady like you, Miss Marianne Daventry, and I would feel very sorry to forget anything about this evening.’ I suddenly could not breathe. My blush spread to my ears, and I knew, deep in my bones, that I was no match for this man, not with my games or my confidence or my wit.”
  • After telling Philip how her mother passed away, part of Marianne, “wanted to lean into the cool glass of the window, away from him, and the rest of me wanted to lean against him, into his warmth.”
  • Marianne and Philip stare into each other’s eyes, and it seems as if they are going to kiss. “His eyes were persuading me that I wanted that something. They were inviting me closer, drawing me closer, convincing me to learn, to fall, to dive into their blue depths and never resurface.” The moment is interrupted when Philip’s uncle walks in because Philip always makes a point to leave the door open when he and Marianne are alone.
  • Philip brushes Marianne’s hair out of her face, “his fingers brushing my cheek and neck in a surprisingly intimate gesture. My heart skittered at his touch, a blush rising to my cheeks.”
  • Marianne has a sudden desire to kiss Philip. “He grinned wickedly. To my astonishment, I suddenly had the strongest urge to kiss those lips, wicked or not.”
  • Philip lets Marianne use his jacket as a pillow when she naps outside. When she thanks him, he flirtatiously says, “You are welcome to use my pillow any time.” She scolds him for being inappropriate.
  • Marianne goes to a far part of the estate to be alone. When she returns, Philip is waiting for her at the horse’s stall, concerned. He asks her if she cares for him. He puts his hand on the wall above her shoulder. “Without thinking, I put my hand on his chest, meaning to push him away. But as soon as I touched him, I froze . . . It took all of my concentration not to slide my hands up his chest, over his shoulders, around his neck, not to curl my fingers into his hair, not to pull his head down to mine . . .” Marianne tells him she cares for him only as a friend and host.
  • Philip teaches Marianne how to write a love letter. He writes, “Where is your compassion when I need it most? Open your eyes, love, and see what is right before you: that I am not merely a friend, but a man, deeply, desperately in love with you.” It is later revealed that Philip was writing about Marianne, in hopes that she will realize his feelings for her.
  • Cecily and Marianne run into Mr. Kellet in town. When Marianne asks why Cecily flirted with him knowing his scandalous reputation, Cecily says it’s because “rakes are the best kissers.” She implies that she has had experience kissing “rakes.”
  • Cecily thinks flirting is perfectly fine, even within a marriage. “Everyone knows it is perfectly acceptable for a lady to flirt,” Cecily said. “As long as she is discreet. And her husband will appreciate having the same freedom.”
  • Marianne talks to Rachel, Philip’s sister-in-law, who says her father would not approve of what her husband and Philip will do on their future trip. She says she tries not to know what they do, and all Marianne, “could think was that the only reason a woman would not want to know what her husband was doing was if he was doing something improper.” Marianne later learns that Philip and his brother are going on a trip to buy racehorses, not to do anything scandalous.
  • Marianne and Philip dance at a ball. “When he touched my waist, he did not rest his hand passively and lightly. Rather, he pulled me toward him, his hand pressing on the small of my back, so that in a step I was so close I could feel him breathe. . . I could not believe I had ever danced this way without realizing how intimate it was.”
  • Cecily tells Marianne that Mr. Kellet kissed her, without details. Marianne is shocked, then she, “remembered that Philip was off seeking the same type of pleasure.” Philip is actually buying horses.
  • Rachel reads a letter from her husband to Marianne. “Philip has fallen in love with a real beauty, with nice legs and beautiful lines. He thinks the price is too dear, but I would not be surprised if he brings her home in the end.” Marianne thinks the description is of a woman, but it is of a horse.
  • Mr. Beaufort, Mr. Whittles’s nephew, proposes to Marianne. She refuses, and “he took my hand and pressed his lips to it.”
  • Mr. Beaufort kidnaps Marianne because he knows of the fortune she will inherit. Marianne thinks, “No one would want me if I passed the night with Mr. Beaufort, no matter what he did or did not do to me.”
  • Mr. Beaufort forcibly kisses Marianne. “He grabbed me around the waist, pulled me to him, and pressed his mouth against mine.”
  • Mr. Beaufort forcibly kisses Marianne again. Marianne, “twisted and turned in his grip, but he only held me tighter and pressed his vile lips against mine.”
  • Philip and Marianne kiss. The scene lasts for two and a half pages, although most of it is dialogue. Neither can understand how the other didn’t know of their feelings. “His lips were firm and insistent, gentle and caressing. His fingers threaded in my hair, holding my head exactly how he wanted it while he kissed me one way, then another, until I trembled in his arms…His arms surrounded me, pulling me close, holding me as if I was infinitely precious.”
  • In the same scene, Philip wipes Marianne’s “tears, and he kissed me again, and again, and whispered things too sublime to repeat, until I was thoroughly convinced, he was madly in love with me, Marianne Daventry, a girl with no great figure, too many freckles, and a propensity for twirling. And then I knew I had met my match.”
  • Philip and Marianne kiss one more time, though not in great detail. “He caught his breath, and then I felt his lips curl up into his wicked grin. It was delicious.”

Violence

  • Marianne’s carriage is stopped by a highwayman. He shoots her coachman. “A loud shot erupted the silence. I jumped, startled. A man cried out, and the carriage jerked forward, then stopped again.” Marianne’s coachman’s wound is not described in great detail. Marianne, “felt a sticky wetness on his shoulder. He had been shot.”
  • The highwayman tries to force Marianne out of the carriage. “He gripped my ankle, then twisted hard. A pain shot up my leg. I fell on the floor of the carriage, face down, and was pulled backward.” He is unsuccessful at pulling Marianne out because her maid shoots at him. It is not told whether she hits the highwayman or not, but he leaves.
  • Marianne tells how her mother died in a horseback riding accident. She tells Philip how her mother, “would take any jump fearlessly, no matter how high it looked. . . My father found her. I am sure you can imagine the rest easily enough.”
  • Marianne’s maid says that Marianne’s grandmother, “threatened to cut out my tongue and eat it for breakfast” if she told Marianne that it was her grandmother’s idea for her to go to Edenbrooke. Marianne jokes that “she would not have eaten it for breakfast. You know she only eats meat at dinner.”
  • Mr. Beaufort convinces Marianne that he has kidnapped her maid in order to make her come willingly with him. He threatens her that she wouldn’t, “want her to be hurt the way your coachman was hurt, do you?” He didn’t actually have her maid.
  • In her effort to escape Mr. Beaufort, Marianne convinces him to close his eyes and, “held the penknife to his throat, and called on my courage. I found it lacking. I couldn’t do it. I couldn’t stab him like this.” She has him open his eyes and, “pressed the knife into his skin until it drew blood.” Later, she “stabbed blindly at his hands.”
  • Marianne shoots at Mr. Beaufort with his pistol but misses.
  • Philip duels Mr. Beaufort to protect Marianne’s honor. “Philip looked perfectly in control, his sword bending the skin of Mr. Beaufort’s neck without piercing it.”
  • Marianne asks Philip not to kill Mr. Beaufort. Instead, Philip gives Mr. Beaufort’s face a cut with his sword, “from his chin, through his lips, to the side of his nose.”

Drugs and Alcohol

  • Mr. Beaufort drinks when he kidnaps Marianne. “He poured himself three glasses, and at the end of the third glass, he set it down clumsily on the table.” Marianne thinks it is wine at first, but she later realizes he is drinking brandy.

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

The One

As Maxon’s Selection has been narrowed down to the final four girls, competition between the girls is tight. America has noticed her growing love for Maxon, and her jealousy grows as she watches the other girls get closer to the man she loves. The King, however, will do anything to make sure Maxon doesn’t choose America, since she is from a lower caste, and the king can’t manipulate her. The King has started pressuring her to leave the Selection. Plus, America’s previous love, Aspen, has started working as a castle guard, and his presence threatens to unravel the progress Maxon and America have made in their relationship.

As the Selection wears on, rebels against the monarchy are becoming restless and threaten to overthrow the kingdom along with the caste system. Members of the Northern Rebels sneak into the castle and ask for Maxon and America. The rebels strike a deal with them on the promise that if the caste system is ended once Maxon becomes king, the Northern rebels will keep the Southern, more violent and ruthless rebels, at bay. Can Maxon and America trust the rebels? Or will the rebels overthrow the monarchy before the Selection even ends?

Readers will be kept on the edge of their seats in this final installment of the Selection series. The book’s twists and turns will help to drive the plot as America and Maxon make their way to the end of the Selection. This third and final book of the series picks up in excitement and romance that was lacking in the second book, The Elite. Though this book is very entertaining, readers will want to have read the previous two books of the series to understand the dynamic characters, the competition between the girls, and the Selection process as a whole.

America is once again shown as the headstrong, powerful woman that was introduced in the first book of the series. Entertaining characters from the previous books will make their appearances, along with new, well-developed characters that add excitement and more diversity to the plot. Themes of friendship, family, and standing up for oneself are seen throughout the story and will help to encourage readers to stand up for what they believe in. With the book’s heavy focus on America’s family and friends’ love and support, readers will recognize that with the support of their own friends and family, they can do anything.

The One has many surprises and a satisfying conclusion. Readers will want to have the first book of Cass’s continuation of the Selection series, The Heir, on hand.  The Heir jumps 20 years into the future, where readers learn more about Maxon, America, and their children.

Language

  • Damn is used twice.
  • Darn is used once. When he proposes, Maxon states that he’s had the ring for a long time and, “I’ve been sleeping with that darn thing under my pillow.”
  • After there is a misunderstanding of whether or not America has seen Maxon without his shirt on, Celeste is upset and yells, “‘You slut!’”
  • Hell is used three times.
  • The king threatens Maxon, saying that he will force America to go home. The king says to America, “I’ll give you some time to find out where you stand. If you won’t do this, then rules be damned, I’ll be kicking you out by Christmas Day.”
  • Maxon describes himself as being “an absolute ass.”

Sexual Content

  • Competition is rising between the girls, and in order to get ahead of one another, they begin to make physical advances towards Maxon. America begins to think about what she’s done with Maxon and is concerned that, “According to the king, the other girls were making advances toward Maxon—physical advances—and he’d said I was far too plain to have a chance of matching them in that department.”
  • America attempts to seduce Maxon by dressing in a revealing dress. After dinner, Maxon comes up to her room to talk. As he comes into her room, “he focused on me, his gaze traveling up my exposed leg.” They sit on America’s bed and talk, as America continues her attempt to seduce him. “Sliding my hands down Maxon’s arms, I guided his fingers to the zipper on the back of my dress, hoping it would be enough.” They talk some more and Maxon eventually leaves the room. The encounter lasts for three pages.
  • After coming up with a plan to make the king like her, America and Maxon kiss. “With an impish grin on his face, he (Maxon) came very close and gave me a long, slow kiss.”
  • In an argument between the girls, America focuses the attention on Celeste by bringing up an encounter where she saw Celeste and Maxon together. America says, “Celeste was half-naked up against him in a hallway!”
  • During an argument between the girls, someone mentions how far they have gone with Maxon physically. Kriss then questions, “We need to clear this up. Who has done what with Maxon?’”
  • As she is recounting the argument with the other girls to Maxon, America explains to Maxon why she mentioned that she had seen Maxon without his shirt on. America states that “‘The girls know I saw you without your shirt on…now they just think we were in the middle of some big make-out fest.’” She continues to explain that, “‘They (the other girls) know I was your first kiss. And I know everything you have and haven’t done with them.’”
  • America walks in on Maxon kissing one of the other girls. America sees “the back of Maxon’s head as Kriss’s hand slid just barely into the neck of his suit. Her hair fell to the side as they kissed, and, for her first, it seemed like it was going really well.”
  • Maxon and America sneak out onto the roof of the castle while it’s raining. “I raised my face to Maxon’s, placing a hand on his cheek, pulling him down for a kiss. His lips, wet, met mine with a brush of heat.” They kiss several times and the kiss is described in detail.
  • Celeste and America discuss Maxon. Celeste says Maxon is “cute. And a great kisser.’”
  • While Maxon and America are in the back of a truck, they “went over a pretty jarring bump, and he grabbed me. I felt our noses brush in the dark, and the urge to kiss him came unexpectedly fast.” Their kissing is described for about a page.
  • America meets a girl named Paige who lives on the streets and makes money through prostitution. Paige explains to America that, “Just this week I found a group of girls. We work together and share all the profits. If you can forget what you’re doing, it’s not so bad. I have to cry afterwards.”
  • Maxon is telling America how he feels about her. Maxon begins to describe his feelings, and “a devilish smirk came to his face. He moved his lips to my ear. ‘I can think of a few other ways to show you how you make me feel,’ he whispered…I trembled as he ran his open lips over a tiny patch of skin, his breath so very tempting.” This encounter lasts for two pages.
  • When Maxon proposes to America, she “laughed in shock and started giving him kisses and giggling between each one.” Their intimacy grows more intense as, Maxon’s “lips traveled down my neck as he loosened his tie, throwing it somewhere near our shoes.” During their encounter, kissing is described in detail and they somewhat undress before stopping. This lasts for three and a half pages.
  • Aspen walks in on Maxon and America sleeping next to each other in bed. Aspen is alarmed and America is embarrassed. Maxon says, “Don’t be embarrassed. It’s not as if we were naked. And it’s bound to happen in the future.”
  • Maxon starts to leave America’s room after talking about their future. Maxon stops as he is leaving and “tackled me (America) on the bed, covering me with kisses.” This scene continues for half a page.
  • Aspen finds America and Maxon sleeping next to each other. Aspen says to America that he, “‘just can’t believe you slept with him.’” However, nothing happened between America and Maxon.
  • Maxon and America kiss after Maxon is shot. Then America “bent to kiss him. It was every kiss we’d ever had, all the uncertainty, all the hope.”
  • After the battle, one of America’s maids, Lucy, goes to find the boy she loves. After finding him in the hospital wing, Lucy “fell into his arms, kissing his face over and over.”
  • Maxon finally gives America a ring after the battle is over. Maxon kisses America, and she “felt my life settle into place.”
  • A girl talks about what the night after Maxon and America get married will be like. She jokes, “‘Wait until tonight.’”

Violence

  • Southern rebels attack them while America and Maxon are outside the castle with their Northern rebel allies for a meeting. The Southern rebels pull guns on them and as they are trying to escape, America is shot in the shoulder. America “looked down, and in the faint glow of a streetlight, I saw something wet coming from a rip in my sleeve. I’d been shot.” The scuffle occurs over three pages.
  • A girl name Paige finds America in an alley after she is shot. Paige explains her story of how she ended up on the streets. Paige said, “Two weeks after Dad died, she (her aunt) started hitting me. I had to sneak food because she said I was getting fat and wouldn’t give me anything to eat.”
  • Southern rebels overrun the castle in an attempt of taking over the monarchy. Many people are injured or killed. America recounts the invasion as she “watched in confusion as a red-marked guard walked up behind Celeste and put a bullet squarely through the back of her head. The screaming and gunfire exploded at once. Guttural shouts of pain filled the room, adding to the cacophony of chairs screeching, bodies hitting walls, and the stampede of people trying to escape as fast as they could in their heels and suits.” This battle lasts for seven pages.
  • During the attack on the castle, Maxon jumps in front of a bullet for America, and it hits him in the chest. America “scurried under the table to find Maxon breathing with great labor, a large red stain growing across his shirt. There was a wound below his left shoulder, and it looked very serious.”

Drugs and Alcohol

  • People are drinking alcohol at a Christmas party. America describes her involvement in the party. “As the relatives started getting tipsy on eggnog, I slipped away, not up to pretending to be jolly.”

Spiritual Content

  • America prays to God after Maxon is shot. She “pinched my eyes together, begging God to keep him alive.”

Supernatural Content

  • None

by Kate Kucker

Game

In this second installment, the basic setup of the story has not changed. It is Jasper hunting a serial killer, this time the Hat-Dog killer who has been terrorizing New York. Jasper is brought on as a consultant by the NYPD. Outside of that story arc Jasper also has to deal with the fact that his famous serial killer dad, Billy Dent, has escaped from prison and is now on the loose!

Seventeen-year-old Jazz, the son of the world’s most prolific serial killer, is called to New York. The NYPD needs Jazz’s help finding the Hat-Dog killer, who has been terrorizing New York. Along with finding the killer, Jazz also must help find his father, Billy Dent, who has escaped from prison.

Jazz brings his girlfriend Connie to help with the case. Soon, Connie is receiving mysterious information about Jazz. Connie drags in Jazz’s friend, Howie. All three teens are trying to help find the killer. To solve the murders, Jazz must work with a hardened New York cop and an FBI agent seeking revenge on Billy Dent. By the end of the novel, Jazz and his friends have only just begun unraveling the mystery of his father, the killing game, and everything involved with the killings in New York.

Game keeps readers’ attention better than the first book in the series, I Hunt Killers. The engaging story gives the perspective of the people tracking the killers as well as the perspectives of the killers themselves. Even with all this information, it’s still a mystery as to what’s going on. Lyga keeps giving almost enough clues to figure out the mystery, but readers just can’t piece it all together.

Unlike the first book, we get a slightly expanded POV cast. Jasper’s girlfriend Connie and his best friend Howie are also featured and have a few mysteries of their own to deal with in their hometown.

One of the novel’s most gripping elements is the number of twists that keep arriving. Similar to the first book, it’s difficult to predict what’s going to happen because of the insanity of it all. Jazz is dealing with serial killers, and their minds are nearly impossible to understand. Each event that unfolds seems like it’s as bad as it gets, but another gruesome murder or unforeseen twist always comes up.

Game features relatable characters; Connie and Howie both face problems with their parents and peers that normal teenagers would go through as well. The novel is an exciting, engaging read with an excessive amount of profane language and gore. The mystery will keep readers interested as they try to understand the clues. Readers will want to use caution since Game is a gory, brutal story told in a fittingly brutal way.

Sexual Content

  • Jazz has recurring sexual dreams throughout the novel that include sentences like, “his fingers glide over the warm, supple flesh. . . his skin on hers. . .”
  • When they were talking, Jazz “kissed the back of [Connie’s] neck.”
  • Connie considers Jazz a, “sexy, brooding boyfriend who didn’t realize exactly how sexy and brooding he was.”
  • Billy has a career of, “raping, torturing, and murdering mostly young women.”
  • Howie orders, “dirty movies on pay-per-view.”
  • Howie thinks that his hemophilia means that girls are, “much less willing to get naked and sweaty with him in the way nature prescribed.”
  • When they are alone in a hotel room, Hughes urges Jazz and Connie to “use protection.”
  • When Connie and Jazz are in bed together, she tells him, “We’re just gonna get real close and mess up one of the beds, is all.”
  • One of the serial killers, “rapes the women, makes up for it by castrating the men.”
  • Jazz wishes, “he’d thought to bring condoms.”
  • Jazz thinks about Billy’s voice, “urging him to sucker Connie’s legs apart and slide between them.”
  • When Jazz and Connie are sleeping together, “he kissed her and she kissed back just as urgently and fumbled with the drawstring on his pajama bottoms and reached for him there. . .” Jazz doesn’t allow it to escalate any further.
  • Connie tells Jazz that she “brought condoms” and “knew [they’d] be alone here.”
  • Connie thinks, “they were ready for the next step, and once she knew that, she was desperate for it.”
  • Connie calls their time in bed together, “a late-night/early morning grope-fest.”
  • Jazz remembers how he and Connie were, “reaching for each other. Familiar touches gone explosively unfamiliar, explosively craved.”
  • Jazz opens his email to find, “spam and porn links from Howie.”
  • Jazz tells Connie, “Your boobs are pretty big.”
  • Howie says he will “sleep with” and “knock up” Samantha.
  • Connie theorizes about a serial killer. “Maybe tough chicks make his little pee-pee hard.”
  • Connie asks that Howie, “stop thinking with the contents of [his] jock strap for a second.”
  • Connie also asks that they, “just stipulate that [Howie] made a killer double entendre with ‘rubbed off.’”
  • Howie makes an innuendo. “Because you know what they say about guys with big feet.”
  • A serial killer has his “underpants dropped to his ankles” and “his turgid junk gripped in one hand and waving proudly.”
  • Hughes tells Jazz, “no one had to clean up [the killer’s] grungy spooge.”
  • Billy asks if Connie likes to “go all ghetto in bed” with Jazz.
  • “Jazz did wonder about Morales’s breasts.”
  • Jazz wonders, “Would it be terribly stereotypical – as a guy and as a potential future serial killer – to steal a pair of used panties?”
  • Howie thinks about, “Billy Dent doing his own sister.”

Violence

  • The book opens with a killer who “decided on the left hip” and “began to carve” a woman he took captive.
  • There are numerous descriptions of violent events, including a killer who, “had removed the eyelids first” and “opened [Jerome’s] gut.”
  • In addition to the actions of killers, gruesome descriptions of dead bodies are provided, including the image of a serial killer reaching into, “a blood-slippery mass of intestines from the thing’s [victim’s] open cavity” and a body “slit open from breastbone to waist, the gaping wound of her gut revealing the shiny-slick loops of intestines.”
  • Howie, a hemophiliac, recounts a time when kids were, “poking bruises into [his] arms.”
  • When a police officer enters their house, Jazz’s grandmother yells at Jazz to “gut him!”
  • Jazz has memories and dreams that involve, “the knife meeting the flesh. . . then parting it.”
  • Descriptions of crime scenes include things like “lots of mutilation” and “maiming,” as well as more specific details like “disemboweling.”
  • Jazz compares serial killers to Jeffrey Dahmer- “drilling holes in the heads of corpses in an attempt to make sex zombies.”
  • A victim has, “her throat slit with a precision Jazz couldn’t help but admire.”
  • Multiple victims’ “genitals had been excised.”
  • “A crude dog had been carved into [a victim’s] shoulder.”
  • “Slashing wounds gave way to multiple stab wounds, choking, and – later – disembowelment.”
  • When comparing two rape scenes between a “hat” killer and a “dog” killer, an “ME found less vaginal tearing and few bruises than the hat.”
  • A serial killer “killed,” “gutted,” and “de-eyed” one of his victims.
  • An ME describes how a victim has “been enucleated,” which he explains, “means her eyes were taken out.”
  • An ME recalls a story where “some toes were missing and we found them in the victim’s throat.”
  • A killer “leaves their [his victims] guts in a KFC bucket.”
  • Jazz is shot, and there is a descriptive scene where “blood had matted around the wound,” and pours bleach “right on the wound… to clean it.”

Drugs and Alcohol

  • Jazz says that Billy inhaled “a pot smoker’s hearty toke.”

Language

  • There is a large amount of profanity in the novel, including: dumbass, hell, damned, bastard, jackass, freaking, mofo, crap, smartass, poop, dyke, bastard, fucking, pissed, hardass, bitch, BS, goddamn, moron, and sumbitch.
  • “We have every terrorist in the world gunning for this city . . . You want to know how many of them have succeeded? I’ll give you a hint: It starts with Z and ends with a fucking zero.”
  • Connie says, “Jesus, Whiz. Talking to you is better than yoga sometimes.”
  • Connie threatens Jazz by saying, “I’ll kick your ass so hard you’ll poop from the front.”
  • Jazz offers to let Howie, “tattoo [his] freakin’ ass.”
  • Hughes says that Morales is “a dyke, you know.”
  • Howie thinks of himself as a “stupid, joking, horny, useless bleeder.”
  • One of the serial killers refers to women as “whoresluts.”
  • As he attempts to heal a bullet wound, Jazz yells, “Oh, Jesus Christ!”

Supernatural

  • None

Spiritual Content

  • Samantha claims, “There isn’t a hell in the universe hot enough for [her] brother.”
  • Whiz reminds Connie not to take “the Lord’s name in vain.”

by Dylan Chilcoat

 

Edge of Flight

The boxes are packed. Tuition has been paid. But before Vanisha leaves, she wants to go rock climbing with her friends one last time. So far, she has been unable to complete the Edge of Flight, the toughest rock climbing route Vanisha has ever faced. This time, she’s determined to make it up the cliff.

When Vanisha and her friends, Rusty and Jeb, set up their campsite, they discover an illegal marijuana grow. When Jeb decides to explore the marijuana field, a group of bikers discovers him. When Jeb is shot, he needs immediate help. But the bikers are looking for the kids. In order to save her friend, Vanisha must conquer the Edge of Flight, hike into town, and avoid unexpected dangers. Can Vanisha overcome her fear to save her friend?

Edge of Flight is not only about rock climbing, but also about teens making decisions about their future. Vanisha plans to attend college in the fall; however, she is unsure of what she wants to do. Through her experiences, she learns, “You’ve got to take one road or the other. You’ve got to decide. And no one can decide for you. It’s your decision. Because it’s your road. You’re the one who has to walk it. Not your mom. Not anyone else.” The story has a positive message about discussing your dreams with your parents, but also the importance of making decisions that are best for you.

Vanisha’s college conflict will resonate with many high school students. The easy-to-read language, straightforward plot, and short length will appeal to reluctant readers. However, those not familiar with rock climbing may not understand all of the terminology without the aid of the glossary, which is at the back of the book. Although the story should be suspenseful, the character development is lacking, which makes it difficult to connect with Vanisha and her friends. Confident readers should skip Edge of Flight and instead read Jaimet’s other book, Endangered: A Death on a Deadline Mystery, which is an excellent mystery.

Sexual Content

  • None

Violence

  • Jeb goes to explore an illegal marijuana grow and someone shoots at him. “Another shot rings out. Jeb stumbles and crumbles to the ground.”
  • A group of men is at a campsite drinking beer, and they smash Jeb’s truck with a tire iron.
  • A man grabs Vanisha. “He laughs, his breath hot in my ear, and drags me towards the campsite.” Vanisha’s friend tries to help. A short fight ensues, and someone pulls a hunting rifle on the group. No one is injured.

Drugs and Alcohol

  • Vanisha and her friends come across an illegal marijuana grow. The experience makes Vanisha wonder if she can trust her friend. She wonders, “What if he’s got a stash of weed in his glove compartment, or hidden under a seat? What if he’s got a couple of cans of beer hidden among all of the junk in the back of his trunk?”
  • A woman tries to help Vanisha. In order to get around the men, she tells Vanisha, “Honey, if I know them boys, they’re already drunk and stoned already. They’ll pass out eventually. I’m just gonna help them along with a little home brew and Southern charm.”

Language

  • A boy says “‘scuse my dumb ass for livin.’”
  • “Sweet Lord Jesus” is used as an exclamation once.
  • A boy calls his friend a moron.
  • A man is “pissing against” a truck.

Supernatural

  • None

Spiritual Content

  • None

Blue Water Hues

Paramedic Ashley Grant moved to a Caribbean island hoping for a laid-back life. When Ashley responds to a fire at a beach resort, she recognizes the victim. The victim’s cousin, Darlene, pleads for help. But there are people who don’t want the two women asking questions. As Ashley learns more about the murder, she becomes a target herself. Will Ashley be able to learn the truth or will she be silenced forever?

 Blue Water Hues is a solid mystery that takes the reader into the heart of Ashley’s investigation. Darleen takes Ashley around the small Caribbean island where Ashley finds plenty of people to question. The fast-paced story keeps the reader guessing until the very end. Many of the characters are fearful, and they do not want Ashley digging into the murder. This fear adds suspense and leaves the reader guessing until the very end.

 Blue Water Hues is part of Orca Publishers Rapid Reads collection. Readers who do not have a lot of time will find the story’s straightforward plot, easy vocabulary, and interesting characters the perfect fit. Since the story is only 160 pages, the characters are not well developed. However, the mystery drives the story and will keep the reader entertained.

Sexual Content

  • A customer was angry that it rained during his vacation but still had to pay the hotel bill. He posted a “review that said the maids were servicing customers in guests’ beds.”

Violence

  • A woman is murdered, but her death is not described.
  • A man is shot in the chest and his chest, “was drenched in blood.”

Drugs and Alcohol

  • Ashley goes to a house where, “men stood on the porch, drinking from cans of beer.”
  • Ashley goes to a restaurant where “four men . . . had a pile of beer bottles collecting in front of them.”
  • Ashley goes out to dinner and has a glass of wine. A man at a table next to Ashley complains about the wine.
  • A group of people goes out to dinner and a man orders a beer.

Language

  • Heck is used twice.
  • Someone says a man is, “a mean son of a bitch.”
  • Someone asks, “What the hell is going on with her, man?”

Supernatural

  • None

Spiritual Content

  • The town only has one ambulance, and the drivers, “pray it doesn’t break down.”
  • An ambulance worker is going to be late for a date. He tells his partner, “My date doesn’t mind waiting. She knows I’m doing the Lord’s work.”

 

I Believe in A Thing Called Love

Desi has a plan for everything. With a plan, anything is possible. That’s how she became the student body president and a soccer star. That’s how she’ll get into Stanford. Desi knows how to plan. She knows how to study. But, when it comes to boys, Desi is a flailure. “Flirt + failure = flailure.”

Desi is a disaster at romance. But when a hot art student moves to her school, Desi decides she wants to capture his attention. After watching Korean dramas, Desi realizes that love is, “like a freaking equation!” Desi is determined to be like the K drama’s unlucky heroine, who always ends up with her true love. Desi follows her, “K Drama steps to True Love,” and goes after the moody, elusive artist Luca Drakos. After a boat rescue, love triangle, and staged car crash, will Desi end up in the arms of Luca?

I Believe in A Thing Called Love will capture the reader’s heart from the first chapter. Told from Desi’s point of view, readers will laugh at Desi’s crazy antics, understand her insecurities, and root for her as she goes after the guy of her dreams. Desi wants to control everything, but this smart nerdy girl is hilariously clueless when it comes to boys. Desi isn’t portrayed as a stereotypical smart girl; she also isn’t perfect, and Desi’s imperfections make her even more lovable.

Desi has a strong and warm relationship with her father. Despite the fact that he is a mechanic and often has grease-stained hands, despite his imperfect English, and his love for watching K dramas, Desi is never embarrassed by her father. Desi’s father isn’t just a background character, but a well-developed part of the story. Desi’s father understands her quirks but doesn’t try to change her. The readers will appreciate the scenes with Desi and her father just as much as the failed romance scenes.

I Believe in A Thing Called Love isn’t just a typical teen romance. Through Desi’s experiences, readers will learn valuable lessons. When Desi is afraid that she is acting weird, Luca tells her, “Everyone’s weird, though. If you’re not even a little weird, you are truly weird. In a bad way. Not in the good way.” When Desi thinks about giving up on love, her father tells her, “You cannot control who you love, Desi, but you can always control how hard you fight, okay?” In the end, not all of Desi’s plans work out and despite the pain of failure, Desi knows life can still be good.

Do not pick up I Believe in A Thing Called Love unless you have time to finish the book because once you pick it up, you will not want to put it down. I Believe in A Thing Called Love takes a humorous look at first love and will leave readers with a smile. Desi is a heroine that will not be forgotten easily. The story ends with a list of K dramas that readers may want to watch. And after seeing Desi put the K drama’s love formula to the test, readers may also become hooked on K drama’s themselves.

Sexual Content

  • Desi thinks back to fourth grade when “a boy asked me if I want to look at his ‘special’ books and I told him I wasn’t allowed to look at pornography. Turns out it was comic books and he didn’t even know how boys were made yet. I was the fourth grade perv.”
  • Desi thinks about how Korean romantic comedies are different than in America. One difference is that “in American shows, the leads would barely blink twice before jumping into bed.”
  • Desi tells her friend, “I’m not an experienced seductress who like, has men drinking champagne from her high heels.”
  • Desi’s friend tells her, “I, too, think one should get laid before entering college.”
  • When Desi talks about her crush, a friend says, “I don’t want to see flailure heartbreak. I was hoping it was just you needing to round out your high school years with a good old-fashioned devirginizing.”
  • Desi goes to a “sex party” that was, “fertile ground for hooking up. . . there were rooms for spin the bottle and seven minutes in heaven.” Desi goes into the seven minutes in heaven closet with a friend. They just sit around and look at their phones.
  • Desi wonders, “Was everyone having sex but me? God.”
  • Desi’s friend Fiona is a lesbian, who has dates with a lot of girls. “Girls lined up for Fiona every year. Sometimes it was the classic bad-girl type and they’d make out rebelliously in the hallway at school.” The story talks about how her family reacted when she came out. “Her family eventually recovered, although they still weren’t thrilled with her active love life. I’m pretty sure that would have applied to boyfriends, too, however.”
  • Desi and another girl see Luca kissing a girl.
  • Desi thinks Luca is going to kiss her. “His eyes met mine and suddenly. . . suddenly it felt real . . . This was it. Kiss time. Holy crap. A wave of heat passed between us—the vibrations of our bodies’ atoms and molecules transferring heat. . . And then he blinked.”
  • Luca and Desi kiss. “Lips met mine, soft, a little chapped, and warm. My eyes were open in true K drama heroine fashion.”
  • Desi, “brushed my lips against his. Soft and a bit hesitant. And he kissed me back just as softly, with a little pressure at the very end.”
  • When Luca picks Desi up, he quickly kisses her. “My skin buzzed, every part of me awake and alive.”
  • When Luca finds out he got a scholarship, Desi and he begin jumping around. “Then suddenly we weren’t jumping anymore—just a whole lot of kissing.”
  • Desi and Luca kiss. “He strode over, pulled me into his arms, and kissed me. Not a gentle, sweet kiss—but an urgent one.”

Violence

  • Desi thinks back to first grade when, “I kicked my first crush, Jefferson, in the nuts during taekwondo class, and he had to be taken to the ER.”
  • Luca covers Desi’s mouth so she will be quiet. She, “responded by biting his gloved hand. I tasted rubber. He yelped and let go of me. . .”

Drugs and Alcohol

  • After binge watching television series all weekend long, someone asks Desi, “What! Are you on speed?”
  • When Desi is at home, her dad took, “a sip of beer.”
  • Desi and her friends go to a “sex party” where there is alcohol.
  • Someone asks Desi, “Are you high?”
  • Someone is upset that Desi didn’t want to be her friend. The girl says, “You would never talk to art freaks who smoked pot.”
  • Desi and her friends go to the beach and her friend, “took a swig of beer.”

Language

  • Profanity is used often. Profanity includes ass, bitch, bitchiness, badass, bullshit, crap, dang, damn, douche, f-ing, hell, holy shit, freaking and shit.
  • Pissed, motherf-ing and fuck are all used once.
  • Oh my god, God, Oh Lord, Oh Sweet Jesus, and Jesus are often used as exclamations.
  • Desi thinks, “I might be a flailure in love, but I was the motherf-ing boss of studying.”
  • Someone asks a boy, “Why do you even hang out with a bunch of girls, anyway, you caveman douche.”
  • When someone suggested getting a hummer limo for prom, Fiona says, “I’d rather eat dick.”

Supernatural

  • None

Spiritual Content

  • None

Atlantia

The underwater world of Atlantia has been Rio’s home forever, but she dreams of living in the Above. When Rio has the chance to choose where to live, she wanted to choose the Above. But when her mother dies everything changes. Rio knows she must stay in the Below with her sister Bay. But when the day to choose comes, Bay makes the unexpected decision to go Above. Rio is stranded in the Below with no family. Now Rio only has questions. Was her mother murdered? If so, who wanted her dead? Why did Bay choose to go to the Above?

While Rio searches for her answers, she must hide her own secret. She has always hidden her powerful siren voice. When Rio’s estranged aunt Marie suddenly takes an interest in her, Rio wonders if Marie has discovered her secret. Can Marie be trusted to help Rio go Above, or will Marie lead her into danger? Rio hopes that Marie can answer her questions, but soon she learns that Atlantia’s history is more complex than the people have been told. Rio must listen to the voices of the past. And in the process, she hopes to save herself and her city.

The world of Atlantia is described in beautiful detail; however, the descriptions of a complex religion and history of the city make the beginning of the story slow. Although Rio is an interesting character, many may have a difficult time relating to her. When her sister Bay leaves to go to the Above, Rio is devastated and only thinks about how to join her sister in the Above. Because Rio had always planned to leave her sister, her motivation for going Above doesn’t ring true.

Atlantia is full of mystery, intrigue, and a dash of romance. Told from Rio’s point of view, readers get a look into what the world could look like if people destroy the land above the sea. Through Rio’s experiences, the reader will learn several positive messages including the importance of speaking up for yourself and others. Rio learns that many of the problems between the Above and the Below come from misunderstandings and fear. “People fear those who are different when really we are so much the same.” Rio realizes that “in order to save our city, we have to love each other more than ourselves.”

The ending of the story leaves a lot of unanswered questions, but it also has several surprises. Readers who want to read about mermaids should leave Atlantia on the shelf. Even though the story has sirens, the sirens are humans with a voice that can control people. If you enjoyed Ally Condie’s Matched series, and want to read more from the same author, just be aware that Atlantia is lacking the same action and suspense that makes the Matched series so enjoyable. Readers will either love or hate Atlantia. Some will find the slow pace and the lack of character development frustrating. However, others won’t be able to put the book down because of the mystery and the interesting premise.

Sexual Content

  • Someone saw Rio’s sister kissing a boy. The person said, “I don’t want to speak for them. But yes, it did seem like there was something between them. Something real.”
  • True kissed Rio. “Right here under the trees, right here on my lips, and then on my neck, his fingers strong on my back, pulling me hard and close to him. . . He is good at this. I am good at this. We are good at this.”
  • Rio and True are on a gondola when “true’s lips brush against mine and I kiss him back. We hold each other tight. Earlier, under the trees, we were hungry and relieved to touch each other. We are still hungry.”
  • Rio and True kiss. “True’s lips skim my cheekbone and then he finds my mouth and I kiss him back, reaching to touch the beautiful planes on his face.”

Violence

  • Marie tells a story about two siren sisters who fought in the temple. Their voices killed some of the worshippers who, “fell with blood streaming from their ears and terror in their eyes.” Because of the sisters, the Counsel put the sirens under their governance. One of the sisters didn’t agree with the new rules and committed suicide by drowning, “herself in the wishing pool.”
  • Rio’s mother was killed by the Counsel. The members, “called her in for a meeting. When she arrived, they gave her something to drink, as was the custom, and they had each put some of the poison in her cup. They all did it.”
  • When a transport takes a group of sirens to the Above, they are killed. “Another siren starts to run. Before she’s taken more than a few steps, the people in the boats shoot her down too. . . She doesn’t even breathe, only bleeds.” The scene takes place over several days.
  • One of the leaders of the Above is killed. The murder is not described but Rio sees the body and the “wild hair and his poor, dead face. I put my hand on his chest, but I feel no rise and fall, no heartbeat.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The gods gave Atlantia a miracle by sending sirens, people who can use their voice to control others. “There have never been two sirens from the same family line. We’ve always believed that the siren voice was a gift from the gods, not simple genetics. In order to be a minister, a person must show that they “cannot be swayed by sirens. They are chosen, in part, for their ability to resist.”
  • Marie, a siren, has the ability to communicate through a shell. She gives Rio a shell and tells her, “all you have to do is ask a question into that shell and then listen for the answer to come back to you.” Marie can also record voices into the shell, but the voice can only be used once.
  • Marie can, “hear voices from people who are gone. Who died hundreds of years ago. I hear voices in the walls of Atlantia, especially siren voices. They’ve been saved up, embedded in the walls.”
  • One of the characters can tell if a siren is telling a lie. “If I listen closely, I can hear something in their voices when they’re not telling the truth. It sounds like the wrong note in a song.”

Spiritual Content

  • Atlantia’s gods are the same gods as the ones above, but they take different shapes. When the people came to Atlantia, the leaders, “assigned land-animal faces and bodies to the gods for those of us who worship Below, and sea forms for those Above.”
  • The Atlantia religion was, “agreed upon by the sirens and the people together. They studied old histories. They learned about the gods. And then they shaped it all to fit the way their lives were. The Counsel took our religion to the Above, and the Above began to believe as well.”
  • The people of Atlantia are taught that those who live below have a “short life, illness, weakness, and misery. . . It is fair. It is as the gods decreed at the time of the Divide. Some have to stay Above so that humanity might survive Below. . . Thanks to the gods for the sea where we live, for the air we breathe, for our lives in the Below.”
  • Rio’s mother told her that, “some people say that the sirens are miracles, not people. . . Can you imagine believing such a thing? People can be miracles.”
  • Rio’s mother told her, “The gods know everything. . . They know how difficult this is. And they are pleased with you.”
  • Rio’s friend said, “I believe in them (the gods) so much that I don’t think they need statues everywhere to be powerful.”
  • When a portion of Atlantia has to be sealed off, many people die. Rio prayed, “and it’s not to Efram or any of the tiger gods, or any of the gods at all. It’s their faces I picture; it’s hers. My mother’s.” Later, Rio again prays to her mother and the gods.
  • Some people worship Rio’s mother and light candles for her.
  • Rio learns that “the temple, the gods, all of it, was a façade, a conceit. It was a way to make things more beautiful. . . No one thought of the gods as gods. They thought they were gargoyles. Decorations.” But later, the “people came to believe.” Later Rio wonders what it would be like to fashion your own gods.
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