Reading Level: Junior High

When Elephants Fly

Lillian has a plan. No boys, no stress, and no drinking. In fact, Lillian’s entire life revolves around a plan that avoids any sort of stress that could trigger schizophrenia. Schizophrenia runs in Lillian’s family; it drove her mother to throw Lillian off a roof when she was just a child. While Lillian’s plan to avoid stress seems like a good idea, Lillian’s best friend Sawyer worries she is letting life pass her by.

But Lillian doesn’t mind. That is until her job at a newspaper requires her to cover the birth of a baby elephant. The baby elephant, nicknamed Swifty, is rejected by her mother shortly after the birth and is nearly trampled to death by her mom. Due to their similar plights, Lillian finds herself drawn to Swifty and filled with a need to protect the baby elephant. But will saving Swifty cost Lillian her best friend, her freedom, and her sanity?

Throughout the story, Lillian struggles between taking the easy route to preserve her sanity and risking everything to save Swifty. The bond between Lillian and Swifty allows the reader to become emotionally concerned about Swifty and care about her well-being. The end of the novel suggests that it’s okay and even right for Lillian to risk her health and break the law in order to protect Swifty, despite the fact that she goes against the advice of adults with much more elephant experience than her. In the end, Lillian perseveres due to her unconditional love for Swifty.

When Elephants Fly has a delightfully original plot. It’s filled with facts about both elephants and schizophrenia that are conveyed to the reader in a way that meshes well with the storyline and doesn’t come across as obtrusive. The characters are unique but shallow. The original premise of the story will keep readers turning the pages. The lack of descriptions in When Elephants Fly may disappoint older readers; however, for readers just graduating to the YA level, this story is sure to delight with its many twists and turns.

The story touches on some difficult topics, including mental illness, genetics, family trauma, friendship, and animal rights. Although the author attempts to educate readers about schizophrenia, she unfortunately allows readers to believe that mental illnesses can be prevented–which is not the case. Flashbacks are scattered throughout the story, allowing readers to get a glimpse into Lillian’s thinking process as well as her increasingly unsteady mental health. Although When Elephants Fly has an interesting premise, readers will notice that some of the plot points are unrealistic, the romance is forced, and the characters are underdeveloped. Despite the book’s flaws, anyone interested in mental health or animal abuse should read When Elephants Fly.

Sexual Content

  • Lillian wants “to at least be kissed by someone other than John Jensen in the tunnel of love. We were ten and I let him cop a feel of my nonexistent boobs.”
  • Years ago, Lillian’s grandparents wrote a letter to Lillian’s parents begging them to abort her. Her grandparents were certain the stress of becoming a mother would trigger their daughter’s schizophrenia.
  • Lillian has a plan for a stress-free life to avoid triggering schizophrenia. That includes no sex. At one point, she sees a guy who is “cute in a hipster kind of way. I’ve taken a vow of celibacy for the next twelve years, but I can still look.”
  • Lillian thinks about a schizophrenic girl who “had hallucinations that she was having sex, all the time, day and night, fully clothed. Three years after her first episode, she’d attempted suicide twice, was addicted to cutting and lived in her stepmother’s basement.”
  • Lillian accidentally sees Otis skinny-dipping and remembers skinny-dipping with her best friend Sawyer. “Otis is naked . . . I should look away, but I don’t. It’s not the first time I’ve seen a naked guy. I mean, I’ve seen Sawyer plenty of times. We skinny-dip in his pool late at night when his parents are away or asleep. But it’s the first time I’ve seen a naked guy who doesn’t know I’m watching him. Technically, that’s uncool. But my eyes still travel from his broad shoulders to his lean waist, pretty much perfect butt and muscular legs.”
  • Lillian and Otis almost kiss. “Our lips are inches apart. His fingers drift down to trace my collarbone . . . Our lips brush, soft, fleeting. His mouth travels along my neck. Everywhere he touches comes alive.”
  • Otis says, “When I was seven, one of the workers took an interest in me. I was the kind of kid pedophiles target . . . One night I was sleeping outside Tambor’s pen. I woke up to the guy unbuttoning my jeans. Nothing happened. But it was heading that way.”
  • Lillian and Otis kiss. “It’s my first real kiss . . . Otis pulls back, runs his thumb over my lower lip. My skin is alive for the first time in my life. It’s like being woken up after eighteen years of trying to feel nothing.” They kiss several more times.
  • Lillian and Otis undress, but are interrupted before they can sleep together. “He cups my breasts, his thumbs instantly making my nipples insanely sensitive. He draws me onto his lap so that I’m straddling him, and I can feel how much he wants me. . . He slides me beneath him then bends, lips tasting the curve of my breasts, tongue teasing my nipples until I shiver from the sensation.”

Violence

  • Lillian thinks about examples of schizophrenic behavior often. “I mean like hearing a man’s voice telling you to drive your car into a group of little kids, watching your best friend’s face morph into a monster or people screaming so loudly in your brain that you consider taking a hammer to your own head to crush the voices.”
  • Lillian remembers her schizophrenic mom’s erratic behavior. “If she hit me, five minutes later she’d wonder about a red mark or bruise, then kiss it to make it better.”
  • Lillian watches an elephant give birth. “In a single breath the sac expands then Raki’s calf drops to the ground. There’s a gust of fluid followed by a stream of bright red blood that paints the insides of Raki’s legs crimson.” To make her baby elephant take its first breath, the elephant mother “kicks the newborn with her back leg—hard enough to move it several feet. The calf doesn’t react. Raki kicks it again. . . Finally, its dark eyes blink then remain open.”
  • Lillian thinks about a girl on YouTube with schizophrenia. The girl’s worst hallucinations “included seeing the lower part of her face in bloody tatters each time she caught her reflection in a window or mirror.” Another schizophrenic kid had “voices in his head that told him every single day to kill himself before someone else did it for him. His birthday was March 17 and he didn’t post that day, or ever again.”
  • When Lillian hears that her best friend’s dad is being a jerk, she thinks, “I want to drive over to Cushing Stafford Thompson’s mansion and light it on fire with him inside.”
  • The zoo director tells Lillian about the first orphan elephant she met. “He was found on the Masai Mara standing beside his dead mother. She’d been killed by a poacher’s poison spear. Her tusks had been sawed off, leaving gaping, bloody wounds.”
  • An elephant mother rejects her calf and attacks it. “With an earsplitting trumpet, Raki charges her calf and head-butts her in the torso so hard that Swifty Jones flies several feel through the air, hits the ground, rolls. Raki kicks her repeatedly, her body flipping down the length of the room until she’s ten feet from us. The calf is motionless, her eyes closed.”
  • Otis gets into a fight with his brother. “Howard’s backhand comes out of nowhere, like a bear attack. It catches Otis in the jaw, snaps his head sideways. He doesn’t go down but it’s close. Despite the blood on his lower lip, Otis keeps his hands balled at his sides.”
  • Otis confesses that his brother killed someone. “Howard stabbed the guy twenty-two times. I can still hear the sound of the tines going through skin, muscle, hitting bone.”
  • Lillian’s mother “committed suicide in prison.”

Drugs and Alcohol

  • Jonah, a student at school, “told his dad that there was a keg at a preseason track party. His dad called the principal. Jonah is now a pariah.”
  • Lillian walks in to find her dad “drinking Scotch. By the half-empty bottle on the counter and the bleary look in his eyes, he’s had way too much. I haven’t seen him drunk in a long time, not since the last few months with Violet.”
  • Lillian’s dad leaves a voicemail. “I heard ice cubes in the background. Calvin was drunk again.”
  • It’s mentioned in passing that Sawyer’s mom “eats [Xanax] like candy,” though it’s never shown.
  • A circus worker mentions that he is on probation for “Drugs. Got hooked. Made some stupid choices.” Later it’s revealed that he “got hooked on heroin when he was thirteen, [then] switched to meth because it was cheaper.”
  • Lillian sees a circus worker drunk. “The way he’s moving reminds me of my dad when he’s had too much Scotch. What the hell is going on? Why is Howard working with the elephants when he’s been drinking?”

Language

  • Hell and damn are used frequently. Lillian’s boss tells her, “Get the hell out of my office.” Another time Lillian asks, “What the hell is wrong with you?” During an argument, Lillian’s dad says, “Dammit, how can you even remember?”
  • Ass, pissed, and crap are used often. For example, “Howard stares at his brother like he’s a total ass.” A worker tells his friend to “stop flirting and get your ass in the truck.” Another time, Sawyer’s mom tells her son, “What’d you expect? You pissed him off, dear.” Lillian said her dad “took a massive crap” on one of her ideas.
  • Shit is used frequently. After watching an elephant give birth, the zoo director tells Lillian, “Holy shit! You’re white as a ghost.” Another time, Lillian calls “Bullshit!” during an argument with her dad.
  • Fuck and motherfucking are used several times. Lillian’s best friend tells her “fuck you.” A woman says if a man wants to know if she is single, “he should fucking ask me himself.”
  • Bitching and bastard are both used a few times. “Matthews is bitching about video, though. It better be attached to your next article.”
  • Prick is used once. A man says, “Tiger is willing to risk her future for what she believes in. What we should all believe in, if we’re not callous, inhumane pricks.”

Supernatural

  • None

Spiritual Content

  • None

 

Survival Tails: The Titanic

Mutt loves his human girl, Alice. When he discovers that his owner and best friend, Alice, plans to sail to the new world on the Titanic without him, he’s determined to find a way on the ship. Mutt is terrified of the water, but he won’t let an ocean separate him from Alice. A friendly rat, King Leon, helps Mutt sneak aboard the ship. But it isn’t long before the captain’s cat, Clara, discovers the stowaways. Reluctantly, Clara agrees to help Mutt find Alice. But first, Mutt must agree to look after three abandoned kittens that Clara found in a lifeboat.

A mangy dog, a friendly rat, and a pamper cat work together to stay hidden from the humans and keep the kittens alive. But when the unthinkable happens and the so-called unsinkable ship hits an iceberg, Mutt and his new friends have to race against the clock to find their humans—and to survive.

Survival Tails: The Titanic takes the reader on a trip back in time when everyone thought the Titanic was unsinkable. Told from Mutt’s point of view, the story takes a unique look at the ship through the eyes of animals. For the stowaway animals, life on the Titanic is dangerous. Not only do they have to scrounge for food, but they also have to avoid the humans who most likely would throw overboard. As the story unfolds, readers will fall in love with each animal, whose unique personality comes to life. Even though the animals could have easily become enemies, they unite to form an unlikely friendship that puts the kittens’ needs above their own.

Suspense builds from the very first page and ends with the heart-wrenching sinking of the Titanic. The story contains pockets of humor and has three black and white pictures that help bring the scenes into sharper focus. The animal’s loyalty to each other and their humans is heartwarming. However, Survival Tails: The Titanic doesn’t shy away from showing the discrimination between the first-class passengers and the third-class passengers. In the end, it didn’t matter what class a person was. When the Titanic was sinking, the passengers realized, “in the end, few things truly mattered.”

Survival Tails: The Titanic uses a unique point of view to create a suspenseful, beautiful story of friendship and love. Even though the story focuses on the animals, it stays loyal to the historical facts of the Titanic. Although the sinking of the ship is described in a kid-friendly manner and the death of people is never described, the ending is heart-wrenching and will have readers crying as several of the characters they loved are doomed to death.

Readers who have read The Last Firehawk series may be tempted to pick up Survival Tails: The Titanic because they share the same author. However, The Last Firehawk series is intended for a younger audience. Younger readers may not be ready for the intense events portrayed in Survival Tails: The Titanic. At the end of the book, readers will find a glossary, as well as more historical information about the Titanic. Everyone who enjoys a suspenseful animal story should read Survival Tails: The Titanic; the characters will leave a lasting impact on readers and make them think about the nature of friendship.

Sexual Content

  • None

Violence

  • When Mutt was trying to get onto the Titanic, a woman sees Mutt and, “let out an ear-piercing shriek as Mutt peered sheepishly back up at her. She swung her handbag, hitting Mutt full-force in the head before he had a chance to scarper. With a low whine, Mutt turned and ran as fast as he could. . .”
  • Mutt tries to steal an abandoned sandwich from a plate. Mutt’s friend tried to warn him, but “before Mutt could figure out what had King Leon spooked, he heard an almighty screech. Razor-sharp teeth clamped down on the end of his tail. It was all he could do to not howl and give himself away to the nearby humans.”
  • Mutt, King Leon, and three kittens sneak into the kitchen to try to eat scraps of food. When the humans returned, “they took one look at the dog, rat, and three kittens eating their food and ran at them, screaming and shouting. . .” The animals run and Mutt ducked “as one of the humans swung an empty frying pan at his head. . . The man spun around and around, trying to catch on of the furry blurs, until he became so dizzy he fell over, crashing not a pile of crockery, which smashed to the floor.” The animals are able to escape.
  • When the Titanic was sinking, an officer was trying to load a boat with women and children. A group of men tried to “push past and swarm the lifeboat, which was already swinging precariously out over the water. A woman screamed, and before Mutt knew what was happening, an earsplitting gunshot rang out as an officer fired his gun in the air, silencing the crowd.”
  • When Mutt is in the ocean, a man grabs onto his tail. “Water closed over his head as Mutt sank beneath the surface. His lungs screamed with the desperate need for air as he kicked his legs wildly. . . But the man still would not let go, so Mutt did the only thing he could, hoping it might save them both. Mutt turned and sank his teeth deep into the man’s hand, yanking it upward in the direction of the surface. The man immediately released his grip and swam back up the surface.”

Drugs and Alcohol

  • When Clara was walking along the boat’s deck, she saw a group of men “playing cards and drinking in the smoking room.”
  • When the Titanic hit an iceberg, some of the men “were drinking whisky and smoking cigars as though they hadn’t a care in the world.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • As the Titanic was sinking, Mutt walks by a “group of humans standing before a man dressed in a black robe, like the reverend at Alice’s church. Their eyes were closed and they knelt on the deck, listening to the man’s prayers, even as chaos erupted all around then.”
  • Mutt isn’t sure if he should jump into the water or stay on the sinking ship. As he considers his options, “The Titanic ripped apart into two halves. As the stern started to fall back toward the water, almost in slow motion, Mutt recalled a prayer that Alice’s mother used to make Alice recite every night before she went to bed. He didn’t’ know much about what it was for, or why she did it, but it seemed to bring Alice’s mother comfort.

Phoebe and Her Unicorn in Unicorn Theater

Summer is here, and Phoebe and Marigold are heading to drama camp. Phoebe’s expecting some quality time with her best friend, but in a surprise twist, Marigold has invited her sister, Florence Unfortunate Nostrils! While the unicorn sisters head to camp in a magical rainbow pod, Phoebe is stuck riding with her parents in their boring car, wondering where it all went wrong. But at Camp Thespis, there are more daunting tasks at hand: writing, producing, and acting in an entirely original play! The second Phoebe and Her Unicorn graphic novel is a sparkling tale of sisterhood and summer fun, as well as a reminder that sometimes it takes a bit of drama to recognize true friendship.

Much of the humor revolves around Marigold, who is completely self-centered and obsessed with her own beauty. However, it is clear that Marigold cares about Phoebe. Based on the two friends’ relationships, readers will learn important lessons about friendship. In the end, Phoebe and some of her drama camp friends put on a play that highlights the importance of not being self-involved and not letting a fight go unresolved.

The easy-to-follow panels have simple artwork with bright colors. The character’s facial expressions will help younger readers understand the character’s emotions. Each page has six or fewer sentences and some panels contain no words at all, which makes the story accessible to reluctant readers. Both the vocabulary and the plot structure are easy to understand.

Unlike some of the previous books in the series, Phoebe and Her Unicorn in Unicorn Theater tells one story throughout the book. Even though the story is the second graphic novel, for maximum enjoyment readers should read the previous books because the story refers to characters and events that happened in previous books. Phoebe and Her Unicorn in Unicorn Theater shows how the characters have matured and changed over the course of the strip.

Anyone who has ever had a fight with a friend or who has felt socially awkward will relate to Phoebe. Phoebe and Her Unicorn in Unicorn Theater will be a hit with readers who want a humorous, fun story about friendships and unicorns.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The 13-Story Treehouse: Monkey Mayhem!

Andy and Terry write books together while they live in every young boy’s dream—a 13-story treehouse! The treehouse is the most amazing treehouse in the world—complete with a bowling alley, a see-through swimming pool, a marshmallow machine that follows you around and shoots marshmallows in your mouth, a secret underground laboratory, swinging vines, a tank of man-eating sharks, and an endless lemonade fountain. It seems like the fun never ends for Andy and Terry.

But when faced with a range of slapstick scenarios, they soon realize they still have not finished their next bestselling book. With the threat of going back to their atrocious old jobs, they must bond together as they fight off a pack of wild monkeys, a giant gorilla, and a sea monster while writing their next book before their deadline. Will Andy and Terry succeed or will they be forced to go back to their old jobs – at the monkey house?

Griffiths and Denton created a silly, funny, and ridiculous story that readers will laugh at from beginning to end. The book also teaches readers about the importance of friendship. Andy and Terry demonstrate the importance of friends working together in order to solve problems. Without each other, they would not be able to survive a giant gorilla, a sea monster attack, or even write a book. Also, the funny black and white illustrations contribute to a positive reading experience and will help engage even the most reluctant readers.

Even though the story is funny, much of the humor comes from bathroom jokes and immature humor. Many of the jokes are inappropriate for young readers, and sometimes the jokes can be cruel and inconsiderate, such as when Terry painted Jill’s cat bright yellow without telling her. These jokes can leave a bad impression on a young audience. Readers will either love or hate The 13-Story Treehouse. Some will find the story laugh-out-loud funny while others will find the repetitious nature of the story and Terry and Andy’s jokes crude and annoying. But in the end, readers who want a story that’s ridiculously outrageous should pick up The 13-story Treehouse.

Sexual Content

  • Terry and a mermaid kiss so he can become a merman.

Violence

  • After fighting about Terry’s new invention and their new giant banana, Terry whacks Andy over the head with the banana causing Andy to go unconscious. Terry thought, “I’d killed you!” when Andy wakes up.
  • Andy eavesdrops on the sea monster’s plan to eat Terry. The sea monster thinks, “I’ll lure him down beneath the water, and then his body I will slaughter. Oh how I’ll enjoy devouring him – I’ll tear him apart, limb from limb. I’ll eat his eyes and ears and nose and suck the marrow from his toes.”
  • Terry wards off a wild pack of monkeys with a giant banana. When the monkeys attack, “Terry picked up the giant banana and, holding it like a baseball bat, began whacking back the marshmallows, pens, pencils, erasers, paintbrushes, paints, and monkey poop being hurled in our direction. And then he began knocking the monkeys right out of the tree!”
  • A giant gorilla intentionally squishes Barky the dog. Andy describes, “ the giant gorilla lifted up one of its gigantic feet and stomped on him.”

Drugs and Alcohol

  • None

Language

  • When the marshmallow machine automatically shoots marshmallows into Terry and Andy’s mouth, Andy asks, “How do you shut this stupid thing off?”
  • Andy thinks Terry’s favorite TV show has the “world’s dumbest dog on the world’s dumbest TV show.”
  • Andy says Terry is out of his “tiny, pea-brained, numbskull-sized mind!”

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

 

 

 

 

What Light

The Christmas season holds a special place in the heart of Sierra’s family. Her parents first met at a Christmas tree lot and quickly fell in love. Now her parents own a Christmas tree farm in Oregon. Every winter, the family travels to California to set up their Christmas tree lot. Because of this, Sierra has never had a normal Christmas holiday, but she has never wanted anything different, having friends in both Oregon and California.

Sierra has always been able to keep her two lives apart, but all that changes when she meets Caleb, a handsome boy with a bad reputation. Even though Sierra is warned to stay away from Caleb’s cute smile, Sierra is drawn to him. The more she gets to know him, the more questions she has about his bad reputation. Sierra is determined to show others that Caleb’s past mistakes should not define him, but with mounting pressure from her parents and friends, Sierra wonders if Caleb is worth the trouble. Amid growing suspicion and misconceptions, Sierra wonders if love really can conquer all.

What Light is a beautiful story about first love, forgiveness, and family. Readers will fall in love with Sierra, who doesn’t hide her intelligence when trying to attract a boy. Instead, she continues to use advanced vocabulary and enjoys the fact that Caleb tries to stump her with new words. Readers will be drawn to Sierra because of her sweet, trusting nature and her love of all things Christmas. Another positive aspect of the story is Sierra’s parents, who use positive communications skills to guide Sierra through her first love, even as they worry about the possibility of Caleb breaking her heart.

As teen romances flood the market, What Light will draw readers in with relatable characters who have healthy relationships. This sweet story steers away from sex, swear words, and other objectionable material. Any reader who is looking for an engaging holiday romance should grab a blanket and a cup of hot cocoa and curl up with What Light. Like a Hallmark Movie, this story will leave readers with a smile and the belief that love can indeed conquer all.

Sexual Content

  • Heather talks about her boyfriend and says, “If the choice is between listening to him or kissing him, kissing is a much better use of his mouth.”
  • When Sierra talks to Heather about her boyfriend, Sierra says, “You and Devon hang out a lot, and I know you make out a lot, but does he know you really like him?”
  • Sierra’s friend tells her to, “put a stupid mistletoe over his head and kiss him already!” During the conversation, the friend also says, “You should probably kiss him, though, before you make any bigger decisions.”
  • The first time Sierra and Caleb kiss, “he touches my cheek with his hand and guides me toward him. His lips are so soft against mine, sweetened with peppermint. I lean further in and get lost kissing him. I slide off him to the mat and then he rolls himself on top of me. I wrap my arms around him and we kiss with more intensity. We pull back to catch our breaths and look into each other’s eyes.”
  • Caleb kisses Sierra and “once again I lose myself in his kiss. I trace my lips from his jaw to his ear.”
  • While on a date, Caleb “kisses me softly. I reach up and touch his cold cheeks, which make his lips feel even warmer. I wonder if every kiss with Caleb will feel this new and magical.”
  • Caleb and Sierra kiss several other times, but the kisses are not described.

Violence

  • Caleb tells Sierra about a time when he was younger. He was angry at his sister and ran after her with a knife. When Caleb’s sister ran from him, “she got to her room and slammed the door. . . I stabbed her door with the knife over and over. I didn’t way to hurt her. . . but I could not stop stabbing the door. I heard her screaming and crying to our mom on the phone. Finally, I dropped the knife and just slumped onto the floor.”

Drugs and Alcohol

  • Sierra’s friend went on one date with a boy who was “caught with an open can of beer in his friend’s car.”
  • On New Year’s Eve, a boy promises to be “the designated driver for the entire cheer squad.”

Language

  • God is used as an exclamation twice. Oh my God is used as an exclamation once.
  • Hell, damn, and crappy are all used once
  • Caleb’s sister calls her brother “bone-headed.”

Supernatural

  • None

Spiritual Content

  • Sierra teases a boy, saying, “You probably consider your sweet tooth a major sin.” The boy replies, “No, I don’t remember that one being mentioned in church, but laziness has been, and I am that.”
  • A little girl tells Caleb that her family has “said a prayer for you.”
  • A family’s car breaks down on a long trip and the family has to rent a motel room. When the woman recounts the experience, she says, “Thank you, God, they had a pool there or the kids would have killed each other.”
  • Caleb and Sierra have a brief conversation about church. Caleb is a believer, and although he attends church, the story doesn’t go into his beliefs.
  • Sierra says a prayer. “Please don’t let this be the last time I see Caleb.”

Lair of the Beast

Wily Snare spent most of his life below ground creating clever tricks to ensnare treasure-seekers. Once he escaped from the dungeon, he was able to befriend a group of adventurers. Stalag, the mage who once kept Wily locked away, wants revenge. He plans to build an army of stone soldiers and take over Wily’s kingdom.

Even though Wily has sworn to keep his kingdom safe, he isn’t prepared for the pressures that come with being a prince. In order to stop Stalag, Wily will need the help of all of his friends. They must travel to find an oracle, find passage into the Below, and fight frightening beasts. The only way that Wily and his friends will succeed is if they work together to quell a creature that is as big as a castle and more dangerous than the deadliest dungeon.

Wily Snare is an imperfect protagonist that genuinely cares about the people of his kingdom. Even though Wily knows how to be a great trapsmith, he has no idea how to be a good king. Wily is afraid of failure, but others remind him that “You don’t need to be perfect. You can’t get everything right. In fact, most things you will get wrong. And that’s okay. That’s part of life.” Despite his fears, Willy uses his brains to get out of difficult situations. Readers will be able to cheer for Wily as he fights beasts, guides his companions, and fights for his kingdom.

Snared: Lair of the Beast is the second book in a fantasy adventure series. Reading the first book in the series, Snared: Escape to the Above, is essential because most of the characters appear in the first book and the second installment does not explain important events that took place in book 1. Wily and his misfit treasure-seeking friends are interesting and are willing to face danger to help others. Even though Wily and his friends face many different types of magical creatures, the battle scenes are not scary. Readers will enjoy seeing how the oracle’s prophecy comes true, as well as how Wily uses his mind to defeat evil.

Advanced elementary and junior high readers will enjoy the quirky characters and the interesting monsters that Wily encounters. The story continually reinforces the idea that everyone makes mistakes. In the end, Wily doesn’t need to prove that he is perfect, he just needs to do the best that he can. Snared: Lair of the Beast is an entertaining fantasy that teaches a positive message about friendship, forgiveness, and perseverance.

Sexual Content

  • Someone sings the following song: “My sister kissed a troll down by the river. She thought that a kiss would break a cursed spell. But the troll was just a troll down by the river. Still, she married him and now they’re doing well.”

Violence

  • Wily and his companions enter an underground chamber. They meet a monster who shows them a map. “As he put his tiny eyes up to the etched map, Odette smashed him in the face with the back of the shield. The boarcus collapsed to the floor.”
  • When Wiley is stealing treasure, he “looked up to see faceless humanoids emerging from the slime around the small island on which he was standing. The bodies and outstretched arms dripped with viscous green ooze. One of the strange creatures lunged at Wily.” Wily and his companions run from the humanoids, because “legend says they can melt metal with a single touch.” As they run, they meet a quill grizzler, who “shot a series of sharp needles at the fleeing adventurers. . . the quill grizzler grabs Wily, who “felt the quill grizzler’s claws snap closed around him. The fanged bear lifted him off his feet and began to squeeze. The pressure was intense . . .” Wily and his companions are able to escape uninjured. The chase scene is described over seven pages.
  • Two golem’s try to capture Wily and his companions. When Moshul, a moss golem, charges, “the bearded stone golem swung his arm. The back of his hand struck Moshul in the chest. Wily watched as the moss golem was knocked to the ground as easily as a straw man. . . The bearded golem reached out and grabbed Moshul by the shoulder. He lifted him into the air and threw him—off the side of the mountain.” Moshul is not injured.
  • After Moshul is thrown off a mountain, “Pryvyd and Odette, both rage-filled, charged them. The quartz-fingered golem punched Pryvyd’s shield so hard that every metal spike that had been sticking out from it was snapped clean off. Pryvyd tumbled backward, his brass armor clattering and clanging.” Wily and his companions flee.
  • Slither trolls invade a town. “The slither troll was about to swing the rake at the terrified woman when Righteous flew across and blocked the blow with a sword.” In order to defeat the trolls, Wily creates a slingshot and his companions throw tomatoes. “The soft projectiles soared through the air and struck the trolls on their legs and bellies. The trolls both let out pained yelps. ‘Oh that burns!’ one screamed. ‘Ouch. Ouch. Ouchie.’” The trolls run away. The scene takes place over four pages.
  • A monsoonondom is a “giant furry beast with long tusks that spark like lightning bolts. Their footsteps churn the wind into a fury. A shake of their fur causes torrential downpours.” Wily and his companions flee from a monsoonondom, but before they get away “the powerful gusts blowing off the beast knocked her [Wily’s mother] off her feet and into a tree.” A group of animals and people made a barricade, but the monsoonondom “hit the moss golem straight in the back. Moshul was knocked off his feet and Roveeka went flying off his shoulders. But Moshul caught her in his mud hands before she struck the ground.” Wily’s mother is injured. The scene takes place over six pages.
  • Wily tries to quell a manticorn, which is a two-headed beast with six clawed legs. “it had the body and tail of a giant panther. . . One head resembled an eagle with a giant horn sticking out from between its eyes. The other looked as if it had been taken from a goat, except that it had dagger-sharp fangs where its teeth should be.” Wiley jumps on the manticorn’s back, and “the manticorn shook its back with such force that Wily went flying into a bolder on the edge of the Web’s jagged cliff. All the air went out of him, and when he was finally able to breathe again and looked up, the manticorn was practically on top of him.” Someone helps Wily, who is uninjured.
  • A group of people throws arrows at Moshul, the moss golem. “Pryvyd blocked one with his shield while Righteous plucked another from the air. Moshul was struck with four in his chest and a fifth in his arm. The moss golem stumbled backward. . .” When the group finds out that Moshul was not a stone golem, they stop shooting arrows.
  • While in an underground chamber, Wily and his companions see a mold-ogre. Wily “walked straight up to the mold-ogre and kicked one of its big hairy toes.” Wily discovers that the mold-ogre is not real.
  • When an elf tries to keep Wily and his friend Valor prisoners, “Valor seized the opportunity to give the haggard elf a kick to the stomach, sending her tumbling backward.” The two are able to escape.
  • While in the underground tunnels, Wily and his friend are attacked by “ants the size of wolves. . . They snapped their pincers as their antennae waved wildly in the air.” When Wily tries to escape, “the first group of ants skittered toward Wily, attempting to bite his legs and waist. Balor came to his defense, slicking the air with her wooden hand claws. Her right-hand blade slicked off the antennae of three of the ambush ants. With her other hand, she punched the head of a snapping ant.” When Valor smacks another ant, the “ants bit down on Valor’s ankle, breaking the skin. Wily grabbed a hammer from his tool belt and smashed the ant attacking Valor on the side of the head. The ant crumpled as another took its place.” Wily’s others companions find them and help defeat the ants. The ant battle is described over four pages.
  • In a battle against good and evil, two golems attack. Before they could hit anyone, “the lair beast swung its spiked tail in a wide arc. The ball at the end hit the quartz-gingered golem in the chest, sending chips of stone flying as he was knocked off his feet.” During the battle, a giant Infernal Golem appears. The lair beast “flapped toward the sun before diving, heading straight for the Infernal Golem. . . The Infernal Golem grabbed the lair beast by the tail, plucking it out of the air. Then, with what seemed like no little effort at all, he tossed the mighty lair beast back into the sky. . .” The golems are defeated when they sink in the mud, but no one else is injured. The battle is described over ten pages.

Drugs and Alcohol

  • None

Language

  • Someone calls a person an idiot.
  • Darn is used once.

Supernatural

  • A knight has an enchanted floating arm that helps him in battle.
  • People can create golems out of stone or earth and bring them alive by magic.
  • The group passes the Archway of Many Eyes; the archway has eyes that send an alert when it sees someone.
  • Someone cast a spell to make oglodyte minions look like children.
  • A levitating skull tells jokes.
  • Wily and his companions go to see the Oracle of Oak, who uses acorns to predict the future. When Wily asks her questions, she “swept her hand around a bowl of acorns, stirring them as if cooling a bowl of soup. She stared at the patterns that were forming.” The oracle makes predictions based on the patterns.
  • When inside a mountain, Wily sees a cavern mage who “lifted her frail hands and pointed at the mouth of the tunnel. Suddenly, a pair of giant spectral hands formed. They grabbed the rock walls and pulled them wider as easily as if the walls were made out of clay, adding several feet on either side.”
  • Someone cast a spell that makes a cave cricket grow until it was so big a man could ride it.

Spiritual Content

  • None

Ice Wolves

Twelve-year-old orphans Anders and Rayna don’t know who their parents are, and they have always relied on each other to get through each day. The pair know all of the back streets of Vallen and they know to avoid the Wolf Guard as much as possible. When Anders is almost caught stealing, the twins join a group of twelve-year-olds who are in line to discover if they are elementals—humans that can transform into wolves.

When Anders takes the form of a wolf and his sister Rayna takes the form of a dragon, Anders wonders if they are related at all. Everyone knows that a wolf and a dragon cannot come from the same family. Even worse, after Rayna transforms two dragons appear and claim her as one of them. The only thing that Anders knows for certain is that Ice Wolves and Scorch Dragons are enemies. But despite the feud between the wolves and dragons, Anders is determined to find his sister.

To rescue Rayna, Anders must find the dragon’s hidden capital city. The only way to get the information he needs is to enlist at the foreboding Ulfar Academy, a school for young wolves. Anders only wants to find the dragons and save his sister; he wasn’t expecting to find friends. Will Anders have to betray his new friends in order to save his sister? And what will Anders do if he finds his sister only to discover that Rayna has become just like the cruel dragons that took her?

Ice Wolves begins with a heart-stopping surprise and plenty of action, but the story starts to drag when the main character enters Ulfar Academy to learn about Ice Wolves. Because Anders doesn’t understand the elementals or the Ice Wolves, the reader gets to learn along with him. However, when the story ends there are still many unanswered questions that will nag readers.

Anders is not a unique character, but middle school readers may relate to his insecurities and his desire to find a place to fit in. As the story progresses, Ander not only builds confidence in his abilities, he also begins to understand what it means to have friends “who’d back you up without needing to know the reason why.” Even though Anders clearly cares for his pack, he never loses sight of his ultimate goal to find his sister.

Amie Kaufman has created a world with multicultural, diverse people who live in peace—people who fear the Scorch Dragons, but the reason for this fear is never explained. Although the threat of dragons brings suspense, the dragons only appear at the very beginning and end of the book. Kaufman includes many diverse characters in the story, however, at times it felt as if she was trying too hard to incorporate every type of person. One character is referred to using the pronoun “they.” The use of the pronoun is never explained, which may cause readers some confusion. One positive aspect of the story is Lisbeth, a strong female who isn’t content with following orders. Lisbeth spends much of her time engrossed in books, and it is through her that Anders begins to understand friendship. Lisbeth is curious, loyal, and determined to do the right thing no matter what.

Fans of fantasy will enjoy Ice Wolves even though the plot is not fast-paced. Even though the characters are not unique, the story of friendship and family will entertain strong readers. The conclusion contains a surprise, a battle, and a cliffhanger that sets up the second book in the series—Scorch Dragons. Readers will love how Anders learns that bravery is “doing what you must” even when you are afraid. Readers interested in Ice Wolves will also want to read the Simon Thorn series, which also has shape-shifting characters, but has much more action.

Sexual Content

  • While telling Anders about a female professor, a girl says that the professor has a wife.
  • Lisbeth’s father “was a mercher from Baseyda who was back on a ship before I was born. I’m not sure he even knows I exist.”

Violence

  • During a celebration, a dragon appears in Holbard. The dragon “had breathed fire as it circled above the city, then vanished into the darkness. An hour later, a set of stables in the north of the city was ablaze with the ferocious, white-and-gold dragonfire that was almost impossible to put out. . .” No one was injured.
  • When Rayna turns into a dragon, the Wolf Guard attacks her. An ice wolf “reared onto its hind legs, then crashed back down to earth. As its front paws hit the cobblestone, two long spears of ice burst from the ground, sharp and jagged, flying straight at the dragon’s gleaming side. They were like huge, deadly icicles with razor-sharp points. . . When they struck Rayna, her scales instantly turned gray with cold. She screamed, spreading her wings, and more wolves brought down their front paws on the ground, launching ice spears at her. . .” When Anders tries to help her, he grabs the staff and turns into a wolf.
  • Rayna again turns into a dragon and “when she thrashed her tail, a shop front flew to pieces like a house of cards.” Ice wolves run towards Rayna, while “everyone else in the street was turning to run now.” When the wolves attack Rayna, two other dragons appear and lead her out of the city. The scene takes place over three pages.
  • The wolves believe that the dragons take children and “sacrifice them on the day of the equinox.”
  • A fire begins in the city and the Wolf Guard helps put out the fire. “With a great hissing the spears immediately began to melt, sending up steam, creating billows of white smoke against the night sky as golden sparks rained down on the cobblestone of the square. . . Many people have to escape through windows and some of the street children are trapped on a roof. A scream came from above as the flames licked higher, clouds of smoke enveloping the children.” Anders helps the children and everyone escapes unharmed. The fire scene takes place over three pages.
  • When Lisbeth and Anders go to the dragons’ city, the wolves follow them and attack. “Those dragons in human form were fighting however they could, swinging chairs, a few brandishing knives—they had overturned the huge table, which must have been the crash he heard, and some were fighting from behind it. The wolves were fighting with teeth and ice spears, his classmates acting with trained precision.” Several dragons and wolves are injured. Ander’s friend pauses, and “it was all the chance the human he was fighting needed—she swung the pastry pole hard at him, connecting with his head and shoulders and sending him flying backward.” Ander’s sister is hit with an ice spear that “caught her shoulder, knocking her back into the crowd, and she hit the ground.” The wolves eventually retreat. No one is seriously injured. The battle scene takes place over ten pages.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • One of the characters explains how elementals change. “Essence is the magic that’s found all around us. In nature, in the earth itself. When we transform from human to wolf, we channel it instinctively so we can make the change. Wherever they’re from in the wolf, elementals always have gifts linked to nature, because nature is where we find the essence that gives us our power.”
  • When elementals touch the Staff of Hadda, they turn into wolves or dragons. When Rayna touched the staff, “Rayna rolled onto her back, arms out flung. Her face darkened to a deep, unnatural burgundy, then shifted to shades of bright crimson, as if all her skin was bleeding at once. . . her arms and legs seemed to stretch impossibly long, and the arms of her coat stretched and slit. . . The fabric shredded and vanished in seconds as Rayna’s body grew, doubling in size, then tripling, her neck lengthening, her mouth open in a hoarse, unending scream.” Rayna turns into a fifteen-foot-long dragon and flies away.
  • The first time Anders transforms into a wolf, his clothes are shredded. The Ice Wolves use an amulet that keep makes the clothes transform with them. The amulet “helps your shirt stay where it belongs when you change. Helps you control when you change at all.”
  • In the past, dragons and wolves crafted magical objects with runes. Many of the objects are magical and the “runes are what channeled the essence—the power that came from nature, from the earth itself—into artifacts.” For example, “high above the entrance to the port were the huge, metal arches of the wind guards, the biggest artifacts in all of Vallen. . . The arches were marked with runes forged all along their length—the runes were the sign of an artifact—and were big enough for even the largest ship to pass under it.” The arches keep out the wind, making the harbor always peaceful.
  • While picking pockets, Anders almost “reached for a thiefcatcher. If he’d laid his hands on the zips to open her pockets, the charms would have started blaring a quick, high alarm, turning every face in the square toward him.”
  • One of the wolves has a mirror that “allows two-way communication.”
  • Anders discovers that he can create icefire—blue-and-silver fire. When he uses the fire, “the white fire and the ice spear both vanished into nothing as they connected with his blue-and-silver flames.”

Spiritual Content

  • None

 

Dream Within a Dream

While her parents are off bird-watching, Louisa and her brother spend time with their grandparents, Jake and Boots. Louisa isn’t looking forward to spending the summer with her grandparents. Louisa dreams of traveling with her globe-trotting parents, whereas her brother would like to find a way to stay on Deer Island forever.

While staying with her grandparents, Louisa worries about her grandfather Jake, whose eyesight is failing. Jake has always driven Boots around, and he loves his car. And Jake’s worsening eyesight isn’t the only that that is changing. This year, twelve-year-old Louisa’s summer takes an unexpected turn when she is introduced to George. Can Louisa find a way to embrace the changes that come with growing up?

George pushes Louisa to move out of her comfort zone, allowing her to see herself in a new light and finally realize that she is beautiful. Louisa and George are friends from the start and soon must navigate growing feelings for each other. George and Louisa go on a “date,” they kiss, and they decide they are in love with each other within a short period of time. The romance is sweet, and the author hints that George and Louisa’s love will last a lifetime.

Most of the story is told through the character’s dialogue, which takes place in short phrases. The majority of the paragraphs are one to two sentences. The dialogue, short paragraphs, and simple vocabulary make the story easy to read. However, Dream Within a Dream will appeal to adults more than children because it revolves around relationships and contains little action. The story portrays healthy, long-term relationships and shows the importance of helping each other.

Louisa is a very likable character who is kind to others. With George’s help, Louisa interviews people in their community and writes poetry about each person she meets. Since the story is so short, readers may have a difficult time keeping track of the many characters. Dream Within a Dream shows the importance of embracing change. Even though Dream Within a Dream has many positive aspects, only readers who enjoy realistic fiction that focuses on relationships should pick up the book. Readers who are eager for action, adventure, or fantasy will find the story difficult to enjoy.

Sexual Content

  • Louisa’s grandfather comes into the room and, “he puts his arms around [his wife] and kisses her for a long, long time. I don’t know if I’ve ever seen such a long kiss.”
  • George says that his parents kiss often. Louisa says her parents “don’t kiss in front of us.” Louisa’s brother jumps into the conversation and says, “My friend Joey says my parents have kissed two times—once for Louisa and once for me.”
  • Louisa’s brother sees George’s parents and says, “They’re kissing now.”
  • Louisa is swimming when she gets a cramp in her leg. George jumps in the water to help her. “And then George kisses me. . . Our bodies are as close as friends can be. And to make him feel better, I kiss him back. And we begin to laugh, our lips together, like Jake and Boots laughing when they kiss.”
  • Louisa’s grandmother tells her, “Jake and I were in the sixth grade when we kissed each other for the first time.”
  • During a storm, Louisa kisses George “too fast for Boots and Jake to see.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

Cloaked in Red

So you think you know the story of Little Red Riding Hood, the girl with the unfortunate name and the inability to tell the difference between her grandmother and a member of a different species? Well, then, try your hand at answering these questions: Which character (not including Little Red herself) is the most fashion challenged? Who (not including the wolf) is the scariest? Who (not including Granny) is the most easily scared? Who is the strangest (notice we’re not “not including” anyone, because they’re all a little off.)? Who (no fair saying “the author”) has stuffing for brains?

Vivian Vande Velde retells the story of Little Red Riding Hood and gives the story eight new endings. The stories aren’t truly a retelling because they take a small portion of the original story and weave it into a new and often strange story. The author makes fun of the original fairy tale, but her own versions of Little Red Riding Hood are flat and unexciting. Instead of digging deeper into Little Red Riding Hood’s life and character, the author doesn’t add any new insight or meaning to the original fairy tale.

The beginning of the story makes fun of the Grimm’s vision of Little Red Riding Hood, and the author seems to go out of her way to portray Little Red Riding Hood in a negative light. In all of the stories, Little Red’s name changes, which is not only confusing but also makes it hard for the reader to connect with the character. In addition, Little Red is an unlikeable character in all of the stories. She is either stupid, self-absorbed, or a witch.

Readers who love fairy tales, both the original and retelling, should leave Cloaked in Red on the shelf. Vivian Vande Velde’s versions of Little Red Riding Hood are uninteresting, strange, and difficult to read. Instead of reading Cloaked in Red, grab a copy of Seeing Red by Sarah Mlynowski or Misfit by Jen Calonita; both books are excellent retellings that have a strong female character.

 Sexual Content

  • A girl was wandering in the woods when a group of boys sees her. One boy asks, “Care to give us a kiss?” Then the boys formed a line and the girl kisses each boy. The girl then rides away with one of the boys.

Violence

  • When a wolf attacks Little Red Riding Hood, she “realized that the wolf’s sharp nails had not only pulled the cloak off her, they had ripped the fabric. She smacked the wolf’s muzzle, hard. . . The wolf backed away, his muzzle stinging.”

Drugs and Alcohol

  • A woodcutter finds a girl sleeping in the woods. The woodcutter assumes that the girl had “too much to drink.”

Language

  • Little Red Riding Hood repeatedly calls the wolf stupid and then says, “I bet your own mother was sorry she ever had a stupid excuse of a lunkbrain like you.” Later she calls him a “stupid clod.”

Supernatural

  • A woman makes a doll. When the woman wishes for a daughter, the doll comes alive.
  • In one story, Little Red Riding Hood is a witch and her grandmother is a werewolf.
  • When a vampire appears, Little Red Riding Hood “uttered a magic spell and transformed him into a frog—a pale, sickly-looking frog.”
  • A fairy godmother accidentally cast a spell on a cloak making it smart. The cloak can think, repair itself, as well as adjust its size.

Spiritual Content

  • None

 

Escape to the Mesa

Stacy and her wolf family know it’s important to protect each other and the animals of the taiga. After a fire rages through the forest, Stacy and the wolves try to avoid humans at all costs. But when a reporter takes a picture of one of the wolves, animal researchers begin searching for intelligent wolves that raised Stacy. Stacy and her pack know they must leave the forest and escape to a place where no arctic wolf has ever gone before: the desert.

The mesa is unlike anything the wolves have ever seen. With no source of freshwater, the group knows they must find a place to hide. Even though they are in unfamiliar territory, the group still finds animals in need of rescue. When the wolves find themselves in new situations, Stacy discovers that the wolves have hidden abilities. As Stacy tries to help keep her pack safe, she must enter the human world, which makes her wonder—where does she belong?

Stacy is a relatable character who loves her wolf family and the wilderness. Stacy and the wolves learn about the mesa, including what plants are safe to eat as well as some of the dangers that lurk in the desert. Although the plot is similar to the first book, the new setting helps keep the story interesting. Stacy tries to avoid humans, but she has several encounters with people that show them in a positive light.

Like the first book of the series, Escape to the Mesa has non-stop action, danger, and a unique plotline that will keep readers turning pages until the very end. Parents and teachers will appreciate Escape to the Mesa because of the educational value. Not only does the story highlight the need to care for nature, but it also helps readers gain new vocabulary skills. The book contains some difficult vocabulary such as cacophony, cladode, hoodoo, and podzol; however, these words appear in the glossary at the back of the book. Another positive aspect of the story is the black-and-white pictures that are scattered throughout the book.

Escape to the Mesa’s conclusion has a hopeful tone that highlights the importance of preserving nature. Because the story is the second book in the series, readers should read Guardians of the Taiga first because there are several characters and plot points that are introduced in book one. The book ends with a selection of other reading material—the inspiration for one of the characters and an interview with an animal expert.

Escape to the Mesa will appeal to a wide range of readers including those who love animals, daring characters, and action. Readers who enjoy this series should add the Simon Thorn Series to their list of must-read books.

Sexual Content

  • None

Violence

  • When a wolf is trying to help a porcupine, the porcupine shoots quills at it. “The wolf turned toward her [Stacy] with a face full of quills and whined softly, crouched down in the long grass.
  • Stacy finds a crashed helicopter that had “a few white bones among the ashes, and Stacy felt sick at the sight. Humans had died here.”
  • A researcher shoots a wolf with a tranquilizer dart.
  • Stacy and the wolves are swept away by a flash flood. “Stacy tumbled over and over, losing track of which direction was the surface. Her arm scraped stingingly along the side of the canyon. Stacy’s chest felt like it was burning. She needed to breathe, soon.” Everyone survives.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Stacy and the wolves are able to communicate, and the wolves can perform some human-like tasks.
  • A dog can communicate with bats through echolocation and is also able to understand Stacy’s words.
  • Some of the wolves have supernatural abilities. Basil has “superwolf speed” and can run “incredibly, unnaturally fast.” Noah can breathe underwater and Addison can read.

Spiritual Content

  • None

The Heir

Eadlyn, the daughter of Maxon and America, is next in line for the throne and will be the first woman in her country’s history to rule by herself. Eadlyn is powerful—the last thing she needs is a man to get in her way. When unrest begins to develop throughout the country, Eadlyn’s parents come to her with a solution to distract the people while they attempt to settle the turmoil in the country—a Selection of her own.

Eadlyn is against the idea. She doesn’t see how babysitting 35 boys will solve the country’s problems. Eadlyn finally agrees to an attempt at finding a husband through the Selection but plans to sabotage it by acting as unpleasant as possible, encouraging the boys to leave on their own and finishing the Selection her way. However, Eadlyn quickly discovers that she must play to the eye of the public in order to win the public’s favor of herself as the next ruler in line for the throne.

As the Selection runs its course, Eadlyn finds herself enjoying some of the boys and doesn’t entirely hate the thought of them being in her house. However, with fights and attempted inappropriate touching, the press begins to show that Eadlyn doesn’t have control over her own Selection. Will Eadlyn finish her Selection with a husband and continue on to rule the country?

Readers won’t be able to put down this installation of the Selection series as they watch the newest generation of Illea’s royalty work through a possible uprising, budding romance, and a whole new type of Selection. Although the first few chapters of The Heir are slow, the pacing picks up and will leave the readers turning the pages to find out if Eadlyn will find the love of her life and still rule Illea. Readers will want to read the previous books of the Selection series in order to fully enjoy and understand The Heir.

Eadlyn is shown as a powerful, headstrong heir to the throne, who learns how to let her walls down. Eadlyn discovers that letting people see her as more than just a ruler, will actually benefit herself. At the beginning of the book, her condescending, blunt, and rude personality may turn away readers. However, readers will eventually fall in love with Eadlyn as she learns how to be the “people’s ruler.” Entertaining characters from previous books make appearances along with new, well-developed characters. Overall, these components create a storyline that will keep readers turning the pages. The story highlights the importance of family and friends and shows that with the help of others, anything can be accomplished. Because the conclusion of The Heir ends with a cliffhanger, readers will want to have the next book of the series, The Crown, on hand.

Language

  • When Kile and Eadlyn greet one another on a date, Eadlyn jokes, “It’s ‘Royal Pain in the Ass’ to you, sir.”
  • Kile apologizes for calling Eadlyn “bratty.”
  • After a parade ends in a disaster, Eadlyn’s parents ask her what happened. Eadlyn replies, “Hell if I know.”
  • “Darn it” is used once.
  • Loser is used twice. Eadlyn jokingly tells someone, “Come in, loser.”
  • Erik tells Eadlyn, “That’s really none of my business, and you’re obviously having a rough day. I’m an ass.”

Sexual Content

  • General Leger is seen kissing his wife, Miss Lucy. In the studio, “General Leger was there, kissing Miss Lucy on her forehead and whispering something to her.”
  • When Eadlyn recounts her disastrous meeting of the Selected men, she says, “one blatantly stared at my chest for the entirety of our meeting.” Eadlyn later sends this man home for the reason, “‘When we met, you couldn’t stop staring at my breasts.’”
  • Kile and Eadlyn kiss in a hallway with the hopes of being photographed by paparazzi. Eadlyn describes their kiss saying, “Kile leaned down, lips meeting mine, holding them there. Then his lips parted and closed and parted again.” Their kissing is described for about a page.
  • Ahren, Eadlyn’s twin brother, makes fun of her for her lack of relationship experience. Ahren says a picture in the paper does not count as a relationship and, “Neither does making out with Leron Troyes at that Christmas ball in Paris.”
  • When going on a date with Baden, Eadlyn says, “Baden and I are going to make music…. I mean that literally, by the way.”
  • Eadlyn invites Kile over to her room and they kiss. Eadlyn recounts that she “wrapped my hand around his head, pulling him to me, and an instant later his arms were around my waist.” Eadlyn describes their kissing for a page.
  • Eadlyn is overwhelmed and goes to Kile for help. Eadlyn pushes Kile into a closet. “I was so overwhelmed, I pressed my lips into his, knowing that would make everything else stop for a minute.” As their kissing gets hotter, Eadlyn begins to remove his shirt, but Kile stops her.
  • Henri and Eadlyn kiss in the kitchen. Eadlyn describes their kiss as delicate. “I pressed my lips into his, trying to tell him without words that this was okay, that I wanted him to hold me.” Their kiss is described for half a page.
  • Camille, Ahren’s girlfriend, comes to Illea from France. When Camille arrives, Ahren, “held her tightly and kissed every corner of her face.”
  • Camille and Ahren sneak off to spend more time together. “Ahren snuck away with Camille, kissing her every step of the way.”
  • When Camille and Ahren don’t show up to breakfast one morning, Eadlyn assumes that either, “Ahren had come to his senses and told her that he needed to consider other options, and they were both in the process of avoiding each other… or they’d spent the night together and were maybe still in bed.”

Violence

  • When Kile calls Eadlyn “bratty” his mother “twacked her son over the head.”
  • When Jack tries to take things too far with Eadlyn, Ahren comes to Eadlyn’s defense. As Jack continues to torment Eadlyn in front of Ahren, Eadlyn had “never seen Ahren throw a punch before. It was almost as shocking as Jack’s limp body after my brother’s fist forced his head to whip back at an awkward angle.”
  • During a group date, Burke and Fox get into a heated argument over their cooking styles. As their argument continues to heat up, “Burke threw a punch that knocked Fox back several steps. I sucked in a breath, frozen. Fox came back at him, and I was pushed to the floor by Burke’s arm pulling back for another punch.”

Drugs and Alcohol

  • As Eadlyn and her parents prepare for the arrival of the Selected men, her mother and the chef discuss the need to finalize the first seven-course dinner. Eadlyn “groaned internally. A true seven-course meal could take six hours from the first sip of a cocktail to the final bite of chocolate.”
  • Eadlyn hides away from her people. She says she “took shelter in long baths or a drink with dinner.”
  • After Eadlyn’s parade for the Selected men goes awry, Eadlyn’s mother and father “were both drinking something a little stronger than wine—a rare occasion—though it didn’t appear to be doing much for their nerves.”
  • When Eadlyn invites Kile into her room, Kile “spotted the wine I’d provided and wasted no time in pouring himself a glass.”
  • When Ean questions Eadlyn on what her favorite food is, Eadlyn answers, “Do mimosas count?”

Spiritual Content

  • When Eadlyn comes across two guards, one of the guards says, “Thank God. Go to the king and tell him we’ve found her.”
  • When Eadlyn’s mother has a heart attack, Eadlyn rushes to the hospital wing. When she gets there, “Aunt May sat next to Miss Marlee, who appeared to be deep in prayer.”
  • When the Selected men find out that Eadlyn’s mother is in the hospital wing, they come to show their support. As they approach Eadlyn, Kile says, “We’ve come to pray.”

Supernatural Content

  • None

Heartwood Box

Araceli’s parents wanted her to have a normal, American senior year, so they sent her to stay with her Great-Aunt Ottillie. Araceli is supposed to be focusing on school and getting ready for college, but she thinks that her aunt’s old Victorian home may be haunted. Araceli can feel someone watching her, and it doesn’t help that her great-aunt still leaves food out for her husband that has been missing for twenty years.

Araceli’s great-aunt isn’t the only creepy thing in town. Local businesses are plastered with missing posters. The townspeople are watchful and suspicious of each other. There are unexplained lights in the woods and a mysterious lab just beyond the city walls that no one talks about. When Araceli begins getting letters from the past, she thinks someone is playing a nasty joke on her.

When Araceli’s friend disappears, she is determined to find out what is going on. In order to solve the mystery, she must investigate the other disappearances as well as the secretive lab. But someone is willing to go to great lengths to keep their secrets hidden. Can Araceli uncover the conspiracy or will someone make her disappear?

The Heartwood Box is an immensely enjoyable, complicated story that will have readers guessing until the very end. Told from Araceli’s point of view, the creepy town comes alive. Although Araceli isn’t the most relatable character, her story is compelling. The supporting characters are not well-developed but they help move the plot along at a fast pace. For those who love character-driven stories, The Heartwood Box might disappoint.

This story is a mix of science-fiction, mystery, and historical romance. The multiple plots may leave readers confused unless they pay close attention. Not only is Araceli falling in love with a World War I soldier, but she is also trying to fit in at a new school and solve the mystery of the town’s disappearing people. The end of the story ties all of the threads together in a satisfying, if somewhat implausible, conclusion.

Aguirre also throws in the theme of colorism. Several times in the story, Araceli talks about colorism and gives examples of how dark skin people are treated differently than whites. At one point she thinks, “I wish America cared the same about Black and Brown girls, but there’s a lot to do yet.” Even though Araceli is bi-racial, this theme is not well fleshed out.

Readers looking for a unique time travel mystery will enjoy The Heartwood Box, which has several surprising twists at the end. Some of the vocabulary is difficult, but the majority of the story is written in easy to understand language. Although the ending is rushed, the book will captivate readers who enjoyed the Ruby Red series by Kerstin Gier or Passenger by Alexandra Bracken.

Sexual Content

  • When Araceli has a friend over to the house, her aunt says, “You can watch TV in the parlor if you want. I do trust both of you, but it would be disrespectful for you to go upstairs.” Araceli thinks to herself, “Oh my God, if I wanted to hook up with Logan, I’d go across the street. He already said his parents aren’t home.”
  • In a dream, Araceli is able to see soldiers who are on a ship. She hears, “a slick skin-on-skin sound that I identify as a soldier jerking off, trying to be stealthy about it.”
  • While talking to a boy, Araceli thinks, “He’s thirsty for me. I’ve seen the look enough to recognize it, but I pretend not to know. . .”
  • When Araceli is sitting in a car with a boy, her aunt “saves me by flipping the porch light on and peeking out the front door, likely to make sure we’re not getting hot and heavy in her Plymouth.”
  • While in a dream, Araceli meets a soldier and, “I can touch him in this dream, so I do. There’s no reason to hold back. When he drops his weapon and opens his arms, I slide into them like I belong there. . . I stretch up on tiptoe and cup his face in my hands; I feel the heat of his skin, the scruff on his chin and jaw. Then I press my mouth to his, light and soft. He drags me closer and kisses me like our lives depend on it, all heat and desperation. . . We kiss and cling until I can barely breathe.”
  • When Araceli’s aunt and uncle see her sitting in a car with an older man, her uncle asks, “Is there something you need to tell us? We won’t judge you. Grown men who entice young girls should be ashamed.” Araceli tells them that the man was a family friend.

Violence

  • The town sheriff physically abuses his son. The abuse is not described, but Araceli sees the bruises. When the boy gets to school, she “can see his lip is busted, and his face is swollen on one side. At a minimum, someone slapped the shit out of him, and it looks more like he took a few hits to the face.”
  • In a letter, a soldier writes about his experiences. “France has become hell on earth, no way around it. Great tunnels in the dirt, piled high with bodies and you can’t tell a Jerry from a Brit from a Sammy. . . Death makes every soldier the same. Nobody is coming for those men, not to give them services or say a few words or even to bury them. The birds pluck out their eyes. . .” The soldier also writes, “I killed my first Jerry and threw up afterwards. . . My friend John took one in the gut, bad way to go. Took him hours to go west, and we were all freezing next to his body in a trench during that first long hour of hate.”
  • Araceli thinks back to the past. “The kids are protesting, shouting, waving signs. A shot rings out. The student leader goes down, bleeding from his head, and it’s all mayhem, all running and screaming.”
  • Someone tells the county sheriff to kill someone. The sheriff says, “You’re trying to give me a kill order? I can’t believe you think you bought me for fifty thousand.”
  • Araceli and her friends are trying to destroy mechanisms that create the ghost light. A man sees them and Araceli “rush[es] toward him, and everything else is instinct. With the hammer, I knock whatever he has out of his hand, and then I swing again, as hard as I can, right upside his head. His body goes flying, tumbling down the hill and into the water with an ominous splash.” The man dies.
  • Araceli and her friends are chased by guards who shoot at them. Araceli’s “heart thunders in my ears as more bullets spray the area. I get stung on a ricochet and a sharp pain slices across my calf. Shit, it hurts. . .” One of her friends is shot. “His voice comes out liquid with blood and breathy from his struggle for air. . . Jackson gives me a sad smile, his teeth stained with blood. . . He goes limp in my arms. . . Jackson’s blood is all over the soil and the stones, staining my hands and the suit he made to protect us.” The scene takes place over seven pages.
  • After Araceli’s friend dies, she jumps on an ATV and tries to escape. The guards, “snap shots at me as they can, but it’s not as easy from the back of an ATV, firing at a moving vehicle.” She crashes, and a man “twists my arms behind me and binds my wrists with what feels like a zip tie, then drags me out of sight. . .I taste blood from where my lips split against my teeth.” The man gags her and then puts her in a cell. The scene takes place over 4 pages.
  • Over a radio, Araceli hears “the sound of a Taser discharging and the impact of a fist hitting flesh.”
  • As Araceli and Dr. Perry try to get to the lab’s control room, Dr. Perry “slams into three guards coming around the corner. His weapon flies out of his hand. . .” Araceli shoots a guard in the belly and “the guard screams and topples over. . .” Dr. Perry shoots a guard. Later Dr. Perry shoots two more guards “neatly, two chest shots, two clean kills.” Eventually, someone shoots Dr. Perry. “Slugs slam into the blocks, shaking the cement. . . He’s down, bleeding from several wounds. . . He manages to shoot three of the four, and I fire on the last one while he’s reloading. . .” Dr. Perry dies. The scene takes place over four pages.

Drugs and Alcohol

  • As Araceli goes through town, she thinks about her past homes. “I can’t remember ever living in a freestanding house. There will be no rooftop garden parties here, no barbeques that draw out the neighbors so that we grill whatever’s on hand, and I take beer from the cooler without anyone asking how old I am.”
  • While in the past, Araceli goes to a Halloween party and gets drunk.
  • Araceli goes into a pizza place where some adults are drinking beer.
  • A girl’s mother is put on depression medication after her son disappears.
  • In a letter, a soldier says that while passing through England, they stopped at a town and some men got “puking drunk.”
  • When a boy is teaching Araceli to drive, he tells her, “You’re going really slow. If you’re not careful, you’ll get pulled over. Only people who are slightly high drive this much below the limit.”
  • Araceli is given a document that has information about the Heartwood box. A researcher had an “unfortunate addiction to hallucinogenic drugs.”
  • Araceli sends a note to the past, but wonders if the person receiving it, “was stoned when he got my note, laughed and rolled a joint with it.”
  • A boy’s grandfather only talked about a girl he once loved when he “had a little to drink.”

Language

  • Profanity is used often. Profanity includes ass, asshole, bitching, crap, damn, dammit, fricking hell, holy shit, piss, pissed, shit.
  • Araceli meets a boy and thinks that he is “kind of a dick.”
  • When Logan’s father gets home, he yells at his wife and asks, “Where the hell is he? I told him to come straight home from school and look after the fucking yard.”
  • OMG is used twice. Oh my god is used six times. Oh god and Oh Lord are both used once.
  • When her aunt gives her snacks after school, Araceli thinks, “I swear to God, I’m starting to like pretending I’m five. . .”
  • Araceli describes her mood as, “grumpy as hell.”
  • Araceli thinks, “I’ve experienced some shit in my life, but I can’t say I ever lived in a haunted house. Until now.” Later she thinks, “This house is so damn haunted.”
  • A boy is wearing a shirt that says, “Get in line B*tches.”

Supernatural

  • While in her aunt’s house and at school, Araceli feels a chill. She also feels as if someone is watching her.
  • Araceli has vivid dreams where she goes into the past and can interact with a World War I soldier. When she is dreaming, no other people can see or hear her besides the soldier. However, after one dream a picture of World War I changes. When she dreams, she can find the soldier because “there was a tug. . . I feel that same pull now, delicate and tenuous. . .”
  • Araceli goes into the attic, and “before I get to the pull cord, it’s tugged by an invisible hand until the distinctive click, and the light flares on.”
  • Araceli finds a treasure box that allows her to communicate with a World War I soldier. They write letters back and forth. Araceli also puts small objects like mint and antibiotic ointment into the box.
  • The town has “ghost lights” that make people slip into another time.
  • When people disappear, their loved ones leave out food for them, which also disappears.

Spiritual Content

  • When Araceli wakes up after being asleep for days, her aunt says, “Thank God.”
  • Araceli thinks about her parents who “aren’t religious. My mom’s agnostic and my dad is a lapsed Catholic, so I was baptized and that’s about it. . . We go to mass once a year at Christmas, and it’s a somber occasion in most of the countries I’ve lived in.”
  • Araceli goes to church with a friend, but the service is not described. While there, a woman says, “Everyone is welcome in God’s house.”

Dig Too Deep

Liberty is an independent teenager. She cooks, cleans, maintains a perfect GPA, plays volleyball, and applies for scholarships all by herself. However, her seemingly perfect life is turned upside down after her political activist mother is arrested on suspicion of being involved in a Washington DC car bombing. Her perfect life and her hopes of attending Georgetown are trashed. When her mother is sent to prison, Liberty is sent to Ebbottsville, a small town in rural Appalachia, to live with her grandmother. Liberty lived in Ebbottsville when she was a child, but now the top of Tanner’s peak is gone and the town’s water is neon orange.

Out of her comfort zone and away from her best friend, Liberty has to live in poverty and help her ailing grandmother suffering from lung cancer. At school, she is mocked as the “new girl” and she has a hard time adjusting to rural life when everyone seems to instantly hate her. However, Liberty quickly learns that her grandmother’s condition may have been caused by the infamous Peabody mining company’s mountaintop mine. Liberty soon finds herself in a fight with an infamous mining tycoon who will stop at nothing to keep his grip on the community. Will Liberty beat Peabody or will he silence her forever?

Poor, run-down, and alone – Allgeyer paints the perfect picture of a troubled girl against an unstoppable corporation in Dig Too Deep. Liberty is a good example for young girls, encouraging them to have a strong moral center and to take a stand when they feel something is wrong or unfair no matter the risk. Liberty takes time away from her own personal goals to care of her sick grandmother, which highlights the importance of loving with all of your heart. Liberty also shows forgiveness when she accepts her mother back into her life.

Dig Too Deep raises questions about modern-day mining practices and shows some harsh consequences of corrupt mining. The book brings environmental issues to young readers, encourages them to think about others, and research other environmental problems affecting our world.

Dig Too Deep has a quick and suspenseful plot with a perfect mix of teenage angst and real-world problems. Readers will not be able to put the book down because of the nonstop suspense. Liberty is a relatable character that readers will root for as she fights a corrupt mining organization. However, Allgeyer does push the extremes of young adult fiction and due to its intense sexual content, violence, and language, this book is best for older readers. Nonetheless, Dig Too Deep is a great book for those looking for a strong female character or for a book that discusses modern-day environmental issues.

Sexual Content

  • Liberty and Cole go to a party and sit by a bonfire where they kiss before being interrupted by Cole’s friend, Dobber. Liberty describes the kiss. “When our lips touch, warmth shoots through my body. I don’t feel the wind. I don’t feel the fire – just Cole’s lips and his tongue, teasing mine. His hands slide up, and I tense, thinking he’s going to grab my boob, but he touches my face instead, the back of my neck, pulling me into him.”
  • Liberty thinks Cole’s “kisses are absolutely the best thing about this place – all soft, warm, and Tic-Tac-y.”
  • Cole invites Liberty over to his house where things get spicy after he spills beer on her lap. After she throws her pants in the dryer and puts on some gym shorts, Liberty “can feel the heat of his body on my skin, his angles, hollows, and points. He’s doing that thing again, that feels so good – but also scary. I’m way, way outside my comfort zone.” This scene takes place over six pages where Liberty becomes partially undressed. Liberty is not comfortable or ready for sex, and they do not have sex. She leaves after her pants are dried.
  • Dobber and Liberty kiss two times in the novel. Once, when trying to avoid suspicion from Peabody, Dobber “leans toward me, puts one hand on the side of my face. . . and the other over my mouth. Then he kisses his hand.”

Violence

  • Cole explains that Dobber’s dad has an ankle bracelet on because he “attacked a guy in town” and “tried to strangle him. It took four men to pull him off.”
  • Liberty’s mother was arrested on suspicion of being involved in a New York car bombing. Liberty says that her mom can “blow up whatever she wants to.”
  • Cole refuses to let her go until she promises she will stay out of the mine’s business, so Liberty makes her free hand into a fist, and punches “Cole square in the face.” Liberty breaks her finger and Cole is bleeding out of his eye.
  • Liberty finds out what a rope dog is when she sees “Patient old Goldie hanging from a noose.”
  • Peabody’s men are hunting Dobber and his dad down with guns. “They’re not after Liberty. They’re after you. Dobber…” Cole stares him in the eye. “They have guns.” Dobber and his dad hide in Liberty’s house and Peabody’s men never find them.
  • After extorting Peabody, Dobber punches him in the face. “Peabody’s head snaps back before I realize Dobber punched him.”

Drugs and Alcohol

  • At a party, Liberty watches as “Three girls sitting at a picnic table pass around a bottle of pink wine.”
  • When Cole invites Liberty to his house, he offers her a beer. Liberty takes “the can Cole hands me and he pops the top, misting me with Wittbrau Light.”
  • When Liberty asks Dobber’s dad questions about the mine, “Mr. Dobber opens the refrigerator and pulls out a beer.” He even offers one to Liberty, who refuses.
  • Dobber’s dad is an alcoholic and meth addict—Dobber tells Liberty that “the first day was the worst. I had to strap him down. But he ain’t had no drugs or alcohol in four days.” Dobber insists that his dad is changing and getting clean because of Liberty’s fight against the mine.

Language

  • Profanity is used in the extreme and is on almost every page. Profanity includes: ass, fuck, motherfuck, shit, hell, bitch, Oh my God, goddam bastard, and donkey balls.
  • Liberty’s cab driver won’t drive her all the way up to her house. She pays “him seven dollars, call him chickenshit under my breath, and haul my backpack and suitcases a quarter mile up the hill.”
  • Granny describes Liberty’s father. “Worthless piece o’ work ran his sorry ass out of town the same night Jess told him the news.”
  • On their way to the party, Cole looks over at Liberty and says “Shit, you’re probably freezing.” Then he hands her a blanket.
  • Dobber’s father calls Dobber a jackass.
  • Cole jokingly says he wants Dobber to go far far away and Dobber replies “Did I ask you, butthead?”
  • A girl warns Liberty about Cole. The girl says “He’ll shit on you just like he shit on every other girl he’s dated.” Liberty thinks the girl is a “bitch.”
  • Liberty calls her Granny an old bat and Granny mumbles “Old bat, my ass.”
  • At lunch, Dobber calls Peabody a ‘special kind of shit’ and Cole thinks that’s “bullcrap.”
  • “Oh my God,” Liberty exclaims when Cole tries to convince her the water is safe to drink.
  • After Granny is diagnosed with stage four lymphoma, Liberty thinks, “But my world’s far from perfect, and my one parent went AWOL, taking all my money and, with it, our only chance to escape this fucking toxic mountain.”
  • “What the hell?” Cole exclaims after Liberty punches him.
  • Dobber’s dad flips Liberty off when she leaves his house.
  • Dobber calls Mr. Peabody a “Mother fucker” when he sees him at the commissioner’s meeting.
  • After her speech to the commissioner did not go so well, Liberty says, “That bastard has the whole commission under his thumb!”
  • Dobber says his dad’s cancer, “sucks donkey balls.”
  • “Goddam Peabody” is a common expression used by Granny and Liberty. Liberty later adds to it, saying, “Fuck you, Peabody.”

Supernatural

  • None

Spiritual Content

  • For Liberty’s first meal in her grandmother’s home, she has to say grace. “God is great. God is good. Let us thank him for our food. By his hands, we are fed. Give us Lord, our daily bread. Amen.”
  • Throughout the book, Liberty goes to church. Liberty describes church saying, “But I like it. Even the sermon, which always lasted forever when I was little, flies by, and before I know it, the preacher is announcing the final song.”
  • Granny tries to calm Liberty during her X-rays, saying “Whatever happens to me, the good Lord says if you build your house on solid rock, you gon’ be okay.”
  • Liberty and her Granny are very poor and have to live off food stamps. She describes grocery shopping as recreating “the miracle of the loaves and fishes at Kroger today.”
  • After she is diagnosed with cancer and she starts experiencing intense pain, Granny “reaches for her Bible. As I close the door, she’s opening the book to random pages and reading whatever her finger lands on. I hope whatever she finds brings her some comfort.”

by Matthew Perkey

Guardians of the Taiga

Stacy doesn’t remember her human family. She has been raised by wolves who taught her how to survive in the wild. Stacy and her wolf family rely on each other for all their needs. The powerful, playful wolves—Addison, Basil, Everest, Noah, Tucker, and Wink—are the only family Stacy has ever needed.

As much as possible, Stacy and her pack avoid humans and try to keep the other forest animals safe. Full of courage, Stacy and the wolves are able to accomplish risky rescue missions. But Stacy soon finds that humans pose a risk to their home. Developers want to change the landscape, destroying the animal’s habitat and forcing them to leave the forest. Powerful businessmen are determined to make their resort a reality. How can Stacy and her pack face the dangers that threaten them?

Stacy takes precarious risks to care for animals in need. From the first page, readers see Stacy jumping into danger and relying on her wolf family to protect her. The Guardians of the Taiga’s non-stop action will have readers eager to turn each page. The story is not only entertaining, but it also teaches about animals, the dangers that humans pose to wildlife, and how developers can encroach on animal’s habitats. The story never feels like a lecture or a textbook, but instead teaches lessons through the characters’ experiences. For example, Stacy talks about an electric company that destroyed the beauty of nature when they “leveled a great swath of the forest for the electrical substation, and then shot at the wild creatures for trespassing on ‘their land.’ And the worst part was they acted entitled—as if the forest belonged to them more than it did to the wolves and the deer and the rabbits and even the bats.”

Even though Stacy is a unique character, readers will relate to her daring attitude, her concern for her wolf family, and her awkwardness around humans. Each wolf has a distinct personality, and although they do not talk, the reader is still able to connect with the animals. Even though Stacy is being raised by wolves, the wolves make sure Stacy has an education. For example, Stacy reads books such as Physics for Dummies, and at one point, Stacy uses physics in order to save a dog’s life. The physics is described in kid-friendly terms.

Readers will love the story because of the non-stop action, the danger, and the unique plot. Parents and teachers will appreciate Guardians of the Taiga because of the educational value. Not only does the story highlight the need to care for nature, but it also helps readers gain new vocabulary skills. The book contains some difficult vocabulary such as pelage, crepuscular, biomes, and satiated; however, many of these words appear in the glossary in the back of the book. Another positive aspect of the story is the black and white pictures that are scattered throughout the book.

The only negative aspect of the story is the abrupt conclusion that leaves many unanswered questions. Instead of wrapping up the story, the author sets up the sequel—Escape to the Mesa. The book ends with a selection of other reading material—an author interview, the inspiration for one of the characters, and an interview with a wolf researcher. Guardians of the Taiga will appeal to a wide range of readers including those who love animals, daring characters, and action. Readers who enjoy this series should add the Simon Thorn series to their list of must-read books.

Sexual Content

  • None

Violence

  • During a fire, a tree “cracked in two and toppled over, flames licking at its branches. It fell right in the middle of the wild pack, crushing several of its members. Stacy screamed, unsure of how many wolves had just been killed right in front of her.” Stacy tries to convince the wolves to follow her but Dusty, who was the alpha, wouldn’t move. Dusty “was illuminated by the flames, and Stacy could see a large patch of dark red on the wolf’s hindquarters. . . blood. Dusty wasn’t placing any weight on her back left leg. She’d been shot!” Stacy couldn’t help Dusty and eventually “the flames enveloped what was left of the den and consumed Dusty.”
  • Lightning strikes a wolf. “The wolf had a jagged, bloody strike down the left side of her body. . . Basil was stunned but alive.”

Drugs and Alcohol

  • None

Language

  • Stacy wonders, “why are there so many dang bats here?”

Supernatural

  • Stacy and the wolves are able to communicate, and the wolves can perform some human-like tasks.
  • A dog can communicate with bats through echolocation and is also able to understand Stacy’s words.

Spiritual Content

  • None

Focused

Clea can’t control her thoughts. Some days, her thoughts repeat in an endless loop. Other days, her mind jumps from topic to topic. Either way, she can’t focus on her homework. Even when she tries to focus really, really hard, she still gets distracted. Someone is always chewing their gum too loudly or making annoying noises.

But that’s not her only problem. Everything that Clea thinks pops out of her mouth. She can’t seem to keep the words from jumping out. Clea’s issues are starting to cause problems in other areas of her life—when she’s playing chess, or when she’s hanging out with her best friend. What’s worse is that other kids are starting to notice.

When Clea keeps doing poorly in school, her parents want to have her tested for ADHD. Clea is convinced that she doesn’t have ADHD. If she tried a little harder, everything would be fine. Then, when Clea has an epic fight with her best friend, she knows that something has to change. But how do you change something that is in your head?

Anyone who has struggled in school will be able to relate to Clea. Even when Clea tries her best, she still can’t focus. She constantly berates herself, thinking that she’s just too dumb to do well. Told from Clea’s point of view, Focused allows Clea’s frustration to take center stage. With the assistance of a cast of helpful adults—psychologists, teachers, parents, counselors—Clea gains new time management skills and learns how to speak up for herself.

Even though the story focuses on Clea’s difficulties, the reader will be drawn into the conflict between Clea and other characters in the story. Clea’s best friend is dealing with family problems while one of the chess players constantly puts Clea down. The story also adds a little romance, a little chess, and a host of imperfect characters. Clea’s sister Henley is one of the best parts of the story. The sweet little sister who struggles with talking is always cheering for Clea. Clea realizes that having a person love you unconditionally is amazing. She thinks, “It feels like magic that there’s a person in the world who thinks I’m definitely going to win, no matter what, just because I’m me.”

This easy-to-read story explains how ADHD works and teaches management skills as well. Best of all, it shows that having a learning disability is nothing to be ashamed about. Anyone who reads Focused will come away with a better understanding of ADHD plus empathy for those who struggle with their emotions. The story also highlights the importance of perseverance and forgiveness. Anyone who has ever struggled with feeling inferior or has struggled with school work should read Focused. The story will encourage young readers to ask for help when needed as well as never to give up.

Sexual Content

  • Red’s father moved to Colorado and has a new girlfriend. Red finds out that his dad married his girlfriend and that she is going to have a baby.
  • While talking to Dylan, Clea slips her hand into his, and “he wraps his fingers around mine and squeezes, like he doesn’t want to let go. My stomach flips.”
  • After Dylan asks Clea to be his girlfriend, they kiss. Clea smiles at him, and then “before I know it, his lips are on mine and we’re kissing. It’s soft and sweet and mint chocolate flavored, and I’m not sure what I’m supposed to do with my hands, so I leave them exactly where they are, because I never want the kissing to stop. I want to stay like this forever.”
  • Clea and her friend talk about kissing a boy. It was both of the girl’s first kiss. When Clea’s friend worries that she was bad at kissing, Clea googles “Am I bad at kissing?” Clea then asks her friend, “Okay—did you bump teeth? Or move your head all over the place? Or slobber?” When Clea’s friend says no, the girls laugh and decide they are good at kissing. The conversation takes place over a page.

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Clea thinks she is “an idiot.”
  • Jerk is used four times. Once Clea thinks a boy is a “jerk.” Later she tells the boy that he was acting like “a jerk.”
  • OMG is used six times.

Supernatural

  • None

Spiritual Content

  • None

 

 

Hey, Kiddo

Not everyone’s family is the same. Jarrett learned this at a very young age. Most of his classmates had a mommy and a daddy. But Jarrett’s family life is complicated. His mom is an addict who jumps in and out of his life. His dad is a mystery—Jarrett doesn’t even know his name. Jarett lives with his grandparents. Although his grandparents loved him, they could be very impatient and opinionated.

Now that Jarrett is a teenager, he wishes his life were normal. His grandparents send him to a Catholic high school, where he doesn’t know anyone. Jarrett’s trying to navigate a new high school, a drug-addicted mother, and new adolescent freedoms. Jarrett lives in a home where no one talks about his past, his parents, or his problems. Art is the only thing that brings Jarrett a sense of accomplishment. When Jarrett finally gets his driver’s license, he decides to confront his father and find his own identity.

Hey, Kiddo is a powerful memoir in a graphic novel format that explores the painful effects of drug addiction. Throughout the story, the author shares artifacts from his youth, including original letters from his mother and drawings he created when he was young. The easy-to-read format shows Jarrett’s narration and thoughts in burnt orange boxes to distinguish them from the conversation bubbles. The drawings appear in shades of gray with splashes of burnt orange. Although the drawings are not beautiful, they perfectly convey the dark tone, Jarrett’s hectic life, as well as show the array of negative emotions the characters feel.

Although Jarrett’s grandparents clearly love him, they are far from perfect. His foul-mouthed grandmother is often more concerned with her television shows than Jarrett. Jarrett’s grandfather is emotionally unavailable but teaches Jarrett about the value of hard work. The one constantly good thing in Jarrett’s life is his next-door neighbor and best friend. The two boys are completely different but stick by each other through difficult times. The story highlights that people do not have to be perfect to have a positive impact on someone’s life.

Many readers will be able to relate to Jarrett’s complicated relationship with his family. When it comes to his mother, Jarrett feels anger, hate, resentment, and love. One example of Jarrett’s conflicting emotions is when he has a hard time picking out a Mother’s Day card for his mom because no cards fit their relationship. Jarrett thinks, “Hallmark didn’t make cards that said, ‘Even though you did all of those drugs, you’re still a swell mom!’ or cards that read, ‘Hey, remember all that time you spent in jail and missed, like, every aspect of my childhood.’”

Even though Hey, Kid is a graphic novel, it contains mature themes and language. While the sentences on each page are short and simple, the words have an impact and highlight the harsh environment in which Jarrett lived, as well as the often frightening events in Jarrett’s life. The book ends with a detailed author’s note explaining more about his life. In the author’s note, Jarrett says, “Your childhood realities do not have to perpetuate themselves into adulthood, not if you don’t let them.” Hey, Kid is an impactful story that will make readers think about the true definition of family. Jarrett’s memoir is both heartbreaking and hopeful because it proves that circumstances do not have to define you.

Sexual Content

  • When Joe went on his first date with Shirley, they kiss.
  • Jarrett explains how his birth parents met. His mother met a man at “my father’s family’s bar. . . However they found each other, they did, and they managed to hide it from my father’s girlfriend. And then my mother got pregnant. . .My father backed off, claiming that the baby wasn’t his. Supposedly, his girlfriend started spreading stories about how my mother had been sleeping around, so the baby could belong to anybody. And sure, she had been sleeping around, but my mom knew he was the father as soon as I was born—I was white. All of her other boyfriends hadn’t been.”
  • When Jarrett was little, he walked into his mother’s room when she was in bed with a man. His mother yelled at him, “I told you not to come barging in here! Get back to your room!”
  • While watching the Price is Right, Jarrett’s grandmother watches a contestant go to the front, and she says, “Well this one looks like a tramp with her tits all flapping about.”
  • When Jarrett is getting dressed in the locker room, a boy laughs at Jarrett’s chest hair and says, “Nice chest vagina.”
  • A comic that Jarrett drew was printed in the newspaper. The comic shows two people getting ready to go into a dance. One boy’s quote bubble says, “Hey man, you got any protection?” The other boy’s quote bubble says, “What kind? Guns, knives, or condoms?”
  • Jarrett paints a mural of Napoleon, the school mascot. The light switch is on Napoleon’s private area.
  • Jarrett goes to a party where kids are drinking alcohol and one couple is making out. Someone yells, “Dude! Get a room!”

Violence

  • Two men show up at Jarrett’s mom’s house covered in blood and holding a knife. Although there are no words, the pictures show Jarrett’s mom helping the men clean up and dispose of the bloody clothing.
  • Jarrett’s hand gets stuck in an escalator, and someone pulls it out. The picture illustrates Jarrett’s bloody hand. His grandmother asks him, “What the hell were you thinking?” When he goes to school, Jarrett’s middle finger is sticking up in a huge bandage.
  • At a pool party, Jarrett and his friends put a flame to hairspray and accidently catch a stuffed animal on fire. They throw the stuffed animal in the pool.
  • Jarrett’s mother introduces Jarrett to her boyfriend. She tells Jarrett, “He had a tough childhood, watched his mother burn to death.”
  • After the cops show up at a party, Jarrett runs. Several boys see him walking and beat him up. A boy said, “You were looking at my girlfriend?” The fight is drawn over two pages. One boy holds Jarrett’s friend so he can’t help. Three other boys start punching Jarrett.” When Jarrett gets home, his grandfather tells him, “I told you nothing good happens after 11. . . This is what happens when you go ‘out.’ Now go to bed.”

Drugs and Alcohol

  • Often when Jarrett’s grandfather came home from work, “the front door would open and the smell of alcohol would fill the house.”
  • When Jarrett’s grandmother “was rally drunk” she used “foul language.” Once she tells Jarrett and his grandfather, “You are all a bunch of fecking assholes!
  • Jarrett’s mother was an addict, and “she’d steal anything to sell it for heroin.” Once, Jarrett’s grandfather sees a notice in the newspaper. After reading it, he tells Jarrett, “Well, if you were wondering where your mother has been, her name is here in the paper. They found her O.D.’d face down on the pavement.”
  • Jarrett and his grandparents go to a restaurant. Jarrett jokingly tries to order a “Southern Comfort Manhattan, gray with a twist, rocks on the side.” Jarrett says, “I had my grandparents’ drink order memorized. Ice on the side so they could fit more liquor in the glass.”

Language

  • Profanity is used often throughout the book. Although most of the characters use profanity occasionally, Jarrett’s grandmother uses it to the extreme. Profanity includes assholes, bitch, bastard, damn, goddamn, hell, holy crap, piss, fuck, son of a bitch, and shit.
  • When Jarrett’s mother found out she was pregnant, his grandmother “called her some terrible names.” Jarrett’s grandmother’s words are in large, orange letters and include: “goddamn mulatto baby! slut! You whore! prostitute! Hussy! Tramp!”
  • Jarrett’s grandmother calls her husband a “son of a bitch and a bastard.”
  • Oh dear God, for Christ’s sake, Jesus Christ, and Jesus, Mary and Joseph are used as exclamations often.
  • Jarrett’s mother was caught stealing, and she and Jarrett are taken to the police station. Jarrett’s grandfather tells her, “Les, you stay on this track and you’re gonna fuck up so bad that he’ll be taken into custody.”
  • A boy calls Jarrett a “wussy.” A different boy calls Jarrett a “faggot.”
  • While at the cemetery, Jarrett’s grandmother tells him, “And when I’m gone, I’m sure everyone will be saying ‘Thank god that bitch is dead.’”

Supernatural

  • None

Spiritual Content

  • Jarrett’s grandfather would go by the cemetery to see his parents, and “he always makes sure we stop and say a prayer for them whenever we are here.”
  • When Joe and Shirley married, their parents weren’t happy about the union. “It was a controversial union—Joe’s parents were Catholics who’d immigrated to the U.S. from Poland, while Shirley’s parents were Protestants who’d immigrated from Sweden.
  • Jarrett attends Holy Name, a Catholic high school. While at the Catholic School Jarrett is bullied by older boys. Jarrett tells his grandfather that “Holy Name is filled with a bunch of assholes.”
  • Jarrett’s half-sister asks if Jarrett will be at her first communion.

Far From the Tree

Grace always thought she was going to attend homecoming with her boyfriend, Max. All the pictures, suits, dresses, makeup, heels—it was supposed to be one of the happiest, most memorable nights of her life. However, after Grace gives birth to Peach, her and Max’s baby—Grace finds herself giving Peach away to adopted parents on homecoming night. After giving Peach away, Grace is desperately alone and decides to find her own biological mother.

As Grace searches through adoption paperwork for any information on her birth mother, she learns she has a biological sister and brother. Maya lives close by, but in a family where she feels she does not belong. After years of group homes Grace’s brother, Joaquin, now lives with foster parents. After a few awkward encounters at a local coffee shop, the three teenagers find out they have more in common with each other than they first thought. Together, they search for their mother, and along the way, they learn what truly defines a family.

Three diverse characters. Three diverse families. Three diverse storylines wrapped up into one magnificent book. Grace, Maya, and Joaquin are unique, well-developed characters each with their own problems. Grace feels alone in the world and finds it difficult to love. Maya feels as if she does not fit into her adopted family because her parents love their biological child more. Joaquin loves his foster parents but is scared to be adopted by them. Together, the three friends help each other cope with their problems. Their combined effort will show readers just how strong the ties of family and friendship are.

Although best suited for older readers, Far from the Tree paints a perfect picture of teenagers in modern-day society. Readers will feel as if they are one with Maya, Grace, and Joaquin and will empathize with them as they struggle against their inner demons. The siblings deal with a multitude of problems including racism, bullying, teen pregnancy, substance abuse, and mental health issues. The dilemmas the siblings face are authentic and will have readers in tears. Benway also dives into the problems that adopted children face and the bullying and torment they often encounter in school and foster homes.

Although the story is easy to read, the heavy topics, profanity, and sexual content make this book more appropriate for older readers. The three main characters each have a different perspective on the issues they encounter throughout the story, so every reader will be able to identify and relate to at least one of the characters and their struggles. Altogether, Benway creates a story of three teenagers against the world. Far from the Tree will tug on readers’ heartstrings and leave them with a new world perspective.

Sexual Content

  • Maya asks Grace if she had a boyfriend. Grace answered “yes,” and “Maya wondered if Grace was lying. Grace seemed like the kind of girl who would wait her whole life so she could lose her virginity on her wedding night, who would read Cosmo articles about How to give him the best blow job of his life! but never actually say the word blow job.”
  • Joaquin reminisces about the first time he kissed his girlfriend. He thinks, “The very first time she had kissed him, he had panicked at how soft she was, how hot her mouth felt, and he didn’t understand how someone with such cold hands could have such a warm heart.”
  • While eating in a sandwich shop, Rafe and Grace sit close to each other. Grace thinks that “no boy had been this close to Grace since the night she and Max had the sex that produced Peach, but she didn’t scoot away from him.”
  • After fighting, Maya and her girlfriend Claire decide to make out. “Maya smiled again, her teeth bumping against Claire’s mouth.” Maya says, “Because nothing’s more hot than making out behind the gym at school.”
  • When Grace accidentally falls in Rafe’s arms, “Grace knew what she was supposed to do in the TV-show version of this moment: kiss him. She knew what she wanted to do: kiss him. And she knew what she couldn’t do, not just yet.”
  • Maya asks Grace if intercourse with Max was good. Grace says, “At least tell me the sex was good. If you have to get pregnant and have a baby, the sex should be mind-blowing.”
  • After breaking up with his girlfriend, Joaquin sees her kissing Colin. Joaquin describes this encounter in detail saying, “They were kissing, Birdie’s long arm wrapped around Colin’s neck the same way that she used to wrap it around Joaquin’s. If he thought about it too much, Joaquin could almost feel the warmth of her skin, the heat of her mouth, the way she always smelled good, like soap and shampoo.” One of Birdie’s friends runs up to Joaquin after the encounter and insists that she is doing it to make him jealous.

Violence

  • When Maya was in third grade, Emily Whitmore explained how Maya’s sister would always be loved more than her because she is a biological child. Maya could still remember “Emily’s face as she explained the ‘facts’ to her, could still remember the sharp, cutting way she’d wanted to put her eight-year-old fist right through Emily’s smug little mug.”
  • After being harassed about having a baby with Adam, “Grace didn’t know what moved first, her body or her hand, but then she was flying over her desk like she was running the hurdles in gym class, her fist out so it could make clean contact with Adam’s face. He made a sound like someone had let the air out of him, and when he fell backward, his desk trapping him against the floor, Grace pinned him and punched him again. She hadn’t had this much adrenaline since Peach had been born. It felt good. She even smiled when she punched Adam for the third time.” Grace and Adam are both taken to the office, and Grace has to be homeschooled for the rest of the year. This scene takes place over two pages.
  • After going out for dinner, Maya finds her mom on the bathroom floor, “crumpled like a baby bird that had fallen out of its nest, and there was blood coming from her head, staining the marble floor that was freezing cold under Maya’s bare feet.” Maya’s mom had fallen after drinking too much.
  • The siblings are meeting at a coffee shop when Adam appears and harasses Grace yet again for having a baby. “Maya was about to do something, say something, anything to release the pressure that she felt exploding her chest, when suddenly Joaquin was up and moving so fast that no one saw him coming. In one smooth motion, he had Adam up against the wall, his forearm pressed across his chest, and Adam looked wide-eyed and scared, a fish out of water.” Joaquin threatens Adam, and Adam never hurts Grace again. This scene takes place over two pages.
  • Joaquin discusses his anger management issues. During one of his temper tantrums when he was younger, Joaquin threw a metal stapler at Natalie, a toddler that Joaquin’s former foster parents, the Buchanan’s, loved. After it hit her in the head and knocked her unconscious, Mr. Buchanan let out a roar and grabbed Joaquin and threw him against a bookshelf, breaking Joaquin’s arm. “Joaquin could still hear the crack of bone, one white-hot pain replacing another, but nothing was as loud as the sound of Natalie falling to the floor.” This scene takes place over two pages.
  • Aunt Jessica describes a truck accident. The woman “was twenty-one, crossing the street, and she got hit by a trucker who ran a red light. He said he didn’t even see her. She died instantly, they said. She didn’t suffer. I worried about that, but that’s what they told us.”

Drugs and Alcohol

  • The night Maya got caught sneaking out with her girlfriend, Maya “had met up with Claire in the park, smoking a joint that Claire had stolen from her older brother, Caleb.”
  • Maya’s mom is an alcoholic, and Maya finds her hidden wine while looking for some costume materials. When Maya pulls boots from the closet, she thinks that “they were heavy when she pulled them out, though, way heavier than any boots should have been, and by the time she’d wrestled them out of the closet and into the bedroom, the bottle of merlot had fallen out. Maya looked at it for a long minute before reaching into the other boot and pulling out a half-full bottle of red zinfandel.”
  • Maya and Grace smoke a joint, much to Joaquin’s surprise. He asks, “Are you supposed to be smoking weed?”

Language

  • Profanity is used frequently. Profanity includes asshole, boobs, slut, idiot, damn, and variations of shit and fuck.
  • Oh My god is used as an exclamation often.
  • After Maya reminisces about being bullied for being adopted, Maya says, “Other kids could be real assholes.”
  • When they pulled up to Maya’s house, Grace’s dad whistled under his breath, and her mom said, “Oh my God, I knew you should have worn a suit.”
  • Joaquin realizes that he has two sisters and exclaims, “Holy shit.”
  • After breaking up with Birdie, Birdie’s friend Marjorie says, “You’re a real asshole you know that?” to Joaquin.
  • At school, Grace was called, “Slut, baby mama, Shamu – the list went on.”
  • When Grace sits down at her desk on her first day back, “Someone had carved SLUT into the fake wood desk, but she wasn’t sure if that was for her, some other girl, or just the product of some bored junior who had a limited vocabulary.”
  • Adam makes fun of Grace by saying, “Grace! Hey, are your boobs all saggy now?”
  • Rafe finds Grace crying in the bathroom after her fight with Adam and says, “Shit, I’m sorry, I’m so bad when people cry.”
  • When Grace asks Maya how school is going, Maya answers, “Sucks donkey balls.”
  • Joaquin likes “Ana’s no-bullshit approach to therapy.”
  • Joaquin thinks that his younger self was “a fucking idiot who fucked everything up.”
  • Maya says, “Everything is so fucking fucked up.”
  • Joaquin was scared of being adopted because he thought his birth mom would come back for him. He says, “It’s stupid, I know, it’s so fucking stupid. I was such an idiot.”
  • Claire freaks out after her parents question her about her relationship with Rafe, and says “If I can’t move forward and like someone and make friends and, God forbid, fall in love again, then I don’t understand why I gave up my baby in the first place!” She ends the argument by saying, “And you can tell Elaine from down the street that what I do is none of her damn business.”
  • After Maya continues to annoy Grace while driving, Grace says, “Maya, I swear to God.”

Supernatural

  • None

Spiritual Content

  • Maya jokes with Grace about why she got grounded, saying “I snuck out last week to practice devil worship with these kids I met in a cornfield.”
  • Maya remembers how Lauren cried after her fish died. Maya “would still swear on a stack of Bibles that she hadn’t touched that creepy, scaly thing. Lauren was paranoid and a terrible fish parent, that was all.”
  • When Grace dips her fries in mayonnaise, Rafe says, “Mayonnaise, it’s the devil’s condiment.”
  • Jessica says, “Oh. Thank God ” after she learns that Grace has great parents.

by Matthew Perkey

Spark

In Algorria, storm beasts and their guardians create perfect weather every day, bringing prosperity and peace to Algorria. Twelve-year-old Mina has been carefully tending a storm beast egg, and is eager for the egg to hatch. Everyone is surprised when a lightning beast hatches from Mina’s egg. Mina’s family thinks that their quiet, shy daughter should not be paired up with a lightning beast, a creature of fire and chaos.

Unlike her family, Mina is sure that she, her storm beast, and Pixit are perfect for each other. Mina and Pixit are enrolled in lightning school and begin to learn the skills of lightning guardians. Even though Mina has always dreamed of completing daring acts, she struggles at school. She is unable to learn the basic skills and often feels as if she doesn’t fit in anywhere.

When Mina accidentally learns that Alorria’s perfect weather comes at a devastating cost, she discovers that powerful people are willing to do anything to hide the truth. Mina has never been able to speak out, but now without her help people will die. Mina and Pixit both dream of being like storybook heroes that change the world for the better. Is there any way that Mina can find her voice?

Readers will pick up Spark because of the beautiful cover of a storm beast, but they will keep turning the pages until the very end because of the beautiful relationship between Mina and Pixit. Anyone who has been afraid to speak up will relate to Mina, who is happy to let others take over the conversation. Yet within the quiet girl’s heart is the dream of making a positive impact in the world. Mina often struggles with feelings of insecurity, but with Pixit’s help Mina learns that being “different isn’t wrong.” In order to help others, Mina does not need to change herself. Instead, she only needs to use her own unique talents.

This engaging story uses a unique setting to bring modern-day problems to the forefront. As part of Mina’s studies, she is introduced to the idea of isolationism which is explained as follows: “Isolationism—defined as caring only about your own country—had the benefit of limiting the area that the early storm beast and guardians had to protect. Here’s the important bit to understand: all the world’s weather is connected, and more complex than you can comprehend.”

As Mina learns more about her country, she gets a lesson in false propaganda and how the political leaders are willing to suppress the truth because they fear change. However, the message is clear: “you can’t dismiss the facts just because you don’t like where they lead.” Even though Mina is quiet, she finds a way to become a leader. However, becoming a leader was not an easy choice for Mina. Her self-doubt and worry come through because Pixit can hear Mina’s thoughts. The relationship between Mina and her storm beast is so endearing that it will leave readers wishing they had a storm beast of their own.

Not only is Spark an exceptional story, but it also teaches readers that it is possible to change the world for the better. By the end of the story, Mina and Pixit feel like friends who have made a positive impact on you. Spark is an unforgettable story that will resonate with children and leave them wanting to be kinder, better people who do good in the world.

Sexual Content

  • None

Violence

  • A fight broke out in the school’s dining hall. A student “launched herself across the tables, and dozens of her friends joined her. . . dozens of other students threw themselves into the battle. . . Mina, unable to run, unable to move, stared as students and beasts fought in front of her, over the tables, and up on the metal ladders, chains, and other obstacles.” Pixit joins the fight, and Mina “felt pain shoot through her arm as another beast bit into him.” Some students began throwing potatoes. A teacher breaks up the fight, which lasts for two pages.

Drugs and Alcohol

  • None

Language

  • One of the students tells Min, “Mina, tell him he’s an idiot. He doesn’t believe me when I say it.”

Supernatural

  • Storm beasts and their guardians create perfect weather every day. Wind beasts blow the clouds away, sun beasts produce balmy temperatures, rain beasts water the crops, and so on.
  • When a person is chosen to care for a storm beast’s egg, the person must spend time each day with skin-to-egg contact. When the egg hatches, the person and the storm beast are linked. Mina’s brother “Gaton had told her what it felt like to be linked mind-to-mind to a storm beast: he couldn’t hear all of Arde’s thoughts the way he heard his own, and Arde couldn’t always hear his, but he could always feel Arde’s emotions like a constant hum in the back of his mind. . . And when he wanted to talk to Arde, all he had to do was concentrate on both the words and his beast. It was like shouting. But quietly.”
  • Mina and Pixit can feel each other’s emotions. For example, when Mina and Pixit were about to fly into a storm, Mina “felt Pixit’s nervousness, like bubbles in her veins.”
  • Lightning beasts can store lightning, and the guardians can then discharge the lightning’s energy. During a storm, Mina “rose in her seat, and she reached her arms up, hands high over her head, fingers spread. . . Roaring, Pixit flew into the lightning. Mina felt it hit her fingers and rattle down her arms. She brought her hands together, holding the lightning steady above her. . . Mina opened her hands and released the electricity. Some of it spread through the air and slammed down, harmlessly, on the blackened hills below. But most of the energy was absorbed into Pixit, causing him to glow an even more brilliant yellow.”

Spiritual Content

  • None

Ghostopolis

Garth Hale is going to die, but he is still surprised when he is accidentally zapped into the ghost world by Frank Gallows, a washed-up Ghost wrangler. Frank doesn’t believe in himself, but he’s determined to fix his mistake and bring Garth home. But getting Garth home isn’t going to be easy. The power-hungry, evil ruler of Ghostopolis wants to trap Garth. With Garth under his control, the evil ruler can tighten his grip on the spirit world. While in the ghost world, Garth meets his grandfather, who promises to help Garth return home. With the help of a bone horse, his grandfather, Frank Gallows and others, Garth may just find a way out of the ghost world.

TenNapel creates a complex, interesting ghost world using comic-style illustrations that do an exceptional job showing the character’s emotions. Younger readers will enjoy the many multi-paged, action-packed panels that contain onomatopoeias like “shink, hack, putt, snuff.” The story contains surprising pockets of humor that will make the reader laugh out loud. However, many younger readers may not understand the historical reference to Benedict Arnold, which adds to the story’s humor.

The plot is not necessarily original, but the ghost world does have frightening, fantastic creatures. Integrated into the plot are lessons about not giving up, using your imagination, as well as the fact that children do not need to make the same mistakes as their parents. Garth meets his grandfather, who illustrates the idea that it’s never too late for second chances, even if you’re a ghost.

A man named Joe created Ghostopolis. Joe is similar to Christ, and although he is portrayed in a positive manner, his appearance in the story is random and does nothing to advance the plot. The story does contain a love triangle, and although the relationship happened before the story began, one of the characters comes to realize that, “Love is in the acts, not in the feels.”

Ghostopolis uses a creative story about the afterlife to focus on relationships. Younger readers will enjoy the spooky adventure that allows a boy to be friends with a bone horse. Older readers will appreciate the story as it explores family relationships. Ghostopolis will engage readers because of the easy-to-read text, spooky spirit world, and protagonist that they can root for.

Sexual Content

  • Claire, who broke up with her boyfriend, tells him, “If I had known what a slime you were, I’d have left you even sooner!”

Violence

  • A dog bites Frank on the nose.
  • When Garth gets to the afterlife, dinosaur skeletons chase him. The scene is illustrated over nine pages.
  • Bugs on four-wheelers chase Garth and his grandfather, but they are able to hide.
  • Bugs try to capture Garth, who uses his power to get away. During the fight, Frank tries to help Garth, but an old woman hits him. Then Frank’s friend hits the old woman, and a brawl begins in the street. The fight is illustrated over eight pages.
  • In order to save the boy from the bugs, Frank grabs him out of a flying vehicle. Grandpa hits the bug in the face. Garth eventually uses his power to whap the bug. The scene is illustrated over four pages.
  • A skeleton holds a sword against a woman’s throat and leads her away. Garth and Frank follow. The woman is not injured.
  • The story ends with an epic battle over 54 pages. The bugs attack and kill the bone king. The villain pulls a gun on Garth’s friends. In the end, Garth uses his power to defeat the evil villain, who flees and then comes back. The villain grows large and throws a man. He is defeated in the end.

Drugs and Alcohol

  • Garth’s mother tells him, “Grandpa was a drunk.”

Language

  • Heck and crud are used once.
  • Frank calls Benedict Arnold a jerk.

Supernatural

  • Garth is accidentally zapped into the afterlife.

Spiritual Content

  • When people die and go to the afterlife, they go to a city called Ghostopolis, which was created by “A mysterious Tuskegee airman named Joe. He made every mountain you see, laying one chunk of sand at a time. He stacked every brick in Ghostopolis so that ghosts would have a place to live. . . Joe is a mysterious guy. Most of us have never even seen him. We only know him by the work he’s done.”
  • Garth meets Joe, who is helping people leave Ghostopolis through a crack in the wall. He helps the children, the widows, and the infirm go first. Joe will not take Garth through the crack, because “it’s not for you. . . yet.” Joe tells Garth, “I know a lot of things about you, Garth. And I’m rooting for you anyway.”
  • The afterlife has seven kingdoms—the bone kingdom, the mummies, the specters, the wisps, the zombies, and the boogeymen.
  • In the afterlife, people “get put back to our internal age. It gives us a chance to take care of unfinished business.”
  • After the villain throws a man, and when someone saves him, the man says, “Thank God!”

Anya’s Ghost

Anya just wants to fit in with the other kids. But, she knows that she’s not like them. She’s embarrassed of her Russian heritage, self-conscious about her body, and she only has one friend at school. After a particularly bad day at school, Anya distractedly walks home and falls into a well.

Anya didn’t expect to find a new friend at the bottom of the well, especially not one that has been dead for a century. Anya thinks the ghost is just what she needs to make her life better. But Anya’s new BFF isn’t telling the truth about how she ended up dead in a well. Can Anya trust her ghostly BFF or will Anya’s new friend turn into her worst nightmare?

Brosgal’s fantastic artwork brings Anya’s terrible teenage years to life. The illustrations capture Anya’s conflicting emotions and her angst as she navigates high school. After Anya’s family immigrated to America, Anya was bullied which caused her to turn away from her heritage. In order to fit in, Anya has learned to talk without an accent, as well as look like all of her classmates. However, Anya still struggles with making friends, she has insecurities about her body, and she is angry about life in general. Anya’s character is incredibly real—she is snarky, sarcastic; she sulks and sneers her way through life. Although Anya acts like many teens, she is not a role model. She’s rude to her family, unmotivated to do well in school, and sneaks out of class to smoke cigarettes. Despite Anya’s negative attitude, readers can still learn powerful lessons from the less-than-perfect teen.

Anya is self-centered and only thinks about herself. At first, when Anya meets her ghost, she just wants the ghost to disappear from her life. But when the ghost helps her cheat on a test, Anya thinks having a ghost around might not be so bad. Anya is so self-centered that she doesn’t even ask the ghost her name until the ghost becomes helpful. Anya also treats a Russian boy terribly. Anya doesn’t want to associate with the Russian boy at her school because he’s “fresh off the boat.”

The story also portrays teachers in a negative way. The teacher doesn’t notice when Anya sneaks out a classroom window. Another student complains about the P.E. teacher who makes them complete the physical fitness test because “he just likes watching us run around in these stupid skirts.” Then when Anya trips in class and the other girls jump over her, the teacher says, “Ladies! If we are all done losing ourselves in Anya’s derriere, we have a test to finish.”

Despite the negative aspects of the books, the story will make readers reconsider how they treat others. The story highlights the courage it takes for teens to embrace their differences instead of trying to blend in with the crowd. Anya’s Ghost uses real-life situations and humor to show how it feels to be an outsider. Anya wishes that she was skinnier, had more friends, and had a different last name. But thanks to Anya’s spooky, demanding ghost, Anya learns to appreciate her life, even if that means embracing her Russian heritage. Anya’s Ghost is comical, compassionate, creepy, and will engage even the most reluctant readers.

Sexual Content

  • Anya has a crush on Sean. She sees Sean in front of the school, kissing a girl.
  • When someone teases Anya, her friend tells the girl, “Hey, Katy, I heard about your nice moves in the boys’ bathroom today.”
  • Anya tells her friend that Sean talked to her. Anya’s friend replies, “Are you sure he wasn’t talking to your boobs?”
  • Anya fantasizes about kissing Sean. In the fantasy, the two dance, and then Sean says, “Oh Anya, let’s have an intense spiritual relationship for no believable reason.” To which Anya replies, “Oh, Sean, Take me away!”
  • To go to a party, Anya dresses in a short skirt and a low-cut shirt. When she looks at herself, she says, “this feels kind of slutty.” When Anya gets to the party, a boy tells her, “Your boobs look spectacular in that shirt.”
  • At a party, Anya finds Sean’s girlfriend outside a door. Anya can hear a girl giggling inside the room. Sean comes out of the room and briefly flirts with Anya. Then Sean tells his girlfriend, “Maybe a bit more of a signal next time, Liz?” Sean’s girlfriend reveals that the girl in the room is another boy’s girlfriend.
  • Anya decides she doesn’t want anything to do with Sean because “he’s upstairs making out with Amber.”

Violence

  • The ghost, Emily, tells Anya that she fell into a well and died, but “it didn’t hurt. But I couldn’t move or talk. I got very thirsty and then I died.
  • The ghost tells a story about how her parents were “very religious” and would offer to let passing people sleep in the barn. One man who “seemed like a good Christian” killed her parents. When Emily “woke up from a dream and came downstairs, he was standing over my parents’ bodies, ready to go upstairs for me.” Emily ran and fell down a well, where she died.
  • When Emily was alive, she had a crush on a man. When she sees the man with another woman, Emily killed them both. Emily says, “He said I was ugly! He broke my heart!”
  • The ghost tries to hurt Emily’s mother by turning on the stove burner and poisoning the food.

Drugs and Alcohol

  • Anya and her friend skip class so they can smoke cigarettes.
  • During a conversation, Sean says that his friend gets “kind of freaky when he’s drunk.”
  • Anya goes to a party, where it’s implied that teens are drinking.

Language

  • Profanity is used frequently. Profanity includes: ass, badass, crap, goddamn, and whore.
  • Anya’s friend tells her, “I heard about you down that freakin’ well for two days! That’s so badass.”
  • God, my God, and Oh my God are used as an exclamation frequently. When the ghost sneaks up on Anya, Anya says, “Jesus, Emily! You scared me to death!”
  • A girl tells Anya’s friend, “Screw you.”
  • When a girl teases Anya, her friend tells her, “forget about that whore, Anya.”
  • A girl says her brother said Sean was a dirtbag. The same girl says that Sean is a manwhore.
  • Anya says that Emily is “just a pissy cloud.”

Supernatural

  • Anya falls into a well and meets a ghost, who “can’t go very far from my bones.”

Spiritual Content

  • Anya falls into a well. When she finds food in her backpack, she says “Oh, Thank God.” Later, when someone finds her in the well, she again says, “Oh, Thank God.”
  • There is a picture of Jesus on the wall in Anya’s house. When Anya cusses, her mom tells Anya not to “swear in front of Jesus.”
  • Anya refuses to go to church with her family. When her mom tells Anya people are worried about her, Anya asks, “Because I’m sick or because I’m going to hell?” Later Anya tells the ghost that she doesn’t want to go to church because “orthodox church is weird.”

The Friendship War

Grace and Ellie have been best friends since second grade. Grace doesn’t mind that Ellie always gets her way and is always the center of attention. When it comes to Ellie, Grace is used to tagging along and doing what Ellie wants.

Everything changes when Grace shares part of her button collection at school, and accidentally starts a new fad. Soon students in her grade, and then the entire school is trading and fighting over buttons. Grace has always been okay with fading into the background, but when button fever hits her, she just has to have the button with a blue pinwheel. Soon Grace and Ellie argue over a button, and it looks like their friendship might just be over. Button collecting may have cost Grace one friend, but it also leads her to a new one—Hank, the biggest button collector in the sixth grade. Is there any way the two new friends can figure out how to stop the button craze?

Readers will relate to Grace, who connects to the world through math. Grace is always counting, collecting, and overthinking. Her unique flaws and the way she connects with others will give readers a unique perspective as well as show how people with different personalities and interests can still be friends. Throughout the book, readers will learn new words because Grace explains several scientific words and ideas. The vocabulary is so ingrained into the plot that learning new concepts never feels like a school lesson. Learning about science, math, and the history of buttons has never been so much fun!

Another positive aspect of the story is Grace’s strong relationship with her family, who understands her crazy collections. Her family relationships extend to her grandfather, who writes letters and texts to Grace. Scattered throughout the story are conversations about Grace’s recently deceased Gramma, which gives insight into the grieving process.

The Friendship War, which is written by the same author of Frindle, is a fast-paced story that highlights the complicated nature of friendship. Through Grace’s experiences, the reader will learn not only the value of friendship but also how friendship should not be one-sided. At one point, the school principal tells Grace, “It’s a great thing to have one good friend, but to have two looking out for you? That’s nothing short of wonderful.” The story also highlights the importance of forgiveness and taking responsibility for your actions. The Friendship War is a highly entertaining story that not only shows the family in a positive light but is also packed with life lessons that are so ingrained in the story that the message is never preachy.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Grace thinks that her brother is “acting like a jerk today.”

Supernatural

  • None

Spiritual Content

  • Grace and her mom have a two-page conversation about what happens after someone dies. Grace’s mom says, “If you’re asking me if your grandmother is still herself, still somewhere, then I would say yes, I believe she is. But do I know that, the same way I know that the sun comes up every morning? Then, no, I don’t know it like that. . . I believe that Gramma is still herself, still thinking, still loving you and Ben and your dad and me and Grampa. . . And I guess I won’t completely know any of this for sure until that moment when I die, or rather, when I don’t die—when I figure out that I haven’t stopped thinking or stopped being myself. Where I will be at that moment, or what any of that will be like—I have no idea.”

 

 

Drama

When Callie’s middle school decides to produce Moon over Mississippi, Callie doesn’t want to be on stage. She loves theater, and as part of the stage crew, she wants to create a set worthy of Broadway. But bringing her big ideas to life won’t be easy with a middle school budget and her lack of carpentry knowledge.

Once the actors are chosen, Callie finds herself in the middle of drama onstage and offstage. The actors don’t all get along, and Callie has a confusing crush on an eighth-grader. When two cute brothers enter the picture, things get even crazier.

Drama focuses mostly on the stage crew, which gives the readers a unique look at the hard work that takes place behind the scenes. Told from Callie’s point of view, many fans will be able to relate to Callie as she deals with the confusing world of middle school. Callie is naive, cheerful, and obsessed with having a boyfriend. Callie seems to fall in love with any boy that is nice to her, which causes her heartache. However, Callie does seem to finally realize that having a boyfriend isn’t necessary.

The drawings are colorful and do an excellent job of showing the character’s emotions through their facial expressions. Reluctant readers will appreciate that many of the pages do not have words, but instead tell the story through drawings. Readers will love the manga-infused art, which shows the jealousies and misunderstandings of the cast members.

Although Drama does revolve around the students’ production of Moon Over Mississippi, a majority of the story focuses on the characters trying to discover themselves and their sexual orientation. Like a soap opera, the characters in the book are very interested in who likes who, and who broke up with who. When Callie’s friend tells her that he is gay, Callie easily accepts it and promises to keep the information secret. Drama highlights the importance of being accepting and open-minded, and not judging those who are exploring their sexuality—whether they are straight, gay, or bisexual. Although many readers will enjoy the graphic novel Drama, Callie and the plot are not unique or memorable. There is too much romantic angst and not enough action focusing on the production of the play.

Sexual Content

  • Callie has a crush on Greg. When Greg tells her that he broke up with his girlfriend, she kisses him on the cheek. Greg asks, “What was that for?” Callie tells him, “Oh, I don’t know. Just something I’ve been wanting to do for a while.” They have a short conversation, and then Greg kisses her on the lips. The next day at school, Greg ignores her.
  • In order to make Greg jealous, Callie walks by the baseball field with two of her guy friends.
  • One of Callie’s guy friends tells her that he’s gay. Later, when they discuss the eighth grade dance, the boy says he won’t ask another guy because “my dad would probably flip out, and I’m not sure if he’s ready for that. I’m not sure if I’m ready.” The boy says his parents suspect he’s gay, but “we don’t discuss it.”
  • Callie and a group of theatre kids go into the school’s basement to look at the costumes. They find a girl and a boy hiding behind a rack of clothes, kissing.
  • During the school production, a boy breaks up with the lead girl right before the play is about to begin. The girl melts down and refuses to continue acting in the play. In an act of desperation, one of the boys dresses in an evening gown and steps in for the missing girl. During the kissing scene, two boys kiss. There is an illustration of the shocked expressions of the audience.
  • A boy likes another boy, but he’s unsure if they will become a couple because “West still doesn’t know if he’s really gay. Or, I dunno, Bi, or whatever.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Callie calls her brother a “fuzzbrain.”
  • Callie’s friend calls Greg a “dork.”
  • A boy calls his brother a “jerk-face.”
  • “Heck” is used twice. “Darn” is used once.

Supernatural

  • None

Spiritual Content

  • None

Bad Island

Reese doesn’t want to go on a boating trip with his family. He doesn’t understand why he can’t just stay home alone. When the family heads out to sea, a surprise storm wrecks their ship, and they end up on a strange island. The island has weird plants, weirder animals, and lethal inhabitants.

The castaways must find a way to escape the island’s inhabitants. But they have few resources, and there are strange creatures swarming the island. When the family finds an artifact, they follow the clues trying to unlock the island’s secrets. Is there any way Reese and his family can survive on this bad island?

Bad Island is an action-packed story that combines two stories. Giant aliens are at war with another empire, and some of the aliens eventually come to Earth. The family, who just wanted to take a boating trip, ends up on the same island with the aliens. The beginning of the story is a bit confusing because the illustrations have very little text to explain the alien conflict. More information about the aliens, the war, and the conflict would have been helpful. Even though the story and the characters are underdeveloped, Bad Island still has many positive aspects.

The comic style illustrations bring the bad island’s creepy inhabitants to life. Much of the fighting is illustrated in kid-friendly pictures and contains bold onomatopoeias such as “Fling! Blaaarrr! Swack! Chomp! Whomp!” The action-packed sequences and character’s expressions give the story an added depth of emotion. As the book weaves the two stories together, the readers will see the parallels between the stories that focus on the father and son relationship.

Younger readers will be drawn to Bad Island because of the amazing illustrations, and they will also relate to the characters in the story. Anyone who has an annoying little sister will have empathy for Reese, who has to try to save his sister even while she drives him crazy. The story clearly shows the importance of family love. Bad Island contains little bits of text scattered throughout the story, a simple plot, and a positive message that is perfect for younger readers who are reluctant to dive into books.

Sexual Content

  • None

Violence

  • The story shows aliens at war; the pictures show the fighting in non-gory, kid-friendly detail over seven pages.
  • When the family captures an alien and ties it up, a huge tree-like creature chases the family. In order to escape, the dad cuts the vines of the tree.
  • Strange creatures attack the family; the kids are able to run away, but the parents are captured. As the kids run, Reese shoots a creature with a flare gun. The creature catches on fire. The parents are tied up and put in a hole. The scene takes place over 12 pages.
  • When the parents are captured, the creatures try to put the parents in a pit of acid. Reese throws rocks at the creatures, and the parents escape. Some of the creatures are thrown into the acid. The chase scene takes place over many, many pages.
  • Reese kicks a creature.
  • While exploring the inside of an alien robot, the robot awakens and snaps Janie in its teeth.
  • In another world, the aliens are fighting a war, and an alien is stabbed in the stomach; he is put in cryo-sleep.
  • Another alien attacks the family and uses some type of power to stop the dad from moving. Another alien helps the family escape.

Drugs and Alcohol

  • None

Language

  • Heck is used twice.
  • When Reece was born, he stopped breathing, and his dad said, “On that day, I was scared as hell.”
  • When Reece sees a monster-alien, he says “Oh, crud.”
  • The dad calls an alien a jerk.

Supernatural

  • A skeleton comes to life and is being controlled by an alien being.
  • When the kids touch a rock with a symbol on it, they turn invisible.
  • Janie’s pet snake comes back to life.

Spiritual Content

  • When the family’s boat crashes and no one is injured except a pet snake, the mom says, “Oh, Thank God it’s just the snake.”
  • When Janie’s snake dies, she asks her father, “Do you think he went to heaven?” The dad replies, “I don’t know, Janie. . .But if there is a snake heaven, I’m sure Pickles will be the first one to slither through that door.”

The Fugitive

In The Fugitive, Theo Boone’s class trip to Washington DC goes from normal to interesting in a matter of minutes after he spots the most wanted man in Stratten County: Pete Duffy. Duffy had gone to court in the past for murdering his wife but had escaped due to a mistrial. Theo spots him on their trip and trails the fugitive before talking to his uncle and getting the FBI involved.

The rest of the story takes place in Strattenburg, the same city where Duffy was originally tried. Theo works with his friends, his two lawyer parents, and the FBI to figure out a way to make sure Pete doesn’t get away this time. The only person who saw Duffy is an illegal immigrant, who is scared of what might happen if he shows up in court. Theo has to convince the witness of the need for justice in spite of his fear because nobody else witnessed the crime, and the trial is resting on his testimony. Also, Theo himself also has to get over his fears of Pete Duffy’s accomplices who are known to be violent and brutal, just like the criminal in question. And he has to do all of this while managing his time with school, his friends, and his family.

The Fugitive is aimed at a younger audience but still contains a few adult themes, especially violence and even murder. Grisham doesn’t go into extreme detail when describing these events, but his choice to include a violent crime paints a more believable story. Theo’s story is an exciting thriller but also manages to include the less-exciting parts of crime that take place in the courtroom, such as having to repeat a trial multiple times due to legal errors like a late witness. After tracking down a notorious fugitive, it’s ironic that the only thing keeping him from imprisonment is a mistrial. Boone and the other characters acknowledge this, and much of the story consists of them creating a strong enough case to put Duffy behind bars.

An important lesson that the book conveys is an appreciation for laws and justice. As much as Theo or anyone else would like to just imprison Duffy because they know what he did, doing so without enough evidence would be a violation of due process. In addition, Theo and his parents do a number of good deeds for society, including volunteering at a homeless shelter, opening up free law practices, and just practicing law.

Theodore Boone provides a funny and relatable character for younger audiences. Besides helping capture one of the FBI’s most wanted, Theo is pretty much an ordinary kid. His character design in addition to the enticing thriller that John Grisham has written results in a captivating crime novel that isn’t filled with violence and gore. Theodore Boone: The Fugitive is an excellent read for any aspiring detective.

 Sexual Content

  • None

Violence

  • A character recounts how John Wilkes Booth “shot the president once in the back of the head.”
  • Pete Duffy was “accused of murdering his wife.”
  • Theo’s uncle Ike tells the story of Joel Furniss, “the first boy from Stratten County to be killed in Vietnam.”
  • Bobby Escobar “saw Pete Duffy sneak into his home at the exact time his wife was killed. And he found the golf gloves Duffy was wearing when he strangled his wife.”
  • Mr. Tweel, a farmer, explains how “About an hour after I get rid of the boys, after I get their names and address, I go back down to the goat pen to check on things. That’s when I saw that Becky was dead.”
  • As evidence, “a large photo was displayed on the screen, and the jurors got another look at Myra Duffy as she was found on the carpet. She was wearing a pretty dress; her high heels were still on her feet. . . the next one was a close-up of her neck, and the detective noticed a redness and slight puffiness on both sides of her neck. He immediately suspected strangulation.”
  • As Theo is marched down the hall by two officers, he compares it to “a man being led to the electric chair, or the gas chamber, or the firing squad.”

Drugs and Alcohol

  • Ike “was sipping on beer and listening to old Motown tunes” when Theo talked to him.
  • Bobby Escobar “likes to drink beer and brings it home.”

Language

  • “Two bozos—Jimbo Nance and Duck DeFoe dropped water balloons from a fifth-floor hotel room.”
  • “Woody and a couple of other clowns booed and hissed as Theo sprinted from the room.”
  • Judge Gantry says to Theo, “Nice work, Theo. Now get your butt back to school.”

Supernatural

  • None

Spiritual Content

  • The bailiff asks, “May God bless this Court,” before proceeding with Pete Duffy’s trial.

by Dylan Chilcoat

 

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