Let Sleeping Dragons Lie

Odo and Eleanor are excited to be knights. The only problem is that nothing ever happens in their sleepy little village. While Odo is happy to wait for some action to come his way, Eleanor is eager to go on the next adventure. Both knights know they are prepared to go on a quest, especially since they have their trusted and talkative enchanted swords.

When bilewolves attack the village, two strangers show up to dispatch the evil creatures. The strangers, Edga, and Hundred, are determined to prevent an unbearable imposter from taking the crown. Odo, Eleanor, and their swords join the quest. They will wander through unfamiliar lands, fight unseen enemies, and prepare for an epic battle.

The second installment of the Have Sword, Will Travel Series loses its humor and lacks a lot of the charm of the first book. When Odo and Eleanor join the quest, they meet two new characters, Edga and Hundred. Unfortunately, neither of these characters is relatable. Years ago Edga abdicated the thrown, and now he believes Kyndryk should be king. However, Kyndryk rarely appears. When he does, none of his actions prove he is worthy of becoming king.

Several new characters appear in book two. However, a bat that has been taught to recite letters in order to deliver messages is the most interesting character. All of the new characters are one-dimensional. Even though their quest is admirable, their personalities do not pop off the page. As the group travels to stop the coronation, the action lags. When the group finally makes it to their destination, a dragon appears, but his appearance is anticlimactic. Instead of adding an interesting element, the dragon does nothing to add to the story’s plot.

Readers who fell in love with Odo and Eleanor in Have Sword, Will Travel will be slightly disappointed in the sequel, Let Sleeping Dragons Lie. The simple plot, the slow pace, and the lack of enchanted sword action all add up to a mediocre sequel. If you’re looking for an excellent fantasy series, the Riders of the Realm Series by Jennifer Lynn Alvarez and the Max Tilt Series by Peter Lerangis both take readers on an adventurous journey full of wonder.

  Sexual Content

  • None

 Violence

  • “Four enormous, shaggy, wolf like creatures, each the size of a small horse” attack two people—Hundred and Edga. The man’s weapon “was a blur, leaping out to punch one bilewolf’s snout, then jab another’s forefoot. The woman was equally as adept, though she wielded a curved sword, the blade moving swiftly…”
  • When Odo and Eleanor see the fighting, they also notice “three villagers lay dead or seriously wounded, their torn and jagged clothes still smoking from the bilewolves’ acid-spewing jaws.”
  • During the battle against the bilewolves, Sir Halfdan rides his warhorse towards a bilewolf. “A bilewolf turned towards the galloping horse and charged, leaping at the last moment to avoid Sir Halfdan’s lowering lance…” Sir Halfdan “flicked the point up, taking the beast in the shoulder, the steel point punching deep. Bilewolf shrieked, the lance snapped, and then horse, knight, and dying bilewolf collided and went flying.” Sir Halfdan dies. Three other villagers are killed, but their deaths are not described.
  • During the battle, a “bilewolf bunched itself to leap up at Odo…but Runnel’s sharp point cut through its leg even as it sprang. It fell sideways, yelping and Biter came down to separate its massive head from its body…” At the end of the battle, all the bilewolves are “slain, one with a crushed skull and the other with a sliced-open throat. All four carcasses lay steaming, the grass beneath them turning black and smoking…” The above battle takes place over six pages.
  • Edga, Hundred, and some of the villagers sneak into the village’s manor house to take some men prisoner. Hundred “brought down the guard with one hand across her mouth and a forearm tight against her throat. The guard struggled for a minute, then fell unconscious.”
  • The group sneaks into the manner when all of the men are sleeping. The group seizes the sleeping men, “swiftly trussing them up like livestock, wrist tied to ankles.”
  • While the group is herding the men out of the manor, “the front door burst in, admitting the single remaining guard… Hundred tripped the guard and Odo fell on him, one knee pinning him to the ground…and they both tied him up.” No one is injured. The scene is described over three pages.
  • Someone uses a craft-fire to have birds attack Edga’s group. “With a furious flapping of wings, a dozen black shapes converged on them from all sides, claws and beaks reaching for their eyes… Edga spun his staff overhead, knocking a raven to the ground. Hundred produced a whip and cracked it twice. Three birds fell dead, instantly slain.” Everyone is able to escape without injury.
  • A hooded figure appears and when he gestures, “tiny darts hissed out of the trees, striking them each in the throat. Odo felt a string of pain, followed by a rushing, clouding sensation as darkness swept over him once more.” Everyone in the group becomes unconscious, but they wake up safely.
  • When traveling into the urthkin’s tunnels, “something moved behind her [Eleanor] and she felt a tiny pinprick at the neck. ‘Move, tall one, and I will spill your lifeblood to the dirt,’ said the urthkin holding the curved knife to her throat.”
  • Someone uses craft-fire to make birds and bugs attack Edga’s group. “An eagle and dozens of sparrows…swarmed from the sky. Scorpion, spiders, and ants issued from cracks in rocks…” The humans were able to run and escape the attack.
  • When trying to stop Edga’s sister from becoming king, Edga’s group “attacked the backs of the watching Instruments. Two fell with throwing knives buried deep in their shoulders. Another two dropped with tendons cut in their ankles.”
  • During the battle, “Odo lowered the shield from his face long enough to block a wicked slash to his ribs from a skinny woman… The blow jarred every joint in the left side of his body.”
  • In order to stop the attacking birds, “Hundred’s blades caught the craft-worker. The bearded man went down with a cry, and his green-flamed torch went out. The animals were instantly released.”
  • Hundred tries to stop Lord Deor. Hundred “threw a knife that glanced off his shoulder without doing any harm… The third bit into his neck, and he turned with a snarl.” The fighting is described over seven and a half pages.
  • Trying to capture Lord Deor, Odo continues the fight. “Blood still flowed freely down his [Odo’s] side, and his smile was looking forced.”
  • The huge rock where the fight took place began to crumble, and Lord Deor “with a cry, he fell into a fiery crack and disappeared. There came a sound like giant jaws crunching and he was gone.”
  • As Edga’s sister tried to run, the dragon caught her and wrapped her in “his lightning-fast tongue. The dragon held her like that for a few seconds, then whipped his tongue back, sending the regents spinning dizzily away until she fell over a stone and lay there, sobbing angrily.”
  • In the epilogue, an enchanted sword “lunged, killing the peasant with a single stab to the throat.”

 Drugs and Alcohol

  • Edga asks Hundred to sing. “Give us a round of ‘Drunk Eyes Fair See What Fair Might Not Be.”
  • While traveling, Edga’s group stops for the night. As they talk to other travelers, they “passed around a flask of warming spirits that made Odo’s eyes water, just sniffing it.”
  • Someone uses poison darts to put Edga’s group “to sleep.”

Language

  • Eleanor calls someone a “slimy cumberwold.”
  • Edga’s sister says he is a “dullard.”
  • Eleanor tells Odo, “don’t be such a lubberwort.”
  • Kyndryk’s grandmother calls him a fool.
  • Edga’s sister says, “You’re supposed to be dead, you old fool!”

Supernatural

  • Biter and his sister sword are enchanted swords that are able to talk and control their movements.
  • Someone uses a craft-fire to deliberately call the bilewolves.
  • Some people believe that “the dead were dead and likely to stay that way—unless talked about too much.”
  • In order to help Edga grieve the loss of his friends, Odo built a grave. Hundred explains, “These are twigs and berries—an old Karnickan ritual, I believe. A stick for the body, a seed for the soul? To put grief to rest and let the happy memories thrive?” The group buries the stick and seed to represent the dead.
  • Urthkin, “pale-skinned, reed-slender demi-humans” that have “paws like a mole’s, with digging claws,” only come out at night because light hurts their eyes. Edga’s group asks for permission to use the Urthkin’s tunnels.
  • Edga and his group are taken to a forge that is able to create enchanted swords. Odo’s sword, Biter, asks a smith to repair a nick in his sword. Biter is “washed in sweet oils, bathed in three fires, hammered by a master smith.” Afterward, Biter’s memory comes back.
  • Kyndryk paints a mural of a dragon. He chants, “Dragon, dragon, heed our call. Come to aid us, one and all. From a cruel and dreadful fate, save us now, ere it’s too late.” After Kyndryk says the chant several times, the dragon comes alive. “But the dragon was flying too low. The broad wings flapped almost carelessly a third and final time. Then, with a soundless crash that somehow made the stone quiver faintly underfoot, it struck the vertical cliff face and became a mural once more.”

Spiritual Content

  • While trying to sneak past sentries, Odo “kept his face carefully neutral, praying his relief was perfectly concealed.”

Max: Best Friend. Hero. Marine.

When Justin finds out his older brother, Kyle, has been killed overseas, Justin is devastated. Kyle was a marine, a hero trying to live up to his father’s reputation, yet in an instant his life was over. Now, Kyle’s only connection to Justin is Max, Kyle’s former canine partner and a discharged K-9 marine.

When Max was at Kyle’s side, he was meant to sniff out explosives, search for enemy soldiers and weapons, and keep Kyle and his unit alive. Max, just like Kyle, was trained for war. He was trained to be a hero. While Max’s presence doesn’t make it easy for Justin and his parents to grieve, they soon discover that without a home, Max will be put down. With no home to place Max in, Kyle’s partner is placed in Justin’s care.

After Kyle’s death, it isn’t easy for Justin and his family to see Max alive and well. It isn’t easy for Max to move on from his days on the frontlines. Most people misunderstand Max, believing he is too aggressive. Max isn’t meant to be a pet. He is meant to be a hero. Justin is the only one who understands Max is also grieving for Kyle. Both Justin and Max find it difficult to adjust to each other. Soon the two bond over Kyle’s death, supporting each other and giving each other a purpose.

When Tyler, Kyle’s best friend, is discharged from the marines, Justin begins to ask questions. Justin and Max work together to figure out what really happened to Kyle. Can they find the truth and still protect Justin’s family from the dangerous people Tyler is working with?

Shotz’s novel about a war dog coming home to his handler’s family is a wonderfully wholesome story. Justin and his family are well-written characters that deal with the guilt, shame, and sadness that accompanies a loved one’s death. Max serves as the means to which Justin’s family can work out their emotions surrounding Kyle’s death, as well as the means to which everyone comes together in the end. Max is also a stand in for Kyle; since Kyle is gone, Max helps Justin protect his family and sniff out Tyler’s true intentions, just as Kyle would have done.

Max: Best Friend. Hero. Marine. shows that heroes come in many forms. Kyle is considered a hero because he followed in his father’s footsteps and joined the marines. Justin struggles with his father’s pressure to live up to his brother’s legend. Justin’s father, who was discharged early on from the marines because of a leg injury, struggles to connect with Justin because Justin doesn’t want to be a marine. However, Justin proves himself to be as much of a hero as Kyle. At the end of the story, Justin earns his dad’s trust and lives up to Kyle’s memory.

Unlike Kyle, Tyler chose to lie and deceive his best friend’s family in order to smuggle weapons across the border. Tyler will eliminate anyone that stands in his way. The story emphasizes that someone doesn’t need to go into the military to be a hero, and that not all marines are heroes.

Max: Best Friend. Hero. Marine. is fast-paced, and the suspense builds from the moment Justin’s family is told Kyle has died. The believable twists will keep readers turning the page until they reach the heartwarming conclusion. Max: Best Friend. Hero. Marine. is a must-read because of the realistic characters and wonderful storytelling. For more heroic dog stories, try the G.I. Dogs Series by Laurie Calkhoven.

Sexual Content

  • When Justin meets Carmen, “her dark eyes were still zeroed in on him, making his cheeks feel kind of hot.” Justin thinks Carmen is pretty.
  • When two of Justin’s friends are in his backyard, “they looked up to see Justin framed in his window, shirtless.”
  • When Carmen is invited over to Justin’s house for dinner, Justin feels awkward. “Then again, Justin had never brought a girl home for dinner.”
  • After triumphing over Tyler, Carmen and Chuy meet up with Justin. Then, Carmen “stepped forward and planted her lips on his. Justin was so startled that he didn’t know what to do at first. Then he quickly came to his senses and kissed her back.”

Violence

  • At the beginning of the novel, Justin is playing a military-themed video game. In the game, the “virtual army let out a series of grunts and pumped their fists in the air or fell to the ground.” The game makes Justin think of his brother, Kyle, a soldier overseas. “Sometimes Justin tried to picture Kyle as one of these guys, but it was just too weird. He couldn’t imagine his brother shooting anyone.”
  • Chuy, Justin’s friend, has a cousin named Emilio. Emilio is “pretty hard-core—possibly even in a gang—and he wasn’t going to be happy when he learned that Chuy had misplaced his new  (video) game.”
  • Kyle is never seen in the present day because he dies fighting in Afghanistan. When a solider comes to Justin’s house, “Justin knew for sure: His brother was dead. Kyle was dead.”
  • In a flashback, Justin thinks about the time Kyle picked him up from school. Justin had gotten into a fight. “He didn’t know how to tell Kyle that he’d gotten in a fight over a stupid bike. Or that he’d been sucker-punched. Or that he’d managed not to hit back, because he didn’t think it was worth it.”
  • During another flashback, Justin remembers Tyler, Kyle’s friend, speaking to his parents over video call. “‘We’re making trouble, Mrs. W.,’ Tyler said, ‘For the bad guys, that is.’”
  • When Justin confronts his dad about Kyle, he says, “Being a man and enlisting and getting killed, like Kyle? Or being a man and getting my leg shot up, like you? Tell me what I’m supposed to learn from either of those things.” Later, Justin tells his dad, “‘You’d like me to get myself killed,’ Justin said, holding his dad’s ‘Wouldn’t you?’”
  • Justin’s mom gets a call about Max, Kyle’s dog. She tells the family, “Sergeant Reyes called. They’re going to kill Max.”
  • Tyler tells Justin’s dad that Max is the reason Kyle was killed. Justin sees “his father was standing in front of Max’s crate, his gun drawn and pointed at Max’s”
  • When Justin is hunted by a pair of rottweilers, Max fights one of the dogs. “The two dogs rolled around in the dirt, a frenzy of growls and bites and scratches, battling each other fiercely.” Justin found Max injured later.
  • Justin watches as his dad, Ray, is about to be attacked by Stack, a sheriff deputy and Tyler’s accomplice. “What his dad couldn’t see—which Justin and Max both could see—was that Stack was running at Justin’s dad from behind, holding a giant rock in his fleshy hands, raised high in the air. He was about to slam it down onto Justin’s dad’s” Max saves Ray, “Stack stumbled, and Max flew over Ray and crashed into Stack’s chest, knocking him to the ground.”
  • During the final battle with Tyler’s gang, Justin sees “his dad, who pointed a gun straight at the windshield and fired. The truck swerved and crashed into the side of the hill. The back of the truck exploded in a burst of flame, and suddenly a thousand gunshots pinged around the ravine. The ammunition in Tyler’s truck had ignited.” No one is injured or hurt in the explosion.

Drugs and Alcohol

  • Tyler is given pain medication for a shrapnel injury. Tyler says, “But they got me on so many painkillers, I hardly notice it.”
  • When Tyler comes over to talk to Justin’s dad, “Justin was surprised to see his dad limp over to the mini-fridge under his desk and take out two beers. It was early for him to start drinking.”
  • When Tyler asks Justin’s dad for a favor, Justin’s dad took “another swig of beer, as if for courage.”

Language

  • During a flashback, Justin remembers a time when he and his parents were talking to Kyle over video chat. Justin says, “Kyle’s so awesome even his frickin’ dog is a hero.”
  • When going to see Max at the military kennel, Justin thinks, “He was one pissed-off dog, that was for sure.”
  • When Justin thinks about his dad, he thinks, “His dad cared more about a stupid dog that had once belonged to Kyle than he did about his own living, breathing son.”
  • Someone tells Justin, “Yo, you look like crap.”
  • Before Kyle and Tyler became soldiers, Tyler used to tease Justin. Tyler “would make fun of Justin—calling him a serious loser or computer nerd.”

Supernatural

  • None

Spiritual Content

  • Kyle’s funeral is at a church. At the church, Justin’s “Mother’s sobs carried up and over the singing of the choir.”

by Jonathan Planman

Bird & Squirrel On Ice

After Bird and Squirrel crash land in the South Pole during a raging blizzard, a penguin named Sakari thinks Bird has come to rid her village of a hungry Killer Whale. But when Squirrel finds out that Bird will actually be fed to the Killer Whale as a sacrifice, they hatch a crazy plan to escape. With good timing, a little luck, and help from Sakari, they just might make it out alive. Or they might end up as whale food!

Bird & Squirrel on the Run consisted of funny cat chases and misfortunes. While Bird & Squirrel On Ice has more of a storyline, there is less interaction between Bird and Squirrel. For much of the story, Squirrel is trying to save Bird’s life, while Bird is clueless, convinced that Squirrel is just jealous. The storyline has a darker tone and revolves around Bird being sacrificed to a whale.

The story’s serious tone is offset by the funny chases and the introduction of Sakari’s penguin family. Sakari and her father disagree about sacrificing Bird; in the end, Sakari proves that she has a “mighty spirit and an even mightier heart.” Many readers will enjoy seeing a female character save the day. Because of Sakari’s determination to listen to her heart and Squirrel’s dedication to his friend, Bird is saved in the end.

Interesting characters, slapstick humor, puns, and a fast-paced plot combine to create an entertaining graphic novel. The story is illustrated with brightly colored panels. Much like a cartoon, the illustrations use exaggerated facial expressions to add to the humor. Each page contains one to six simple sentences. Bird & Squirrel On Ice will appeal to even the most reluctant readers. Bird and Squirrel’s silly antics will keep readers interested while they explore family dynamics and jealousy.

Sexual Content

  • None

Violence

  • A penguin stabs Squirrel with a spear. Squirrel takes off running and yells, “Something bit me!!”
  • A seal jumps out of the water and tries to eat a penguin. The penguin attacks the seal with her spear, and the seal jumps back into the water. The scene is illustrated over two pages.
  • Sakari discovers that her father plans to sacrifice Bird to a whale. Sakari tells her father, “It isn’t his sacrifice to make. You have to stop it.”
  • Before Bird can be sacrificed, Sakari jumps into the ocean and attacks the whale with her spear. The whale tries to eat Sakari. She swims out of the bay. While Sakari is leading the whale away, Squirrel tries to break a snow bridge. As Squirrel is working, a seal smacks him. Bird begins throwing rocks at the seal. In the end, everyone is safe from the whale. The scene is illustrated over 14 pages.

Drugs and Alcohol

  • None

Language

  • Squirrel tells Bird, “You’re the most self-centered birdbrain I’ve ever met!”

Supernatural

  • Squirrel goes to see a woman who gives him advice. The woman says, “The fire shall provide the light you seek. One cannot be found until one is lost.” Squirrel looks into a fire’s smoke and sees a vision.

Spiritual Content

  • None

Like a Love Story

Like a Love Story takes place in New York City in the late 1980s. The AIDS crisis is devastating gay communities, and activists are protesting the government’s reluctance to extend research or support to those affected. The narration rotates between three teenagers: Reza, Art, and Judy.

Reza is new in town, having recently immigrated to New York from Iran, where his family escaped a violent revolution. In the closet with a nearly hypochondriac fear of AIDS, Reza starts at a new school and soon meets Judy and Art, who have been best friends since childhood. Both Judy and Art are committed to gay culture and gay activism under the tutelage of Judy’s uncle Stephen, an AIDS patient and well-known member of the gay community. Art is an out-and-proud gay teenager, who is assertive and upfront about his identity. Brash and unafraid, Art is full of anger at the injustice of the AIDS crisis. Judy, a straight girl who shares Art’s love of Madonna and fashion, supports him in everything and shares his love of fashion and film.

A romance develops between Reza and Judy. But Reza, a closeted gay, knows he can only hold out for so long before his secret comes out. The first two acts of the novel largely concern their false relationship, eventual falling-out, and then the ensuing romance between Reza and Art. Each of the three narrators has a fairly equal stake in the plot, and each brings their own narration, perspective, and personality to the story. Like a Love Story is largely a coming-of-age story, but it is really three coming-of-age stories as each character grapples with their sexuality, their future, and their imminent emergence into the adult world.

Like a Love Story is essential reading for anyone who wants to learn about the AIDS crisis or the origins of the modern gay rights movement. Without preaching or lecturing, the narrative paints a rich and engaging portrait of the political climate through its three narrators. Each character in Like a Love Story has a completely unique voice; readers can open the book to any page and immediately know who is speaking.

Regardless of their own identities, readers will see themselves in the characters because of how authentically they are portrayed. Each character has uncertainty about their place in the world, an imperfect relationship with their parents, a faulty understanding of how the world works, and a yearning to belong—and readers get to see them grow as the story progresses.

 Like a Love Story has some of the most compelling adult figures in a genre where adults are often one-dimensional and cast to the side. The relationship that each teen has with their parents is complicated and imperfect, but masterfully written. It is genuinely heart-wrenching to see Art’s interactions with his homophobic parents, and it is genuinely moving to see Judy’s conversations with her mother evolve throughout the story.

Like a Love Story does not shy away from sexual content and depictions of sex acts, but it’s one of the few books that feels justified in its usage. Characters frequently talk of condoms and bodily fluids. The mechanics of AIDS transmission and the effects of the disease are explained as Uncle Stephen succumbs to infections. Readers who pick up this book in 2020 will already know the ending to some extent. Thanks to modern medicine, many people today can live full lives with HIV and new pharmaceuticals can help prevent transmission. However, the characters don’t know this, and they can only grieve the dead and dying members of their community while fighting for rights and recognition. The story highlights the importance of community, activism, and love.

Sexual Content

  • When asked how he knew he was gay, Art says, “I had a wet dream about Morrisey.”
  • During a make-out session, Judy tries to find out if Reza is aroused. “As nonchalant as I can, I move my hand down, feeling his crotch. I feel something hard. Is it him, or is it his zipper? I can’t even tell. I’ve never felt a hard-on before.”
  • Judy thinks, “Art told me once that the subway was the hottest place in the city, as in sexual heat, not physical temperature. He said that all those bodies rubbing against each other basically made it a clothed, co-ed bathhouse.”
  • Reza sees a naked male mannequin in a store window and thinks, “I look at the mannequin’s body and find myself getting a little hard. I cover my crotch with my hands. I imagine that Art is the mannequin, standing in the store window naked. How sick do you have to be to be turned on by a piece of plastic?”
  • After Reza sees a photo of Art, Reza thinks, “I need to stop thinking about him, and I know there’s only one way to do that. I lie back on my bed, close my eyes, and unzip my pants. I see Bartholomew Emerson Grant VI come to life, enter my room, climb into bed with me. He kisses me, undresses me, tells me not to be scared. But then he’s gone, and all I see are images of dying men with lesions.”
  • A big part of the second half of the plot is Reza’s shame and paranoia surrounding his sexual desires. Stephen teaches Art and Reza about safe sex and about how to use condoms safely. Stephen tells them, “If you want a tutorial, we can go home and practice with bananas. . . Lube is lubricant. Men need it, because we don’t naturally get wet down there . . . the jury is out on whether oral sex is safe or not, but my advice is to use a condom for that too.”
  • Stephen says, “The straight world has defined losing your virginity as intercourse. That’s their thing. But we get to define it for ourselves. And you never, ever have to do anything you don’t want to.”
  • Reza thinks, “I hate those words. Oral. Anal. I hate how graphic they are, how hostile they feel.”
  • In a photography darkroom, Art takes off his clothes for Reza. “There’s only one thing to take off. My boxer briefs. I remove them. I stand in front of him, exposed.” They kiss, but don’t do anything else.
  • Judy has an intimate moment with Reza’s brother, Saadi. As Judy makes out him, “It’s furious. Our tongues explore each other. Then his hands are all over me… his breath is heavy, and his hips are thrusting urgently. I feel what I never felt when Reza and I kissed, an erection. Saadi is so hard. He sits up and takes his polo off.” They don’t go all the way. “He wants to have sex, but I tell him I’m not ready.”
  • Art says, “The first time I read porn, I was twelve. I found my dad’s stash of Penthouse and Playboy magazines in the back of his closet. But Penthouse has these sex stories in them, and they were very hot because there were men in them.”
  • The characters all go to a Madonna performance wherein she masturbates onstage. The act is not described in detail.
  • When Art and Reza finally consummate their relationship, they use condoms and lube. Reza wraps “my legs around him, pulling him closer to me, or deeper into me, because he’s in me now. We thrust and grunt and sweat until we almost fall off the bed.” The scene takes up about three pages, but it is mostly dialogue and doesn’t go into more physical detail.

Violence

  • While attending a protest, Art hears bystanders say, “Hose those faggots down. They like that.”
  • During a protest, police officers “yank Art away and handcuff him.” The other police officer “pushes Reza to the ground.”
  • Some bullies begin to taunt Art, and he reacts violently. “My fingers tense into a fist. Before I know it, I leap out of my seat and tackle Darryl to the ground, taking him down like I’m one of the gorgeous ladies of wrestling. ‘Go to hell, you fucking ASSHOLE!’ I scream as he writhes below me, his scared, beefy body stronger than mine but unable to overpower the force of my rage. ‘Get off me, fag!’ he yells. ‘Not until I give you AIDS,’ I say, and I spit on his face.” Art describes later, “I pull Darryl’s foot toward my face. He pushes his leg up, kicking my chin hard in the process. My teeth hit my lips. My head doubles back, hits the wall with a thud… My eyes flicker with the shock of pain. When I open them, I see blood on my hand and on my shirt.”

Drugs and Alcohol

  • At a party with some kids from school, Judy gets “drunk on fruit punch.” Her friend tells her, “You don’t want your parents to see you like this.”
  • When Uncle Stephen is on his deathbed, he asks for a glass of wine. Judy’s mom pours wine for him and a small glass for Judy.
  • Uncle Stephen has been taking morphine for his pain; by the time he dies, his bottle of morphine is empty.

Language

  • Profanity is used frequently. Profanity includes: fuck, shit, hell, ass, and damn.
  • “Oh my God” is often used as an exclamation.
  • Art is determined to reclaim the words “faggot” and “fag,” which is a recurring point throughout the story. Judy’s mom asks Art not to use the word because “I heard that word hissed at my brother like a dagger throughout his childhood, and I don’t want to hear it ever again.” They eventually agree to disagree.
  • After coming out, Reza has “heard every possible word a homosexual could be called . . . Faggot. Pansy. Mary. Butt pirate. Fruit. Turd burglar. Flamer. Nancy. Queen.”

Supernatural

  • Art can see “auras.” Readers might recognize them as a condition called synesthesia, but to Art they take on a spiritual and artistic significance. Art doesn’t “snap a photo unless I see its energy. I know they’re all black-and-white, but they have colors to me. Auras.”

Spiritual Content

  • Art says, “I think that if it weren’t for all the bullshit rules of Catholicism, then there would be no Madonna, because what is she if not a rebellion against all of this?”
  • In a church, Art thinks, “I don’t want to burn this place to the ground. What I want is to make them see that I AM HOLY. These thoughts of me and Reza, they are holy.”
  • A priest’s homily “makes multiple references to protecting ‘the unborn.’” Art thinks, “It’s amazing how gung-ho he is about saving the lives of fetuses, but then he turns a blind eye to all the actual humans DYING right in front of him.”
  • Art lights prayer candles in a church and thinks, “I know that I don’t believe in a God who can grant wishes, but if there’s even a chance that such a God exists, then I have some wishes I’d like granted.” He wishes for AIDS to be cured.

by Caroline Galdi

 

Many Waters

When identical twins Dennis and Sandy accidentally mess with their father’s scientific experiment on faster-than-light travel, they are transported to a desert wasteland. Stranded and confused, the two boys meet the locals—dark-skinned people who are only four feet tall. Between the strange people, the miniature mammoths, unicorns, and manticores, Sandy and Dennis are convinced they’re on a strange planet on the other side of the universe. After nearly dying from heatstroke, they are taken in by Grandfather Lameck. When they meet Grandfather Lameck’s son, Noah, the twins realize they have been thrown back in time and are on Earth in the time right before the Great Flood. But the flood is coming—will the twins find a way home before the rain starts to fall?

To make matters more complicated, humans are not the only intelligent beings to deal with. There are seraphim, a tall and beautiful winged people who know many things—maybe even how to get the twins home—but the seraphim do not like to interfere with the lives of men. Then, there are the nephilim, just as tall and beautiful as the seraphim, but they spend their time seducing women with worldly pleasures and extravagant treasures. The nephilim are suspicious of the twins’ sudden appearance, and they will do anything to find out what they are up to.

Once again, L’Engle spins a magical tale that centers on the battle between good and evil. Yalith and Jephath, two of Noah’s children, are kind people that do all they can to help the twins. But most people who live in the oasis are corrupt and evil, abandoning tradition to pursue pleasure and to get ahead in life. The twins and Yalith are all tempted to give in to worldly pleasures. While conflicted, all three reject temptation in exchange for kindness, unicorns, and listening to the stars.

While there are good and bad characters, several members of Noah’s family and Noah himself are more ambiguous, showing that even godly people are not perfect. While God is mentioned several times as “El,” the story centers more around the twins as they adapt to the time period and try to find a way home. The seraphim and the nephilim are revealed to be angels and fallen angels, respectively. They add intrigue and excitement to the story. Overall, Many Waters is a fun tale with a unique twist on the story of Noah’s Ark that will leave readers satisfied.

Sexual Content

  • In Noah’s time, bothmen and women only wore loincloths. Therefore, Sandy and Dennis see several women’s breasts, but none are described graphically. When meeting Yalith, Sandy notes “the girl, who wore only a loincloth . . . was gently curved, with small rosy breasts.”
  • Yalith kisses Aariel, a seraph, much as a child kisses a parent. “Like a child, she held her face up for a kiss, and Aariel leaned down and pressed his lips gently against hers.”
  • Yalith sees her sister with a nephilim. Her sister was “gazing up at him adoringly, leaning against him so that her rosy breasts touched his pale flesh.”
  • Japheth kisses his wife several times. Once, “Japheth leaned to her and kissed her on the lips. Dennis . . . thought that it was a nice kiss. It was the kind of kiss he had seen his father give his mother. A real kiss. If he lived through this, he would like to kiss someone like that.” Another time, Japheth’s wife “bent toward him to kiss him.”
  • A girl from the oasis flirts with Sandy. She “bent closer and brushed her lips against his.” Later, she tries to seduce him. “He was not prepared to have the light suddenly darkened by Tiglah’s face as she pressed her lips against his . . . he knew what she wanted, and he wanted it, too; he was ready, but not, despite her gorgeousness, with Tiglah . . . her breathing mingled with his. He knew if he did not break this off, he would not be able to. With a deep inward sigh, he pulled away.”
  • Sandy thinks about taking Yalith to the future with him. Sandy “looked at Yalith’s small and perfect body, barely covered by the loincloth, her breasts delicate and rosy, and had a moment’s absurd vision of her in one of the classrooms at the regional high school.”
  • When saying goodbye, “Yalith nodded, then reached up to Sandy and kissed him on the lips. Then Dennis. Full, long kisses.”

Violence

  • Sandy is kidnapped. “He tried to wriggle out of the clutch of whoever was carrying him, and a fish crashed into his belly, winding him, and something sharp pricked his arm.”
  • When Japheth tries to rescue Sandy, “the older man swooped on him with the spear, and despite Japheth’s quick reflex, the spear cut across his ribs, and a trickle of blood slid down his side.”
  • Japheth comes home with “an ugly bruise on his cheek where an angrily thrown stone had hit him.”

Drugs and Alcohol

  • Noah has the “largest and best vineyards on the oasis . . . the fame of his wine had spread to many other oases round about.”
  • A man is sick from drinking too much. Afterward, “the smell of Ham’s sickness mingled with the smell of wine, of meat form the stewpot, of the skins of the tent.”
  • Yalith remembers how her sister had a wedding with “far too much wine, inferior, at that.”
  • When Noah reconciles with his father, he “handed his father a small wineskin. . . The old man held the wineskin to his lips, then smacked them in appreciation.” Sandy also takes a small sip.

Language

  • When a woman’s family kidnaps him, Sandy thinks, “you slut.”
  • An angry man says, “Auk’s nuts to you.”

Supernatural

  • Sandy and Dennis accidentally mess up their father’s scientific experiment and are sent back in time. “Dennis groped through a pervasive mist, his hands touching nothing. Came a great sonic boom. Then absolute silence.”
  • In the past, there were miniature mammoths. “From behind the outcropping of rock came something grey and sinuous which the twins at first thought was a snake. But it was followed by a head with small, bright, black eyes, and great fans of ears, and a chunky body covered with shaggy grey hair.”
  • There are manticores in the past, which try to eat the mammoths several times. The manticore had a “man’s face with filthy hair. . . From the mat of hair came two horns, curved downward, with sharp points like boar’s teeth. . . The rest of the creature pushed into the tent. The head did not belong to a man’s body but to a lion’s . . . the lion did not have a lion’s tail but a scorpion’s.” The manticores can only say the word “hungry!”
  • There are unicorns that flicker in and out of existence. They can flicker out of existence in one place, then be called into existence miles away instantaneously. “On the horizon to the far left, moving toward them, appeared a creature which shimmered in and out of their vision, silvery in color, as large as a goat or a pony, with light flickering out from its forehead.”
  • There are seraphim (angels) and nephilim (fallen angels). Both have “Great wings. Much long hair. . . The seraphim are golden and the nephilim are white, whiter than sand.”
  • Both the seraphim and the nephilim can turn into animals; each has their own animal they transform into. One of the seraphim is a scarab beetle. “Grandfather Lameck took it on his palm, a scarab beetle, glinting bronze in the lamplight. The old man stroked it gently with a trembling forefinger, and closed his palm. Then came a vivid flash of light, similar to that of the unicorn’s horn, and a tall presence stood in the tent, smiling at the old man…Hair the color of wheat with the sun on it, brightly gold, long, and tied back, falling so that it almost concealed tightly furled wings.” One of the nephilim is a giant desert lizard. “As the lizard neared her, it rose straight upward to a height of at least six feet, and suddenly [its] arms were outstretched above the head; the tail forked into two legs, and a man came running toward her, a man of extraordinary beauty, with alabaster-white skin and wings of brilliant purple.”
  • Yalith shows Dennis how to listen to the stars. “He listened, listened, focusing on one bright pattern of stars. Closed his eyes. Listened. Seemed to hear a delicate, crystal chiming. Words. Hush. Heal. Rest. Make peace. Fear not. He laughed in excitement. Opened his eyes to twinkling diamonds.”

Spiritual Content

  • A woman tells the twins, “We don’t have any men on the oasis who are as tall and like gods as you are.”
  • The twins discover that Grandfather Lameck’s son is Noah, from the biblical story of Noah and the Arc.
  • Yalith recounts her family lineage, which includes the biblical figures Methuselah and Enoch. “Methuselah, my great-grandfather, lived for nine hundred and sixty-nine years. And his father was Enoch, who walked with El, and lived three hundred and sixty and five years, and then El took him.”
  • The people in Noah’s time call God “El” and El sometimes speaks to them, though his words are never shared directly in the story. Noah says, “Yesterday, when I was working in the vineyard, the Voice spoke to me. El told me that I must find wives for you.”
  • Japheth mentions a curse on the land. “When our forebears had to leave the Garden, they were told, Accursed shall the ground be on your account. It will grow thorns and thistles for you. You shall gain your bread by the sweat of your brow.”
  • The seraphim mention the pattern. They say the twins “are part of the pattern,” but “the pattern is not set. . . It is fluid, and constantly changing.” They always maintain that the pattern “will be worked out in beauty in the end.”

by Morgan Lynn

All the Pieces Fit

In book five, D.J. and Hilo traveled to Hilo’s home planet. In order to keep their activities secret, they left robot versions of themselves on earth. When government agents appear, they are determined to take D.J. and Hilo into custody. With the help of Gina and Polly, the secret agents end up running from the scene. However, now Gina’s parents discover the truth about D.J. and Hilo.

Being a hero isn’t easy. Hilo had no idea it would be this hard. Hilo came to earth because he was running from Razorwark. He’s done running. Razorwark has come to earth, and the time has come for one final face-to-face showdown. What happens will decide the fate of the robot world…and Hilo’s future. The sacrifice will be great but with Izzy’s help, Hilo finally knows what he has to do because THIS is how all the pieces fit.

Fans of the Hilo series will not be disappointed with the sixth installment of the series, which brings all of the characters together to fight Razorwark. All the Pieces Fit is a fast-paced story that contains many exciting battles. However, the fighting is broken up with humorous scenes, such as a hurricane of hamsters and a force field around the city. However, the philosophy about Hilo’s empatis will confuse some readers. However, the ending is surprising and shows how “we all have a purpose. We have a place we’re supposed to fit.”

All the Pieces Fit uses brightly-colored illustrations that keep the action moving. The detailed illustrations show exaggerated facial expressions, which will help readers understand the characters’ changing emotions. For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the stories’ plots build on each other.

Hilo is the perfect series for all ages. The sci-fi story shows the importance of friendship and sacrifice, and the heartwarming conclusion will leave readers smiling. Even though Hilo’s story is wrapped up, readers will be excited that the actions continues in Gina—The Girl Who Broke the World.

Sexual Content

  • None

Violence

  • Government agents try to take custody of D.J. and Hilo. Gina uses her magic wand to knock “buttface here on his butt.”
  • Polly shoots lasers at the government agents, who jump out of the way. Then Gina uses her magic wand to make vines grow around the agents. Later, Polly makes two agents clothes blow up like balloons. Polly hits the agents with a stick and they go flying.
  • Gina and her friends continue to harass the agents. When one of the agents tasers D.J., they discover that a robot has taken D.J.’s place. The government agent fight is illustrated over eight pages.
  • To chase off the rest of the agents, Polly uses magic to send “a wee hurricane of hamsters” to attack. The agent tasers Gina. When he tasers Hilo, he discovers that Hilo has also been replaced by a robot.
  • When Polly creates a “giant monster hedgehog,” the remaining agents run away. The scene takes place over four pages.
  • As a force field covers a town, a car is split in half, separating the passenger from the driver. No one is injured.
  • While flying in the sky, Razorwark grabs Hilo and throws him to the ground. Hilo is uninjured.
  • Razorwark and Hilo fight. Hilo blasts Razorwark with freezing lasers. Razorwark blasts Hilo with a laser, and Hilo falls to the ground. The battle scene is illustrated over five pages.
  • Hilo destroys the portal so Razorwark cannot escape. Then, Razorwark and Hilo blast each other with lasers. Razorwark tells Hilo he wants revenge because people “wanted me to be the sole fighter of their wars! And I was! They wanted me to be a murderer! And I was!” Razorwark plans to kill all of the humans so the “society” of robots has a world of their own.

 Drugs and Alcohol

  • None

Language

  • Lisa calls a government agent a buttface. When Lisa’s father gets upset, her mom says, “No, she’s not totally wrong. They are kind of buttfaces.”
  • Someone calls the government agents “dirt weasels.”
  • When a force field covers the town, an agent says, “holy mackerel.”

Supernatural

  • Razorwark opens a portal to allow robot pieces to enter Earth’s atmosphere. Then Razorwark uses magic to assemble the pieces.
  • Izzy touches Hilo’s heart with a flower that transfers Izzy’s energy to Hilo. When Izzy’s power is drained, she dies. Hilo explains to his friends, “Razorwark gave me some of his empatis and he gave some to Izzy. It’s the energy that brought us to life. Without it we’re empty. We’re broken machines. Without it we die. Izzy gave me all of hers. She gave me everything.”
  • Gina uses her magic wand to make a tree grow to make magic wands. She tells her friends, “You all have wands that can do stunner spells. These won’t hurt the robots! But it’ll knock them on their cans.” The group uses their wands to stun the robots. During this time, the scene flashes to Hilo and Razorwark fighting.
  • Razorwark surrounds Hilo in a “crystal thing.” When D.J. finds Hilo, he breaks the “crystal thing” freeing Hilo.
  • During the final battle between Razorwark and Hilo, the two appear to blow up and “this rain…it’s energy. It’s what made Razorwark. And Izzy…and Hilo…alive.” The energy falls onto the robots, making them come alive.
  • Polly takes the robots through a portal so they can build an entire society.
  • Hilo falls to the ground in a flash of light. Although it’s not explained how, Hilo is now a human.
  • Gina uses a “magic gem. The orb of fellbeck. It cast a spell that makes the entire world forget everything that’s happened in the last two days.” After the spell, Gina says, “Time is the stone that falls. Time is the river that crawls. Turn back the water and rock. Turn back the sun and the clock.” After Gina uses the spell, only four people remember what happened.

Spiritual Content

  • None

New Moon

Bella always knew Edward was too good to be true, and her worst fears come to fruition when he tells her that he is leaving Forks—and he doesn’t want her to come with him. He promises it will be “like he never existed.” But the hold he has on her heart isn’t something that fades with time. As the months stretch out without Edward, Bella succumbs to a mind-numbing depression where time passes, but she doesn’t really live.

Bella doesn’t expect things will ever change until she runs into Jacob, an old friend from the nearby reservation. Jacob becomes her best friend. He is so warm and kind that she begins to think of Jacob as her own personal sun, burning away the dark clouds that have surrounded Bella for so long. Bella knows that Jacob longs for their relationship to move forward, but is her damaged heart even capable of that kind of healing? To make matters worse, there’s a cult on the reservation that’s sucking in many of the teenage boys. When Jacob suddenly vanished from her life and starts hanging around with the very people he had been scared of before, Bella decides she has to help her friend break free. But the bonds that tie Jacob may be deeper and more permanent than Bella could possibly imagine.

In New Moon, Bella struggles to move on after losing her one true love. At first, she wallows in depression, trying to put on a brave face for the world outside, but eventually she learns that she isn’t fooling anyone. Once Jacob enters her life, she begins to heal, but she also clings to the memory of Edward. Her inability to let go of the past prevents her from moving forward as she grapples with questions such as, is it possible to have more than one love in one lifetime? And is it right to give herself to Jacob, when a part of her still mourns for Edward?

The second installment of the Twilight series takes a shocking turn, but it will not disappoint. Readers need not worry that Edward’s absence for most of the novel will detract from its entertainment factor. Bella’s trauma over the loss of Edward, his family, and her life as a vampire keeps that storyline very much alive, as does the reappearance of an old enemy. Jacob, his father Billy, and Jacob’s friends on the reservation breathe life into the story, bringing new, lovable characters into the mix. These characters are well-developed, and Jacob will steal the heart of all but the strongest Edward supporters. The end of New Moon comes in an exhilarating rush that will either leave readers rejoicing or will break their hearts. Either way, make sure to have the next book, Eclipse, nearby!

Sexual Content

  • Bella and Edward kiss several times. “He leaned closer and pressed his icy lips against mine . . . His mouth lingered on mine, cold and smooth and gentle, until I wrapped my arms around his neck and threw myself into the kiss with a little too much enthusiasm.” Another time, “he sighed, and leaned down to touch his lips to mine. I reached up on my toes to make the kiss last longer when he pulled away.”
  • While in bed, Edward and Bella make out. “The kiss began much the same as usual . . . And then something seemed to change. Suddenly his lips became much more urgent, his free hand twisted into my hair and held my face securely to his . . . His body was cold through the thin quilt, but I crushed myself against him eagerly.”

Violence

  • Bella gets pushed into a table and falls into a pile of broken crystal. “Only now did I feel the searing, stinging pain…Dazed and disoriented, I looked up from the bright red blood pulsing out of my arm.”
  • When Jacob tells Bella that he helped kill “the bloodsucker who was going to kill you,” he says, “I don’t count that towards the whole murder thing . . . Vampires don’t count as people.”
  • Bella gets injured several times while learning to ride a motorcycle.

Drugs and Alcohol

  • None

Language

  • Hell is used several times. Once, Bell says, “How the hell did Mike Newton end up in this conversation?”
  • Crap is used several times. Bella says, “I did drown. Crap, crap, crap! This is gonna kill Charlie.”
  • Pissed off and damn are used a few times. While drowning, Bella hears Edward’s voice yell, “Damn it, Bella, keep fighting.”

Supernatural

  • Edward and his family are vampires, though they choose to survive on animal blood rather than human blood. They are super strong, fast, and several of them have special abilities like Edward’s ability to hear peoples’ thoughts.
  • Jacob and his friends can transform into giant wolves. “With another sharp tearing sound, Jacob exploded, too. He burst out of his skin—one second it was Jacob diving into the air, and then it was the gigantic, russet brown wolf—so enormous that I couldn’t make sense of its mass somehow fitting inside Jacob.”

Spiritual Content

  • Carlisle says, “Never, in the nearly four hundred years now since I was born, have I ever seen anything to make me doubt whether God exists in some form or the other.” Meanwhile, Edward thinks “God and heaven exist . . . and so does hell. But he doesn’t believe there is an afterlife” for vampires. “You see, he thinks we’ve lost our souls.”
  • When Jacob agrees to help Bella, she thinks, “Jacob was a gift from the gods.”
  • When Edward sees Bella, who he thinks has died, he thinks he is dead also. “Maybe this is hell. I don’t care.”

by Morgan Lynn

Hurricane Rescue

A dangerous hurricane is racing towards Ben’s hometown. Ben promises his father that he will stay safe inside their home. Ben doesn’t mean to disobey his father, but when Jack and his puppy, Scout, go missing, Ben knows he has to help. With the help of his friend Noah and retired search-and-rescue dog Hero, Ben sets off into the woods in search of his missing friend.

Ben, Noah, and Hero desperately try to locate Jack. When they find Jack, they soon realize that a raging flash flood has made it impossible to continue their trip. Together, Hero and Ben fight to keep everyone alive. But can Hero battle his way past alligators, mudslides, and raging floods?

With howling winds, angry alligators, and danger hiding in every corner, Hurricane Rescue is a fast-paced story that has surprises around every corner. Hurricane Rescue is told from Ben’s point of view, which allows the reader to understand his thought process and experience Ben’s worry about his missing friend Jack. Through their harrowing ordeal, Hero comes to the rescue time and time again. However, in the end, everyone must work together to make sure that everyone makes it out alive.

Hurricane Rescue is an engaging story that doesn’t only focus on the hurricane. Instead, the story also shows the importance of the father-son bond. While Ben lives in a traditional two-parent household, Jack’s parents are recently divorced, which makes it difficult for Jack to see his father on a regular basis. Jack’s grief over missing his father causes him to make the dangerous decision of sneaking off in order to try to make it to his father’s house, which is in a different town.

Told from Ben’s point of view, the readers understand why Ben isn’t truthful. Ben lies to Jack’s mother, intentionally disobeys his father, and leads his friend into danger. Even though the story ends happily, Ben should have been honest with the adults in his life instead of jumping into a dangerous situation on his own. Ben’s impulsive actions and dishonesty were also portrayed in the first book of the series.

Hero plays a main role in the story, and readers will enjoy seeing how Ben and Hero work together. The suspenseful story has likable, well-developed characters who show bravery and courage. However, some of the rescue scenes are unrealistic. Despite this, Hurricane Rescue will keep readers engaged until the last page while it illustrates the importance of rescue workers, such as the National Guard and police officers. Readers who enjoyed Hurricane Rescue should also try Survival Tails: Endurance in Antarctica by Katrina Charman.

Sexual Content

  • None

Violence

  • An alligator keeps Hero from helping a dog in trouble. Hero distracts the alligator. “The alligator’s front half was on land. His giant jaw stretched open, revealing sharp, angled teeth. . . Ben’s stomach flipped as the alligator snapped his jaw shut with a loud clack.” No one is injured.

Drugs and Alcohol

  • None

Language

  • After a strange encounter, Ben’s friend asks him, “What the heck was that about?”
  • When Ben first met Jack, Ben thought Jack was “kind of a jerk.”
  • While Jack is trapped under a tree, he says, “Well, it kind of feels like it’s all on me, so why don’t you wimps lift this thing off me already?”
  • Jack tells his friend, “I’m sorry, Ben. I’m a total idiot.” Ben replies, “Well, now you’re a total idiot who’s been rescued.”

Supernatural

  • None

Spiritual Content

  • When Ben’s friend is in trouble, Ben thinks that he should “pray that Jack and Scout would be okay.”

Spider-Man: Far from Home: Peter and Ned’s Ultimate Travel Journal

Spider-Man is off to Europe on a science exploration, crime-fighting adventure! While on vacation, Peter Parker and his best friend, Ned Leeds, decide to create a travel journal where they jot down all the exciting things that happened to them during their trip. From St. Mark’s Basilica in Venice to the Globe Theatre in London, Ned tells readers about the most astounding and historic spots to visit in Europe. While web-slinging, Peter introduces readers to European street food, including German pretzels and English toasties. Mary Jane introduces Europe’s most notable, historic women to the boys as she takes them to the weirdest and scariest places in Europe, including Cemetery Island in Venice and the Museum of Communism in Prague. The ultimate, web-shooting travel journal really has it all!

From the Venetian gelato to the London Eye, their international trip seems to be going great until Peter finds himself having to save the world again. As he fights world-threatening monsters, Peter struggles with becoming a big-time superhero and his new crush on his friend, Mary Jane. It’s a big step up from being just the friendly, neighborhood Spider-Man. Will Peter be able to come to terms with his new identity, defeat the monsters, and finish the journal—or will the world fall into chaos?

 Peter and Ned’s Ultimate Travel Journal is a fun, educational read for young readers. Peter, Ned, and Mary Jane’s adventures across Europe, along with their witty humor, make the book fun to read. It introduces young readers to Europe’s many different, historic cultures. Throughout the book, Ned introduces historical buildings to the readers, Peter introduces cultural food, and MJ introduces historic European women. Along the way, the trio even has intellectual debates discussing if Italian pizza is better than American pizza, if Nikola Tesla is smarter than Thomas Edison, and if Michelangelo is more influential than Leonardo Da Vinci.

However, readers should watch the movie Spider-Man: Far from Home before reading the travel journal. The journal makes many references to the crime-fighting antics of Spiderman’s on-screen personality, and the journal could be confusing for readers who have not seen the movie. The camaraderie between Peter, Ned, and MJ is entertaining; however, the characters often go way overboard on teen-talk. Even though the plot is not well-developed, the theme of friendship is portrayed throughout the journal.

Nonetheless, the fun, colorful illustrations will interest readers. The artwork appears much like the Spider-Man comic books with colorful pictures of Spider-Man in action and cartoonish pictures of European landmarks. However, some of the pictures are reused, which may bother some readers. With its mild language, this book is a fun read for superhero fans that are interested in learning about other countries.

Sexual Content

  • None

Violence

  • On the plane, Mr. Hutchinson tells Peter that “his ex-wife faked her own death in the Battle of New York …”
  • Ned thinks he is a great friend because “he will take a tranquilizer dart to the neck courtesy of NICHOLAS FURY and not complain about it.” In the movie, Ned is shot in the neck by Nick Fury.

Drugs and Alcohol

  • None

Language

  • Ned’s “No Lips” face will make Peter “laugh so hard he pees his pants.”
  • While in St. Mark’s Square, “a pigeon pooped on” Peter.
  • Ned thinks that “Betty is going to think I’m so smart when I tell her about these kick-butt ladies tomorrow!”
  • Ned thinks it’s funny to “imagine a baby country peeing in a diaper.”
  • Peter wants to snuggle with Mary Jane during the opera while they share opera glasses, but he wonders if there’s “another word for snuggle so I can just ask her without sounding like a dweeb?”

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

The Dragon Thief

Jaxon had just one job—to return three baby dragons to the realm of magic. When he got there, only two dragons were left in the bag. His best friend’s sister, Kavita, is a dragon thief!

Kavita only wanted what was best for the baby dragon. Now every time she feeds it, the dragon grows and grows! How can she possibly keep it secret? Even worse, stealing the dragon has upset the balance between the worlds, and the gates to the other realm have shut tight! Jaxon needs all the help he can get to find Kavita, outsmart a trickster named Blue, and return the baby dragon to its true home.

The sequel to Dragons in a Bag continues Jaxon’s story; however, many of the characters from the first book only make a very brief appearance. Instead, The Dragon Thief jumps back and forth between Jaxon’s and Kavita’s points of view. Jaxon and Kavita both want to return the dragon to the realm of magic, but they don’t work together until the very end. Much of the story focuses on both Jaxon and Kavita trying to figure out how to return the dragon. With talking animals, magic, and a cast of helpful characters, the story has many interesting elements.

Readers may be disappointed that the dragon rarely appears in the story. However, several new characters add interest to the story. Jaxon meets a feisty fairy and gains the help of a classmate. At one point Jaxon thinks, “A week ago, a talking pigeon would have freaked me out. But over the past few days, I’ve encountered a very determined squirrel, actual dinosaurs, a talking rat, and three baby dragons. I’ve learned to take it all in stride.”

The Dragon Thief hints at some important themes, but they are undeveloped. Several times the story mentions slavery and freedom, but the information is not integrated into the story and seems random. Jaxon’s family only appears at the end of the story, but he thinks, “This is my family. Sure, we’re different from other families. Ma’s a witch, and I’m her apprentice. Mama’s a widow, and Trub’s reformed thief. We’ve all made mistakes—big and small—but we stick together because that’s what you do when you love someone.”

The Dragon Thief has some interesting elements, but the undeveloped plot will leave readers with many questions. One positive aspect of the story is that both Jaxon and Kavita are diverse characters who want what’s best for the dragon. Overall, The Dragon Thief has enough mystery and magic to interest fantasy fans, but the abrupt ending and the many characters may confuse some readers.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • At the end of the story, Ma tells Jaxon, “Then let’s get this party started boy! Bring me a beer!” Ma means a root beer, but readers won’t know that unless they’ve read the first book in the series.”

Language

  • As Jaxon is walking in a park, he almost steps on “a pile of dog crap.”
  • Kavita’s brother tells his friend that Kavita is a brat and a “pain in the butt.”
  • A boy tells Jaxon that “a lot of kids at our school are jerks.” Later, the same boy says Blue is a jerk.
  • While looking for Blue, Jaxon asks a rat for help. The rat tells Jaxon, “Blue’s a nasty piece of work. Trash, really…He hasn’t got a selfless bone in his freaky blue body.”
  • A boy calls Blue a creep.
  • Three times, someone calls the trickster Blue a fool.
  • Blue calls Jaxon and his friends “rotten brats.”

Supernatural

  • Ma is a witch who can travel to another dimension where magic exists.
  • Kavita and Aunty go to see Bejan, an astrologer and psychic. Bejan explains, “Jyotisha, or the science of light, involves the study of the stars and planets.” Bejan uses a dragon’s birthday to give Kavita and Aunty advice.
  • Jaxon can talk to animals.
  • Jeff, a fairy, “raises his arms once more, but this time when he lowers them, a circle of blue light appears. It’s as if the fairy traced a bubble in the air and then willed it into existence.” The bubble allows Jaxon to talk to someone who is in another dimension.
  • Blue takes animals from another dimension and turns them into tattoos. Blue explains, “These are my guests… We share space and show respect… Real tattoos are permanent, but these…are just temporary.” Later, Blue’s tattoos are taken away. “We see movement beneath his clothing and hear a faint clamor as Sis extracts the creatures tattooed on Blue’s skin. One by one the mermaid, parrot, sea serpent, unicorn, and others peel off and float toward Sis. Still in miniature, the creatures huddle together and are soon encased in a clear spear that forms above Sis’s outstretched palm.” The creatures are taken back to the realm of magic.
  • Blue uses the tattoos to give him power. He creates “potions, spells, curses, and hexes. Everything humans most desire—love, wealth, revenge, success. Put it in a bottle and slap on a price tag.”
  • A dragon appears and then changes into a “human form.”
  • Jaxon is given a potion that will wake up Ma. He is instructed to put three drops in a glass of water “before the moon wanes.” When Ma drinks the potion, she awakens.
  • In order to transport the dragon to the proper diminution, “Sis points at the creature and draws a circle around it once, twice, and by the third time another elastic sphere has formed. Unlike Blue’s tattoos, however, the dragon doesn’t accept its fate. It whines and claws against the sphere, but to no avail.”

Spiritual Content

  • None

Tumbling

Tumbling takes place over the course of a two-day gymnastics meet, but it’s not just any meet—this meet determines who will represent the United States at the Olympics. The story is told from the perspectives of five different girls, each of whom deals with her own struggles.

Leigh is a closeted lesbian and worries about the implications if her secret gets out. Grace has a distorted view of what a perfect gymnast is and ends up paying the price. Monica is a nobody and feels she isn’t good enough to be there. Wilhelmina’s shot at the Olympics was taken from her four years ago because of a rule change, and now she is determined to prove she deserves to go more than anyone else. Camille was injured four years ago in a car crash and is making a comeback to gymnastics, but she can’t decide if this is what she truly wants. Is the Olympics worth sacrificing her boyfriend and her happiness?

Although each girl’s problem is unique, they all struggle with the complexity of competing against friends. Everyone is paranoid; no one’s words can be trusted. Tumbling explores the enormous pressures that come with gymnastics—on bodies, mental states, friendships, and relationships.

Tumbling is an intense book with routines so detailed that readers will hold their breaths as they read them. Readers will cheer when the girls land their routines perfectly and ache when they make mistakes. Readers who know nothing about gymnastics will be able to understand Tumbling, but there is a glossary in the back of the book to help with the gymnastics terminology if needed. Rather than focusing on the intricacy of the sport, the story focuses more on the girls’ struggles. Readers will relate to the girls’ problems, which include sexuality, eating disorders, confidence, family relationships, and boyfriends.

The characters invoke sympathy, but none of them are truly likable. They are petty and constantly play mind games with each other. Because the story takes place over two days, there isn’t enough time for the girls to develop. The book ends abruptly and leaves the reader with many unanswered questions. Overall, Tumbling is best suited for those looking to read an entertaining book. Readers who want a mix of spots, teenage drama, and intense competition will enjoy Tumbling.

 Sexual Content

  • Leigh has a crush on Camille and fantasizes about her a couple of times. Leigh is distracted at the meet and thinks about “Camille’s cushy lips.” Camille comes to Leigh’s room with the other gymnasts to watch an interview. “It wasn’t going to be like it had been in Leigh’s fantasies last night. When Camille had sat down with Leigh on her bed and told her she was dumping her boyfriend because she’d realized she thought Leigh was so much hotter. And then had laid down next to her and. . . ”
  • After Leigh performs a perfect floor routine, she hugs teammate after teammate until eventually, Camille hugs her. “Camille was hugging her, actually pressed against her body, like Leigh had imagined so many times in the privacy of her own head.”
  • Dylan Patrick, a member of a famous boy band, messages Grace and says she’s “hot.” He, Grace, and Leigh send flirty messages throughout the book, such as, “It means a lot to know someone is watching me. Especially someone as cute as you.”
  • Monica flashes back to when she got waxed “down there.” She describes how “…the wax job from a few days ago had replaced her pubic hair with angry red welts.” She remembers she lay “half-naked” and “her crotch burned like any other fifteen-year-olds.”
  • During the meet, Monica is uncomfortable being “basically naked” and having “every line on her body on display.”
  • A doctor asks Camille, who is sixteen, if she menstruates.
  • Camille lists the things that were different about her before she met her boyfriend. “Different height. Different weight. Different voice. Virgin.”
  • Camille talks about how she has grown since she took a break from gymnastics by saying, “…a woman of five feet and one inch with breasts and hips.”
  • Wilhelmina almost wishes she could be a mean gymnast, someone who would “message Dylan Patrick something suggestive tonight to get under Grace’s skin.”
  • There are several instances of Wilhelmina fantasizing about kissing her boyfriend, such as, “She’d wrap her arms around his and press her lips to his.”
  • Wilhelmina and her boyfriend almost kiss. Wilhelmina’s “lips were just centimeters away from his. She could feel her breath on his mouth.” They don’t kiss because he says he can wait until Wilhelmina is done with the Olympics.
  • Leigh thinks Grace wraps herself in multiple towels because she didn’t want Leigh to see “a bit of skin besides her face and her feet.”

Violence

  • Grace has an eating disorder. She “pared herself down to three hundred or five hundred calories a day just to be a bee to keep up with the skinnies.” She worries Leigh will “see how far my collarbone is sticking out today, afraid you’d notice that my legs are like twigs growing out of the hotel carpet.” She eventually confesses she doesn’t eat to Leigh and Camille, with the intention of confessing to her dad, and promises she will get help.
  • Wilhelmina sees evidence of Grace’s eating disorder a few times throughout the book and is saddened by it, but chooses not to do anything about it. She sees Grace throw away an entire plate of food twice. She notices how skinny her body is a few times. “Wilhelmina swore she could see through Grace’s quadriceps to her femur. Even when Grace was bent over, her hip bones were visible.”
  • In a flashback that takes place four years ago, Camille is ecstatic after making it onto the Olympic team. She is having an out-of-body experience when she gets into a car crash. “…almost like she wasn’t in the car but was instead floating about it, watching and saving the joy for later. And it was good she wasn’t in her body at that moment. Because that’s probably why she didn’t feel her head go through the windshield.” Her doctor says gymnastics caused “‘…the stress fractures in your back that caused it to break in three places during the crash.’”
  • Gymnastics is discussed as being dangerous to your health. Camille’s doctor tells her, “‘It’s gymnastics that almost killed you.’” Camille thinks, “Everyone had some sort of scare when she fell head-first off the bars or whacked her back into the balance beam from three feet in the air.”
  • Grace suggests to the reporters Leigh is a lesbian, and Leigh gets angry. “Leigh was going to slap her. If it weren’t for the cameras still in the vicinity, her hand would be imprinted on Grace’s face.”
  • Grace almost falls off the bar due to her eating disorder. During her routine, “her body almost crumpled off the bar and whacked it before falling 8.2 feet to the floor.”
  • Leigh falls off the beam and gets injured. “A hammer bashed into her forehead just above her right eye. Her body stiffened and her blood was sharp and painful, like razors running through her veins, and her eye was going to fall out and roll on the floor, that floor, which was coming up beneath her limbs much too quickly, and then, thankfully, she blacked out.”

Drugs and Alcohol

  • None

Language

  • Leigh and Grace watch as Monica picks her wedgie. They say she needs to “‘buy better butt glue’” and call her the “Wedgie Queen.” They continue to joke about this a few more times throughout the book.
  • God, Oh God, Oh my God, and For God’s sakes are used frequently as exclamations.
  • Christ is used once as an exclamation.
  • Leigh’s coach calls a reporter an asshole.
  • Leigh worries she is a bitch on the mat.
  • Profanity is used sparingly throughout the book. Profanity includes: shit, bullshit, damn it, damn, badass, freaking, and kick ass.
  • “For the hell of it” is used once.
  • A girl says, “That was some effed-up stuff.”
  • Wilhelmina tells Camille to “cut the crap.”
  • “Get her butt back on the beam” and “Kicking butt” are each used once.

Supernatural

  • None

Spiritual Content

  • Grace meditates before her beam routine. “It would look like she was praying, but Grace didn’t pray…It was her own body she counted on, not some Great Unknown Creature in the Sky.”
  • Camille made the Olympic team four years ago, but she had to withdraw due to a car accident. She describes her moment of happiness in the car as “this hoped for, prayed for moment was almost otherworldly, almost like she wasn’t in the car but was instead floating above it, watching and saving the joy for later.”
  • Leigh is tired of being mean during the gymnastics meet, so she promises to be nice and still win the meet. “So when Leigh had closed her eyes last night, she had made a promise to the Gods of Gymnastics or the Universe or whoever was in charge out there. Tomorrow, I will be me, and I will still win. I will win while being nice.
  • After Leigh falls, Grace says, “I think I accidentally prayed for it.”
  • After Leigh falls, Monica tells Grace and Ted, “You aren’t gods.”

by Jill Johnson

 

Up for Air

Annabelle is relieved to be finished with seventh grade, and she’s ready to swim the summer away with her two best friends, Jeremy and Mia. In school, Annabelle struggles due to a learning disability, but when it comes to swimming, she’s the fastest girl in middle school. In fact, she is so fast that she is recruited to join the high school summer swim team. She is excited to hang out with her new teammates, especially Conner, a cute sophomore who just can’t seem to take his eyes off her. However, after an accident that leaves her unable to swim, she realizes how fragile her popularity really is. She starts to question if Conner really likes her, who her real friends are, and who she is without swimming.

Morrison addresses difficult topics through the eyes of an incredibly perceptive thirteen-year-old. Annabelle wants to express her sympathy to others, such as Jeremy’s older sister, Kayla, who is recovering from an eating disorder. Although Annabelle has never had an eating disorder, she understands how hard it must be for Kayla to wear a swimsuit or go to an ice cream parlor. She tells Kayla, “I’m sorry you had to go through that. It must have been really hard. And I’m really happy you’re better.”

Annabelle also struggles with the changes in her home life. Annabelle’s parents got divorced four years ago due to her father’s drinking problem. Since then, her father moved away and her mother remarried. Annabelle feels guilty for having a good relationship with her stepfather when she isn’t even sure she wants a relationship with her biological father.

Although Annabelle is a competitive swimmer, Up for Air hardly talks about the sport itself. Instead, it focuses on how being on the high school swim team affects Annabelle, her friends, and her family. Even though Annabelle makes mistakes throughout the book, readers will still love her as she grapples with the changes that come with adolescence. Like many girls, Annabelle struggles with insecurities, anxiety, and the desire to be liked.  Up for Air explores the themes of self-confidence, friendship, and trust, making it the perfect bridge between elementary and young adult books.

Sexual Content

  • Annabelle describes her new swimsuit, which is more revealing than her previous ones. “The straps were thin and the front dipped low enough that she could see the freckle in the middle of her chest – the one most of her shirts covered up. Her other racing suits flattened her out, but this one didn’t. And the leg openings were cut extra high, which meant her legs looked extra long.”
  • At the pool, Annabelle notices she looks more like the high schoolers now that her body has changed. She is excited when Conner looks at her in her swimsuit and tells his friend she is “all grown up.”
  • It is implied that Annabelle cannot buy a shirt because it is too revealing. “When Annabelle had stepped out of the dressing room, Mia’s mom had said, ‘Va-va-voom! Honey, I don’t think you can wear that shirt to school!’”
  • Elisa, an older swimmer, tells Annabelle, “Coach Colette was practically salivating about how she’ll get to coach you once you’re fourteen.” Conner says, “What’s that now? Who’s salivating?” Elisa responds, “If anybody says anything that could in any way be twisted around to sound inappropriate, there you are.”
  • Annabelle admires her swim coach, Colette’s, body. “Annabelle hoped that when she did peak, her body would look a lot like Colette’s. People talked about how hot, pretty, and strong Colette was. Annabelle wanted people to talk about her like that, too.”
  • Annabelle invites Mia to get ice cream, so Mia can see the guy who was flirting with her last time they went.
  • At lunch, Annabelle sits with a few high schoolers. They are playing a game where one person names two people, and the others have to choose one. The high schoolers tell Annabelle the purpose of the game is to choose who they would want to “spend an afternoon alone with.” Annabelle doesn’t understand the underlying meaning.
  • When a guy asks Annabelle to choose between two guys, she says, “I don’t know. Why don’t you choose first?” She feels bad for making this joke. She knows they only laugh because they’re uncomfortable with homosexuality.
  • At a meeting with her principal to discuss her low test scores, Annabelle reflects that while her body is developing earlier than her peers, her brain is developing later than her peers.
  • When someone suggests going swimming, Annabelle notices no one has a swimsuit. “Were they going to swim in their clothes? Or – ack – not in their clothes?” In the end, they don’t swim.

Violence

  • Annabelle and her friends attempt to sneak into the backyard of a famous director. They hoist her up to unlock the gate, but she falls when the alarm goes off. “Her left knee smacked one of the iron bars halfway down, and her right ankle twisted under her weight when her foot hit the ground. But that was nothing compared to the pain that knifed through her right wrist when she put down her hand to stop her fall.”
  • Annabelle looks at her injured wrist a few minutes after falling. Her wrist “had puffed up pretty badly, and the tender skin on the side of her thumb was turning blue.”
  • The morning after she injures her wrist, “her wrist and thumb were even bigger, and the tender skin was pink and purple, like the ugliest sunset imaginable. She couldn’t rotate her hand at all. She could barely even flex her fingers.”

Drugs and Alcohol

  • Annabelle’s biological father had a drinking problem. She flashes back to one day when he came to pick her up from swim practice. He was swaying and talking “funny, as if he had marshmallows inside his cheeks.” Annabelle’s mom drove her home.
  • When Annabelle’s dad still lived with her and her mom, Annabelle would “wake up in the middle of the night and find him sitting on the couch with a glass of amber liquid in his hand.”
  • Annabelle remembers her mom telling her dad, “I’m worried about the drinking. I’m worried you haven’t started looking for another job. I’m worried you don’t seem like your old self.”
  • Annabelle goes to a party where a few high schoolers are drinking beer. Annabelle does not drink.
  • Annabelle has “never been able to forget the way her dad had slurred late at night or the way he swayed and couldn’t focus his eyes on her that terrible day when he showed up drunk at swim practice.”

Language

  • Jeremy tells Annabelle, “I can’t believe those dicks left you!”
  • Mia tells Annabelle, “It sounds like you really treated Jeremy like crap.”

Supernatural

  • None

Spiritual Content

  • None

by Jill Johnson

 

The Legend of Zelda: Twilight Princess Vol 1

Link is a simple boy in a small, peaceful village. However, he lived a very different life before he came to the village less than two years ago. Before, he had been training with the sword to become a border guard. Then, in a tragic accident, Link’s entire town was sucked into the blackness by a Death God and vanished. Link fled in terror and has been hiding ever since, though he hasn’t been able to escape his guilt.

When monsters invade Link’s safe haven, he springs into action to defend his new home. But these strange creatures are nothing like Link has ever seen before. Will he be able to redeem himself and save his new home? Or is Link doomed to watch another town be swallowed by the darkness?

Link himself is an enjoyable and relatable hero. He has a sense of humor despite his tragic past. He tries to be patient with the children of the village, and when he loses his temper, he regrets it later. However, the other supporting characters in the story are undeveloped caricatures.

There are some mild violent and sexual images, though these do not abound. Specifically, the monsters and Death God may be frightening to younger readers, and parents may not appreciate the bikini-clad princess that appears in the first chapter. However, for the 13+ recommended age range, the images in this graphic novel are much less graphic and sexual than other popular teen graphic novels. Still, the graphic novel is noticeably darker than the video game, such as when the Death God is introduced, Link suffers a gruesome injury.

For fans of The Legend of Zelda: Twilight Princess video game, this graphic novel will be an enjoyable read. Though the graphic novel diverges from the video game, there are enough similarities that gamers will recognize and enjoy. Link is given a different backstory in this graphic novel, which provides enough of a difference that it is not simply a repeat of the game. For readers who have not played the video game and are meeting Link for the first time, they may find that the plot drags. While there is plenty of action at the end, the first half of the book meanders around, introducing characters and aspects of Link’s life from the video game. While interesting enough to gamers, there might not be enough action to hook new readers.

Sexual Content

  • The Twilight Princess, who only appears in chapter one, is dressed in a bikini top and sarong skirt that bares most of her legs.
  • When Link gets rammed by a goat, he thinks, “It’s weird for Ordon goats to be so aggressive. Is it mating season?”

Violence

  • The sorcerer Zant attacks the Twilight Princess. There is a giant explosion as he overpowers her.
  • A village girl is shot in the shoulder with an arrow and then kidnapped.
  • Link fights the monster trying to kidnap a village girl. The fight is depicted over 11 pages. At the end of it, Link’s arm is cut off.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Link lives in a world with magic and monsters.
  • The sorcerer, Zant, turns the people who live in the Twilight Realm into monsters to serve his evil plans.
  • When Link pulls a sword from a stone, his village is sucked into darkness by a terrifying Death God, who appears like a skeleton with glowing eyes.
  • There are drawings of goblins, skeletons, and other monsters that invade the realm and terrify the villagers. Most of this attack is not shown. One of the monsters threatens the people who don’t live in the twilight realm, saying, “I will curse them all.”
  • When Link travels to the Twilight Realm, he is transformed into a giant wolf.

Spiritual Content

  • The villagers speak of the spirits that protect them several times. For instance, a village woman tells Link, “The spirits give strength to all manner of things. They bring light and consciousness to all things.”
  • There is a legend that when evil people tried to use magic to take over the land, “the goddesses grew angry at this affront and sent four spirits of light to seal the upstarts’ magical power away in the shadow crystal. Furthermore, the mirror of shadow prevented these wizards from entering the world of light. They were exiled to the twilight realm.”
  • A spirit of light heals Link’s arm after it is cut off in a battle.

by Morgan Lynn

Jinxed

Lacey Chu has always dreamed of working as an engineer for MONCHA, the biggest tech firm in the world and the company behind the baku, which is a customizable “pet” with all the capabilities of a smartphone. But when Lacey is rejected by the elite academy that promises that future, she’s crushed.

One night, Lacey comes across the broken form of a highly advanced baku. After Lacey repairs it, the cat-shaped baku she calls Jinx opens its eyes and somehow gets her into her dream school. But Jinx is different than any other baku she’s ever seen. . . he seems real.

As Lacy settles into life at school, competing with the best students in a battle of the bakus that tests her abilities, she learns that Jinx is part of a dangerous secret. Can Lacey hold on to Jinx and her dreams of a future?

Lacey has always been focused on academics, but being successful at Profectus is not going to be easy. When she learns that she has been chosen as part of a baku battling team, Lacey is determined to make friends. Lacey was prepared for Profectus’s academic pressures, but Lacey wasn’t prepared for the challenges of having a baku that has its own opinion and agenda. Lacey soon learns that some of the students will stop at nothing to make it to the top of the class.

Lacey’s world is unique, fascinating, and full of unexpected surprises. Everyone in Lacey’s world depends on their baku, and each baku has the ability to make its owner happy. Whether it’s playing an upbeat song, helping instruct a recipe, or giving directions, each baku is essential for day-to-day life. However, Lacey’s baku, Jinx, is different. He doesn’t follow commands and often leads Lacey into trouble. The interactions between Lacey and Jinx create suspense as well as show Jinx’s unique personality.

Jinxed is an action-packed story that keeps the readers guessing until the very end. Although some of the characters are predictable—the mean kid, the rich cute boy, and the best friend who feels left out—the story never feels cliché. Instead, Lacey’s world gives the reader a realistic view of the future, where everyone is connected to a device 24/7. The end of the story will leave the reader with many unanswered questions, which might frustrate some readers.

Through Lacey’s experiences, the readers will learn important lessons about choosing your own path; it doesn’t matter where you come from, your choices and decisions make you who you are. The message that Jinxed portrays is clear: loving someone doesn’t give you the right to decide what’s best for them.

 Sexual Content

  • Lacey gives Tobias a handshake and “he clasps my hand. I don’t know if he feels it too. A spark. A moment where electricity leaps from my hand to his, where all the neurons in my palm seem to light up. It takes my breath away.”
  • When Tobias winks at Lacey, she feels butterflies in her stomach and feels “my face burning bright red.”
  • After Tobias grabbed Lacey’s hand, her “palm doesn’t stop tingling for the rest of the weekend.”
  • When Tobias holds Lacey’s hand, her “heart pounds, my brain is unable to compute that Tobias Washington is holding my hand.”

Violence

  • A woman holding a “creature” runs from someone with a pulse gun. “She ducked and the shot flew over her head, obliterating the trunk of a beech tree in front of her. . . The next shot hit her shoulder, and she wasn’t sure who screamed louder: her or the creature.” The creature falls over a cliff into a ravine, then “the men turned back to her, gun barrels leveling at her head. She closed her eyes and accepted the inevitable.” The two-and-a-half-page scene ends without saying what happened to the woman or the creature.
  • The school allows teams to battle their bakus. During the battles, some of the bakus are destroyed and cannot be fixed. During a battle, Tobias immediately makes a hit on Dorian’s snarling wolf baku, his eagle stretching his talons out, wing spread wide to keep him hovering—and to enable a quick getaway from the wolf’s surprisingly high jump.” During the battle, one of the girls is upset because she thinks her baku is destroyed and cannot be repaired.
  • When a boy is being rude, Jinx scratches the boy’s hand, which “beads with blood.”
  • During another baku battle, “The cloud leopard is lightning fast, rounding on poor Jupiter with barely a delay. . . Frost swipes out with a sharp paw and part of Jupiter’s surface paneling is torn.” When it looks like Jupiter will be completely torn apart, Jinx jumps into the fight. “The boar falters, twitching and convulsing, as something is destroying him from the inside out.”
  • When Lacey’s baku is stolen, Lacey and her friends go to get it back from Carter. Carter’s panther baku “leap past their bakus and aim their attacks at the people themselves. . . While Tobias is distracted by my screams, he sends hunter up to bring Aero down. There’s a sickening crunch of metal against metal, as Hunter’s tusk pierces Aero’s belly.” Lacey is able to pin Carter to the ground.” Lacey and her friends are able to free Jinx. Tobias has “one arm around Ashley, who is bleeding from a scratch along her hairline, and another arm supporting River, who is getting shakily to his feet.”

Drugs and Alcohol

  • None

Language

  • Jerk is used multiple times. For example, a boy from school is mean to Lacey. Lacey’s friends say, “He’s a jerk. Forget about him.”
  • Lacey’s friend tells her, “You’ve worked hard all friggin’ year. You’re allowed to take a break and relax.”
  • “Holy baku” is used as an exclamation once.
  • Heck is used four times. When Jinx scratches a boy, the boy says, “What the heck?”
  • Darn is used twice. For example, when a teacher tells Lacey that she’s late for class, Lacey thinks, “Darn.”
  • Oh my god is used as an exclamation three times. God is used as an exclamation once.
  • While working on a baku, Jinx’s “paw brushes against a smashed-up printed circuit board—if one of the bakus is missing that, they’re going to be seriously screwed.”
  • When a team captain thinks an opponent isn’t going to show up, he says the girl is a coward.
  • Jinx refers to an opposing team captain, saying “only idiots could have broken what you fixed. I mean, I wouldn’t put it past them to be idiots, but. . .”

Supernatural

  • None

Spiritual Content

  • Lacey and her friend Zora run into a mean boy from school. The boy is rude to Lacey. “Zora doesn’t immediately follow, and I whisper a silent prayer for her to drop it. . .”
  • When Lacey tells her friend that she found her baku, “she responds almost right away with a series of ‘Praise the Lord’ emojis.”
  • Jinx plays loud music and draws attention to Lacey. When the music stops, she thinks, “Thank god.”

Daniel at the Siege of Boston 1776

Twelve-year-old Daniel helps his family in the family tavern. When English tea is dumped into the Boston Harbor to protest taxes, Daniel cheers. Then the British arrive, and soon Redcoats are taking over Boston. Soon everyone must take a side—support the British or join the rebels. Daniel’s family serves the British soldiers in their tavern to try to gain information and pass it on to the rebels.

When Daniel’s father leaves to join the fighting rebels, Daniel must help his mother in the tavern and help keep his sister safe. When Daniel overhears a crucial secret, he knows he has to cross British lines to deliver it to his soldier father and General Washington. He knows that liberty is worth fighting for, but is he brave enough to risk his life?

Daniel at the Siege of Boston 1776 brings the American Revolution to life through the eyes of a twelve-year-old boy. Despite the young narrator, the story is at heart a war story that doesn’t shy away from death. Even though the dead and wounded soldiers are not described in bloody detail, Daniel is deeply disturbed by the battle between the Redcoats and the rebels. Daniel witnesses wounded soldiers dying, which may upset some readers. Although Daniel agrees with Dr. Warren, who said, “Our liberty must be preserved; it is far dearer than life,” watching people die leaves a lasting impact on Daniel.

Even though Daniel at the Siege of Boston 1776 shows the importance of the American Revolution, the book is best suited for history buffs. Even though the story focuses on Daniel’s family, the long list of names may become overwhelming to readers. In addition, many historical figures, like John Hancock and Samuel Adams, are mentioned, but they never appear in the book. Readers who already know some of the key figures in the Revolutionary War will enjoy learning about the Boston Revolution through the eyes of a young boy.

Several times, Daniel acts out of fear, then later feels ashamed of his actions. However, Daniel’s father lets him know that the soldiers all feel fear. Daniel’s father tells him, “only the foolhardy are unafraid, Daniel. That’s not what bravery is. True courage is moving forward when you’re most afraid.” The story shows how the courage and perseverance of colonial men paved the way for America’s freedom. Daniel and the reader both learn that “Perseverance and spirit have done wonders in all ages. They’re far more powerful than even the mightiest of armies.”

Daniel at the Siege of Boston 1776 shows the brave deeds that led men to fight for liberty and allows readers to understand America’s history. The book ends with historical information about children’s roles in the American Revolution, the historical characters, a timeline, and a glossary. Readers who enjoy learning about America’s involvement in wars should add Calkhoven’s G.I. Dogs series to their reading list.

Sexual Content

  • None

Violence

  • Daniel mentions British soldiers trying to desert the military. “General Gave, the military governor of Massachusetts, had threatened to execute all deserters from the British army and any who helped them. More than one soldier was shot on the Common, caught in the act of trying to leave Boston.”
  • Soldiers bring a man into the tavern. The soldiers accuse the man of trying to help soldiers desert the “king’s army.” When the men come in, Daniel’s “father’s hands were underneath the bar, no doubt reaching for the musket that was hidden there.” When Daniel makes a quick move towards his sister, “my sudden movement put one of the soldiers on alert. He swung around and pointed his musket at me. His bayonet was fixed, candle light flickering against the shiny blade.”
  • The soldiers are ordered to tar and feather the man accused of helping soldiers desert. “The soldiers rushed to their task like boys to a game of ringer, only it was a life they played with, not marbles. Some men did not survive such torture.”
  • A man comes into Boston telling people, “‘They’ve done it,’ he said. ‘The Redcoats have fired on the people. . . I’ve seen the dead with my own eyes.’”
  • During a battle, the Patriots seize the hill. Then, HMS Lively began “firing cannonballs in our direction. . . Soon the HMS Somerset and other ships in the squadron joined the warship Lively. . . Cannonball after cannonball pounded into the side of Breed’s Hill and our fort. I’d never seen such a storm of round shot as was poured out us, but our fort stood undamaged.”
  • During the battle, “one soldier became too bold. A private stood tall and raised his arms in the air. The next I saw, his head was gone. I jumped to avoid the smoking six-pound ball that rolled past my feet.” The scene takes place over three pages.
  • The British try to take Breed Hill. “The Redcoats seemed to be upon the very walls of the fort. The solider next to me muttered a prayer. . . Suddenly the Patriots let loose with a burst of fire. Smoke boiled in all directions. The first wave of Redcoats fell. And then the next, and the next. . . When the smoke cleared, I saw just how many bodies they had left behind. Redcoats dotted the hill. Some crawled. Most were still.”
  • Again the Redcoats advanced. “The Redcoats seemed impossibly close to the walls of the fort before there was a burst of fire and smoke and noise. The first wave of Redcoats fell, and then the second. . . A third wave began to fall and once again the king’s men turned and ran. A good many of them were left behind, broken and dead.”
  • When the Redcoats again advance, the Patriots are out of gunpowder. “The first Redcoat mounted the parapet and leaped into the fort. Soon they stormed in from three sides. The Patriots used their muskets as clubs, but they were no match for British bayonets.” Daniel recognizes Dr. Warren as “he defended an exit, making it possible for many of the Patriots to escape. . . I saw a bullet strike his head. Dr. Warren fell.”
  • The Patriots begin to retreat and Daniel finds his father. “It was only then that I noticed my shirt was splattered with blood.” The blood wasn’t Daniel’s, but he watched as “two wounded men hobbled past us, one with a gaping wound in his neck, the other with a gash in his leg.”
  • As Daniel leaves the battle, he “found a man kneeling by the side of the road, moaning. . . Someone had bandaged his wounds, but he was still bleeding fiercely. He opened his eyes, but did not see me. . . He slumped over and fell into me. Dead.” Daniel vomits and runs from the scene.
  • As Daniel tries to get to his father, three men stop him. “I raised my hands to show them I was unarmed and prayed they would not shoot. . . They lowered their guns and after many questions gave me leave to go.”
  • While trying to leave Boston, Daniel runs from soldiers. “A musket fired, and then another, but I kept running. Something hit my shoulder. A bullet whistled past my ear.” Daniel runs and then hides behind a bush. “My shoulder burned. My fingers found a hole in my jacket but no blood. The bullet had only grazed me.” As he was hiding, “Too late, I saw a flash. The next thing I knew, my hat was blown off.” Daniel is frightened, but not injured.
  • The Redcoats hang one of the Patriots. Daniel sees “a man sat on top of a horse with his hands tied in front of him and a noose around his neck. The rope was attached to the strong branch of an oak tree. . . A crowd of soldiers and others jeered at the man. They urged the hangman to hurry, shouting for blood. . . The hangman slapped the horse’s rear and it lurched forward, out from under the barber. His legs dangled and the rope tightened around his throat. . . The barber’s legs danced, searching for purchase.”

Drugs and Alcohol

  • Daniel’s family owns a tavern, which the British soldiers have made their headquarters. Daniel’s family “filled their tankards and their bellies.” While serving the man, “Father quietly surveyed the room while he drew ale and poured rum. . . There was a low rumble of voices, and the occasional call for drinks, but all was peaceful.” The tavern and soldiers are mentioned drinking ale and rum many times throughout the book.
  • When soldiers point a musket at Daniel, his mother says, “There’s no call for any of this. . . Come, finish this nice meal I’ve made for you. A free glass of rum for all.”
  • After the battle, one of the Redcoats “walked into the tavern after camping on the hill for two nights, his breeches splattered with blood, and ordered a glass of rum.”
  • While Daniel was getting water, he sees a couple of Redcoats “laughing so hard they fell into the other. Drunk, I thought, and up all night.”

Language

  • After a battle, one of the Redcoats says, “Kill the sorry cowards! Kill them!”

Supernatural

  • None

Spiritual Content

  • When the men prepare for battle, the Reverend Mr. Langdon says a “long and fervent prayer.”
  • When Daniel leaves the tavern, his mother tells him, “god be with you, Daniel.”
  • When Daniel’s sister becomes ill, “we watched and prayed, hoping for the best.” Later, Daniel “wondered if Father knew of her illness and prayed he did not.” His sister recovers.
  • In order to listen to the Redcoats, Daniel hides and “prayed their voices would reach my ears.”
  • When a man is taken prisoner, Daniel’s mother tells him, “We must remember him in our prayers.”

A Swiftly Tilting Planet

When Mad Dog Branzillo, a leader of a small South American country, develops nuclear weapons, it seems the end of the world is at hand. Mad Dog is a crazy man full of hate who would be willing—eager even—to destroy the world. When Meg’s family hears this, there seems to be nothing to do but wait for the end of the world. But Mrs. O’Keefe, Meg’s mother-in-law, is suddenly reminded of an old Irish rune that her grandmother taught her about when she was a child. The rune is supposed to have great power, but can only be used in the time of greatest need.

Meg’s little brother Charles Wallace decides to use the rune. When he does so, he is sent a unicorn who can ride the winds of time. The unicorn tells him that history is full of Might-Have-Beens, where a single decision could change the course of history. To save the world, the unicorn takes Charles Wallace back in time and sends him ‘within’ the lives of several people—from the first Native American settlers to the Civil War period. As a passenger in these people, Charles becomes them. He sees what they see and hears what they hear. But he is able, perhaps, to nudge them in a better direction and change the vital Might-Have-Beens that lead to Mad Dog Branzillo.

L’Engle’s book is an allegorical tale that explores the battle of good and evil that started when the fallen angels were banished from heaven. While most of the story is phrased in terms of good and evil, there are points where the unicorn mentions heaven, angels, and other biblical concepts explicitly. In addition, when Charles Wallace visits a settlement in the time of the Salem Witch Trials, God is discussed frequently and scripture is used both by the pastor trying to condemn a woman and by the man defending her.

A Swiftly Tilting Planet is all about the importance of choices, even those that seem small. It explores two family lines: one family who leaned toward violence and hungered for power, and another family who promoted peace and friendship. The two family lines parallel the struggle between good and evil, heaven and darkness. While the story is enjoyable and full of good messages, there are many characters that Charles interacts with throughout history whose many names may become confusing for less advanced readers. For those able to follow the complicated family lines and keep track of the many names, A Swiftly Tilting Planet is yet another fun ride in the Time Quintet.

Sexual Content

  • A pregnant Native American woman uses “birthing flowers” to prepare for her birth. “She knelt and breathed in the fragrance of the blossoms, took them up in her hands, and pressed them against her forehead, her lips, her breasts, against the roundness of her belly.”
  • A boy reports that his sister and the hired hand were “kissing.”

Violence

  • Two brothers fight. The brother who wins holds his brother’s head underwater until his brother promises to leave and never come back. “Madoc forced Gwydyr into the lake, and held him down under the water until rising bubbles told him that his brother was screaming for mercy.”
  • The unicorn is injured. “The entire abdominal area, where the webbed hammock had rubbed, was raw and oozing blood. The water which had flooded from [his] nostrils was pinkish.”
  • When she was an only child, Mrs. O’Keefe’s mother “came to breakfast with a black eye, explaining that she had bumped into a door in the dark.” It’s clear that her new husband abuses her.
  • Mrs. O’Keefe’s stepfather boxed her brother’s ears and pinched her inappropriately as a child. When her grandmother tried to intervene, the man tried to hit her. “Chuck thrust himself between his grandmother and stepfather and took the full force of Mortmain’s blow. Again Breezie screamed, as Chuck fell, fell down the steep stairs in a shower of broken china and glass.”
  • A girl says she saw Jack O’Keefe “take a homeless puppy and kill it by flinging it against the wall of the barn.”
  • A man comes back from war and says, “I saw a man with his face blown off and no mouth to scream with, and yet he screamed and could not die. I saw two brothers, and one was in blue and one was in grey, and I will not tell you which one took his saber and ran it through the other.”

Drugs and Alcohol

  • Charles Wallace’s family has plum pudding. “Mr. Murry got a bottle of brandy and poured it liberally over the pudding…The brandy burned with a brilliant blue flame . . . Mr. Murry tilted the dish so that all the brandy would burn.”

Language

  • “God” and “Oh God” are used a few times. They are said in devoted ways, not as profane exclamations.
  • A woman says, “Thank God,” when she learns that her son is alive.
  • A man writes a letter describing a Native American who helped the settlers: “God knows he is helpful.”
  • When his friend is giving birth, Brandon prays, “Oh God, God, make Zylle be all right.”

Supernatural

  • Mrs. O’Keefe gives Charles Wallace a rune that her grandmother gave her as a child. It calls upon heaven to stand against the darkness, and Charles uses pieces of the rune when he is in danger. The first time he says, “In this fateful hour I call on all Heaven with its power!” and a unicorn appears to help him. Another time, he says, “And the fire with all the strength it hath,” and the sun causes a pile of flowers to burst into flames.
  • Charles Wallace and his sister Meg know how to kythe, which is a deeper form of telepathy that “was being able to be with someone else, no matter how far away they might be…talking in a language that was deeper than words.” In this way, Meg is able to be with her brother even when he goes on a long journey.
  • Charles Wallace travels in time with a unicorn. “Slowly the radiance took on form, until it had enfleshed itself into the body of a great white beast with flowing mane and tail. From its forehead sprang a silver horn which contained the residue of the light.”
  • Charles Wallace goes back in time to prevent a madman from destroying the world. The unicorn explains, “What we must do is find the Might-Have-Beens which have led to this particular evil. I have seen many Might-Have-Beens. If such and such had been chosen, then this would not have followed. If so and so had been done, then the light would partner the dark instead of being snuffed out. It is possible that you can move into the moment of a Might-Have-Been and change it.”
  • Twice, Charles Wallace is blown into a Projection, which is “a possible future, a future the Echthroi want to make real.” The first time, they arrive in a lava world and see a “monstrous creature with a great blotched body, short stumps for legs, and long arms, with the hands brushing the ground. What was left of the face was scabrous and suppurating.”
  • A Native American says, “When the soothsayer looked into the scrying glass and foretold my father’s death, he saw also that I would live my days far from Gwynedd.”
  • A Native American sees a vision of the future in the reflection of a pond. “He feared the small oval of water which reflected Gwydyr’s face, growing larger and larger, and darker and darker, quivering until it was no longer the face of a man but of a screaming baby.”
  • Brandon, an early North American settler, sees pictures of the future. A Native American tells him, “Among my people you would be known as a Seer, and you would be having the training in prayer and trusting that would keep your gift very close to the gods, from whom the gift comes.”
  • When injured, the unicorn takes Charles Wallace to his planet in order to be healed. There the snow heals them, the unicorn drinks liquid moonlight, and Charles Wallace sees a unicorn hatch from an egg. “A sharp cracking, and a flash of brilliance as the horn thrust up and out into the pearly air, followed by a head with the silver mane clinging damply to neck and forehead. Dark silver-lashed eyes opened slowly, and the baby unicorn looked around.”

Spiritual Content

  • A Swiftly Tilting Planet is an allegorical story about the powers of good and evil, of light and darkness, of heaven’s creation and those who would want to destroy everything. There are many references to this battle throughout the book, beginning with the following description of the Echthros, the enemy of everything good. “The Echthros wanted all the glory for itself, and when that happens the good becomes not good; and others have followed that first Echthros. Wherever the Echthroi go, the shadows follow…There are places where no one has ever heard the ancient harmonies.”
  • Charles meets ancient Native Americans. They have many songs, some of which refer to “Lords of snow and rain and water.” This song eventually becomes a prayer: “Lords of blue and Lords of gold, Lords of winds and waters wild, Lords of time that’s growing old.”
  • When speaking of dead spirits struggling to find peace, a Native American asks, “Are the gods of Gwynedd so weak they cannot care for their own?”
  • A man says, “For brothers to wish to kill each other for the sake of power is to anger the gods.”
  • Ritchie, an early North American settler, says, “I cannot find it in me to believe that God enjoys long faces and scowls at merriment.”
  • When his daughter gives birth, Ritchie reads from the Bible. “I love the Lord, because he hath heard my voice and my supplications. The sorrows of death compassed me, and the pains of hell got hold upon me: I found trouble and sorrow. Then called I upon the name of the Lord. Gracious is the Lord, and righteous. I was brought low, and he helped me. Return unto thy rest, O my soul; for the Lord hath dealt bountifully with thee.”
  • Charles Wallace visits the time period of the Salem Witch Trials, where there is much talk of witches, of good and evil, and of spirits. For example, one boy says, “My father says there are evil spirits abroad, hardening men’s hearts.” The pastor claims a Native American woman is a witch and it is God’s will that she be killed. The Native American woman’s father-in-law uses scripture to defend her, but the townspeople won’t listen.
  • Mrs. O’Keefe’s grandmother said several times that her dead husband is “waiting for me” before she passed away.
  • A man speaks about the Civil War. “Oh God, it was brother against brother, Cain and Abel all over again. And I was turned into Cain. What would God have to do with a nation where brothers can turn against each other with such brutality?” He later says, “There were many nights during the war when God withdrew from our battle fields. When the songs of men fight against each other in hardness of heart, why should God not withdraw? Slavery is evil, God knows, but war is evil, too, evil, evil.”

by Morgan Lynn

Ella Unleashed

Ella didn’t think having a stepparent would be cool, but when her mom married Krishnan, Ella soon loved doing things with her stepfather. When Ella enters a junior dog show, Krishnan teaches her how to handle his champion dog, Elvis. Ella’s first attempts end in embarrassing disasters; however, she isn’t giving up. She is determined to win the prestigious National Dog Show.

Ella wants everyone that she loves to see her perform in the next dog show, but her dad can’t stand to be around Krishnan. Ever since her mom and dad’s divorce, Ella’s dad has been lonely and depressed. When Ella’s friends suggest she find her dad a new girlfriend, it seems like the perfect idea. A new girlfriend will lift his spirits and hopefully make him want to come to her next dog show.

When Ella and her friends create a fake online dating profile for her dad, Ella’s convinced that nothing can go wrong. But soon, Ella realizes that her plan isn’t as perfect as she thought. Can Ella find the perfect girlfriend for her father? Will she manage to bring her divided life together in time for her moment in the spotlight?

Any tween with divorced parents will relate to Ella’s struggles. When it comes to winning a dog show, Ella thinks practice will give her the winning edge. When it comes to her father, she’s convinced that using scientific data will help her find her dad the perfect girlfriend. Soon, Ella learns that when it comes to dogs and people, it’s impossible to predict how they will react. In the end, all of Ella’s perfect plans led to hilarious disasters.

Any reader with a blended family should read Ella Unleashed. Although Ella does attend several dog shows, the majority of the story focuses on complicated human interactions. Through her experiences, Ella learns that she can’t control everything. The story also shows the importance of communication. At the end of the story, Ella and her father decide to go to counseling to help them work through some of their issues. Ella Unleashed is an easy-to-read story that uses compassion and humor to explore complex family relationships.

Sexual Content

  • While secretly signing her father up for a dating site, Ella and her friend are confused by the drop-down menu. They don’t know what demisexual and non-binary mean.
  • While having dinner at a restaurant, two women discuss breaking up.
  • A character mentions her “college roommate and her wife.”

Violence

  • None

Drugs and Alcohol

  • While at a restaurant, a lady orders a glass of Malbec.
  • While on a date, a woman “is making big sweeping hand gestures as she talks. . . Beth flings her arm to the right, and her hand smacks directly into the server, who’s about to put down their drinks. . . two full glasses of red wine go flying.”
  • When going to a house for dinner, a woman brings wine.

Language

  • “God,” “OMG,” and “Oh my god” are used excessively as an exclamation. For example, a boy tells his siblings, “God, both of you shut up! I hate you!”

Supernatural

  • None

Spiritual Content

  • Ella is preparing for her bat mitzvah by “learning my Torah portion.”
  • While at a dog show, a judge inspects Ella’s dog, who is acting like he has to go to the bathroom. Ella prays that “she doesn’t put her hands anywhere near his bladder.”
  • Ella pretends to be surprised by something her dad said. Ella prays “my surprise looks genuine.”

Wish

Charlie has made a wish every day since fourth grade. Then, social services send Charlie to live in Colby with a family that Charlie has never met. Charlie doesn’t let that stop her from making the same wish, but now Charlie wonders if that wish will ever come true.

Charlie doesn’t get along with the “hillbilly” kids at school; however, her backpack buddy, Howard, just won’t go away. When Charlie sees a skinny stray dog, Howard promises to help her capture the dog. With Howard’s help, Charlie is able to befriend the dog who has captured her heart.

When Charlie’s sister, Jackie, comes to visit, Charlie begins to see things in a new light. Jackie points out all of the good things in Charlie’s new home. When Charlie’s social worker tells Charlie that she will soon go home to live with her mother, Charlie wonders why she isn’t excited by the news. After all, wasn’t Charlie hoping to leave Colby?

Charlie is an endearing character who desperately wants a normal family filled with love. Because of her unhappy family life, Charlie is filled with uncertainty and anger. Like many children, Charlie says things that she doesn’t mean, worries about fitting in, and dreams of a better life. Despite Charlie’s anger, Howard befriends Charlie, and she soon learns the true meaning of friendship.

Wish is a compelling story about Charlie’s struggle to understand her broken family life. Charlie’s strong voice allows the reader to understand both her anger and her confusion. Charlie is surrounded by an interesting cast of supporting characters that help her begin to heal. With the help of her foster parents, Gus and Bertha, Charlie begins to realize that possessions don’t make people blessed—love does.

Even though Wish deals with the difficulty of coming from a broken family, Charlie’s feelings are described in ways that young readers will understand. Even though the story focuses on Charlie’s internal struggle, the story contains enough action to propel the story forward. Wish is beautifully written, and each character jumps off the page.

When Charlie allows her anger to get the better of her, she is often surprised by Bertha’s kind reaction. Bertha tells Charlie, “You can’t judge people for the mistakes they make. You judge them for how they fix those mistakes.” In the end, Charlie realizes that she has a “real family,” even if it is different than a traditional two-parent household. Wish is written with compassion and insight that will help readers understand the importance of friendship and family.

 Sexual Content

  • None

Violence

  • When a girl makes fun of Charlie’s boots, Charlie “kicked her skinny shin. Hard. The next few minutes were a blur of crying and hollering and tattling and then I found myself sitting in front of Mr. Mason, the principal.”
  • Charlie tells her friend about a time when “I got sent home from kindergarten the very first day for poking some boy with a pencil.” She said she used the pointy side of the pencil.
  • Bertha tells Charlie a story about when her mother was in elementary school. When a boy was being mean, Charlie’s mother “stomped over to that boy and bit him on the hand so hard he hollered like she’d cut his hand off with a butcher knife. Then ran home crying while she hollered cuss words at him.”
  • When a girl accuses Charlie of lying, Charlie gets angry and “before I knew it, I was standing over her with my fists balled up and my heart beating like crazy. I felt red-hot anger settle over me like a blanket. I wanted to stomp her perfect sneakers. I wanted to yank those butterfly barrettes out of her hair.” Charlie’s friend comes over and calms her down.
  • When a boy makes fun of Charlie’s friend, Charlie got angry and ran “straight at T.J., full steam ahead. I kept my arms stiff in front of me and bam! I shoved him so hard his head snapped back and he crashed face-first into the dirt. I confess I was more than a little surprised when he got right up and shoved me back, knocking me to the ground.” The vacation Bible school teacher breaks up the fight.

Drugs and Alcohol

  • None

Language

  • Dang and Darn are used often. For example, after Charlie kicks a girl, her friend asked her, “Dang, Charlie, why you gotta get so mad about that?”
  • Heck is used once. While talking to Bertha, Charlie wonders, “What the heck kind of question was that?”
  • Charlie calls her friend a “squirrel-eating hillbilly.” She also refers to the kids that live in Colby as hillbillies.
  • Charlie’s friend calls her a “quitter and a baby.”

Supernatural

  • None

Spiritual Content

  • Charlie goes to church with Bertha and Gus. Charlie “hadn’t been to church since I was little. Scrappy [her father] never wanted any part of it, calling those people do-gooders and Bible-thumpers, but Mama took me and Jackie for a while.”
  • When a snake gets into the house, Bertha stayed with a friend “for nearly a week until Gus swore on the Bible that it was gone.”
  • Charlie goes to a friend’s house for dinner. “So we sat at the table and before I knew what was happening, Howard grabbed my right hand and Dwight grabbed my left and they all bowed their heads while Burl said the blessing. He thanked the Lord for nearly everything under the sun, inkling the deviled eggs on the plate in front of him.”
  • When Charlie goes to dinner at a friend’s house, “everyone held hands and Dwight said the blessing and thanked the Lord for baked beans and new friends.”
  • Bertha and Gus invite friends over for dinner. Before eating, everyone “held hands while Mr. Odom said the blessing. Gus and Bertha weren’t the blessing type, but I guess they did it to be nice to their company. Mr. Odom sure had a lot of stuff to be thankful for, everything from this beautiful day to those turnip greens.”
  • Charlie attends vacation Bible school and learns songs.
  • Charlie thinks about “those good-hearted Odoms thanking the good Lord for me at their supper table.”

She’s the Liar!

When Abby enters sixth grade at her new boarding school, Brookside Academy, she is determined to reinvent herself. She sheds her shy personality and starts playing the part of the confident, bubbly, popular “Abbi.” She quickly learns about the Committee, an all-powerful student organization that controls nearly every aspect of extracurricular life. Whatever you do, you don’t want to be on the Committee’s bad side.

Abby’s older sister, Sydney, is in eighth grade at Brookside. At home, she was always a loner, so Abby is shocked to discover that Sydney has also crafted herself into a new person at school—she’s the president of the Committee and rules the entire student body through intimidation.

Each sister is a threat to the success of the other’s new personality, and things get heated as Abby and Sydney try to outmaneuver each other for power and influence. Both girls have hidden motives, and they soon find themselves hopelessly tangled in a web of lies, schemes, and blackmail.

She’s the Liar! uses the backdrop of a boarding school to highlight the fact that every story has two sides. The first half of the book is told from Abby’s point of view. In the past, Abby allowed one embarrassing moment to define her. Now that she’s at a new school, Abby decides to reinvent herself. Instead of avoiding people, Abby is going to be outgoing, join clubs, and make friends. Soon, Abby is able to overcome her fears and she realizes, “The old me would’ve been totally terrified that if anyone knew my secrets, nobody would like me. But then you told me that I had to own my failures and my success, because they’re all part of me.”

The second part of the book is told from Sydney’s point of view. At the beginning of the book, Sydney’s actions seem villainous and cruel. Adding Sydney’s point of view allows readers to understand her actions, which are largely based on insecurity. Even though it is clear that the reader is supposed to sympathize with Sydney, why she blackmails people instead of befriending them is never mentioned. The ending is a little too sweet and unrealistic; however, even Sydney learns the importance of taking ownership of her past deeds.

Middle school readers will relate to Abby’s fears and uncertainty, and they will cheer for her when she takes steps towards being a better person. Even though there are some holes in the plot, younger readers will still enjoy the story, which showcases student government and sister relationships. Even though the story focuses on Abby and Sydney, the other characters in the book have different interests: astronomy, theater, dance, and even playing Dungeons and Dragons. The other characters add interest and show that people’s differences should be celebrated. She’s the Liar! is an entertaining story that teaches that no one should feel embarrassed about their past.

 Sexual Content

  • One of the sixth graders is embarrassed because “I wrote this really stupid, gushy letter to a guy in my youth group.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • “God” and “Oh my god” are frequently used as exclamations. For example, during play auditions when a girl sings, someone says, “Oh my god, she’s so good.”
  • Freaking is used once. When Sydney approves purchasing a telescope, someone asks, “Jenna gets a freaking telescope, and I can’t have two hours at the mall?”
  • Pissed is used once. When a student tells her friends that Sydney tried to blackmail her, her friends were “pretty pissed.”
  • While out to dinner with their parents, some girls walk by the table. Abby asks her sister if the girls are her friends. Sydney replies, “I would never associate with those idiots. God, don’t be stupid.”

Supernatural

  • None

Spiritual Content

  • While on stage, Sydney takes “a deep breath like I taught Abby to do and pray everyone can’t read my emotions all over my face.”

Oh, Rats!

Phoenix has always been lucky: he’s the largest in his litter, he has the most lustrous fur, and he’s the most sought-after squirrel in his part of New Jersey. All of this makes him being kidnapped by a hawk seem all the more unlucky.

Luckily, the hawk doesn’t have the best grip; however, he drops Phoenix on a freshly tarred street in downtown Manhattan. Stripped of his gorgeous golden-brown coat, Phoenix now looks like . . . like . . . a common sewer rat! Enormously unlucky!

But his luck changes once again when it isn’t sewer rats that find him, but rather Lucy and Beckett, wharf rats living in an abandoned pier on the Hudson River. Just as Phoenix starts to adjust to city life, the rats discover that humans (an unobservant and furless species) plan to tear down the pier and build a tennis complex. Can Phoenix save his new friends’ home? Or has his luck finally run out?

At first, Phoenix is a vain rat who wants to win Giselle’s attention. As Phoenix is admiring his reflection in a pond, a red-tail hawk grabs him. The hawk eventually drops him over Manhattan. Two rats, Lucy and Beckett, drag Phoenix back to their crate and nurse him back to health. After Phoenix sees his battered reflection, he stops eating in the hopes that he will die. However, he soon is caught up in the plight of the rats, whose home is about to be demolished. The rats decide to sabotage an electrical substation to stop the gentrification of their pier.

The rats’ diverse community has many characters that are interesting and well-developed. Phoenix has to overcome his dislike of rats and learn to appreciate of his own looks. Beckett, a bookish rat, would rather hide in his crate reading than join the other rats swimming. The red-tail hawk adds humor. However, the rats’ world also has several villains that also add interest to the story.

Oh, Rats! has some exciting moments, but the plot drags in many places. The focus on Lucy and Beckett’s alcoholic father seems out of place because his appearance does nothing to advance the plot. Although readers may find the rats’ way of life interesting, readers may struggle with the vocabulary. The story uses difficult vocabulary such as ignominious, appalled, piqued, lugubrious, and curmudgeonly. However, black and white illustrations appear occasionally, which helps break up the text.

Phoenix is a relatable character, who has a mix of good luck and bad luck. In the end, Phoenix realizes that friendship is more important than one’s looks. Even though Phoenix’s story is interesting, many readers will have a difficult time wading through the slow plot and difficult vocabulary. With a vast selection of animal books out there, Oh Rats! may be best left on the library shelf.

 Sexual Content

  • Phoenix has a crush on a squirrel and they brush whiskers. Later, Phoenix thinks, “Giselle! Phoenix hadn’t thought of her in days. He wondered if she’d gone back to the pond from time to time to think about him. It didn’t seem likely. She’d switched from Tyrone to him so easily, she would probably have switched to another squirrel by now. Though she had seemed to like him.”

Violence

  • Tyrone, a squirrel, is electrocuted. Even though his death is not described, Phoenix carries Tyrone on his back so Tyrone can have a proper funeral.
  • A hawk grabs Phoenix. “He was in the clutches of a bird of prey. He tried to wretch himself free, but the bird tightened its grip, and the terrible pain in his shoulder redoubled—a talon was piercing it. The bird’s other claw had a vicelike hold on his hindquarters.”
  • The hawk drops Phoenix, who “finally dropped out of the tree and hit the street, the pavement wasn’t as unforgiving as pavement usually is. This particular crew had just laid down a new layer of hot tar, which was still soft and doughy.” The tar burned Phoenix. “His whole front side was instantly scalded. . . When he leaped to his feet, the tar scalded his footpads.” As Phoenix escaped the tar, dogs chased him. A bird finally helps Phoenix find water.
  • An alley cat chases Lucy and Beckett. Lucy runs into a pipe. “Her less agile brother dove and hit the pipe snout-on. For an instant he saw stars. The stars cleared up just as the alley cat pounced. A claw grazed Beckett’s back, but he darted to the other end of the pipe and squirmed in before the cat could grab him.” Lucy and Beckett hide in the hot pipe until it’s safe to leave.
  • When humans place dynamite by the rats’ home, Mrs. P moved some under the bulldozer. “After lighting both fuses, she dropped the match and waddled away as fast as she could. But the dynamite was only meant for weakening beams, and the blast wasn’t much louder than a car backfiring.”
  • Beckett reads an article about the rats causing the electricity to go out. “The headline was: SUICIDE BOMBER?” When a rat asks what that is, “Beckett squirmed. ‘I’m not sure,’ he said at last. But of course he knew, and by the aghast look on Lucy’s face he could tell that she did too.”
  • In an electrical substation, Phoenix lights dynamite. “The dynamite exploded just as he stepped onto the balcony. The detonation wasn’t all that powerful. The balcony didn’t tremble under his paws or anything. Nevertheless, he watched one neighborhood after another blink out, till the entire city was dark again.”
  • When a hawk lands by the rats, the rats flee. “In his rush to protect Lucy, Beckett had knocked her over, and they lay tangled on the ground, while their father was pressed flat behind his beer can.”

Drugs and Alcohol

  • When a construction crew put poison out, four rats eat it and end up dying.
  • In order to gain an inheritance, a rat tries to poison Mrs. P. Mrs. P is given an antidote and doesn’t die.
  • Lucy and Beckett’s father, Mortimer, is an alcoholic. Lucy “loved their father Mortimer, but since the death of their mother he’d taken to drink, which brought out his temper.” When Mortimer comes home, he smells bad. Beckett asks him, “Sucking old beer cans again?”
  • Lucy worries about her father because “once, when he’d staggered home alone after one of his binges, a cab on the West Side Highway had hit his tail, which was why half of it was missing.”
  • Lucy and Becket go to look for her father. “She knew the neighborhood bars on the other side, as well as the alleys behind them where her father liked to drain the dregs from toss-out beer and wine bottles.” As she looked for her father, Lucy saw “a sour-smelling human was passed out in front of the first bar they checked. . .”
  • Beckett isn’t sad that his father isn’t at home because “Mortimer was particularly nasty when he drank.”
  • Lucy and Beckett find their father at a bar. “Mortimer grabbed a paper cup. . . the bartender was filling four mugs with draft beer. He held the mug handles in one hand and left the spigot open as he filled them, some trickles of beer spilled down onto the rubber mat. Or would have, if Mortimer hadn’t been there with his cup. When it was full, he carried it back to his hideaway with great care.”
  • Lucy and Beckett are able to leave the bar because humans are not observant creatures, “especially when guzzling beer and watching baseball.”
  • When the electricity goes out, Mortimer decides to come home. “Indeed, it was Mortimer, rolling an unopened can of New Amsterdam ale in their direction.”

Language

  • Someone asks Phoenix, “What the heck are you doing here?”
  • A construction worker says, “I’ll be darned if I’m going to set the charges.”
  • When humans yell at the construction workers, someone calls them “wackos.”

Supernatural

  • None

Spiritual Content

  • None

Pugs and Kisses

Ana Ramos has always wanted a dog of her own, but her mother has a no pet rule. That’s one of the reasons Ana is happy to walk her neighbor’s adorable pug, Osito. When Ana takes Osito to the park, Osito befriends another pug, whose owner is a cute boy named Calvin. When Calvin assumes that Osito belongs to Ana, she doesn’t correct him. After all, Ana probably won’t see Calvin again.

Then Calvin enrolls in Ana’s school and they have several classes together. When Calvin suggests setting up playdates for the two pugs, Ana pretends that Osito is her dog. Soon, Ana discovers that she’s telling lies to cover up the fact that she lied about Osito. As time goes by, Ana’s lies increase, and she’s using both her best friend and her sister to help keep her secret. Ana wants to fess up about her lies, but she’s afraid of Calvin’s reaction. How is Ana ever going to get out of this mess?

Ana and Calvin meet at the dog park and bond over their love of pugs. Even though Pugs and Kisses uses the traditional romantic movie formula, younger readers will enjoy the sweet story of Ana’s first crush. Middle graders will understand Ana’s confusion when it comes to her feelings for Calvin. When Calvin invites her over to his house for dinner, Ana isn’t sure if going to his house is a “date” or just two friends hanging out. One positive aspect of Ana’s crush on Calvin is that both Ana and Calvin are smart and do not try to hide their love of academics.

The story hits on topics that are important to middle graders: friendship, families, and crushes. Ana is an imperfect character that readers will be able to relate to. Ana is often frustrated with her family, worries about school, and wonders about her emerging feelings for Calvin. However, the story doesn’t just focus on Ana’s family and Calvin. Another positive aspect of Pugs and Kisses is that Ana’s Puerto Rican heritage is naturally integrated into the story. Readers will learn facts about Ana’s sister’s quinceañera and her neighborhood.

Despite the predictable plot, the pugs and cute awkward moments will appeal to younger readers. Pugs and Kisses will entertain readers who aren’t ready to read longer books such as The Selection series by Kiera Cass. Readers who want a light romance with more action should read the Gallagher Girls series by Ally Carter.

Sexual Content

  • At her sister’s quinceañera, Ana is so excited that Calvin forgave her that “without stopping to think, I stood up on my tiptoes and give him a kiss. My first kiss. He looked a little surprised when I pulled away, but he was smiling.”
  • After kissing Calvin, Ana says, “I can’t believe I kissed you.” Calvin replies, “I’m glad you did.” Then he put a hand on Ana’s waist and “pulled me even closer to him, and then he kissed me again.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Dang is used twice. When Ana asks a boy to her sister’s quinceañera, Ana’s friend says, “Dang girl, I’m impressed.”
  • Darn is used three times. Ana says, “Darn right, I didn’t choose the pug life. The pug life chose me.”
  • Crappy is used once. When her friend’s dog runs off, Ana thinks, “How dare they keep going after their crappy fencing-in job had led to Pancake getting out?”
  • When Ana says something insensitive and upsets her sister, Ana thinks, “I felt like a jerk.”
  • Ana realizes that she’s been preoccupied and didn’t help her neighbor enough, so she says, “I’ve been an idiot.”

Supernatural

  • None

Spiritual Content

  • None

Project Middle School

Eleven-year-old Hope is excited to start JFK Middle School and be in advanced classes. However, Hope is nervous because for the first time, she won’t be in the same class as her best friend, Sam. When Hope heads to her first class, she discovers that middle school may be harder than she thought.

Hope makes her first embarrassing blunder in science. She makes her second embarrassing mistake in Spanish. When she goes to science club, Hope becomes frustrated because the boys don’t listen to any of the girls. That’s all just on the first day.

Hope may know a lot about science and her favorite superhero, Galaxy Girl, but that may not be enough to survive middle school. Can Hope navigate homework problems, changing friendships, and prove girls can do anything?

Hope has relatable problems that every middle school student can understand. She struggles to make friends, has embarrassing moments, and gets frustrated that others do not always listen to her and the other girls in the science club. In order to prove girls can do anything, Hope takes on more work than she can handle, which causes a colossal disaster. In the end, Hope and her peers are able to “acknowledge that failure is a key ingredient in success. Great scientists make mistakes all the time, and that’s how they learn and grow.”

Project Middle School is told from Hope’s point of view and focuses on both her home and school life. Even though the story has relatable conflicts, the story’s flow is choppy. Several of the events felt like they were incorporated to prove a point instead of being a natural extension of the story. For example, Hope asks a Latinx classmate if Spanish is her superpower. Hope then realizes that she shouldn’t make assumptions about other people.

Middle school readers will enjoy Project Middle School, which is told from Hope’s point of view. The story uses easy vocabulary and cartoon-like black and white illustrations. Large illustrations appear on almost every page. JFK Middle School’s students are diverse. The story teaches valuable lessons about not making assumptions and apologizing. The story illustrates that every voice counts. Despite this, Hope doesn’t have a clear voice and her story is bland. Even though Project Middle School isn’t a memorable story, middle school readers will understand Hope’s struggles as well as learn positive life lessons. Readers who enjoy Project Middle School should add You Go First by Erin Entrada Kelly to their reading list.

Sexual Content

  • During class, Hope accidentally reads the wrong page from the science textbook. She reads to the class, “The mating habits of fruit flies will be the main subject of this selection.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Darn is used once.
  • OMG is used as an exclamation four times. For example, when Hope’s friend sees her in the school hallway, the friend says, “OMG, Hope! I was just thinking about you.”
  • Hope calls her dogs “little fluff butts” twice.

Supernatural

  • None

Spiritual Content

  • When Hope goes up to the whiteboard, she was “praying no sweat marks are visible under my arms.”

The Bull Shark

When the ominous theme song to Jaws plays on his cell phone, fish-obsessed sixth-grader Barn Whimbril knows a shark attack has been reported. Barn tracks attacks all over the world. But this time, it’s right in his own backyard—a series of canals near coastal Florida. As more sightings of these aggressive bull sharks occur in the area, Barn sets out to investigate. Can Barn figure out what has brought these sharks to a once quiet part of his state before another attack occurs?

Full of nonstop action and adventure, Dragged from Under: Bull Shark starts off with a deadly shark attack. The story is told from Barn’s point of view, which allows the reader to learn interesting shark facts without the information sounding like a biology lecture. Barn is awkward around Margaret because she’s a girl, and he’s surprised that a girl could also be interested in sharks. Barn is an extremely likable character. He’s obsessed with sharks, smart, and a little odd. Even though Barn knows he’s different than other kids his age, he doesn’t try to change who he is.

Barn isn’t the only likable character. The large cast of supporting characters are unique and interesting as well. Barn is surrounded by positive adults, who encourage him to be careful, as he investigates the shark attack. Many of the adults, including Jessup who works for Fish and Game, acknowledge Barn’s knowledge and listen to his ideas. Instead of discounting the adults around him, Barn listens to their advice and shares his ideas with them.

Dragged from Under: Bull Shark will engage middle school readers as it teaches how human behavior can cause wildlife to act differently. Even though sharks are dangerous, they are not portrayed in a negative light. Several chapters have the shark’s perspective, which allows readers to understand that the sharks were just doing what sharks do—searching for food.

Shark lovers will want to add Dragged from Under: Bull Shark to their must-read list. The Shark Whisperer series by Ellen Prager and Extreme Adventures: Shark Bait by Justin D’Ath will also take shark-loving readers on a bunch of adventures under the ocean.

Sexual Content

  • None

Violence

  • While Robby and Jason are swimming in Florida, a bull shark attacks Robby. Robby “began splashing water every which way. . . then Jason saw something red bloom around Robby’s body. . . Robby’s eyes had gone wild and terrified. Jason saw a large dark body, a fish’s body, slash across Robby’s chest and bite him on the shoulder. . . The shark went underwater when it came to Robby. Robby jerked hard when the shark struck him again.” Robby dies from his wounds.
  • While Barn was on a deck behind a restaurant, a man sics a dog on him. Barn “ducks behind the garbage can, using it to fend off the dog. . . It was a small dog, compact and rust-colored, maybe an Australian cattle dog. It lunged at Barn as soon as it discovered him behind the garbage can, its lips curled back, its teeth flashing forward for a bite.” Barn accidentally falls into the water.
  • When Barn falls into the water, a shark attacks him. “Something hit his leg. . . hard. His knee. The force of the blow swung his leg back in his hip joint and he wondered if he had been bitten.” Trying to get away from the shark, Barn crawls into a floating garbage can. “. . .Something else slammed against the garbage can. The plastic quivered with the force of the impact. It was like being hit by a bat as well as being bitten.” Barn is not seriously injured. The shark scene takes place over four pages.

Drugs and Alcohol

  • None

Language

  • Freaking, heck, and Dang are each used once.

Supernatural

  • None

Spiritual Content

  • None

Wicked Saints

The war between gods-fearing Kalyazin and heretical Tranavia has gone on for a hundred years. The war began over differing views on the pantheon of gods that once ruled over the two countries: for Kalyazin, the gods are still meant to be revered and feared, while the Tranavia believe they are nothing more than myths or at the very least demons fooling the silly humans that worship them. While the gods and divine magic reign supreme in Kalyazin, blood magic takes hold of Tranavia.

Nadya Lapteva is the last Kalyazin cleric, the last of her kind able to speak with the gods and use their power. When her home is destroyed by Tranavia’s army, she makes it her mission to turn the tide of war and bring the gods back into the heart of Tranavia. Yet she can’t bring the gods back to a heretical country all on her own. Serefin Melesku, High Prince of Tranavia, may have been the one to destroy Nadya’s home and thrust her into a desperate decision, but he has his own part to play in Tranavia’s future. As a general on the war front, Serefin has become renowned for his magical prowess, highlighting his father’s weak abilities. But once the King calls Serefin home to choose a bride, he knows his father is up to something – something that could very well put him in mortal danger.

As Nadya and Serefin contend with the burdens placed on their shoulders, they get closer and closer to changing the world indefinitely. Magic swirls, monsters come out of the shadows, and neither mage will be able to stop what’s coming to shape the world.

Told from a first-person point of view from Nadya’s and Serefin’s separate journeys, the story explores themes of worship, religious skepticism, and hunger for power. Nadya and her companions are constantly debating whether the gods are worth the effort of worship and whether they’re truly gods. The idea of power revolves around this constant discussion; Nadya and Serefin question where their power comes from and why it’s even needed in the first place.

Both Nadya and Serefin are excellent main characters that carry the bulk of the story. Both are believable and relatable. They make decisions that will cause the reader to root for them during their journeys. The overall plot is full of action. While that action can often get bloody, it’s not overly complicated, and it’s full of discourse about the way religion and magic play into both countries. Religion and magic are tied to each other, and when the final twist of the story is revealed, it leads to a satisfying conclusion.

Kalyazin could be easily seen as a picturesque, pagan Russia with its more rigid religious culture. Tranavia could be viewed as inspired by the Polish warrior spirit that fights for its own power and glory. While the book is recommended for ages 13 and up, some younger readers may be disturbed by the many images of blood, whether that blood comes from violent fights or from the simple fact that mages in Tranavia use their own blood to use their magic. However, readers interested in religion and magic will find that Wicked Saints is a great story from start to finish.

Sexual Content

  • During a battle at the monastery where Nadya grew up, her friend Kostya tries to lead her to safety. Once he does, Kostya “kissed her forehead, lips warm, slipping something cold and metallic against her palm.”
  • Serefin, the High Prince of Tranavia, thinks about the old woman that binds his spellbooks. “He could never figure out if she treated him like a long dead son or lover. He was disturbed he couldn’t tell the difference.”
  • Nadya, the main heroine of the novel, meets Malachiasz, who is a runaway Tranavian soldier. Malachiasz “reached down and took Nadya’s hand, pressing it to his lips as if he were a court nobleman and not a renegade blood mage out in the middle of enemy territory.” Later when the two escape, Nadya notices him more. “He had a soft mouth and his nose was stately. His face was lovely, all the feral, unsettling qualities absent when he wasn’t awake. She wasn’t pleased with herself for noticing, especially not now.” Nadya starts to fall in love with Malachiasz. “Why—after being so furious with him—did she find herself desperately yearning to kiss him?”
  • When Serefin is summoned home from the war front, it’s because of the Rawalyk, which is “the ceremony to choose a royal consort.” As Serefin puts it, “I have to go home and get married.” Later when Serefin is waking from a hangover, his friend Kacper tells him, “You promised Felicíja Krywicka the entire western reaches as a wedding gift.”
  • When Nadya admits her love to Malachiasz, despite it being heresy, they make out. Malachiasz’s “hands gripped her waist as he pulled her closer. He broke away, his breath ragged and hot. His pale eyes were dark and dangerous as they searched her face.”

Violence

  • When Nadya is still at the monastery where she grew up, she thinks, “Cannons were a sound every child of Kalyazin knew intimately. It was what they grew up with, their lullabies mixed with firing in the distance.”
  • Nadya’s home, the monastery, is attacked by Serefin’s army. Nadya fights back with her magic, “[catching a soldier’s] arm, but like a poison, the light blackened his flesh at the point of contact. It spread up his arm to his face, choking his eyes with darkness before he toppled over, dead.” Just after that, Nadya is attacked by another mage. “Flames engulfed her, licking underneath her skin, her blood boiling . . . It was like being burned alive from the inside out.”
  • Serefin thinks about how he got his eyepatch. “The assassins had gone for their eyes first. Perhaps blinding the children of the enemy before murdering them was a religious thing.”
  • When Serefin realizes he must torture a prisoner, he thinks, “It didn’t really matter that he was tired of torturing prisoners, tired of this tour.” Just after that, Serefin uses his magic to kill someone. Serefin “tore a third page out of his spellbook and crumpled it in his hands. Ostyia took a step back as the younger boy fell over, dead.”
  • When Nadya attacks a group of Tranavian soldiers, she kills two of them. “She caught up to one of the figures, stabbing her voryen into his skull just underneath his ear.” Later, when Nadya meets Rashid and Parijahan, two assassins, Nadya says, “We have a clear and obvious reason to be killing Tranavians, in general.” Just moments later, when she meets Malachiasz for the first time, Nadya thinks, “She couldn’t put a name to it, but she knew—intrinsically—he would not hesitate to kill her if she made any indication of hostility.”
  • When Nadya talks to her patron god Marzenya, Marzenya says, “You will dispose of him soon, yes?”
  • When talking to Malachiasz, Nadya asks, “And is your destiny worth the torture and mutilation of a century of innocents to reach the means for your magic? Hundreds upon thousands of people.”

Drugs and Alcohol

  • Serefin, the High Prince of Tranavia and one of the main characters, regularly drinks whatever alcohol he can get his hands on throughout the novel, like wine and ale.
  • After Serefin’s army takes control of a monastery, Serefin tells his friend Kacper, “Perfect. I want to be blind drunk before the night is out. . . The next morning, Serefin woke with a raging hangover and a prisoner to interrogate.” When Serefin is trying to wake up from another hangover, “He turned back, regretting the motion immediately as the room spun. He pressed a hand to his face, slouching against the doorframe.”
  • When traveling, Serefin, while drunk, tries to avoid meeting a nobleman. “It wasn’t until Serefin was on his fourth—maybe fifth? It was hard to keep track—tankard of dzalustek that the uncomfortable meeting he had been so ardently avoiding finally came into being.”
  • Serefin thinks about his hangovers often. For example, “This was worse than any hangover Serefin had ever experienced. And he always kept track of his hangovers and how badly they hurt. He had a list.”

Language

  • Profanity is sometimes used. Profanity includes hell and damn.
  • When Serefin and his friend Ostyia speak, Ostyia says, “Yeah, and leave me to work my ass off, keeping you safe.”
  • When pushing Serefin back to his bedroom, Ostyia tells him, “Well, welcome home, Your Highness, you don’t have a damn choice.”
  • When Malachiasz leads Nadya through the Tranavian palace, Nadya thinks, “he was leading her farther down into hell, a new level with every door he opened.”

Supernatural

  • Magic is a backdrop to the story, and it’s intertwined with religion. Kalyazin’s magic is divine and only clerics are allowed to use the power directly bestowed to them by the gods.
  • Tranavia has blood magic, where a mage will cut themselves to make their blood flow to then use their blood to conjure their magic through a spellbook.
  • When Nadya is running from Serefin, he attacks her with his magic. “Something brushed Nadya’s ear, heat coming off it in waves. It slammed into the curve of the tunnel before her, bursting into a shower of sparks.”
  • Magic can be used to communicate over long distances. For example, “The king generally sent messages via courier instead of with magic in an effort to mask the disappointing reality that he was a less than impressive blood mage.”
  • Tranavian spells come from spellbooks. Serefin “sighed and nodded, picking up the book and riffling through it. He was running out of spells.” When Malachiasz tells Nadya about his Tranavian magic, he says, “I know what you believe about my magic. It’s easy to spread the rumor that blood mages use human sacrifices.”
  • When Nadya uses her holy magic to blot out the stars in the night sky, her friend Anna says, “We’ll be hearing prophesies about the end of the world for the next twenty years now!”
  • Nadya uses her magic by touching specific prayer beads and praying to the various gods. Nadya “yanked her glove off and thumbed at her necklace until she found Zlatek’s bead. The god of silence loathed granting Nadya power; he’d once voiced they should revoke her magic completely.”
  • Only clerics who speak to the gods can use magic in Kalyazin, Nadya’s homeland. “Using [Nadya’s] power was inevitable, and the minute she did, people would know Kalyazin had clerics again after a thirty-year absence.”
  • In Tranavia, there are people known as Vultures that use so much blood magic they transform into monstrous creatures. “Woven into the darkest of Kalyazin nightmares were the Vultures of Tranavia. Blood mages so twisted by their heretical magic they were no longer human, nothing more than violent monsters.”
  • Nadya and Malachiasz fight a few Vultures. “The blood moved as if it had a life of its own until it formed into the shape of a girl, materializing in the center of the room. Iron spikes wove through an auburn braid. A thick black book hung from straps on her hip. Her face was covered by a crimson mask crafted in strips.”

Spiritual Content

  • Religion is a backdrop to the story and intertwined with magic, and the war between the two main nations of Kalyazin and Tranavia. Basically, Kalyazin still believes in the gods, while Tranavia does not. Dozens of gods are worshipped in Kalyazin.
  • Tranavia is viewed as heretical to most, if not all, devout Kalyazins. “The idea of the High Prince anywhere near the monastery made her shiver. He was rumored to be an extremely powerful blood mage, one of the most terrifying in all of Tranavia, a land rife with heretics.”
  • When the monastery where Nadya used to live is attacked, Nadya notes, “blood magic meant Tranavians. For a century a holy war had raged between Kalyazin and Tranavia. Tranavians didn’t care that their blood magic profaned the gods.”
  • Nadya prays to a wide variety of gods during the novel. For example, “She sent a simple prayer to Bozidarka, the goddess of vision. A vivid image took over her sight.”
  • Another god Nadya prays to is “Horz, the god of the heavens and the stars, who had woken her. Horz had a tendency to be obnoxious but generally left Nadya alone, as a rule.”
  • When a Kalyazin priest tells Serefin off, the High Prince responds, “Yes, yes, we’re nasty heretics that need to be eradicated from the earth and you’re just doing what’s right.”

by Jonathan Planman

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