A Wrinkle in Time

Meg’s father is a physicist. Or at least he was, before he disappeared. While her mother insists that he will come back, Meg and the rest of the town doubt he’ll ever return. It doesn’t help that Meg is having trouble at school and thinks that her curls, glasses, and braces make her a “moron.” In fact, Meg is convinced that her life will be terrible forever–until Mrs. Whatsit blows into her kitchen one stormy evening.

Mrs. Whatsit, Mrs. Who, and Mrs. Which definitely aren’t from Earth, and Meg doesn’t trust them. But her little brother Charles says they’re alright, and Charles has always been able to see below the surface of people. When Mrs. Whatsit says they can help the children find their father, Meg doesn’t care what they are, as long as they can help. Suddenly Meg finds herself traveling to other planets with Charles and their friend Calvin. Together will the three of them be able to rescue Meg and Charles’ father? Or will they too become lost?

A Wrinkle in Time has memorable characters that will quickly find their way into readers’ hearts. Meg is very relatable to young readers, as she deals with her fears, her braces, and with not fitting in at school. Watching Meg struggle, grow, and find her inner strength will leave readers cheering for her. The beautiful, imaginative planets that Meg journeys to will awe and delight.

Throughout A Wrinkle in Time, Meg will glimpse a cosmic battle between good and evil, light and darkness, and knowledge and ignorance. While rescuing her father is just a tiny piece of this battle, Meg’s journey is filled with gravitas. Numerous lessons are learned along the way: Meg learns how to be brave, how to take responsibility rather than blaming others, and she discovers the one thing that the Shadow doesn’t have: love.

Sexual Content

  • The rumor is that Meg’s father “left your mother and [went] off with some dame.”
  • When Meg has to go into mortal danger to save her brother, she says goodbye to Calvin. “Calvin came to her and took her hand, then drew her roughly to him and kissed her. He didn’t say anything, and he turned away before he had a chance to see the surprised happiness that brightened Meg’s eyes.”

Violence

  • Charles thinks a man is a robot, so he “darted forward and hit the man as hard as he could.” When he realizes the man is not a robot, he says, “I’m sorry if I hurt you.”
  • The mind in charge of a planet that has been lost to the Dark Thing tells Meg, “We let no one suffer. If it is so much kinder simply to annihilate anyone who is ill . . . Rather than endure such discomfort they are simply put to sleep.”
  • When Charles is hypnotized, Meg tries to knock him back to his senses. “She hurled herself at him. But before she could reach him his fist shot out and punched her hard in the stomach. She gasped for breath.”

Drugs and Alcohol

  • None

Language

  • Charles says, “The road to hell is paved with good intentions.”
  • Moron is used often. The town thinks Charles is a moron because he never talks, and Meg calls herself a moron several times. When Charles speaks to Calvin, Calvin is surprised. “Aren’t you the one who’s supposed to be the moron?”
  • Calvin calls Charles and Meg “dope” several times as an affectionate nickname. “Look, dope. I just want to get things straight.”
  • Ass is used once. Mrs. Who says, “And old ass knows more than a young colt.”

Supernatural

  • Mrs. Whatsit, Mrs. Who, and Mrs. Which are not from earth, though they can appear in human form. It’s never directly stated what they are, but it’s mentioned that Mrs. Who is a “paltry few billion years” older than Mrs. Whatsit, and that Mrs. Which is even older.
  • At one point, Mrs. Whatsit morphs into a new form. “Outwardly Mrs. Whatsit was surely no longer a Mrs. Whatsit. She was a marble white body with powerful flanks, something like a horse but at the same time completely unlike a horse, for the magnificently modeled back sprang a nobly formed torso, arms, and a heard resembling a man’s but a man with a perfection of dignity and virtue.”
  • The children tesser across space (a form of faster than light travel) several times with Mrs. Which. “All light was gone. Darkness was complete . . . Just as light and sound had vanished, she was gone, too. The corporeal Meg simply was not . . . She was lost in a horrifying void.” They visit several different planets and meet the occupants of those planets.
  • The children visit the “Happy Medium,” a very happy woman who can see the entire universe through a crystal ball.
  • The children visit a planet that has been lost to the Shadow. There, they find a man who is possessed by IT, the mind in charge. “His eyes were bright and had a reddish glow. Above his head was a light, and it glowed in the same manner as the eyes, pulsing, throbbing, in steady rhythm. Charles Wallace shut his eyes tightly. ‘Close your eyes . . . He’ll hypnotize you.’ ”
  • The children finally meet IT and realize, “It was a brain. A disembodied brain. An oversized brain, just enough larger than normal to be completely revolting and terrifying. A living brain. A brain that pulsed and quivered, that seized and commanded.”

Spiritual Content

  • On one of the planets they visit, centaur-esque creatures are singing a song of pure joy. Mrs. Whatsit tries to translate the song into words: “Sing unto the Lord a new song, and his praise from the end of the earth, ye that go down to the sea, and all that is therein; the isles; and the inhabitants thereof. Let the wilderness and the cities thereof lift their voice; let the inhabitants of the rock sing, let them shout from the top of the mountains. Let them give glory onto the Lord!” When Meg hears the song, she “felt a pulse of joy such as she had never known before.”
  • The children learn their father was taken prisoner while fighting the Dark Thing. Meg sees the Dark Thing, a huge shadow stretched across space. “What could there be about a shadow that was so terrible that she knew that there had never been before or ever would be again, anything that would chill her with a fear that was beyond shuddering, beyond crying or screaming, beyond the possibility of comfort?” When they ask what it is, Mrs. Which says, “Itt iss Eevill. Itt iss thee Ppowers of Ddarrkknesss!”
  • The children realize that many people have fought the darkness on Earth for years. Mrs. Whatsit says, “They’ve been lights for us to see by.” They include Jesus, Gandhi, Buddha, Leonardo da Vinci, Michelangelo, Shakespeare, Bach, Pasteur, Madame Curie, Einstein and more.
  • Meg’s father said, “We know that all things work together for good to them that love God, to them who are the called according to his purpose.”
  • When struggling to describe Mrs. Whatsit to aliens, Calvin says they are “Angels! Guardian angels! Messengers! Messengers of God!”
  • Before Meg goes to confront It, Mrs. Who tells her, “The foolishness of God is wiser than men; and the weakness of God is stronger than men. For ye see your calling, brethren, how that not many wise men after the flesh, not many mighty, not many noble men are called, but God hath chosen the foolish things of the world to confound the wise; and God hath chosen the weak things of the world to confound the things which are mighty. And base things of the world, and things which are despised, hath God chosen, yea, and things which are not, to bring to naught things that are.”

by Morgan Lynn

 

 

Worthy

Everyone at Linden’s high school is obsessed with a new app called Worthy. The app posts pictures of couples and asks, “Is the girl worthy of the guy?” Some use the anonymous platform to post cruel comments. As the voting goes viral, not every couple can handle the comments that begin to collect. The comments aren’t only online: the app and the couples it features are the topic of every conversation at school.

At first, Linden is focused on other things like cute Alex Rivera, the Prom Committee, and her writing. But soon, Linden is just as obsessed with Worthy as everyone else. Soon, the app is causing problems between Linden and her best friend, Nikki. What will happen when the spotlight turns on Linden?

Readers will relate to Linden as she struggles with online bullying. Even though Linden knows that posting mean comments online is wrong, she doesn’t have a problem voting. As the story progresses, four different couples are featured on Worthy. Linden overhears many conversations about the couples that allow the reader to understand how superficial the voters are. As more and more teens get caught up in the voting craze, Linden is forced to evaluate her own motives for voting. When Linden and Alex are featured on the app, Linden finally realizes how devastating people’s comments can be.

In a world where so many teens are connected on social media, the story has a realistic conflict; however, there are so many minor characters that it is often difficult to keep track of them all. Because the minor characters seldom appear, readers may find it difficult to care about how the app affects them. It isn’t until the app focuses on Linden that the conflict becomes more suspenseful. The story is told from Linden’s point of view, which allows the reader to understand her insecurities and her fears as well as see her personal growth.

Worthy is a cute romance that has several positive aspects. Nikki, Alex, and Linden’s parents all make a short appearance in the story. Despite that each family is different, they are all portrayed in a positive light. The story shies away from profanity and sex. Even though the story drags at points, the positive messages in the book make it worth the read. Connor makes it clear that teens need to look past people’s appearances. The story also shows the damage that online bullying can cause in relationships. Worthy isn’t afraid to explore difficult topics and would be an excellent book to use as a conversation starter.

Sexual Content

  • While in the school hallway, Linden sees her best friend Nikki kissing her boyfriend.
  • Linden thinks about her neighbor, Max. “When we were twelve, we shared our first kiss in the treehouse his dad built.”
  • While sitting outside of Linden’s house, Alex “raises his hand, still caught in mine, and traces his thumb gently against my lips. My face explodes with heat, and when his hand slips away, I lean in toward him. The first kiss is soft. Just a touch. . .He leans back on the grass, pulling me against his chest, and we are kissing. And kissing. And kissing.”
  • While in the school hallway, Alex tries to kiss Linden, and she jerks “backward because I’m not expecting it and it ends up a totally awkward kind of face bump.” Linden is embarrassed and thinks, “I’m not so sure public displays of affection are my thing. . . It’s funny we weren’t awkward at all when we were kissing Saturday night. I blush and smile at the memory.”
  • At school, Linden notices two kids kissing and notices that the girl “gives him a kiss right on the mouth, completely oblivious to the rest of the group.”
  • While at Alex’s house, Linden thinks “about kissing him in my front yard.”
  • At a school assembly, Alex sits next to Linden and gives her a “quick kiss. This time our lips touch confidently, like we greet each other like this all the time.”
  • Linden imagines asking Alex to prom and “then we’ll kiss.”
  • While sitting in Alex’s car, he “cups [Linden’s] cheek in his hand . . . He runs a thumb along my bottom lip. Slowly. Then he leans in to kiss me—very softly—following along the line his thumb travels with his lips.”
  • Linden thinks about her best friend and remembers “when Nikki told me Martin Wells had kissed her behind the trees outside the playground.”
  • While at a quinceañera, Linden brushes “[Alex’s] thick black hair back off his forehead, my fingers lingering as they slide down his face. . . Then he turns his head and his lips are on my palm. The heat explodes into my cheeks.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Oh my God and OMG are used eleven times in total.
  • Crap is used once. When Linden accidentally throws the bowling ball the wrong way, she thinks, “crap.”
  • Freaking is used once.

Supernatural

  • None

Spiritual Content

  • While bowling, Linden doesn’t want her feet touching the shoes. She thinks, “Thank God for the thick boot socks I put on under my cowboy boots.”

A Match Made in Mehendi

Fifteen-year-old Simran “Simi” Sangha comes from a long line of Indian vichole – matchmakers — with a rich history of helping parents find good matches for their grown children. When Simi accidentally sets up her cousin and a soon-to-be lawyer, her family is thrilled that she has the “gift.”

But Simi is an artist, and she doesn’t want anything to do with relationships, helicopter parents, and family drama. That is until she realizes this might be just the thing to improve her and her best friend Noah’s social status. Armed with her family’s ancient guide to finding love, Simi starts a matchmaking service via an app.

But when she helps connect a wallflower of a girl with the star of the boys’ soccer team, she turns the high school hierarchy topsy-turvy, making herself public enemy number one.

Simi starts her sophomore year with the intent of standing out and being her true self. As she tells her own story, the reader gets an inside scoop on her thought process. Simi’s story bounces between her home life, her love life, and her school life. Simi is surrounded by a large and loving family. She also relies on her best friend, Noah, to help her through the day-to-day struggle of school.

The story’s large cast of characters doesn’t allow the author to give each person a unique personality, and many of the characters are not well-developed. Simi’s best friend Noah is struggling with his sexual identity, but his thoughts and feelings are never expressed, which makes it hard for the reader to connect with him. Readers may also have a difficult time because Simi’s family is from India, and they often use their native language; however, there are few context clues to help the reader understand the word’s meaning.

A Match Made in Mehendi gives the reader a look into Indian culture as well as the matchmaking process. The action slows down when Noah, Simi, and her brother work on the app. The matchmaking app is an interesting twist, but Simi seems more concerned with the app’s functionality than the couples the app matches.

Like many teens, Simi is trying to find her voice and stand up for herself. Simi’s story is unique and follows several couples as they try to navigate romance. However, the character-driven story does not contain a lot of action or conflict. Although the story has several interesting facets, A Match Made in Mehendi will easily be forgotten.

Sexual Content

  • While working on an art project at a boy’s house, the two take a break. “He leans close, picking a blade of grass from my hair, and for a second, I think he might kiss me.” But then the dog jumps between the two and the moment is over.
  • After a date, Simi’s “heart rate kicks up as he ducks his head and moves closer.” She thought he was going to kiss her and thinks, “I want him to. I have for so long.” But then, the boy “veers towards my cheek, laying the softest kiss there. It’s innocent and sweet, but all the same, shivers fan out over my arms.”
  • Simi’s friend Noah has a crush on a boy, but he isn’t sure how to handle it.
  • While at a gathering, Simi is talking to a boy. The boy “gently pulls me in toward him for a kiss. Except I’m so surprised, I knock over my cup of ginger ale before our lips can connect.” Simi tells him to try again, which he does. Simi thinks the kiss is “slow. Delicious. Sweet like ate-ki-pinni.”

Violence

  • A mean girl tricks Simi, then “as I crash onto my hands and knees, my phone careens through the air and smashes face down on the concrete.” The girl stomped on the phone, then “she laughs, does a haughty pageant wave, and keeps moving.”

Drugs and Alcohol

  • During a dinner at Simi’s house, her dad “keeps everyone happy with drinks ranging from lassi and lemonade to Patiala pegs of his favorite single malt whiskey.”

Language

  • Profanity is used sparingly. Crap is used three times; holy crap and shit are both used once.
  • When Simi draws a picture of two people with hearts over their head, her sister says, “Good God.”
  • God, OMG, and dear God are all used as an exclamation once or twice.
  • Freaking is used five times.
  • Badass and kickass are both used once.
  • When someone takes credit for Simi’s artwork, she says, “They call it bullshit. Are you gonna tell her [the teacher] or am I?” Later she thinks the person is an “ass.”

Supernatural

  • None

Spiritual Content

  • When Simi’s grandparents got married, they were from different religions, but it wasn’t “a big deal.” Her grandparents “lit a lamp for both Wahe Guru and Mata Rani in our home after we got married and called ourselves doubly blessed.”

Across the Dark Water

Twelve-year-old Rahkki is a stable groom for the Riders in the Sandwen army, who must battle deadly spit dragons and hordes of warring giants. The Sandwens believe they have tamed all the wild pegasi in the lush jungles of the Realm and turned them into flying warhorses. But when a herd of wild steeds flies over their village, Rahkki and his clan mates are stunned.

Meanwhile, a small herd of pegasi has journeyed across a treacherous ocean to settle in a new and free land. Led by Echofrost and Hazelwind, the Storm Herd steeds are unaware of the Sandwen clan. But when the unthinkable happens, Echofrost and the rest of Storm Herd will have to come to trust the Sandwens, or both may not survive.

Pegasi, giants, fire-breathing lizards, and landwalkers come together in an exciting story full of suspense. Echofrost desires to be free and she has vowed that no pegasi will be held captive. When her friend Shysong is captured, Echofrost sacrifices her freedom in the hope that she will be able to help Shysong escape. But escaping the Landwalkers is more difficult than Echofrost could have imagined. She fights every Landwalker who comes near her. When a young boy tries to help Echofrost, Echofrost begins to understand that some Landwalkers can be trusted.

Across the Dark Waters uses Echofrost’s voice to highlight the pegasi’s plight and their desire for freedom, while Rahkki’s voice brings the landwalker’s complicated political system to life. The beginning of the story may confuse readers because of the many names and the detailed descriptions that are necessary to build the realm’s world. However, it does not take long until both Echofrost and Shysong are captured and the non-stop action begins. Readers will empathize with Echofrost as she tries to escape captivity, and they will also root for Rahkki as he fights to help the wild pegasi.

Although the publisher recommends Across the Dark Waters for readers as young as eight, younger readers may have a difficult time with the complex story that contains many references to the past in both the pegasi and the landwalker’s lands. The advanced vocabulary and sentence structure may also be difficult for younger readers. In her fight for freedom, Echofrost is treated brutally and, although the descriptions are not gory, there is blood and violence that may upset sensitive readers.

As the first installment of the Riders of the Realm series, Across the Dark Waters will be impossible for readers to put down. With battles, political intrigue, plot twist, and an unlikely friendship, Across the Dark Waters is a beautifully written, complex story that is engaging and exciting. The surprising conclusion will leave readers reaching for the next book in the series, Through the Untamed Sky. Readers who love horse stories will also want to read The Rose Legacy by Jessica Day George.

Sexual Content

  • When looking at the princess, someone asks Rahkki, “You like what you see?” Rahkki is told to “Keep away from the princess, yeah?”
  • When Rahkki’s brother Brauk is injured, Rahkki kisses his hand. His brother says, “If you’re going to practice kissing, could you use your own hand?”

Violence

  • Only women can inherit the throne. Queen Reyella only had sons. “Eight years ago, a bloodborn princess from the Second Clan named Lilliam Whitehall had pounced on Reyella’s weakness. She assassinated the boys’ mother and took her throne, becoming the Fifth’s new monarch.”
  • Rahkki thinks back to when the queen killed his mother. Rahkki “winced at a flash of memory—Queen Lilliam’s cold hand around his throat. He’d been four years old when she’s snuck into Fort Prowl, killed his mother, and then gone after him. . . But then another memory struck him: his mother’s round belly. She’d been pregnant too when Lilliam had assassinated her.”
  • The Storm Herd pegasi leave their land because of a battle between “two immortal pegasus stallions: Star the Healer and Nightwing the Destroyer.” Star and Nightwing use their supernatural power to try to destroy each other. “The earth shook and the land below her hooves fractured, creating fissures in the soil that spread like cracked ice.”
  • Later Echofrost thinks about “Nightwing’s treacheries: burning Morningleaf’s feathers with his silver starfire, turning hundreds of pegasi to ashes, stealing newborns from their dams, and murdering the five over-stallions of Anok.”
  • While flying over a human establishment, the Landwalkers try to shoot down the pegasi. “One adult retreated into his den and then returned carrying a bowed contraption. Soon he was shooting barbed sticks at the pegasi. One struck Shysong in the wing. . .and blood dripped from the wound.”
  • The Landwalkers capture Shysong. “Several lashings were looped around Shysong’s neck and legs. The mare bucked and kicked, but the Landwalkers steered their mounts out of her reach, keeping an equidistant circle around her body.” Echofrost tries to help her friend. “She rammed the closest enemy pegasus. . . The golden steed faltered, and her rider lost her balance, almost falling off.” The mare “kicked Echofrost in the flank and sent her spiraling toward land.” The scene is described over three pages.
  • After Shysong is captured, Echofrost allows the Landwalkers to catch her. The Landwalkers throw ropes at the Storm Herd. “One fell around Echofrost’s neck and then tightened around her throat. She reared back, and it clamped tighter, like the constricting grip of a snake. She opened her mouth to scream, but the noise came out a strangled gasp.” When the Landwalkers catch Echofrost, they cut her wings so she cannot escape.
  • Echofrost thinks back to the past. Another herd had captured her and “she’d been tortured and kicked. Yearlings had made a sport of yanking out her mane and tail hairs by the roots. She’d eventually been released.”
  • The Landwalkers take Echofrost captive. The Landwalkers “tossed ropes that tangled around her neck and hooves. They each held tight, and she couldn’t stop herself from struggling. The Landwalkers shouted to one another in excited voices and then gave a mighty tug, yanking her off her hooves. She hit the ground. . .They bound her wings and legs.”
  • While walking, someone threw a coconut at Rahkki. He was hit “in the back of the head and he flew forward, striking the ground so hard it knocked the breath out of him.”
  • In order to keep Echofrost captive, the Landwalkers need to cut her wings. Brauk “produced a stick similar to Harak’s and followed her, brandishing it at her throat. She lunged, jaws wide, and Harak leaped to help Brauk. They struck her chest, driving her deeper into the corner until her flanks brushed up against wood.” In order to put a halter on Echofrost, Brauk “clubbed her over the head so hard that her vision flickered. . . With a sharp tug, they yanked her off her hooves and she slammed onto the hard floor. Her chest [was] heaving as she absorbed the pain.” The scene is described over three pages.
  • Angry at Brauk, Echofrost tried to strike him, but Brauk “slammed his club down on her forehead, making her stagger into the barn wall. Her vision blackened, and she gasped for breath.”
  • While trying to tame Echofrost, Brauk “wacked her left shoulder, stinging the muscles there. . . . Echofrost dripped her head and limped along behind him, her shoulders stinging where he’d hit her.”
  • When Echofrost’s friends try to free her, the Landwalkers shoot arrows at the wild pagasi. One pegasus is slightly injured.
  • A giant grabs Echofrost. The giant “tightened his grip around her neck. Her vision darkened and her body went limp. . . The Gorlander held Sula [Echofrost] by her throat with both hands, trying to suffocate her so he could drag her away. Her tongue lolled form her mouth, and her eyes popped wide.” Rahkki grabs a dagger and “drove it toward the giant’s brain.” The giant “snatched Rahkki’s arm, and tossed him into the creek before the blade could find its mark.”
  • Echofrost tries to free herself from the giant’s grasp by twisting and kicking. “Her hooves sliced through the Gorlander’s goat-hide vest, raking red streaks across his moon-pale skin.” Brauk tries to help his brother and Echofrost. “Brauk parried in and out, slicking at the giant in sections from head to foot until the beast was streaked in blood.” When Echofrost gets free, she uses “her flightless wings to propel and balance herself, she reared and clubbed the giant with her front hooves. Meanwhile Brauk hacked at the Gorlander like he was chopping down a tree.” The scene is described over seven pages.
  • The giants attack the Landwalkers. “The giants lifted heavy shields and mowed down the front line of Sandwen soldiers, crushing them with their spears. The horde roared in unison and advanced over the bones of the dead. . . One [elephant] had a Sandwen warrior hanging off his tusk. The elephant tossed him off, and a giant speared the man straight through.” Rahkki takes the wild pegasi to his uncle’s farm.
  • While at the farm, a giant attempts to grab Rahkki. “The giant followed him, but as Rahkki predicted, he was too large to change course. His eyes widened, and then he slammed into the trunk. The tree cracked and splintered.” Rahkki’s uncle helps fight the giants. Rahkki stabs one “through her naked foot. She threw back her head and howled.” The giant grabs Rahkki and “shook him so hard his teeth rattled. . . The female giant tugged Rahkki’s arms hard enough to make him scream.” The giant ties Rahkki up and throws him into her sack.
  • Echofrost tries to help free Rahkki. A giant swings a weapon and “knocked her into the side of the barn. . . He swung at her again and knocked her into the side of the barn. With her head ringing, the giant stomped toward her—his bludgeon lifted.” The Storm Herd appear and help defeat the giant. The fight takes place over eight pages.
  • After Rahkki tries to free the wild pegasi, two guards beat him. “A guard lifted his club, his blue eyes flashing, and Rahkki threw his arms up to protect his face and head. He didn’t see the blow, but he felt it. Once. Twice. An earsplitting scream. That was him. . . Then one more blow. And darkness.
  • Someone teases Rahkki. One of his friends “coiled back her fist and punched him square across the jaw, knocking him off the bench.”
  • While Echofrost was being auctioned off, Harak uses his whip to bully Echofrost. Angry, Echofrost strikes out. “Echofrost whirled around and kicked out with both hind legs. She heard a sharp crack when her hooves connected with flesh. A body flew across the sand and struck the fence.” Echofrost accidently injures Brauk instead of Harak. Brauk is seriously injured.
  • After hurting Brauk, Echofrost thinks back to her brother’s death. “The dire wolves had attacked them. Their leader, a white she-wolf, had snatched Bumblewind and thrown him into a tree, cracking his head against it.”
  • During a contest, young men try to ride Echofrost. Every time someone gets on his back, Echofrost bucks them off. No one is injured. The scene is described over six pages.
  • While trying to find their herd, giants try to capture Echofrost and Shysong. Fire lizards, called burners, try to force the pegasi to the ground. “The burners caught up to Echofrost and attacked, shooting flaming tendrils at her and Shysong. There were hundreds of them moving as one creature, like a flock of sparrows. She twisted away when a few of her feathers caught fire. . . Shysong flew in to help. They kicked at the lizards, knocking some out of the sky.” The pegasi are able to escape.

Drugs and Alcohol

  • In order to treat Shysong’s injury, the clan’s animal doctor gave her a dose of “strong medicine.”
  • The queen’s table is laden with food and also has rice wine on it.
  • While at a pegasi auction, Rahkki notices that one of the pegasi has been drugged.

Language

  • The characters occasionally use “bloody rain” as an exclamation. For example, when Rahkki asked a guard to leave, the guard askes him, “Bloody rain, what yuh doin’ ‘ere so early?”
  • When someone shoots a pegasus, the queen calls them responsible idiots.
  • “By Granak” is used as an exclamation several times. For example, after the fight with the giant, Rahkki’s brother says, “By Granak, Brother. If you cry, I’ll break your nose.”

Supernatural

  • Queen Lilliam believes in omens. Before she will send her warriors out to battle the giants, the queen would consult with “their guardian mascot—Granak, the Father of Dragons. The queen would offer the gigantic lizard a fattened sow. If he ate it, they’d fight. If he didn’t, Lilliam would consider that a terrible omen. She’d keep the warriors home.”
  • Queen Lilliam won’t attack the giants because “her Borla had a bad dream, a vision. He said he saw the giant hordes on the move with over a hundred captured Kihlari steeds. . .So even though Granak ate the sow, the bad dream foretells defeat. She won’t attack until there’s a better omen.”
  • Nightwing “had woken from a four-hundred-year hibernation. . . He’d come to kill his rival, a young black stallion named Star.”
  • When Echofrost hurts a rider, a rumor begins. People think Echofrost killed the rider. “A Kihlara steed that killed a Rider was a bad omen—bad luck.”

Spiritual Content

  • After a pegasus dies, they go to “the golden meadow.”
  • In the morning the tame pegasi “greet the sun. . . All the pegasi faced east” and nickered toward the sun.
  • When Echofrost is upset, she thinks, “Ancestors, help me.” Later when Echofrost is trying to kick her way out of the stall, she says, “By the Ancestors. That door is as hard as stone.”
  • Echofrost and Shysong are being put up for sale. To encourage Shysong, Echofrost says, “the Ancestors are with us.”
  • The Landwalkers believe that “Sunchaser was the moon spirit, and he was always brooding because he lived in the dark.”
  • When the Landwalkers see the wild pegasi, someone says, “Maybe they’re a gift from the wind spirits, or maybe they rose out of the foam in the sea, or maybe they’re fallen stars.”
  • Echofrost takes flight with Rahkki on her back. Intending to escape, Echofrost flies quickly away from the settlement. Rahkki “threw up a silent prayer to the Seven Sisters.”

The Program

Suicide has become an epidemic, affecting one out of three teenagers. The government and parents are scrambling trying to understand, but are unable to find a source. The Program is considered the only cure. With a 100% success rate, parents think it’s an incredible gift. But teenagers don’t view it the same way, because once you go through The Program, you come back without your memories. You’re happy, but you’re no longer you.

Sloane and her boyfriend James depend on each other to keep up each other’s spirits. They pretend that everything is okay. But after their friend commits suicide, James falls apart and is taken into The Program. Sloane quickly follows, when her mother betrays her by calling the handlers. Once inside The Program, Sloane is determined not to lose her memories. But the drugs the facility use keep her in a constant haze and start whittling away at who she is. Will Sloane be able to keep a hold on who she is? Or is she doomed to become just another happy, vacant shell?

While The Program centers around suicide, it does not go into possible causes of suicide, such as social media or familial issues. In The Program, suicide is like a contagious disease. If someone you know has committed suicide or is depressed, then you’re infected and are likely to follow. While suicide isn’t encouraged, it is dramatized in a way that may concern parents. Multiple teenagers in the story commit suicide not only because they are depressed, but also because they feel like they lack control over their lives. Suicide is how they take their power back. Given that teenagers often struggle with such feelings, portraying suicide in such a manner may be concerning.

The Program contains a copious amount of profanity and questionable sexual content. For example, when Sloane feels like she is losing her boyfriend, her solution is to give him a blowjob. During the blowjob she thinks, “I know I have him back—even if only for a second.” Sloane also trades a sexual favor for a memory and knows it was the right thing to do.

The Program will entertain younger readers, but more advanced YA readers will find several plot developments implausible, which may detract from the story’s enjoyment. The teenagers in The Program are well-developed, but the parents and adults in the book are not. While Sloane is a well-developed character, she lacks the ability to make her own decisions. At first, she is utterly dependent on James. Then, when Sloane loses James, she quickly becomes dependent on another boy character rather than finding her own footing. All in all, The Program is one YA series that may be better left unread.

Sexual Content

  • Sloane kisses her boyfriend, James, frequently. Some kisses are not graphic, such as when Sloane leaned “forward to press my lips to his, letting him have me in a way that only he can.” Another example is when, “And so I whisper that I love [James], then climb onto his lap and kiss him, as if it’s the last one we’ll ever have.”
  • Sometimes James sneaks into Sloane’s room at night. “When he’d stay over, he’d show up in my room at three in the morning, kissing me quietly while everyone slept.”
  • Sloane feels like she’s losing her boyfriend, so she gives him a blow job in an attempt to get him back. Sloane “kiss[es] softly at his lips, nearly stopping when he doesn’t respond. Then I kiss his neck, his chest. I undo his button as I kiss his stomach and then lower. And it isn’t until I feel his hand in my hair and hear him murmur my name breathlessly that I know I have him back—even if only for a second.”
  • After a camping trip, “James told [Sloane] that when he touched me, when I looked at him, he got a hard-on.”
  • Sloane remembers losing her virginity to James. She closes her eyes, “remembering how warm James’s mouth was on mine, how his tongue touched my lips before I opened them, letting him in. Letting him lay me back on the blanket as his mouth found mine, again and again, always gentle, yet urgent.”
  • A handler in The Program insinuates he can save one of Sloane’s memories if she gives him a sexual favor. “His eyes narrow deviously then, scanning over my body. . .” Sloane tells him no at first, then changes her mind. “He grabs me roughly. . . His mouth is on mine, wet and strong. . . I can feel how turned on he is as he presses against me. I whimper and try to move back as his tongue licks my lips.”
  • Later, when Sloane is angry, the handler says, “I think you’d be a little too feisty to trust with any of my naked parts now.”
  • It’s mentioned that “somehow James talked me into a game of strip poker, only he lost.” During the game, James says, “Sloane, when winning means getting you naked, you better believe I’m going to try my damnedest to win.”
  • Sloane kisses a boy named Realm four times. “Realm’s lips are soft but unfamiliar. Warm but not hot. My hands hesitate on the sides of his face. . . His hand slides down to pull my thigh over his hip. We could do anything right now; no one is bothering us. He lays me back in the bed, lying between my legs as he trails kisses down my neck.” Another time, “I get on my tiptoes and press my lips firmly to his. Realm responds immediately, surprising me by backing me against the wall, his tongue eagerly finding mine as if he’s been waiting to do this since I got here.”
  • A girl teases Sloane, “That’s James Murphy who you’re currently eye-humping.”
  • James and Sloane go to a place that “looks like a place where unsuspecting teenagers come to have sex and get murdered.”
  • Realm and Sloane almost have sex. “Realm rolls me off the couch, getting on top of me as we lie on the carpet. He’s kissing my neck, his hands searching my body. . . Realm’s hand slides away from my breast.”
  • James and Sloane have sex. “We climb into the backseat, yanking at each other’s clothes, tongues tangling in a heat that I know I could never have with anyone else.”

Violence

  • When handlers come to take Kendra to The Program, she fights them. “Kendra jumps up to run and the handler lunges for her, his closed fist connecting with her face. The shot sends her into Mrs. Portman’s podium before knocking her to the ground. . . Kendra’s top lip is split wide open and leaking blood all over her gray sweater . . . she tries to hold on to anything within her reach, but instead she’s leaving a trail of blood along the floor.”
  • In Sloane’s world, “teen suicide was declared a national epidemic—killing one in three teens—nearly four years ago. It always existed before that, but seemingly overnight handfuls of my peers were jumping off buildings, slitting their wrists—most without any known reason.”
  • Sloane remembers when her friend showed up with “a black eye, cuts up and down her arm” because a guy she was dating “had pushed her out of the passenger door—while the car was still moving.” When Sloane tells James what happened, he finds the guy and “beat[s] the hell out of him.”
  • Sloane can’t let her parents know that she’s sad. So when the tears start to spill over, she purposefully burns herself on the stove to give herself an excuse to cry. “I turn over my arm, the tender part exposed, and stick it into the fire. The burn is immediate and I scream out in pain. . . I decide that I like it. I like the pain and distraction.”
  • James had tattoos of the names of people he has lost. When his best friend kills himself, he says he can’t wait for ink and carves Miller’s name “jaggedly into his flesh. Blood is everywhere.”
  • Sloane’s brother jumps off a cliff and kills himself. “Then I saw Brady—he was floating, facedown. . . I screamed again, pointing toward him as I watched his body slam into a rock, and then another.”
  • Sloane jumps off a cliff trying to kill herself, then decides she doesn’t want to die. “Just then my body slams against a rock, hoisting me half-way out of the water. I hold on to it, vomiting up river until I’m sure I’ll pass out and die anyway. My throat burns, my lungs ache. My arm is numb and I think it may be broken.”
  • When The Program comes for her, Sloane hurts herself because she’s angry. “Then, just because this is my last moment of having a real emotion, I tighten my grip on my scissors. And I slash my wrist.”
  • Sloane punches one of her handlers. “I swing out my arm, punching the left side of his jaw. He immediately recovers and twists my hand up behind my back, cursing under his breath as he slams me against the wall.”
  • Realm goes after a handler for bothering Sloane. “Realm has got his forearm to Roger’s throat, pinning him to the wall. . . [Roger] winks, and then gets up to hobble away.” Later Realm attacks the handler again. “He cocks back his arm and decks Roger, sending him flying over the desk. . . Realm grabs Roger’s right arm and yanks it so hard behind his back the snap is audible.”
  • It’s mentioned in passing that Sloane’s mom hit her. “Mother slapped me that night.”
  • Sloane slaps Realm when she finds out he is part of The Program. “I cross the room and slap him . . . A red handprint is obvious on his face.”
  • Outside a community center, Sloane sees a guy die after drinking QuikDeath. “Liam coughs again, spitting blood onto the patio. Red streaks his lips. He’s going to die. . . his eyes momentarily roll back in his head before he focuses on me again. His body convulses. And then he collapses against the door, sliding to the ground.”

Drugs and Alcohol

  • The leading theory for the suicide epidemic is “that the oversupply of antidepressants changed the chemical makeup of our generation, making us more susceptible to depression.” The Program is the only cure; a facility that erases peoples’ memories via a series of pills. If patients refuse to take the pills, the medication is given to them via shots instead.
  • QuikDeath is mentioned several times throughout the book. Sloane’s friend tries to kill himself with QuikDeath. After taking it, he calls Sloane to say goodbye. “‘It’s too late,’ he says, sounding far away. ‘I took it ten minutes ago. But I couldn’t leave without saying good-bye.’”
  • Sloane meets a girl who tried to kill herself with QuikDeath and now has short-term memory loss.
  • A girl in Sloane’s class jokes that “Maybe a coffee spiked with QuikDeath would help you focus on the pain.”
  • When James hurts himself, Sloane goes “through his dad’s medications until [she] thinks [she] find[s] something that will calm him down.”
  • While in The Program, Sloane is sedated often. They give her different colored pills without telling her what they do. If she refused to take the pills, they give her a shot.
  • When talking to her father, Sloane realizes “the faint smell of alcohol clings to him. I wonder when he started drinking.”
  • Realm drinks a beer.

Language

  • Profanity is used frequently. Profanity includes: goddamn, ass, and pissed. For instance, when Sloane gets hurt James says, “Goddamn it.” Another time James tells Sloane, “I’m going to kick your ass tomorrow.”
  • God, hell, damn, and bullshit are used constantly.
  • Once when James is teasing her, Sloane says, “Oh my God, shut up.”
  • Sloane often thinks “Oh God,” like “Oh God, I miss him” or “God, I just want him back.”
  • James says, “Holy hell, you really were checking me out.”
  • After James and Sloane first kiss, James says, “Well, damn, Sloane.”
  • While in The Program, Sloane and her friends often play the game Bullshit and call bullshit on each other.
  • Sloane thinks, “We’ve seen it before, how someone will piss off their friends or start sleeping around when depression takes hold.” Another time, Sloane tells her therapist “I’m pissed. I want my life back.”
  • Smartass, shithead, asshole, shit, and dick are all used several times throughout the book. James tells Realm, “We want to know, shithead.” James also says, “I can be a total shithead” and “I’m a dick.”
  • While in The Program, Realm says, “That asshole! What’s he giving you?” Realm also says, “Shit Sloane, I thought this would cheer you up.”
  • Bitchy and fuck are used a few times. Sloane tells her therapist to fuck off several times. “I’m not taking the fucking pill, okay.”

Supernatural

  • None

Spiritual Content

  • Teenagers suffering from depression are sent to The Program, but once Sloane turns eighteen, she says, “It’s my God-given right to off myself if I so please.”
  • Sloane’s parents say, “Thank God for The Program. It’s saving so many lives.”

by Morgan Lynn

The Icebound Land

After a fierce battle with Lord Morgarath, Will and Evanlyn are captured. Erak, a Skandian warrior, forces Will and Evanlyn onto a ship destined for Skandia. Erak plans to sell the two young people as slaves. When the group returns to Skandia, Will and Evanlyn are separated. Their lives are full of grueling work, freezing cold nights, and hopelessness. Will the two ever be able to find each other? And if they do, is there any chance of escape?

Halt, determined to rescue his young apprentice, purposely defies the king. Expelled from the Rangers, Halt is joined by Will’s friend Horace as he travels toward Skandia. On their way, freelance knights block their way, demanding tribute. Unwilling to pay to pass every bridge, Horace uses his combat skills to challenge the knights. Unknowingly, Horace has attracted the attention of an evil warlord, Deparnieux, who plans to kill the young knight to prove his power. Deparnieux traps Halt and Horace, taking the two captive. Halt patiently watches, trying to learn the key to defeating Deparnieux and continuing the journey towards Skandia. Will Halt and Horace free themselves in time to rescue Will?

Unlike the two previous books, The Icebound Land focuses more on the characters’ individual struggles. Even though Will is held captive, his master, Erak, soon comes to respect the boy and he recognizes that Will is an honorable warrior. Erak tries to keep the two slaves, Will and Evanlyn, together. However, Erak is unwilling to let the two free.

After Erak takes a short journey, he returns to find Will addicted to the powerful narcotic, warmweed. Erak decides to help Will and Evanlyn escape. Erak knows that Will’s death is fast approaching, and the only way to save Will is to help him escape. Erak helps Will because “a boy like that, he’s a real warrior. He may only be knee-high to a gnat, but he’s got the heart of a true Skandian.”

While Evanlyn and Will hide out in a camping cabin, Halt and Horace are fighting their own battle. As Deparnieux’s prisoners, the two are faced with countless hours of boredom and must patiently watch Deparnieux’s cruelty. Halt knows the key to their survival is patience, but how long can they watch Deparnieux terrorize and kill others?

The Icebound Land has a darker tone than the other two books because it focuses on slavery, drug addiction, and the abuse of power. Throughout the story, several people abuse their power and treat others cruelly just because they can. The slaves are not immune to this problem. One slave, who is in charge of the others, purposely gets Will addicted to warmweed because Will stopped the man from beating a young slave. Erak is the only supporting character that shows kindness, but that kindness was born out of respect for Will.

As the third installment of the Ranger’s Apprentice series, The Icebound Land has less action than the previous books. However, readers who are familiar with the main characters will want to know what happens next. The Icebound Land continues to teach the importance of not being boastful or overconfident. The story does not wrap up any of the plot points, but instead ends in a cliffhanger. Readers will want to jump into The Battle for Skandia as soon as they finish the last page of The Icebound Land.

Sexual Content

  • Halt says, “I’ve heard it on good authority, that good King Duncan is not the lawful occupant of the throne. I’ve heard it said that he is, in fact, the son of a drunken privy cleaner. Another rumor has it that he was the result of his father’s fascination with a traveling hatcha-hatcha dancer.”
  • Horace and Halt see a young woman who is wearing a short skirt. Later, Horace thinks about the girl. “The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again.” Horace asks several questions about the girl’s dress. Halt jokingly tells Horace the girl is a messenger, who needs to be able to run when necessary and the girl cannot run in a long dress. Horace believes Halt and “for a moment, Halt regretted his deception, feeling a slight pang of guilt. . . Then, the Ranger looked at those clear blue eyes and the contented, honest face of the warrior apprentice and any sense of regret was stifled. Horace had plenty of time to learn about the seamier side of life, he thought.”

Violence

  • A man named Folder “had murdered both of his parents after an argument over a horse.”
  • A group of ten men try to rob a carriage. Halt sees them and intervenes. One of the men “had a brief impression of something flashing past, just in front of his nose. Then, there was an almighty jerk on the raised collar of his cloak and he found himself pinned against the carriage by a quivering black arrow that thudded into the wood.” Halt ties them up.
  • Soldiers appear to arrest Halt for talking badly about the king. “As the Ranger spat out the last word, he had somehow scooped up the longbow from behind him and nocked and fired an arrow. It slammed into the wall behind the spot where the tavern keeper had been standing a second before, and buried itself deep into the wood panel, quivering still with the force of its impact.” Halt misfires another arrow and then “the corporal and his men leaped forward, swinging the short, heavy clubs that they carried, swarming over the small gray-and-green figure.”
  • While traveling, knights stand on bridges and demand money from the travelers. Instead of paying to pass, Horace challenges the knight and wins. This process happens several times. For example, the first time, Horace and the other knight duel and the knight loses his lance in the first pass. During one pass, Horace’s sword “slammed into the back of the other man’s helmet with a loud, ringing clang.” Horace doesn’t kill the knight, but his sword “put a severe dent in the helmet, and the concussion of the blow went straight through the steel to the skull of the knight wearing it.”
  • Evanlyn accidently spills soup on Slagor, a drunk sailor. “Slagor bellowed in pain and grabbed Evanlyn by the wrist, dragging her forward, twisting her arm cruelly so that she was bent awkwardly over the table.” Will picks up a knife, ready to kill Slagor, but Erak stops him from killing the man. After the incident, Erak reprimanded Will. “. . . Erak sent a backhanded fist crashing against the side of the boy’s head, knocking him senseless to the floor.” Will falls to the ground unconscious and has Will dragged to his living quarters.
  • While working, slaves are often slapped or whipped with a leather strap.
  • Will sees a slave being beaten up by another slave. “A thin, ragged boy was huddled on the ground while an older, larger youth flayed at him with a length of knotted rope. . . The boy’s face was heavily bruised, Will saw, and as he watched, a cut opened just under the smaller boy’s eye and blood covered his face.” Will grabbed the knot rope from the youth and stopped the beating.
  • Erak was sent to a settlement to inquire about missing taxes. “It had to be admitted that Erak’s version of investigating consisted of seizing the unfortunate Jarl by his beard as he lay sleeping in predawn darkness. Erak then threatened to brain him with a battleax if he didn’t make a rapid and upward adjustment to the amount of tax he was paying. . .”
  • An evil knight, Deparnieux, has one of his men drop a net over Horace. The net “dropped form the branches of an oak tree that overhung the road, draping itself around the head and shoulders of the boy. For a moment, Horace struggled uselessly in the folds of the net that enveloped him.” Horace and Halt are then captured and made prisoners.
  • Outside of Deparnieux’s castle, metal cages hang. “Horace could make out, to his horror, that the structures were iron cages, only an arm span wide, containing the remains of what used to be men. . . The figures inside were dried-out husks, blackened and shriveled by their long exposure . . . but others were newer and the men inside were recognizable.” One man was still alive—he was put in the cage because he had laughed at Deparnieux.
  • When trying to free Will, Evanlyn gives the watchman money to look the other way. The man “grabbed her by the shoulders and pulled her closer to him,” demanding more money. “Then a frown came over his face as he felt a sharp pain in his belly—and a warm trickle running down his skin from the spot where the pain was centered. . . He backed off quickly, waving at the door and cursing her.”
  • A young knight appears outside of Deparnieux’s castle, challenging the man. Deparnieux killed both of the youths’ parents. As the two knights joust, “The young knight’s lance, badly positioned and at the wrong angle, shattered into pieces.” When the young knight begins to lose, Deparnieux “urged his battlehorse after him, following him relentlessly, raining blows on the sword, shield or helmet at will. Finally, there was a duller sound as Deparnieux’s sword struck a vulnerable point—the chain mail protecting the opponent’s neck.” The knight crumbles off his horse’s saddle and dies. The fight is described over two and a half pages.
  • Deparnieux and Halt combat. Deparnieux rides his battlehorse, while Halt stands in the combat field. Halt shoots arrows toward Deparnieux’s eyes. Deparnieux has no problem using his shield to block the arrows. After one pass, Halt shoots an arrow at Deparnieux’s back. “. . . There was a bright flash of pain in his left shoulder. . . he realized that, as he galloped past, Halt had sent another arrow spitting at him, this time aiming for the gap in his armor at the shoulder. . . the wound was a nuisance. A painful nuisance, he amended as he felt the hot blood trickling down his armpit.”
  • After another pass, Halt again shoots arrows towards Deparnieux’s eyes. As Deparnieux shields his face, “Deparnieux heard it. A dull impact of metal on metal—more a metallic thud than a ringing tone. He wondered what it was. Then he felt a small core of intense pain, a bright flare of agony, that began in his left side and expanded rapidly until it engulfed his entire body. He never felt the impact as his body hit the grassy field.” The combat scene is described over two and a half pages.

Drugs and Alcohol

  • An angry slave gives Will an addictive drug called warmweed. The warmweed was used to control the yard slaves. “Warmweed addicts looked forward to nothing, planned for nothing.”
  • Will becomes addicted to warmweed. When Will isn’t given the drug, “his teeth chattered and his body shook and trembled and heaved as he fell to the ground, rolling helplessly in the snow, his knees drawn up to his chest. One hand flailed uselessly at the snow, while the other was jammed firmly in his mouth.” When Evanlyn hands Will the drug, “Will seized the small handful of the gray, herblike substance with horrifying eagerness. . . his attention was totally focused on the drug and she came to realize how completely it ruled his life and his mind these days.”
  • Halt goes into a tavern. He tells the tavern keeper to fill his cup. “There was just the slightest slurring of his words to remind the tavern keeper that this would be the eighth or ninth time he’d refilled the tankard with the cheap, fiery brandy-spirit. . .”
  • When a group of seamen arrive at an island, they are given “brandy-spirit.” One of the men “drank half the brandy in one long gulp.” Later, Erak thinks that the man is a “useless drunk.”
  • While stuck on an island, a group of Skandians “filled their time with drinking and gambling.”
  • During meals, the Skandians usually drink alcohol. When Will and Evanlyn finally reach Skandia, they are taken to the dining hall where they see “nearly one hundred and fifty drunken Skandians eating, laughing and shouting at one another. . .”
  • While staying at a tavern, Halt “accepted a large beaker of red wine with his meal. Horace had settled for water.” While Halt and Horace ate, the room filled with people “coming to eat or to enjoy a few jugs of wine or beer.”
  • While in Erak’s private quarters, the two drink wine as they talk. Evanlyn “was beginning to relax a little and the wine sent a soft glow through her.”
  • While “guests” of Deparnieux, Halt and the knight are served wine with dinner.

Language

  • “Oh God” is used as an exclamation once. “My god” is used as an exclamation three times.
  • Damn is used ten times, mostly in conversation. For example, Erak says, “I hate the damn drug. I’ve seen what it does to people. No one deserves that sort of shadow life.”
  • In anger, Halt exclaims, “For God’s sake. . .”
  • Hell is used three times. For example, when Will and Evanlyn’s skiff begins to sink, Evanlyn says, “Roll like hell!”
  • Halt calls the kind a “poltroon. A coward. And a fool.”
  • Several times a person is called an “idiot.” For example, when a knight is blocking Horace and Halt’s path, Halt says, “Well, I suppose I’ll have to shoot the silly idiot. . . I’ll be damned if I’ll pay tribute to every jumped-up bandit who thinks the world owes him a free living.” Halt then calls the knights who act this way “morons.”
  • Evanlyn thinks Will is a “stubborn, pigheaded idiot.”
  • A knight attempts to insult Horace by asking him, “. . . are you a lying Araleuen dog who barks in the gutters?” The knight then calls Horace a coward and a thief. Later, he calls Horace a “whining pup.”
  • Halt calls the evil knight a swine. Later, the knight calls Halt a commoner. Halt says, “Guard your tongue, you lowborn cur!”

Supernatural

  • None

Spiritual Content

  • Skandians believe that the Vallas are the three gods of vengeance. “They take the form of a shark, a bear and a vulture.” The Skandians’ king makes a “Vallasvow” to kill King Duncan’s family. Erak explains, “It’s when you hate so badly that you swear to be avenged, not just upon the person who has wronged you, but on every member of the family as well. . . It’s a death vow, of course, and it’s unbreakable. Once it’s made, if the person making the vow should ever recant, the Vallas will take him and his own family instead of the original victim’s.”
  • When Evanlyn frees Will, she “prayed now that the Skandian Jarl was right, and that it was possible for an addict, deprived of warmweed, to make a full recovery.”
  • After Will recovers from his drug addiction, he wakes up in an unknown place. When Evanlyn enters the room, he says, “Thank God you’re safe.”

Serpent & Dove #1

In the city of Cessarine, the war between magic-wielding witches and holy men of the Church known as Chasseurs has raged for centuries. At the very heart of this war lays Louise, a Dame Blanche witch who has decided to hide in Cessarine to keep her estranged mother from finding her.

But her days skulking around dressed as a man, secretly squatting above a theater and stealing to survive come to an abrupt end when Reid, a Chasseur captain, discovers her thieving ways. After an embarrassing encounter in which Louise frames Reid as a sexual predator in front of a theater audience, the two must quickly keep themselves both from being reprimanded in the only way they can: by marrying each other.

Marriage changes both Louise’s and Reid’s lives forever. For Louise, she never meant to get this close to her Chasseur enemies, and she plays a dangerous game by keeping her true witch nature hidden while developing her relationship with Reid. For Reid, not only did he love another noble girl, but Louise is wild, untamed, and a heathen: she goes against every aspect of society’s proper female image. Yet, the longer the two are around each other, the more they fall in love. And the more dangerous their relationship becomes, the closer Louise’s mother gets to finding her. Yet, their love will overcome any obstacles that stand in their way.

Mahurin’s Serpent & Dove is a fun, exciting story from beginning until the end. Focusing on characters in a similar Romeo & Juliet styled story, Mahurin skillfully develops a story about old grudges, fanatical warriors, and love that overcomes even death. The main characters are very believable and are relatable because of how they can’t control their emotions despite realizing how complicated those emotions might make their lives. The story is fast-paced and full of surprises, twists, and heart-pounding scenes that will keep readers wanting to know what happens next. And even though many of those twists may be somewhat predictable, those secrets are revealed in very satisfying ways.

Serpent & Dove themes also come through naturally, and are built into the story’s backdrop. Louise and Reid learn that centuries-old grudges need to be overcome in order to find love and happiness. In the beginning, both Louise and Reid believe the other is one-dimensional and evil. By the end of the story, both Louise and Reid are willing to sacrifice everything for one another. The story also highlights the dangers of recognizing one’s faults, as seen in the Dames Blanches and the Chasseurs.

Overcoming prejudice is the novel’s main crux and it’s incorporated into the story quite charmingly. Watching Louise and Reid follow their hearts and find lives worth living is heartwarming. Serpent & Dove is a great story because of how well this point is executed, and because it truly does feel like at any moment their love could be torn apart by every other character. The story is thrilling from the moment Louise and Reid meet until the very end of the novel. Mature readers who enjoy a good mix of action and romance will want to add this book to the top of their reading list.

Sexual Content

  • Near the beginning of the novel, Louise and her friend visit a brothel in order to learn the whereabouts of a magical object. Louise comments on the working ladies at the brothel, “To be fair, however, many of them weren’t wearing corsets. Or anything at all.”
  • Many characters often give each other compliments on their looks. Babette, a courtesan working at the brothel, gives Coco a compliment, “Cosette, you look ravishing, as usual.”
  • Louise and Reid constantly think about the other’s sex appeal. Louise thinks Reid is, “Irritatingly I couldn’t help but stare. Thick lashes framed eyes the precise color of the sea.”
  • Bas, a thief friend of Louise, notices Louise’s sex appeal often. “He leaned forward, dark eyes setting on my lips.” Louise thinks Bas is “handsome enough to court. Certainly handsome enough to kiss. From across the cramped table, I eyed the dark line of his jaw.” She also thinks he has “such a tight little ass.” Yet since Bas only saw her as a friend-with-benefits, Louise thinks, “Perhaps that was why I’d stopped loving him.”
  • Madame Labelle, the owner of the brothel, kisses a man. “Grasping Tremblay’s arms with a wide smile, Madame Labelle kissed both his cheeks . . .”
  • When Louise and Coco are confronted by two men, Andre and Grue, at the brothel, Louise thinks, “I dreaded to think what they would do with immediate access to anything. Especially sex and violence.”
  • After Coco gives Louise her favorite food, Louise thinks, “I could’ve kissed her.”
  • When Louise wants free food from a pastry chef, she flirts with the chef, Johannes Pan. “Most days I only had to bat my lashes. Others I had to get slightly more. . . creative.”
  • One of the witches’ Goddesses “represents fertility, fulfillment and sexuality.” Similarly, Adam and Eve are mentioned. “Eve seduced Adam into sin.”
  • Reid’s fellow Chasseurs gossip about Louise, “I heard she’s a whore.”
  • When Louise and Reid finally make love to each other, Louise thinks, “The time for games was done.” And then she says, “I wanted him to touch me. I wanted him to become my husband in every sense of the word.” And, later in the same scene, it’s revealed that “Reid had never had sex. He was a virgin.” And, once again, later in the same scene, “I watched his throat bob, heard his breath hitch.”

Violence

  • There’s frequent violence throughout the novel, including the sight or mention of corpses. For instance, Reid says, “Thirteen bodies had been found throughout Belterra over the past year.”
  • Witches are commonly burned on pyres, as well as anyone who might conspire with witches. “But the flames come first with the Church. Questions second.” Estelle, a witch after Louise, is caught by Reid and burned alive. Louise thinks, “Though tears clouded my vision, I forced myself to watch the flames lick up Estelle’s dress. I forced myself to hear her screams.”
  • A young noblewoman was found with her throat slashed.
  • Louise is willing to get her hands dirty when her life is threatened. Babette, a courtesan, threatens Louise with blackmail if she doesn’t become a courtesan, “If Babette wasn’t careful, she’d soon learn just how wretched and violent we could be.” Louise kills two thugs after her life. “Gritting my teeth, I seized Andre’s knife and plunged it into his throat, slashing through skin and tendon and bone.” After that fight, Louise tries to clean herself up: “Deep purple bruises had seeped beneath my eyes, and dried blood spattered my cheeks. I scrubbed at it with the cold water from the tap, rubbing my skin until it was pink and raw.”
  • Witches use their magic to create havoc and bloodshed. While attacking the royal family during a parade, the witches were“Laughing as bodies fell around them with the simplest flicks of their fingers.”
  • Children are also harmed by witches. Reid says, “Last month, a child had been found without its eyes. . . More than twenty bodies circled the air around the witches now—some unconscious, heads lolling, and others painfully awake.”
  • When Louise uses magic, she has to give something in return, typically meaning she has to harm herself. “Though I bit my lip hard enough to draw blood, a small groan still escaped as I snapped a second finger.”
  • Several times, Louise is threatened by two guys that hold a grudge against her. A man, Grue, “smash[ed] my face into the ground. My nose cracked, and blood spurted sickeningly into my mouth.” When defending herself, Louise “exploded beneath him in a blur of limbs and nails and teeth, clawing and biting and kicking every bit of him I could reach.”
  • Reid displays a desire to attack and kill witches quite frequently, especially towards Morgane, Louise’s mother: “And Morgane—never before had I longed to kill a witch as I did now, to plunge a knife into her throat and sever her pale head from her body.”
  • Later, Reid also kills his foster father. “A small, pleading noise escaped him, but he could do little else before I fell upon him. Before I drove my knife home in his heart.”
  • The Chasseurs will kill any witch, even children and babies. “They showed no mercy, cutting through woman and child alike without hesitation.”

Drugs and Alcohol

  • Aristocrats in Cessarine drink alcohol at social parties. Louise notes, “Judging from the loud, slurred voices of the aristocrats nearest me, they’d been hitting the bubbly for hours.” While at the King’s social party celebrating Reid’s heroics, Louise “grabbed a flute of champagne from a passing servant and down[ed] it in one swallow.” Louise thinks, “After a few moments, delicious warmth spread through my body.”
  • When Morgane, Louise’s mother, sends witches after Louise, the witches inject her with drugs in order to capture her. When a needle is stabbed into Louise’s neck, she“had no physical strength left to give, and my mind was too drug-saturated to distinguish patterns.”
  • After Louise runs from Reid, Louise’s friend defends her, “She was drugged and obviously injured.”
  • When Morgane has finally captured Louise, Morgane says, “Extraordinary, those little injections. When Monsieur Bernard brought one to me, I perfected the medicine.” Morgane’s injections mess with Louise’s ability to use her magic, “Panicked, I focused on bringing a pattern forth—any pattern—but the gold winked in and out of focus, blurred and disjointed from the drug.”
  • After days of being injected with her mother’s drug, Louise thinks, “Though the drug paralyzed my body, it did nothing to dull the ache in my bones.” Later on, Louise “scowled and focused on the burning sensation in [her] hands and feet—the first indicator of the drug waning.”
  • When speaking with one of her fellow witches, Louise tells the witch about how she feels being under the drug. “If I could move, I’d puke all over your lap.” The witch calls the drug a medicine, and Louise responds, “Is that what you call it? Medicine? That’s an interesting word for poison.”
  • At the end of the novel, Louise discovers that she shares a connection with Prince Beau of Cessarine. Louise comments, “It would seem we frequent the same pubs.”

Language

  • Ass and shit are used frequently. For example, aristocrats and other haughty characters are often referred to as “pompous ass.”
  • Fucking appears a few times in the novel. A thug, Andre, verbally abuses Louise, saying “I’m going to cut you into fucking pieces.”
  • Damn, hell, and whore are each used a few times. For example, Louise tells Babette, “You are a goddamned hound.”
  • A noble insults a courtesan. The noble says, “it’s locked away in my townhouse, you salope ignorante—”
  • Louise calls someone a “twit.”
  • A pastry chef is called a “halfwit.”
  • When talking about someone possibly betraying Louise and Coco, Coco says, “That bastard will renege as soon as he’s out of sight.” Bastard is used frequently.
  • Similarly, Louise calls someone a “worthless coward.”
  • Louise says, “Nature could piss off.”

Supernatural

  • Magic is a common theme and backdrop for this novel. The main conflict stems from a fanatical group of witches, the Dame Blanches, attempting to overthrow the royal family of Cessarine to win back their land and free themselves from persecution. Witches within Cessarine hide in plain sight, “Any one of us could be a witch.” Many believe, “The witches are vicious.”
  • When Louise witnesses the parade of the Royal family, she feels magic in the air. Louise “recognized the faint brush of energy against my skin, the familiar thrumming in my ears. Magic.”
  • Magic typically has a smell that “always followed the witches. Sweet and herbal, yet sharp—too sharp. Like the incense the Archbishop burned during Mass, but more acrid.”
  • There are magical objects as well. Some are even trafficked in the black market, “But while Filippa might’ve had no enemies, her pompous ass of a father had accumulated plenty while trafficking magical objects.”
  • Angelica’s Ring, a magical object, is sought after by Louise because “it renders the user immune to enchantment. Sort of like the Chasseur’s Balisardas.”
  • Louise is a witch herself, the daughter of Morgane, the leader of the Dames Blanche witches. When Louise has a conversation with a thief, she thinks, “The ancient feud between the Church and witches didn’t affect me anymore—not since I’d left the world of witchcraft behind.”
  • Dame Blanches use magic by seeing golden patterns in the air.
  • Dame Rouges, another coven of witches, use blood magic instead of seeing golden patterns in the air.
  • Some believe that basic remedies will keep witches away. “Please, monsieur, return home. Salt your doors and windows.”
  • Witches can use their magic to control others, even controlling corpses. When attacking the royal family during a parade, “The witches cackled and continued contorting their fingers in unnatural ways. With each twitch, a helpless body rose. Puppeteers.”
  • Most witches are viewed as demons, as Reid says, “But witches weren’t human. They were vipers. Demons incarnate.” Witches are also commonly referred to as “it.”

Spiritual Content

  • The Christian Church and its teachings are a main backdrop of this novel. Mass is mentioned, but never directly put in any scene.
  • The Archbishop makes several appearances.
  • The Chasseurs are the holy warriors of the church. Only men can be Chasseurs. “Sworn to the Church as huntsmen, Chasseurs protected the kingdom of Belterra from the occult—namely, the Dames Blanches, or the deadly witches who haunted Belterra’s small-minded prejudices.”
  • Chasseurs wield Balisardas, weapons that negate magic. For Balisardas, “Each had been forged with a molten drop of Saint Constantin’s original holy relic, rendering us immune to the witches’ magic.”
  • Biblical references are common. When Reid watches his best friend and fellow Chasseur, Reid notices, “Though he also wore no uniform, the crowd still parted for him like the Red Seas for Moses.”
  • God is mentioned frequently throughout the story. For example, the Archbishop said, “May God have mercy on your soul.” The Archbishop says, when talking about the Triple Goddess, “As if God could be a woman.”
  • Hell is mentioned several times. Just before a witch escapes from Reid’s grasp, he laments, “before I could unsheathe my blade and send her back to Hell where she belonged.”
  • The Bible, scripture, and other religious sayings are quoted frequently throughout the book. “Thou shalt not suffer a witch to live.” Another is, “Witches do not worship our Lord and Savior, nor do they acknowledge the holy trinity of Father, Son, and Holy Spirit. They glorify another trinity—an idolatrous trinity. The Triple Goddess.”
  • The Triple Goddess is also mentioned several times, either in the form of the Maiden, the Mother, or the Crone. The Triple Goddess is worshipped by the witches; it’s considered “Triple” because the witches use it to mock the Trinity.
  • The Garden of Eden is mentioned.
  • Many of the characters, especially the Chasseurs, often pray. Others, like Louise or witches, use prayers to mock holy men and women. Witches generally mock every part of Christianity.

by Jonathan Planman

 

Enter the Core

Max Tilt thinks his luck is finally changing thanks to his great-great-great-grandfather Jules Verne’s unfinished, unpublished manuscript, The Lost Treasures. Using the clues Verne left behind, Max and his cousin Alex were able to bottle the magical healing elements needed to cure his mother’s illness just in the nick of time.

But then Max and Alex discover that the vials were stolen by their former friend, Bitsy. She has plans to use them to save the world, but her plans might be much more deadly than they seem. And so now it’s up to Max and Alex to stop her before it’s too late.

Working against the odds, the two kids glean clues from one of Verne’s best-loved books, Journey to the Center of the Earth. In it, they discover a map to their most dangerous destination yet—the very core of the world. So, now the two cousins are off on their most unlikely, most important quest yet—literally to save the world!

Max Tilt: Enter the Core has everything that adventure seekers could want in a book: non-stop action, interesting clues to solve, and a wonderful cast of diverse characters. Readers will be taken on a heart-stopping hike into the center of the earth where prehistoric creatures survive. As Max and his friends travel down the dark corridors and enter creepy caves, they use their combined knowledge (and a couple of ancient talismans) to safely solve the clues that Jules Verne left behind.

Even though the same villain from the previous books appears, the villain creates suspense and conflict without taking center stage. Instead, the focus remains on the descendants of Jules Vernes and his friend Arne Saknusseumm. The story highlights the importance of doing what is best for humanity, instead of what’s best for yourself.

Because many of the characters appear in all three books in the series, readers will want to read the previous books first. Unlike the previous books, Max Tilt: Enter the Core leaves the topics of death and illness out and focuses on the adventure, as Max and his friends follow Jules Verne’s footsteps as described in Journey to the Center of the Earth. In addition to the adventure, readers will enjoy the interplay between Max and his cousin, Alex.

Max Tilt: Enter the Core has the perfect blend of action, suspense, and interesting characters. Readers will want to read to the very last page. The heart-warming conclusion will leave readers with a smile. Sci-fi and action-seeking readers should definitely pick up the Max Tilt Series.

Sexual Content

  • Someone saw Alex “kiss the lucky fellow.”

Violence

  • When the bus driver tried to help Bitsy with her backpack, she bit him. “For a big walrus of a man, the driver had an oddly dainty scream. He yanked his arm away, Bitsy’s mouth was left with the taste of stale coffee, laundry detergent and old polyester.”
  • Max gets upset and Brandon “grabbed him by the shoulders, but Max turned and kicked him.” Max began taking deep breaths to calm himself down.
  • While in a cave, a “white object dropped to the ground. A bone. Then a grinning white face burst through. As Alex let out a piercing shriek, Max dove to the ground. He covered his head as a cascade of bones and skulls rained on top of him.”
  • While in a cave, Max falls and slips down a passage and a creature grabs him. Max tried to run, but the thing “held Max tight—with arms, legs, or tendrils, he couldn’t tell. But it was smothering him, smushing his face into its fur, lifting his feet off the ground.” Max hits the creature with his flashlight. “As Max tried to wriggle free, he heard a scream. Something sharp stuck his left ankle. . . The beast let out a guttural moan. It let go of Max and he fell to the ground.”
  • A creature grabbed Max with its talons. “Max felt himself rise, in ridiculous pain. He let out a scream that seemed to come up from below his toenails.” The creature drops Max.
  • While in a cave, Brandon falls off a cliff. Later, Max’s group finds Brandon’s body and Brandon cannot be revived. A creature comes towards the body and Alex attacks the creature. “From the front of the creature’s torso, hidden under the thick mass of hair, an orange tentacle whipped forward. It wrapped around Alex’s arm and tossed her to the side like driftwood. She screamed in surprise, her trowel flying away and into the water.” Later, someone else “blindsided the creature from the other side. With a roar like a creaky door, the hairy thing fell back.”
  • When a crowd of creatures comes towards Max and his group, Brandon “went into a pitching stance, kicked, and hurled the rock into the advancing crowd.” There is a lot of screaming and confusion. Something touches Max and “Max yelled in shock, twisting his body always, instinctively spinning and kicking. His right foot landed square in the face of a furry, monkey-like beast with wings. It fell to the ground, whimpering, and immediately ran away.” Then, Max squirts raspberry Gatorade towards a creature’s eyes causing it to run away. The scene is described over three pages.
  • Prehistoric birds appear and try to snatch up Max and his friends. Before the birds can hurt anyone, “Three of the hairy creatures—just like the one who had poured the liquid over Brandon—were picking the birds out of the sky with their tentacles.” The birds fly away.
  • The villain throws “a small black pellet that missed Max by inches, hitting the wall. . .it exploded into fragments and black dust.” A man is killed, but his death is not described.
  • The villain pulled a gun from his pocket and threatened Max’s group. The villain throws pellets at Max’s group, and “it landed about four feet in front of [the door] and exploded.” No one is injured.
  • Max’s group sets off an explosive that collapses a cave. It is implied that the villain and his daughter die in the explosion.

Drugs and Alcohol

  • While hiking, Max and his group find a “plastic foil wrapper” of Xantax.

Language

  • Heck is used four times. Several times someone asks, “What the heck is that?”
  • When prehistorical birds appear, someone says, “Dear Lord.”

Supernatural

  • Max is given “one of the most powerful talismans of the ancients. . . While wearing this talisman, you will always face the true path.”
  • A creature puts “a clear liquid” on Brandon’s forehead and chest. “Brandon’s skin let out a hiss, sending up wisps of green smoke. . . Where the hissing liquid had touched his body, his pale greenish skin was darkening. From a series of thin lines along his forehead and torso, it spread like the branching of nerves, setting off blotches of deep color that grew and joined until he no longer had the same tinge as the lake.” Brandon’s body repairs itself and he comes back to life.
  • Two men drink a serum that makes them immortal. “The serum slowed the body’s aging mechanism—it destroyed the marker that signals the end of life. In curing disease, the curious side effect was eternal life.”

Spiritual Content

  • The plane that Max was on crashed in freezing water. “Saying a prayer, [Max] jumped out the door.”
  • Someone tells Max and his group that they should “Go back to your family and pray for the best.”

 

 

Lost and Found

Fourteen-year-old Ezekiel Blast is an outcast. No one at his school talks to him. All of his classmates think he is a thief because no one understands his unique talent for finding things. It’s not a superpower—it’s a micropower. But Ezekiel’s micropower has done nothing helpful because when Ezekiel returns a lost item to its owner, the owner assumes he is the one who must have stolen it.

Everything changes after Ezekiel meet Beth. Beth believes his power might be useful. When the two friends are invited to join a group of other teens with micropowers, Ezekiel realizes he is not alone. With Beth’s encouragement, Ezekiel begins testing his micropower and trying to discover how it works.

When a police detective appears at Ezekiel’s house, desperate for any help that will lead to a missing little girl, Ezekiel is determined not to help him. He doesn’t understand his micropower and is afraid of the cops. But when tragedy strikes, Ezekiel knows that he must use his talent to find what matters most.

Ezekiel is a character that jumps off the page and grabs the reader’s attention. Lost and Found is told from Ezekiel’s point of view, which allows the reader to understand his fear, his hurt, and his unusual talent. Beth, a proportional dwarf, befriends Ezekiel and encourages him to join a support group for those who have unusual powers. The interesting premise and the unusual characters will keep the reader’s attention. However, towards the middle of the story it suddenly takes a disturbingly dark turn.

When Ezekiel decides to help find the missing girl, the police officer tells him of disturbing cases of young girls who have been taken, put on a pedophilia pornography website, and then are murdered on screen. When Ezekiel’s friend Beth is kidnapped, Ezekiel is truly motivated to use his micropower to find her. During this time, Ezekiel also wrestles with feelings for Beth. Because Beth is a proportional dwarf and looks like a child, he worries that his romantic feelings for Beth will make him look “like the kind of guy who likes little girls.”

Another disturbing plot twist is when Ezekiel learns that Beth’s mother had died, and Beth hid her mother’s death in order to avoid being put in a foster home. Lost and Found gives the reader insight into the nature of friendship, but the dark content of the book may give readers nightmares. Readers may find many of the facts unbelievable and the long passage of the support group sessions tiring. Fans of Orson Scott Card’s Ender’s Game will be disappointed that Lost and Found is disjointed, and while Ezekiel is a likable character, this story isn’t as expertly crafted as Ender’s Game.

Sexual Content

  • When Ezekiel is called into the counseling office, he thinks that the counselors “all had little windows in the doors so that students couldn’t claim they were molested or abused by a counselor.”
  • When a police officer tries to talk to Ezekiel, Ezekiel walks away. When the officer follows him, Ezekiel says, “If you follow me another step, I’ll go on Facebook and tell everybody about the cop who followed me to school and tried to touch me inappropriately.”
  • Ezekiel’s friend wants to know why he doesn’t return lost items. He gives a hypothetical situation where he goes to a girl’s house to return a scrunchie. Ezekiel says that her parents would “want me on the sex offender registry for stalking their daughter.”
  • Beth tells Ezekiel that girls with “huge boobs” don’t run because they will give themselves a black eye. Then Beth says, “I’ve ruined big busted women for you.” Their conversation about boobs goes on for a page.
  • Beth won’t let Ezekiel inside her house. Ezekiel wonders, “What was the terrible secret she was hiding. That her mother was shacked up with some live-in boyfriend. . . That Beth was the unwed mother of a huge baby that ate whatever it could, including the feet and ankles of visitors?”
  • A police officer tells Ezekiel about girls who have been kidnapped. “The girls these guys kidnap show up right away on child-pornography websites, the ugliest stuff. It gets uglier and uglier and then they get killed on camera. We estimate the whole process takes a week, and then the girl is dead.”
  • Ezekiel is upset that he might have feelings for Beth because “she looks like a six-year-old for heaven’s sake. If by some ridiculous fluke I actually had feelings for her, I’d look like some kind of. . . I’d look like the kind of guy who likes little girls.”
  • When talking about Beth, Ezekiel tells his father, “She may be short, but she was starting to get boobs. . .I wasn’t staring but I’d have to be brain-dead or completely not-male to miss that.”
  • While talking about Beth, a boy tells Ezekiel, “So touch yourself . . .bet you have plenty of practice.”
  • Ezekiel’s father tells a Bible story about Joseph and Potiphara. Potiphara’s wife “got the hots for him and when her husband was out inspecting the troops, she suggested to Joseph that they might do a little hanky. Or panky, the book of Genesis isn’t clear. Joseph said no. She tore her cloak and began to scream that Joseph tried to rape her.”

Violence

  • When he was small, Ezekiel’s mother was killed. He thinks back to her death as, “it was wham, car hits Mom, Mom flies through the air and then lies in a shape no human should ever be in and he knew right then that she would never come back, not even as a cripple.”
  • When Ezekiel was younger, he found a kid’s bike and returned it. He says, “I knew where it belonged because the connection was so strong. Took it back and got the crap beat out of me and the cops were called and they didn’t charge the kid or his dad for the beating I got. . .”
  • The woman who helped kidnap a little girl is found dead. She “was dead on the kitchen floor, stabbed with the big kitchen knife that she probably picked up to try to defend herself. All the blood was hers, though, and so were all the prints. . .”
  • Beth kicked one of the kidnappers, who fell to his death. When Ezekiel finds Beth, he looks at the kidnapper’s body. “And he could see that there was no possibility that his spinal cord was attached to his brain anymore. Which was a moot point because the man’s head had landed on a pile of cinderblocks and much of his brain was a lumpy smear.” Later, Ezekiel thinks how hard it would be for Beth to kill a man, even if he was trying to hurt her. “The kicking, the falling, nearly dying herself, but then seeing the man sprawled there, neck broken, skull spilling out brains and blood.”
  • Ezekiel’s father used to work in a slaughterhouse. “One at a time they [animals] come up the ramp to his position and he kills them and they flop over and slide down to where the process of skinning and gutting them began, other guys turning them from a once-living body into a side of beef.”

Drugs and Alcohol

  • While in an abandoned building, Ezekiel’s father says, “I’m surprised there isn’t a bunch of discarded drug paraphernalia here.” Ezekiel replies, “Most crack dens are more conveniently located, aren’t they?”
  • Beth says that the men who kidnapped her also drugged her. Later she tells another kidnap victim, “I can tell you that the drug they gave us made all the food taste like licking a bicycle tire.”
  • Ezekiel thinks Beth “could probably buy cigarettes and beer without showing i.d.”

Language

  • Profanity is used frequently. Profanity includes: ass, asshole, bastard, crap, bitch, damn, hell, pissed, prick, and shit.
  • When Ezekiel told his father that kids were moving to the other side of the street in order to avoid him, his father said, “chalk it up to coincidence, you narcissistic bonehead.”
  • People call others “idiot” occasionally. For example, Ezekiel’s father said, “An expert is just an idiot who used to be pert.”
  • Someone tells Ezekiel, “You’re a jerk.”
  • Ezekiel tells his dad that he wants to go trick-or-treating. His father says he can go, but Ezekiel will look “like a pathetic, greedy teenage moron.”
  • Ezekiel’s father tells him, “stop being a language nazi.”
  • Ezekiel calls a girl in his group, “Juh-anus.”
  • Ezekiel tells a police officer, “I’m a bastard.”
  • Someone calls Beth’s dad a “flaming frankfurter.”

Supernatural

  • Ezekiel meets with a group of kids who have different abilities. For example, one kid’s skin neutralizes odor, while another kid can make people yawn.
  • A boy in Ezekiel’s group can sense spiders. He tells the group, “There are always dozens of spiders within a hundred yards. I’m actually aware of spiders much further off, but it’s more vague.” He can also tell if someone intentionally or accidentally killed a spider.
  • When Ezekiel finds lost objects, he can tell who they belong to and how to find them. During the book, he tries to figure out how his power works.
  • When trying to figure out how to help Beth, Ezekiel thought about Beth and suddenly “he could feel himself falling.” He can feel what Beth was doing and feeling. “He could feel how raw and painful his muscles were, he could see how the skin had been scraped and abased on his arm from the struggle, from trying to grip the rough concrete of the floor.”

Spiritual Content

  • When Ezekiel’s mom was killed, Ezekiel wanted to know where his mother was. Ezekiel’s father said, “‘We didn’t know much about heaven but some part of us lived on after death yadda yadda.’ Ezekiel had listened when Mother took him to church so he was familiar with the idea, and that was not what he was asking.”
  • Ezekiel and his father have a conversation about God. Ezekiel’s father says he believes in God even though he doesn’t go to church. Ezekiel’s father says, “I believe in life after death. I believe the soul goes on.” Ezekiel’s father also keeps the commandments and prays. When the conversation shifts to prayer, Ezekiel’s father says, “If your definition is showing God the yearning of my soul, then yes, I’m praying right now.” Ezekiel’s father says that he prays to be a good father; he says, “I pray about other things. For nobody to lose any body parts while cutting meat. For the strength to not be as snotty with customers as you are with me. And no, that wasn’t a criticism. . .” The conversation lasts for about three pages.
  • When Ezekiel’s father wakes him up early, Ezekiel says, “Dad, God doesn’t wake up this early on a Saturday.”
  • When Ezekiel helps find a kidnapped girl, his father wants him to go to church. His father says, “I also had the crazy idea that you might want to say ‘thank God’ in a house of God.” Ezekiel and his father have a short conversation about God. His father tells him, “I spent a lot of time being enraged with God for not saving your mother. But then I realized that it was my whole family there on the sidewalk, my wife and my only child. I thought about what had been saved for me instead of what had been taken.”

The Burning Bridge

For years, the Kingdom of Araluen has prospered, but everyone knows the evil Lord Morgarath is plotting the kingdom’s destruction. Lord Morgarath has been hiding safely behind the impassable mountains. He’s been patiently building his Wargal army, waiting for the perfect opportunity to strike.

When Will and his friend Horace, an apprentice knight, travel to a neighboring village, they find a frightened maiden named Evanlyn. The young woman miraculously survived a Wargal attack. As the three journey towards Araluen, they discover the unsettling truth. Morgarath has finally devised a plan to bring his legions over the mountains. Will, Horace, and Evanlyn must warn the king’s army of the imminent danger of being crushed. While the three are surrounded by Wargals and are running low on supplies, Will and Horace are determined to save the king’s army.

The Burning Bridge continues the story of Will, a Ranger’s apprentice, and Horace, a Battleschool student. As Araluen prepares for war, the two young men accompany Ranger Gilan as he journeys to the neighboring county to seek reinforcements. The companionship and respect between the group paint a vivid picture of friendship during medieval times. Despite their friendship, each man must do what is best for their country, even if that means leaving a friend behind. The story uses a third-person omniscient point of view to focus on Will and Horace’s thought process, which allows the reader to understand their actions.

Although Will and Horace are only apprentices, they play a vital role in saving the kingdom. The apprentices’ actions are realistic because their skills are constantly being improved as they travel with Gilan. Each character, no matter their station, has an important role in the kingdom. From the king to the cook, each person helps in the war efforts. Readers will enjoy the positive male relationships as well as the introduction of Evanlyn, who is determined to help her country.

The Burning Bridge is a story of war, friendship, and sacrifice. The descriptive battle scenes focus on the destruction of war and never glorifies the battle. Each person, including the king, loses someone they love. Although the sacrifices were necessary, each character feels the loss. Even though the death scenes are not described in gory detail, lives are lost.

The Burning Bridge has many positive aspects: well-developed characters, a believable setting, and realistic, exciting conflicts. The story’s long descriptive scenes and advanced vocabulary (such as traverse, caprice, incognito, incipient, vehemently, and emphatically) make the story best-suited for strong readers. The Ranger’s Apprentice Series must be read in order because the plot builds on the previous book. Those who have read The Ruins of Gorlan will also enjoy The Burning Bridge.

Sexual Content

  • Will thinks about Alyss. Will “shifted uncomfortably as he thought of her. Alyss had kissed him after his homecoming dinner at the inn and he still remembered the soft touch of her lips.”

Violence

  • While traveling, Halt and Will come across a man who is surrounded by Wargals. The man’s “long sword held them at bay, but the Wargals were making small feinting movements toward him trying to find an advantage. They were armed with short swords and axes and one carried a heavy iron spear.” Halt approaches and tries to help the man. “Realizing the swordsman was distracted, he darted forward and ran the spear into his body. A second later, Halt’s arrow buried itself in the Wargal’s heart and he fell dead beside his stricken prey.” Halt shoots an arrow and his “second shot dropped the left-hand Wargal.” When a Wargal goes after Will, “Halt’s fourth arrow took it in the throat. At such short range, the arrow tore clean through. With a final grunting shriek, the Wargal fell dead on the grass.” The fight is described over two pages.
  • Two men, Carney and Bart, try to rob Horace and Will. Horace “darted forward and his sword flashed in an overhead cut at Carney. . . Carney barely had time to bring his own blade up in a clumsy parry. Thrown off balance and totally unprepared for the surprising force or authority behind the stroke, he stumbled backward and sprawled in the dust.” Horace knocks Carney to the ground and then swung his fist, “hammering the heavy brass pommel of his sword hilt into the side of Bart’s head.” When Bart tries to get up, Horace “turned and casually raised his sword, swinging it to clang, flat-bladed, against Bart’s skull.” The two men are tied up and eventually set free. The fighting is described over five pages.
  • Halt throws two nobles into a moat. “A group of servants were busy emptying the privy buckets into the moat when they were startled by a sudden drawn-out cry. They looked up in time to see a scarlet-and-gold clad figure sail out of a first story window, turn over once and then land with an enormous splash in the dark, rancid waters.”
  • Will and Horace see a group of Wargals pass by with prisoners. A prisoner, who was a miner, falls and causes others to fall down. “The two prisoners who had been brought down struggled to their feet, under a rain of lashes from their captors. The miner who had caused the fall lay still, in spite of the vicious whipping from the Wargals.” The dead prisoner is left on the side of the road.
  • Will and Evanlyn attempt to burn down a bridge in order to prevent the Wargals from crossing. Wargals and Skandian armies appear and try to stop the group. Will “nocked an arrow to the string and, barely seeming to aim, sent it hissing toward the lead Wargal. The arrow buried itself in the Wargal’s chest and he fell, crying out once, then lay silent.” Will and Evanlyn try to hide from the enemy, but a “rock took him in the side of the head and he grunted in surprise, then his eyes rolled up and he fell at her feet, dark blood already welling from his scalp.”
  • When Will is injured, a Skandian grabs Evanlyn. “The Skandian held her in a bear hug, her feet pressed onto the rough sheepskin of his vest, smelling of grease and smoke and sweat all but suffocating her. She kicked out, lashing with her feet and tossing her head, trying to butt the man who was holding her, but to no avail.” The bridge scene is described over six pages.
  • Halt and his men defeat a group of Skandians who were preparing a sneak attack. Although the fighting is not described, Halt says, “We caught them totally by surprise and cut them to pieces.”
  • During the battle, a bugler didn’t hear Morgarath, so Morgarath “whipped the man across the face with his leather-covered steel riding crop. . . The bugler, ignoring the agony of the whip cut and the blood that poured down his forehead and into his eye, raised a horn to his lips and blew. . .”
  • During the final battle against the Wargals, “fully half of his [Morgarath’s] Wargal soldiers were lying broken in the dust of the battlefield.” Part of the battle is described through Horace’s point of view. Horace “had watched as Wargals and horses had all died and their bodies sprawled now in the dust of the Plains of Uthal like so many scattered rag dolls. It had been fast and violent and confusing.”
  • Trying to escape the Wargals, a group of Skandians attack. “The Wargal tried to bring his iron spear up in defense, but he was a fraction too slow. The heavy ax sheared through his armor and he went down. . . But the Wargals hadn’t left their group unscathed. As he spoke, Nordal staggered and sank slowly to one knee. Bright blood stained the corner of his mouth and he looked hopelessly at his leader.” The man eventually dies.
  • Horace and Morgarath battle to the death. Before the battle begins, “Horace felt his throat go dry as he realized he was now fighting for his life.” As the two fight, “Horace’s left arm, his shield arm, was rendered completely numb by the terrible force of the blow. . . Now Horace used the shorter blade of his sword to lunge at the gap that had opened between shield and body and drove the point at Morgarath’s ribs. . .But the black armor held against the thrust, which was delivered from a cramped position and had little force behind it. Nonetheless, it hurt Morgarath, cracking a rib behind the mail armor, and he cursed in pain and jerked at his own sword once more.”
  • During the fight, Horace’s shield breaks. Morgarath took the opportunity and “slammed the double-handed hilt of the sword into the side of the boy’s helmet and onlookers groaned in dismay as Horace fell from his saddle.” Horace is dragged several meters and then regains his feet. The two enemies continue the fight on foot.
  • As the battle continues, Morgarath uses his broadsword. “The broadsword began its downward arc, splitting the air. And now Horace, throwing everything into one final effort, stepped forward, crossing the two blades he held, the dagger supporting the shortened sword. . . Horace’s knees buckled, then held, and for a moment Morgarath and he stood locked, chest to chest. . . Morgarath felt a deep, burning agony pour through his body as Horace slipped the dagger free and, with every ounce of his strength behind it, drove it through Morgarath’s chain mail and up into his heart.” Morgarath dies. The fight is described over eight pages.
  • The Skandians take Will and Evanlyn hostage, forcing them onto a boat. Halt follows, trying to catch up to the Skandians and save Will and Evanlyn. “Halt was riding without reins now as he unslung the longbow and laid an arrow on the string. At a full gallop, he sighted and released. The bow oarsman gave a grunt of surprise and lurched sideways over the gunwale of the boat as Halt’s heavy arrow slammed into him, transfixing his upper arm.” Halt continues to rain arrows on the enemy and hits several other men who “lay groaning in pain. The other was ominously still.” The scene is described over three pages.

Language

  • Damn is used nine times. Darn is used once.
  • When Gilan sees a village void of people, he asks, “What the hell is going on here?”
  • After reading a parchment, Baron Arald asks, “Pauline, do you understand what this idiot is getting at?”
  • Halt tells the baron that a nobleman “is a nincompoop and a fool.”
  • My God, by God, and Oh God are used as exclamations five times in total.
  • When looking at the enemy, someone says, “My god of battles, he doesn’t half give me the creeps, that one.”
  • “Gorlon’s teeth!” is used as an exclamation once.

Supernatural

  • Will sees a group of Wargals. “Bearlike in build, they had long muzzles and massive yellow canine fangs, exposed now as they snarled at their prey. They were covered in shaggy fur and wore black leather armor.”
  • Morgarath has control of the Wargals’ minds. “Without minds of their own, they were almost without fear.” Morgarath can give the Wargals instructions by using mind control. During the battle, “the Wargals heard the words and his [Morgarath’s] thoughts in their mind.”

Spiritual Content

  • While traveling through Celtica, the narration says, “the Celts had their own religion, which had to do with gods of fire and iron.”
  • When a Skandian is severely injured, he asks for his sword. “Skandians believed a man must die with his weapon in hand if his soul were not to wander in torment for eternity.”

With the Fire on High

Emoni, a Philadelphia teenager, has aspirations of being a chef. Through her cooking, she is able to explore her identity as an African-American, as well as her Puerto Rican ancestry. Emoni’s family also forms a central role in her life. Her dad is a Puerto Rican activist and community organizer, but he is often absent. Emoni lives with her Puerto Rican abuela and her two-year-old daughter, who she conceived during her first year of high school. Now a senior, Emoni is learning to juggle her family, her academics, her personal life, her job, and her love of cooking.

At the beginning of the school year, Emoni learns that her school is introducing a culinary arts class. She is unsure if she will be able to balance it with her other commitments, and has a hard time warming up to the chef who teaches the class. Though they get off to a rough start, the chef soon becomes an important mentor for Emoni. She learns the importance of following directions in the kitchen, which is a place where she is used to doing whatever she wants.

Meanwhile, Emoni meets Malachi, a new student. She is hesitant to become friends, but they soon become close. Malachi becomes Emoni’s romantic interest. He is a sensitive boy who respects and cares for Emoni. Their relationship develops slowly through the course of the book. Malachi courts Emoni by showing that he is willing to accommodate her family situation: he is respectful towards her abuela and daughter.

With the Fire on High is heartfelt and expertly written. Readers will relate to Emoni’s struggle to decide whether she will go to college, and what shape her future will take. Readers will quickly find themselves rooting for Emoni and her family. They will cheer at her victories and feel distressed at her losses. The first-person narration paints a vivid picture of Emoni’s culture, her family, her personality, and how food plays an emotional role in her life.

With the Fire on High has mature themes and sexual content, but it is handled maturely. Sex is not glorified or demonized. When Emoni and Malachi become intimate, they do so because both of them feel emotionally ready. Emoni also struggles with the decision to date because of her many responsibilities. Emoni only brings Malachi around her child when she is certain that he’ll be a good influence.

With the Fire on High uses a unique character voice and vivid descriptions of food to draw the readers into the setting. The description of every character is strong, but especially Emoni’s. Her stubborn personality, her love for her daughter, and her unique narration all help her to come alive on the page. Readers will be able to relate to some piece of Emoni, but she is, by and large, her own distinct personality. The lessons she learns throughout the story will resonate with any reader. This is a coming-of-age story, and Emoni’s maturity is marked by her ability to make choices that will let her support her family while still caring for herself.

Sexual Content

  • The main character, Emoni, is a teen mother. She describes her first sexual experience—with her child’s father—as something “a lot more technical” than she expected and indicates that the experience was disappointing and confusing because she wasn’t ready. “When he finally shoved into me, it stung. For a second, I wasn’t sure if I wanted to push him away or pull him closer, and then he was panting and sweating on my chest and apologizing. . . I cleaned my own self up, put on my pants, and left. He didn’t even say goodbye.”
  • The chef encourages the cooking class to “come eat Emoni’s chocolate pudding.” Many of the boys take this as an innuendo and tease Emoni about it, but the double entendre is never explained.
  • When Emoni and Malachi kiss for the first time, “His hand moves down to my butt and curves around it.”
  • Emoni and Malachi make out on a couch and make the decision to be intimate. Emoni’s “legs straddling his lap, arms wound around his back. Kissing him back. . . I never saw what the big deal was about it, outside of how nice it was to be touched. But this is different. . . He keeps kissing my neck. And then my hands are everywhere. I need to touch his skin, his shoulders, his back. I kiss his ear and he moans into my neck. ‘This feels too good.’ And this was new, too. This power of making a boy jump or moan.” The scene continues for about three pages, and while it’s implied that they become sexually intimate, the narration does not describe the rest of their encounter.
  • Emoni’s best friend Angelica, a lesbian, has an anniversary dinner with her girlfriend and is nervous about having sex for the first time. She has had sex with guys before, but “this is less about exploring, and more about expressing.” Emoni tells her, “You don’t have to do anything you aren’t comfortable doing.”

Violence

  • Malachi tells Emoni that his brother “was killed last February. Some beef in the neighborhood back home and he was shot. It’s unclear if it was a stray bullet or meant for him.”
  • In Spain, when a child steals Emoni’s purse, Malachi runs after the child and grabs him “by the back of his coat.” Emoni is concerned that Malachi will hurt the child, but he lets him go.

Drugs and Alcohol

  • During their trip to Spain, Emoni chooses to abstain, but some of her classmates get drunk. This ends in her classmate getting so drunk that she throws up. The next day, the student can’t remember what happened.
  • Emoni makes herself a meal and pours herself a glass of wine. She thinks, “I know [my grandmother will] raise an eyebrow when she sees I had some, but she won’t reprimand me; growing up, she was allowed to drink from the time she was fourteen and she finds the alcohol rules on the mainland excessive.”
  • Malachi jokingly asks a flight attendant for a glass of wine.
  • Emoni cooks with beer; the book includes a recipe for beer bread.

Language

  • Throughout the book, Emoni and her friend Angelica try to curb their language so they won’t be a bad influence on Emoni’s daughter. Slips like “shit—I mean, shoot” and “damn—I mean, darn” are frequent.
  • Emoni’s first-person narration has similar slips: “Tyrone is still being a dick—an ass—a prick. Who uses the word prick?” She later notes about him: “Damn, he smells good as fu—hell… heck.”
  • Damn, hell, and shit are used frequently.
  • Characters occasionally say “Jesus” and “oh my God.”
  • “Ass” is often used as a suffix in phrases such as “grown-ass woman” and “greasy-ass job.”
  • Angelica describes Malachi’s smile “as if you’re choosing to give a sunlit middle finger to this fucked-up world.”
  • Emoni’s classmate gets vulgar when she’s drunk and says “fuck” multiple times, including when she accuses Emoni of “fucking Malachi.”
  • Angelica says that she’s “nervous as fuck.”
  • Leslie’s classmate says the chef she’s working with “sounds like a crackhead.”

Supernatural

  • None

Spiritual Content

  • Emoni’s grandmother is “a soft Catholic. She believes in the teachings of God, but she doesn’t push her religion on people. I went to church with her on Sundays, but she didn’t force me to do communion or confirmation. And she didn’t force me to keep the baby. She just held my hand and told me to think about what it would mean.”
  • Emoni’s grandmother goes to church several times in the book and has a circle of church friends.
  • While dealing with her dishonest boss, Emoni says, “You’re a nice man, Steve. . . I’m going to tell my grandmother to pray for you.” She then thinks, “I hope he can see in my face that I just sprinkled the juju of a spiteful Puerto Rican grandmother all over his life.”
  • Emoni jokingly describes water ice (a frozen treat) as “a direct gift from the gods.”
  • Emoni’s father says that Puerto Rico is “where I’ll die, whenever God decides that should be.”
  • Malachi jokes that “My cuts of jamón ibérico would make you believe in God.”

by Caroline Galdi

Cape

Josie O’Malley’s family is all doing their part in fighting the Nazis. While her father is off fighting in the war, Josie’s mother works two jobs and Josie works at a diner to help pay the rent. Josie wishes she could do more—like all those caped heroes who now seem to have disappeared. Josie can’t fly and control weather like her idol, Zenobia. But when Josie sees an advertisement for puzzlers, she thinks maybe she can put her math smarts to use cracking puzzles for the government.

After Josie takes the test, the official throws all of the girls’ tests in the trash. Josie is disheartened, but it soon becomes clear that a top-secret agency has been watching Josie, along with two other applicants: Akiko and Mae. The three girls all love superheroes like Fantomah, Zenobia, and the Black Cat. The girls never dreamed that they would have powers like their favorite superheroes. But when a villain sets fire to a building and puts innocent people in danger, the girls step up to help and discover that they have new superhero powers. As the girls’ abilities slowly begin to emerge, they learn that their skills will be crucial in thwarting a shapeshifting henchman of Hitler, and, just maybe, in solving an even larger mystery about the superheroes who’ve recently gone missing.

Readers will fall in love with the endearingly imperfect girls who highlight the importance of helping others. The diverse cast of characters includes Josie, who is Irish, Akiko, who is Japanese, and Mae, who is African American. The diverse characters give the readers a glimpse of the prejudice of the time period. Akiko’s family was put in a Japanese internment camp even though her brother was fighting in the war. When Josie and her friends go into a restaurant, the manager chases them away because they don’t serve “their kind.” It is at this point that Josie realizes that “prejudices were a lot like allergies. They made it hard for us to really see.”

Josie and her friends love to figure out puzzles and secret messages. They give examples of different ciphers and explain how to decipher them. Even though Josie and her friends have the brainpower to solve puzzles, the girls are treated unfairly. At one point, Josie wonders if she really is just a “stupid girl.” However, she soon learns that others, including her Aunt Kate, are using their mathematical minds to help defeat the Nazis. Cape brings the ENIAC Six into the story and shows how the pioneer programmers did important work during World War II.

Even though the story talks about superheroes, the superheroes’ attributes are never fully explained. Despite this, readers will understand how the superheroes helped encourage Josie and her friends to be better people. Cape blends historical facts into an entertaining, action-packed story that teaches that girls can do anything. Themes of prejudice, friendship, and fighting evil are developed using kid-friendly descriptions. Even though some of the story’s elements are not fully explained, readers will still enjoy the story.

Cape might even encourage readers to learn more about World War II, and the story lists recommended resources for readers who want more. The story ends with historical information on the ENIAC Six, the spy ring, radio news reports, and a list of recommended resources. Cape will leave readers with a positive message that “you’re the one who decides what kind of person you’ll be.”

Sexual Content

  • None

Violence

  • A group of bullies steal Josie’s brother’s bikes. Josie tries to get them back. When she sees one of the boys who stole the bikes, she “whipped my broom out ahead of me and caught his feet, I sent him spilling onto the sidewalk. . . I pressed the handle of the broom to his chest, in the little round spot just between his collarbones.”
  • When a bully implies that Josie’s father is dead, she gets upset. Then the boy “shoved me back. I stumbled a few steps but caught myself. Without thinking twice, I dove for him, knocking him to the ground.” When Josie’s friends try to help her, the boy “and the others knocked Akiko to the ground.” One of the boys “kicked at” Mae who then, “stumbled onto the pathway, scraping one of her knees.”
  • Mr. Hisser tries to flee a building, but the Stretcher “reached out to grab Mr. Hisser. His long black arm stretched nearly the whole length of the room! Just as the Stretcher caught hold of Mr. Hisser’s suit collar, the room erupted in a burst of white light. . .” After the smoke clears, Josie “noticed a few sparks sizzling into the smoky air. All that remained of the Stretcher was a pair of black boots, a shimmery black cape, and a black mask.” Someone explains that “This is what we’re up against. . . A force darker than any of us could have imagined. With each attack, another caped hero disappears. Vaporized.”
  • Mr. Hisser set a building on fire. Josie, Akiko, and Mae use their powers to get people safely out of the building. No one is injured. The scene is illustrated over 11 pages.
  • Mr. Hisser and his crew plan to blow up a ship. The men put dynamite in fake rats. The girls attack Mr. Hisser, who turns into a snake and hits the girls with his tail. One of the girls is injured and Mr. Hisser carries her away in his snake mouth. The scene is illustrated over 11 pages.
  • Later, Akiko says she used fire to get away from Mr. Hisser. Although the scene is not described, Josie notices Mr. Hisser’s head, “which was red and blistery from a burn.”
  • Josie tells her brothers a story about their father fighting in the war. Their father was eating breakfast when he heard the air-raid sirens. “. . . Daddy raced upstairs as enemy fire strafed the quarterdeck. Dodging bullets and bombs, he rushed to an injured crewmate and threw him over his shoulder.”
  • A boy and his friends put a rope around a raccoon’s neck. In order to help the raccoon, Mae “unleashed a gale-force wind and knocked Toby and the other bullies to the ground. As they climbed to their feet, Akiko transformed into a bowling ball and knocked Toby out at the knees. Again he fell to the ground, this time scraping the palms of his hands.” During the confrontation, Josie “used a bit of telekinesis—staring at one, two, three, four, five heads, then flicking my eyes—to knock their skulls together.” The boys run away.
  • Mr. Hisser and his gang show up at a top-secret location. When he sees the girls, “Mr. Hisser flicked his dangerous rattlesnake tail and slammed it into the building, just above our heads. Wood and bricks exploded into the air, then crashed down around us. . . Akiko flung fireballs at his henchmen in the street.” During the fight, “his deadly split tongue shot from his mouth and slammed me [Josie] backwards into the lamppost. My head rang like a telephone, but I had to shake it off.” Josie saves some “innocent people,” then notices that she was bleeding. “One of the Hisser’s razor-sharp fangs must have sliced my skin.” Josie picks up a car and “using all the strength I could muster—and with searing pain shooting through my left shoulder—I heaved the car forward. It landed on the Hisser’s deadly tail with a devastating thud.” The action is described over 10 pages.
  • The action continues over 12 illustrated pages. One of the girls hits Hisser with a chair. People are hit with furniture, Hisser is wrapped in chains, and a man is hit over the head with a machine that is like a typewriter. The FBI arrive and arrest Hisser.
  • Hisser escapes. “Hisser’s hideous snake form fled the room, his scaly, serpentine body slithering around and around in a dizzying hypnotic threat. With a whip of his rattlesnake tail, he swatted Harry and the agents. They flew backward, slamming into the blinking black steal of the ENIAC machine.” One of the girls changes into a mongoose, and “she lunged for the Hisser’s throat with her sharp front teeth as Mae and I dodged out of the way.” The scene is described over five pages.
  • Hisser captures three women and attempts to kidnap them. Josie used “all my powers of concentration, I imagined the statue ripping off its pedestal and hurtling into the path of the Hisser’s oncoming car. As soon as I thought it, the statue followed the direction of my eyes and soared through the air, landing just in front of the Hisser’s wagon. Brakes screeched, but there was no time for the Hisser to stop.” Hisser is arrested and the captives are set free.

Drugs and Alcohol

  • None

Language

  • The characters call others names. The infrequent use of name-calling includes: marauding meatheads, lunkhead, knucklehead, fleas, dumbbell, knuckleheads, brats, and traitorous scum.
  • Hisser calls the girls names, including: Green Fungus and Emerald Irritant.
  • Several times, one of the characters uses “Hauntima’s ghost” as an exclamation.
  • Someone calls Hisser “demon reptile.”

Supernatural

  • In the story, superheroes exist and have different abilities, such as: flying, super-human strength, shape-shifting, telekinesis, causing weather events (like wind), controlling fire, teleportation, etc.
  • Josie Akiko and Mae link arms. When Josie talks about doing something good, “a beam of golden light burst from the center of our huddle, radiating upward from our connected hands . . . And the air hummed like it was filled with a thousand bumblebees. . . The crackling electrical charge exploded in my ears now, and energy shot through my veins. . .” Then the girls gain super powers, including how to fly. After the three completed their task, their “costumes suddenly morphed back into our regular clothes, right before our eyes.” This process happens several times.
  • When handling a difficult situation, Hauntima’s ghost appears and gives the girls guidance. Sometimes when Hauntima appears, she has an “angry skulled face.”
  • Mr. Hisser can turn into a snake.
  • Josie gets injured, but her injury heals quickly.

Spiritual Content

  • None

 

Don’t Date Rosa Santos

Everyone in Port Coral knows that the Santos family is cursed by the sea. After all, two generations of Santos women have loved men who were lost to the ocean. Which is why, even though she’s lived in a coastal Florida town for most of her life, eighteen-year-old Rosa Santos has never even stepped foot in the ocean.

Rosa has the next few years of her life all planned out. In a few months, she’ll be graduating from high school with both her diploma and a two-year degree from the local community college. Then it’s off to a four-year university where she’s been accepted in a study abroad program at the University of Havana. She’ll finally be fulfilling her lifelong dream of traveling to Cuba, the island of her ancestors. She just hasn’t quite figured out how to tell her Grandmother. It won’t be an easy feat. After all, Mimi Santos has always refused to talk about Cuba.

But when an offer to buy the Marina threatens to destroy Port Coral, Rosa must set her plan aside and help put together a fundraiser to save her beloved hometown. It might be more difficult than expected, considering she’ll be working side by side with the distressingly cute Alex Aquino. Her growing crush wouldn’t be that bad, except Alex happens to be the one thing that ought to be strictly off limits to a Santos girl like her: a boy with a boat.

Rosa struggles with some uniquely heavy issues like inherited grief and the immigrant experience of feeling like she doesn’t quite fit into her own culture. Although these issues might be difficult for some readers to fully comprehend, they are important, especially for Latinx teens looking to find themselves in a story. These tough themes are balanced out by the more “everyday” issues Rosa deals with, including the college application process and harboring a secret crush.

Although there are plenty of adorable and romantic moments, the story itself goes beyond the typical rom com. Moreno makes a beautiful exploration into the many ways that love can manifest itself; from the years of love and loss that bind the Santos women together, to the thrill of a relationship just beginning, to the overarching love that creates a community. The characters are all well developed and both Port Coral and Cuba come alive on the page.

Readers are sure to fall in love with the complex story of the Santos women, which is equal parts heart wrenching and hopeful. Don’t Date Rosa Santos is a wonderfully diverse story about family, identity, and finding your place in the world.

Sexual Content

  • Mimi tells Rosa that if she could go anywhere in the world, she would go to Hawaii because “I like The Rock. He is very handsome.”
  • Jonas kisses his fiancee hand.
  • When Rosa is being teased about boys, she thinks “There had been kisses at parties and group movie things, but nothing to write home about.”
  • Rosa’s mother says, “You haven’t had a crush in forever.” This prompts Rosa to reflect on her recent crushes: “An older guy in my calculus class at Port Coral Community who always held the door open for me, and a girl from the ice cream shop who never wore the same name tag and told me I smelled like strawberries.”
  • Rosa’s friend Mike teases her about “running away with an Argentinian sailor.”
  • Rosa asks Mike if he would date her. She says, “I was just curious if you’d ever think of me like that.”
  • Rosa describes Alex, the love interest, as “a very cute sailor tattooed with the sea.”
  • Rosa runs into Alex at the dock. He asks her to sit, and she decides to stay because “I needed a moment and this little seed of a crush really wanted me to sit with him.”
  • Alex runs a hand over his beard, and Rosa finds herself “wondering how it might feel to run my fingers across his beard and maybe press my face to his neck. I frowned, surprised at myself. Talking by moonlight softened a lot of edges.”
  • Rosa and her friend have a conversation about Alex in which her friend describes him as “super hot.”
  • While stuck on the side of the highway, Alex and Rosa kiss for the first time. “He smiled and ducked his head. He captured my lips in a kiss that already tasted bittersweet.” The kiss is described for about half a page.
  • Rosa’s friend tells the boys that they missed their chance with Rosa because she is “out here getting kissed by cute boys with man beards and baked goods.”
  • When Rosa is getting ready for her first date with Alex, she is advised to “Scoop him up and throw some sprinkles on that. Drizzle the caramel. You get me. Doodle his name in that little journal of yours. Doodle it hard.”
  • At the end of their date Alex tells Rosa, “I like you like you.” The two kiss briefly at the end of the scene.
  • When Rosa agrees to be Alex’s second for the regatta, he kisses her “quickly.”
  • When Alex and Rosa win the regatta, he “pulled me against him and dropped a hard, grateful kiss on my lips.”

Violence

  • During an argument, Rosa’s mother opens up about the death of Rosa’s father. “Tell [Rosa] that my love killed him. . . I loved him too much, so the sea took him. When this whole town cried for the lost boy at sea, you looked at your own daughter and her growing middle and said it was the cures. That it was me.”

Drugs and Alcohol

  • Rosa says that the vejitos, a group of old Cuban men living in Port Coral, act “like a person could live forever on coffee, rum, and cigars.” She later describes them as smelling like “sharp aftershave and cigars.”
  • Rosa says that Junior, one of the Peña Cousins, “used to sell weed, but now he was focused on getting his mixtape to go viral.”
  • Rosa’s mother returns home drunk after she “bought a bottle of wine and sat at the end of the dock where I drank the whole thing before slipping a note inside and chucking it into the water.”

Language

  • Oh my God, God, Dios mio, Por dios, and Jesus are all used frequently as exclamations. For example, when Mrs. Peña mentions jazz band, Ana replies “God, don’t say that so loud.”
  • Profanity is used frequently. Profanity includes: damn, hell, crap, and asshole.
  • Ana tells her brother that her drums “cost more than your shitty car.”
  • Ana tells Junior not to be “a dick.”
  • Mimi gets angry about the current state of Cuba and exclaims “Carajo qué mierda.”
  • Rosa’s mother says “Come mierda,” a phrase that literally translates to “shit eater” which Cubans often use to mean “dumbass.”

Supernatural

  • The Santos Women believe that they are cursed. The men they love are destined to die at sea. Rosa explains, “The lullaby of my life is that to know the sea is to know love, but to love us is to lose everything. We’re cursed, they still whisper, but whether it’s by an island, the sea, or our own stubborn hearts, I don’t know.”
  • Rosa’s grandmother acts as the neighborhood curandera. According to Rosa “The neighborhood curandera oversaw concerns about struggling gardens, bad dreams, career changes, and terrible luck, and she brewed hope frothier window that smelled like herbs and dryer sheets.”
  • Mimi owns a magical wind chime. “There was a wood and steel wind chime that was steady when the day was nice, a little wilder with the rain, and as agitated as a scared kid when bad luck was coming.”
  • Rosa owns a magical backpack. “Mimi had sewn it before I started high school, enchanting it with powerful words so it would always carry whatever I needed and never get lost.”
  • Rosa’s mother coming home has interesting consequences. “She and the house were like warring siblings, and it always knew when she returned, because it stopped working. Food burned, candles wouldn’t stay lit, and worst of all, my laptop always struggled to find the Wi-Fi signal.”
  • Rosa’s mother practices tarot. “Sometimes there was a knock at the door, late at night when she was home, and a sad eyed soul waiting on the other side. Mom would sit with them, cards spread across the old wood table. My mother was a storyteller fluent in spells and heartache.”
  • Mimi keeps a notebook that has “ingredients listed for different oils and potions,” as well as accounts of miracle helpings back in Cuba.
  • Rosa says that she puts acorns on windowsills “so lighting won’t strike my house.”
  • When Ana loses her drum sticks, she asks Rosa to “Give me some brujeria, Rosa. Throw down some shells, fire up some smoke! I need that tracking-lost-things spell!”
  • Mimi uses magic to create a replica of Havana in the middle of Port Coral.
  • When Mimi is describing Cuba, she says that Tia Nela warned her not to leave. “She warned me our land was bleeding and the sea would demand a sacrifice.”
  • Rosa knows something is wrong because the wind chime “was wild with panic.”
  • Rosa and her mother participate in a ritual where they see and hear Mimi and Alvaro’s spirits. The description lasts for about three pages.

Spiritual Content

  • When Rosa asks if Mimi would ever return Cuba Mimi responds, “My spirit will, mi amor.”
  • Rosa has an altar set up in her room, which includes, “a couple of pastel candles and fresh flowers sat beside a faded sepia picture of my grandfather and the single Polaroid I had of my father.”
  • When he sees Rosa, a sailor makes an old warding sign, “To keep evil away.”
  • After Rosa’s mother returns home, Mimi cleanses the house. Rosa’s mother claims it’s because of her “bad juju.”
  • Mimi and Rosa both pray to saints and ancestors throughout the story. For example, when Rosa’s mother comes home drunk, “Mimi reached for the saint medallion on her nightstand and muttered a prayer.”
  • Rosa and Ana perform a cleansing spell. “[Rosa] exhaled a shaky breath before asking for protection and guidance. Anna dimmed the lights, watching me. With the swipe of a match, I lit the wick and held the egg over the flickering candle light for a few seconds before closing my eyes and mindfully holding it to the top of my head.” The description of the full ritual is spread out over about six pages.
  • Rosa cleans off her altar and asks her deceased father and grandfather for advice. She says, “I could really use some help with college. Can you see the future? Yeah, it probably doesn’t work like that. But maybe you can get together with my other ancestors and let me know what you think? Some clarity on this would really help.”
  • Rosa listens to one of Mimi’s patients talking about a healing miracle. The patient says that it was “like listening to someone describe a version of la Virgen.”
  • When Mimi is describing Cuba, she says “If her cities fall, if we’re all gone, may God watch after her.”
  • While at the hospital, Ana and her mother pray silently.
  • When Alex offers to spend the night, Rosa says that she needs to lose herself in “inherited rituals.”

by Evalyn Harper

The Girl the Sea Gave Back

For as long as she can remember, Tova has lived among the Svell, the people who found her washed ashore as a child and use her for her gift as a Truthtongue. Her own home and clan are long-faded memories, but the sacred symbols and staves inked over every inch of her skin mark her as one who can cast the rune stones and see into the future. She has found a fragile place among those who fear her, but when two clans to the east bury their age-old blood feud and join together as one, her world is dangerously close to collapse.

For the first time in generations, the leaders of the Svell are divided. Should they maintain peace or go to war with the allied clans to protect their newfound power? When their chieftain looks to Tova to cast the stones, she sets into motion a series of events that will not only change the landscape of the mainland forever but will give her something she believed she could never have again—a home.

The Girl the Sea Gave Back is a Vikings-inspired story that is bloody and brutal. The story focuses on both Tova and Halvard’s points of view and continually jumps between the two character’s perspectives. Because the story switches points of view, there are often times when the same scene is retold from another character’s point of view. In addition to switching points of view, the story also flashes back into each character’s life. The always-changing point of view and the flashbacks makes the plot both choppy and confusing.

Although the story focuses on Tova, she is not an easy character to relate to. It is clear that the Svell dislike her; however, the reason for their fear is never explained. In the beginning, Tova seems content to follow orders and do what she is told. Although she does not like foretelling death, she doesn’t think about the consequences of her actions. Of the two characters, Halvard is more likable and interesting. He constantly doubts his worthiness but is willing to take risks to save those he loves.

In the end, The Girl the Sea Gave Back is a tale of war and fate. Long bloody battles propel the story forward, and although there is plenty of action, the characters lack development. Even though war is described in detail, it is not glorified. Instead, the story makes it clear that peace is difficult to obtain, but it is worth working towards. Halvard learns that “war is easy. It comes again and again, like waves to a shore. But I lived most of my life driven by hate, and I don’t want that for my grandchildren. Or yours.”

Although beautifully written, The Girl the Sea Gave Back lacked in world-building and will leave the reader with many unanswered questions—both about the characters and what will happen to the warring tribes. The complicated story uses graphic imagery that will leave some readers squeamish. Only strong readers who are looking for a Viking-inspired war story should read The Girl the Sea Gave Back.

Sexual Content

  • One of the woman warriors “had never been motherly in nature and though she’d had several lovers through the years, she’d never had children.”
  • In a brief moment alone with Tova, Halvard “took a step toward me and my heart kicked in my chest, the blood running faster through my veins. . . He leaned down, hiding me in his shadow as he pressed his lips softly to the corner of my mouth. His hands wound around my waist and for a moment, I melted into him.”

Violence

  • As a child, Tova went into town, and “something hot hit my face and it wasn’t until I reached up that I realized it was blood—a prayer to their god, Eydis, to ward off whatever evil I might bring. I still remember the way it felt, rolling down my skin and soaking into the neck of my tunic.”
  • When two tribes meet, the chieftain’s brother betrays him by attacking the other tribe’s chieftain. The man “suddenly reared back with the sword, launching it forward with a snap, and it sank into Espen’s stomach. The tip of its blood-soaked blade reached out behind him where it had run him through.” The two tribes fight. Halvard tries to protect his friend, Aghi. Halvard “twisted my sword in an arch around me to catch him in the gut. He tumbled to the grass and I lifted the blade before me, thick blood dripping onto the golden grass.” During the battle, Aghi is stabbed with a knife. “Aghi doubled over and it wasn’t until he hit the ground that I saw it. The handle of my knife was lodged between his ribs. I swallowed a breath as bright, sputtering blood poured from his lips and when I opened my mouth, I couldn’t hear the sound of my own screams.” As the battle continues, Halvard plunged the blade into Bekan’s heart. His head rolled back and he gasped, coughing on the blood coming up in his throat. . .” Many people die during the 12 pages of battle.
  • When the Svell lose the battle, Vigdis is upset and attacks Tova. “. . . He screamed, shoving Jorrund aside and snatching up my arm. He threw me back and I hit the ground hard before he came over me, taking a handful of my hair into his fist. . .” Vigdis threatens to set Tova on fire, but she convinces him that she can still be useful so he lets her live.
  • When Halvard was a child, his village was attacked and he was captured. Some of the captives were tied behind a cart. “The rope cut into the skin around his wrist and his arms ached, blood trailing up into the sleeves of his torn tunic. The woman tied beside him had fallen before the moon had even risen above the treetops and her lifeless body dragged over the ground beside him.” Halvard was saved by his brothers.
  • When the Svell attack a village, Tova could hear the screams. “The light of dusk caught the glistening of wet blood on armor and the warriors passed us. . .” The man Vigdis was looking for was not in the village, so “Vigdis lifted his hand, rearing back and swinging his arm to slap me [Tova] across the face. I fell to the ground, my hands sliding over the wet soil as my mouth filled with blood.”
  • Halvard thought back to his childhood when the Svell attacked his village. Most of the dead “weren’t even wearing their armor or their boots, cut down as they tried to flee in the dark. They’d been sleeping when the Svell came out of the forest and set fire to their homes. . . The bodies of people I’d known my whole life had been strewn throughout the village bright red blood staining the crisp, white snow. . .”
  • At the end of the battle, friends of Halvard appear and save him when “arrows suddenly fell from the sky, arcing over my head and hitting their marks before me. Svell warriors hit the ground hard. . .”
  • Halvard and his men approach the destroyed village and find “bodies still lying where they’d fallen in the fight.” Halvard sees a Svell warrior and “the blunt side of the blade caught him in the jaw. The sword fell from his hand as he tumbled backward, sliding on the stone until he rolled over the threshold, landing in the mud outside.” More Svell appear and “Asmund lifted his ax, stopping the man’s blow overhead, and slammed his closed fist into his face. . . Asmund kicked him in the chest sending him backward.” When it looks like Asmund might die, Halvard “let the knife in my other hand sink back behind my head and slung it forward, letting it fly handle over blade through the air, it hit its mark finding the flesh between his shoulder blades, and he fell face-first into the dirt at Asmund’s feet.”
  • When Tova refuses to cast the stones, “a man’s face appeared over me before he bent down low, lifting me back to my feet. He didn’t even look up as a sob wracked my chest. His hand took hold of the neck of my tunic. . .” The man drags Tova to the meeting place and “he shoved me inside and I toppled forward, sliding on the ground. My palms scraped against the dry, cracked mud. . .” A man threatens to kill her if she does not read the stones.
  • During the final battle there are many deaths. The battle is described over multiple chapters. “An axe flew over my [Halvard’s] head, catching a Nădhir woman behind me, and she was knocked from her feet, hitting the ground hard. I stood just in time to catch the man who’d thrown it with my blade, dropping him with one strike. . .” When a woman attacks Halvard, “I brought my axe down onto her shoulder and she fell to her knees, reaching for Fiske. He toppled backward, driving his sword up to impale the woman with it. The length of the blade shone with blood as Fiske pulled it from where it was wedged between her bones and stood, heaving.” As the battle rages, Tova joins in. “A man crashed into the mud behind me, Halvard’s knife buried in his chest. He coughed blood as I pulled it free and got back to my feet.”
  • During the battle, a Svell man tries to kill Tova. “In the next instant, his knife was swinging wide, catching me in the arm. . . Before he could bring the knife down, I rolled to my side, covering my head with my hands. The blade ripped into my other arm, the edge of the iron hitting the bone, and I cried out.”

Drugs and Alcohol

  • When Tova is injured, Jorrund has to stitch the injury. “Her blood shone on the needle as Jorrund pulled the thread in one long motion and tied it off. When a tear finally rolled down her cheek, he gave her another drink of the sour ale. She swallowed it down until the burn in her throat reached her chest.”
  • While preparing for a battle, the Svell drink ale. “Outside, the Svell gathered around smoking fires, drunk on ale and eating what would be for some of them a last meal.”
  • When a woman warrior is injured, she is given ale to help with the pain.
  • During a ceremony to make Halvard the new chieftain, Halvard cuts his palm and allows the blood to pool in a cup. The other leaders then drink the blood.
  • The night before the final battle, Halvard and his family drink ale.
  • After the battle, some of the warriors were “drinking our winter stores of ale.”

Language

  • None

Supernatural

  • Tova is a Truthtongue and uses runes to tell the future. Before she drops the stones, she chants, “Eye of the gods. Give me sight.” After she throws the stones, she interprets them.

Spiritual Content

  • The story revolves around the Spinners of Fate who “sat at the foot of the Tree of Urṍr weaving the density of mortals.” When Tova was born, her mother consulted the Spinners of Fate and they told her what would happen in the future.
  • Different tribes believe in different gods. Although the gods’ names are mentioned, there is no explanation of how the gods are different from each other.
  • Jorrund is the tribe’s healer and the “interpreter of Eydis’ will.” When he finds Tova on the beach, he thinks Tova is an omen for Eydis.
  • The people believe in an afterlife and refer to it often. For example, a man’s “only child was taken to the afterlife and there she’d wait for her father until he took his last breath.” When a person dies, their body is cremated so they can travel to the afterlife.
  • While preparing to meet another tribe’s leader, a man says, “we’ll make a sacrifice at dawn and ask Eydis to give us her favor.”
  • People, including Tova herself, think that Tova “was a living curse. A betrayal to the Svell god. . . She was a scourge. And there were many that wanted her dead.”
  • When Halvard’s friend Aghi dies, Halvard thinks that he would also like to die in the battle because “it was an end that the gods would favor.” Because Aghi’s body could not be cremated, Halvard performs a ritual. Halvard takes his knife and “I wound my fingers tightly around its blade before I slid it against my calloused palm. The hot blood pooled in the center of my hand before I pressed my finger into it, carefully writing Aghi’s name across the face of the stele.” Someone says a prayer and Halvard thinks, “It had been a long time since I’d prayed to Thora or Sigr. Not because I didn’t believe in them, but because I wasn’t sure they listened.”
  • Someone tells Halvard the story of Truthtongues. When one of the god’s sisters dies and is buried, the god “swore vengeance of the Spinners for taking her life. As an offering, the Spinners gave Naṍr a mortal child with the mark on her chest. They called her the Truthtongue and promised that every woman born into her lineage would have the ability to read the runes and see into the future.”
  • When the Svell were ready to attack a village, Tova tells a man, “There isn’t a single god who looks favorably upon dishonorable killing.” Tova feels guilty that she helped the soldiers find the village. She thinks, “I hadn’t planned the massacre in the glade but it was my rune cast that had justified it. . . I had always known that I was cursed. That something dark had marked me.” Tova thinks she was sent out of her village because her god didn’t want her.
  • The characters often pray to their gods. For example, during a ceremony, a man shouts, “We ask you, Thora and Sigr, to entrust your people to Halvard, son of Auben.”
  • Before battle, a man says a prayer. “We call upon you! We ask for your protection and your favor as we take the fjord!” The tribe’s healer then “dropped the torch at his feet and the flame caught the pitch, writhing over the grass in the paths he’d laid. . .It was an ancient symbol, the shield of the fallen Svell warrior.”
  • As the warriors are praying, Tova thinks, “But there was no one I could call upon. No one who was listening. Instead, I made my plea to the Spinners. I asked for their forgiveness. I begged for their help.”
  • When Tova offers to cast the stones for Halvard, he refuses by saying, “I don’t want to know. I trust the gods.”
  • The night before the final battle, Tova doesn’t pray to a god. “Instead, I prayed to the woman in my vision.” Later, she discovers that the woman in the vision was her mother.
  • When Tova meets her mother, her mother tells her, “The Spinners brought us here to find you. But we don’t know yet what other purpose they have for us. We won’t know until they tell us. . . Mortals and gods cannot be trusted to obey the warnings of the Spinners.”

The Fire Keeper

Living on a secluded tropical island should bring happiness to Zane Obispo. He is surrounded by his family and his friends. Zane is frustrated that he still can’t control his newfound fire skills that he inherited from his father. Zane is also convinced that he is the only one who can save his father, the Maya god Hurakan, who is now in prison. Plus, there is a painful rift between him and his dog ever since she became a hellhound.

Zane and his shape-shifting friend, Brooks, plan to take action and find a way to save Hurakan. But their plans come to a sudden halt when they discover that their island home is a prison. They can’t leave the island. When another godborn shows up, Zane and Brooks know they must come up with a plan to save Hurakan as well as the godborns who are in danger. Zane has no idea how to find the godborns or who would have taken them hostage.

Zane and his friends must race against time and save his father before he is executed. But first he must find the godborns before they can be hunted down and killed. In a world where Maya gods cannot be trusted, who can Zane trust to lead him in the right direction? How can a mere boy save both the godborns and his father?

The Fire Keeper is an action-packed adventure that never lacks a dull moment. As Zane and his friends jump through portals looking for clues to the whereabouts of the godborns, they meet several gods and monsters. Even though Zane doesn’t trust Ah-Puch, the previous god of death, he teams up with the god in a desperate attempt to save both the godborns and Hurakan. The constant question of who can be trusted adds to the suspenseful tone of the story.

Before readers pick up The Fire Keepers, they will need to read The Storm Runner. Zane’s story includes a huge cast of characters—monsters, magical creatures, godborns—which are introduced in The Storm Runner. Another aspect that may cause readers confusion is when Zane and his uncle occasionally mix Spanish words into their dialogue. Although readers should be able to use context clues to understand the word’s meaning, struggling readers may find the mix of English and Spanish difficult. Both The Storm Runner and The Fire Keepers have a complicated plot and an extensive cast of characters which may intimidate struggling readers.

All of Zane’s friends make an appearance in the second installment of the story. The addition of Ren, who is also a godborn, gives the story more humor. Ren is convinced that the Maya gods are aliens, and her refusal to change her mind breaks up the tense scenes. In addition to Ren, Ah-Puch has a starring role in the story which allows readers to see the god of death in a unique way. Some readers may be disturbed by Ah-Puch because he drinks bat’s blood to gain power. For example, he grabbed several bats and “snapped their necks, and turned his back to us as he drank their blood.”

The Fire Keeper brings the magic of Maya mythology to life in a fast-paced, action-packed story that will leave readers with a new understanding of the complicated nature of people (and gods). Zane is a very likable character, who clearly cares about others. The Storm Runner series is perfect for fans of the Percy Jackson series or of Aru Shah and the End of Time. However, Zane’s story takes a more serious tone and lacks the humor of the other series.

 Sexual Content

  • Zane thinks back to when he “almost kissed Brooks last month at the bonfire. Emphasis on almost. It didn’t happen, okay.”

Violence

  • While on the beach, Zane sees “a small shadow, no bigger than a fist, slid over the boat’s edge and began to grow into a tall column. Before I could blink twice, three shadow monsters emerged from the column, spreading their colossal wings. Long insect-like arms and legs sprouted from their swollen, pulsing bodies. . . Rosie exploded into killer-hellhound mode, shooting fireballs out of her mouth and eyes. . . One monster swiped Brooks away, sending her crashing into the violent black sea.” When Ren wakes up, the shadows disappear. The scene is described over three pages.
  • A mud monster takes the shape of Ms. Cab. “This demon version of Ms. Cab reached into her dress pocket and pulled out a small red bird. Using a small knife from the table, she split the bird’s chest open, and a flurry of tiny winged beetles escaped. . .The bedazzled beetles swarmed me [Zane], climbing all over my body, their teeny feet stepping across every inch of my skin, up my cheeks and across my scalp.” Zane surprises the demon when he “swept my storm runner leg across the intruder’s ankles, bringing her to the ground with a loud thud.” Brooks and Rosie show up and help Zane. “Flames erupted from Rosie’s eyes and mouth. . . Bright blue flames engulfed Ms. Cab as her screams rose into the air. . .The thing’s skin dripped to the ground in a sizzling heap of goop that smelled like canned spinach and burning hair. All that was left of Monster Cab was a lumpy statue made of hard, cracked mud, its expression frozen with terrified eyes and a wide contorted mouth.”
  • When Ren dreams, she creates shadow monsters. One of the monsters attacks Zane and his dog. When Zane tries to help his dog, his “spear sailed right through the form and looped back to me. I drop-rolled to the ground, swiping at Top Hat’s remaining stilt with my leg. I connected with nada. . .The shadow reached for me. I tried to scramble away from his grasp, but in a flash, he caught me, clutching my ribs so tightly I couldn’t move or breathe.” Ren wakes up and the shadow disappears.
  • Zane and his group are attacked by bats. “They were bats with curled, flesh-colored claws and crooked fangs. . .The bats landed on me [Zane]. . . Their little claws tap-danced all over my back, up my neck, and across my head. Their mouths pressed against my ears and cheeks, breathing hot puffs of air. . . One of the beasts had his mouth wide open, and he plunged a mouthful of fangs into the back of my hand.” Ah-Puch “stood upright, seizing the bats out of the air with such incredible speed his arms were only a blur.” The bat’s blood gives Ah-Punch more strength and the group is able to escape. The scene is battled over three pages.
  • Zane falls into a trap and when he wakes up, he “couldn’t open [his] eyes. I was blindfolded. I couldn’t move, either—my hands and feet were bound to some kind of tree or wooden pole.”
  • To free Zane, his uncle Hondo attacks the bats. “Hondo whirled, did a backflip, and kicked a few of the bloodsucking beasts in midair before landing. . . Hondo swung his crowbar mightily, but he was losing. The bats attacked him claws-first, tearing at his cheeks and neck.” When it looks like someone might die, Ah-Puch helps. “Then in a whirl of shadow and dust, Ah-Puch surfaced and blindsided the one god with a massive shard of glass, driving it deep into the bat’s ribs and slicking upward with a nauseating ripppppp.” During the fighting, Ah-Puch is attacked by a god. The god “leaped at the god of death, fangs bared. His claws slashed, ripping Ah-Puch like paper. Thick blood spilled onto the dirt.”
  • During the multi-chapter battle, Zane shoots “fire bullets from my hands, aiming precisely for the guy’s eyes. His bat wings didn’t deflect them fast enough this time. He screamed, shook his head, and looked back at us with empty, scorched sockets.”
  • Zane tries to free his father by attacking the villains. Zane “went after them, shooting dozens of fire bullets from my hands and nailing them in the chest, but it didn’t stop their rage. . . Just then, Rosie appeared by my side, blue flames exploding from her mouth as Jordan swept down with ferocious speed, slicking my neck with a razor-sharp claw.” A friend saves Zane.

Drugs and Alcohol

  • Someone gives Zane a drugged candy. After he eats it, he feels terrible, and “felt a sharp pain in my back, like I’d been stabbed with an ice dagger. . . Cold sweat dripped down my face, and my insides felt like a giant fist was wringing them out. Uncontrollable shivers gripped me as my mind stumbled over all my memories. . .”
  • Zane walks through a wedding reception, where “a few guys stood in the corner doing shots and slamming their fists on the table. . .” When a waiter comes by carrying “a tray of what might have been champagne,” Zane’s uncle yells, “How about a drink?”
  • After fighting with huge bats and surviving, Ah-Puch drinks “a one-hundred-year-old bottle of tequila.”

Language

  • Crap and heck are used occasionally. For example, when Zane goes through a portal, he lands on a frozen lake. He thinks, “Crap! Crappity crap!”
  • “Oh my gods” is used as an exclamation once.
  • Zane calls people a jerk three times. Zane thinks the gods are “jerks” because “they wanted to be rid of godborns.”
  • Someone tells Zane, “Hey, wake your flojo butt up.”
  • “Holy hell” is used once.
  • Hondo refers to someone as a “moron.”
  • Several times someone calls Zane an “idiot.”

Supernatural

  • Gods and monsters from Maya mythology are real. Ixtab, the queen of the underworld, uses shadow magic to hide Zane from the other gods. However, the shadow magic also makes Zane and Brooks prisoners who cannot leave the island they are living on.
  • Brooks is a nawal (a shapeshifter) who can turn into a hawk.
  • Zane’s dog, Rosie, is a hellhound who can breathe fire. In the previous book, Rosie went to the underworld. Zane can also talk to Rosie telepathically. When Rosie licks a wound, the wound heals. Rosie can also teleport. During the adventure, Rosie sprouts wins and can fly.
  • Zane’s father is a Maya god. Zane is trying to learn how to control fire. “Ixtab had told me that my skin and anything touching it was nonflammable.”
  • Zane’s father gave him a jaguar tooth and “the amulet was fused with the most ancient and potent magic in the universe. I could use the amulet to spirit jump to the Empty, and also to grant any power to whoever I gave it to.”
  • Ren’s mother is a goddess. She can make shadow monsters appear, but she doesn’t know how to control them.
  • Ms. Cab was a Maya seer, but “ever since Ixtab had turned her into a chicken for a short time, Ms. Cab could actually speak bird, which helped them trust her.”
  • Ms. Cab tells about the first humans who were made from mud. “But the people ended up being dumb and weak, so the gods destroyed them.”
  • Ixtab takes Zane to a scrying pool, and tells him, “Souls live inside the sacred waters and help me see things.”
  • Zane must find the Fire Keeper because “the Fire Keeper can read each lick of the flame, each glimmer in the embers. He sees what no one else can—places, people, events—with perfect clarity. Choices and outcomes. He can even manipulate the future.”

Spiritual Content

  • When Zane goes into a church, he can hear people’s prayers through the candles they lit. While in the church, Zane lights a candle and “said a silent prayer.”

The Darkest Part of the Forest

Fairfold is just like any normal, small-town—except for the faeries. The people of Fairfold have always lived alongside the Faerie Folk and have grown accustomed to their way of life. They live alongside each other by appeasing the faeries. They thread flower garlands for the Alderking. They don’t go to the forest hills at night. They don’t even bat an eye when a tourist goes missing after a visit to the forest to try and catch a glimpse of the Folk.

Even among all this strangeness, the biggest mystery of all is the horned boy in the glass coffin. In the woods, for as long as anyone can remember, a glass box has sat on the forest floor with a sleeping boy inside. Tourists come from across the world to see the boy, but no one can explain his existence or his ageless body. Anyone that attempts to break open this glass coffin has been met with explainable injuries, so the boy has stayed in his resting place for centuries.

Hazel and her brother, Ben, have lived in Fairfold all their lives and have always been drawn to the Folk. As children, Hazel and Ben secretly would go to the forest at night to hunt the Folk. Ben used his unearthly gift of music to lure creatures to them, while Hazel used her strength and sword to cut down the Folk. A near-death experience caused them both to retire from hunting, but they always had an internal pull to the Folk and to the boy in the glass coffin. They grew up fantasizing about who the boy in the glass coffin truly was. They knew they would never get the real answer . . . until the day the boy woke up.

The Darkest Part of the Forest is an adventure through a mystical town that exists in the human world. Magic and humans coexist in Fairfold, and Hazel and Ben have always thrown themselves into the dangerous faerie world. When the mysterious boy in the glass coffin awakens, they are caught on a mission to help save the boy and get him back to his home.

Hazel wants to help the boy, but she also has a secret to keep. As a child, Hazel made a bargain with the Alderking and now owes him her services. She now must choose between helping the horned boy and fulfilling her bargain to the Alderking. As Hazel, Ben, and the horned boy become friends, mysteries unravel, friendships blossom and love awakens. Will Hazel choose to help the boy or fulfill her bargain? Will Hazel and Ben be able to save the horned boy? Will they survive the journey to bring the boy home?

Fans of Holly Black will not be disappointed with this gripping story of faeries and young love. The Darkest Part of the Forest takes the reader through a fantasy world filled with betrayal, trickery, and most of all, love. The Darkest Part of the Forest is well-written, but the story can be confusing because of the intricate world stuffed into one novel. This story features unique characters and different points of view, but the excessive background information slows the plot. Readers will enjoy the relatable characters in a mystical world filled with mystery, romance, fantasy, and a satisfying ending.

Sexual Content

  • Hazel is known for kissing many boys “for all kinds of reasons.”
  • Hazel regrets kissing Robbie Delmonico because “ever since they’d made out at a party, he’d follow her around as though he was heartbroken.”
  • Hazel also shares a kiss with her brother’s boyfriend. “His mouth was soft and warm, and while she didn’t kiss him back, she didn’t exactly squirm away.”
  • In order to trick Hazel into drinking the faerie wine, a faerie girl kisses her “full and deep with soft lips and a cool tongue.”
  • Hazel asks a boy to “distract her.” So, “leaning over, not speaking, he brought his mouth to hers. She rolled toward him, and his arm came around her, pressing her closer, his fingers against the small of her back.” She removes his shirt and they continue to kiss on the ground until interrupted. This scene lasts about one page.
  • The horned boy, Severin, kisses Ben. “It was a searching, hungry kiss. His hand wrapped around Ben’s head and Ben’s hands fisted in Severin’s hair, bushed over horn, rough and cold as the back of a seashell.”

Violence

  • Hazel talks about some of the tourists’ disappearances. “Some got dragged down into Wright Lake by the water hags. Some would be run down at twilight by horses with ringing bells tied to their manes and members of the Shining Folk on their backs. Some would be found strung upside down in trees, bled out and chewed upon.”
  • There’s violence in Hazel’s stories of them hunting faeries. “Ben lulled faeries with his music, while Hazel struck them down with her sword.”
  • A water hag kills Hazel and Ben’s dog by “slamming him on the ground as if he weighed nothing.” Hazel avenges her dog by killing the hag, doing so by “hefting a large sword like a baseball bat and brought it down, bashing the edge against the monster’s head. Her skull split like a rotten melon.”
  • Hazel goes hunting alone one night and finds her classmate, Natalie “hanging upside down with her throat cut.”

 Drugs and Alcohol

  • Hazel and Ben attend parties in the forest where people often “looked flush with alcohol and good cheer.”
  • At these parties, different characters, including Hazel and Ben, drink alcohol. For example, “Leonie Wallace lifting her beer high over her head” and “Stephen drank moonshine from a flask.” There are multiple parties described throughout the book in flashbacks, and the novel begins at a party that Hazel is attending.

Language

  • Profanity is used sparingly. Profanity includes: hell, shit, damn, asshole, and bastard.
  • A mother tells the faerie woman, “damn the consequences and damn you, too.” Then she tells the faerie to “get the hell out.”

Supernatural

  • Supernatural events are a huge part of the plot since the town of Fairfold coexists with faeries and deals with them every day.
  • There’s a glass coffin in the woods and “in it slept a boy with horns on his head and ears as pointed as knives.”
  • The town of Fairfold lives alongside the Folk. In the forest “it wasn’t odd to see a black hare swimming in the creek or spot a deer that became a sprinting girl in the blink of an eye.”
  • The townsfolk feared a creature in the forest that “lured tourists with a cry that sounded like a women weeping, with fingers of sticks and hair of moss.”
  • People can go to a tree in the forest to “bargain for your heart’s desire.” A local girl had gone to the tree “and wished herself into Princeton, promising to pay anything the faeries wanted. She’d gotten in, too, but her mother had a stroke and died the same day the letter came.”
  • Townfolk tell a story about Carter’s parents and how their child was taken and replaced with a changeling. Carter’s mother had “gathered the neighbor ladies” and “baked bread and chopped wood and filled an old earthenware bowl with salt.” Carter’s mother then heated a poker and pressed it against the changeling’s shoulder because “burning a changeling summons its mother.” The faerie mother arrived carrying a bundle and Carter’s mother confronts her. The faerie woman gives back Carter and “reached out her arms for her own wailing child, but Carter’s mother blocked the way.” Carter’s mother states as a punishment for taking her child, she would be keeping both boys to raise as her own.
  • When Ben was a baby, his mother took him into the forest for a picnic. His mother was painting the scenery when a faerie woman comes out of the forest and compliments the drawing. The faerie woman asked the mother to draw her a picture. When she was done, the faerie woman gifted her with a “boon.” The faerie touched Ben and said, “I can’t change his nature, but I can give him the gift of our music. He will play music so sweet that no one will be able to think of anything else when they hear it, music that contains the magic of faeries.” Ben uses his musical talent later to save Hazel and to lure faeries to them.
  • Hazel makes a bargain with the Folk to get her brother a full scholarship to a music school. In exchange, Hazel must serve the Alderking for ten years.
  • Something possesses a classmate’s body. “Hazel knew that she might be looking at Molly’s body, but Molly was no longer looking out through her eyes.”
  • At one point, Hazel is hiding in the bathroom and sees a monster that is “easily over seven feet in height and looked roughly human shaped, if a human could be made from branch and vine and soil.”
  • To get into the faerie’s realm, Hazel must “stomp three times,” make up a rhyme, and then step through a moss-covered archway.

Spiritual Content

  • None

by Adeline Garren

House of Salt and Sorrows

Annaleigh Thaumas was once one of twelve sisters, but four of them have gone to an early grave. After burying four sisters who were lost to various circumstances—the plague, a freak accident, a suicide, and falling from a cliff—the townspeople start to whisper that the Thaumas girls are cursed. Despite a large estate and a grand coming out party, no one is interested in courting the sisters, even though five of them are already of age. Despairing of ever finding a match, the sisters stumble upon a magic door used by the god Pontus. It will take them anywhere they desire, and soon the girls are wishing themselves to a new ball every night, hoping desperately to find a suitor from far away who hasn’t yet heard a rumor of the cursed Thaumas sisters.

But Annaleigh starts to wonder if there is something sinister behind her sister’s deaths. As she tries to discover what happened the night her sister fell from the cliffs, she discovers that she was pushed. Someone murdered her, and they might be coming after the rest of them. Haunted by horrifying visions, Annaleigh doesn’t know if the ghosts of her dead sisters are trying to warn her, if they’re angry with her, or if she is simply going mad. As the hauntings escalate, Annaleigh becomes desperate for answers. When she meets a handsome man named Cassius, who seems perfect and wants to help, Annaleigh falls for him instantly but doesn’t know if she trusts him. And even worse—can she trust herself?

House of Salt and Sorrows is a delightful tale of magic and wonder. Erin A. Craig paints vivid pictures of fairy shoes and magical balls and does a skilled job developing a wide cast of characters. While the number of sisters can be hard to keep track of at the beginning, the Thaumas family takes readers on a fun adventure that is worth the ride. There are some inconsistencies and implausible occurrences at the beginning of the book that might turn off more advanced readers, but most of them are actually resolved by the end of the book. While a magical story, there are disturbing images in the second half of the book when the Harbinger of Madness and Nightmares starts tormenting Annaleigh. House of Salt and Sorrows is sure to enchant readers who are brave enough to stomach the more graphic images without having nightmares.

Sexual Content

  • Annaleigh accidentally bursts into her father’s room when he is having intercourse with his wife, Annaleigh’s stepmother. “From the noises coming out of the bed—its drapes blessedly closed—it was suddenly painfully obvious that Papa was not sleeping. Morella’s cries of ecstasy turned into a strangled howl of frustration.”
  • Rosalie jokes about finding a man. “‘I need a man at home on the ocean. One who can handle the curves and swells of the waves.’ She ran one hand down the curve of her own hip, dipping theatrically, her voice growing husky. ‘One who can maneuver his ship into any port, however tempestuous. . . One with a very large, very thick, very hard. . . mizzenmast.’”
  • Annaleigh gets lost and ends up in the red light district. “The first storefront I saw was bathed in a pink glow, and my stomach turned as I guessed at what merchandise was sold behind such lurid trappings. . . Some had girls in the windows, waving and posing. Others were awash with tinsel and gaudy paste jewels.”
  • Cassius kisses Annaleigh. “His mouth was warm against mine and softer than I’d ever imagined a man’s could be. My skin sizzled as his hands cupped my cheeks and he pressed a kiss to my horsehead before returning to my mouth. I dared to bring my fingers up to explore his jawline.”
  • Cassius kisses Annaleigh again. “I tilted my chin, and his lips were on mine, soft and achingly sweet. I ran my fingers up his chest, letting them linger on the back of his neck and twist into his dark curls.”
  • Cassius and Annaleigh kiss one more time. “Cassius released a murmur of pleasure before sweeping me into a kiss. His mouth was soft against mine before his arms tightened around me, pulling me into a more intimate kiss, a sweeter ache.”

Violence

  • Annaleigh discovers her little sister Verity has been drawing horrible images of her dead sisters, who Verity says have been haunting her. “She flipped to a scene in black and gray pastels. In it, Verity cowered into her pillows as a shadowy Eulalie ripped the bedsheets from her. Her head was snapped back unnaturally far . . . Octavia curled up in a library chair, seemingly unaware that half her face was smashed in and her arm was too broken to hold a book straight…I turned the page and saw a drawing of all four of them, watching Verity as she slept, hanging from nooses.”
  • A man saw Annaleigh’s sister fall from a cliff. “I’ll never forget that sound as long as I live…Like the slap of meat landing on the butcher’s block.”
  • Annaleigh sees a dead man who died from falling. “Edgar lay in a growing spread of blood, his body broken and smashed on the cobblestones. His spectacles lay feet away, one of the lenses cracked.”
  • At a party buffet, Annaleigh sees “A sea turtle…showcased on a bed of dead eels.” She sees the turtle’s head move and thinks maybe she can save him, but then, “The turtle’s eyelids burst open as a string of fat white maggots fell from the hole. They poured out of the poor loggerhead’s skull onto the platter. His body was full of them, ready to explode.”
  • Annaleigh discovers her friend has been dead for weeks and his body was possessed by a goddess. Annaleigh sees the goddess come out of her friend’s body. “Thick, viscous phlegm spewed from his mouth, landing on the floor like globs of tar. His body shook from the force, struggled to expel whatever was lodged deep in his throat. When his lips began to peel away, curling back like rolls of coiled tree bark, I pressed my face into Cassius, fighting the urge to throw up…Fisher’s body lay split open, pieces and parts flung out in a gruesome explosion. In the center of this absolute horror stood a figure, her back turned to us. Covered in viscera, she rolled her neck from side to side, stretching her muscles, delighting in her sudden freedom after such a tight confinement.”
  • When Annaleigh hears a horrible cackling in her head, “I smacked my temple to dislodge this most unwelcome intruder, but the cackling only grew. I hit myself again. And again, using more force…If I could just break it open, even a little, the voice could escape and leave me in peace.”
  • Annaleigh’s stepmother reveals that she met Annaleigh’s father when she was a prostitute. When he got bored of her, “He struck me. In front of his new little whore. He didn’t even care that she saw. He called me names, screamed, berated me.”
  • Annaleigh’s stepmother is killed by a Trickster. “Cries rose from the chaos, and for one awful moment, they echoed the sounds I’d heard her make when I’d walked in on her with Papa. But the pleasure was short-lived, and her whimpers of ecstasy soon turned into shrieks. The shrieks turned to screams. And then the screams cut off into silence.”

Drugs and Alcohol

  • Annaleigh’s sister Lenore drinks champagne at her coming out party. “She downed a glass of champagne in one swallow…I began to suspect that was not her first or second glass of champagne.”
  • Before going to a ball, Annaleigh’s friend snagged “three glasses of wine.” He says, “I filched it from the kitchen—thought we might need a little courage.”
  • At a feast, “wine flowed freely all evening. The women sipped with restraint, but the men were already a little worse for wear.”
  • Annaleigh’s father gets drunk at a feast and becomes belligerent. “‘Stop meddling with me! He roared, lashing his arm out to knock her aside.” When someone tells him that he is drunk, he replies, “And if I am? This is my house. My home! You can all be turned out into the cold if you don’t like it.”
  • Annaleigh goes to many balls, which usually serve wine and champagne. At one, there “was a fountain spouting wine. Couples in formal court fashions mingled around the circular base, sticking out cups to catch the scarlet liquid as it flowed from an ornate bronze battle scene.”
  • A man at a party offers her a drink from her flask. Annaleigh declines.
  • Annaleigh’s stepmother admits that she “mixed a bit of hemlock into [Annaleigh’s mother’s] nightly medicine, and [Annaleigh’s mother] died in her sleep, none the wiser.”

Language

  • Damn is used a few times. A man says, “Damned storm took us three days off course.” When drunk, Annaleigh’s father says, “Damn this coffee and damn these madeleines! Where’s my brandy?”
  • Cassius was born out of wedlock, so he tells Annaleigh, “I’m a bastard.”
  • Phrases referring to the gods are used occasionally as exclamations. For example, Hanna says, “Be sure to space them out evenly, and for Pontus’s sake, don’t set them too close to the plants!”

Supernatural

  • A dressmaker hints that she “design[s] dresses for the goddess of beauty.”
  • Annaleigh thinks her dead sisters are haunting the manor. “As she leaned in to find the stopper, a hand reached out of the water, grabbing her neck and dragging her under. Elizabeth surfaced from the churning waters, her eyes filmed a sickly green.”
  • It’s said the gods had magic doors to travel to and from the mortal realm. Annaleigh and her sisters find a hidden door that takes them wherever they want, and they use it to go dancing at elaborate balls every night in the hopes of finding a suitor.
  • Annaleigh’s sister Verity says their dead sister and their sister’s dead fiancé are in the room. Annaleigh doesn’t look, but she hears “a soft rustling, silk skirts raking across the marble tiles. . . the footsteps stopped behind me, and I suddenly felt them, felt their presence.” When Annaleigh asks her dead sister who killed her, the ghost “shoved me forward with such force, I struck my head on the marble tiles.”
  • Annaleigh remembers how a performance caught fire and “One of Pontus’s daughters. . . summoned a waterspout to rain down its fury upon the flames. When the fire was out, the stage was a mess of puddles and soot, but everyone cheered for the goddess’s quick thinking.”
  • Cassius reveals he is the goddess Versai’s son, which makes him half-god.
  • When in Versai’s temple, Cassius and Annaleigh see “Versai’s postulants. The Sisters of the Night. They live at the abbey, tending to the wishing wall and paying homage to my mother. They’re about to begin their first service of the day.”
  • Annaleigh meets Kosamara, “Harbinger of Madness. . . And Nightmares.” Annaleigh discovers that Kosamara has been plaguing her sisters with the goal of driving them mad to the point of killing themselves.
  • Things start to fly off shelves and the piano plays by itself. Annaleigh thinks it’s a poltergeist.
  • It’s revealed that Annaleigh’s stepmother summoned a Trickster to make Annaleigh’s father love her and marry her. To seal the deal, she had to let the Trickster “ravish me.” When she gives birth to twins, one is Annaleigh’s father’s son and the other is a monster that the Trickster comes to claim.

Spiritual Content

  • Annaleigh’s world has many gods. “Other parts of Arcannia worshipped various combinations of gods: Vaipany, lord of sky and sun; Seland, ruler of earth; Versai, queen of the night; and Arina, goddess of love. There were dozens of other deities—Harbingers and Tricksters—who ruled over other aspects of life, but for the People of the Salt, Pontus, king of the sea, was the only god we needed.” While the gods used to be “much more active in the affairs of mortals,” they have become less and less involved over time.
  • The islanders believe Pontus created them. “The High Mariner says Pontus created our islands and the people on them. He scooped salt from the ocean tides for strength. Into that was mixed the cunning of bull shark and the beauty of the moon jellyfish. He added the seahorse’s fidelity and the curiosity of a porpoise. When his creation was molded just so—two arms, two legs, a head, and a heart—Pontus breathed some of his own life into it, making the first People of the Salt. So when we die, we can’t be buried in ground. We slip back into the water and are home.”
  • At her sister’s funeral, Annaleigh’s “Papa stepped forward to place two gold pieces at the foot of the crypt—payment to Pontus for easing my sister back into the Brine.”
  • At a feast, the Higher Mariner says they are gathered “to give our thanks to mighty Pontus for his great benevolence, blessing us with a season of bountiful plenty.”

by Morgan Lynn

 

Flunked

For the royals, Enchantasia is a grand place to live. But for Gilly’s family, life is difficult. Gilly and her five little brothers and sisters live in a run-down boot. Gilly doesn’t want her family to go hungry, so she gets creative. Gilly doesn’t think it’s wicked to steal from the royals. She just doesn’t want her family to suffer.

When Gilly gets caught stealing for the third time, she’s sentenced to three months at Fairy Tale Reform School—where all of the teachers are former villains. The Big Bad Wolf, the Evil Queen, and Cinderella’s Wicked Stepmother have all changed. When Gilly meets fellow students Jax and Kayla, she learns there is more to this school than its heroic mission. When strange events begin to happen, Gilly wonders if the bad guys have truly turned good.

Told from Gilly’s point of view, Flunked takes a fun, fresh look at fairytale villains. Fans of fairy tales will enjoy seeing the evil villains in a new light. Although the story had several interesting characters, Gilly is the only character that is well-developed. Gilly’s roommate, Kayla, plays an important role in the story; however, she quickly disappears and only makes a brief appearance at the end. The princesses and the villains also only appear for a brief time, which may disappoint some readers.

Flunked breaks up the chapters and recaps some events by using Happily Ever After Scrolls—tabloid-like news articles. The interesting setting and fast-paced plot will keep readers entertained. The ending of the story has several twists, but the climactic end scene is over too quickly. Although middle school readers may wish for more depth of character, younger readers will enjoy the fun trip into Enchantasia. All readers will benefit from the theme—everyone, no matter how villainous, can change their evil ways and find a new, better path.

Sexual Content

  • None

Violence

  • Gargoyles attack Gilly and Jax. The gargoyles “are wrinkly and dark grey with red eyes and long wings that fold under themselves, but the long, sharp claws on their hands and feet frighten me the most. One lets out a long wail when he sees us and Jax shoves me forward again, shaking me from my trance…” A Gargoyle grabs Jax, and his “face twists in pain and he begins sliding backward into the tunnel… I drop the grate and grab Jax’s hands, pulling as hard as I can and getting nowhere. It’s like we’re locked in a tug-of-war and Jax is the rope.” Jax is able to get free. Kayla uses a mirror that shoots bolts. A bolt hits the gargoyles and the kids are able to escape. The scene is described over four pages.
  • A student makes a loud noise that causes Madame Cleo, a Sea Siren, to “scream so loudly that bubbles take over the tank and the floor actually begins to quake…  And that’s when the tank begins to crack.” Jax uses his watch to break the lock. As they are leaving, the student “continues to chant, a smug smile on her face. When I look back Madame Cleo has passed out and is just floating in the middle of the tank.” Gilly jumps on the girl in order to get her to stop chanting. No one is injured.
  • One of the students lists some of the black magic that has been causing problems. “The crack in the tank, the swarm of pernicious peony ants that were accidently released in the botany lab, the poisoned fruit found in the cafeteria at the breakfast buffet.”
  • During a class, the students hear “the sound of a crash from above that sends glass raining down on the room.” Then gargoyles appear and a “thick, purple fog fills the room.”
  • As the students try to escape the gargoyles, “a gargoyle grabs hold of one of the Ladies-in-Waiting and takes off again. She screams and kicks, but it’s no use. She’s a goner…” The students try to hide, but Jocelyn gets picked up by a gargoyle. “I watch as she swings wildly with her sword and nicks one of the gargoyle’s legs. The gargoyle drops Jocelyn like a hot potato. She falls to the ground and bumps her head as the fog evaporates. We stare at her as she lies there motionless.”
  • During the gargoyle attack, teachers and students are sucked into a bubble. Harlow, a teacher, “throws her sword through the air. Maxine screams as the sword hits the bubble and bounces off of it. The gargoyles jump up and down excitedly as Harlow picks up a few of the discarded swords on the ground and aims another one at the bubble… This sword pierces the bubble and hits Princess Snow in the arm… Harlow throws another sword, and it pierces the bottom of the bubble, hitting a student in the shoe.” Gilly runs towards Harlow and slides as “hard as I can into Harlow, knocking her straight off her feet. I cover my head as swords rain down on me, and then the world goes black.” The scene is described over seven pages.
  • Later Gilly finds out that “Professor Harlow lost her pinkie in the mess and had to charm it back on.”
  • The villain shoots purple bolts from her hands and locks a student, Jocelyn, in a cell. When Jocelyn starts a chant, the villain “notices and flings bolts toward the bars, Jocelyn goes flying back…”
  • In order to break the students out of a cell, “Professor Wolfington transforms… Wolfington’s clothes begin to tear, his hair begins to grow, and he falls to all fours before letting out a wolf howl…” He is able to break the cell bars and free the students.
  • Gilly points a magic mirror at the villain. When two mirrors are pointed at each other, “the connection causes an explosion that sends us both flying backwards. The ground shakes, and large chunks of the ceiling begin to cave in…” The villain runs away.

Drugs and Alcohol

  • None

Language

  • Someone says, “God, no!”
  • “Oh God” and “Oh My God” are both used once.
  • Heck is used twice.
  • “What the—” is used once.

Supernatural

  • Mira lives in a mirror, but can “come and go between mirrors as I please.”
  • Some of the characters can perform magic and cast spells. Kayla’s mother was upset when she “caught me flying over Royal Manor. I was already grounded for casting a spell on my sister that made her nose as big as her face.”
  • One of the teachers “snaps her fingers” and makes Gilly’s boots disappear. In the boot’s place are the school shoes.
  • Gilly is given a quill. “I dip the quill in the ink, and nothing happens. Then I try putting the quill to paper. That’s when things get weird. I know what I want to write, but instead, different words come out.” Using the magic quill allowed Gilly’s roommate to secretly leave Gilly a note.
  • The school’s hallways are always shifting and making new ones.
  • A student casts a spell “on Maxine that made her right ear as big as her head.”
  • While dancing, a girl gets upset, and “her lips begin to move, and a glow emits from her eyes…  Gayle lets out an ear-piercing scream, and her troll partner flies backward, hitting one of the torches on the wall, which falls and causes a small fire that short-circuits the music.”
  • Kayla was sent to reform school after “[she]’d been busted for flying without a license, illegal use of magic, and casting love spells on people who hate each other.”
  • The villain is revealed when “a purple cloud of smoke surrounds her, and within seconds, Gottie’s ragged clothes, wart-covered face, and white frizzy hair have disappeared.” The villain’s appearance drastically changes.
  • Rumpelstiltskin made Kayla’s family forget her and “turned them all into hollow trees.”

Spiritual Content

  • None

Tunnel of Bones

Cassidy isn’t excited to be in one of the most haunted cities in the world—Paris. While her parents are filming their TV shows about haunted cities, Cassidy doesn’t plan on attracting danger. But when her parents take her to the creepy underground Catacombs, Cassidy finds danger lurking in the shadows.

When Cassidy accidentally awakens a frightening, strong spirit, she must rely on her still-growing skills as a ghost hunter and her friends, both old and new, to help her unravel a mystery. As the spirit grows strong, Cassidy realizes that she’s not the only one in trouble. Soon the ghost causes disaster after disaster, which endangers the people Cassidy loves. Can Cassidy stop the angry spirit, or will he haunt her city forever?

The second installment of the City of Ghost series will not disappoint. As Cassidy follows her parents through Paris, Cassidy gets a firsthand look at some of Paris’s ghostly stories. While many of the ghostly encounters could be deadly, Cassidy’s best friend (and ghost), Jacob, is always waiting in the shadows in order to keep Cassidy out of trouble. Readers will enjoy Cassidy’s inquisitive mind and courage.

Cassidy’s adventures take her into Paris’s underground as well as to several of Paris’s landmarks. The adventure is at times creepy and suspenseful, but always interesting. Tunnel of Bones adds several new and interesting twists. As Cassidy tries to help a young ghost remember his past, she begins to wonder if Jacob will also begin to lose his memory of his earthly life. The parallel between the two ghosts adds an interesting dimension to the story.

Tunnel of Bones will entertain readers with a good ghost story. The easy-to-read text contains short sentences and offers action, description, and dialogue. Although several ghosts make a short appearance that does not enhance the plot, a little boy ghost continues to reappear which gives the story an air of mystery and unexpected danger. Cassidy’s faithful friends and encounters with frightening ghosts mixed with a dash of humor creates a highly entertaining ghost story. Although Tunnel of Bones can be read as a stand-alone novel, readers will not want to miss the first book of the series, City of Ghost.

Sexual Content

  • None

Violence

  • When Cassidy goes into the Veil, she drops a necklace and begins to look for it. “But before I can reach it, the ghost grabs me by the collar and pushes me back against a tree. I try to twist free, but even though he’s a ghost and I’m not, the Veil levels the playing field.” Cassidy’s friend Jacob comes to her aid. “The ghost looks sideways just as Jacob swings the bucket at his head. The man staggers, black tar dripping down his face, and I gasp, dropping to the ground.” Cassidy uses her mirror to send the man on. The scene is described over three pages.
  • In order to see a ghost, Cassidy climbs onto a roof. When the ghost sees her, he pushes her off the roof. Cassidy is “falling, and somewhere between the edge of the roof and the lawn below, I cross back through the Veil and land hard on the ground beside the crypt. The fall knocks all the air from my lungs and sends pain jolting up through my right arm, and for a second all I can do is blink away the stars and hope I didn’t break anything.” Cassidy’s arm “zings” but she isn’t seriously injured.
  • When Cassidy opens the Veil, she sees a man “in an old-fashioned suit. He lifts an old-fashioned pistol and aims it straight at me, and Jacob wrenches me back out of the Veil before the shot goes off.”
  • The poltergeist opens the back door of a truck and “the contents begin to spill out. Boxes and crates smash into the street, followed by a massive golden frame that hurtles straight towards me.”
  • When Cassidy goes into the Veil, she is on a train car. When she changes train cars, she sees a ghost. “And as he turns, I see the knife buried in his stomach. His own hand curled around the blade as if to keep it from falling out. The sheen of blood running down his front.” Jacob drags Cassidy out of the train car and slams the door.
  • While looking for the poltergeist, Cassidy runs into a man. “The man snarls and grabs me, shoving me against a wall of bones that rattle as they dig into my back. I gasp, but I manage to swipe the cap from his head before Jacob lunges at the spirit from behind, hauling him backwards. . . Jacob slams the other ghost into a pillar of skulls. The bones topple with a crash, and the man drips, dazed, to his hands and knees.” Cassidy and Jacob run away.
  • In order to help the poltergeist remember his past, Jacob grabs ahold of the boy. The boy “thrashes, trying to twist free. The air around him ripples and glows red, and the whole tunnel begins to shake as the crimson light spreads over everything, splitting across the floor, the ceiling and the walls of bone. . . The whole ground begins to shake with the force of Thomas’s displeasure. Even the wall of bones to my left begins to tremble and shift.”

Drugs and Alcohol

  • Someone tells a story about a man that was invited to a party. When the man goes to the party, “he found a party in full swing, and passed the night with music and wine and excellent company. . . And then something hits me. Not the frame, but a pair of hands. They plant themselves against my back and shove, and I stumbled forward to the pavement, scraping my palm as the frame crashes into the stone wall and rains glass onto the street behind me.”
  • Cassidy’s parents are in their hotel room “sharing a bottle of red wine.”

Language

  • None

Supernatural

  • Cassidy’s best friend, Jacob, is a ghost and can read her mind.
  • Cassidy can travel through the Veil and the in-between where ghosts live. Cassidy explains, “That’s the thing about the Veil: It only exists where there’s a ghost. It’s like a stage where spirits act out their final moments, whatever happened that won’t let them move on.”
  • When Cassidy goes into the Veil, “the world around me—vanishes. The carnival lights, the crowds, the sounds and smells of the summer night. Gone. For a second, I’m falling. And then I’m back on my feet.”
  • In order to get a ghost to move beyond the Veil, Cassidy holds up a mirror for the ghost to look into. Then she says, “Watch and listen, see and know. This is what you are.” When Cassidy says the words, “the whole Veil ripples around us, and the ghost thins until I can see through him, see the dark thread coiled inside his chest. Lightless, lifeless. I reach out and take hold of the thread, the last thing binding him here, to this world. It feels cold and dry under my fingers, like dead leaves in the fall. As I pull the cord from his chest, it crumbles in my palm. Vanishes in a plume of smoke. And then, so does the ghost.” Cassidy completes the same pattern on two other ghosts, and the ghosts disappear.
  • Cassidy awakens a poltergeist. Cassidy’s friend tells her, “It’s a spirit drawn to spectral energy… It was probably dormant until it sensed yours, Cassidy. . . That cold sensation you’ve been feeling, it is a kind of intuition, a warning that strong spirits are near. . . Poltergeists are wanderers. They’re not stuck in a loop or a memory, and they’re not tied to the place they died.”
  • While trying to understand ghosts, Cassidy calls a friend that tells her “the Veil is tailored to fit the ghost, [and] the place they died, which means it’s essentially tied to the ghost’s memory—that’s what binds it there. So if a poltergeist isn’t bound to the Veil, it’s because—they don’t remember.”

Spiritual Content

  • None

Somewhere Only We Know

10:00 p.m.: Lucky is the biggest K-pop star on the scene, and she’s just performed her hit song “Heartbeat” in Hong Kong to thousands of adoring fans. She’s about to debut on The Later Tonight Show in America, which will hopefully be a breakout performance for her career. But right now? She’s in her fancy hotel trying to fall asleep, but dying for a hamburger.

11:00 p.m.: Jack is sneaking into a fancy hotel, on assignment for his tabloid job that he keeps secret from his parents. On his way out of the hotel, he runs into a girl wearing slippers who is single-mindedly determined to find a hamburger. She looks kind of familiar. She’s very cute. He’s maybe curious.

12:00 a.m.: Nothing will ever be the same.

Somewhere Only We Know switches back and forth between Lucky and Jack’s point of view, which gives the reader a fun insight into each person’s thought process. Each character has a secret, and the multiple points of view allow the reader to understand the fear behind the secret. Another interesting aspect of the story is the insight into both character’s heritage—both are American-born Koreans, who see Korea in a unique light. Lucky often compares America and Korea’s differences, but one thing that is similar in both countries is the idea that “women need to be pretty more than anything.”

Even though Lucky is a K-pop artist, she is just like many young adults: she desires freedom, wonders what path her life should take, and worries about letting others down. Even though the story takes place over a 24-hour period, Lucky’s joy at being able to explore the world is contagious. Her protective partner in crime, Jack, is not only insanely attractive, but is also struggling to figure out his future as he explores the narrow definitions of right and wrong.

Somewhere Only We Know is a fast-paced, funny romance that readers will not be able to put down. The story will make readers laugh while also exploring the idea of “living a life of quality.” In the end, Jack realizes that a “quality life involved caring for people. Being good to them. Being a good person for them in addition to yourself.” Somewhere Only We Know doesn’t gloss over the hard work that is involved in having a quality life. Lucky finally receives therapy to help her with her anxiety, and Jack has to be honest with his parents about his fears and dreams.

Somewhere Only We Know has two characters that fall in love in a day. Readers will enjoy watching the two stumble their way through that day. In the end, Lucky and Jack go their separate ways because they need to figure out their own issues, but the story leaves the reader with the hopeful thought that maybe love can grow when the time is right.

Sexual Content

  • When Lucky and Jack are walking on a city street, they pass “a couple making out in a dark corner.”
  • When an older man starts flirting with Lucky, she kicked him “in the shin, lightly” and told him, “And you need to stop creeping on me!”
  • When Lucky wakes up in a man’s bed, she states, “I was relieved, but I couldn’t quite figure out if it was from not having been despoiled, or if it was from knowing that if I had been despoiled, I would have wanted to remember it.”
  • When Lucky is leaving Jack’s apartment early in the morning, his landlady sees her and says, “You. Don’t sleep with bad boys like Jack.”
  • In order to avoid talking to a fan, Lucky kisses Jack. She “slipped my hand onto the soft skin on the back of his neck and pressed my body to his. Hips bumping, torsos grazing. . . I squeezed my eyes shut and pressed my lips to his.” Even though Jack knew Lucky was creating a diversion, he “reached up and grazed her jaw with my fingertips. Her eyelashes fluttered before I pressed my lips to hers again, softly. Moving over them slowly. Her mouth matched mine in response, with a gentle intake of breath.” The kiss is described over three pages.
  • Jack asks, “Why is it that in rom-coms people always go from hating each other to like, ripping each other’s clothes off?”
  • None of the K-pop stars were supposed to date, “but there were hookups and covert dating.” However, Lucky had never dated.
  • Lucky tells Jack that she likes him. Then she says, “Isn’t it interesting that Koreans have a specific word for that? Because we understand that even saying you like someone is meaningful. In America, the moment is sealed by like, sex or some dramatic love confession. But in Korea, ‘I like you.’ That’s a big deal.”
  • When Jack changes his shirt, Lucky thinks, “good gravy, he was pleasing to look at. All lean, corded muscles and smooth, tanned skin.”
  • Jack kisses Lucky and she thinks, “Jack was good at this. Truly, he was too masterful. The head tilt was perfect. The soft touch of his hands on my face. The pressure of his lips. . . All that existed was Jack in front of me. Jack kissing me. This delicate and hungry exchange of breath.”
  • At a club, Jack and Lucky dance. As they danced, Lucky “shamelessly ran my hands through Jack’s hair, over his arms and chest. . . kissing him now and again.”
  • As Lucky walks, she has to go around “a couple making out against a lamppost.”
  • After a long absence, Lucky sees Jack, and “she reached up and kissed me. Hard. It was the kiss of an outlaw, of a soldier back from war. I gladly submitted, letting her wrap her arms around me, feeling her body lift as she stood on her toes to reach me.”

Violence

  • Lucky tells Jack about the time her sister was injured by a mob of fans. “A fan grabbed at her and she fell forward, onto her chin. She needed stitches. . . Seeing Vivian’s startled face before she hit the ground was the worst moment of my life. Spending a car ride with her while she cried, clutching Ren’s rolled up jacket to her bloody chin, was the second worst.”

Drugs and Alcohol

  • Every night, Lucky is “given two sleeping pills and one Arivan. The sleeping pills were standard, everyone took them. But the Arivan—that was top secret. Mental illness was still taboo in South Korea. . .”
  • When Jack first sees Lucky, he assumes she is “passed out” drunk; however, she is sleeping because of the pills she took earlier. Later she doesn’t want to tell him that she was “completely out of it from sleeping pills mixed with anxiety meds.”
  • A man asks Lucky if she would like a drink. When they sit down, he orders a gin and tonic.
  • At a karaoke bar, two women announce that they got married, then “the bartender uncorked a bottle of champagne.”
  • As Lucky goes through an area of town with bars and restaurants, she passes “drunk dudes.”
  • Jack’s parents didn’t want him to go on a “backpacking trip of discovery.” Jack’s sister thinks that the rich boys who do are just “discovering weed.”

Language

  • Profanity used: ass, bitch, damn, crap, holy crap, bloody hell, shit.
  • “Dear Lord,” “Oh God,” “Oh my God,” “Jesus,” and “Christ” are used as exclamations frequently.
  • Jack sneaks a girl into a party and dictates, “using some phony contact name that didn’t exist, combined with dickish entitlements, I got us upstairs.”
  • When Lucky goes into a bar, Jack says, “There are cooler places to go that aren’t full of douchebags.”
  • After Jack hurts Lucky’s feelings, he feels like a “jackass.” She thinks he is a “bastard.”
  • A “drunk loser” called Lucky a “bitch.”
  • Jack sends photos of Lucky to his boss, the manager of a tabloid magazine. The man likes “an ass shot” and refers to Lucky as a “bitch.”

Supernatural

  • None

Spiritual Content

  • Lucky and Jack go into a Buddhist temple. Lucky says she is not religious, but she lights incense. Lucky said, “I’m not actually praying. I’m being respectful of other cultures.” Lucky and Jack have a brief conversation about prayer. During the conversation, Lucky says, “Buddhism is pretty interesting. It’s all about the path to liberation—to be free of things like early desires, to be free of cravings.” This comment leads to a short conversation about living life selflessly.

 

 

Unravel Me

Juliette has escaped from The Reestablishment, who wanted to use her as a weapon. She no longer has to hide her love for Adam. But even though Juliette can now make plans, she can never be free from her lethal touch. And even though she doesn’t want to hurt people, she cannot contain her power, and others continue to suffer at her hand.

Juliette doesn’t decide if she wants to join the resistance until Warner threatens her friends. When her friends are taken captive, Juliette knows she must join the fight. But she is haunted by her past and terrified of her future. In the end, Juliette may have to choose between her heart or saving lives—including Adam’s.

Although Unravel Me has an interesting premise, readers will find it difficult to connect with Juliette because she cannot look past her own needs. Not only is Juliette whiny, but she also constantly berates herself and apologizes for her actions. Instead of focusing on understanding her power, Juliette allows her powers to take control, which leads her to hurt others. Instead of taking action, Juliette repeatedly says she’s sorry, but the apologies lack depth because she does nothing to learn how to control her power and prevent further harm.

The evil leader, Warner, reappears in the second installment of the series. Although Warner is self-centered and craves power, Unravel Me tries to paint him in a more positive light. Soon Juliette is confused by her growing attraction to the man who tried to kill Adam. Even though Juliette is trying to understand Warner, the three-way romance just doesn’t work. Juliette was so devastated when she hurts others, but she is somehow willing to overlook Warner’s killing nature. Instead of feeling sorry for Warner, the reader will be left confused. How can Juliette have intense romantic feelings for a power-hungry man who is willing to kill to get what he wants?

Unfortunately, Unravel Me spends so much time delving into Juliette’s emotional pain and indecision that other characters never have the opportunity to make more than a quick appearance. Instead, readers will have a difficult time caring about what happens. Although the story is unique, there are just too many plot twists that don’t make sense. Readers may want to consider leaving Unravel Me on the shelf. If you’re looking for a fast-paced story with a sprinkle of romance, try A Little in Love by Susan E. Fletcher or the Matched trilogy by Ally Condie.

Sexual Content

  • Adam kisses Juliette. “His left hand is cupping the back of my head, his right tightening around my waist, pressing me hard against him and destroying every rational thought I’ve ever had . . . Somehow I end up on top of him. He reaches up only to pull me down and he’s kissing me, my throat, my cheeks, and my hands are searching his body, exploring the lines, the planes, the muscle . . . This moment. These lips. This strong body pressed against me and these firm hands finding a way to bring me closer and I know I want so much of him. I want all of him. . .” The two only stop kissing when Juliette’s power begins to hurt Adam. The scene is described over five pages.
  • Juliette asks a man if he spied on her when she was changing. He replies, “. . .you are definitely not my type. And more importantly, I’m not some perverted asshole.”
  • Warner shows Juliette a tattoo on his lower back. She thinks, “I want to study the secrets tucked between his elbows and the whispers caught behind his knees. I want to follow the lines of his silhouette with my eyes and the tips of my fingers. I want to trace rivers and valleys along the curved muscles on his body.”
  • Warner asks Juliette to run away with him. Then he grabs her, and she feels “his skin against my skin and I’m holding my breath. . . I don’t say a word as his hands drop to my waist, to the thin material making a poor attempt to cover my body. His fingers graze the soft skin of my lower back, right underneath the hem of my shirt and I’m losing count of the number of times my heart skips a beat.” Then he kisses her and “he traces the shape of my mouth, the curves the seam the dip and my lips part even though I asked them not to. . .” When he kisses her, she thinks, “His lips are softer than anything I’ve ever known, soft like a first snowfall, like biting into cotton candy, like melting and floating and being weightless in water. . . He kisses me again, this time stronger, desperate . . . His lips touch my bare stomach. . . He’s leaving a trail of fire along my torso, one kiss after another, and I don’t think I can take much more of this. . .” Juliette freaks out and Warner leaves. The scene is described over ten pages.

Violence

  • When Juliette sees Adam being experimented on, she freaks out. She punches “my fist right through the floor. The earth fissures under my fingers and the reverberations surge through my being, ricocheting through my bones until my skull is spinning and my heart is a pendulum slamming into my rib cage.” After her anger is spent, Juliette sees that her “skin is torn and blood is everywhere and I can’t move my fingers. I realize I’m in agony.”
  • After taking hostages, the supreme commander demands to see Juliette. When she arrives, “He’s pinned me against the wall by the throat, his hands carefully sheathed in a pair of leather gloves, already prepared to touch my skin to cut off my oxygen, choke me to death and I’m sure I’m dying, I’m so sure that this is what it feels like to die, to be utterly immobilized, limp from the neck down. . . He lets go of me.”
  • Later, the supreme commander tells his son, Warner, to kill Juliette. When Warner points the gun at his father, his father says, “Shoot me. . . So much talk and never enough follow-through. You embarrass me.” Warner’s father “backhands Warner in the face so hard Warner actually sways for a moment. . .”  Then Juliette grabs Warner’s father’s neck and thinks, “I’ve pinned him to the wall, so overcome by a blind, burning, all-consuming rage that I think my brain has already been caught on fire and dissolved into ash.” Juliette shoots the man in both legs and she is “entertained by the horror in his eyes. The blood ruining the expensive fabric of his clothes. I want to tell him he doesn’t look very attractive with his mouth open like that but then I think he probably wouldn’t care about my opinion anyway.” One of Juliette’s friends pulls her away before she can kill Warner’s father. The scene is described over four pages.
  • In Juliette’s diary, she talks about the day she was taken to the prison. The guards “handcuffed my hands behind my back, the one who strapped me to my seat. They stuck Tasers to my skin over and over for no other reason than to hear me scream but I wouldn’t. . . They slapped me awake even though my eyes were opened when we arrived. Someone unstrapped me without removing my handcuffs and kicked me in both kneecaps before ordering me to rise. . . I really can’t remember the part when they dragged me inside.”
  • In a skirmish between the resistance and the Reestablishment, the Reestablishment’s soldiers “are unloading round after round, shooting at anything that could be a target. . . One man has his hands to the ground, freezing the earth beneath the soldier’s feet, causing them to lose balance. . .” One of the men collects a whirlwind of particles and forms a cyclone. When he lets go, “the soldiers are shouting, screaming, running back and ducking for cover but most are too slow to escape the reach of so much destruction and they’re down, impaled by shards of glass and stone and wood and broken metal but I know this defense won’t last for long.” Juliette uses her powers to cause an earthquake, which allows the resistance fighter to escape. The scene is described over six pages.
  • The Reestablishment gathers a group of citizens together to kill them. In order to try to help the citizens, Juliette and her friends discuss their options. While they talk, they see “27 people lined up, standing side by side in the middle of a big, barren field. Men and women and children of all different ages. . . One of the soldiers fires a shot. The first man crumples to the ground. . .” During the scene, Juliette’s “eyes are locked on a little girl who can’t be much older than James, her eyes so wide, so terrified, the front of her pants already wet from fear and it rips me to pieces. . .” Juliette and her friends shoot at the soldiers and they “see one [bullet] find its mark in a soldier’s neck. . . We’re dodging the bullets aimed in our direction and I see Adam dropping to the ground, I see him shooting with perfect precision and still failing to find a target. . . 3 soldiers go down almost instantly.”
  • During the fight, Juliette sees “dead dead dead is everywhere. So many bodies mixed and meshed into the earth that I have no idea if they’re ours or theirs. . . I’m tackled from behind. Someone pins me down and my face is buried in the ground and I’m kicking, trying to scream but I feel the gun wrenched out of my grip. I feel an elbow in my spine. . .” A soldier points a gun at Juliette, and “I’m only clawing at his covered arm, at the muscle he’s bound around my neck and he shakes me, shouts at me to stop squirming and pulls me tighter to cut off my air supply and my fingers are clenched around his forearm, trying to fight the viselike grip he has around me and I can’t breathe and I’m panicked. . . I’ve crushed all the bones in his arm. . .” Someone hits Juliette on the head, making her “almost entirely unconscious.” The scene is described over 10 pages.
  • Warner’s father shoots Juliette in the chest. She thinks, “My heart has exploded. I’m thrown backward, tripping over my own feet until I hit the floor, my head slamming into the carpeted ground, my arms doing little to break my fall. It’s pain never thought I could feel, never would have even imagined.” Juliette doesn’t die from the wound.

Drugs and Alcohol

  • Adam talks about his father, who would only come around “to get drunk and beat the crap out of someone.” After Adam’s mother died, his father would “come by just to get piss-drunk. He used to force me to stand in front of him so he could throw his empty bottles at me.”

Language

  • Profanity is used often. Towards the end of the book, the profanity ramps up and appears on almost every page. Profanity includes ass, asshole, bullshit, bastards, crap, damn, dumbass, goddamn, hell, holy shit, jackass, and shit.
  • “Oh God,” “God,” and “Jesus” are used as exclamations often.
  • Juliette remembers the world before the Reestablishment took over. She “remembers the pissed-off skies and the sequence of sunsets collapsing beneath the moon.”
  • When Adam tries to tell Juliette how he feels, he ends up saying, “Jesus. What the hell am I saying. Shit. Shit. I’m sorry—forget that – forget I said anything. . .”
  • One of Juliette’s friends yells at her. “And I should kick my own ass for it, but I feel sorry for you. So I tell him I’ll help. I rearrange my entire goddamn schedule just to help you deal with your issues.”
  • One of Juliette’s friends says, “Jesus. How early is it? I would kick a soldier in the crotch for a cup of coffee right now.”
  • When someone calls a man a “fetus,” the man gets angry and says, “I am mad. I’m pissed off. And I’m cranky as hell because I’m tired. And hungry. And I need more coffee.”
  • Someone says Adam’s father was being a “dick.”

Supernatural

  • Many characters have special powers. Juliette is trying to learn how to harness her energy. “Our gifts are different forms of Energy. Matter is never created or destroyed. . . as our world changed, so did the Energy within it. Our abilities are taken from the universe, from other matter, from other Energies.”
  • When Juliette touches someone, she drains the life out of them.
  • The first book in the series explains how Juliette goes to a compound where she meets a man who can move things with his mind. There is also a man who tells her, “Sometimes I electrocute people by accident” and another who is really flexible. He “loops one arm around his waist. Twice.”
  • At the compound, two women are healers—one heals the physical body and the other heals emotional wounds. The healers “can set broken bones and repair bullet wounds and revive collapsed lungs and mend even the worst kinds of cuts.”
  • Another person can “blend into the background of any space. Shift myself to match my surroundings.”
  • Adam discovers that he can project his ability and can disable others’ abilities.
  • Adam’s brother can heal quickly.
  • Warner can sense other people’s emotions, which allows him to know when someone is lying. He can also be a conduit to transfer other people’s energy.

Spiritual Content

  • None

 

The Merciful Crow

In the world of Sabor, the Phoenix Caste reigns supreme, the Hawk Caste does their best to maintain the peace, and the Crow Caste are scorned by all. Fie, a future Crow chief, is a teenage girl who’s roped into helping the Crown Prince Jasimir and his body-double Tavin. Together, all three must outrun Queen Rhusana’s expert trackers and killers.

But what’s supposed to be an easy journey to deliver the Prince into an allied governor’s hands quickly turns into much more than Fie or the rest of her Crows ever expected. Hunted by Queen Rhusana’s handpicked trackers, the Vultures, Fie must summon everything she has to outwit and outrun her pursuers. The conflicts only get harder as she begins to fall in love with Tavin, a love that shouldn’t be possible.

From the moment the book begins, it’s an endless adventure that never fails to deliver on the harrowing journey Fie must undertake. With the class-based society Sabor revolves around, the Crows (Fie’s caste) are universally snubbed and hated by the other castes. This is a theme that hits the reader on the head throughout the story. Despite this, Fie, Jasimir, and Tavin are likable protagonists that help to anchor the story.

While the story is similar to Romeo and Juliet, Owen manages to keep The Merciful Crow fresh. The easy-to-read story is written with wonderful pacing that will keep the reader gliding through each chapter. With a good blend of fast-paced action and romance, the book will hook the reader from the beginning until the very end. The Merciful Crow has several surprises and fun twists that add to the quick scenes. Fie’s relationship with Tavin is also a highlight as the two use the journey to grow both as people and as lovers. While the characters feel underdeveloped at times, they are still fun assets to the story.

The Merciful Crow will delight those who want an action-based adventure story set in a troubled fantasy world. The story features a strong female protagonist and has a theme of fighting against prejudice in a hateful world. Even though the plot is not unique—the main protagonists are forced to journey together and eventually fall in love—The Merciful Crow is a fun tale because of the mix of action and love. The Merciful Crow would be a great addition to any young reader’s bookshelf.

Sexual Content

  • Madcap, a Crow, belted “another lewd and anatomically improbable verse of ‘The Lad from Across the Sea’” when dancing with Fie. Madcap is the only Crow with lewd songs, and he sings them another 2-3 times. The actual words of the song itself are never specified.
  • When Fie uses her magic and sees visions of the past. She sees “a lover waiting in the amber-pod gardens”.
  • Fie reminisces about the past when she thinks, “She might have softened her tongue for Hangdog long ago, when the two of them slipped away to more private groves.”
  • When Tavin is trying to distinguish Fie’s preferences, “Madcap made a crude gesture that suggested exactly what they thought Fie trucked with.”
  • When bantering with Tavin, Fie says, “Wager I’ve spent more nights ready to die for my kin than you’ve spent rolling palace girls.” She uses this against Tavin a few more times, often to catch him off guard.
  • Hangdog gets angry at Fie’s relationship with Tavin: “Just because he can’t rut his own women out here doesn’t mean he’s welcome to ours.” Hangdog consistently berates Fie and Tavin in this way. He confronts Fie again: “You’re only good to his kind on your knees.”
  • Another Crow asks of Fie (when it’s only her, Jasimir, and Tavin), “You a-feared of getting with child, too?”
  • Speaking about the Swan Caste: “Swans don’t rut inside the caste…At least, not to conceive.”
  • While wanting to take a bath in a river, Fie thinks, “stripping down in front of lordlings didn’t sit right.”
  • When waking up to find Tavin had gone to wash up in a hot spring, Fie thinks, “The notion of Tavin washing up in a hot spring had an entirely different effect on her.” Jasimir notices Fie’s obvious desire, and says, “I’m not utterly oblivious…But you’re only going to get hurt.”
  • On watch duty with Tavin, Fie kisses him. “He didn’t kiss her back so much as drown himself in her.” She reminisces, as she and Tavin strip down to sleep with each other, that “Before, when she’d lain with Hangdog, it had been matters of urgency, a hasty exchange of services.” She goes on to say, “Tavin too moved with urgency, but it was a curious kind, a need to discover every place that made her shiver…” Afterward, Tavin explains why he never wanted to get anyone pregnant, saying, “Gender’s never mattered to me, but I-I didn’t want to get anyone with child.” This scene takes place over multiple pages.
  • When tempers flare between Jasimir and Tavin as they’re being chased, Jasimir says in regards to Fie, “My condolences if that conflicts with who you want in your bed this week!”
  • Tavin kisses Fie before sacrificing himself to become a decoy. “He pulled Fie to him and pressed a swift, soft kiss to her mouth.”
  • When traveling with only Jasimir, Jas says, “Don’t tell me you’re worried that I’ll get you with child.”
  • When Tavin’s mother asks if anyone has something to say, Fie says, “Tavin and I slept together…Since you’re asking.”
  • When speaking about his father and mother to Fie, Tavin says, “…he’d been drunk enough to command Mother to his bed while Aunt Jasindra was still at the reception.”
  • After coming to terms with each other, Fie says to Tavin, “If I’d known I’d rutted a half prince, probably I would’ve bragged about it more.” Once made up, Tavin “kissed her back, careful at first, then spiraling into dizzy, feverish glee…” Eventually, Fie manages to say, “My room,” telling Tavin to sleep with her again. This scene happens in two pages.
  • When Tavin and Fie are say goodbye to each other at the end, Tavin “opened his mouth, shut it again, and, without a word, pulled her into a long, hard kiss.”

Violence

  • The very first line of the book is, “Pa was taking too long to cut the boy’s throats.” Because of a plague running rampant in Sabor, the Crow Caste – being the only caste immune to the disease – end up being called to mercy kill the plague victims before the plague overcomes the victim. This type of scene is brought up again. In another scene, Fie thinks about what would happen if they didn’t kill the victims. “Two weeks in, the dead would be piled up, the crops blackening in the fields.” When Pa proceeds to kill a plague victim, “There was a savage jerk. The sinner died smiling.”
  • The sight of blood is frequently shown. For example, “Damp red streaked down the front of Pa’s robes. He’d dealt a mercy killing, then.”
  • After bringing the supposedly dead prince out to the cart, Fie wonders “if Phoenix boys burned like any other sinner.” Fie then notices, “Death-stink hadn’t settled on the boys yet, but she still flinched at the crimson stains on their shrouds.” Fie “didn’t intend to punch the boy, but she did all the same.”
  • When Hangdog tries to touch Tavin, he found himself “standing stone-still as a sword point strummed the skin beneath his chin.”
  • When discussing the Crow’s mercy killings, Pa asks Jasimir, “You ever listen to a child die by fire?”
  • When Hangdog, Fie’s former lover and a fellow Crow, attempts to betray the Princes, “An arrow sank, soft and immediate, into Hangdog’s eye.” Hangdog dies, and the Crows (not including Fie, Tavin, and Jasimir) are taken hostage. A Vulture witch tells Fie, “Oldest woman in your kin, caught a few too many arrows from us on the bridge.” That woman is Wretch, and she survives the wounds. After Viimo, the witch, tells Fie about Wretch, Fie destroys Viimo’s hands. “One moment Viimo’s hands were hands; the next they were a tangle of raw red flesh and tattered skin.”
  • When dealing with more hate from a Sparrow butcher, Tavin uses his magic to boil the man. “The butcher crumpled, screaming, as blisters boiled over his blackening flesh.”
  • As Fie, Tavin, and Jas are ambushed, “The rest was a frenzy of noise, steel, and blood. One body fell, then another—”
  • Fie gets angry with Jasimir, “Then she slapped the prince.” To stop Jasimir from giving their position away, Fie tackles Jasimir to the ground and “Fie flipped the broken sword and leveled its jagged, trembling point to Jasimir’s right eye.”
  • When attacked by ghasts, Fie attacked the creature with the broken sword: “It sank to the hilt without a sound, but the flesh round her throat stayed iron-solid.” When Jasimir kills an Oleander in the same scene, “Steel flashed, a thorn darting through torchlight.”
  • While fleeing the Vultures sent by the Queen, Fie and Jasimir are shot at, “Then an arrow sailed over her head and into the trunk of a ghost tree.” Another arrow later hits Fie. “She didn’t feel the arrow when it buried itself in her thigh.”
  • When Fie confronts Tatterhelm and the Vultures chasing after her and Jasimir, they fight. “He slammed her into another wall.” This scene takes place over several pages.

Drugs and Alcohol

  • Fie “smirked up at him, a little jump-drunk from swinging betwixt fear and relief.”
  • When Jas teaches Fie to write letters, she thinks “hers were overlarge and tilting like a drunk.”
  • After hiding from an ambush, Fie and the others find “The supplies they’d abandoned were knocked about the clearing as if a drunkard had bumbled into them…”

Language

  • At the very beginning, Fie says, “Twelve hells,” a saying that pops up very frequently throughout the story.
  • When finding the stray cat, Pa says, “Covenant’s crap she is, Fie, but we’ll talk your share later.”
  • When they first meet, Wretch calls Tavin and Jasimir “royal louts.”
  • Tavin says, early on, “The damn patchouli, that’s what she called it.” Damn pops up occasionally in the book.
  • Hangdog calls Prince Jasimir a “piss-baby.”
  • Jasimir calls Fie a “bone-thief,” a slur aimed at Crow witches. This pops up occasionally in the book.
  • Hangdog, getting mad at Jasimir, says, “When was the last time your powdered ass set foot off the palace grounds?” Ass is used occasionally in the book.
  • An Oleander, a hunter of Crows, calls Fie’s band “filth.”
  • Fie calls Tavin a “bastard boy.” Bastard is used occasionally in the book. Part Three is titled: “Bastards and Gods.” Soon after, as Tavin tries to help her down from a tree, Fie tells him to “get scummed!”
  • Master-General Draga called King Surimir, “gilded dung.”
  • Viimo tells Tavin to “Choke on horseshit.”
  • Jasimir tells Fie after they lose Tavin, “Fuck the oath!”

Supernatural

  • War-witches are witches meant specifically for battle. Fie thinks, “King Surimir fancied the war-witches as his palace guards, warriors who healed wounds just as easily as they tore their foes apart from within.” Tavin is considered a war-witch due to his Hawk caste standing and his job as Jasimir’s bodyguard.
  • Fie thinks about how she and Hangdog had “both been born witches, and for Crows, that meant they were born to be chiefs.” There are only as many witches as there are dead gods, meaning only a thousand are spread throughout Sabor. Witches and magic pop up as the main premise throughout this book, and come in and out of the story very fluidly. Characters like Fie, Hangdog, Pa, Tavin, Viimo, and others unnamed use magic.
  • Fie and other Crow witches use people’s teeth to produce their magic. The teeth allow the Crows to access the Birthrights of the other castes – the special abilities the thousand dead gods once handed down to the people of Sabor. This happens frequently throughout the book, mostly through Fie.
  • Birthrights aren’t specifically mentioned as magic, but they are used in the same way. For instance, the Vulture caste members that are after Fie, Tavin, and Jasimir use their Birthrights alongside their own magic to track the trio. Birthrights are a major theme in the novel, as they call back to the caste system present in Sabor.
  • The Vultures use their magic at some point to create ghasts. Ghasts are essentially the undead. Hangdog’s corpse is eventually used against Fie in the final part of the book.

Spiritual Content

  • Throughout Sabor, a plague is present. People who come down with the plague are called “sinners.” For example, when Fie and Hangdog go to bring out the sinners at the beginning of the book, Fie thinks, “The steward had called the sinner ‘boys’ when he led the Crows in.” This happens frequently, whenever a plague victim is seen of mentioned.
  • The “thousand dead gods,” (or just “dead gods”) are mentioned frequently throughout the book. An early example: “But by the thousand dead gods of Sabor, Fie wagered they were starting to catch on now.” Fie thinks of a saying, “Dead gods be kind.” Very few of these dead gods are mentioned by name.
  • There are shrines the Crow Caste stops at throughout Sabor. These shrines are dedicated to their gods. For example, “The scattering of huts and god-grave shrines by the road eventually yielded to the twist-trunked, lichen-shawled forest.” These shrines pop up frequently, both literally and in conversation.
  • The dead gods gave out the Birthrights – special abilities given to each Caste. For instance, the Phoenix Caste (the ruling caste) was given the Birthright of fire, which allows them immunity to burning or fire-based injuries. Each Caste’s gods handed out Birthrights to their Caste, save for the Crow Gods. “She wondered, too much, why the Crow’s gods had left them no Birthright at all.” Birthrights come up frequently throughout the book.
  • Some Crow Gods are named early on when Fie and her Crows stop at a shrine. “Loyal Star Hama guarding sleeping crows, Crossroads Eyes leading them away from treacherous roads, Dena Wrathful and her hundred-hundred teeth.” Wretch, a Crow, “set on a new walking song, a marching hymn to the dead god Crossroads-eyes.”
  • A Phoenix dead god is named “Ambra, Queen of Day and Night, stood astride the sun, wreathed in gold Phoenix fire.” Fie uses her name against Jasimir saying, “But Ambra help me, you leave who’s bedding out of it, or I swear to every dead god—”
  • It’s mentioned that the “Swan caste had only three dead gods.”
  • It’s thought that every witch in Sabor is the reincarnation of a dead god. Madcap called Fie, “Little Witness: the dead Crow god,” when she was younger.

by Jonathan Planman

Spin the Dawn

Maia loves to sew. She dreams not only of becoming a master tailor but becoming the imperial tailor. However, it’s a far-fetched dream as only boys are allowed to become tailors in A’landi. As her father’s only daughter and youngest child, Maia is expected to be quiet, obedient, and eventually raise a family. After her older brothers die in war and her father becomes too sick to sew, the burden of caring for her family becomes even greater, and her dream of becoming a tailor fades.

Maia cannot think of anything more abhorrent than abandoning her sewing, but she sees no alternative until her father is called upon by the emperor. The emperor is getting married and needs a new imperial tailor to create his betrothed’s wedding gowns. There is to be a competition of the best tailors in the land, and her father is invited to join. Maia’s father is too sick to travel to the capital, so Maia disguises herself as her father’s son and goes in her father’s place. Soon she finds herself competing with tailors who are decades more experienced than herself, who are willing to cheat, and who would possibly even be willing to commit murder in order to become the next imperial tailor.

Spin the Dawn has a lovable, interesting cast of characters that will hook readers. The land of A’landi is foreign, beautiful, and magical. The rich characters, court intrigues, and mysterious Lord Enchanter keep the tailoring competition from becoming cliché. Readers will be delighted when magic becomes a part of Maia’s life and will understand her moral struggle in deciding whether or not to use it.

While Part I of Spin the Dawn is a delightful read focused on the tailoring competition, Part II takes an entirely different track with Maia going on a journey to create three magical dresses for the emperor’s betrothed. The lore behind the dresses is fascinating, but the journey feels rushed and some conflicts are resolved too easily to be believable. Still, the Lord Enchanter accompanies Maia on her quest and their relationship is enchanting to watch. While Part II is weaker than Part I, the delicious dynamic between Maia and the Lord Enchanter will be enough to keep readers reading until the end.

Sexual Content

  • When speaking of the emperor, Maia’s brother says, “So you’ve heard how handsome he is from the village girls? Every one of them aspires to become one of the emperor’s concubines.” Maia says, “I have no interest in becoming a concubine.”
  • A village boy wants to marry Maia. “I thought with dread of Calu touching me, of bearing his children, of my embroidery frames collecting dust . . . I stifled a shudder.”
  • There are rumors that the emperor’s betrothed has a “lover. But it’s all court gossip. No one knows for certain.”
  • While pretending to be a boy, Maia had “been wearing at least three layers to help obscure my chest.”
  • When Norbu finds out that Maia is a girl disguised as a boy, he “touched my cheek and pressed his thigh against my leg. ‘I always thought you were a pretty boy. Perhaps a little kiss?’ “
  • Maia and the Lord Enchanter almost kiss. “He pressed a gentle kiss on the side of my lips, just missing my mouth. His lips were soft, despite the desert’s unrelenting dryness. A shiver flew up and down my spine, even though his breath was warm, and his arm around me even warmer.”
  • Maia and the Lord Enchanter kiss several times. “His lips pressed against mine. Gently at first, then with increasing urgency as I started to respond with my own need. His hand was tight on my waist, holding my wobbly knees steady.” Another time, “he tilted my chin and kissed me. Heat flooded me from my lips to my toes, and my heart hammered, its beat rushing and skipping to my head.”
  • Maia and the Lord Enchanter sleep together. “He kissed me, exploring my mouth with his tongue, then tantalizing my ears and my neck until I was dizzy and feverish. Finally, when my knees weakened and I couldn’t bear to stand any longer, Edan eased me onto his cloak against the soft, damp earth. Our legs entwined; then we became flesh upon flesh. All of me burned, my blood singing wildly in my ears.”
  • When Maia is captured by bandits, one of them says, “Do you know how long it’s been since I’ve felt a woman?” Maia is then rescued.
  • Maia and the Lord Enchanter kiss goodbye. “I crushed my mouth against his, wrapping my arms around his neck and my legs around his hips. His kisses moved to my cheeks, my neck, my breasts, back to my lips. Passionate, then tender. Then passionate again, as if we couldn’t make up our minds.”

Violence

  • A man breaks Maia’s hand. “Norbu stepped on my wrist, pinning my hand to the ground . . . He was carrying one of the heavy metal pans we used for smoothing our fabrics. I tried to yank my wrist away, but he was too strong. Too quick. He raised the pan high, then brought it crashing down onto my hand. Pain shot up from the tips of my fingers and flooded my brain. I screamed.”
  • When it’s discovered that Maia is a girl, she is thrown into a dungeon. The guards “struck me in the ribs and kicked me to my knees so that I landed in a rotten pile of hay, coughing and whimpering.”
  • Maia is whipped for lying to the emperor. “The guards tore my tunic and ripped off my chest strips—so fast I’d barely crossed my arms to cover myself when the whip burned into my skin, a stinging line of fire. Blood splattered onto the cold stone floor. . . Each lash bit into me, gashing my back, and I chewed on my lip so hard my mouth grew hot with blood.”
  • Maia is chased by wolves, which then turn on each other. “Soon I was forgotten as the wolves fought one another. The sight was gruesome, blood on fur on sand. I buried my face in my hands until the snarls became whimpers, then nothing.”
  • Maia stumbles upon an old battlefield. “Broken drums, slashed war banners, mounds of bones—human bones. And bodies . . . Some of the men had frozen to death. I could tell from their ashen faces, tightly drawn blue lips, and curved-in shoulders.”
  • Maia and the Lord Enchanters are attacked several times by bandits. Once, the Lord Enchanter “fired three arrows in quick succession. Vachir eluded each shot, but the men behind him weren’t as lucky. Two fell.”
  • Maia fights a demon. “I lunged forward and slammed my dagger into his shoulder. He cried out, an anguished scream that made my blood curdle.”
  • Maia is attacked by bandits. “I slashed at the one who’d spoken, but I missed his throat and scored his cheek instead. I made a long, jagged gash.”

Drugs and Alcohol

  • A fellow tailor “reached into his robes for a flask. He offered it to me, and after I declined, he took a long drink.”
  • Maia turns in early one night. In the morning, she discovered “It was a good thing I’d refused to go out with Norbu and the others. After their bath, they’d gone to the local drinking house, where Master Taraha and Master Garad drank themselves into a stupor. Now they were spending the day retching. Even from my table, I could smell it.”
  • While traveling, Maia and the Lord Enchanter stay the night with a group of travelers. The travelers pass around a wine gourd after dinner, and Maia accidentally gets drunk. “I was so mortified I simply took another drink. And another. The more I drank, the less it burned my throat . . . Normally I wouldn’t have stared at him so obviously, but the wine had washed away my caution.”

Language

  • Variations of the phrase “demon’s breath” are used a few times as profane exclamations.
  • A man says a country’s wine “tastes like horse piss.”
  • Damn is used a few times. The Lord Enchanter says, “I want to get out of this damned place.”

Supernatural

  • Maia “repaired amulets for travelers who asked it of me, though I didn’t believe in magic. Not then.”
  • A man says to Maia, “The A’landans are superstitious people. Constantly praying to their dead ancestors. If you believe in spirits and ghosts, I don’t see why you wouldn’t believe in magic.”
  • Maia meets the emperor’s Lord Enchanter. Maia “knew little of enchanters, lord or not, other than that they were rare and drifted from land to land.” Longhai tells Maia, “The Lord Enchanter advises Emperor Khanujin on many matters. He served the emperor’s father for years, yet he hasn’t aged a day!” Maia later finds out that the Lord Enchanter can transform into a hawk, which is his spirit form. “Feathers sprouted over his skin and spine. A pair of wings erupted from his shoulders and fanned down across his arms.”
  • Maia discovers that the scissors passed down from her grandmother are magical. “The scissors glided over the shawl, possessed in a way that my hands could only follow. Invisible threads repaired the cloth’s damage, giving it life anew, and colors from my paint pots soaked into the silk . . . Impossible as it appeared, the scissors not only cut but embroidered . . . My hand wouldn’t let go of the scissors, no matter how much I tried to pry them away, no matter how much I wanted to put them down. I was under a spell, drunk with their power.”
  • In Part II of Spin the Dawn, Maia is forced to go on a journey with the Lord Enchanter. On this journey, magic becomes a part of daily life. From enchanted carpets that fly, using magic to heal, and a magical tablecloth that creates an entire meal from nothing, Maia’s journey is filled with magic.
  • Maia is given an impossible task by the emperor’s betrothed. She is told to make a dress out of the laughter of the sun, the tears of the moon, and the blood of the stars. These three dresses are called Amana’s dresses, and it is said that whoever possesses them will receive a wish from the goddess Amana herself.
  • Maia goes to an island filled with ghosts. While there she meets a demon—a creature who used to be a sorcerer but was cursed when he killed his master. The demon steals a piece of Maia’s soul, which means he can follow her anywhere.
  • When Maia finishes the dresses, the goddess Amana speaks to her. Amana’s statue in the temple glows and a “low and powerful, yet kind” voice says, “Ask me your heart’s greatest desire, Maia. And I shall grant it.”

Spiritual Content

  • It is mentioned in passing that “Toward the end of every month, [Maia] helped the women who were preparing their gifts for the dead—usually paper clothing, which was tricky to sew—to burn before the prayer shrines in honor of their ancestors.”
  • Maia lives in a land with many gods. The gods are often mentioned in passing. A tailor says, “The gods are listening to us, masters. Do you want to invoke their wrath?” The emperor’s betrothed says, “The imperial tailor is a master chosen by the gods. I expect him to be able to work with any material, whether it be glass or silk.” Another time, a man says, “The gods watch over me, I am very grateful.”
  • Two gods are more developed and become part of the plot. The first is the goddess Amana, whose magical dresses Maia is tasked with sewing. People often say, “Amana be with you.” The other is the sun god, who Maia indirectly encounters during her search for the laughter of the sun. While in the desert, the Lord Enchanter says, “The sun is worshipped in many lands. He’s a brilliant, brutal deity. And now we are in the heart of his kingdom.”
  • The Lord Enchanter says, “Pigs are smarter than people give them credit for! Where I grew up, we almost worshipped them.” Maia “couldn’t tell if he was joking.”
  • Maia confesses that she doesn’t “even trust the gods. Not to listen, anyway. My father prays to Amana every morning, every night. . . But Finlei and Sendo died.”
  • The Lord Enchanter grew up in a monastery. “The monks I grew up with were different from the ones here. Not generous and kind. And the gods we worshiped were harsh and unforgiving.”
  • Maia asks a monk, “What if there are no gods? What if there is only magic, only enchanters and demons and ghosts?” The monk replies, “You must keep your faith . . . The gods watch over us, but unlike the spirits of this realm, they do not interfere in our lives. Not unless we anger them greatly, or impress them.”

by Morgan Lynn

 

Price of Duty

Jake Liddell is a war hero. During a fierce firefight, Jake risked his life to save his comrades. Now, the military is considering awarding him a Silver Star—a huge honor for any soldier. Jake, injured and confused, returns home. His military family is proud of his service and sacrifice, but Jake is beginning to question everything his family brought him up to believe.

The memory of war haunts him. As he recovers from his physical wounds, he wonders what direction his life will take. His famous grandfather wants Jake to return to the battlefield to fight again. Others want him to speak out against the military system. Jake was raised to believe that fighting for one’s country was a moral obligation, but that was before he saw the horrors of war and the death of his friends. Will Jake decide to return to the battlefield or will he fight to get out of the military?

Jake’s story makes it clear that war is nothing like the movies or like playing Call of Duty. Instead, war is brutal, bloody, and deadly. “There’s no heavy metal soundtrack when you’re in a firefight. The terror is real. The pain is real. Death is real.” Price of Duty does not glamorize war, but instead paints a bloody picture of the physical and emotional wounds that soldiers face. Jake’s story shows the gruesome decisions soldiers have to make in order to survive and the hardships that come afterward.

 Jake knows someone has to fight in order to protect America’s freedom, but he is conflicted because the cost of war is so high. His experiences have made him realize that “There is no glory in war. There is no honor in killing. No matter where they send you to fight, innocent people will die.” Even though the cost of war is high, Jake believes that “for all the things that are wrong with the military, we still need and depend on it to protect us.”

Price of Duty explores the tragedy of war as well as the idea of an all-volunteer Army. Even though no one is forced to join, many feel the military recruits children through the ROTC program. “We’ve just changed the method of conscription. We let economic forces compel minorities and have-nots to gamble their bodies and lives for a slim shot at a better financial future.”

Jake’s story is engaging from the very first page. As Jake struggles with his time in the war, the reader will feel the devastation of soldiers making life and death decisions. The events in the story are described in vivid detail and may shock some readers. Price of Duty will definitely stay with readers for a long time. Anyone who is thinking about joining the military should read Price of Duty. It accurately portrays a soldier’s sacrifice and shows the complexity of military service—the honor, the death, the sacrifice, and in the end, the reason why some choose to join.

Sexual Content

  • Jake’s ex-girlfriend, Erin Rose, began dating an older boy. The two “got serious really fast. By the time he enlisted after graduation, Erin Rose (then going into tenth grade) was pregnant.”
  • When Jake and his girlfriend park in a secluded place, he wonders if his girlfriend is thinking about another man. He wonders if she had parked in the same place with someone else.

Violence

  • Jake flashes back to his time in Iraq. An IED hit the Humvee Jake was in. When the soldiers exit the vehicle, the enemy shoots at them. Jake is injured by shrapnel. As he crawls out of the Humvee, he hears “intense machine gun and small arms fire bashing my eardrums. Supersonic lead bees whizzing past. . . The hot air stinks of gasoline and sulfur. A fusillade of bullets rip into the ground, spraying grains of dirt into my face and mixing with the blood in my eyes.” Jake can hear his friend screaming “somewhere to my right, where a lot of enemy fire is coming from.”
  • After a suicide bomber hit a Humvee and “blew the guys inside to smithereens,” Jake’s squad had to go “find the pieces. All of them. He wasn’t talking about the pieces of the Humvee.” Jake and his partner puked. As they were gathering the body parts, Jake found a detached hand.
  • During a firefight, Jake can’t reach his injured friend. Jake throws “a flashbang over the wall, then jumps up and hustle[s] thorough the closest opening. The pain from my wound slows me down, but I’m totally juiced on adrenaline. . .” Jake shoots two men and then, “something smacks into me from behind and knocks me flat on my face. It felt like a sledgehammer. . . Whap! A round slams into the ground inches from my head, kicking dirt into my eyes.”
  • During the battle, Jake has to “toss a smoke grenade around the corner. Instantly there’s rifle fire and rounds slam into the wall near me. . .” When Jake shoots his M-16, “there’s a grunt and a thud. . . I head up the stairs, stepping over the body of a dead sniper. . .” As the firefight continues, Jake wonders how to get to his wounded friend.
  • During a firefight, Jake breaks into a house where shots are coming from. “Inside, a woman screams. . .” Jake discovers that the shooter is “a scrawny kid. Can’t be more than twelve. . . I grab [the rifle] by the forestock and rip it out of his hands. The kid cowers. . . strangely, he’s not looking at me. Instead, he’s staring across the room.” The boy’s father is “soaked with blood” and dying. Jake goes to the window and “I plug the one closest to me, but the other has time to get off two shots. The next thing I know, I’m hurtling backward. The SOB got me.” Jake is injured. When a medic finds Jake, the medic “shoots me full of morphine and dresses my wound with QuickClot, bandage, and tape.”
  • While soldiers cover him, Jake runs to his friend, Skitballs. “His anxious eyes are open, a little glassy. A bubble of blood slowly forms in one nostril, then pops. He’s lying in this open sewer, enveloped in the stink of human waste, the mush around him reddened by his blood.” Skitball dies from his wounds.
  • Jake’s unit is sweeping for landmines when one goes off. “We all flinched, then looked around. A ball of black smoke rose from the next gulley over. ‘Ahh! Ahh! Ahh!’ came the screams…Morpiss’s anguished cries were like shock waves. They blew through you, tearing you up inside…” Morpiss survives but loses both legs and an arm.
  • Insurgents attack the base. “Ka-boom! The explosion was so big and close that the shock waves knocked a few guys out of their beds.” The soldiers go outside and “bullets whizzed and pocked into the walls. Men shouted.” Jake and another man, Brad, need to get to the guard tower. Jake “felt my scrotum contract. Even with suppressive fire, we’d be running right under the insurgents’ noses. . . I followed Brad, running as fast as my legs would carry me, praying I wouldn’t get hit. Lead whizzed past us and kicked up dirt around our feet.” Jake and Brad throw grenades into the guard tower and then went up. “The scene inside the tower was gruesome. Mangled bodies, blood, parts of bodies. The acrid stink of smoke.”
  • During an attack on the base, three children shoot at the soldiers. “They were skinny, all knees and elbows, not even old enough to have whiskers.” None of the soldiers want to shoot them, but “when we still didn’t return fire, the other two jumped to their feet and started towards us again.” A soldier finally shoots the kids, but their death is not described.
  • One of the soldiers, Brad, writes a suicide note. “I was going crazy at home. You knew because you walked into the bathroom and I was sitting there with a gun in my mouth. You have no idea how many times I did that when you didn’t walk it…I’m looking at my rifle right now and wondering for the millionth time what hot brass tastes like.” Later in the story, Brad locks himself in the “crapper.” Jake tries to talk to him. “When the gunshot came, a couple of guys jumped. I felt like the bullet had gone through me, too. Someone ran to get a cutting tool. I sat in the hot, dusty sunlight and sobbed.”
  • While on guard duty, a woman approaches the base. When she refuses to stop, a solider kills her. The woman drops a bundle. When the soldier goes to investigate, they find she was carrying a burned baby that needed medical help.

Drugs and Alcohol

  • When Jake returns home, he takes anti-anxiety meds. When he sees a crowd of people, he gets anxious and explains, “…even with the pills, I’m still wound tight like a spring.”
  • After being in the warzone for months, “more than a few guys were taking pills for sleeplessness, loose bowels, and anxiety.”
  • When he gets back home, Jake goes to a party where beer, tequila, and spiced rum are served.
  • When a soldier’s girlfriend broke up with him, he “sobbed, wiping his eyes and nose on his sleeve.” To calm down, “he washed down a couple of pills because there was no hooch allowed.”
  • Jake and his sister eat a meal with their grandfather. His sister orders “a Long Island iced tea. I have a Patrón on the rocks with a lime wedge. We may be underage, and the General may be a straight arrow, but the one exception is the rule of booze. Real men and women drink.”
  • Some of the soldiers are given pills for night terrors. When Jake was in the hospital, “I tried to stop taking them, but my nightly yelling woke the other patients on the ward. So I started again.”
  • After a soldier steps on a landmine, he is given morphine for the pain.
  • The army gives soldiers sleeping pills. “The Army provides soldiers with a selection. The short-term variety gets you about four hours of shut-eye. The medium-term pill is good for six. And then there’s Sleeping Beauty, a twelve-hour sleep-like-a-baby dose that leaves you feeling the next morning like you’ve been raised from the dead.” Jake discusses the addictive qualities of the pills. “Pretty soon guys had so many meds inside them that they couldn’t think straight, couldn’t feel straight. So what did the docs do? Gave them anti-depressants and anti-psychotics to stop all of the other meds from driving them crazy. After a while, guys were taking seven or eight different pills a day. With no one monitoring them.”
  • To deal with the stress of a parade, a veteran filled his water bottle “from a flask.”
  • When having dinner with his grandfather, Jake thinks, “I’m a tequila man, but in the General’s company, it’s the rule of bourbon. The only choice you have is which brand. . .”

Language

  • Profanity is used often. Profanity includes ass, bastards, bitch, crap, crapper, damn, hell, and pissed.
  • Goddamn is used two times. After Jake returns home, his father asks Jake if he’s okay. Before Jake can reply, his grandfather answers, “Of course he’s okay, he’s a goddamn war hero.”
  • When a soldier is injured, he screams, “Oh Lord, Jake!”
  • While eating in the mess hall, the soldiers hear a “clang!” One of Jake’s friends was “going fucking nuts, ranting like a madman and smashing a metal tray against the edge of the table.”
  • Jake wakes up sweaty from a bad dream and “there’s that split-second fear that I’ve pissed myself in my sleep. But it’s never urine. It’s always sweat.”
  • Oh my god is used several times.
  • Someone tells Jake, “Don’t play dumb white cracker with me. . .”
  • To get the attention of enemy soldiers, Jake yells, “Hey douchebags.”

Supernatural

  • None

Spiritual Content

  • Jake is shot in the back, but is uninjured. He thinks, “Thank Almighty God and ceramic body armor.”
  • When soldiers have to leave the FOB, “we knew it might be the last time. We all had good luck charms. Some soldiers smoked, some joked, some dipped and spat, and some got on their knees and prayed.”
  • Jake thinks the army recruiters lie in order to get people to join the army. Instead of being like a party, “You go in, make a couple of friends, and then pray you’ll all make it out alive.”

 

 

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