Young Adult – Page 18 – Sneak Peek Books

The Nazi Hunters: How a Team of Spies and Survivors Captured the World’s Most Notorious Nazi

Everyone had forgotten about it. The Americans are fighting the Russians. The British and French are starting to rebuild their countries. The Japanese are experiencing an economic boom. Germany is being split into two. The world had moved on and forgotten the world’s worst genocide—the Holocaust.

At the end of World War II, Adolf Eichmann, the head of operations of the Nazi’s Final Solution, disappeared without a trace. After sending millions of innocent people to their deaths, Eichmann said goodbye to his wife and sons, walked into the German countryside, and vanished. Sixteen years later, an elite team of Israeli spies is sent to Argentina with one goal in mind—capture and secure Eichmann and bring him to trial in Israel.

Faced with an impossible task, a lawyer, a forger, a doctor, a pilot, and a team of Israeli agents risk everything to capture the architect of the Holocaust. If they are caught, the team could face decades of imprisonment or even death by Argentinian Neo-Nazi groups. However, they have to take the risk–they must take Eichmann to Israel to remind the world of the Holocaust’s victims.

The Nazi Hunters will leave readers on the edge of their seats as it tells the thrilling, harrowing, and true tale of how a team of Israeli spies was able to secretly capture one of the top Nazis decades after his disappearance. Complete with photographs, maps, and top-secret documents, Neal Bascomb tells the story in a cinematic light that will engage readers and get them interested in reading nonfiction.

With his nonfiction novel, Bascomb not only shows readers how traumatic and terrible the Holocaust was but also the far-reaching effects of the genocide–affecting not only its Jewish victims but also the Jewish generations to come. After 16 years of silence, Eichmann’s trial highlighted the true nature of the Holocaust and allowed survivors to openly share their experiences in Nazi concentration and work camps.

Even though The Nazi Hunters contains historical information, the story is fast-paced and reads much like a spy novel. The story is exciting, and the pictures that are scattered throughout the story will remind readers that the events and people are real. Descriptions can sometimes be gory, such as with Eichmann’s hanging, but Bascomb uses the violence to show readers how brutal the Holocaust was and to ground the story in reality. With the countless number of names and historical events, young readers may have a difficult time following the story’s main characters. But, The Nazi Hunters is a fantastic book for middle school readers, rounding out their knowledge about the Holocaust by showing its everlasting effect on world politics.

Sexual Content

None

Violence

In December of 1959, Nazi sympathizers attacked Jewish synagogues and citizens in West Germany. “In the following days, anti-Semitic attacks and demonstrations broke out across West Germany, and police were stationed outside synagogues and Jewish cemeteries to prevent further desecrations. In total, 685 Jewish locations throughout the country were vandalized. These were more than the isolated actions of a few hooligans, and Jewish leaders in West Germany made it clear that the scene ‘evoked pictures that bring to mind the November days of 1938,’ referring to Kristallnacht.”
When initially capturing Eichmann, “Malkin burst forward, one hand reaching out to keep Eichmann’s right arm down in case he had a gun. His momentum, mixed with his target’s retreat, sent them both pitching to the ground. The agent seized Eichmann as they rolled into the shallow, muddy ditch that ran alongside the road.” Malkin and another agent eventually restrain Eichmann, placing a hand over his mouth so he can’t scream. Then, they throw Eichmann into the backseat of their car.
After the car is one hundred feet from Eichmann’s Argentinian house, Aharoni warns him, “Sit still and nothing will happen to you. If you resist, we will shoot you. Do you understand?”
After finding their father missing, Nick and Dieter bought three guns and “broke into a Jewish synagogue in the city, guns at their sides.” However, their father is not there and they continue searching.
While Eichmann was imprisoned and awaiting trial in Israel, “the prison commandant feared not only that Eichmann might commit suicide, but also that there might be an attempt on his life. His food was always tasted before serving, and his guards were carefully selected so that none of them had lost a family member in the Holocaust.”
After the news was released of the Israeli spies’ capture of Eichmann, some Argentinian neo-Nazi groups were eager to seek revenge on local Jewish Argentinians. “Some in Argentina were eager. Unable to strike against them directly, right-wing groups took their revenge on the local Jewish. Tacuara carried out the worst of these attacks, beating up several Jewish students at the University of Buenos Aires and chanting, ‘Long live Eichmann. Death to Jews.’ One student was shot, and later in a vicious assault, Tacuara radicals branded a swastika onto the chest of a teenage girl whose father was suspected of having helped the Israelis.”
The book describes Eichmann’s 1962 hanging. “The two guards hit their buttons, and the platform opened with a clang. Eichmann fell ten feet into a room below without a sound. The rope went straight, snapped, and then swayed back and forth. A doctor moved into the chamber, took Eichmann’s pulse, and declared the Nazi dead.” After he is hanged, Eichmann is cremated, and his ashes are thrown into the sea so that no shrine or tribute can be made to him.

Drugs and Alcohol

When leaving Argentina on an airplane, Eichmann has to be sedated in order to not cause trouble. “The doctor slid the needle into a vein and attached a tube. Then he delivered the sedative. Eichmann soon faded, mumbling, ‘No, no. I don’t need it.’”
While imprisoned in Argentina and awaiting transport to Israel, “Eichmann had spoken of his love for red wine, and Malkin thought that it wouldn’t do any harm to give him a glass. . . Malkin poured a glass of wine and placed it in Eichmann’s hands. The prisoner drained his glass. Malkin sipped at his wine. He put a record on the turntable and then lit a cigarette for Eichmann. Flamenco music filled the small, stuffy room. Eichmann drew deeply on the cigarette until it was almost at its butt.”

Language

None

Supernatural

None

Spiritual Content

Upon capture, Eichmann reveals that he knows a bit of Hebrew. Aharoni stops him from speaking, saying that, “The words were the beginning of the Sh’ma, the holiest prayer in the Jewish religion, recited in the morning and at night by the faithful. It was a prayer spoken at the hour of death, and millions, millions, of Jews had come to utter it because of Adolf Eichmann.”
After saying a quick prayer, Eichmann’s last words were, “Gentlemen, we shall meet again soon, so is the fate of all men. I have believed in God all my life, and I die believing in God.”

by Matthew Perkey

Children of Blood and Bone

Children of Blood and Bone takes place in Orïsha, a rich fantasy landscape where magic users are born with white hair, signaling the powers they will inherit at thirteen. However, an evil king has wiped magic from the land in a genocide of all magic users and severed the people’s connection to the gods. The book alternates between the perspectives of the characters Zélie, Amari, and Inan.

Zélie is a seventeen-year-old girl from a small village, who has been called “maggot” most of her life because of her white hair. After her mother was killed in the slaughter of maji, survivors with white hair became second-class citizens. Bitter and stubborn, Zélie has been taking lessons to fight with a staff while trying to care for her ailing father.

Inan and Amari are the king’s children—the prince and princess of Orïsha. Amari sets off the story’s chain of events when she spies on her father, discovering a scroll that has the power to return magic to the land. Determined not to let it fall into her father’s hands, she runs away with it, and meets Zélie and her brother, Tzain. The three soon find themselves hunted by the king’s army, headed by Inan, who is haunted by an inner conflict over whether the king’s cause is just.

The majority of the narrative follows Zélie, Amari, and Tzain’s journey through Orïsha. While evading capture, they also embark on a quest to reunite the scroll with other ancient artifacts. Their goal is to perform a ritual that can restore the magical connection between the gods and the people of Orïsha.

Children of Blood and Bone includes unique worldbuilding and a magic system that proves central to the plot. Although the switches between narrators are almost dizzying, each character has a unique personality that comes alive on the page. Readers will find themselves sympathizing with the gentle Amari, the stubborn Zélie, and the conflicted Inan in equal measure.

The plot takes a few chapters to get off the ground, and the first act contains an unavoidable amount of worldbuilding. Still, it is packed with action, and the pacing will likely keep the attention of even easily bored readers. As the plot progresses, readers slowly get to see Orïshan’s magic firsthand. Each demonstration of magic will leave readers eager for more.

The story contains two central romances: Tzain and Amari, and Zélie and Inan. Both work rather well: their dynamics complement each other, and a decent amount of chemistry builds up between the two couples. In addition, readers will enjoy watching the friendship between Zélie and Amari develop from hatred into a deep mutual respect.

Fans of fantasy and magic will enjoy Children of Blood and Bone. Despite the fresh new look it gives to its magical land and teenage heroes, Children of Blood and Bone relies on the typical structure of a young adult fantasy. Seasoned readers of the genre will likely recognize the tropes of the “evil king,” the “chosen one,” and the “perilous quest.” These tropes are ubiquitous for a reason, though, and many readers won’t mind. The action, suspense, and intensity will make it irresistible.

Sexual Content

Amari’s complexion “makes the nobility gossip that [her mother] slept with a servant.”
Amari sees Tzain undress and lowers her eyes, thinking, “the last time I saw a boy’s bare body my nannies were giving Inan and me baths.”
Zélie and Tzain meet in a dream. Zélie thinks, “My gods, is he even wearing clothes? My eyes comb over his broad chest, the curves of each muscle. But before I catch sight of anything under the water, I jerk my eyes up.”
Tzain talks about Inan to Zélie, saying that he “doesn’t care about you, Zél. He just wants to get in between your legs.” A moment later, he calls her “the prince’s whore.”
Inan describes kissing Zélie. Inan’s “mouth presses against her neck. She gasps as I run my hands up her back. A small moan escapes her lips. . . Her fingers dig into my back, pulling me closer. Everything in me wants her. Wants this. All the time.”
Zélie and Inan kiss. “Inan presses his lips to mine and everything fades. His kiss is tender yet forceful, gently pushing into me. And his lips . . . soft . . . When he finally pulls away, my heart is beating so fast it feels like I’ve just finished a fight.” Before they are interrupted, they intend on going further. Zélie narrates, “I grab his head and force his lips back onto mine. Restraint can wait for tomorrow. Tonight I want him.”
Amari watches Zélie and Inan kiss. “The tender way he holds her, the way his hands roam, pulling her into him… an embrace like this is far too intimate to watch.”
Some drunken guards make a veiled insinuation that Zélie is a prostitute, and one “wraps his pudgy hands around [her] neck and presses [her] against the wooden wall.” Zélie remarks that it’s against the law for maji and non-magic users “to so much as kiss . . . but it doesn’t keep the guards from pawing at us like animals.” Zélie wants to fight back, but forces herself to remain calm until the guard unhands her.
Later Zélie says, “The guards grope me whenever they have a chance,” and refers to them as “rapists.”

Violence

During a childhood training session, Amari and Inan’s father (the king) commanded Inan to strike Amari. She still carries around the massive scar.
Amari watches her father kill her servant Binta, who was her best friend, after seeing her demonstrate magical ability. “One moment Binta stands. In the next, Father’s sword plunges through her chest.”
Zélie watches a man hit a boy with a cane that burns his skin. “The acrid smell of burning flesh hits me as the stocker presses the cane into the boy’s back. Smoke rises from his skin as he struggles to crawl to his knees.”
Zélie frequently fights with her staff. She hits a man in the head so hard he collapses. She kicks a man in the jaw. She smashes the bones in a boy’s hand. All of these actions are for survival or self-defense.

Inan destroys a village and watches a young child try to revive his dead father. “A small child hurls his body to the ground. His cries out through the night. It’s only then I discover the sand-covered corpse at his feet.”
A woman wearing sharp rings on her fingers smacks a servant, and “the rings cut into his skin.”
A man is stabbed in the chest, and “his eyes bulge and his mouth falls open. His staff drops from his hand. His blood splatters as it hits the ground.”
Zélie, Tzain, and Amari compete in a battle to the death. The arena is flooded, and thirty boats are launched out onto the water. A team cannot win until every other competitor has been killed. Zélie narrates, “Chaos surrounds me, pulsing through every breath and heartbeat. It sings as blood splatters through the air, screams as boats explode into oblivion… My insides lurch as a cannonball rips through the deck of another boat. Injured cries hit my ears like shattered glass. The stench of blood stains the air.” The competition lasts for twelve pages.
Inan accidentally kills a military leader with his magic. “Kaea’s cries of agony grow. Her eyes turn red. Blood trickles from her ears, trailing down her neck . . . A shuddered gasp escapes her lips. Her eyes roll back.”
Amari beats someone up. Amari pulls “my fist back, twisting from my hips as my fist collides with her jaw. Her head snaps with a lurch. Her eyes roll before she blacks out.”
A mercenary explains the twenty-three scars on his arm. An unspecified enemy “killed one of my crew members in front of me, each time they carved a new one.”
When Zélie is captured, the king has the word “maggot” (a hateful slur) carved into her back with a knife. In the same scene, a physician “cuts a shallow X into Zélie’s neck . . . and pushes a thick, hollowed-out needle into the exposed vein . . . removes a small vial of black liquid and prepares to pour the serum down the needle.”
A Burner (maji of fire) demonstrates his powers in battle. “A fire explodes from his skin. Smoldering embers rain from his body. Flames blaze around his form. The fire erupts from every limb, shooting out of his mouth, his arms, his legs.”
A Cancer (maji of disease) uses her power in battle. “She leaks dark green energy from her hands, trapping the men in a malignant cloud. The moment it touches the guards, they crumble, skin yellowing as disease rages through them.”
Zélie watches a young girl get shot with an arrow. “An arrow pierces through her gut… [she] looks down, small hands gripping the arrow’s shaft.”

Drugs and Alcohol

A mercenary takes “a long drag off a hand-rolled cigarette.”
When Zélie encounters a palace guard, “the pungent smell of alcohol wafts into the air with his unwelcome presence.”
The characters drink palm wine during a festival. Later, during an intimate moment with Inan, Zélie thinks, “His words make my head spin. His words or the alcohol.”

Language

Profanity is used infrequently. Profanity includes: damn and hell.
Royals and nobles say “Skies!” as an invective.
Characters say, “Gods” or “Oh my gods.”
Zélie thinks, “Dammit.”
Tzain says, “I don’t give a damn.”
Tzain says, “What the hell are you doing?”
Amari describes a place as a “hell.”
Tzain tells Zélie, “You’re always screwing everything up.”

Supernatural

This book tightly blends the supernatural and the spiritual. The magic system in Orïsha encompasses ideas like higher powers, gods, prayer, human souls, and the afterlife.
Magic in Orïsha is tied to the Sky Mother, a deity who reigns over all the gods.
While sleeping, Zélie and Inan use magic to meet in a “dreamscape.”
As a Reaper, Zélie can sense spirits of the dead, and she can summon them in physical form to do her bidding.

Spiritual Content

Zélie believes that the gods control her fate. “No matter how much I crave peace, the gods have other plans.”
Amari and Inan are from nobility and have different beliefs. Amari thinks, “Gods don’t exist. Everyone in the palace knows that.”
The beliefs held by the Orïshan people also play a bigger part in the plot. In one scene, Zélie enlists the help of mercenaries by telling them, “[the gods] have chosen you because they want your help.”
Orïshan legend speaks of an afterlife. After a fire in her village claims four lives, Zélie thinks, “If their spirits have ascended to the peace of alâfia, death would be almost a gift. But if they suffered too much before they died . . . If the trauma of their deaths was too much, their spirits won’t rise to the afterlife. They’ll stay in apâdi, an eternal hell, reliving the worst of their pain.”
Zélie’s narration often uses the word “pray” interchangeably with “wish” and “hope.”
Zélie can sense people’s souls leaving their bodies as they die.
Zélie remembers that after the raid, she “cursed the gods for making us this way.”
During the climax of the book, Zélie has a near-death experience and sees her dead mother’s spirit. Her mother says, “You are a sister of Oya [a goddess], my love. You know our spirits never die.”

by Caroline Galdi

Twilight

When Bella’s mother gets remarried, Bella leaves her home in sunny Phoenix and goes to live with her father in the perpetually rainy town of Forks, Washington. Forks is a tiny, gloomy town and Bella is fully prepared to be miserable for her final two years of high school. She doesn’t expect anything interesting to happen in Forks; that is, until she meets Edward Cullen.

Something is different about Edward. Breathtakingly beautiful and from a wealthy family, he baffles Bella with wild mood swings. When they first meet, he instantly despises her to the point of frightening her. Then—after disappearing for a week—he appears perfectly cordial. But it’s not until Edward saves her life in a feat of superhuman strength that Bella realizes the Cullen family is guarding a dangerous secret. It would be smarter to walk away, but by the time she realizes that, it’s too late. Live or die, Bella has fallen in love with Edward and she can’t walk away no matter the consequences.

Twilight is an epic story of love overcoming all challenges. The unique storyline has spawned an entire subsection of supernatural YA novels. The well-developed cast of characters will make the story come alive and hook readers immediately. Bella is not an overpowered heroine; she is quiet and clumsy to a fault, but she is fiercely loyal and brave. Bella risks everything for love, a choice that not all adults will agree with, but that most readers will understand and respect as they follow Bella’s journey with eagerness and excitement.

Twilight is a delightful start to a wonderful quartet. Parents may not want younger readers to pick up this book as Bella lies to her father about her relationship with Edward, and Edward frequently climbs in Bella’s window and stays the night (though they don’t go further than kissing). Aside from that caveat, Twilight is a wonderful story that swept through a generation of young readers like wildfire and will continue to be picked up by swarms of readers in years to come.

Sexual Content

When Bella and Edward kiss for the first time, “Blood boiled under my skin, burned in my lips. My breath came in a wild gasp. My fingers knotted in his hair, clutching him to me. My lips parted as I breathed in his heady scent.”
The second time Bella and Edward kiss, “His fingers traced slowly down my spine, his breath coming more quickly against my skin. My hands were limp on his chest, and I felt lightheaded again. He tilted his head slowly and touched his cool lips to mine for the second time, very carefully, parting them slightly.”
Edward and Bella kiss a few more times. These kisses are described briefly, such as “for the shortest second, his lips were icy and hard against mine” or “his lips touched mine gently.”
When saying goodbye, Edward “leaned in to swiftly kiss me just under the edge of my jaw.”
Bella gets lost in a bad part of town and is followed by several men. She considers dropping her purse, “But a small, frightened voice in the back of my mind warned me that they might be something worse than thieves.” Edward rescues her.
Bella asks Edward if marriage for vampires is “the same as it is for humans.” She then says, “Well, I did wonder…about you and me…someday…” Edward says he doesn’t think that would be possible, as humans are so breakable.

Violence

Esme tells Bella that after her baby died, “It broke my heart – that’s why I jumped off the cliff, you know.”
After Carlisle became a vampire, he “tried to destroy himself…He jumped from great heights…He tried to drown himself in the ocean.”
Bella is tortured and almost killed by a vampire. “A crushing blow struck my chest…He was over me at once, his foot stepping down hard on my leg. I heard the sickening snap before I felt it. But then I did feel it, and I couldn’t hold back my scream of agony.” This scene takes place over three pages.

Drugs and Alcohol

Once, Bella “did something I’d never done before. I deliberately took unnecessary cold medicine – the kind that knocked me out for a good eight hours…tomorrow would be complicated enough without me being loopy from sleep deprivation.”

Language

Bella thinks, “Forks was literally my personal hell on earth.”
Bella says, “Holy crow!” a few times.
Bella says, “Darn it,” once.
Damn is used three times. Once, Edward says “Damn it, Bella! You’ll be the death of me.” Another time, Bella says “Dammit, Edward! Where are you taking me?”
When Jacob’s father sends him to warn Bella, Jacob asks, “Should I tell him you said to butt the hell out?”

Supernatural

A legend of the indigenous Quileute people “claims that [they] descended from wolves – and that the wolves are our brothers still.”
Edward and his family are vampires, and Bella meets another coven of vampires that pass through Forks. Unlike most vampires, Edward and his family survive off the blood of animals, so they do not have to murder people.
Some vampires have special abilities. Edward can read minds; his brother Jasper can control the emotions of those around him; his sister Alice can see bits and pieces of the future.
Edward tells Bella about a time in his life when he was a true vampire who fed on humans. He says that he “had a typical bout of rebellious adolescence…I wasn’t sold on [Carlisle’s] life of abstinence, and I resented him for curbing my appetite.”

Spiritual Content

Before the prologue, there is a Bible verse. “But of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest therof thou shalt surely die. Genesis 2:17”
At first, Edward tries to stay away from Bella because he thinks it would be safer for her. Then he decides “as long as I was going to hell, I might as well do it thoroughly.”
When Bella asks to be turned into a vampire, Edward says, “I refuse to damn you to an eternity of night.”
Carlisle’s father was a pastor who was “enthusiastic in his persecution of Roman Catholics and other religions. He also believed very strongly in the reality of evil. He led hunts for witches, werewolves…and vampires.”
In passing, Bella hears a legend that the indigenous Quileute people “tied their canoes to the tops of the tallest trees on the mountain to survive like Noah and the ark.”

by Morgan Lynn

A Court of Thorns and Roses #1

In her quiet village, 19-year-old Feyre has become the sole provider for her family. After her father’s fortune was squandered, Feyre was forced to step up and take care of her father and two older sisters. Miles away from Feyre’s home, there is an invisible wall separating the human world from the faerie world, Prythian. This wall has been in place for hundreds of years under a treaty to keep humans and faeries segregated and safe from each other.

One day while hunting in the forest near the invisible wall, Feyre unknowingly shoots down a faerie that took the form of a large wolf. When a shapeshifting high fae bursts into her home to claim vengeance for his fallen soldier, Feyre is taken as payment for killing the faerie wolf and brought into the faerie world to serve for the remainder of her life. As Tamlin, her captor takes her to the spring court, she begins to unravel the dark secrets hidden in the faerie world.

Feyre soon learns that Tamlin is the High Lord of the spring court and one of the most powerful faeries in Prythian. While living in Tamlin’s home, Feyre becomes more of a friend than a prisoner, then soon learns the treacherous pasts of the faerie courts, which includes the spring, summer, autumn, winter, day, and night court. While the spring court is filled with cursed masks, mystery predators, and a hidden tyrant terrorizing the faerie lands, Feyre must come to understand her new home and accept her growing feelings for Tamlin.

As Feyre’s feelings begin to soften for Tamlin, a mystery curse creeps closer to the spring court. When an evil tyrant takes Tamlin and his court from their home, it is up to Feyre to save her newfound home from the curse. Now Feyre must decide: does she go home to her father and sisters or go after Tamlin?

A Court of Thorns and Roses is full of twists and turns; Maas takes the readers to the fresh faerie world of Prythian and lays out the groundwork for a magical series filled with adventure and romance. Feyre must dive into the faerie world of deadly politics, deceit, and vengeance in this thrilling tale of fantasy, family, and love.

The novel focuses on setting up the fantasy world of Prythian, which is filled with fairies and mythical creatures, but it is also a true look at the power of family and survival. Feyre sacrifices herself, her dreams, and her safety every step of the way for her family, friends, and ultimately, for love. A Court of Thorns and Roses dives into a new universe of faeries and courts with rich, memorable characters. The story focuses on the characters’ relationships and how people from different worlds can come together to fight a common evil. A Court of Thorns and Roses shines a light on the most unlikely of people becoming friends in a divided world.

However, the politics of the faerie world and the different courts can get tiresome. Feyre compares every new character to how she could paint them, which becomes repetitive and unnecessary. A Court of Thorns and Roses is a slow burn, and it gets better as it goes on. As the story continues, this book is hard to put down and becomes a nail-biter. This story highlights the true strength of women through Feyre’s character, who becomes an unlikely hero in the faerie world. Feyre comes to the rescue of Tamlin, which reverses the generic “damsel in distress” trope readers have seen time and time again. Fans of Holly Black and Cassandra Clare will fall in love with Sarah J. Maas’s fantasy as she introduces the world of Prythian.

Sexual Content

Feyre discusses her two-year love affair with a boy from the village. She describes all of their encounters as “a rush of shedding clothes and shared breaths and tongues and teeth.”
Tamlin and Feyre have an encounter in the hallway after Tamlin has been involved in a faerie ritual that makes him act more predatory than human. He ends up biting her, then “the bite lightened, and his tongue caressed the places his teeth had been. He didn’t move – he just remained in that spot, kissing my neck. Heat pounded in my head, and as he ground his body against me, a moan slipped past my lips.” Feyre’s moan causes Tamlin to come back to reality.
Tamlin and Feyre have their first kiss. “He brushed his lips to mine – soft and warm. My hands went around his neck, pulling him closer, crushing myself against him. His hands roved my back, playing in my hair, grasping my waist, as if he couldn’t touch enough of me at once.”
Tamlin and Feyre have sex for the first time. “We were a tangle of limbs and teeth, and I tore at his clothes, and then tore at his skin until I marked him down his back, his arms. His hands were devastatingly gentle on my hips as he slid down in between my thighs and feasted on me, stopping only after I shuddered and fractured. I was moaning his name when he sheathed himself inside me in a powerful, slow thrust that had me splintering around him.”

Violence

Feyre kills a wolf, that has just killed a deer, and then skins the wolf. The wolf “didn’t try to dodge the arrow as it went clean through his wide yellow eye.” Feyre describes “wrapping the bloody side of his pelt around the doe’s death wound” before she takes it home with her.
Feyre describes a memory of when thugs beat up her father for losing investment money. “That creditor and his thugs had burst into the cottage and smashed his knee again and again. I had stayed, begging and weeping through every scream of my father, every crunch of bone.”
Feyre fights off the naga, or “faeries made of shadow and hate and rot.” She shoots one with her bow and arrow and it “struck home and blood sprayed.” Tamlin comes to help her and “shredded through his companion’s neck, flesh and blood ripped away.” The scene is described over two pages.
An injured faerie comes to Tamlin’s home with “blood oozing from black velvety stumps on the faerie’s back . . . as if his wings had been sawed off.”
Some faerie men try to attack Feyre and “herd and push me towards the line of trees” before Rhysand steps in to save her.
Feyre sees the body of a girl, who had been mistaken for herself and tortured by Amarantha as a result. “Her skin was burned in places, her fingers were bent at odd angles, and garish red lines criss-crossed her naked body.”
Rhysand is forced to “shatter the mind” of a traitor faerie and kills him with only his mind. “The faerie male’s eyes went wide – then glazed as he slumped to the floor. Blood leaked from his nose, from his ears, pooling on the floor.”

Drugs and Alcohol

Feyre talked too much because of “the wine she had at dinner.”
Feyre drinks faerie wine and “it was like a million fireworks exploded inside me, filling my veins with starlight.” This makes her giddy and she dances a lot.
Feyre is forced to drink magical faerie wine that makes her “memory a dark blur of wild music.” After she drinks the wine, she has no control over her actions and is forced to dance for hours in front of the faeries.

Language

Townspeople call the Children of the Blessed “faerie-loving whores.”
Profanity is used occasionally. Profanity includes: shit, damn, and hell.

Supernatural

On their journey into the faerie world, Tamlin uses magic to put Feyre to sleep and to “keep my limbs tucked in to prevent me going for my knife.”
Feyre describes Tamlin changing from his beast form into his faerie form. “The beast plopped into the chair, and, in a flash of white light, turned into a golden-haired man.”
Tamlin tells the story of the curse on his lands and the “blight that caused a magical surge during a masquerade ball forty-nine years ago” that left the spring court permanently stuck in masks.
Feyre encounters an evil faerie creature in the forest called the Bogge. It gets inside her head and tries to make her look at it because “when you acknowledge it, that’s when it becomes real. That’s when it can kill you.”
Another faerie creature tricks Feyre into seeing an apparition of her father “near the open gate, beckoning me to hurry.”
Feyre traps a Suriel that has “a face that looked like it had been crafted from dried, weatherworn bone, its skin either forgotten or discarded, a lipless mouth and too-long teeth held by blackened gums, slitted holes for nostrils, and milky white eyes.”
Feyre encounters a “giant worm, or what might have once been a worm had its front end not become an enormous mouth filled with ring after ring of razor-sharp teeth.”

Spiritual Content

Feyre describes villagers “praying to the long-forgotten gods” to not encounter faeries on their hunts.
Feyre and her sisters run into the “Children of the Blessed,” who are missionaries that worship the high fae as gods.

by Adeline Garren

A Wind in the Door

When six-year-old Charles Wallace tells his sister he’s found dragons in the pasture, Meg doesn’t want to believe him. But lo and behold, Meg and her friend Calvin discover the enormous creature with hundreds of wings and thousands of eyes. A giant man claiming to be their Teacher tells them the dragons—which are really one creature, a cherubim—is one of their classmates. They’ve been brought together because evil creatures called Echthroi are trying to destroy creation—from the largest stars down to the tiny mitochondria in Charles Wallace’s cells. With her brother’s life on the line, Meg must learn how to love even her enemies or the Echthroi will succeed in destroying her brother and perhaps all of creation.

What follows is a fantastical conflict between the forces of good and evil; a struggle of life and love against hatred and destruction. Meg, Calvin, and the cherubim must work together to save Charles Wallace’s mitochondria from the Echthroi that would destroy. They are transported into Charles Wallace’s cells and meet the farandolae that lives inside his mitochondria. The farandolae have been led astray by the Echthroi and are refusing to grow up, killing the mitochondria. Meg and her classmates have to show the farandolae a better way and rescue them from the Echthroi, before the misguided farandolae kill the mitochondria, Charles Wallace and themselves.

Once again Meg complains and resists the tasks that are given her, but she rises in the end and learns how to look for the good in people even if she doesn’t like them. A Wind in the Door is more complex than A Wrinkle in Time and may be confusing for younger readers as it deals with mitochondria and the relativity of space and size. Still, for readers able to grasps its more complex topics, A Wind in the Door is a fun read that imparts the importance of loving your enemies and looking for the good in everyone. While A Wind in the Door doesn’t discuss religion directly, its storyline and themes are allegorical. For instance, the cherubim and Teacher explain that there is a battle between life and darkness, and to save Charles Wallace the children must protect the ‘song of creation’ from evil forces that would disrupt it.

A Wind in the Door is not a science book, but it does combine quantum physicals and biology to show that people are galaxies unto themselves. In order to accomplish this, the main character is reduced to the molecular level, which is made believable through L’Engle’s use of imagery. Besides being an interesting story, the reader learns about the importance of compassion, friendship, and love. Anyone who is interested in learning more about the nature of human relationships should read A Wind in the Door.

Sexual Content

None

Violence

The farandolae don’t want to grow up so they suck the nutrients from adult farandolae, called fara, killing them in the process. “A group of farandolae whirled about a fara; fronds drooped; color drained. The dance was a scream of laughter, ugly laughter.”

Drugs and Alcohol

None

Language

None

Supernatural

Meg has a run in with an Echthroi impersonating Mr. Jenkins. Mr. Jenkins, “rose up into the night like a great, flapping bird, flew, screaming across the sky, became a rent, an emptiness, a slash of nothingness.”
Meg meets a cherubim. “Wings, it seemed like hundreds of wings, spreading, folding, stretching—and eyes how many eyes can a drive of dragons have? and small jets of flame.”
Meg’s teacher is a “huge” man whose “long robe seemed chiseled out of granite.”
A large black garden snake acts strangely human, bowing to Meg’s new teacher. While the snake never speaks, it’s said that she too is a “Teacher.”
Meg is shown how the Echthroi destroy matter; how they turn it into nothingness. “Across the sky, where the stars were clustered as thickly as in the Milky Way, a crack shivered, slivered, became a line of nothing-ness.”
Meg learns how to kythe, a form of mind-to-mind communication. “It’s how cherubim talk. It’s talking without words, just the same way that I can be myself and not be enfleshed.”
Farandolae, things that live inside mitochondria, are depicted as “a small, silver-blue mouse…[that] spoke, but with neither a mouse’s squeak nor a human voice. The sound was like harp strings being plucked under water.” Meg and her friends are transported inside a mitochondria, to help the farandolae.

Spiritual Content

What Charles Wallace thought were dragons turns out to be a cherubim.
The cherubim tries to explain exactly what the Echthroi are. “I think your mythology would call them fallen angels. War and hate are their business, and one of their chief weapons is un-Naming—making people not know who they are. If someone knows who he is, really knows, then he doesn’t need to hate.”
When Meg tries to stop the Echthroi, she sings the song of creation, “Sing for the glory of the living and the loving the flaming of creation sing with us dance with us be with us Be! They were not her words only. They were the words of Senex, of the Deepening Sporos…the cherubim and seraphim, wind and fire, the words of the Glory.”

by Morgan Lynn

The Bone Houses

Deep in the mountains lies Annvyn, a land once populated by fairy folk and filled with magic. Hundreds of years ago, Arawn, the king of the Otherfolk, was betrayed by humankind. The Otherfolk abandoned their stronghold at Castell Sidi, but they left dangerous magic behind.

Ryn is proud to be the gravedigger of the village of Colbren, just like her father before her. But her job is becoming harder as the dead keep coming back as sinister magical creatures known as bone houses. Ellis is an apprentice mapmaker searching for his long-lost family. Together they must travel into the heart of Annvyn to seek the answers to both of their issues.

The Bone Houses focuses heavily on the bone houses. These magically reanimated human corpses are essential to the plot and are often described in great detail both in and out of battle. These descriptions have the potential to scare younger readers and, as they often include gory details about the human body, should be approached with caution by readers with weaker stomachs.

The Bone Houses is a fast-paced, Polish-inspired fantasy with a uniquely post-magical setting. The quest-based plot keeps the story moving forward, with quieter world-building and character moments balanced out by exciting, fast-paced battles. Strong, fierce Aderyn and gentle, intelligent Ellis make such a good team that readers will find it easy to root for them to succeed, both on their quest and as a couple. It is easy to get lost in the mysterious allure of Annyvn, which Lloyd-Jones describes beautifully. The story certainly has a darker edge to it, exploring the unintended consequences that magic can have, even when controlled by the most well-meaning of people.

Sexual Content

Ellis asks Ryn if the innkeeper is “trying to find [her] a spouse.”
After a conversation with a young boy, Ellis tells Ryn, “I’m pretty sure he thinks we’re having an illicit romance and your family disapproves of me.”
Ellis describes Ryn. “The firelight burnished her red-brown hair to a blazing crimson, and something about the angle of her chin and jaw made his heart clench painfully.”
When Ryn smiles at Ellis he experiences a feeling “like the times he slipped on a patch of ice or a slick rock—weightlessness in his belly and anticipation of the fall.”
Ellis gets embarrassed when Ryn strips to bathe in a creek. When he turns to give her privacy, she says, “I’m not naked. There’s cloth covering all the relevant bits.”
Ryn asks if Ellis is “not one for the ladies?” She then tells him, “If you prefer the lads that’s fine.”
Ellis covers Ryn with his cloak as she sleeps, describing it as “A moment of sentimentality that he could ill afford. . . But he would allow himself this foolishness, if only because no one else would see it.”
After Ryn is attacked by a bone house, she and Ellis have a moment. “He wanted to kiss her. He felt half sick with yearning. . . It was her surety, her fierce sense of purpose; he wanted to draw it into himself. Her eyes were steady on his, and she did not pull away.” They do not kiss.
Ryn contemplates her growing feelings for Ellis. “She wasn’t sure when she’d begun to regard him as hers. Her friend, her ally, and one of those few people she wanted to keep safe. And if she liked the way his dark hair fell across his eye or how his voice rasped when he said her name—well. That was beside the point.”
When Ellis saves Ryn from drowning, she “wanted to throw her arms around him, hold on until she was sure they were both alright, until she’d worked up the nerve to press her face into the hollow of his shoulder.”
When Ryn looks at him, Ellis says he can feel her gaze “like being pierced through: the sharpest, sweetest pain he could imagine,” and describes her as “truly lovely.”
Ellis says that he “wanted to touch the hollow of [Ryn’s] throat, feel her heart beating beneath his fingertips. He wanted to push the hair behind her ears and kiss the freckles scattered across her shoulders. He wanted to tell her that he wouldn’t leave—not like the others.”
Ryn and Ellis finally discuss their feelings for one another and Ryn kisses Ellis, “with a determined ferocity.” Their conversation is about three pages long, and the description of the actual kiss lasts for about a page.

Violence

Ryn encounters a bone house and grapples with it. “The woman staggered, reaching out for Ryn. Ryn ducked back, but the woman’s brittle fingers caught her on the shoulder. She felt the rake of nails, the fingers stiffen in death. Ryn tore the axe free, and there was another nauseating wrenching sound, like tissues being torn apart. The dead woman fell to the ground.”
While sleeping in the woods, Ellis is attacked by a bone house. “[Ellis] reached for the only weapon he possessed: a walking stick. He jabbed it toward the man, trying to hit him around the shoulders and head. But it was little use.”
Ceri, Ryn’s younger sister, jokingly suggests getting rid of someone with, “a few poisonous berries slipped into a jar of blackberry preserves.”
Ryn and Ellis are attacked by three armed bone houses that were soldiers before they died. Ryn “threw the axe. It flung wildly through the air, and only its handle hit the bone house in the chest. The chain mail slowed the blow but could not halt it. Ryn rushed the creature, seizing her axe from the ground and aiming another blow at the bone house’s unprotected throat. Its head dropped to the undergrowth.” The fight is described over four pages.
A villager is killed by a bone house. The villager “did not beg. Nor did he raise an arm to defend himself when the bone house brought the sword down across his throat.”
A large number of bone houses attack the village. “Distantly [Ellis] heard the sounds of shouting and the clash of metal upon metal. The bone houses weren’t only attacking the house. They must be everywhere.” Preparations for the battle and the fight itself are described over about eight pages.
Ryn’s younger sister is attacked by the bone house of their uncle. “This bone house stank of rotted flesh, and his white hair trailed from his skull. He did not speak, but a terrible noise emanated from his chest—a rusty groan. His fingers were blackened with rot, and they were tangled in Ceridwen’s hair. And in his other hand was a dirty knife.”
Ryn’s family owns an overprotective goat, who attacks several bone houses. She uses “her horns gouging one’s hip.” She is ultimately outnumbered and killed.
An incident from Ellis’s past is described in which a girl “kicked him to the ground and kept him there with a foot on his left shoulder.” Ellis suffers from an injury to that shoulder that never properly healed and causes him great pain.
Ryn leaves her brother with instructions to “brain” the Lord in charge of their village if he tries to send them to a workhouse.
Ryn and Ellis discover a community of people living with the bone houses of their dead relatives. When one of the residents finds out about their quest, she attacks Ryn. “Aderyn was on her back, legs kicking wildly as Catrin pressed her to the floor. The woman’s hands were on Aderyn’s shoulders, gripping with bruising force, and she was saying, “—can’t, you can’t—,” as if this were a conversation.”
As they pass through the mine, Ryn and Ellis are attacked by bone houses, and Ellis is pulled underwater. Ellis “tried to push himself upright, but something hung to him tightly. He struck out at the thing, bubbles emerging from his lips. He blinked and the water stung his eyes, but there was nothing to see, nothing to hear. His elbow connected with something hard and he felt it give, snapping beneath the blow.” The fight is described for six pages.
While crossing the Llyn Mawr, a large enchanted lake, Ryn and Ellis are attacked by a creature called an Alfac. “It had small scales that glittered in the sunlight like small opals. Its teeth were sharp as daggers, angled inward. Meant for ripping and tearing.” The creature capsizes their boat and pulls Ryn under. “[Ryn] touched a stone that seemed larger than the rest. Her fingers curled around its rough exterior, and before she could hesitate, she drove the rock into one of the fancy’s golden eyes.” The description of the fight lasts for three pages.
A group of bone houses emerge from the lake and attack Ryn and Ellis. “The bone houses dragged Ellis through the door and into the courtyard. One of his hands seized the frame, fingers straining, but then he was jerked free. He vanished into the darkness.” The fight is described over ten pages.
Ryn and Ellis discover the bone house of Ellis’s mother, who attacks Ryn. “Ellis knew that sound would follow him into his nightmares—the resounding crack of the cauldron striking Ryn, and then the thud of her body hitting the floor. She was so still that she might have been dead. And for one terrible heartbeat, he thought she was. Then her fingers twitched and she made this noise. A whimper in the back of his throat.”

Drugs and Alcohol

Hywel, one of the villagers in Colbern, suggests he and Ryn “stop by the Red Mare” for a drink.
Ryn describes her uncle as having been “soused” when he died.
Ryn gives Ellis feverfew to help with the pain in his shoulder. He jokingly asks if she is planning to keep him “in a slightly drugged state of good cheer.”
Ryn and Ellis find an old bottle of wine and get drunk. “The liquid was thick in [Ellis’s] mouth. He swallowed hastily, but even in its absence the wine lingered on his tongue. It tasted of burnt honey and orange rinds. Warmth bloomed in his chest.”

Language

Both “Bloody” and “Fallen Kings” are used as curses a few times.
Ellis describes Ryn’s uncle as an “ass.”

Supernatural

As a child, Ryn encounters a bone house for the first time. “She had seen bodies before, but they were always gently wrapped in clean clothes and then lowered into the ground. They were peaceful. This thing moved slowly under the weight of armor, and a sword jutted from its belt. And it stank.”
While keeping watch for bone houses, Ryn describes the night as “dark enough for magic.”
After Ryn saves Ellis from a bone house, she asks if he “[spoke] the name of the Otherking three times” or “dabbled in magic.”
Ellis is surprised to see an iron gate surrounding the village of Colbren, to which Ryn replies, “Cities took down their iron protection when the Otherfolk left. But you’ll find us countryfolk a little more wary.”
Ryn recalls a story her mother told her about how Colbren came to be protected by the fairies. “One day, a woman had ventured into the mountain forests with a basket of her finest wares. She carried golden churned butter, and fresh loaves of bread studded with dried fruits, and apples that tasted of autumn sunlight. . . If you let us be, she said, we will bring offerings again.”
Ryn describes Annvyn, the destination she and Ellis seek, as “The land of the Otherfolk. The birthplace of monsters, of magic, and where Arawn used to rule.”
Chapter six consists of Ryn telling Ellis several stories about Annvyn. “It was the king of the Otherfolk, Arwan, who made his home there. Castell Sidi, a fortress of granite and enchantment, rose up beside a clear mountain lake, the Llyn Mawr. It is said he brought magic with him—for he was immortal and lovely, and he could weave enchantments as easily as we spin wool. And where he went, other magical creatures followed.” She also describes how a magical artifact left behind in Castell Sidi caused the bone houses.
Ryn asks Ellis to accompany her to Castell Sidi, saying “All of this began when the cauldron of rebirth was cracked. It must have made the magic go awry—I thought, if I could destroy the cauldron altogether, the magic would vanish.”
The family goat comes back to life as a bone house. “For one moment, Ellis wondered if perhaps it had been asleep this whole time. But that couldn’t be—it had a gaping wound in its side. It had died. They had all heard it being killed.”
Ryn and Ellis come upon a community where people are living with the bone houses of their deceased loved ones. Ryn discovers this fact when she meets the dead mother of their host. “She’d been dead long enough for her skin to stretch tight, for desiccation to set into the flesh, yet not long enough so that her hair had lost its shine. It had been recently brushed, and it was that detail that stuck in Ryn’s mind.”
Ryn describes different stories she has heard about Annvyn. “How it was the otherworld, the Not-Place, where Arawn had ruled over his court at Castell Sidi, where red-eyed hounds caught game for their master, where men vanished for a decade only to reappear not a day older.”
Ryn is visited by the bone house of her father who guides her to Castell Sidi. “They walked through the forest, dead man and living girl . . . They walked in silence—that was one thing Ryn had always liked about the dead. There was no need to talk.”
Ryn and Ellis are attacked by the Alfan, an ancient lake creature that lives in the Llyn Mawr. “This creature was untouched by time and blades. It was a remnant of another age, and she could not kill it.”
When Ryn breaks the cauldron the bone houses die. “[Ellis’s] mother sank to the floor; Ellis sought to keep her upright, his arms locked around her, but it was to no avail. His mother was fading, the magic slipping away. Her fingers traced his cheek, and then clattered to the floor.”

Spiritual Content

Ryn says that she “retreated to the forest the way some people took refuge in chapels.”
While thinking about her father’s disappearance, Ryn mentions that her family had no burial rituals without his body. “No draping of white cloth, no placement of fresh flowers, no building a mound of stones.”
Ryn says that her father believed in “respect due to the dead,” and that’s why in the graveyard “the little rituals were always observed.”

by Evalyn Harper

Lintang and the Pirate Queen

Lintang loves her family, but she doesn’t want to be a homemaker. Lintang dreams of leaving her island home. She longs to go on dangerous and daring adventures. When she meets the infamous pirate, Captain Shafira, Lintang wants to join her crew. When she gets her chance, Lintang promises to follow orders. However, Lintang’s curious, impulsive attitude always gets her into trouble.

Lintang discovers that living on a pirate ship can be difficult. Her loyalties are divided when she finds that her best friend, Bayani, has stowed away and is desperate to stay hidden. Lintang knows that Bayani is hiding a secret that could change the world. However, she has promised the pirate queen that she will never lie to her. How can Lintang impress the pirate queen and keep Bayani’s secret at the same time?

Readers will relate to Lintang, who has a difficult time following orders. Despite her best intentions, Lintang gets into trouble time and time again. When Lintang is demoted to a cabin girl, she gains the crew’s respect through her positive attitude and work ethic. During her voyage, Lintang “had turned into Lanme Vanyan (the mother of all monsters), faced a Kanekonese siren, fought a dragon, almost drowned twice, battled a sea serpent, [and] worked as a cabin girl.”

Moss creates a beautiful world full of mythies. Some mythies are friendly and others are deadly. In order to introduce the different creatures, many of the chapters being with a page from The Mythie Guidebook, which describes each type of mythie. The information describes how to eradicate the mythie, their behavior, danger level, and provides a description.

Lintang and the Pirate Queen has non-stop action as Lintang, Captain Shafira, and her crew embark on a dangerous journey where they fight fearsome monsters. The story ends in an epic multi-chapter battle that has many surprises. Because of the complex world, the complicated plot, and the large cast of characters, Lintang and the Pirate Queen is best for strong readers. However, adventure-loving readers will love this tale of friendship and adventure.

Sexual Content

Lintang tells a legend about Pero, who “was not afraid of the Goddess of Death.” When he left home, he “packed his bag, said goodbye to his mother, kissed the barmaid, and left.”
Avalon is transgender. One of the ship’s crew treats him unkindly. She says, “Avalon pretends she is a boy. I remind her she is not.”

Violence

While walking in the forest, Lintang and Bayani are attacked by a malam rasha. “A night terror (malam rasha) is a humanoid forest mythie in the predator category. It appears as a woman with wooden skins, long dark hair, and a white dress. Instead of arms, it has tree roots, which are sharp enough to dig through flesh.” Bayani’s fey friend, Pelita, helps. “Before it could attack, a ball of white light zipped in front of its face. The malam rasha recoiled, snarling.” Lintang raised her sword and the “malam rasha reared up. It moved to strike with its arm of tree roots, but she stabbed and it retreated. Slash. Dodge. Stab. Dodge. . . Lintang ran to Bayani, shoved him to the ground, and threw herself over him.” When the two are laying on the ground, someone chases the mythie away. The fight scene takes place over four pages.
The malam rasha goes to the temple and goes after Lintang. “The mythie barreled into her. She landed on the stone floor, winded. Pelita fluttered out of the way just in time. The malam rasha curled its lip and slashed at Lintang’s stomach. . . The malam rasha tried again, clawing and tearing until the front of Lintang’s sarong was in tatters.” Panna leaves that were smeared on Lintang protected her. Captain Shafira jumped in to help. “Captain Shafira aimed sword blows at the malam rasha so fiercely that it was forced to retreat.” The Captain’s crew assists her in capturing the malam rasha. “Captain Sharfira brought her sword down and chopped off its arm. It released an earsplitting shriek.” The battle is described over three pages.
Once the malam rasha is captured, Captain Shafira “directed a kick to the malam rasha’s wooden head, and it slumped, unmoving.” Later when the light of day appears, the mythie “burst into flames, leaving only a silhouette of ash and the broken fishing net.”
A predator mermaid uses her power to make Lintang jump into the sea. “Stinging spread across her body, from both the impact and the chill. It didn’t matter. Nothing mattered anymore. She was with the mermaids now.” The mermaids try to pull Lintang deeper into the ocean. “Splinters sliced at Lintang’s lungs. Her head felt light. . . She barely noticed the flash of steel, or the clouds of blood in the water, or the fact that the mermaids had released their deadly grip.” Lintang is saved. The scene is described over a page.
When leaving the island, Nyasamdra picks up Captain Shafira’s ship. Nyasamdra “let them float in the air. She watched them swirl inside the bubble, her face childlike with curiosity.” Trying to help, a “bird darted past Nyasamdra’s fingers and pecked the bubble. There was a pop, and everyone had to hold on as the ship plummeted back into the waves.” Bayani comes above deck and gives Nyasamdra the correct tribune, then she lets them pass. The scene is described over four pages.
A sea serpent attacks Captain Shafira’s ship. The huge serpent tries to break the ship up by squeezing it. “Lintang acted without thinking. She raced forward and shoved a harpoon into the serpent’s mouth to wedge it open. The serpent started to snap but stopped as the dragon’s claw dug into the roof of its mouth and sprayed blood across the deck.” One of the crew members “swung out on a rope, caught the harpoon with one hand, and used the dragon talon to slash the serpent through the neck.” Lintang is injured. The fight is described over three pages.
When Governor Karnezis tries to get Lintang to give up Captain Shafira’s location, Lintang tries to escape. “. . . Governor Karnezis snatched her hair. She cried out as he yanked her backwards.” Lintang uses a dart to put the governor to sleep. Captain Shafira and her crew help Lintang escape.
Farah and her family helped Captain Shafira when she was injured. The Vierzan counsel sent “people to kill Farah’s family and burn the place down.”
While under the sirens’ spell, Avalon attacks a crewmember, Mei. “Avalon lunged. He wrapped his arm around Mei’s throat. . .Mei strained to pull his arm from around her neck. Her round cheeks turned pink. She was suffocating.” A crew member hits Avalon over the head with a frying pan, causing him to pass out.
Captain Shafira boards Captain Moon’s ship and the two fight with swords. “The two thrust and parried, each as skilled as the other. A few clashing blades and a clever maneuver later, they’d switched positions. . . Captain Shafira managed to kick Captain Moon’s ankle, dropping her to one knee. Captain Moon blocked an attack while she was down, then stabbed forward so violently that Captain Shafira had to jump two steps down the staircase. . .” When the sirens threaten both ships, the two captains work together.
The ship’s dragon awakens. Captain Shafira and Captain Moon bait the dragon, causing it to tear down a locked door.
At one point in the fighting, Bayani is “standing on the bridge with the spear side of the khwando pointed at Zazi’s neck.”
Lintang jumps in the ocean, then turns into the mother of monsters named Lanme Vanyan. Lanme attacks a dragon. Lanme “sprang, clamping her hands on the dragon’s shoulder. It tried to toss her aside, but she held on and slashed at its wings. They twisted in the air like a whirlwind.” She flings the dragon away and then attacks a siren. “Lanme zipped toward it and bit it beneath the arm. . . The siren tried to crush her with its free hand. She bit its fingers. Bubbles hissed from its mouth, but it didn’t pull back.” The siren swims away.
The dragon returns and attacks Lanme again. Lanme “whipped her tail into the air, wrapped it around the dragon, and slammed it onto the waves. The dragon shuddered with the impact, then floated, stunned.” Then, Lanme turns back into a human.

Drugs and Alcohol

The Vierzans developed a medicine that “kills dangerous things in your body. Stops illnesses, disease; you name it, the Curall fixes it.” When Pelita is sprayed with Curall, she glows brighter. “Pelita’s squeaks turned into tiny shrieks. She sounded like she was in pain. . . And then, as swiftly as a sneeze, a human body burst out of the pixie. A girl lay in Pelita’s place, an Islander barely ten years old.”

Language

While practicing sword fighting, Lintang says to her best friend, “You ebony-nosed loobatoon! You brown-tailed barbanees! You blood-eyed ruberrince!”
“By the Gods” is used as an exclamation four times.
When Lintang scares the ship’s cook, she says, “Mother of monsters, you scared the petticoats off me!”
Someone calls another character a gnome.

Supernatural

Lintang’s world has various mythies, such as sirens, propheseeds, mermaids—both predator and friendly types. For example, “Propheseeds are sky mythies that take the form of three glowing dandelion seeds. They appear harmless, giggling childishly, and do not physically attack. . . The propheseeds will say your name three times, then, in a form of a riddle or rhyme, give you the time and details of your imminent death.”
Those born on the twin Islands have “small, shiny fish scales” on the back of their necks. A ship can only leave the island if they have someone from the Twin Islands. But the island’s mythie guardian Nyasamdra drowns ships “that tried to leave her territory unless they carried someone with her mark.”
Sirens are predator mythies. “Like the common siren, it calls for males, but unlike the common siren, it gives power to its victims, making them strong and violent, unable to think of anything but getting close to the mythie.”
Mythies did not appear in Lintang’s world until “shooting stars had passed overhead when the mythies arrived. No one knew why the Three Gods had sent the mythies. The creatures had caused havoc throughout the world, but the priest always said in serene voices that the Gods had reasons for everything they did, even if humans could not understand them.”
One of the characters is a talking clamshell.
Lintang turns into the mother of monsters named Lanme Vanyan.

Spiritual Content

People believe in Ytzuam, which is “high above, past the clouds, past the sun, there’s a world in the stars. . . It’s separated from our world by a single thick curtain. There are three Gods who live there: Niti, Patiki, and Mratzi.”
As Lintang walks she sees the temple, which makes her think about the gods. “Lintang used to learn about the Gods from the priest there when she was younger, but the only time she visited now was during seasonal festivals.” The three gods are Neti, the creator of the stars, Patiki, the planter of stars, and Mratzi, the harvester of stars.”
When Lintang accidentally sets the house on fire, she needs water fast. “Their offerings to the Three Gods had been freshly lain on the stone alter that morning. She reached between a scattering of juicy bubleberries and thin, smoldering sticks of mollowood to take the earthen jug.” She uses the water to help fight the flames.
When Lintang fights the malam rasha, she was “praying to the Three Gods that her plan would work.” Then she “dredged up a memory of a prayer from temple. ‘Hear me, Niti, Patiki, Mratzi—Gods of Ytzuam, givers of life, guardians of stars. Please protect us, please don’t let the malam rasha eat us.”
People believe that when someone dies, they continue to live. Lintang thinks about her dead grandfather. “Lintang hoped her grandfather’s star, blazing high in the sky” was not ashamed of her.
Bayani had died and Mratzi told him that the mythies were human. She then allowed him to return to the living.
Lintang trusted the Pirate Queen, but then “prayed to Niti she wasn’t wrong.” Later, when the Pirate Queen decides to stay with Lintang until she gets to her destination, Lintang “sent a silent prayer of thanks to the Gods.”
In Vierzan, the people have destroyed the Gods’ monuments because “they think the Gods sent mythies to wipe humans out. . . Now they refuse to pray or build temples or leave offerings.”
When Lintang must jump off a building, Bayani thinks she is injured. When he discovers that she is fine, he says, “Thank the Gods, thank the Gods—”
When almost drowning, Lintang sees a vision. Shooting stars crashed “through a field of unplanted seeds. . . the impact of the shooting stars scattered seeds throughout the world. . . She saw a man unwittingly absorb one of the star seeds, then he burst apart as a gnome sprang from him.” The vision shows Lintang how humans became mythies.
Lintang turned into a mythie.

Landscape with Invisible Hand

After the first vuvv landed, everything was supposed to change for the better. With the promises of health and prosperity, humans greeted the technologically advanced alien race with open arms. But when Adam’s parents’ jobs are replaced by alien technology, Adam realizes that only the wealthy class is able to thrive. Earthlings start to go hungry as food, water, and medicine become scarce. Earth becomes a wasteland of diseases where the poor suffer, while the rich and vuvv in the skies live a life of luxury.

With no money and barely enough food to survive, Adam Costello—an 18-year-old American artist—must get creative. Adam and his girlfriend, Chloe, sign up for a 1950s style dating program where they record “traditional human love” for the vuvv to watch. The vuvv watch as Adam and Chloe fall in love and act out scenes, including dates. But as the money rolls in for their pay-per-view program and their subscriber count goes up, Adam and Chloe start to hate each other. After they break up, the vuvv threaten to sue them for promoting their “fake love.”

With the threat of a lawsuit and food running low, there is only one way out—a global youth art competition. After Adam’s art teacher, Mr. Dave Reilly, entered some of Adam’s artwork in a “traditional human” art contest, Adam makes the first cut and is invited to a huge party at a galleria where the winner will be announced. The winner will have everlasting fame and fortune with their art pieces sold throughout the universe. Will Adam win and move into the clouds or will he be stuck living on the desolate Earth forever?

In Landscape with Invisible Hand, Anderson draws many parallels between Adam’s art contest, the vuvv’s colonization, and social media. He asks the question: how much should we shape ourselves to fit the criteria of others? Adam constantly has to decide whether to become the type of human the vuvv want or stay true to himself. In the beginning, Adam desperately tries to fit the vuvv’s mold in order to survive. But as Adam’s health starts to deteriorate, Adam throws away this mold and submits “nontraditional” art to the vuvv contest, teaching readers to be themselves no matter what.

Even though at its core the book has a positive, self-empowering message, Landscape with Invisible Hand is intended for older readers. Reader’s hearts will be torn apart as nothing goes right for Adam’s family—food runs out, they can’t find a job, and Adam’s medical problems worsen. The story is extremely dark, saddening, and has no happy ending. The novel also makes many parallels with African colonization and enslavement with Adam’s situation. This motif will make it hard for some readers to understand the story’s true meaning. Along with the plot and themes, the novel’s sexual content and language is also intended for older readers. The character’s frequently “neck” and kiss, and Adam constantly cusses throughout his narration. Landscape with Invisible Hand contains a powerful message that can be used to start a conversation about our world’s self-identity crisis and social media.

Sexual Content

The book begins with a drive-in movie theater showing a 1950s alien film where a girlfriend and boyfriend are making out. Then, an alien approaches from the nearby woods. “Boyfriends and girlfriends squeal and lean into each other. Couples grin. They’re parked in fifties tin cars and ‘necking.’ The movie screen above the field of parked cars is reflected in their windshields.”
“‘Gee, Chloe,’ I say, and turn to kiss her cheek.” Adam and his girlfriend Chloe take part in a 1950s dating job, where they record themselves in love and upload it for vuvv enjoyment. Usually, it involves slight kissing and flirtatious conversation.
After doing the 1950s dating job and filming their love for so long, Adam and Chloe fall out of love. Adam recalls how “once when we were pretending to kiss – our mouths stuck together uncomfortably like fried onion rings – just pressed against each other, not moving, trying not to breathe each other’s breath – suddenly a word popped into my head: intimacy.”
Chloe brings another boyfriend, Buddy Gui, to the house where she and Adam’s family live. Adam thinks to himself, “Once they disappear, I hear the ruckus from some buddy-cop holo show they’re watching, or else they’ve just turned the volume up real loud to hide the sound of them fucking.”

Violence

After trying to apply for a soup kitchen job, Adam’s mother starts talking to a guy in a suit. Suddenly, he throws her against the wall and says, “You’re not applying for that soup job. It’s mine. I have your fucking address now, and if I see you working there next week, I’m going to come over and burn your motherfucking house down.” After watching it all unfold, Adam says that he “should’ve punched him.”
Adam and his mother have nothing to do, “So we watch the news, and there has been a race riot in Central Falls. Security cameras show a bunch of white guys rampaging through a bodega, lifting up the Coke fridge, and tipping it through the window, attacking the owner and his family with a baseball bat, screaming shit like go back to Mexico and leave us our jobs. They’re stomping on the chips in the snack food aisle and showing their teeth like an animal pack. Some white woman standing outside on the street in a terry-cloth hoodie tells a reporter that if it weren’t for those goddamn people, the censored censored censored illegals, everybody wouldn’t be eating the grass in our yards on all fours.”

Drugs and Alcohol

None

Language

Profanity is used in the extreme. Almost all the characters cuss and profanity is on almost every page. Profanity includes: douche, shit, fuck, goddam, ass, idiot, Jesus, hell, jerk, and piss.
Adam recounts the vuvv landing and says, “A few years ago, some guy in cargo pants was caught tipping over one of the monument’s pillars. At first, everyone thought he was doing it as an anti-vuvv protest. Later, it turned out he was just a douche.”
Adam hates how his house looks. “The shingles look okay, but all the brown panels look like hell. The paint is cracked and flaking off in long strips. What kind of dipshit would design a house half shingled and half painted?”
Adam’s mother asks if he includes “the piles of bullshit you heap in every direction” in his paintings.
Adam calls his dad a “fucker” and a “fucking coward” for running off and abandoning them. Adam’s mother calls Adam’s dad a “jackass” after he suggests they try to rent out part of the house.
Someone sold a million-dollar estate for a “goddamn dollar” to the vuvv.
Adam suffers from Merrick’s Disease, which causes him to have the “shits” constantly.
Adam lied to a group of rich kids, claiming he damaged his Achilles tendon “when I was kneeing a complete idiot in the gut.”
Adam’s sister, Nattie, makes a pun. Her mother lets out a long sigh and responds, “Jesus, Nattie. I don’t know what to say to that.”
Adam hates school because “The school day seems to stretch forever, especially because my last couple of classes are taught by vuvv tech, which just shows us stuff floating in the air and then tells us off when we act like jerks.”
Adam watches Thallium Dogs II: Assassin’s Blade where the main character “opens up a noisy barrel of whoop-ass.”
In celebration of getting to the art competition shuttle, Adam urinates. “While I’m still in the shadows, I piss a smiley face into the snow.”

Supernatural

None

Spiritual Content

The winner of the art competition makes a crude, wooden chainsaw construction of the Virgin Mary and a combination of baby Jesus and the Hindu god Ganesh. “My painting faded. In its place is the 3-D image of rough-hewn Virgin Mary and Child, except the Virgin Mary is swaddling on her lap (silent night, holy night) an infant with the head of an elephant.”

by Matthew Perkey

The Grand Escape: The Greatest Prison Breakout of the 20th Century

At the height of World War I, brave Allied and German forces battled on land, air, and sea. During these battles, captured Allied soldiers and pilots were sent to the dangerous web of German prisons where they were neglected, beaten, and robbed. The most troublesome prisoners of war were sent to

Holzminden – an inescapable landlocked prison designed to break prisoners. The prisoners are in the middle of Germany, locked down by armed guards and barbed-wire fences. The camp’s ruthless commandant, Karl Niemeyer, enforces the camp’s cruel rules. Escape seems impossible for the rag-tag prisoners.

Faced with a Herculean task, a group of determined Allied soldiers and pilots defy the impossible, daring to escape the prison by building a tunnel right under Niemeyer’s nose. Scraping away mere inches of dirt every hour, the team tunneled through the prison’s foundation underneath guard towers, dogs, barbed wire fences, and into a nearby farm. As Niemeyer becomes suspicious of a possible escape, the team of escapees works tirelessly forging documents, smuggling in supplies, and bribing guards. The hardest challenge of escaping Holzminden was yet to come for the 29 men—making it back home undetected through war-torn Germany.

The Grand Escape will leave readers on the edge of their seats as they read the true story of how a team of Allied prisoners banded together to escape Germany and became an inspiration for their fellow countrymen during World War I’s darkest hours. Bascomb does an extraordinary job bringing the story to life. His vivid details, page-turning suspense, and well-developed research alongside photographs, maps, and diagrams of the tunnel and prison camp make the reader feel like they are actually in the tunnel escaping with the prisoners.

The suspense will keep readers turning the pages until the very end. However, the book discusses some of the atrocities of World War I, including the intense violence and hatred between the German and Allied soldiers. Some descriptions are graphic; therefore, the book is not for the faint of heart. This book is aimed at older readers who have some pre-existing knowledge about World War I and the development of modern aircraft. Nonetheless, The Grand Escape is a terrific nonfiction book that will teach readers to persevere through hard times.

Sexual Content

None

Violence

When Cecil Blain and Charles Griffiths are sent on a mission to find warehouses in Germany, they are shot at by German artillery. “A shell rocked one plane on the port side of their formation, but its pilot recovered. Another cut confetti-sized slits into the wings of Blain’s plane, and shrapnel pinged against his engine cowling.” Although no one is injured, Blain and Griffith’s plane sustains heavy damage and they are forced to land behind enemy lines where they are soon held as prisoners.
On a bombing run, English pilot David Gray and his machine-gunner are ambushed by Böelcke. A “close-quarter rake of bullets from Böelcke ripped through Gray’s engine and shredded an aileron. Propeller stopped, balance control lost, the plane plummeted into a spin.” Gray and his gunner are both severely injured, with broken bones and lacerations covering their faces, but they manage to survive, crash landing behind enemy lines.
Holzminden’s commandant, Karl Niemeyer, is easily angered and loves to both psychologically and physically torture his prisoners. In one instance, he “ordered a guard to fire at prisoners in the barracks building who were mocking the Germans during their morning drill marches.”
Private Dick Cash was “ordered across no-man’s land in an early morning assault on the strategic German stronghold at Bullecourt. The Australians faced withering heavy machine-gun fire in their approach to the enemy lines. During the attack, Cash was shot in the chest. The bullet punctured his left lung, but he continued ahead. A series of mortars threw him first skyward, then sideways. Shrapnel pierced his back, and many of his teeth were knocked out before he landed in a shell hole, boots first.” However, Cash manages to “survive the maggot-infested squalor” and is sent to Holzminden after recovering in a German hospital.
At another camp, Harold Medlicott and Joseph Walter were murdered, but the German guards lie to prisoners, saying they were shot on the run. The guards return to camp with two stretchers covered in dark sheets and “while several British officers distracted the guards watching over the bodies, another officer rushed up and threw aside the sheets. Medlicott’s and Walter’s bodies were riddled with over a dozen bullets and stabbed with several bayonet wounds.” The British officers realize that Medlicott and Walter were not shot while escaping, but brutally murdered by their captors.
While escaping to Holland, a border guard sees Bennet and Campbell-Martin and starts to fire. “The crack of a rifle echoed behind as they charged headlong into Holland. The first shot and the next missed. They ran and ran until they splashed into the Dinkel River in free Holland.”

Drugs and Alcohol

On their way to a new POW camp, the guards and prisoners stop at a train station restaurant and form a temporary truce where “the British bought every bottle of wine behind the bar, some of them a lovely pre-war vintage.”
During a Christmas party at Holzminden, “Douglas Lyall Grant, of the London Scottish Regiment, supplied a cellar’s worth of bottles that he joked cost more than a night out at London’s swanky Carlton Hotel.”

Language

None

Supernatural

None

Spiritual Content

On the night of the escapes, “A religious man, Butler muttered a short prayer before pushing his kitbag into the tunnel and following it in.”

by Matthew Perkey

Through the Untamed Sky

After winning the wild Pegasus mare named Echofrost in a contest, Rahkki Stormrunner is officially a rider in the Sky Guard army. Rahkki is terrified of heights though, and Echofrost doesn’t want to be tamed. But with Echofrost’s herd captured by the giants and a fierce battle looming on the horizon, the duo will have to conquer their fears if they want to fly with the army and free the herd.

Meanwhile, back in his village, Rahkki learns of a growing rebellion to overthrow Queen Lilliam. Unfortunately, the queen suspects Rahkki’s family is behind it, and she places him under intense watch.

As Rahkki and Echofrost escape to Mount Crim to save Storm Herd, Rahkki worries that the greatest danger may not come from the impending battle against the giants, but from within his own clan.

Through the Untamed Sky continues the story of Echofrost and Rahkki. In order for Echofrost to free her herd from the giants, Echofrost joints the Sky Guard with Rahkki. However, it soon becomes apparent that none of the Landwalkers (humans) care whether Rahkki lives or dies. To make matters worse, someone is actively trying to assassinate Rahkki. In a world where political power can only be gained by killing the current Queen, danger lurks in the shadows.

Although Echofrost’s desire to be free is understandable, she never thinks about Rahkki’s needs. Echofrost’s selfish behavior continues to the very end of the story. It takes a battle with the giants for Echofrost to see that “freedom meant choosing her bonds, because a Pegasus could not live alone or act only for oneself.”

The second installment of the Riders of the Realm Series shifts its focus away from Echofrost’s conflict and focuses more on the political unrest. As the story unfolds, Rahkki remembers the night his mother died. Even though the flashbacks help explain the political structure, readers may become upset that someone would kill a pregnant woman in order to gain the throne. The death of Rahkki’s mother is not the only violence in the story. An epic battle is fought and many lose their lives. Although the descriptions are not gory, there is blood and violence that may upset sensitive readers.

Through the Untamed Sky will entertain readers. However, the long descriptions, the large cast of characters, and the complex storyline make the story suitable only for strong readers. Like the first book in the series, Through the Untamed Sky ends with a cliffhanger that will have readers reaching for the third book in the series, Beneath the Weeping Clouds.

Sexual Content

The princess and Rahkki are talking when the princess “placed her hand in his, and a jolt of heat shot through his body.”
During the battle, Rahkki “leaned forward and kissed [the princess’s] lips. She tasted sweet, like peppermints.”

Violence

As part of a ceremony, Rahkki and Echofrost are branded. After the branding, Echofrost’s “eyes bulged and her breath came in rapid bursts as she absorbed the pain of the branding. Rahkki’s body had gone numb except for his throbbing shoulder.”
The giants come to talk to the queen, but the queen upsets the giants, then, “The Sky Guard ascended. Guiding their pegasi with their legs, the Riders fired arrows at the Gorlanders. . . Led by the two elephants, the Gorlanders rushed out and their huge strides carried them swiftly toward the jungle.” The Gorlanders’ dragons “dived down, shooting hot jets at the new pair. Rahkki cringed when the flames licked the back of his neck.” The scene is described over three pages. No one is seriously injured.
A giant lizard, Granak, chases after Rahkki and the princess. In an attempt to hide, the two “quickly pushed vines and leaves over their bodies, but Granak reared back and uprooted their tree with his massive clawed foot. Thick roots popped out of the soil, throwing Rahkki and l’Lenna into the air.” As the two run, their pegasi “swooped down, attacking like angry birds. Echofrost landed a barrage of kicks to Granak’s head. Shysong kicked him hard across his ear hole. . . The lizard’s huge foot swung at the roan, just grazing Shysong’s wing. She spun out of control.” When I’Lenna gets to the fortress, the guards close the gate, locking Rahkki out.
When the lizard catches up to Rahkki, “Granak swiped his huge paw and slammed Rahkki’s chest. The boy tumbled across the yard. . . Rahkki tumbled across the soil, his body vibrating from the power of the dragon’s paw. His armor clanged, protecting his skin. . .” Rahkki throws hot pepper spice “straight into the dragon’s open mouth. Granak reared back with a roar and shook his great head.” The lizard flees. Some people believe Rahkki defeated the giant lizard with magic. The chase scene is described over eight pages.
Rahkki remembers the night his mother was assassinated. His mother’s Pegasus was injured as he tried to fly the kids to safety. “A long sharp sliver of wood was embedded in the stallion’s chest like a spear. . . [Rahkki’s] tears dripped onto the stallion’s face. They mixed with the rain as he [his brother] stroked the boy’s cheek and listened to his soft breaths.”
Giant spiders attack and try to wrap the pegasus in their web. Rahkki’s brother, Brauk, tries to help. “Brauk picked up a sharp stick. The closest spider had reared back and shot a band of silk at them. . . then he charged the waist-high spider and smashed it across its fangs.” The spider is able to grab Brauk with its web. The pegasus is able to help. “Drael stomped its head, and pale-blue blood squirted across Rahkki’s nightdress.” The spider scene is described over three pages.
Someone tries to kill Rahkki with a poisonous snake. “A pillow slammed onto Rahkki’s head. He tried to shove it aside, but the person pressed it into his face, cutting off his air. Meanwhile, the serpent bumped against his thigh.”
When Echofrost tries to find her herd, giants see her. “A small tree spiraled up from the Gorlan party, thrown like a spear. It struck her between the eyes.” Echfrost and Rahkki fall to the jungle floor. “Hot blood trickled from Rahkki’s hairline. He ran his hands along his body, checking for injuries; but other than his raw skin, a few cuts, his throbbing ear, and a pulled muscle in his thigh, he was undamaged.”
A giant finds Echofrost. “Suddenly, a rock struck her flank and she whirled around.” Echofrost saw “an adult Gorlan male, squatting and facing her . . . Reaching into a bag strapped to his back, the giant threaded out a long rope. At the sight of it, Echofrost pinned her ears back. He caught her, tugged hard, and rolled her onto her side.”
Rahkki finds the captured Echofrost and fights the giant, who is a prince. “Desperate, he sliced the prince’s arm with his dagger.” Then a huge python reached the giant and “it sank its teeth into his short neck. The giant roared and toppled onto his back, and the snake’s great weight pinned him.” Feeling sorry for the giant, Rahkki helps. “He reached the base of the python’s skull and drew his dagger. . . Then he tightened his fists around the pommel and drove the sharp blade straight into the python’s brain.”
When the Land Guard is commanded to attack the giants, Rahkki is forced to go with them. The army is supposed to steal the wild herd from the giants. While trying to get to the pegasi, “screams and shouts and smoke filled the valley.” The tiny dragons use their fire and “several Land Guard soldiers rolled across the grass, trying to snuff out their burning tunics. Others swiped at the burners with their sawa blades, cutting them out of the sky.”
The giants use their saber cats to help them fight the battle. “The first saber cat reached the captured wild herd, and its long fangs punctured a mare’s throat, severing the vein.”
A saber cat attacks Rahkki. The cat “galloped at him, tail lashing, jaws wide.” Echofrost threw Rahkki out of the way. Rahkki “grabbed his sawa sword instead. The cat turned on him, muscles rippling, lips curled back in a snarl, whiskers bristling. . .” Echofrost goes to help and “kicked the cat in the head, knocking it out. It tumbled onto Rahkki, pinning him to the ground.”
When the princess claims to be “the rightful Queen of the Fifth,” the head soldier Harak tries to kill her. General Tsun helps the princess, then “Harak loosed the arrow, and the shaft plunged straight through Tsun’s throat. His breath cut short, the general collapsed and his life force pooled atop soil. . .”
When the giants take the princess captive, Rahkki jumps in to help her. “Rahkki sliced the bindings around I’Leanna’s wrist. . . the king roared at the sight of I’Leanna being cut free, and the line of ten giants loosed their stones at the princess. Rahkki clutched her close, blocking her body with his.” Rahkki is injured when a stone “slammed into his anklebone. Another stone struck his helmet. He released I’Lenna and crumbled to his knees, his ears ringing.”
Harak shoots an arrow at Rahkki, but Echofrost “darted between the arrow and Rahkki’s neck. It slid between her armor and into her rib cage. . .”
During battle, a mare named Rizah “tossed the man across the field and then kicked another.” A young soldier shoots an arrow at Rizah. “The arrow lodged deep in Rizah’s neck . . . The golden mare pinwheeled toward land and struck the grass. She toppled over, wheezing.” The battle scene takes place over 50 pages.

Drugs and Alcohol

When Rahkki’s brother is injured, he is given “medicine to keep him asleep.”
An animal healer explains how she uses dragon drool to make a medicine that puts people to sleep. “Boiling the venom removes all of the toxins but leaves the anesthetic properties intact.”
During a meal, the Queen’s table has food and rice wine.
A merchant sells food and rice wine to shoppers.
After Rahkki gives a girl his food, she was found “convulsing in the dirt. Another groom screamed for help as white froth poured from the girl’s mouth.” It turns out that Rahkki’s food had been poisoned.
During the battle, Rahkki uses “drool-soaked” darts to put giants to sleep.

Language

Bloody rain is used as an exclamation frequently.
Lands to skies, sun and stars, and by Granak are all occasionally used as an exclamation.
Rahkki’s brother says, “My brother’s an idiot.”
By the Ancestors is used as an exclamation once.
When a group of boys was wrestling, a boy calls someone a “Gorlan-blooded freak.”

Supernatural

Each clan “claimed a different mascot, and the queens fed their respective beasts live animals to keep them content, then stared at the gnawed bones as if their futures were written in them.” In one clan, the queen’s adviser “oversaw the sacrifices to the clan’s mascot, read omens, and made predictions.”
Someone tells Rahkki that curiosity calls the kaji spirits. “Kaji spirits harassed the seven clans, causing people to trip and slip and blunder where they were otherwise sure-footed and agile. Kajies came in flurries when Sandwens were either up to no good, full of pride, or curious about things that had nothing to do with them.”
When attacking a python, Rahkki says, “Granak protect me!”

Spiritual Content

After winning Echofrost in a contest, Rahkki goes to talk to the queen. When he returns, he climbed onto her back, “with a small prayer to the wind spirits.”

Scarlett Hart Monster Hunter

Scarlett Hart isn’t afraid of monsters. As the orphaned daughter of two legendary monster hunters, she is prepared to rid the entire city of monsters! The only problem is that the Royal Academy for the Pursuit and Eradication of Zoological Eccentricities says she’s too young to fight perilous horrors. But that doesn’t stop Scarlett and her trusty butler. They fight mummies, a horrid hound, and save the city from a monster attack.

Scarlett is a plucky heroine who isn’t afraid to fight. With the help of her butler, Napoleon, Scarlett is able to keep her monster hunting a secret. However, her parents’ rival, Count Stankovic, wants all of the monster hunting glory for himself. The Count will try anything to get Scarlett out of the way. Every time Scarlett turns around, the Count is hiding in the shadows, waiting for his chance to get proof that Scarlett is breaking the law. When a group of monsters starts mysteriously manifesting, Scarlett knows she has to risk breaking the rules and being put in jail. She will do whatever it takes to save the city.

Scarlett goes around the city fighting sea monsters, fire-breathing monsters, and gargoyles. Even though the monsters always meet their demise—sometimes in creative ways—the illustrations keep out the bloody gore. Most of the story revolves around battling monsters and the Count. However, Sedgwick includes enough detail and family background to give the story a little depth.

Scarlett Hart Monster Hunter is an entertaining story with elements of steampunk. Even though the action revolves around monsters, no one is seriously injured. The story has many elements that will entertain middle school readers, like the string of funny, creative insults Scarlett uses when referring to the Count. The illustrations use many onomatopoeias, such as, “creak, fazaza, tweak, phut, phut, sputter.” The cartoon-like illustrations use shades of brown to mimic the darker tone of the story.

Readers who love monster fighting fun and have read The Last Kids on Earth series will miss the humor and friendship that is lacking in Scarlett Hart Monster Hunter. Despite this, Scarlett Hart Monster Hunter is a fast-paced story that is worth spending an afternoon reading. However, readers may want to make sure they aren’t alone in the house when they decide to jump into Scarlett’s spooky world. Monster-loving graphic novel fans should also add Ghostopolis by Doug TenNapel to their reading list.

Sexual Content

When the Count is running after Scarlett, his pants slip down and show his buttcrack.

Violence

While walking, a monster jumps out and a man falls into the water and sinks.
The Count uses a rocket launcher to fire a weapon that blows up a monster. The scene is illustrated over two pages.
Scarlett reads a newspaper article that says, “The Black Dog of Suffolk County. Also known as Black Shuck. Ghost-dog with glowing red eyes. Has caused four deaths this past month alone. Last sighted in Devil’s Hollow.”
Scarlett goes to capture the Black Dog. When she shoots at it, the Black Dog attacks her car. When the Black Dog runs off, Scarlett chases it and hits it with her car. They load the dead dog into a sack and put it on top of the car. The scene is illustrated over five pages.
When a mummy sees Scarlett and Napoleon, it says, “Urrr. Brains. Fresh brains. . .” The mummy chases Scarlett and Napoleon. A group of mummies appears, trapping the two monster fighters. Scarlett uses her sword and a stage curtain to capture the mummies. The scene is illustrated over five pages.
While hunting a ghost, a ghostly bishop jumps out of a closet and chases Scarlett and Napoleon. The Count shoots the ghost who shrivels. “Fzzzzz. Pop.” The ghost disappears. The scene is illustrated over four pages.
When the Count takes a picture of Scarlett ghost hunting, she holds a gun up to threaten him. The Count gives Scarlett the camera and leaves.
Scarlett follows the Count. When he hears her, he shoots at her. Scarlett shoots back. Then, she throws a container of black spiders at the Count, who freaks out and drops the gun. The scene is illustrated over three pages.
Scarlett and Napoleon go to a cathedral and see swarms of living gargoyles attacking people. The Count drives up and begins shooting the gargoyles. When a gargoyle grabs the Count, Napoleon drives into the creature, saving the Count. A gargoyle grabs a boy and Scarlett shoots the gargoyle. The boy falls safely to the ground. The scene is illustrated over 10 pages.
Napoleon tells Scarlett about a dance her parents attended. Scarlett’s father and the Count argued over a girl. The Count “went to punch your father. . . Stankovic (the Count) fell over a balcony into a fountain. He was humiliated. Everyone laughed at him. He left in a huff, and no one saw him for months.”
When Scarlett and Napoleon are put in jail, someone slams a car into the building to free them.
When a group of monsters attacks, several people (including Scarlett and Napoleon) try to stop them. People use a variety of weapons, including a gun, a shovel, and a sword. A giant octopus-like monster with many eyes goes after Scarlett. She jumps in a car with Napoleon and drives away. The battle takes place over 14 pages.
Scarlett jumps in an airplane and looks for an octopus-like monster. When she finds the monster, she shoots it. The monster throws parts of a building at the plane. Scarlett drops a bomb into the monster’s mouth and it blows up. The fight is illustrated over 16 pages.
When Scarlett is flying home, she sees the Count hit Napoleon with a car. The Count points his gun at Napoleon. Scarlett flies close and the Count shoots at the plane. When Scarlett turns the plane around, she flies close to the Count, who falls off a cliff. He falls into a shark’s mouth. Later, the Count is seen hanging onto the shark’s fin; it is not clear if the Count is a zombie or still living. The scene is illustrated over eight pages.

Drugs and Alcohol

Scarlett goes into a pub and orders “a triple whisky and easy on the ice.” The bartender glares at her. Then she says, “Just kidding. Ginger beer, please.”
After battling monsters, Napoleon tells Scarlett, “Since you will arrive first, perhaps you could ask Mrs. White to pour me a glass of beer? A large one.”

Language

Scarlett exclaims, “leaping lizards, piston heads, and gaskets and cylinder rings.”
Scarlett says, “I’m just a great idiot.”
Scarlett calls the Count a series of names, including: “pea-brained tire muncher,” “scabby nosed cat eater,” “animal-faced sewer dweller,” “dog-bottomed ferret face,” and “weasel-headed monkey brain.”
Scarlett says, “that toad faced Count stole our kill the other day.”
Someone calls Napoleon “an old fusspot.”
Someone calls the Count a “swine.”

Supernatural

Scarlett has a pair of ghost goggles that let her see ghosts. Without the goggles, ghosts “only materialize when they want to scare you.”
The Count learns how to bring monsters to life.

Spiritual Content

While hunting ghosts, Napoleon takes holy water and Scarlett takes the Bible.

Six of Crows

When it comes to the magic-wielding Grisha, nothing is ever easy. Especially not when Grisha are subjected to jurda parem, a dangerous new drug that not only enhances their latent abilities but also throws those same Grisha into a never-ending cycle of addiction and suﬀering.

Now, the only man who knows the formula to jurda parem, Bo Yul-Bayer, is locked up in the Ice Court, one of the most secure prisons in the world. There are many people looking to free Bo Yul- Bayer in order to use his knowledge, but Kaz Brekker is hired for the exact opposite.

Kaz and his crew, Inej, Jesper, Nina, Wylan, and Matthias, are about to breach the toughest prison in the world to free Bo Yul-Bayer and make sure he doesn’t fall into the wrong hands. They could very well die or be imprisoned, but the promise of four million kruge (the main currency of their home city of Ketterdam) is all too compelling. Plus, the six want the chance to fix all the mistakes they have made over the course of their lives. Kaz and his crew are the best at being thieves, yet not every plan can go perfectly. Jurda parem could ﬂip the world on its head, and if the six fail, the world could plunge into a world war.

Bardugo’s Six of Crows is an adventurous story from the very beginning. The story follows the distinct personalities of gang leader Kaz, the silent assassin Inej, the sharpshooter Jesper, the Grisha Nina, the aristocrat Wylan, and the Fjerdan witch-hunter Matthias. The story ebbs and ﬂows between the six main characters and their grand plan to sneak into the Ice Court to free the maker of a powerful drug.

There’s suspense, great action, and wonderfully compelling characters. Most of all, there’s a great sense of progression, both in the overarching plot development and in the main six characters.

Bardugo incorporates the members of Kaz’s crew into the ﬂow of the story, and each character is vital in the plan to inﬁltrate the Ice Court. For instance, Matthias was once a guard was stationed at the Ice Court, allowing him to be the one to create a map of the prison. Each character’s backstory also comes into play quite frequently, bringing forth the idea that each member is struggling with something that has been haunting them for years. This is a strength of Bardugo’s writing, as her themes of overcoming one’s past and staying true to one’s feelings play out brilliantly. The biggest example of this is found in Matthias and Nina’s relationship. The two are obviously in love, but because one is a Grisha and the other is a Grisha hunter, the two often get very close to killing each other, quite literally. In the end, they manage to overcome their past prejudices and open up to each other.

Overall, Six of Crows is a wonderful read for any young adult reader. Its main characters are incredibly likable and the story ﬂows well. The plot isn’t overly complicated, though there are a lot of characters to keep track of. Six of Crows is a page-turner that will have readers wanting more. For readers who want a blend of romance and a group of skilled characters pulling oﬀ a heist, Six of Crows is deﬁnitely the right choice. This novel also would be best suited for mature young adults.

Sexual Content

When a guard is mulling over how to tell if a girl likes her, his companion says, “Just tell her she’s got skin like moonlight. Girls love that.” That same guard later thinks, “He and Anya only ever exchanged a few words on his rounds, but she was always the best part of his night.”
In the pleasure district of Ketterdam, known as the Barrel, there are many brothels. Inej, one of the main characters, was in a brothel known as the Menagerie before she came to the dregs. “She’d lost most of her modesty during her time with the Menagerie, but really, there were limits.” In the Barrel, “peepholes were a feature of all the brothels.” Inej thinks about the Menagerie, “If you had a taste for a Shu girl or a Fjerdan giant, a redhead from the Wandering Isle, a dark-skinned Zemeni, the Menagerie was your destination.”
Kaz and Inej have a budding romance throughout the novel. For instance, Inej thinks, “What would Kaz say if she suddenly stripped down and started washing herself in front of him?” Again, Inej thinks, “One minute he made her blush and the next he made her want to commit murder.” Later, Inej thinks, “Feeling anything for Kaz Brekker was the worst kind of foolishness.”
When talking to Nina Zenik, Kaz says, “A man doesn’t need a bed to get ideas, Nina.” During their conversation, Nina “shucked oﬀ the red kefta, revealing a slip of satin so thin it barely counted as cloth.”
Kaz also points out to Nina, “You have crumbs on your cleavage.”
Nina and Matthias have a dangerous relationship. Nina thinks about Matthias: “In another life, she might have believed he was coming to rescue her, a shining savior with golden hair and eyes the pale blue of northern glaciers.” After rescuing Matthias from prison, Nina “pressed a kiss to his temple.”
Matthias thinks at the same time that “In the bad dreams, he kissed her.” Again he thinks, “He kissed her, buried his face in the sweet hollow of her neck.”
After ﬁrst meeting and surviving an explosion on a boat, Nina and Matthias huddled naked together for warmth. “He gave the ﬁre a stern jab, but she ignored him and stripped oﬀ the rest of her clothes.”
When thinking about her parents, Inej remembers her father “leaving little bouquets of wild geraniums for her mother to ﬁnd everywhere, in the cupboards, the camp cook pots, the sleeves of her costumes.” When thinking about her own love life, Inej thinks, “There had been no boys to bring her ﬂowers, only men with stacks of kruge and purses full of coin.”
Jesper and Wylan, two main characters, ﬂirt sometimes. When Wylan tells Jesper to close his eyes while they’re under attack, Jesper says, “You can’t kiss me from down there, Wylan!”
When she was captured by Fjerdan witch-hunters, Nina heard one say about her, “I like this one, still nice and round. Maybe we should open that cage door and hose her down.” Immediately after this, Matthias asks his comrades, “Would you fornicate with a dog?”
When Kaz and Inej ﬁnally reveal their true feelings to one another at the end of the book, Inej says, “I will have you without armor, Kaz Brekker. Or I will not have you at all.”

Violence

A merchant has his guard cut open a boy’s arm for an experiment with jurda parem, a powerful drug. “The guard gave the boy a pat then slashed a bright red cut across his forearm. The boy started crying immediately.” In that same experiment, the merchant tells the guard to “Cut oﬀ the boy’s thumb.” This is commanded to be done because the merchant wants to see if a Grisha, a magic user, can use their power with the extra boost of jurda parem to heal a body part that was cut oﬀ.
When thinking about Kaz, Inej thinks, “The boy they called Dirtyhands didn’t need a reason any more than he needed permission—to break a leg, sever an alliance, or change a man’s fortune with the turn of a card.”
When Inej climbs into a tank, she’s desperate to get it working. “Finally one of the guns rolled upward. She pulled on the trigger, and her whole body shook as bullets rattled against the enclosure glass like hail, pinging oﬀ in all directions.” Inej ﬁres the tank at Fjerdan soldiers, who are desperate to either capture or kill her and her comrades.
Nina attacks Jarl Brum, who was once Matthias’s drüskelle captain. “Then her hand shot out once more, and Brum shrieked. He clapped his hands to his head, blood trickling between his ﬁngers.”
When Kaz and the others free Matthias from Hellgate prison, Matthias attacks Nina. “He launched himself forward, ﬂipping her to the ground, hands fostered tight around her throat, straddling her so that his knees pinned her arms to the ground.” Nina isn’t injured in this interaction.
Big Bolliger, a member of Kaz’s gang, betrays Kaz and Jesper, so Kaz retaliates. “It was certainly why he’d let Holst put a bullet in Bolliger’s gut.”
As Jesper and Wylan are about to be killed by a Shu Tidemaker, a member of a foreign team, Jesper uses his Grisha powers to save himself and Wylan. “The female Tidemaker screamed as the metal burrowed into her ﬂesh, and she tried to turn to mist.”

Drugs and Alcohol

Gambling is a backdrop for the Dregs (the gang Kaz and the others work for). Kaz has “been the ﬂoor boss at the Crow Club for more than two years.” The Crow Club is where the Dregs make the most money through gambling. Drinking is sometimes mentioned at the Crow Club, as explained below.
The drug, jurda parem, is a main focus of the story. Jurda parem is a drug that enhances a Grisha’s magical abilities, but also one that is incredibly addictive and dangerous. It comes in a “powder” substance. For instance, “Jurda was nothing to fear, a stimulant everyone in the stadwatch chewed to stay awake on late watches.” Van Eck, the man who hires Kaz’s crew to hunt down the creator of jurda parem, says, “Jurda parem is something completely diﬀerent, and it is most deﬁnitely not harmless.” He also says, “It’s lethal. An ordinary mind cannot tolerate parem in even the lowest doses.”
When Kaz’s crew is surrounded by the Fjerdan military, Nina takes jurda parem to alter her Grisha abilities in order to save them all. “Her blood began to thrum, and her heart was suddenly pounding.” After Nina takes jurda parem to save the entire group from the Fjerdan military, she thinks, “Everything felt wrong. All she could think of was the sweet, burnt taste of the parem.”
Kaz and Geels, a fellow gang leader, make small talk about “the suspicion that the Kooperom was serving watered-down drinks now that the rent had been raised.”
Per Haskell, the leader of the Dregs, “preferred to sit in the warmth of his room, drinking lukewarm lager.”
When talking about the success of the plan to steal Bo Yul-Bayer, the creator of jurda parem, Kaz says, “We’ll have waﬄes. And whiskey. If this job doesn’t come oﬀ, no one’s going to want to be around me sober.”
When Kaz is attacked by two Grisha in an alley, before passing out he thinks, “‘Drugged,’ Kaz thought, trying not to panic. ‘I’ve been drugged.’” Immediately after, he thinks, “A ghost with a syringe?” Later on, it says about Kaz that “Whatever they’d injected him with had left him groggy.”

Language

The word crap is used a few times. For instance, Kaz, the pseudo leader of the Dregs, is called a “cocky little piece of crap” by a fellow gang leader. When that same gang leader threatens to shoot him, Kaz replies with, “Find your balls and give the order.”
The word ass and bastard are used sometimes. For instance, Kaz calls the Black Tips, another gang, “a spectacular bunch of asses.”
The word hell and damn are used frequently. For example, when Kaz wakes up after being kidnapped, he says, “so what the hell was going on?”
The word whore is used sometimes. When Kaz is debating with a high-class merchant, Van Eck tells the merchant, “I don’t run whores, and I kill for a cause.”
When bantering with Jesper, Kaz “replied with a time-saving gesture that relied heavily on his middle ﬁnger and disappeared below deck.”
The word fuck is used once in the novel. When Kaz once demanded to see the man who ruined his life, he says, “Jakob fucking Hertzoon. I want to talk to him.”
When someone’s watch is stolen, the person says, “Son of a bitch.”

Supernatural

Magic is a backdrop, with most magic users known as Grisha.
Matthias is a drüskelle, “one of the Fjerdan witch-hunters tasked with hunting down Grisha to face trial and execution.”
Grisha are typically placed into diﬀerent groups based on their power. The groups include the Corporalki, the Etherealki, and the Materialki. Corporalki “specialized in the human body. They could stop your heart, slow your breathing, snap your bones. They couldn’t get inside your head.” An Etherealki, the Tidemaker, “can control currents, summon water or moisture from the air or a nearby source.” Materialki, as the name suggests, allows Grisha to create a variety of materials: “Because it’s made with Materialki corecloth. It can withstand rifle fire.”
A Grisha “raised an arm and a gust of air slammed Joost backward.”
Kaz’s ship is attacked while the group is on an island. “Before anyone could draw breath to protest, two huge walls of water rose and shot toward the Ferolind. They crushed the ship between them with a resonant boom, sending debris ﬂying.” Inej is kidnapped after the ship is destroyed by another Grisha: “The Squaller barreled into Inej and sped upward with her into the sky.”
When Grisha are given jurda parem, their powers become ampliﬁed. For instance, when a Grisha named Anya uses her power on a boy, “She waved her hand through the air, the gesture almost dismissive, and the cut on the boy’s arm sealed instantly.”
Another Grisha used his powers to kidnap Kaz. “And then a ﬁgure stepped through the wall.” The Grisha steps through the wall behind Kaz and then restrains him.
Under the inﬂuence of jurda parem, Nina stops an entire army. “‘Sleep,’ she commanded. Nina swept her hands in an arc, and the soldiers toppled without protest, row after row, stalks of wheat felled by an invisible scythe.”
Nina alters a person’s appearance. “Nina had been a passable Tailor at best—under the inﬂuence of jurda parem, well, as Van Eck had once said, ‘Things become possible that simply shouldn’t be.’”
Some Grisha use other means to amplify their powers such as “animal bones, teeth, scales.”

Spiritual Content

None

Maybe This Time

One year. Nine events. Nine chances to . . . fall in love?

Weddings. Funerals. Barbecues. New Year’s Eve parties. Name the occasion, and Sophie Evans will be there. Well, she has to be there. Sophie works for the local florist, so she can be found at every big event in her small hometown, arranging bouquets and managing family drama.

Enter Andrew Hart. The son of the fancy new chef in town, Andrew is suddenly required to attend all the same events as Sophie. Andrew is entitled, arrogant, and preppy. Sophie just wants to get her job done and finish up her sketches so she can apply to design school. But every time she turns around, there’s Andrew, getting in her way and making her life more complicated. Until one day she wonders if maybe complicated isn’t so bad after all . . .

Told from Sofie’s point of view, the reader comes to understand why Sofie is focused on getting out of her small town. However, Sofie’s obsession with moving to New York has made her judgmental, snobbish, and self-centered. When Sofie meets Andrew, she automatically dislikes him and often says things just to irritate him. Sofie ends up falling in love with Andrew, which comes as no surprise. The change from dislike, to friendship, to love is very natural. Instead of instantly falling in love, the two slowly learn about each other, which allows their feelings to change.

Maybe This Time doesn’t just focus on the romance. The story also hits on difficulties with parents, misunderstandings with friends, and the dynamics of a small town. Even though Sofie often is snarky, her sweet side also comes out in unexpected places. Sofie’s little brother is one of the highlights of the story, and Sofie’s love for him is apparent.

Maybe This Time will give readers insight into small-town life. The story progresses at a steady pace and has many interesting characters. In the end, Sofie realizes that she actually loves her small town and even though she does plan to leave, she will always come back. The sweet romance touches on friendship, ambition, trust, and dreams without getting bogged down with a message. Readers looking for an easy-to-read romance will enjoy Maybe This Time.

Sexual Content

When Sofie hurts her foot, Andrew “squatted down, his hand brushing along my calf until it reached my ankle. Tingles spread up my leg all the way to my stomach. My cheeks went hot, and I leaned my head back against the mirror to try to keep that fact to myself. He wasn’t allowed to have this kind of effect on me.”
While walking by a car, Sofie sees a boy and a girl “in the passenger seat, and they were kissing.”
When Sofie and Andrew were arguing, Sofie’s “body seemed to be on autopilot. I leaned forward and pressed an angry kiss to his lips. . . Then all at once his free hand moved to the back of my neck. . . He tilted his head, deepening our kiss.” The kiss is described over ½ a page.
While serving at a dinner, a drunk man dropped a fork. When Sofie went to pick it up, she “felt a hand brush [her] leg. The man gave me a creepy smile and I stood. I pointed his own fork at him. ‘Please keep your hands to yourself.’”
Sofie doesn’t want to think about “a certain hot day by a certain shed kissing a certain boy whose mouth tasted like cherries.”
At a New Year’s party, Sofie’s friend says, “In fact, I’m going to find myself a boy to kiss at midnight tonight. I don’t care who.” Later Sofie’s friend says, “He was a midnight kiss. . . Don’t try to tie me down to someone I kissed at midnight.”
During a New Year’s party, Andrew kisses Sofie. Sofie thinks, “He tasted like heaven.”
Andrew and Sofie kiss several times. Once he tells Sofie, “You’re beautiful.” Then, “his lips brushed mine softly.”

Violence

Sofie’s brother is afraid of firecrackers because “Momma had a party in the backyard. . . Some guys started shooting their guns into the sky and my window got broke and a piece of glass hit my arm and I thought I was shot.”

Drugs and Alcohol

While Sofie was at a wedding, she stepped on the “amber colored glass of a broken beer bottle.”
During a eulogy, the pastor talked about how the man “had a problem with alcohol when he was younger.”
While serving at a dinner, some of the people drink wine.
At Thanksgiving dinner, Sofie’s mom says, “Point me to the wine.”

Language

Holy crap is used twice.
Crap is used five times.

Supernatural

Sofie had a short conversation about her belief in an afterlife. She says, “I believe in an afterlife . . . I’m not sure exactly what it will consist of, but I believe we all have a soul, something that makes us who we are. When my gran died, I remember looking at her body and knowing something was missing, that she was no longer her.”

We Set the Dark on Fire

We Set the Dark on Fire takes place on the fictional island of Medio, where a wall separates the poverty-stricken coast and the wealthy inland. Medio has rich mythology about a complicated love triangle between the Sun God, the Moon Goddess, and a human woman. The myth ends with the three entities marrying each other in a holy trifecta. Because of this myth, wealthy inland families customarily marry their sons off to two wives: a “Primera” and a “Segunda.” The Primera functions as a “political” wife who manages her husband’s social appearances and accompanies him at public functions. The Segunda is the mistress who is responsible for bearing and raising the husband’s children.

The story centers around Dani, a seventeen-year-old girl who is graduating from finishing school and is about to start her life as a wife. Despite graduating at the top of her class, Dani is worried about taking her place in the household. Political riots have made the police paranoid, and she is worried that the increased security will reveal that her identification papers are forged. Her parents are from the coast and have risked everything to put her in finishing school.

Dani is soon married off to a powerful political figure in one of the richest families in the Capital. She is the Primera and her school rival, Carmen, is the Segunda. She has little time to settle into household life before being approached by a rebel spy group, La Voz. The spies give her fresh papers so that she can pass a checkpoint, but in return, Dani is dragged into a world of political tensions and intrigue. Soon, she finds herself steeped too deep in her husband’s family’s corruption and is forced to confront ugly truths about the family she has married into. While dealing with espionage and lies, Dani must use all her wits to conceal her own secrets, which include her forged identity, her alliance with La Voz, and a budding romance with Carmen.

We Set the Dark on Fire is an original, well-written story. Mejia navigates a complicated political plot deftly. The story’s twists and turns may become confusing at times, but the narration avoids losing its thread. The prose is poetic and brings Dani’s character to life. The reader will soon be invested in the world of Medio’s aristocratic gender politics where Primeras are expected to show no emotion. Dani, who has been training for years to assume the role of Primera, is well-accustomed to showing no emotion. The layers of composure beneath that she hides add texture and detail to the narrative. She is excellently characterized.

The emotional core of the novel is formed from two main elements. The first is Dani’s relationship—and eventual romance—with Carmen. The tension and forbidden love between the two wives is excellently written, and readers will root for the couple as the stakes get higher and the lies get thicker. The second element is Dani’s love for her hometown. Although she was sent away to school at age twelve and never returned, Dani has a strong love for Polvo, the simple town where she spent her childhood. Upon entering the aristocracy, Dani discovers that she is disgusted by the excess and wealth that her new family can afford. Although she looks back fondly on her time in Polvo and wishes she could live there, she knows that Polvo is racked with poverty and that the police terrorize its citizens.

American readers may notice that the world of Medio draws certain parallels to events on the news. The island is divided by a wall meant to keep certain people out; the police are brutal towards the poor; the culture features Spanish words and foods. The narrative never makes the allegory overly obvious, but the book is deeply political. In one scene, Dani feels regret that she can have fun at all when so many people are suffering. Her guilt and class consciousness will strike a chord with many readers. While the book puts strong moral themes into conflict, the reader likely will not feel patronized or preached to; rather, they will simply want to know what happens next.

Sexual Content

Dani and Carmen’s new husband frequently looks at Carmen in suggestive ways, “raking his eyes over her body in a greedy way.”
Carmen wears revealing clothing. “Carmen was never underdressed—unless you counted too much bare skin. Today’s dress was plunging.”
A seamstress measures Dani and Carmen for new clothes, and Dani is nervous about undressing in front of another person. There are moments of uncomfortable sexual tension. “Carmen in clothes was ridiculous, but in nothing but her underwear she was, objectively, a work of art. She was all circles and curves, all dark amber and soft edges.”
In a lie to cover up her communication with La Voz, Dani tells Carmen that she fired a gardener. Dani says, “I heard him talking about you. About your figure in your dress and how he’d like to . . . well, you get the point . . . I let him go for saying inappropriate things.”
In the shower, Dani fantasizes about Carmen. “There was a heat building deep within her. Deeper than her muscles or her bones or her pounding pulse. It was a primal, secret ache that she’d never allowed herself to feel before this moment. Her fingers knew where to find the source of that feeling, and when they went wandering, Dani didn’t stop them. . . In only a few moments, she was lost to the sensations.”
After being attracted to each other for a long time, Dani and Carmen finally kiss. “Their lips met like swords sometimes do, clashing and impatient and bent on destruction, and Dani thought her heart might burst if she didn’t stop, but it would surely burst if she did.”
Dani and Carmen’s husband are accused by his parents of having an affair. “If you’re going to have an affair, at least be discreet, for Sun’s sake. The years between marriage and moving your Segunda into your room are long, but . . .”
Dani and Carmen’s husband kisses Carmen “longer than he should have been allowed, especially when they weren’t alone.” Dani imagines “the places a kiss like this could lead. The places they would necessarily lead, if Dani was still here when it was time for them to produce a child. But would Mateo really wait that long?”
Dani and Carmen spend an intimate night together, and Dani is nervous about what Carmen expects. “She was a Segunda, of course; maybe kissing wasn’t enough. Dani tried not to balk at the thought of clothing coming off, of touching someone else the way she’d barely touched herself . . . she wasn’t ready. Not yet.” Carmen reassures her that she doesn’t expect anything sexual. “Don’t worry about that, okay? If we want to . . . when we’re ready . . . we’ll talk about it. But for now, I just want to do this until I get dizzy.” The narration skips over the rest of the night but implies that they continue making out until morning.
After their night together, Dani observes herself in the mirror. “She didn’t look like a Primera anymore. She looked like a girl who knew the taste of lips and tongues. A girl who had wondered what was next.”
Dani spies on two minor characters, José and Mama Garcia. “Whatever José had been about to say, it was swallowed by Mama Garcia as she claimed his mouth in a passionate kiss. One that clearly wasn’t a first between the two.”

Violence

The police use firearms and deadly force. During one chapter, Dani and Carmen have to navigate through a market where a confrontation is taking place between the police and La Voz. The police fire several times and create havoc, but the “long, shallow scratches on her neck were the least of Dani’s worries. There had been blood on the pavement as they’d left the marketplace…” Later, she learns that her main contact within La Voz was shot. “‘Just a scratch,’ he said, but a complicated web of bandages spread across his chest and down his left arm, telling a more sinister story.”
Members of La Voz gather in the market with torches to burn it down. Dani barely escapes in time and suffers severe burns. “The figure watched, mask expressionless, as she rolled on the stone stage, trying desperately to put out the fire that had taken over her every thought and feeling. When the flames finally died, the fabric of her expensive dress had become one with her skin, and when she tugged at it her vision went black in spots, coming back slowly to reveal an inferno where she had just been standing.”
A member of La Voz holds a knife to Dani’s throat and threatens her life. “The knife pressed harder against her throat, kissing her skin until it broke.”
Dani is pulled away from a car that explodes with people inside of it. “Carmen slammed into her from behind, knocking the wind out of her. She didn’t say a word as she scooped Dani up into her arms and flat-out ran back to the car. The whining was deafening now. Above them, the air seemed to grow thinner, the stars too bright. Carmen threw her painfully to the ground behind the hired car, barely covering Dani’s ears with her hands before the darkness exploded all around them.”
A member of La Voz holds a gun to Dani’s head, but then empties her clip into a burning car instead of shooting her.

Drugs and Alcohol

Playing cards only come out “when the men at a party got too deep in their expensive liquor and one of them had something to prove.”
Dani recalls her school roommate “dizzy with drink from the Segundas’ legendary last-night party. She’d been loose and smiling, drunk on her own triumph as much as the rose wine.”
The women of the aristocracy frequently drink sangria together, though never to the point of impropriety.
When Dani’s husband catches her in his private study, he has her sit down and drink “a clear liquid that smelled like an open flame.” He is already drunk and slurring his words. Dani gets a “pleasant buzz” and stumbles a little while leaving.

Language

Occasionally, characters will swear on the Sun and Moon gods and say, “For Sun’s Sake.”

Supernatural

Dani recalls her mother’s proficiency in telling fortunes with a deck of cards. “Her mama told the women of the town of small illnesses that were coming: a jealous eye on a child; a husband growing too fond of the fermented pineapple rind most families brewed in the dirt patches beside their houses.”

Spiritual Content

Dani views the world through her own religion, which differs from the religion of the inner island. While the inner island focuses on “large gods,” such as the Sun God and Moon Goddess, Dani sees small gods everywhere.
For example, during a tense moment, “Dani closed her eyes and muttered a half-forgotten prayer to the god in the air, to the goddess in the flames. Keep calm, she beseeched them. No one around her would understand. Her parents’ gods weren’t in fashion—only the bearded visage of the Sun God, who ruled masculine ambitions and financial prosperity.”
These invocations of small, unnamed gods appear throughout the narration and often serve to illustrate what Dani is thinking or feeling.

by Caroline Galdi

A Wrinkle in Time

Meg’s father is a physicist. Or at least he was, before he disappeared. While her mother insists that he will come back, Meg and the rest of the town doubt he’ll ever return. It doesn’t help that Meg is having trouble at school and thinks that her curls, glasses, and braces make her a “moron.” In fact, Meg is convinced that her life will be terrible forever–until Mrs. Whatsit blows into her kitchen one stormy evening.

Mrs. Whatsit, Mrs. Who, and Mrs. Which definitely aren’t from Earth, and Meg doesn’t trust them. But her little brother Charles says they’re alright, and Charles has always been able to see below the surface of people. When Mrs. Whatsit says they can help the children find their father, Meg doesn’t care what they are, as long as they can help. Suddenly Meg finds herself traveling to other planets with Charles and their friend Calvin. Together will the three of them be able to rescue Meg and Charles’ father? Or will they too become lost?

A Wrinkle in Time has memorable characters that will quickly find their way into readers’ hearts. Meg is very relatable to young readers, as she deals with her fears, her braces, and with not fitting in at school. Watching Meg struggle, grow, and find her inner strength will leave readers cheering for her. The beautiful, imaginative planets that Meg journeys to will awe and delight.

Throughout A Wrinkle in Time, Meg will glimpse a cosmic battle between good and evil, light and darkness, and knowledge and ignorance. While rescuing her father is just a tiny piece of this battle, Meg’s journey is filled with gravitas. Numerous lessons are learned along the way: Meg learns how to be brave, how to take responsibility rather than blaming others, and she discovers the one thing that the Shadow doesn’t have: love.

Sexual Content

The rumor is that Meg’s father “left your mother and [went] off with some dame.”
When Meg has to go into mortal danger to save her brother, she says goodbye to Calvin. “Calvin came to her and took her hand, then drew her roughly to him and kissed her. He didn’t say anything, and he turned away before he had a chance to see the surprised happiness that brightened Meg’s eyes.”

Violence

Charles thinks a man is a robot, so he “darted forward and hit the man as hard as he could.” When he realizes the man is not a robot, he says, “I’m sorry if I hurt you.”
The mind in charge of a planet that has been lost to the Dark Thing tells Meg, “We let no one suffer. If it is so much kinder simply to annihilate anyone who is ill . . . Rather than endure such discomfort they are simply put to sleep.”
When Charles is hypnotized, Meg tries to knock him back to his senses. “She hurled herself at him. But before she could reach him his fist shot out and punched her hard in the stomach. She gasped for breath.”

Drugs and Alcohol

None

Language

Charles says, “The road to hell is paved with good intentions.”
Moron is used often. The town thinks Charles is a moron because he never talks, and Meg calls herself a moron several times. When Charles speaks to Calvin, Calvin is surprised. “Aren’t you the one who’s supposed to be the moron?”
Calvin calls Charles and Meg “dope” several times as an affectionate nickname. “Look, dope. I just want to get things straight.”
Ass is used once. Mrs. Who says, “And old ass knows more than a young colt.”

Supernatural

Mrs. Whatsit, Mrs. Who, and Mrs. Which are not from earth, though they can appear in human form. It’s never directly stated what they are, but it’s mentioned that Mrs. Who is a “paltry few billion years” older than Mrs. Whatsit, and that Mrs. Which is even older.
At one point, Mrs. Whatsit morphs into a new form. “Outwardly Mrs. Whatsit was surely no longer a Mrs. Whatsit. She was a marble white body with powerful flanks, something like a horse but at the same time completely unlike a horse, for the magnificently modeled back sprang a nobly formed torso, arms, and a heard resembling a man’s but a man with a perfection of dignity and virtue.”
The children tesser across space (a form of faster than light travel) several times with Mrs. Which. “All light was gone. Darkness was complete . . . Just as light and sound had vanished, she was gone, too. The corporeal Meg simply was not . . . She was lost in a horrifying void.” They visit several different planets and meet the occupants of those planets.
The children visit the “Happy Medium,” a very happy woman who can see the entire universe through a crystal ball.
The children visit a planet that has been lost to the Shadow. There, they find a man who is possessed by IT, the mind in charge. “His eyes were bright and had a reddish glow. Above his head was a light, and it glowed in the same manner as the eyes, pulsing, throbbing, in steady rhythm. Charles Wallace shut his eyes tightly. ‘Close your eyes . . . He’ll hypnotize you.’ ”
The children finally meet IT and realize, “It was a brain. A disembodied brain. An oversized brain, just enough larger than normal to be completely revolting and terrifying. A living brain. A brain that pulsed and quivered, that seized and commanded.”

Spiritual Content

On one of the planets they visit, centaur-esque creatures are singing a song of pure joy. Mrs. Whatsit tries to translate the song into words: “Sing unto the Lord a new song, and his praise from the end of the earth, ye that go down to the sea, and all that is therein; the isles; and the inhabitants thereof. Let the wilderness and the cities thereof lift their voice; let the inhabitants of the rock sing, let them shout from the top of the mountains. Let them give glory onto the Lord!” When Meg hears the song, she “felt a pulse of joy such as she had never known before.”
The children learn their father was taken prisoner while fighting the Dark Thing. Meg sees the Dark Thing, a huge shadow stretched across space. “What could there be about a shadow that was so terrible that she knew that there had never been before or ever would be again, anything that would chill her with a fear that was beyond shuddering, beyond crying or screaming, beyond the possibility of comfort?” When they ask what it is, Mrs. Which says, “Itt iss Eevill. Itt iss thee Ppowers of Ddarrkknesss!”
The children realize that many people have fought the darkness on Earth for years. Mrs. Whatsit says, “They’ve been lights for us to see by.” They include Jesus, Gandhi, Buddha, Leonardo da Vinci, Michelangelo, Shakespeare, Bach, Pasteur, Madame Curie, Einstein and more.
Meg’s father said, “We know that all things work together for good to them that love God, to them who are the called according to his purpose.”
When struggling to describe Mrs. Whatsit to aliens, Calvin says they are “Angels! Guardian angels! Messengers! Messengers of God!”
Before Meg goes to confront It, Mrs. Who tells her, “The foolishness of God is wiser than men; and the weakness of God is stronger than men. For ye see your calling, brethren, how that not many wise men after the flesh, not many mighty, not many noble men are called, but God hath chosen the foolish things of the world to confound the wise; and God hath chosen the weak things of the world to confound the things which are mighty. And base things of the world, and things which are despised, hath God chosen, yea, and things which are not, to bring to naught things that are.”

by Morgan Lynn

Worthy

Everyone at Linden’s high school is obsessed with a new app called Worthy. The app posts pictures of couples and asks, “Is the girl worthy of the guy?” Some use the anonymous platform to post cruel comments. As the voting goes viral, not every couple can handle the comments that begin to collect. The comments aren’t only online: the app and the couples it features are the topic of every conversation at school.

At first, Linden is focused on other things like cute Alex Rivera, the Prom Committee, and her writing. But soon, Linden is just as obsessed with Worthy as everyone else. Soon, the app is causing problems between Linden and her best friend, Nikki. What will happen when the spotlight turns on Linden?

Readers will relate to Linden as she struggles with online bullying. Even though Linden knows that posting mean comments online is wrong, she doesn’t have a problem voting. As the story progresses, four different couples are featured on Worthy. Linden overhears many conversations about the couples that allow the reader to understand how superficial the voters are. As more and more teens get caught up in the voting craze, Linden is forced to evaluate her own motives for voting. When Linden and Alex are featured on the app, Linden finally realizes how devastating people’s comments can be.

In a world where so many teens are connected on social media, the story has a realistic conflict; however, there are so many minor characters that it is often difficult to keep track of them all. Because the minor characters seldom appear, readers may find it difficult to care about how the app affects them. It isn’t until the app focuses on Linden that the conflict becomes more suspenseful. The story is told from Linden’s point of view, which allows the reader to understand her insecurities and her fears as well as see her personal growth.

Worthy is a cute romance that has several positive aspects. Nikki, Alex, and Linden’s parents all make a short appearance in the story. Despite that each family is different, they are all portrayed in a positive light. The story shies away from profanity and sex. Even though the story drags at points, the positive messages in the book make it worth the read. Connor makes it clear that teens need to look past people’s appearances. The story also shows the damage that online bullying can cause in relationships. Worthy isn’t afraid to explore difficult topics and would be an excellent book to use as a conversation starter.

Sexual Content

While in the school hallway, Linden sees her best friend Nikki kissing her boyfriend.
Linden thinks about her neighbor, Max. “When we were twelve, we shared our first kiss in the treehouse his dad built.”
While sitting outside of Linden’s house, Alex “raises his hand, still caught in mine, and traces his thumb gently against my lips. My face explodes with heat, and when his hand slips away, I lean in toward him. The first kiss is soft. Just a touch. . .He leans back on the grass, pulling me against his chest, and we are kissing. And kissing. And kissing.”
While in the school hallway, Alex tries to kiss Linden, and she jerks “backward because I’m not expecting it and it ends up a totally awkward kind of face bump.” Linden is embarrassed and thinks, “I’m not so sure public displays of affection are my thing. . . It’s funny we weren’t awkward at all when we were kissing Saturday night. I blush and smile at the memory.”
At school, Linden notices two kids kissing and notices that the girl “gives him a kiss right on the mouth, completely oblivious to the rest of the group.”
While at Alex’s house, Linden thinks “about kissing him in my front yard.”
At a school assembly, Alex sits next to Linden and gives her a “quick kiss. This time our lips touch confidently, like we greet each other like this all the time.”
Linden imagines asking Alex to prom and “then we’ll kiss.”
While sitting in Alex’s car, he “cups [Linden’s] cheek in his hand . . . He runs a thumb along my bottom lip. Slowly. Then he leans in to kiss me—very softly—following along the line his thumb travels with his lips.”
Linden thinks about her best friend and remembers “when Nikki told me Martin Wells had kissed her behind the trees outside the playground.”
While at a quinceañera, Linden brushes “[Alex’s] thick black hair back off his forehead, my fingers lingering as they slide down his face. . . Then he turns his head and his lips are on my palm. The heat explodes into my cheeks.”

Violence

None

Drugs and Alcohol

None

Language

Oh my God and OMG are used eleven times in total.
Crap is used once. When Linden accidentally throws the bowling ball the wrong way, she thinks, “crap.”
Freaking is used once.

Supernatural

None

Spiritual Content

While bowling, Linden doesn’t want her feet touching the shoes. She thinks, “Thank God for the thick boot socks I put on under my cowboy boots.”

A Match Made in Mehendi

Fifteen-year-old Simran “Simi” Sangha comes from a long line of Indian vichole – matchmakers — with a rich history of helping parents find good matches for their grown children. When Simi accidentally sets up her cousin and a soon-to-be lawyer, her family is thrilled that she has the “gift.”

But Simi is an artist, and she doesn’t want anything to do with relationships, helicopter parents, and family drama. That is until she realizes this might be just the thing to improve her and her best friend Noah’s social status. Armed with her family’s ancient guide to finding love, Simi starts a matchmaking service via an app.

But when she helps connect a wallflower of a girl with the star of the boys’ soccer team, she turns the high school hierarchy topsy-turvy, making herself public enemy number one.

Simi starts her sophomore year with the intent of standing out and being her true self. As she tells her own story, the reader gets an inside scoop on her thought process. Simi’s story bounces between her home life, her love life, and her school life. Simi is surrounded by a large and loving family. She also relies on her best friend, Noah, to help her through the day-to-day struggle of school.

The story’s large cast of characters doesn’t allow the author to give each person a unique personality, and many of the characters are not well-developed. Simi’s best friend Noah is struggling with his sexual identity, but his thoughts and feelings are never expressed, which makes it hard for the reader to connect with him. Readers may also have a difficult time because Simi’s family is from India, and they often use their native language; however, there are few context clues to help the reader understand the word’s meaning.

A Match Made in Mehendi gives the reader a look into Indian culture as well as the matchmaking process. The action slows down when Noah, Simi, and her brother work on the app. The matchmaking app is an interesting twist, but Simi seems more concerned with the app’s functionality than the couples the app matches.

Like many teens, Simi is trying to find her voice and stand up for herself. Simi’s story is unique and follows several couples as they try to navigate romance. However, the character-driven story does not contain a lot of action or conflict. Although the story has several interesting facets, A Match Made in Mehendi will easily be forgotten.

Sexual Content

While working on an art project at a boy’s house, the two take a break. “He leans close, picking a blade of grass from my hair, and for a second, I think he might kiss me.” But then the dog jumps between the two and the moment is over.
After a date, Simi’s “heart rate kicks up as he ducks his head and moves closer.” She thought he was going to kiss her and thinks, “I want him to. I have for so long.” But then, the boy “veers towards my cheek, laying the softest kiss there. It’s innocent and sweet, but all the same, shivers fan out over my arms.”
Simi’s friend Noah has a crush on a boy, but he isn’t sure how to handle it.
While at a gathering, Simi is talking to a boy. The boy “gently pulls me in toward him for a kiss. Except I’m so surprised, I knock over my cup of ginger ale before our lips can connect.” Simi tells him to try again, which he does. Simi thinks the kiss is “slow. Delicious. Sweet like ate-ki-pinni.”

Violence

A mean girl tricks Simi, then “as I crash onto my hands and knees, my phone careens through the air and smashes face down on the concrete.” The girl stomped on the phone, then “she laughs, does a haughty pageant wave, and keeps moving.”

Drugs and Alcohol

During a dinner at Simi’s house, her dad “keeps everyone happy with drinks ranging from lassi and lemonade to Patiala pegs of his favorite single malt whiskey.”

Language

Profanity is used sparingly. Crap is used three times; holy crap and shit are both used once.
When Simi draws a picture of two people with hearts over their head, her sister says, “Good God.”
God, OMG, and dear God are all used as an exclamation once or twice.
Freaking is used five times.
Badass and kickass are both used once.
When someone takes credit for Simi’s artwork, she says, “They call it bullshit. Are you gonna tell her [the teacher] or am I?” Later she thinks the person is an “ass.”

Supernatural

None

Spiritual Content

When Simi’s grandparents got married, they were from different religions, but it wasn’t “a big deal.” Her grandparents “lit a lamp for both Wahe Guru and Mata Rani in our home after we got married and called ourselves doubly blessed.”

Across the Dark Water

Twelve-year-old Rahkki is a stable groom for the Riders in the Sandwen army, who must battle deadly spit dragons and hordes of warring giants. The Sandwens believe they have tamed all the wild pegasi in the lush jungles of the Realm and turned them into flying warhorses. But when a herd of wild steeds flies over their village, Rahkki and his clan mates are stunned.

Meanwhile, a small herd of pegasi has journeyed across a treacherous ocean to settle in a new and free land. Led by Echofrost and Hazelwind, the Storm Herd steeds are unaware of the Sandwen clan. But when the unthinkable happens, Echofrost and the rest of Storm Herd will have to come to trust the Sandwens, or both may not survive.

Pegasi, giants, fire-breathing lizards, and landwalkers come together in an exciting story full of suspense. Echofrost desires to be free and she has vowed that no pegasi will be held captive. When her friend Shysong is captured, Echofrost sacrifices her freedom in the hope that she will be able to help Shysong escape. But escaping the Landwalkers is more difficult than Echofrost could have imagined. She fights every Landwalker who comes near her. When a young boy tries to help Echofrost, Echofrost begins to understand that some Landwalkers can be trusted.

Across the Dark Waters uses Echofrost’s voice to highlight the pegasi’s plight and their desire for freedom, while Rahkki’s voice brings the landwalker’s complicated political system to life. The beginning of the story may confuse readers because of the many names and the detailed descriptions that are necessary to build the realm’s world. However, it does not take long until both Echofrost and Shysong are captured and the non-stop action begins. Readers will empathize with Echofrost as she tries to escape captivity, and they will also root for Rahkki as he fights to help the wild pegasi.

Although the publisher recommends Across the Dark Waters for readers as young as eight, younger readers may have a difficult time with the complex story that contains many references to the past in both the pegasi and the landwalker’s lands. The advanced vocabulary and sentence structure may also be difficult for younger readers. In her fight for freedom, Echofrost is treated brutally and, although the descriptions are not gory, there is blood and violence that may upset sensitive readers.

As the first installment of the Riders of the Realm series, Across the Dark Waters will be impossible for readers to put down. With battles, political intrigue, plot twist, and an unlikely friendship, Across the Dark Waters is a beautifully written, complex story that is engaging and exciting. The surprising conclusion will leave readers reaching for the next book in the series, Through the Untamed Sky. Readers who love horse stories will also want to read The Rose Legacy by Jessica Day George.

Sexual Content

When looking at the princess, someone asks Rahkki, “You like what you see?” Rahkki is told to “Keep away from the princess, yeah?”
When Rahkki’s brother Brauk is injured, Rahkki kisses his hand. His brother says, “If you’re going to practice kissing, could you use your own hand?”

Violence

Only women can inherit the throne. Queen Reyella only had sons. “Eight years ago, a bloodborn princess from the Second Clan named Lilliam Whitehall had pounced on Reyella’s weakness. She assassinated the boys’ mother and took her throne, becoming the Fifth’s new monarch.”
Rahkki thinks back to when the queen killed his mother. Rahkki “winced at a flash of memory—Queen Lilliam’s cold hand around his throat. He’d been four years old when she’s snuck into Fort Prowl, killed his mother, and then gone after him. . . But then another memory struck him: his mother’s round belly. She’d been pregnant too when Lilliam had assassinated her.”
The Storm Herd pegasi leave their land because of a battle between “two immortal pegasus stallions: Star the Healer and Nightwing the Destroyer.” Star and Nightwing use their supernatural power to try to destroy each other. “The earth shook and the land below her hooves fractured, creating fissures in the soil that spread like cracked ice.”
Later Echofrost thinks about “Nightwing’s treacheries: burning Morningleaf’s feathers with his silver starfire, turning hundreds of pegasi to ashes, stealing newborns from their dams, and murdering the five over-stallions of Anok.”
While flying over a human establishment, the Landwalkers try to shoot down the pegasi. “One adult retreated into his den and then returned carrying a bowed contraption. Soon he was shooting barbed sticks at the pegasi. One struck Shysong in the wing. . .and blood dripped from the wound.”
The Landwalkers capture Shysong. “Several lashings were looped around Shysong’s neck and legs. The mare bucked and kicked, but the Landwalkers steered their mounts out of her reach, keeping an equidistant circle around her body.” Echofrost tries to help her friend. “She rammed the closest enemy pegasus. . . The golden steed faltered, and her rider lost her balance, almost falling off.” The mare “kicked Echofrost in the flank and sent her spiraling toward land.” The scene is described over three pages.
After Shysong is captured, Echofrost allows the Landwalkers to catch her. The Landwalkers throw ropes at the Storm Herd. “One fell around Echofrost’s neck and then tightened around her throat. She reared back, and it clamped tighter, like the constricting grip of a snake. She opened her mouth to scream, but the noise came out a strangled gasp.” When the Landwalkers catch Echofrost, they cut her wings so she cannot escape.
Echofrost thinks back to the past. Another herd had captured her and “she’d been tortured and kicked. Yearlings had made a sport of yanking out her mane and tail hairs by the roots. She’d eventually been released.”
The Landwalkers take Echofrost captive. The Landwalkers “tossed ropes that tangled around her neck and hooves. They each held tight, and she couldn’t stop herself from struggling. The Landwalkers shouted to one another in excited voices and then gave a mighty tug, yanking her off her hooves. She hit the ground. . .They bound her wings and legs.”
While walking, someone threw a coconut at Rahkki. He was hit “in the back of the head and he flew forward, striking the ground so hard it knocked the breath out of him.”
In order to keep Echofrost captive, the Landwalkers need to cut her wings. Brauk “produced a stick similar to Harak’s and followed her, brandishing it at her throat. She lunged, jaws wide, and Harak leaped to help Brauk. They struck her chest, driving her deeper into the corner until her flanks brushed up against wood.” In order to put a halter on Echofrost, Brauk “clubbed her over the head so hard that her vision flickered. . . With a sharp tug, they yanked her off her hooves and she slammed onto the hard floor. Her chest [was] heaving as she absorbed the pain.” The scene is described over three pages.
Angry at Brauk, Echofrost tried to strike him, but Brauk “slammed his club down on her forehead, making her stagger into the barn wall. Her vision blackened, and she gasped for breath.”
While trying to tame Echofrost, Brauk “wacked her left shoulder, stinging the muscles there. . . . Echofrost dripped her head and limped along behind him, her shoulders stinging where he’d hit her.”
When Echofrost’s friends try to free her, the Landwalkers shoot arrows at the wild pagasi. One pegasus is slightly injured.
A giant grabs Echofrost. The giant “tightened his grip around her neck. Her vision darkened and her body went limp. . . The Gorlander held Sula [Echofrost] by her throat with both hands, trying to suffocate her so he could drag her away. Her tongue lolled form her mouth, and her eyes popped wide.” Rahkki grabs a dagger and “drove it toward the giant’s brain.” The giant “snatched Rahkki’s arm, and tossed him into the creek before the blade could find its mark.”
Echofrost tries to free herself from the giant’s grasp by twisting and kicking. “Her hooves sliced through the Gorlander’s goat-hide vest, raking red streaks across his moon-pale skin.” Brauk tries to help his brother and Echofrost. “Brauk parried in and out, slicking at the giant in sections from head to foot until the beast was streaked in blood.” When Echofrost gets free, she uses “her flightless wings to propel and balance herself, she reared and clubbed the giant with her front hooves. Meanwhile Brauk hacked at the Gorlander like he was chopping down a tree.” The scene is described over seven pages.
The giants attack the Landwalkers. “The giants lifted heavy shields and mowed down the front line of Sandwen soldiers, crushing them with their spears. The horde roared in unison and advanced over the bones of the dead. . . One [elephant] had a Sandwen warrior hanging off his tusk. The elephant tossed him off, and a giant speared the man straight through.” Rahkki takes the wild pegasi to his uncle’s farm.
While at the farm, a giant attempts to grab Rahkki. “The giant followed him, but as Rahkki predicted, he was too large to change course. His eyes widened, and then he slammed into the trunk. The tree cracked and splintered.” Rahkki’s uncle helps fight the giants. Rahkki stabs one “through her naked foot. She threw back her head and howled.” The giant grabs Rahkki and “shook him so hard his teeth rattled. . . The female giant tugged Rahkki’s arms hard enough to make him scream.” The giant ties Rahkki up and throws him into her sack.
Echofrost tries to help free Rahkki. A giant swings a weapon and “knocked her into the side of the barn. . . He swung at her again and knocked her into the side of the barn. With her head ringing, the giant stomped toward her—his bludgeon lifted.” The Storm Herd appear and help defeat the giant. The fight takes place over eight pages.
After Rahkki tries to free the wild pegasi, two guards beat him. “A guard lifted his club, his blue eyes flashing, and Rahkki threw his arms up to protect his face and head. He didn’t see the blow, but he felt it. Once. Twice. An earsplitting scream. That was him. . . Then one more blow. And darkness.
Someone teases Rahkki. One of his friends “coiled back her fist and punched him square across the jaw, knocking him off the bench.”
While Echofrost was being auctioned off, Harak uses his whip to bully Echofrost. Angry, Echofrost strikes out. “Echofrost whirled around and kicked out with both hind legs. She heard a sharp crack when her hooves connected with flesh. A body flew across the sand and struck the fence.” Echofrost accidently injures Brauk instead of Harak. Brauk is seriously injured.
After hurting Brauk, Echofrost thinks back to her brother’s death. “The dire wolves had attacked them. Their leader, a white she-wolf, had snatched Bumblewind and thrown him into a tree, cracking his head against it.”
During a contest, young men try to ride Echofrost. Every time someone gets on his back, Echofrost bucks them off. No one is injured. The scene is described over six pages.
While trying to find their herd, giants try to capture Echofrost and Shysong. Fire lizards, called burners, try to force the pegasi to the ground. “The burners caught up to Echofrost and attacked, shooting flaming tendrils at her and Shysong. There were hundreds of them moving as one creature, like a flock of sparrows. She twisted away when a few of her feathers caught fire. . . Shysong flew in to help. They kicked at the lizards, knocking some out of the sky.” The pegasi are able to escape.

Drugs and Alcohol

In order to treat Shysong’s injury, the clan’s animal doctor gave her a dose of “strong medicine.”
The queen’s table is laden with food and also has rice wine on it.
While at a pegasi auction, Rahkki notices that one of the pegasi has been drugged.

Language

The characters occasionally use “bloody rain” as an exclamation. For example, when Rahkki asked a guard to leave, the guard askes him, “Bloody rain, what yuh doin’ ‘ere so early?”
When someone shoots a pegasus, the queen calls them responsible idiots.
“By Granak” is used as an exclamation several times. For example, after the fight with the giant, Rahkki’s brother says, “By Granak, Brother. If you cry, I’ll break your nose.”

Supernatural

Queen Lilliam believes in omens. Before she will send her warriors out to battle the giants, the queen would consult with “their guardian mascot—Granak, the Father of Dragons. The queen would offer the gigantic lizard a fattened sow. If he ate it, they’d fight. If he didn’t, Lilliam would consider that a terrible omen. She’d keep the warriors home.”
Queen Lilliam won’t attack the giants because “her Borla had a bad dream, a vision. He said he saw the giant hordes on the move with over a hundred captured Kihlari steeds. . .So even though Granak ate the sow, the bad dream foretells defeat. She won’t attack until there’s a better omen.”
Nightwing “had woken from a four-hundred-year hibernation. . . He’d come to kill his rival, a young black stallion named Star.”
When Echofrost hurts a rider, a rumor begins. People think Echofrost killed the rider. “A Kihlara steed that killed a Rider was a bad omen—bad luck.”

Spiritual Content

After a pegasus dies, they go to “the golden meadow.”
In the morning the tame pegasi “greet the sun. . . All the pegasi faced east” and nickered toward the sun.
When Echofrost is upset, she thinks, “Ancestors, help me.” Later when Echofrost is trying to kick her way out of the stall, she says, “By the Ancestors. That door is as hard as stone.”
Echofrost and Shysong are being put up for sale. To encourage Shysong, Echofrost says, “the Ancestors are with us.”
The Landwalkers believe that “Sunchaser was the moon spirit, and he was always brooding because he lived in the dark.”
When the Landwalkers see the wild pegasi, someone says, “Maybe they’re a gift from the wind spirits, or maybe they rose out of the foam in the sea, or maybe they’re fallen stars.”
Echofrost takes flight with Rahkki on her back. Intending to escape, Echofrost flies quickly away from the settlement. Rahkki “threw up a silent prayer to the Seven Sisters.”

The Program

Suicide has become an epidemic, affecting one out of three teenagers. The government and parents are scrambling trying to understand, but are unable to find a source. The Program is considered the only cure. With a 100% success rate, parents think it’s an incredible gift. But teenagers don’t view it the same way, because once you go through The Program, you come back without your memories. You’re happy, but you’re no longer you.

Sloane and her boyfriend James depend on each other to keep up each other’s spirits. They pretend that everything is okay. But after their friend commits suicide, James falls apart and is taken into The Program. Sloane quickly follows, when her mother betrays her by calling the handlers. Once inside The Program, Sloane is determined not to lose her memories. But the drugs the facility use keep her in a constant haze and start whittling away at who she is. Will Sloane be able to keep a hold on who she is? Or is she doomed to become just another happy, vacant shell?

While The Program centers around suicide, it does not go into possible causes of suicide, such as social media or familial issues. In The Program, suicide is like a contagious disease. If someone you know has committed suicide or is depressed, then you’re infected and are likely to follow. While suicide isn’t encouraged, it is dramatized in a way that may concern parents. Multiple teenagers in the story commit suicide not only because they are depressed, but also because they feel like they lack control over their lives. Suicide is how they take their power back. Given that teenagers often struggle with such feelings, portraying suicide in such a manner may be concerning.

The Program contains a copious amount of profanity and questionable sexual content. For example, when Sloane feels like she is losing her boyfriend, her solution is to give him a blowjob. During the blowjob she thinks, “I know I have him back—even if only for a second.” Sloane also trades a sexual favor for a memory and knows it was the right thing to do.

The Program will entertain younger readers, but more advanced YA readers will find several plot developments implausible, which may detract from the story’s enjoyment. The teenagers in The Program are well-developed, but the parents and adults in the book are not. While Sloane is a well-developed character, she lacks the ability to make her own decisions. At first, she is utterly dependent on James. Then, when Sloane loses James, she quickly becomes dependent on another boy character rather than finding her own footing. All in all, The Program is one YA series that may be better left unread.

Sexual Content

Sloane kisses her boyfriend, James, frequently. Some kisses are not graphic, such as when Sloane leaned “forward to press my lips to his, letting him have me in a way that only he can.” Another example is when, “And so I whisper that I love [James], then climb onto his lap and kiss him, as if it’s the last one we’ll ever have.”
Sometimes James sneaks into Sloane’s room at night. “When he’d stay over, he’d show up in my room at three in the morning, kissing me quietly while everyone slept.”
Sloane feels like she’s losing her boyfriend, so she gives him a blow job in an attempt to get him back. Sloane “kiss[es] softly at his lips, nearly stopping when he doesn’t respond. Then I kiss his neck, his chest. I undo his button as I kiss his stomach and then lower. And it isn’t until I feel his hand in my hair and hear him murmur my name breathlessly that I know I have him back—even if only for a second.”
After a camping trip, “James told [Sloane] that when he touched me, when I looked at him, he got a hard-on.”
Sloane remembers losing her virginity to James. She closes her eyes, “remembering how warm James’s mouth was on mine, how his tongue touched my lips before I opened them, letting him in. Letting him lay me back on the blanket as his mouth found mine, again and again, always gentle, yet urgent.”
A handler in The Program insinuates he can save one of Sloane’s memories if she gives him a sexual favor. “His eyes narrow deviously then, scanning over my body. . .” Sloane tells him no at first, then changes her mind. “He grabs me roughly. . . His mouth is on mine, wet and strong. . . I can feel how turned on he is as he presses against me. I whimper and try to move back as his tongue licks my lips.”
Later, when Sloane is angry, the handler says, “I think you’d be a little too feisty to trust with any of my naked parts now.”
It’s mentioned that “somehow James talked me into a game of strip poker, only he lost.” During the game, James says, “Sloane, when winning means getting you naked, you better believe I’m going to try my damnedest to win.”
Sloane kisses a boy named Realm four times. “Realm’s lips are soft but unfamiliar. Warm but not hot. My hands hesitate on the sides of his face. . . His hand slides down to pull my thigh over his hip. We could do anything right now; no one is bothering us. He lays me back in the bed, lying between my legs as he trails kisses down my neck.” Another time, “I get on my tiptoes and press my lips firmly to his. Realm responds immediately, surprising me by backing me against the wall, his tongue eagerly finding mine as if he’s been waiting to do this since I got here.”
A girl teases Sloane, “That’s James Murphy who you’re currently eye-humping.”
James and Sloane go to a place that “looks like a place where unsuspecting teenagers come to have sex and get murdered.”
Realm and Sloane almost have sex. “Realm rolls me off the couch, getting on top of me as we lie on the carpet. He’s kissing my neck, his hands searching my body. . . Realm’s hand slides away from my breast.”
James and Sloane have sex. “We climb into the backseat, yanking at each other’s clothes, tongues tangling in a heat that I know I could never have with anyone else.”

Violence

When handlers come to take Kendra to The Program, she fights them. “Kendra jumps up to run and the handler lunges for her, his closed fist connecting with her face. The shot sends her into Mrs. Portman’s podium before knocking her to the ground. . . Kendra’s top lip is split wide open and leaking blood all over her gray sweater . . . she tries to hold on to anything within her reach, but instead she’s leaving a trail of blood along the floor.”
In Sloane’s world, “teen suicide was declared a national epidemic—killing one in three teens—nearly four years ago. It always existed before that, but seemingly overnight handfuls of my peers were jumping off buildings, slitting their wrists—most without any known reason.”
Sloane remembers when her friend showed up with “a black eye, cuts up and down her arm” because a guy she was dating “had pushed her out of the passenger door—while the car was still moving.” When Sloane tells James what happened, he finds the guy and “beat[s] the hell out of him.”
Sloane can’t let her parents know that she’s sad. So when the tears start to spill over, she purposefully burns herself on the stove to give herself an excuse to cry. “I turn over my arm, the tender part exposed, and stick it into the fire. The burn is immediate and I scream out in pain. . . I decide that I like it. I like the pain and distraction.”
James had tattoos of the names of people he has lost. When his best friend kills himself, he says he can’t wait for ink and carves Miller’s name “jaggedly into his flesh. Blood is everywhere.”
Sloane’s brother jumps off a cliff and kills himself. “Then I saw Brady—he was floating, facedown. . . I screamed again, pointing toward him as I watched his body slam into a rock, and then another.”
Sloane jumps off a cliff trying to kill herself, then decides she doesn’t want to die. “Just then my body slams against a rock, hoisting me half-way out of the water. I hold on to it, vomiting up river until I’m sure I’ll pass out and die anyway. My throat burns, my lungs ache. My arm is numb and I think it may be broken.”
When The Program comes for her, Sloane hurts herself because she’s angry. “Then, just because this is my last moment of having a real emotion, I tighten my grip on my scissors. And I slash my wrist.”
Sloane punches one of her handlers. “I swing out my arm, punching the left side of his jaw. He immediately recovers and twists my hand up behind my back, cursing under his breath as he slams me against the wall.”
Realm goes after a handler for bothering Sloane. “Realm has got his forearm to Roger’s throat, pinning him to the wall. . . [Roger] winks, and then gets up to hobble away.” Later Realm attacks the handler again. “He cocks back his arm and decks Roger, sending him flying over the desk. . . Realm grabs Roger’s right arm and yanks it so hard behind his back the snap is audible.”
It’s mentioned in passing that Sloane’s mom hit her. “Mother slapped me that night.”
Sloane slaps Realm when she finds out he is part of The Program. “I cross the room and slap him . . . A red handprint is obvious on his face.”
Outside a community center, Sloane sees a guy die after drinking QuikDeath. “Liam coughs again, spitting blood onto the patio. Red streaks his lips. He’s going to die. . . his eyes momentarily roll back in his head before he focuses on me again. His body convulses. And then he collapses against the door, sliding to the ground.”

Drugs and Alcohol

The leading theory for the suicide epidemic is “that the oversupply of antidepressants changed the chemical makeup of our generation, making us more susceptible to depression.” The Program is the only cure; a facility that erases peoples’ memories via a series of pills. If patients refuse to take the pills, the medication is given to them via shots instead.
QuikDeath is mentioned several times throughout the book. Sloane’s friend tries to kill himself with QuikDeath. After taking it, he calls Sloane to say goodbye. “‘It’s too late,’ he says, sounding far away. ‘I took it ten minutes ago. But I couldn’t leave without saying good-bye.’”
Sloane meets a girl who tried to kill herself with QuikDeath and now has short-term memory loss.
A girl in Sloane’s class jokes that “Maybe a coffee spiked with QuikDeath would help you focus on the pain.”
When James hurts himself, Sloane goes “through his dad’s medications until [she] thinks [she] find[s] something that will calm him down.”
While in The Program, Sloane is sedated often. They give her different colored pills without telling her what they do. If she refused to take the pills, they give her a shot.
When talking to her father, Sloane realizes “the faint smell of alcohol clings to him. I wonder when he started drinking.”
Realm drinks a beer.

Language

Profanity is used frequently. Profanity includes: goddamn, ass, and pissed. For instance, when Sloane gets hurt James says, “Goddamn it.” Another time James tells Sloane, “I’m going to kick your ass tomorrow.”
God, hell, damn, and bullshit are used constantly.
Once when James is teasing her, Sloane says, “Oh my God, shut up.”
Sloane often thinks “Oh God,” like “Oh God, I miss him” or “God, I just want him back.”
James says, “Holy hell, you really were checking me out.”
After James and Sloane first kiss, James says, “Well, damn, Sloane.”
While in The Program, Sloane and her friends often play the game Bullshit and call bullshit on each other.
Sloane thinks, “We’ve seen it before, how someone will piss off their friends or start sleeping around when depression takes hold.” Another time, Sloane tells her therapist “I’m pissed. I want my life back.”
Smartass, shithead, asshole, shit, and dick are all used several times throughout the book. James tells Realm, “We want to know, shithead.” James also says, “I can be a total shithead” and “I’m a dick.”
While in The Program, Realm says, “That asshole! What’s he giving you?” Realm also says, “Shit Sloane, I thought this would cheer you up.”
Bitchy and fuck are used a few times. Sloane tells her therapist to fuck off several times. “I’m not taking the fucking pill, okay.”

Supernatural

None

Spiritual Content

Teenagers suffering from depression are sent to The Program, but once Sloane turns eighteen, she says, “It’s my God-given right to off myself if I so please.”
Sloane’s parents say, “Thank God for The Program. It’s saving so many lives.”

by Morgan Lynn

The Icebound Land

After a fierce battle with Lord Morgarath, Will and Evanlyn are captured. Erak, a Skandian warrior, forces Will and Evanlyn onto a ship destined for Skandia. Erak plans to sell the two young people as slaves. When the group returns to Skandia, Will and Evanlyn are separated. Their lives are full of grueling work, freezing cold nights, and hopelessness. Will the two ever be able to find each other? And if they do, is there any chance of escape?

Halt, determined to rescue his young apprentice, purposely defies the king. Expelled from the Rangers, Halt is joined by Will’s friend Horace as he travels toward Skandia. On their way, freelance knights block their way, demanding tribute. Unwilling to pay to pass every bridge, Horace uses his combat skills to challenge the knights. Unknowingly, Horace has attracted the attention of an evil warlord, Deparnieux, who plans to kill the young knight to prove his power. Deparnieux traps Halt and Horace, taking the two captive. Halt patiently watches, trying to learn the key to defeating Deparnieux and continuing the journey towards Skandia. Will Halt and Horace free themselves in time to rescue Will?

Unlike the two previous books, The Icebound Land focuses more on the characters’ individual struggles. Even though Will is held captive, his master, Erak, soon comes to respect the boy and he recognizes that Will is an honorable warrior. Erak tries to keep the two slaves, Will and Evanlyn, together. However, Erak is unwilling to let the two free.

After Erak takes a short journey, he returns to find Will addicted to the powerful narcotic, warmweed. Erak decides to help Will and Evanlyn escape. Erak knows that Will’s death is fast approaching, and the only way to save Will is to help him escape. Erak helps Will because “a boy like that, he’s a real warrior. He may only be knee-high to a gnat, but he’s got the heart of a true Skandian.”

While Evanlyn and Will hide out in a camping cabin, Halt and Horace are fighting their own battle. As Deparnieux’s prisoners, the two are faced with countless hours of boredom and must patiently watch Deparnieux’s cruelty. Halt knows the key to their survival is patience, but how long can they watch Deparnieux terrorize and kill others?

The Icebound Land has a darker tone than the other two books because it focuses on slavery, drug addiction, and the abuse of power. Throughout the story, several people abuse their power and treat others cruelly just because they can. The slaves are not immune to this problem. One slave, who is in charge of the others, purposely gets Will addicted to warmweed because Will stopped the man from beating a young slave. Erak is the only supporting character that shows kindness, but that kindness was born out of respect for Will.

As the third installment of the Ranger’s Apprentice series, The Icebound Land has less action than the previous books. However, readers who are familiar with the main characters will want to know what happens next. The Icebound Land continues to teach the importance of not being boastful or overconfident. The story does not wrap up any of the plot points, but instead ends in a cliffhanger. Readers will want to jump into The Battle for Skandia as soon as they finish the last page of The Icebound Land.

Sexual Content

Halt says, “I’ve heard it on good authority, that good King Duncan is not the lawful occupant of the throne. I’ve heard it said that he is, in fact, the son of a drunken privy cleaner. Another rumor has it that he was the result of his father’s fascination with a traveling hatcha-hatcha dancer.”
Horace and Halt see a young woman who is wearing a short skirt. Later, Horace thinks about the girl. “The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again.” Horace asks several questions about the girl’s dress. Halt jokingly tells Horace the girl is a messenger, who needs to be able to run when necessary and the girl cannot run in a long dress. Horace believes Halt and “for a moment, Halt regretted his deception, feeling a slight pang of guilt. . . Then, the Ranger looked at those clear blue eyes and the contented, honest face of the warrior apprentice and any sense of regret was stifled. Horace had plenty of time to learn about the seamier side of life, he thought.”

Violence

A man named Folder “had murdered both of his parents after an argument over a horse.”
A group of ten men try to rob a carriage. Halt sees them and intervenes. One of the men “had a brief impression of something flashing past, just in front of his nose. Then, there was an almighty jerk on the raised collar of his cloak and he found himself pinned against the carriage by a quivering black arrow that thudded into the wood.” Halt ties them up.
Soldiers appear to arrest Halt for talking badly about the king. “As the Ranger spat out the last word, he had somehow scooped up the longbow from behind him and nocked and fired an arrow. It slammed into the wall behind the spot where the tavern keeper had been standing a second before, and buried itself deep into the wood panel, quivering still with the force of its impact.” Halt misfires another arrow and then “the corporal and his men leaped forward, swinging the short, heavy clubs that they carried, swarming over the small gray-and-green figure.”
While traveling, knights stand on bridges and demand money from the travelers. Instead of paying to pass, Horace challenges the knight and wins. This process happens several times. For example, the first time, Horace and the other knight duel and the knight loses his lance in the first pass. During one pass, Horace’s sword “slammed into the back of the other man’s helmet with a loud, ringing clang.” Horace doesn’t kill the knight, but his sword “put a severe dent in the helmet, and the concussion of the blow went straight through the steel to the skull of the knight wearing it.”
Evanlyn accidently spills soup on Slagor, a drunk sailor. “Slagor bellowed in pain and grabbed Evanlyn by the wrist, dragging her forward, twisting her arm cruelly so that she was bent awkwardly over the table.” Will picks up a knife, ready to kill Slagor, but Erak stops him from killing the man. After the incident, Erak reprimanded Will. “. . . Erak sent a backhanded fist crashing against the side of the boy’s head, knocking him senseless to the floor.” Will falls to the ground unconscious and has Will dragged to his living quarters.
While working, slaves are often slapped or whipped with a leather strap.
Will sees a slave being beaten up by another slave. “A thin, ragged boy was huddled on the ground while an older, larger youth flayed at him with a length of knotted rope. . . The boy’s face was heavily bruised, Will saw, and as he watched, a cut opened just under the smaller boy’s eye and blood covered his face.” Will grabbed the knot rope from the youth and stopped the beating.
Erak was sent to a settlement to inquire about missing taxes. “It had to be admitted that Erak’s version of investigating consisted of seizing the unfortunate Jarl by his beard as he lay sleeping in predawn darkness. Erak then threatened to brain him with a battleax if he didn’t make a rapid and upward adjustment to the amount of tax he was paying. . .”
An evil knight, Deparnieux, has one of his men drop a net over Horace. The net “dropped form the branches of an oak tree that overhung the road, draping itself around the head and shoulders of the boy. For a moment, Horace struggled uselessly in the folds of the net that enveloped him.” Horace and Halt are then captured and made prisoners.
Outside of Deparnieux’s castle, metal cages hang. “Horace could make out, to his horror, that the structures were iron cages, only an arm span wide, containing the remains of what used to be men. . . The figures inside were dried-out husks, blackened and shriveled by their long exposure . . . but others were newer and the men inside were recognizable.” One man was still alive—he was put in the cage because he had laughed at Deparnieux.
When trying to free Will, Evanlyn gives the watchman money to look the other way. The man “grabbed her by the shoulders and pulled her closer to him,” demanding more money. “Then a frown came over his face as he felt a sharp pain in his belly—and a warm trickle running down his skin from the spot where the pain was centered. . . He backed off quickly, waving at the door and cursing her.”
A young knight appears outside of Deparnieux’s castle, challenging the man. Deparnieux killed both of the youths’ parents. As the two knights joust, “The young knight’s lance, badly positioned and at the wrong angle, shattered into pieces.” When the young knight begins to lose, Deparnieux “urged his battlehorse after him, following him relentlessly, raining blows on the sword, shield or helmet at will. Finally, there was a duller sound as Deparnieux’s sword struck a vulnerable point—the chain mail protecting the opponent’s neck.” The knight crumbles off his horse’s saddle and dies. The fight is described over two and a half pages.
Deparnieux and Halt combat. Deparnieux rides his battlehorse, while Halt stands in the combat field. Halt shoots arrows toward Deparnieux’s eyes. Deparnieux has no problem using his shield to block the arrows. After one pass, Halt shoots an arrow at Deparnieux’s back. “. . . There was a bright flash of pain in his left shoulder. . . he realized that, as he galloped past, Halt had sent another arrow spitting at him, this time aiming for the gap in his armor at the shoulder. . . the wound was a nuisance. A painful nuisance, he amended as he felt the hot blood trickling down his armpit.”
After another pass, Halt again shoots arrows towards Deparnieux’s eyes. As Deparnieux shields his face, “Deparnieux heard it. A dull impact of metal on metal—more a metallic thud than a ringing tone. He wondered what it was. Then he felt a small core of intense pain, a bright flare of agony, that began in his left side and expanded rapidly until it engulfed his entire body. He never felt the impact as his body hit the grassy field.” The combat scene is described over two and a half pages.

Drugs and Alcohol

An angry slave gives Will an addictive drug called warmweed. The warmweed was used to control the yard slaves. “Warmweed addicts looked forward to nothing, planned for nothing.”
Will becomes addicted to warmweed. When Will isn’t given the drug, “his teeth chattered and his body shook and trembled and heaved as he fell to the ground, rolling helplessly in the snow, his knees drawn up to his chest. One hand flailed uselessly at the snow, while the other was jammed firmly in his mouth.” When Evanlyn hands Will the drug, “Will seized the small handful of the gray, herblike substance with horrifying eagerness. . . his attention was totally focused on the drug and she came to realize how completely it ruled his life and his mind these days.”
Halt goes into a tavern. He tells the tavern keeper to fill his cup. “There was just the slightest slurring of his words to remind the tavern keeper that this would be the eighth or ninth time he’d refilled the tankard with the cheap, fiery brandy-spirit. . .”
When a group of seamen arrive at an island, they are given “brandy-spirit.” One of the men “drank half the brandy in one long gulp.” Later, Erak thinks that the man is a “useless drunk.”
While stuck on an island, a group of Skandians “filled their time with drinking and gambling.”
During meals, the Skandians usually drink alcohol. When Will and Evanlyn finally reach Skandia, they are taken to the dining hall where they see “nearly one hundred and fifty drunken Skandians eating, laughing and shouting at one another. . .”
While staying at a tavern, Halt “accepted a large beaker of red wine with his meal. Horace had settled for water.” While Halt and Horace ate, the room filled with people “coming to eat or to enjoy a few jugs of wine or beer.”
While in Erak’s private quarters, the two drink wine as they talk. Evanlyn “was beginning to relax a little and the wine sent a soft glow through her.”
While “guests” of Deparnieux, Halt and the knight are served wine with dinner.

Language

“Oh God” is used as an exclamation once. “My god” is used as an exclamation three times.
Damn is used ten times, mostly in conversation. For example, Erak says, “I hate the damn drug. I’ve seen what it does to people. No one deserves that sort of shadow life.”
In anger, Halt exclaims, “For God’s sake. . .”
Hell is used three times. For example, when Will and Evanlyn’s skiff begins to sink, Evanlyn says, “Roll like hell!”
Halt calls the kind a “poltroon. A coward. And a fool.”
Several times a person is called an “idiot.” For example, when a knight is blocking Horace and Halt’s path, Halt says, “Well, I suppose I’ll have to shoot the silly idiot. . . I’ll be damned if I’ll pay tribute to every jumped-up bandit who thinks the world owes him a free living.” Halt then calls the knights who act this way “morons.”
Evanlyn thinks Will is a “stubborn, pigheaded idiot.”
A knight attempts to insult Horace by asking him, “. . . are you a lying Araleuen dog who barks in the gutters?” The knight then calls Horace a coward and a thief. Later, he calls Horace a “whining pup.”
Halt calls the evil knight a swine. Later, the knight calls Halt a commoner. Halt says, “Guard your tongue, you lowborn cur!”

Supernatural

None

Spiritual Content

Skandians believe that the Vallas are the three gods of vengeance. “They take the form of a shark, a bear and a vulture.” The Skandians’ king makes a “Vallasvow” to kill King Duncan’s family. Erak explains, “It’s when you hate so badly that you swear to be avenged, not just upon the person who has wronged you, but on every member of the family as well. . . It’s a death vow, of course, and it’s unbreakable. Once it’s made, if the person making the vow should ever recant, the Vallas will take him and his own family instead of the original victim’s.”
When Evanlyn frees Will, she “prayed now that the Skandian Jarl was right, and that it was possible for an addict, deprived of warmweed, to make a full recovery.”
After Will recovers from his drug addiction, he wakes up in an unknown place. When Evanlyn enters the room, he says, “Thank God you’re safe.”

Serpent & Dove #1

In the city of Cessarine, the war between magic-wielding witches and holy men of the Church known as Chasseurs has raged for centuries. At the very heart of this war lays Louise, a Dame Blanche witch who has decided to hide in Cessarine to keep her estranged mother from finding her.

But her days skulking around dressed as a man, secretly squatting above a theater and stealing to survive come to an abrupt end when Reid, a Chasseur captain, discovers her thieving ways. After an embarrassing encounter in which Louise frames Reid as a sexual predator in front of a theater audience, the two must quickly keep themselves both from being reprimanded in the only way they can: by marrying each other.

Marriage changes both Louise’s and Reid’s lives forever. For Louise, she never meant to get this close to her Chasseur enemies, and she plays a dangerous game by keeping her true witch nature hidden while developing her relationship with Reid. For Reid, not only did he love another noble girl, but Louise is wild, untamed, and a heathen: she goes against every aspect of society’s proper female image. Yet, the longer the two are around each other, the more they fall in love. And the more dangerous their relationship becomes, the closer Louise’s mother gets to finding her. Yet, their love will overcome any obstacles that stand in their way.

Mahurin’s Serpent & Dove is a fun, exciting story from beginning until the end. Focusing on characters in a similar Romeo & Juliet styled story, Mahurin skillfully develops a story about old grudges, fanatical warriors, and love that overcomes even death. The main characters are very believable and are relatable because of how they can’t control their emotions despite realizing how complicated those emotions might make their lives. The story is fast-paced and full of surprises, twists, and heart-pounding scenes that will keep readers wanting to know what happens next. And even though many of those twists may be somewhat predictable, those secrets are revealed in very satisfying ways.

Serpent & Dove themes also come through naturally, and are built into the story’s backdrop. Louise and Reid learn that centuries-old grudges need to be overcome in order to find love and happiness. In the beginning, both Louise and Reid believe the other is one-dimensional and evil. By the end of the story, both Louise and Reid are willing to sacrifice everything for one another. The story also highlights the dangers of recognizing one’s faults, as seen in the Dames Blanches and the Chasseurs.

Overcoming prejudice is the novel’s main crux and it’s incorporated into the story quite charmingly. Watching Louise and Reid follow their hearts and find lives worth living is heartwarming. Serpent & Dove is a great story because of how well this point is executed, and because it truly does feel like at any moment their love could be torn apart by every other character. The story is thrilling from the moment Louise and Reid meet until the very end of the novel. Mature readers who enjoy a good mix of action and romance will want to add this book to the top of their reading list.

Sexual Content

Near the beginning of the novel, Louise and her friend visit a brothel in order to learn the whereabouts of a magical object. Louise comments on the working ladies at the brothel, “To be fair, however, many of them weren’t wearing corsets. Or anything at all.”
Many characters often give each other compliments on their looks. Babette, a courtesan working at the brothel, gives Coco a compliment, “Cosette, you look ravishing, as usual.”
Louise and Reid constantly think about the other’s sex appeal. Louise thinks Reid is, “Irritatingly I couldn’t help but stare. Thick lashes framed eyes the precise color of the sea.”
Bas, a thief friend of Louise, notices Louise’s sex appeal often. “He leaned forward, dark eyes setting on my lips.” Louise thinks Bas is “handsome enough to court. Certainly handsome enough to kiss. From across the cramped table, I eyed the dark line of his jaw.” She also thinks he has “such a tight little ass.” Yet since Bas only saw her as a friend-with-benefits, Louise thinks, “Perhaps that was why I’d stopped loving him.”
Madame Labelle, the owner of the brothel, kisses a man. “Grasping Tremblay’s arms with a wide smile, Madame Labelle kissed both his cheeks . . .”
When Louise and Coco are confronted by two men, Andre and Grue, at the brothel, Louise thinks, “I dreaded to think what they would do with immediate access to anything. Especially sex and violence.”
After Coco gives Louise her favorite food, Louise thinks, “I could’ve kissed her.”
When Louise wants free food from a pastry chef, she flirts with the chef, Johannes Pan. “Most days I only had to bat my lashes. Others I had to get slightly more. . . creative.”
One of the witches’ Goddesses “represents fertility, fulfillment and sexuality.” Similarly, Adam and Eve are mentioned. “Eve seduced Adam into sin.”
Reid’s fellow Chasseurs gossip about Louise, “I heard she’s a whore.”
When Louise and Reid finally make love to each other, Louise thinks, “The time for games was done.” And then she says, “I wanted him to touch me. I wanted him to become my husband in every sense of the word.” And, later in the same scene, it’s revealed that “Reid had never had sex. He was a virgin.” And, once again, later in the same scene, “I watched his throat bob, heard his breath hitch.”

Violence

There’s frequent violence throughout the novel, including the sight or mention of corpses. For instance, Reid says, “Thirteen bodies had been found throughout Belterra over the past year.”
Witches are commonly burned on pyres, as well as anyone who might conspire with witches. “But the flames come first with the Church. Questions second.” Estelle, a witch after Louise, is caught by Reid and burned alive. Louise thinks, “Though tears clouded my vision, I forced myself to watch the flames lick up Estelle’s dress. I forced myself to hear her screams.”
A young noblewoman was found with her throat slashed.
Louise is willing to get her hands dirty when her life is threatened. Babette, a courtesan, threatens Louise with blackmail if she doesn’t become a courtesan, “If Babette wasn’t careful, she’d soon learn just how wretched and violent we could be.” Louise kills two thugs after her life. “Gritting my teeth, I seized Andre’s knife and plunged it into his throat, slashing through skin and tendon and bone.” After that fight, Louise tries to clean herself up: “Deep purple bruises had seeped beneath my eyes, and dried blood spattered my cheeks. I scrubbed at it with the cold water from the tap, rubbing my skin until it was pink and raw.”
Witches use their magic to create havoc and bloodshed. While attacking the royal family during a parade, the witches were“Laughing as bodies fell around them with the simplest flicks of their fingers.”
Children are also harmed by witches. Reid says, “Last month, a child had been found without its eyes. . . More than twenty bodies circled the air around the witches now—some unconscious, heads lolling, and others painfully awake.”
When Louise uses magic, she has to give something in return, typically meaning she has to harm herself. “Though I bit my lip hard enough to draw blood, a small groan still escaped as I snapped a second finger.”
Several times, Louise is threatened by two guys that hold a grudge against her. A man, Grue, “smash[ed] my face into the ground. My nose cracked, and blood spurted sickeningly into my mouth.” When defending herself, Louise “exploded beneath him in a blur of limbs and nails and teeth, clawing and biting and kicking every bit of him I could reach.”
Reid displays a desire to attack and kill witches quite frequently, especially towards Morgane, Louise’s mother: “And Morgane—never before had I longed to kill a witch as I did now, to plunge a knife into her throat and sever her pale head from her body.”
Later, Reid also kills his foster father. “A small, pleading noise escaped him, but he could do little else before I fell upon him. Before I drove my knife home in his heart.”
The Chasseurs will kill any witch, even children and babies. “They showed no mercy, cutting through woman and child alike without hesitation.”

Drugs and Alcohol

Aristocrats in Cessarine drink alcohol at social parties. Louise notes, “Judging from the loud, slurred voices of the aristocrats nearest me, they’d been hitting the bubbly for hours.” While at the King’s social party celebrating Reid’s heroics, Louise “grabbed a flute of champagne from a passing servant and down[ed] it in one swallow.” Louise thinks, “After a few moments, delicious warmth spread through my body.”
When Morgane, Louise’s mother, sends witches after Louise, the witches inject her with drugs in order to capture her. When a needle is stabbed into Louise’s neck, she“had no physical strength left to give, and my mind was too drug-saturated to distinguish patterns.”
After Louise runs from Reid, Louise’s friend defends her, “She was drugged and obviously injured.”
When Morgane has finally captured Louise, Morgane says, “Extraordinary, those little injections. When Monsieur Bernard brought one to me, I perfected the medicine.” Morgane’s injections mess with Louise’s ability to use her magic, “Panicked, I focused on bringing a pattern forth—any pattern—but the gold winked in and out of focus, blurred and disjointed from the drug.”
After days of being injected with her mother’s drug, Louise thinks, “Though the drug paralyzed my body, it did nothing to dull the ache in my bones.” Later on, Louise “scowled and focused on the burning sensation in [her] hands and feet—the first indicator of the drug waning.”
When speaking with one of her fellow witches, Louise tells the witch about how she feels being under the drug. “If I could move, I’d puke all over your lap.” The witch calls the drug a medicine, and Louise responds, “Is that what you call it? Medicine? That’s an interesting word for poison.”
At the end of the novel, Louise discovers that she shares a connection with Prince Beau of Cessarine. Louise comments, “It would seem we frequent the same pubs.”

Language

Ass and shit are used frequently. For example, aristocrats and other haughty characters are often referred to as “pompous ass.”
Fucking appears a few times in the novel. A thug, Andre, verbally abuses Louise, saying “I’m going to cut you into fucking pieces.”
Damn, hell, and whore are each used a few times. For example, Louise tells Babette, “You are a goddamned hound.”
A noble insults a courtesan. The noble says, “it’s locked away in my townhouse, you salope ignorante—”
Louise calls someone a “twit.”
A pastry chef is called a “halfwit.”
When talking about someone possibly betraying Louise and Coco, Coco says, “That bastard will renege as soon as he’s out of sight.” Bastard is used frequently.
Similarly, Louise calls someone a “worthless coward.”
Louise says, “Nature could piss off.”

Supernatural

Magic is a common theme and backdrop for this novel. The main conflict stems from a fanatical group of witches, the Dame Blanches, attempting to overthrow the royal family of Cessarine to win back their land and free themselves from persecution. Witches within Cessarine hide in plain sight, “Any one of us could be a witch.” Many believe, “The witches are vicious.”
When Louise witnesses the parade of the Royal family, she feels magic in the air. Louise “recognized the faint brush of energy against my skin, the familiar thrumming in my ears. Magic.”
Magic typically has a smell that “always followed the witches. Sweet and herbal, yet sharp—too sharp. Like the incense the Archbishop burned during Mass, but more acrid.”
There are magical objects as well. Some are even trafficked in the black market, “But while Filippa might’ve had no enemies, her pompous ass of a father had accumulated plenty while trafficking magical objects.”
Angelica’s Ring, a magical object, is sought after by Louise because “it renders the user immune to enchantment. Sort of like the Chasseur’s Balisardas.”
Louise is a witch herself, the daughter of Morgane, the leader of the Dames Blanche witches. When Louise has a conversation with a thief, she thinks, “The ancient feud between the Church and witches didn’t affect me anymore—not since I’d left the world of witchcraft behind.”
Dame Blanches use magic by seeing golden patterns in the air.
Dame Rouges, another coven of witches, use blood magic instead of seeing golden patterns in the air.
Some believe that basic remedies will keep witches away. “Please, monsieur, return home. Salt your doors and windows.”
Witches can use their magic to control others, even controlling corpses. When attacking the royal family during a parade, “The witches cackled and continued contorting their fingers in unnatural ways. With each twitch, a helpless body rose. Puppeteers.”
Most witches are viewed as demons, as Reid says, “But witches weren’t human. They were vipers. Demons incarnate.” Witches are also commonly referred to as “it.”

Spiritual Content

The Christian Church and its teachings are a main backdrop of this novel. Mass is mentioned, but never directly put in any scene.
The Archbishop makes several appearances.
The Chasseurs are the holy warriors of the church. Only men can be Chasseurs. “Sworn to the Church as huntsmen, Chasseurs protected the kingdom of Belterra from the occult—namely, the Dames Blanches, or the deadly witches who haunted Belterra’s small-minded prejudices.”
Chasseurs wield Balisardas, weapons that negate magic. For Balisardas, “Each had been forged with a molten drop of Saint Constantin’s original holy relic, rendering us immune to the witches’ magic.”
Biblical references are common. When Reid watches his best friend and fellow Chasseur, Reid notices, “Though he also wore no uniform, the crowd still parted for him like the Red Seas for Moses.”
God is mentioned frequently throughout the story. For example, the Archbishop said, “May God have mercy on your soul.” The Archbishop says, when talking about the Triple Goddess, “As if God could be a woman.”
Hell is mentioned several times. Just before a witch escapes from Reid’s grasp, he laments, “before I could unsheathe my blade and send her back to Hell where she belonged.”
The Bible, scripture, and other religious sayings are quoted frequently throughout the book. “Thou shalt not suffer a witch to live.” Another is, “Witches do not worship our Lord and Savior, nor do they acknowledge the holy trinity of Father, Son, and Holy Spirit. They glorify another trinity—an idolatrous trinity. The Triple Goddess.”
The Triple Goddess is also mentioned several times, either in the form of the Maiden, the Mother, or the Crone. The Triple Goddess is worshipped by the witches; it’s considered “Triple” because the witches use it to mock the Trinity.
The Garden of Eden is mentioned.
Many of the characters, especially the Chasseurs, often pray. Others, like Louise or witches, use prayers to mock holy men and women. Witches generally mock every part of Christianity.

by Jonathan Planman

Enter the Core

Max Tilt thinks his luck is finally changing thanks to his great-great-great-grandfather Jules Verne’s unfinished, unpublished manuscript, The Lost Treasures. Using the clues Verne left behind, Max and his cousin Alex were able to bottle the magical healing elements needed to cure his mother’s illness just in the nick of time.

But then Max and Alex discover that the vials were stolen by their former friend, Bitsy. She has plans to use them to save the world, but her plans might be much more deadly than they seem. And so now it’s up to Max and Alex to stop her before it’s too late.

Working against the odds, the two kids glean clues from one of Verne’s best-loved books, Journey to the Center of the Earth. In it, they discover a map to their most dangerous destination yet—the very core of the world. So, now the two cousins are off on their most unlikely, most important quest yet—literally to save the world!

Max Tilt: Enter the Core has everything that adventure seekers could want in a book: non-stop action, interesting clues to solve, and a wonderful cast of diverse characters. Readers will be taken on a heart-stopping hike into the center of the earth where prehistoric creatures survive. As Max and his friends travel down the dark corridors and enter creepy caves, they use their combined knowledge (and a couple of ancient talismans) to safely solve the clues that Jules Verne left behind.

Even though the same villain from the previous books appears, the villain creates suspense and conflict without taking center stage. Instead, the focus remains on the descendants of Jules Vernes and his friend Arne Saknusseumm. The story highlights the importance of doing what is best for humanity, instead of what’s best for yourself.

Because many of the characters appear in all three books in the series, readers will want to read the previous books first. Unlike the previous books, Max Tilt: Enter the Core leaves the topics of death and illness out and focuses on the adventure, as Max and his friends follow Jules Verne’s footsteps as described in Journey to the Center of the Earth. In addition to the adventure, readers will enjoy the interplay between Max and his cousin, Alex.

Max Tilt: Enter the Core has the perfect blend of action, suspense, and interesting characters. Readers will want to read to the very last page. The heart-warming conclusion will leave readers with a smile. Sci-fi and action-seeking readers should definitely pick up the Max Tilt Series.

Sexual Content

Someone saw Alex “kiss the lucky fellow.”

Violence

When the bus driver tried to help Bitsy with her backpack, she bit him. “For a big walrus of a man, the driver had an oddly dainty scream. He yanked his arm away, Bitsy’s mouth was left with the taste of stale coffee, laundry detergent and old polyester.”
Max gets upset and Brandon “grabbed him by the shoulders, but Max turned and kicked him.” Max began taking deep breaths to calm himself down.
While in a cave, a “white object dropped to the ground. A bone. Then a grinning white face burst through. As Alex let out a piercing shriek, Max dove to the ground. He covered his head as a cascade of bones and skulls rained on top of him.”
While in a cave, Max falls and slips down a passage and a creature grabs him. Max tried to run, but the thing “held Max tight—with arms, legs, or tendrils, he couldn’t tell. But it was smothering him, smushing his face into its fur, lifting his feet off the ground.” Max hits the creature with his flashlight. “As Max tried to wriggle free, he heard a scream. Something sharp stuck his left ankle. . . The beast let out a guttural moan. It let go of Max and he fell to the ground.”
A creature grabbed Max with its talons. “Max felt himself rise, in ridiculous pain. He let out a scream that seemed to come up from below his toenails.” The creature drops Max.
While in a cave, Brandon falls off a cliff. Later, Max’s group finds Brandon’s body and Brandon cannot be revived. A creature comes towards the body and Alex attacks the creature. “From the front of the creature’s torso, hidden under the thick mass of hair, an orange tentacle whipped forward. It wrapped around Alex’s arm and tossed her to the side like driftwood. She screamed in surprise, her trowel flying away and into the water.” Later, someone else “blindsided the creature from the other side. With a roar like a creaky door, the hairy thing fell back.”
When a crowd of creatures comes towards Max and his group, Brandon “went into a pitching stance, kicked, and hurled the rock into the advancing crowd.” There is a lot of screaming and confusion. Something touches Max and “Max yelled in shock, twisting his body always, instinctively spinning and kicking. His right foot landed square in the face of a furry, monkey-like beast with wings. It fell to the ground, whimpering, and immediately ran away.” Then, Max squirts raspberry Gatorade towards a creature’s eyes causing it to run away. The scene is described over three pages.
Prehistoric birds appear and try to snatch up Max and his friends. Before the birds can hurt anyone, “Three of the hairy creatures—just like the one who had poured the liquid over Brandon—were picking the birds out of the sky with their tentacles.” The birds fly away.
The villain throws “a small black pellet that missed Max by inches, hitting the wall. . .it exploded into fragments and black dust.” A man is killed, but his death is not described.
The villain pulled a gun from his pocket and threatened Max’s group. The villain throws pellets at Max’s group, and “it landed about four feet in front of [the door] and exploded.” No one is injured.
Max’s group sets off an explosive that collapses a cave. It is implied that the villain and his daughter die in the explosion.

Drugs and Alcohol

While hiking, Max and his group find a “plastic foil wrapper” of Xantax.

Language

Heck is used four times. Several times someone asks, “What the heck is that?”
When prehistorical birds appear, someone says, “Dear Lord.”

Supernatural

Max is given “one of the most powerful talismans of the ancients. . . While wearing this talisman, you will always face the true path.”
A creature puts “a clear liquid” on Brandon’s forehead and chest. “Brandon’s skin let out a hiss, sending up wisps of green smoke. . . Where the hissing liquid had touched his body, his pale greenish skin was darkening. From a series of thin lines along his forehead and torso, it spread like the branching of nerves, setting off blotches of deep color that grew and joined until he no longer had the same tinge as the lake.” Brandon’s body repairs itself and he comes back to life.
Two men drink a serum that makes them immortal. “The serum slowed the body’s aging mechanism—it destroyed the marker that signals the end of life. In curing disease, the curious side effect was eternal life.”

Spiritual Content

The plane that Max was on crashed in freezing water. “Saying a prayer, [Max] jumped out the door.”
Someone tells Max and his group that they should “Go back to your family and pray for the best.”

Lost and Found

Fourteen-year-old Ezekiel Blast is an outcast. No one at his school talks to him. All of his classmates think he is a thief because no one understands his unique talent for finding things. It’s not a superpower—it’s a micropower. But Ezekiel’s micropower has done nothing helpful because when Ezekiel returns a lost item to its owner, the owner assumes he is the one who must have stolen it.

Everything changes after Ezekiel meet Beth. Beth believes his power might be useful. When the two friends are invited to join a group of other teens with micropowers, Ezekiel realizes he is not alone. With Beth’s encouragement, Ezekiel begins testing his micropower and trying to discover how it works.

When a police detective appears at Ezekiel’s house, desperate for any help that will lead to a missing little girl, Ezekiel is determined not to help him. He doesn’t understand his micropower and is afraid of the cops. But when tragedy strikes, Ezekiel knows that he must use his talent to find what matters most.

Ezekiel is a character that jumps off the page and grabs the reader’s attention. Lost and Found is told from Ezekiel’s point of view, which allows the reader to understand his fear, his hurt, and his unusual talent. Beth, a proportional dwarf, befriends Ezekiel and encourages him to join a support group for those who have unusual powers. The interesting premise and the unusual characters will keep the reader’s attention. However, towards the middle of the story it suddenly takes a disturbingly dark turn.

When Ezekiel decides to help find the missing girl, the police officer tells him of disturbing cases of young girls who have been taken, put on a pedophilia pornography website, and then are murdered on screen. When Ezekiel’s friend Beth is kidnapped, Ezekiel is truly motivated to use his micropower to find her. During this time, Ezekiel also wrestles with feelings for Beth. Because Beth is a proportional dwarf and looks like a child, he worries that his romantic feelings for Beth will make him look “like the kind of guy who likes little girls.”

Another disturbing plot twist is when Ezekiel learns that Beth’s mother had died, and Beth hid her mother’s death in order to avoid being put in a foster home. Lost and Found gives the reader insight into the nature of friendship, but the dark content of the book may give readers nightmares. Readers may find many of the facts unbelievable and the long passage of the support group sessions tiring. Fans of Orson Scott Card’s Ender’s Game will be disappointed that Lost and Found is disjointed, and while Ezekiel is a likable character, this story isn’t as expertly crafted as Ender’s Game.

Sexual Content

When Ezekiel is called into the counseling office, he thinks that the counselors “all had little windows in the doors so that students couldn’t claim they were molested or abused by a counselor.”
When a police officer tries to talk to Ezekiel, Ezekiel walks away. When the officer follows him, Ezekiel says, “If you follow me another step, I’ll go on Facebook and tell everybody about the cop who followed me to school and tried to touch me inappropriately.”
Ezekiel’s friend wants to know why he doesn’t return lost items. He gives a hypothetical situation where he goes to a girl’s house to return a scrunchie. Ezekiel says that her parents would “want me on the sex offender registry for stalking their daughter.”
Beth tells Ezekiel that girls with “huge boobs” don’t run because they will give themselves a black eye. Then Beth says, “I’ve ruined big busted women for you.” Their conversation about boobs goes on for a page.
Beth won’t let Ezekiel inside her house. Ezekiel wonders, “What was the terrible secret she was hiding. That her mother was shacked up with some live-in boyfriend. . . That Beth was the unwed mother of a huge baby that ate whatever it could, including the feet and ankles of visitors?”
A police officer tells Ezekiel about girls who have been kidnapped. “The girls these guys kidnap show up right away on child-pornography websites, the ugliest stuff. It gets uglier and uglier and then they get killed on camera. We estimate the whole process takes a week, and then the girl is dead.”
Ezekiel is upset that he might have feelings for Beth because “she looks like a six-year-old for heaven’s sake. If by some ridiculous fluke I actually had feelings for her, I’d look like some kind of. . . I’d look like the kind of guy who likes little girls.”
When talking about Beth, Ezekiel tells his father, “She may be short, but she was starting to get boobs. . .I wasn’t staring but I’d have to be brain-dead or completely not-male to miss that.”
While talking about Beth, a boy tells Ezekiel, “So touch yourself . . .bet you have plenty of practice.”
Ezekiel’s father tells a Bible story about Joseph and Potiphara. Potiphara’s wife “got the hots for him and when her husband was out inspecting the troops, she suggested to Joseph that they might do a little hanky. Or panky, the book of Genesis isn’t clear. Joseph said no. She tore her cloak and began to scream that Joseph tried to rape her.”

Violence

When he was small, Ezekiel’s mother was killed. He thinks back to her death as, “it was wham, car hits Mom, Mom flies through the air and then lies in a shape no human should ever be in and he knew right then that she would never come back, not even as a cripple.”
When Ezekiel was younger, he found a kid’s bike and returned it. He says, “I knew where it belonged because the connection was so strong. Took it back and got the crap beat out of me and the cops were called and they didn’t charge the kid or his dad for the beating I got. . .”
The woman who helped kidnap a little girl is found dead. She “was dead on the kitchen floor, stabbed with the big kitchen knife that she probably picked up to try to defend herself. All the blood was hers, though, and so were all the prints. . .”
Beth kicked one of the kidnappers, who fell to his death. When Ezekiel finds Beth, he looks at the kidnapper’s body. “And he could see that there was no possibility that his spinal cord was attached to his brain anymore. Which was a moot point because the man’s head had landed on a pile of cinderblocks and much of his brain was a lumpy smear.” Later, Ezekiel thinks how hard it would be for Beth to kill a man, even if he was trying to hurt her. “The kicking, the falling, nearly dying herself, but then seeing the man sprawled there, neck broken, skull spilling out brains and blood.”
Ezekiel’s father used to work in a slaughterhouse. “One at a time they [animals] come up the ramp to his position and he kills them and they flop over and slide down to where the process of skinning and gutting them began, other guys turning them from a once-living body into a side of beef.”

Drugs and Alcohol

While in an abandoned building, Ezekiel’s father says, “I’m surprised there isn’t a bunch of discarded drug paraphernalia here.” Ezekiel replies, “Most crack dens are more conveniently located, aren’t they?”
Beth says that the men who kidnapped her also drugged her. Later she tells another kidnap victim, “I can tell you that the drug they gave us made all the food taste like licking a bicycle tire.”
Ezekiel thinks Beth “could probably buy cigarettes and beer without showing i.d.”

Language

Profanity is used frequently. Profanity includes: ass, asshole, bastard, crap, bitch, damn, hell, pissed, prick, and shit.
When Ezekiel told his father that kids were moving to the other side of the street in order to avoid him, his father said, “chalk it up to coincidence, you narcissistic bonehead.”
People call others “idiot” occasionally. For example, Ezekiel’s father said, “An expert is just an idiot who used to be pert.”
Someone tells Ezekiel, “You’re a jerk.”
Ezekiel tells his dad that he wants to go trick-or-treating. His father says he can go, but Ezekiel will look “like a pathetic, greedy teenage moron.”
Ezekiel’s father tells him, “stop being a language nazi.”
Ezekiel calls a girl in his group, “Juh-anus.”
Ezekiel tells a police officer, “I’m a bastard.”
Someone calls Beth’s dad a “flaming frankfurter.”

Supernatural

Ezekiel meets with a group of kids who have different abilities. For example, one kid’s skin neutralizes odor, while another kid can make people yawn.
A boy in Ezekiel’s group can sense spiders. He tells the group, “There are always dozens of spiders within a hundred yards. I’m actually aware of spiders much further off, but it’s more vague.” He can also tell if someone intentionally or accidentally killed a spider.
When Ezekiel finds lost objects, he can tell who they belong to and how to find them. During the book, he tries to figure out how his power works.
When trying to figure out how to help Beth, Ezekiel thought about Beth and suddenly “he could feel himself falling.” He can feel what Beth was doing and feeling. “He could feel how raw and painful his muscles were, he could see how the skin had been scraped and abased on his arm from the struggle, from trying to grip the rough concrete of the floor.”

Spiritual Content

When Ezekiel’s mom was killed, Ezekiel wanted to know where his mother was. Ezekiel’s father said, “‘We didn’t know much about heaven but some part of us lived on after death yadda yadda.’ Ezekiel had listened when Mother took him to church so he was familiar with the idea, and that was not what he was asking.”
Ezekiel and his father have a conversation about God. Ezekiel’s father says he believes in God even though he doesn’t go to church. Ezekiel’s father says, “I believe in life after death. I believe the soul goes on.” Ezekiel’s father also keeps the commandments and prays. When the conversation shifts to prayer, Ezekiel’s father says, “If your definition is showing God the yearning of my soul, then yes, I’m praying right now.” Ezekiel’s father says that he prays to be a good father; he says, “I pray about other things. For nobody to lose any body parts while cutting meat. For the strength to not be as snotty with customers as you are with me. And no, that wasn’t a criticism. . .” The conversation lasts for about three pages.
When Ezekiel’s father wakes him up early, Ezekiel says, “Dad, God doesn’t wake up this early on a Saturday.”
When Ezekiel helps find a kidnapped girl, his father wants him to go to church. His father says, “I also had the crazy idea that you might want to say ‘thank God’ in a house of God.” Ezekiel and his father have a short conversation about God. His father tells him, “I spent a lot of time being enraged with God for not saving your mother. But then I realized that it was my whole family there on the sidewalk, my wife and my only child. I thought about what had been saved for me instead of what had been taken.”

The Burning Bridge

For years, the Kingdom of Araluen has prospered, but everyone knows the evil Lord Morgarath is plotting the kingdom’s destruction. Lord Morgarath has been hiding safely behind the impassable mountains. He’s been patiently building his Wargal army, waiting for the perfect opportunity to strike.

When Will and his friend Horace, an apprentice knight, travel to a neighboring village, they find a frightened maiden named Evanlyn. The young woman miraculously survived a Wargal attack. As the three journey towards Araluen, they discover the unsettling truth. Morgarath has finally devised a plan to bring his legions over the mountains. Will, Horace, and Evanlyn must warn the king’s army of the imminent danger of being crushed. While the three are surrounded by Wargals and are running low on supplies, Will and Horace are determined to save the king’s army.

The Burning Bridge continues the story of Will, a Ranger’s apprentice, and Horace, a Battleschool student. As Araluen prepares for war, the two young men accompany Ranger Gilan as he journeys to the neighboring county to seek reinforcements. The companionship and respect between the group paint a vivid picture of friendship during medieval times. Despite their friendship, each man must do what is best for their country, even if that means leaving a friend behind. The story uses a third-person omniscient point of view to focus on Will and Horace’s thought process, which allows the reader to understand their actions.

Although Will and Horace are only apprentices, they play a vital role in saving the kingdom. The apprentices’ actions are realistic because their skills are constantly being improved as they travel with Gilan. Each character, no matter their station, has an important role in the kingdom. From the king to the cook, each person helps in the war efforts. Readers will enjoy the positive male relationships as well as the introduction of Evanlyn, who is determined to help her country.

The Burning Bridge is a story of war, friendship, and sacrifice. The descriptive battle scenes focus on the destruction of war and never glorifies the battle. Each person, including the king, loses someone they love. Although the sacrifices were necessary, each character feels the loss. Even though the death scenes are not described in gory detail, lives are lost.

The Burning Bridge has many positive aspects: well-developed characters, a believable setting, and realistic, exciting conflicts. The story’s long descriptive scenes and advanced vocabulary (such as traverse, caprice, incognito, incipient, vehemently, and emphatically) make the story best-suited for strong readers. The Ranger’s Apprentice Series must be read in order because the plot builds on the previous book. Those who have read The Ruins of Gorlan will also enjoy The Burning Bridge.

Sexual Content

Will thinks about Alyss. Will “shifted uncomfortably as he thought of her. Alyss had kissed him after his homecoming dinner at the inn and he still remembered the soft touch of her lips.”

Violence

While traveling, Halt and Will come across a man who is surrounded by Wargals. The man’s “long sword held them at bay, but the Wargals were making small feinting movements toward him trying to find an advantage. They were armed with short swords and axes and one carried a heavy iron spear.” Halt approaches and tries to help the man. “Realizing the swordsman was distracted, he darted forward and ran the spear into his body. A second later, Halt’s arrow buried itself in the Wargal’s heart and he fell dead beside his stricken prey.” Halt shoots an arrow and his “second shot dropped the left-hand Wargal.” When a Wargal goes after Will, “Halt’s fourth arrow took it in the throat. At such short range, the arrow tore clean through. With a final grunting shriek, the Wargal fell dead on the grass.” The fight is described over two pages.
Two men, Carney and Bart, try to rob Horace and Will. Horace “darted forward and his sword flashed in an overhead cut at Carney. . . Carney barely had time to bring his own blade up in a clumsy parry. Thrown off balance and totally unprepared for the surprising force or authority behind the stroke, he stumbled backward and sprawled in the dust.” Horace knocks Carney to the ground and then swung his fist, “hammering the heavy brass pommel of his sword hilt into the side of Bart’s head.” When Bart tries to get up, Horace “turned and casually raised his sword, swinging it to clang, flat-bladed, against Bart’s skull.” The two men are tied up and eventually set free. The fighting is described over five pages.
Halt throws two nobles into a moat. “A group of servants were busy emptying the privy buckets into the moat when they were startled by a sudden drawn-out cry. They looked up in time to see a scarlet-and-gold clad figure sail out of a first story window, turn over once and then land with an enormous splash in the dark, rancid waters.”
Will and Horace see a group of Wargals pass by with prisoners. A prisoner, who was a miner, falls and causes others to fall down. “The two prisoners who had been brought down struggled to their feet, under a rain of lashes from their captors. The miner who had caused the fall lay still, in spite of the vicious whipping from the Wargals.” The dead prisoner is left on the side of the road.
Will and Evanlyn attempt to burn down a bridge in order to prevent the Wargals from crossing. Wargals and Skandian armies appear and try to stop the group. Will “nocked an arrow to the string and, barely seeming to aim, sent it hissing toward the lead Wargal. The arrow buried itself in the Wargal’s chest and he fell, crying out once, then lay silent.” Will and Evanlyn try to hide from the enemy, but a “rock took him in the side of the head and he grunted in surprise, then his eyes rolled up and he fell at her feet, dark blood already welling from his scalp.”
When Will is injured, a Skandian grabs Evanlyn. “The Skandian held her in a bear hug, her feet pressed onto the rough sheepskin of his vest, smelling of grease and smoke and sweat all but suffocating her. She kicked out, lashing with her feet and tossing her head, trying to butt the man who was holding her, but to no avail.” The bridge scene is described over six pages.
Halt and his men defeat a group of Skandians who were preparing a sneak attack. Although the fighting is not described, Halt says, “We caught them totally by surprise and cut them to pieces.”
During the battle, a bugler didn’t hear Morgarath, so Morgarath “whipped the man across the face with his leather-covered steel riding crop. . . The bugler, ignoring the agony of the whip cut and the blood that poured down his forehead and into his eye, raised a horn to his lips and blew. . .”
During the final battle against the Wargals, “fully half of his [Morgarath’s] Wargal soldiers were lying broken in the dust of the battlefield.” Part of the battle is described through Horace’s point of view. Horace “had watched as Wargals and horses had all died and their bodies sprawled now in the dust of the Plains of Uthal like so many scattered rag dolls. It had been fast and violent and confusing.”
Trying to escape the Wargals, a group of Skandians attack. “The Wargal tried to bring his iron spear up in defense, but he was a fraction too slow. The heavy ax sheared through his armor and he went down. . . But the Wargals hadn’t left their group unscathed. As he spoke, Nordal staggered and sank slowly to one knee. Bright blood stained the corner of his mouth and he looked hopelessly at his leader.” The man eventually dies.
Horace and Morgarath battle to the death. Before the battle begins, “Horace felt his throat go dry as he realized he was now fighting for his life.” As the two fight, “Horace’s left arm, his shield arm, was rendered completely numb by the terrible force of the blow. . . Now Horace used the shorter blade of his sword to lunge at the gap that had opened between shield and body and drove the point at Morgarath’s ribs. . .But the black armor held against the thrust, which was delivered from a cramped position and had little force behind it. Nonetheless, it hurt Morgarath, cracking a rib behind the mail armor, and he cursed in pain and jerked at his own sword once more.”
During the fight, Horace’s shield breaks. Morgarath took the opportunity and “slammed the double-handed hilt of the sword into the side of the boy’s helmet and onlookers groaned in dismay as Horace fell from his saddle.” Horace is dragged several meters and then regains his feet. The two enemies continue the fight on foot.
As the battle continues, Morgarath uses his broadsword. “The broadsword began its downward arc, splitting the air. And now Horace, throwing everything into one final effort, stepped forward, crossing the two blades he held, the dagger supporting the shortened sword. . . Horace’s knees buckled, then held, and for a moment Morgarath and he stood locked, chest to chest. . . Morgarath felt a deep, burning agony pour through his body as Horace slipped the dagger free and, with every ounce of his strength behind it, drove it through Morgarath’s chain mail and up into his heart.” Morgarath dies. The fight is described over eight pages.
The Skandians take Will and Evanlyn hostage, forcing them onto a boat. Halt follows, trying to catch up to the Skandians and save Will and Evanlyn. “Halt was riding without reins now as he unslung the longbow and laid an arrow on the string. At a full gallop, he sighted and released. The bow oarsman gave a grunt of surprise and lurched sideways over the gunwale of the boat as Halt’s heavy arrow slammed into him, transfixing his upper arm.” Halt continues to rain arrows on the enemy and hits several other men who “lay groaning in pain. The other was ominously still.” The scene is described over three pages.

Language

Damn is used nine times. Darn is used once.
When Gilan sees a village void of people, he asks, “What the hell is going on here?”
After reading a parchment, Baron Arald asks, “Pauline, do you understand what this idiot is getting at?”
Halt tells the baron that a nobleman “is a nincompoop and a fool.”
My God, by God, and Oh God are used as exclamations five times in total.
When looking at the enemy, someone says, “My god of battles, he doesn’t half give me the creeps, that one.”
“Gorlon’s teeth!” is used as an exclamation once.

Supernatural

Will sees a group of Wargals. “Bearlike in build, they had long muzzles and massive yellow canine fangs, exposed now as they snarled at their prey. They were covered in shaggy fur and wore black leather armor.”
Morgarath has control of the Wargals’ minds. “Without minds of their own, they were almost without fear.” Morgarath can give the Wargals instructions by using mind control. During the battle, “the Wargals heard the words and his [Morgarath’s] thoughts in their mind.”

Spiritual Content

While traveling through Celtica, the narration says, “the Celts had their own religion, which had to do with gods of fire and iron.”
When a Skandian is severely injured, he asks for his sword. “Skandians believed a man must die with his weapon in hand if his soul were not to wander in torment for eternity.”