Tumbling

Tumbling takes place over the course of a two-day gymnastics meet, but it’s not just any meet—this meet determines who will represent the United States at the Olympics. The story is told from the perspectives of five different girls, each of whom deals with her own struggles.

Leigh is a closeted lesbian and worries about the implications if her secret gets out. Grace has a distorted view of what a perfect gymnast is and ends up paying the price. Monica is a nobody and feels she isn’t good enough to be there. Wilhelmina’s shot at the Olympics was taken from her four years ago because of a rule change, and now she is determined to prove she deserves to go more than anyone else. Camille was injured four years ago in a car crash and is making a comeback to gymnastics, but she can’t decide if this is what she truly wants. Is the Olympics worth sacrificing her boyfriend and her happiness?

Although each girl’s problem is unique, they all struggle with the complexity of competing against friends. Everyone is paranoid; no one’s words can be trusted. Tumbling explores the enormous pressures that come with gymnastics—on bodies, mental states, friendships, and relationships.

Tumbling is an intense book with routines so detailed that readers will hold their breaths as they read them. Readers will cheer when the girls land their routines perfectly and ache when they make mistakes. Readers who know nothing about gymnastics will be able to understand Tumbling, but there is a glossary in the back of the book to help with the gymnastics terminology if needed. Rather than focusing on the intricacy of the sport, the story focuses more on the girls’ struggles. Readers will relate to the girls’ problems, which include sexuality, eating disorders, confidence, family relationships, and boyfriends.

The characters invoke sympathy, but none of them are truly likable. They are petty and constantly play mind games with each other. Because the story takes place over two days, there isn’t enough time for the girls to develop. The book ends abruptly and leaves the reader with many unanswered questions. Overall, Tumbling is best suited for those looking to read an entertaining book. Readers who want a mix of spots, teenage drama, and intense competition will enjoy Tumbling.

 Sexual Content

  • Leigh has a crush on Camille and fantasizes about her a couple of times. Leigh is distracted at the meet and thinks about “Camille’s cushy lips.” Camille comes to Leigh’s room with the other gymnasts to watch an interview. “It wasn’t going to be like it had been in Leigh’s fantasies last night. When Camille had sat down with Leigh on her bed and told her she was dumping her boyfriend because she’d realized she thought Leigh was so much hotter. And then had laid down next to her and. . . ”
  • After Leigh performs a perfect floor routine, she hugs teammate after teammate until eventually, Camille hugs her. “Camille was hugging her, actually pressed against her body, like Leigh had imagined so many times in the privacy of her own head.”
  • Dylan Patrick, a member of a famous boy band, messages Grace and says she’s “hot.” He, Grace, and Leigh send flirty messages throughout the book, such as, “It means a lot to know someone is watching me. Especially someone as cute as you.”
  • Monica flashes back to when she got waxed “down there.” She describes how “…the wax job from a few days ago had replaced her pubic hair with angry red welts.” She remembers she lay “half-naked” and “her crotch burned like any other fifteen-year-olds.”
  • During the meet, Monica is uncomfortable being “basically naked” and having “every line on her body on display.”
  • A doctor asks Camille, who is sixteen, if she menstruates.
  • Camille lists the things that were different about her before she met her boyfriend. “Different height. Different weight. Different voice. Virgin.”
  • Camille talks about how she has grown since she took a break from gymnastics by saying, “…a woman of five feet and one inch with breasts and hips.”
  • Wilhelmina almost wishes she could be a mean gymnast, someone who would “message Dylan Patrick something suggestive tonight to get under Grace’s skin.”
  • There are several instances of Wilhelmina fantasizing about kissing her boyfriend, such as, “She’d wrap her arms around his and press her lips to his.”
  • Wilhelmina and her boyfriend almost kiss. Wilhelmina’s “lips were just centimeters away from his. She could feel her breath on his mouth.” They don’t kiss because he says he can wait until Wilhelmina is done with the Olympics.
  • Leigh thinks Grace wraps herself in multiple towels because she didn’t want Leigh to see “a bit of skin besides her face and her feet.”

Violence

  • Grace has an eating disorder. She “pared herself down to three hundred or five hundred calories a day just to be a bee to keep up with the skinnies.” She worries Leigh will “see how far my collarbone is sticking out today, afraid you’d notice that my legs are like twigs growing out of the hotel carpet.” She eventually confesses she doesn’t eat to Leigh and Camille, with the intention of confessing to her dad, and promises she will get help.
  • Wilhelmina sees evidence of Grace’s eating disorder a few times throughout the book and is saddened by it, but chooses not to do anything about it. She sees Grace throw away an entire plate of food twice. She notices how skinny her body is a few times. “Wilhelmina swore she could see through Grace’s quadriceps to her femur. Even when Grace was bent over, her hip bones were visible.”
  • In a flashback that takes place four years ago, Camille is ecstatic after making it onto the Olympic team. She is having an out-of-body experience when she gets into a car crash. “…almost like she wasn’t in the car but was instead floating about it, watching and saving the joy for later. And it was good she wasn’t in her body at that moment. Because that’s probably why she didn’t feel her head go through the windshield.” Her doctor says gymnastics caused “‘…the stress fractures in your back that caused it to break in three places during the crash.’”
  • Gymnastics is discussed as being dangerous to your health. Camille’s doctor tells her, “‘It’s gymnastics that almost killed you.’” Camille thinks, “Everyone had some sort of scare when she fell head-first off the bars or whacked her back into the balance beam from three feet in the air.”
  • Grace suggests to the reporters Leigh is a lesbian, and Leigh gets angry. “Leigh was going to slap her. If it weren’t for the cameras still in the vicinity, her hand would be imprinted on Grace’s face.”
  • Grace almost falls off the bar due to her eating disorder. During her routine, “her body almost crumpled off the bar and whacked it before falling 8.2 feet to the floor.”
  • Leigh falls off the beam and gets injured. “A hammer bashed into her forehead just above her right eye. Her body stiffened and her blood was sharp and painful, like razors running through her veins, and her eye was going to fall out and roll on the floor, that floor, which was coming up beneath her limbs much too quickly, and then, thankfully, she blacked out.”

Drugs and Alcohol

  • None

Language

  • Leigh and Grace watch as Monica picks her wedgie. They say she needs to “‘buy better butt glue’” and call her the “Wedgie Queen.” They continue to joke about this a few more times throughout the book.
  • God, Oh God, Oh my God, and For God’s sakes are used frequently as exclamations.
  • Christ is used once as an exclamation.
  • Leigh’s coach calls a reporter an asshole.
  • Leigh worries she is a bitch on the mat.
  • Profanity is used sparingly throughout the book. Profanity includes: shit, bullshit, damn it, damn, badass, freaking, and kick ass.
  • “For the hell of it” is used once.
  • A girl says, “That was some effed-up stuff.”
  • Wilhelmina tells Camille to “cut the crap.”
  • “Get her butt back on the beam” and “Kicking butt” are each used once.

Supernatural

  • None

Spiritual Content

  • Grace meditates before her beam routine. “It would look like she was praying, but Grace didn’t pray…It was her own body she counted on, not some Great Unknown Creature in the Sky.”
  • Camille made the Olympic team four years ago, but she had to withdraw due to a car accident. She describes her moment of happiness in the car as “this hoped for, prayed for moment was almost otherworldly, almost like she wasn’t in the car but was instead floating above it, watching and saving the joy for later.”
  • Leigh is tired of being mean during the gymnastics meet, so she promises to be nice and still win the meet. “So when Leigh had closed her eyes last night, she had made a promise to the Gods of Gymnastics or the Universe or whoever was in charge out there. Tomorrow, I will be me, and I will still win. I will win while being nice.
  • After Leigh falls, Grace says, “I think I accidentally prayed for it.”
  • After Leigh falls, Monica tells Grace and Ted, “You aren’t gods.”

by Jill Johnson

 

The Legend of Zelda: Twilight Princess Vol 1

Link is a simple boy in a small, peaceful village. However, he lived a very different life before he came to the village less than two years ago. Before, he had been training with the sword to become a border guard. Then, in a tragic accident, Link’s entire town was sucked into the blackness by a Death God and vanished. Link fled in terror and has been hiding ever since, though he hasn’t been able to escape his guilt.

When monsters invade Link’s safe haven, he springs into action to defend his new home. But these strange creatures are nothing like Link has ever seen before. Will he be able to redeem himself and save his new home? Or is Link doomed to watch another town be swallowed by the darkness?

Link himself is an enjoyable and relatable hero. He has a sense of humor despite his tragic past. He tries to be patient with the children of the village, and when he loses his temper, he regrets it later. However, the other supporting characters in the story are undeveloped caricatures.

There are some mild violent and sexual images, though these do not abound. Specifically, the monsters and Death God may be frightening to younger readers, and parents may not appreciate the bikini-clad princess that appears in the first chapter. However, for the 13+ recommended age range, the images in this graphic novel are much less graphic and sexual than other popular teen graphic novels. Still, the graphic novel is noticeably darker than the video game, such as when the Death God is introduced, Link suffers a gruesome injury.

For fans of The Legend of Zelda: Twilight Princess video game, this graphic novel will be an enjoyable read. Though the graphic novel diverges from the video game, there are enough similarities that gamers will recognize and enjoy. Link is given a different backstory in this graphic novel, which provides enough of a difference that it is not simply a repeat of the game. For readers who have not played the video game and are meeting Link for the first time, they may find that the plot drags. While there is plenty of action at the end, the first half of the book meanders around, introducing characters and aspects of Link’s life from the video game. While interesting enough to gamers, there might not be enough action to hook new readers.

Sexual Content

  • The Twilight Princess, who only appears in chapter one, is dressed in a bikini top and sarong skirt that bares most of her legs.
  • When Link gets rammed by a goat, he thinks, “It’s weird for Ordon goats to be so aggressive. Is it mating season?”

Violence

  • The sorcerer Zant attacks the Twilight Princess. There is a giant explosion as he overpowers her.
  • A village girl is shot in the shoulder with an arrow and then kidnapped.
  • Link fights the monster trying to kidnap a village girl. The fight is depicted over 11 pages. At the end of it, Link’s arm is cut off.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Link lives in a world with magic and monsters.
  • The sorcerer, Zant, turns the people who live in the Twilight Realm into monsters to serve his evil plans.
  • When Link pulls a sword from a stone, his village is sucked into darkness by a terrifying Death God, who appears like a skeleton with glowing eyes.
  • There are drawings of goblins, skeletons, and other monsters that invade the realm and terrify the villagers. Most of this attack is not shown. One of the monsters threatens the people who don’t live in the twilight realm, saying, “I will curse them all.”
  • When Link travels to the Twilight Realm, he is transformed into a giant wolf.

Spiritual Content

  • The villagers speak of the spirits that protect them several times. For instance, a village woman tells Link, “The spirits give strength to all manner of things. They bring light and consciousness to all things.”
  • There is a legend that when evil people tried to use magic to take over the land, “the goddesses grew angry at this affront and sent four spirits of light to seal the upstarts’ magical power away in the shadow crystal. Furthermore, the mirror of shadow prevented these wizards from entering the world of light. They were exiled to the twilight realm.”
  • A spirit of light heals Link’s arm after it is cut off in a battle.

by Morgan Lynn

A Court of Mist and Fury

The story continues in this thrilling sequel. Feyre must heal from her torment and learn to control her newfound power. Feyre has saved Prythian from the evil tyrant Amarantha, and she has been reborn as a faerie. As Feyre adjusts to her new faerie body, she uncovers new powers she has been gifted from the high fae. Feyre struggles to overcome trauma causing her relationship with Tamlin to become increasingly strained. As their relationship deteriorates, Tamlin becomes more controlling. Eventually, Tamlin uses magic to trap Feyre inside their home. When Feyre calls for help, Rhysand, the high lord of the night court, hears her plea and saves her. Rhysand takes Feyre to the night court where her next chapter begins.

While Feyre begins to heal from her broken relationship with Tamlin, she finds an unlikely ally in Rhysand. As Feyre heals, her bond with Rhysand grows stronger; however, she must ready herself for an approaching threat. Dark plans are revealed, and Feyre realizes she might be the key to stopping an imminent war against Hyburn, an ancient land that is plotting a war to take over Prythian and the human lands. Will Feyre ever recover from her trauma? Will she let herself have feelings for the beautiful high lord of the night court? Will Feyre be able to master her new powers in time to save Prythian?

 A Court of Mist and Fury is a stunning sequel to A Court of Thorns and Roses. Feyre is a strong female who leads the fighting and demonstrates great powers among the faeries. A Court of Mist and Fury focuses on the inner workings of the night court and introduces new, funny, and vibrant characters. As Feyre’s adventure continues, her new powers begin to make her a target among the high fae. Instead of backing down, she trains to control her powers and to protect herself. Feyre’s powers put a feminist spin on the series because the high lords need Feyre’s help to save Prythian. With this sequel, Maas creates a story that is even better than the first. A Court of Mist and Fury continues to dive into the rich history of the faerie world and the different courts.

Maas develops her characters in a realistic way that allows the readers to relate to her strong characters and fall in love with them. Maas allows her protagonist to have multiple relationships and friendships, showing that a broken heart is not the end of a character’s story. She allows Feyre to have multiple loves, with many highs and lows, to show a more realistic look at what it is to find love. These different love interests and friendships display the true difficulties of relationships and that, ultimately, everyone has to do what is healthiest for themselves when it comes to love. These relationships make the story more genuine and powerful, even though the setting is in a magical world. With Feyre’s heartbreak and her healing from physical trauma, the story touches on her mental health and the effects of depression. While Feyre is healing, she goes through a mourning process and comes out the other side stronger than ever. This novel delves into the raw emotion of heartbreak, depression, and the healing that everyone, human or faerie, must go through in their life.

Sexual Content

  • Feyre and Tamlin have an intimate moment. Feyre “moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered.” The scene is described over two pages.
  • To distract the court, Rhys and Feyre pretend to be a couple. They put their “show” relationship on display and Rhysand’s “hand slid higher up my thigh, the proprietary touch of a male who knew he owned someone’s body and soul. He’d apologized in advance for it- for this game, these roles we’d have to play. But I leaned into that touch, leaned back into his hard, warm body.” This exchange goes on for three pages.
  • Feyre and Rhysand stay in an inn, and they share a bed. “The fingers he’d spread over my stomach began to make idle, lazy strokes. He swirled one around my navel, and I inched imperceptibly closer, grinding up against him, arching a bit more to give that other hand access to my breasts.” They decide to not go any further sexually, as they are in the beginning stage of their relationship. This intimate moment lasts two pages.
  • Feyre and Rhys’s mating bond snaps into place, and they have sex for the first time. Rhys “deepened the kiss, and I wrapped my legs around his back, hooking him closer. He tore his lips from my mouth to my neck, where he dragged his teeth and tongue down my skin as his hands slid under my sweater and went up, up, to cup my breasts. I arched into the touch and lifted my arms as he peeled away my sweater in one easy motion.” The scene is described over three pages.

Violence

  • Rhys tells the story of how Azriel got his scars on his hands. “For the eleven years that Azriel lived in his father’s keep, she [Azriel’s stepmother] saw to it that he was kept in a cell with no window, no light. When he was eight, his brothers decided it’d be fun to see what would happen when you mix Illyrians quick healing gifts with oil and fire. The warriors heard Azriel’s screaming. But not quick enough to save his hands.”
  • Rhys and Feyre are flying when arrows attacked them. Feyre “felt the impact—felt blinding pain through the bond that ripped through my own mental shields, felt the shudder of the dozen places the arrows struck as they shot from bows hidden beneath the forest canopy.”
  • Feyre attacks a camp of faeries that have taken Rhys hostage. “The others around them shouted as I dragged my ash arrows across their throats, deep and vicious, just like I’d done countless times while hunting. One, two—then they were on the ground, whips limp. Before the guards could attack, I winnowed again to the ones nearest. Blood sprayed. Winnow, strike; winnow, strike.”
  • Valerian is attacked, and Feyre witnesses a woman impaled on a light post. The woman’s “body bent, her back arched on the impact.” As the city is being attacked, Feyre hears “screams, the beating wings, the whoosh and thud of arrows erupted in the sudden silence.”
  • Feyre attacks the Attor, a winged monster, before he can escape the attack on Valerian. The Valerian “shrieked, wings curving as I slammed into it. As I plunged those poisoned ash arrows through each wing . . . the Attor could not break free of my flaming grasp.”
  • Jurian “fires an ash bolt through Azriel’s chest” that almost kills him.
  • Feyre, Rhys, and the rest of his court try to infiltrate Hyburn and nullify the Cauldron before it can be used for evil. When they get to Hyburn, they realize it is a trap. Tamlin has sold them out to the king. The king kidnapped Feyre’s human sisters, who were “gagged and bound.”
  • The king forces Feyre’s sisters to go into the cauldron to be transformed into fairies against their will. “Elain was hoisted up between two guards and hoisted up. She began kicking then, weeping while her feet slammed into the sides of the cauldron as if she’d push off it or knock it down. The guards shoved my sister into the cauldron in a single movement.”
  • The king breaks Feyre and Rhys’s bond. “Tamlin gripped my arms as I [Feyre] screamed and screamed at the pain that tore through my chest, my left arm. A crack sounded in my ears. And the world cleaved in two as the bond was broken.”

 Drugs and Alcohol   

  • Feyre mentions drinking wine with most meals.
  • Mor tells Feyre, “come sit with me while the boys drink.”
  • Feyre talks about how Mor “had been out drinking and dancing until the mother knew when.” Feyre eludes that Cassian and Azriel have hangovers, describing them as “grumbling and wincing over breakfast, had looked like they had been run over by wagons.”
  • Feyre goes out to a nightclub with Rhys, Mor, Cassian, and Azriel. She describes “nursing her glass of wine” as Mor and Cassian “danced around the bar.”

 Language

  • Profanity is used occasionally. Profanity includes: shit, damn, ass, and hell.
  • Rhys and Feyre are having an argument and Rhys says, “I don’t give a damn what I have to do.”

Supernatural

  • Feyre asks Rhysand about his winnowing powers and he says, “Winnowing? Think of it as . . . two different points on a piece of cloth. One point is your current place in the world. The other one across the cloth is where you want to go. Winnowing… it’s like folding that cloth so that two spots align. The magic does the folding and all we do is take a step to get from one place to another.”
  • Feyre meets a water-wraith and describes her as wearing “no clothes. Her long, dark hair hung limp and her massive eyes were wholly black.”
  • Feyre uses her powers unknowingly and goes into the mind of Lucien. She describes it as, “still there, still seeing through my eyes, but only half looking through another angle in the room, another person’s vantage point – his head. I had been inside his head, had slid through his mental walls.”
  • Tamlin and Feyre get into a fight, and he gets so enraged that his power “blasted through the room.” The room is destroyed around Feyre, but she isn’t hurt. When Tamlin tries to come to her, he hits an invisible wall around her. “And I realized that the line, that bubble of protection. . . It was from me. A shield. Not just a mental one but a physical one, too.”
  • Feyre starts to feel talons growing on her hands. She describes it as “where my nails were growing, curving. Not into talons of shadow, but claws.” She can also will them away “like blowing out a candle.”
  • Rhysand tells Feyre about her power to look into other people’s minds, which is a power he also shares. “We’re called daemati- those of us who can walk into another person’s mind as if we were going from one room to another. If you were to ever encounter a daemati without those shields up, Feyre, they’d take whatever they wanted.”
  • Feyre describes Amren, one of Rhysand’s inner circle members in the night court, as being an other-worldly being inside a human body. “Her silver eyes were like nothing I had ever seen; a glimpse into the creature that I knew in my bones wasn’t high fae. Or hadn’t been born that way. The silver in Amren’s eyes seemed to swirl like smoke under glass.”
  • Rhys describes the Illyrians, a race of winged faerie warriors, since he is half Illyrian and his closest friends and court members, Cassian and Azriel, are also Illyrian. “The Illyrians are unparalleled warriors, and are rich with stories and traditions. But they are also brutal and backwards.”
  • Rhys and Feyre go to a magical prison inside a rock with “the foulest, most dangerous creatures and criminals you can imagine” to visit a prisoner called the bone carver. The bone carver is a magical creature that may “appear to you as one thing, and I might be standing right beside you and see another.”
  • Feyre sees the weaver, a scary, mythical being. She describes her with “gray skin, wrinkled and sagging and dry. Her lips had withered to nothing but deep, dark lines around a hole full of jagged stumps of teeth.”
  • Amren doesn’t eat human food, and while they are all out to dinner together, the restaurant’s owner brings her “a goblet filled with dark liquid.” After Amren takes a sip, her teeth were “gleaming with blood.”
  • Feyre practices with her water powers by “making water rise from the tub, then shaping little animals and creatures out of it.”
  • The night court celebrates a holiday called Starfall, where stars “cascaded over them filling the world with white and blue light.” Rhys tells her they’re not stars at all, but “spirits on a yearly migration to somewhere. Why they pick this day to appear here, no one knows.”

 Spiritual Content

  • Feyre meets Ianthe, one of the high priestesses of Prythian. “Among the high fae, the priestesses oversaw their ceremonies and rituals, recorded their histories and legends, and advised their lords and ladies in matters great and trivial.”
  • The bone carver tells Feyre about the Cauldron where “all magic was contained inside it and the world was born in it. It could not be destroyed, for it had made all things, and if it were broken, then life would cease to exist.”

by Adeline Garren

Geekerella

Elle Whittimer is living in an impossible universe. Her father died, leaving her with her awful stepfamily. Now her only connection to her father is through Starfield, an old science fiction television show that he loved so much he started a fan convention for it. These days ExcelsiCon is one of the biggest cons in the country, but Elle hasn’t been back since her father died. Instead, she finds her solace in late night Starfield reruns, posting on her blog, Rebelgunner, and dreaming of the day when she can escape to California and become a screenwriter. When a movie reboot of Starfield is announced, Elle is afraid that her favorite story is about to be ruined. But this movie just might be the ticket to her dreams because this year, the first-place prize for ExcelsiCon’s cosplay contest is a chance to attend the premiere in Hollywood. With a little help from her coworker Sage, Elle decides to turn her father’s old costume into a prize-winning cosplay.

Darien Freeman just landed the role of a lifetime: Federation Prince Carmindor in the Starfield movie reboot. However, as a lifelong fan, he’s afraid he won’t be able to do the character justice. There are already fans, like the blogger behind Rebelgunner, who are convinced that casting a teen heartthrob was a terrible idea. The last thing Darien wants to do is surround himself with a bunch of angry, hardcore Starfield fans, which means he really needs to get out of judging the ExcelsiCon’s annual cosplay contest. When Darien sends a text hoping to contact someone at ExcelsiCon, he ends up reaching Elle. After connecting through a mutual love of Starfield, their anonymous friendship begins to grow into something more. But what will happen when their paths cross on the convention floor?

Geekerella is part modern-day Cinderella story and part love letter to fandom culture. Poston does a wonderful job exploring the ways in which art can bring together creators and fans alike – across time and distance. Themes of love and acceptance are an integral part of the story. At the same time, some darker topics are addressed, like Elle’s mistreatment by her stepfamily and how Darien has lost his personal life to overzealous fans and toxic paparazzi.

At its heart, Geekerella is an adorable fairytale. Even if readers are unfamiliar with fandom culture, they can still have fun picking out the parallels to the classic Cinderella story. Elle is a charming heroine, whose wit and determination make her easy to root for, while Darien’s sweet optimism makes him an incredibly endearing character. When these two lonely souls find each other through a mutual love of Starfield, it’s nearly impossible not to hope that their budding romance will overcome all the obstacles thrown in their way.

Sexual Content

  • Darien says he doesn’t want to think about the “creepy google searches” that male fans of his costar Jessica Stone make, implying that they might be sexual in nature.
  • Elle describes Darien’s face as “annoyingly beautiful.”
  • When Darien takes off his shirt on live TV, Elle says, “His abs and chest beam across Catherine’s plasma TV, piercing through [her] sleepy brain like a ray of hope in this godless universe.”
  • A fan jumps on stage and forces herself onto Darien. “Her mouth connects with [Darien’s] with such force that it sends them both tumbling over the sofa.”
  • When Darien discusses the kissing incident with his bodyguard, Darien says he thought he’d “choke on her tongue.”
  • Darien and his co-star Jessica must kiss for a scene. When Jessica asks where Darien learned how to kiss, he jokes that he’s had “two hours of practice by now.” In the same scene, Jessica refers to herself as “the best kisser in Hollywood.”
  • Elle daydreams about what life in a better universe would be like. “And maybe at that midnight release, I’d see a guy across the theatre dressed in a federation uniform, and we’d lock eyes and know that this was the good universe. Maybe a guy with dark hair and chocolate eyes and—for a moment Darien Freeman flashes across my mind.”
  • Darien thinks to himself that when he was kissing Jessica, he was really thinking about Elle. “The truth is, it wasn’t just when we’d kissed that I’d thought about Elle. I’d thought about her during every step of that dance.”
  • During a text conversation with Darien, a.k.a. Carmindor, Elle describes an episode of Starfield as “the one with the other Carmindor being sexy in the shower.” She then panics and adds, “Not that YOU couldn’t be sexy too.”
  • Elle worries about what would happen if she met Carmindor, a.k.a. Darien, in real life and thinks to herself, “I hate that I’m falling for someone I don’t even know.”
  • Darien refers to Elle as “ah’blena” during one of their text conversations, in the universe of Starfield this is a phrase meaning “my heart.”
  • Darien’s handler says that whoever wrote the negative blog posts about him “has a serious crush.”
  • After filming the final scene for the movie, Jessica asks Darien if he’s thinking about “the absolute sadness that we didn’t make out more?”
  • When Elle meets Darien for the first time, she describes him as “beautiful in person,” but thinks that his personality is “the biggest turn off.”
  • When she enters the cosplay ball, Darien is captivated by Elle. Darien watches “the top of the stairs, the girl with glowing red hair stares down at the rest of us from behind a sparkling golden mask. Her bowlike lips are painted the flaming color of a red giant. She’s beautiful.”
  • As Darien watches Elle enter the ball, he compares the moment to a meet-cute from a movie scene. “But this isn’t a movie, and I’ve already missed my meet-cute. The sky doesn’t suddenly crash in around us. The world doesn’t lose sound. Because this isn’t where I fall in love. I fell in love across the cell signals and late-night texts with a girl I barely knew.”
  • A rude stranger at the cosplay ball insinuates that Elle is simply a Darien Freeman fangirl, not an actual Starfield fan, and tells her that she is “too cute to play dumb” when she gets offended.
  • Elle and Darien share a dance at the cosplay ball and start to fall into familiar banter. “We’re so close, I can feel his breath on my lips, and my heart is tugging, telling me to kiss him even though I don’t know him. Even though my heart, battered and bandaged and taped together, is still rattling from the text a few hours before. But there’s something familiar in the cadence of his words, the way he phrases sentences, the way he articulates thoughts, like a voice I’ve heard before.”
  • Realizing she’s stayed too long, Elle rushes out of the cosplay ball. Darien, having realized who she is to him, chases after her. “His mask has fallen off and I can see the shiner on his nose, dark as a rainstorm, and the alarm in his eyes. The kind where you’re afraid you’ll never see someone again. ‘Wait, ah’blena!’ Ah’blena? I stumble and one of Mom’s shoes slips off.
  • One of Elle’s stepsisters tells her friends that Darien is “way sexier in person.”
  • When Darien shows up at the country club looking for Elle, Chloe throws herself at him. Elle thinks that “flirting comes as natural as breathing” to her stepsister.
  • Darien reflects on seeing the real Elle for the very first time. “I won’t say that she is perfect or that she is the most beautiful girl I have ever seen, but the moment her gaze finds mine, she’s the best part of the universe. She’s a person I would love to spend a lifetime with on the observation deck of the Prospero.”
  • Elle and Darien share a kiss upon being reunited. “‘Ah’…,’ he begins, enunciating every syllable, raising his hand to my chin, ‘blen…,’ tilts my face up, slowly drawing toward me, like two supernovas about to collide, ‘…a.’ And somehow, in this impossible universe, his lips find mine.”
  • Elle and Darien kiss a second time and she describes it as “the kind of kiss that creates [possibilities].”
  • Sage and her girlfriend are holding hands in the limousine before the Starfield Elle says, “I don’t think they’ve stopped holding hands since that day at the country club.”
  • Sage’s girlfriend says she loves Jessica Stone, to which Sage responds, “Maybe we can share her.”
  • When a reporter asks if Elle and Darien are a couple, he tells her, “I want you, ah’blena. I want to try this thing with you, whatever this is. I want you to be my copilot. And I want to ask you before the movie, in case you really hate it.”
  • Darien kisses Elle on the red carpet. “He bends close, despite the crowds, despite the cameras, despite Franco’s nose-diving into his suit pocket where he’s probably keeping a snack, and kisses me. Around us, the flashes flare like the thrusters of the good ship Prospero, sending my heart rocketing into the farthest reaches of this impossible universe.”

 Violence

  • During a fight, Elle’s stepmother, Catherine, hits her. “With a crack, Catherine’s manicured hand strikes the side of my face.”
  • Darien films a choreographed fight scene. “There’s an explosion behind us—bright lights, the actual effects to be added later—as half the ship blows. Calvin lunges at me. I dodge left, grab his right hook, but he powers through it and sends me careening backward. I slam against the floor, pulling my weight back, scrambling to get my feet under me. He picks me up by the collar; I grab his hand and wrench it away. Quickly, I reach for my gun. Too slow. He rams his shoulder into my chest, and I stumble into the console. The entire structure shakes. He grabs hold of my neck and pretends to squeeze.”
  • Elle accidentally hits Darien in the face with a door, causing his nose to bleed. He describes the blood as leaking “into my mouth and down my chin and onto my favorite T-shirt.”
  • Darien gets into a physical altercation with his former friend, Brian. “If one good thing has happened over the last few months of preproduction and soulless salads and four A.M. workouts with Arnold Schwarzenegger’s cousin, it’s that I learned to throw a punch. Thumb out, clench fist—swing. Brian stumbles from the force of it.” The fight scene lasts for three pages.
  • Sage tells a dog, “The next time you jump on me I’ll skin you and wear you as a hat!”

Drugs and Alcohol

  • Prior to the beginning of the story, Darien was in an accident that prompted headlines to speculate about his health. When he describes the accident he says, “I wasn’t drunk, or high, or tripping on anything besides my own feet.”
  • Darien describes his former relationship with Brian, a friend who sold him out to the paparazzi, as “shoot-the-shit, drinking beer in the back of pickups friends.”

 Language

  • Elle uses the phrase “Nox’s crack” in place of a curse. The Nox are a race of aliens from the Starfield
  • Anon, the director of the Starfield movie, tells Darien that he has “brass balls” right before he films a stunt sequence.
  • Darien describes one of his lines as a “kiss ass goodbye.”
  • Elle describes sitting inside the food truck on a warm day as “hot as balls.”
  • Sage refers to Elle’s stepsisters as “the hell twins.”
  • Sage describes Princess Amara’s character arc as a “crappy subplot.”
  • When Elle first sees Darien in person, she thinks to herself, “Holy Federation Prince, Batman. It’s Darien effing Freeman.” This is one of three times this phrasing is used as an exclamation.
  • Miss May, one of the people running ExcelsiCon, says that Elle gave Darien “a snowball’s chance in hell.”
  • When Sage enters ExcelsiCon, she says, “Holy shit.”
  • Darien uses the word “fracking” in place of an f-bomb.
  • Darien tells Brian that he’s “not trying to be a dick.”
  • Elle calls the stranger harassing her a “left-testicled Nox.”
  • During his fight with Brian, Darien imagines a headline describing the incident: “DARIEN FIGHTS WITH SLEAZY PAPARAZZO AND MURDERS HIS ASS.”
  • During an argument with his father, Darien asks, “Why the hell insure my abs anyway?”
  • Sage tells Darien that she has been grounded by her mother, adding, “like hell I am.”
  • Elle says that her stepmother got rid of all of her Starfield memorabilia, including “one hella rare Pez dispenser.”
  • Elle tells Darien that she will make his life “a living hell” on her blog if he screws up Carmindor.

 Supernatural

  • None

Spiritual Content

  • Elle describes herself as sending a prayer to “the Lord of Light or Q or whoever is listening.”

by Evalyn Harper

 

A Swiftly Tilting Planet

When Mad Dog Branzillo, a leader of a small South American country, develops nuclear weapons, it seems the end of the world is at hand. Mad Dog is a crazy man full of hate who would be willing—eager even—to destroy the world. When Meg’s family hears this, there seems to be nothing to do but wait for the end of the world. But Mrs. O’Keefe, Meg’s mother-in-law, is suddenly reminded of an old Irish rune that her grandmother taught her about when she was a child. The rune is supposed to have great power, but can only be used in the time of greatest need.

Meg’s little brother Charles Wallace decides to use the rune. When he does so, he is sent a unicorn who can ride the winds of time. The unicorn tells him that history is full of Might-Have-Beens, where a single decision could change the course of history. To save the world, the unicorn takes Charles Wallace back in time and sends him ‘within’ the lives of several people—from the first Native American settlers to the Civil War period. As a passenger in these people, Charles becomes them. He sees what they see and hears what they hear. But he is able, perhaps, to nudge them in a better direction and change the vital Might-Have-Beens that lead to Mad Dog Branzillo.

L’Engle’s book is an allegorical tale that explores the battle of good and evil that started when the fallen angels were banished from heaven. While most of the story is phrased in terms of good and evil, there are points where the unicorn mentions heaven, angels, and other biblical concepts explicitly. In addition, when Charles Wallace visits a settlement in the time of the Salem Witch Trials, God is discussed frequently and scripture is used both by the pastor trying to condemn a woman and by the man defending her.

A Swiftly Tilting Planet is all about the importance of choices, even those that seem small. It explores two family lines: one family who leaned toward violence and hungered for power, and another family who promoted peace and friendship. The two family lines parallel the struggle between good and evil, heaven and darkness. While the story is enjoyable and full of good messages, there are many characters that Charles interacts with throughout history whose many names may become confusing for less advanced readers. For those able to follow the complicated family lines and keep track of the many names, A Swiftly Tilting Planet is yet another fun ride in the Time Quintet.

Sexual Content

  • A pregnant Native American woman uses “birthing flowers” to prepare for her birth. “She knelt and breathed in the fragrance of the blossoms, took them up in her hands, and pressed them against her forehead, her lips, her breasts, against the roundness of her belly.”
  • A boy reports that his sister and the hired hand were “kissing.”

Violence

  • Two brothers fight. The brother who wins holds his brother’s head underwater until his brother promises to leave and never come back. “Madoc forced Gwydyr into the lake, and held him down under the water until rising bubbles told him that his brother was screaming for mercy.”
  • The unicorn is injured. “The entire abdominal area, where the webbed hammock had rubbed, was raw and oozing blood. The water which had flooded from [his] nostrils was pinkish.”
  • When she was an only child, Mrs. O’Keefe’s mother “came to breakfast with a black eye, explaining that she had bumped into a door in the dark.” It’s clear that her new husband abuses her.
  • Mrs. O’Keefe’s stepfather boxed her brother’s ears and pinched her inappropriately as a child. When her grandmother tried to intervene, the man tried to hit her. “Chuck thrust himself between his grandmother and stepfather and took the full force of Mortmain’s blow. Again Breezie screamed, as Chuck fell, fell down the steep stairs in a shower of broken china and glass.”
  • A girl says she saw Jack O’Keefe “take a homeless puppy and kill it by flinging it against the wall of the barn.”
  • A man comes back from war and says, “I saw a man with his face blown off and no mouth to scream with, and yet he screamed and could not die. I saw two brothers, and one was in blue and one was in grey, and I will not tell you which one took his saber and ran it through the other.”

Drugs and Alcohol

  • Charles Wallace’s family has plum pudding. “Mr. Murry got a bottle of brandy and poured it liberally over the pudding…The brandy burned with a brilliant blue flame . . . Mr. Murry tilted the dish so that all the brandy would burn.”

Language

  • “God” and “Oh God” are used a few times. They are said in devoted ways, not as profane exclamations.
  • A woman says, “Thank God,” when she learns that her son is alive.
  • A man writes a letter describing a Native American who helped the settlers: “God knows he is helpful.”
  • When his friend is giving birth, Brandon prays, “Oh God, God, make Zylle be all right.”

Supernatural

  • Mrs. O’Keefe gives Charles Wallace a rune that her grandmother gave her as a child. It calls upon heaven to stand against the darkness, and Charles uses pieces of the rune when he is in danger. The first time he says, “In this fateful hour I call on all Heaven with its power!” and a unicorn appears to help him. Another time, he says, “And the fire with all the strength it hath,” and the sun causes a pile of flowers to burst into flames.
  • Charles Wallace and his sister Meg know how to kythe, which is a deeper form of telepathy that “was being able to be with someone else, no matter how far away they might be…talking in a language that was deeper than words.” In this way, Meg is able to be with her brother even when he goes on a long journey.
  • Charles Wallace travels in time with a unicorn. “Slowly the radiance took on form, until it had enfleshed itself into the body of a great white beast with flowing mane and tail. From its forehead sprang a silver horn which contained the residue of the light.”
  • Charles Wallace goes back in time to prevent a madman from destroying the world. The unicorn explains, “What we must do is find the Might-Have-Beens which have led to this particular evil. I have seen many Might-Have-Beens. If such and such had been chosen, then this would not have followed. If so and so had been done, then the light would partner the dark instead of being snuffed out. It is possible that you can move into the moment of a Might-Have-Been and change it.”
  • Twice, Charles Wallace is blown into a Projection, which is “a possible future, a future the Echthroi want to make real.” The first time, they arrive in a lava world and see a “monstrous creature with a great blotched body, short stumps for legs, and long arms, with the hands brushing the ground. What was left of the face was scabrous and suppurating.”
  • A Native American says, “When the soothsayer looked into the scrying glass and foretold my father’s death, he saw also that I would live my days far from Gwynedd.”
  • A Native American sees a vision of the future in the reflection of a pond. “He feared the small oval of water which reflected Gwydyr’s face, growing larger and larger, and darker and darker, quivering until it was no longer the face of a man but of a screaming baby.”
  • Brandon, an early North American settler, sees pictures of the future. A Native American tells him, “Among my people you would be known as a Seer, and you would be having the training in prayer and trusting that would keep your gift very close to the gods, from whom the gift comes.”
  • When injured, the unicorn takes Charles Wallace to his planet in order to be healed. There the snow heals them, the unicorn drinks liquid moonlight, and Charles Wallace sees a unicorn hatch from an egg. “A sharp cracking, and a flash of brilliance as the horn thrust up and out into the pearly air, followed by a head with the silver mane clinging damply to neck and forehead. Dark silver-lashed eyes opened slowly, and the baby unicorn looked around.”

Spiritual Content

  • A Swiftly Tilting Planet is an allegorical story about the powers of good and evil, of light and darkness, of heaven’s creation and those who would want to destroy everything. There are many references to this battle throughout the book, beginning with the following description of the Echthros, the enemy of everything good. “The Echthros wanted all the glory for itself, and when that happens the good becomes not good; and others have followed that first Echthros. Wherever the Echthroi go, the shadows follow…There are places where no one has ever heard the ancient harmonies.”
  • Charles meets ancient Native Americans. They have many songs, some of which refer to “Lords of snow and rain and water.” This song eventually becomes a prayer: “Lords of blue and Lords of gold, Lords of winds and waters wild, Lords of time that’s growing old.”
  • When speaking of dead spirits struggling to find peace, a Native American asks, “Are the gods of Gwynedd so weak they cannot care for their own?”
  • A man says, “For brothers to wish to kill each other for the sake of power is to anger the gods.”
  • Ritchie, an early North American settler, says, “I cannot find it in me to believe that God enjoys long faces and scowls at merriment.”
  • When his daughter gives birth, Ritchie reads from the Bible. “I love the Lord, because he hath heard my voice and my supplications. The sorrows of death compassed me, and the pains of hell got hold upon me: I found trouble and sorrow. Then called I upon the name of the Lord. Gracious is the Lord, and righteous. I was brought low, and he helped me. Return unto thy rest, O my soul; for the Lord hath dealt bountifully with thee.”
  • Charles Wallace visits the time period of the Salem Witch Trials, where there is much talk of witches, of good and evil, and of spirits. For example, one boy says, “My father says there are evil spirits abroad, hardening men’s hearts.” The pastor claims a Native American woman is a witch and it is God’s will that she be killed. The Native American woman’s father-in-law uses scripture to defend her, but the townspeople won’t listen.
  • Mrs. O’Keefe’s grandmother said several times that her dead husband is “waiting for me” before she passed away.
  • A man speaks about the Civil War. “Oh God, it was brother against brother, Cain and Abel all over again. And I was turned into Cain. What would God have to do with a nation where brothers can turn against each other with such brutality?” He later says, “There were many nights during the war when God withdrew from our battle fields. When the songs of men fight against each other in hardness of heart, why should God not withdraw? Slavery is evil, God knows, but war is evil, too, evil, evil.”

by Morgan Lynn

Freshmen

Although initially nervous about making new friends during her university’s Frosh Week, Phoebe quickly befriends her roommate, Negin, and a girl named Frankie. As she settles into college, everything seems to be going smoothly until she bumps into her high school crush, Luke Taylor, at a party. Phoebe’s heart skips a beat as she realizes this is her chance to capture Luke’s heart.

Luke never noticed Phoebe in high school. Now that he’s no longer with his long-term girlfriend, Abby Baker, college has given him a whole new view. Taken in by Phoebe’s amazing smile, curly locks, and naïve optimism, Luke falls hard for Phoebe. Then, the “Wall of Shame” is exposed—a text chain created by Luke’s college soccer team where some of the members take photos of girls they slept with and rate them on a scale of 1 to 10 – and Abby unexpectedly comes back into Luke’s life. Is Luke truly the “perfect man” for Phoebe, or is he just another misogynistic jock?

With its cast of crazy characters, Ellen and Ivison create a funny story that addresses many of the problems modern-day teens face, such as cyberbullying, self-doubt, and relationships. As the story develops, both Luke’s and Phoebe’s points of view become relatable and realistic. Readers will understand Luke as he struggles with his feelings for Phoebe and Abby, and will empathize with Phoebe as she struggles to make it through her first year of college.

Along with Luke and Phoebe, Freshmen contains a cast of characters which embody every aspect of college life – there’s Arthur Watling (the pot-smoking roommate), Frankie (the ridiculously tall and funny girl that cannot seem to find a man), Josh (the cake-eating sidekick), and Will (the misogynist jock). Readers will fall in love with these realistic characters and root for them as they live through the many ups and downs of college life.

Freshmen starts off slow and takes its time developing the characters; however, once the plot picks up speed, readers will have a hard time putting it down. Ellen and Ivison push the limits of young adult fiction. During Frosh Week, the characters drink like soldiers and only put down their drinks so they can make out and have sex. They constantly attend classes hungover and live in absolute party pigsties. This book is intended for older readers, those preferably attending college, and has no real moral lesson. Nonetheless, it is a funny book that deals with problems young adults face in college.

 Sexual Content

  • While in the club on the first night of Frosh Week, Will and Phoebe exchange a smile with each other, and “then we were making out with each other. He was a good kisser, but I couldn’t really get into it because I kept wondering if everyone was watching.”
  • After a party, Will takes Phoebe back to his house for tea and some baked goods. The baked goods and tea “weren’t wonders of the main event; they were the reason we both latched onto so we could come here.” Phoebe and Will start kissing as Phoebe gets undressed. Will “reached down and put his hand inside my underwear, and then suddenly he just stopped and moved away.” Will has erectile dysfunction, so they do not have sex.
  • While hanging out, Luke “suddenly couldn’t wait any longer. I [Luke] leaned over and we were kissing again.” Luke and Phoebe kiss.
  • At another party, Phoebe “felt someone’s arms around my waist and a kiss on my cheek.” It was her friend, Frankie, and they kissed again before meeting up with more of their friends.
  • After Luke invited Phoebe back to his dorm, they lay in bed together. Luke put an arm around Phoebe, pulled her in, and kissed her. Phoebe recounts, “We kissed for ages, and then, bit by bit, we were both undressed.” Phoebe wondered if she should give him a blowjob while she kissed his stomach. She “kissed him again and then did it. Just for a few seconds. Long enough to say I had done it but not long enough to mess it up in any way.” She then asked Luke if he had a condom “and then he was inside me. And it actually felt good. Really good. The surrealness resurfaced and I giggled by accident.” This scene lasts for five pages.
  • After seeing Luke with his old girlfriend, Josh took Phoebe home. While they walked, Josh hugged Phoebe and then Phoebe “kissed him on the cheek, gently, near his mouth, and then moved across and kissed him again, closer this time. He cupped my face in his hands and made a sort of quiet, frustrated moan.” Josh pushes her away, not wanting to make out with one of his best friends, and sends her home in a cab.
  • At the college Christmas party, Phoebe and her friends watch all of the successful couples make out. Ed and “Sophie – or Sarah – were kissing, right in the middle of the dance floor” and Phoebe “didn’t recognize him at first without his holey sweater. He looked less philosophical in a tux. But there he was, his tongue down the throat of” Stephanie Stevens.

Violence

  • While talking to Phoebe about a past birthday party, Luke remembers how Chris Isaacs and Alex Paine “pushed Justin Hader on the floor and Chris had grabbed a pair of scissors, telling him they were going to give him a proper haircut. A boy’s haircut.” Phoebe says Luke “pulled Chris off him.”
  • A group of girls protested the soccer team’s “Wall of Shame” and stormed the soccer field during a game. Will looked at Frankie and “then, suddenly booted the ball at her. For a split second, the whole crowd went silent . . . There was just the dull thud of the ball hitting Frankie’s chest, and she strangled sort of half-gasp-half-scream.” Luke and Trev sprint toward Will, intending to take him down, but Ed bolted out of the crowd, “threw himself at Will and just flattened him.” Frankie and Will were not hurt.

Drugs and Alcohol

  • This book takes place in England, where the legal drinking age is 18. Alcohol is mentioned on almost every page. Since many of the college students are 18 or older, they drink excessively. They drink tequila, schnapps, Guinness, Jägerbombs, vodka, beer, cocktails, gin, lagers, and shots.
  • Will’s house “was covered in empty beer cans.”
  • The college students are constantly hungover. In one case, Luke and Phoebe had to help Stephanie Stevens find her way back to her dorm as she vomited.
  • The alcohol-driven college parties can get crazy. Connor, Phoebe’s group leader, creates a booze bath. He’s “pouring out a bottle of wine and a bottle of tequila. Along with everyone else’s contributions, plus two liters of Coke, a bottle of grape juice and the powdered Nesquik…”
  • In another instance, Connor puts a mattress on two skateboards to create the “beer chariot,” which they roll through the hallways as students pour beer on them.
  • Luke’s housemate, Arthur, smokes weed. One time while hanging out and playing video games in Arthur’s room, Luke “had a drag and offered it to Rita.” Rita refuses, saying she does not smoke.

Language

  • Profanity is used in the extreme. All characters cuss, and it is rare to find a page without some sort of slur. Profanity includes fuck, ass, hell, oh God, jerk, dick, twat, and vag.
  • Arthur says the house he was going to live in this year got “fucking condemned.”
  • When Luke breaks up with Abby, she tells him, “You’re being a dick, Luke.”
  • As he pees into the dorm sink, Arthur says, “just ’cause we’re not rich enough to get an ensuite bathroom, like those posh fucks up in Gildas, doesn’t mean we can’t improvise, if you know what I mean.”
  • Frankie shows off her snake-proof jeans and says, “Honestly, these are like Bear Grylls-endorsed leggings. Try to bite these bitches, because you won’t get through.”
  • After Luke missed their quidditch practice, Phoebe knew “he wasn’t coming. Whichever way you looked at it, it was a dick thing to do. I felt like such an idiot.”
  • After Luke Taylor refuses to hook up with a girl, Will says, “But come on, Taylor. You’re a first-year, for fuck’s sake. You can’t not get laid this week.”
  • Frankie thinks Luke is a “self-obsessed ass.”
  • While meeting Luke and Phoebe for their group presentation, Mary looks at her phone and says, “Oh fuckbags, I’m late for band practice.”
  • Luke recalled, “Chris Isaacs and Alex Paine were the biggest assholes in the whole school.”
  • Frankie believed Negin “killed mad amounts of people with her resting bitch face alone.”
  • Phoebe believed her garters were “too long and go right up to my ass.”
  • When Luke calls Phoebe, Frankie snatches the phone right out of Phoebe’s hand and Phoebe screams, “Don’t be a twat, Frankie!”
  • After Frankie explains to her mom over the phone how Phoebe got a condom “stuck up her vag,” Frankie responds with, “Oh Christ.”
  • After Wicks was confronted by the soccer team about the girl he had sex with, he admits her “face was ropey, but trust me, boys, the tits were amazing.”
  • After Luke takes Phoebe back to her dorm, he feels that “full-on lip-kissing always felt way too couple-y in the mornings, so I just went for a kind of half-arsed cheek kiss that morphed uncomfortably into a semi-hug.”
  • After Luke lies about the “Wall of Shame,” Phoebe thinks she is a “clichéd, pathetic dick” for missing him.

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

Wicked Saints

The war between gods-fearing Kalyazin and heretical Tranavia has gone on for a hundred years. The war began over differing views on the pantheon of gods that once ruled over the two countries: for Kalyazin, the gods are still meant to be revered and feared, while the Tranavia believe they are nothing more than myths or at the very least demons fooling the silly humans that worship them. While the gods and divine magic reign supreme in Kalyazin, blood magic takes hold of Tranavia.

Nadya Lapteva is the last Kalyazin cleric, the last of her kind able to speak with the gods and use their power. When her home is destroyed by Tranavia’s army, she makes it her mission to turn the tide of war and bring the gods back into the heart of Tranavia. Yet she can’t bring the gods back to a heretical country all on her own. Serefin Melesku, High Prince of Tranavia, may have been the one to destroy Nadya’s home and thrust her into a desperate decision, but he has his own part to play in Tranavia’s future. As a general on the war front, Serefin has become renowned for his magical prowess, highlighting his father’s weak abilities. But once the King calls Serefin home to choose a bride, he knows his father is up to something – something that could very well put him in mortal danger.

As Nadya and Serefin contend with the burdens placed on their shoulders, they get closer and closer to changing the world indefinitely. Magic swirls, monsters come out of the shadows, and neither mage will be able to stop what’s coming to shape the world.

Told from a first-person point of view from Nadya’s and Serefin’s separate journeys, the story explores themes of worship, religious skepticism, and hunger for power. Nadya and her companions are constantly debating whether the gods are worth the effort of worship and whether they’re truly gods. The idea of power revolves around this constant discussion; Nadya and Serefin question where their power comes from and why it’s even needed in the first place.

Both Nadya and Serefin are excellent main characters that carry the bulk of the story. Both are believable and relatable. They make decisions that will cause the reader to root for them during their journeys. The overall plot is full of action. While that action can often get bloody, it’s not overly complicated, and it’s full of discourse about the way religion and magic play into both countries. Religion and magic are tied to each other, and when the final twist of the story is revealed, it leads to a satisfying conclusion.

Kalyazin could be easily seen as a picturesque, pagan Russia with its more rigid religious culture. Tranavia could be viewed as inspired by the Polish warrior spirit that fights for its own power and glory. While the book is recommended for ages 13 and up, some younger readers may be disturbed by the many images of blood, whether that blood comes from violent fights or from the simple fact that mages in Tranavia use their own blood to use their magic. However, readers interested in religion and magic will find that Wicked Saints is a great story from start to finish.

Sexual Content

  • During a battle at the monastery where Nadya grew up, her friend Kostya tries to lead her to safety. Once he does, Kostya “kissed her forehead, lips warm, slipping something cold and metallic against her palm.”
  • Serefin, the High Prince of Tranavia, thinks about the old woman that binds his spellbooks. “He could never figure out if she treated him like a long dead son or lover. He was disturbed he couldn’t tell the difference.”
  • Nadya, the main heroine of the novel, meets Malachiasz, who is a runaway Tranavian soldier. Malachiasz “reached down and took Nadya’s hand, pressing it to his lips as if he were a court nobleman and not a renegade blood mage out in the middle of enemy territory.” Later when the two escape, Nadya notices him more. “He had a soft mouth and his nose was stately. His face was lovely, all the feral, unsettling qualities absent when he wasn’t awake. She wasn’t pleased with herself for noticing, especially not now.” Nadya starts to fall in love with Malachiasz. “Why—after being so furious with him—did she find herself desperately yearning to kiss him?”
  • When Serefin is summoned home from the war front, it’s because of the Rawalyk, which is “the ceremony to choose a royal consort.” As Serefin puts it, “I have to go home and get married.” Later when Serefin is waking from a hangover, his friend Kacper tells him, “You promised Felicíja Krywicka the entire western reaches as a wedding gift.”
  • When Nadya admits her love to Malachiasz, despite it being heresy, they make out. Malachiasz’s “hands gripped her waist as he pulled her closer. He broke away, his breath ragged and hot. His pale eyes were dark and dangerous as they searched her face.”

Violence

  • When Nadya is still at the monastery where she grew up, she thinks, “Cannons were a sound every child of Kalyazin knew intimately. It was what they grew up with, their lullabies mixed with firing in the distance.”
  • Nadya’s home, the monastery, is attacked by Serefin’s army. Nadya fights back with her magic, “[catching a soldier’s] arm, but like a poison, the light blackened his flesh at the point of contact. It spread up his arm to his face, choking his eyes with darkness before he toppled over, dead.” Just after that, Nadya is attacked by another mage. “Flames engulfed her, licking underneath her skin, her blood boiling . . . It was like being burned alive from the inside out.”
  • Serefin thinks about how he got his eyepatch. “The assassins had gone for their eyes first. Perhaps blinding the children of the enemy before murdering them was a religious thing.”
  • When Serefin realizes he must torture a prisoner, he thinks, “It didn’t really matter that he was tired of torturing prisoners, tired of this tour.” Just after that, Serefin uses his magic to kill someone. Serefin “tore a third page out of his spellbook and crumpled it in his hands. Ostyia took a step back as the younger boy fell over, dead.”
  • When Nadya attacks a group of Tranavian soldiers, she kills two of them. “She caught up to one of the figures, stabbing her voryen into his skull just underneath his ear.” Later, when Nadya meets Rashid and Parijahan, two assassins, Nadya says, “We have a clear and obvious reason to be killing Tranavians, in general.” Just moments later, when she meets Malachiasz for the first time, Nadya thinks, “She couldn’t put a name to it, but she knew—intrinsically—he would not hesitate to kill her if she made any indication of hostility.”
  • When Nadya talks to her patron god Marzenya, Marzenya says, “You will dispose of him soon, yes?”
  • When talking to Malachiasz, Nadya asks, “And is your destiny worth the torture and mutilation of a century of innocents to reach the means for your magic? Hundreds upon thousands of people.”

Drugs and Alcohol

  • Serefin, the High Prince of Tranavia and one of the main characters, regularly drinks whatever alcohol he can get his hands on throughout the novel, like wine and ale.
  • After Serefin’s army takes control of a monastery, Serefin tells his friend Kacper, “Perfect. I want to be blind drunk before the night is out. . . The next morning, Serefin woke with a raging hangover and a prisoner to interrogate.” When Serefin is trying to wake up from another hangover, “He turned back, regretting the motion immediately as the room spun. He pressed a hand to his face, slouching against the doorframe.”
  • When traveling, Serefin, while drunk, tries to avoid meeting a nobleman. “It wasn’t until Serefin was on his fourth—maybe fifth? It was hard to keep track—tankard of dzalustek that the uncomfortable meeting he had been so ardently avoiding finally came into being.”
  • Serefin thinks about his hangovers often. For example, “This was worse than any hangover Serefin had ever experienced. And he always kept track of his hangovers and how badly they hurt. He had a list.”

Language

  • Profanity is sometimes used. Profanity includes hell and damn.
  • When Serefin and his friend Ostyia speak, Ostyia says, “Yeah, and leave me to work my ass off, keeping you safe.”
  • When pushing Serefin back to his bedroom, Ostyia tells him, “Well, welcome home, Your Highness, you don’t have a damn choice.”
  • When Malachiasz leads Nadya through the Tranavian palace, Nadya thinks, “he was leading her farther down into hell, a new level with every door he opened.”

Supernatural

  • Magic is a backdrop to the story, and it’s intertwined with religion. Kalyazin’s magic is divine and only clerics are allowed to use the power directly bestowed to them by the gods.
  • Tranavia has blood magic, where a mage will cut themselves to make their blood flow to then use their blood to conjure their magic through a spellbook.
  • When Nadya is running from Serefin, he attacks her with his magic. “Something brushed Nadya’s ear, heat coming off it in waves. It slammed into the curve of the tunnel before her, bursting into a shower of sparks.”
  • Magic can be used to communicate over long distances. For example, “The king generally sent messages via courier instead of with magic in an effort to mask the disappointing reality that he was a less than impressive blood mage.”
  • Tranavian spells come from spellbooks. Serefin “sighed and nodded, picking up the book and riffling through it. He was running out of spells.” When Malachiasz tells Nadya about his Tranavian magic, he says, “I know what you believe about my magic. It’s easy to spread the rumor that blood mages use human sacrifices.”
  • When Nadya uses her holy magic to blot out the stars in the night sky, her friend Anna says, “We’ll be hearing prophesies about the end of the world for the next twenty years now!”
  • Nadya uses her magic by touching specific prayer beads and praying to the various gods. Nadya “yanked her glove off and thumbed at her necklace until she found Zlatek’s bead. The god of silence loathed granting Nadya power; he’d once voiced they should revoke her magic completely.”
  • Only clerics who speak to the gods can use magic in Kalyazin, Nadya’s homeland. “Using [Nadya’s] power was inevitable, and the minute she did, people would know Kalyazin had clerics again after a thirty-year absence.”
  • In Tranavia, there are people known as Vultures that use so much blood magic they transform into monstrous creatures. “Woven into the darkest of Kalyazin nightmares were the Vultures of Tranavia. Blood mages so twisted by their heretical magic they were no longer human, nothing more than violent monsters.”
  • Nadya and Malachiasz fight a few Vultures. “The blood moved as if it had a life of its own until it formed into the shape of a girl, materializing in the center of the room. Iron spikes wove through an auburn braid. A thick black book hung from straps on her hip. Her face was covered by a crimson mask crafted in strips.”

Spiritual Content

  • Religion is a backdrop to the story and intertwined with magic, and the war between the two main nations of Kalyazin and Tranavia. Basically, Kalyazin still believes in the gods, while Tranavia does not. Dozens of gods are worshipped in Kalyazin.
  • Tranavia is viewed as heretical to most, if not all, devout Kalyazins. “The idea of the High Prince anywhere near the monastery made her shiver. He was rumored to be an extremely powerful blood mage, one of the most terrifying in all of Tranavia, a land rife with heretics.”
  • When the monastery where Nadya used to live is attacked, Nadya notes, “blood magic meant Tranavians. For a century a holy war had raged between Kalyazin and Tranavia. Tranavians didn’t care that their blood magic profaned the gods.”
  • Nadya prays to a wide variety of gods during the novel. For example, “She sent a simple prayer to Bozidarka, the goddess of vision. A vivid image took over her sight.”
  • Another god Nadya prays to is “Horz, the god of the heavens and the stars, who had woken her. Horz had a tendency to be obnoxious but generally left Nadya alone, as a rule.”
  • When a Kalyazin priest tells Serefin off, the High Prince responds, “Yes, yes, we’re nasty heretics that need to be eradicated from the earth and you’re just doing what’s right.”

by Jonathan Planman

Legends of the Sky

Milla has heard the dragon legends. She has seen the dragon murals. But everyone says the dragons who used to rule the skies are gone forever.

Servant girl Milla witnesses a murder and finds herself caring for the last four dragon eggs. She tries to keep the eggs’ existence a secret, but soon, the eggs are in Duke Olvar’s possession. When the dragons hatch, Milla and her friends vow to stay with the dragons and protect them from harm. Milla and her friends try to learn how to care for their dragons, but it soon becomes clear that the dragons must belong to the city, not to the Duke.

Tensions in the city are growing due to Duke Olvar’s dislike of anyone who isn’t a Norlander, like him. The Duke wants to control the city and continues to put restrictions on those of Sartolans descent. In order to protect the Norlanders, the Duke decides that “anyone of Norlander descent got to wear a black dragon badge on their clothes—the Duke’s own symbol. Everyone else had to wear a badge in the shape of a ship, to show they were newly arrived.”

Soon Milla and her friends find themselves in the middle of a battle between the Duke’s soldiers and the Sartolans. How can Milla and her friends keep the dragons safe? Should they join the battle or stay safely tucked away in the Duke’s mansion?

Flanagan builds a complicated island city that is under the Duke’s tight control. As Milla learns more about dragons, she also discovers that the Duke will do anything to bond with one. The Duke wants control of the dragons, so he keeps Milla, her three friends, and the dragons in the dragonhall. While under the Duke’s watchful eyes, Milla’s friendships begin to fracture.

Told from Milla’s point of view, readers will fall in love with Milla and her dragons. Milla is a complex character who struggles to do what is right. Milla struggles with her inability to help her Sartolans friends. Readers will understand Milla’s problems with her friends, her hope for the future, and her desire to keep her dragons safe.

Politics, deadly intrigue, and dragons combine to make a fast-paced story where danger hides in the shadows. The story’s complex plot and the violent conclusion make Legends of the Sky the perfect book for confident readers. With shifting loyalties, new friendships, and the struggle for power, The Legends of the Sky explores the topics of power, discrimination, and friendship. Through Milla’s point of view, the reader will come to understand that discrimination hurts everyone. Legends of the Sky is a beautifully written, action-packed story that will leave readers wanting a dragon of their own.

 Sexual Content

  • Tayra is upset when she finds out that her father has arranged her marriage to Vigo. After she gets to know him, the two are playing when Taya “reached up and kissed Vigo.”

Violence

  • Milla is hiding in a tree when she sees a man killed. “A gloved hand pressed a knife against the cloaked man’s throat. . . His knife dug into the flesh of the man’s neck. A thin trickle of blood ran down the blade. . . Afterward, she [Milla] still saw the sudden spray of scarlet against a terracotta pot. She heard the heavy slump as the body hit the ground.”
  • When the dragon eggs begin to hatch, the duke “lifted the egg, and broke it against the surface of polished wood . . . the egg shattered with a damp crunch. The duke pulled it apart, flicking away pieces of shell with his fingers. He lifted up a limp body streaked with blood. . . The dragon didn’t move.”
  • A woman tells a story about the past when “Rufus murdered his cousin Silvano. . .” The murder is not described.
  • An “idiot” soldier accidently started a fire in the prison. The guards flee without trying to help the prisoners escape. Milla and others try to help the prisoners escape. The prison “was ablaze, sending plumes of smoke and fire shooting high into the night sky. . . There were bodies scattered across the dockside. Some were moving. A few were not. . .Six people had died that night.”
  • When a dragon named Heral flies over the city, a soldier shoots an arrow at it. “One arrow buried itself in Heral’s side. He screamed. A plume of fire shot from his open mouth.” The dragon blows fire towards the soldiers. “Now the archers screamed, arms raised in feeble defense. Milla saw bows burning, arrows torched in midair. A man leapt into the sea, ablaze.” Tayra is able to help her dragon. “Tayra pulled the arrow cleanly from the flank: a shallow wound, but a bloody one.”
  • During an argument, the duke “struck his wife across the face.”
  • A riot breaks out. During the fighting, Milla “almost stepped on a dead soldier. A man in the duke’s livery, on his back, staring sightlessly at the gray sky.” Milla takes a shield from a dead soldier. As Milla tries to reach her friends, “A sword crashed down on her shield with such force that she fell, winded, then rolled to avoid the next blow. . . She struck back, catching the soldier low, in his thigh. She slammed her shield in his face and he fell, lost under feet that danced and stamped and leapt to stay alive.” During the fight, the duchess is killed and Milla is injured. The riot is described over three pages.
  • Milla and her friends try to flee the island. Soldiers try to stop them. When Milla got onto the boat, she heard “the clashing of steel, followed by a scream of pain. She twisted to look. One man lay on the floor. Nestan was upright, clutching his sword arm, dark red blood seeping through his fingers.” Another one of Milla’s friends, Simon, “had his wooden staff that he used to parry and block. With a grunt, he twisted it around and landed a hard blow in the man’s gut with one end. . . Simon slammed the broadside into his chin. He slumped to the ground, unconscious.”
  • The book ends with an epic battle. Tayra “let her arrows fly faster than ever. . .” Tayra, her dragon, and Vigo fight side by side. “They cut through the duke’s forces, leaving a trail of ash and black-clad bodies so that Carlo’s army found their way clear.”
  • During the battle, someone grabs Milla, and “her injured ribs burned in agony. . . Black dots danced before her eyes, and she struggled not to pass out.” Milla is able to get away, and she “grabbed a chair and flung it at Richal Finn, aiming for his sword arm. He stumbled but didn’t fall.” Milla’s dragon used his bulk to pin Richal Finn down. Richal Finn fights back and “he kicked out viciously, catching Iggie square on his leg wound. The wound gaped open, right down to the bone: it gleamed palely through, making Milla feel sick.”
  • The duke grabs his sword and threatens to smash the dragon eggs. Isak “threw his whole body weight at Olvar [the duke] and pushed him aside. Duke Olvar pushed Isak away, sending him staggering backward.” In order to protect her eggs, the dragon “blasted Duke Olivar with a massive stream of fire. Olvar caught the worst of it, but Finn’s clothes also burst into flame. He fell to the floor with a hideous shriek.” The battle is described over 13 pages. The duke dies.
  • The story alludes to the fact that the duke used to hit his wife, Serina. After Serina is injured, Milla “watched his [Serina’s son] work, remembering what Serina had said about all the times her son had tended to her injuries. She didn’t ask how Serina had gotten those inures. She didn’t need to.”

Drugs and Alcohol

  • An angry boy yells at his father, “You’re not even a soldier, not anymore. We only have your word that you ever were. You probably hurt your leg falling down drunk outside a tavern.”
  • Milla sees a man on his way to teach fighting skills to a girl. She tells him, “I’ll have a skin of ale cooling in the well for you afterward, shall I?”
  • A girl plans to go to a party. She was “planning to borrow a bottle of sweet Sartolan wine from her parents’ stall for the street party.” Later, the girl tells Milla that the wine helped her make some friends.
  • A woman tells Milla a story from the past, when the dragonriders had a disagreement. A dragonrider named Rufus “laced their evening meal with poison: just enough to send Karys and her cousin Silvano into a deep sleep. They awoke in the dragonhall to find themselves in chains.”
  • When Milla goes to visit a friend, the woman poured them “a small measure of sweet Arcosi wine.”
  • Someone gives Milla gifts, which include wine.
  • When Milla is put in jail, her friends poison the guards. “We baked treats for the guards—a special reward for their hard work. . . they’ll sleep all day, sore head tomorrow. Josi knows her poisons. . .”
  • The duke poisoned a dragon, but “the poison wore off after half a day.” However, when the dragon awoke, she was “in chains.”

Language

  • A soldier calls a group of prisoners “Sartolan scum.”
  • A woman calls recent arrivals “filthy dock rats.” Later someone says, “Dock rats! Throw them into the sea.”
  • When the duke orders soldiers to clear the docks of people, Milla yelled, “Where the hell are you going to clear them to?”

Supernatural

  • None

Spiritual Content

  • The duke talks about the past, when his people fled their home country. He says it had been “Fifty years since our prayers were answered and we found Arcosi waiting for us.”
  • Occasionally, Milla sends out a prayer, but she never mentions a specific god. For example, when she sneaks out of the house, she “sent a prayer out into the pale morning. . .” Later Milla “prayed that Nestan would listen to his daughter now.” Milla prays twelve times throughout the story.

Crooked Kingdom

When Jan Van Eck, a member the Merchant Council of Kerch, hired Kaz Brekker and his team to infiltrate the infamous Ice Court to extract the maker of the drug jurda parem, no one believed they really stood a chance. Yet Kaz, Inej, Wylan, Jesper, Matthias and Nina pulled it off, even if it was just barely. They extracted the drug maker’s son, Kuwei Yul-Bo, and were ready to receive the money that would make all their dreams come true. At least, until Van Eck betrayed them all and kidnapped Inej.

And the problems don’t stop there. Ketterdam has become a dangerous city, one that sees old and new enemies stream in to get a hold of Kuwei’s knowledge of jurda parem. To corner Kaz and his team, Van Eck will force the group to test their loyalties and use up all the wit they have to offer. With nowhere to run, there’s only one option available to Kaz: fight back.

While wanted posters display Kaz and his crew, the six are busy planning and plotting to find a way to get everything they’re owed. They’ll save Inej, get Kuwei out of the city, and make Ketterdam theirs again. One way or another, they’ll even the score.

Bardugo’s Crooked Kingdom is just as fun and exciting as the first novel. Building off their trip into the Ice Court, Crooked Kingdom delves deeper into the main conflict between Kaz’s crew and Jan Van Eck. From the very beginning, the claustrophobia of Ketterdam, its sense of despair, and its dwindling hope take center stage, laying the foundation for the story to push the main characters into finding their own way out of the hole they’ve found themselves in.

That’s where the main theme of standing up for yourself comes in. Learning to fight for yourself in a cruel, greedy world comes across easily through Kaz’s determination to see his crew properly rewarded for helping stop the production of jurda parem, the drug that enhances Grisha power. This theme also comes through with the other five main characters, like Inej’s desire to hire a ship and go after slavers or Wylan’s realization that he needs to overcome his father. It’s safe to say that each member of Kaz’s crew is a role model in their own right. Each person grows stronger from the trials they encounter.

Overall, Crooked Kingdom is a wonderful follow-up to Six of Crows. This sequel is definitely a must-read. The book is chock full of action, suspense, and plot twists from beginning to end. The main cast of characters really shine in the hectic moments of the plot. While the pacing can feel relentless at times, that only raises the stakes.

Sexual Content

  • When going over the plan to con Smeet, one of Kaz’s targets, Kaz tells the others, “Smeet never cheats on his wife.” During the job, Wylan thinks when he sees Nina, a member of Kaz’s group, “She was dressed in a sheer lavender gown rigged with some kind of corset that pushed her cleavage to alarming heights, and though she’d lost weight since her battle with parem, there was still plenty of her for Smeet to grab onto.” And, again later on, Smeet “was ogling those guns almost as much as Nina’s cleavage.”
  • When thinking about her past as a working girl, Inej, Kaz’s love interest, thinks, “The man with sharp teeth like a kitten who had bitten at her breast until she’d bled.” Later, when thinking about the worst client she had, Inej thinks, “because when the man who smelled of vanilla had begun to kiss her neck and peel away her silks, she hadn’t been able to leave her body behind.” Finally, when her thoughts stray to Kaz, Inej thinks, “What if he had come to her, laid his gloves aside, drawn her to him, kissed her mouth?”
  • When Inej is attacked by Dunyasha, an assassin, Dunyasha says, “I hear you whored for the Peacock.”
  • When confronted by a group of thugs, Nina tells the leader, “‘I’m fast enough to make sure you never’ —her eyes gave a meaningful slide below his belt buckle—‘raise a flag on West Stave again.’”
  • When thinking about his first few nights in the Barrel, Wylan remembers, “The couple in the room above him were fighting. The couple in the room below him were definitely doing something else.”
  • Later, Wylan remembers how a man told him, “Young dollop of cream like you should be able to make fine coin on West Stave.” When Wylan thinks about getting help from his father, he thinks, “But he would sell himself in the pleasure houses of West Stave before he’d ask for his father’s mercy.”
  • When Wylan first met Jesper, his “first thought was that this boy had the most perfectly shaped lips he’d ever seen.”
  • When waiting to meet Ravkan Grisha, Matthias is alone with Nina and thinks, “It was too easy to imagine himself kneeling like a penitent before her, letting his hands slide up the white curves of her calves, pushing those skirts higher, past her knees to the warm skin of her thighs.”
  • When Jesper meets Wylan in the music room of a hotel, he “moved slowly, deliberately, kept the kiss quiet, the barest brush of his lips, giving Wylan the chance to pull away if he wanted to.” Then later, when Jesper sees Kuwei standing in the doorway, he asks, “Do the Shu not kiss before noon?”

Violence

  • When Retvenko, a Grisha, thinks about his previous employment, he thinks, “After Hoede had died, the Kerch Merchant Council had let Retvenko take on sea voyages to pay his way out of the indenture.” Later on, Retvenko thinks about his role in a former war. “He’d murdered former comrades, civilians, even children.” When Retvenko is later attacked, he “peeked around the desk in time to see the shotgun blast strike the woman directly in the chest.”
  • When thinking about a past conversation with Kaz about a working girl, Wylan remembers that Kaz said, “Tante Heleen beat her to death.” After that, Wylan remembers, “They were the last words he’d spoken. If he’d talked less, he might have lived.”
  • When speaking to a little girl who could give Kaz and Wylan away, Kaz tells her, “Because if you do, I’ll slit your mother’s throat and then your father’s, and then I’ll cut out the hearts of all these sweet slobbering hounds.” Afterwards, Kaz justifies what he said by saying, “It was that or snap her neck and make it look like she fell down the stairs, Wylan.”
  • When Inej is detained by Van Eck, she thinks about her friend Nina “squeezing the life from a man with the flick of a wrist.” Later, Inej is trying to free her wrists “After what seemed like a lifetime of sawing and scraping and bloodying her fingertips on the shard’s edge.” And, when Inej is about to be tortured, Van Eck tells the torturer, “I don’t want it to be a clean break. Use the mallet. Shatter the bone.”
  • When Jesper and Wylan go to meet Colm, Jesper’s father, “A shot rang out against the walls of the courtyard. Jesper shoved his father behind him as a bullet pinged off the stones at their feet, sending up a cloud of dust.” Later, Wylan tells Jesper, “I’ve got two flash bombs and something new I rigged up with a little more, um, wallop.” When someone sees Jesper, Wylan and Colm fleeing through a library, he says, “I won’t go with you! I’ll kill myself first!”
  • When Nina realizes Kaz has the jurda parem, she tells Matthias that Kaz would “slit my throat” if she tried to take some from him. Later, Nina’s Grisha power doesn’t work. After she killed a guard, she says, “I didn’t mean to kill him.”
  • After the panic about a plague, Wylan muses over how “people were bruised and concussed, and Wylan had heard that one woman’s hand had been crushed when she’d gotten knocked to the floor.”
  • When Matthias is confronted by a Fjredan drüskelle warrior, the warrior says, “You killed my friends. In the raid on the Ice Court.” After that same warrior shoots Matthias, he passes away. “The light vanished from his eyes. His chest stilled beneath her hands.”
  • When threatening Pekka Rollins, the former King of the Barrel, Inej tells him, “I left pretty Dunyasha’s brains dashed all over the Ketterdam cobblestones.”
  • When Kaz threatens Pekka Rollins, he says, “‘I buried your son,’ he crooned, savoring the words. ‘I buried him alive, six feet beneath the earth in a field of rocky soil.’” Later Kaz says, “‘Inej, I could only kill Pekka’s son once.’ He pushed the door open with his cane. ‘he can imagine his death a thousand times.’”

Drugs and Alcohol

  • As with the first book, alcohol is mentioned frequently in the novel.
  • Retvenko, a minor character, is drunk at the very start of the book. At a bar in the Barrel, where the thugs and cheats of the city live, Retvenko realized, “The whiskey had failed to warm him.” Later, when speaking to a barman he thinks, “His Kerch wasn’t good to begin with, and it was worse after a few drinks.”
  • Wylan, a member of the Dregs, has to pretend to be a waiter at a gambling hall. When signaled to serve champagne, he thinks, “He at least knew how to pour a proper glass of champagne without it foaming over.”
  • When thinking about Wylan’s change in appearance, Jesper thinks, “It always left him feeling a little off-kilter, like he’d thought he was reaching for a cup of wine and gotten a mouthful of water instead.” Later Jesper says to Wylan, “I mean, just think of the heights of debauchery we could reach if no one kept this city in check. Champagne for breakfast.” When Jesper and Wylan later speak with Jesper’s father, Jesper thinks, “They’d eat. They’d talk. Maybe they’d drink. Please let them drink.”
  • As with the first book, jurda parem, a harmful drug that enhances a Grisha’s (magic user’s) powers, is a main plot device in the story. Kuwei, the son of the creator of jurda parem, says that he can discover “An antidote for parem.”
  • Nina, a member of the Dregs, comments that she could “masquerade as a jurda parem dealer” as a joke when going over Jesper’s role in a job. Later in the story, Nina thinks about the aftereffects of jurda parem on her body. “She’d still been trying to purge the parem from her body, caught in the haze of suffering that had begun on the voyage from Djerholm. She told herself to be grateful for the memory of that misery, every shaking, aching, vomiting minute of it.” Later, she remembers how she acted towards Matthias, her boyfriend, while dealing with the aftereffects. “The shame of Matthias witnessing it all, holding back her hair, dabbing her brow, restraining her as gently as he could as she argued, cajoled, screamed at him for more parem. She made herself remember every terrible thing she’d said, every wild pleasure offered, each insult or accusation she’d hurled at him.”
  • When trying to use her Grisha power, Nina remembers how her jurda parem addiction affected her. “She’d broken into a sweat from the effort, and as soon as the bruised color faded, the hunger for parem hit, a swift, hard kick to her chest. She’d bent double, clutching the sink, her mind filled with breakneck thoughts of how she could get away, who might have a supply, what she could trade.” Later on, when Nina asks Kuwei about whether the drug affects Grisha power, Kuwei responds, “I don’t know. You took the drug only once. You survived the withdrawal. You are a rarity.”
  • When sneaking into someone’s home, “Nina had suggested drugging the dog’s food.”

Language

  • Profanity is used frequently in the novel. Profanity includes words like: ass, hell, bastards, damn, bitch, and fuck.
  • When telling his team about his plan to con a man named Smeet, Kaz says, “So you all need to do everything you can to keep his ass firmly planted at that table.”
  • When debating with Matthias about whether one of their targets will invite Nina back to her room, Nina says, “Like hell he won’t.” When speaking to Wylan about the Smeet job, Kaz says, “We can’t be here when he gets back or the whole plan goes to hell.”
  • When Kaz is musing over a certain type of lock, he thinks, “They were complicated little bastards.”
  • When Jesper talks to Kuwei, he says, “You have that damn travel pack.” Soon after that Jesper says, “There’s only one way out of the tomb, and we’re on a damn island.”
  • When Nina is attacked by a group of thugs, one of them yells, “They’re coming for the Grisha bitch!”
  • When Nina demanded Matthias get her more jurda parem, she tells him, “Then break the fucking door down, you useless skiv.”

Supernatural

  • The Grisha, AKA the magic users, are an integral part of the world of Crooked Kingdom, just like in Six of Crows.
  • Like in the first book, the Grisha are categorized into groups based on their powers. The Corporalki, also known as the Order of the Living and the Dead, include Heartrenders and Healers. The Etherrealki, who are the Order of the Summoners, include Squallers, Inferni, and Tidemakers. The Materialki, who are the Order of Fabrikators, include Durasts and Alkemi. For instance, “A Corporalki could manipulate the human body, not inorganic matter.”
  • Many Grisha are brought into the city of Ketterdam to work “As a treasured Grisha indenture,” though this is more often than not just a masked form of Grisha slavery. Retvenko, a Squaller, thinks about how dangerous it is to be a Grisha. “But when you were a Grisha, even staying still could mean courting trouble.
  • Retvenko, a Squaller, thinks about how his powers will help his job. He thinks, “so the crew would rely on Retvenko to master the air currents and guide the ship calmly to whatever port they needed to reach.”
  • At one point in the past, there was an army of Grisha that fought for the nation of Ravka, called the Second Army. The “young king was said to be handing out pardons like penny candy, eager to rebuild the Second Army, the Grisha military that had been decimated by war.”
  • The Council of Tides, the ruling council of Grisha in Ketterdam, are a very mysterious group of people. “They were supposedly Grisha, but had they ever lifted a finger to help the other Grisha in the city?”
  • Kuwei, the son of the man who made the drug, jurda parem, says at one point, “My father was a Fabrikator. I am just an Inferni.” When Kuwei asks Kaz to get a Grisha to change his appearance, Kaz says, “The only Tailors powerful enough to make you look like someone else are in Ravka, unless Nina wants to take another dose of parem.”
  • Nina is a Corporalki Grisha. When thinking about her jurda parem addiction, she thinks, “They needed her to be a Corporalki, not an addict with the shakes who wore herself out with the barest bit of tailoring.” Later on, when she needs to use her power, she thinks, “Slow their pulses. Send them quietly into unconsciousness without ever letting an alarm sound.” Immediately after that, Nina’s power doesn’t work, “It was like stumbling blind through the dark…Dimly, she was aware of the suggestion of their frames, a trace of knowing, but that was all.”

Spiritual Content

  • Like in the first book, the most mentioned god in the novel is Ghezen, the God of Commerce in Ketterdam.
  • When Retvenko goes to a work assignment aboard a ship, the first mate says, “Ghezen, Retvenko. Have you been drinking?” When Kaz bumps into one of his targets accidentally, he pretends to be a humble young man saying, “Too kind, sir. Too kind. May Ghezen be as generous.” Later, Van Eck talks about his future fortune by saying, “When I leave this world, the greatest shipping empire ever known will remain, an engine of wealth, a tribute to Ghezen and a sign of his favor.”
  • When speaking about Van Eck’s illegal practices, Jesper says, “Isn’t not paying your taxes…I don’t know, sacrilegious? I thought he was all about serving Ghezen.”
  • Like in the first book, the Suli Saints are mentioned again. Inej thinks, when she’s still in the villain Van Eck’s custody, “Saints, what if she was in Van Eck’s mansion?” When Inej thinks about her sins, she muses, “Would her Saints sanction such a thing? Could forgiveness come if she killed not to survive but because she burned with a living, luminous hatred?” Just as she’s about to be tortured by Van Eck, Inej thinks, “Saints protect me. Saints protect me.”
  • The Church of Saint Hilde is a famous sight in Ketterdam. When Kaz tells Wylan where the latter can find his mother, he says, “Well, he’s been making donations to the Church of Saint Hilde for the last eight years. If you want to pay respects to your mother, that’s probably the place to start.”
  • On Black Veil, an island full of graves, some of the graves “bore the stamp of Ghezen’s Coins of Favor… A few were watched over by Ravkan Saints in flowing marble robes. There was no sign of Djel or his ash tree.”
  • Djel, the Fjerdan god, is also mentioned a few times in the novel. When Matthias is reflecting over his past actions, he comes to a revelation. “Now he was sure of nothing but his faith in Djel and the vow he’d made to Nina.”
  • Colm tells Kaz, “You haven’t been Alice long enough to rack up your share of sin.”

by Jonathan Planman

The Battle for Skandia

Still far from home after escaping slavery in the icebound land of Skandia, young Will and Evanlyn’s plans to return to Araluen are spoiled when Evanlyn is taken captive. Though still weak, Will employs his Ranger training to locate his friend, he but soon finds himself fatally outnumbered. Will is certain that death is close at hand, that is until Halt and Horace make a daring, last-minute rescue. Their reunion is cut short by the horrifying discovery that Skandia’s borders have been breached by the Temujai army—and Araluen is next in their sights. Only an unlikely union can save the two kingdoms, but can it hold long enough to vanquish a ruthless new enemy?

Readers familiar with the Ranger’s Apprentice series will want to continue Will and Evanlyn’s epic journey through Skandia. The Battle for Skandia brings the four friends together—Halt, Horace, Evanlyn, and Will. In order to help the Skandians defeat the Temujai, Will and his friends join the fight. Unlike the previous books, The Battle for Skandia deals with strategy and tactics as Halt leads the Skandia forces in the fight against the Temujai army. Readers will learn more about the Skandiam’s traditions and bravery as their forces face the Temujai army. The contrast between the Araluens’ culture and the Skandian’s culture is interesting and sometimes humorous.

Unlike the previous books, The Battle for Skandia deals more with politics and preparation for battle, which slows the plot down. The story ends with a very long battle where many men die, including the leaders, the soldiers, and the slaves. Even though Evanlyn is a princess, she also helps to defeat the Temujai army. Throughout the story, the characters show the importance of loyalty and courage. The heartwarming conclusion holds some surprises. The Battle for Skandia highlights the importance of working together for the greater good. Although the story’s flow is choppy as it jumps back and forth between different characters’ perspectives, readers familiar with the series will want to know how Will and Evenlyn escape the dangerous threats that seem to lurk behind every corner.

Sexual Content

  • The commander of the Temujai has a concubine; however, she is only mentioned once.
  • There is a brief mention of Halt’s banishment. Someone explains that Halt was drunk when he said that the king was “the issue of an encounter between your father and a traveling hatcha-hatcha dancer.”

Violence

  • When checking her traps, Evanlyn “sensed rather than heard, the movement in the trees behind her and began to turn. Before she could move, she felt an iron grip around her throat, and as she gasped in fright, a fur-gloved hand, smelling vilely of smoke, sweat, and dirt clamped over her mouth and nose, cutting off her cry for help.” When Evanlyn tried to struggle, “her kicks were ineffective as she was dragged backward. Finally, there had been an instant of intense pain, just behind her left ear, and then darkness.” The man takes her back to his camp and ties her to a tree.
  • When Erak was sent to collect taxes, he “opted for a more direct course, which consisted of seizing the person under investigation, ramming a double-headed broadax up under his chin and threatening mayhem if all taxes, every single one of them, were not paid immediately.”
  • Halt and Horace find dead men at a guard post. When they investigate, they find “ten others, all of them killed the same way, with multiple wounds to their torsos and limbs.” The men were “shot. These are arrow wounds. And then the killers collected their arrows from the bodies.”
  • A man prepares to kill Evanlyn. Will comes to her rescue. Will shoots an arrow. “The bow gave a slight twang and the light arrow leapt away, arcing swiftly across the intervening space and burying its point into the soft flesh of the warrior’s wrist.” Horace arrives and “interposed himself between Evanlyn and the man who was trying to kill her and, in a series of flashing sword strokes that bewildered the eye, he drove the other man back away from the girl.” Five men are killed, and one man is taken as a prisoner. The scene is described over four pages.
  • When Halt and Erak spy on the enemy, they are caught and must run. Halt shot his arrow and “the heavy shaft went home. The Tem’uj fell backward in the snow, his own shot half a second too late, sailing high and harmless into the top of the pines.” As they run, Halt continues to shoot arrows, killing a man who “lay in the snow in the center of a widening circle of red.”
  • A slave is dragged in front of a group of Skandian leaders. In order to get her to talk, Slagor “moved quickly, stepping down from the platform and drawing his saxe knife in one smooth movement. He held the razor-sharp blade below the woman’s chin, pressing it into the flesh of her neck with not quite sufficient force to break the skin.” As Slagor yells at the woman, the group notices “angry welts across the woman’s face. Obviously, she had been recently beaten.” When the woman cringes away, “Slagor’s man grabbed a handful of her hair to stop her and she cried out again, in pain as well as fear. He raised the vicious-looking whip over his head, ready to bring it down.”
  • When the Skandians began fighting the Temujai, “Huge axes rose and fell and more horses came down, with tortured screams. Will had to shut his ears to the sound of horses in agony.”
  • When the Temujai attack the Skandians, the Skandians send a “shower of spears, rocks and other missiles from the Skandian line. Most of them fell short of the galloping horseman.” Some of the Temujai horses were stuck by stakes.
  • During the battle, “Will watched as one group of sixty quickly slung their bows, drew sabers, and darted into the Skandian line in a slashing attack, killing a dozen men.”
  • Will directs the archers to shoot towards the enemy. “Men and horses screamed in pain as they crashed to the ground. . . Those who were unhurt by the arrows were confronted by their comrades and their horses tumbling and rolling headlong. And as each stricken man fell, he took another with him, or caused his neighbor to swerve violently. . .” As the fighting, “the archers were exposed to return fire for no more than a few seconds. Even so, under the constant barrage of arrows from the Temujai, they took a few casualties. . . More horses came down, more riders tumbled out of their saddles. . . Haz’Kam’s son, with one arrow through his right thigh and another in the soft flesh between neck and shoulder, lay across the body of his horse.” Haz’Kam’s son is able to deliver a message to his father before he dies.
  • The Temujai try to take out Will’s archers. “Will studied the mass of riders. He had seventy-five archers still standing in the line, several of them lightly wounded. They had lost eleven men, killed by Temujai arrows, and a further fourteen had been wounded too seriously to keep fighting.” Will’s archers fired arrows and “then suddenly, the air around him was alive with the hissing sound of arrows and all along the line his archers were falling, some crying out in pain and shock as others more ominously, silent.”
  • As the Temujai get close to Will’s archers, they fire. “The arrows tore into his men, killing or wounding seven of them.”
  • A Temujai soldier threatens Evanlyn. When Will sees Evanlyn in danger, he grabs his saxe knife and threw it at the enemy. “The big knife took Nit’zak under the left arm just before he began his downward cut. His eyes glazed and he crumpled slowly to one side, lurching against the earth wall of the trench, then sliding down to the hard-packed earthen floor.” The battle is described over 49 pages.

Drugs and Alcohol

  • When taken to her kidnapper’s camp, the men ignore Evanlyn. The six men “ate and drank, swigging what was obviously a strong spirit from leather bottles.”
  • Will thinks back to when he was addicted to warmweed.
  • When Halt is talking to Erak, Halt “poured himself a glass of the brilliant red wine and drank deeply.”
  • After the battle, the Skandians have a three-day period of mourning, “which in Skandia, took the form of a lot of drinking and much enthusiastic recounting of the deceased’s prowess in battle. . . The traditions were sacred to Skandians—particularly traditions that involved a lot of drinking and carousing late into the night.”
  • After the Temujai army is defeated, Halt and the Skandians discuss how to keep the Temujai from trying to return. As they talk, Halt “took a sip of the rich Skandian beer.”

Language

  • Damn is used occasionally. For example, when Horace returns home, someone says, “Damn me boy, but you’ve done us all proud.”
  • When Will’s horse acts up, Halt says, “what the devil. . .”
  • “Gorlog’s teeth” is used as an exclamation once.
  • “By the gods” is used as an exclamation.
  • “My god” is used as an exclamation. When Will returns home, someone says, “My god, I thought we’d never see you again!”
  • Hell is used as profanity. For example, Halt plans to go spy on the enemy. When Halt tells Erak to “wait here,” Erak says, “To hell with waiting here.”

Supernatural

  • None

Spiritual Content

  • The Skandian leader “had sworn a blood vow to the Vallas, the trio of savage gods who ruled the Skandian religion, in which he promised death to any relative of the Araluen King.”
  • In the previous book, Halt helps a dying Scandian by giving the man his weapon. “Shandians believe that if a man died without a weapon in his hand, his soul was lost forever.”
  • When he discovers that Erak has arrows, Halt says, “Thank the gods for the Scandian habit of hoarding everything.”
  • During the battle, “Erak breathed a quick prayer to the Vallas.”
  • During the mourning period, one of the Skandians says, “Ragnak died in battle, as a berserker, and that’s a fate that every true Skandian would envy. It gains him instant entry to the highest level of their version of heaven.”

The Nazi Hunters: How a Team of Spies and Survivors Captured the World’s Most Notorious Nazi

Everyone had forgotten about it. The Americans are fighting the Russians. The British and French are starting to rebuild their countries. The Japanese are experiencing an economic boom. Germany is being split into two. The world had moved on and forgotten the world’s worst genocide—the Holocaust.

At the end of World War II, Adolf Eichmann, the head of operations of the Nazi’s Final Solution, disappeared without a trace. After sending millions of innocent people to their deaths, Eichmann said goodbye to his wife and sons, walked into the German countryside, and vanished. Sixteen years later, an elite team of Israeli spies is sent to Argentina with one goal in mind—capture and secure Eichmann and bring him to trial in Israel.

Faced with an impossible task, a lawyer, a forger, a doctor, a pilot, and a team of Israeli agents risk everything to capture the architect of the Holocaust. If they are caught, the team could face decades of imprisonment or even death by Argentinian Neo-Nazi groups. However, they have to take the risk–they must take Eichmann to Israel to remind the world of the Holocaust’s victims.

The Nazi Hunters will leave readers on the edge of their seats as it tells the thrilling, harrowing, and true tale of how a team of Israeli spies was able to secretly capture one of the top Nazis decades after his disappearance. Complete with photographs, maps, and top-secret documents, Neal Bascomb tells the story in a cinematic light that will engage readers and get them interested in reading nonfiction.

With his nonfiction novel, Bascomb not only shows readers how traumatic and terrible the Holocaust was but also the far-reaching effects of the genocide–affecting not only its Jewish victims but also the Jewish generations to come. After 16 years of silence, Eichmann’s trial highlighted the true nature of the Holocaust and allowed survivors to openly share their experiences in Nazi concentration and work camps.

Even though The Nazi Hunters contains historical information, the story is fast-paced and reads much like a spy novel. The story is exciting, and the pictures that are scattered throughout the story will remind readers that the events and people are real. Descriptions can sometimes be gory, such as with Eichmann’s hanging, but Bascomb uses the violence to show readers how brutal the Holocaust was and to ground the story in reality. With the countless number of names and historical events, young readers may have a difficult time following the story’s main characters. But, The Nazi Hunters is a fantastic book for middle school readers, rounding out their knowledge about the Holocaust by showing its everlasting effect on world politics.

Sexual Content

  • None

Violence

  • In December of 1959, Nazi sympathizers attacked Jewish synagogues and citizens in West Germany. “In the following days, anti-Semitic attacks and demonstrations broke out across West Germany, and police were stationed outside synagogues and Jewish cemeteries to prevent further desecrations. In total, 685 Jewish locations throughout the country were vandalized. These were more than the isolated actions of a few hooligans, and Jewish leaders in West Germany made it clear that the scene ‘evoked pictures that bring to mind the November days of 1938,’ referring to Kristallnacht.”
  • When initially capturing Eichmann, “Malkin burst forward, one hand reaching out to keep Eichmann’s right arm down in case he had a gun. His momentum, mixed with his target’s retreat, sent them both pitching to the ground. The agent seized Eichmann as they rolled into the shallow, muddy ditch that ran alongside the road.” Malkin and another agent eventually restrain Eichmann, placing a hand over his mouth so he can’t scream. Then, they throw Eichmann into the backseat of their car.
  • After the car is one hundred feet from Eichmann’s Argentinian house, Aharoni warns him, “Sit still and nothing will happen to you. If you resist, we will shoot you. Do you understand?”
  • After finding their father missing, Nick and Dieter bought three guns and “broke into a Jewish synagogue in the city, guns at their sides.” However, their father is not there and they continue searching.
  • While Eichmann was imprisoned and awaiting trial in Israel, “the prison commandant feared not only that Eichmann might commit suicide, but also that there might be an attempt on his life. His food was always tasted before serving, and his guards were carefully selected so that none of them had lost a family member in the Holocaust.”
  • After the news was released of the Israeli spies’ capture of Eichmann, some Argentinian neo-Nazi groups were eager to seek revenge on local Jewish Argentinians. “Some in Argentina were eager. Unable to strike against them directly, right-wing groups took their revenge on the local Jewish. Tacuara carried out the worst of these attacks, beating up several Jewish students at the University of Buenos Aires and chanting, ‘Long live Eichmann. Death to Jews.’ One student was shot, and later in a vicious assault, Tacuara radicals branded a swastika onto the chest of a teenage girl whose father was suspected of having helped the Israelis.”
  • The book describes Eichmann’s 1962 hanging. “The two guards hit their buttons, and the platform opened with a clang. Eichmann fell ten feet into a room below without a sound. The rope went straight, snapped, and then swayed back and forth. A doctor moved into the chamber, took Eichmann’s pulse, and declared the Nazi dead.” After he is hanged, Eichmann is cremated, and his ashes are thrown into the sea so that no shrine or tribute can be made to him.

Drugs and Alcohol

  • When leaving Argentina on an airplane, Eichmann has to be sedated in order to not cause trouble. “The doctor slid the needle into a vein and attached a tube. Then he delivered the sedative. Eichmann soon faded, mumbling, ‘No, no. I don’t need it.’”
  • While imprisoned in Argentina and awaiting transport to Israel, “Eichmann had spoken of his love for red wine, and Malkin thought that it wouldn’t do any harm to give him a glass. . . Malkin poured a glass of wine and placed it in Eichmann’s hands. The prisoner drained his glass. Malkin sipped at his wine. He put a record on the turntable and then lit a cigarette for Eichmann. Flamenco music filled the small, stuffy room. Eichmann drew deeply on the cigarette until it was almost at its butt.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Upon capture, Eichmann reveals that he knows a bit of Hebrew. Aharoni stops him from speaking, saying that, “The words were the beginning of the Sh’ma, the holiest prayer in the Jewish religion, recited in the morning and at night by the faithful. It was a prayer spoken at the hour of death, and millions, millions, of Jews had come to utter it because of Adolf Eichmann.”
  • After saying a quick prayer, Eichmann’s last words were, “Gentlemen, we shall meet again soon, so is the fate of all men. I have believed in God all my life, and I die believing in God.”

by Matthew Perkey

Children of Blood and Bone

Children of Blood and Bone takes place in Orïsha, a rich fantasy landscape where magic users are born with white hair, signaling the powers they will inherit at thirteen. However, an evil king has wiped magic from the land in a genocide of all magic users and severed the people’s connection to the gods. The book alternates between the perspectives of the characters Zélie, Amari, and Inan.

Zélie is a seventeen-year-old girl from a small village, who has been called “maggot” most of her life because of her white hair. After her mother was killed in the slaughter of maji, survivors with white hair became second-class citizens. Bitter and stubborn, Zélie has been taking lessons to fight with a staff while trying to care for her ailing father.

Inan and Amari are the king’s children—the prince and princess of Orïsha. Amari sets off the story’s chain of events when she spies on her father, discovering a scroll that has the power to return magic to the land. Determined not to let it fall into her father’s hands, she runs away with it, and meets Zélie and her brother, Tzain. The three soon find themselves hunted by the king’s army, headed by Inan, who is haunted by an inner conflict over whether the king’s cause is just.

The majority of the narrative follows Zélie, Amari, and Tzain’s journey through Orïsha. While evading capture, they also embark on a quest to reunite the scroll with other ancient artifacts. Their goal is to perform a ritual that can restore the magical connection between the gods and the people of Orïsha.

Children of Blood and Bone includes unique worldbuilding and a magic system that proves central to the plot. Although the switches between narrators are almost dizzying, each character has a unique personality that comes alive on the page. Readers will find themselves sympathizing with the gentle Amari, the stubborn Zélie, and the conflicted Inan in equal measure.

The plot takes a few chapters to get off the ground, and the first act contains an unavoidable amount of worldbuilding. Still, it is packed with action, and the pacing will likely keep the attention of even easily bored readers. As the plot progresses, readers slowly get to see Orïshan’s magic firsthand. Each demonstration of magic will leave readers eager for more.

The story contains two central romances: Tzain and Amari, and Zélie and Inan. Both work rather well: their dynamics complement each other, and a decent amount of chemistry builds up between the two couples. In addition, readers will enjoy watching the friendship between Zélie and Amari develop from hatred into a deep mutual respect.

Fans of fantasy and magic will enjoy Children of Blood and Bone. Despite the fresh new look it gives to its magical land and teenage heroes, Children of Blood and Bone relies on the typical structure of a young adult fantasy. Seasoned readers of the genre will likely recognize the tropes of the “evil king,” the “chosen one,” and the “perilous quest.” These tropes are ubiquitous for a reason, though, and many readers won’t mind. The action, suspense, and intensity will make it irresistible.

Sexual Content

  • Amari’s complexion “makes the nobility gossip that [her mother] slept with a servant.”
  • Amari sees Tzain undress and lowers her eyes, thinking, “the last time I saw a boy’s bare body my nannies were giving Inan and me baths.”
  • Zélie and Tzain meet in a dream. Zélie thinks, “My gods, is he even wearing clothes? My eyes comb over his broad chest, the curves of each muscle. But before I catch sight of anything under the water, I jerk my eyes up.”
  • Tzain talks about Inan to Zélie, saying that he “doesn’t care about you, Zél. He just wants to get in between your legs.” A moment later, he calls her “the prince’s whore.”
  • Inan describes kissing Zélie. Inan’s “mouth presses against her neck. She gasps as I run my hands up her back. A small moan escapes her lips. . . Her fingers dig into my back, pulling me closer. Everything in me wants her. Wants this. All the time.”
  • Zélie and Inan kiss. “Inan presses his lips to mine and everything fades. His kiss is tender yet forceful, gently pushing into me. And his lips . . . soft . . . When he finally pulls away, my heart is beating so fast it feels like I’ve just finished a fight.” Before they are interrupted, they intend on going further. Zélie narrates, “I grab his head and force his lips back onto mine. Restraint can wait for tomorrow. Tonight I want him.”
  • Amari watches Zélie and Inan kiss. “The tender way he holds her, the way his hands roam, pulling her into him… an embrace like this is far too intimate to watch.”
  • Some drunken guards make a veiled insinuation that Zélie is a prostitute, and one “wraps his pudgy hands around [her] neck and presses [her] against the wooden wall.” Zélie remarks that it’s against the law for maji and non-magic users “to so much as kiss . . . but it doesn’t keep the guards from pawing at us like animals.” Zélie wants to fight back, but forces herself to remain calm until the guard unhands her.
  • Later Zélie says, “The guards grope me whenever they have a chance,” and refers to them as “rapists.”

Violence

  • During a childhood training session, Amari and Inan’s father (the king) commanded Inan to strike Amari. She still carries around the massive scar.
  • Amari watches her father kill her servant Binta, who was her best friend, after seeing her demonstrate magical ability. “One moment Binta stands. In the next, Father’s sword plunges through her chest.”
  • Zélie watches a man hit a boy with a cane that burns his skin. “The acrid smell of burning flesh hits me as the stocker presses the cane into the boy’s back. Smoke rises from his skin as he struggles to crawl to his knees.”
  • Zélie frequently fights with her staff. She hits a man in the head so hard he collapses. She kicks a man in the jaw. She smashes the bones in a boy’s hand. All of these actions are for survival or self-defense.
  • Inan destroys a village and watches a young child try to revive his dead father. “A small child hurls his body to the ground. His cries out through the night. It’s only then I discover the sand-covered corpse at his feet.”
  • A woman wearing sharp rings on her fingers smacks a servant, and “the rings cut into his skin.”
  • A man is stabbed in the chest, and “his eyes bulge and his mouth falls open. His staff drops from his hand. His blood splatters as it hits the ground.”
  • Zélie, Tzain, and Amari compete in a battle to the death. The arena is flooded, and thirty boats are launched out onto the water. A team cannot win until every other competitor has been killed. Zélie narrates, “Chaos surrounds me, pulsing through every breath and heartbeat. It sings as blood splatters through the air, screams as boats explode into oblivion… My insides lurch as a cannonball rips through the deck of another boat. Injured cries hit my ears like shattered glass. The stench of blood stains the air.”  The competition lasts for twelve pages.
  • Inan accidentally kills a military leader with his magic. “Kaea’s cries of agony grow. Her eyes turn red. Blood trickles from her ears, trailing down her neck . . . A shuddered gasp escapes her lips. Her eyes roll back.”
  • Amari beats someone up. Amari pulls “my fist back, twisting from my hips as my fist collides with her jaw. Her head snaps with a lurch. Her eyes roll before she blacks out.”
  • A mercenary explains the twenty-three scars on his arm. An unspecified enemy “killed one of my crew members in front of me, each time they carved a new one.”
  • When Zélie is captured, the king has the word “maggot” (a hateful slur) carved into her back with a knife.  In the same scene, a physician “cuts a shallow X into Zélie’s neck . . . and pushes a thick, hollowed-out needle into the exposed vein . . . removes a small vial of black liquid and prepares to pour the serum down the needle.”
  • A Burner (maji of fire) demonstrates his powers in battle. “A fire explodes from his skin. Smoldering embers rain from his body. Flames blaze around his form. The fire erupts from every limb, shooting out of his mouth, his arms, his legs.”
  • A Cancer (maji of disease) uses her power in battle. “She leaks dark green energy from her hands, trapping the men in a malignant cloud. The moment it touches the guards, they crumble, skin yellowing as disease rages through them.”
  • Zélie watches a young girl get shot with an arrow. “An arrow pierces through her gut… [she] looks down, small hands gripping the arrow’s shaft.”

Drugs and Alcohol

  • A mercenary takes “a long drag off a hand-rolled cigarette.”
  • When Zélie encounters a palace guard, “the pungent smell of alcohol wafts into the air with his unwelcome presence.”
  • The characters drink palm wine during a festival. Later, during an intimate moment with Inan, Zélie thinks, “His words make my head spin. His words or the alcohol.”

Language

  • Profanity is used infrequently. Profanity includes: damn and hell.
  • Royals and nobles say “Skies!” as an invective.
  • Characters say, “Gods” or “Oh my gods.”
  • Zélie thinks, “Dammit.”
  • Tzain says, “I don’t give a damn.”
  • Tzain says, “What the hell are you doing?”
  • Amari describes a place as a “hell.”
  • Tzain tells Zélie, “You’re always screwing everything up.”

Supernatural

  • This book tightly blends the supernatural and the spiritual. The magic system in Orïsha encompasses ideas like higher powers, gods, prayer, human souls, and the afterlife.
  • Magic in Orïsha is tied to the Sky Mother, a deity who reigns over all the gods.
  • While sleeping, Zélie and Inan use magic to meet in a “dreamscape.”
  • As a Reaper, Zélie can sense spirits of the dead, and she can summon them in physical form to do her bidding.

Spiritual Content

  • Zélie believes that the gods control her fate. “No matter how much I crave peace, the gods have other plans.”
  • Amari and Inan are from nobility and have different beliefs. Amari thinks, “Gods don’t exist. Everyone in the palace knows that.”
  • The beliefs held by the Orïshan people also play a bigger part in the plot. In one scene, Zélie enlists the help of mercenaries by telling them, “[the gods] have chosen you because they want your help.”
  • Orïshan legend speaks of an afterlife. After a fire in her village claims four lives, Zélie thinks, “If their spirits have ascended to the peace of alâfia, death would be almost a gift. But if they suffered too much before they died . . . If the trauma of their deaths was too much, their spirits won’t rise to the afterlife. They’ll stay in apâdi, an eternal hell, reliving the worst of their pain.”
  • Zélie’s narration often uses the word “pray” interchangeably with “wish” and “hope.”
  • Zélie can sense people’s souls leaving their bodies as they die.
  • Zélie remembers that after the raid, she “cursed the gods for making us this way.”
  • During the climax of the book, Zélie has a near-death experience and sees her dead mother’s spirit. Her mother says, “You are a sister of Oya [a goddess], my love. You know our spirits never die.”

by Caroline Galdi

Twilight

When Bella’s mother gets remarried, Bella leaves her home in sunny Phoenix and goes to live with her father in the perpetually rainy town of Forks, Washington. Forks is a tiny, gloomy town and Bella is fully prepared to be miserable for her final two years of high school. She doesn’t expect anything interesting to happen in Forks; that is, until she meets Edward Cullen.

Something is different about Edward. Breathtakingly beautiful and from a wealthy family, he baffles Bella with wild mood swings. When they first meet, he instantly despises her to the point of frightening her. Then—after disappearing for a week—he appears perfectly cordial. But it’s not until Edward saves her life in a feat of superhuman strength that Bella realizes the Cullen family is guarding a dangerous secret. It would be smarter to walk away, but by the time she realizes that, it’s too late. Live or die, Bella has fallen in love with Edward and she can’t walk away no matter the consequences.

Twilight is an epic story of love overcoming all challenges. The unique storyline has spawned an entire subsection of supernatural YA novels. The well-developed cast of characters will make the story come alive and hook readers immediately. Bella is not an overpowered heroine; she is quiet and clumsy to a fault, but she is fiercely loyal and brave. Bella risks everything for love, a choice that not all adults will agree with, but that most readers will understand and respect as they follow Bella’s journey with eagerness and excitement.

Twilight is a delightful start to a wonderful quartet. Parents may not want younger readers to pick up this book as Bella lies to her father about her relationship with Edward, and Edward frequently climbs in Bella’s window and stays the night (though they don’t go further than kissing). Aside from that caveat, Twilight is a wonderful story that swept through a generation of young readers like wildfire and will continue to be picked up by swarms of readers in years to come.

Sexual Content

  • When Bella and Edward kiss for the first time, “Blood boiled under my skin, burned in my lips. My breath came in a wild gasp. My fingers knotted in his hair, clutching him to me. My lips parted as I breathed in his heady scent.”
  • The second time Bella and Edward kiss, “His fingers traced slowly down my spine, his breath coming more quickly against my skin. My hands were limp on his chest, and I felt lightheaded again. He tilted his head slowly and touched his cool lips to mine for the second time, very carefully, parting them slightly.”
  • Edward and Bella kiss a few more times. These kisses are described briefly, such as “for the shortest second, his lips were icy and hard against mine” or “his lips touched mine gently.”
  • When saying goodbye, Edward “leaned in to swiftly kiss me just under the edge of my jaw.”
  • Bella gets lost in a bad part of town and is followed by several men. She considers dropping her purse, “But a small, frightened voice in the back of my mind warned me that they might be something worse than thieves.” Edward rescues her.
  • Bella asks Edward if marriage for vampires is “the same as it is for humans.” She then says, “Well, I did wonder…about you and me…someday…” Edward says he doesn’t think that would be possible, as humans are so breakable.

Violence

  • Esme tells Bella that after her baby died, “It broke my heart – that’s why I jumped off the cliff, you know.”
  • After Carlisle became a vampire, he “tried to destroy himself…He jumped from great heights…He tried to drown himself in the ocean.”
  • Bella is tortured and almost killed by a vampire. “A crushing blow struck my chest…He was over me at once, his foot stepping down hard on my leg. I heard the sickening snap before I felt it. But then I did feel it, and I couldn’t hold back my scream of agony.” This scene takes place over three pages.

Drugs and Alcohol

  • Once, Bella “did something I’d never done before. I deliberately took unnecessary cold medicine – the kind that knocked me out for a good eight hours…tomorrow would be complicated enough without me being loopy from sleep deprivation.”

Language

  • Bella thinks, “Forks was literally my personal hell on earth.”
  • Bella says, “Holy crow!” a few times.
  • Bella says, “Darn it,” once.
  • Damn is used three times. Once, Edward says “Damn it, Bella! You’ll be the death of me.” Another time, Bella says “Dammit, Edward! Where are you taking me?”
  • When Jacob’s father sends him to warn Bella, Jacob asks, “Should I tell him you said to butt the hell out?”

Supernatural

  • A legend of the indigenous Quileute people “claims that [they] descended from wolves – and that the wolves are our brothers still.”
  • Edward and his family are vampires, and Bella meets another coven of vampires that pass through Forks. Unlike most vampires, Edward and his family survive off the blood of animals, so they do not have to murder people.
  • Some vampires have special abilities. Edward can read minds; his brother Jasper can control the emotions of those around him; his sister Alice can see bits and pieces of the future.
  • Edward tells Bella about a time in his life when he was a true vampire who fed on humans. He says that he “had a typical bout of rebellious adolescence…I wasn’t sold on [Carlisle’s] life of abstinence, and I resented him for curbing my appetite.”

Spiritual Content

  • Before the prologue, there is a Bible verse. “But of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest therof thou shalt surely die. Genesis 2:17”
  • At first, Edward tries to stay away from Bella because he thinks it would be safer for her. Then he decides “as long as I was going to hell, I might as well do it thoroughly.”
  • When Bella asks to be turned into a vampire, Edward says, “I refuse to damn you to an eternity of night.”
  • Carlisle’s father was a pastor who was “enthusiastic in his persecution of Roman Catholics and other religions. He also believed very strongly in the reality of evil. He led hunts for witches, werewolves…and vampires.”
  • In passing, Bella hears a legend that the indigenous Quileute people “tied their canoes to the tops of the tallest trees on the mountain to survive like Noah and the ark.”

by Morgan Lynn

A Court of Thorns and Roses #1

In her quiet village, 19-year-old Feyre has become the sole provider for her family. After her father’s fortune was squandered, Feyre was forced to step up and take care of her father and two older sisters. Miles away from Feyre’s home, there is an invisible wall separating the human world from the faerie world, Prythian. This wall has been in place for hundreds of years under a treaty to keep humans and faeries segregated and safe from each other.

One day while hunting in the forest near the invisible wall, Feyre unknowingly shoots down a faerie that took the form of a large wolf. When a shapeshifting high fae bursts into her home to claim vengeance for his fallen soldier, Feyre is taken as payment for killing the faerie wolf and brought into the faerie world to serve for the remainder of her life. As Tamlin, her captor takes her to the spring court, she begins to unravel the dark secrets hidden in the faerie world.

Feyre soon learns that Tamlin is the High Lord of the spring court and one of the most powerful faeries in Prythian. While living in Tamlin’s home, Feyre becomes more of a friend than a prisoner, then soon learns the treacherous pasts of the faerie courts, which includes the spring, summer, autumn, winter, day, and night court. While the spring court is filled with cursed masks, mystery predators, and a hidden tyrant terrorizing the faerie lands, Feyre must come to understand her new home and accept her growing feelings for Tamlin.

As Feyre’s feelings begin to soften for Tamlin, a mystery curse creeps closer to the spring court. When an evil tyrant takes Tamlin and his court from their home, it is up to Feyre to save her newfound home from the curse. Now Feyre must decide: does she go home to her father and sisters or go after Tamlin?

A Court of Thorns and Roses is full of twists and turns; Maas takes the readers to the fresh faerie world of Prythian and lays out the groundwork for a magical series filled with adventure and romance. Feyre must dive into the faerie world of deadly politics, deceit, and vengeance in this thrilling tale of fantasy, family, and love.

The novel focuses on setting up the fantasy world of Prythian, which is filled with fairies and mythical creatures, but it is also a true look at the power of family and survival. Feyre sacrifices herself, her dreams, and her safety every step of the way for her family, friends, and ultimately, for love. A Court of Thorns and Roses dives into a new universe of faeries and courts with rich, memorable characters. The story focuses on the characters’ relationships and how people from different worlds can come together to fight a common evil. A Court of Thorns and Roses shines a light on the most unlikely of people becoming friends in a divided world.

However, the politics of the faerie world and the different courts can get tiresome. Feyre compares every new character to how she could paint them, which becomes repetitive and unnecessary. A Court of Thorns and Roses is a slow burn, and it gets better as it goes on. As the story continues, this book is hard to put down and becomes a nail-biter. This story highlights the true strength of women through Feyre’s character, who becomes an unlikely hero in the faerie world. Feyre comes to the rescue of Tamlin, which reverses the generic “damsel in distress” trope readers have seen time and time again. Fans of Holly Black and Cassandra Clare will fall in love with Sarah J. Maas’s fantasy as she introduces the world of Prythian.

Sexual Content

  • Feyre discusses her two-year love affair with a boy from the village. She describes all of their encounters as “a rush of shedding clothes and shared breaths and tongues and teeth.”
  • Tamlin and Feyre have an encounter in the hallway after Tamlin has been involved in a faerie ritual that makes him act more predatory than human. He ends up biting her, then “the bite lightened, and his tongue caressed the places his teeth had been. He didn’t move – he just remained in that spot, kissing my neck. Heat pounded in my head, and as he ground his body against me, a moan slipped past my lips.” Feyre’s moan causes Tamlin to come back to reality.
  • Tamlin and Feyre have their first kiss. “He brushed his lips to mine – soft and warm. My hands went around his neck, pulling him closer, crushing myself against him. His hands roved my back, playing in my hair, grasping my waist, as if he couldn’t touch enough of me at once.”
  • Tamlin and Feyre have sex for the first time. “We were a tangle of limbs and teeth, and I tore at his clothes, and then tore at his skin until I marked him down his back, his arms. His hands were devastatingly gentle on my hips as he slid down in between my thighs and feasted on me, stopping only after I shuddered and fractured. I was moaning his name when he sheathed himself inside me in a powerful, slow thrust that had me splintering around him.”

Violence

  • Feyre kills a wolf, that has just killed a deer, and then skins the wolf. The wolf “didn’t try to dodge the arrow as it went clean through his wide yellow eye.” Feyre describes “wrapping the bloody side of his pelt around the doe’s death wound” before she takes it home with her.
  • Feyre describes a memory of when thugs beat up her father for losing investment money. “That creditor and his thugs had burst into the cottage and smashed his knee again and again. I had stayed, begging and weeping through every scream of my father, every crunch of bone.”
  • Feyre fights off the naga, or “faeries made of shadow and hate and rot.” She shoots one with her bow and arrow and it “struck home and blood sprayed.” Tamlin comes to help her and “shredded through his companion’s neck, flesh and blood ripped away.” The scene is described over two pages.
  • An injured faerie comes to Tamlin’s home with “blood oozing from black velvety stumps on the faerie’s back . . . as if his wings had been sawed off.”
  • Some faerie men try to attack Feyre and “herd and push me towards the line of trees” before Rhysand steps in to save her.
  • Feyre sees the body of a girl, who had been mistaken for herself and tortured by Amarantha as a result. “Her skin was burned in places, her fingers were bent at odd angles, and garish red lines criss-crossed her naked body.”
  • Rhysand is forced to “shatter the mind” of a traitor faerie and kills him with only his mind. “The faerie male’s eyes went wide – then glazed as he slumped to the floor. Blood leaked from his nose, from his ears, pooling on the floor.”

Drugs and Alcohol

  • Feyre talked too much because of “the wine she had at dinner.”
  • Feyre drinks faerie wine and “it was like a million fireworks exploded inside me, filling my veins with starlight.” This makes her giddy and she dances a lot.
  • Feyre is forced to drink magical faerie wine that makes her “memory a dark blur of wild music.” After she drinks the wine, she has no control over her actions and is forced to dance for hours in front of the faeries.

Language

  • Townspeople call the Children of the Blessed “faerie-loving whores.”
  • Profanity is used occasionally. Profanity includes: shit, damn, and hell.

Supernatural

  • On their journey into the faerie world, Tamlin uses magic to put Feyre to sleep and to “keep my limbs tucked in to prevent me going for my knife.”
  • Feyre describes Tamlin changing from his beast form into his faerie form. “The beast plopped into the chair, and, in a flash of white light, turned into a golden-haired man.”
  • Tamlin tells the story of the curse on his lands and the “blight that caused a magical surge during a masquerade ball forty-nine years ago” that left the spring court permanently stuck in masks.
  • Feyre encounters an evil faerie creature in the forest called the Bogge. It gets inside her head and tries to make her look at it because “when you acknowledge it, that’s when it becomes real. That’s when it can kill you.”
  • Another faerie creature tricks Feyre into seeing an apparition of her father “near the open gate, beckoning me to hurry.”
  • Feyre traps a Suriel that has “a face that looked like it had been crafted from dried, weatherworn bone, its skin either forgotten or discarded, a lipless mouth and too-long teeth held by blackened gums, slitted holes for nostrils, and milky white eyes.”
  • Feyre encounters a “giant worm, or what might have once been a worm had its front end not become an enormous mouth filled with ring after ring of razor-sharp teeth.”

Spiritual Content

  • Feyre describes villagers “praying to the long-forgotten gods” to not encounter faeries on their hunts.
  • Feyre and her sisters run into the “Children of the Blessed,” who are missionaries that worship the high fae as gods.

by Adeline Garren

 

A Wind in the Door

When six-year-old Charles Wallace tells his sister he’s found dragons in the pasture, Meg doesn’t want to believe him. But lo and behold, Meg and her friend Calvin discover the enormous creature with hundreds of wings and thousands of eyes. A giant man claiming to be their Teacher tells them the dragons—which are really one creature, a cherubim—is one of their classmates. They’ve been brought together because evil creatures called Echthroi are trying to destroy creation—from the largest stars down to the tiny mitochondria in Charles Wallace’s cells. With her brother’s life on the line, Meg must learn how to love even her enemies or the Echthroi will succeed in destroying her brother and perhaps all of creation.

What follows is a fantastical conflict between the forces of good and evil; a struggle of life and love against hatred and destruction. Meg, Calvin, and the cherubim must work together to save Charles Wallace’s mitochondria from the Echthroi that would destroy. They are transported into Charles Wallace’s cells and meet the farandolae that lives inside his mitochondria. The farandolae have been led astray by the Echthroi and are refusing to grow up, killing the mitochondria. Meg and her classmates have to show the farandolae a better way and rescue them from the Echthroi, before the misguided farandolae kill the mitochondria, Charles Wallace and themselves.

Once again Meg complains and resists the tasks that are given her, but she rises in the end and learns how to look for the good in people even if she doesn’t like them. A Wind in the Door is more complex than A Wrinkle in Time and may be confusing for younger readers as it deals with mitochondria and the relativity of space and size. Still, for readers able to grasps its more complex topics, A Wind in the Door is a fun read that imparts the importance of loving your enemies and looking for the good in everyone. While A Wind in the Door doesn’t discuss religion directly, its storyline and themes are allegorical. For instance, the cherubim and Teacher explain that there is a battle between life and darkness, and to save Charles Wallace the children must protect the ‘song of creation’ from evil forces that would disrupt it.

A Wind in the Door is not a science book, but it does combine quantum physicals and biology to show that people are galaxies unto themselves. In order to accomplish this, the main character is reduced to the molecular level, which is made believable through L’Engle’s use of imagery. Besides being an interesting story, the reader learns about the importance of compassion, friendship, and love. Anyone who is interested in learning more about the nature of human relationships should read A Wind in the Door.

Sexual Content

  • None

Violence

  • The farandolae don’t want to grow up so they suck the nutrients from adult farandolae, called fara, killing them in the process. “A group of farandolae whirled about a fara; fronds drooped; color drained. The dance was a scream of laughter, ugly laughter.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Meg has a run in with an Echthroi impersonating Mr. Jenkins. Mr. Jenkins, “rose up into the night like a great, flapping bird, flew, screaming across the sky, became a rent, an emptiness, a slash of nothingness.”
  • Meg meets a cherubim. “Wings, it seemed like hundreds of wings, spreading, folding, stretching—and eyes how many eyes can a drive of dragons have? and small jets of flame.”
  • Meg’s teacher is a “huge” man whose “long robe seemed chiseled out of granite.”
  • A large black garden snake acts strangely human, bowing to Meg’s new teacher. While the snake never speaks, it’s said that she too is a “Teacher.”
  • Meg is shown how the Echthroi destroy matter; how they turn it into nothingness. “Across the sky, where the stars were clustered as thickly as in the Milky Way, a crack shivered, slivered, became a line of nothing-ness.”
  • Meg learns how to kythe, a form of mind-to-mind communication. “It’s how cherubim talk. It’s talking without words, just the same way that I can be myself and not be enfleshed.”
  • Farandolae, things that live inside mitochondria, are depicted as “a small, silver-blue mouse…[that] spoke, but with neither a mouse’s squeak nor a human voice. The sound was like harp strings being plucked under water.” Meg and her friends are transported inside a mitochondria, to help the farandolae.

Spiritual Content

  • What Charles Wallace thought were dragons turns out to be a cherubim.
  • The cherubim tries to explain exactly what the Echthroi are. “I think your mythology would call them fallen angels. War and hate are their business, and one of their chief weapons is un-Naming—making people not know who they are. If someone knows who he is, really knows, then he doesn’t need to hate.”
  • When Meg tries to stop the Echthroi, she sings the song of creation, “Sing for the glory of the living and the loving the flaming of creation sing with us dance with us be with us Be! They were not her words only. They were the words of Senex, of the Deepening Sporos…the cherubim and seraphim, wind and fire, the words of the Glory.”

by Morgan Lynn

The Bone Houses

Deep in the mountains lies Annvyn, a land once populated by fairy folk and filled with magic. Hundreds of years ago, Arawn, the king of the Otherfolk, was betrayed by humankind. The Otherfolk abandoned their stronghold at Castell Sidi, but they left dangerous magic behind.

Ryn is proud to be the gravedigger of the village of Colbren, just like her father before her. But her job is becoming harder as the dead keep coming back as sinister magical creatures known as bone houses. Ellis is an apprentice mapmaker searching for his long-lost family. Together they must travel into the heart of Annvyn to seek the answers to both of their issues.

The Bone Houses focuses heavily on the bone houses. These magically reanimated human corpses are essential to the plot and are often described in great detail both in and out of battle. These descriptions have the potential to scare younger readers and, as they often include gory details about the human body, should be approached with caution by readers with weaker stomachs.

The Bone Houses is a fast-paced, Polish-inspired fantasy with a uniquely post-magical setting. The quest-based plot keeps the story moving forward, with quieter world-building and character moments balanced out by exciting, fast-paced battles. Strong, fierce Aderyn and gentle, intelligent Ellis make such a good team that readers will find it easy to root for them to succeed, both on their quest and as a couple. It is easy to get lost in the mysterious allure of Annyvn, which Lloyd-Jones describes beautifully. The story certainly has a darker edge to it, exploring the unintended consequences that magic can have, even when controlled by the most well-meaning of people.

Sexual Content

  • Ellis asks Ryn if the innkeeper is “trying to find [her] a spouse.”
  • After a conversation with a young boy, Ellis tells Ryn, “I’m pretty sure he thinks we’re having an illicit romance and your family disapproves of me.”
  • Ellis describes Ryn. “The firelight burnished her red-brown hair to a blazing crimson, and something about the angle of her chin and jaw made his heart clench painfully.”
  • When Ryn smiles at Ellis he experiences a feeling “like the times he slipped on a patch of ice or a slick rock—weightlessness in his belly and anticipation of the fall.”
  • Ellis gets embarrassed when Ryn strips to bathe in a creek. When he turns to give her privacy, she says, “I’m not naked. There’s cloth covering all the relevant bits.”
  • Ryn asks if Ellis is “not one for the ladies?” She then tells him, “If you prefer the lads that’s fine.”
  • Ellis covers Ryn with his cloak as she sleeps, describing it as “A moment of sentimentality that he could ill afford. . . But he would allow himself this foolishness, if only because no one else would see it.”
  • After Ryn is attacked by a bone house, she and Ellis have a moment. “He wanted to kiss her. He felt half sick with yearning. . . It was her surety, her fierce sense of purpose; he wanted to draw it into himself. Her eyes were steady on his, and she did not pull away.” They do not kiss.
  • Ryn contemplates her growing feelings for Ellis. “She wasn’t sure when she’d begun to regard him as hers. Her friend, her ally, and one of those few people she wanted to keep safe. And if she liked the way his dark hair fell across his eye or how his voice rasped when he said her name—well. That was beside the point.”
  • When Ellis saves Ryn from drowning, she “wanted to throw her arms around him, hold on until she was sure they were both alright, until she’d worked up the nerve to press her face into the hollow of his shoulder.”
  • When Ryn looks at him, Ellis says he can feel her gaze “like being pierced through: the sharpest, sweetest pain he could imagine,” and describes her as “truly lovely.”
  • Ellis says that he “wanted to touch the hollow of [Ryn’s] throat, feel her heart beating beneath his fingertips. He wanted to push the hair behind her ears and kiss the freckles scattered across her shoulders. He wanted to tell her that he wouldn’t leave—not like the others.”
  • Ryn and Ellis finally discuss their feelings for one another and Ryn kisses Ellis, “with a determined ferocity.” Their conversation is about three pages long, and the description of the actual kiss lasts for about a page.

Violence

  • Ryn encounters a bone house and grapples with it. “The woman staggered, reaching out for Ryn. Ryn ducked back, but the woman’s brittle fingers caught her on the shoulder. She felt the rake of nails, the fingers stiffen in death. Ryn tore the axe free, and there was another nauseating wrenching sound, like tissues being torn apart. The dead woman fell to the ground.”
  • While sleeping in the woods, Ellis is attacked by a bone house. “[Ellis] reached for the only weapon he possessed: a walking stick. He jabbed it toward the man, trying to hit him around the shoulders and head. But it was little use.”
  • Ceri, Ryn’s younger sister, jokingly suggests getting rid of someone with, “a few poisonous berries slipped into a jar of blackberry preserves.”
  • Ryn and Ellis are attacked by three armed bone houses that were soldiers before they died. Ryn “threw the axe. It flung wildly through the air, and only its handle hit the bone house in the chest. The chain mail slowed the blow but could not halt it. Ryn rushed the creature, seizing her axe from the ground and aiming another blow at the bone house’s unprotected throat. Its head dropped to the undergrowth.” The fight is described over four pages.
  • A villager is killed by a bone house. The villager “did not beg. Nor did he raise an arm to defend himself when the bone house brought the sword down across his throat.”
  • A large number of bone houses attack the village. “Distantly [Ellis] heard the sounds of shouting and the clash of metal upon metal. The bone houses weren’t only attacking the house. They must be everywhere.” Preparations for the battle and the fight itself are described over about eight pages.
  • Ryn’s younger sister is attacked by the bone house of their uncle. “This bone house stank of rotted flesh, and his white hair trailed from his skull. He did not speak, but a terrible noise emanated from his chest—a rusty groan. His fingers were blackened with rot, and they were tangled in Ceridwen’s hair. And in his other hand was a dirty knife.”
  • Ryn’s family owns an overprotective goat, who attacks several bone houses. She uses “her horns gouging one’s hip.” She is ultimately outnumbered and killed.
  • An incident from Ellis’s past is described in which a girl “kicked him to the ground and kept him there with a foot on his left shoulder.” Ellis suffers from an injury to that shoulder that never properly healed and causes him great pain.
  • Ryn leaves her brother with instructions to “brain” the Lord in charge of their village if he tries to send them to a workhouse.
  • Ryn and Ellis discover a community of people living with the bone houses of their dead relatives. When one of the residents finds out about their quest, she attacks Ryn. “Aderyn was on her back, legs kicking wildly as Catrin pressed her to the floor. The woman’s hands were on Aderyn’s shoulders, gripping with bruising force, and she was saying, “—can’t, you can’t—,” as if this were a conversation.”
  • As they pass through the mine, Ryn and Ellis are attacked by bone houses, and Ellis is pulled underwater. Ellis “tried to push himself upright, but something hung to him tightly. He struck out at the thing, bubbles emerging from his lips. He blinked and the water stung his eyes, but there was nothing to see, nothing to hear. His elbow connected with something hard and he felt it give, snapping beneath the blow.” The fight is described for six pages.
  • While crossing the Llyn Mawr, a large enchanted lake, Ryn and Ellis are attacked by a creature called an Alfac. “It had small scales that glittered in the sunlight like small opals. Its teeth were sharp as daggers, angled inward. Meant for ripping and tearing.” The creature capsizes their boat and pulls Ryn under. “[Ryn] touched a stone that seemed larger than the rest. Her fingers curled around its rough exterior, and before she could hesitate, she drove the rock into one of the fancy’s golden eyes.” The description of the fight lasts for three pages.
  • A group of bone houses emerge from the lake and attack Ryn and Ellis. “The bone houses dragged Ellis through the door and into the courtyard. One of his hands seized the frame, fingers straining, but then he was jerked free. He vanished into the darkness.” The fight is described over ten pages.
  • Ryn and Ellis discover the bone house of Ellis’s mother, who attacks Ryn. “Ellis knew that sound would follow him into his nightmares—the resounding crack of the cauldron striking Ryn, and then the thud of her body hitting the floor. She was so still that she might have been dead. And for one terrible heartbeat, he thought she was. Then her fingers twitched and she made this noise. A whimper in the back of his throat.”

Drugs and Alcohol

  • Hywel, one of the villagers in Colbern, suggests he and Ryn “stop by the Red Mare” for a drink.
  • Ryn describes her uncle as having been “soused” when he died.
  • Ryn gives Ellis feverfew to help with the pain in his shoulder. He jokingly asks if she is planning to keep him “in a slightly drugged state of good cheer.”
  • Ryn and Ellis find an old bottle of wine and get drunk. “The liquid was thick in [Ellis’s] mouth. He swallowed hastily, but even in its absence the wine lingered on his tongue. It tasted of burnt honey and orange rinds. Warmth bloomed in his chest.”

Language

  • Both “Bloody” and “Fallen Kings” are used as curses a few times.
  • Ellis describes Ryn’s uncle as an “ass.”

 Supernatural

  • As a child, Ryn encounters a bone house for the first time. “She had seen bodies before, but they were always gently wrapped in clean clothes and then lowered into the ground. They were peaceful. This thing moved slowly under the weight of armor, and a sword jutted from its belt. And it stank.”
  • While keeping watch for bone houses, Ryn describes the night as “dark enough for magic.”
  • After Ryn saves Ellis from a bone house, she asks if he “[spoke] the name of the Otherking three times” or “dabbled in magic.”
  • Ellis is surprised to see an iron gate surrounding the village of Colbren, to which Ryn replies, “Cities took down their iron protection when the Otherfolk left. But you’ll find us countryfolk a little more wary.”
  • Ryn recalls a story her mother told her about how Colbren came to be protected by the fairies. “One day, a woman had ventured into the mountain forests with a basket of her finest wares. She carried golden churned butter, and fresh loaves of bread studded with dried fruits, and apples that tasted of autumn sunlight. . . If you let us be, she said, we will bring offerings again.”
  • Ryn describes Annvyn, the destination she and Ellis seek, as “The land of the Otherfolk. The birthplace of monsters, of magic, and where Arawn used to rule.”
  • Chapter six consists of Ryn telling Ellis several stories about Annvyn. “It was the king of the Otherfolk, Arwan, who made his home there. Castell Sidi, a fortress of granite and enchantment, rose up beside a clear mountain lake, the Llyn Mawr. It is said he brought magic with him—for he was immortal and lovely, and he could weave enchantments as easily as we spin wool. And where he went, other magical creatures followed.” She also describes how a magical artifact left behind in Castell Sidi caused the bone houses.
  • Ryn asks Ellis to accompany her to Castell Sidi, saying “All of this began when the cauldron of rebirth was cracked. It must have made the magic go awry—I thought, if I could destroy the cauldron altogether, the magic would vanish.”
  • The family goat comes back to life as a bone house. “For one moment, Ellis wondered if perhaps it had been asleep this whole time. But that couldn’t be—it had a gaping wound in its side. It had died. They had all heard it being killed.”
  • Ryn and Ellis come upon a community where people are living with the bone houses of their deceased loved ones. Ryn discovers this fact when she meets the dead mother of their host. “She’d been dead long enough for her skin to stretch tight, for desiccation to set into the flesh, yet not long enough so that her hair had lost its shine. It had been recently brushed, and it was that detail that stuck in Ryn’s mind.”
  • Ryn describes different stories she has heard about Annvyn. “How it was the otherworld, the Not-Place, where Arawn had ruled over his court at Castell Sidi, where red-eyed hounds caught game for their master, where men vanished for a decade only to reappear not a day older.”
  • Ryn is visited by the bone house of her father who guides her to Castell Sidi. “They walked through the forest, dead man and living girl . . . They walked in silence—that was one thing Ryn had always liked about the dead. There was no need to talk.”
  • Ryn and Ellis are attacked by the Alfan, an ancient lake creature that lives in the Llyn Mawr. “This creature was untouched by time and blades. It was a remnant of another age, and she could not kill it.”
  • When Ryn breaks the cauldron the bone houses die. “[Ellis’s] mother sank to the floor; Ellis sought to keep her upright, his arms locked around her, but it was to no avail. His mother was fading, the magic slipping away. Her fingers traced his cheek, and then clattered to the floor.”

Spiritual Content

  • Ryn says that she “retreated to the forest the way some people took refuge in chapels.”
  • While thinking about her father’s disappearance, Ryn mentions that her family had no burial rituals without his body. “No draping of white cloth, no placement of fresh flowers, no building a mound of stones.”
  • Ryn says that her father believed in “respect due to the dead,” and that’s why in the graveyard “the little rituals were always observed.”

by Evalyn Harper

Lintang and the Pirate Queen

Lintang loves her family, but she doesn’t want to be a homemaker. Lintang dreams of leaving her island home. She longs to go on dangerous and daring adventures. When she meets the infamous pirate, Captain Shafira, Lintang wants to join her crew. When she gets her chance, Lintang promises to follow orders. However, Lintang’s curious, impulsive attitude always gets her into trouble.

Lintang discovers that living on a pirate ship can be difficult. Her loyalties are divided when she finds that her best friend, Bayani, has stowed away and is desperate to stay hidden. Lintang knows that Bayani is hiding a secret that could change the world. However, she has promised the pirate queen that she will never lie to her. How can Lintang impress the pirate queen and keep Bayani’s secret at the same time?

Readers will relate to Lintang, who has a difficult time following orders. Despite her best intentions, Lintang gets into trouble time and time again. When Lintang is demoted to a cabin girl, she gains the crew’s respect through her positive attitude and work ethic. During her voyage, Lintang “had turned into Lanme Vanyan (the mother of all monsters), faced a Kanekonese siren, fought a dragon, almost drowned twice, battled a sea serpent, [and] worked as a cabin girl.”

Moss creates a beautiful world full of mythies. Some mythies are friendly and others are deadly. In order to introduce the different creatures, many of the chapters being with a page from The Mythie Guidebook, which describes each type of mythie. The information describes how to eradicate the mythie, their behavior, danger level, and provides a description.

Lintang and the Pirate Queen has non-stop action as Lintang, Captain Shafira, and her crew embark on a dangerous journey where they fight fearsome monsters. The story ends in an epic multi-chapter battle that has many surprises. Because of the complex world, the complicated plot, and the large cast of characters, Lintang and the Pirate Queen is best for strong readers. However, adventure-loving readers will love this tale of friendship and adventure.

Sexual Content

  • Lintang tells a legend about Pero, who “was not afraid of the Goddess of Death.” When he left home, he “packed his bag, said goodbye to his mother, kissed the barmaid, and left.”
  • Avalon is transgender. One of the ship’s crew treats him unkindly. She says, “Avalon pretends she is a boy. I remind her she is not.”

Violence

  • While walking in the forest, Lintang and Bayani are attacked by a malam rasha. “A night terror (malam rasha) is a humanoid forest mythie in the predator category. It appears as a woman with wooden skins, long dark hair, and a white dress. Instead of arms, it has tree roots, which are sharp enough to dig through flesh.” Bayani’s fey friend, Pelita, helps. “Before it could attack, a ball of white light zipped in front of its face. The malam rasha recoiled, snarling.” Lintang raised her sword and the “malam rasha reared up. It moved to strike with its arm of tree roots, but she stabbed and it retreated. Slash. Dodge. Stab. Dodge. . . Lintang ran to Bayani, shoved him to the ground, and threw herself over him.” When the two are laying on the ground, someone chases the mythie away. The fight scene takes place over four pages.
  • The malam rasha goes to the temple and goes after Lintang. “The mythie barreled into her. She landed on the stone floor, winded. Pelita fluttered out of the way just in time. The malam rasha curled its lip and slashed at Lintang’s stomach. . . The malam rasha tried again, clawing and tearing until the front of Lintang’s sarong was in tatters.” Panna leaves that were smeared on Lintang protected her. Captain Shafira jumped in to help. “Captain Shafira aimed sword blows at the malam rasha so fiercely that it was forced to retreat.” The Captain’s crew assists her in capturing the malam rasha. “Captain Sharfira brought her sword down and chopped off its arm. It released an earsplitting shriek.” The battle is described over three pages.
  • Once the malam rasha is captured, Captain Shafira “directed a kick to the malam rasha’s wooden head, and it slumped, unmoving.” Later when the light of day appears, the mythie “burst into flames, leaving only a silhouette of ash and the broken fishing net.”
  • A predator mermaid uses her power to make Lintang jump into the sea. “Stinging spread across her body, from both the impact and the chill. It didn’t matter. Nothing mattered anymore. She was with the mermaids now.” The mermaids try to pull Lintang deeper into the ocean. “Splinters sliced at Lintang’s lungs. Her head felt light. . . She barely noticed the flash of steel, or the clouds of blood in the water, or the fact that the mermaids had released their deadly grip.” Lintang is saved. The scene is described over a page.
  • When leaving the island, Nyasamdra picks up Captain Shafira’s ship. Nyasamdra “let them float in the air. She watched them swirl inside the bubble, her face childlike with curiosity.” Trying to help, a “bird darted past Nyasamdra’s fingers and pecked the bubble. There was a pop, and everyone had to hold on as the ship plummeted back into the waves.” Bayani comes above deck and gives Nyasamdra the correct tribune, then she lets them pass. The scene is described over four pages.
  • A sea serpent attacks Captain Shafira’s ship. The huge serpent tries to break the ship up by squeezing it. “Lintang acted without thinking. She raced forward and shoved a harpoon into the serpent’s mouth to wedge it open. The serpent started to snap but stopped as the dragon’s claw dug into the roof of its mouth and sprayed blood across the deck.” One of the crew members “swung out on a rope, caught the harpoon with one hand, and used the dragon talon to slash the serpent through the neck.” Lintang is injured. The fight is described over three pages.
  • When Governor Karnezis tries to get Lintang to give up Captain Shafira’s location, Lintang tries to escape. “. . . Governor Karnezis snatched her hair. She cried out as he yanked her backwards.” Lintang uses a dart to put the governor to sleep. Captain Shafira and her crew help Lintang escape.
  • Farah and her family helped Captain Shafira when she was injured. The Vierzan counsel sent “people to kill Farah’s family and burn the place down.”
  • While under the sirens’ spell, Avalon attacks a crewmember, Mei. “Avalon lunged. He wrapped his arm around Mei’s throat. . .Mei strained to pull his arm from around her neck. Her round cheeks turned pink. She was suffocating.” A crew member hits Avalon over the head with a frying pan, causing him to pass out.
  • Captain Shafira boards Captain Moon’s ship and the two fight with swords. “The two thrust and parried, each as skilled as the other. A few clashing blades and a clever maneuver later, they’d switched positions. . . Captain Shafira managed to kick Captain Moon’s ankle, dropping her to one knee. Captain Moon blocked an attack while she was down, then stabbed forward so violently that Captain Shafira had to jump two steps down the staircase. . .” When the sirens threaten both ships, the two captains work together.
  • The ship’s dragon awakens. Captain Shafira and Captain Moon bait the dragon, causing it to tear down a locked door.
  • At one point in the fighting, Bayani is “standing on the bridge with the spear side of the khwando pointed at Zazi’s neck.”
  • Lintang jumps in the ocean, then turns into the mother of monsters named Lanme Vanyan. Lanme attacks a dragon. Lanme “sprang, clamping her hands on the dragon’s shoulder. It tried to toss her aside, but she held on and slashed at its wings. They twisted in the air like a whirlwind.” She flings the dragon away and then attacks a siren. “Lanme zipped toward it and bit it beneath the arm. . . The siren tried to crush her with its free hand. She bit its fingers. Bubbles hissed from its mouth, but it didn’t pull back.” The siren swims away.
  • The dragon returns and attacks Lanme again. Lanme “whipped her tail into the air, wrapped it around the dragon, and slammed it onto the waves. The dragon shuddered with the impact, then floated, stunned.” Then, Lanme turns back into a human.

Drugs and Alcohol

  • The Vierzans developed a medicine that “kills dangerous things in your body. Stops illnesses, disease; you name it, the Curall fixes it.” When Pelita is sprayed with Curall, she glows brighter. “Pelita’s squeaks turned into tiny shrieks. She sounded like she was in pain. . . And then, as swiftly as a sneeze, a human body burst out of the pixie. A girl lay in Pelita’s place, an Islander barely ten years old.”

Language

  • While practicing sword fighting, Lintang says to her best friend, “You ebony-nosed loobatoon! You brown-tailed barbanees! You blood-eyed ruberrince!”
  • “By the Gods” is used as an exclamation four times.
  • When Lintang scares the ship’s cook, she says, “Mother of monsters, you scared the petticoats off me!”
  • Someone calls another character a gnome.

Supernatural

  • Lintang’s world has various mythies, such as sirens, propheseeds, mermaids—both predator and friendly types. For example, “Propheseeds are sky mythies that take the form of three glowing dandelion seeds. They appear harmless, giggling childishly, and do not physically attack. . . The propheseeds will say your name three times, then, in a form of a riddle or rhyme, give you the time and details of your imminent death.”
  • Those born on the twin Islands have “small, shiny fish scales” on the back of their necks. A ship can only leave the island if they have someone from the Twin Islands. But the island’s mythie guardian Nyasamdra drowns ships “that tried to leave her territory unless they carried someone with her mark.”
  • Sirens are predator mythies. “Like the common siren, it calls for males, but unlike the common siren, it gives power to its victims, making them strong and violent, unable to think of anything but getting close to the mythie.”
  • Mythies did not appear in Lintang’s world until “shooting stars had passed overhead when the mythies arrived. No one knew why the Three Gods had sent the mythies. The creatures had caused havoc throughout the world, but the priest always said in serene voices that the Gods had reasons for everything they did, even if humans could not understand them.”
  • One of the characters is a talking clamshell.
  • Lintang turns into the mother of monsters named Lanme Vanyan.

Spiritual Content

  • People believe in Ytzuam, which is “high above, past the clouds, past the sun, there’s a world in the stars. . . It’s separated from our world by a single thick curtain. There are three Gods who live there: Niti, Patiki, and Mratzi.”
  • As Lintang walks she sees the temple, which makes her think about the gods. “Lintang used to learn about the Gods from the priest there when she was younger, but the only time she visited now was during seasonal festivals.” The three gods are Neti, the creator of the stars, Patiki, the planter of stars, and Mratzi, the harvester of stars.”
  • When Lintang accidentally sets the house on fire, she needs water fast. “Their offerings to the Three Gods had been freshly lain on the stone alter that morning. She reached between a scattering of juicy bubleberries and thin, smoldering sticks of mollowood to take the earthen jug.” She uses the water to help fight the flames.
  • When Lintang fights the malam rasha, she was “praying to the Three Gods that her plan would work.” Then she “dredged up a memory of a prayer from temple. ‘Hear me, Niti, Patiki, Mratzi—Gods of Ytzuam, givers of life, guardians of stars. Please protect us, please don’t let the malam rasha eat us.”
  • People believe that when someone dies, they continue to live. Lintang thinks about her dead grandfather. “Lintang hoped her grandfather’s star, blazing high in the sky” was not ashamed of her.
  • Bayani had died and Mratzi told him that the mythies were human. She then allowed him to return to the living.
  • Lintang trusted the Pirate Queen, but then “prayed to Niti she wasn’t wrong.” Later, when the Pirate Queen decides to stay with Lintang until she gets to her destination, Lintang “sent a silent prayer of thanks to the Gods.”
  • In Vierzan, the people have destroyed the Gods’ monuments because “they think the Gods sent mythies to wipe humans out. . . Now they refuse to pray or build temples or leave offerings.”
  • When Lintang must jump off a building, Bayani thinks she is injured. When he discovers that she is fine, he says, “Thank the Gods, thank the Gods—”
  • When almost drowning, Lintang sees a vision. Shooting stars crashed “through a field of unplanted seeds. . . the impact of the shooting stars scattered seeds throughout the world. . . She saw a man unwittingly absorb one of the star seeds, then he burst apart as a gnome sprang from him.” The vision shows Lintang how humans became mythies.
  • Lintang turned into a mythie.

Landscape with Invisible Hand

After the first vuvv landed, everything was supposed to change for the better. With the promises of health and prosperity, humans greeted the technologically advanced alien race with open arms. But when Adam’s parents’ jobs are replaced by alien technology, Adam realizes that only the wealthy class is able to thrive. Earthlings start to go hungry as food, water, and medicine become scarce. Earth becomes a wasteland of diseases where the poor suffer, while the rich and vuvv in the skies live a life of luxury.

With no money and barely enough food to survive, Adam Costello—an 18-year-old American artist—must get creative. Adam and his girlfriend, Chloe, sign up for a 1950s style dating program where they record “traditional human love” for the vuvv to watch. The vuvv watch as Adam and Chloe fall in love and act out scenes, including dates. But as the money rolls in for their pay-per-view program and their subscriber count goes up, Adam and Chloe start to hate each other. After they break up, the vuvv threaten to sue them for promoting their “fake love.”

With the threat of a lawsuit and food running low, there is only one way out—a global youth art competition. After Adam’s art teacher, Mr. Dave Reilly, entered some of Adam’s artwork in a “traditional human” art contest, Adam makes the first cut and is invited to a huge party at a galleria where the winner will be announced. The winner will have everlasting fame and fortune with their art pieces sold throughout the universe. Will Adam win and move into the clouds or will he be stuck living on the desolate Earth forever?

In Landscape with Invisible Hand, Anderson draws many parallels between Adam’s art contest, the vuvv’s colonization, and social media. He asks the question: how much should we shape ourselves to fit the criteria of others? Adam constantly has to decide whether to become the type of human the vuvv want or stay true to himself. In the beginning, Adam desperately tries to fit the vuvv’s mold in order to survive. But as Adam’s health starts to deteriorate, Adam throws away this mold and submits “nontraditional” art to the vuvv contest, teaching readers to be themselves no matter what.

Even though at its core the book has a positive, self-empowering message, Landscape with Invisible Hand is intended for older readers. Reader’s hearts will be torn apart as nothing goes right for Adam’s family—food runs out, they can’t find a job, and Adam’s medical problems worsen. The story is extremely dark, saddening, and has no happy ending. The novel also makes many parallels with African colonization and enslavement with Adam’s situation. This motif will make it hard for some readers to understand the story’s true meaning. Along with the plot and themes, the novel’s sexual content and language is also intended for older readers. The character’s frequently “neck” and kiss, and Adam constantly cusses throughout his narration. Landscape with Invisible Hand contains a powerful message that can be used to start a conversation about our world’s self-identity crisis and social media.

Sexual Content

  • The book begins with a drive-in movie theater showing a 1950s alien film where a girlfriend and boyfriend are making out. Then, an alien approaches from the nearby woods. “Boyfriends and girlfriends squeal and lean into each other. Couples grin. They’re parked in fifties tin cars and ‘necking.’ The movie screen above the field of parked cars is reflected in their windshields.”
  • “‘Gee, Chloe,’ I say, and turn to kiss her cheek.” Adam and his girlfriend Chloe take part in a 1950s dating job, where they record themselves in love and upload it for vuvv enjoyment. Usually, it involves slight kissing and flirtatious conversation.
  • After doing the 1950s dating job and filming their love for so long, Adam and Chloe fall out of love. Adam recalls how “once when we were pretending to kiss – our mouths stuck together uncomfortably like fried onion rings – just pressed against each other, not moving, trying not to breathe each other’s breath – suddenly a word popped into my head: intimacy.”
  • Chloe brings another boyfriend, Buddy Gui, to the house where she and Adam’s family live. Adam thinks to himself, “Once they disappear, I hear the ruckus from some buddy-cop holo show they’re watching, or else they’ve just turned the volume up real loud to hide the sound of them fucking.”

Violence

  • After trying to apply for a soup kitchen job, Adam’s mother starts talking to a guy in a suit. Suddenly, he throws her against the wall and says, “You’re not applying for that soup job. It’s mine. I have your fucking address now, and if I see you working there next week, I’m going to come over and burn your motherfucking house down.” After watching it all unfold, Adam says that he “should’ve punched him.”
  • Adam and his mother have nothing to do, “So we watch the news, and there has been a race riot in Central Falls. Security cameras show a bunch of white guys rampaging through a bodega, lifting up the Coke fridge, and tipping it through the window, attacking the owner and his family with a baseball bat, screaming shit like go back to Mexico and leave us our jobs. They’re stomping on the chips in the snack food aisle and showing their teeth like an animal pack. Some white woman standing outside on the street in a terry-cloth hoodie tells a reporter that if it weren’t for those goddamn people, the censored censored censored illegals, everybody wouldn’t be eating the grass in our yards on all fours.”

Drugs and Alcohol

  • None

Language

  • Profanity is used in the extreme. Almost all the characters cuss and profanity is on almost every page. Profanity includes: douche, shit, fuck, goddam, ass, idiot, Jesus, hell, jerk, and piss.
  • Adam recounts the vuvv landing and says, “A few years ago, some guy in cargo pants was caught tipping over one of the monument’s pillars. At first, everyone thought he was doing it as an anti-vuvv protest. Later, it turned out he was just a douche.”
  • Adam hates how his house looks. “The shingles look okay, but all the brown panels look like hell. The paint is cracked and flaking off in long strips. What kind of dipshit would design a house half shingled and half painted?”
  • Adam’s mother asks if he includes “the piles of bullshit you heap in every direction” in his paintings.
  • Adam calls his dad a “fucker” and a “fucking coward” for running off and abandoning them. Adam’s mother calls Adam’s dad a “jackass” after he suggests they try to rent out part of the house.
  • Someone sold a million-dollar estate for a “goddamn dollar” to the vuvv.
  • Adam suffers from Merrick’s Disease, which causes him to have the “shits” constantly.
  • Adam lied to a group of rich kids, claiming he damaged his Achilles tendon “when I was kneeing a complete idiot in the gut.”
  • Adam’s sister, Nattie, makes a pun. Her mother lets out a long sigh and responds, “Jesus, Nattie. I don’t know what to say to that.”
  • Adam hates school because “The school day seems to stretch forever, especially because my last couple of classes are taught by vuvv tech, which just shows us stuff floating in the air and then tells us off when we act like jerks.”
  • Adam watches Thallium Dogs II: Assassin’s Blade where the main character “opens up a noisy barrel of whoop-ass.”
  • In celebration of getting to the art competition shuttle, Adam urinates. “While I’m still in the shadows, I piss a smiley face into the snow.”

Supernatural

  • None

Spiritual Content

  • The winner of the art competition makes a crude, wooden chainsaw construction of the Virgin Mary and a combination of baby Jesus and the Hindu god Ganesh. “My painting faded. In its place is the 3-D image of rough-hewn Virgin Mary and Child, except the Virgin Mary is swaddling on her lap (silent night, holy night) an infant with the head of an elephant.”

by Matthew Perkey

The Grand Escape: The Greatest Prison Breakout of the 20th Century

At the height of World War I, brave Allied and German forces battled on land, air, and sea. During these battles, captured Allied soldiers and pilots were sent to the dangerous web of German prisons where they were neglected, beaten, and robbed. The most troublesome prisoners of war were sent to

Holzminden – an inescapable landlocked prison designed to break prisoners. The prisoners are in the middle of Germany, locked down by armed guards and barbed-wire fences. The camp’s ruthless commandant, Karl Niemeyer, enforces the camp’s cruel rules. Escape seems impossible for the rag-tag prisoners.

Faced with a Herculean task, a group of determined Allied soldiers and pilots defy the impossible, daring to escape the prison by building a tunnel right under Niemeyer’s nose. Scraping away mere inches of dirt every hour, the team tunneled through the prison’s foundation underneath guard towers, dogs, barbed wire fences, and into a nearby farm. As Niemeyer becomes suspicious of a possible escape, the team of escapees works tirelessly forging documents, smuggling in supplies, and bribing guards. The hardest challenge of escaping Holzminden was yet to come for the 29 men—making it back home undetected through war-torn Germany.

The Grand Escape will leave readers on the edge of their seats as they read the true story of how a team of Allied prisoners banded together to escape Germany and became an inspiration for their fellow countrymen during World War I’s darkest hours. Bascomb does an extraordinary job bringing the story to life. His vivid details, page-turning suspense, and well-developed research alongside photographs, maps, and diagrams of the tunnel and prison camp make the reader feel like they are actually in the tunnel escaping with the prisoners.

The suspense will keep readers turning the pages until the very end. However, the book discusses some of the atrocities of World War I, including the intense violence and hatred between the German and Allied soldiers. Some descriptions are graphic; therefore, the book is not for the faint of heart. This book is aimed at older readers who have some pre-existing knowledge about World War I and the development of modern aircraft. Nonetheless, The Grand Escape is a terrific nonfiction book that will teach readers to persevere through hard times.

Sexual Content

  • None

Violence

  • When Cecil Blain and Charles Griffiths are sent on a mission to find warehouses in Germany, they are shot at by German artillery. “A shell rocked one plane on the port side of their formation, but its pilot recovered. Another cut confetti-sized slits into the wings of Blain’s plane, and shrapnel pinged against his engine cowling.” Although no one is injured, Blain and Griffith’s plane sustains heavy damage and they are forced to land behind enemy lines where they are soon held as prisoners.
  • On a bombing run, English pilot David Gray and his machine-gunner are ambushed by Böelcke. A “close-quarter rake of bullets from Böelcke ripped through Gray’s engine and shredded an aileron. Propeller stopped, balance control lost, the plane plummeted into a spin.” Gray and his gunner are both severely injured, with broken bones and lacerations covering their faces, but they manage to survive, crash landing behind enemy lines.
  • Holzminden’s commandant, Karl Niemeyer, is easily angered and loves to both psychologically and physically torture his prisoners. In one instance, he “ordered a guard to fire at prisoners in the barracks building who were mocking the Germans during their morning drill marches.”
  • Private Dick Cash was “ordered across no-man’s land in an early morning assault on the strategic German stronghold at Bullecourt. The Australians faced withering heavy machine-gun fire in their approach to the enemy lines. During the attack, Cash was shot in the chest. The bullet punctured his left lung, but he continued ahead. A series of mortars threw him first skyward, then sideways. Shrapnel pierced his back, and many of his teeth were knocked out before he landed in a shell hole, boots first.” However, Cash manages to “survive the maggot-infested squalor” and is sent to Holzminden after recovering in a German hospital.
  • At another camp, Harold Medlicott and Joseph Walter were murdered, but the German guards lie to prisoners, saying they were shot on the run. The guards return to camp with two stretchers covered in dark sheets and “while several British officers distracted the guards watching over the bodies, another officer rushed up and threw aside the sheets. Medlicott’s and Walter’s bodies were riddled with over a dozen bullets and stabbed with several bayonet wounds.” The British officers realize that Medlicott and Walter were not shot while escaping, but brutally murdered by their captors.
  • While escaping to Holland, a border guard sees Bennet and Campbell-Martin and starts to fire. “The crack of a rifle echoed behind as they charged headlong into Holland. The first shot and the next missed. They ran and ran until they splashed into the Dinkel River in free Holland.”

Drugs and Alcohol

  • On their way to a new POW camp, the guards and prisoners stop at a train station restaurant and form a temporary truce where “the British bought every bottle of wine behind the bar, some of them a lovely pre-war vintage.”
  • During a Christmas party at Holzminden, “Douglas Lyall Grant, of the London Scottish Regiment, supplied a cellar’s worth of bottles that he joked cost more than a night out at London’s swanky Carlton Hotel.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • On the night of the escapes, “A religious man, Butler muttered a short prayer before pushing his kitbag into the tunnel and following it in.”

by Matthew Perkey

Through the Untamed Sky

After winning the wild Pegasus mare named Echofrost in a contest, Rahkki Stormrunner is officially a rider in the Sky Guard army. Rahkki is terrified of heights though, and Echofrost doesn’t want to be tamed. But with Echofrost’s herd captured by the giants and a fierce battle looming on the horizon, the duo will have to conquer their fears if they want to fly with the army and free the herd.

Meanwhile, back in his village, Rahkki learns of a growing rebellion to overthrow Queen Lilliam. Unfortunately, the queen suspects Rahkki’s family is behind it, and she places him under intense watch.

As Rahkki and Echofrost escape to Mount Crim to save Storm Herd, Rahkki worries that the greatest danger may not come from the impending battle against the giants, but from within his own clan.

Through the Untamed Sky continues the story of Echofrost and Rahkki. In order for Echofrost to free her herd from the giants, Echofrost joints the Sky Guard with Rahkki. However, it soon becomes apparent that none of the Landwalkers (humans) care whether Rahkki lives or dies. To make matters worse, someone is actively trying to assassinate Rahkki. In a world where political power can only be gained by killing the current Queen, danger lurks in the shadows.

Although Echofrost’s desire to be free is understandable, she never thinks about Rahkki’s needs. Echofrost’s selfish behavior continues to the very end of the story. It takes a battle with the giants for Echofrost to see that “freedom meant choosing her bonds, because a Pegasus could not live alone or act only for oneself.”

The second installment of the Riders of the Realm Series shifts its focus away from Echofrost’s conflict and focuses more on the political unrest. As the story unfolds, Rahkki remembers the night his mother died. Even though the flashbacks help explain the political structure, readers may become upset that someone would kill a pregnant woman in order to gain the throne. The death of Rahkki’s mother is not the only violence in the story. An epic battle is fought and many lose their lives. Although the descriptions are not gory, there is blood and violence that may upset sensitive readers.

Through the Untamed Sky will entertain readers. However, the long descriptions, the large cast of characters, and the complex storyline make the story suitable only for strong readers. Like the first book in the series, Through the Untamed Sky ends with a cliffhanger that will have readers reaching for the third book in the series, Beneath the Weeping Clouds.

Sexual Content

  • The princess and Rahkki are talking when the princess “placed her hand in his, and a jolt of heat shot through his body.”
  • During the battle, Rahkki “leaned forward and kissed [the princess’s] lips. She tasted sweet, like peppermints.”

Violence

  • As part of a ceremony, Rahkki and Echofrost are branded. After the branding, Echofrost’s “eyes bulged and her breath came in rapid bursts as she absorbed the pain of the branding. Rahkki’s body had gone numb except for his throbbing shoulder.”
  • The giants come to talk to the queen, but the queen upsets the giants, then, “The Sky Guard ascended. Guiding their pegasi with their legs, the Riders fired arrows at the Gorlanders. . . Led by the two elephants, the Gorlanders rushed out and their huge strides carried them swiftly toward the jungle.” The Gorlanders’ dragons “dived down, shooting hot jets at the new pair. Rahkki cringed when the flames licked the back of his neck.” The scene is described over three pages. No one is seriously injured.
  • A giant lizard, Granak, chases after Rahkki and the princess. In an attempt to hide, the two “quickly pushed vines and leaves over their bodies, but Granak reared back and uprooted their tree with his massive clawed foot. Thick roots popped out of the soil, throwing Rahkki and l’Lenna into the air.” As the two run, their pegasi “swooped down, attacking like angry birds. Echofrost landed a barrage of kicks to Granak’s head. Shysong kicked him hard across his ear hole. . . The lizard’s huge foot swung at the roan, just grazing Shysong’s wing. She spun out of control.” When I’Lenna gets to the fortress, the guards close the gate, locking Rahkki out.
  • When the lizard catches up to Rahkki, “Granak swiped his huge paw and slammed Rahkki’s chest. The boy tumbled across the yard. . . Rahkki tumbled across the soil, his body vibrating from the power of the dragon’s paw. His armor clanged, protecting his skin. . .” Rahkki throws hot pepper spice “straight into the dragon’s open mouth. Granak reared back with a roar and shook his great head.” The lizard flees. Some people believe Rahkki defeated the giant lizard with magic. The chase scene is described over eight pages.
  • Rahkki remembers the night his mother was assassinated. His mother’s Pegasus was injured as he tried to fly the kids to safety. “A long sharp sliver of wood was embedded in the stallion’s chest like a spear. . . [Rahkki’s] tears dripped onto the stallion’s face. They mixed with the rain as he [his brother] stroked the boy’s cheek and listened to his soft breaths.”
  • Giant spiders attack and try to wrap the pegasus in their web. Rahkki’s brother, Brauk, tries to help. “Brauk picked up a sharp stick. The closest spider had reared back and shot a band of silk at them. . . then he charged the waist-high spider and smashed it across its fangs.” The spider is able to grab Brauk with its web. The pegasus is able to help. “Drael stomped its head, and pale-blue blood squirted across Rahkki’s nightdress.” The spider scene is described over three pages.
  • Someone tries to kill Rahkki with a poisonous snake. “A pillow slammed onto Rahkki’s head. He tried to shove it aside, but the person pressed it into his face, cutting off his air. Meanwhile, the serpent bumped against his thigh.”
  • When Echofrost tries to find her herd, giants see her. “A small tree spiraled up from the Gorlan party, thrown like a spear. It struck her between the eyes.” Echfrost and Rahkki fall to the jungle floor. “Hot blood trickled from Rahkki’s hairline. He ran his hands along his body, checking for injuries; but other than his raw skin, a few cuts, his throbbing ear, and a pulled muscle in his thigh, he was undamaged.”
  • A giant finds Echofrost. “Suddenly, a rock struck her flank and she whirled around.” Echofrost saw “an adult Gorlan male, squatting and facing her . . . Reaching into a bag strapped to his back, the giant threaded out a long rope. At the sight of it, Echofrost pinned her ears back. He caught her, tugged hard, and rolled her onto her side.”
  • Rahkki finds the captured Echofrost and fights the giant, who is a prince. “Desperate, he sliced the prince’s arm with his dagger.” Then a huge python reached the giant and “it sank its teeth into his short neck. The giant roared and toppled onto his back, and the snake’s great weight pinned him.” Feeling sorry for the giant, Rahkki helps. “He reached the base of the python’s skull and drew his dagger. . . Then he tightened his fists around the pommel and drove the sharp blade straight into the python’s brain.”
  • When the Land Guard is commanded to attack the giants, Rahkki is forced to go with them. The army is supposed to steal the wild herd from the giants. While trying to get to the pegasi, “screams and shouts and smoke filled the valley.” The tiny dragons use their fire and “several Land Guard soldiers rolled across the grass, trying to snuff out their burning tunics. Others swiped at the burners with their sawa blades, cutting them out of the sky.”
  • The giants use their saber cats to help them fight the battle. “The first saber cat reached the captured wild herd, and its long fangs punctured a mare’s throat, severing the vein.”
  • A saber cat attacks Rahkki. The cat “galloped at him, tail lashing, jaws wide.” Echofrost threw Rahkki out of the way. Rahkki “grabbed his sawa sword instead. The cat turned on him, muscles rippling, lips curled back in a snarl, whiskers bristling. . .” Echofrost goes to help and “kicked the cat in the head, knocking it out. It tumbled onto Rahkki, pinning him to the ground.”
  • When the princess claims to be “the rightful Queen of the Fifth,” the head soldier Harak tries to kill her. General Tsun helps the princess, then “Harak loosed the arrow, and the shaft plunged straight through Tsun’s throat. His breath cut short, the general collapsed and his life force pooled atop soil. . .”
  • When the giants take the princess captive, Rahkki jumps in to help her. “Rahkki sliced the bindings around I’Leanna’s wrist. . . the king roared at the sight of I’Leanna being cut free, and the line of ten giants loosed their stones at the princess. Rahkki clutched her close, blocking her body with his.” Rahkki is injured when a stone “slammed into his anklebone. Another stone struck his helmet. He released I’Lenna and crumbled to his knees, his ears ringing.”
  • Harak shoots an arrow at Rahkki, but Echofrost “darted between the arrow and Rahkki’s neck. It slid between her armor and into her rib cage. . .”
  • During battle, a mare named Rizah “tossed the man across the field and then kicked another.” A young soldier shoots an arrow at Rizah. “The arrow lodged deep in Rizah’s neck . . . The golden mare pinwheeled toward land and struck the grass. She toppled over, wheezing.” The battle scene takes place over 50 pages.

Drugs and Alcohol

  • When Rahkki’s brother is injured, he is given “medicine to keep him asleep.”
  • An animal healer explains how she uses dragon drool to make a medicine that puts people to sleep. “Boiling the venom removes all of the toxins but leaves the anesthetic properties intact.”
  • During a meal, the Queen’s table has food and rice wine.
  • A merchant sells food and rice wine to shoppers.
  • After Rahkki gives a girl his food, she was found “convulsing in the dirt. Another groom screamed for help as white froth poured from the girl’s mouth.” It turns out that Rahkki’s food had been poisoned.
  • During the battle, Rahkki uses “drool-soaked” darts to put giants to sleep.

Language

  • Bloody rain is used as an exclamation frequently.
  • Lands to skies, sun and stars, and by Granak are all occasionally used as an exclamation.
  • Rahkki’s brother says, “My brother’s an idiot.”
  • By the Ancestors is used as an exclamation once.
  • When a group of boys was wrestling, a boy calls someone a “Gorlan-blooded freak.”

Supernatural

  • Each clan “claimed a different mascot, and the queens fed their respective beasts live animals to keep them content, then stared at the gnawed bones as if their futures were written in them.” In one clan, the queen’s adviser “oversaw the sacrifices to the clan’s mascot, read omens, and made predictions.”
  • Someone tells Rahkki that curiosity calls the kaji spirits. “Kaji spirits harassed the seven clans, causing people to trip and slip and blunder where they were otherwise sure-footed and agile. Kajies came in flurries when Sandwens were either up to no good, full of pride, or curious about things that had nothing to do with them.”
  • When attacking a python, Rahkki says, “Granak protect me!”

Spiritual Content

  • After winning Echofrost in a contest, Rahkki goes to talk to the queen. When he returns, he climbed onto her back, “with a small prayer to the wind spirits.”

Scarlett Hart Monster Hunter

Scarlett Hart isn’t afraid of monsters. As the orphaned daughter of two legendary monster hunters, she is prepared to rid the entire city of monsters! The only problem is that the Royal Academy for the Pursuit and Eradication of Zoological Eccentricities says she’s too young to fight perilous horrors. But that doesn’t stop Scarlett and her trusty butler. They fight mummies, a horrid hound, and save the city from a monster attack.

Scarlett is a plucky heroine who isn’t afraid to fight. With the help of her butler, Napoleon, Scarlett is able to keep her monster hunting a secret. However, her parents’ rival, Count Stankovic, wants all of the monster hunting glory for himself. The Count will try anything to get Scarlett out of the way. Every time Scarlett turns around, the Count is hiding in the shadows, waiting for his chance to get proof that Scarlett is breaking the law. When a group of monsters starts mysteriously manifesting, Scarlett knows she has to risk breaking the rules and being put in jail. She will do whatever it takes to save the city.

Scarlett goes around the city fighting sea monsters, fire-breathing monsters, and gargoyles. Even though the monsters always meet their demise—sometimes in creative ways—the illustrations keep out the bloody gore. Most of the story revolves around battling monsters and the Count. However, Sedgwick includes enough detail and family background to give the story a little depth.

Scarlett Hart Monster Hunter is an entertaining story with elements of steampunk. Even though the action revolves around monsters, no one is seriously injured. The story has many elements that will entertain middle school readers, like the string of funny, creative insults Scarlett uses when referring to the Count. The illustrations use many onomatopoeias, such as, “creak, fazaza, tweak, phut, phut, sputter.” The cartoon-like illustrations use shades of brown to mimic the darker tone of the story.

Readers who love monster fighting fun and have read The Last Kids on Earth series will miss the humor and friendship that is lacking in Scarlett Hart Monster Hunter. Despite this, Scarlett Hart Monster Hunter is a fast-paced story that is worth spending an afternoon reading. However, readers may want to make sure they aren’t alone in the house when they decide to jump into Scarlett’s spooky world. Monster-loving graphic novel fans should also add Ghostopolis by Doug TenNapel to their reading list.

Sexual Content

  • When the Count is running after Scarlett, his pants slip down and show his buttcrack.

Violence

  • While walking, a monster jumps out and a man falls into the water and sinks.
  • The Count uses a rocket launcher to fire a weapon that blows up a monster. The scene is illustrated over two pages.
  • Scarlett reads a newspaper article that says, “The Black Dog of Suffolk County. Also known as Black Shuck. Ghost-dog with glowing red eyes. Has caused four deaths this past month alone. Last sighted in Devil’s Hollow.”
  • Scarlett goes to capture the Black Dog. When she shoots at it, the Black Dog attacks her car. When the Black Dog runs off, Scarlett chases it and hits it with her car. They load the dead dog into a sack and put it on top of the car. The scene is illustrated over five pages.
  • When a mummy sees Scarlett and Napoleon, it says, “Urrr. Brains. Fresh brains. . .” The mummy chases Scarlett and Napoleon. A group of mummies appears, trapping the two monster fighters. Scarlett uses her sword and a stage curtain to capture the mummies. The scene is illustrated over five pages.
  • While hunting a ghost, a ghostly bishop jumps out of a closet and chases Scarlett and Napoleon. The Count shoots the ghost who shrivels. “Fzzzzz. Pop.” The ghost disappears. The scene is illustrated over four pages.
  • When the Count takes a picture of Scarlett ghost hunting, she holds a gun up to threaten him. The Count gives Scarlett the camera and leaves.
  • Scarlett follows the Count. When he hears her, he shoots at her. Scarlett shoots back. Then, she throws a container of black spiders at the Count, who freaks out and drops the gun. The scene is illustrated over three pages.
  • Scarlett and Napoleon go to a cathedral and see swarms of living gargoyles attacking people. The Count drives up and begins shooting the gargoyles. When a gargoyle grabs the Count, Napoleon drives into the creature, saving the Count. A gargoyle grabs a boy and Scarlett shoots the gargoyle. The boy falls safely to the ground. The scene is illustrated over 10 pages.
  • Napoleon tells Scarlett about a dance her parents attended. Scarlett’s father and the Count argued over a girl. The Count “went to punch your father. . . Stankovic (the Count) fell over a balcony into a fountain. He was humiliated. Everyone laughed at him. He left in a huff, and no one saw him for months.”
  • When Scarlett and Napoleon are put in jail, someone slams a car into the building to free them.
  • When a group of monsters attacks, several people (including Scarlett and Napoleon) try to stop them. People use a variety of weapons, including a gun, a shovel, and a sword. A giant octopus-like monster with many eyes goes after Scarlett. She jumps in a car with Napoleon and drives away. The battle takes place over 14 pages.
  • Scarlett jumps in an airplane and looks for an octopus-like monster. When she finds the monster, she shoots it. The monster throws parts of a building at the plane. Scarlett drops a bomb into the monster’s mouth and it blows up. The fight is illustrated over 16 pages.
  • When Scarlett is flying home, she sees the Count hit Napoleon with a car. The Count points his gun at Napoleon. Scarlett flies close and the Count shoots at the plane. When Scarlett turns the plane around, she flies close to the Count, who falls off a cliff. He falls into a shark’s mouth. Later, the Count is seen hanging onto the shark’s fin; it is not clear if the Count is a zombie or still living. The scene is illustrated over eight pages.

Drugs and Alcohol

  • Scarlett goes into a pub and orders “a triple whisky and easy on the ice.” The bartender glares at her. Then she says, “Just kidding. Ginger beer, please.”
  • After battling monsters, Napoleon tells Scarlett, “Since you will arrive first, perhaps you could ask Mrs. White to pour me a glass of beer? A large one.”

Language

  • Scarlett exclaims, “leaping lizards, piston heads, and gaskets and cylinder rings.”
  • Scarlett says, “I’m just a great idiot.”
  • Scarlett calls the Count a series of names, including: “pea-brained tire muncher,” “scabby nosed cat eater,” “animal-faced sewer dweller,” “dog-bottomed ferret face,” and “weasel-headed monkey brain.”
  • Scarlett says, “that toad faced Count stole our kill the other day.”
  • Someone calls Napoleon “an old fusspot.”
  • Someone calls the Count a “swine.”

Supernatural

  • Scarlett has a pair of ghost goggles that let her see ghosts. Without the goggles, ghosts “only materialize when they want to scare you.”
  • The Count learns how to bring monsters to life.

Spiritual Content

  • While hunting ghosts, Napoleon takes holy water and Scarlett takes the Bible.

Six of Crows

When it comes to the magic-wielding Grisha, nothing is ever easy. Especially not when Grisha are subjected to jurda parem, a dangerous new drug that not only enhances their latent abilities but also throws those same Grisha into a never-ending cycle of addiction and suffering.

Now, the only man who knows the formula to jurda parem, Bo Yul-Bayer, is locked up in the Ice Court, one of the most secure prisons in the world. There are many people looking to free Bo Yul- Bayer in order to use his knowledge, but Kaz Brekker is hired for the exact opposite.

Kaz and his crew, Inej, Jesper, Nina, Wylan, and Matthias, are about to breach the toughest prison in the world to free Bo Yul-Bayer and make sure he doesn’t fall into the wrong hands. They could very well die or be imprisoned, but the promise of four million kruge (the main currency of their home city of Ketterdam) is all too compelling. Plus, the six want the chance to fix all the mistakes they have made over the course of their lives. Kaz and his crew are the best at being thieves, yet not every plan can go perfectly. Jurda parem could flip the world on its head, and if the six fail, the world could plunge into a world war.

Bardugo’s Six of Crows is an adventurous story from the very beginning. The story follows the distinct personalities of gang leader Kaz, the silent assassin Inej, the sharpshooter Jesper, the Grisha Nina, the aristocrat Wylan, and the Fjerdan witch-hunter Matthias. The story ebbs and flows between the six main characters and their grand plan to sneak into the Ice Court to free the maker of a powerful drug.

There’s suspense, great action, and wonderfully compelling characters. Most of all, there’s a great sense of progression, both in the overarching plot development and in the main six characters.

Bardugo incorporates the members of Kaz’s crew into the flow of the story, and each character is vital in the plan to infiltrate the Ice Court. For instance, Matthias was once a guard was stationed at the Ice Court, allowing him to be the one to create a map of the prison. Each character’s backstory also comes into play quite frequently, bringing forth the idea that each member is struggling with something that has been haunting them for years. This is a strength of Bardugo’s writing, as her themes of overcoming one’s past and staying true to one’s feelings play out brilliantly. The biggest example of this is found in Matthias and Nina’s relationship. The two are obviously in love, but because one is a Grisha and the other is a Grisha hunter, the two often get very close to killing each other, quite literally. In the end, they manage to overcome their past prejudices and open up to each other.

Overall, Six of Crows is a wonderful read for any young adult reader. Its main characters are incredibly likable and the story flows well. The plot isn’t overly complicated, though there are a lot of characters to keep track of. Six of Crows is a page-turner that will have readers wanting more. For readers who want a blend of romance and a group of skilled characters pulling off a heist, Six of Crows is definitely the right choice. This novel also would be best suited for mature young adults.

Sexual Content

  • When a guard is mulling over how to tell if a girl likes her, his companion says, “Just tell her she’s got skin like moonlight. Girls love that.” That same guard later thinks, “He and Anya only ever exchanged a few words on his rounds, but she was always the best part of his night.”
  • In the pleasure district of Ketterdam, known as the Barrel, there are many brothels. Inej, one of the main characters, was in a brothel known as the Menagerie before she came to the dregs. “She’d lost most of her modesty during her time with the Menagerie, but really, there were limits.” In the Barrel, “peepholes were a feature of all the brothels.” Inej thinks about the Menagerie, “If you had a taste for a Shu girl or a Fjerdan giant, a redhead from the Wandering Isle, a dark-skinned Zemeni, the Menagerie was your destination.”
  • Kaz and Inej have a budding romance throughout the novel. For instance, Inej thinks, “What would Kaz say if she suddenly stripped down and started washing herself in front of him?” Again, Inej thinks, “One minute he made her blush and the next he made her want to commit murder.” Later, Inej thinks, “Feeling anything for Kaz Brekker was the worst kind of foolishness.”
  • When talking to Nina Zenik, Kaz says, “A man doesn’t need a bed to get ideas, Nina.” During their conversation, Nina “shucked off the red kefta, revealing a slip of satin so thin it barely counted as cloth.”
  • Kaz also points out to Nina, “You have crumbs on your cleavage.”
  • Nina and Matthias have a dangerous relationship. Nina thinks about Matthias: “In another life, she might have believed he was coming to rescue her, a shining savior with golden hair and eyes the pale blue of northern glaciers.” After rescuing Matthias from prison, Nina “pressed a kiss to his temple.”
  • Matthias thinks at the same time that “In the bad dreams, he kissed her.” Again he thinks, “He kissed her, buried his face in the sweet hollow of her neck.”
  • After first meeting and surviving an explosion on a boat, Nina and Matthias huddled naked together for warmth. “He gave the fire a stern jab, but she ignored him and stripped off the rest of her clothes.”
  • When thinking about her parents, Inej remembers her father “leaving little bouquets of wild geraniums for her mother to find everywhere, in the cupboards, the camp cook pots, the sleeves of her costumes.” When thinking about her own love life, Inej thinks, “There had been no boys to bring her flowers, only men with stacks of kruge and purses full of coin.”
  • Jesper and Wylan, two main characters, flirt sometimes. When Wylan tells Jesper to close his eyes while they’re under attack, Jesper says, “You can’t kiss me from down there, Wylan!”
  • When she was captured by Fjerdan witch-hunters, Nina heard one say about her, “I like this one, still nice and round. Maybe we should open that cage door and hose her down.” Immediately after this, Matthias asks his comrades, “Would you fornicate with a dog?”
  • When Kaz and Inej finally reveal their true feelings to one another at the end of the book, Inej says, “I will have you without armor, Kaz Brekker. Or I will not have you at all.”

Violence

  • A merchant has his guard cut open a boy’s arm for an experiment with jurda parem, a powerful drug. “The guard gave the boy a pat then slashed a bright red cut across his forearm. The boy started crying immediately.” In that same experiment, the merchant tells the guard to “Cut off the boy’s thumb.” This is commanded to be done because the merchant wants to see if a Grisha, a magic user, can use their power with the extra boost of jurda parem to heal a body part that was cut off.
  • When thinking about Kaz, Inej thinks, “The boy they called Dirtyhands didn’t need a reason any more than he needed permission—to break a leg, sever an alliance, or change a man’s fortune with the turn of a card.”
  • When Inej climbs into a tank, she’s desperate to get it working. “Finally one of the guns rolled upward. She pulled on the trigger, and her whole body shook as bullets rattled against the enclosure glass like hail, pinging off in all directions.” Inej fires the tank at Fjerdan soldiers, who are desperate to either capture or kill her and her comrades.
  • Nina attacks Jarl Brum, who was once Matthias’s drüskelle captain. “Then her hand shot out once more, and Brum shrieked. He clapped his hands to his head, blood trickling between his fingers.”
  • When Kaz and the others free Matthias from Hellgate prison, Matthias attacks Nina. “He launched himself forward, flipping her to the ground, hands fostered tight around her throat, straddling her so that his knees pinned her arms to the ground.” Nina isn’t injured in this interaction.
  • Big Bolliger, a member of Kaz’s gang, betrays Kaz and Jesper, so Kaz retaliates. “It was certainly why he’d let Holst put a bullet in Bolliger’s gut.”
  • As Jesper and Wylan are about to be killed by a Shu Tidemaker, a member of a foreign team, Jesper uses his Grisha powers to save himself and Wylan. “The female Tidemaker screamed as the metal burrowed into her flesh, and she tried to turn to mist.”

Drugs and Alcohol

  • Gambling is a backdrop for the Dregs (the gang Kaz and the others work for). Kaz has “been the floor boss at the Crow Club for more than two years.” The Crow Club is where the Dregs make the most money through gambling. Drinking is sometimes mentioned at the Crow Club, as explained below.
  • The drug, jurda parem, is a main focus of the story. Jurda parem is a drug that enhances a Grisha’s magical abilities, but also one that is incredibly addictive and dangerous. It comes in a “powder” substance. For instance, “Jurda was nothing to fear, a stimulant everyone in the stadwatch chewed to stay awake on late watches.” Van Eck, the man who hires Kaz’s crew to hunt down the creator of jurda parem, says, “Jurda parem is something completely different, and it is most definitely not harmless.” He also says, “It’s lethal. An ordinary mind cannot tolerate parem in even the lowest doses.”
  • When Kaz’s crew is surrounded by the Fjerdan military, Nina takes jurda parem to alter her Grisha abilities in order to save them all. “Her blood began to thrum, and her heart was suddenly pounding.” After Nina takes jurda parem to save the entire group from the Fjerdan military, she thinks, “Everything felt wrong. All she could think of was the sweet, burnt taste of the parem.”
  • Kaz and Geels, a fellow gang leader, make small talk about “the suspicion that the Kooperom was serving watered-down drinks now that the rent had been raised.”
  • Per Haskell, the leader of the Dregs, “preferred to sit in the warmth of his room, drinking lukewarm lager.”
  • When talking about the success of the plan to steal Bo Yul-Bayer, the creator of jurda parem, Kaz says, “We’ll have waffles. And whiskey. If this job doesn’t come off, no one’s going to want to be around me sober.”
  • When Kaz is attacked by two Grisha in an alley, before passing out he thinks, “‘Drugged,’ Kaz thought, trying not to panic. ‘I’ve been drugged.’” Immediately after, he thinks, “A ghost with a syringe?” Later on, it says about Kaz that “Whatever they’d injected him with had left him groggy.”

Language

  • The word crap is used a few times. For instance, Kaz, the pseudo leader of the Dregs, is called a “cocky little piece of crap” by a fellow gang leader. When that same gang leader threatens to shoot him, Kaz replies with, “Find your balls and give the order.”
  • The word ass and bastard are used sometimes. For instance, Kaz calls the Black Tips, another gang, “a spectacular bunch of asses.”
  • The word hell and damn are used frequently. For example, when Kaz wakes up after being kidnapped, he says, “so what the hell was going on?”
  • The word whore is used sometimes. When Kaz is debating with a high-class merchant, Van Eck tells the merchant, “I don’t run whores, and I kill for a cause.”
  • When bantering with Jesper, Kaz “replied with a time-saving gesture that relied heavily on his middle finger and disappeared below deck.”
  • The word fuck is used once in the novel. When Kaz once demanded to see the man who ruined his life, he says, “Jakob fucking Hertzoon. I want to talk to him.”
  • When someone’s watch is stolen, the person says, “Son of a bitch.”

Supernatural

  • Magic is a backdrop, with most magic users known as Grisha.
  • Matthias is a drüskelle, “one of the Fjerdan witch-hunters tasked with hunting down Grisha to face trial and execution.”
  • Grisha are typically placed into different groups based on their power. The groups include the Corporalki, the Etherealki, and the Materialki. Corporalki “specialized in the human body. They could stop your heart, slow your breathing, snap your bones. They couldn’t get inside your head.” An Etherealki, the Tidemaker, “can control currents, summon water or moisture from the air or a nearby source.” Materialki, as the name suggests, allows Grisha to create a variety of materials: “Because it’s made with Materialki corecloth. It can withstand rifle fire.”
  • A Grisha “raised an arm and a gust of air slammed Joost backward.”
  • Kaz’s ship is attacked while the group is on an island. “Before anyone could draw breath to protest, two huge walls of water rose and shot toward the Ferolind. They crushed the ship between them with a resonant boom, sending debris flying.” Inej is kidnapped after the ship is destroyed by another Grisha: “The Squaller barreled into Inej and sped upward with her into the sky.”
  • When Grisha are given jurda parem, their powers become amplified. For instance, when a Grisha named Anya uses her power on a boy, “She waved her hand through the air, the gesture almost dismissive, and the cut on the boy’s arm sealed instantly.”
  • Another Grisha used his powers to kidnap Kaz. “And then a figure stepped through the wall.” The Grisha steps through the wall behind Kaz and then restrains him.
  • Under the influence of jurda parem, Nina stops an entire army. “‘Sleep,’ she commanded. Nina swept her hands in an arc, and the soldiers toppled without protest, row after row, stalks of wheat felled by an invisible scythe.”
  • Nina alters a person’s appearance. “Nina had been a passable Tailor at best—under the influence of jurda parem, well, as Van Eck had once said, ‘Things become possible that simply shouldn’t be.’”
  • Some Grisha use other means to amplify their powers such as “animal bones, teeth, scales.”

Spiritual Content

  • None

 

Maybe This Time

One year. Nine events. Nine chances to . . . fall in love?

Weddings. Funerals. Barbecues. New Year’s Eve parties. Name the occasion, and Sophie Evans will be there. Well, she has to be there. Sophie works for the local florist, so she can be found at every big event in her small hometown, arranging bouquets and managing family drama.

Enter Andrew Hart. The son of the fancy new chef in town, Andrew is suddenly required to attend all the same events as Sophie. Andrew is entitled, arrogant, and preppy. Sophie just wants to get her job done and finish up her sketches so she can apply to design school. But every time she turns around, there’s Andrew, getting in her way and making her life more complicated. Until one day she wonders if maybe complicated isn’t so bad after all . . .

Told from Sofie’s point of view, the reader comes to understand why Sofie is focused on getting out of her small town. However, Sofie’s obsession with moving to New York has made her judgmental, snobbish, and self-centered. When Sofie meets Andrew, she automatically dislikes him and often says things just to irritate him. Sofie ends up falling in love with Andrew, which comes as no surprise. The change from dislike, to friendship, to love is very natural. Instead of instantly falling in love, the two slowly learn about each other, which allows their feelings to change.

Maybe This Time doesn’t just focus on the romance. The story also hits on difficulties with parents, misunderstandings with friends, and the dynamics of a small town. Even though Sofie often is snarky, her sweet side also comes out in unexpected places. Sofie’s little brother is one of the highlights of the story, and Sofie’s love for him is apparent.

Maybe This Time will give readers insight into small-town life. The story progresses at a steady pace and has many interesting characters. In the end, Sofie realizes that she actually loves her small town and even though she does plan to leave, she will always come back. The sweet romance touches on friendship, ambition, trust, and dreams without getting bogged down with a message. Readers looking for an easy-to-read romance will enjoy Maybe This Time.

Sexual Content

  • When Sofie hurts her foot, Andrew “squatted down, his hand brushing along my calf until it reached my ankle. Tingles spread up my leg all the way to my stomach. My cheeks went hot, and I leaned my head back against the mirror to try to keep that fact to myself. He wasn’t allowed to have this kind of effect on me.”
  • While walking by a car, Sofie sees a boy and a girl “in the passenger seat, and they were kissing.”
  • When Sofie and Andrew were arguing, Sofie’s “body seemed to be on autopilot. I leaned forward and pressed an angry kiss to his lips. . . Then all at once his free hand moved to the back of my neck. . . He tilted his head, deepening our kiss.” The kiss is described over ½ a page.
  • While serving at a dinner, a drunk man dropped a fork. When Sofie went to pick it up, she “felt a hand brush [her] leg. The man gave me a creepy smile and I stood. I pointed his own fork at him. ‘Please keep your hands to yourself.’”
  • Sofie doesn’t want to think about “a certain hot day by a certain shed kissing a certain boy whose mouth tasted like cherries.”
  • At a New Year’s party, Sofie’s friend says, “In fact, I’m going to find myself a boy to kiss at midnight tonight. I don’t care who.” Later Sofie’s friend says, “He was a midnight kiss. . . Don’t try to tie me down to someone I kissed at midnight.”
  • During a New Year’s party, Andrew kisses Sofie. Sofie thinks, “He tasted like heaven.”
  • Andrew and Sofie kiss several times. Once he tells Sofie, “You’re beautiful.” Then, “his lips brushed mine softly.”

Violence

  • Sofie’s brother is afraid of firecrackers because “Momma had a party in the backyard. . . Some guys started shooting their guns into the sky and my window got broke and a piece of glass hit my arm and I thought I was shot.”

Drugs and Alcohol

  • While Sofie was at a wedding, she stepped on the “amber colored glass of a broken beer bottle.”
  • During a eulogy, the pastor talked about how the man “had a problem with alcohol when he was younger.”
  • While serving at a dinner, some of the people drink wine.
  • At Thanksgiving dinner, Sofie’s mom says, “Point me to the wine.”

Language

  • Holy crap is used twice.
  • Crap is used five times.

Supernatural

  • Sofie had a short conversation about her belief in an afterlife. She says, “I believe in an afterlife . . . I’m not sure exactly what it will consist of, but I believe we all have a soul, something that makes us who we are. When my gran died, I remember looking at her body and knowing something was missing, that she was no longer her.”

We Set the Dark on Fire

We Set the Dark on Fire takes place on the fictional island of Medio, where a wall separates the poverty-stricken coast and the wealthy inland. Medio has rich mythology about a complicated love triangle between the Sun God, the Moon Goddess, and a human woman. The myth ends with the three entities marrying each other in a holy trifecta. Because of this myth, wealthy inland families customarily marry their sons off to two wives: a “Primera” and a “Segunda.” The Primera functions as a “political” wife who manages her husband’s social appearances and accompanies him at public functions. The Segunda is the mistress who is responsible for bearing and raising the husband’s children.

The story centers around Dani, a seventeen-year-old girl who is graduating from finishing school and is about to start her life as a wife. Despite graduating at the top of her class, Dani is worried about taking her place in the household. Political riots have made the police paranoid, and she is worried that the increased security will reveal that her identification papers are forged. Her parents are from the coast and have risked everything to put her in finishing school.

Dani is soon married off to a powerful political figure in one of the richest families in the Capital. She is the Primera and her school rival, Carmen, is the Segunda. She has little time to settle into household life before being approached by a rebel spy group, La Voz. The spies give her fresh papers so that she can pass a checkpoint, but in return, Dani is dragged into a world of political tensions and intrigue. Soon, she finds herself steeped too deep in her husband’s family’s corruption and is forced to confront ugly truths about the family she has married into. While dealing with espionage and lies, Dani must use all her wits to conceal her own secrets, which include her forged identity, her alliance with La Voz, and a budding romance with Carmen.

We Set the Dark on Fire is an original, well-written story. Mejia navigates a complicated political plot deftly. The story’s twists and turns may become confusing at times, but the narration avoids losing its thread. The prose is poetic and brings Dani’s character to life. The reader will soon be invested in the world of Medio’s aristocratic gender politics where Primeras are expected to show no emotion. Dani, who has been training for years to assume the role of Primera, is well-accustomed to showing no emotion. The layers of composure beneath that she hides add texture and detail to the narrative. She is excellently characterized.

The emotional core of the novel is formed from two main elements. The first is Dani’s relationship—and eventual romance—with Carmen. The tension and forbidden love between the two wives is excellently written, and readers will root for the couple as the stakes get higher and the lies get thicker. The second element is Dani’s love for her hometown. Although she was sent away to school at age twelve and never returned, Dani has a strong love for Polvo, the simple town where she spent her childhood. Upon entering the aristocracy, Dani discovers that she is disgusted by the excess and wealth that her new family can afford. Although she looks back fondly on her time in Polvo and wishes she could live there, she knows that Polvo is racked with poverty and that the police terrorize its citizens.

American readers may notice that the world of Medio draws certain parallels to events on the news. The island is divided by a wall meant to keep certain people out; the police are brutal towards the poor; the culture features Spanish words and foods. The narrative never makes the allegory overly obvious, but the book is deeply political. In one scene, Dani feels regret that she can have fun at all when so many people are suffering. Her guilt and class consciousness will strike a chord with many readers. While the book puts strong moral themes into conflict, the reader likely will not feel patronized or preached to; rather, they will simply want to know what happens next.

Sexual Content

  • Dani and Carmen’s new husband frequently looks at Carmen in suggestive ways, “raking his eyes over her body in a greedy way.”
  • Carmen wears revealing clothing. “Carmen was never underdressed—unless you counted too much bare skin. Today’s dress was plunging.”
  • A seamstress measures Dani and Carmen for new clothes, and Dani is nervous about undressing in front of another person. There are moments of uncomfortable sexual tension. “Carmen in clothes was ridiculous, but in nothing but her underwear she was, objectively, a work of art. She was all circles and curves, all dark amber and soft edges.”
  • In a lie to cover up her communication with La Voz, Dani tells Carmen that she fired a gardener. Dani says, “I heard him talking about you. About your figure in your dress and how he’d like to . . .  well, you get the point . . . I let him go for saying inappropriate things.”
  • In the shower, Dani fantasizes about Carmen. “There was a heat building deep within her. Deeper than her muscles or her bones or her pounding pulse. It was a primal, secret ache that she’d never allowed herself to feel before this moment. Her fingers knew where to find the source of that feeling, and when they went wandering, Dani didn’t stop them. . . In only a few moments, she was lost to the sensations.”
  • After being attracted to each other for a long time, Dani and Carmen finally kiss. “Their lips met like swords sometimes do, clashing and impatient and bent on destruction, and Dani thought her heart might burst if she didn’t stop, but it would surely burst if she did.”
  • Dani and Carmen’s husband are accused by his parents of having an affair. “If you’re going to have an affair, at least be discreet, for Sun’s sake. The years between marriage and moving your Segunda into your room are long, but . . .”
  • Dani and Carmen’s husband kisses Carmen “longer than he should have been allowed, especially when they weren’t alone.” Dani imagines “the places a kiss like this could lead. The places they would necessarily lead, if Dani was still here when it was time for them to produce a child. But would Mateo really wait that long?”
  • Dani and Carmen spend an intimate night together, and Dani is nervous about what Carmen expects. “She was a Segunda, of course; maybe kissing wasn’t enough. Dani tried not to balk at the thought of clothing coming off, of touching someone else the way she’d barely touched herself . . . she wasn’t ready. Not yet.” Carmen reassures her that she doesn’t expect anything sexual. “Don’t worry about that, okay? If we want to . . . when we’re ready . . . we’ll talk about it. But for now, I just want to do this until I get dizzy.” The narration skips over the rest of the night but implies that they continue making out until morning.
  • After their night together, Dani observes herself in the mirror. “She didn’t look like a Primera anymore. She looked like a girl who knew the taste of lips and tongues. A girl who had wondered what was next.”
  • Dani spies on two minor characters, José and Mama Garcia. “Whatever José had been about to say, it was swallowed by Mama Garcia as she claimed his mouth in a passionate kiss. One that clearly wasn’t a first between the two.”

Violence

  • The police use firearms and deadly force. During one chapter, Dani and Carmen have to navigate through a market where a confrontation is taking place between the police and La Voz. The police fire several times and create havoc, but the “long, shallow scratches on her neck were the least of Dani’s worries. There had been blood on the pavement as they’d left the marketplace…” Later, she learns that her main contact within La Voz was shot. “‘Just a scratch,’ he said, but a complicated web of bandages spread across his chest and down his left arm, telling a more sinister story.”
  • Members of La Voz gather in the market with torches to burn it down. Dani barely escapes in time and suffers severe burns. “The figure watched, mask expressionless, as she rolled on the stone stage, trying desperately to put out the fire that had taken over her every thought and feeling. When the flames finally died, the fabric of her expensive dress had become one with her skin, and when she tugged at it her vision went black in spots, coming back slowly to reveal an inferno where she had just been standing.”
  • A member of La Voz holds a knife to Dani’s throat and threatens her life. “The knife pressed harder against her throat, kissing her skin until it broke.”
  • Dani is pulled away from a car that explodes with people inside of it. “Carmen slammed into her from behind, knocking the wind out of her. She didn’t say a word as she scooped Dani up into her arms and flat-out ran back to the car. The whining was deafening now. Above them, the air seemed to grow thinner, the stars too bright. Carmen threw her painfully to the ground behind the hired car, barely covering Dani’s ears with her hands before the darkness exploded all around them.”
  • A member of La Voz holds a gun to Dani’s head, but then empties her clip into a burning car instead of shooting her.

Drugs and Alcohol

  • Playing cards only come out “when the men at a party got too deep in their expensive liquor and one of them had something to prove.”
  • Dani recalls her school roommate “dizzy with drink from the Segundas’ legendary last-night party. She’d been loose and smiling, drunk on her own triumph as much as the rose wine.”
  • The women of the aristocracy frequently drink sangria together, though never to the point of impropriety.
  • When Dani’s husband catches her in his private study, he has her sit down and drink “a clear liquid that smelled like an open flame.” He is already drunk and slurring his words. Dani gets a “pleasant buzz” and stumbles a little while leaving.

Language

  • Occasionally, characters will swear on the Sun and Moon gods and say, “For Sun’s Sake.”

Supernatural

  • Dani recalls her mother’s proficiency in telling fortunes with a deck of cards. “Her mama told the women of the town of small illnesses that were coming: a jealous eye on a child; a husband growing too fond of the fermented pineapple rind most families brewed in the dirt patches beside their houses.”

Spiritual Content

  • Dani views the world through her own religion, which differs from the religion of the inner island. While the inner island focuses on “large gods,” such as the Sun God and Moon Goddess, Dani sees small gods everywhere.
  • For example, during a tense moment, “Dani closed her eyes and muttered a half-forgotten prayer to the god in the air, to the goddess in the flames. Keep calm, she beseeched them. No one around her would understand. Her parents’ gods weren’t in fashion—only the bearded visage of the Sun God, who ruled masculine ambitions and financial prosperity.”
  • These invocations of small, unnamed gods appear throughout the narration and often serve to illustrate what Dani is thinking or feeling.

by Caroline Galdi

 

 

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