Reading Level: Young Adult

The Archived #1

Contrary to the popular adage, the dead do in fact tell tales. Many of them. The dead, or Histories, are kept in a place hidden from the living world called the Archive, where only the Librarians can access them. But sometimes they wake, and they make it into the Narrows (the world between) and some are willing to kill to get back to the living world. Keepers are tasked with returning the lost Histories back to the Archive, and sometimes things get . . . messy.

When Da brought his twelve-year-old granddaughter, Mackenzie Bishop, into the Archive to have her take his place as Keeper, she quickly became a young, ruthless prodigy. After a tragedy, Mackenzie starts to see her brother in the eyes of the Histories that she has to return to the Archive. Mackenzie must confront the lines that separate the living and the dead. With the increases in disturbances in the Archive and someone erasing Histories, Mackenzie uncovers the secrets that keep the Archive in one piece.

Mackenzie and the other characters are extremely realistic, despite their fantastical stories. Headstrong and fiercely independent, Mackenzie struggles with grief over her brother’s death and the secrets about the Archive that she must keep from her family. She shows strength in her ability to own up to and correct her mistakes. Mackenzie’s struggles are wide-reaching and she is a sympathetic character. Her relationships with other characters, including the Librarian Roland and fellow Keeper Wes, help her improve as a person and bring some light to an otherwise somber story.

Despite the gothic nature of the titular place, the Archive itself is beautiful. Housing and tracking the Histories of the dead is a macabre business, and as one of the main locations in the novel, the Archive ironically has a life of its own. With a curious cast of Librarians and other personnel working within the structure, at times the Archive seems more alive than the outside world.

The Archived presents strong themes about grief, memories, and the line that separates life and death. Mackenzie, being only a teenager, tackles these topics that haunt all the characters—young, old, dead, and alive. The various ways her parents deal with death versus the ever-secretive Librarians’ ways of dealing with the dead serves to enhance the discussion about death and memories in particular. All the characters have regrets and push the line between the world of the living and the Archive, and their stories are ultimately determined by their abilities to deal with grief and the past.

Victoria Schwab paints an atmosphere that is equal parts magical and spooky in The Archived. Readers who want a darker book will be delighted by Schwab’s prose and wildly inventive world. The Archived sets up an interesting series with much to discover. In the sequel, The Unbound, more secrets are revealed through Mackenzie’s next adventures. The Archived shows that the dead never really leave us, as long as their memories live on in those that they loved.

Sexual Content

  • Mackenzie dreams of being normal, and in her dreams, she “kisses a boy.”
  • Mackenzie’s very elderly neighbor confuses Mackenzie for a kiss-a-gram. Mackenzie eventually tells him, “Sir, I’m not here to kiss you.”
  • One of the escaped Histories kisses Mackenzie. She says, “as his lips press against my skin, the silence flares in my head, blotting something out. Heat ripples through my body, pricking my senses as the quiet deadens my thoughts. He kisses my throat, my jaw. Each time his lips brush my skin, the heat and silence blossom side by side and spread, drowning a little bit of pain and anger and guilt, leaving only warmth and want and quiet in their place.” The description continues for a couple of pages, and this situation happens a couple of times.
  • Fellow Keeper Wes kisses Mackenzie. Mackenzie describes, “I’m about to speak, about to tell him that, tell him everything, when he brings his hand to the back of my neck, pulls me forward, and kisses me . . . all I can think is that he tastes like summer rain. His lips linger on mine, urgent and warm. Lasting.”

Violence

  • Mackenzie’s little brother Ben was killed in a hit-and-run accident. Mackenzie describes the accident. “It was a normal day, right up until the point a car ran a red light two blocks from Ben’s school just as he was stepping from the curb. And then drove away.” Later, she recalls a memory. “The cops are talking to Dad and the doctor is telling Mom that Ben died on impact, and that word—impact—makes me turn and retch into one of the hospital’s gray bins.”
  • Some Histories, or ghosts from the Archive, are called “Keeper-Killers, the Histories who manage to get out through the Narrows and into the real world.” As the name suggests, these Histories kill Keepers to escape.
  • Mackenzie had to face trials to become a Keeper. In a memory, Mackenzie narrates, “Da told me to be ready for anything, and it’s a good thing he did, because between one moment and the next, [the examiner’s] posture shifts . . . I dodge the first punch, but he’s fast, faster even than Da, and before I can strike back, a red Chuck connects with my chest.” This sequence continues for a couple of pages.
  • One of the Histories has a knife and attacks Mackenzie. She saw metal, “and jump[ed] back just in time, the knife in his hand arcing through the air, fast.” Other Histories escape and attack Mackenzie as well.
  • Da taught Mackenzie how to fight. In her memory, she recalls, “You take me out into the summer sun to show me how to fight. Your limbs are weapons, brutally fast. I spend hours figuring out how to avoid them, how to dodge, roll, anticipate, react. It’s get out of the way or get hit.”
  • With her Archive-granted ability to see into the past, Mackenzie sees the memory of a guy murdering a girl in a hotel. The guy swipes “a large shard of glass from the floor . . . He’s on top of her, and they are a tangle of glass and blood and fighting limbs, her slender bare feet kicking under him as he pins her down. And then the struggle slows. And stops . . . I can see her, the lines carved across her arms, the far deeper cut across her throat.”
  • A series of deaths occurred within months of each other, some look like suicides and some look like accidents. Mackenzie learns that the circumstances for each death are fuzzy at best. She wonders, “Did he jump or was he pushed? Did Marcus hang himself? Did Eileen trip?”
  • A History stabs Wes. Mackenzie watches as “Wes throws another fist, and Owen catches his hand, pulls him forward, and plunges the knife into his stomach.” Wes is severely injured but survives.

Drugs and Alcohol

  • Da smokes “a cigarette.” He is a lifelong smoker.
  • Mackenzie can “read” objects by touching them. When she’s reading a bloodstained floor in the hotel, she sees a boy who “judging by his feverish face and the way he sways, he’s been drinking.”
  • Mackenzie’s very elderly neighbor shows up and “a thin stream of smoke drifts up from his mouth, where a narrow cigarette hangs.”

Language

  • Profanity is occasionally used. Profanity includes damn, ass, bastard, and hell.

Supernatural

  • Mackenzie is a Keeper who returns wandering Histories, or ghosts, back to the Archive, which is “a library of the dead, vast and warm, wood and stone and colored glass, and all throughout, a sense of peace.” Mackenzie travels between worlds and encounters quite a few dead people.

Spiritual Content

  • Da shows that he’s somewhat superstitious/spiritual, and Mackenzie has the same superstitions. Before entering the Narrows, Mackenzie says, “I pull Da’s key from around my neck, running a thumb over the teeth the way he used to. For luck, Da used to rub the key, cross himself, kiss his fingers and touch them to the wall—any number of things. He used to say he could use a little more luck.”
  • Wes refers to his dad’s new fiancée as “Satan in a skirt.”
  • Wes reads part of Dante’s Inferno. He says, “When you think about it, the Archive is kind of like a Hell.”

by Alli Kestler

Mooncakes

Teen witch, Nova, hears rumors of strange lights in the forest. When she goes to investigate, she sees a white wolf and discovers her childhood crush—werewolf Tam Lang. Tam is trying to outrun a cult of witches, who want to use his werewolf magic to unleash a demon. With the help of Nova’s Nanas, Tam and Nova try to stop the dark forces that want to claim Tam’s magic for evil.

Mooncakes’ illustrations use darker fall colors to beautifully show a world where magic exists. One of the best aspects of Mooncakes is its large cast of diverse characters. Both Nova and Tam are Chinese American, and Tam is non-binary and uses the pronoun “they.” Nova’s family is completely accepting of Nova and Tam’s romantic relationship. Nova’s two Nana’s are charming, accepting, and support both Nova and Tam. In addition, Nova relies on hearing aids and even uses them as part of her magic.

Mooncakes is a story of friendship, family, and romance. One of the best aspects of the story is the characters who accept and support each other. Despite this, the character development and the weak plot leave a lot to be desired. While the story shows some of Nova’s and Tam’s backstory, the plot moves too quickly for readers to really care about the two main characters. They fall in love quickly, and predictably. It is this love that allows Tam to overcome the demon.

The story revolves around magic, and the characters are seen making potions several times. However, the magic is mostly represented through bright lights, and the scenes that rely on magic are often confusing. Likewise, when Tam is introduced to Nova’s family, their celebration is too short and leaves too many questions. For example, why are Nova’s parents ghosts? Why do Nova’s parents want her to move away from her Nanas? Why does her uncle have the head of a bird?

Mooncakes will appeal to a large audience and is a good choice for reluctant readers. The pages are broken up into panels and have 2 to 7 simple sentences on each page. The illustrations show the characters’ emotions and use colors to switch from the warm feelings of Nova’s house to darker colors for the creepy, dangerous scenes. Readers interested in magic and romance will enjoy Mooncakes’ fast pace; however, the characters will quickly fade from their memory.

Sexual Content

  • Nova and Tam kiss on two separate occasions.

Violence

  • Nova goes to investigate strange lights in the forest, and sees a white wolf. A large horse attacks the wolf and a bloody fight ensures. Nova uses magic to chase the horse away. The fight is illustrated over four pages.

 Drugs and Alcohol

  • None

Language

  • When Nova’s friend shows up unexpectedly, Nova tells her, “You’re an asshole, you know that?”
  • Nova says both damn and crap one time.
  • When Nova sees a horse attacking a wolf, she says, “Screw horses.”
  • Nova introduces her friend to Tam, saying, “this is Tatyana royal pain in my ass.”
  • “Oh my God” is used as an exclamation twice.

Supernatural

  • Most of the characters are witches who study magic and make magic potions. For example, when Nova’s friend is injured, she makes them a healing potion.
  • A book of magic tries to bite Nova.
  • A cult wants to use Tam’s magic to release a bound demon. Tam says, “There’s a bound demon buried in the forest. Legend says that only the power of a wolf can raise it.” However, Tam doesn’t understand wolf magic enough to know how the cult will use him.
  • One of the Nana’s tells Nova to be careful when trying new spells because once Nana tried a spell and “was stuck in a jar for a week.”
  • The two Nanas use magic to bind a demon and put him in a cage. Most of the spell is shown through different colored lights. The scene is illustrated over four pages. Once the demon is put in a cage, spirit animals come out.
  • When Nova’s relatives come to visit, an uncle has the head of a bird. Her dead parents also appear as ghosts.
  • Nova uses stones “that allow witches to enter each other’s minds. It’s meant to strengthen connections, get new perspectives.” Nova uses the stones on herself and Tam. Six pages show both Nova’s and Tam’s past and thoughts.
  • When a witch tries to uncage the demon, Nova steps in and uses magic to stop the witch, who is seen lying on the ground.
  • When Tam tries to banish the demon, a witch stops him. The witch tells him, “you are the creature’s vessel child. It was meant to take hold of you.” The witch captures Tam and puts him in a cage until she and others can perform the ritual.
  • Nova and the Nanas use a location spell to find Tam. “The smoke from the cauldron rises and points to the place on the map where Tam is being held captive.” With the aid of animal spirits, Nova and the Nanas try to help Tam.
  • During the battle, the demon and Tam begin to meld. However, when the demon and Tam connect, Tam realizes that “I guess we’re not so different after all. . . But see, there’s someone out there who believes in me. Loves me even. I have to go back to her.” The demon releases Tam’s body and Tam uses magic to change the demon back into spirit form.

Spiritual Content

  • None

Pumpkin Heads

Every autumn all through high school, Josiah and Deja have worked together at the best pumpkin patch in the whole wide world. (Not many people know that the best pumpkin patch in the whole wide world is in Omaha, Nebraska, but it definitely is.) They say goodbye every Halloween, and they’re reunited every September first.

But this Halloween is different—Josiah and Deja are finally seniors, and this is their last season at the pumpkin patch. Their last shift together. Their last good-bye.

Josiah’s ready to spend the whole night feeling melancholy about it. Deja isn’t ready to let him. She’s got a plan: What if—instead of moping and the usual slinging lima beans down at the Succotash Hut—they went out with a bang? They could see all the sights! Taste all the snacks! And Josiah could finally talk to that cute girl he’s been mooning over for three years…

What if their last shift was an adventure?

For three years, Josiah has had a crush on Marcy, a girl he only sees when they work at the pumpkin patch. On the last night of work, Deja talks Josiah into skipping their shift so Josiah can find Marcy and finally talk to her. Reluctantly, Josiah goes along with Deja’s plan. Readers will fall in love with the two characters as they explore the pumpkin patch looking for Marcy. Josiah is shy, sweet, and afraid of rejection, while Deja is confident, outgoing, and completely determined to have Josiah meet the girl of his dreams.

Pumpkin Heads brings all the joys of fall to life—the food, the corn maze, the pumpkins, and the friends. Throughout it all, Deja and Josiah discuss the idea of fate versus free will. The two friends reminisce about their years working at the pumpkin patch and worry about what the future will bring. As the two race against time trying to find Marcy, the story includes some wonderful patches of humor. For example, when Josiah worries about leaving the succotash booth, Deja says, “For God’s sake, Josie—true love trumps lima beans!”

Pumpkin Heads will encourage readers to be bold and live without regrets. Although the plot is a bit predictable, the main characters are truly unique. In the end, Josiah realizes that people cannot be judged by their looks. The only way to truly know someone is to talk to them. The graphic novel is illustrated in the orange and brown hues of fall, and each page has 1-8 sentences of text. The story is a quick read that will leave readers with a smile.

 Sexual Content

  • Deja runs into an ex-girlfriend and an ex-boyfriend.
  • Deja and Josiah see a couple kissing in the corn maze.
  • Deja asks Josiah, “Are you about to kiss me?” Josiah freaks out. After a short conversation, they kiss.

Violence

  • A goat runs around smashing pumpkins and trying to ram people.

 Drugs and Alcohol

  • None

Language

  • “Oh God” is used as an exclamation once.

Supernatural

  • None

Spiritual Content

  • When Josiah and Deja show up at the succotash booth, a worker says, “Thank the Lord!”
  • Deja sees a girl crying, so she gives the girl a snack. Deja asks, “Why doesn’t God want me to have snacks?”

The Ghost Collector

Ghosts don’t scare Shelly. As an apprentice to her ghost-hunting grandma, Shelly catches ghost cats, dogs, and raccoons in her hair. She helps them move on to wherever comes after death. Shelly watches her grandma do the same with people. It’s what the Cree women in their family have always done.

When Shelly’s mom is in a terrible accident and dies, Shelly’s world is completely shattered. Now, Shelly wants to know what happens after death. Where do all of the ghosts go? Why do some spirits stay as ghosts? Shelly is in a desperate search to find her mother’s ghost. She wants to talk to her mother one last time. If Shelly’s mom loved her, wouldn’t she come back as a ghost?

Without her mom, everything has changed. Now, Grandma doesn’t take Shelly to hunt ghosts. Shelly feels lost and alone. She knows she’s breaking the biggest rule of ghost-hunting: it’s not right to force spirits to stick around. Shelly never intended to keep ghosts hidden in her bedroom, but when she’s surrounded by ghosts she doesn’t feel as lonely. If she keeps hunting ghosts, maybe she will eventually find her mother’s ghost.

The Ghost Collector uses a unique premise to show one girl’s struggle with grief. In a desperate attempt to understand her mother’s death, Shelly questions several ghosts about the afterlife. At first, Shelly is angry and confused because her mother doesn’t reappear as a ghost. However, by the end of the story, Shelly accepts her mother’s death and is able to put away the belief that if her mother loved her, she would have come back as a ghost. The Crees’ beliefs are intertwined with the story, which gives Shelly an added depth.

As Shelly’s grandmother teaches her about ghosts, she also teaches her a set of rules. For example, Grandma teaches Shelly that “we’re not supposed to charge everyone for their ghost.” However, after Shelly’s mother dies, everything begins to change and Grandma begins breaking her own rules. Grandma says, “Sometimes the rules are what you make them. Sometimes they need to be bent—broken. Sometimes the world is made of hard choices.” Shelly is angry and confused that Grandma doesn’t follow her own rules, and soon Shelly thinks she also doesn’t need to follow the rules.

Shelly encounters a variety of ghosts who have various reasons for not passing on, including confusion, fear, and unfinished business. One of the ghosts encourages Shelly to spend more time with the living. The ghost tells Shelly, “I’ve got nothing but time. You, on the other hand, still need to get through the business of living. Enjoy it. Being dead isn’t all it’s cracked up to be.” Some readers, especially ones who are experiencing grief, may be disturbed by the way ghosts are portrayed (see below for specifics). The Ghost Collector allows the reader to see Shelly’s mixed emotions and understand her grief. At times Shelly’s grief is heart-wrenching, but her personal growth is also inspiring. The Ghost Collector is an engaging story that will allow readers to explore the topic of death. Parents may want to use the story to begin a discussion of the difficult topic of death.

Sexual Content

  • None

Violence

  • Shelly thinks back to when she was younger and a classmate “cut off the end of her braid and when she hit him the principal said they were both wrong and called their parents. . . Shelly’s mom said she didn’t see how her daughter hitting a kid after he cut her hair was an unreasonable response.” Later Shelly’s mother told her, “Hitting people shouldn’t be your first response, but fighting back when someone tries to bully you isn’t a bad thing.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The women in Shelly’s family can see ghosts. “Shelly’s grandma teaches her about ghosts, how to carry them in her hair. If you carry your ghost in your hair, you can cut them off when you don’t need them anymore. Otherwise, ghosts cling to your skin, dig their fingers in under your ribs, and stay with you long, long after you want them to.”
  • Shelly’s grandmother helps people get rid of ghosts, and Shelly often goes with her. One woman asked for Shelly’s grandmother’s help. When Shelly and her grandmother go to the woman’s house, “Shelly can see the ghost that haunts the lady’s apartment dancing around her feet. It’s a little dog with a constantly wagging tail, trotting around on tiny paws with nails that click against the hardwood floors. . . Shelly catches the dog in the ends of her hair then scoops it into her arms . . . when the puppy licks her face it feels like someone is rubbing an icicle against her cheek.”
  • Several times in the book, Shelly’s grandmother helps animal ghosts move on. “Animal ghosts tend to be simple—the spirits of creatures that haven’t realized they’re dead yet. Being outside helps them fade away because a ghost removed from an anchor—whether that’s its home where it died, a favorite place, or a grave—will start to fade unless someone tries to keep it around. . . Shelly and her grandma use their hair like a net, like a fishing lure. They let ghosts cling to them and act as a hook to carry the dead to new places, places where they won’t be tied to anything and will be able to fade.”
  • One of the characters is the ghost of a teen, who sits on his gravestone. When he talks, “his mouth moves, but his voice comes from the headphones around his neck. . . Ghosts don’t usually come with accessories—Joseph having the player and headphones means he was buried with them.” Joseph tells Shelly, “I don’t know why some people stay and some people go. I don’t know why I stayed, except I was less scared of being a ghost forever and being stuck here, alone, than of whatever comes next.’
  • Estella stays at the graveyard where she was buried. She wants to wait and see her headstone.
  • Shelly and her grandmother help a raccoon move on. When Shelly first sees it, she thinks, “It’s an easy ghost. A raccoon that got stuck in the chimney. He looks furious about being stuck. When Shelly lets down her hair, he grabs hold of it eagerly, pulling himself free from the shaft and climbing straight into her arms.”
  • Shelly and her grandmother go to a friend’s house to get rid of a ghost. Shelly “feels the ghost as soon as she steps into the house. . .There’s nothing nice feeling about this ghost at all. It’s like static electricity all along her skin—a prickling sensation that makes the hair on her arms stand up and has her shivering.” When the ghost appears, “It looks like static, too, all flickering black and white and gray. . . it doesn’t walk, just flashes on and off, on and off. . .” The scene is described over two and a half pages.
  • While learning about ghosts, Shelly learns that “sometimes the dead are just confused about what happened, so they don’t move on. Sometimes they’re angry or upset. Sometimes, like Estelle, they do want to stay so they can do one last thing. But ghosts can get stuck, and that’s when hauntings happen.” Sometimes when “people throw out old things, ghosts go with them on their way to find a new home—confused spirits Shelly and Grandma used to snip off objects and bundle up to set free later.”
  • Shelly and her grandmother go to a house because a ghost was knocking pictures off the wall. When they arrive to set the ghost free, they see a “bird is sitting on top of a bookshelf. Its feathers are ruffled up and it looks about as disgruntled as a bird can look. . . Grandma bundles her hair up around the bird and holds it there until she’s sure it’s caught.”
  • Shelly meets the ghost of a little boy, who is confused and angry. He wants to know where his mother is.
  • When Shelly gets mad at Joseph, she “lashes out and kicks her foot through Joseph’s immaterial body and he topples over from the force of it, coming uprooted from his spot on the ground by his grave. . . He flickers, like the man who Grandma once dredged up from the river.” Joseph is scared and confused “as he twists in place and tries to claw his way back toward his grave, his spot.”
  • Shelly learns that “Death is going to happen to everyone, but knowing when it’s going to happen, choosing when you make the transition from life to death, choosing whether or not you’ll be a ghost and stick around a little longer, isn’t something most people get the chance to do.” She also learns that “Ghost are echoes of the person they once were. They fade away slowly, personalities and memories eroding over time.”

Spiritual Content

  • Shelly’s mom asks her if she wants to eat or go to the thrift store. Shelly says she wants to eat. Her mother replies, “Thank God, I’m starving.”

The Four Guardians

When Prince Leo’s devious cousin seizes control of Singara, Leo is forced to escape into enemy territory until he can return and claim the throne. Trapped among his enemies, Leo discovers they know a lot more about him than he knows about himself. With some guidance from unlikely allies, Leo is poised to fulfill a destiny greater than he ever imagined.

Can Leo harness his power, stop a war, and prevent a monstrous demon from escaping and destroying the world? In the second book of the Pride Wars series, Leo’s identity as a Spinner—once thought to be his greatest curse—may just become his greatest weapon.

When Leo flees Singara, he goes into enemy territory and learns about the neighboring Maguar tribe. The Four Guardians mixes fierce battles with scenes where Leo learns more about being a Spinner. With the help of a Maguar ally, Leo learns that he is a Shakyahs—a Spinner who is able to bring Jins to this world. While Leo hopes that the Maguar’s Shakyah, the Twelver, will help him stop the war, it soon becomes apparent that the Twelver’s one true desire is revenge.

Leo’s quadron joins him on his quest and are dedicated to keeping Leo safe, even if that means death. Once they make it to enemy territory, two spiritual guides help Leo understand what it means to be a Spinner. Unlike The Spinner Prince, the second book digs deeper into understanding the Maguar god, Alayah. The story highlights the importance of faith, and readers will recognize areas that are similar to the Bible. As one character says, “Yet faith is the most basic thing there is. Faith is the crying of a cub for its mother. Faith is one candle in overwhelming darkness. Faith is the light of Alayah in every living thing. Every breath, and every step we take, is an act of faith.”

The Four Guardians battles are fierce and may frighten some readers. The Maguar Shakyah, the Twelver, only has one true desire, which is to kill the demon Hasatamara. However, this desire has made the Twelver a truly evil enemy who is willing to bring death to anyone who opposes her. Unlike the Twelver, Leo’s journey is based on the desire to save lives and bring both tribes together. That is why Alayah praises Leo for showing “humility, bravery, and compassion, even toward your enemies.”

The action-packed sequel, The Four Guardians, allows the reader to step into an imaginative world that has clear villains. While the story has some surprises, the long explanations of Spinners and Alayah slow down the plot. In the fight against good and evil, Leo is an imperfect character who relies on his friends to guide him. Readers will enjoy the relationship between Leo and his friends and celebrate their wins. The complicated plot, large cast of characters, and spiritual content make The Four Guardians better suited for strong readers. The Four Guardians doesn’t resolve any conflicts, but leaves room for another sequel.

Sexual Content

  • None

Violence

  • Leo and a group of his friends travel into enemy territory. When they arrive, “The Maguar rushes Anjali with astonishing speed. He guides his spear to the edge of Anjali’s throat. The tip is made of sharpened flint… The Maguar spits at her feet.” The Maguar takes them captive.
  • Anjali makes a deal with the Maguar leader, who wants to kill all of them. She says, “I have a deal for you. If one of you can defeat me in combat—no weapons, no claws—you can feed three of us to your slaycons, except him [Leo]. You will take him to your high command.”
  • Anjali fights a Maguar. They get into combat position and “with blinding swiftness, she [Anjali] fires a double strike: a blow beneath his ribs with her fist and a simultaneous uppercut to his chin with her left. Then she sweeps one of his legs, sending the stunned Maguar sprawling to the ground… In less than three seconds, the Maguar is a heap of striped fur on the ground.” The two continue the fight for two pages. The Maguar wins the fight when “the Maguar catches her on the shoulder with a double kick, knocking her off balance… She crashes to the ground with a yowl. Knowing the danger she’s in, Anjali rolls away, but not before the enemy drives a devastating kick to the side of her head. Anjali flops to the ground and doesn’t move.”
  • After the fight, Anjali jumps up and “tackles the leader [Kaw]… Anjali thrust a fist at his head, pounding his muzzle into the earth. She follows up relentlessly, thumping Kaw again and again and again until he goes limp.”
  • When Leo and his friends are taken to a village, an archer fires. “The arrow punctures Zoya’s ear, pinning it to the tree. She winces but makes no complaint.”
  • When a Singa looks Mandar in the eye, “the elder strikes Mandar in the face, raking his muzzle with extended claws. Mandar yowls and crumples to the ground.”
  • Leo and his friends are offered a squirrel for a meal. “Zoya bites the head and half the body from the squirrel…” Singas don’t usually eat rodents.
  • The village leader wants Leo to trust a Maguar named Wajid. The leader “removes the bone dagger strapped to his chest. Before I know what has happened, Abba swipes my hand and then Wajid’s hand… pressing my stinging palm into Wajid’s.” Mixing blood will bond the two.
  • As Leo and his group are traveling, they are attacked by slaycons. Anjali’s “first and second arrows find two slaycons behind their foreleg, penetrating their hearts and killing them instantly… One beast, punctured with three arrows, floats away in water tinted with its own blood.” During the fight, “Stick’s face is sprayed with slaycon blood. His cry of complaint is drowned out by the wail of the wounded beast. It spins for a bite at Wajid as we roll by, but Wajid swings his weapon and chops off the slaycon’s lower jaw.” Stick is bitten in the leg, but the others are uninjured. The slaycon attack is described over seven pages.
  • When Mandar reports to Tamir, Tamir wants to keep Mandar’s secret from being told. Tamir’s daughter “draws a blade and strikes the unarmed Mandar… Dead. Tamir steps over Mandar’s fallen body. Amara sheaths her blade and follows.”
  • When Abdu finds Leo and his group in a temple, he goes to hit Wajid, but a Jin stops him. The Jin’s “moves are unnaturally quick, flashes of silver and white in the dim firelight. She grabs Abdu’s attacking arm and redirects his motion until he is off balance. In a blink, she steps behind the big Paladin and sweeps his legs, sending him crashing to the floor.” The Jin changed from the form of a squirrel to a lion until all of the attackers are defeated. The fight is described over two pages.
  • When Tula, who is a Jin, begins to shift, he “must be destroyed before the transformation is complete.” Two other Jins attack and “pounce on their fellow Jin. The battle is brutal and swift… Kaitan finishes Tula off by stomping on his skull with a sickening crunch of bone.”
  • When the Paladins try to bind Leo and his group, a Jin “rises up in Leo form and throws a surprised Paladin away. She does the same to one after another, throwing, flipping, knocking them to the ground… In seconds, eight Paladins are sprawled out on the grass, gasping and confused.”
  • Wajid and the other Paladin lift Leo, and “they dangle me over the edge of the tower… The two Paladins pitch me over the edge of the tower.” One of the Jin transforms and saves Leo.
  • The Paladins “waste no time marching my friends to the edge of the tower and hurling them both into the air. Stick wails like a wounded cub…” A Jin of a spider saves them.
  • When birds attack Leo and his friends, the spider “pulls them close and spools the beasts in layer after layer of webbing. He mercifully lowers his prisoners to the sea face-up, so they can breathe.”
  • More birds attack and “the minokaw latches on to Zoya’s arm with its foot, digging sharp claws into her flesh. She yowls. Stick sinks his teeth into the minokaw’s foot while Wajid sends three rapid punches into the minokaw’s stomach until it releases Zoya. . . Magmar drives his two feet into the minokaws’ chest, killing them instantly.”
  • Leo is told how the demon Hasatamara came to be. Before he was a demon, he killed his brother.
  • Leo and his friends hide in a cave, but soldiers find them. “Magmar drops from the ceiling and quickly pins one intruder to the floor, while Wajid tackles the other… Wajid’s challenger wriggles free and knocks Wajid to the ground, then swings a blade at Magmar. The giant spider dodges the attack and seizes the soldier by the throat.” No one is injured.
  • Leo’s mother is thrown over a cliff. “Mira plunges below the edge of the cliff and out of sight. Magmar bounds after her, but he’s too late.” The Red Firewing saves Mira.
  • Leo and his friends battle the Maguar leader and her friends over several chapters. During the fight, soldiers “roll Magmar to the lip of the cliff, brutally stabbing and tearing his body as they go. Screeching with pain and fury and gushing blood… a badly wounded Magmar tumbles over the edge to the sea, where he will surely meet his death on sharp rocks.” Several people are killed.
  • When Leo is about to lose the battle, he calls for a legion, and “the whole battlefield trembles and shifts like ripples of wind on water. All at once, millions of mice rise up from the dirt, announcing themselves with terrible squealing.” The mice swarm the soldiers, “pulling warriors down, filling their mouths and ears, smothering and suffocating.” Leo calls off the mice before the men are killed.
  • During the battle, a group of Maguar helps Leo. “…Not only Abba but several members of his family are among the dead.”

 Drugs and Alcohol

  • None

Language

  • Zoya calls her brother “brick brain” once.
  • The Maguar calls Leo’s race “demonics.” In one scene, a Maguar calls them “stinking, sneaking, demonics.”

Supernatural

  • The Maguar leader wants to find the Axis of the Ancients. “Somehow the Axis makes it possible for the Four Guardians to be on earth at the same time without killing the Shakyah or causing devastation to the world around them.” The Maguar leader is hoping the Four Guardians will go into battle with her.
  • Leo is a Spinner who is compelled to tell stories. When they are telling a story, a vision appears, which only the Spinner can see. When the story ends, “a character or creature is always left behind when the disease hits me. These beings are faded, ghostly, and freakish.” Leo tries to hide the fact that he is a Spinner, but he often has these visions. When a character from the vision appears, Leo can talk to them.
  • Leo learns that Spinners “are gateways to and from another world. The fictions are gifts from Alayah, sent through Spinners, gifts of wisdom and truth. For a few powerful Spinners, beings from the stories are pulled into our world to protect and serve the one who brought them here.”
  • When a Spinner is a Shakyah, they have special power. When they say, “the name of a Jin, it is flesh and blood like all creatures in this world. When its earthly body is destroyed, or when the Shakyah who brought it dies, the Jin returns to the haven.”
  • Leo has dreams that “let me see things that have happened, or things that will happen.”
  • Hasatamara is a demon locked inside a mountain. “Hasatamara is the fabled sea demon who was drawn onto land by the salty scent of blood spilled in a prehistoric war… He rose up with a mighty wave and flooded much of the earth.”
  • When Leo spins a story, a ghostlike, transparent tortoise appears. When an archer shoots at his friend, Leo says the tortoise’s name. “The Black Tortoise’s name is accompanied by a thundering boom, like having your head dunked underwater. The air ripples outward from Lamasura [the tortoise]. Everything becomes deadly still, frozen in time.” Leo is able to grab the arrow and save his friend. Then, “the boom sounds again, and things return to normal.”
  • When a being comes from “the Haven, a world beyond ours,” they are called Jin. The being wants to return to their world. In order to send them back, Leo only has to say “I am willing.”  When he says the words, “Instantly a fluttering sensation fills my chest. A cavity of light blasts out of my ribs. The brightness swirls and expands until my upper body is replaced by a vision of the Haven, where countless beings orbit an unearthly light.” The tortoise steps into the light and disappears.
  • Leo discovers that “if Jin are kept in this world too long, they become sick. Eventually they shift and become servants of the demon.”
  • Lamasura, one of the Four Guardians, can bend time.

Spiritual Content

  • Singas believe that the Maguar’s god, Alayah, is a “make-believe god.”
  • Leo questions, “If Alayah is so powerful and so good, couldn’t Alayah free the Jin?” Leo and a Jin discuss Alayah’s nature and how Alayah wants people to decide to do what’s right.
  • The Jin of a spider appears. The Jin, Magmar, is known for being deceptive. Leo wonders, “If Alayah is tricking him again by sending him here. Maybe what the spider means for bad, Alayah will use for good.”
  • Daviyah was a Maguar who died and “Daviyah’s spirit dwells in the Red Firewing, like all he Shakyahs before him.”
  • One of the Jin says, “The Ancients say if we trust Alayah with every step, Alayah makes the path clear.”
  • A Jin says, “Trust in Alayah with all your heart, and do not lean on your own understanding.”

Children of Virtue and Vengeance

Since the ritual that brought magic back to Orïsha, rebel maji have been concentrating their forces in preparation to take down the corrupt monarchy that has oppressed them for so long. Not only have the white-haired maji regained their magic, but nobles inside the monarchy have also begun to gain magical powers, heightening the stakes of the upcoming war.

Children of Virtue and Vengeance picks up shortly after the conclusion of Children of Blood and Bone.  The second installment in the Legacy of Orïsha series showcases the political struggles of the Orïsha’s rebel army. The story is told from the rotating perspectives of Inan, Zélie, and Amari. Inan, the crown prince of Orïsha, returns to his mother’s inner circle and struggles to understand which side he should take in the war. Amari, once the princess of Orïsha, has joined the rebellion and is hoping to lead the people to victory and take her place as their new queen. Zélie has become one of the most powerful maji in the rebellion. While she hones her new powers, she also must grapple with processing the traumas she underwent in the first part of her adventure, which was detailed in Children of Blood and Bone.

Amidst endless political turmoil and battles, the reader will likely find the most compelling part of the story to be the relationships between the characters. Amari and Zélie had a strong friendship in the first installment, but political stressors test their bond. Meanwhile, Zélie’s feelings for Inan, which were romantic in the first book, solidify into hatred. Consequently, Zélie begins a new romance with pirate mercenary Roen, while her brother Tzain continues seeing Amari.

Audiences may find the plot unsatisfying, as its pacing does little to hold the reader’s attention. The prolonged battles are difficult to follow and visualize. Characters talk abstractly about the deaths of soldiers and rebels while discussing war strategy, but this limits the battle’s emotional effect. The most compelling parts of this book are the emotional struggles that the characters experience. Zélie, Inan, and Amari all struggle with anxiety, grief, and the long-lasting effects of trauma. They make messy decisions, and their relationships break apart due to stress. Readers who rooted for the friendships forged in the first book may find themselves disappointed when these friendships fall apart.

The politics are hard to follow, and the constant switch of perspectives makes the battle scenes difficult to understand. Despite this, fans of the first book will be happy to have a continuation of the story. However, they won’t find the same adventure and excitement that made the first book so memorable.

Sexual Content

  • Tzain and Amari share an intimate moment. Amari burrows “back into Tzain’s neck, running my fingers across the new stubble along his chin… He runs his thumb along my jaw, igniting a surge almost as powerful as my magic.”
  • When Roen takes his shirt off, Zélie’s “face warms at the sight of his sculpted muscles.”
  • Zélie sees Inan and remembers his “lips that promised me the world. Hands that caressed my skin.”
  • Inan’s cousin jokingly tells him, “I’ve heard the legends of what greatness lies beneath your robes, but I fear I’m far too pure to see it for myself.”
  • Roen touches Zélie’s face, and she thinks, “Though I don’t want to feel anything, his touch makes an ember flicker in my stomach.”
  • During a romantic moment with Tzain, Amari notices “his sandalwood scent, I realize how much I want him. How much I want more… I imagine what a few hours with him might entail. How his kiss might feel.” When they kiss, their “lips meet, and the rush is so strong it spreads through my entire body. A flutter erupts between my legs as I shift, pressing into him.” They are interrupted and don’t go any further.
  • At a celebration, Amari slow dances with Tzain. “Tzain dips his chin and kisses the top of my head. He places his hands along my waist, making my skin tingle when his thumbs brush a sliver of bare skin.” Later, they leave the party and kiss more. Amari’s “fingers curl the moment his lips meet mine. I sink into him, tasting the sweet remnants of palm wine… I think of how many times I’ve imagined this moment. Imagined being here with him. My pulse races as I slip my fingers under the hem of his tunic.”
  • As they’re about to move further, Tzain makes her stop because he’s afraid she’s only consenting to intimacy because she’s afraid she’ll die soon. Amari says, “I don’t want to be with you because I’m afraid of dying. I want to be with you because I love you.” They take off their clothes and lay on a bed together, but the narrative skips over the actual act.
  • During an outing with Roen, Zélie asks him, “Is this a ploy to get me naked?” Roen says, “You know I don’t need ploys for that.”
  • Zélie sees something and says, “That’s the most amazing thing I’ve ever seen!” Roen tells her, “That’s usually what my lovers say about me.”
  • Zélie and Roen have an intimate moment. Zélie surrenders “to his touch. To the feel of his lips against my ear. He makes me lose myself in his arms, stealing the air from my lungs with every caress. ‘Is this okay?’ he whispers. My breath hitches as he squeezes my waist, hands lingering at the hem of my tunic.” They stop soon afterwards.

Violence

  • A lot of the battle scenes are magic-centered. For example, when Amari launches an attack on the enemy in battle, she magically “strikes them in an endless blue wave.”
  • Later in the battle, someone uses magic to turn the army’s mounts rabid. “Soldiers scream as they’re flung form their panthenaires’ backs. The riders foam at the mouth… A rabid panthenaire sinks its fangs into its soldier’s throat.”
  • While discussing military strategy, someone floats the possibility of the queen using innocent villagers “as shields.”
  • Zélie recalls how the mercenary Roen “once told me that his torturers carved a new line [in his arms] every time they killed a member of his crew before his eyes; twenty-three tally marks for twenty-three lives.”
  • As Amari begins to practice magic, she finds it painful. “Midnight-blue tendrils shoot from my fingertips like sparks from a flint. My palms sting as my skin splits. My scars rip open at the seams… I stumble into the mirror. Crimson smears across my reflection. Blood trickles down my chest as I fall to my knees.”
  • During a battle, the royal army releases majacite gas into the air, which is toxic to maji. Maji “scream like their nails are being ripped off.” A maji’s skin “sizzles and burns. He struggles to scream as he chokes on the black smoke.”
  • Zélie is hit by the toxic gas and describes how “smoke burns my skin like a branding iron… The poison sears the skin of my calf. Another cloud hits the scars on my back.”
  • The rebellion uses a large stone dome as their base of operations. Amari watches the queen use magic to collapse it. The queen “punches her fists into the ground. The earth splits open at her touch… Screams fill the dome as Nehanda’s fracture cuts across the sand… Then I hear the crack. The crack cuts through the dome’s wall… The dome crumbles.”
  • While recklessly riding her lionaire, Zélie crashes and nearly falls off a cliff. “I claw at the sky as I fly toward the forest. My body smashes through wiry branches before slamming into a tree. I wheeze as my chest collides with hard bark. My ribs fracture with a loud crack. Blood flies from my lips as my vision blacks out and I tumble to the ground.”
  • In their dreamscape, Zélie sees Inan “hold the scarred flesh of his abdomen as if it still leaks blood. I can almost see his memories coming back to him. The pain of his father’s sword driving into his gut.” He is physically unharmed. The wound he is remembering was detailed in the first book.
  • During a magical dreamscape, Zélie gets mad at Inan and makes “black vines tighten around his throat, cutting off his words as he chokes. Blood drips down his back, oozing as the jagged bark scrapes into his skin.”
  • While escaping the palace, Inan punches guards in the throat. The guards “wheeze… their grips loosen and I break free, ignoring the way they scream.”
  • Inan watches from a distance as Lagos comes under attack. “Countless balls of fire arc through the air. They explode when they hit the ground… Screams ring through the night as the firebombs ravage Lagos all at once.”
  • When Inan uses magic, he raises his hand “and my magic explodes with such force I hear the bones shatter in my arm.”
  • Inan sees someone from the royal military kill a maji by injecting them with majacite. The torturer says, “Do you know what it feels like to have majacite in your veins? First it blocks the illness you call a gift. Then it burns you from within.” Inan watches as the torturer “yanks the girl’s head to the side, exposing her neck… The girl cries out when the needle pierces her skin. She tumbles like a brick, body seizing in the dirt as the majacite kills her from within.”
  • During a fight, a fellow rebel maji attacks Amari with magic. “A cobalt cloud roars from [the maji’s] hand, searing into me. The cloud engulfs my mind like a match ignited in my skull… Her magic feels like thousands of nails drilling through my bones.” The fight is described over three pages.
  • The maji tells Amari during the fight, “Kill your vile family. Kill yourself.”
  • Amari fights the maji, and she screams “as I dig my hand into [her] hair and pull, driving my elbow into her temple… I straddle her body as a cobalt blaze ignites in my hands.”
  • When Zélie encounters Inan, she attacks him. Zélie shifts her “weight, twisting Inan’s sword from his hands. Before he can react, I extend my blades. My spear slices through his side… I drive my knee into his gut.”
  • Inan gets into a fight with a trusted friend. Inan pulls “a dagger from my belt, throwing it at his thigh.” The friend stops the dagger with magic, avoiding injury.
  • Zélie is caught in a massive chain of explosions and falls into water. “My ears ring from the string of explosions. I can’t see anything. Falling rocks slice through my skin… The collision knocks precious seconds of air from my lungs.”
  • A character loses a limb in the explosions, and “his severed arm lies underneath the boulder.”
  • A character dies when a column of earth is magically thrusted through his stomach. His “eyes bulge as it punctures his stomach… he slumps forward as blood leaks from his gut, pooling onto the silver floor.”
  • A maji summons a magical gas during battle. “The gas unleashes its attack, launching the wall of death… The cloud moves like a wave, crashing over everything in its path. Birds squawk as they try to escape… One’s wings fold as it’s flung into the cloud. The second it’s hit by the gas, its body shrivels. It plummets to the ground.”
  • Zélie watches the gas hit a young mother. “Blood shoots from her mouth on impact. Her skin shrivels as it turns black. I see the moment she realizes that she won’t make it. The baby falls from her hands.” The mother dies, but the baby is safe.
  • A maji attacks Amari. The maji “opens her hands and dark shadows of death shoot forth. Pain rips through me as they wrap around my body and my throat.”

Drugs and Alcohol

  • Roen has “a cigarette tucked between his teeth.”
  • The rebel maji drink palm wine during a celebration. Amari takes a cup and joins in a toast.
  • During the celebration, “music and laughter bounce against the sanctuary walls. Palm wine runs free.”
  • A couple makes a scene during the celebration. As a man tells a woman, “I love you!” the woman says, “You’re drunk!”
  • Amari doesn’t drink palm wine because “Father wouldn’t drink before battle. Neither can I.”
  • Inan drugs the queen by putting her own sedatives in a flute of wine.

Language

  • A piece of fabric is “not fit to wipe a leopanaire’s ass.”
  • “Gods” and “my gods” are used as invectives infrequently.
  • “Skies” is used frequently as an invective. For example, “What in the skies?”
  • Maggots is a slur that refers to the white-haired maji. People in the royal family often use the slur as a hateful pejorative.
  • Twice, specific gods are invoked by name: “For Yemoja’s sake” and “By the grace of Oya.”
  • Dammit is used four times.

Supernatural

  • Several chapters concern the effects of a ritual wherein Zélie binds her lifeforce to that of another maji. Zélie “used the moonstone to connect our lifeforces. But without a blood sacrifice to bind our connection, neither of us can survive.” While they are connected, if one sustains an injury, both of them will suffer.
  • An elder volunteers herself in a blood sacrifice. “Blood magic spreads inside her, glowing through every vein… With the final chant, the shine around her becomes too bright. She lights up the night like a comet flying through the sky.” Instead of physically dying, the elder magically disappears. This ritual marks a turning point in a battle and gives the rebel maji enormous advantage over their enemy.
  • Zélie and Inan meet in a dreamscape, a magical landscape that exists only in their dreams.

Spiritual Content

  • Much of the spiritual content concerns the magic system, and there is little separation between the spiritual and the supernatural. Maji get their powers from the same gods that they pray to.
  • In a moment of hopelessness, Zélie thinks that her dead mother “was wrong to keep me on the earth.” The spiritual beliefs are as real as the magic system, and Zélie previously met her dead mother during a magical ritual. The existence of an afterlife is treated not as speculation, but as fact.
  • Zélie says, “From the gods comes the gift of life… to the gods, that gift must be returned.”
  • Zélie says, “This is destiny. The gods don’t make mistakes.” She’s referring to her new role as a maji with the rebellion.

by Caroline Galdi

Forged by Fire

Gerald’s mother, Monique, has always been unstable. When his mom goes to jail, Gerald goes to live with his Aunt Queen, who gives him a stable, loving home. After six years, Gerald’s mom returns. Gerald has no desire to spend time with Monique. When Aunt Queen dies, Gerald’s life dramatically changes.

Monique and her husband, Jordan, bring Gerald into a home filled with anger and abuse. Jordan, a brutal man, doesn’t hesitate to use his fists. The only bright spot in Gerald’s new home is his stepsister, Angel. Living in a home of misery and despair, Gerald tries his best to protect Angel. When Gerald learns that Jordan is sexually abusing Angel, he finally reaches out for help.

When Jordan is behind bars, Gerald hopes their lives will get better, but his substance-addicted mother rarely pays attention to her two kids. Drug, violence, and uncertainty surround Gerald and Angel. When Jordan gets out of jail, he says he has changed and Monique welcomes him back home. Gerald doesn’t trust Jordan, but is he strong enough to face Jordan’s anger and protect Angel?

Forged by Fire vividly paints a picture of the devastation caused by addiction and abuse. As a three-year-old, Gerald was already consumed with the fear and pain of living with a neglectful, abusive mother. After a fire that almost killed Gerald, his mother spends six years in jail. When Gerald is thrust back into an abusive home, his apathetic mother refuses to acknowledge the physical, sexual, and mental abuse that is a daily part of Gerald’s and Angel’s lives.

Gerald is an admirable character, who tries to keep his stepsister safe. Despite his best efforts, Gerald cannot always shield his sister from abuse. To make matters worse, both Gerald’s friends and the adults in his life fail him because they casually accept the abuse and provide little support. Instead, they act as if the abuse is just something that Gerald needs to deal with.

Forged by Fire vividly describes Gerald’s abuse, which allows the reader to feel Gerald’s despair. In a world surrounded by violence, the brutal details of Gerald’s life come into focus. Since the story accurately portrays an abusive home, some readers may be disturbed by the images of abuse. Even though the story is engaging, the conclusion hints that Gerald’s life will always be full of turmoil.

Gerald’s story will stay with readers for a long time. Even though readers will admire Gerald’s perseverance, the story ends with a hopeless tone. Readers are left wondering if any adult will step in and help Gerald and his sister. Without assistance, Gerald’s future will be grim.

Forged by Fire is the second installment in the Hazelwood High Trilogy; however, the story can be read as a stand-alone. The events from Tears of a Tiger are mentioned, but they do not have the same emotional impact as they did in the first book of the series. While the story will spark conversations, both Tears of a Tiger and Forged by Fire don’t offer solutions. While both stories are engaging, they describe situations in detail that will make readers uncomfortable. In the end, the Hazelwood High Trilogy is an engaging, easy-to-read series that tackles difficult topics that are relevant to teenagers.

Sexual Content

  • Gerald’s mother was abusive, and “Mama got really mad when you woke her up, especially if she had somebody in bed with her.”
  • Angel’s father sexually abused her. “Terrified, she could only weep silently as he touched her, rubbing his hands over her arms, her back, her legs. He had done this many times before, ever since she was a baby… Jordan whispered in her ear, his breath hot and foul, ‘You remember our secret game, Angel… Touching is good. Telling is bad. If you tell, your mama will put you out in the snow all alone, and you will die. Now, let’s play.’”
  • When Angel gets chickenpox, Jordan stays home. “Angel tearfully removed her T-shirt while Jordan watched… He touched her back and she tensed at the roughness of his fingers. Angel wept silently while he explored her body for chickenpox spots. He took his time. He found all of them.” In order to keep Angel quiet, Jordan says, “Oh, by the way, if you’re lookin’ for the stinkin’ cat, it’s in the oven. Don’t worry, I didn’t turn it on. But if you say one word to anyone—I swear I’ll kill that cat and cook it!”
  • One of the boys on the basketball team jokes that college scouts are “knockin’ on my door, beggin’ me to drive six new Cadillacs to their school, to instruct the women in the dorms on the finer points of, shall we say, scorin’…”
  • When a girl calls Gerald looking for her boyfriend, Gerald says, “I bet he’s in the backseat of his car, kissin’ all over some real sexy woman!”
  • Jordan comes home drunk and finds Angel home alone. When Jordan grabs her, “Angel, eyes wide with fear, yanked free of his grip and ran screaming toward the door… He grabbed her again, both arms this time, and dragged her, kicking and screaming, toward her bedroom door.” The story implies that Jordan rapes Angel.

Violence

  • When Gerald was three, his mother caught him playing with a lighter. Mama “made the fire come out and she held his hand over the flame…” The flame “made his hand scream and made him dizzy with pain, and he could smell something like the meat Mama cooked, but it was his hand.”
  • Gerald’s mother “yells and gets her belt or her shoe and hits, and hits, and hits…” During his mother’s bad days, “she would slap him and he’d cry and he’d cuss at her and then she would slap him until his head hurt.”
  • Monique’s husband was “mean, and Monique was truly afraid of him. He would hit her whenever she made him angry, which was often… When he was drunk, it was worse.”
  • Angel tries to avoid Jordan. Angel “took a deep breath, lowered her head, and curried past him. But she wasn’t quick enough. His fist, like a hammer, connected with her back as she ran. She groaned in pain, but dared not stop.” Gerald tries to help. He “leaped into the room, jumped between Angel and Jordan, and the blow came down on him instead. Gerald was tough and strong, but the force of that punch almost made him lose his breath.”
  • When Gerald accidently walks in on Jordan molesting Angel, Jordan “slapped Gerald full in the face.” Gerald is too afraid to do anything.
  • Gerald tries to avoid Jordan, but “Jordan was mean—he smacked Gerald on the back of his head if he got a C on his report card, he punched him on his arm if he spilled milk, and he whacked his legs for not bringing him a beer fast enough.”
  • Gerald’s mother is hit by a taxi. The driver says, “She ran right in front of me! I didn’t see her!” Monique is injured.
  • Jordan gets angry at Monique, and “he raised his arm above his head and slapped Monique with the back of his hand so hard that she fell onto the bed. Pain and confusion filled her face… Gerald was coming back from his job. His fist hit Gerald full in the face. Blood spurted from Gerald’s nose and lip as he staggered to the floor.”
  • Gerald comes home to find the house on fire. “Angel lay on her bed, barely conscious. Jordan was walking slowly toward the foot of her bed…” Jordan and Gerald get in a fight. “With the steel toe of his cowboy boots, Jordan kicked Gerald squarely on the shin. Gerald screamed in pain. He heard the bone crack. He fell once again.” Jordan leaves the two kids to die in the fire.

 Drugs and Alcohol

  • Gerald learned to avoid his mother when “she sniffed the white stuff.”
  • Gerald’s step-dad Jordan gets drunk often.
  • When Jordan goes to jail, Monique “had not returned to the drugs, but she had developed a taste for whiskey and was finding more and more excuses to go out and drink with her friends.”
  • After Monique’s accident, the doctor prescribes pain pills. “She keeps insisting that her head hurt…but that’s only when she runs out of her pain pills. Jordan kept her supplied with refills of her prescription, and when the doctor wouldn’t give her anymore, he bought these weird-lookin’ shiny red pills…”
  • After a while, Monique “used beer now, instead of water, to wash down the pills that Jordan bought her.”
  • Several of Gerald’s friends go out drinking after a game. They are in a fiery car crash, and one of the boys dies.

Language

  • When Angel tells her mother about Jordan’s abuse, Monique calls her a “filthy liar.”
  • Jordan calls Monique a “witless idiot!”

Supernatural

  • None

Spiritual Content

  • When Gerald almost died in a fire, his aunt says, “Well, Praise the Lord, he didn’t.”
  • When Gerald’s aunt tucked him into bed, she “prayed for strength.”
  • Before breakfast, Gerald’s aunt prays, “Dear Lord, be with this family. We’re gonna need you. Bless this food, and please be with Gerald on this special day. Amen.”

The Legend of Zelda: Twilight Princess Vol 3

Link continues on his quest to save the children from his village and dispel the dark clouds that are threatening to take over the land. Link returns to the Twilight Realm in the form of a wolf and quickly discovers that the children are stuck in the Twilight Realm as lost souls! With the help of an unlikely wolf ally, Link must learn to become a much stronger warrior if he wants a chance to save those he loves.

Much like the previous two installments, this graphic novel closely follows the plot of the video game with a few diversions and added elements. For intense Zelda fans, another taste of Twilight Princess will make this graphic novel enjoyable. However, casual gamers will likely be bored due to the repetitive plot, and those who are not familiar with the Twilight Princess game may be confused in a few places. All in all, this graphic novel is best for readers who are already a part of the Link fandom.

Link is a lovable character that will capture readers’ interests. While one of the children becomes slightly more developed in this installment, Link is mostly surrounded by two-dimensional characters. There is more action in this book than in the first book, but aside from the last battle, most of the battle images are not graphic. In Twilight Princess Vol 3, Link continues to explore what true strength really is, and he finally realizes that strength lies in protecting the innocent.

Twilight Princess Vol 3 has intense fighting and a dark tone. Even though the manga artwork is incredible, the fight scenes are a bit confusing because there is so much going on. Unlike the previous books, this volume shows different characters’ points of view, which helps develop the characters and gives the story an interesting twist. Twilight Princess Vol 3 continues to develop Link and his world. Although Twilight Princess Vol 3 contains action and adventure, the slow pace of world-building may make it difficult for some readers to get through the story.

Sexual Content

  • None

Violence

  • While in his wolf form, Link kills two monsters by ripping them apart with his teeth.
  • Link fights a skeleton warrior as part of a training session. At the end of their fight, Link cuts off the skeleton warrior’s head. The skeleton warrior then stands up, picks up his head, and congratulates Link.
  • A captured village girl considers committing suicide. The girl wonders, “Rather than living alone with monsters…” and almost cuts her wrist with the pottery shard, but is interrupted by a kitten that needs her help.
  • Link battles a monster and his minions during a 32-page battle. In the end, Link slashes the monster across the chest with his sword, and the reader sees the monster bleeding profusely before he falls into a gorge.
  • A monster clubs a village boy in the head, and then is attacked by a mob of village children.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Link lives in a world with magic, shadow beasts, and demons. When people from the land of light are engulfed by the Twilight Realm, they turn into lost souls. This is what happens to the children from Link’s village. When he finds them, he cannot interact with them, as they are merely lost souls.
  • When Link travels to the Twilight Realm, he is transformed into a giant wolf. While in his wolf form, Link can communicate with animals.
  • Link learns that “humans aren’t the only race living in Hyrule” when he meets a Goron. Gorons are giant rock-like creatures that “live in Death Mountain and eat rocks.”
  • Link meets a magical wolf that transports Link to his realm in the clouds. Once there, the wolf shows himself as a skeleton warrior and trains Link to be a better swordsman.

Spiritual Content

  • There is a legend that when evil people tried to use magic to take over the land, “the goddesses grew angry at this affront and sent four spirits of light to seal the upstarts’ magical power away in the shadow crystal. Furthermore, the mirror of shadow prevented these wizards from entering the world of light. They were exiled to the twilight realm.”
  • Renado, a shaman and physician, takes the children to his village to protect them.
  • The children hide from the monsters in a house. There is a statue of a spirit in the house. The shaman says, “perhaps the power of the spirit Eldin does not allow the monsters to enter.” Link later meets the Eldin, “one of the spirits of light who gather in Hyrule and protect this land.”
  • Renado says, “thank the gods,” when his daughter is saved by monsters.

by Morgan Lynn

Starry Eyes

Zori and Lennon used to be best friends. Now they are each other’s worst enemy. They go out of their way to avoid each other, which is difficult to do when you go to the same school and live next door to each other.

When a friend invites Zori to a camping trip, Zori thinks this will be an opportunity to have some fun. No one told her that Lennon would be there. After a series of unfortunate events, Zori and Lennon find themselves stranded in the wilderness. Alone.

With no one but each other for company, the two finally begin to hash out their issues. They slowly begin to understand each other, but they still have to fight the forces of nature. Can they work together and make it out of the California wilderness as friends?

Told from Zori’s point of view, Starry Night takes a winding trip and gives the reader a peek into Zori’s home life, friendship life, and love life. Unfortunately, Zori’s controlling, insecure nature makes her difficult to like. Zori is not the only boy crazy, but she agrees to go on a trip to advance her social standing. In the end, Zori discovers that her friends have been keeping secrets from her and that one friend has a grudge against her. So, it’s not a huge surprise when Zori’s friends sneak away in the early morning, leaving Zori and Lennon on their own.

None of the characters have healthy relationships with each other or with their parents. Zori is hiding the fact that her father is having an affair. Lennon allows Zori’s father to blackmail him, which is why he’s been avoiding Zori. In an effort to make Lennon jealous, Zori quickly finds a new boy to make out with. Instead of engaging readers with an interesting, plausible plot, Bennett relies on sexual desire and stupid teenage behavior to pull readers in. To make matters worse, the plot is often unbelievable and the characters unmemorable.

Starry Night is a predictable romance that would be best left on the shelf. If readers are looking for a modern-day Romeo and Juliet, Crossing the Line by Simone Elkeles would make a better choice. However, if you are looking for an entertaining romance, Don’t Date Rosa Santos by Nina Moren or Somewhere Only We Know by Maurene Goo would be excellent alternatives.

Sexual Content

  • Zori’s parents have a wellness clinic, which is next to a shop that sells adult sex toys and is run by two lesbian women. Zori often talks about the types of toys for sale, such as butt plugs and cock rings. The shop “has a themed display window that the owners change once a month. This month it’s a forest, and like toadstools, a curated collection of bright rubber dildos rise from fake grass.”
  • Zori thinks it’s “kind of hard to ignore the giant vaginal-shaped sign out front.” She refers to the shop as “dildo land.”
  • Zori sees a photo album that shows her dad and another woman. “He’s got his arms wrapped around her, and—in one photo—is even kissing her neck.”
  • During spring break a boy kisses Zori at a party.
  • Zori uses her telescope to look through the neighbor’s window. She sees Lennon undress. Zori thinks, “holy mother of God, when did he get all…built? …He’s too lean to be buff.”
  • Zori has sex with a boy who was moving because “we were never going to see each other again.” Afterward she took three pregnancy tests “just to be triple certain.” Later, Zori finds out that the boy told his friends that they “hooked up.”
  • When Zori is preparing for a camping trip, she thinks about the boys who will be there. “I certainly hope there will be roaming hands.”
  • Someone asks Lennon, “Is it true that your moms were, like, together with your dad all at the same time… I mean all three of them.”
  • During a conversation, a boy says, “Did you know he and his best friend Neal Cassady both slept with Carolyn Cassady, Neal’s wife? Wild, huh?” Later, someone says, “Kerouac drank himself to death. Neal Cassady screwed anything that moved and was a total misogynist… Then he died of barbiturates abuse.”
  • At the campground, there is a “carved wooden statue that looks like two squirrels having sex.”
  • A girl says she is getting naked with her boyfriend “in the sauna later.”
  • A boy tells his friend, “your mom is hot.”
  • Before the story begins, Zori and Lennon did a “Great Experiment, in which we tried to incorporate intense make-out sessions in our normal relationship without telling anyone.” Zori thinks kissing Lennon was weird, but “also very nice. So nice that I can’t think about it right now, because it makes me flustered.”
  • Lennon tried to rent a hotel room so he could have sex with Zori after the homecoming dance.
  • When Lennon helps Zori with her backpack, she wonders if she wants him to touch her. She thinks, “I can’t afford to let my imagination run wild around him. The last time that happened I ended up in his lap on a park bench with his hands up my shirt.”
  • One of the boys has “been with” all three girls who are on the trip.
  • A girl tells Zori, “your skeevy dad tried to sleep with Michelle Johnson’s mom after the Olympic fund-raiser in Berkeley this spring.”
  • Zori has neurotic dreams about Lennon, but the dreams are not described. She thinks, “We just started talking again, and my body is so stupid that it’s already having erotic dreams about him, which is what got me into trouble with him in the first place.”
  • Lennon sees Zori “kissing Andre in front of [her] locker.”
  • Zori tells Lennon, “Andre and I had sex one time. Once! You probably screwed Jovana’s brains out for months!” Lennon tells her, “And yeah, we had sex. But I wasn’t in love with her.”
  • As Zori and Lennon fight, Lennon kisses her. “He kisses me roughly. Completely unyielding. His hand is on my head, holding me in place… I kiss him back.” The two make out for about one page and then are interrupted.
  • Lennon and Zori are talking when, “softly, slowly, his lips graze over mine. His mouth is soft, and his hands are roaming up my back. I exhale a shaky breath, and he kisses me: once, briefly. Warmth flickers in my chest.” Zori goes to unbuckle his pants when there is a scream. They leave the tent to find out what’s going on. The scene is described over a page and a half.
  • Lennon and Zori have sex. First, “we both pounce on each other at the same time… My legs wrap around his hips, and he’s holding me against the tree, pinning me as he warms my neck with kisses…” When they undress, Zori thinks, “I CAN SEE EVERYTHING, and I can’t stop looking—I don’t even care that I’m shivering in my bra and panties in the middle of the woods… It’s actually happening. It’s good, and a little awkward, and sometimes funny, because wow, human bodies are weird. But it’s also more than I expected—than I even hoped.” The scene is described over eight pages, but they stop and have a conversation before they have sex.
  • The story implies that Lennon and Zori have sex in the back seat of a car.

Violence

  • When Zori’s friend is mean, Zori thinks, “I sort of want to punch her in the boobs.”
  • Someone tells a story about a family that went camping and got lost. “An animal had eaten the husband’s leg.”
  • When Lennon tries to get a hotel room for him and Zori, Zori’s dad “demanded to know if my moms had sanctioned this. He called them ‘dyke heathens.’” Then, Lennon hit Zori’s dad. Lennon said, “After I landed the punch, he started to come after me, but one of the hotel employees stepped in.”

Drugs and Alcohol

  • At the campground, the adults have wine served with dinner.
  • Zori watches as a couple of her friends steal wine. Later, she finds out that a couple of her friends got drunk that night. One drunk boy “Pissed on a yurt.”
  • Zori’s mom gives her “miracle weed lotion” to put on her hives.
  • Lennon’s father overdoses on pain pills.
  • A boy sends Lennon a text, “asking if I can get him weed again.”

Language

  • Profanity is used often. Profanity includes ass, bastards, crap, bitches, damn, dick, fuck, god-damn, holy hell, hell, shit, and smart-ass.
  • Zori sees a “motherfucking snake.”
  • Oh God, God, Jesus, Oh Sweet Lord, Christ, and other variations are frequently used as an exclamation.
  • Zori thinks, “Oh for the love of God” a few times.
  • The phrase “crap on toast” is used several times.
  • Lennon says that Zori’s dad is a dick, a scumbag, and that he has “sticks that are stuck up his ass.”
  • Lennon tells a girl, “You’re being a huge asshole, you know that?” The girl tells Lennon, “Brett likes you, and you’ve been nothing but a prick to him since we left Milita Hills.”

Supernatural

  • None

Spiritual Content

  • After Zori sees a picture of her dad kissing another woman, she thinks, “Thank God the normal clinic receptionist came in to take over for me at lunch.”
  • When a boy sees Zori spying on him, she thinks, “If there’s a God above, please let him or her grant me the power of time travel, so I can rewind the clock and completely avoid this nightmare.”
  • Lennon thinks, “Thank God for small favors.”
  • One of Lennon’s moms has no tolerance for thieves. Zori thinks, “May God have mercy on anyone who tries to shoplift vibrators from Toys in the Attic…”
  • Zori is distracted when Lennon is “feeling me up.” Because she can’t concentrate, Lennon asks Zori, “Are you saying I’ve got magic hands, like Jesus?”

The Siege of MacIndaw

The kingdom is in danger. Renegade Knight Sir Keren has succeeded in overtaking Castle MacIndaw and now is conspiring with the Scotti. The fate of Aralean rests in the hands of two young adventurers: the Ranger, Will, and his warrior friend, Horace. Yet for Will, the stakes are even higher because inside the castle, held hostage, is someone he loves. Now the time has come for this once apprentice to grow up.

Will and Horace join together to free Alyss, defeat Keren, and return the castle to its rightful leader. Along the way, Will and Horace must work with the Sorcerer of the North and the Skandians. As the allies work together, they learn that things are not always as they seem. The group of unlikely allies will put their lives on the line when they siege the castle MacIndaw.

Fans of the Ranger’s Apprentice series will enjoy this action-packed story that shows Will’s and Horace’s personal growth. They are no longer apprentices who can rely on others for advice. In order to survive, they need to use their individual strengths to overcome Sir Keren. Unlike previous books in the series, Sir Keren is a well-developed villain who shows moments of weakness and uncertainty. Sir Keren’s behavior highlights the importance of keeping a vow and the unintended consequences of being an oath breaker.

The sixth installment of the Ranger’s Apprentice series is full of action, intrigue, and unexpected twists. The story explores how people react to things that they don’t understand. When strange lights are seen in the forest, people believe that a powerful sorcerer is using black magic. Will and Horace are able to use this belief to their advantage. Even though the reader knows that the “sorcerer” uses illusions to trick people, the illusions still add interest to the story.

 The Siege of MacIndaw ends with an epic battle. However, the battle for MacIndaw is more violent, bloody, and descriptive than the previous books. In The Siege of MacIndaw both Will and Horace have grown into adults, so the story hits on more mature topics such as loyalty, love, and sacrifice. However, the story leaves the reader with a satisfying picture of Will and Horace, who have built a stronger friendship and turned into trustworthy men who have each other’s backs. The Siege of MacIndaw will satisfy fans of the Ranger’s Apprentice series and leave readers reaching for the next book, Erak’s Ransom.

 Sexual Content

  • None

Violence

  • The Skandians plan to sell Buttle into slavery. When the Skandians’ ship begins to sink, they unchain Buttle. He “seized his chance. He grabbed a knife from one man’s belt and slashed it across his throat. Another rower tried to stop him, but he was off balance, and Buttle struck him down as well. Then he was over the rail and swimming for the bank.”
  • A Skandian wearing a horned helmet questions Horace’s ability to lead. “Horace stepped forward, grabbed a horn in each hand and lifted the helmet clear of the head. Before the man could properly protest, Horace had slammed the unpadded heavy iron headpiece back down, causing Nile’s knees to buckle and his eyes to cross slightly under the impact… He felt the iron grip seize his beard and was jerked violently forward.”
  • Will, Horace, and a group of Skandians ambush a party of Scotti in order to get information. Will shoots an arrow at a Scotti general, and “the arrow seared through the tendons and nerves in the wrist, the immediate shock of the wound depriving the hand of all feeling… robbing MacHaddish of the strength to brandish the huge sword.” Two other Scotti come to MacHaddish’s defense. Will fired an arrow “dropping one of them to the snow, dead in this tracks. Then the other was all over him, screaming hate and revenge, sword going back for a killing stroke.” Horace jumps in and throws “a solid right uppercut to his [the Scotti’s] jaw. The Scotti’s eyes rolled up in his head and his knees collapsed under him. He fell face down in the soft snow, unconscious.” The battle is described over three pages.
  • When MacHaddish escapes, Will goes after him. When MacHaddish sees Will, he “reacted almost without thinking, hurling himself forward… he lowered his shoulder and drove it into the cloaked figure.” As they fight, MacHaddish slashes with his dirk. Will “felt the blade slice easily through his cloak and kicked out flatfooted at the Scotti’s left knee.” When Will reaches for his scabbard, MacHaddish attacks. “Desperately, Will skipped backward, feeling the blade slash through his jerkin, a trickle of blood running down his ribs. His mouth had gone dry with fear.”
  • As Will and MacHaddish fight, MacHaddish uses his body weight to pin Will down. Horace appears just in time. “The heavy brass pommel of Horace’s sword slammed into the Scotti’s temple twice in rapid succession,” knocking MacHaddish unconscious. The fight between Will and MacHaddish is described over seven pages.
  • While seizing the castle, Horace uses a ladder to get over the castle walls. Horace “cut the first man down with ease. The second came at him, Horace deflected his halberd thrust, seized his collar and propelled him over the inner edge of the walkway. The man’s startled cry cut off abruptly with a heavy thud as he hit the flagstones of the courtyard.”
  • Will joins the fight and begins firing arrows. One of the men “staggered, screaming, as an arrow appeared in his thigh. Three men dead or wounded in a matter of seconds.”
  • In order to free a prisoner, Will tries to climb the stairs leading to the tower. Will surprised a man who was waiting above him. Will “continued his upward movement and lunged, feeling the saxe knife bite into flesh. The man cried out in pain and stumbled forward.” In order to get up the stairs, Will sends a “volley of ricocheting shots” up the stairs and injures the man. “Will grabbed his shirt front and heaved him down the stairs, sending him crashing into the outer wall, then tumbling head over heels down the staircase. Then he was silent, the only sound his inert body sliding a few meters farther down the stairs.”
  • During the attack, Horace and Buttle fight. Another man joins in to help Horace. When Horace looked back, “he saw the club fall from Trobar’s nerveless fingers as Buttle withdrew the sword from a thrust in the giant’s side. Trobar clutched at the sudden fierce pain, feeling his own hot blood course over his fingers… He saw that Buttle was about to thrust at him again and, hopelessly, threw up his arm to ward off the sword. The point of the blade thrust into his massive forearm, sliding through muscle and flesh, jarring the bone.”
  • Horace steps in to defend Trobar. When Buttle realizes he will lose the fight, he begs for mercy. When Horace thinks back to all of Buttle’s cruel deeds, he “grabbed Buttle by the front of his shirt and heaved him to his feet. As part of the same movement, Horace hit him with a short, savage right cross, perfectly timed, perfectly weighed, perfectly executed… Buttle screamed as he felt his jaw dislocate.”
  • Keren mesmerizes Alyss and commands her to kill Will. Will is able to break Alyss’s trance. While Will is comforting Alyss, Keren attacks. “Will regained his feet, the saxe knife sliding from its scabbard just in time to parry a side cut.” When Keren gets the upper hand on Will, Alyss picks up a bottle of acid. “She seized the weapon and moved to where Keren had trapped Will in a corner. The point of the sword was now leveled at Will’s throat… Keren smashed Will’s grip by the massive force of a two-handed overhead stroke.” Alyss throws the acid at Keren, and “his scream was terrible as the acid burned into his skin and eyes. The pain was excruciating, and he dropped the sword, clawing at his face, trying to ease the dreadful burning.” Keren eventually falls out the window. “His scream was long and drawn out—a mixture of pain and blind fear. It hung in the night above his falling body, like a long ribbon trailing behind him. Then, abruptly, it stopped.” Keren dies. The seize of the castle is described over 36 pages.

Drugs and Alcohol

  • Will thinks back to a banquet where ale was served.
  • Buttle went to the inn and demanded: “the finest food, wine and ale when he was visiting…”
  • Many of the Skandians had “bellies on them that suggested they might be overly fond of ale.”
  • A Skandian gave Horace a “beaker full of spirit.”
  • After Alyss broke out of her prison, a “healer had given her a sleeping potion and had put her to bed.”

Language

  • Will surprised a Skandian who cried, “Thurank’s horns! Where the devil did you spring from?”
  • Horace jokingly calls Will an oaf.
  • A man calls someone an idiot.
  • A man calls someone a fool.
  • After MacHaddish almost kills Will, Will yells, “Of course I’m not all right, you idiot! He damn near killed me!”
  • “For god’s sake” is used as an exclamation three times. For example, when Horace questions Will, Will says, “For god’s sake! Stop trying to make me worry!”
  • “My god” is used as an exclamation twice.
  • Damn and hell are used occasionally. For example, when a man interrupts Keren, he yells, “Get out, damn you!”
  • Hell is used several times. For example one of the Skandians says, “He’d better be one hell of a warrior.”
  • The Skandians use the exclamations “For Loka’s sake” and “Gorlog’s beard.”
  • Keren yells at one of the soldiers, “Get up, you yellow-skinned coward!”
  • A man calls Keren a fool.
  • Horace asks a man, “You really are a gutless piece of scum, aren’t you?”

Supernatural

  • Keren used a blue gemstone to hypnotize Alyss. “The stone had become the trigger for his posthypnotic suggestions. All he had to do was order her to look at it and within a few seconds, she would be mesmerized again.” When Keren uses the stone, Alyss’s “eyes fell to the beautiful orb as he rolled it gently back and forth on the tabletop. As ever, she could feel it drawing her in, filling her consciousness.”

 Spiritual Content

  • Horace saves Will from being killed. “Thank God, he thought, he had made it just in time.”
  • In order to get information out of MacHaddish, trickery is used. MacHaddish is lead to believe that “the dark demon Serthreck’nish is abroad in this forest, watching us stand here.” Serthreck’nish is a demon that is known as the soul stealer, “the flesh eater, the renderer, the tearer of limbs—Serthreck’nish was all these things and more. It was the demon, the ultimate evil in Scotti superstition. Serthreck’nish didn’t just kill his victims. He stole their souls and their very being, feeding on them to make himself stronger. If Serthreck’nish had your soul, there was no hereafter, no peace at the end of the long mountain road. And there was no memory of the victim either…”
  • “Gorlog was a lesser Skandian deity who had a long beard, curved horns and fanglike teeth.”
  • While seizing the castle, Will “breathed a silent prayer of thanks that there were not archers with longbows or recurve bows on the castle wall.”
  • After saying goodbye to his friends, Will tells his horse, “Thank God I still have you.”

Red Queen #1

In the Kingdom of Norta, the silver blood nobility rule over the red blood commoners. While the Silver enjoy luxury, life without strife, and supernatural powers, the Reds live in poor villages, forced into a war they don’t want, and powerless against their Silver rulers. Mare Barrow is a young, Red girl simply trying to get by. After her brothers are shipped off to war, Mare steals money and food to survive, helping her parents and younger sister when she can. When she meets the mysterious Cal, her whole world is flipped upside down. He helps assign Mare to the royal Silver court, where she discovers Cal is the crown prince.

After an accident where Mare falls onto a dome of magical lightning, she discovers she has a power just like the Silvers (a supposed impossibility). To cover up her newfound power, the King forces Mare into the role of a lost Silver princess, betrothing her to his youngest son, Maven.

As Mare is drawn further into the Silver world, she begins to fall in love with Maven’s older brother, Cal. A budding love won’t stop Mare from supporting her family and fellow Reds.  In order to fight the Silvers from inside the palace, Mare secretly joins the Red freedom group. With every step she takes, danger closes in around her. If she steps the wrong way, Mare and everyone she loves will certainly die.

Red Queen focuses on the struggle surrounding the Silver and Red caste systems. For anyone born with Silver blood, life is incredibly easy and much of that luxury is created through the hard work of the lower caste of the Reds. Reds are basically soldiers for the Silvers, as the Silvers send Reds to fight in a war with a neighboring nation, the Lakelands. This gap in the social hierarchy and the ways in which the Silvers flaunt their status create a suspenseful, dangerous situation for any Red, like Mare, that interacts with a Silver because the Silvers can punish the Reds for any reason.

The story unfolds from Mare’s point of view, which allows the reader to see Mare’s inner thoughts, anxieties, and frustrations. However, Mare isn’t the most likable main character. Mare is the typical YA heroine, who is poor, but not particularly perceptive. Despite being described as knowing how to read people, she falls into numerous traps. Even though Mare is clearly on the side of the Reds, she manages to depict both sides in equal light, showing how both the Silvers and Reds can be kind or cruel.

The novel’s main theme is betrayal, which allows Mare to learn not to trust others. This theme of betrayal makes the plot predictable and a bit slow-paced. However, both the politics of the Norta Silver court and the action scenes, which include some spectacular fights, help make up for the slow pace. The Silvers aren’t entirely unified, which leads to some interesting scenes that pit the Silver caste against its own. Mare’s growing love for Cal, the crown prince, also helps to balance out the story. Red Queen leaves readers with a cliffhanger that will leave them dying to know what happens in the next book, Glass Sword.

Sexual Content

  • Gisa, Mare’s younger sister, has a crush on Mare’s friend. After Mare mentions him, Gisa’s “skin flushes bright red at the mention of him. She even giggles, something she never does. But I don’t have time for her schoolgirl crush, not now.”
  • Cal, the elder prince, is regularly tasked with dealing with suitors. Mare watches as a noble girl’s “gaze lands on Cal—I mean the prince—trying to entice him with her doe eyes or the occasional flip of her honey-blond hair.”
  • When Mare and Maven go to see Cal, they see him removing his armor. Mare thinks, “He doesn’t notice me at first; he’s focused on removing more of his armor. It makes me gulp.” Later, she’s close to Cal and thinks, “Unable to meet his gaze, I focus on what’s right in front of me. Unfortunately, that happens to be his chest and a much-too-thin shirt.”
  • Mare realizes she’s beginning to fall for Cal. While visiting her home, she thinks, “What can I say? That he’s kind? That I’m beginning to like him?” Later on, she kisses him. “His lips are on mine, hard and warm and pressing. The touch is electrifying, but not like I’m used to. This isn’t a spark of destruction but a spark of life.”
  • Mare also kisses Maven. She notes, “His kiss is not at all like his brother’ Maven is more desperate, surprising himself as much as me.”

Violence

  • At the beginning of the novel, two Silvers, Samson and Cantos, fight each other. Before Samson “can hope to stand, Cantos is over him, heaving him skyward. He hits the sand in a heap of what can only be broken bones but somehow rises to his feet again.” Immediately after, “Samson spits, sending a sunburst of silver blood across the arena.” Samson takes control of Cantos’s mind, causing Cantos to kill himself. “Another twist of Samson’s hand and silver blood splashes across the sand as Cantos plunges his sword straight through his armor, into the flesh of his own stomach.”
  • After a mass panic, Mare is attacked by a Silver. A “frothing blue wave knocks me sideways, into churning water. It’s not deep, no more than two feet to the bottom, but the water feels like lead.” Mare watches as her sister is attacked, Gisa’s “eyes are on mine as he brings the butt of his gun down, shattering the bones in her sewing hand.”
  • At a Silver fighting arena, Mare watches as “birds dive headfirst into the lightning shield, bursting in little clouds of blood, feathers, and deadly electricity, my awe turns to disgust. The shield sparks again, burning up what’s left of the birds until it shines like new.”
  • Mare falls onto the lightning shield. Mare’s “head bangs against the shield, and I see stars. No, not stars. Sparks. The shield does its job, lighting me up with bolts of electricity. My uniform burns, scorched and smoking, and I expect to see my skin do the same.” After Mare gets back on her feet, she tries to run from angry Silvers who shoot at her. As she runs, “a blast of gunfire explodes over my head, forcing me to drop to the floor.”
  • Mare’s kingdom, the Kingdom of Norta, is at war with the Lakelanders, another nation. Maven tells Mare, “I spent three years in the barracks, following Cal and officers and generals, watching soldiers fight and die for a war no one believed in. Where Cal saw honor and loyalty, I saw foolishness. I saw waste. Blood on both sides of the dividing line, and your people gave so much more.”
  • A group of Reds plan to assassinate prominent Silvers. In the aftermath of the assassination, Mare witnesses as “Sonya screams nearby, bent over the body of Reynald. The spry old Ara wrestles her off the corpse, pulling her away from the chaos. Reynald’s eyes stare glassily up at the ceiling, reflecting the red light.”
  • After the assassination, Mare trips and “lands face-to-face with a corpse, staring at Colonel Macanthos’s scar. Silver blood trickles down her face, from her forehead to the floor. The bullet hole is strange, surrounded by gray, rocky flesh.”
  • After the assassinations, the group of Reds responsible are found and tortured. Mare sees that the torturer “is not gentle, wrenching out Farley’s wounded arm. Farley yelps in pain but still says nothing.”
  • In order to free the Reds, Mare attacks two Silvers and gets hurt. “The bullet hits me in the stomach, but my lightning blazes up the metal rail, through his skin, and into the healer’s brain. Pig-Eyes shouts, firing his own gun. The bullet digs into the wall, missing me by inches.”

Drugs and Alcohol

  • Cal likes to visit Red bars. When Cal tells Mare the palace is stuffy, she says, “And crowded bars, Red bars, aren’t?”
  • Oliver, one of the boys that Mare trains with, clutched a “sloshing drink.” He grabs onto Cal, but “Cal shifts out of Oliver’s grip. The drunk windweaver doesn’t seem to notice and keeps babbling.”
  • When going through her mentor’s room, Mare notices “the bottle of brown liquor on the table, occupying a spot usually reserved for tea.”

Language

  • Lucas, Mare’s personal guard, doesn’t like his cousin, Evangeline. He tells Mare, “Evangeline is a bitch.” Mare echoes this sentiment later on, saying, “Evangeline Samos is a bloodthirsty jerk.”
  • After the royal ball is bombed, Maven says, “Bastards.”
  • After the bombing, the Queen says the Reds “are a disease.”

Supernatural

  • Silvers use magic to help them rule over the Reds. They are sometimes seen as gods. As Mare states, “The gods rule us still. They have come down from the stars. And they are no longer kind.”
  • Whispers are Silvers with the rare ability to enter someone’s head, read someone’s thoughts, and control someone’s mind.
  • When Mare and her sister try to enter a Silver city illegally, Mare’s ID is scrutinized by a Silver guard. Mare thinks, “I wonder if he’s a whisper too and can read my mind. That would put an end to this little excursion very quickly and probably earn me a cable noose around my neck.”
  • Swifts are Silvers that can enhance their speed. After Samson kills Cantos, Swifts rush in to help. “A few are swifts, rushing to and fro in a blur as they herd us out.”
  • A nymph is a Silver that can manipulate water.
  • Telkies are Silvers that can levitate objects.
  • A greeny is a manipulator of plants and earth. Mare watches as a “florist runs his hands through a pot of white flowers and they explode into growth, curling around his elbows.”
  • Strongarms are Silvers that have superhuman strength. Mare notices “A Silver next to me clenches his fist and pounds on the bar, sending spider cracks through the solid rock top.”
  • A cloner is a Silver that can clone themselves. When Mare is caught stealing by a cloner, she thinks, “And then there are three of them, four, five, six, surrounding us in the crowd.”
  • The King is a burner who can control fire. Mare watches as fire “seems to burn against his inky black hair flecked with gray.”

Spiritual Content

  • None

by Jonathan Planman

Swing

Despite their love for baseball, Noah and Walt are terrible players. Walt, who now requests to be called Swing (a request that Noah ignores), is undeterred. As with everything else in his life—jazz, love, and becoming cool—Swing is always willing to take a chance and wants to convince Noah to take swings in his life too.

Noah has been pining after his childhood best friend, Sam, since third grade. When Noah uncovers a set of love letters, he uses his art skills to adapt the letters to help him articulate his feelings for Sam. When Walt anonymously sends one of Noah’s letters to Sam, Noah must decide whether to put himself out there, even if it means rejection.

While Noah grapples with his emotions, many American flags are being left around town. Some think it’s a prank, but others seem to think that something more sinister is going on. The rising tensions and prejudices of their town come to light as Noah struggles to find confidence.

Despite being the main character, Noah is a shadowy figure compared to Swing. Swing’s vibrant sense of humor and optimistic outlook never waiver, and he has endless methods for trying to get Noah to see that life can be sunnier with a little effort. Noah, who can be petulant, drags his feet at most of Swing’s suggestions and comments. Many of Noah’s problems could be fixed if he earnestly took Swing’s advice. However, as the story progresses, Noah learns to take life in stride.

Most of the novel focuses on Noah’s conflicts with his unrequited love for Sam. Noah thinks he’s superior to Sam’s current boyfriend, Cruz, who is a varsity baseball player. Much of Swing’s advice for Noah surrounds this topic, as it consumes Noah’s every waking moment. There are moments where Noah’s passion for art comes up, but often it is to impress Sam in some way. Occasionally, Noah’s pining and self-pitying nature can be overbearing. However, he eventually finds the courage to tell Sam how he feels.

Although Swing, Noah, and Cruz all enjoy baseball, the main focus of Swing is not baseball. Instead, baseball is used to highlight Swing’s willingness to go after what he wants. Unlike Swing, Noah’s reserved nature holds him back from going after what he wants, and Noah himself gives up baseball early in the book.

 Swing tackles a lot of themes, including love, friendship, and prejudice. Not all the topics are fully expounded upon, and because of the twist ending some narratives are shortened. Swing is also told in free verse, and various art pieces appear as part of the story. These creative elements enhance Noah’s emotions and the reading experience. Overall, Swing shows that life is what people make of it. The most important lesson Swing offers is that people should find the courage within themselves to swing for worthy goals.

Sexual Content

  • According to Noah, his crush and best friend Sam, “was busy being cool, and fine.” He thinks he’s in love with her, and he claims that she is his inspiration when he draws.
  • Swing says to Noah, “Seven years is a long freakin’ time/ not to hook up with your/ self-proclaimed soulmate.”
  • Swing claims that his cousin, Floyd, is his romance guru because Floyd “used to date a reality TV/ star, and he knows a thing/ or two about love. Girls are always/ fighting over him.”
  • Sam indirectly tells Noah that her boyfriend, Cruz, is trying to pressure her into sexual activities which makes her uncomfortable. She says, “Cruz is kinda putting pressure on/ me…How do I tell him to slow down?”
  • Swing tells his cousin Floyd that he’s “saving [his] paper for some nice frames the chicks will love.” Floyd reprimands Swing for being sexist and calling women chicks.
  • Floyd says to Swing, “Your future stepdad is a lucky man/ Aunt Reina was/ always fine as full-bodied wine.” To this comment there is silence and then Floyd adds, “What? It’s not like Floyd’s trying to Oedipus your mom. . .”
  • Noah wants to write Sam “maybe a love song/ or a sonnet.” Unsure of how to convey his feelings, he listens to Swing’s recommended podcast, The Woohoo Woman, which dispenses love and life advice.
  • In a thrift store, Sam and her boyfriend Cruz kiss twice much to Noah’s chagrin. Noah describes, “they kiss like nobody/ and everybody’s watching.” The second time, Noah’s details about the kiss increase. He thinks, “I try not/ to pay attention to how long it lasts/ –eleven seconds—or how his hands move up and down/ her back (slowly), or/ how her eyes are closed and his are/ looking at—” Cruz then says to Noah, “Hey you, stop staring at my girl’s/ haunches.”
  • The employee in the thrift shop, Divya, shows Swing and Noah a purse. After she explains what it is, Swing says, “Striking. Exquisite…/looking not at the bag, but/ at her.” He makes several more passes at Divya. Swing even “grabs her hand/ with a confidence/ [Noah’s] never seen/ in mixed company/ and kisses it.” From this scene on, Swing is infatuated with Divya and expresses his feelings to Noah frequently.
  • Noah shares his first attempt at writing a song for Sam. The song is crude, and Swing points this out. Some of the lines include, “Your moist lips/ the oboe/ my tender mouth/ sings through.”
  • Noah finds a stack of love letters from the 1960s. In these letters, the writer, Corinthian, sometimes talks about how he wants to kiss Annemarie, his love.
  • Swing asks Noah to think about what he feels while listening to jazz. During a jazz song, Noah imagines “ending the day with a mad kiss/ under the jungle gym.”
  • Noah sees Sam and Cruz kissing at school. Noah notices that “She kisses him/ loudly.”
  • Noah asks who Sam thinks is sending her love letters/art pieces. Sam says, “whoever/ is doing this is/ smart and sexy.” In a separate thought, she muses, “Maybe it’s a girl.”
  • Cruz asks Swing and Noah how to “close the deal with Sam.” In this case, it is implied that Cruz wants to have sex with Sam.
  • Sam tells Noah why her parents got divorced. She says, “five years ago, our German/ shepherd Lucy ate some/ woman’s lingerie. When they/ recovered the skimpy outfit/ from Lucy’s gut, things got a little/ awkward when Mom/ realized the vet tech wasn’t holding/ up her lingerie.”
  • Sam, Noah, and Swing look at a Dali painting with a girl in it. When asked about what he sees, Swing says, “A girl with a big rump-shaker staring out/ the window.”
  • Sam gives Noah a parting kiss, “centimeters from/ [his] lips.”
  • Sam stays over at Noah’s house and they lay in bed. They talk all night and into the morning.
  • Sam says to Noah, “let’s go back to your/ place, and I can show/ you how a sophisticated lady acts.” This is seemingly sexual, but it is not explained further.
  • Sam kisses Noah on the cheek.
  • Noah describes one of his kisses with Sam. He says, “Our noses touch./ Our breath quickens./ We’ve kissed/ at least a dozen times,/ but this feels/ like the first,/ the only.”
  • Swing is miserable because Divya kissed him “on [his] neck.” For Swing, this means that she doesn’t want “to engage in witty/ conversation/ and occasional verbal sparring,” but rather she wants to do potentially more sexually explicit activities.
  • Noah describes his classmates and friends at prom. He notes, “Everyone’s either/ smiling or smirking,/ twirling or twerking,/ posing or posturing,/ kissing or wanting.”
  • Swing tells Noah that Divya kissed him. Swing describes, “Divya kissed me, really kissed me,/ and it was an out-of-body/ experience. It was heaven, Noah,/ and she was an angel.”

Violence

  • While in the third grade, a bully named Zach punched Noah. Sam, in retaliation, “pushed Zach Labrowski/ out of the seat, then/ squeezed in next to me/ and offered a tissue.”
  • Noah thinks that Swing snuck the love letter/art piece that Noah made into Sam’s bag. Noah is furious and thinks, “Never/ been/ a/ violent/ person/ but/ right/ now/ I/ feel/ like/ going/ to/ batting/ practice/ on/ Walt’s/ head.”
  • Noah compares his confrontation with Cruz and Sam to an old cowboy movie. He describes, “and the drunk fool will answer,/ I reckon this is none of your business,/ stranger,/ and clumsily pull out his six-shooter,/ at which point/ he will get shot dead/ between the ears/ by the handsome stranger,/ who will then/ ride off/ into the sunset/ with the lady/ on his arm.”
  • At a party, one of the seniors, who is very drunk, jumps from the upstairs railing to the couch. He’s in a lot of pain, and the students decide to call an ambulance. Much later, it is explained that he “sprained/ his pinky toe/ trying to be Superman.”
  • Swing’s brother, Moses, fought in Afghanistan and seems to suffer from PTSD. Sometimes he makes references to what he saw in combat, though it is never graphic or explained. For example, he yells “BAM!” quite a bit, in reference to the explosions that he heard.
  • Noah has Sam listen to some jazz, and she doesn’t enjoy it. Noah says, “It’s not depressing, it’s yearning.” To this, Sam says, “Yearning for what, a bullet to the/ head?”
  • It is insinuated throughout the book that the police are harassing minorities about the flag vandalism occurring around town. One night, Swing and Noah realize that Swing’s brother Moses is behind the incidents. When Swing and Noah find Moses, Swing takes the baseball bat that Moses is holding because he’s worried that Moses might be unstable due to Moses’ personal history. The police arrive, and they shoot and kill Swing on sight. It is later stated that the officers perceived Swing as a threat because he was holding a baseball bat. It becomes clear that the officer’s prejudices influenced their decision, as Swing was black. Noah describes, “One/ shoots/ two/ shoot/ three/ shots/ slice/ through/ rain/ drops/ Walt/ drops/ blood/ drops/ I run/ I run/ to Walt.” Noah runs to Swing’s aid, but the cops tackle him to the ground. Noah later recalls, “The bat falling/ from Walt’s hands,/ suspended/ for too long./ The sound/ of gunshot/ piercing air/ and flesh.”

Drugs and Alcohol

  • Swing describes to Noah how they’re going to be cool one day. Swing says, “when people google/ cool a picture of me and you/ spitting seeds and tobacco/ with our hats to the back will pop/ up.” It is expressed later that they themselves do not chew tobacco.
  • Noah’s parents go to Barcelona for the International Hotel Association conference. According to Noah, this trip is where “hotel managers/ talk about hotels/ from sunup/ to sundown,/ then get drunk/ and post videos/ of horrible, late-night/ karaoke sessions.”
  • Before Noah’s parents go to Barcelona, they sit Noah down to talk about the house rules. Noah dryly jokes to his parents, “I think I’m clear on all the rules . . . no beer on an empty/ stomach, right?”
  • One of the love letters that Noah finds states that the writer, Corinthian, and the intended recipient, Annemarie, drank wine.
  • Noah and Swing listen to a podcast called Straight, No Chaser. The podcast’s content is never discussed.
  • Noah looks for the Corinthian, who wrote the love letters. All he can find is a Corinthian who wants to “turn up and sig a little/ drink.”
  • Swing suggests that he and Noah should “get pizza and beer.” Noah replies, “We don’t drink beer.”
  • Sam spreads the word that Noah’s having a party. Sam tells Noah, “I can ask/Cruz to get his older/ brother to bring some beer.” The beer is expressly for the partygoers rather than Swing, Sam, or Noah, who stated several times that they do not like beer.
  • At Noah’s party, there is “some sort of punch/ that some guy,/ who [Noah’s] never seen before,/ starts immediately spiking/ with a bottle/ from his backpack.” Many of the teenagers at the party drink out of it and from the beers they’ve brought.
  • Sam speculates that Moses may have been “on drugs” when he showed up at Noah’s party.
  • Sam admits that she’s tried weed, “just once.”

Language

  • Words like weird, idiot, dang, friggin’, shut up, suck, pissed, and dayum appear infrequently.
  • Sam and Noah have creative insults for each other, though these jabs are light-hearted. For example, they call each other, “Sucknerd,” “Toadlip,” “Horsehead,” and “Big butt.”
  • On The Woohoo Woman Podcast, Marj says, “We’re back for the last half/ hour of Woohoo Woman,/ hopefully with a little less profanity/ in this segment.” Jackie later almost says various swear words, but she catches herself or is cut off by Marj each time. For instance, Jackie says “DAYU-“ instead of damn.
  • Noah’s Granny calls some of her card-playing buddies “SHYSTY FELLAS.”

Supernatural

  • Swing is very superstitious. Noah says that Swing “can’t walk/ up or down/ the same side of the street/ on the same day,/ or in and out/ of the same door/ when he’s coming/ or going somewhere.”
  • Noah describes art to Swing. Noah says, “Art is…finding yourself/ under the spell of/ Gustav Klimt’s/ The Kiss.”

Spiritual Content

  • Many years ago, Noah and Sam went to the same “Jesus camp.”
  • In the third letter, Corinthian makes many religious references. Corinthian tells Annemarie, “i went to church with nothing but a penny for an offering. inside i prayed a thousand prayers sacredly and secretly holding the memory of your hand in mine. . . all the mysterious and magnificent things that make music will be ours under notes of heaven above and earth below. our love provides god’s angels with trumpet and song. . . [you] gave me everything, like the goddess of muses. heaven may be a place where artists go when they die, eternally playing songs, painting scenes, writing plays, or else napping, but i regret to inform the big man that i’m not leaving for eternity until u and i can be seen as an ‘us’ on this same earth.”
  • Swing paraphrases the Bible’s book of Matthew. Swing tells Noah, “If your brother pisses you off, tell him about it. If he listens to you, he is your brother for life.” Noah replies, “I doubt the Bible says pissed off.”
  • Noah and Swing listen to a jazz album. Noah describes the experience by saying, “We listen/ like we’re in church, on/bended knee, and our god/ is Dexter Gordon.”
  • Noah describes art to Swing. Noah says, “Art is…Monet’s/ Impression. Sunrise/ carrying you away on a harbor of dreams/ that only God/ knows about.”
  • After an officer interrogates Noah about Swing, Noah thinks about the officer, “You are not/ God. Here. You are/ not God. You/ are no God. You/ are no good.”

by Alli Kestler

Running with Lions

Sebastian Hughes is excited to start his senior high school soccer season. He’s the starting goalkeeper on his soccer team. His best friends, Mason and Willie, are also on the team. The three friends go to summer training camp where Coach Patrick welcomes everybody, regardless of sexual orientation.

Everything would be great, except Sebastian’s estranged childhood friend, Emir Shah, shows up at camp. Emir’s prickly personality makes team cohesiveness difficult. Sebastian realizes the team’s success may end up in the hands of the one guy who hates him. For the team’s sake, Sebastian reaches out to Emir. When Sebastian finally breaks through the initial barrier, he discovers that he and Emir’s friendship might evolve into something much more romantic.

Running with Lions has diverse characters, and the book tackles ideas about teamwork, friendship, and sexuality. For instance, Sebastian is bisexual and Emir is gay. Emir is also British Pakistani and sometimes talks about his experiences being Muslim. Many of the other characters have equally diverse backstories, but their stories aren’t fully fleshed out. Despite their differences, Sebastian’s teammates have a strong sense of camaraderie and loyalty, especially in the face of adversity from outside forces.

Despite the diverse characters, the plot is somewhat flat. The story primarily focuses on Sebastian and Emir’s budding relationship, and sometimes their relationship takes the focus off of soccer. Although the plot builds up to the first big soccer game after camp, it’s a slow climb to reach that point. The story and dialogue sometimes come off as choppy, cheesy, cliché, and occasionally confusing.

For soccer players, Running with Lions may be difficult to read because the soccer terminology is incorrect. For instance, Sebastian was “head-butting the ball to Zach,” when it should be “heading.” In addition, the Coach yells for “plays” to be run during a game when scripted plays don’t happen in soccer. These details make the action and the soccer camp setting unrealistic.

Although Running with Lions tackles important ideas about sexuality and friendship, soccer fans will find the incorrect soccer facts, the slow plot, and occasionally clichéd writing frustrating. Despite the diverse cast, Running with Lions may be one book readers leave on the library shelf. If you’re looking for a sports book with a diverse cast, look to Jason Reynolds’ Defenders Track Team series instead.

Sexual Content

  • Sebastian’s mom helps him pack for soccer camp. When checking his items, she says, “And you’re at that age where if you need condoms…”
  • When his mom mentions condoms, Sebastian is embarrassed and thinks, “It’s as bad as that time she caught [Sebastian] kissing Julie Hammonds in eighth grade.”
  • When Sebastian’s mom brings up another girl that Sebastian was seeing, Sebastian doesn’t want to tell his parents he’s bisexual.
  • Mason, Sebastian’s teammate and friend, pulls up to Sebastian’s house to pick him up for camp. Mason tells Sebastian’s mom, “You’re looking lovely this morning.” It is later explained that Mason flirts with anything that has a heartbeat.
  • In the car, Mason, Sebastian, and another teammate, Willie, talk about their plans for after high school. They mention seeing a professional soccer team overseas. Willie says he’d also “Hook up with a few babes over in Barcelona.”
  • Mason, Sebastian, and Willie also talk about Mason’s sexual exploits. For instance, Sebastian explains, “Mason flirted and got one guy on the swim team’s number.” Mason also “hooked up with [Miguel, Willie’s friend] at Carl’s last party.”
  • Willie says to Mason, “I suck face better than I cook.”
  • According to Sebastian, “Rumor was, Coach’s nephew Xander went to one of those blazer-and-tie Catholic schools and got kicked off the baseball team when he came out. Coach decided to change the system: sexuality in sports became a non-factor. Whom you were attracted to off the field didn’t matter.”
  • Sebastian also explains that, “No one cared when Willie came out, because he was the best defensive player they had. Mason’s make-out session with Miguel was forgotten the following Monday.”
  • Masturbation jokes occur often, especially with Willie. For example, when Willie and Sebastian get to their cabin, they realize that they have some free time before the first practice. Willie is then “making a suggestive motion with his hand. ‘Do you need a little alone time?’”
  • Sebastian thinks, “For a gay guy, Willie’s maintained a ridiculous crush on Mason’s ex-girlfriend.” Phrases like this and “the gays approve” sometimes occur.
  • During punishment laps at the first training, Coach Patrick yells, “How does one pack of lions suck this bad? What did you all do during the off-season?” Mason replies, “Well, I didn’t suck anyone.” Sexual jokes continue frequently throughout the book.
  • When the boys see Emir, a new kid who has never played, they talk about him. One player says that he won’t help Emir since Emir isn’t nice at school. Hunter, another player, responds with, “Have you tried talking to him? Or is that something you’re just sorry at, like picking up women?”
  • There is a page-long dinner scene where the players discuss their romantic relationships. One player asks Mason, “So you and Val aren’t hooking up this year?” Another replies jokingly, “He’s saving himself for Coach’s daughter, remember?”
  • Coach’s stepdaughter, Grey, is introduced as the person with “a pretty gnarly crush” on Mason. Throughout the book, she openly flirts with Mason.
  • Sebastian talks to Grey about her crush, and Sebastian thinks of his own past crushes. He thinks, “He hasn’t crushed on anyone since he was like, eleven? He met Sam at a party, they exchanged numbers and made out at a movie, and that was it.”
  • At breakfast, Mason calls Sebastian “a boring virgin.” Sebastian replies, “I’m not a virgin, dickhead.” Mason responds, “Oh, that’s right. Just with guys, correct?”
  • Coach Rivera yells at one of the players. Coach says, “Where’s your form?” The player replies, “At your wife’s house.” Coach Rivera responds, “My husband would appreciate it if you picked your crap up one of these days.”
  • Sebastian is attracted to Emir. Often, he fantasizes about what romantic/sexual things he and Emir could be doing. These daydreams range in graphic nature. For instance, he finds himself staring at “Emir’s pink, very kissable lips.” At another point, Sebastian has the urge to “toss Emir on the bed for a wrestling match. But that could lead to—no, would lead to—something involving a lot less clothing.”
  • During Sebastian and Emir’s training sessions, Sebastian breaks personal space. When trying to teach Emir form, Sebastian “fits his arms around Emir’s lean frame; his hands smooth Emir’s waist.” These moments lead to Emir commenting, “I can’t relax with your junk against my bum, mate” and “I usually don’t mix stupid sports and sex.” Sebastian often makes references to others’ genitalia.
  • Two boys are fast asleep in bed, and it is insinuated later that they might be having a fling. Sebastian sees them and describes, “Willie’s face is mashed in Hunter’s neck. Hunter’s fingers are twisted in Willie’s hair; their lower halves are tangled.”
  • Sebastian says that Zach didn’t get a girl’s number because she heard that Zach was “a virgin.” Zach declares, “I get plenty of tail.” This conversation continues for a couple of pages.
  • When training by themselves, “Sebastian kisses [Emir]. It’s so quick, their mouths just smack.” Sebastian thinks, “…this isn’t a real kiss, where you’re lightheaded afterward or shoving your tongue down a hot guy’s mouth to taste the flavor of his gum.”
  • Emir and Sebastian kiss, and the description lasts for a couple of pages. Sebastian describes, “Emir pushes as much as Sebastian pulls. It’s needy. Wet mouths move as if there’s not a second to lose. They’ll never be able to dance around this kiss… He grabs Emir’s hoodie and drags him closer. His thigh fits between them, and Emir uses it like a cat rubbing against a post to scratch an itch.”
  • Emir and Sebastian become sexually intimate, and Sebastian narrates, “He doesn’t know if that’s how fooling around with another guy is supposed to be, but it’s a good start.” The description goes on for four pages. Sebastian “drops kisses under Emir’s jaw. Sebastian waits. Emir chokes back a gasp, and then Sebastian’s fingers dig roughly into Emir’s hips, lifting him up in one quick motion. He pushes Emir against the closest wall… Sebastian’s hips meet Emir’s. He worries Emir might not want that, but the soft hitch in Emir’s voice counters those concerns.”
  • Mason accidentally reveals that Willie has had a crush on Sebastian for a long time. Mason jokes about how he doesn’t understand why Willie would like Sebastian, and “with his head bent uncomfortably close to Sebastian’s crotch, he says, ‘Are you hiding something amazing in your jockstrap, Hughes?’” Mason then proceeds to say, “I’ve seen it, bro. In the shower. You’ve got Thor’s hammer down there.”
  • Sebastian and Emir go skinny dipping. When Emir blushes, Sebastian says, “It’s not like you haven’t seen me naked before.”
  • Emir and Sebastian kiss while skinny-dipping in the lake. Sebastian describes, “The kiss isn’t frantic, but it’s feverish. Emir’s hands are on his shoulders. Sebastian’s mouth parts, gasping, teased by Emir’s tongue. It’s thrilling and purposeful, and Sebastian’s heart is erratic.” The description lasts for a page.
  • After skinny-dipping, Emir and Sebastian shower together. They kiss. Sebastian “goes for broke, curls a finger under Emir’s chin, and angles his face so he can plant a soft peck on Emir’s mouth. Emir kisses back.”
  • Sebastian briefly mentions that one morning, he “let Emir drag him to bed for morning kisses. Sebastian’s fumbling hands highlighted his lack of sexual experience with boys, but Emir didn’t seem to mind at all.”
  • When the band The 1975 comes on in Mason’s car, Sebastian explains to Emir that, “Mace would totally suck face with Matt Healy if he could.”
  • Sebastian explains that there’s an old drive-in movie place in Oakville, and that “during the week, no one shows up except the slackers, elderly folks, and horny parents searching for somewhere to, well.”
  • At the drive-in, “a man older than Sebastian’s dad emerges from a rusty Cadillac. He grins smugly with a hand firmly pressed to his wife’s ass. Sebastian hopes that’s his wife.”
  • Sebastian and Emir get intimate at the drive-in, though Sebastian explains that, “All their fooling around has never quite gone there.” Sebastian also narrates, “Emir crawls—climbs into Sebastian’s lap… Emir is balanced on knees that pin Sebastian’s hips. His left hand cradles the back of Sebastian’s head. A soft sigh breaks his lips, inches from Sebastian’s as he lowers his hips.”
  • Sebastian asks Emir if he’s ever had sex with a guy, and Emir says, “Yes.”
  • Willie says that Mason got playing time years ago because “we had three players out with mono thanks to the lovely Cara Beckman,” who is a cheerleader with “a thing for athletes.”
  • Sebastian thinks about his relationship with Sam. He thinks, “Sam made the first move on him. Sam told him she was his girlfriend. Sam said, ‘I love you’ first, words she didn’t mean. Sam broke up with him. First by text and then in person.”
  • Emir breaks into Sebastian’s room. Sebastian realizes that Emir is wearing Sebastian’s jersey and that Emir doesn’t care what their teammates think. Sebastian thinks, “that threatens to make Sebastian get on one knee for more than one reason.” The innuendo is not explained further.
  • Emir and Sebastian have sex. The buildup is described, but the sex is not. Sebastian narrates, “They kiss. It takes them a moment to find a rhythm between mouths and bodies. Emir’s hand is flat against Sebastian’s chest. Sebastian has fingers in Emir’s hair… [Sebastian] tenses trying to figure out the condom.” This buildup lasts for five pages.
  • Willie passes out water in the locker room, and Sebastian takes one. Willie says to Sebastian, “Don’t choke,” when Sebastian cracks the top and guzzles as if he’s been in the desert. He adds a rude gesture that Sebastian supposes is a reference to oral sex.
  • Carl badmouths Emir in the locker room. When Sebastian won’t agree with Carl, Carl says, “Sounds like [Emir’s] got a stick up you.”
  • Grey challenges Mason to a one-on-one scrimmage, and the first to score gets to pick their prize. Grey says, “If I win, we go on a date.”
  • Mason and Willie juggle soccer balls and mock each other. Mason says to him, “I thought you played with balls in your spare time? You suck!” Willie replies, “I get no complaints about the way I handle balls, thank you.”
  • Mason tells Willie and Sebastian, “I want to ask [Grey] out.”
  • At the hospital, Sebastian discovers that “Hunter and Willie are boyfriends now.”
  • Sebastian “kisses Emir” on the soccer field.

Violence

  • Players sometimes get injured in soccer. For instance, one player runs Emir over during a game, and “Emir’s folded up on the grass.”
  • Emir is rude to Sebastian. Sebastian thinks about how he wants “to shout, ‘What the hell?’ or punch Emir or walk away.”
  • Sebastian asks Grey if she’s wearing eyeliner at dinner one night. Grey “kicks his shin under the table.”
  • Sebastian thinks about how in freshman gym, he “nailed Carl during a friendly baseball game. Carl rolled around the field for half an hour, claiming a dislocated shoulder.”
  • Sebastian “imagines his knuckles bloody and Carl laid out on the cement” when Carl harasses Sebastian and Emir.
  • After an argument with Carl, Sebastian “turns, rolls his shoulders, and then slams his fist into a locker door.”
  • When Grey challenges Mason to a match, Gio says, “Twenty [bucks] says coach murders [Mason] and dumps the body in the lake.” Sebastian “bets [Grey’ll] kick Mason in the junk.”
  • Coach makes Sebastian captain. When Mason and Willie find out, they dogpile Sebastian in celebration. “Mason’s elbow jams his ribs. Willie knees him in the thigh.”
  • Sebastian tells Willie and Mason that he messed up his chance with Emir. Mason responds with, “Do you want me to rough him up?”
  • Hunter gives Sebastian love advice and then ends it with, “And if you ever tell Will about this, I’m gonna use your testicles for keepie-uppies practice.”
  • The other team makes homophobic remarks. Zach says, “They’re family, and I’ll whale on any of you prep pussies that messes with ’em, okay?” He turns to Emir and Hunter and says, “I’ve been wanting to deck one of those shitheads since I was a frosh.”
  • Zach, Emir, and Hunter playfight in the locker room. “Zach drags Emir into a headlock. Emir playfully fights back though Zach’s size overpowers him. Hunter joins them, jumping on Zach’s back. They all stumble into the locker room with a thud.”
  • Two players “are engaged in a furious game of bloody knuckles.”

Drugs and Alcohol

  • Mason smokes a cigarette on the drive to camp.
  • Sebastian describes one spot at camp where “Guys use the picnic area to sneak cigarettes at night.”
  • Emir has “a half-burnt cigarette” one night.
  • On the weekends, “the seniors usually sneak in cheap beer or rum” to camp. The boys do drink and get drunk during the book. Sebastian carries one of the players, Zach, back to his cabin because Zach is drunk. Zach declares, “I’m not wasted.”
  • Zach “grins, arms stuffed with cheap beer. ‘Brews and tunes, dudes.’”
  • Sebastian says he saved Mason from getting “locked up two years ago for possession of greenery,” or marijuana.
  • Sebastian “was so done with Sam’s shit, he had a healthy hit off Mason’s joint, coughing violently before mellowing out with vodka.”
  • Zach has “a chain-smoking father.”
  • The guy working at the drive-in concession stand says, “I’ve got half a joint out back that I’m dying to finish. Can you guys order already?”
  • Willie tells a story about “that time [Sebastian] drank too many wine coolers and took a dare to do keepie-uppies naked.”
  • Once, Sebastian and Mason were “playing drunk Scrabble in a cemetery.”

Language

  • Profanity is used often. Profanity includes asshole, hell, hellions, shit, ass, douchebag, dickhead, dick, whore, and bastard.
  • Mason flips off Sebastian as he runs past. The middle finger is used occasionally.
  • One player swears at his teammates in Italian. For example, he says, “Vete al infierno” which means “go to hell.” He also says, “Que mierda,” but no English translation is given.
  • Sebastian “nods like a happy stoner” at Emir’s comment. Variations of this expression are used throughout.
  • During an argument, Sebastian says, “Fuck you.” Carl replies, “Yeah, fuck you too, Hughes.”
  • The opposing team makes homophobic remarks towards Sebastian’s team, including, “Did you know you play for a team of homos?” and “You pack of faggots.”

Supernatural

  • None

Spiritual Content

  • Mason keeps joking about camp being hell. Willie says, “This place is a sanctuary. A no-man’s-land, dude. Sacred.”
  • Sebastian mentions that Coach Rivera is “a devout Catholic and often calls on his religion.” Coach Rivera will sometimes say, “Que Dios nos ayude,” or “God help us.”
  • Sometimes characters will say things like, “Well, thank baby Jesus” or “Christ.”
  • Emir is Muslim and tells Sebastian that he prays “Fajr, the dawn prayer.”
  • One player calls Hunter a “Jesus freak,” and Hunter replies, “Let’s hope God blesses me not to humiliate your sorry ass all over the field today. Amen.”
  • Emir talks about how one of the freshmen dropped when he had to room with Emir because “Rooming with a Muslim offended his family.” Emir expresses that he’s dealt with discrimination his entire life.
  • Emir explains to Sebastian that he was praying “Isha’a…the last of the salats, daily prayers.” Sebastian remembers “the adults in Emir’s family fasting during Ramadan and a small backyard gathering to celebrate a feast day Sebastian can’t remember the name of, but he recalls the beautiful clothing, the music, and Emir’s parents passing out gifts to the children.”
  • Sebastian thinks about how he’s “heard of the coaches who refuse to look Coach Patrick in the eye and the parents and faculty who call Coach ‘a supporter of sinners who’ll burn in hell.’”

by Alli Kestler

Undefeated: Jim Thorpe and the Carlisle Indian School Football Team

In 1907, the Carlisle Indian School in Pennsylvania became one of the most innovative football teams in the United States. Lead by Ivy League graduate Pop Warner and star player Jim Thorpe, this team would go on to challenge the most prominent football teams of the day, including Harvard, the University of Pennsylvania, and Yale.

This narrative nonfiction story highlights the history of football and of the United States’ direct involvement in the mistreatment of Native Americans. The Carlisle Indian Industrial School was the first government-run boarding school meant to assimilate Native Americans into white society. The school opened after the Black Hills war and centuries of violent conflict. Native American children were taken from their homes to live in military-style schools, where they were not allowed to dress in traditional Native American clothing nor speak their native languages. This practice became standard in the U.S., effectively cutting children off from their parents and their cultures. This is the context that surrounded Jim Thorpe and the Carlisle Indian School football team. It is a history unknown by most and not widely discussed.

Undefeated weaves the history of football and the Carlisle Indian School Football Team into the United States’ treatment of indigenous people. Sheinkin masterfully presents history without holding back on the grim reality of boarding schools or the overwhelming obstacles Native American students faced both on and off the football field. Sheinkin effectively balances a creative narrative nonfiction style with more strait-laced historical aspects. These two facets create an engaging view of a lesser-known aspect of one of the United States’ favorite sports without sacrificing accuracy or becoming boring.

The football-heavy parts of this story delve into the danger the players faced before football was modernized. Sheinkin makes the game descriptions digestible even to those who don’t know football or the sport’s history well. Undefeated takes readers through the highs and lows of practices and games, giving readers the feeling of being there in real-time. Ultimately, Undefeated shows a love for football that is untarnished by time.

Undefeated is not a typical football story about the underdog team fighting for first place. The story is far more complicated and interesting, and it breathes life into its historical cast of characters. History rarely comes with clean-cut lessons, but Undefeated presents the need for perseverance when the going gets tough. The world that Jim Thorpe and his classmates from the Carlisle Indian School lived in was unfair to them, and their stories deserve recognition in American history. Their legacy lives on in one of America’s favorite pastimes and their influence upon football will carry forward for generations to come.

Sexual Content

  • Jim Thorpe liked classmate Iva Miller and told her upon meeting her that, “‘You’re a cute little thing.’ Iva was not impressed.”

Violence

  • Jim Thorpe attempts to try out for the football team, but Pop Warner sends him out to get tackled by the current varsity players. No one can touch Jim, though, because he’s incredibly agile and fast. Warner yells, “Hit him down so hard he doesn’t get up!”
  • Football-related violence occurs throughout the book. One memorable line comes from the first official American football game in 1869. During the game, “One of the Rutgers men, George Large, took a blow to the head and came up woozy. He stayed in the game. For the rest of his life, Large would boast that he was the first man ever injured playing American football.”
  • The football-related violence is heightened because early football had few real rules. In one description, “[The play] wasn’t over until the man with the ball quit moving. So while he squirmed and wriggled forward, more defenders piled on, and plays ended in massive, writhing mounds, inside of which guys would throw elbows and knees, scratch and bite, spit and choke, until the refs could untangle the heap.”
  • When Jim was young, his father Hiram “strode into the river in his boots, grabbed [Jim], hauled him out to deep water, and dropped him in the current. Hiram then waded back to the bank and watched.” This was Hiram’s way of teaching Jim how to “man up.”
  • Hiram carried “bullets in his belt.”
  • The story discusses the historical treatment of Native Americans by the United States government, including the Indian Removal Act of 1830. For instance, “President Andrew Jackson explained the objective in bluntly racist language. Native Americans were surrounded by what Jackson called ‘a superior race.’” Describing the Trail of Tears, Sheinkin writes “an estimated four thousand people died of disease, cold, and starvation before the nightmare journey ended.”
  • Of a town near Jim’s birthplace, one stagecoach driver said you could, “stay for half an hour and see a man killed.”
  • Losing one of Jim Thorpe’s childhood games came with a price. Anyone who fell behind or lost had to endure the slapping machine. He describes it as, “This consisted of scampering on hands and knees between the legs of others in the game, assisted by a brisk paddling.”
  • Jim hiked 23 miles home from school and Hiram “gave Jim a whipping” and took him straight back to school. This happens several times, as Jim tended to skip school and return home.
  • A player from Georgia died during a football game. The player “hit the ground headfirst . . . The blood drained from his face. His eyes were open, his lips quivering. A doctor ran onto the field and diagnosed a fractured skull . . .  he died the next morning.” Similar injuries and deaths are described in similar detail.
  • Thorpe and two of his teammates were going to the baseball field when a large white man stepped in their path. The white man said, “When a white man approaches, you get off the sidewalk and get into the street.” In response, Thorpe punched the man in the face, and the trio “walked around [the white man’s] fallen body to the baseball field.” They then “spent that night in jail.”
  • The Carlisle Indian School staff mistreated students, and the 1914 Congress investigated the claims. Students “came forward to testify about skimpy meals for non-athletes and cruel treatment, including beatings, by teachers.”
  • Coach Pop Warner reported that “If a player was too good-natured or easygoing . . . the coach would tell one of his own mates to sock him in the jaw when he wasn’t looking and then blame it on the other team so as to make him mad.”
  • As a child, Pop Warner stood up to his bullies. “One of the class bullies grabbed Pop’s hat, tossed it into a slushy puddle, and stomped on it . . . In a burst of rage, [Warner] pounced on the bully, knocked him down, and started pummeling him.”

Drugs and Alcohol

  • Jim grew up near Keokuk Falls. The story was that “it was a place where even the pigs got drunk—a whiskey distillery near town dumped used corn mash behind the building, and hogs gorged on it and staggered down the dirt streets.”
  • After a game in Chicago, “the [Carlisle] players collapsed onto couches at their hotel and lit up cigars.”
  • Pop Warner smokes during practices with the Carlisle players.
  • The Carlisle football players were allowed to drink at the local bars, which “weren’t supposed to serve Carlisle students, but exceptions were made for football players.”
  • Jim Thorpe occasionally smokes cigars.
  • After a game, “Thorpe and Welch sat together with glasses of beer.”
  • Thorpe and his daughter Charlotte told stories one night “over drinks.”

Language

  • Profanity is limited. Derogatory terms include “sissy” and “crippled.”
  • Many derogatory names are referenced in quotes toward Native Americans. For instance, the founder of the Carlisle Indian Industrial School fought in land disputes against Native Americans on behalf of the U.S. He said, “I had concluded . . . that as an army officer I was there to deal with atrocious aborigines.” In another example, newspapers referred to the Carlisle football team wins as “scalpings” and “massacres.” This occurs somewhat often throughout the book.
  • Pop Warner’s childhood nickname was Butter— “It was not a compliment . . .  [His classmates] pelted his broad backside with beans shot through straws, and pebbles launched from slingshots.”
  • When the first group of Native American students was brought to the Carlisle Indian School, “the townspeople waved their arms and made grunting sounds—mimicking their idea of Indian behavior.”
  • Pop Warner had a colorful vocabulary and used it during some practices with the Carlisle players, who did not appreciate his rudeness. The book quotes Pop as saying such things as, “Play @#$& football!” and “What in the %&*# you think you’re doin’?” It does not use the actual swear words.
  • At one point, Thorpe says to Pop “Aw, hell . . . what’s the use of going through ‘em when I can run around ‘em?”

Supernatural

  • None

Spiritual Content

  • None

by Alli Kestler

The Crossover (Graphic Novel)

Twelve-year-old Josh and his twin JB Bell are the kings of the basketball court. Untouchable and unstoppable—the sons of former professional basketball player Chuck “Da Man” Bell couldn’t be anything less than excellent. But when Alexis walks into the twins’ lives and steals JB’s heart, Josh is left without his best friend by his side. Meanwhile, the boys’ father’s health is on the decline, despite Chuck’s utter denial. Josh and JB must deal with the consequences of everyone’s actions—including their own.

The illustrations in the graphic novel, The Crossover, bring the story to life. Illustrator Dawud Anyabwile’s comic book style illustrations match the high-pace action of the novel, especially during the basketball scenes. Most of the illustrations are in black and white with detailed shading, but Anyabwile frequently utilizes orange to help features pop off the page. The text changes in size and shape which helps to capture the rhythm of the poem. Even though this is a graphic novel, the poetic language makes The Crossover a good choice to read aloud.

The pages vary in the amount of text and pictures. Some pages have full-bodied scenes with a few sentences, while others have smaller pictures with mostly narration or dialogue. Alexander’s free-verse poetry moves very well and, thus, lends itself to these variations in page styles. The text placement only serves to emphasize parts of the story. Even though the graphic novel has some difficult vocabulary, the words are often defined and the repetition of the words allows the reader to understand the term. Readers will learn new vocabulary, but the more advanced vocabulary is balanced with realistic dialogue and trash talk during the basketball scenes.

The words themselves rarely vary from the original book, though the verse orientation on the page serves to emphasize different phrases. Those who have read the original text will still find that the graphic novel conveys characters’ moods and personalities in different ways due to the addition of illustrations. Josh, JB, and their friends and family are all vibrant characters and the pictures give them new life and add to the reading experience.

The Crossover was already a moving story, but the story benefits greatly from the addition of illustrations. The illustrations enhance the characters’ emotions and the story’s stakes feel heightened. The story speaks truths about grief, love, and basketball, and the pictures serve to bring those wonderful themes to another dimension. Newcomers and fans of the original story will find this edition to be a worthy addition to their shelves.

Sexual Content

  • Josh and JB’s dad, Chuck “Da Man” Bell, tells his sons about how back in the day, he “kissed/ so many pretty ladies.”
  • Josh says that the only reason why JB has been “acting all religious” is because classmate “Kim Bazemore kissed him in Sunday/ school.”
  • Josh does his homework while “Vondie and JB/ debate whether the new girl/ is a knockout or just beautiful,/ a hottie or a cutie,/ a lay-up or a dunk.”
  • Josh teases JB and asks if “Miss Sweet Tea” (Alexis) is his girlfriend. JB dodges the question. However, it is clear that he likes her a lot because “his eyes get all spacey/ whenever she’s around,/ and sometimes when she’s not.”
  • Chuck faints, and his wife, Crystal, demands that he see a doctor. Chuck refuses, and they argue. In an attempt to diffuse the tension between them, he says, “Come kiss me.”
  • After Crystal and Chuck stop arguing about Chuck’s health in the bedroom, Josh narrates, “And then there is silence, so I put the/ pillow over my head/ because when they stop talking,/ I know what that means./ Uggghh!” This happens a couple times throughout the book, though it is never illustrated.
  • Alexis wants to know “am I [JB’s] girlfriend or not?”
  • Josh likes Alexis romantically as well, but JB doesn’t know that.
  • JB and Alexis walk into the cafeteria, and she’s “holding his/ precious hand.”
  • JB and Alexis kiss in the library, and Josh sees them. The kiss is illustrated.
  • JB tells Alexis “how much she’s/ the apple of/ his eye/ and that he wants/ to peel her/ and get under her skin.”

Violence

  • JB plays with Josh’s locks of hair. Josh “slap[s] him/ across his bald head/ with [Josh’s] jockstrap.”
  • JB accidentally cuts off five of Josh’s locks of hair. Josh gives JB several noogies over the course of a few interactions.
  • Josh nearly breaks JB’s nose with a hard pass during a basketball game. He does it on purpose because he’s upset with JB, and Josh is suspended from the team. The description is only a couple of words long.

Drugs and Alcohol

  • Crystal’s younger brother “smokes cigars.”

Language

  • There are a few rude terms used occasionally by the younger characters. Some terms include crunking, stupid, and jerk.
  • When Josh narrates his plays in games, he talks big about his game and this leads to him occasionally threatening physical contact during the game. For instance, Josh says in part of his beginning speech, “Man, take this THUMPING.”
  • Josh’s nickname is “Filthy McNasty.”
  • JB suggests a bet against Josh. Josh responds with, “You can cut my locks off,/ but if I win the bet,/ you have to walk around/ with no pants on/ and no underwear/ at school tomorrow.”
  • JB responds with, “if you win,/ I will moon/ that nerdy group/ of sixth-graders/ that sit/ near our table/ at lunch?”

Supernatural

  • None

Spiritual Content

  • JB only went to one basketball summer camp because “he didn’t want to miss Bible/ school.”
  • The Bells go to church on Sundays before basketball. Josh says, “When the prayers end/ and the doors open/ the Bells hit center stage,” meaning the basketball court. Josh sometimes mentions team prayers or praying to win games.

by Alli Kestler

 

 

Patina

Ever since Patina and Maddy’s mom got diabetes and lost her legs, their lives have changed dramatically. Now they go to the fancy Chester Academy and live with Aunt Emily and Uncle Tony. Patina has fears other than trying to fit in at her school, though. She’s afraid “The Sugar” will take her mom from her too. Patina is finding that no matter how fast she runs, she can’t outrun her fears.

Even worse, Patina’s attitude has slipped, and Coach is making her run in a relay with the people she argues with. Depending on her teammates, especially the ones she doesn’t get along with, seems, well, impossible. When her aunt and Maddy get in a car crash, Patina realizes that depending on others is necessary. When her uncle steps in, it only shows further that she isn’t alone and doesn’t have to be the parent to her younger sister—or herself. She doesn’t have to do everything alone, including the relay. It’s okay to wait for the handoff, both in track and in life.

In the second installment of Reynolds’s Defenders Track Team series, Patina takes over as narrator. Tragedies shape her life: when she was young, one morning her dad never woke up. Her mother then developed Type II diabetes, or what she calls “The Sugar,” and lost her legs. Now, Patina lives with Emily and Tony, and although they’re good people, Patina misses her parents. For someone with her history, it’s no wonder why Patina runs with a chip on her shoulder. Anything less than first place, as far as she’s concerned, is losing. Because she runs for Ma and Maddy, she feels that anything less than first is her failing her family.

Patina is intense and often confrontational, but her fierce loyalty and love for her family make her relatable. With the help of her coaches and teammates, she is able to let go of her independent streak enough to let others in. Patina shows that the world needn’t be entirely on anyone’s shoulders. Not all burdens, especially emotional ones, should be carried alone.

Reynolds has a knack for writing unique characters in specific situations that, despite their specificity, contain universal themes. The power of each book in this series resides within the characters’ capacities to overcome their daunting situations. Patina knows her mom is living on borrowed time and that one day, she will lose her, too. What makes Patina strong is that she’s able to keep running, and she runs for her mom, her sister, her adoptive family, and her teammates. Family, blood-related or otherwise, remains a key component of the Defenders Track Team series, and particularly in Patina’s life.

Patina is a strong sequel to Ghost. The returning cast and newcomers blend together to create a realistic environment for Patina and her cohorts to flourish on and off the track. Track fans and non-sport readers alike will find that this story places importance on friendship and family. Patina’s story emphasizes one of the really beautiful parts of life: no one is ever really alone.

Sexual Content

  • Sunny likes Patina. They stretch together at practice and Sunny stares at her legs. Patina thinks, “Was Sunny checkin’ me out? If he was, now was not the time. Also…no…gross…stop it…right now…seriously.”
  • Cotton, Patina’s friend, likes Lu, who is one of the other runners. Cotton says to Patina, “’You think if I wink at Lu on the track, he’ll wink back?’”

Violence

  • Patina and Krystal, another runner, get into an argument while practicing the relay. Krystal says to Patina, “What makes you better? Your white mother?” To which Patty goes on a page-long rant that ends with her saying, “Better watch who you playin’ with.” Coach Whit “grabbed [Patina] by the arm and dragged [her] off the track to the gate.”
  • Patina has a temper. When she gets mad, she will imagine “breaking invisible teacups.” This is her way of dealing with grief and stress.
  • Patina thinks that she was “about to give Krystal a good old-fashioned Beverly Jones Funky Zone beat-down.” She does not do this.
  • Patina teases Lu, another runner, about Cotton. Then Patina ays to Lu, “Don’t deny my girl, Lu, or I’ll leave you laid out across this track.”

Drugs and Alcohol

  • Patina’s aunt Emily is on “heavy-duty pain meds” after her surgery and is a little loopy.

Language

  • Stupid, fool, and shut up are all used frequently.
  • Of two girls in Patina’s class (Taylor and Teylor/TeeTee), Patina thinks, “They’re like attached at the ponytail and call themselves T-N-T, which is funny because most of the time I just wished they’d explode.”
  • Patina has names for the different types of kids in her school. She thinks, “The mess of hair-flippers, the wrath-letes (kids feel like it’s a sport to make everyone’s life miserable), the know-it-alls, the know-nothins, the hush-hushes…The YMBCs (You Might Be Cuckoo)- the girls who wear all black and cover their backpacks with buttons and pins- and the girls whose boyfriends, brothers, and fathers all wear khaki pants.”
  • At one point, Patina’s nicknames for Taylor and Teylor are “Bony McPhony and her cousin Lie-Lie.”

Supernatural

  • None

Spiritual Content

  • Patina’s mom (Ma) references God and Jesus frequently. There is a scene in their church where Patina says that Ma yells, “Yes, Lawd! Yessssss!” After, Patina thinks that Ma is in a good mood because “Ma’s all high off Jesus.”
  • Ma prays for people throughout the book. In one instance, she says to Patina, “You know I pray for you. I pray God put something special in your legs, in your muscles so you can run and not grow weary.”
  • Patina thinks church is “a whole lot of talk about grace and faith and mercy and salvation, which, to me, all just equaled shouting, clapping, and singing in a building built to be a sweatbox.”
  • Patina explains Ma’s religiousness. She thinks, “after Dad passed, that’s when Ma got all churchy-churchy. The beginning of catching the spirit and dancing in the aisle and ‘praying of peace in the eye of the storm.’”

by Alli Kestler

My Lady Jane

According to the history books, Lady Jane Grey became the Queen of England for nine days before quite literally losing her head. But according to authors Cynthia Hand, Brodi Ashton, and Jodi Meadows, there is definitely more to the story.

Edward hasn’t done very much in his lifetime. Sure, he’s been the King of England since he was a child, but he’s never even kissed a girl—and now he’s caught a deadly illness known as “the affliction,” which means he’ll be dead within a year. Unable to trust either of his sisters to take the throne, Edward decides to rewrite the line of succession, leaving the throne to the future male heir of his cousin, Lady Jane Grey.

Sixteen-year-old Jane would love nothing more than to escape from her life. Her nagging mother and a never-ending string of unfortunate engagements are positively boring compared to the adventures she reads about in her favorite books. She might want her life to be more exciting, but getting married to a complete and total stranger was not what she had in mind.

The stranger in question, Gifford Dudley (please call him G), isn’t too thrilled to be getting married either. Every morning G transforms into a horse and stays that way until sunset. He’s gotten used to the fact that he’s cursed, but he’s not totally sure how to explain that to his pretty new wife.

My Lady Jane is a fascinating alternate history adventure; it is set in a world where people called Eðians have the ability to transform themselves into animals. Despite being based on 16th-century British nobility, Edward, Jane, and Gifford all read as super-relatable to a modern teenager. Stubborn, bookish Jane and sweet, clueless Gifford certainly don’t know how to make a relationship work, let alone run a kingdom. Edward might have been the King of England, but that can’t protect him from being totally awkward around the girl that he likes.

Serious history buffs might not appreciate the extreme liberties that the authors take with the timeline, but the story will definitely appeal to open-minded historical fantasy fans and anyone looking for a good laugh. The story takes readers on a rollicking adventure across England, complete with attempted regicide, a giant bear, and lots of romance. Jane and Gifford’s slow, often awkward progression from unfriendly strangers to loving partners is equal parts endearing and frustrating. Readers will surely be rooting for the protagonists as they learn that sometimes your heart’s desire can be found in the most unexpected places.

 Sexual Content

  • According to rumor, King Henry’s second wife was an Eðian, “who every so often transformed into a black cat so she could slip down the castle stairs into the court minstrel’s bed.”
  • Edward is described as having “the correct genitalia” to rule England.
  • Edward thinks that if he had been born a commoner, “at least he would have had an opportunity to kiss a girl.”
  • Edward thinks that producing an heir would be fun because it would “definitely involve kissing with tongues.”
  • Edward is reluctant to approve of Jane’s marriage because “in the back of his mind he’d been holding on to the idea that perhaps someday he’d be the one to marry Jane. This was back when it was slightly less frowned upon to marry your cousin.”
  • Edward’s advisor says, “Life would be a lot simpler if I only had to attend to my wife in the hours between dusk and dawn.”
  • Gifford’s father tells Edward that Gifford is “a little too easy on the eye for his own good, I’m afraid. He tends to attract…attention from the ladies.”
  • Gifford’s brother mistakes Jane for one of the women he thinks Gifford has been sleeping with. This causes Jane to panic about her wedding because “Her husband to be was a philanderer. A smooth operator. A debaucher. A rake. A frisker.”
  • Gifford lets his parents believe that he is “carousing with the ladies” so they don’t discover that he’s been spending his time writing and performing poetry.
  • Gifford’s father says that Jane is “as far as can be anticipated” fertile.
  • Jane’s mother explains sex using the euphemism “a very special hug.” She says that although the hug might be unpleasant, “it’s part of the wedding night, and part of your duty as a wife.”
  • At the end of their wedding ceremony, Jane and Gifford kiss. “The kiss came quickly. It wasn’t anything more than a touch of his lips to hers, so light it might not have happened at all.”
  • Gifford says that “not one in twenty men” would find Jane unseemly, and that “the supple pout of her lips” could inspire poetry.
  • Gifford, annoyed at how concerned everyone seems to be with the consummation of their marriage, thinks, “at least the nobility of England no longer required live witnesses to the event.”
  • Edward and Jane seem so close that Gifford thinks they might be “kissing cousins.”
  • Edward says that he saw a “flicker of surprise and definite male interest” in Gifford’s eyes when he first sees Jane at the wedding.
  • As Edward watches Gifford and Jane leave their wedding feast, he thinks, “I am never going to consummate anything. I’m going to die a virgin.”
  • Jane gets angry at Gifford and calls him a “drunken lothario.”
  • After bonding during their honeymoon, Jane and Gifford almost kiss. As they stand alone in the parlor, Jane realizes they’ve gotten quite close and wonders, “Would he kiss her? Part of her hoped he would. A big part maybe. Multiple parts: her butterfly-filled stomach, her thudding heart, and her lips, which remembered the gentle breath of a kiss during their wedding.”
  • When Edward transforms back into a human, he finds himself naked and alone in a strange village, where a woman accuses him of being a pervert. She says, “This was a decent village, you know, before your kind came around spoiling it. Thieves and murderers, the lot of you. Like those dogs that watch me get dressed through the window and then run away. Perverts!”
  • Gracie is an Eðian who can turn into a fox, which is ironic considering how attractive Edward finds her. The narrators take the opportunity to tell the reader that “the term fox, used to convey the attractiveness of a woman, was not invented until Jimi Hendrix sang ‘Foxy Lady’ in 1967.”
  • Edward wants to kiss Gracie but can’t because “he wanted her to want him to kiss her.”
  • Gifford and Jane share a single set of clothing while they are on the run from Mary’s soldiers. Jane describes the situation as an “awkward (and scandalous, though they were married, so did it really count as scandalous?) clothing situation.”
  • Jane reflects on her growing feelings for Gifford. “He teased her, but never with an intent to hurt her feelings. He often held her hand. He called her pet names like ‘my darling’ and ‘my sweet.’ Those things shouldn’t have had such an effect on her, but they did. Being with him made her breath come quicker and her heart pound and her palms get all clammy. It made her wish she could remain human all the time so that they could stay together.”
  • The King of France tells Edward to find a wife and produce some male heirs as soon as possible. The King says, “I have three sons, myself, and a number of bastards. It’s very comforting for me to know that I will never find myself in your predicament. My bloodline is secure.”
  • Edward finally asks Gracie to kiss him by saying, “I’ve never kissed a girl before and I want it to be you. Will you?” She considers it, but ultimately she isn’t able to get past the difference in their stations and runs away.
  • On the morning of a battle, Jane finally kisses Gifford for real. As they were saying goodbye, Gifford “kissed her. Softly at first, but then she pulled him close and pressed her lips harder to his. And that was it. She could feel him giving in by the way his body pressed against hers, the way one of his hands cupped her cheek, and the way the other slid down her arm. She could feel his desire to stay human in the fevered, desperate way he kissed her.” The description lasts about half a page.
  • Gifford reflects on the kiss. “How had a girl like Jane kissed him like that? With her whole heart and her whole body? She’d probably read a dozen books with titles like The Kiss: It’s Not Just About the Lips. The way Jane kissed, it was like an art. She kissed by the book.”
  • After breaking into the castle, Jane and Gifford are reunited. They finally say “I love you” to each other, and Gifford is able to stay a human. “The two lovers embraced, while Edward and your narrators turned their heads to give the lovebirds their moment of blessed union.”
  • After the battle, Edward can’t stop thinking about Gracie. “Because he wanted to tell her that he’d stepped down from the throne and see that surprised look on her face. And (let’s be honest) he still very much wanted to kiss her. He thought about it embarrassingly often.”
  • Edward tells Gracie that he gave up the throne, and they finally kiss. “Edward closed the space between them in two strides. He didn’t really know what he was doing, only that he had to do something right now or he’d explode. Her warm heart-shaped face was in his hands, his fingers caught in her curls. She opened her mouth to say something and he kissed her.” The scene lasts about a page.
  • At Jane and Gifford’s second wedding, “Jane didn’t wait for instructions to kiss. She stood on her toes and wrapped her arms around her husband’s shoulders and kissed him as the guest clapped and clapped.”
  • After the wedding, Jane and Gifford have a conversation that devolves into kissing. “Lips met lips, soft and questioning at first, then suddenly desperate and wanting. And at their first wedding, their wedding-night chamber seemed full of the echoes of strangers eager to have their say, tonight, they were very much alone.” The narrators cut in before it gets too steamy but do assure the readers that “they totally consummated.” The scene lasts for about a page and a half.

Violence

  • At the beginning of the book, the narrators summarize the historical version of what happened to Lady Jane Grey: “She was queen for nine days. Then she quite literally lost her head.”
  • There is a group called the Verities who believe that all Eðians are an abomination, “And because Verities were largely in charge of everything, Eðians were persecuted and hunted until most of them died out or went deep into hiding.”
  • When King Henry discovers his own ability to turn into a lion, he decrees that Eðians aren’t so bad after all. “The head of the Verity Church was not pleased with King Henry’s decision, but every time Rome sent a missive denouncing the decree, the Lion King ate the messenger. Hence the phrase don’t eat the messenger.”
  • Edward says one of the things he wants to do before he dies is to beat the weapons master in a sword fight because “[he] was the only person [Edward] knew who forgot to let him win.”
  • Because of rumors of his second wife’s infidelity, “the king had her head chopped off.” It is also briefly mentioned that his fifth wife was beheaded too.
  • Edward says the only time he’s seen his sister Mary enjoying herself was “when some traitor was beheaded or some poor Eðian got burned at the stake.”
  • An Eðian group called the Pack has been “raiding and pillaging from Verity churches and monasteries.”
  • While traveling, Jane and Gifford come upon a group of villagers being attacked by wolves. “A handful of people brandished sticks and pitchforks and various other farming tools, attempting to block the path of the Pack of wolves.” Some of the villagers have been injured and Jane wants to help them, but Gifford stops her. The description of the event lasts about three pages.
  • When his nurse tries to feed him poisoned food, Edward imagines her “less-than-slender form stretched on the rack while he dropped poisoned berries in her mouth.”
  • Edward’s sister, Mary, tells him that when she becomes queen, “We will root out this Eðian infestation, starting with that horrible Pack that everyone’s talking about. I’ll see them all burn.”
  • After Edward refuses to eat his poisoned food, he is attacked by his would-be murderers. “Before he was even fully awake, rough hands were upon him, forcing his arms up painfully. Hooded men loomed all around his bed. Someone had latched one of his wrists to the bedpost.” The description of the scene lasts about three pages.
  • As a bird, Edward kills and eats a mouse. “Edward-the-bird struck the mouse with tremendous force and snatched it from the face of the earth. The poor thing gave a rather awful shriek, which was understandable, and then went quiet.”
  • Edward meets Gracie, a Scottish Eðian and thief who threatens him with a knife. “If he told her who he really was chances were that a) she wouldn’t believe him, and she’d cut his throat, or b) she’d believe him, and because he was the ruler of England and she was Scottish and this was the year 1553, she’d get even more pleasure out of cutting his throat.”
  • Gracie and Edward get into a fight with a farmer. “The bird that was Edward descended on him, talons clawing at the man’s face. The farmer screamed and released his sword. The girl took this opportunity to knee the farmer in the acorns. He dropped to the floor. She kicked him.”
  • Mary and her army show up to take the throne away from Jane. Jane and Gifford refuse to cooperate with her and are ultimately held captive. “[Jane] tried to wriggle away and Gifford snapped and kicked, but then one of the men held a sword to Gifford’s long neck. Someone else pressed a knife to Jane’s throat.”
  • When Gifford transforms into a horse, Mary tells Jane, “In the morning, he will be burned at the stake.” Jane can swear allegiance to Mary and the Verities, or she will be beheaded too.
  • When Gifford and Jane attempt to escape the castle, they are confronted by several guards. “The first guard [Gifford] dispatched quickly in a move that Jane would probably describe as elegant swordsmanship, but he knew was really the result of the sword slipping from his sweaty hand. As he lunged to retrieve it before it hit the goring, he plunged he sword through the heart of a guard who was just rounding the corner.”
  • Gracie bests Edward in a sparring match. Gracie “bashed him in the ribs. If it’d been a real sword in her hand, instead of half of a broken broomstick, he would’ve been done for.” The scene lasts about four pages.
  • Gracie tells Edward about how her family was killed by British soldiers because they were Eðians. “That night I woke to our cottage burning. We were all inside, my ma and dad and brothers—I had two brothers—and they’d blocked the door from the outside, boarded the windows too.”
  • Edward and Gracie come very close to kissing, but they are interrupted by his grandmother. “At that moment we should confess that Edward briefly considered murdering his dear sweet grandmother. And he might have gotten away with it, too, on account of the rest of the world thinking the old lady was already dead.”
  • Gifford, Jane, and Pet get into an altercation with the Pack and Jane gets injured. “All at once [Gifford] became aware of the blood soaking the front of his shirt and how unusually quiet she was. Jane was never quiet. She was hurt.” The description of the fight lasts about three pages.
  • In order to get the Pack to help Edward take back his throne, Edward and Gifford must kill the Great White Bear of Rhyl. When the bear attacks them, Gifford tries to play dead. “The bear sniffed G’s leg. G tried to make his leg look less like food. The bear pushed G’s shoulder and pushed again as though trying to turn him over. G wasn’t sure if complying would make him seem more or less dead.” Ultimately Edward is able to kill the bear. The description of the fight lasts four pages.
  • Edward is concerned about meeting with Mary Queen of Scotts because of the bad end of their engagement. “When King Henry received word that Mary’s regents had accepted another offer of marriage, this one from the King of France, pairing her with the French dauphin, Francis, King Henry had eaten the messenger immediately and remained a roaring lion for days. And then he’d invaded Scotland.”
  • During their siege on the castle, Jane, Edward, and Gifford run into some guards who want to kill them. “The guard on the right re-raised his sword and took a deep breath as if to speak, but he didn’t get a sound out before a loud bang rang out and he dropped like a stone. Jane stood behind the guard, her frying pan raised to where the man’s head had been.” The conflict is described over three pages.
  • As Gifford, Edward, and Jane attempt to break into the castle, Gifford’s father and brother confront them. Gifford “looked at his father’s outstretched hand and it made him sick that he shared the same blood as this man… With a flick of his sword, he cut a gash in Lord Dudley’s palm.” The confrontation lasts about three pages.
  • Gracie tells Edward that she’s the new leader of the Pack because the old leader has died. “He took an arrow to the chest in the first ten minutes of the siege.”

Drugs and Alcohol

  • At the wedding feast, Gifford gets very drunk because he’s too nervous to tell Jane about his horse curse. “Every time G thought about how to break the news to her, he gulped down a cup of ale. And he thought about it a lot. Every time he looked at his new bride. And he looked at her a lot.”
  • When he turns back into a human, Gifford goes to a tavern attached to a brothel to steal some clothes because “There it was easy to grab clothes strewn about, the owners of which would be too sloshed to care.”

Language

  • When he learns he’s going to die from the affliction, Edward says, “bollocks,” twice.
  • Damn is used once. Gifford tells Jane she should abdicate, “Well tell them thank you so much for the very kind offer of running the country, but no thank you. I have no desire to honor my cousin, the king’s, wishes. Now where are my damn books?”
  • During a sparring match, Gracie and Edward trade insults, including “Lilly-livered scutt” and “beef-witted varlet.”
  • Edward calls Mary a “poisonous bunch-backed toad.”

Supernatural

  • The book is set in an alternate world where certain people, known as Eðians, have the ability to turn into animals. “Certain members of the general public could turn themselves into cats, which greatly increased the country’s tuna fish population, but also cut down on England’s rat population. (Then again, other individuals could turn into rats, so nobody really noticed.)”
  • King Henry VIII was an Eðian, who “during a fit of rage transformed into a great lion and devoured the court jester.”
  • There’s a rumor that Jane’s mother is an Eðian, which caused Jane and Edward to try to uncover their own Eðian forms. “Jane had read in a book that Eðians often manifested into their animal forms when they were upset. They’d cursed each other and slapped each other’s faces, and Jane had even gone so far as to throw a stone at Edward, which actually did rile him, but they had remained stubbornly humanly human throughout the whole ordeal.”
  • Edward’s dog, Pet, reveals herself to be an undercover Eðian. “Pet stood up, then lifted her front paws to the edge of Edward’s bed, her neck thrown back like she was stretching. There was a flash of light, as painful as if Edward had accidentally glanced into the sun, and he closed his eyes. When he opened them again there was a naked girl standing at the foot of his bed.”
  • Jane is locked up in a tower, hopelessly anticipating her upcoming execution, when she finally unlocks her Eðian powers and turns into a ferret. “A brilliant white light flared about her, making her blink back stars. When she could see again, everything was different. The room was bigger, for one, and she felt…funny. Shorter, which was saying something, but oddly long.”
  • Edward’s grandmother tries to teach Jane, Gifford, and Edward how to use their Eðian powers. She tells them that the secret to changing into your animal form is to know your heart’s desire. Edward’s grandmother says, “If, in the moment you want to change, you do not know why you want to become a bird or ferret or horse or human, then you will stay exactly as you are.”
  • When Edward shows up to take his throne back, Mary gets so angry that she turns into a mule. “Then Mary let out a bellow of rage and barreled toward Bess with outstretched hands, as if she would choke the life from her sister. But before she could reach Bess, a light flashed. The onlookers gave a collective gasp. Where Mary had been standing, there was now a chubby mule.”

Spiritual Content

  • Edward believes he was “designed by God” to be the king of England.
  • Jane’s mother says that her Eðian form is unnatural, but Jane disagrees. “In one of my books about Eðians, the author said that long ago, in ancient times, all people were able to change into their animal form. Everyone was Eðian. It was considered their true nature. It was considered divine.”
  • Edward feels bad about having bad-mouthed women, thinking, “He’d only said what Bess had told him to say, and besides, it was true, wasn’t it? Women were the weaker sex were they not? Wasn’t that even written in the Holy Book?”
  • While Jane is breaking into the castle, Gifford says several prayers. “He closed his eyes and sent a quick prayer to the heavens that he would see her again. He prayed Edward would keep her from harm. He prayed if Edward failed, she would turn into a ferret and hide. He prayed if she was discovered she would slip from the soldier’s clumsy fingers. And that if she couldn’t escape, they would kill her quickly.”

by Evalyn Harper

Rebound

Ever since Chuck “Da Man” Bell’s father died, Chuck’s turbulent emotions are holding him back from his relationships. When his mom sends him to his grandparents’ house for the summer, Chuck finds healing through basketball. With the help of his friends and relatives, Chuck also learns about his family’s past.

Chuck is an emotional 12-year-old who disobeys his mother and gets into trouble with his friend, Skinny. However, Chuck’s attitude towards life adjusts as his grandparents and cousin, Roxie, teach him wisdom and basketball. Chuck realizes that his grandparents are suffering after their son’s death as well, and Chuck makes an emotional connection with them. This story presents the multifaceted nature of grief through Chuck and his family. The narrative emphasizes this shared humanity rather than suppressing the trauma that the family has endured. The family helps Chuck come to terms with his emotional turbulence, and the end shows him as a happy adult who learned how to cope.

Chuck’s story pairs well with Alexander’s creative narrative styles. The poetry might be off-putting to some readers, but the flow is similar to reading prose fiction thanks to his free verse. The graphic novel panels help build excitement in the basketball/daydream sequences and give a different look into Chuck’s imagination. This book is a good introduction into poetry for younger readers.

Told in free-verse poetry and graphic novel panels, Rebound shows the turbulent healing process after tragedy strikes. As Chuck learns about basketball and how his family members deal with loss, he begins to understand the world outside his emotions. The book is told from Chuck’s perspective, but his grandparents are a large focus of the story. His grandfather, Percy, uses humor and tough love to help Chuck come to terms with his father’s death. However, Percy is serious and kind when Chuck is struggling the most, but Percy never comes off as preachy.

Alexander’s writing style is unique, and it switches between poetry and graphic novel panels. However, the story flows well and has many fast-paced basketball scenes. Alexander uses different poetic techniques to emphasize sounds, emotions, and dialogue. These portions and the graphic novel panels depicting Chuck’s daydreams help enhance his narrative voice and his dreams of success. Rebound is the prequel to Kwame Alexander’s book Crossover, but Rebound can be read as a stand-alone book.

Rebound tells a story about shared humanity and suffering, and it reinforces the need for family in difficult times. Alexander writes interesting and complex family dynamics, and his integration of basketball and comic books into the text feels natural with these themes. He grounds the abstract nature of grief in a manner that is digestible for younger readers. Rebound is a good read because it presents a character who rises above self-pity and gains perspective in dire times. Anyone who has faced a difficult situation will enjoy Rebound’s blend of poetry and graphic novel elements because they effectively portray themes of grief, love, and the power of family.

Sexual Content

  • Chuck’s friend CJ likes Chuck, a topic that is revisited somewhat often throughout the book.
  • CJ pulls Chuck out on the roller rink and “kisses [him]/on the cheek,/and, just like that,/ lets go/of [his] hand,/ and skates away,/and [his] heart/ almost jumps/ out of [his] chest.”
  • Chuck’s grandparents, Alice and Percy, kiss. Percy says to Alice, “Now give me some sugar.”
  • Chuck’s friend, Skinny, meets Chuck’s cousin, Roxie, and calls her “a pretty young thing,” which does not make Roxie or Chuck very happy.
  • Uncle Richard brings his boyfriend to the Fourth of July party.

Violence

  • Skinny mentions that his cousin “Ivan got into a fight” when his team lost a basketball game, but no other context is given.
  • Chuck says, “I remember/my father spanking me/when I was little,” as his mom tries to hit him for smack talking.
  • Chuck’s mom tries to hit him when he talks back. Chuck says, “Her hand/is like/a razor-sharp claw/about to slice/the air/lightning fast/in the direction/of my face, /but I duck/before the blast/almost rips/my head off.”
  • In her way of showing affection, CJ occasionally gives Chuck “a punch/to [his] stomach/that hurts/in a good/kind of way.”
  • Chuck says to his mom, “Some of my friends’ parents got divorced, /remarried, and the new fathers abused the/ kids, and that’s not cool.”
  • On a walk, Percy tells Chuck, “My/mother wasn’t so easy. Used to make me/get a switch from our peach tree, then we/ got whupped good.”
  • When Roxie sees Chuck sitting in the truck, she “punches [Chuck]/ in the arm.”
  • After Roxie and Chuck lose a game, one of the boys on the other team taunts them. The other boy says, “Maybe you should play on a girls’ team,” and Chuck narrates, “She raises/HER fist, / ready to punch, but I grab it, / and get/in HIS face.” Percy pulls them apart before an altercation can occur.
  • While waiting outside the rink, Skinny’s cousin and his friends run over to “this other/ crew of guys/ like they’re about/ to throw down.” It is implied later that they fight off-screen.
  • Ivan walks into the roller rink “with specks/ of blood/ on his shirt/ and a sneaker/ in his hand.” It is inferred that he was in the fight that occurred off-screen, and that someone was seriously injured. No other details of the fight are given.
  • Chuck says that Ivan is bragging about “the beatdown/ they just dished out.”
  • Someone brings a gun to the rink, and everyone scatters.

Drugs and Alcohol

  • Before Chuck’s father died, “he promised/to get me/ some fresh sneakers/and let me/taste beer, /as long as/You don’t tell/your mother, Charlie.”
  • At the end of the book, Chuck narrates, “my mom/ let me taste beer/ and it was disgusting.”
  • Skinny has an uncle that “smokes incessantly.”
  • According to Chuck, “Ivan/used to be/pretty cool/and fun/to be around/till he started/smoking/and hanging out/with a group/of delinquents/he met/in juvie.”
  • It is insinuated that the older guys hanging with Skinny’s cousin are drinking alcohol “hidden in/ brown paper bags.”
  • The police stop Skinny and Chuck outside the rink, and they unknowingly have Ivan’s bag containing “three sandwich bags/ filled with/ cannabis.” They are arrested for possession.

Language

  • Words like stupid, sucks, punk, wimp, nerd, loser, and fool are used frequently throughout the book.
  • There are some loud altercations near the beginning of the story when Chuck’s mom yells at Chuck in creative ways. For example, when Chuck defies his mom and slams his door in her face, she yells, “Boy, I am this/ close to wringing your neck.”

Supernatural

  • None

Spiritual Content

  • After Chuck scores the winning point in a three-on-three basketball game, he thinks, “The gym / roars like / a hyped-up choir / in church /after a sermon.”
  • Of Chuck’s father’s death, Alice says, “There’s a masterplan, and I’m not the / master. We just have to trust in the plan.”

by Alli Kestler

The Outcasts

Hal never knew his father, a Skandian warrior. But unlike his esteemed father, Hal is an outcast. In a country that values physical strength over intellect, Hal’s ingenuity only serves to set him apart from the other boys his age. The one thing he has in common with his peers is Brotherband training. Forced to compete in tests of endurance and strength, Hal soon discovers he’s not the only outcast in this land of seafaring marauders—and that his battle for acceptance has just begun.

Hal and his best friend, Stig, have always felt like outsiders. People have looked down on Hal because he is half-Araluen, and they look down on Stig because his mother makes a living doing other people’s washing. When the two boys go to Brotherband training, Tursgud and Rolland choose their team members, and the eight boys who were not picked form the third Brotherband. Hal is chosen as the reluctant leader of the third Brotherband, the Herons.

As the three teams compete against each other, the Herons learn to help and rely on each other. While few people believe the Herons can be turned into warriors, Hal and his ragtag group find creative ways to defeat the other teams. Even though many of the Herons do not have physical prowess, each member of the Brotherband has an important role. Everyone—even a half-blind boy—can contribute. Through their experiences, readers will learn the importance of controlling their anger, working as a team, taking responsibility for their actions, and using their intelligence.

Middle school readers will relate to Hal and the other Herons as they fight to prove their worth. The story focuses on Hal, who is often criticized for his creative intelligence. However, it is this very intelligence that allows the Herons to win competitions. The Skandia society admires warriors who have strength, courage, and are not afraid of going to battle. These Skandian qualities allow the fast-paced story to have many exciting scenes as well as many descriptions of bullying and violence.

The connecting story arcs, difficult vocabulary, and huge cast of characters make The Outcast best for stronger readers. The conclusion connects all of the story arcs together and ends with a surprising twist. The Brotherband Series features several adults that also appear in the Ranger’s Apprentice Series. Despite this, readers do not need to read the Ranger’s Apprentice Series in order to understand the Brotherband Chronicles. Both series appeal to a wide audience because of the engaging plots, the likable characters, and the life lessons.

Sexual Content

  • The Herons are declared champions and, “Hal was delighted when a certain blond-haired girl slipped her arms around his neck and kissed him on the lips.”

Violence

  • During a raid, village soldiers go after the Skandians. One of the Skandian warriors “slammed the flat of his ax into the shoulder of the charging horse, throwing it off balance. As it stumbled, he drove forward with his shield, hitting the animal again and sending it reeling to one side.” The rider falls off and when the Skandian scares the man, he runs away.
  • As the Skandians are heading back to their ship, one warrior named Mikkel is injured by a spear. “The heavy iron head penetrated underneath Mikkel’s raised arm, burying itself deep in his upper body. He let go a small cry and fell to his knees, then crumpled sideways.” Mikkel dies from his injuries. The raiding scene is described over three pages.
  • A known bully, Tursgud, insults Hal and Hal’s mother. Hal “thrust forward and shoved both hands into Tursgud’s chest, sending the bigger boy stumbling and falling in the soft sand.” The bully “grabbed Hal’s shirt front in his left hand and drew back his right, fist clenched.” An adult breaks up the fight.
  • Pirates attack a group of cargo ships. When the pirates board one ship, the ship’s captain “hears the sounds of battle, axes and swords clashing against each other. . . He heard men shouting, heard the defiant war cries of the Rainbow’s crew.” The Rainbow’s crew was “murdered in a few brief seconds.”
  • The pirates board another ship, the Golden Sun. “The clash of weapons had died away and there was a series of splashes alongside. He [the captain] realized that the pirates were throwing the crews’ bodies overboard.”
  • The pirates overtake a third ship. The Skandian crew “smashed into the disorganized pirates, their heavy oaken shields used as weapons of offense, slamming into the pirates and hurling them to either side. The first rank of the pirates fell before the massive onslaught. The deck ran red with their blood. . .” The pirates throw the captain and his nephew overboard and kill the entire crew. The pirate scenes are described over 10 pages.
  • One of the boys misinterprets an instructor’s command. Next, the instructor “realized that the tree trunk-sized club was whistling through the air at blinding speed, and in the next half second would knock his head clean off his shoulders. With a startled yelp, he dropped flat on the still-wet ground, feeling the wind of the massive weapon as it passed over his skull, missing him by a few centimeters.”
  • Tursgud and his brotherband corner Hal. Hal “sent two lightning left jabs into Tursgud’s face, feeling the other boy’s nose crunch under the impact of the second, then stepped forward and hooked savagely with his right at the big boy’s jaw, hoping to end it there and then.” The last punch misses and the fight continues.
  • Tursgud’s friends grab Hal and hold him captive. “Hal’s ears were ringing and he realized that consciousness was slipping away from him. A hand grasped his hair and pulled his head up, sending tears flowing from his eyes with pain. . . the fist scrape painfully along the side of his face, tearing at his ear, so that blood started to trickle down his face.” By the end of the fight, Hal is semiconscious. The vicious fight takes place over six pages.
  • During the fight, Tursgud’s brotherband ties up Stig, stopping him from helping Hal.
  • One of the brotherband’s competitions is a wrestling match. During a match between Bjorn and Stig, Bjorn throws insults. Stig angrily attacks, which allows Bjorn to pin him. Bjorn “raised his right foot and placed it in Stig’s belly. At the same time, he fell smoothly back onto the grass, then straightened the leg, adding his left leg to the thrust as he rolled backward into the grass.” Bjorn was able to pick up Stig and “the Herons’ representative flew for several meters, landing heavily on his back with an ugly thud that drove the air out of his lungs.” There are three wrestling matches that are described over sixteen pages.
  • During a competition, Stefan mimics Tursgud’s voice in order to confuse Tursgud’s brotherband. When Tursgud sees Stefan, Tursgud runs after him. Tursgud “rapidly overtook Stefan and hurled himself on him, driving him to the ground. Stefan curled in a half ball, elbows and knees up to protect himself from the wild punches Tursgud was throwing.” An instructor breaks up the fight.
  • Pirates sneak into town and kill two of the town watch. Someone reports, “Their throats had been cut.”

 Drugs and Alcohol

  • Thorn becomes a drunk after his best friend dies in battle. At one point, Thorn “had become so drunk the previous night that he had lost his way while heading back to the boatshed where he lived. He had crawled into the shelter of the wall, out of the wind, and laid down, vaguely hoping to die.” While Thorn stops drinking in chapter two, others often talk about his drunkenness.
  • After his friend’s death, Thorn became depressed and looked “for comfort in an ale or brandy tankard. There was very little comfort in either, but there was oblivion, and a strong drink helped him forget his loss, albeit temporarily.”
  • After the Herons are forced to surrender their title, Thorn thinks about Hal’s dismal future and he wants to drink. He gets a strong brandy that was hiding in his room. He is able to resist the temptation because he realizes, “If he drank himself insensible, he would eventually wake up. And this situation would not have changed.” His struggle is described over three pages.
  • A ship was carrying “valuable goods—oil, wool, fleeces, and brandy.”
  • A pirate ship lands in Skandia; the ship is carrying wine.
  • When the Herons are declared champions, the town throws a celebration and many of the adults drink ale.

Language

  • The Skandians often use their gods’ names as exclamations. For example, when someone sees a drunk, Hal says, “Oh, by Gorlog’s claws and nostrils, Mam! He stinks.” Later, someone uses “Gorlog’s breath” as an exclamation.
  • Someone uses “Gorlog and Orlog” as an exclamation. Orlog “was Gorlog’s lesser-known brother, only invoked in moments of great stress or surprise.”
  • When two brothers argue they call each other names such as a “bowlegged monkey,” “ugly gnome,” and “numbskull.”
  • A boy calls Thorn an “old wreck” and a “dirty old cripple.”
  • While fighting, someone calls Tursgud a coward and another boy calls him “coward scum.” As Tursgud punches Hal repeatedly, his brotherband yells, “Kill him! Kill him!”
  • Hal is often reminded that he is half Araluen. One boy calls him an “Araluen weasel.” Later, another boy calls him a “mongrel.”
  • The characters call each other idiots a few times. For example, Hal yells at two arguing brothers, “You blasted, blithering idiots. . .”
  • When an instructor sees two brothers arguing, he tells the group leader, “Gorlog help you if they’re always like that.”
  • An adult calls someone a fool.

Supernatural

  • None

Spiritual Content

  • The Skandians believe “if a sea wolf died in battle without a weapon in his hand, his soul would wander in the netherworld for eternity.”
  • Gorlog “was one of the second rank of Skandian gods, like Ullr the hunter or Loki the liar, although unlike them, Gorlog had no specialized skills.”
  • When Hal saw a boy fell, he “breathed a silent prayer of thanks” because the boy’s fall ensured Hal’s brotherband would not be punished.
  • Stig calls Thorn a “broken down tramp.” Later Stig apologizes. When Thorn accepts the apology, Stig says, “Well, praise Gorlog for that!”
  • While getting ready to sail, Hal tells one of his team members, “ ‘All right Ingvar, pull as if Hulde herself was on your heels.’ Hulde was the goddess of the dead, and definitely not someone you would ever want close behind you.”
  • After the Herons fail at protecting an ancient relic, someone says, “Orlog curse the lot of you!”
  • When the Herons leave Skandia, someone says, “ ’May Ullr guide you.’ Ullr was the god of hunters.”

The Paper Cowboy

More than anything, Tommy wants to be a cowboy just like the great Gary Cooper or the Lone Ranger, but really he’s more of a bully. He picks on other kids at school, gets into fights, and acts more like one of the bad guys than the cowboy he wants to be. But there’s a reason Tommy misbehaves: things at home are bad. After his sister is badly burned doing a chore that it was Tommy’s turn to do, his mother’s usual moodiness and scoldings turn into beatings. Tommy is racked with guilt. And without his sister, who is hospitalized, he’s left alone to face his mother’s anger.

As the beatings get worse, Tommy’s bullying spirals out of control. He’s even caught stealing from the neighborhood store. Instead of taking his punishment as a true cowboy would, Tommy seeks revenge on the store’s owner, Mr. McKenzie, by framing him as a communist. The results are disastrous.

But in his heart, Tommy knows a cowboy would make things right, so he sets out to find the real communist. But when the real communist is uncovered, it may make Tommy question what it really means to be one of the good guys.

The Paper Cowboy is a compelling story told from Tommy’s point of view. As Tommy navigates through life, he takes inspiration from the cowboys he has seen in movies. Tommy “longed to be a cowboy. Not a bully. But a cowboy who stands up to others. Who fights for the people he loves, for the town they live in.” After Tommy frames Mr. McKenzie for revenge, Tommy is racked with guilt and he becomes convinced that finding the real Commie is the only solution. As Tommy talks about his dilemma, one character says, “It only takes a little poison to ruin a well on a farm, or to spoil a reputation in a big city.” Later, someone tells him, “It doesn’t matter what you intended. The damage has been done. It’s easy to start a rumor. Much harder to stop it.”

The Paper Cowboy portrays the fear of the McCarthy Era by focusing on the townspeople Tommy comes into contact with. It is through these interactions that Tommy stops judging people based on their appearances and instead judges them based on their character. When Tommy is determined to prove that his neighbor, Mrs. Glazov, is a communist, he begins spending time with her hoping that he can find evidence. He thinks she is a communist, but as he learns more about Mrs. Glazov, he begins to like her and wonders, “What was wrong with me?” In the end, Tommy comes to the conclusion that Mrs. Glazov doesn’t belong in jail, even if she is a communist.

Readers will quickly get caught up in Tommy’s world. While Tommy isn’t always likable, readers will empathize with him as he struggles to become a better person, to right his wrongs, and to understand others. The Paper Cowboy takes readers back into time and allows them to understand how the politics of the McCarthy era affected one small town. In the end, Tommy grows into a cowboy, is able to emulate Gary Cooper’s good qualities, and makes his father proud. Tommy’s dad says, “It wasn’t the shoot-out that made Gary Cooper a great man. It was that he cared for others. He faced his problems. He didn’t walk away. He solved them. A good cowboy is a leader who looks after his heard and his posse. No one goes missing.” Tommy’s well-developed voice jumps off the page and his experiences will show readers the importance of finding your own voice and doing what is right.

Sexual Content

  • Tommy’s sister Mary Lou wanted to wear lipstick, but her mom “wouldn’t let her. She said it was only for loose women. I wondered what that meant. . .”

Violence

  • Tommy’s mom is abusive. She frequently yells and slaps him. After Tommy steals two yo-yos, his mother makes him take his pants down. “This was standard procedure for a whipping. I didn’t mind so much with my dad, but it was humiliating to pull down my pants and underwear in front of my mom. I put my hands on the kitchen counter. . . The belt whipped through the air. Eight, nine. It made a whistle and then a slap as it hit me. Ten, eleven. She didn’t stop. Mom kept hitting me, again and again, until finally the belt snapped back and hit her on the chin. . . In the quiet, I could feel each individual welt on my buttocks. There were tears on my face, but I wiped them away.” Tommy thinks he deserved the punishment.
  • Tommy mentions Mr. and Mrs. Rosenberg who were “convicted of spying for the Soviets.” They were executed. During recess, Tommy and his friends like to play “electric-chair tag.”
  • One of Tommy’s classmates has a burn scar on his face. The boy’s father explains, “It happened during the war. There was an air raid and we’d made it to the shelter. We thought we were safe. . . But a bomb caused a water heater to explode and it scarred his face.”
  • When a boy tells the store owner that Tommy stole the yo-yos, Tommy punched the boy in the stomach and the boy “bent over double.” Later, Tommy shoves the boy, who “lost his balance and fell into the dirt.”
  • Tommy’s mom gets upset at him and commands him to take his pants down. “When Mom started whipping me, I tried to make myself concentrate on normal things. . . But Mom just didn’t stop. I could feel the welts forming on welts on my butt. And when a lash went wild and hit my back, I couldn’t help crying out. . . Mom kept hitting me. It felt like a thousand bees, stinging me at once. . . Mom kept on. And Dad never came in to see if I was okay.”
  • Tommy’s neighbor tells him why she came to America. “The Nazis not just throw me in camp. They kill my boys and my husband.”
  • Tommy’s mom is upset that Tommy gave Mary Lou a pain pill. “Mom yelled at me to stop [crying], and I tried to, I really did. I wanted to be tough and stoic, but the tears kept coming. . .” Mary Lou told their mom to stop. “I knew Mary Lou was trying to help, but it was mortifying to have my older sister see me, my pants around my ankles, crying like a baby. . .Mom just ignored Mary Lou and kept hitting me. . .Mom paused, the belt dangling from her hand. . .Mom was breathing hard, sweat on her forehead, even though it was cold in the room.” Tommy’s dad intervenes.
  • Tommy and his friend, Eddie, play a mean joke on Little Skinny. At school, Little Skinny confronts them and “punched Eddie in the stomach. . . Little Skinny had his full weight on top of Eddie and was pounding away. One hit after another, I could see the blood pour out of Eddie’s nose.”
  • When Tommy is late, his mother slaps him. Tommy tells her, “’Go ahead. Slap the other side.’ She did.” One of the school nuns intervenes.
  • Tommy’s dog is hit by a car. “There was a huge red gash from one end of his belly to the other. . . I was pretty sure I could see his guts hanging out.” Tommy takes the dog to an adult friend, who is able to sew the dog’s wound. The dog lives.
  • When Tommy misses the bus, his mom “didn’t wait for me to pull down my pants this time, just slammed my hands down on the counter and started hitting me. . . I was too terrified to cry. Her blows were wild now, as likely to hit my back or my legs as my buttocks.” Tommy’s sister Pinky tries to stop her mom. “The belt flew through the air again. Pinky gasped. A big welt rose up on her skinny little arm.” Tommy yells and runs out of the house. The scene is described over three pages.
  • Tommy doesn’t keep his best friend, Eddie’s, secret. So at school, Eddie, “slugged me in the stomach. I wasn’t expecting the blow and I fell to the ground. My belly ached, twisted in knots, and for a moment, I thought I was going to throw up.” Tommy thinks about his mom’s beatings and doesn’t hit back.
  • Tommy, Eddie, and their dads go fishing. Eddie’s dad, Mr. Sullivan, gets drunk and the men start arguing. Mr. Sullivan “slapped Eddie on the cheek” for being disrespectful. Then Mr. Sullivan began shaking Eddie. Tommy thinks, “I bet it hurt being shaken like that. It had hurt when Mom had hit me.”
  • As the men’s arguing escalates, Mr. Sullivan “pulled out a handgun and pointed it at my dad’s face. . . Dad picked up the knife we used to gut fish.” Tommy and Eddie work together to diffuse the situation. Mr. Sullivan, “still had the gun pointed at my dad, but it was a bit lower now. . . Eddie and I both jumped onto his father, knocking him to the ground. The gun went off, but the bullet went wild, into the marshy grass.”

 Drugs and Alcohol

  • While Mary Lou is in the hospital, the doctors give her morphine for the pain. Her mother worries that “she’ll become an addict!”
  • When Mary Lou is allowed to go home for a visit, her mom “started rationing Mary Lou’s pain pills.” Her mom is worried that Mary Lou would become a drug addict.
  • When the sheriff goes to talk to the store owner, the owner gives the sheriff a beer.
  • On Halloween, a doctor gives Tommy’s mom “a pill” to help her sleep. After that, Tommy’s mom continues to take the pills and sleeps a lot.
  • After Tommy’s father goes to see Mary Lou, he comes home smelling like whiskey.
  • On Thanksgiving, Tommy’s father leaves and when he comes back, he “smelled like alcohol again.”
  • While in a courtroom, Tommy “listened to the next case: a man who had had too much to drink had backed his car into his neighbor’s bed of prize-winning roses.”
  • A man is fired because he was drinking at work.
  • While eating lunch with a friend, Tommy’s dad has a beer.

Language

  • The kids in the book occasionally call each other names such as stupid, jerk, and idiot.
  • Crap is used once.
  • A boy tells the store owner that Tommy stole the yo-yos, and Tommy calls the boy an idiot and a rat. Tommy’s friend calls the boy a tattletale.
  • Tommy calls a fat classmate, “Little Skinny.” Tommy often calls Little Skinny names such as idiot and fatty.
  • Tommy’s mom has to go in front of a judge for a speeding ticket. She curses to the judge in Polish, saying “pieprzony dupku!”
  • Tommy calls a girl, “Lizard-Face.” One of his friends joins in and calls someone else, “Monkey-Head.”

Supernatural

  • None

Spiritual Content

  • Tommy’s family is Catholic and he goes to a Catholic school. When Tommy’s sister is burned, his mom says “prayers to the Virgin Mary.” Tommy says, “so many Hail Marys, it seemed like those were the only words left in the world.”
  • At school, the students have mass “every morning. That meant thirty-five minutes of peace and quiet—well, except for the standing up and kneeling, and chanting in Latin, but I could do all that in my sleep.”
  • After Tommy’s sister is injured, several people tell him, “We’re praying for your sister.”
  • When Tommy sees his sister for the first time after the accident, he begins to cry. He thinks, “I know I should be happy and thanking God, but I couldn’t stop crying.”
  • Tommy thinks the “Commies didn’t believe in freedom of religion either. Heck, they didn’t believe in religion at all.”
  • One man doesn’t want to include Sam when planning an event because his dad was rumored to be a communist. However, someone reminds the group of, “Ezekiel 18:20. The son shall not bear the guilt of the father.’”

The Boy and Girl Who Broke the World

The Boy and Girl Who Broke the World switches between the perspectives of Billy and Lydia—two teenagers who live in a poverty-stricken area in the Pacific Northwest called Fog Harbor. After their high schools merge, the two outcasts form a strange friendship. As they learn more about each other, strange things begin to happen around them: they experience unexplainable weather events and earthquakes, and they see apparitions that nobody else sees. The narrative borders on magical realism, as the strange events that plague the narrative seem to be tied to the characters’ personal and emotional journeys.

Lydia, whose mother disappeared when she was a child, is emotionally closed-off and spends all her days in the makeshift dance studio behind her father’s bar. Billy lives in a decrepit house with his emotionally abusive grandmother, where he spends all his time watching therapy talk shows on the 24-hour Alcoholics Anonymous TV channel. The setting of Fog Harbor is set in a larger world that serves as an exaggerated parody of late-2010s America, where the president has been replaced by a king. Savvy readers may recognize the King’s mannerisms and policies, as the figure seems to be a caricature of America’s 45th president, Donald Trump.

Caleb, who is Billy’s uncle, Fog Harbor’s most famous resident, and one of the world’s most notorious musicians, frequently speaks in interviews about his upbringing in poverty-stricken, drug-addicted Fog Harbor. When Caleb—a heroin addict who has been through rehab several times—disappears following a violent breakdown and shows up in Billy’s attic, Billy is tasked with keeping a secret and is forced to reckon with his family’s dysfunctional past. Meanwhile, Lydia begins to take dance lessons for the first time and is followed around by a small apparition that seems determined to make trouble for her.

The Boy and Girl Who Broke the World is as wordy as its title, with many wonderful lines and genuinely touching moments in the main characters’ central friendship. It is honest and discomforting in its depictions of a small town ravaged by poverty and drug addiction. Whether or not readers recognize their own hometowns in the foggy surrealist landscape, they will find the characters’ narrative voices compelling and achingly human.

Despite the harsh language and troubling subject matter, this narrative shines, especially in its portrayal of the main characters’ innocence and unwavering hope in the face of despair. Billy’s dogged determination to see the best in everyone is a heartrending and almost blinding contrast to his grandmother’s neglect and his family’s history of addiction. Lydia’s outer sarcastic façade hides her inner sensitivity and unhealed trauma at having lost her mother. Secondary characters like Lydia’s father and Billy’s grandmother create a cast of irresponsible adults who are imperfect and real.

Despite its political undertones, The Boy and Girl Who Broke the World is not quite a call to action or to political revolution. It’s something more subtle—perhaps a call to be kinder to one’s neighbors—but it’s engaging and surprising in the way it delivers this message. This book is the perfect read for a curious older reader who’s looking for a unique, high-quality literary narrative.

Sexual Content

  • Billy sometimes watches a show called Sexy Sober Survivor, where “fashion models go to rehab, except the rehab is on a deserted island…and they’re naked the whole time.” He wonders “whose job it is to put all those black bars on their interesting parts,” and “inevitably started thinking about what’s under those black bars, and then things got awkward again, and I had to excuse myself and go upstairs to my room, and hope… that this won’t be the time the house decides to finally collapse on me.” When the firefighters dig him out, he won’t be trying to “hide my boner when my arms are pinned under this thousand-pound beam.”
  • A therapy-TV personality sometimes tells “the story of how she used to be a prostitute who lived in a van by the river.” The reader never actually learns the story.
  • Lydia remarks that her peers are “just hoping they’re not the one who gets pregnant… as if babies and death are things you catch, as inevitable as a cold.”
  • While walking home, Lydia is harassed. “‘Looking good, baby,’ some douchebag yells out of a truck.” She gets them to go away by shouting, “Hi, I have AIDS and gonorrhea and a very small tail fused to my spine. Want to fuck?’”
  • The book frequently references a fictional YA series called “Unicorns Vs. Dragons,” where the hero “keeps his unicorn love interest chained up in his mountain cave to ‘protect her,’ which strikes Lydia as ‘rape-y.’”
  • The King, America’s dictatorial monarch, “ordered up a girlfriend, kind of like how [Lydia’s dad] ordered up a wife from the Philippines.”
  • Billy’s grandmother used to tell him “how I’m just a late bloomer and that’s good because it’s better that I stay her sweet boy as long as possible instead of turning into a sex-crazed pervert too early like most guys do.”
  • Caleb, Billy’s uncle, supposedly “got a girl pregnant when he was fourteen and Grandma had to pay for the abortion because no one else would.”
  • Billy recalls how, upon being approached by a tour bus for photos, Uncle Caleb’s friend Gordon “whipped out his penis and started peeing in the tour’s direction.”
  • In an interview, Uncle Caleb’s girlfriend recalls how “the sex that night was amazing.”
  • In another interview, the girlfriend “starts kissing [Caleb], and then she straddles him right there on the couch and starts unbuttoning his shirt, and then the interview is over.”
  • Caleb says he once “screwed an old lady for a case of beer.”
  • Lydia recalls how a regular in her father’s bar “has been staring at me since I was thirteen… he feels the need to tell me I’m pretty enough to be a supermodel.” Lydia finds this “gross because it proves that he’s looking at me the way drunk lonely men look at girls that are way too young for them. This is not a healthy environment for a teenager.”
  • A local says, “I heard [Billy’s] mom was still turning tricks long after she was showing.”
  • Lydia tells Caleb, “I guess you think all women should dress like your girlfriend and drip sex diseases everywhere they go.”
  • Lydia, after experiencing an emotional moment with Billy, thinks, “This is probably something close to how people feel after they sleep with someone and regret it.”
  • Billy thinks, “I would probably jump at any opportunity to do anything the least bit sex-related with an even non-beautiful girl who miraculously wanted to with me.”
  • Billy says, “I think giving someone art is just about the most intimate gift a person can give, except for maybe sex toys or something.”
  • A teacher tells Billy about “some kind of magic stone egg she bought from her life coach that she puts in her vagina, which I’m pretty sure is illegal for her to talk to me about.”
  • Lydia kisses Natalie, a girl from her dance studio. “I lean in and feel the world expanding as my lips touch hers. I feel everything pulse open and wash clean.”
  • In the epilogue, Billy lives with his girlfriend. Billy says, “It’s not even like we spend all our time doing hanky-panky (though that is a large percentage of what we do).” The reader is never given a clarification as to what hanky-panky is.

Violence

  • Billy recalls how his grandmother “threatened to smack my chin, even though these days, smacking chins is mostly considered child abuse.”
  • Much of the violence in the story is observed by the main characters when their high schools merge. Billy’s grandmother suggests he bring a steak knife to the first day of school.
  • Students have to use plastic utensils now because “a girl stabbed a guy last week with her fork.”
  • During a fight at school, “one guy pummels another… and then blood starts flying.”
  • Billy recounts how a kid in his class “got so mad when he had to put his phone away that he started punching a teacher in the nose.”
  • Lydia throws a glass at a drunk man at the bar. “The glass barely misses his face as it smashes into the wall behind him.”
  • During his public breakdown, “Caleb’s tiny, sweatpantsed figure is swinging a guitar around, chasing his bandmates, who are fleeing off the stage… Then he throws the guitar into the audience, then the mic stands, then the drums, and the muffled voices turn to screams.”
  • In another public appearance, he “tears the mic off his shirt, jumps out of his seat, and smashes his beer bottle on the camera.”
  • Billy’s grandmother tells a journalist to kill himself.
  • A news report says that the King “accidentally bombed the wrong village somewhere this morning and killed a few thousand innocent people.”
  • Caleb’s girlfriend expresses a desire to “bomb all of Washington State west of Olympia so they can give it back to the trees.”
  • Billy’s neighbor, who is in an extremist religious cult, threatens another resident with “one of those big scary guns people only use in wars and mass shootings and starts chasing the guy down the street.” Billy watches the scene from his porch, and the situation de-escalates over three pages.
  • Caleb recalls how Billy’s grandfather “smashed up the house on a regular basis.”
  • Billy thinks that if he expressed his true environmental opinions, the locals would “probably murder me and tie my dead body to a tree and write on it with blood, ‘Are you happy now, tree hugger?’”
  • A riot breaks out over an announcement regarding logging rights in the forest. “One man pushes another, who falls into another man behind him, who falls into another, who falls into another man behind him, and then all hell breaks loose, the crowd a flurry of pushing, punching, shouting, glass breaking, and random things on fire.” Billy watches it on TV.
  • School is let out early because of a bomb threat.
  • Lydia tells Caleb, “If you try to commit suicide in my house, I will fucking kill you.”
  • In addition to verbal abuse, Billy’s grandmother hits him. This only happens once in the narrative, but it is implied to have happened before. When Billy tries to approach her after she’s heard a distressing news story, “She spins around, whacks my arm, lunges, and even sitting on the couch she’s strong enough to push me to the floor.”
  • The King drops a nuclear bomb in the Pacific, causing a tsunami to destroy most of Fog Harbor. The climax of the book follows the characters as they race to higher ground. Many people survive, but a loss of life is implied.
  • “Cult Girl” points a gun in a reporter’s face to get her to go away.

Drugs and Alcohol

  • An old town rivalry is rumored to have started with “opium-crazed mill workers.”
  • Billy’s town has “the highest per capita heroin deaths in the state.”
  • Billy says he’s never been tempted to do drugs because “I’m not cool enough to be straight-edge, and I’m not smart enough to be a nerd, so mostly I’m just sober out of fear.” His grandmother often tells him “that addiction is in my blood and I’m a junkie waiting to happen, and I figure going through withdrawal once as a baby is more than enough.”
  • Lydia’s father runs a bar, so she spends most of her time there. “Technically, it’s against the law for me to be in here since I’m underage, but no one cares about laws like that here.”
  • Caleb smokes cigarettes and weed. While hiding in the attic, he enlists Billy to buy him weed from his old friend and dealer, Gordon. Billy doesn’t want Caleb to relapse, but Caleb says, “In the great scheme of things I’ve done, weed is barely a drug.”
  • When visiting Gordon to buy weed, Billy watches him take “some kind of contraption with water in it from the table, grips it between his legs while the hand of his good arm holds a lighter to it, inhales, and exhales a giant cloud of sweet, but slightly rancid-smelling smoke.”
  • Billy completes the drug deal and receives “a plastic baggie of dry greenish-brown clumps” (marijuana).
  • During a later drug deal, Gordon hands Billy a beer and offers him “molly” and “nitrous cartridges.” Billy doesn’t drink the beer or take Gordon up on his offer.
  • When Caleb smokes all his weed and falls asleep, Billy wonders, “Can someone die of a marijuana overdose?”
  • Caleb tells Billy to ask his drug dealer “where to get some dope.” Billy tells him, “I’m not going to help you kill yourself. If you want heroin, you can leave this attic and get it yourself.”

Language

  • Fuck, shit, damn, hell, goddamn, and asshole are used frequently. Bitch, bastard, crap, and “screw you” are used infrequently.
  • Lydia works at a fast-food restaurant called “Taco Hell.”
  • A regular at Lydia’s father’s bar calls Billy “retarded.”

Supernatural

  • Some of the events that surround Billy and Lydia seem supernatural. During one of the final scenes, while the town is being threatened by a natural disaster, Lydia and Billy see unicorns and dragons running through the streets. “What looks like a dragon and two unicorns run by, way larger and way faster than anyone in costume could possibly be.” The narrators never get a good look at the creatures.
  • A small girl nobody else can see follows Lydia around, often kicking her or breaking things.
  • A fan asks Billy if he is Caleb’s ghost.

Spiritual Content

  • Billy’s neighbors are in a cult. Billy often sees the neighbors’ child—a girl his age— in the window, and he refers to her as “Cult Girl.”
  • Cult Girl and her family attend “some weird church in a trailer by the freeway that says women are supposed to stay in the home and kids should be kept pure and not have any contact with sinners, aka everyone else.”
  • When Billy gets the chance to talk to Cult Girl, he thinks, “For all I know, the only history she’s ever been taught is stories from the Bible. She might still think the Earth’s flat.”
  • Later, Billy asks Cult Girl what happened after the Biblical great flood. Ruth says, “The waters took a while to recede, but then there was a brave new world to conquer… Then God invented rainbows. But it’s just a story. God also said He’d never make it flood again. But He lied… God made it flood because He realized He made a mistake and humans were evil and needed to be destroyed.”
  • Lydia’s father, who is going through a “Wicca phase,” tells the kids, “Samhain is the ancient pagan holiday marking a time when the boundary between this world and the spirit world thins and can be more easily crossed… I can tell you some incantations you can use to summon the spirits.” The kids don’t take him up on his offer.
  • Billy says, “No one ever taught me how to pray, but I did it anyway. I got on my knees and everything. I asked God or whoever to protect my uncle and keep him safe.”
  • A group of kids at school form a “morning prayer circle table,” where they stand up from their seats and shout, “Who’s in the house? J.C.’s in the house!” Billy thinks, “Who in their right mind would thank God for any of this?”
  • A teacher tells Billy about “chakras and crystals.”
  • Lydia calls Christmas “a marketing conspiracy in the guise of a religious tradition I don’t even believe in.”
  • During an emergency, a girl from Lydia’s dance studio runs away from her parents because they “kept praying. It was driving me crazy.”
  • Caleb goes to a Thai meditation retreat and says he wants to become a monk.
  • Billy says, “Apparently that Buddha guy that Caleb likes came up with the idea [of living in the moment] way before therapists did.”

by Caroline Galdi

 

Eclipse

Now that Edward is back, Bella wants things to go back to the way they were…but too much has changed. Her best friend Jacob happens to be a werewolf, the mortal enemy of vampires. She is desperate to keep her friendship with Jacob, but she isn’t sure how that will be possible. Edward actively stops her from seeing Jacob, and Bella is constantly hurting her best friend by not loving him the way he wants her too.

Even worse, old enemies are on the prowl. The Vulturi will be a threat until Bella is changed into a vampire. She wants to change immediately, but Edward’s family insists on waiting until after her high school graduation. To Bella, it seems a terrible time to remain human, especially as Victoria is back, and more elusive than ever on her quest for revenge.

Eclipse spins out a heartbreaking love triangle among constant danger and suspense, which forces Bella to decide how much sacrifice love is worth. This installment in the Twilight Series will captivate readers of both Team Edward and Team Jacob, and it will leave them in breathless suspense until the end. As the series hurtles towards its final book, Bella will make a heartbreaking decision that will decide the trajectory of her life.

Eclipse combines Edward’s family and their enemies from Twilight with the werewolves introduced in New Moon. The interactions between these two sets of immortals will excite readers and keep them turning the pages long into the night. Parents may not like that Bella pushes to sleep with Edward, but they will appreciate that Edward says no – he will not sleep with her until they are married. Overall, Eclipse continues to uphold the quality of this engaging series.

Sexual Content

  • Bella and Edward kiss several times. Some are described in detail, such as “My arms locked behind his neck . . . One hand slid down my back, pressing me tighter against his stone chest . . . Making the most of my last seconds, I crushed myself closer, molding myself to the shape of him. The tip of my tongue traced the curve of his lower lip.” Other kisses are briefly described, such as, “He interrupted me with a quick kiss,” or “then he pulled the helmet off so that he could kiss me.”
  • When Bella’s dad tries to talk to her about being safe “when you’re physically involved,” Bella exclaims, “Please tell me you are not trying to have a sex talk with me.” When her father refuses to drop the subject, she says, “I really wish you were not forcing me to say this out loud, Dad. Really. But . . . I am a . . . virgin, and I have no immediate plans to change that status.”
  • Angela and Ben, two friends from Bella’s school, are dating. Ben “threw his arm around Angela’s neck and pulled her face down to his height so that he could kiss her enthusiastically.”
  • Edward kisses Bella to make Jacob jealous. “I turned my face up for a goodbye peck, but Edward took me by surprise, fastening his arms tightly around me and kissing me with as much enthusiasm as he had in the garage—before long, I was gasping for air.”
  • Jacob thinks Bella is in love with him, and to prove it he kisses her. Jacob’s “lips crushed mine, stopping my protest. He kissed me angrily, roughly, his other hand gripping tight around the back of my neck making escape impossible . . . Acting on instinct, I let my hands drop to my side, and shut down. I opened my eyes and didn’t fight, didn’t feel . . . It worked. The anger seemed to evaporate, and he pulled back to look at me. He pressed his lips softly to mine again, once, twice . . . a third time. I pretended I was a statue and waited.”
  • Edward and Bella make out in bed. “His hand curved around my elbow, moving slowly down my arm, across my ribs, and over my waist, tracing along my hip and down my leg, around my knee. He paused there, his hand curling around my calf. He pulled my leg up suddenly, hitching it around his hip . . . he rolled to the side, pulling me on top of him.”
  • Bella wants to sleep with Edward, but he insists they be married first.
  • Bella kisses Jacob twice. The first time, “my lips were moving with his in strange, confusing ways they’d never moved before – because I didn’t have to be careful with Jacob, and he certainly wasn’t being careful with me.” Then, Jacob’s “hands were soft on my face and his warm lips were gentle, unexpectedly hesitant. It was brief, and very, very sweet.”

Violence

  • Two vampires, Victoria and Riley, attack Bella. Edward and Seth, a werewolf, defend her. “Riley was on his feet again, looking misshapen and haggard, but he was able to fling a vicious kick into Seth’s shoulder. I heard the bone crunch . . . Riley took a swipe at him with one mangled hand . . . Riley bellowed and launched a massive backhanded blow that caught Seth full in his broad chest. Seth’s huge body soared ten feet and crashed into the rocky wall over my head with a force that seemed to shake the whole peak.” The fight takes place over eight pages.
  • Edward and Seth dismember and burn the bodies of the two vampires that attacked them. “Swift and coolly businesslike, [Edward] dismembered the headless corpse . . . I didn’t have time to recover before both he and Seth were back . . . Seth was carrying a large chunk – the torso – in his mouth.”

Drugs and Alcohol

  • Rosalie tells a story about her former fiancé. “I’d never seen him drink before. A toast, now and then, at a party. He’d told me he didn’t like champagne. I hadn’t realized that he preferred something much stronger.”

Language

  • Damn is used several times. When Bella discovers her friend Jacob isn’t aging, she says “Damn it! What kind of world is this?” Another time, when Jacob hurts himself he says, “Damn it! Ouch!”
  • Crap is used several times. Bella tells Edward, “Screw the protecting me crap, please.”
  • Hell is used a few times. Once, Bella demands, “What the hell is all this?” Later when Jasper is telling a story, he says, “All hell broke loose.”
  • Pissed is used once. Jacob thinks, “Pissed as I was, I still felt guilty when I watched the spasm of pain shoot across her face.”

Supernatural

  • Edward and his family are vampires, and Bella meets other vampires that pass through Forks. Unlike most vampires, Edward and his family survive off the blood of animals, so they do not have to murder people.
  • Some vampires have special abilities. Edward can read minds; his brother Jasper can control the emotions of those around him; his sister Alice can see bits and pieces of the future.
  • Jacob and his tribe can transform into giant wolves. “With another sharp tearing sound, Jacob exploded, too. He burst out of his skin—one second it was Jacob diving into the air, and then it was the gigantic, russet brown wolf—so enormous that I couldn’t make sense of its mass somehow fitting inside Jacob.”

Spiritual Content

  • None

by Morgan Lynn

The Spinner Prince

Prince Leo is next in line for the throne of Singara, a land ruled by super-evolved felines. As a thirteen-year-old, Leo is small for his age. But like all thirteen-year-olds, Leo must prove his worth by hunting a deadly beast called a slaycon. If Leo kills the beast, he will still face many obstacles, including keeping his uncle from taking the thrown. Leo’s uncle will stop at nothing to gain power and control. And once he does, he will invade the neighboring pride.

In Singara, all fiction is outlawed and anyone who tells a story is exiled. Leo must hide the fact that he is a Spinner. Leo has been taught that, “Spinners are cursed with a dangerous disease officially known as the fiction affliction or story sickness, which causes them to spew fiction without warning.” When Leo tells stories, they come alive in visions. After Leo tells a story, one character is left behind. Leo can make the character disappear or he can bring them into his world. Each character wants to help Leo, but Leo just wants them to go away.

The future of Singara is in Leo’s hands. Can he conceal his curse, claim the throne, and protect his realm? Or will he embrace his power and discover a far greater destiny?

Leo’s adventure will take readers into an interesting world where felines consider fiction to be poisonous to the mind. The pride values strength, tradition, and science. Even though Leo’s grandfather has declared Leo the heir to the throne, some of the pride believe Leo’s uncle should be king because Leo’s father is unknown. Much like the Lion King, The Spinner Prince is a story about political unrest, friendship, and fighting evil.

Leo tells his own story which allows readers to understand his fears and concerns. While Leo has a good heart, he often makes unwise decisions. However, along the way, Leo learns the importance of relying on and trusting others. Each member of Leo’s group must work together if they are to succeed in stopping the war.

The Spinner Prince isn’t only a story about Leo. Because Leo is a Spinner, he often recites stories that are based on folktales from many cultures and traditions. However, readers who are familiar with the Bible will recognize the parallels. Each chapter begins with Sayings of the Ancients, which give a piece of wisdom, such as, “You make yourself by the choices you make.”

The Spinner Prince is full of action, intrigue, and interesting characters. Both Leo and the reader will wonder who can be trusted. Although the story is interesting, the complicated plot and large cast of characters make The Spinner Prince best for strong readers. As Leo learns untold truths, he will begin questioning his societies’ beliefs. A wise shepherd tells Leo, “It is hard to be a Spinner. It is much worse to hate yourself for it. We have been raised to view ourselves as afflicted instead of gifted, but that is just another lie we Singas tell.”

Sexual Content

  • None

Violence

  • Leo is hiding the fact that he is a Spinner because “if the disease is proven, Spinners get banished and live among the exiles on the other side of the Great Mountain, right after having their tongues cut out of their heads and nailed to a post in the city.”
  • As a rite of passage, Leo must kill a slaycon before the slaycon kills him. The hunt is described over 17 pages.
  • When Leo sees the slaycon, Storm, he uses a slingshot to throw a stone. “The stone sails across the water and pounds the brute in the snout. . . Storm recoils and whimpers with the impact. He shakes his head, snarls, and charges straight into the river.”
  • Strom struggles to cross the river. Leo believes he can slay Storm, but when he approaches the slaycon, “His tail blurs and I’m knocked off my feet. The blade flies from my hand. I hit the ground and roll away while Storm springs to his feet. . .” Leo runs and Strom falls behind.
  • Leo pretends to be injured and writhes. When Storm pounces, Leo loops “the bag over his head, yanking it all the way up to their ears, and pulling the drawstring. . .I reach for my dagger as Storm’s tail sweeps the ground and flings my legs out from under me. . . I land in a heap and scamper on all fours like a panicky insect to my blade.”
  • While Storm’s head is caught in the bag, Leo hesitates to kill him. When Storm gets the bag off of his head, he “charges, preparing to bite. I [Leo] dodge and my blade lands behind his head, lopping off an ear as I roll to the ground. . . Strom howls, spins, and leaps. I dive under him and land a decent slice to his underside and another to his right back foot. Blood squirts into my face and torso.” Then, Leo climbs into a tree.
  • Leo uses his sling to shoot at Storm. “The pellet vanishes into the tunnel of Storm’s throat. However, Storm is too focused on my foot to notice or care. His mouth does not close. Instead it reaches higher, mouth agape, pushing himself on his tail. His jaws snap, and I feel teeth puncturing my right leg.” Leo goes numb and falls from the tree.
  • During a meal to celebrate Leo as the official heir to the throne, his cousin Tamir makes a scene. A soldier, Kayden, “hisses and thumps Tamir on the side of the head, raking his face with extended claws. Tamir makes no effort to defend himself, and the blow sends him staggering to his knees. . . Kayden hits him again with such force, I want to look away. Another blow follows. And another.” Leo’s grandfather orders Tamir to be killed, but Leo steps in. Tamir’s tail is cut off and he is thrown in prison.
  • When Leo gets to the academy, he must walk in the middle of two lines of cadets. As Leo walks, a cadet “huffs a little roar and thrust her blade at my head. I instinctively dodge the attack, and a cadet from the opposite line sweeps my leg, sending me crashing to the ground. . . The next cadet comes at me with his blade, this time a jab to my ribs. I bend my body around the blade, and a different cadet from the opposite line once again sweeps my leg and drops me.” After being hit, Leo closes his eyes and continues the walk. He can feel “a breeze pass over my muzzle. With another step, a blade whistles behind my head and down my back.” He makes it through the line uninjured.
  • During a practice battle, “Zoya and 10-2 square off. The brawny 10-2 surges forward, plowing into Zoya’s middle and forcing her down. He backflips over Zoya, but Zoya locks her hind legs around 10-2’s waist and uses their combined momentum to launch herself upright and on top of 10-2. Zoya slams 10-2 to the ground, sits on his torso, and bashes him in the head with one fist, knocking him momentarily senseless.” Leo steps in to help and conjures Rukan, who “snatches me up in his great mouth. With a flick of his head, Rukan launches me into the crowd. . . Rukan snatches her [Amara] in midair between his teeth and flings her aside. She too crashes into the crowd.” The cadets attack Rukan, who runs away. The scene is described over eight pages.
  • During feeding time, Leo’s cousin, Amara, approaches Leo. “Her claws sink into my pelt, causing me to wince and tremble.” Zoya sticks up for Leo and “tackles Amara, and pulls her to the floor. Amara kicks and screeches, but without success. Zoya has her pinned to the floor. . .Then we are all on our feet, lashing out like wild animals defending their last scrap of territory.” Leo’s friends are getting “pummeled.” The cadets fight until the Alpha stops them. The scene is described over three pages.
  • While leaving the academy, Leo and his squadron are taken through a mountain tunnel, where giant leeches live. “The slimy wretches circle around Stick’s and Zoya’s feet, then latch on to the legs of my karkadann. He rears up and kicks.” Anjali tries to hack off the leeches and “drives a blade point into the head of a leech. . . the skewered creature squeals and twists under the blade.”
  • In order to repel the leeches, Leo rubs their blood over his pelt. Someone “snatches the tail end of the nearest one, lifts it high with one hand, and plunges her blade deep into its wriggling body.” The leeches are held over Leo’s head and, “Hot sticky blood spills onto my head and shoulders.” The leech scene is described over three pages.
  • A group of soldiers surrounds Leo and his friends. In order to escape, Leo summons a draycon, who “leaps at the soldiers and knocks five of them off their feet with one swat of his tail.” Leo and his friends flee, but they tell the draycon, “Make sure those soldiers stay far away from here.”
  • While riding in a carriage, soldiers try to take Leo and his grandfather hostage. Leo uses a trap door to get out of the carriage. When the soldiers see him, they shoot arrows. “The first arrow zings harmlessly overhead. The second implants itself in the rump of one Karkadann. He screeches and quickens his pace, forcing his partner to keep up.” Leo is the only one that escapes.

 Drugs and Alcohol

  • Someone gave Leo a pellet that would mask Leo’s scent. Leo discovers that the pellet was poison.

Language

  • Someone calls Leo a “royal bastard” because no one knows how his father is.
  • One of the cadets tells Leo, “Prince of not, you have to watch your step with Jakal and Alpha. If you cross them, they will put a foot so far up your dirt hole, you will cough out a big toe.”

Supernatural

  • Being a Spinner is considered a disease. A Spinner is compelled to tell stories. When they are telling the story, a vision appears that only the Spinner can see. When the story ends, “a character or creature is always left behind when the disease hits me. These beings are faded, ghostly, and freakish.” Leo tries to hide the fact that he is a Spinner, but he often has these visions. When a character from the vision appears, Leo can talk to them.
  • Leo learns that Spinners “are gateways to and from another world. The fictions are gifts from Alayah, sent through Spinners, gifts of wisdom and truth. For a few powerful Spinners, beings from the stories are pulled into our world to protect and serve the one who brought them here.”
  • Leo has a vision of a great hunter. He describes it as a “three-sixty waking dream.” The story of a hunter is described over two pages. When the story ends, the hunter is “in the halfway state: ghostly, phantasmal. I can almost look through him. . .”
  • Leo can summon the characters from his stories. During the slaycon hunt, Leo summons a hunter, Oreyon. “When Oreyon appears, he is no longer a phantom, a quasi-physical apparition. He is real. Vivid. Solid. Completely in the world.” Oreyon gives Leo advice on how to win the hunt.
  • When Leo is bitten by the slaycon, he dies. Leo meets Daviyah the “Eleventh Skahyah in your world.” While there, Leo thinks, “We Singas don’t believe anything goes on after death. When you die, that’s it. You’re done.” Daviyah explains, “What you call death is only a door. You have crossed the threshold of that door, but you cannot stay.” When Leo returns to his body, Daviyah tells him, “I am always with you.”
  • During a story, a sage appears and “wraps her hands around my [Leo’s] wound and mumbles strange words. I tremble. . .” Because of the sage, Leo’s wound heals quickly.
  • Grandfather tells Leo about the great war. One of the Maguar was “in some sort of a trance, and yet he spoke with a commanding voice. . .As he spoke, a horde of beasts appeared, slaycon and draycon, giant wolves and bears, serpents as wide as this carriage, and other horrible monsters unknown to the earth.” The creatures attacked the Singa and the “battlefield was awash in blood and covered with bodies of Singas and Maguar alike, though the casualties were heavier on our side. We lost many, many fine warriors in the effort. . .”
  • When Zoya breaks her leg, Leo conjures up a healer. “Instantly, Vishna appears at my side. Without glancing at me, the strange elder squats down and lays her hands on Zoya’s damaged leg. She mutters something in the Old Language.” After healing Zoya’s leg, Vishna leaves.
  • Leo sends the characters from his stories back to where they came from. “Where I would normally find my chest and stomach, there is a patch of blue sky and that glorious light spinning over an infinite sea. Countless winged beings soar and swirl around the light, singing with joy.” One by one, the fictions walk into Leo “disappearing in a flash of light. . . Each creature departs with a flash as it dives into me.” Once every fiction has returned, Daviyah says, “I am proud of you. Alayah is pleased with you.” The scene is described over five pages.

Spiritual Content

  • The Singa and the Maguar are enemies. Leo has never met a Maguar, but he has been told, “They are a superstitious breed, head so full of stories and fantasies about their gods, they wouldn’t recognize a scientific fact if it bit them on the nose . . . Consider the sun. The Maguar believe the sun is a servant of their god, which flies around our planet every day. What nonsense!”
  • The Singa find a hole in a border fence. Leo’s grandfather is afraid that the Maguar will attack. Leo’s grandfather says, “Perhaps their make-believe god has spoken or they have invented a new fiction about the future.”
  • Leo meets a shepherd who can speak the “Old Language.” The shepherd sings “a song of praise to Alayah, blessed be the name.” The shepherd explains the song, “Alayah is known by many different titles. . . One of them is the Lord of Lights. . . We come from the light and we return to the light. A beautiful image, don’t you think?”
  • Leo learns the meaning of faith. An elder tells him, “Faith is a special kind of knowing outside of the evidence, sometimes even contrary to the evidence.”
  • A shepherd tells a story about when humans ruled the earth. Humans “were violent. Greed, bloodshed, and war were common. In time, all the spilled blood flowed like rivers and formed one big pool. Drawn to the scent of salty blood, the great and horrible sea demon, Hasatamara, rose up with a mighty wave and flooded the land to claim it for himself. . . But Alayah, blessed be thy name, punished the sea demon Hasatamara and sealed him into the heart of the mountain.” Alayah saved two humans, who were changed into a new species.
  • The firewing is a messenger of Alayah.
  • The shepherd sings “a prayer of thanks to Alayah for the return of the sun.”

Serious Moonlight

Birdie has been raised in isolation and homeschooled by strict grandparents. With no friends, Birdie spent her time reading mystery books. Birdie’s overactive imagination keeps her entertained. When her grandmother dies, Birdie’s world expands. She takes a job working the graveyard shift at a historic Seattle hotel.

Birdie hopes that her new job will give her the opportunity to be brave and solve a mystery. When her cute coworker, Daniel Aoki, has a mystery to solve, he wants Birdie’s help. The two come together to investigate a hotel guest, who they think is a famous reclusive writer. Together they embark on an adventure to uncover the writer’s identity. As the two try to solve the mystery, Birdie must also try to understand her growing feelings for Daniel.

With a wide variety of unique characters, Serious Moonlight delves into the complications that come with relationships. Both Daniel and Birdie are connected by their love of mystery as well as the fact that their fathers are not present in their lives. Birdie struggles with understanding her feelings for Daniel, especially since the first time they met they had sex. Like many teens, Birdie has questions about sex, relationships, and her own motives.

Told from Birdie’s point of view, readers can understand Birdie’s insecurities, worries, and confusion. Many teens will relate to Birdie because she is a likable character who is just trying to figure out what adulthood looks like. Birdie has a positive relationship with her grandfather and her aunt, who want to help her navigate life’s difficulties. By the end of the story, Birdie learns that “Missing people is hard. Letting new people inside is harder. But the reward for making the effort was greater than I could have imagined… It took me a long time to figure out that not everyone in my life was meant to stay. But using that armor didn’t shield me from future heartache. And even heartache felt is a million times better than running away.”

While Serious Moonlight has some light, humorous moments, it is not a Hallmark romance. The story hits on several difficult topics, including grief, sexual relationships, and having a child out of wedlock. The descriptive sexual content and the profane language may surprise many readers. The ending of the story has a few surprises, but Birdie’s conflicts are neatly wrapped up in a way that is not necessarily realistic.

In the end, Serious Moonlight is an entertaining, suspenseful story best suited for mature readers. Readers who are looking for an entertaining, but tamer teen romance should read Somewhere Only We Know by Maurene Goo or What Light by Jay Asher.

Sexual Content

  • Birdie doesn’t know who her father is because her mother “got knocked up by an unknown boy when she was a rebellious seventeen-year-old.”
  • Birdie loses her virginity to a boy she just met. They have sex in the back of his car. Birdie wasn’t thinking “because once we got back there and clothes started getting unbuttoned and unzipped, it all happened so fast… So when it was over, I bolted.”
  • Birdie reads Seattle’s local alt-weekly city paper. When she reads the ads, “a few were just begging for kinky hookups.”
  • When Birdie tells her aunt about having sex, her aunt says, “Do you know how much weird sex I’ve had in my life… Sometimes it’s good; sometimes it’s awkward. Sometimes it’s just plain bad. It’s never the same.” Their conversation lasts for two pages.
  • Daniel tells Birdie about his father. “My dad didn’t want to have anything to do with me, so he basically gave my mom a big hunk of cash for an abortion, washed his hands, and said adios.”
  • Birdie thinks back to when she had sex. “I was transported back into his car, and my hands were in his hair, and he was kissing me into a wobbly, weak pulp.”
  • While driving a customer, Daniel “heard some Amazon bigwig order two male prostitutes on his phone.”
  • Birdie has a fling with one of her friend’s brothers. After basketball practice, “he kissed me by the fence. Then again, two days later, for much longer. Secret basketball make-out sessions became a regular thing for a few weeks.”
  • Daniel tells Birdie that it was a mistake to have sex because it was “pretty awful.”
  • While at a party, Birdie and Daniel are in character. They pretend to be teachers. When they talk about who their characters are, Daniel says, “We have ten [kids]… You couldn’t stay away from me. I tried to resist, but the smell of chalk dust and blackboards excited you, so we were constantly having sex in the classroom where we taught.”
  • While at the party, Birdie and Daniel are alone when Birdie kisses him. “Oh God, did he kiss me back. His mouth was on mine. Warm. Open. Eager. He kissed me like he meant it…” They were interrupted by other guests.
  • Birdie goes into a store and buys condoms. She’s surprised by the variety: “Fiery ice. Studded. Sensitive. Extra sensitive… Armor of the Gods.”
  • Daniel tells Birdie that he had sex with “someone I had a crush on.”
  • When Daniel tells Birdie that he loves her, they kiss. “We kissed like we were desperate, separated for years and had only minutes to spare until the world ended, rushing, breathless, all roaming hands-teeth-tongue…”
  • Birdie and Daniel kiss. Birdie “Kissed him back without thinking. His lips were soft and warm… Pleasure flooded my limbs. Then he was pulling away…” Daniel gives Birdie oral sex. At first, Birdie “nearly blacked out. First from embarrassment, then from pleasure.” The scene is described over two pages.
  • Daniel’s friend teases him about his good mood. His friend joked “about me having a look on my face as if I’d spent the weekend in Las Vegas with a bunch of male hookers and a bag of cocaine.”
  • While at work, Daniel and Birdie “may have taken advantage of our working situation and made use of an unbooked hotel room on our lunch break.”
  • Birdie’s aunt becomes pregnant after spending time with her ex-boyfriend. She says, “We’d been texting. One thing led to another, and we spent the weekend together in Scottsdale.”
  • Birdie’s mother died because of complications from a pregnancy. Birdie finds out that her mother “didn’t know who the father was, and she wasn’t planning on keeping it.”
  • Birdie and Daniel kiss, and “his mouth came down on mine. He kissed me quickly—small, desperate kisses all over my mouth, until I flung my arms around him and kiss him back.”

Violence

  • In the past, Daniel tried to kill himself. He “tried to overdose and was found in the school library by a janitor.”

 Drugs and Alcohol

  • Birdie’s grandfather was in an accident, which “made him dependent upon mild opiates.”
  • When Birdie falls asleep on the ferry, an employee wakes her up. Birdie was “worried he thought I might be a drunkard or a heroin addict.”
  • During a dinner party, the adults have champagne. One of the guests gets drunk.
  • Birdie goes with her aunt to an art dealer’s house, where he has a “tray of vodka bottles.”
  • Birdie gets high when she accidentally eats gummy worms that are medicated with cannabis.
  • Daniel and Birdie go to an opera where “patrons cluster around a cocktail bar, drinking and chatting.”

Language

  • Profanity is used often. Profanity includes asshole, crap, bastard, damn, fuck, hell, jackass, piss, and shit. For example after they have sex, Daniel tells Birdie that, “I feel like an asshole, and I wish I had a time machine so that I could go back and change everything.”
  • Jesus, Christ, God, Oh My God and oh God are used as an exclamation occasionally.
  • When Birdie was ten, her aunt taught her “a dozen words that contained the word ‘cock.’”
  • Birdie’s aunt tells her, “your mother was a goddess. Not a whore. Not a sinner. You know this.”
  • Birdie says “GD” instead of saying “Goddammit.”
  • Daniel tells Birdie a story about a man who was “a real prick.”
  • Daniel calls someone “a total dick.”

Supernatural

  • None

Spiritual Content

  • Birdie’s “grandmother had been religious. However, Grandpa veered toward angel sighting and UFOs and people communicating with their long-lost Aunt Margie from Topeka.”
  • When her aunt embarrasses her, Birdie thinks, “If there were an all-powerful being that ruled the universe, it would have surely heard my desperate prayer to please, oh please, have mercy and strike me down. I needed a natural disaster pronto—earthquake, tornado, tsunami. Anything.”
  • Birdie is confused about Daniel and thinks, “I wished someone could tell me what to do about Daniel. I wished I believed in something, so I could ask for a sign. Fate. God. Myself. Elvis.”
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