Reading Level: Young Adult

A Short History of the Girl Next Door

Matt and Tabby have been best friends almost since birth. When Matt and Tabby enter high school, Tabby starts dating a senior basketball player and makes other friends. Because of Tabby’s other friends, Matt struggles to understand his place in his best friend’s life. He also tries to make sense of his feelings for her, all while trying to be the best basketball player on the junior varsity team. Then tragedy strikes. Matt’s world is turned upside-down, and he has to piece himself back together.

A Short History of the Girl Next Door surrounds Matt and Tabby’s friendship, basketball, and the tragedy that strikes their community. Matt loves Tabby, and losing her to senior basketball star and school golden boy, Liam Branson, is unbearable. Much of Matt’s life and his memories include Tabby, so when she and her father suddenly died in a car accident, Matt has to figure out how to deal with all his feelings. Although Matt, who narrates the story, sometimes can come off as petulant, his personal growth at the end of the story is commendable.

With the help of his family and basketball, Matt makes peace with Tabby’s death and apologizes to the people he’s hurt. The book deals with themes of friendship, death, and forgiveness. The most bittersweet and touching moments come when Matt learns to cherish his memories and opens up to those who are also grief-stricken. Family and community rally around their collective sadness, and they help Matt through his personal grief. Matt is only able to get better by relating his experiences and his pain to others.

Although most of the book is about Matt and Tabby’s friendship, basketball is also important to Matt. Basketball is Matt’s outlet, and the only activity he has that is separate from Tabby. However, when Tabby is dating fellow basketball player Liam, Matt’s two worlds become intertwined. And when Tabby dies, Liam becomes a reminder of what Matt has lost. Basketball itself isn’t as important to the story as the relationships between Liam, Matt, and Tabby, and the sport serves as a vessel for their personal issues.

A Short History of the Girl Next Door will appeal to those who enjoy slower-paced, slice-of-life stories. Those looking for a basketball-heavy book won’t find it here, as basketball is not the primary focus. The sexual content and language are geared towards an older audience and may not be appropriate for middle schoolers. Nevertheless, Matt’s growth throughout the novel is commendable, and Matt’s reaction to Tabby’s death will no doubt resonate with readers. A Short History of the Girl Next Door is a quiet book that looks closely at the ending of a friendship, and how someone learns to pick themselves back up.

Sexual Content

  • Matt admits that he started making “a mental list of the top-five hottest girls by grade level. Lily Branson landed the #1 ranking on [his] list.”
  • Tabby says about Lily, “People say she’s all stuck-up, but she’s actually really nice. I think people just say stuff because she’s pretty, you know?” To this comment, Matt says that he feels “like a complete ass. [He’d] made that comment—and worse—more than once, about Lily Branson, and any number of other attractive girls. Probably every girl on [his] top-five list. Because, you know, if a hot girl doesn’t want to mate with you, she’s obviously stuck-up.”
  • Matt is attracted to Tabby, his longtime best friend. He thinks, “Seriously, how can you see a person nearly every day of your life and never think a thing of it, then all of a sudden, one day, it’s different? You see that goofy grin a thousand times and just laugh, but goofy grin number 1,001 nearly stops your heart?”
  • Matt says upon describing the height difference between his grandparents, “The Wainwright men’s infatuation with pocket-size women is apparently genetic,” a nod towards Tabby’s small stature.
  • Matt describes the book An Absolutely True Diary of a Part-Time Indian by Sherman Alexie as “an amazing book about basketball, and masturbation, and feeling shitty and alone, and how Indians are perpetually screwed.”
  • One of Matt’s neighbors, Corey, is very straightforward with girls at school and “openly tries to get [girls who like Corey] to touch his dick at his locker.”
  • Tabby tells Corey to go away, and Corey responds with, “You know, if you grow some tits, I’ll let you suck my dick.” Matt tries standing up for Tabby by saying, “Hey, that’s what I said to your mom last night, bro.”
  • One of the basketball players says to Liam, “What’s the deal with the freshman, B? She sucking your dick yet?” It is clear that he is talking about Tabby. He then says, “She’s a cockmonster, isn’t she?”
  • Matt jokes that his mom’s Thanksgiving stuffing is so good that he and his dad get “stuffing boners.”
  • Matt has a physical copy of his “Do List: Girls [he] would do if there were no consequences—social, emotional, or physical: freshman class.” Tabby finds the list and is very upset. She tells him, “Let me know when you’ve done the first hundred on the list, Matt. So I can spread my legs and wait my turn.”
  • Matt and his friend Trip have to write gift poems for poetry class. Matt jokes that he’s writing his for Trip, and that Matt “couldn’t think of a word that rhymes with bulge.” Trip responds, “Indulge,” with a wink, messing with him.
  • Matt writes a persona poem for his poetry class from the point of view of Mr. Mint, who has “wildly inappropriate opinions on King Kandy, the princess, and most of all, Plumpy, whom Mr. Mint tells to choke on it.”
  • Matt’s mom wants him to wear a bald eagle costume for Halloween. He would have to wear skinny yellow pants with the costume, and he says, “Where am I supposed to keep my nuts in these things?”

Violence

  • Tabby playfully “punches [Matt] in the shoulder, hard” when Matt asks if she likes Liam Branson.
  • Corey grabs the front of Matt’s shirt, looking to start a fight. Tabby, holding a corked baseball bat, “swung. Hard. The bat slammed into Corey’s right arm, the dented plastic barrel and duct-taped head finally giving way.”
  • After Tabby hits Corey with the bat, “he shoved Tabby to the ground. Tabby flew backward, landing hard on her elbows to keep her head from smacking the pavement.”
  • After hearing other basketball players make sexual comments about Tabby, Matt envisions different scenarios in his head, usually violent. He imagines “Branson going stone-faced in the locker room, grabbing Lighty by the neck and slamming him back into a locker . . . Or me, walking up behind Lighty as he’s singing his song, palming the back of his stubby, lumpy head and slamming his face into his locker, smashing his nose and knocking him unconscious.”
  • Matt tells Trip that he looks like a “squirrely-ass twelve-year-old.” Trip responds by picking up “a spent pizza crust from the box and backhands [him] with it on [his] arm.”
  • Trip and Matt play a video game where their characters spar against each other. Trip beats him one round, saying “I just made you my bitch.” Matt describes, “On the screen, his demon-girl flips into the air over another empty swing from my dude’s battle-ax and lands on his shoulders. In one quick motion, she scissor-cuts my poor bastard’s head off, reaches down into his gaping neck-stump, pulls out his still-beating heart, and eats it.”
  • Tabby “passed away in an automobile accident” while visiting her grandparents. Matt and the other students hear about it at school. It is later stated that, “an SUV lost control on a patch of ice coming off a turn, hit Tabby’s dad’s pickup head-on. Died instantly. Felt no pain. Probably never saw it coming.”
  • The team rallies around Liam because he dated Tabby and took her death hard. Matt is frustrated that no one has acknowledged that Tabby was Matt’s best friend, so when another player brings out armbands for the team to wear in solidarity with Liam, “a laugh escapes [Matt’s] mouth before [he] can stop it.” Liam “stands and drills [Matt] in the face.”
  • Grampa talks about when they used to paddle kids in school, as a teacher. After his first wife and daughter died in an accident, “by Christmas, a kid was getting it about every day. Usually the same ones.” On one kid who was being particularly nasty, he “broke the paddle.” Grampa never hit a kid after that.

Drugs and Alcohol

  • Of Liam Branson, Matt thinks, “This time next year, Branson will be gone—hopefully putting on forty pounds of beer fat in a dorm at some state college.”
  • Trip’s dad explained how to cork a bat to Trip while “a beer [rested] on [Trip’s dad’s] stomach.”
  • One of Matt and Tabby’s neighbors, Corey, takes “weed from his parents’ stash.”
  • Tabby’s mom was a “drug-addict” who left when Tabby was a few months old.

Language

  • Profanity is used frequently. Profanity includes: ass, bullshit, fuck, douche, badass, damn, shit, bastard, dick, slut, and cock.
  • Tabby calls her friend’s boyfriend a “complete perv-ball.”
  • Matt sketches a carny ride operator that wears a “a trucker hat that reads ‘I <3 Little Boys.’”
  • Matt writes a poem that’s an “ode to Internet pornography.” The reader never sees the poem.

Supernatural

  • None

Spiritual Content

  • Matt’s grandpa takes one look at Matt in the bald eagle costume and says, “Sweet Jesus.”
  • At Tabby and her father’s funeral, Matt listens to “a few more numbing hymns” and the priest “speaks in infuriatingly generic terms about ‘the mystery of God’s love’ and [Matt] thinks, Yeah, this is a pretty big fucking mystery.”
  • Grampa has a heart-to-heart with Matt after Tabby’s death. Matt’s struggling to reason out what happened to Tabby and if life has meaning. Grampa says, “If there’s a God—and I’m pretty skeptical, myself—I figure he can fill me in when my time comes.”

by Alli Kestler

 

Taking Flight: From War Orphan to Star Ballerina

Professional ballerina Michaela DePrince hasn’t always lived in the world of ballet. Adopted from war-torn Sierra Leone when she was young, her life was forever changed by her adopted family and a picture of a ballerina, ripped from a magazine, floating in the wind. Upon seeing that ballerina, ballet became DePrince’s love. Taking Flight is DePrince’s memoir of her life as a war orphan who became a professional ballerina in the United States.

Taking Flight begins with many of DePrince’s memories of her native country of Sierra Leone, which was experiencing a destructive civil war. DePrince’s recollections of events are often harrowing. Her birth parents, who were clearly a shining light in her life, died in quick succession due to events surrounding the civil war. She talks about the orphanage that her uncle dragged her to, and the terrible treatment of the children there. However, DePrince’s narration shows that despite the terrible situation, she was still bright and animated, making friends with the other children and making up games.

Much of the story describes DePrince’s experiences in ballet after the DePrince family adopted her with a couple of the other girls from the orphanage. Family is an important feature of her story and considering her earliest memories, it is a relief to watch her life improve thanks to her jovial spirit and the loving people in her life.

DePrince, being a professional ballerina, talks a lot about ballet. When she describes seeing the Nutcracker with her family and eventually performing in various productions of the show, the reader can feel the love she has for her chosen profession. Not all that glitters is gold, however. DePrince also addresses the extreme lack of diversity in the ballet world, and her own struggles being a black ballerina. She sometimes describes comments from other parents, ballerinas, and instructors about her race and how it affects or will affect her dancing in the future.

Despite these obstacles, despite the odds, DePrince is a professional ballerina living well in the United States with her loving family. DePrince ends the book by discussing how she hopes she can be a role model for other aspiring ballerinas and how she wants to help other people affected by war in their home countries. Taking Flight oozes DePrince’s love for ballet and her family. It is a wonderful and wondrous thing that DePrince found a picture of a ballerina that day in Sierra Leone, jump-starting the rest of her life. This book will appeal to people who like dance as well as people looking for a book about overcoming adversity. DePrince had the odds stacked against her, and her story is inspiring for people from all walks of life.

Sexual Content

  • The critics discuss Michaela DePrince’s Odile in Swan Lake, “She was the sweetest seductress you ever saw . . . but she has yet to develop any ballerina mystique.” DePrince discusses how she needed to become mysterious and a “seductress” in the role.
  • Michaela says of her boyfriend Skyler, “I was lucky enough to fall in love with a young man who was capable of doing all the things my mother had described to me.”

Violence

  • DePrince’s Uncle Abdullah had three wives and fourteen children, and DePrince says at night they could hear Uncle Abdullah “beating his wives and daughters . . . He blamed any and all of his misfortunes on their existence.”
  • DePrince is originally from Sierra Leone, where a civil war has been brewing since 1991. “As the war progressed, the youth lost track of their goals and started killing innocent villagers.”
  • A man came to DePrince’s family “moaning and wailing. He told us that he was the only survivor of his village. The debils (rebel forces) had forced him to watch as they killed his friends and family. Then, laughing, they asked if he preferred short sleeves or long sleeves. He said that he usually wore long sleeves, so they cut off his hand and sent him on his way to spread fear and warnings throughout the countryside.”
  • The debils shot and killed DePrince’s father while he was working in the mines. DePrince describes, “I woke up to the sound of my cousin Usman’s voice. ‘Auntie Jemi,’ he hissed quietly. ‘Auntie Jemi, the rebels came to the mines today. They shot all of the workers.’”
  • DePrince’s mother refused to marry Uncle Abdullah, which angered Uncle Abdullah. He abused both DePrince and her mother, starving them. DePrince says, “We often went hungry, and for months Mama gave me most of her food.”
  • DePrince’s mother dies of Lassa fever. DePrince notes that “Most of the night I had heard Mama tossing and turning. Just before dawn I heard her sigh loudly three times and finally grow quiet.” DePrince did not realize that her mother had died, and instead thought that her mother had finally fallen asleep.
  • Within a couple of days of both of her parents dying, DePrince ends up at the orphanage, where “If [DePrince] awakened Auntie Fatmata (one of the workers) with [her] crying, she will beat [DePrince] with her willow switch.”
  • Another girl was going to be whipped in the orphanage for wetting her mat, but DePrince steps between the girl and the worker and tells the worker that the punishment is unfair. As a result, “Auntie Fatmata raised her switch and struck [DePrince] first and then Mabinty Suma. She struck us over and over again, raising welts all over our bodies.”
  • It is noted that in the orphanage, the “aunties loved to tug on our tightly braided cornrows, because it hurt so much but left no evidence of their abuse. This was important to them. Andrew Jaw needed to send our pictures to America, so he did not want to see bruises on us.”
  • In order to make DePrince cry, Auntie Fatmata “ground chili peppers into a fine powder” and “sprinkled it all over [DePrince’s] face until it filled my nostrils, eyes, and mouth.”
  • When most of the children in the orphanage contracted malaria, Auntie Fatmata made “one of the younger children go to the bathroom on [DePrince’s] hair and face while [she] was asleep.”
  • DePrince’s teacher, Sarah, is killed by the debils, and they cut her unborn baby out of her body. One of them, “slashed downward with his knife and cut into Teacher Sarah . . . The debil reached inside of Teacher Sarah and pulled out her unborn baby.” The nightwatchman, Uncle Sulaiman, saves DePrince. It is assumed that the baby died.
  • The director of the orphanage “beats [DePrince] with a switch for leaving the orphanage.”
  • When they are forced to walk into the jungle, DePrince and the other orphans, “saw hundreds of dead bodies on our way out of Sierra Leone. The debils had taken machetes to many of the people, but the majority of them, even small children, had been shot in the head. They lay sprawled on the ground with their eyes and mouths open in terror.”
  • DePrince vomits on herself and Uncle Ali out of nervousness on the plane ride to Ghana. Uncle Ali “dragged [her] into the toilets and spanked [her] soundly before bringing [her] back past everyone a second time.”
  • DePrince’s new mom (Mama) made a list of rules for DePrince and her sister. They were, “No hit, no bite, no pinch, no scratch, no say caca.” They soon stopped doing those things, except to their dolls because they were “mimicking the way Auntie Fatmata had treated the children in the orphanage.”
  • DePrince notes a statistic about Sierra Leone. She says, “More than 90 percent of girls in Sierra Leone endured genital mutilation.”

Drugs and Alcohol

  • As a child in Sierra Leone, DePrince had contracted a form of mononucleosis and had not recovered from it, leading to an infection five years later in her left eye. The doctor “put [her] on an antiviral drug.”
  • While attending boarding school, some of the older high school students taught DePrince “that alcohol mixed with a power drink would relax [her] muscles, relieve the stress of Auntie Fatmata, and ease the pain of tendinitis. Someone suggested I try it once when I was off campus, and I did and never tried it again because it made me violently ill.” Some other students suggest fad diets, smoking cigarettes, and “taking laxatives and vomiting after meals.”

Language

  • Uncle Abdullah is extremely sexist and uses plenty of sexist language. For instance, he says of DePrince, “All she needs to learn is how to cook, clean, sew, and care for children.”
  • Uncle Abdullah tells DePrince’s father that DePrince, “needs a good beating.” He then says about DePrince’s mother, “And that wife of yours, she too needs an occasional beating. You are spoiling your women, Alhaji. No good will ever come of that.”
  • DePrince and her adopted sisters experience racism in the United States. Once when she and one of her sisters were having a tea party on the lawn, “a neighbor walked over and said, ‘You girls will need to take your things and move your tea party out of sight of my property. I’m trying to sell my house. Someone is coming to look at it, and I don’t want them to see the two of you.’” DePrince describes these experiences over the course of a chapter, and some more stories are littered throughout the novel as well.
  • DePrince notes that “unless I’m in physical danger or my civil rights are being violated, I ignore [bigotry aimed at DePrince]” except for the “racial bias in the world of ballet.” DePrince spends a chapter explaining some of the things parents, other dancers, and dance coaches said about black dancers. In one incident, “one of the mothers who was chaperoning us said, ‘Black girls just shouldn’t be dancing ballet. They’re too athletic. They should leave the classical ballet to white girls. They should stick to modern or jazz. That’s where they belong.’”

Supernatural

  • To get revenge on Auntie Fatmata, DePrince pretends to be a witch and have “voodoo powers.” She does this by rolling her eyes back into her head and turning her eyelids inside out, saying, “I am a witch. I will place a spell on you if you harm me.” She then says, “The aunties were superstitious, and we lived in a place where many people practiced voodoo, so I knew my trick would scare them.” They never again physically abused her.
  • While working as an apprentice on a touring company for The Nutcracker in New England, DePrince lived in a house with other ballet dancers. She and the other dancers thought that the “Victorian house looked and sounded haunted,” and DePrince confesses to being afraid of “getting up to go to the bathroom at night, fearful of running into a shadowy specter in the hallway.”

Spiritual Content

  • DePrince and her family are Muslim, and to learn to read and write, DePrince would be “outside, sitting cross-legged on a grass mat, studying and writing my letters, which I copied from the Qur’an.”
  • DePrince notes how loving her parents are and says that at night she would “thank Allah because I had been born into the house on the right, rather than the one on the left,” meaning the one where her uncle beat her cousins.
  • DePrince’s mother notes that the debils (rebels of the Revolutionary United Front in Sierra Leone) spared DePrince’s family’s home and their lives when they burned the crops. Her mother then says, “We should be grateful to Allah for that.”
  • When DePrince’s father died, she and her mom had to move into Uncle Abdullah’s house because “according to Sharia, Muslim law, Uncle Abdullah became our guardian.”
  • Uncle Abdullah often refers to DePrince as the “devil child” because she could read several languages and had vitiligo, the condition that causes patches of her skin to lose coloration.
  • DePrince was knitting a scarf for her brother, Teddy, when he passed away from complications with hemophilia. DePrince said, “What should I do with this? I was knitting it to go with Teddy’s favorite hoodie. I wanted to give it to him for Hanukkah.”
  • DePrince had the opportunity to travel to Jerusalem where she “left a prayer for her [mother] in the chinks of the Wailing Wall, and [DePrince] wore [her] hamesh (or hamsa), a hand-shaped charm, for protection during our travels to the Dome of the Rock and the salty Dead Sea.” The reason why DePrince wears it is because “Muslims believe that it represents the hand of Fatima, the daughter of Mohammed, and Jews believe that it represents the hand of Miriam, the sister of Moses.”
  • DePrince’s mom explains to DePrince the story of Moses. She says that “thousands of years ago, when the pharaoh was killing Jewish baby boys, Miriam had watched over her baby brother, Moses, after their mother floated him down the Nile River to protect him from the pharaoh’s wrath. He was then found by the pharaoh’s daughter and raised as a son of Egypt.”

by Alli Kestler

Deception

When Baalboden is destroyed, the survivors are left to fend for themselves. The ragtag group elect Logan as their leader. With Rachel by his side, Logan is determined to get the survivors to the safety of another city-state. The survivors must leave the ruins of their home and take their chances in the Wasteland. But the Commander and a rival city-state’s army both want to take the device that controls the Cursed One for themselves.

Soon, it becomes clear that the survivors have a traitor among their ranks, who is killing them. Both Rachel and Logan are put under an unbearable strain, causing Logan and Rachel to wonder if their love will be shattered. Soon, everyone is questioning if they can survive the Wasteland.

The second book of the Defiance Series has wide plot holes, long and unrealistic fight scenes, and underdeveloped characters. Even though the story’s point of view alternates between Logan and Rachel, the two are frustrating characters to follow.

Rachel’s father trained her to defend herself, and Rachel is portrayed as an excellent fighter who can defeat male soldiers. Her daring acts in battle are described in long descriptive scenes that are completely unrealistic. In addition, Rachel is amazingly self-centered. When Rachel’s best friend Sylph dies, Rachel is distraught and only thinks about how Sylph’s death will affect her. Instead of being a heart-wrenching moment, Sylph is so underdeveloped that her death has little impact on the reader.

Most of the time, Logan only thinks about keeping Rachel alive. He feels guilty about everything and doesn’t trust anyone in his inner circle to help him keep the survivors safe. Even though Logan is surrounded by others who are older and more knowledgeable, Logan acts as if he is the only one intelligent enough to save the survivors. He over-thinks every situation and doubts his own abilities, but is still arrogant enough to think only he can find the solution to every problem. Plus, Logan’s repetitive inner dialogue is annoying.

This dystopian novel blends action and romance together; however, the story’s many flaws will leave readers wishing that they had left the book on the shelf. If you’re looking for an entertaining dystopian romance, you should read The Selection Series by Kiera Cass and the Matched Trilogy by Ally Condie.

Sexual Content

  • Rachel and Logan kiss several times. For example, Rachel gives Logan a “quick kiss.”
  • Logan thinks “kissing Rachel is like discovering a new element—one that turns my blood into lava and sends sparks shooting straight through every logical thought still lingering in my head.”
  • Rachel has a bad dream. When Logan wakes her, Rachel “raise[s] my head to kiss him, swallowing the rest of his words. My lips are harsh. My hands grip his arms. Claw his shoulders. . . This is what I need. This will make it better. I wrap my leg around his. . . I kiss him hard enough to hurt.” The scene is described over three pages.
  • Rachel and another girl have a short conversation about Logan’s kissing abilities. Rachel thinks, “I lose myself for a moment in the thought of his callused fingers gently sliding over my back, his lips pressing urgently against mine, his breath quickening against my skin.”
  • Rachel and Logan walk into a bedroom and see a husband and wife in bed together. Both the woman’s and man’s chest are exposed.
  • Logan helps Rachel, who is injured, change clothes. Rachel’s skin “glows, my breath hitches in my throat, and a feeling just as real as the pain in my arm but infinitely more delicious spreads through my stomach in lazy spirals. . . His chest scrapes the sensitive skin along my back as he breathes in quick, little jerks as if he’s been running.” Logan admits being tempted by Rachel.

Violence

  • The story begins with a multi-chapter battle. After Baalboden is destroyed, a group of soldiers try to enter the town to attack the survivors. “The first wave of soldiers crashes into the tiny band of survivors and the scream of metal against metal shivers through the air. . . Logan slams into another man, and their swords clash. We lunge, swing, hack, and parry with the Wall at our backs, and slowly gaining ground toward the gate.”
  • During the above fight, Rachel “leap[s] to my feet, and he [a soldier] lunges toward me on legs suddenly too weak to hold him. I follow his gaze as he stares down at the deep cut on his thigh, at the blood gushing out of his artery with every beat of his heart.” Another soldier attacks and Rachel “slice[s] my knife across his neck as he turns. Blood spurts, and I stagger back as it arcs toward me.”
  • A soldier pens Rachel down. Rachel jabs “the knife into the soft meat of the soldier’s leg, and he stiffens, his grip on my Switch arm loosening slightly. Before he can recover, I snap my head back, smashing my skull into his nose.” A man helps Rachel “as he wrenches the man’s sword arm to an impossible angle. The soldier screams in agony as the sickening crack of a bone ripping apart from its tendons fill the air.”
  • During the battle, Willow uses a bow and arrow and “takes them [soldiers] both down in less than ten seconds.” Rachel looks “away before I can see the blood that pours out of their wounds and spreads across the soot-stained cobblestones beneath them.” After the fighting, Logan gives an order “to strip the soldiers’ bodies of anything we can use.”
  • Rachel thinks back to when she killed a man. “My knife. His chest. Blood covering me as I sat horrified.”
  • When soldiers attack, Rachel tries to keep them away from the others. “I plant my right foot, lean back slightly, and snap my left leg into the air, kicking his windpipe with my boot. He drops to the floor. . .” She kills the man, but other soldiers attack her. “I slash my knife, sticking into a soldier’s neck. A line of brilliant red spills across his coat and splashes onto my hand.” Many of the soldiers are killed in bloody detail.
  • The Cursed One attacks a group of survivors. “A thick stream of red-gold fire spews out of its snout. Frankie dives beneath it, but flames grab hold of his tunic and his clothing ignites. He rolls across the grass, extinguishing the flames.” Frankie dies.
  • Someone slits a man’s throat. Logan finds the body. “I shake him and watch in horror as his head tips back, revealing the thick crimson slice across the base of his neck.”
  • While in the forest, someone throws a rock at Logan, making his head bleed.
  • As the group of survivors flees, highwaymen attack. Rachel leads their counterattack. “The highwaymen are converging on me. . . I dive out from under his feet before he can finish swinging his sword at me. His momentum carries him past me, and I slash the tendons behind his knees with my blade.” When the man is down, Rachel goes after another one. “I snatch my knife and lunge to my feet, bringing my weapon in his sternum as I stand. He deflates slowly, and I shove him away as he crumples. . .” Twenty-three of the highwaymen are killed.
  • An army attacks the group. The survivors throw jars full of acid and “the cypress explodes in a shower of splinters, branches, and shards of bark the size of my arm. . . A handful of soldiers are crushed beneath the trunks. Still more are bleeding from gaping wounds to their heads, arms, and legs. . . The soldiers closest to the explosion are thrown onto their backs, their skin riddled with cuts.” The survivors escape by blowing up a bridge. The fight takes place over eight pages.
  • One of the survivors, Willow, jumps into the river to save someone. When a solider goes after her, Rachel shoots him with an arrow. “He staggers, reaches up to grab the arrow, and falls backward into the river. Three more arrows fly, and all of the injured soldiers stop moving.”
  • As the survivors are resting, the rocks near them begin to explode. “Before they can move, another piece of the ground bursts into flames, right beneath the feet of an older man. . . He screams, a long, high wail of agony that tapers off into silence as his body twists away from the fire and falls to the grass in a smoldering heap.” Rachel pushes a child out of danger’s way. The stone explodes and “pain—searing, vicious pain unlike any I’ve ever felt—blazes a trail of agony down my right forearm. I scream and belly crawl away from the terrible heat that reaches for me.” Many people die or are injured. The scene is described over seven pages.
  • Two of the characters reveal that they killed their father. The father’s death is not described.
  • Rachel is kidnapped. Quinn tires to stop the traitor. “He drags me to my feet, but Quinn is already there, crouched and shaking, his breath rattling in the back of his throat like a trapped animal. . . Quinn falls to the ground and disappears beneath the cloud of smoke.” Rachel tries to escape, but the traitor finally “balls up his fist and slams it into the side of my head. . . then my ears ring, my eyes close, and darkness takes me.” The scene is described over eight pages.
  • When Rachel insults the traitor, “the knife plunges down, slicing through my bandage and digging into burned flesh. I scream as raw agony blisters my arm.”

Drugs and Alcohol

  • Someone poisons the survivors with castor seed poison, which cannot be cured.
  • Several times people are injured and are given pain medication.

Language

  • None

Supernatural

  • None

Spiritual Content

  • When soldiers try to ram their way into the city, Logan prays that the survivors have time to escape.
  • When the Cursed One attacks a group of survivors, Frankie gives his life to save them. “I [Rachel] close my eyes, praying that Frankie dies quick and that the pain is over in seconds. Praying that the monster leaves once he’s satisfied his prey is dead. Praying that everyone else has the good sense to honor Frankie’s sacrifice by remaining silent.”
  • While holding an infant, Rachel prays “that I don’t break her.”
  • When Rachel is kidnapped, Logan prays that she is okay.

They Called Us Enemy

Following the attack on Pearl Harbor, Japanese Americans are forced into internment camps. While George knows there is a war against the Japanese, he does not understand why he and his family are being forced to leave their home. Unable to grasp the injustices that George, his family, and other Japanese Americans are being forced to endure, George describes his joyful, yet troubled boyhood in two of America’s ten internment camps.

As George and his family adjust to life in the internment camp, George cannot help but notice the anguish and anxiety his parents and families around them are experiencing. When will the war end? How long will Japanese Americans suffer under this legalized racism? Will George, his family, and the other 120,000 Japanese Americans in internment camps ever be able to return home?

As he grows older, George angrily questions how his parents and so many other Japanese Americans could have let this happen. George’s later successes as an actor, activist, and author force him to reflect not only on his time in the camps but also on his understanding of his parents and their situation.

This heartfelt story highlights the themes of family, sacrifice, and empathy. As readers learn George’s story and watch his growth physically and emotionally, they will view all stages of George’s life—from blissful childhood ignorance to teenage anger and thoughtful adulthood. In addition, George includes his thoughts on his incarceration. Through simple, captivating images and storytelling, readers are given the chance to grow alongside George as the story progresses.

They Called Us Enemy utilizes compelling visuals and accessible language to engage and educate readers on the difficult and often overlooked subject of Japanese internment. The animated illustrations and comic style make this difficult subject more palatable for young readers while still depicting the tough reality of the characters’ situations.

From the eyes of a young George Takei, readers are able to join George in his journey to understanding and coming to terms with his and his family’s imprisonment. The combination of George’s conversation and a short, accompanied narrative tells not only George’s autobiography but the evolution of Japanese sentiment during and following World War II. Overall, this 2020 American Award Winner lives up to the praise. With its engaging historical background and cultural depictions, They Called Us Enemy is a must-read for readers of all backgrounds.

Sexual Content

  • None

Violence

  • When residents become seemingly more radical, George notes the unrest that exists throughout his second camp, Tule Lake. This results in “hostile words quickly erupt[ing] into violence throughout Tule Lake.”
  • As George and his family prepare for Christmas, they hear on the radio that Pearl Harbor has been attacked by the Japanese which would “naturally mean that the President would ask Congress for a declaration of war.”
  • Thousands of volunteers from Hawaii and across internment camps form the 442nd regimental combat team of all American-born-Japanese Americans. George narrates that, “the 442nd suffered over eight hundred causalities.”

Drugs and Alcohol

  • After leaving the internment camp, George and his family live on Skid Row in Los Angeles where they lived among “derelicts and drunkards.”

Language

  • Older boys teach George and his brother the phrase “sakana beach” in order to prank the young boys and upset the guards. The words do not hold a negative meaning in Japanese but are meant to imitate the phrase “son of a bitch.”
  • Before yelling “sakana beach,” an older boy warns George to “run like hell” in order to avoid being caught by the angry guards.
  • While being arrested by a guard, a man yells, “Damn Ketoh,” which George’s father later explains is an offensive term used against white people. Ketoh translates to “hairy breed.”
  • During a fight between the guards and the internment camp residents, a man yells, “Go to hell ketoh!”
  • The term “Jap” is used in a derogatory manner by non-Japanese individuals throughout the story.

Supernatural

  • None

Spiritual Content

  • None

by Katie Ng Ross

The Art of Holding On and Letting Go

Cara Jenkins feels that rock climbing is in her blood. Her parents and uncle, famous rock climbers themselves, have raised her as a nomad and a child of the wilderness. But when her parents and uncle go on a climbing trip in Ecuador, tragedy strikes Cara’s life and she is sent to live with her grandparents in Detroit, Michigan—a world away from her usual life in their cabin in California.

Stuck in her grief and in a normal high school, Cara finds herself at a loss without rock climbing and without her parents, who are dealing with the grief of losing their friend, Cara’s uncle. Cara has to learn how to navigate a normal high school, friendships, and the city. But then someone starts leaving notes in her locker, trying to get her to return to climbing. Cara has to figure out how to return to the one thing she loves without it being too painful to bear.

Much of The Art of Holding On and Letting Go is about Cara’s first love: rock climbing. The book delves into the uniqueness of her life and the sport, giving readers a look at something that they may not know much about. Along with rock climbing, the book discusses nature a lot, as Cara and her family read books by famous writers who wrote about nature, including Annie Dillard’s Pilgrim at Tinker Creek and Henry David Thoreau’s Walden. These elements make Cara’s story vivid and unique.

Much of the story focuses on Cara’s loss, not just of people but of places as well. As a person who was raised in nature and led a fairly unconventional life, getting thrown into public school in Detroit and living with her grandparents is a very difficult change for her. Cara makes friends and is able to find a connection with them and her grandparents despite their differences. However, she still longs for her old life. She learns that she can include the old and the new in her life. Although some things can’t be reversed, Cara reconciles her losses with the fact that life is forever changing, and she is able to embrace the good things that have come from moving to Detroit.

The Art of Holding On and Letting Go is a wonderful story that tackles grief, friendship, and nature without feeling preachy. Cara and the rest of the characters feel real, and their story gives a glimpse into the world of rock climbing. Told from Cara’s point of view, rock climbing and themes about grief and loss come to life. Through this story, Cara learns how to live again. This book will surely appeal to nature-lovers and Cara’s story will also resonate with anyone who has ever felt lost in the world.

Sexual Content

  • Becky, a climber, would like a reason “to hang all over Zach,” one of her teammates.
  • Of her Uncle Max, Cara says, “I knew he’d had boyfriends over the years, but they never seemed to last long.”
  • Kaitlyn, one of Cara’s new friends, and Cara talk about their friend Nick’s sexuality. Cara is convinced that he likes Kaitlyn, and Kaitlyn says, “Sometimes I even wonder if he’s gay.” It is later revealed that Nick does like Kaitlyn.
  • Cara has to take Sex Ed with the rest of her classmates. When Grandma sees the permission form, she says, “Well, I hope this is an abstinence-based program.” To this, Grandpa replies, “Don’t think so, Margaret. Says here the class will discuss all methods of birth control in the context of healthy relationships.”
  • Cara mentions that her mother had “gotten pregnant with [Cara] when she was only twenty.”
  • When Kaitlyn asks Nick to go to the Sadie Hawkins dance, Nick says yes and “kisses her hand.”
  • Nick “kissed Kaitlyn on the top of her head.” Nick and Kaitlyn end up dating.
  • Tom, the boy Cara likes, “kissed [Cara’s] cheek.”
  • Tom and Cara kiss. Cara describes it as a “deep, blood-cell bursting kiss . . . our lips met again, hungry and searching. The Earth tilted.”

Violence

  • Cara has a head rush and loses her grip while climbing. Then, she “slams into the climbing wall.” Several other climbers fall on the same hold. No one is injured badly, just minor scrapes.
  • After a giant sheet of ice separates Uncle Max from Cara’s parents, he is presumed dead.
  • Cara walks into another student at school and, “Crack. [Their] skulls collided.”
  • Tom was in a bad car wreck a few years prior. He says, “a huge SUV plowed right into us.”

Drugs and Alcohol

  • Grandma wants Cara to go out and have fun on a Friday night when Cara would rather stay in. Grandma then says, “I suppose [staying home is] better than going around with some boy, smoking dope.”
  • While staying at Kaitlyn’s house, Cara and Kaitlyn drink Baileys and get a bit drunk. Cara mentions that she’d “tried beer once during a camping trip and hated the bitter taste.”
  • Nick’s older brother Mike “started getting into drugs and trouble a few years ago.”
  • Nick’s brother Mike ran off to Colorado. Nick is certain it’s because “they just legalized pot.”
  • Cara falls ill with the flu, and her grandparents give her some “dandelion wine” to help her feel better. Grandpa mentions that the secret ingredient is “whiskey.”
  • On New Years, Cara’s dad calls from Ecuador, and he is crying on the phone. When Cara’s mom finishes the call, she turns to Cara and says, “He’s had a little too much to drink.”
  • One girl shows up to the Sadie Hawkins “trashed.”

Language

  • There is occasional profanity throughout. Profanity includes shit, hell, bitch, damn, fuck, and asshole.
  • In middle school, a girl spread a rumor about Kaitlyn. Kaitlyn says, “Swimming was part of our gym class, so we had to change and shower before we got into the pool. She went around and told all the guys that [Kaitlyn] was a true redhead. You know, meaning that [Kaitlyn] had red hair everywhere.” Kaitlyn’s nickname then became “firebush.”
  • One of Cara’s classmates is referred to as “Virgin Goth Girl.”

Supernatural

  • None

Spiritual Content

  • When Cara’s parents go missing on their climbing expedition, Becky tells Cara, “I’ll pray for you.”
  • Uncle Max had “strewn Tibetan prayer flags” from the cabin after returning from Mt. Everest.
  • Grandma has a collection of “five baby angels” in the house. They stand for each of her miscarriages, her daughter, and Cara.
  • Tom’s “mom’s Jewish” and “dad’s Catholic,” but “they’ve kinda left it up to [Tom]” to decide which he would rather practice. He does not show a preference for either.
  • Cara and Kaitlyn talk about fate and God. Cara mentions that there is no word in Chinese for “coincidence,” and with that absence, something must take its place. Kaitlyn asks if that thing is “God.” Cara responds, “Maybe. God, spirits, angels, nature, fate. The Chinese call it yuan. Destiny. But I guess it depends on what you believe.”
  • Cara celebrates Christmas with her grandparents. When she wakes one morning, Cara can hear that Grandma “had changed the radio station from oldies to Christmas carols.”
  • Cara wonders if her grandparents went to church on Christmas, noting that her own parents didn’t. Cara says of her dad, “he felt closer to God when he was on top of a mountain than he possibly could in any church.”
  • Cara and her grandparents build two cairns as burial markers for her dog Tahoe and for Uncle Mark. Grandpa goes back the next day and notes that “standing near those stones, you almost feel like they’re alive.” Cara replies, “There’s an energy there.”
  • Tom jokes that Cara is like “the Angel of Darkness.”

by Alli Kestler

 

 

 

 

 

She’s The Worst

Sisters Jenn and April used to be close, but lately they’ve been drifting apart. Thanks to school, sports, and the looming threat of college, the two don’t spend much time together. Plus, their emotionally immature, always-bickering parents have made their home an unpleasant place. But as Jenn prepares to start college, April remembers a pact she made with Jenn at the beginning of high school: before Jenn leaves town, they’ll spend the whole day together, revisiting places in Los Angeles that hold special memories for them.

Despite boyfriend troubles, needy parents, and secrets keeping them apart, the girls manage to make time to embark on their journey. Through the course of the day, secrets are revealed, arguments break out, and tensions rise. High-achieving Jenn plans to leave for Stanford soon, but she hasn’t told her parents, who think that she is staying in LA to work at the family antique store. Messy, sporty April thinks she can get a soccer scholarship, but doesn’t know how to get her family to take her hobby seriously.

While the girls work through their issues with themselves, their parents, and their respective love interests, they discover that they haven’t been communicating nearly enough. By respecting each other’s differences and talking things through, they’re able to address conflicts that have been bothering their family for years—and become closer as sisters. Through the course of a single day, their lives and relationships change dramatically.

She’s the Worst is a light read that moves quickly through its time frame of a single day. Its fast pacing sometimes comes at the expense of emotional impact or effective description. Readers still may find themselves connecting emotionally to Jenn and April’s struggles, especially when the story addresses their parents’ relationship.

The family antique store has caused a rift in April and Jenn’s parents’ marriage, and the sisters have both coped in different ways—Jenn mediates her parents’ arguments, while April spends as little time around them as possible. Readers who are familiar with such family dynamics will enjoy seeing them faithfully played out on the page. After seeing how desperately Jenn wants to get away from her parents, but how deeply they rely on her to keep the family business functioning, readers will surely root for her in her quest to leave her hometown.

She’s the Worst promises a story of sisterhood, and while it delivers that story, it also delivers a story of dysfunctional families, emotionally immature parents, and the complicated relationships people have with their hometowns.

Sexual Content

  • April is “sleeping with” Eric, a boy from school. Eric has “snuck in [her] bedroom window a few times already,” as April knows her parents would not approve.
  • April remembers “the way Eric kissed me last night, the way his body felt next to mine as we fell back asleep.”
  • April says that even though she’s not dating Eric, “that doesn’t mean we can’t hook up.” When Jenn expresses concern that Eric is toying with her feelings, April says, “What are you, a nun?” Jenn says, “Does he really like you? Or does he just like having sex with you?”
  • Eric kisses April. April says, “It’s fast but deep, like he wants to have as much of me as he can while he can, and I shiver despite the sun on my back.”
  • April admits her feelings for her friend Nate, and they kiss. April says, “I . . . press my lips to his. He freezes for a second, as surprised as I am by what I just did. Then his lips part and he pulls me closer. The kiss deepens as his hands start to creep down my back.” They are in public and don’t go any further.
  • Later April and Nate share an intimate moment in April’s bedroom. “Then he lifts me up and carries me to the bed, and it’s still me and Nate, but not like always—it’s totally new, and totally hot. I wrap my legs around him as the kiss deepens and intensifies, and soon I’m not thinking about anything at all. When he eventually pulls back, I feel drunk with happiness.”

Violence

  • April jokes that if someone went to the UK and called soccer “soccer” instead of “football,” they would “get jumped by a hooligan.”

Drugs and Alcohol

  • Jenn says, “Remember when we brought up sparkling cider and pretended it was champagne?” April says, “We could probably get our hands on some real champagne. Or at least some cheap beer.”
  • April’s friend Nate brings the sisters some red wine he stole from his house.

Language

  • Profanity is used somewhat frequently. Profanity includes crap, ass, piss, hell, and damn.
  • “Fuck” is used very infrequently.
  • April says, “Mother. Fucker.” once.
  • April uses the expression, “Speak of the devil.”

Supernatural

  • April remembers using an Ouija board with Jenn once, but goes into no further detail.

Spiritual Content

  • April recalls wearing a new dress for a relative’s neighbor’s bat mitzvah.

by Caroline Galdi

 

The Emperor of Nihon-Ja

When Horace travels to the exotic land of Nihon-Ja, it isn’t long before he finds himself pulled into a battle that is not his—but one he knows in his heart he must wage. A kingdom teeters on the edge of chaos when the Nihon-Ja Emperor, a defender of the common man, is forcibly overthrown. Only Horace, Will, and his Araluen companions can restore the Emperor to the throne. Victory lies in the hands of an inexperienced group of fighters, and it’s anybody’s guess who will make the journey home to Araluen.

In the last book of the series, The Emperor of Nihon-Ja brings many of the characters from previous books together. The story follows the same format as the other books, ending with an epic battle. The Emperor of Nihon-Ja teaches that all men have value and that each person has a unique skill. Even though not everyone is able to be a warrior, everyone is important—diplomats, soldiers, attorneys, and the common man. Hoping to overthrow the Emperor, Ariska forms a rebel army and his brutal ways are in stark contrast with the Emperor, who is “kind and honest and incredibly courageous. He’s trying to better the lot of the common people here and give them a bigger say in things.”

Alyss and Evalyn also play an integral part in the battle. The two women are never seen as silly maidens. Instead, they are courageous, brave, and imaginative. Even though the two girls do not get along, they are able to put their differences aside and work together for the greater good. In the end, the girls discuss their conflicts, which allows them to understand each other and finally become friends.

The Ranger’s Apprentice series reinforces the importance of friendship, loyalty, courage, and imagination. Even though most of the books have the same format, each story is unique and interesting. The Emperor of Nihon-Ja shows that a ruler’s strength does not come from brute force. Instead, a ruler is “a man who would forsake the highest position in the land to save the lives of his subjects.” Even though many of the characters are from different countries and have completely different cultures, they respect each other’s cultures and do not expect others to change.

The Emperor of Nihon-Ja concludes the Ranger Apprentice series. The series is a fast-paced and entertaining series that also has positive lessons. By the end of the series, readers will feel like Halt, Horace, and Will are their friends. For readers looking for another great series to enjoy, the Protector of the Small series by Tamora Pierce would make an excellent addition to your reading list because the story contains action, adventures, and knights.

 Sexual Content

  • None

Violence

  • The Senshi class tries to overthrow the Emperor. A soldier tells about the beginning of the uprising. “Many of the Emperor’s clan are dead already. They tried to resist Arisaka, and his men killed them.”
  • Soldiers ambush the Emperor and his traveling companions. “Horace heard a savage hiss as something flew past his face, missing him by inches. Then he saw George swaying, a long arrow buried in the upper part of his arm. As he watched, George slid sideways from the saddle and thudded onto the rough, churned-up earth of the track.” George survives.
  • Three soldiers attack the Emperor. “One grabbed the reigns of the Emperor’s horse, and as Shigeru drew his sword and struck at him, the man ducked under the horse’s neck to avoid the blow.” Horace jumps in to save the Emperor. The soldier “felt a moment of surprise when Horace’s horizontal stroke took him in the rib cage, exposed as he raised the sword high, and smashed through his lacquered leather armor. Then he felt nothing.”
  • Another soldier attacks Horace, but Horace “kicked flat-footed into the side of his knee. The man’s leg collapsed under him and he stumbled forward with a shrill cry of pain. A quick thrust cut off his cry, and he fell at Horace’s feet.” By the end of the ambush, seven of the attacking soldiers are dead and two of the Emperor’s men are dead. The ambush is described over four pages.
  • While traveling to Nihon-Ja on a boat, pirates attack. “The riders Halt had singled out were in the act of shooting again when the two long, heavy arrows hissed down and struck them. Halt’s target yelled in pain, dropping his bow and clutching at the arrow that had suddenly slammed into his upper arm.” One pirate is killed and one is injured before the pirates flee.
  • When the rebel army finds the Emperors’ coin in a peasant’s house, “they killed him. Then they ran amok through the village, burning cabins, killing women and the old people.”
  • A lieutenant in the rebel army plans to kill a village leader. Halt pretends to be the leader, and “the lieutenant raised the long weapon above his head, preparing to sweep down… The kneeling headman suddenly came up onto his right knee. There was another ringing hiss and his hand emerged from under the ragged Kikori cloak with a gleaming Senshi short sword… he thrust forward, burying the blade in the lieutenant’s midsection.”
  • After the lieutenant is killed, a battle ensues. The village is burned and “gradually, the sounds of fighting died away as the last of Arisaka’s men were cut down… Four of Shigeru’s warriors also lay silent on the bloodstained soil of the common ground, and another two were nursing wounds.” The scene is described over three pages.
  • A ship of pirates attempts to overtake another ship. Evalyn uses her sling and “one of the shouting, gesticulating pirates in the bow suddenly toppled over, folding up like an empty garment…” Evalyn shoots again and “the pirate skipper abruptly reared up, clutching his forehead, then crashed over backwards onto the deck.” The Skandian’s attack the pirate ship, disabling it. During the process, “nearly half the pirates were killed or disabled.” The scene is described over four pages.
  • As the Emperor flees from the rebel army, Horace watches the men who are engaging the army, allowing the Emperor to escape. “Several bodies were slumped over the hedge or sharpened stakes that had been driven into the ground of the riverbank. More were visible, drifting slowly downstream in the deeper water below the ford. The river itself was streaked with red ribbons of blood.” As men begin to die, the rebel army continues to attack. “The ten men with Arisaka crowded forward, slashing and stabbing, in a compact mass… Shigeru’s cousin staggered to one side, his sword falling from his hand. He doubled over in agony and fell to one knee. Almost contemptuously, Arisaka took a pace forward and struck again. Shukin fell face down on the sandy riverbank. He didn’t move…” The battle is described over four pages.
  • The Emperor tries to get to safety, Horace holds off a warrior. The warrior “stumbled forward, off balance. As he tried to recover, Horace made a quick, darting lunge and took him in the left thigh…” Horace uses his sword, which “crumbled the lacquered leather body armor the Senshi wore, crushing the ribs behind it. The man gasped in pain.” The man falls off a bridge. Several others also fall of the bridge falling to their death. The scene is described over three pages.
  • When the Arisaka’s army attacks the Emperor’s hideout, some of the men are killed when “rocks showered over the ramparts, hurled down.” Some of the Emperor’s men were killed when “an arrow slammed into the defender’s chest and sent him staggering back off the rampart.”
  • During the above attack, the rebel army finds themselves in a trap. “A vast pile of rocks, earth and timber tumbled end over end down the wall, bouncing, smashing, crushing anything and everything in its path.” Several of the men are killed. The attacking army lost more than thirty comrades. The battle is described over five pages.
  • The Kikori are loyal to the Emperor. They engage the enemy. The Kikori work as one and use shields to protect each other. While the Senshi attack with their swords, “short, razor-sharp iron blades began to stab out of the gaps in the wall, skewering arms, legs, bodies, aiming for gaps in the Senshi armor… Some of the Senshi did manage to cause casualties.” After many deaths, the Senshi retreat. The scene is described over three pages.
  • After the Senshi retreat, many of the warriors refuse to go back into the battle. One man speaks up, explaining the reason. His leader’s “sword flashed in a blur of reflected light, striking the man in the gap between helmet and breastplate. With a startled, choking cry, the Senshi staggered and fell.”
  • Alyss and Evalyn kill a large cat that had been hunting people. Alyss uses herself as bait and when the cat jumps on Alyss’s shield, Evalyn uses her sling. Evalyn’s “shot hit the animal with a sickening crack, taking it on the left shoulder, smashing and splintering the bone beneath the fur… Evalyn placed her third shot carefully, sending it crashing into the animal’s rear left hip. Again, bone crunched and the tiger’s left rear leg suddenly went limp.” The scene is described over three pages.
  • The book ends with a multi-chapter epic battle. The battle’s violence is similar to the battles that were described above.

 Drugs and Alcohol

  • When Horace and Evalyn announce their engagement, Halt yells, “Break out some of our special provisions, and some wine and ale. We’re having a party tonight!”

Language

  • “Oh God,” “for God’s sake,” and “my god” are used as an exclamation several times.
  • Darn is used once. Horace says, “That’s the trouble with you attorneys. You’re too darned literal.”
  • “By Gorlog’s beard,” “by Gorlog’s teeth,” and “by Gorlog’s toenails” are each used as an exclamation once.
  • Evalyn calls Alyss a “great gangly cow.”
  • A Skandian, Niles, calls the pirates “raggedy-bum backstabbers.” The Skandian’s captain yells, “Get back on board, you great idiot!”
  • Someone calls Arisaka a “bantam rooster.”
  • “What the devil” is used once.

Supernatural

  • None

Spiritual Content

  • In Nihon-Ja, the Emperor is “a person whose accession to the throne was guided and consecrated by the gods. To rebel against him was an unthinkable sacrilege.”
  • When Halt agrees to let Alyss and Evalyn go on a dangerous mission, Halt says, “But god help me when Will and Horace find out about it.”

Mare’s War

Mare’s War is a Coretta Scott King Award honoree and a tale of family, history, and resistance. Told in alternating “then” and “now” perspectives, the book follows Mare’s time in the Women’s Army Corps during World War II and as well as a road trip she takes back home to Bay Slough, Louisiana with her grandchildren in the present day.

The “now” sections are told from the perspective of Octavia, who is 15 and struggling to learn how to drive and fit in as a teenager. She tells about her conflicts with her older sister, Talitha.  Both sisters’ perspectives are given through postcards they write home to their mom and friends. Octavia does come to appreciate Talitha, at one point saying, “I’m actually kind of proud of my evil sister.”  Talitha is nearing her 18th birthday, and (through Octavia’s eyes) the readers see her struggles with boys, friendships, and growing up. Both sisters are reluctant to go on this road trip with their grandmother, thinking it will be boring, but the trip eventually brings the three women together, all with a greater appreciation for each other and their stories.

The “then” sections are told from Mare’s perspective. The story follows her from basic training all the way to Birmingham, England, and Paris, France. After an incident with Toby, a man her mother is involved with, Mare lies about her age to join the Women’s Army Corps. While she worries about her younger sister Josephine, Mare finds freedom and agency through her time in the army. She is relegated to some unsavory jobs as a member of a Black women’s unit.  In addition, Mare compares the discrimination she faces in the Southern U.S. to what she experiences in the military. When she returns home to Bay Slough, she sees how much has changed.

Mare’s War includes themes of family, growing up, and the importance of history. These themes teach readers to understand Talitha, Octavia, and Mare as they learn from each other. The reader sees the various forms of discrimination Black women experience at all ages, from the 1940s to the present day.

Mare’s War is an engaging story and one of the few books that address Black women’s role in World War II. However, the difficult scenes with Mare and Toby may upset younger readers even though these scenes are sexually charged, but not explicit. Mare’s sections use a form of African American Vernacular English, which could be confusing to readers who are unfamiliar with the dialect. At times, the easy-to-follow plot is slow. However, the characters make the story interesting and worth reading.

Sexual Content

  • When introducing Mare, Talitha and Octavia talk about finding her “panties” in the bathroom that have a “fake butt” attached. They describe them as “fanny pants”
  • There are two scenes where Toby, a character from Mare’s arc, makes unwanted sexual advances on Mare and other young women. “Toby been bumping me, touching me, cutting his eyes at Mama when he thinks she don’t see. He’s been talkin’ filth to Josephine…”

Violence

  • Mare’s younger sister Josephine (“Feen”) hides under the bed while Mare and Toby interact. Mare knows she must keep Josephine safe, so she defends herself with a hatchet. “[Toby] smacks me in the mouth before I can get my hand up. Feen hasn’t stopped screaming, but I have. I tighten my hands on the hatchet.” Mama eventually saves Mare and Josephine by shooting Toby, but he survives.

Drugs and Alcohol

  • Present-day Mare is a smoker, so there are many scenes that involve her and cigarettes.
  • Toby drinks and smokes in ways that impact his personality, character, and actions. Mare describes Toby. “I can smell that nasty pipe Toby always be smoking… his voice is slurred.”
  • While out at dinner, seventeen-year-old Octavia drinks an alcoholic beverage with Kahlua in it.
  • While out in London, Mare and her friends go to a cafe and a club where Mare drinks for the first time. She is 18, so it is legal, but the scenes do depict her enjoying drinking. When she first drinks, Mare says “when I take a sip, it’s not too bad at all.”

Language

  • Dad says Mare drives “like a bat out of hell”
  • When Mare goes out in London, she is racially targeted. Someone says “forgot who you are, n——found out you can get a white girl here. Been seeing you and them other c—ns of yours stepping out with them English whores.” Some of these words appear more than once in this section.

Supernatural

  • None

Spiritual Content

  • When Toby attacks Mare and Josephine, Josephine prays to Jesus asking him save her.
  • While Mare is in service, she communicates with Sister Dials, a religious figure.

by Talia Marshall

 

Beneath the Citadel

Prophecies have ruled the city of Eldra for centuries. With each new prophecy, the ruling high council tightens their control on the city, crushing any who would rebel against them. For Cassa Valera, the council and their leader, the chancellor, are her number one targets for revenge. After her parents led a rebellion and were killed, Cassa has been looking for a chance to free the city from the council’s clutches. Along with her friends Evander, Alys, Newt, and Vesper, she hatches a plan to infiltrate the mighty citadel where the council resides.

But even if Cassa and her friends are brave enough to fight against the citadel, their plans won’t go smoothly. The council will hound their every step, as they use their diviners to foresee the future. Old friends will betray them. Their loved ones will be in danger. And most of all, their relationships will be strained.

The fight against the council will be a hard one. Yet, with the unexpected help of a stranger, they may just be able to pull it off. That stranger, however, may turn out to be more monstrous than the council. Will Cassa and her friends be able to save the city they love?

Beneath the Citadel is a fun read that follows the main characters Cassa, Evander, Alys, Newt, and Vesper. The story jumps from each character’s point of view. Each character is unique, with their own realistic troubles and fears. For instance, Alys deals with anxiety that affects her everyday life.  Alys’ younger brother, Evander, is afraid he won’t be able to protect his family. Newt was abused by his father, and worries he doesn’t matter to anyone. And Cassa is always afraid that nothing she does will ever matter. But while these characters have flaws and fears, they work to overcome them, making them likable. Readers will root for them to triumph in the end.

While the characters will pull readers in, the plot is strong as well. The plot is simple to understand, but complex enough to make readers think about each character’s actions and decisions. At the start, the group’s goal is simply to take down the citadel, but by the end, each member is fighting against a monster more destructive than the council: a man named Solan. Solan is the main villain who has numerous powers including being able to see the future and steal people’s memories. Readers will enjoy the thrill of watching the four young heroes fight to stop Solan in his tracks before he destroys Eldra.

Overall, Beneath the Citadel has a nice pacing and is a fun read from start to finish. It focuses on the theme of teens dealing with the mistakes of their parents and predecessors, as well as the smaller themes of handling anxiety and discovering a new love. As a standalone novel, everything is neatly wrapped up by the end of the story. Destiny Soria’s novel is a great choice for any reader of YA fantasy fiction.

Sexual Content

  • Before the start of the story, Evander and Cassa were romantically involved. “They had broken off their romance six months ago. It had been a mutual decision and very amicable, but you don’t just forget almost a year of your life being so closely intertwined with another person’”
  • Newt recalls when he first met Evander and Cassa. They were still an item and Newt watched as Cassa turned to Evander and “leaned down and kissed him.”
  • Evander is bisexual and falls head over heels for Newt. “Evander had figured out he was bisexual around the same time he’d figured out what sex was. But Newt held a strange fascination for him, ever since their first chance meeting years ago.”
  • Newt realizes he has feelings for Evander too. “There was a thrill of new energy inside him, a tingling in his fingertips, and the dawning certainty that one day he was going to fall in love with Evander Sera.” When they’re outside of the city walls, Newt and Evander kiss each other. “It wasn’t Newt’s first kiss, but it was the first one that mattered. His thoughts were deliciously hazy. He was kissing Evander Sera. Evander Sera was kissing him.”

Violence

  • Evander recalls being beaten during an interrogation. “He’d already earned a few bruises during the interrogation. It wasn’t supposed to be a painful process, but the sentient who was reading his memories hadn’t appreciated his sense of humor and had called in a burly guard to impart the wisdom of keeping his mouth shut.”
  • Newt can contort his body in order to get in and out of bad situations. “Newt breathed in deeply through his mouth and, with a wince, popped his left thumb out of its socket. It didn’t hurt, but he’d never grown used to the uncanny sensation.” That contortion takes a toll on his body. “He’d never told them about the alarming frequency of sprains when he didn’t use the braces, that while he could bend his body in fantastic fashion, it came at a price.”
  • Alys watches Newt knock out a guard. “She didn’t see Newt until he was only a few feet away from the guard and was swinging something—a lantern—in a high arc toward the back of the man’s head. There was a terrific thump, followed by another thump as the man fell to the floor, his gun clattering beside him.”
  • Alys often thinks she’s dead weight. At one point she thinks, “Maybe it would be better if she just died before they caught up. Maybe it would be better if she died now. Maybe it would be better. Maybe it would.”
  • When Mira, the Blacksmith’s daughter, performs the blood-bonding ritual on Solan, she has to cut open his arm. “Mira leaned in beside Cassa and slit a long, deep line into the inside of Solan’s left arm, a mirror to Evander’s own scar.”

Drugs and Alcohol

  • The group originally sneaks into the citadel in barrels. “The kitchen workers had unknowingly smuggled all four of them into the basement storerooms in barrels of beer that were only half full.”
  • Cassa talks to Alys about possibly becoming a legend in the streets of Eldra. Cassa then tells Alys, “We’ll get a whole tavern drunk one night and spread the rumor.”

Language

  • Damn, ass and shit are used frequently. For example, when her friends break her out of a prison cell, Cassa says, “Just open the damn door.” Another time, Evander talks to Cassa about her terrible escape plan. “I doubt your half-assed escape plan would work a second time.”
  • Bitch and bastard are both used a few times. For example, the Dream Merchant, a man who buys and sells dreams, tells off Cassa. “This is none of your business, you little bitch.”
  • The Dream Merchant calls Cassa’s parents, “scum parents.”

Supernatural

  • Eldra, and the country it’s a part of, Teruvia, are ruled by ancient prophecies. These prophecies dictate life for the vast majority of people in the city of Eldra. Pretty much everything in Eldra revolves around prophecies, and many characters use these powers to see the future. The Chancellor says, “The teachings laid down by Teruvia’s forefathers tell us that the elder seers saw every thread of the tapestry that is our present and future.”
  • There are official gatherings in Eldra to talk about prophecies. For example, “Most of the citadel’s inhabitants would be at the monthly council session, where any new prophecies were discussed and the fulfillment of old prophecies was speculated on.”
  • Solan uses runes to foresee Cassa and her friends stumbling across him in the dungeons beneath the citadel. Solan has “known for a while that you [Cassa] would be coming. I saw it in the runes.”
  • Bloodbonding is a process by which an individual is magically connected to some metal or other substance. The Chancellor thinks about bloodbonding after meeting with Evander. “With a bloodbond’s complete control over a particular metal, any number of everyday items could become weapons.”
  • Evander is bloodbonded to silver. “He could feel the silver like an extension of himself, moving farther and farther away, the connection weakening more and more.”
  • People who can manipulate other’s memories, or take them, are called Rooks. Vesper is a rook. She thinks about how “Rooks had to be patient and gentle, so very gentle. Memories were fragile. They could be torn or teased out too thin.”
  • When Cassa visits the Dream Merchant, a man who barters in dreams, she’s afraid he’ll take too many of her memories. “She had no doubt that Gaz would try to take far more than the memories she’d offered. And she didn’t know if she’d be able to stop him—or pull away once he’d started.”
  • Those that can magically read a person’s immediate past in their face are called sentients. Newt thinks, “He’d heard that skilled sentients could read so quickly and thoroughly that they might as well be reading someone’s mind instead of just their past.”

Spiritual Content

  • In Eldra, people worship the Slain God. Vesper, in a church, listened as, “The choir began to sing a gentle, haunting requiem in Teruvia’s dead language. The tale of the god who had once cradled Teruvia, protecting it from those who, in envy and greed, would do her harm.” Soon after the choir sings, “The tale of their dying god, who used the last of his strength to scatter his omniscience across Teruvia, a gift for the chosen devout few.”
  • It is believed the Slain God gave a few people his power, allowing them to foresee the future.
  • Before people pass on, they are typically given death rites. Death rites often involve taking one’s memories. Cassa thinks about the practice. “She did know that the devouring of memories was meant to be a cleansing of sorts, a final penitence in honor of the Slain God.”
  • Alys thinks about the typical rituals. “Normally, even if someone died without death rites, a priest would be on hand to talk about how every person’s greatest honor is to join the Slain God in blissful oblivion. Candles would be lit and doused at intervals. Sometimes someone would sing a verse from the Slain God’s requiem.”
  • Solan very much hates the religion of the Slain God. He tells off the chancellor, saying, “What a strange way of describing the duty that your pathetic religion demands of me.”

by Jonathan Planman

Deathcaster

In the Fells, the war with Arden couldn’t get any worse. The Queen is sick and out of the picture. The young Ardenine King, Jarat, is marching his army to the capital of Fells. And the heir to the gray wolf throne, Alyssa ana’Raisa, has been captured by the ruthless Empress Celestine.

For Ash, prince of the Fells, the only way forward is to rescue his sister, Lyss, from the Empress. But now that Celestine is on the war path, her armies ravaging the coast, that isn’t going to be an easy task. To cross the ocean and take on Celestine’s bloodsworn army, he’ll need help from unlikely allies and former enemies.

The rebel Ardenine general Hal wants nothing more than to see Lyss safe and in his arms. Yet to do that, he has to find a way to crush Celestine’s invading army. Between the arrogant King Jarat and his stubborn father, fielding an army to help the Fells drive off Celestine won’t be a walk in the park. Will Hal succeed in freeing Arden and the Fells from Jarat and Celestine’s grasp? Will Ash succeed in bringing his sister home to take her rightful place on the throne? Only time will tell.

Chima’s final entry in the Shattered Realms series is a wonderful conclusion to the saga. Focusing on the epic battles between the three nations and royal families, Deathcaster doesn’t disappoint in its suspense and action. Since this is the final book, the main theme of war is much more prevalent as multiple armies battle each other. These battles are each unique and well thought out, creating exciting and heart-pounding scenes.

The book splits its chapters into many points of view, including all of the main characters such as Ash, Lila, Jenna, Lyss, Hal, Destin, and Evan. While the sheer amount of main characters might appear to be overwhelming, the ease with which each chapter transitions to different points of view will pull readers in and never make them feel overwhelmed. Plus, each character is unique and interesting, with their own problems and personality that will hook readers.

The events of the story are believable, from the civil war in Arden to Ash’s journey across the ocean to save his sister. The ending feels a bit rushed, while some parts of the novel drag on, but overall the story is very well paced. The writing is easy to read and flows well, with each character getting a distinct voice. Overall, Deathcaster is a satisfying final entry to Chima’s Shattered Realms series.

Sexual Content

  • After a year apart, Ash meets Jenna. “There were many kisses but few words. His questions drew brief, vague answers, punctuated with the vivid images she delivered through touch.” Ash and Jenna have sex. “Making love with Jenna Bandelow was a twining of minds as well as bodies, a mingling of imagery and sensation so complete that sometimes it was hard to tell who owned what—who was giving, who receiving.”
  • Jenna tells Ash about dragon mating, “Dragons often mate in flight, so they twine their tails in order to, you know, maintain their—.”
  • Empress Celestine believes Lyss and Breon are lovers, and often tries to break them up. During dinner, Lyss thinks, “Celestine often included some handsome young men for Lyss, and a lovely young woman for Breon, or vice versa. She seemed determined to distract the erstwhile lovers with new options.” Later on, Lyss nearly shouts, “If I go to bed with someone, I want it to mean something.”
  • Samara, Celestine’s attendant, says, “I find that a bout between the sheets stirs my blood and prepares me to shed the blood of others.”
  • Ash gives Evan a massage to help ease the pain in Evan’s body after a fight. Evan then teases Ash, saying, “According to customs here in the drylands we are married now, and you are bound to perform this service every day.”
  • A soldier tells Hal, “There’s a rumor going around that you died at Delphi but the witch queen brought you back to life because she fell in love with your dead body.”

Violence

  • Lyss thinks about the fighting tournaments Celestine holds. “Sometimes the empress would choose two women to fight, or a mixed pair, or three against three. In one case, she blinded two soldiers, and then set them against each other.”
  • Evan and his subordinates are ambushed in his home. “Blood spattered Evan’s face and the floor around him. He lay on his back, helpless, though fully conscious, while the fighting went on around him. He was stepped on at least once.”
  • Hal is told that, “Karn’s disgraced, dead, and hanging from the city walls.”
  • Jenna’s dragon, Cas, attacks a member of the empress’ army. “He struck the bloodsworn, hard, just as he took his shot. The shot went wild and the soldier ended up pinned to the ground, screaming, bleeding from a dozen wounds.”
  • A group of dragons attacks the empress’ fortress city, “They burned everything that was burnable, from the quays to the houses that were tucked into the terraces on the hillside, to the small fishing boats that were all that remained in the harbor.”
  • Lila discovers a dead body in the woods. “It was what was left of one of the Darian Brothers, blood spattered all around. A knife lay in the mud nearby. He looked like he’d been torn apart by wolves.”
  • A servant is killed during a coup. “Before he could get there, the maiden lay dead in a pool of blood, run through by one of the blackbirds.”

Drugs and Alcohol

  • Hal’s younger brother says, “This drunk stumbled up to me, and I thought she was going to ask me for money or something.”
  • Ash and Sasha get drunk on a beach after being stranded at sea. Evan, the only one sober, “got the impression that they’d been at the cider for a while.”

Language

  • Bastard is used several times. A soldier tells Hal about a general’s death. “The scum-sucking bastard’s dead, thank the Maker.”
  • Ass is used frequently. When King Jarat orders Destin to lead a company of mages, Destin thinks, “And I will pull mages out of my ass.”

Supernatural

  • Jenna can see images of a person’s true self. “When Jenna gripped the Commander’s hands, images slid through her mind—a much younger Adam and Alyssa, dressed in elaborately stitched clothing, holding hands, watching a funeral procession, both weeping.”
  • Evan binds his followers to him with a blood ritual. “One dose was enough to bind a person; after that, they had an unquenchable thirst for more.”
  • Ash travels to the dream world, Aediion. “He was swept into a swirling black vortex. Gradually, he rebuilt the scene at Drovers’ Inn from memory.” In Aediion, spirits can meet with the living. Ash meets his father there, and his deceased father says, “Thank the Maker. I was close to giving up.” In Aediion, Ash also meets a demon. “It resembled a demon’s face—thin-lipped, hollow-cheeked in a cowl and prelate’s robes.”
  • When Ash enters Aediion, a demon attacks him with shadows. “It took everything Ash had to stand fast with shades flying into his face, swiping around his body, sliding under his clothes.”
  • Hadley DeVilliers uses her magic to sound proof a room, “Back at Kendall House, Shadow pulled glasses down from the shelf while DeVilliers circled the room, her hand on her amulet, putting up barriers to eavesdroppers.”
  • In Arden, mages are collared to keep them in check. Hal tells a mage about a key that can unlock every collar. “One key opens all of the collars. One key controls all of the collars. Nearly all the mages fighting for the Ardenine king are wearing them now.”

Spiritual Content

  • Magic is viewed as a heresy in Arden. Father Fosnaught condemns a group of mages. “You will burn for this, I promise you. We will wipe the scourge of magic from every corner of the Seven Realms.”
  • The Church of Malthus is the primary religion in Arden. Destin Karn, a spymaster, thinks about a saint, “There was plenty of information about Saint Darian, one of the patriarchs of the Church of Malthus a thousand years ago, and his followers, known as Darian Brothers, who were bent on eliminating the gifted from the Realms.”

by Jonathan Planman

City of Villains #1

Mary Elizabeth Heart is a high school senior by day, but by night she’s an intern at the Monarch City police department. She watches with envy from behind a desk as detectives come and go, trying to contain the city’s growing crime rate. For years, tension has simmered as the city’s wealthy elite plan to gentrify a decaying neighborhood called the Scar—which once upon a time was the epicenter of all things magical.

When the daughter of one of the city’s most powerful businessmen goes missing, Mary Elizabeth is thrilled when the Chief puts her on the case. But what begins as one missing person’s report soon multiplies, leading her down the rabbit hole of a city in turmoil. There she finds a girl with horns, a boyfriend with secrets, and what seems to be a sea monster lurking in a poisonous lake. As the mystery circles closer to home, Mary finds herself caught in a fight between those who once had magic, and those who will do anything to bring it back—even if it means creating a few monsters along the way.

This dark, fairytale-inspired world explores the reimagined origins of Maleficent, Ursula, Captain Hook, and other infamous Disney villains. Readers who expect to walk into a world of Disney characters will be disappointed to discover that while the characters are named after Disney characters, they are normal humans. To make matters worse, at the beginning of the story, a slew of characters are introduced, but most of them have only a brief appearance which leads to confusion. In addition, the characters are so underdeveloped that readers will have a hard time connecting with them. While the story is told from Mary Elizabeth’s point of view, her insight into her friends’ true personalities also adds to the confusion.

The setting of the story is unclear because it references the United States in modern day, but it also is a world that magic used to exist in. Like the characters, the world building is underdeveloped. Unlike most Disney stories, City of Villains revolves around teenagers who hang out at bars. Plus, Mary Elizabeth is an intern at the police station which gives her access to some brutal murder cases, including her own family’s murder. For example, the police are attempting to solve a gruesome case that involves a murderer leaving gift-wrapped body parts all over the city.

City of Villains will leave many Disney fans disappointed. The plot takes the reader on a winding and confusing journey through a world with little magic. The gruesome murder scenes, the underdeveloped characters, and the unrealistic conclusion make City of Villains a book that is best left on the shelf. Readers who want a fairytale-inspired story should check out Fairy Tale Reform School by Jen Calonita or the Once Upon a Con Series by Ashley Poston.

Sexual Content

  • Mary Elizabeth and her boyfriend kiss, but the kiss is not described. For example, “James and I pause to kiss while Ursula stops to answer a call on her cell.”
  • When a girl is reported to be missing, the chief of police doesn’t want to investigate. “The last thing I need is drama over a girl who’s probably in a hotel room with someone she met in some club last Saturday night, picking up parasites from the questionable bed linens.”
  • Mary Elizabeth argues with a boy at school. He tells her, “I think what Mr. Iago is getting at is that your need to engage in confrontations with me boils down to attraction and sexual tension. . . if you didn’t have that ugly birthmark and weren’t totally concave in the chest area, I might consider relieving all that tension for you.”
  • While in a bar’s bathroom, Mary Elizabeth sees writing on the wall. It says, “For a good time call Mary Elizabeth.”

Violence

  • While working at the police station, Mary Elizabeth learns about a case. “Body parts showing up all over the Scar . . . So far there’s been a thigh, an arm, a hand with the fingerprints cut from the skin. . . they come in these boxes wrapped up like holiday gifts, frozen in dry ice.”
  • A new package arrives. “A hand rests in the center, mist rising all around it as the dry ice burns off. Its fingernails are blackened and congealed blood crusts at the wrist. It’s discolored gray, and the middle finger is pointed straight upward, flipping the chief the bird.”
  • At school there is a scuffle between two boys. “Stone slams into Lucas Attenborough, who pushes him back easily, so Stone falls onto his back, loses his breath, and looks up at us in panic. Lucas gives him a kick that’s more symbolic than painful.”
  • When Mally isn’t invited to a party, she shows up with her pet bird, Hellion. Mally’s bird “flew everywhere, digging his talons into the rose blossom cake, knocking over the vat of ginger beer, pecking into the chestnut-toasted suckling pig.” Later, Mally “cut Flora’s break lines, left a roadkill on Fauna’s doorstep, and bleached Merryweather’s grass.”
  • Mary Elizabeth’s parents and sister are murdered and Mary Elizabeth sees some crime scene photos with “all that blood.” She also learns that the man who killed them “just wanted to know what it would feel like to take lives.”
  • In a vision, Mary Elizabeth sees Mally, who is trying to tell her something. “She is yanked out of the chair. She slaps against the plastic seat and whacks heavily against the floor, and then she slides along, head lolling to the side, eyes unblinking and open.”
  • Bella, a young police officer, accidentally shoots someone. “I was aiming for his leg, but I killed him.”
  • Bella tells Mary Elizabeth about a trucker who “kidnapped a couple people, and then left their remains outside of Las Vegas.”
  • The police arrest a man who “had a kill kit in his vehicle: ropes, hacksaw, trash bags. . . and we found trace elements of Ursula’s blood in his shop and on his clothes.”
  • The person who helped kidnapped Mally and Ursula tells Mary Elizabeth, “I thought they’d be drugged, poked with needles, dosed with forgetful serum, and then returned home. . . I had no idea it would turn out this way, that people would actually be monstrously altered.”
  • While trying to free Mally and Ursula, men try to stop Mary Elizabeth. “I kick the gun out of one man’s hand and then punch and duck and swerve but feel something hit my chin and something else grab me by the back of the head. . .” Ursula jumps into the fight. “She swings her arms out and the men go flying, making hard thudding noises as they hit the wall. She makes a rising motion and the men get up like marionettes, doing jigs. They are horrified and helpless as their bodies are flung to and from.”
  • While trying to escape, Mally “hurls blue lights at him. She hits him and he is singed and within seconds has disappeared.”
  • Mary Elizabeth’s boyfriend James’s hand is hit with darts. His hand begins to shrivel. In order to save his life, Mary Elizabeth grabs an ax. She swings “high and brings the ax down, severing James’s hand from his arm. . . He screams as I take off my belt and loop it around his arm tightly as I can.”
  • At the end of the battle, the police show up. “Pieces of broken glass and bodies are strewn everywhere. Medics have begun to collect Kyle’s men one by one and puts some into ambulances, while others are covered in blankets, a signal that they will need to be collected for the morgue.”

 Drugs and Alcohol

  • Mary Elizabeth’s boyfriend is “the son of a drug-lord/murderer.”
  • Mary Elizabeth and her boyfriend see a man who is “wasted.”

Language

  • The teens often call each other names such as doofus, idiot, moron, jerk, prick, loser, and crazy witch.
  • Profanity is rarely used. Profanity includes asshole, damn, bitchy, hell, pissing, and jackass.

Supernatural

  • Magic used to exist, but now the only place that is magical is the Ever Garden. “Once someone tried to sell hot dogs from a cart and was hurled out by a redwood.”
  • Mary Elizabeth’s boyfriend shows her a blue ball of light. “So I keep looking at this light until I’m part of it, until I am the swirl and I can see it isn’t just a flat blue. . . It’s alive and beckoning, its fingers reaching for me. Half a second later, the light shoots into my chest.”
  • Due to a magical experiment, Mary Elizabeth’s best friend, Ursula, is changed. “She has tentacles, black ones that look to be part of a backless dress.” At one point, Ursula “changes from a human to an eel to a giant floating jellyfish and back to a human in a matter of seconds.”
  • While looking in a mirror, Mary Elizabeth sees a reflection of a different version of herself. She can step through the mirror into another place. She pushes the glass and “the glass gives, turning opaque like silver satin as my fingers disappear to the knuckle.”
  • At one point, Mary Elizabeth levitates.
  • Mary Elizabeth’s boyfriend uses magic to put her to sleep. “He presses his lips against mine and pulls me in close. . . He pulls back, puts a thumb to my forehead. . . ‘Sleep,’ he says, and blue light shoots into my head. The world abruptly fades to black.
  • Mally turns into a “badass” dragon.

Spiritual Content

  • None

 

Outcasts United

In the 1990s, the small town of Clarkston, Georgia, became the center for refugee resettlement. The United States government didn’t tell the original residents that soon people from war-torn nations would be settling in the area and trying to navigate a world vastly different than the homes they had come from. When an American-educated, Jordanian woman named Luma Mufleh moves in, she starts a soccer team comprised of refugee kids, hoping to keep them off the streets. They dub themselves “The Fugees.”

Outcasts United tells the true story of one of the Fugees’ seasons, led by dedicated soccer coach Luma. Reporter Warren St. John details the lives of the players and their coach on and off the field as they maneuver through their lives in a town that didn’t see them coming. Their story demonstrates shared humanity and the need for compassion.

Much of the book revolves around Luma’s life. Luma’s old-school coaching methods produce results in her players. St. John captures how much Luma’s players valued her, as she is much more than just a coach to them. Luma consistently helps the boys’ families with daily tasks, especially when English isn’t well-spoken or understood in the households. Despite her tough-love approach to coaching, the players see her as a mentor and someone to be admired.

The boys face serious challenges in their lives, but soccer unites them as brothers. Many of them come from rival nations that carry their own prejudices against each other, and the small southern town in Georgia they now live in certainly carries its own prejudices about the refugees. Despite these differences, Clarkston is a global community. Luma forces the boys to get along or get off the field, and the strategy in unifying Clarkson is not much different – they have to make the situation work. There is no other option.

The sense of community in Outcasts United is striking. Community is built from the ground up, and it requires that everyone makes an attempt to work within it. Luma has built a community through soccer, and the Fugees family still exists today with more teams and schooling opportunities. Luma could not have done this work without compassion—compassion for the refugee families in Clarkson and for the community that they were trying to build. Through that compassion and through soccer, they have created something truly beautiful.

Outcasts United is inspiring because of the work that Luma and her Fugees put forth. Despite their trials, they’re a team that wants nothing more than to live their lives and play soccer. Although soccer fans will be the main target audience of this book, this true story is moving for anyone interested in themes of compassion and community through sports.

Sexual Content

  • None

Violence

  • Some of the players on the team are refugees, and they have experienced “the horrors of war. There were Sudanese players on the team whose villages had been bombed, and Liberians who’d lived through mortar fire that pierced the roofs of their neighbors’ homes, taking out whole families.” One boy “had been forced by soldiers to shoot a close friend.”
  • Descriptions of violence and death are present throughout the book. The players’ stories are revealed, detailing the histories of war-torn nations. In Liberia, one group’s “force grew quickly, in no small part augmented by boys whom [Charles Taylor] armed and drugged into a killing frenzy. Some of these boy soldiers were orphans whose parents had been killed . . . others were kidnapped from their families by Taylor’s own militias . . . Soldiers terrorized citizens and looted at will . . . More than one hundred and fifty thousand Liberians died.”
  • One morning a player is shot at a practice, and “the exact circumstances of the shooting were murky.” It is made clear that gang activity caused it and one of Luma’s players, unfortunately, got caught in the crossfire. He survives.
  • There is a lot of discussion about gangs and gang activity throughout the book, and Luma does her best to deter the boys from joining.

Drugs and Alcohol

  • Former president of Liberia and convicted war criminal, Charles Taylor, was captured on the Nigeria-Cameroon border “in an SUV stashed with cash and heroin.”

Language

  • Xenophobia is littered throughout the book. The old residents of Clarkston, Georgia often make it clear that they don’t like the refugees or Luma, who is Jordanian. At one point, Luma is pulled over for a broken taillight on the way to a soccer match and the police cuff her and keep her overnight in jail “just in case.” It is expressed here and elsewhere that Luma and the others know that this isn’t normal protocol for a broken taillight, and it is in no way an isolated situation in the book.
  • The refugees also have their own baggage, which Luma discovers. Luma says, “The Afghan and Iraqi kids would look down on the African kids, and the kids from northern Africa would look down on kids from other parts of Africa.”

Supernatural

  • None

Spiritual Content

  • Luma is from Jordan, which is under “Sharia law, which applies to domestic and inheritance matters, the testimony of two women carried the weight of that one man. A wife had to obtain permission from her husband to apply for a passport. And so-called honor killings were still viewed as minor crimes in Sharia courts.” It is also stated that Luma is Muslim.
  • Places of worship are sometimes mentioned in town. For instance, “A mosque opened up on Indian Creek Drive” in Clarkston, Georgia, where Luma’s soccer team was based.
  • In Clarkston, “a third of the students at the local elementary school skip lunch during Ramadan. Attendance at the old Clarkston Baptist Church dwindled from around seven hundred to fewer than a hundred.”
  • Assistant coordinator Tracy Ediger, growing up with her sisters, “attended church three times a week, rarely watched television, and had each enrolled at Christian colleges after high school.”
  • One of the refugees that Luma meets, says, “God very, very good.”
  • Before a game, the team prays together, but not everyone practices the same religion. To remedy this, “Grace would offer a Christian prayer; Eldin, a Muslim one. The boys formed a circle at midfield, draped their arms around each other, and bowed their heads.”

by Alli Kestler

The Girl with the Broken Heart

For the past few months, family has meant nothing but heartache for Kenzie Caine. When her second year at college comes to a close, the last thing she wants to do is return home. Luckily, she’s just landed her dream summer job working at the well-known Bellmeade horse farm in the nearby town of Windemere. Rehabilitating abused horses is hard work, but it’s the perfect distraction from her mother’s deep depression and her turbulent relationship with her father. With the beautiful horses, Kenzie is in her element.

Still, she has her own health limitations—a weakened heart. Her employers, the affable Jon and Ciana Mercer, are well aware of her condition and have tasked the charming stable hand, Austin Boyd, with helping Kenzie with some of the heavy lifting. But Austin has his own secrets. As Kenzie and Austin become closer, those secrets lead to shocking revelations that test the walls Kenzie has built around her heart.

The Girl with the Broken Heart follows a familiar romance format and holds few surprises. Kenzie is an admirable character who doesn’t allow her heart condition to get in the way of her dreams. However, the complicated backstory, which lacks development, makes it difficult to connect with Kenzie. Much of her conflict is internal and revolves around her family life, but the reason for her conflict lacks detail, which causes confusion.

Even though The Girl with the Broken Heart is a clean romance appropriate for younger readers, the age of the character may make it difficult for readers to connect with her. Kenzie is in college, but her love interest’s age is unclear, though he has been working as a police officer for many years. The story hits on the topic of sexting, internet bullying, and suicide. However, these topics are also underdeveloped and unfortunately don’t evoke an emotional reaction.

Kenzie’s summer job is rehabilitating abused horses and the story explains the dangers of the painful method of soring Tennessee Walking Horses. While the abuse may resonate with those familiar with horse competitions, others may be confused because soring isn’t described until later in the book. In addition, the story focuses more on Kenzie’s relationship with Austin instead of her interaction with the horses.

The Girl with the Broken Heart is a sweet romance, but the older characters and lack of plot development make the book more appropriate for older readers. While Kenzie’s heart condition adds interest to the story, in the end, her character will quickly be forgotten. Teens looking for romance with a unique plot should try I Believe in A Thing Called Love by Maurene Goo.

Sexual Content

  • Dawson and his fiancée kiss several times. For example, “Dawson bent down and kissed Lani on the mouth.”
  • After Kenzie acts frosty towards Austin, he says, “Why, I could have sworn yesterday when we held hands that you liked having me close to you. So much so that if I’d walked you to your door last night like I wanted, I might have gotten a kiss.” Kenzie denies her attraction towards Austin.
  • Austin tells Kenzie about his first kiss. “We kissed once just to try it out and broke out laughing. No chemistry. No magic.”
  • Kenzie doesn’t know how to feel about Austin. “When he’d leaned over her, listening to her every word and looking into her eyes, she’d felt a fluttering sensation in her heart. . . desire.” She thinks Austin is going to kiss her and is disappointed when he doesn’t.
  • Austin doesn’t like it when a coworker “let his gaze roam over Kenzie’s body.”
  • Kenzie falls asleep while caring for a sick horse. When Austin sees her, he “wanted to touch her, smooth her hair . . . He wanted to bend down and kiss her awake.”
  • Kenzie recalls when she was thirteen and one of the ranch hands cornered her in the stable. The man “came up behind me, started rubbing my shoulders, telling me he thought I was pretty. I froze. He said other stuff, too, sexy things I didn’t understand at the time. . . Then he turned me around and planted a big wet sloppy kiss on my mouth.”
  • After walking Kenzie home, Austin “longed to take her in his arms, hungered for the feel of her warm mouth on his.” He forces himself to leave.
  • After an outing with Austin, Kenzie “placed both hands against his chest, rose up on her toes, and brushed her lips over his. Pulling away with a saucy smile, she whispered ‘Tag, you’re it,’ and ran back to the house.”

Violence

  • An upperclassman convinced Kenzie’s sister to “send pictures of her naked body to him, she did . . . because he said he loved her.” The boy then sent the pictures to others, who “shamed her! Made f-fun of her.” Afterward, Kenzie’s sister hangs herself on Valentine’s Day.
  • Someone vandalizes Kenzie’s car. “Both seats had been slashed with long vicious wounds that left the innards oozing out of the pale creamy leather like pieces of roadkill.”
  • When Austin is in the barn alone, a masked man stabs him with a knife. “Austin, gagged, heard a whoosh—his lung blown, deflating. He staggered, twisted away from the stall, fell backwards, his head slamming against the hard floor. . . searing, burning pain.” The farm dog attacks the man. “The assailant was hurled to one side, then hauled backwards amid growls and snarls. The man screamed. Human bone crunched.” Both men end up in the hospital.

 Drugs and Alcohol

  • Kenzie goes to a party where people “gathered around patio tables, drinking sodas and beer.”
  • Kenzie’s mom takes pills for depression.
  • While at a Fourth of July party Austin is “nursing a beer.”
  • While in the hospital Austin is given a “morphine infusion pump.”
  • Austin tells Kenzie about a case he was working on. “Kids were dying. Opioids. Five area high schools had lost seven teens in four months.”
  • After taking drugs, a teen tells Austin, “The first time I used, I felt like I’d been kissed by an angel. Every time after, I was chasing that feeling. Never got it again.”

Language

  • Kenzie calls Austin a conceited jerk. Later, Austin tells Kenzie that someone is “pretty much a jerk.”
  • Crappy is used twice. Once Kenzie says, “Having a crappy heart condition wasn’t going to slow me down. So far, it hasn’t.”
  • At a horse competition, a man sees Kenzie looking at a horse. The man says, “If it isn’t the bitch who helped destroy my grandfather.” After the altercation, Austin asked, “And what should I have done? Beat the crap out of him?”
  • Damn is used once. Hell is used twice.

Supernatural

  • None

Spiritual Content

  • None

Dirt Road Home

Two years ago, Hal was sent to a state residence to keep him away from his alcoholic father. Hal escapes the boys’ home but is eventually captured. Now, he’s being sent to serve hard time at Hellenweiler Boy’s Home.

With his dad back on the wagon, Hal can walk out sooner than he thinks if he keeps his cool. But at Hellenweiler, trouble finds those who try to avoid it. In order to stay out of trouble, Hal tries to avoid the other residents, but two rival gangs each want Hal to pick a side. To make matters worse, Hal realizes the head of Hellenweiler, Mr. Pratt, is determined to keep Hal locked up. Is there any way Hal can stay out of the gangs’ fights? Will everyone believe Mr. Pratt’s lies?

Hal is determined to stay out of trouble, but other inmates notice his confidence and compassion. For example, Hal encourages the new arrival of Leroy to quickly choose a gang as Leroy will need protection. But after seeing Leroy and Hal interact, the gang leader chooses a cruel initiation task—beat up Hal. Hal quickly realizes Leroy’s struggle and promises not to fight back. Hal takes the beating because he knows it is the only way Leroy will be safe. Throughout the story, many boys fight each other. Some of the fights are barbaric and bloody, which may upset more sensitive readers.

Readers will admire Hal for his determination and grit. Hal’s experiences highlight the violent nature of boys’ homes and the corrupt system that is designed to keep the boys behind bars. The boys often fight each other and the guards gladly ignore much of the fighting. However, the guards seem to relish in being able to use violence to stop the fighting. While the story ends on a positive note, readers will be left wondering if all of the boys can be reformed or if are some of them already destined to live in a prison for the rest of their adult lives.

Full of violence, questionable characters, and suspense, Dirt Road Home will keep the reader interested until the very end. The story has a darker tone and explores difficult topics such as alcoholism, justice, and prison life. Hal and several other characters made an appearance in Alabama Moon. Even though readers do not have to read Alabama Moon to understand the story, understanding Hal’s background will help readers have empathy for him. Dirt Road Home is an easy-to-read story that illustrates how one person can make a positive difference in others’ lives.

Sexual Content

  • Hal dreams about his girlfriend and “the time I couldn’t help myself and leaned over and kissed her on the tailgate of my truck. And the way I’d felt when she’d kissed me back and then later when she’d stood behind me and put her hands in the front pockets of my jeans and pulled close against me.”
  • Hal kisses his girlfriend. “I leaned into her and kissed her on the mouth. Her lips were soft and tasted like cherry ChapStick. I’d been thinking about that kiss ever since.”

Violence

  • Two rival gangs try to recruit new boys. A boy chases after a basketball and gets too close to a rival gang member. “The Hound slapped the ball out of the Minister’s hand and bent down to get it. The Minister kneed the boy in the stomach and the Hound collapsed, holding himself.” An adult breaks up the fight.
  • As part of a gang initiation, Hal’s friend Leroy is told to beat up Hal. Hal tells him, “I won’t fight back, Leroy.” Leroy “drew back and hit me in the ribs. I grunted and leaned over and grabbed my side. . . He punched me hard in the stomach. I doubled over and went to my knees. . . He hit me across the face and I fell sideways. I rolled over and looked at him. Tears were coming down his face. ‘Kick me,’ I said.” Hal is taken to the infirmary.
  • When Hal refuses to join a gang, Tattoo “slammed his hand into my throat and pressed me against the wall. I gasped for breath as he held me there. . . He hit me again. I felt the coppery taste of blood in my mouth. Then I saw it running down his hand.” Hal is knocked unconscious. The scene is described over a page.
  • A gang member tries to make Hal throw a punch. “Jack’s hand shot out and grabbed me by the throat and pinned me to the wire. He was breathing heavy through his nose, and his eyes danced with craziness.” An adult intervenes.
  • When one of the boys refuses to fight, he disappears. Someone tells Hal, “Chase accepted a service he could not pay for. He is gone. . . He was taken away in an ambulance last night.”
  • Hal sneaks down to the basement intending to fight Jack. “I tightened my grip on the shiv and started to stand. Before I could rise, another figure slipped out of the darkness behind Jack and pulled him to the floor. The room was suddenly filled with screaming.” Someone beat up Jack. The next morning, one of the boys is found in bed with “blood staining his bedsheet and the entire side of his shirt.” Both boys heal from their wounds.
  • The two gangs fight. “It was a blur of chaos and confusion as the Hounds descended on their cowering prey . . .” Guards watch the fight and then one “stepped down onto the yard. Behind him came three more guards, each of them with his own club. . . Then I saw sticks rising and falling and caught glimpses of their faces, jaws clenched and eyes narrowed at the pleasure of what they dealt. I heard grunts of pain and more yelling. . . in the end, the guards stood in the settling dust. A few boys lay around them, moaning and curled into fetal positions.”
  • Paco explains how he became a gang leader. “I put a rock in my fist and walked up to their leader and hit him in the face with it until he fell to the ground and spit his teeth into the dirt.”
  • During a fight between the two gangs, “the boys are so worked up that they continue to fight and do not notice the guards. Perhaps even if they did notice they do not believe what is about to happen. . .” The guards attack the boys. After the fight, “there are several boys lying on the ground. One of them is not moving. . . Caboose’s younger brother.” When Caboose refuses to leave his brother’s side, “the guards close in and I hear the clubs hitting his back like punches to a side of beef. Slowly, after many blows, Caboose becomes silent. . . Then, after many more blows, he rolls over and falls across his brother.”
  • A guard finds a shiv in Hal’s locker. The guard grabs Hal and, “I felt the hand on my shoulder. I tried to twist away and the fingers dug clawlike into my collarbone and pain shot up my neck. Then I was hit hard from behind and I went to my knees with the room spinning.” Hal is put in solitary confinement.
  • Paco tells the story of how he ended up in the boys’ home. He was bullied. He became tired of the jeers and ridicule. “I snapped. I began picking up desks and throwing them at students from the back of the room. They screamed and ran for the door. . . All I had to do was throw the desk at the cluster of them.” Paco blames the boys’ home for turning him into a “violent youth.”
  • The gangs fight. Jack, one of the gang leaders, “charged and rammed Paco against the fence. . . Jack began driving his fists into Paco’s kidneys over and over while Paco did nothing to defend himself. . . Jack came at Paco again and began hammering his face with the fury of an insane person. . .” Paco’s friend Caboose “picked him up and put him over his shoulder like he weighed nothing. Blood drooled out of his mouth and down Caboose’s back.”

 Drugs and Alcohol

  • Hal’s father is a recorded alcoholic. In a brief conversation Hal asks, “He goin’ to AA meetin’s?” Occasionally, Hal thinks about the past, when his father would drink whiskey.
  • When Hal’s father comes to visit him, Hal is worried because his father has lost weight. His dad says, “I guess I’ve been wired to the stuff [alcohol] for too long. Gotta get reprogrammed.”
  • One of the boys tells Hal, “My parents are in jail for sellin’ drugs.”
  • Before Hal had to go to the boy’s home, he spent time with his girlfriend. They were “drinking a couple of hot Budweisers I’d found in the toolbox.”

Language

  • Profanity is used frequently. Profanity includes ass, crap, damn, hell and pissed.
  • Someone is called a wuss several times.
  • Christ is used as an exclamation twice.
  • Hal’s father writes Hal a letter. In it, he writes, “I figured you wanted her [Hal’s girlfriend’s] address, numbskull.”
  • While talking to his father, Hal calls his mom a “fat old nag.”
  • One of the boys calls someone a “dumb spic.” The boy replies, “Bring it on, cracker!”
  • Someone tells Hal that he will have to join a gang for protection. When Hal refuses, someone gives him a shiv. Hal says, “Then I’m screwed!”

Supernatural

  • None

Spiritual Content

  • None

Hideout

Twelve-year-old Sam has been given a fishing boat by his father, but he hates fishing. Instead, he uses the boat to disappear for hours at a time, exploring the forbidden swampy surroundings of his bayou home. Then he discovers a strange kid named Davey, mysteriously alone, repairing an abandoned cabin deep in the woods. Not fooled by the boy’s evasive explanation as to why he’s on his own, Sam becomes entangled in his own efforts to help Davey. But this leads him to tell small lies that only get bigger as the danger increases for both boys and hidden truths become harder to conceal.

Hideout is a suspenseful survival story that delves into the complicated nature of friendship, self-esteem, and evil. Sam and his best friend, Grover, are savagely beaten. Sam is unable to forget about “the fight” and blames himself for the event. Told from Sam’s perspective, the reader gets an inside view of how Sam feels ashamed. He thinks that if he wasn’t a loser, “the fight” would have never happened. While Sam struggles with his own personal demons, he meets Davey who is living alone in the middle of a swamp.

Davey’s story is one full of hardship and mystery. Even though Davey is secretive, Sam is determined to help him. In doing so, Sam begins to tell lies that get him into a dangerous situation. Readers will be drawn into the two boys’ lives and wonder if their secrets will lead to their downfall.

Hideout expertly weaves the boys’ stories into an interesting, suspenseful story that is difficult to put down. The story ends on a happy note and shows Sam’s character growth. In the end, Sam learns several important lessons. He finally realizes that “there’s just bad people in the world. Sometimes they do bad things to people like us. But it doesn’t mean there’s anything wrong with us.” In addition, Sam learns that “being a man isn’t about winning fights and carrying guns. It’s about helping people however you can, no matter what.”

Fans of survival stories will enjoy Hideout’s fast pace, the surprises, and the life lessons. In addition, readers will empathize with Sam and Davey, who both struggle with hardships. Readers who enjoy Hideout should check out Key’s other survival stories which include Terror at Bottle Creek and the Alabama Moon Series. Readers looking for another intense survival story should check out ADRIFT by Paul Griffin and Surrounded by Sharks by Michael Northrop.

Sexual Content

  • None

Violence

  • Leroy and Gooch beat up Sam and his best friend, Grover. Leroy “tripped Grover. . . he smacked hard onto the concrete.” Then, Gooch “shot out and his fist punched Grover in the chest so hard it sounded like a hammer thumping a wood barrel. Grover flew backwards into the lockers and collapsed . . .” Sam tried to help him and “Gooch’s arm slid around my throat and constricted me in the crook of his elbow. . .”
  • While Grover was still on the ground, Leroy “kicked him in the stomach and bounced him off the lockers like a soccer ball.”
  • During the fight, Sam “began to struggle against Gooch, trying to break free. Then I felt a sharp blow to my ribs, and what breath I had left me and everything went blurry. . . Gooch kicked me in the stomach . . . [Sam felt] blows to [his] face and stomach and arms until it didn’t hurt anymore.” Both Sam and Grover have to be hospitalized. The fight is described over three pages.
  • Sam’s father chases a thief. “I saw the big man sitting up and punching down. . . I saw Dad start to stand. Suddenly he was falling, and then he was gone and the big man was punching again.” Sam’s father is able to restrain the man.
  • Sam meets a boy who tells him, “My stepmom got a boyfriend, and Dad stabbed him in the stomach with the knife.” No other details are mentioned.
  • Davey was in a foster home. “My foster dad used to tell me I was like a stray dog that nobody wanted. He hurt me sometimes, but he didn’t do it so you could tell. He’d do things like press his thumbs up real hard under my armpits. . . If I yelled, he’d press harder until I got quiet.”
  • Davey’s foster dad sprayed him “in the face with some air freshener . . . Everything’s been blurry ever since.”
  • Davey’s step-brother, Slade, tells Sam, “And if you screw up, I’m gonna come to your house on Acorn Drive and kill you in your sleep.”
  • Slade got upset at one of his friends and “grabbed him by the throat with one hand. Jesse swung and hit him in the stomach. . . [Slade] punched him in the face. . . Slade kicked him hard in the ribs and he went down again, clutching his side.”
  • Slade kicks Davey “in the shoulder and knocked him over into the leaves.”
  • While trying to flee the swamp, Slade crashes into a patrol boat. Davey gets thrown and stops breathing. After receiving mouth-to-mouth resuscitation, Davey is revived.

 Drugs and Alcohol

  • Slade and his friends show up with beer. The step-brother’s friends “were each drinking a beer.”
  • Slade and his friends are growing marijuana out in the swamp.
  • Sam’s father grabbed a beer.

 

Language

  • Profanity is used rarely. Profanity includes ass, crap, hell, and pissed.
  • A classmate trips Grover, Grover calls the boy a “dumbass” and a “stupid redneck.”
  • Someone calls Grover a “wuss.”
  • “Christ,” “Lord” and “my god” are used as exclamations seven times altogether.
  • Grover calls Sam’s dad a “redneck cop.”
  • Dumbass is used three times. For example, Davey’s step-brother calls him a dumbass.
  • Someone asks Sam, “Are you a complete idiot?”
  • While trying to resuscitate Davey, the officer says, “Breathe, damnit!”

Supernatural

  • None

Spiritual Content

  • Sam’s family attends First Methodist Church.
  • When Sam’s boat is almost out of gas, he prays, “Please God, let me get home. Just this one time. . . Okay, God, I won’t go out there again [into the swamp]. Just let me get home and I won’t go out there again.”
  • When Sam goes to church, he “remembered my plea to God and tried my best to pay attention to the sermon as repayment for any help.” The preacher’s sermon, which was about the good Samaritan, is paraphrased in a paragraph.
  • Sam goes missing. When his father finds him, he says, “Thank God.”

The Girl Who Drank the Moon

Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest, to keep the witch from terrorizing their town. But the witch, Xan, is really kind and gentle. She shares her home with a wise Swamp Monster and a Perfectly Tiny Dragon. Xan rescues the children left in the woods and delivers them to welcoming families on the other side of the forest.

One year, Xan accidentally feeds a baby with moonlight, filling the ordinary child with extraordinary magic. Xan decides she must raise this girl, who she calls Luna, as her own. As Luna’s thirteenth birthday approaches, her magic begins to emerge with unpredictable consequences, just as it’s time for Xan to go collect another child. Meanwhile, a young man is determined to free his people by killing the witch. And a volcano, dormant for centuries, rumbles within the earth. . .

The Girl Who Drank the Moon has many elements of a classical fairytale. A witch who lives in the woods, a swamp monster who recites poetry, a tiny dragon, and a curious girl filled with magic. Like a classical fairytale, the story is often dark, scary, and teaches a lesson. Despite this, readers may get bogged down in the long, repetitive descriptive passages that often use difficult vocabulary words. Between some of the chapters, there is a one-sided conversation between an anonymous speaker and another person. Because the speaker is unknown, these pages are more confusing than interesting.

The complex story uses an omniscient point of view so the reader can understand all of the characters’ thoughts. However, the story jumps to many characters—Xan, Glerk, Fyrian, Luna, the Madwoman, Sister Ignatia, Antain, Grand Elder Gherland, and Ethyne. While all the stories merge at the end, the large cast of characters and the winding plot make The Girl Who Drank the Moon best for strong readers.

Xan, a beautifully complex witch, shows love through every action. When she collects the abandoned babies and finds them new homes, she truly believes that she is doing what is right. Later she realizes that “I was wrong not to be curious. I was so wrong not to wonder.” Xan’s compassion allows her to understand others’ pain, and her love gives her the strength to fight for others.

The story deals with the difficult topics of death, grief, and political corruption. But beauty is woven into each page as the characters realize that family is not always determined by one’s birth, but by love. Luna’s family—Xan, the swamp monster, and the tiny dragon—is formed by love, loyalty, and the willingness to sacrifice for each other.

Even though The Girl Who Drank the Moon won the Newbery Award, the story may hold more appeal to adults than to middle-grade and teen readers. While the story has some interesting elements, the length of the story, the long descriptive passages, and the slow world-building make the story difficult to complete. Readers looking for a story about a witch that steals children may want to skip The Girl Who Drank the Moon and read Nightbooks by J.A. White instead.

Sexual Content

  • An anonymous speaker dreams about her son. She says, “Last night I dreamed that he waited next to a tree for a girl to walk by. And he called her name, and held her hand, and his heart pounded when he kissed her.”

Violence

  • Every year, the youngest child in the village is sacrificed to a witch. The town Elders take the baby into a clearing in the woods and leave the child there.
  • Paper birds come alive and attack a boy called Antain. “A paper raven swooped across the room, slicing its wing across Antain’s cheek, cutting it open, letting him bleed. . .” The birds permanently disfigure the boy’s face.
  • A man tries to take a sacrificed baby, but Xan stops him. “She could feel her magic rush from the center of the earth. . . like massive waves pushing and pulling the shore. She reached out and grabbed the man with both hands. He cried out as a surge hit him square in the solar plexus, knocking his breath clear away.” Xan turned into a bird and “lifted the baby into the sky.” Both the man and Xan were trying to keep the baby safe, but they did not realize it.
  • Xan turns into a sparrow. She flies over a frightened man. She tries to comfort him. “She fluttered out of her hiding place and circled over the figure. A young man. He screamed, loosed the stone in his hand, and hit Xan on the left wing. She fell to the ground without so much as a peep.” The sparrow’s wing is broken so the man binds the wing and carries the bird with him.
  • The Sorrow Eater feeds off of grief. In order to feed, she finds a starling nest. “She reached in and grabbed a tiny, wriggling nestling. She crushed it in one fist as the horrified mother looked on. The mother sparrow’s sorrow was thin. But it was enough. Sister Ignatia licked her lips and crushed another nestling.”
  • Sister Ignatia threatens Luna. In order to protect the girl, paper birds attack Sister Ignatia. “The birds cut her hands. They cut her forehead. They attacked without mercy.”
  • Sister Ignatia tries to take magical boots off of a woman. Sister Ignatia “balled her hands into two tight fists and raised them over her head. When she swept them back down, uncurling her fingers, they had four sharp knives. Without hesitating she reared back and snapped her hands forward, shooting the knife blades directly for the madwoman’s heart.” The madwoman moves just in time and is not injured.

 Drugs and Alcohol

  • The town Elders “grew big and strong on beef and butter and beer.
  • Luna gave “ale to the geese to see if it made them walk funny (it did).”
  • A woman goes mad after her baby is sacrificed. She is given “special potions to keep her calm.”
  • The Elders drink wine with lunch.

Language

  • A monster says, “As the Poet famously said, dear lady: ‘I don’t give a rat’s—‘” The monster stops talking when he is interrupted.
  • “My god” is used as an exclamation once.
  • When Antain asks to see the Elders, which is unusual, his uncle says, “Tradition be damned. The council will be ever so pleased to see you.”

Supernatural

  • Sister Ignatia is a Sorrow Eater, who “spreads misery and devours sorrow.” When someone feels grief, Sister Ignatia’s “tongue quickly darted out and disappeared back into her mouth. She closed her eyes as her cheeks flushed. As though she had just tasted the most delicious flavor in the world.”
  • Xan is a witch and can change forms. She picks up the sacrificed infants and feeds them starlight. “Once it was dark enough to see the stars, she reached up one hand and gathered starlight in her fingers. . . and fed it to the child.”
  • In order to hide from the Elder, Xan “transformed herself into a tree—a craggy thing of leaf and lichen and deep-grooved bark, similar in shape and texture to the other ancient sycamores standing guard over the small grove.”
  • When Luna was an infant, she drank moonlight, which “enmagicked” her.
  • Xan believes that “magic should never be used to influence the will of another person.” Despite this, she uses magic to make Luna sleep. When Luna begins transforming things, such as turning bread dough into a hat, Xan uses a spell to keep Luna from using magic. Xan is afraid Luna will hurt herself or someone else.
  • Xan uses her magic to cure a young woman of headaches.
  • Xan has a memory of protecting people “who lived in a castle. . . She remembered how she put protective spells on each of them—well, each of them but one—and prayed to the stars that each spell would hold as they ran.”
  • A girl is told a story about a witch who had boots that “could travel seven leagues in a single step.” The witch ate “sorrow, or souls, or volcanoes, or babies, or brave little wizards.” Soon, the girl discovers that the witch and the magical shoes are not just a story, but are real.
  • A woman learns how to transform herself into small things such as a cricket, a spider, or a waterbug.
  • Luna discovers a library, where the books are eager to have their voices heard. “Each book and each paper, as it turned out, had quite a bit to say. They murmured and rambled; they talked over one another; they stepped on each other’s voices.”
  • A flock of paper birds helps a “madwoman” escape from prison. The paper birds appear several times in the story.

Spiritual Content

  • A creation story explains how everything came from a bog. “In the beginning there was the Bog. And the Bog covered the world and the Bog was the world and the world was the Bog. . . But the Bog was lonely.” So the Bog created life on earth.
  • Xan remembers another time in her life when “she could remember climbing into her bed and clutching her hands to her heart, praying to the stars that she might have a night free from bad dreams. She never did.”

Whale Talk

T.J. is a Cutter High School senior who despises school sports. He thinks the jocks and their letter jackets are over-glorified, and that the school favors them. He wants nothing to do with sports until his English teacher, Mr. Simet, asks him to form a swim team. After witnessing a mentally handicapped student get bullied for wearing his dead brother’s letter jacket, T.J. forms an idea: a swim team full of high school rejects earning the right to wear letter jackets at school.

What the team lacks in skill they make up for in motivation. There is no pool at Cutter, and they have to travel to every swim meet. Mr. Simet and Icko, a homeless man who sleeps at the gym where they practice, help morph this group of outcasts into a real team. The team eventually becomes a family, a place to share their tragic backstories and offer each other consolation.

The story is told in the first person from T.J.’s point of view. Readers will enjoy his quick wit and appreciate his empathy. T.J.’s motivation for the swim team sways from wanting to defy Cutter’s athletic expectations, to giving the team a sense of belonging. While T.J. makes questionable decisions and can be hot-headed, his heart is in the right place. T.J. has a great support system, including his foster parents and his counselors, who give him advice along his journey. Unusually wise for his age, T.J. learns that knowing someone’s past experiences is the key to understanding the reason behind their actions.

While there is some swim terminology used, Whale Talk focuses mostly on T.J.’s life. There are a lot of subplots besides T.J. forming the swim team, which may be overwhelming for some readers. However, in true Chris Crutcher fashion, every subplot intertwines and contains a lesson to be learned by T.J. and the reader. These subplots have mature topics including bullying, domestic violence, child abuse, racism, and death. Whale Talk is a must-read, heartwarming book for those who want to think deeply about human connection.

Sexual Content

  • J. talks about how his biological mom got pregnant with him. “She’d had a one-night stand with my sperm donor to get even for a good thumping and had no idea the tall black-Japanese poet’s squiggly swimmer was the one in a billion to crash through to the promised land.”
  • When talking to a classmate named Dan Hole, T.J. is grateful his “last name can’t be translated into any target so basic to adolescent males.”
  • J. tries to “outsmart the Internet controls the school puts on” and types in “‘chicken breasts,’ hoping the browser will spit back a little bit about chickens and a whole lot about breasts.”
  • J. talks about how much a jock at his school loves his Ford. T.J. says, “I swear, if God made him choose between that ugly truck and his you-know-what, which he claims is also supersized by McDonald’s, it would have been a three-day decision.”
  • J. describes Carly, the girl he has a crush on. “There is no butt-twitching or flirtatious glancing or any of the symptoms that usually rocket me to Hormone City, but her natural sexuality is jarring.”
  • Carly tells T.J. what she is looking for in a relationship. “If we’re friends, we’re friends. If we have sex, we have sex. I don’t sleep with more than one person, and I won’t go with anyone who does. We double up on birth control.”
  • J. recounts the story of his dad having lunch with a woman and then sleeping with her. “She took him to her house, where they made fast, hot, electric love, uncharacteristic for either of them, to hear Dad tell it.”
  • J. hints that he and Carly messed around in his car. “I drop off Carly to head home, having completed a science experiment with steam and the interior of a Chevy Corvair.”
  • J. tells Tay-Roy, one of the swimmers, his goal for the swim meet should be “for him not to get sexually assaulted on the deck by the female spectators.” T.J. goes on to say Tay-Roy is a “serious hunk in a tank suit.”
  • Mott, one of the swimmers, says one of his mother’s boyfriends molested him. Matt says, “Ol Canada [the boyfriend] couldn’t figure out which bed he was supposed to sleep in.”
  • Rich accuses T.J. of “fucking [Rich’s] wife.” T.J. responds, “Nope. I have a girlfriend.”
  • When Tay-Roy asks Mott what the point of having a girlfriend who lives in Alabama is, Mott “simulates whacking off.” Mott later calls it “cybersex.”
  • Carly’s friend, Kristen, recounts her date with Barbour, a man who is known to be abusive. Kristen told Barbour something that upset him, and he said she “could make it up to him by having sex.” Kristen thought he was joking, but “all of a sudden he was unbuttoning my coat, and I [Kristen] was trying to get out and accidentally scratched his [Barbour’s] face . . . He kept telling me to strip, and I’d say no and he’d punch my arm . . . he just kept saying it faster and faster and hitting me before I could answer.”
  • J. describes the swim team’s new workouts. “We have put the supine surgical-tubing station (which Dan Hole began to call muscle masturbation – thereby placing him forever in Mott’s good graces) into mothballs, and now the guys simply line up in an endless forty-by-infinite-yard relay.”

Violence

  • J. throws himself over a fawn so two hunters can’t shoot it. “Wyberg and Barbour tried to peel me back, slapping the back of my head and kicking my ribs, and in the chaos the deer kicked a three-inch gash in my forehead.”
  • J.’s dad accidentally killed a baby, who crawled under his truck and got caught between the two rear tires. The baby’s mom “discovered a small severed arm lying next to the white line . . . maybe a hundred yards from where the truck spit out the rest of the little boy’s mangled hand.”
  • J.’s dad confronts Rich about stalking his wife, who has a restraining order on him. “He walks in and right up to Rich, shoving his fingers deep on either side of his Adambac, pushing the back of his head against the window.”
  • Rich shoots T.J.’s dad, killing him. “I [T.J.] glimpse the muzzle of the deer rifle . . . Dad instinctively dives directly into the path of the bullet. His body crashes to the pavement with a thud . . . I see blood leaking onto the pavement.”

Drugs and Alcohol

  • J. says his birth mother was “getting heavily into crack and crank and heavily out of taking care of me.” She eventually decided to take him to his adoptive parents.
  • J. says Chris was “born addicted to crack cocaine.”
  • J. says his mother “may have been a little too ‘spiritual’ on mood-altering funstuff” when she named him “The Tao.”
  • Simet, T.J.’s English teacher, drinks a beer as he and T.J. eat pizza.
  • Simet orders a glass of wine while he and T.J. are at dinner.
  • J. thinks about his past. “When my bio-mom…was at the top of her druggie game, she would leave me for days, propped in the crib or the car seat . . . I’ve heard my mom say a thousand times that if you give her a drug-addicted mother with a kid under two, she’ll give you a ninety-five percent chance of that kid getting molested or beat or both.”
  • While the swim team is on their way home, the bus drives over ice and smashes into a ditch. Mott says, “Damn, I been on drug trips that weren’t that good.”
  • Rich shows up at T.J.’s house drunk, begging to see his wife.
  • J.’s foster mom says his biological mom was “launched on meth.”

Language

  • God, Jesus, for Christ’s sake, and Goddamn are frequently used as exclamations.
  • Profanity is used frequently. Profanity includes butt, dummy, shit, shitty, shitter, bullshit, shithead, chickenshit, hell, asshole, ass, ass wipe, hardass, smartass, prick, piss off, fuck, fucked-up, fuckin, damn, bitch, son of a bitch, nigger, chink, bastard, crap, and retard.
  • J. says a famous radio talk show gives the “hot poop on big-time crime fighting.”

Supernatural

  • None

Spiritual Content

  • J. says the Cutter sports teams “pray before games.”
  • J. says the football players are “gods” at Cutter.
  • Coach Cutter goes to church.
  • J. talks about the irony of his dad acting like a saint, yet not being religious. “It’s funny. Dad doesn’t attend church, and it is seldom I hear his spiritual take on anything. But the running over of that little boy almost turned him into a saint, as far as public behavior goes.”
  • In the past, T.J. has a teacher who was “the new preacher at the Mountain Bible Center, and he ran his classroom the way I imagine he ran his church, with a holy iron fist.”
  • While doing an activity where he tries to make all the words he can from the word “Christmas,” Chris puts his own name above “Christ.” The teacher tells Chris he “can’t put [his] own name before the name of the Lord.” Chris responds by saying he was told “at Sunday school that Jesus liked kids and He was nice. So He wouldn’t mind.” As a punishment, the teacher made Chris stand up beside his desk and say “Chris Coughlin thinks he’s better than Jesus.”
  • J.’s dad says he was “mad at God” for letting him accidentally kill a baby.
  • J.’s dad talks about the first time he saw a photograph of the Earth that was taken from the moon. “From a physical point of view, God appeared a long ways off.”
  • Someone talks about how his mother’s old abusive boyfriend, Rance, used to babysit him. “Man, if you want to pass up purgatory and go straight to hell, you want to enroll in Rance Haskins’s Day Care.”
  • J. says it’s “as if the minor gods in charge of jerks are doing their job,” when he catches Rich violating the restraining order.
  • In a fit of rage, Rich shoots T.J.’s dad. As T.J.’s dad is dying, he tells T.J., “You’re going to have to forgive him, T.J. He had no idea what he was doing.” T.J. thinks, “That was Jesus’ last line.”

by Jill Johnson

Beautiful Wild

Vida Hazzard can see her future. Aboard the heralded “Millionaire’s Ship of the West,” she’ll charm the young scion Fitzhugh Farrar, resulting in a proposal of marriage.

But Vida didn’t plan on Fitz’s best friend Sal, a rough-around-the-edges boy with a talent for getting under her skin. Nor did she anticipate a hurricane dashing their ship and her dreams to pieces. Now stranded on an island with both Fitz and Sal, Vida is torn between the life she’s always planned for, and a future she’s never dared to want. As they desperately plot a course for home, Vida will discover which boy will capture her wild heart—and where her future truly lies.

Beautiful Wild has an interesting premise, but the predictable plot and spoiled protagonist make the story drag. First of all, Vida is a self-centered girl whose only goal is to snag Fitz as a husband, even though she has no genuine feelings for him. Vida longs for adventure but realizes “that the adventures of young women are adventures of the heart—or of husband-hunting. And that it was enough for you to see the heights of the world through the eyes of the man you would marry.” When Vida finally wins Fitz’s heart, she realizes her longing for clothes, parties, and acceptance in society means nothing to her. Unrealistically, she sails off into the sunset, alone and in search of her true love, Sal.

Even though the story is written in third person, Vida’s thoughts take center stage. Unfortunately, Vida’s conflicts are revealed through long-winded passages. In addition, readers may have a hard time relating to Vida because the girl is selfish and vain. Even after Vida learns that Fitz has been in a long-standing sexual relationship with his brother’s wife, Vida still wants to marry him so her own materialistic wants will be fulfilled. When Vida begins to have doubts, Vida’s mother reminds her of the importance of getting married, because if she doesn’t “your life will be aimless, and you won’t be anybody at all.”

Beautiful Wild has elements of a survival story as well as a romance but lacks action and character development. Vida’s two love interests are so undeveloped that the love triangle lacks suspense. However, readers will come away from reading Beautiful Wild with a new understanding of the restrictive lives women had in the past. The ending is predictable and lacks an emotional impact. Readers who like to understand a character’s inner musings may like Beautiful Wild. However, if you’re looking for a heartfelt romance or an action-packed survival story, Beautiful Wild will leave you disappointed.

Sexual Content

  • It’s revealed that Fitz had a sexual relationship with his brother’s wife.
  • Vida goes to find Fitz in the hopes that “Fitz would kiss her.”
  • Fitz kisses Vida. “His face moved toward hers, his chin tilted—in a moment she would close her eyes to accept his kiss. His hands spread over her waist, and she felt the press of his mouth against hers, and the warmth of his breath, and the pump of his heart.”
  • Vida asks Sal why he didn’t try to kiss her. She thinks, “It had been so easy to get Whiting, and Bill, and Theodore to kiss her—why should Sal be so difficult?”
  • After Fitz returns with help, he tells Vida, “When I was on that raft, in the storm, when the sea was all around me and we seemed certain to drown, I kept thinking of your lips, and I thought that if I could only steer her true, I’d survive and I’d be able to kiss you again.” Fitz then gives Vida a “chaste kiss just slightly off the mark of her mouth.”
  • Before her upcoming marriage, Vida seeks out Sal. “And then quite unexpectedly her fingers fluttered up, brushed his lips, his jaw, gently pinched his earlobe. . . Her mouth found his mouth. . . Then he returned the pressure of her kiss, and she knew what it was to want and be wanted in equal measure.”
  • Later, Vida thinks about kissing Sal and wonders “what the next kiss would have been like, and the one after that.”

Violence

  • Their ship sinks and Camilla’s husband dies. Vida sees Camilla “as she tried to protect the body splayed on the beach. A dead body.”

 Drugs and Alcohol

  • A gossip columnist writes that “the heir to the shipping fortune drank more than his older brother thought proper.”
  • Vida has a hangover after drinking a “hideous quantity of champagne.”
  • When the ship is ready to depart, “champagne bottles popped. . . cheers erupted.”
  • While at parties and on the ship, Vida drinks champagne.
  • Vida thinks about all of the gentlemen in a room. One man was “liable to drink too much and become boorish.”
  • Fitz tells Vida that when they are saved, the two of them will “play bridge, and we’ll have cocoa and whiskey and we’ll dance.”
  • When Fitz scolds Vida, no one notices because “everyone was a little drunk.”
  • When Vida’s father talks about her upcoming marriage, Vida stops him. “Her Father—Vida supposed—made a gesture that implied she’d been too free with the passing trays of champagne last night.”
  • At her engagement party, someone finds Vida upset. The person tells her to “have some sherry to fortify you for the rest of the night.” Vida drinks brandy, which “stung her mouth and snapped her back to this place.” As the night progresses, Vida drinks enough to have a hangover the next day.

Language

  • Damn is used five times. Vida is afraid that she will never get the tangles out of her hair. She says, “Tomorrow I will cut the damn braid off.”
  • My God and oh God are both used as an exclamation once.
  • Vida calls someone a bastard.

Supernatural

  • When someone gives Vida a knife, her mother tells her, “If you accept a blade as a wedding gift, it means the marriage will fail.”

Spiritual Content

  • Vida’s lady’s maid tries to hide the champagne glasses from Vida’s father. When he leaves the room, she says, “Oh thank God.”
  • The ship passengers hold a funeral service for a man who died. The man’s brother says, “He is with God now. May his soul be at rest.”
  • After the ship sinks, Vida is worried about a friend. She prays, “God, please, let her still be [alive].”
  • The surviving passengers are forced to hide in a cave. Vida “had prayed for the night to end.”

Defiance #1

Girls in Baalboden learn to be submissive and obey their male Protectors. While other girls learn how to sew dresses, Rachel’s father has been teaching her to survive in the wilderness and wield a sword. When her father, Jared, doesn’t return from a courier mission, everything changes for Rachel. When her father is declared dead, Rachel is assigned a new protector: her father’s apprentice. Now Rachel is commanded to obey Logan, the boy who rejected her two years ago. Rather than meekly obey, Rachel is determined to find her father and prove that he survived the Wasteland.

Logan is many things: orphan, outcast, inventor, apprentice to the city’s top courier. Logan is focused on learning his trade so he can escape the tyranny of Baalboden. But his plan never included being responsible for his mentor’s impulsive daughter. Logan is determined to protect her, but when his escape plan goes wrong and Rachel pays the price, he realizes he has more at stake than disappointing his mentor.

As Rachel and Logan battle their way through the Wasteland, stalked by a monster that can’t be killed and an army of assassins out for blood, they discover romance, heartbreak, and a truth that will incite a war decades in the making.

Even though Rachel is headstrong and capable of defending herself, she is not a very likable character. Rachel often acts impulsively, which almost leads to her death. She is forced to go into the Wasteland with Melkin. When Melkin attacks her, Rachel kills him. Afterwards, she is overcome by guilt because she believes that Melkin wouldn’t have killed her. Although Rachel’s feeling of guilt is understandable, her reasoning doesn’t make sense. This is just one of many frustrating inconsistencies in this story that just don’t make sense.

While Defiance has some action-packed scenes, too much time is devoted to Rachel finding her father and then returning to the city. When Rachel finally makes it to her destination, she learns that her father has died, but left her a package, which Logan is supposed to destroy. Because of this, Rachel’s long journey into the Wasteland and back to Baalboden seems pointless.

Defiance jumps back and forth between Rachel’s and Logan’s points of view. Even though this allows the reader to understand both of their thoughts, readers may still have a hard time relating to either character. Much of the plot is devoted to the characters’ inner monologues, which revolve around their feelings for each other. Many of their troubles could have been easily prevented if they would have talked to each other. In addition, Logan is inconsiderate, controlling, and only thinks about himself. Unfortunately, there is little to like about Rachel or Logan.

The predictable villain, the characters’ inner monologues, and the plot inconsistencies will frustrate readers. The world building is so vague that it does little to add to the dystopian plot. Unfortunately, Defiance is an underdeveloped, forgettable story. If you’re looking for a must read end-of-the-world novel, you should leave Defiance on the shelf and instead read The Host by Stephanie Myer.

 Sexual Content

  • Logan almost kisses Rachel. His “gaze wanders to her lips, and I can’t see anything but a thin trail of water gliding over her skin, gathering at the corner of her mouth, then slowly drifting toward her neck. . . I ache to press her against the wall and taste her.”
  • Rachel thinks about Logan. “I remember the intensity in Logan’s eyes as we leaned close to each other in his kitchen. The way his hand felt pressed against my skin.”
  • When Rachel is too distraught to speak, Logan is worried that she’s “been violated.”
  • Logan notices Rachel’s breast. “The neckline dips down and curves over breasts I didn’t realize until just this minute were so . . . substantial. I force my eyes to scrape over her trim waist, but in seconds I’m staring once more at the way the glittering line of thread along her neckline barely contains her.”
  • Logan and Rachel kiss multiple times. For example, while cleaning off in a lake, Rachel and Logan kiss. “His kiss is rough, tastes like lake water. . . and is the best thing I’ve ever felt. I press against him, consuming him like I’ll never get enough, and when we break apart, my pulse pounds against my ear. . .” The scene is described over a page.
  • Logan grabs Rachel and pulls her close. Logan “can’t hear anything beyond the pounding of my heart and the soft catch of Rachel’s breath as I fist my hands in the back of her tunic and pull her against me like I can’t stand to have a single sliver of air between us.” The three pages of description imply that Logan and Rachel have sex.

Violence

  • When Rachel argues with the Commander, “he grabs a handful of her hair and twists her around to face him. . . She hisses a quick gasp of pain but meets his eyes without flinching.”
  • Logan frequently thinks back to his mother’s death. She was killed when she left the house without male supervision. Logan thinks about the Commander’s “whip falling in cruel precision across my mother’s back . . . my mother’s broken body lying lifeless at the Commander’s feet.”
  • Rachel attempts to leave the compound. A guard begins to follow her. Logan takes a “leap forward, slam my fist into the side of his head, and drag his unconscious body back under the lip of the roof.” Both Rachel and Logan are captured.
  • After the Commander captures Rachel and Logan, a guard “lays the edge of his sword against my [Rachel’s] neck. I raise my chin as the silver bites into my skin, but I refuse to beg for mercy.” At one point, the commander “swings his sword until the tip digs into the soft skin beneath my [Rachel’s] chin. . . The pain is sharp and quick, and a hot trickle of blood slowly snakes its way down my neck.” The Commander eventually lets the two go. The scene is described over five pages.
  • Rachel and Logan ignore the Commander’s orders and the Brute Squad grabs Rachel. “The Commander’s sword plunges deep into the chest of the guard beside me. The man makes a wet gurgling noise in the back of his throat as he reaches up to grasp the blade embedded in his chest. Blood pools beneath his palm and slides along the silver in a single, sinuous streak as he slowly crumples to the floor.”
  • The Cursed One attacks. “It looks like a huge wingless dragon, nearly half the height of the wall, and just as thick. . .” The citizens try to get back into the city wall. The Commander “slashes with the whip, driving people into the side of the wall. One man can’t move out of his way fast enough, and the Commander rides over the top of him. The man lies crumpled and still in the Commander’s wake.” Many people are killed, but their deaths are not described.
  • In order to get Rachel to obey, the Commander shows Rachel someone covered in cloth. He “smiles and drives his sword into the lump. Whoever is trapped beneath the cloth sucks in a raspy breath and moans. Blood blossoms beneath the cloth and spreads like a fast-blooming rose.” When the cloth is removed, Rachel sees her grandfather Oliver, who dies from his wounds.
  • Rachel and Logan are walking home when three drunk men try to rob them. Rachel freaks out and “she whips her knife out of its sheath, raises it above her head, and rushes toward the men. . .” Logan jumps in and “slam[s] the butt of my sword into the man closest to me, whirl to block a blow from the other. . .” After a brief struggle, the men run away.
  • While at a ceremony, Rachel defies the Commander. He “let’s go of my arm to backhand me across the face. I tumble to the floor and see Logan, sword raised, face ablaze, charge the Commander.” People begin to run as Logan “drives his shoulder into the first guard who reaches him, sends the man flying off the stage, and whirls to block the sword thrust of another.”
  • Rachel joins the fight and “a guard jumps in front of me. I drive my knife through his stomach, twist it to the right, and yank it free while he’s still in the act of telling me to halt. Crimson splashes onto my pretty blue skirt.”
  • The Commander catches Logan and, “In seconds, he has his sword against Logan’s neck, and his vicious smile twists his scar into an ugly, knotted ball of picked flesh.” Several guards die. Rachel threatens to kill herself, so the Commander doesn’t kill Logan.
  • The Commander throws Logan into prison. The two men argue and the Commander “lunges for me [Logan], but I duck back. Swinging the chains up, I wrap them around his arm. One swift jerk and I fling him onto the filthy floor of the cell. He lands hard, and I drive my knee into his back, but the guards outside the cell are already on me.” The guards repeatedly hit Logan. “Pain flares to life within me, and it’s all I can do to curl up in a ball and endure as the guards use me as their punching bag.”
  • The Commander brands Logan’s neck. “The smell of scorched skin fills the air, and I retch as brilliant spots dance in front of my eyes. I drag in a deep breath and try to ride out the worst of the agony, but it refuses to abate.”
  • While looking for Rachel in the wasteland, Logan finds a soldier on guard duty. When the man hears him, Logan drops “to my knees, grab the dagger in my boot, and thrust it up as his momentum drives his abdomen onto my blade.”
  • The Commander sends Rachel and Melkin into the Wasteland to retrieve a package. Once they find the package, Melkin tries to take it from Rachel. “He’s in the air, long legs dropping down, his face a mask of murderous intent. I broke his right wrist. The weapon must be in his left hand. . . Flipping my blade around, I push myself off the ground and bury my knife deep into his chest. . . His blood seeps along the knife hilt, thick and warm, and coats my hand.” Melkin dies.
  • Logan knows that a tracker is hunting Rachel. The tracker “turns, but he’s too late. I slam into him, wrap my hands around his throat, and drive both of us onto the ground. . . His knife arm goes up, and his eyes lock on mine, but before I can react, an arrow sinks into the narrow space between his eyes with a soft thud. He shudders, his body sags. . .”
  • The Cursed One attacks a battalion. “The beast rears back, swings its head to the left, and strafes the line of Rowansmark soldiers with fire. The flames incinerate most of them on the spot, but a few fall to the ground wailing in agony.”
  • In the multi-chapter conclusion, the Cursed One attacks a city. “Fire leaps from the creature’s mouth. Two members of the Brute Squad are incinerated and then crushed beneath the thing’s monstrous length as it races forward.”
  • Logan can hear “the citizens in the East Quarter are screaming in agony . . . And through it all, the monstrous shape of the Cursed One coils, lashing out with its tail to crush wagons, buildings, and people.”
  • Logan and a group of people throw jars filled with explosives. When they hit the Cursed One the explosives “blow a section of its tail to pieces.”

 Drugs and Alcohol

  • When Logan goes into a tavern, the owner, “slaps a heavy wooden mug filled with ale in front of me, though I haven’t ordered a drink.”
  • Logan mentions a man who “can’t hold his liquor.”
  • While in prison, someone gives Logan medicine to help relieve his pain.

Language

  • Rachel wants Oliver to leave the city. Oliver says, “I aim to be great-granddaddy, if that takes riding an ass across a godforsaken wilderness. I guess that’s what I’ll do.”
  • Hell is used once.

Supernatural

  • None

Spiritual Content

  • When the Commander forces Rachel to agree to his plan, she prays that “I’m not making the biggest mistake of my life.”
  • When the Commander shows Rachel a man covered in a cloth, she “prayed it would be a stranger.”
  • During a fight, Rachel prays “Logan isn’t already dead.”
  • Rachel accidentally tells Logan that he is handsome. Then she prays “he’ll change the subject.”
  • When the Cursed One attacks, Logan prays “the citizens there heard the screaming of their neighbors and had enough warning to start running.”

 

Stamped: Racism, Antiracism, and You

Written originally as Stamped from the Beginning by Ibram X. Kendi, Stamped: Racism, Antiracism, and You is the exploration of racism in the United States since before the founding of America. The book is remixed for younger audiences by prolific author and the Library of Congress’s National Ambassador for Young People’s Literature, Jason Reynolds. The fast-paced book explores the history of racism and how we can build an antiracist present and future.

Reynolds makes it clear that Stamped is not a history book, but instead a book about racism in present times. Although there is plenty of history described, he pulls the essentials from Kendi’s book and brings these historical events and people to life for younger readers. He shows how racist thoughts have persisted through time and affect everyone today. Most importantly, he uses Kendi’s definitions of segregationists, assimilationists, and antiracists to explore various thoughts about race, race relations, and racist ideas.

Reynolds breaks down the three terms by saying, “The antiracists try to transform racism. The assimilationists try to transform Black people. The segregationists try to get away from Black people.” Reynolds’ ability to bring difficult topics to a level that young teens can understand is remarkable, as racism is so prevalent and widespread across the United States and the world.

Despite Reynolds’ sense of humor and smooth-flowing writing, Stamped is not a cheery book, nor is it supposed to be. The history of racism is terrible; terrible things have happened and still happen – a point which Reynolds and Kendi make throughout. There is are discussions about mass incarceration, lynching, slavery, and kidnapping – all of which pertain to the history of racism. They also analyze major players in the Civil Rights movement, some of which fall into the assimilationist category, and others into the antiracist category.

Racism exists, and Reynolds and Kendi ask that people become antiracist in thought and in practice. Hope is a strong thread that pulls the novel together, despite the atrocities committed because of racist beliefs and policies. If people can become antiracist, the future can be so much brighter for many people who have faced oppression. Everyone should read Stamped because it isn’t a history book; it’s a guide to a better way of being and treating people.

Sexual Content

  • Reynolds breaks down a scene from the book of Genesis in the Bible, discussing how Noah orders his “white sons not to have sex with their wives on the ark, and then tells them that the first child born after the flood would inherit the earth. When the evil, tyrannical, and hypersexual Ham has sex on the ark, God wills that Ham’s descendants will be dark and disgusting, and the whole world will look at them as symbols of trouble.”
  • It was not uncommon for slave owners to start “breeding slaves. . . [Thomas Jefferson] and other like-minded slave owners began forcing their men and women slaves to conceive children so that they, the owners, could keep up with all the demands of the Deep South.”

Violence

  • Reynolds and Kendi detail the racial violence that has occurred throughout history and in present times. They often discuss topics such as murder, slavery, and incarceration, as well as a host of other atrocities. For instance, “Young Black males were twenty-one times more likely to be killed by police than their White counterparts between 2010 and 2012, according to federal statistics.” Other details of violence are frequently shared throughout the book.
  • Reynolds also discusses violence against Native Americans. For example, he talks about Metacomet, “a Native American war leader, [who] was killed, which basically ended the battle in 1676. Puritans cut up his body as if it were a hog’s, and paraded his remains around Plymouth.”
  • Reynolds describes the movie The Birth of a Nation, where, “A Black man (played by a White man in blackface) tries to rape a White woman” who then “jumps off a cliff and kills herself,” and “Klansmen avenge her death.”

Drugs and Alcohol

  • Reynolds writes about tobacco as a major cash crop in the American South prior to the founding of the country.
  • There is a discussion about the “War on Drugs” and “crack babies” in their relation to racism and racist government policies.

Language

  • Based on historical context, language is used to dehumanize Black people is scattered throughout the book. The language describes the growth and pervasiveness of racism. Reynolds, for instance, discusses the thoughts of Italian philosopher Lucilio Vanini, who said that “Africans were born of a ‘different Adam,’ and had a different creation story. Of course, this would mean they were a different species. It was kind of like saying that Africans weren’t actually human . . . Africans went from savages to SAVAGES, which revved up the necessity for Christian conversion and civilizing.”
  • Racial slurs are used in historical context. For instance, Reynolds talks about a group of artists that emerged out of the Harlem Renaissance that referred to themselves as the “Niggerati. They believed they should be able to make whatever they wanted to express themselves as whole humans without worrying about White acceptance.”

Supernatural

  • Reynolds describes Curse Theory, saying, “In 1577, after noticing that Inuit people in northeastern Canada were darker than the people living in the hotter south, English travel writer George Best determined . . . that it couldn’t have been climate that made darker people inferior, and instead determined that Africans were, in fact, cursed . . . And what did Best use to prove this theory? Only one of the most irrefutable books of the time: the Bible.”
  • Reynolds talks about witches and witchcraft. Reynolds writes, “[Cotton] Mather wrote a book called Memorable Providences, Relating to Witchcrafts and Possessions . . . Mather’s book, outlining the symptoms of witchcraft, reflected his crusade against the enemies of White souls.” This book launched the Salem witch hunt of 1692.

Spiritual Content

  • Reynolds uses comparisons to make history digestible and sometimes includes religious descriptors. Gomes Eanes de Zurara wrote propaganda for Prince Henry to encourage the slave trade. For instance, Zurara “made Prince Henry out to be some kind of youth minister canvassing the street, doing community work, when what Prince Henry really was, was more of a gangster.”
  • Reynolds describes the links between racism and Christianity, and many times the Bible is referenced. For instance, at one point Reynolds says, “Zurara’s documentation of the racist idea that Africans needed slavery in order to be fed and taught Jesus, and that it was all ordained by God, began to seep in and stick to the European cultural psyche.”
  • Reynolds discusses Puritans. He says, “They were English Protestants who believed the reformation of the Church of England was basically watering down Christianity, and they sought to regulate it to keep it more disciplined and rigid.”

by Alli Kestler

Komi Can’t Communicate Volume 1

Socially anxious high school student Shoko Komi’s greatest dream is to make some friends, but everyone at school mistakes her crippling social anxiety for cool reserve. With the whole student body keeping their distance and Komi unable to utter a single word, friendship might be forever beyond her reach.

Timid Tadano is a total wallflower, and that’s just the way he likes it. But all of that changes when he finds himself alone in a classroom on the first day of high school with the legendary Komi. He quickly realizes she isn’t aloof — she’s just super awkward. Now he’s made it his mission to help her on her quest to make 100 friends!

Anyone who’s ever been afraid to speak up will relate to Komi, who freezes every time someone talks to her. The socially awkward girl has a conversation with Tadano by writing back and forth on a whiteboard. This conversation helps the reader understand Komi’s inability to talk to others. While Tadano’s desire to help Komi become friends with others is endearing, part of the reason he wants to help Komi is because he finds her beautiful. Despite this, Tadano shows how two people’s friendship can bloom into something beautiful.

The black and white illustrations are adorable and portray the socially awkward girl and her interactions with others with humor. Each page has 1 to 11 simple sentences which appear in quote boxes. Square boxes are also used to show characters and general information. The illustrations help show Komi’s nervousness by showing her tremble.

While Komi Can’t Communicate focuses on Komi, the story also shows other awkward situations that arise because of miscommunication. Through Komi’s experiences, the reader will see the pitfalls of making assumptions about others. The story highlights this lesson by comparing the difference between what Komi is thinking and what others are thinking. With Tadano’s help, Komi begins to communicate with some of her classmates, which allows them to understand her difficulty talking.

Anyone who has ever had difficultly speaking up will relate to Komi. The anime art, the relatable conflict, and the easy-to-read vocabulary make Komi Can’t Communicate accessible to all readers. Readers will enjoy both the artwork and the plot. Readers who have social anxieties like Komi’s will want to put Guts by Raina Telgemeier and After Zero by Christina Collins on their must-read list.

Sexual Content

  • There are a few lewd jokes. For example, Osana asks Tadano, “Shall I sate your lust with my body?”
  • Osana’s sexual identity is unclear. Tadano is confused when he sees Osana in a dress. He says, “In junior high, you were a boy, weren’t you? In a boy’s uniform.”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • When a girl sees Tadano talking to Komi, she says he shouldn’t talk to Komi because he is a “scumbag” and “less than horse poop.”
  • When Komi and Tadano are talking, a girl thinks, “I can’t bash him in front of her highness Komi, but I wish that scumbag would get lost.”
  • While playing a game, Tadano thinks he is “watching idiots.”

Supernatural

  • None

Spiritual Content

  • A girl hides from Komi in a bathroom stall. The girl prays to God, Buddha, and Komi. She says, “Please! I’ll do anything you want! Just go easy on me!” When Komi leaves the bathroom, the girl says, “The divinities answered my prayers.”
  • The students think being the student body president isn’t “grand enough” for Komi so they decide that “Komi’s position is God.”

Blood Relatives

The absolute last thing goth-girl Raven and her vampire boyfriend, Alexander, need is another hitch in their nighttime-only romance—but dark trouble hovers on the horizon when Raven and Alexander discover four freshly dug graves filled with empty coffins. When a crew of sketchy vampires takes up residence in Dullsville’s lonely graveyard, Alexander finds this motley bunch led by his very own blood-sucking cousin, Claude Sterling. Shocking! Claude and his creepy crew can only spell out more problems for the pair, especially when Raven finds them in daylight in the very last place she could ever imagine. What could Claude and his invaders be doing—or searching for—in Dullsville?

Blood Relatives is based on a YA vampire romance novel that falls under the Vampire Kisses umbrella. Readers will find that the graphic novel Blood Relatives does not follow the same plot as any of the other novels. However, while Blood Relatives is extremely short and lacking in plot, it introduces all of the main characters and villains.

Even though Blood Relatives focuses on Raven and the vampire Alexander’s relationship, Alexander spends most of his time trying to keep Raven safe. However, she is determined to find answers to the mystery, even if that means putting herself in danger. While teens may like the protective Alexander, some of the plot is unrealistic, such as when Alexander’s cousin Claude drags Raven down the school’s hallway and grabs her hair, but none of the students or teachers notice the abuse. In addition, no one questions why four new students, who are all the same age, enroll in school on the same day.

Readers will enjoy the manga artwork, especially Raven’s fashionable goth clothes which include skull barrettes. While most of the black and white artwork is beautiful, some of the pictures do not feel finished. For example, in one picture Raven is crying but her eyes are empty and her face is poorly sketched. In addition, in one picture a “Cool Pax” is magically staying over her eye. Each page has eleven or fewer words. While some of the text is in quote bubbles, other text is printed in black with a white border that makes the text difficult to read.

The simple plot and vocabulary make the graphic novel a quick read. If you’re looking for well-developed characters and a unique plot, Blood Relatives will be a disappointment. However, if you want to bite into a vampire romance that is pure entertainment, add Blood Relatives to your reading list. Make sure you have the second book in the series ready because the first installment ends with a cliffhanger.

Sexual Content

  • Raven kisses her vampire boyfriend three times. “One night at the mansion we sealed our date with a heart-meltingly passionate kiss.”
  • While at school, Raven walks by two kids kissing in the hallway.

Violence

  • Raven runs away from a group of vampires that want to get information from her. One of the vampires grabs Raven by the hair and says, “like perhaps, at your house. . . for a midnight snack.”

 Drugs and Alcohol

  • A group of half-mortal, half-vampires are looking for vials filled “with centuries-old pure vampire blood.” The blood would make them complete vampires.

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Cupcake Queen

When her mom decides to leave Manhattan and open a cupcake bakery in Hog’s Hollow, Penny gets dragged along. She doesn’t know how she’ll survive high school without her lifelong friends and big-city comforts. To make matters worse, her father is staying behind, and her mom isn’t talking about what the future holds for them. And as if that weren’t enough, Penny’s clumsiness leads to a cupcake-avalanche mishap at the Queen Bee’s birthday party, which instantly makes her a social pariah.

But small-town life isn’t all bad. Penny finds bright spots in Hog’s Hollow—like her art class and her free-spirited friend Tally. Then there’s Marcus, the cute and enigmatic boy who is always running on the beach. . . and into Penny. Just when Penny is settling in, her parents ask her to make a choice that will turn everything upside down again.

Told from Penny’s point of view, The Cupcake Queen focuses on small-time life in Hog’s Hollow. Anyone who has been a target of bullying will relate to Penny as she tries to find her place in a new town. Penny struggles with the changes in her life, including her parents’ separation. Like many teens, Penny is frustrated that her parents are keeping secrets from her, especially since their decisions have a huge impact on her life.

The story also shines a light on the importance of dealing with loss. Even though Penny’s parents are alive, she feels neglected by a father who doesn’t have time for her. Penny’s friend Tally lives with her aunt because her musician father’s career is more important than her. Meanwhile, Marcus still grieves his mother’s death. Even though each character has faced the loss of a parent differently, the book acknowledges that sometimes, “Life can be pretty hard. . . I’d like to tell you it gets easier, but it doesn’t. It just gets different.”

While The Cupcake Queen has some predictable factors such as a mean girl, a cute boy, and an eccentric friend, the characters are relatable and likable. Tally adds a dash of spice to the story, while Marcus adds a little romance that doesn’t go past holding hands. The Cupcake Queen doesn’t sugarcoat events that are confusing and hurtful. Instead, both Penny and Tally learn that “at some point you just have to let go of what you thought should happen and live in what is happening.”

Middle school readers who want a character-driven story with a sprinkle of romance will enjoy The Cupcake Queen. Penny’s story continues in the holiday-themed book Frosted Kisses. Readers may also want to add How to Steal a Dog by Barbara O’Connor and The Dog Who Lost His Bark by Eoin Colfer to their reading list. Both are engaging stories that skip the romance and focus on parental problems.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Someone calls manure “cream of crap.”
  • In a yearbook, someone drew over Penny’s mother. “You know, the usual—glasses, mustache, black teeth. Underneath the photo someone crossed out her name and wrote in Hog’s Hollow Ho.” Penny’s friend tells her, “Don’t let those morons get to you.”
  • A mean girl calls Penny a loser and stupid.

Supernatural

  • None

Spiritual Content

  • None

The Maddie Diaries

Maddie Ziegler knew one day she’d be a star—she just didn’t know how soon that day would come. At just eight years old, she was cast on Lifetime’s hit reality show Dance Moms and quickly won the hearts of fans everywhere with her natural talent and determination. Soon, she was capturing attention from all over—including pop superstar Sia, who cast her as her dance double in the incredibly popular music video for her hit song “Chandelier.” The rest, as they say, was history.

For the first time, Maddie has chronicled every minute of her exciting ride so fans can experience it with her. Besides sharing her tips and advice on everything from style and beauty to friendship and crushes, Maddie wants to inspire readers to follow their passion as well. “Everyone has a talent and a gift; everyone can make an impact. We are the future, and there is nothing that we can’t do if we put our minds to it.”

Each short chapter ends with a Dear Maddie section that has questions from teens. Maddie answers each question with encouraging words. In addition, Maddie includes a list of things to do each day such as going tech free, volunteering, or making funny faces in the mirror. Some chapters have short passages written by famous people Maddie knows; these all focus on Maddie’s positive attributes. The book also contains thirty pages of pictures of Maddie dancing, hanging out with her friends, and meeting celebrities.

While Maddie tells her story, she gives positive advice. She reminds readers that they don’t have to be perfect and that everyone will make mistakes. Even though The Maddie Diaries has good advice, the book is all about self-promotion. Maddie talks all about her positive traits, her talents, her experiences, and the famous people she has met. She takes every opportunity to remind readers that she has met many famous people. For example, Maddie writes, “Sia always tells me you have to take time off, step back, and appreciate the moment.”

Unfortunately, Maddie doesn’t give specific information about the hardships she’s faced. The story lacks depth, which makes her advice sound shallow—“try harder, don’t give up, and you can make your dreams come true.” Maddie attributes her success to her responsible nature and her hard work. However, she never acknowledges that much of her success came because other people helped her along the way. For example is when she was shooting a film, her mom couldn’t stay with her so other people helped out by taking turns chaperoning her. Instead, Maddie complains that shopping in her hometown isn’t nearly as fun as shopping at expensive name-brand stores in Los Angeles.

If you are not already a fan of Maddie Ziegler, you may find her look-at-how-great-I-am attitude annoying. Instead of writing an in-depth profile of herself, Maddie gives cliché advice and shallow stories that focus on how wonderful she is. If you’re a fan of the reality TV show Dance Moms, you might enjoy The Maddie Diaries. However, if you’re looking for a motivational autobiography, The Maddie Diaries will be a disappointing read.

Sexual Content

  • During a dance, Maddie had to “kiss a boy in front of millions on national TV. . . every time we rehearsed, we had to actually lock lips.”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

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