Topic: Family

The Wrath of Mulgarath

In the fifth and final installment of the Spiderwick Chronicles, the Grace children must battle Mulgarath’s goblin army to save their mother and reclaim the Field Guide. With the help of Thimbletack, Hogsqueal, and Byron, the Grace children attempt to sneak up on Mulgarath’s goblin army. Can the small group defeat a fierce army of goblins and Mulgarath? Are the children doomed to lose everything they hold dear?

All of the characters and creatures come together in a satisfying conclusion. The griffin, Thimbletack, and Hogsqueal unite to help the Grace children rescue their mother and defeat Mulgarath. Book five of the series is darker and has some potentially disturbing descriptions. Although the final battle ends with a satisfying surprise, reading descriptions of Mulgarath’s evil deeds may disturb younger readers. In an attempt to trick the children, Mulgarath shapeshifts to appear like their father. Jared is able to see through Mulgarath’s trick and, in the end, saves his family from Mulgarath’s wrath.

Like the previous books, the Grace Children work together and come to one another’s aid when needed. When Jared’s mother finally learns the truth about Jared’s strange behavior, there is a heartwarming apology. The ending doesn’t ignore the natural consequences of Jared’s bad behavior but ends with the hopeful possibility that life will be better. In the end, Aunt Lucinda moves in with the Grace family and there is peace between the children, Thimbletack, and the family cat. When the exciting series comes to an end, the readers will be left with a smile and characters that they will remember for a long time to come.

 Sexual Content

  • None

Violence

  • Mulgarath kidnaps the Grace children’s mother. When the children find her, she is in “one corner, bound, gagged, and unconscious.”
  • Goblins attacked Thimbletack. The fight is not described, but Jared finds Thimbletack, who “had a long, raw scratch on his shoulder and that his hat was missing.” He also had a black eye.
  • A griffin grabs a hobgoblin by the arm. “The griffin shook his head, whipping Hogsqueal back and forth.” Simon hit the griffin, “Hard on the beak with his hand,” hoping to get the griffin to let go of Hogsqueal.”
  • Thimbletack threatens a hobgoblin saying, “No. We’ll set rats to nibble off your toes, poke out your eyes, and put them up your nose. Your fingers we’ll remove with dull scissors, and we’ll wait until your confidence withers.”
  • Goblins attack the Grace children. The battle is described over three pages. During the fight, two goblins, “Grabbed hold of his (Jared’s) legs and toppled him into the dirt.” Mallory uses her swords to chase them away. One goblin “Jumped on her back, biting her shoulder.” The griffin appears and the children are able to escape.
  • While Simon is riding the griffin, a dragon attacks. “The dragon twisted, teeth sinking into Byron’s feathered and furred body. . .” Simon falls off the griffin, injuring his arm. In order to distract the dragon, Simon, “who had never killed anything. . . stepped on the head of one of the baby dragons, crushing in into a smear under his shoe. It squealed. Dragon blood stained the ground and melted the edge of Simon’s heel.” The fight ends with Byron, “Plunging his beak into the creature’s neck, he rent it wide. The dragon went limp in Byron’s claws.” The action is described over seven pages.
  • Mulgarath put fairies in honey. Simon tries to help, “but the honey was heavy and clung to their thick wings, tearing them. The sprites squealed as he set each one down on the table in a sticky, sodden heap. One was completely still and lay there limply, like a doll.”
  • Mulgarath kicks Thimbletack. “The ogre kicked the brownie, his giant foot tossing Thimbletack across the room, where Thimbletack landed like a crumpled glove beside Mrs. Grace.”
  • The story ends with an epic battle between the Grace children and Mulgarath, which is told over several chapters. At one point, Jared stabs Mulgarath in the foot with a sword. The battle ends with a funny surprise.

Drugs and Alcohol

  • None

Language

  • When Simon hits the griffin, his sister yells, “Oh Crap, don’t do that!”
  • Hogsqueal calls the Grace names such as “beetle-guts”, “lump-meat,” and “chatter-basket.”
  • Jared says, “I want Dad to be less of a jerk . . .”
  • “Oh my god,” is used as an exclamation once.
  • Mallory calls Jared an “idiot.”

Supernatural

  • Goblins, Frey, griffins, and other creatures exist. These creatures have different magical abilities.
  • Mulgarath is raising dragons. The dragons have “hundreds of teeth, thin as needles.” When a person touches a dragon, their skin burns.”
  • Mulgarath is able to change shapes. In order to trick the children, he changes, making himself look like their father. “As Jared looked up into the familiar hazel eyes of his father, they started to turn pale yellow. His father’s body elongated, filling out, becoming a mammoth shape clad in the tattered remains of ancient finery. His hands became claws, and his dark hair twined together into branches.”
  • The children meet their great-great-uncle Arthur Spiderwick, who the elves kept captive. Arthur meets his aged daughter. When Arthur goes to hug his daughter, his “foot touched the ground, his body turned to dust and then smoke.”

Spiritual Content

  • None

The Ironwood Tree

The entire faerie world wants Spiderwick’s Guide. Even if the Grace Children wanted to give the book away, they couldn’t because Thimbletack has hidden the guide. When Mallory disappears, Simon and Jared go in search of their sister. When the boys search the old abandoned quarry, dwarves imprison them. Is there any way for them to escape and save their sister?

Thimbletack and the griffin do not appear in the story, but new creatures are added. Although the story is entertaining, and suspenseful, some readers may wish that the different faerie creatures were incorporated into all of the books. Humor is added when neither Jared nor Simon wish to enter the girls restroom to look for Mallory. The ending takes a dark turn, and the unexpected killing of dwarves may disturb younger readers.

In the fourth installment of The Spiderwick Chronicles, Jared continues to struggle with anger and his mother’s misperception of him. Although Jared is trying to protect his family, he often falls into trouble. Jared worries that his mother will try to send him to live with his father, but his father won’t want him.

One of the best aspects of the series is the relationship between Jared and his siblings. Their realistic sibling relationship shows how each one has unique talents that can be used to defeat the faerie creatures. Although readers will be entertained by the faerie creatures, they will continue to read because they want to know what happens to the Grace children. Is there any way they can survive when the next faerie creatures come after them? The only way to find out is to pick up the fifth and last installment of the series.

Sexual Content

  • Mallory has a crush on a boy. To tease her, Simon sings, “Chris and Mallory sitting in a tree, K-I-S-S-I-N-G.”

Violence

  • A shape-shifting creature appears looking like Jared. When the creature confronts Jared, Jared “pointed a knife at his double.”
  • Dwarfs kidnap Mallory and put her in a magical box that makes her like Sleeping Beauty. A dwarf tells the boys, “Out of this case she would be doomed to age, death, and decay—the curse of all mortals.”
  • Mechanical dogs chase the children. The children climb up a tree to avoid the dogs, but one of the dog’s “teeth caught hold of the end of her white dress and ripped it. The other dogs swarmed close, tearing the cloth.” Simon comes up with a way to get away from the dogs.
  • When Mulgarath discovers that the goblins do not have Spiderwick’s Guide, he orders the death of the dwarves. “The goblins bit, clawed, and slashed until not a single dwarf was left standing. Jared felt sick and numb. He had never seen anything be killed before. Looking down, he felt like he might throw up.”

Drugs and Alcohol

  • None

Language

  • Mallory says, “Oh crap,” once.

Supernatural

  • A shape-shifting creature appears in the story. The creature makes himself look like Jared and other people. The creature’s body, “shrank, its dark hair paled into a sandy brown, and its now blue eyes went wide with terror.”
  • Dwarves live in an abandoned quarry. They have “skin as gray as stone.” The dwarves carve trees and animals out of metal. The animals are alive but must be wound up with a key.
  • A creature appears and helps the children escape. Jared thinks it is a “nodder or a banger.” The creature listens to the stones, which allows him to help the children.
  • Mulgarath is an ogre, “a massive monster with dead branches for hair.” The goblins are serving Mulgarath.

Spiritual Content

  • None

 

Lucinda’s Secret

The Grace children are surrounded by problems. Thimbletack wants revenge. A hungry griffin is hiding in the carriage house. Creatures will stop at nothing to get Arthur’s Field Guide. Giving up the Field Guide isn’t an option, so the children go to see their Aunt Lucinda. But the more they learn about the fantastical world around them, the more they are convinced that the only way to stay safe is to discover more about the creatures who want to silence them.

Lucinda’s Secret takes the reader into the past and begins to answer the question: Why do the fairies want the Field Guide? The third installment of The Spiderwick Chronicles has several scenes that may scare younger readers. The children go to visit their Aunt Lucinda in an asylum, and they see several patients in straight jackets and a man “in a bathrobe giggled over an upside-down book.” Lucinda’s story of monsters that attacked her at night may also frighten readers.

Readers will be able to relate to the realistic sibling relationships. Even though the children work together and care about each other, they still squabble, fight, and disagree. Because the siblings often have conflict, the scenes when they work together are even more enjoyable. The story shows how relationships are always changing and that people can love each other and still disagree.

The introduction of new characters and new creatures adds interest to Lucinda’s Secret. Book three focuses on advancing the plot and giving important background information. However, this book also has less action than the first two books and readers will miss Thimbletack and the griffin, who do not appear in the story. The introduction of elves and a glimpse into the elves’ world adds a new, interesting element. Readers will want to continue the series to find out how the elves and Lucinda’s secret are connected.

Sexual Content

  • None

Violence

  • When Aunt Lucinda was younger, monsters came looking for her father’s book. She shows the children her scars and says, “Late one night the monsters came. Little green things with horrible teeth held me down, while a giant one questioned me. I struggled, and their claws scraped my arms and legs . . . Before that night, my back was straight. Ever since, I have walked hunched over.”
  • When Mallory touches a unicorn, she sees a vision of people hunting. As the unicorn runs, “arrows fly, burying themselves in white flesh. The unicorn bellows and goes down in a cloud of leaves. Dog teeth rip skin. A man with a knife hacks the horn from the head while the unicorn is still moving.”
  • Elves capture Jared. With the wave of an elf hand, “dirty, hairy roots climbed Jared’s legs and held him.”

Drugs and Alcohol

  • None

Language

  • “Crappy” is used once. “Crap” is used three times.
  • When Jared talks about his dad leaving to take a new job, Mallory says, “You can’t really believe that load of crap.”
  • The Phooka tells the children he is “an ass or perhaps merely a sprite.”

Supernatural

  • Sprites visit Aunt Lucinda. They are “creatures the size of walnuts, whirling in on iridescent wings. They alighted on the old woman, tangling in her white hair and crawling up the headboard.”
  • Sprites gave Aunt Lucinda fruit, and when she ate it, “it tasted better than any food I’d ever imagined. . . After that, human food—normal food—was like sawdust and ashes. I couldn’t make myself eat it.” She now must rely on the sprites to feed her.
  • The children learn that wearing their clothes inside out will allow them to find the elf world. The children meet the green-skinned elves.
  • The children meet a Phooka, who speaks in riddles. The Phooka “had the body of a monkey with short, blackish brown speckled fur and a long tail that curled around the branch on which it sat.” The Phooka has a face that looks like a rabbit “with long ears and whiskers.”
  • When Mallory touches a unicorn, she sees a vision.

Spiritual Content

  • None

 

The Seeing Stone

The mysterious field guide that their long-lost great-great-uncle Arthur Spiderwick wrote is wreaking havoc on the Grace children’s lives. In an attempt to get the book, goblins kidnap Simon and his cat.  It’s up to Jared and Mallory to track down the goblins, save Simon, and make it out of the woods alive. Can Jared and Mallory save Simon before it’s too late?

Full of suspense, The Seeing Stone is more intense than the first story in the series. At the beginning of the story, the goblins are invisible to the Grace children. The fact that invisible goblins are able to kidnap Simon, put him in a cage, and may possibly want to eat him may scare younger readers. Despite the danger, Jared and Mallory learn to work together as they search for their brother. They use creative problem-solving skills to rescue Simon.

In The Field Guide, Jared is angry and only concerned about himself, but in the second book, he shows growth and proves that he is more than a troublemaker. The children learn that they must trust and rely on each other in order to defeat the goblins. Readers will relate to the realistic siblings’ relationship and the children’s struggle to get along. Although the mother cares about her children, she clearly struggles in her new role as a single parent.

Even though the children realize danger still lurks outside their home, they choose to lie to their mother because they do not think she will believe that goblins, trolls, fairies, and other creatures exist. As the children learn more about the mythical world around them, they meet Hogsqueal, a hobgoblin, who has a hilarious vocabulary and proves that not every creature is evil. When readers finish The Seeing Stone, they will want to pick up the next book in the series. The fast-paced story will end all too quickly, so you will want to have Lucinda’s Secret waiting on the shelf.

Sexual Content

  • None

Violence

  • Goblins kidnap Simon and his cat; then the goblins attack Jared and Mallory. When a goblin grabs Jared by his shirt, “he went down on his stomach in the grass. . .” Mallory tries to help Jared and “he saw Mallory’s arm jerk and heard her cry out. Red lines appeared where nails scraped her.” Mallory is able to chase the goblins off when she hits them with her rapier. The attack scene takes place over six pages but is not told in gory detail.
  • A troll tries to grab Mallory, but he is burned by sunlight and she is able to escape.
  • The goblins attack a wounded griffin. When the goblins circle the griffin, “the animal couldn’t seem to raise itself very far off the ground, but it could snap at the goblins if they got too close. Then the creature’s hawk beak connected, scissoring off the goblin arm.” Simon and his siblings save the griffin.
  • When the goblins chase after the children, they make a deal with the troll to lead the goblins to him. The troll hides in the river, and when the goblins enter, “the troll grabbed them all, shaking and biting and dragging them down to his watery lair.”

Drugs and Alcohol

  • None

Language

  • A hobgoblin calls Jared a host of creative names. A few names he uses include candy butt, dribble-puss, and jinglebrains.

Supernatural

  • A brownie lives in the Grace house. When Jared grabs the brownie, “the little brownie squirmed in his grasp, abruptly changing shape into a lizard, a rat that bit Jared’s hand, then a slippery eel that flailed wetly.”
  • The Grace children encounter goblins, who eat small creatures such as cats. The goblins “are born without teeth and so find substitutes, such as the fangs of animals, sharp rocks, and pieces of glass.”
  • The Grace children put hobgoblin spit in their eyes so they will have “the Sight.”
  • A hobgoblin uses children’s teeth instead of glass and other items. When Jared asks if he steals children’s teeth, the hobgoblin replies, “Come on, Dumbellina, tell me you don’t believe in the tooth fairy!”

Spiritual Content

  • None

 

The Field Guide

Jared, his twin brother, Simon, and their older sister, Mallory, are not happy about moving to a new town and into their Aunt Lucy’s dilapidated mansion. When a series of pranks happen and strange bruises start appearing on Simon and Mallory, Jared is blamed.

Then Jared stumbles upon Arthur Spiderwick’s Field Guide to the Fantastical World Around You. He believes the creatures in the book are real and that a boggart is the one causing all of the problems. No one else in the family believes the boggart is real. How can Jared prove that he isn’t responsible for destroying the house and hurting his siblings?

The story focuses on issues that children will be able to relate to including having problems with parents and difficulty expressing emotions. The plot focuses on Jared, who is having difficulty containing his anger. As Jared learns about the boggart, Jared is able to think about the boggart’s perspective. Jared doesn’t want to help the boggart, but “he knew what it was like to be mad, and he knew how easy it was to get into a fight, even if you were really mad at someone else. And he thought that just maybe that was how the boggart felt.”

The Spiderwick Chronicles: The Field Guide is a fantastical story that will engage even the most reluctant readers. The easy-to-read story has a fast-paced plot that deals with the difficult topic of divorce in a child-friendly manner. Black and white pictures and maps are scattered throughout the story, which will help readers picture the events in the story. When the story ends, readers will be reaching for the next book in the series.

 The Spiderwick Chronicles is an excellent series; however, parents should read the reviews for all of the books before beginning the reading journey. Younger readers may not be ready for scary events that the Grace children face before their adventure comes to an end.

Sexual Content

  • None

Violence

  • While Mallory was sleeping, someone tied her hair to the bed. “Long pieces of her hair had been knotted to the brass headboard. Her face was red, but the worst part was the strange pattern of bruises that decorated her arms.”
  • The boggart steals Simon’s mice and tadpoles. “Each of Simon’s tadpoles was frozen into a single cube in the tray.” Later, they discover the boggart is keeping the mice as pets.
  • The book refers to a fight at school that Jared got into. His mother says, “I was shocked to learn that you broke a boy’s nose.”

Drugs and Alcohol

  • None

Language

  • When Mallory’s mother says the house is just like she remembered, Mallory replies, “Only crappier.”
  • “Crud” is said once.

Supernatural

  • The children learn that there is a boggart living in the house. Boggarts are “malicious. Hateful. Hard to get rid of. In their brownie form, they were helpful and nice.” The boggart causes havoc for the family.
  • The children meet the boggart. When they see him, he is standing on a desk in “worn overalls and a wide brimmed hat, was a little man about the size of a pencil. His eyes were as black as beetles, his nose was large and red . . .”

Spiritual Content

  • None

 

The Stepsister’s Tale

Jane and her sister should live like nobles; they are after all ladies of a once-rich family. Despite their struggle to survive, Jane’s mother refuses to acknowledge the desperate state of the family. Jane and her sister are forced to take care of all the household chores, as well as care for the livestock and garden.

Jane doesn’t think life can get much worse until her mother suddenly appears with a new husband who has a spoiled daughter. Then the unthinkable happens, Jane’s step-father suddenly dies, leaving behind more debt and his demanding daughter. In order to provide enough food for her family, Jane must reach out to a mysterious group of wood people.

With a mother who doesn’t accept reality, two sisters to feed, and winter coming, Jane wonders if hunger will claim her family. When a surprise invitation to a royal ball is delivered, she begins a plan to get rid of her step-sister once and for all. However, this Cinderella story doesn’t end with the typical happy-ever-after.

The Stepsister’s Tale will pull readers into Cinderella’s time period. Although the tale has some similarities to Cinderella’s story, The Stepsister’s Tale is fresh and interesting. Told through the eyes of Jane, the reader can easily empathize with Jane’s struggle and her desire to provide for her family even if it means going against her mother’s idea of how a lady should act.

The ending of the tale is surprising but will leave the reader with a smile. The Stepsister’s Tale would be suitable for junior high readers as well as entertaining for more advanced readers. Because the story is a retelling of Cinderella and is also a unique, tame love story, the Stepsister’s Tale will appeal to a large range of readers.

Sexual Content

  • Jane shakes the hand of a boy, and she wishes the contact would continue. Then the boy “brought her hand to his lips . . . and kissed it gently. It was over so quickly that she thought she must have imagined it.” After he leaves Jane, “lingered in the hall, looking at the back of her hand, which his lips had touched. It didn’t look any different, although it tingled; and when she pressed her own lips to the spot, she tried to imagine what it would have been like if instead of that swift kiss, he had pulled her to him and bent his head to her face and—”
  • While at a fair, a boy kisses Jane. “His lips were on hers, and he was clasping her waist and gently pulling her closer to him . . . He turned his head and kissed her palm and then her forehead, and then each eyelid and then her mouth again.” The kiss ends when some girls see Jane and cruelly make fun of her.
  • When Jane is kissed she thinks, “it felt as though that kiss was something she had been waiting for, and the warm thrill of it made her forget, for a moment at least, the pain in her feet . . . ”

Violence

  • During this time period, poachers are taken by the king’s men. A boy tells how the king’s men try to trick people into poaching. “They slit the back of a deer’s hind leg so that it can do no more than hobble, and leave it near a path.” The king’s men then watch for someone to catch the dear and the poacher is taken away.
  • Isabella has to run away from the king’s men who are chasing her.

Drugs and Alcohol

  • The king throws a party where alcohol is served.

Language

  • None

Supernatural

  • There is a short conversation about fairy-people. A character tries to explain why the fairy people harm people. “If we do something they don’t like, they’ll do something to pay us back, or if they’re bored, they’ll play a trick just to be irritating. Any harm isn’t done on purpose.”
  • There is a brief mention of the fairy people exchanging a human child for a changeling.

Spiritual Content

  • None

We Are All Made Of Molecules

Stewart always wanted a sister. However, he never imagined that it would take his mother’s death, and his father moving in with his girlfriend before he got his wish. Plus Ashley isn’t anything close to being the sister of his dreams. She’s one year older than Stewart, and they have nothing in common.

Ashley is a typical mean girl whose only concern is staying at the top of the social ladder. So when her father announces that he is moving out because he is gay, Ashley fears that if any of her friends find out about her father’s gayness, it will ruin her social standing. Then when her mother’s boyfriend and son move in, Ashley’s anger ramps up even more. After all, Stewart is a total nerd.

We are all made of molecules is told from the points of view of Stewart and Ashley, who are both loveable in their own way. Stewart is a logical nerd who just wants to fit in. Ashley is a self-centered, angry teen who is trying to deal with the upheaval in her life. Having the story told by both Stewart and Ashley gives the book an interesting twist, because not only can the reader see each character’s thoughts and feelings, but the reader also sees how the two view each other.

Through Ashely’s experiences, the reader learns about the danger of drinking as well as the sexual dangers girls may face. In the end, Ashley realizes that outward appearances are not as important as she thought, and that nerdy Stewart may just know a thing or two about friendship.

We are all made of molecules is an easy-to-read, fun story that explores the messy relationships of parents. Ashley’s father reveals that he is gay, and his gay boyfriend appears. Ashley’s mother has her boyfriend and son move in. In the story, the group of five is shown becoming a unique family unit.

Sexual Content

  • A subplot of the story is about Ashley’s divorced father, Phil, who has revealed that he is gay. In one scene, Phil tells Stewart, “I didn’t decide to be gay. It’s not something you choose.” They then discuss why Phil married Ashley’s mother and didn’t tell people he was gay until two years ago. Phil says, “I didn’t want to be gay. I grew up in a very conservative and strict religious family . . . I made myself believe I was straight.”
  • Ashley sees her father kiss another man.
  • In the locker room, Stewart, “sat quietly on one of the benches and tried not to stare, but it was impossible not to notice that almost every single guy in my class was well into puberty. They had hair in all the right places, and their you-know-whats actually dangled. . . Mine does not dangle. Mine is more like a protruding belly button.”
  • Ashley watches an episode on TV about a guy that found out that, “he wasn’t the father of his girlfriend’s baby, and that the real father was the guy’s own brother.”
  • Jared says to Stewart, “You have the hots for your stepsister, don’t you? Gross, Stewie, that’s verging on incest.”
  • Ashley goes to Jared’s house and while there he pushed her onto the bed and tried to take her shirt off. “I grabbed his hands, but he kept yanking . . . I tried to move, but he pinned my arms down. When I looked at his face, it was as if he’d gone somewhere else. It was like I wasn’t even there . . .He was pulling at my shirt and my skirt at the same time.” Then the housekeeper comes in and Ashley leaves.
  • At a party, Ashley is passed out on her bed. After Jared and his friend make sure Ashely was completely out of it, Jared pulls up her shirt and takes a picture of her in her bra. Jared then pulls up her skirt and takes a picture of her underwear.” Then Stewart shows up and runs off with Jared’s phone and calls the police.
  • When some of the students at school find out that Ashely’s father is gay, one of the characters says, “I think it’s so cool that your dad is gay. It’s so . . . twenty-first century. Very cutting-edge. Ashley is then invited to the LGBT club. Ashley says, “But I’m not gay. Or lesbian, or bi, or transatlantic.”

Violence

  • Stewart tries to hide in the locker room because he doesn’t want to take a shower with the other boys. When Jared notices him, he “grabbed my gym shorts and yanked them down around my ankles . . .Then suddenly he grabbed hold of my boxers and I realized with sphincter-tightening horror that he was about to pull them down.” Then the teacher walks in and Jared leaves.
  • When Jared sees Stewart in the locker room, he again tries to pull his pants down. Stewart was prepared and wearing a wrestling uniform. Then Jared, “Yanked my T-shirt up and over my head. I couldn’t see a thing. I felt his hand grab one of the straps of my wrestling uniform and pull it down . . .” Before Jared can get the uniform off Stewart, Steward reveals that he is Ashley’s brother and Jared stops.
  • Stewart is wearing the school bulldog mascot costume and scares Ashley. “She started pummeling me . . . She started kicking me. I tried to shout, but my voice was muffled, and her screams drowned me out.”
  • Jared was kicked out of a private school. He said he, “dealt with someone who needed dealing with. Guy was a colossal turd, and everyone knew it.” Later in the story, it is revealed that in the locker room, Jared beat up the guy because he was gay. “Then I saw him looking at my junk after our final game, so I punched him . . . stupid faggot.”
  • Jared said that Ashley was a, “total tease. All she’s let me do is squeeze her tits a few times. Outside her clothes . . . I’ll break that bitch down.”
  • Stewart remembers a time when a little boy was throwing rocks at him. The little boy’s mom and Stewart’s mom got into an argument. “That’s when my mom picked up a stone and threw it at [the kid]. Not hard, but still; I couldn’t believe my eyes . . . Then she threw a second stone.”
  • Stewart is dressed up as the school mascot when Jared comes up to him and talks badly about Ashley. When Jared walks onto the basketball court, Steward, “was working on pure fury when I ran onto the court and plowed my dog-head into Jared’s stomach . . . I ran behind him and pulled his gym shorts, along with his underwear, down to his ankles.”

Drugs and Alcohol

  • Jared invites Ashely over to his house. Jared drinks a beer and Ashley has a wine spritzer.
  • Ashley has a party. Some of Jared’s friends show up. “They were carrying bottles of vodka and rum and stuff, probably stolen from their parents’ liquor cabinets.”

Language

  • One of the characters describes her family as FUBER. Then she explains the term is a military term that means, “’Effed Up Beyond All Recognition,’ but in the military, they don’t say ‘effed.’”
  • Ashley called a girl’s mother a “skank.”
  • When her mother’s boyfriend compliments the pasta, Ashley thinks, “which was a total butt-kiss because the pasta was just so-so.”
  • Ashley describes her mom’s boyfriend as having, “MPAL (Male Pattern Ass Loss, a tragic and devastating syndrome in aging men.”
  • When Ashley finds out Stewart is in the same English class as her, she thinks, “OH MY GOD . . . This cannot be happening.”
  • Ashley said she had a “crappy day.” She also tells her friend that a pair of jeans makes her “ass look fat.”
  • Profanity is not used frequently, but it is scattered throughout the book. The profanity includes: hell, ass, bitch, pissed, slut, faggot, shit.

Supernatural

  • None

Spiritual Content

  • Stewart thinks about his dead mother. “Even though the scientific part of my brain tells me she probably isn’t looking down on me from heaven, and that all that is left of her is random molecules, I feel a deep need to do this for her.”

The Statistical Probability of Love at First Sight

In a book that takes place in the time span of about a day, Hadley Sullivan misses her flight at the airport in a matter of minutes. Those minutes will change her life as she is forced to take the next flight, and meets Oliver, a tall and handsome boy from England. They instantly connect at the airport and on the plane, but after the flight, Hadley is left wondering if that is the end of their journey, or if fate will bring them together again.

Hadley is on her way to her father’s wedding, where he is marrying a woman she has never met, an English lady, who her father fell in love with while he was teaching at Oxford. Still upset by her parent’s divorce, and coming to terms with her father’s marriage, Hadley must battle with the mixed feelings she has for her father as she grabs the next flight to London.

Hadley is a very relatable character and her interactions with Oliver are sweet. The novel is overall fun and light, even though it touches on some heavy content with both Hadley and Oliver’s fathers. Hadley’s story is fun, fast, and touching. The Statistical Probability of Love at First Sight is a cute love story that navigates the emotions of a young teenage girl dealing with a broken home.

 Sexual Content

  • Hadley mentions that she is a part of an e-mail chain, where one of the things Charlotte and her bridesmaids talks about are, “lingerie preferences.”
  • Hadley and Oliver almost kiss, causing Hadley’s heart to skip around and the feeling of a “bolt of electricity” when their hands brush, but they get interrupted.
  • Hadley and Oliver kiss in the airport before they leave, and Hadley describes Oliver’s lips as, “soft and taste salty from the pretzel they shared.”
  • When she meets Oliver at the funeral home, they share an urgent and desperate kiss.
  • Oliver tells Hadley that his father has had multiple affairs.

 Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

by Rebecca Mondon

If I Stay

In an instant, everything changes for seventeen-year-old Mia. A horrific car accident kills her family and leaves Mia struggling for her life. As her injured body is taken to the hospital, Mia hovers between life and death. Mia sees herself and is able to walk through the hospital and listen to the living.

Mia roams the halls of the hospitals and listens in on family, friends, and others. As she contemplates her life, she struggles with the loss of her family.  In the end, she must decide if she will stay.  Can Mia face life with possibly crippling injuries? Is her love of friends and family enough to make her stay? Is her life worth living if her family is gone?

Readers will be captivated as Mia reflects on her relationship with her family, boyfriend, and friends.  Told from Mia’s point of view, teens will relate with her as she navigates the difficult decisions about college and boyfriends. If I stay is geared for older readers who are ready to read a book with mature themes and sexual material.

Sexual Content

  • Mia talks about her boyfriend. “. . . We hadn’t done much more than kiss. It wasn’t that I was a prude. I was a virgin, but I certainly wasn’t devoted to staying that way.”
  • Mia’s mom took her to Planned Parenthood to get birth control pills and told Mia to have her boyfriend get tested for various diseases. She gave Mia money to buy condoms.
  • Mia’s friend goes to a Jewish summer camp each year. Her friend calls it “Torah Whore, because all the kids do all summer is hook up.”
  • Mia’s mother talked about dating in high school. “There’s only so many times a girl wants to get drunk on Mickey’s Big Mouth, go cow-tipping, and make out in the back of a pickup truck.” Later on, the story talks about Mia and her boyfriend’s relationship. “It was nothing like the drunken roll in the back of some guy’s Chevy that passed for a relationship when I was in high school.”
  • A girl drops out of high school because she is pregnant.
  • At a New Year’s party, Mia’s boyfriend kisses her. “And I kissed him back so hard, like I was trying to merge our bodies through our lips.

Violence

  • Mia’s family is in a car accident. Her parent’s bodies are described in gory detail. Mia sees her father’s body. “. . . As I walk toward him, the pavement grows slick and there are gray chunks of what looks like cauliflower . . . Pieces of my father’s brain are on the asphalt.”  She also sees her own injured body. “One of my legs is askew, the skin and muscles peeled away so that I can see white streaks of bone.”
  • Mia and another girl fight. “She charged me like a bull, knocking the wind out of me. I punched her on the side of the head, fist closed, like men do.”  The two end up becoming friends.

Drugs and Alcohol

  • Mia’s father would get “wasted” to help him deal with stage fright. Her father said, “I don’t recommend that for you. . . Social services frowns on drunk ten-year-olds.”
  • Mia’s boyfriend can’t get into the hospital to see Mia. His friend suggests he “fake a drug overdose or something so you wind up in the ICU.” He replies, “this is Portland. You’re lucky if a drug overdose does get you into the ER.”
  • Mia and her boyfriend go to a New Year’s party where he gets drunk. Mia has one beer.

Language

  • Profanity is used often and includes asshole, bitch, crappy, damn, dicking, goddamnnit, piss, hell, motherfucking, fucking, and shitty.
  • A medic said that they need to get Mia to the hospital quickly even if they “have to speed like a fucking demon.”
  • Mia’s boyfriend tells her, “I love that you’re fragile and tough, quiet and kick-ass. Hell, you’re one of the punkiest girls I know. . . “
  • Someone asked Mia about playing cello with others. “I don’t mean to sound like an asshole, but isn’t that how you get good? It’s like tennis, if you play someone crappy, you end up missing shots or serving all sloppy. . .”
  • When Mia’s friends are in the hospital, they ask about another patient. Mia thinks, “I’ve never heard any of Adam’s friends talk so PG-13 before. It’s their sanitized hospital version of ‘holy fucking shit.’”
  • Mia’s mom said, “Love’s a bitch.”

Supernatural

  • Mia is in a coma and can see and hear living people. She must decide if she lives or dies. Her living is “not up to the doctors. It’s not up to the absentee angels. It’s not even up to God who, if He exists, is nowhere around right now. It’s up to me.”
  • Mia describes memories that she has from before she was born. Mia thinks of her grandmother and, “that maybe I was there as an angel before I choose to become Mom and Dad’s kid.”

Spiritual Content

  • Mia’s grandparents talk about guardian angels. Mia thinks, “maybe I’ll tell Gran that I never much bought into her theory that birds and such could be people’s guardian angels. And now I’m more sure than ever that there’s no such thing.”
  • Mia thinks back to a funeral that she went to with her parents. The person giving the eulogy, “concluded by reassuring us that Kerry was walking with Jesus now. I could see my mom getting red when he said that, and I started to get a little worried that she might say something. We went to church sometimes, so it’s not like Mom had anything against religion, but Kerry did. . .”

 

Can’t Look Away

Clothes. Make-up. Her Vlog. Popularity. Torrey cares about them all.  While at the mall trying to film her newest Vlog, Torrey and her sister, Miranda, fight. Miranda leaves and is killed by a car.  When her sister dies, Torrey’s life falls apart.

Because of Torrey’s popular Vlog, many bash her online. When Torrey goes to a new school, she wonders who wants to be her friend just because of her online presence. Things get even more complicated when the popular girls invite Torrey to be a part of their group. When Torrey begins to fall for Luis, who the popular girls hate, Torrey begins to wonder if being part of the “in crowd” is worth it.

Mixed into the conflict of trying to fit into a new school, Torrey is also trying to figure out how to deal with the death of her sister, Miranda. When Luis introduces her to the tradition of the Day of the Dead, Torrey wonders if there is a way to remember Miranda without the pain.

Even as Torrey’s family is dealing with the death of Miranda, Torrey’s focus is on herself. She feels guilty about how she treated Miranda, but Torrey also feels frustration that her mother is focused on grief instead of her. She also wants to prove to the online world that she isn’t as bad as some people think.

When Torrey begins attending a new school, she focuses on how to become one of the popular girls, and how to hide her growing feelings for Luis. At the beginning of the story, Torrey’s main concern is her image. Everything revolves around her.

As Luis introduces Torrey to his world, one where death is just a part of life (his father runs the local mortuary), Torrey begins to face her own feelings about death.

Luis is a welcome addition to the novel. Besides being a sweet love interest, he is a likable character who takes the reader into the world of the funeral business, which gives the story an interesting angle.

Can’t Look Away deals with the tough topic of death in a way teens can relate to. Although it deals with many teen issues—friendships, popularity, and family problems—the book doesn’t come across as preachy. Instead, the first-person narration allows the reader to see the difficult emotions that Torrey faces when she loses her sister. And in the end, Torrey realizes that true friend are more important than popularity.

Sexual Content

  • Torrey kisses Luis several times, but it is not described in detail. “When Luis pulls slowly away, I can still feel the touch of his lips on mine.”
  • At a party, Luis kisses Torrey. “He runs his fingers lightly through my hair. Then he kisses me. And I melt into mush.”
  • Torrey thinks about what it could feel like if Luis touched her.

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • There is a brief conversation about what happens to people after they die. One person says they believe in God and that “if some kind of afterlife exists, then dying wouldn’t be bad after all.”
  • When talking about death, one person says they think people can “stay around” after they die. “I think there could be reasons sometimes for them to stay . . . It’s a very small space between the living and the dead. Why wouldn’t there be some overlap?”
  • Part of the story revolves around the Day of the Dead. Torrey goes to her sister’s grave on the Day of the Dead in order to put her sister’s favorite things on her grave. “Whatever made the dead happy in life, they are to have it again.”

How to Say I Love You Out Loud

Jordyn has a secret to keep. When she moves to an elite new school, Jordyn knows that her secret cannot get out. When charming Alex Colby kisses her, Jordyn demands that they remain “just friends.”  When her best friend tries to get Jordyn to open up, Jordyn pushes her away.

Suddenly, Jordyn’s life takes a turn for the worse when her autistic brother is forced to attend the same school as Jordyn. Can Jordyn keep everyone from knowing that the crazy new kid is her brother? And if her friends find out the truth about her brother, will they alienate her?

Jordyn must decide if she should show others her true self and risk revealing the truth about her complicated family life. If she decides to let others in, will she lose Alex and her best friend?

Jordyn’s fear of rejection is something that every teen can understand. Jordyn struggles with the conflicting emotions of loving her brother but being embarrassed by his behavior. Even though Jordyn’s family life is messy, how to say I love you out loud portrays a loving, two-parent home that sticks together and does the best they can; this is rare in teen literature today.

Another positive aspect of the book is that although it deals with teen issues, there is nothing that is too shocking. Even though the teens in the book cuss often, it is nothing that a typical teen isn’t exposed to in a high school hallway. How to say I love you out loud is an enjoyable romance that shows the importance of showing people your true self and realizing that no one’s life is perfect.

Sexual Content

  • There are several references to people hooking up. The term is used, but not explained.
  • Alex’s girlfriend gives him a “quick, flirty kiss.”
  • In the school hallway, “Leighton’s back is against the wall and Alex has one arm above her head, keeping her in place, his body pressed against hers . . . their mouths mashed together.”
  • During a swim party, Jordyn and Alex go into a supply closet looking for bug repellent and end up kissing. The kissing scene lasts for about a page. “. . . We had no trouble finding each other. His hands fell to my hips like they belonged there. I felt myself being pressed against the rickety wooden shelves, the firm, warm heat of his bare chest against my damp skin.” After the kiss, Alex apologizes, “Didn’t mean to be a dick.”
  • Jordyn thinks about Alex. “I want to hold his hand. I want to touch his face. I want to memorize his expressions when he’s sleeping, all over again. I want to feel the pressure of his lips against mine. I just want him.”
  • Jordyn and Alex hide in a coat closet and kiss. “Alex raises his head, finding the other side of my neck with his lips. He plants the smallest of kisses there and I hear my breath vibrating in the air between us . . . my hands running over the planes of his strong back as I claim his body with no fear of the consequences. We fumble in our attempts to get close enough, determined to close the distance that never should have existed in the first place.”

 

Violence 

  • Jordyn’s autistic brother gets upset and takes off running, taking off his clothes as he runs. It takes three staff members to control him.

Drugs and Alcohol 

  • When Jordyn goes to a staff party, her friend asks, “Did Petersen show up really drunk again? Hit on any of the lifeguards who aren’t even legal yet.”
  • Jordyn and some kids from school go to a party where they drink alcohol and some of the kids smoke pot. Jordyn drinks, “hot chocolate that has been spiked with a liberal dose of peppermint schnapps.”

Language 

  • Profanity is scattered throughout the story on a regular basis. The profanity includes crap, pissed, hell, and bullshit.
  • Most of it appears in the teens’ conversations. For example, “. . . it would have been really nice to actually feel like I have my shit together before walking in there.”
  • Jordyn thinks that she, “sure as hell is not trying to steal anyone’s spotlight.” Later she describes her day as “long-assed.”
  • Jordyn’s in Advanced Placement U.S. History and, “the essay tests are rumored to be a bitch.”
  • A teen boy describes Jordyn’s brother’s behavior and said, “Dude, it was fucking nuts.”
  • When Jordyn and her mom get into an argument, Jordyn thinks, “I can feel the acid in the pit of my stomach . . . when I’m being a bitch.”
  • Alex asks Jordyn, “Jesus Christ, Jordyn, can we please have an honest conversation for once? My God, don’t act like you don’t know.”
  • A girl calls Jordyn a “slut.”

Supernatural 

  • None

Spiritual Content 

  • None

 

Haunted

Phoebe isn’t sure what is going on. She keeps jumping; one minute her life is perfectly normal, and the next she is in a different location with different people. Phoebe jumps from time and place, which frightens and confuses her (and the reader). Phoebe wonders if she has a mental disorder or if she is truly jumping back in time. It is not until later that Phoebe realizes that she is in fact dead.

To add to the confusion of the story, Phoebe is trying to discover the secrets behind her parents’ move to the family mansion in England. As Phoebe learns about her ancestor, Madame Arnaud, she discovers that her sister is in grave danger. Madame Arnaud has a devious plan. With the help of Miles and Eleanor, Phoebe tries to find a way to defeat Madame Arnaud and save children from dying.

Miles’s character adds a little bit of romance and mystery, which teens will enjoy. Even though Phoebe and Miles like each other romantically, the story focuses on how they defeat Madame Arnaud.

Although Haunted has an interesting and frightening backstory with Madame Arnaud, the beginning of the story is confusing and difficult to follow. Because of Phoebe’s confusion, she comes across as an unreliable narrator, which makes it harder to sympathize with her. Haunted might be a difficult book for struggling readers.

Sexual Content

  • Phoebe meets Miles and they kiss. “His tongue was warm, but his lips were cold from the pool, a combination that made me crazy with arousal. My nipples hardened against his bare chest, with my swimsuit a scant barrier between us.”
  • Phoebe fantasizes about Miles. “Soon I’d be kissing him for all I was worth, burrowing my fingers into that beautiful, black hair. I’d take my time and lick a slow trail down his neck into the follow near his clavicle.”

Violence

  • While in a trance, Madame Arnaud enters Phoebe’s body and writes about a maid trying to kill her. The murder is not described.
  • Madame Arnaud wanted to live forever and she thought drinking a child’s blood would allow her to live longer. “If she drank the blood of a baby, she got to drink its future, all the decades it was expected to live.”
  • In order to steal the life of children, Madame Arnaud would, “gently lift the child’s arm, or whatever limb had been cut, to her lips and suck away the blood. . . And not just for a few seconds, once the child got used to it. No, she’d take a full suckle like a baby at its mother’s breast. She drank her fill.”
  • Phoebe thinks about kidnapping a child for Madame Arnaud. Phoebe thinks if she does this, Madame Arnaud will leave her sister alone.
  • Phoebe leads Madame Arnaud to a lake where she has set a trap for her. Phoebe watches Madame Arnaud drown.

Drugs and Alcohol

  • Madame Arnaud tells Phoebe that when she lived in France, “we drank champagne like it was water.”

Language

  • When Phoebe’s mother sees a puncture wound on Tabby, she says, “My god! How’d you do that? A nail on this goddamn crib?”
  • Phoebe’s teacher thinks she is depressed and gives her the number of a suicide hotline. She thinks, “He actually thought I could do it. He was giving me a goddamn suicide hotline number.”
  • Phoebe cusses occasionally throughout the book. She says crap, goddammit, and damn.
  • A boy tells Phoebe, “I try my best not to be an asshole.”

Supernatural

  • Phoebe sees a vision of a woman whose “Decayed skin revealed the muscles underneath. Her right index finger had decomposed so much that just one long bone stuck out at the end.”
  • Phoebe mysteriously jumps back in time and she’s not sure if she time-traveled or if it was just a weird memory.
  • Phoebe talks about an Ouija board and automatic writing. “Basically, you sit with pen and paper and invoke a spirit . . . you invite them to use your body, and while you’re in a trance, they write their message as fast as they can.” Later in the story, Madame Arnaud enters Phoebe’s body and writes her story.
  • The mansion where Phoebe’s family lives is full of ghosts, including the ghost of the babies who Madame Arnaud killed.
  • A character tells Phoebe about a woman named Elizabeth Bathory who “Bathed in the blood of virgin peasants to keep her skin fresh and youthful. She also, if the victim was beautiful, drank the blood.”
  • In the end, the ghosts are “released” and go on to the afterlife.

Spiritual Content

The story contains a pagan yew tree that has a Rune on it. The tree aids in killing Madame Arnaud. Phoebe believes that “the house is malevolent. But something brought us together, something kept sending you to your car and me to the pool. It wanted us to figure things out and fix things.”

Bet Your Life

Jess Tennant wants to stay out of trouble, but when Seb is found on the side of the road with serious injuries, she is pulled into the drama. At the request of Seb’s younger sister, Jess tries to find out what really happened to Seb, but the more Jess discovers, the more complicated Seb’s story becomes.

In Bet Your Life Jess enters the party world of the popular rich kids. However, she soon learns that the party scene isn’t glamourous, but dangerous. As Jess learns about Seb, she finds that most people think he had it coming and nobody wants the truth to come out.

Bet Your Life explores the topic of rape. Although the rapes are not described in detail, bits and pieces of the victims’ experiences are uncovered. One of the girls talks about how the police would not believe her story because she could not remember exactly what happened. Even though Jess knows that Seb was drugging girls, she decides not to tell anyone with the hope that being beat up and left for dead will cause him to change his ways.

Unlike the first book in the series, How to Fall, the second installment of the Jess tenant series contains more sexual content and the kissing scenes are described in more detail. The sexual content may be disturbing for some teens.

Sexual Content

  • Ryan unexpectedly kisses Jessie on the mouth. “My lips were parted and it was startlingly intimate, even if it was quick.”
  • Jess watches Will and thinks, “I wanted to run my hand across his broad shoulders and down his back. I wanted him to turn around and press his body against mine. I wanted to remind myself what it was like to kiss him. . .”
  • Will and Jess kiss several times.  In one scene, Will sneaks into Jess’s house and surprises her. “I slipped my arms around his neck and he stepped between my knees, closing the distance between us . . . and then we were kissing and it made the room spin as if we were on a carousel. . . he dropped kisses down my neck. He trailed his fingers along my spine and I felt it in the pit of my stomach . . . He pulled the material off my right shoulder and leaned in to kiss my collarbone.”
  • Jess discovers that a boy was drugging girls and then having sex with them.  In one scene, a girl wakes up and is unable to move. The boy strokes her face and then she passes out.  Jess finds the boy’s cell phone which has pictures of some of the victims. “The lighting in the picture was terrible, but I could see a girl lying on her back on a rumpled bed, one arm over her face. She was topless. I was also fairly sure she was unconscious.”
  • While looking at a boy’s cell phone, Jess discovers pictures of him and his step-mom. “. . . in the picture he’d taken of the two of them kissing. And he was pretty obviously naked too, so it didn’t take a genius to work out what was going on.”
  • A girl went to the police to report that she had been raped, but the officer said, “no jury would ever take me seriously, especially when I don’t’ know where it happened or even what happened.”
  • A boy tells Jess that he was drugging girls so he could have sex with them. When she said it was rape, he replied, “There were no consequences for her. She didn’t even know it had happened, and neither did anyone else. I wore a condom. I was respectful. I didn’t take pictures or video. I didn’t make fun of them.”

Violence

  • At a party, Ryan and Will fight, presumably over Jess. The fight takes place over several pages and neither is hurt badly. When Ryan is hit in the mouth and begins to bleed, the fight ends.
  • Someone drugs Jess, locks her in a pool house, and then sets it on fire. She is able to escape without being seriously injured. However, the person who set the fire ends up dying.

Drugs and Alcohol

  • Jess goes to a party where alcohol is served.

Language

  • When talking about a boy who was beat up, someone said, “There’s no justice in half killing someone because they’re a dick.”
  • Profanity is used rarely. Profanity used includes damn and ass.

Supernatural

  • None

Spiritual Content

  • None

Hide and Seek

Unapologetically curious—that’s Jess Tennant. So when her classmate, Gilly Poynter disappears, Jess decides she must investigate. With only Gilly’s diary as a clue, Jess finds out that Gilly’s home life wasn’t happy, and her social life was a mess. As Jess tries to find out what happened to Gilly, she discovers that the police and her boyfriend want her to keep clear of the case. But Jess is convinced that she can help find Gilly and unlock the secrets that want to remain hidden.

Although most of Hide and Seek revolves around the mystery of Gilly’s disappearance, it also delves into the complicated relationships between people. Jess’s boyfriend is back in town for Christmas break, but instead of spending time together, they are arguing. To add conflict to the story, Jess’s dad is in town trying to win over his ex-wife, which Jess is hoping doesn’t happen.

Jess Tennant is a charismatic character who has the reader running with her from the start. Hide and Seek contains mystery, suspense, and complicated relationships that keep the reader guessing. The characters in the book are complicated and real.

For teens who like mysteries, Hide and Seek tells a good story without adding graphic images of sex and violence. Instead, the author creates interesting characters that drive the action and keep the reader interesting.

Sexual Content

  • One of the characters is seen kissing his girlfriend. “She grabbed hold of him and kissed him back, pressing her body into his. One of his hands slid down her back, his fingers spreading, digging into her flesh.”
  • Jess’s boyfriend’s father lectures her on, “taking the appropriate precautions.” Jess is upset by the talk because, “it wasn’t even relevant, currently. We hadn’t. We hadn’t even talked about it.”
  • Jess kisses her boyfriend several times throughout the book. In one scene, “his mouth tasted of cinnamon and his hand was warm on my neck. His thumb stroked the skin just under my ear and I shut my eyes, lost in him.” Another time, Jess “found myself pinned against the wall. He kissed me, hard, and my heart took off, fluttering in my chest like a hummingbird.”
  • In her diary, Gilly described having sex with someone in the disabled toilet near the staff room. “We ended up on the floor . . . And it felt amazing. . . But the main thing is that it felt RIGHT.” Later it is revealed that the person Gilly had sex with was her history teacher.
  • When Jess was trying to figure out who Gill had sex with, another character goes through a list of possible people. Jess “thought of quite a large group she’d left out. The girls.”
  • Nessa talks about how her parents think she is a lesbian, but she hasn’t made up her mind yet. Later someone defends Nessa asking, “Why do you care if Nessa likes girls anyway? Why does it threaten you?”
  • The teacher kisses Gilly twice. He “turned his head and kissed her, his tongue probing her mouth.”

Violence

  • At a party, a group of girls confronts Gilly. One girl grabbed onto Gilly’s wrist. Then Gilly grips her glass so hard that it breaks. “Liquid started to seep between her fingers—wine mixed with oozing red blood that trickled down the backs of her hands and slid along her forearm, branching out as if her veins were suddenly, shockingly, on the outside of her body.”
  • Jess sees blood in Gilly’s trash can and assumes it was cutting. “I knew plenty of girls who did it, slashing their skin to ribbons in neat lines down arms or thighs, because physical pain was better than the emotional kind.”
  • A girl attacks another character. “Nessa grabbed him by the throat . . . Max was choking, his face red, and Nessa let go . . . I couldn’t tell if it was planned or not, but her knee collided with his nose. He jerked his head back, and a spray of blood splattered the fake snow . . .”
  • Two of the boys fight and the description lasts for several pages. “It wasn’t a pretty fight. It was punching and shoving and gouging eyes. It was a kick to the thigh that wrung a string of curses from Will.” Will’s father shows up and breaks up the fight.
  • Gilly and the teacher tie Jess to a latter and then lock her in a house that is about to be crushed by incoming waves.

Drugs and Alcohol

  • Jess goes to a party where alcohol is served.
  • Jess goes to talk to Gilly’s mother who was acting strange. “I didn’t know if she’d been drinking or if she’d taken something, but there was no way she was sober.” Later Jess discovers that Gilly’s mother had been drugged.
  • Jess used to live in North London, “where you could buy pretty much any drug you wanted just outside the train station.”
  • One of the character’s wife is ill. He tells Jess that she, “just stays in her room, popping pills and waiting for the end.”
  • Gilly wrote in her diary that she wished she were like everyone else, “getting drunk, having fun.”

Language

  • Hell is used several times. For example, when Jess thinks someone is spying on her, she asks, “What the hell are you doing?”
  • When Will’s father breaks up a fight, he asks, “Do you want to tell me why you and this idiot are hitting seven kinds of crap out of each other?”
  • When Jess is asking too many questions, she is told to “piss off.”
  • One of the characters calls someone a “twisted little dyke” and later someone refers to another character as a “dick.”
  • In her diary, Gilly uses, “Oh my God, OMFG, and F*****G.”

Supernatural

  • None

Spiritual Content

  • None

 

How to Fall

Fraya is gone, but Jess is determined to discover how Fraya ended up dead at the bottom of a cliff. However, everyone just wants Jess to stop asking questions. After all, Fraya is dead and nothing will bring her back. Despite the obstacles, Jess is determined to follow the leads and find out if Fraya’s death was a suicide, like some believed, or if there was something more sinister at play.

How to Fall is an action-packed story that will have the reader on the edge of their seat to find out what will happen next. As Jess tries to unravel the secrets to Fraya’s death, she meets Ryan and Will. Both boys hate each other, and both want Jess as their own. This budding love triangle is expertly weaved into the story without taking over the mystery of Fraya.

Teens will relate to Jess because she is a likable character who isn’t afraid of the popular mean girls or being an outcast. Jess’s confidence in herself is refreshing in a character. Even though Jess is sure of herself, she doesn’t come across as smug. The romance and language are teen-appropriate and, although there is profanity, it is used sporadically. How to Fall is an enjoyable book that shows how bullying can quickly spiral out of control.

Sexual Content

  • Jess is going out with a boy, so she can find out what he knows about her cousin’s death.  Her friend tells her to wear “Skanky jeans” so the boy talks to her.
  • Someone started gossiping about Jess’s cousin Freya and telling people she was a “slut.”
  • At the end of the story, a boy kisses Jess. “I had spent days imagining what it would be like to kiss him, but I hadn’t even come close. He kissed me like it was the start of something, or the end, and I couldn’t work out which it was, but I didn’t want to ask.”
  • Someone tells Jess that a boy likes “dirty girls.”
  • Jess goes to a party with a boy and he kisses her. “He pressed his body against mine, and with the kiosk behind me I had nowhere to go, but I didn’t have enough air to complain.”
  • A policeman gives Jess a ride home. Before she can get out of the car, he grabs her arm.  “Slowly, deliberately, he stroked my wrist with his thumb, trialing it across the veins where the blood ran close to the surface. . .” He then wipes off her smeared lipstick. “Before I could stop him he drew his thumb along my lower lip, staring into my eyes the whole time.”

Violence

  • Natasha is upset that Jess has been spending time with Natasha’s ex-boyfriend. They argue and Natasha grabs Jess. “Before I could move, Natasha shot out a hand and grabbed a handful of my hair.” Natasha then tries to throw her over a cliff, but is stopped.
  • A character retells a story about when he and a friend were being bullied. Eventually, his friend was attacked and broke an arm.
  • A group of girls was bullying Freya. One day at school, “a whole group of girls cornered Freya and held her down so Natasha could cut off her ponytail.”
  • The story begins with Fraya running and falling off a cliff. As the story unfolds, the reader discovers that Fraya had been bullied, which eventually lead to her death.
  • Someone tries to kill Jess by throwing her off a cliff.

Drugs and Alcohol

  • A character retells a story about a boy that was “smoking dope.”

Language

  • Jess and another girl were arguing. The other girl tells Jess, “Don’t think you can do better than me at being a bitch.” Several times throughout the book someone is called a bitch.
  • Jess’s friend surprises her. Jess says, “God, Will, you scared the crap out of me.”
  • Someone tells Jess, “Don’t tell anyone, but I am shit-scared of heights.”

Supernatural

  • None

Spiritual Content

  • None

No Parking At The End Times

Brother John claims that Jesus Christ is going to bring judgment at the end the world, which is near. Abigail’s parents believed him, so they sold everything they owned, loaded up a van, and moved 3,000 miles away to San Francisco. Now Abigail and her twin brother Alex are living out of a van. They eat in soup kitchens. They clean up in public bathrooms.

Abigail tries to look at the positive side of life. But when her brother begins sneaking out of the van at night, Abigail has to know where he goes. Soon Abigail is trying to keep her family together—but her father and mother are hyper-focused on the church, her brother is consumed with anger, and Abigail isn’t sure what is right anymore.

When the day Brother John said the world will end comes without disaster, Abigail realizes that her parents’ commitment to Brother John and his church may bring an end to her family.

No Parking At The End Times shows one family’s struggle to follow the right path. Unfortunately, their decision to follow a religious leader has led to hardship. As Abigail’s parents follow Brother John and wait for the end of the world, they stop caring for their children’s needs and lose the need to plan for their children’s futures. Although it is clear that the parents love their children, they are so focused on Brother John that they lose sight of what is really important.

Brother John is a main focal point of the story, and he uses the words of the Bible to con people into giving everything to his church. Abigail begins to struggle with her beliefs about God and in the end, it is unclear if Abigail’s faith has been destroyed by her experience.

Although No Parking At The End Times has little violence, the book is best suited for older readers because of its mature content. There is a scene where Abigail is in danger of being raped. Although it is not directly stated, it is implied that Aaron’s girlfriend is raped not only by a drug dealer but also by her mother’s boyfriend.

This story is interesting and enjoyable. However, the book revolves around a man who uses God’s word to manipulate people. Younger readers may have a difficult time understanding that Brother John is a false prophet who uses God’s word for his own gain.

Sexual Content

  • Aaron has a girlfriend who kisses him in front of Abigail, which embarrasses him.
  • At the park, a man yells at a bunch of homeless kids, “It is possible for me to rent bikes and not have you sit up here all day jerking off?”
  • A drug dealer, Skeetch, corners Abigail. “He pushes me against the sculpture hard, bruising my back and holding my hands above my head . . . He pushes me hard against the cement sculpture and laughs . . . He smiles, letting go of my hands long enough for me to reach out and claw him. His skin rips under my nails. I feel the blood. In pure instinct, I put my knee between his legs as hard as I can, again and again unit he falls on the ground.”
  • Aaron’s girlfriend talks about how she ran away from home when she was fourteen because her mom’s boyfriends, “liked me more than her. And she either didn’t care or didn’t want to believe it.”

Violence

  • It is implied that Skeetch raped Jess, Aaron’s girlfriend. Skeetch also beat her up. “Her face is swollen and splashed with cuts. A red line splits her bottom lip, darker than her hair.” Abigail wonders if Skeetch went after Jess because of her and Jess said, “Fuck that. It’s his fault. You didn’t do shit.”
  • When someone makes fun of their parents, Aaron hits him on the nose. “Mike fell back in his chair, blood streaming down his face, onto his shirt. Shane, one of Aaron’s other friends, grabbed him before he could punch Mike again.”
  • Skeetch beats Aaron so bad that Aaron ends up in the hospital. The fight is not described, but the wounds are. “His face is broken. There are cuts and bruises and his nose is bent sideways. One eye focuses on me while the other, blood red and beginning to swell, stares vacantly over my shoulder. He tries to sit up, but a painful gurgling sound brings him back to the grass.”

Drugs and Alcohol

  • At the park where Abigail and Aaron go, there are drug dealers. One dealer, Skeetch, gives a group of street kids a “small baggie.”
  • Abigail remembers a story about when her brother was at a party and had a beer, which upset her. “Aaron tried to hide his cup, his face. But I made it a point to stare at both.”

Language

  • The teens in the story use profanity often including damn, hell, shit, and holy crap.
  • “Jesus Christ” is used as profanity.
  • Abigail and Aaron get into an argument and Aaron yells, “Jesus, why do you defend them?  They fucked up. Big-time.”
  • When two teens begin to argue, someone said, “Let’s not ruin a good night trying to figure out which one of you is the bigger asshole.”
  • Aaron calls Brother John, “the Body of Christ’s Asshole.”
  • Skeetch calls Abagail a, “fucking bitch.”

Supernatural

  • None

Spiritual Content

  • Abigail’s parents often remind her and her brother about God’s word saying such things as, “God provides everything we need.”
  • Abigail wonders why her brother can’t believe in God. She thinks, “Because maybe if we both pretend for a few minutes, God will see we’re trying and do something.”
  • During the church services, people jump from their seats, drop to the floor, and worship God.  During one conversation, Brother John said, “It’s the Lord’s world. He does with it as He pleases.”
  • When Brother John admits he got the date for the end of the world wrong, he reminds people that God is good. Abigail thinks, “God is God and you do not question that goodness. Everything happens for a reason. We’re supposed to sit down here waiting until God gets ready.”
  • Abigail wonders if God is real. “Habit tells me to send a prayer, something quick and silent, shooting into the sky—but I’m not sure that will help anymore.”
  • Abigail compares her father to God. “Dad isn’t listening to what I’m saying anymore, just like God. They’re both preprogrammed to a default setting, running forward blindly.”
  • Brother John tries to convince Abigail’s parents that they need to focus on God only.  When Abigail and Aaron become a distraction, Brother John said, “God asked us to cut away the withered branches in our lives. That’s what I know.” When Abigail’s father leaves to go help his son, Brother John said, “go ahead and leave, but God isn’t going to let you come back in.”

Glow

Julie’s future plans of going to New York for college have died. Julie is frustrated with her mother’s financial problems, a dead-end job, and a best friend who is moving on without her. When she discovers a series of antique paintings in a thrift store with hidden glowing images, her curiosity is piqued. As Julie looks for clues to the artist’s identity, she finds more paintings with increasingly nightmarish scenes hidden in the daylight.

Lydia’s story comes to life as she writes to her beloved who is on the front lines of the Great War. One hundred years before Julie’s time, Lydia is excited to join the girls in the factory painting luminous watch dials for soldiers. She is hoping that her factory job will help her struggling family, but when girls from the factory become seriously ill, Lydia wonders if there is danger lurking in the factory’s new scientific paint.

As Julie’s obsession with the paintings mounts, she discovers the truth about the Radium Girls. As she learns about the paintings, she also learns that relationships are more complicated than she thought. In the end, Julie realizes that when life’s obstacles destroy your plan, there can be a new path to finding your goal.

Megan E. Bryant tells a beautiful story of love, friendship, and broken dreams. Julie’s story is told in the first-person point of view, which allows her range of emotions to be highlighted. As Julie grieves the loss of her college dream, she also struggles with feelings of resentment towards her mother and envy over her best friend’s future. Teens will be able to relate to Julie’s frustration because life doesn’t always go as planned. However, in the end, Julie learns valuable lessons about the secrets that people keep.

Lydia’s story is told in letter format. Every other chapter of Glow focuses on Lydia’s life and concerns. The reader will learn about how life was for a young woman who lived during World War I. Lydia’s only wish is to have her soldier come home safely so they can be reunited. The unexpected ending of Lydia’s story is heartbreaking and will leave the reader in tears.

Glow captures the reader’s attention from the very beginning. The mystery of the paintings, as well as the captivating characters, make Glow a difficult book to put down. Although Glow is written for readers as young as 12, younger readers may be disturbed by the gruesome descriptions that are found hidden in the paintings. The story describes the horrific effects of radiation poisoning both in the paintings and in Lydia’s older sister’s slow death. Although there is very little sexual content, the story does show the shame of being diagnosed with syphilis during the early 1900s.

Sexual Content

  • Julie makes a wisecrack and then wonders if it made her sound “slutty.”
  • Lydia’s boss takes “liberties” with the girls.  “A leering smile here, a sneering remark there, even a pinch from time to time . . . I do not smile when he is near, lest he think I encourage such behaviors.” Later in the story, Lydia discovers her sister and her boss, “locked in a tender embrace. His thick and calloused hand, pressed to her chest. . . “
  • A doctor diagnoses Lydia’s sister with Syphilis. Lydia “has never heard it spoken out loud before, just in whisper-hisses hidden behind hands when an uncharitable rumor spreads from girl to girl.” According to the doctor, Lydia’s boss said he had an affair with her sister. The doctor said, “We also understand that your sister is known for dangling her favors before a great many men. . .”
  • When Julie is upset, her friend Luke tries to comfort her. “I just leaned up and kissed him. His lips were as soft as I imagined they would be. . . his kisses were so good, just what I wanted, just what I needed, my fingers ran through his hair, and it was so soft, so silky. I couldn’t help pulling his face closer to mine, and I think he liked it. . . I tugged at his jeans, fumbled for the button, for the zipper. Luke was poised above me. I was ready. He was ready . . . He pulled away.”
  • Julie thinks back to her time with Luke. “When I thought about how ready I’d been to sleep with him, in the mud, on the worst night of my life, I wanted to pull my hair over my face and hide. I wanted to die of shame.”

Violence

  • None

Drugs and Alcohol

  • When Lydia’s sister breaks her leg, she is given morphine for the pain. After an operation, Lydia’s sister is again given morphine for the pain.
  • Julie remembers a time when she and her friend “got wasted.”

Language

  • Profanity is used rarely throughout the book. Profanity includes crap, holy crap, damn, goddamn
  • Julie uses Oh my God, God and Jesus as an exclamation often.
  • Julie tells her friend, “I have been to hell, and it is Triple-B on a Sunday in August. God, can you imagine?”
  • When Julie touches a painting, her friend yells, “Come on, Julie, you know this. Don’t touch the goddamn painting.”

Supernatural

  • None

Spiritual Content

  • In a letter, Lydia writes, “I send my greatest hopes that the Almighty will protect you.”
  • When Lydia’s sister has surgery, Lydia thinks that “God willing the procedure will . . . offer a cure.”

A Nearer Moon

Luna’s world revolves around her little sister, Willow. Willow is happiness and sunshine, and she brings the family together. When Willow becomes sick with the mysterious river sickness, everyone tells Luna there is no way to save her sister. They say she will be dead in three weeks. Luna refuses to sit by her sister’s side and watch her die. Luna and her friend Benny embark on a series of adventures to find a cure for Willow.

Interwoven into Luna’s story is the story of Perdita, a spunky river sprite. The fairies moved to a new world, far from humans. But in a devastating twist of fate, Perdita was left behind when the fairies went through the magical door to a new home. All alone, Perdita flees to the bottom of a swamp and hates anything that shows joy.

Luna offers herself to Perdita in exchange for Willow’s life. Luna hopes the sprite can save Willow but has Perdita’s grief made her blind to others’ needs? Can Perdita find hope again?

A Nearer Moon is a beautifully written story about the love of sisters. The parallel stories about Luna and Perdita add interest. Luna is a plucky character who younger readers will love. The story has beautiful, vivid descriptions of Luna’s world. The only downside to this story are the long descriptions that slow the action.

Sexual Content

  • None

 

Violence

  • While riding in a boat, Willow’s laughter disturbs Perdita, who goes up and tips the boat. When Willow is dunked into the water, she “sputtered and coughed the filthy swamp water off her tongue . . . Willow leaned over the side of the boat, her stomach heaving as she retched, her eyes teary and her nose running . . . The creature slid, unseen, back to its cave, the silence, smothering its aching heart like a damp blanket over hot coals.” Both Willow and Luna know the water will give Willow the river sickness.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The sprites used magic to build a door to take them to another world because humans poisoned the sprites’ world. “Only a hazy wrinkle of air betrayed that any magic had been done in that place or that anyone had passed through at that spot, passed through from one world into another.”
  • A girl’s grandmother “told us a story about a wood sprite that lived in her rafters when she was little. They never once saw it, but if they so much as dusted the beam where its bundle-of-sticks house was, the milk would turn sour and vegetables would rot overnight.”
  • Gia, a sprite, makes two lockets, one for herself and one for her sister. “These, when opened, would be like doors of their own. Private doors through which to call a lost thing home.” If both lockets were open, Gia could speak a word and her sister would be magically transported to wherever she was.
  • When Willow becomes sick, Luna tries to discover how to cure her. Some people “call it a sickness. Call it a curse . . . Maybe it was all the same thing, only different words used by different people struggling to understand the sort of thing no one can comprehend.”
  • Luna finds a book that has fairy recipes in it. Luna makes “a dram of flower essence for use in the purification of soured water.” When she uses the potion, she whispers a phrase. “She didn’t know if this was magic. It was pleading. It was hoping. It was speaking the deepest wish of her soul and asking the air to hear her.”

Spiritual Content

  • When Willow becomes sick, her mother “sank to her knees beside her own bed, clicking her prayer beads around and around again.” Willow’s mother goes to the chapel often to “click” her prayer beads.

Took

When Daniel and his sister move to rural West Virginia, Daniel doesn’t think things can get any worse.  The students at his new school torment him. The teachers are indifferent. He has no friends. His parents are unhappy. And to make matters worse, his sister spends all of her time talking to her doll.

When Daniel hears stories of Old Auntie, who kidnaps a girl every 50 years, he thinks it’s just an old tale used to frighten children. But then he feels someone watching him. He sees strange shadows. And when his sister suddenly disappears, Daniel is convinced Old Auntie isn’t just a story.

As Daniel’s parents lose themselves in grief, Daniel decides he must face his fears and bring his sister home. With the help of his neighbor and one of Old Auntie’s descendants, Daniel fights for his sister’s freedom.

Right from the start, Took: A Ghost Story will capture the reader’s attention. Young readers will be able to relate to Daniel, who feels as if all of life’s decisions are out of his control. Although Daniel clearly cares for his parents and sister, his frustration with them is understandable. Daniel is a likable character, who faces his fears and in the end, brings his family back together.

The story is primarily told from Daniel’s point of view but has several chapters told from Old Auntie’s point of view. This adds suspense to the story and helps develop the creepy mood. This is not a book to read with the lights out. Because Old Auntie and Bloody Bones are described in such realistic, vivid detail, readers will be entertained and frightened.

Sexual Content

  • None

Violence

  • Bloody Bones kills someone. “Tore him clean apart with the panther’s teeth and ate him up. Then he dug his grave with the bear’s claws and brushed the ground smooth with the raccoon’s tail.”
  • The kids at school are mean to Daniel. They “accidentally” hit him and kick the back of his seat on the bus.
  • When Daniel and his sister, Erica, are in the woods, Daniel sees something and forces Erica to leave with him. They get into a fight. “. . . She struggled harder to get away from me, crying and screaming . . . she managed to bite me twice and scratch my face.”
  • Bloody Bones is going to throw Daniel off of a cliff, so Eric throws rocks at him. “Bloody Bones plunged over the edge of the cliff, screaming as he bounced from rock to rock, his bones flying apart and scattering as he went.”

Drugs and Alcohol

  • Daniel and Erica’s parents are seen drinking wine. When Erica is “took,” their parents drink even more. “There was an empty wine bottle on the table and an ashtray full of cigarette butts and ashes.”
  • When Daniel goes to a friend’s house, his friend’s father smells of beer and cigarette smoke.

Language

  • None

Supernatural

  • The story revolves around Old Auntie, a “conjure woman” who takes a girl every 50 years. When she takes a girl, she returns the one that was “took;” however, the girl is the same age as she was when she was first “took” and has no memory of her former life. Auntie weaves spells to influence people’s decisions.
  • One character describes Old Auntie as “a haunt come back from her grave.”
  • Old Auntie takes the form of a girl, so she can talk to Erica without scaring her. Auntie also uses a doll to convince Erica that no one loves her except Auntie.
  • Auntie has a razorback hog, called Bloody Bones, which she called back from the dead. “His bones put themselves together and rose up on their hind feet. His skull jumped on top of the bones, and off he danced.”

Spiritual Content

  • The townspeople are mean to the new family because they do not join the only church in town. “We weren’t only outsiders, we were godless outsiders.”

Listen, Slowly

The beach. Friends. Boys. Mia planned her summer around fun. Then her father drags her to a small village in Vietnam where Mia is to watch over Bá (her grandmother). However, Mia doesn’t want to learn about her roots—she’s a California girl, who has no desire to meet relatives, travel to Vietnam, or give up the comforts of her life.

As Mia struggles with mosquitoes, lack of privacy, and a language barrier, she learns about her family heritage as well as what is really important in life. However, the story isn’t just about Mia; it’s also about Bá and her need to find out what happened to her husband in the Vietnam War.

As Mia tells her story in Listen, Slowly, the reader is entertained with funny stories as well as introduced to Vietnamese culture. Another positive aspect of the book is Mia who is a realistic and likable character. She worries about regular teenage things, but also comes to realize that the people in her life are more important than things, cell phone included. This book is suitable for younger readers because the story is told from a teen’s point of view. Although the story contains some adult issues, they are adjusted to fit the maturity level of a younger audience.

Sexual Content 

  • Mia thinks about her best friend who has large breasts and a bow on the butt of her bikini.  Mia is afraid a boy that she likes will be interested in her best friend because of the bikini. When Mia goes on Facebook, she sees a photo of her friend in a bikini. She thinks, “Did she Photoshop to make her boobs look extra big? How big do they need to be? I don’t want her boobs, but I have to confess I do want the attention they get her . . . There HE is, just as I suspected, standing right behind her butt bow.”

Violence 

  • A soldier recounts a story about when he was in the war. The soldier and a prisoner, who viewed each other as equals, spent time digging a tunnel. Then helicopters came and dropped bombs.  The prisoner died. When the soldier recounts the story, Bá slaps him because the prisoner was Bá’s husband.
  • Mia’s father tells her about when he left Vietnam. “I looked out my airplane window and saw a boy not much older than I was dangling from a helicopter. I watched him hang, then drop into the sky.”

Drugs and Alcohol 

  • None

Language 

  • None

Supernatural 

  • None

Spiritual Content 

  • None

Pegasus: The Flame of Olympus

Manhattan is thrown into darkness during the worst storm in history, so when Emily hears a crash on the top of her apartment, she is reluctant to go investigate. However, her curiosity gets the best of her, and what she finds changes her life forever.

Pegasus has fallen from Olympus during a terrifying fight against the Nirads, stone warriors who are out to destroy everything in their path. In an effort to help Pegasus, Emily teams up with Joel. Along the way, the two are greeted with danger from both the Olympian world and the Earth world. Fighting monsters isn’t Emily’s only worry. She must also learn how to avoid a government agency that wants to capture Pegasus. In the end, will Emily and Joel be strong enough to protect Pegasus and themselves?

Pegasus is a fast-paced story with a lovable heroine, Roman gods, and plenty of action. Because the story is told from Emily’s point of view, the reader is able to connect with not only Emily, but with the other characters as well. Even though the story has violence, the descriptions are mild and allow the reader to imagine the details. O’Hearn weaves the Roman myths into a modern setting that will leave readers wanting more.

Sexual Content

  • None

Violence

  • When Nirads fight to destroy Olympus, many of the Roman gods are hurt. Mercury was, “lying on his side, a spear sticking out of his chest. Blood matted his fair hair, and his face was covered with bruisers.”
  • Paelen, an Olympian thief, was captured by a government agency. They put him in a secret government facility and restrain him with chains. “. . . Two men in white overalls rushed forward and caught hold of his hands to restrain him. But when Paelen proved too strong for them, more men arrived. They wrestled his hands down until he was finally handcuffed to the sides of the bed.”
  • The Nirads try to kill Pegasus and Emily. The fight lasts several pages. “Emily lunged forward and jammed the points of the pitchfork into its black eyes. Howling in rage, the creature fell to the ground and raised two hands to its face. Black liquid oozed between its fingers and dripped onto the tarmac.”
  • Paelen will not answer Agent J’s questions. “Driven to fury, the older man started to slap Paelen violently across the face.” When Agent J leaves, someone said, “If he keeps pressing Agent J like that, the man will have him sliced and diced and poured into Mason jars.”
  • Paelen finds a dead Nirad at the prison. “Instead his eyes were drawn to a deep scar burned on the folded-back skin of the Nirad’s open chest. Closer inspection revealed several other similar scars along its exposed body.”
  • When Paelen is trying to escape, he is shot with a tranquilizer gun. He, “felt the sharp stinging of bees. He looked down at his chest and saw darts sticking into him.”
  • In order to get Emily to talk, an agent grabs her wounded leg. “The pain was blinding. Emily had never known such agony. It stole the screams from her throat and drove the wind from her lungs. Stars appeared before her eyes as the sound of water rushed in her ears. A moment later she passed out.”
  • When a guard calls Pegasus a horse, Diana (Roman Goddess) shoves the agents against the wall. “The wind was driven from their chest with such strength that they were instantly knocked out and crumbled to the floor.”
  • When the government’s agents try to stop Pegasus and others from escaping, Pegasus fights. “The stallion rose on his hind legs and lunged forward. One golden hoof struck Agent O, leaving a deep horseshow impression on his chest. The other hoof hit Agent J in the head with a lethal impact.”

Drugs and Alcohol

  • Joel’s parents were killed when “a drunk driver lost control of his car and crashed into us.”
  • While being held captive, Paelen is given a truth drug. “As the drug took effect, Paelen started to feel what it must have been like to be Medusa. His head was full of writhing, angry snakes; his veins were coursing with fire.”
  • One of the guards at the government agency said, “Want to join me and the boys for a beer later?”

Language

  • None

Supernatural

  • When Emily looks into Pegasus’ eyes images appear. “. . . Strange images suddenly flooded her mind. She saw Pegasus in a dark room, storm-filled sky with lightning flashed all around him.  She felt his determination, his fear. . .”
  • Emily must sacrifice herself to relight the flame of Olympus. “The flames were coming from each part of her, consuming her and spilling out of her every pore. As she stood in the center of the flames, the pain slowly ebbed and finally disappeared completely.”
  • When Emily doesn’t die in the flames, Vesta (Roman Goddess) explains, “You have been reborn.”

Spiritual Content

  • None

Close to Famous

Twelve-year-old Foster dreams of having her own cooking show on the Food network. When she and her mother flee Nashville and end up in the tiny town of Culpepper, Foster worries that her dream is over. When Lester, a tow truck driver, offers to let them live in the Airstream trailer in his backyard, they take him up on his offer because they have nowhere else to go.

Foster begins to feel at home as she makes friends and gets herself a job baking for the local coffee shop. When she meets Charleena Hendley, a once-famous actress, Foster is forced to face her biggest challenge—learning to read. Close to Famous has a string of loveable characters, who each have their own challenges. Although the story does not have a fairy tale ending, the ending is surprisingly heart-warming.

In Close to Famous Joan Bauer tackles the difficult issue of domestic abuse and losing a loved one in an age-appropriate way. In the end, Foster learns the importance of never giving up, and how true friends help a person overcome their challenges. As Foster tells her story, she brings the small town of Culpepper and its residents to life. Close to Famous is an easy-to-read, engaging story that has humor, and heart.

Sexual Content

  • One of the character’s husbands had an affair and left her. “Mike Tuller was my husband, and he started seeing a supermodel while we were married . . . I was devastated, humiliated.”

Violence

  • When Foster’s mother, Ryka, tells her boyfriend that the relationship is over, he becomes violent. “Huck was shaking her by the shoulders . . . That’s when he hauled off and punched her in the eye. I did a flying leap toward him; he pushed me away.” Foster screams and the neighbors begin yelling. Foster and her mother leave.
  • Foster’s mother returns to Nashville to get some belongings. While she is there, she sees her x-boyfriend. When she returns to Culpepper, her arm has a big bruise on it. “I only saw him for an hour, and when I was heading out the door, he grabbed my arm and yanked it back hard, but I left anyway. That’s how I got the bruise.”
  • Ryka’s father was abusive. She tells Foster, “. . . he hit my mother. . . Once she called the police on him, but his cousin was on the force and he covered the whole thing up.”
  • While checking out at the grocery store, someone mentions that “Zeke got jumped at the prison. Wasn’t paying attention.”
  • A prisoner escapes and goes to the house where his family was staying, and begins yelling. The confrontation is described over several pages. In the end, the prisoner ends up leaving. When he leaves Foster says, “I heard a noise outside, sounds of a fight, then shouting, ‘I’m making a citizen’s arrest.’”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • Foster and her mother acknowledge God’s existence and pray to him. While she was in a difficult situation she thinks, “I hope that God can see us through the fog. Because if he can’t, we’re in big trouble.”
  • When Foster asks if memorizing is cheating, she is told that “You use whatever God’s give you.”

13 Treasures

Tanya can see fairies—evil fairies who want to keep their existence secret. When Tanya writes about the fairies in her diary, they come to punish her. They pinch her, rouse her from her sleep, and cast spells on her. Tanya’s strange behavior can’t be ignored or explained, and her mother isn’t sure what to do. In an effort to get Tanya to behave, her mother sends her to Elvesden Manor, her grandmother’s secluded estate.

In the hopes of learning more about how to protect herself from the fairies, Tanya sneaks into her grandmother’s library. Soon Tanya is mixed up in a fifty-year-old mystery of a missing girl. But as Tanya tries to unravel the mysteries of her second sight, she soon discovers that there is more to the fairy realm that she first believed. And if she is not careful, she may be pulled into the fairy world and never be able to return home.

Right from the start, 13 Treasures creates suspense as the fairies attack Tanya. Tanya struggles to keep the fairies secret (or they will seek revenge) but also explain her strange behavior. When Tanya is sent to her grandmother’s house, no one is particularly glad to see her, except Fabian the care keeper’s son. The tension in the house creates suspense. The evil fairies, the unwelcoming grandmother, and the string of missing children all lead to a creepy mystery. However, Tanya proves to be a compassionate, plucky heroine that befriends a goblin.

13 Treasures is full of fairy lore, strange creatures, and complicated characters who add interest to the story. Younger children will enjoy having a few scares that don’t leave them frightened. Even though the story is written for 8-12-year-olds, the language and the long descriptive passages may be difficult for some children.

Sexual Content

  • None

Violence

  • When Tanya writes about the fairies in her diary, they come into her room and warn her to stop.  One fairy makes Tanya float in the air and turn somersaults. Then, she is dropped and crashes to the floor.
  • When a goblin tells Tanya too much information, the other goblins beat him. “The goblin howled as Toadface drove a heavy fist into his stomach . . . The bruised goblin was left weeping in a heap on the ground. He had sustained several cuts to his face and was bleeding profusely, his lower lip split and swollen.”
  • When Warwick sneaks up and grabs Tanya’s shoulder, she kicks him in the shin.
  • When Tanya and Fabian try to go into the woods, a raven attacks Fabian. “It hooked onto the back of Fabian’s mud-drenched clothes with long, black talons, and began a frenzied attack on the back of his head.”
  • A drain dweller grabs Tanya’s wrist, trying to rip off a bracelet. As Tanya struggles to get the drain dweller to let go of her, it bites her. “She felt, rather than saw, the blood running down her arm and dripping from her elbow.” When the drain dweller gets the bracelet, it runs out the door and is eaten by the cat. “The creature did not scream when the cat’s claws found their target, or even whimper as the broken, aged teeth clamped down on its windpipe for the kill.”
  • In order for a human to escape the fairy realm, they must have another to take their place. Tanya is tied to a tree with spider twine so she can be forced to go into the fairy realm.

Drugs and Alcohol

  • None

Language

  • When Fabian sees a drain dweller he yells, “And what the hell is that?”

Supernatural

  • There are fairies, goblins, and other creatures.
  • Tanya has the second sight because someone in her family was switched with a changeling. “The second sight comes from having fairy blood.”
  • A gypsy who lives in the woods is said to be able to see into the past. The gypsy gives Tanya a compass that will show the direction of her home.
  • The fairies threaten to use rosemary that grows in the piskies’ domains to wipe Tanya’s memory.
  • Fabian believes that a girl he saw in the woods could be a ghost. “Maybe she’s trying to tell us that he did kill her all those years ago. Maybe she can’t move on until justice is done.”
  • The fairies use a glamour to disguise a fairy child that was switched with a human child. One of the characters is afraid the glamour will wear off and the baby would be, “put under observation in a laboratory somewhere—analyzed, poked, prodded, and experimented on.”
  • Tanya is told that she must destroy anything that the fairies could use to control her. “Blood. Saliva. Fingernail and toenail clippings. Teeth. All the stories of witchcraft, of people being controlled by a witch in possession of a lock of their hair or a tooth—it all stems from the truth. You don’t leave anything to chance.”
  • Tanya is given a potion to rub on Fabian’s eyes so he can see the fairies.

Spiritual Content

  • None

 

Inside Out & Back Again

Despite the war, Hἁ loves her home in Saigon. She loves going to the market, her friends, and family traditions. Best of all, Hἁ has her very own papaya tree. When Saigon falls, Hἁ’s family is forced to move to America. But once they get to America, adjusting to a new culture, a new language, and new traditions are more difficult than Hἁ imagined.

Told from Hἁ’s point of view, Inside Out & Back Again is a story that gives the reader a glimpse of life in Saigon during the Vietnam War. Hἁ’s conflict with other people and with her own feelings shows the confusion of adapting to a new culture. Written in poetry format with beautiful descriptions, children will enjoy this engaging story.

Sexual Content

  • When Hἁ’s neighbor hugs and kisses a man, Hἁ thinks, “only husbands and wives do that when alone.”

Violence

  • The story takes place during the Vietnam War. On TV, “a pilot from South Vietnam bombed the presidential palace downtown that afternoon. Afterward the pilot flew north and received a medal.”
  • When South Vietnam loses the war, a “woman tries to throw herself overboard, screaming that without a country she cannot live.”
  • When they get to America, someone throws a brick through the family’s window “along with a note. Brother Quang refuses to translate.”
  • A teacher shows pictures of “a burned, naked girl running, crying down a dirt road/of people climbing, screaming, desperate to get on the last helicopter out of Saigon.”
  • At school, Hἁ is teased. When a boy threatens to beat up Hἁ, she hits him. “A thud. Pink boy writhes on the pavement.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • When Hἁ’s mother discovers that those whose visa applications say “Christians” get sponsored quicker, her mother “amends our faith, saying all beliefs are pretty much the same.”
  • In order to be more accepted into the American community, Hἁ and her family get baptized.
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