Winterborne Home for Vengeance and Valor #1

For as long as April could remember, the key has hung around her neck. As an orphan, she has no one to ask what the key belongs to, but she knows it can help her find her mother. While at a museum, April sees the Winterborne family crest and is surprised that it is the same crest that is on her key. Later that night, she sneaks into the museum and accidently starts a fire. When she awakes, she’s in the hospital and a strange woman is sitting by her bed.

The woman takes April to live in a big, creepy mansion with other orphans. April is convinced that she isn’t like the other orphans because her mother will come back for her. But now, April is convinced that the clues to finding her mother are inside the mansion. As she looks for clues, April realizes that the Winterborne House is hiding more than one secret. April and her friends are going to have to work together to unravel the riddle of a missing heir, a creepy legend, and a mysterious key before the only home they’ve ever known is lost to them forever.

Even though danger lurks behind every corner, April is determined to figure out why Gabriel Winterborne (the missing heir) has suddenly returned to the mansion, and why he is hiding from everyone he knows. April’s determination and grit are admirable, but she has a tendency to get into trouble. April doesn’t know who she can trust, which adds to the story’s suspense. Even though the other orphans eventually help April, they are not well-developed. However, each member of the group is interesting and unique.

Winterborne Home for Vengeance and Valor will appeal to both mystery and action fans. The fast pace, constant danger, and interesting characters will have readers trying to fit all of the pieces into the puzzle. The plot isn’t unique—the creepy mansion, the bitter uncle, and April’s key are all predictable.  In addition, the conclusion leaves a list of unanswered questions. Although the story sets the scene for a sequel, the conclusion is frustrating because none of the main plot points are solved.

Readers who love the Gallagher Girl Series may be disappointed by Winterborne Home for Vengeance and Valor because it lacks a unique plot and humor. Despite this, Winterborne Home for Vengeance and Valor’s mystery and suspense will appeal to a wide range of readers. The easy-to-read story has plenty of intense action, questionable characters, and spooky scenes that will have readers reading late into the night.

Sexual Content

  • None

Violence

  • April was spying when she sees two men. “She turned and started to run, but unfortunately for April, she ran right into a very hard, very broad, very smelly chest.” The man pushes her toward a boat “and April wanted to run, but when she looked back, she saw the gun.”
  • When the men caught April, “Gabriel dropped onto the big man with the gun. . . he yelled as he dodged and kicked, swerved and stabbed. . . One by one, the men fell or stumbled or ran back to the boat.”
  • When the men in the boat try to leave, Gabriel “went for the man behind the controls first, and the boat slowed when Gabriel threw him across the deck, sending him crashing into the crates that went tumbling like a house of cards.” One of the men is able to get Gabriel’s sword and stabs Gabriel, who “stumbled and looked down, almost insulted to see his own sword sticking out of his body. . .” The scene with the men is described over four pages.
  • Tim shows April a series of scars, and implies that his father abused him.
  • When Gabriel was a kid, the boat that his family was on blew up “because bombs and boats don’t mix.” When Gabriel survives the explosion, his uncle tries to kill him repeatedly.
  • On his twenty-first birthday, Gabriel’s uncle hired someone to kill him. The hired killer “hit me on the back of the head and knocked me to the ground. . .” The man shot Gabriel, who fells into the water. “When I came up for air, I heard shouting and sirens, and I knew he was probably gone.” After he is shot, Gabriel disappears and some believe he is dead.
  • April sneaks into a house and is caught. “So April kicked. And lunged. And pushed. And ran. . . She tried to scramble back, but Evert was already grabbing her by the arms and jerking her to her feet. . .” April’s friends help her. “What followed was a whirl of thunder and punches and kicks. And some hair pulling. And a little tripping.”
  • As April and her friends run, Evert is able to grab April. “She threw her head back, jamming the back of her skull into his nose. She heard him scream and felt his blood run down the back of her neck, warmer than the rain.” The chase scene is described over eight pages.
  • When Evert sneaks into the Winterborne Home, the kids attack him. Evert “tried to duck, but he was too late. He tried to run, but he was too slow. A half dozen copper pots were already zooming straight for his head. He stumbled. . . Ropes wrapped around his ankles. A net fell over his head.” Evert is able to use a knife to cut himself down.
  • Evert knocks April to the ground. “April’s head banged off of the hard stone. Her vision blurred. . . Then Evert pulled her to her feet, her back to his chest, a knife at her throat.” April is able to break free.

 Drugs and Alcohol

  • When Gabriel is injured, April gets him back to the house. When Sadie sees him, she asks, “Is he drunk?”
  • In the middle of the night, April “didn’t care about the noise” because she assumed everyone was in bed, except the butler “who was probably in the library with his nightly glass of port.”
  • When Gabriel is injured, one of the kids pretends to be an adult and asks a doctor to prescribe an antibiotic.

Language

  • A man calls someone scum.
  • Darn is used three times.
  • April thinks that Tim is a jerk.
  • Evert calls someone a coward.
  • April calls Evert a “greedy moron.”

Supernatural

  • None

Spiritual Content

  • When Gabriel falls into the ocean, April begins praying. April and her friends are able to get Gabriel back to the house, and get him into bed. “All April did was hold Mr. Winterborne’s hand and pray. . . No matter how many times April prayed for him to wake up and yell at her . . . his eyes stayed closed.”

Give Thanks to the Lord

This joyous celebration of Thanksgiving references Psalm 92. Told from the point of view of one young member of an extended family, Give Thanks to the Lord celebrates joy of all kind – from the arrival of distant relatives to a cozy house already filled with merriment, to apple cider and the delicious smells of roasting turkey and baking pies. And just when your mouth is watering, sit down and join a thankful child in prayer, praising God for, “Food and fun and family, all the wonderful things I see.”

Fall comes alive in the full-page illustrations that use fall colors. Each picture focuses on a little boy who is surrounded by a large family. Most pictures also include the boy’s dog, who is also enjoying Thanksgiving day. Give Thanks to the Lord shows the joys of simple things—a cup of hot chocolate, playing in the fallen leaves, and having enough olives for each one of your fingers.

Each page has four to five rhyming sentences that focus on the joys of Thanksgiving. The story repeats the phrase, “It’s good to give thanks to the Lord!” Even though Give Thanks to the Lord is a picture book, the story is intended to be read aloud to a child, rather than for a child to read it for the first time independently. The story focuses on one family’s traditional Thanksgiving day and reminds the reader to give thanks to the Lord for the food, family, and fun that Thanksgiving day brings.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

As Brave as You

Genie has a lot of questions. So many questions, in fact, he keeps them all written in his notebook so he can look them up later. When their parents take Genie and his big brother, Ernie, to their grandparents’ house in rural Virginia, Genie has questions that even Google can’t answer. Like how did Grandpop lose his eyesight? Will Ma and Dad stay together? Why doesn’t Ernie want to learn how to shoot a gun?

As Brave as You tackles topics like masculinity, fear, and courage through the eyes of ten-year-old Genie. Although he is younger than Reynolds’s characters from other novels, Genie’s curiosity and kindness make him endearing rather than annoying. Genie’s narration style is filled with his quirks, including his endless questions and his often-humorous thoughts.

Readers will find that Genie is a good role model because he tries to do the right thing. When he makes mistakes, he feels guilty and eventually realizes that he must have the courage to try to make it right. For instance, Genie accidentally breaks an old toy firetruck that belonged to his late uncle. Genie recognizes that his Grandma is upset, and throughout the novel, he searches for parts to fix the firetruck. Through this and other trials, Genie learns that mistakes happen and that becoming a man means that he has to own up to those mistakes.

Genie’s grandparents, parents, and Ernie aid Genie on this journey, as many of them are also learning lessons about what it means to have courage. Grandpop and Genie’s father do not get along most of the novel, and they both are often too stubborn to talk about their past grievances with each other. At the end, they begin to fix their personal issues together. Readers can see that they must be courageous to look past their pride and hurt feelings.

As Brave as You shows that being a man is about having honesty, integrity, and courage rather than about being tough. As part of Ernie’s growth into manhood, Grandpop shows Ernie how to shoot a gun. Ernie shows disinterest, and Genie is unable to comprehend why. However, after an accident with the gun, Genie understands that sharing his fears and emotions is often more courageous than pretending to be tough or prideful. Although these lessons are featured throughout the book, they never come off as preachy.

Reynolds’s characters are relatable for people of all ages. Genie and the older characters learn many of the same lessons despite being at vastly different points in their lives. The story is not particularly fast-paced, but the relationships between the characters make up for the slower moments. As Brave as You is a great story about what it really means to grow up, face our worst fears, and learn from mistakes.

Sexual Content

  • Genie makes a distinction between him and his brother, Ernie. Genie “loved to watch Jeopardy! and Wheel of Fortune. Ernie, on the other hand, liked to watch girls.”
  • Genie has a girlfriend named Shelley and a friend named Aaron. He wonders if in his absence, “[Shelley would] fold to [Aaron’s] flippin’ charm and kiss him. Of course, if she did, it would be a loaner kiss, Genie decided. A kiss to make up for the fact that he wasn’t there.”
  • After Grandma sets breakfast down in front of Grandpop, she “dodged him as he swatted at her butt on her way back to the counter for another plate.”
  • Genie observes his parents’ awkward interactions early in the book, and he knows that their marriage won’t last. In one of these interactions, his dad “leaned in and just grazed Ma’s cheek with his lips, awkwardly. It was friendly, but not…loving.”
  • Ernie “had broken up with his girlfriend, Keisha, a few weeks before” going to his grandparents’ house. Genie explains, “Well, really, she broke up with him. Dumped him for a dude from Flatbush named Dante, but everybody called him Two Train. That was his rap name. And when Keisha told Ernie that Two Train wrote raps about her, Ernie started sending her a text message every day, crappy love poems, ridiculous attempts at rhyming that would put his whole ‘cool’ thing at risk if anybody besides her, Genie, or his parents ever found out about them.”
  • Genie is disinterested in his brother’s attraction to various girls. Later, Ernie chatters on endlessly about how he hung out with Tess and how much he likes her. Ernie thinks, “And each time Ernie fell for a new girl, Genie’s cool, confident brother would become a goofy, googly-eyed fool.”
  • Ernie made a joke, and “Tess stared him down and sized him up in that way that meant she either wanted to punch him or kiss him.”

Violence

  • The day that Ernie and Genie’s parents had a huge fight, their neighbor Down the Street Donnie “had covered a quarter in snow and zinged it at Genie. Zapped him straight in the eye.” Ernie, seeing what happened, “commenced to karatisizing Down the Street Donnie, all the way… down the street.”
  • The first morning they are at their grandparents’ house, Ernie tries “to shove [Genie] off the bed with his knee.” Ma verbally reprimands Ernie, saying, “Ernie, cut it out.”
  • During a conversation, Dad playfully “threw a balled-up pair of socks at [Ernie]. Ernie chopped them away.”
  • Grandpop carries a pistol around in the back of his pants.
  • When Ernie and Genie’s father was young, the neighborhood bully was about to take whatever money he had. Their father’s older brother, Wood, then “came out of nowhere and whopped Cake [the neighborhood bully] in the back of the head with a book as hard as he could.” Cake was huge, and all this did was make him mad. Wood “came home with the blackest eye [Grandpop had] ever seen. And a busted lip. And he was limpin’.”
  • As an adult, Wood “beat [Cake] down” when he came home from basic training because “Wood could never let things go.”
  • Crab, Tess’s dad, goes hunting with his rifle on Genie’s grandparents’ land. Genie often hears gunshots when Crab is around.
  • Genie insinuates that if he ruined Ernie’s chances with Tess, Ernie would use Genie for karate practice. “Lots and lots of karate chops.”
  • Grandpop’s father committed suicide years back. He “had jumped in the James River.”
  • Grandpop teaches boys turning 14 years old how to shoot a gun ever since “a fourteen-year-old black boy named Emmett Till was killed for whistling at a white woman when Grandpop was younger. It scared him so badly.”
  • Genie talks about mousetraps, including “the part that breaks the mouse’s neck. Yikes.”
  • Crab holds up the squirrels he shot. Genie describes, “Dead squirrels, part gray, part bloody, part…missing.”
  • Crab and Grandpop teach Ernie how to shoot a gun. The scene lasts the duration of a chapter. The force of the shot causes the gun to kickback and hit Ernie in the face. Genie says, “Ernie’s knees buckled as if someone had sucker punched him.” Ernie ends up losing three front teeth. Crab “grabbed a beer bottle from the bag he brought and put the teeth in it.”
  • Great Grandpop and his friend stole a puppy from their abusive employer. The employer found out and told Great Grandpop “that either he tell him the truth, or he would have [the] whole family killed.”
  • Genie’s dad “slammed the wall” in anger.
  • In the story, Grandpop says that an employer “set [Great Grandpop’s friend’s] house on fire… [the friend] burned to death.” No other details are given.

 Drugs and Alcohol

  • Genie asks Tess where she got all the bottle caps for her project. Tess jokingly tells him and Ernie that she “drank all those beers.” She then takes the brothers to Marlon’s, the small town’s bar, for some ginger beers. Ernie and Genie don’t know that she and Jimmy, the bartender, mean ginger beer. Genie hoped that “he wouldn’t get drunk on his first sip,” thinking that Tess and Jimmy meant to give Genie and Ernie alcohol.
  • Other adult patrons at the bar drink alcoholic beer while the kids are present.
  • Grandpop gets a mysterious liquid out of a closet and promptly locks the door. Genie recognizes the smell, thinking, “the same smell Genie had just gotten more than a whiff of in Marlon’s—reminded him of Ms. Swanson, the drunk lady who hung out at the Laundromat back home.” Grandpop drinks liquor throughout the book.
  • Grandpop can’t sleep when it rains because it reminds him of the day that Wood died during Operation Desert Storm. When it rains, Grandpop sits in the kitchen and drinks while he disassembles his revolver, lost in thought.
  • Crab smokes a cigar.
  • Genie and Ernie find “a couple dozen beer cans and stubby, burned-down cigars” laying in a pile.
  • Ernie has “a double-dose of pain reliever” after the doctor fixes two of his teeth.
  • Genie calls Tess’s mom a hypochondriac. Tess misunderstands and calls her a “hyper-cognac” instead.
  • Grandpop drinks more heavily as the book progresses, and Genie finds his drunk rambling disturbing. For instance, Grandpop slurs, “life ain’t nice to nobody. Nobody. Not me, not Mary, not Ernie, not your daddy, not Uncle Wood. Nobody.”

Language

  • Genie’s mother tells Genie, “Boy, if you don’t go to sleep, I’m a honey your badger,” making it clear to Genie that she really wants him to be quiet.
  • Various insults are used frequently. Insults include: Stupid, jerk, crazy, wild, heckuva, crappy, insane, fool, chump, psycho, shut up, knuckleheads, friggin’, and daggone.
  • Grandma and Grandpop use the phrase “what in Sam Hill” frequently.
  • Genie’s curiosity causes humorous situations because sometimes his questions and thoughts would be insensitive coming from anyone else. For instance, he thinks, “Old people got to pretty much call you whatever they wanted. It was the only awesome part about being old.”
  • Genie asks Grandpop a series of questions about being blind. At one point, Genie asks, “How do you know where your room is, though? Or what if you gotta go to the bathroom?” To which Grandpop replies, “I’m only blind, son. My junk still works.”
  • Kids at school sometimes mock Genie for his name, saying, “Genie, the girl with a weenie.”
  • Crab tells Ernie, “I think [Tess] likes you…But don’t try nothin’ mannish or I’ll flatten your cap, just like she do them beer tops.”
  • Grandma asks Genie and Ernie, “Which one of you peanut-heads tried to flush all that damn toilet paper?”
  • Ernie overacts around his grandparents at one point. Genie says that Ernie is “butt-kissing.”
  • Grandpop holds rolls of money. Genie thinks, “[Grandpop] tapped a roll like a mob boss assigning a hit.”
  • Mr. Binks is a dentist who sells teeth at the flea market. Ernie calls Mr. Binks “a tooth jacker.”
  • Grandma yells, “Damnit!” when Ernie scares her.
  • Grandpa says “guaran-damn-tee” instead of guarantee.
  • Crab says that he feels “so dern bad” about Ernie’s injury.
  • Grandpop calls an old neighbor “a mean son of a gun. I mean, just a real nasty you-know-what.”

Supernatural

  • None

Spiritual Content

  • “Jesus” and “Lord” are sometimes used as exclamations.
  • Grandma has a few rules, one of them being, “We go to church on Sunday.” Genie doesn’t mind this, thinking that he could “use a miracle” anyway. His family normally goes to church “on Christmas and Easter for the long services with their grandparents in the Bronx. But that was about it.”
  • Genie’s mom “used to call [the moon] God’s night-light when he was little.”
  • Grandma often turns on the church music station in the car, especially when going to the flea market. She says, “Gotta play it loud enough for God to hear it, so he can send people to come buy up these peas.”
  • Genie thinks, “Maybe the real reason Adam and Eve weren’t supposed to bite the apple is because then all the birds would’ve had access to the seeds, and the Garden of Eden would’ve become the Garden of dead…doves? Doves were the only birds back then I think.”
  • On a hot day, Genie thinks, “God had put the heat on high, as Ma always said.”
  • Tess tells Genie that she’s “prayin’ to Big Bird for a miracle.”

 by Alli Kestler

Out of My Shell

Usually Olivia is excited about her family’s annual summer vacation to Florida, but she’s not this year. This year, everything is different. Her parents have recently separated, and her father isn’t joining the family trip. Every summer, Olivia and her father have been a pair. Olivia has never felt close to her mother or younger sister, Lanie. This year, Olivia isn’t sure what she will do without her father.

Olivia tries to stay out of everyone’s way by hiding in her bedroom. She doesn’t know how to deal with the hurt that constantly gnaws at her heart. At night, Olivia goes to a special place on the beach. By chance, she sees a confused sea turtle come onto the beach. Olivia learns that the sea turtle population is in serious risk of dying, and the lights on the neighbor’s poorly designed inn are making it difficult for sea turtles to lay their eggs. Olivia knows she has to do something to help; she just doesn’t know what.

With all of the changes in her life, she feels helpless, hopeless, and angry. She can’t handle any more heartbreak. Will Olivia learn to find the courage to save the turtles? Will she stop hiding in her room and allow others to see her pain?

Like many middle school readers, Olivia is overcome with all of the changes in her life. Between her parents’ divorce, the changes in her summer friends, and the crowd of relatives she has to deal with, Olivia just wants to stay in a hard, protective shell. To make matters worse, her little sister Lanie won’t leave her alone. Olivia is a relatable and likable narrator, whose actions often do not turn out the way she intended. Readers will understand Olivia’s conflicting emotions as well as her desire to help the turtles.

Each chapter begins with an interesting turtle fact. However, the majority of the story follows Olivia’s emotional journey. At one point, Olivia envies her sister’s ability to dream. “I remember what it was like to believe in magic and fairy tales and happily-ever-afters. Maybe it was worth believing in monsters under the bed and the bogeyman if you could still have unicorns, friendly dragons, charms, and enchantments.”

As the story progresses, Olivia learns the importance of standing up for herself and the turtles. She finally realizes that “I wasn’t perfect, but I wasn’t powerless either.” Through Olivia’s story, readers will see that anyone—even a twelve-year-old—can make a positive difference in the world. Even though Out of My Shell focuses on Olivia’s emotional turmoil, the story has enough action to keep readers turning the pages until the very end. Goebel knows how to weave a heartfelt, entertaining story that will encourage middle school readers to step out of their shells and share their feelings.

Sexual Content

  • None

Violence

  • None

 

Drugs and Alcohol

  • None

Language

  • Crud is used once.
  • Olivia calls her aunt a jerk.

Supernatural

  • None

Spiritual Content

  • When Olivia’s sister sees her going outside at night, Olivia “prayed she wouldn’t say anything as I tiptoed toward the door.”
  • Olivia helps release baby turtles into the wild. Olivia “found myself whispering a prayer as the ocean gobbled each one of them whole.”
  • When Olivia’s sister almost drowns, she whispered prayers.

Some Places More Than Others

For her birthday, Amara wants to visit New York City and visit her father’s side of the family. She wants to meet her grandpa Earl and cousins in person. When her father has a business trip in New York, Amara is determined to get permission to go.

When Amara’s teacher gives the class “The Suitcase Project,” which requires Amara to look into her family’s past, Amara thinks this is the perfect way to convince her parents to allow her to go to New York. As Amara looks for family keepsakes, she looks at the family Bible and learns that her grandma Grace died on her birthday. After Amara overhears a conversation, she learns that her father hasn’t talked to his dad for twelve years. Amara isn’t sure how the two events are connected, but she’s determined to find out.

When Amara finally gets to New York City, it isn’t what she imagined. As she explores the city and asks questions, Amara learns more about this place, her father, and their history. Her experience helps her see how everything in her family connects and helped make Amara the person she is.

Some Places More Than Others explores family relationships and the shared events that combine to knit a family together. As Amara explores Harlem with her family, she begins to understand the importance of honoring those who came before her—Adam Clayton Powell, Harriet Tubman, Langston Hughes, etc. While the story doesn’t go into depth explaining the historical people’s contribution to society, readers will feel Amara’s awe and pride as she begins to understand how these people made her life possible.

Like all families, Amara’s family dynamics are complicated. Though she doesn’t always get along with her relatives, she knows that love binds them together. While in New York, Amara tries to help her father and grandfather put the past behind them and begin talking. The past has caused lingering pain and resentment in Amara’s father. However, by the end of the book, the two men are able to forge a new relationship. By watching her family, Amara learns that “The sign of true maturity is when you’re able to end the argument first, to forgive a person even if they haven’t asked for it.”

Middle-grade readers will relate to Amara, who is often confused and searching to find herself. She feels unloved because her mother wants her to be more girly and wear dresses. When Amara meets her cousins, their view helps Amara see how lucky she is to have a stable, two-parent household. However, Amara also struggles with her mother’s pregnancy. Because her mother has had a string of miscarriages, Amara is afraid to get excited about a new baby. Through Amara’s story, the reader will learn important lessons about family, forgiveness, and the people who shaped her. Even though Some Places More Than Others imparts important lessons, the lessons are integrated into the story and never feel like a lecture. While the characters are not well-developed, Some Places More Than Others would be a perfect way to introduce historical figures and the idea of exploring your family’s past. Readers who enjoy realistic fiction should add Caterpillar Summer by Gillian McDunn and Listen, Slowly by Thanhhá Lai to their reading list.

Sexual Content

  • When in New York, Amara sees “two men are walking and holding hands.”

Violence

  • None

 Drugs and Alcohol

  • While waiting for a subway, Amara sees a “man leaning against the green pillar in the middle of the platform holding a sign that says, ‘I Ain’t Gonna Lie, I Just Want a Beer.’”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Amara’s family attends a church service and they pray.
  • Before dinner, Amara’s family prays. For example, Amara’s father prays, “We thank you, God, not only for this food, but for this family. Bless us, and keep us, and please—” Amara interrupts and prays, “Let me go to New York with Dad to meet Dad’s side of the family.”
  • Several times Amara prays to her dead grandmother. For example, “I whisper a prayer to Grandma Grace, ask her to help me.”
  • While walking in New York, Amara sees “a man not too far away speaking into a megaphone about Jesus being the white man’s god.”
  • When Amara wakes up, she says a prayer. “God, please let my baby sister be okay.”
  • While traveling home, Amara whispers “a prayer for Mom, for my baby sister, for all of us.”

How to Steal a Dog

Georgina Hayes’ life was turned upside down when her father left and they were evicted from their apartment. She hates living in a car with her mother and brother. Her mama is trying the best she can. Mama works two jobs trying to get enough money to find a place to live, but now Georgina is stuck looking after her younger brother, Toby.

Without a home, Georgina begins to look unkempt, and the kids at school notice. Georgina is angry and flustered because she’s also lost her best friend and her good grades. Georgina is desperate to make things better. When Georgina spots a missing dog poster with a reward of five hundred dollars, the solution to all her problems suddenly seems within reach. All she has to do is “borrow” the right dog and its owners are sure to offer a reward, but nothing goes how Georgina planned.

Georgina’s story sheds light on the problem of homelessness. Because the story is written from Georgina’s point of view, readers will be able to understand Georgina’s conflicting emotions and her desperation to live in a home. Georgina is frustrated and angry, which causes her to be mean to her brother. When Toby asks Georgina what’s wrong, she thinks, “How could I answer that? Should I start with that big F at the top of my science test today? Or should I jump right on into how mean our daddy was to leave us in this mess? And then should I move on to how bad it felt to live in a car while my best friend went to ballet school with somebody better than me?”

How to Steal a Dog shows readers how people often misjudge others based on their living situation. For instance, Georgina misjudges Mookie because he is a “bum.” Even though Mookie is homeless, he is kind and helps others. Although Mookie knows Georgina stole Willy, he keeps her secret and helps guide Georgina into making the right decisions. However, when Georgina skips school, Mookie tells her, “School’s about as useful as a trapdoor on a canoe.” Through her interaction with Mookie, Georgina learns that “sometimes the trail you leave behind is more important than the path ahead of you.”

How to Steal a Dog tackles the issue of homelessness in a kid-friendly manner that highlights the importance of being kind to others. Readers will relate to Georgina’s desire to keep her situation secret so kids don’t make fun of her. The conclusion shows Georgina’s family finally finding a house, but it also leaves several unanswered questions. How to Steal a Dog is an easy-to-read story that will help readers grow empathy. For more books with a homeless character, add Crenshaw by Katherine Applegate to your must-read list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Georgina’s family moves into an abandoned house that has a hole in the roof. When they first enter, Georgina sees “a wobbly table was covered with empty soda cans and beer bottles. Cigarette butts were scattered on the floor beneath it.”

Language

  • “Hot dang” is used twice. Dang is used once.
  • “Dern it” is used eleven times. For example, when Georgina’s mom loses her job, she says, “Maybe I better get out of the whole dern world.”
  • Georgina frequently calls her brother names, including idiot, ninny, dumbo, and dummy.
  • Heck is used once.
  • When Georgina hides in the bushes, a man says, “I ain’t scared of a coward that won’t even show his face.”
  • One of Georgina’s classmates calls her a dirtbag.

Supernatural

  • None

Spiritual Content

  • Georgina is upset that her family doesn’t have a home to live in. When Georgina asks her mother when they will have a house, her mother says, “I swear, every night I pray for a miracle but I reckon nobody’s listening.”
  • When the car won’t start, Georgina “Stared out the window, praying that old car would start.”
  • When a friend of Georgina’s mom gives the kids a ride to school in her beat-up car, Georgina prayed, “Please don’t let anybody see me.”
  • When the car starts, Georgina’s mom “clasped her hands together like she was praying and hollered up at the ceiling, ‘Hallelujah, praise the Lord.’”
  • When Georgina sees the dog’s owner, the owner tells her, “Now all I have to do is hope and pray somebody brings my Willy home.”

The List of Things That Will Not Change

When Bea’s parents get divorced, Bea gets shuffled between her mom’s house and her dad’s house. In order to help Bea process her emotions, her parents give her a notebook that has a list of things that will not change. Eventually, Bea meets her father’s partner, Jessie. When the two decide to get married, Bea’s biggest wish is about to come true—Bea’s finally going to have a sister!

Bea has a lot in common with her soon-to-be sister, Sonia. Both Bea’s and Sonia’s parents are divorced. Both of their dads are gay. The one thing that is different is that Bea lives in New York while Sonia lives in California. When Bea finally meets Sonia, Bea has a hard time understanding some of Sonia’s actions. Bea wonders if Sonia and she will ever be like real sisters. Will the wedding turn them into a real family?

Even though Bea’s parents try to make the transition easy, Bea is confused because her parents have a different set of rules. In order to help Bea work through her emotions, she goes to see a counselor who helps her deal with her emotions in an appropriate way. For example, a counselor named Mariam teaches Bea how to worry. “She wanted me to worry for five minutes straight, two times a day… And if my worry showed up at any other time, like during school or at Angus’s house, Miriam said I should tell it ‘Go away, and I’ll see you later.’”

The List of Things That Will Not Change is told from Bea’s point of view, which allows the reader to understand her insecurities, fear, and anger. However, the story jumps back and forth between the “Year of Dad Moving Out” and the “Year of Dad and Jessie Getting Married,” which can cause some confusion. Some of Bea’s thoughts are revealed through letters that she writes to Sonia. Bea’s vast emotions are explained in ways that every child can understand.

As the story progresses, Bea learns that not everyone is accepting of her Dad and Jessie getting married. Someone tells Bea, “Family can turn their backs on you, just like anyone else.” Bea finds out that Jessie’s family doesn’t talk to him anymore because he is gay. Jessie’s sister tells Bea that when people take away their love, “It makes you smaller. Sometimes it makes you disappear.”

Another important lesson Bea learns is that “Life is like a trip. A very long one. And what matters most is the people you travel with.” While The List of Things That Will Not Change teaches some important life lessons, readers may have a difficult time finishing the book. The majority of the book focuses on Bea’s emotions, which slows the pace and makes the book difficult to read to the end. The List of Things That Will Not Change will help readers who are facing a life-changing event process their emotions. We Are All Made Of Molecules by Susin Nielsen tackles some of the same themes and contains more action; however, it is only appropriate for more mature readers. Readers who are plagued by anxiety and need help understanding their emotions should read Guts by Raina Telgemeier.

Sexual Content

  • Bea’s father told her, “He would always be attracted to some men the same way some men were attracted to some women. It’s the way he’s felt since he was little.”

Violence

  • Bea’s cousin calls her a ping-pong ball because she goes back and forth from her mother’s house to her father’s house. Bea “was on top of her in three steps. First, I yanked her ponytail, and then I smacked that ball off her hip, down to the dirt.”
  • When Bea was eight, she was invited to a birthday party. While playing musical chairs, she “didn’t want to lose… But when the music stopped the second time, the closet chair already had someone sitting in it…” Bea shoved a boy off the chair onto the floor.
  • When Bea was leaving the birthday party, she “threw my party bag at Carrie’s mom. It hit the wall right behind her, and everything inside—candy corn, mostly—exploded all over the floor.”
  • Bea is upset at a girl in her class. She tricks the girl into putting her hand up to her nose. Then Bea “bashed it into her face. Carolyn’s eyes teared up. She cupped her hands around her nose for a few seconds and then took them away, slowly.” Carolyn tells Bea, “You’re mean sometimes, you know that?”
  • Bea feels guilty because she “pushed my cousin Angelica off the loft at our summer cabin. Uncle Frank says her head missed the woodstove by four inches.”
  • Bea’s cousin shows her a scar and says, “That’s where James threw a piece of wood at me when he was ten. It had a nail sticking out of it! Blood everywhere!”
  • Jessie’s brother comes to the wedding and “pushed the cake off the table.” Then he runs out of the wedding.

 Drugs and Alcohol

  • Bea’s cousin said she saw a guy that “was totally drunk.”

Language

  • While at the family’s summer cabin, Bea’s cousins begin commenting on people’s butts. One cousin says, “Hey, hey, my name is Bill, but my butt is bigger than Hamburger Hill.” Another cousin says, “Hey, hey, my name is May—and my butt’s not big, but my daddy’s gay!”
  • Bea calls her cousins “a bunch of jerks.”

Supernatural

  • None

Spiritual Content

  • Bea’s cousin thinks she was injured because she had bad karma. She says, “I was vacuuming—I have to vacuum the whole house. And I heard this noise in the hose… And when I looked, I saw this little toad in the canister… I didn’t do anything. I left it there, to get dumped.”

Love Like Sky

G-baby and her younger sister, Peaches, are still getting used to their “blended-up” family. They live with Mama and Frank out in the suburbs, and they haven’t seen their real daddy much since he married Millicent. G-baby misses her best friend back in Atlanta and is crushed that her glamorous new stepsister, Tangie, wants nothing to do with her.

G-baby is so preoccupied with earning Tangie’s approval that she isn’t there for her own litter sister when she needs her most. Peaches gets sick—really sick. Suddenly, Mama and Daddy are arguing like they did before the divorce, and even the doctors in the hospital don’t know how to help Peaches get better.

It’s up to G-baby to make things right. She knows Peaches can be strong again if she can only see that their family’s love for her is really like sky.

Youngblood creates a cast of realistic characters and tackles themes that are relevant. The story is told from G-baby’s point of view, and many readers will relate to G-baby’s difficulty figuring out how to navigate life in a blended family. G-baby has an array of feelings that often interfere with her ability to think logically. Instead, she is often overcome by anger and guilt. For instance, G-baby clearly loves her little sister, Peaches; however, when Peaches gets sick, G-baby feels guilty for not treating Peaches better.

Love Like Sky tackles many themes, including death, divorce, stepparents, racial inequality, peaceful protest, police brutality, growing up, and more. The story’s many themes are undeveloped and often do not feel like a natural part of the story. The story gives some examples of police brutality, but all of the events are relayed to G-baby. This allows the content to be appropriate for middle school readers. Love Like Sky’s many themes may spark readers’ interest in learning more about each topic.

The story’s main conflict is G-baby’s changing family. Throughout the story, G-baby discovers that even though her family may argue, they will always support each other to the best of their ability in the end. Despite the positive message, G-baby is not necessarily a likable character because she is sneaky, self-centered, and mean to those around her. When G-baby interacts with her best friend Nikki, the two spend so much time arguing, keeping secrets, and being snarky that it is difficult to understand why they are friends. Another negative aspect of the story is that Nikki, G-baby, and her stepsister all take unnecessary risks, like sneaking out of the house, that could have dire consequences. Instead of having to fess up to their parents, other people cover for their misbehavior.

Love Like Sky’s suspense revolves around G-baby’s conflict with her family and friends. While middle school readers will understand G-baby’s conflict, they may wish for more action. The story’s many topics and characters make Love Like Sky appropriate for strong readers. Readers interested in learning more about racial injustice should add A Good Kind of Trouble by Lisa Moore Ramée to their must-read list.  Caterpillar Summer by Gillian McDunn is perfect for readers looking for an entertaining story about family relationships.

Sexual Content

  • G-baby doesn’t want to talk to her mom about “how to kiss a boy, or when it’s time to sneak a few cotton balls into my bra.”
  • G-baby’s stepsister has a boyfriend. G-baby thinks, “I know why Frank called the college boy ‘an octopus,’ and it wasn’t good. He might be like that one boy at my old school who got sent to the principal’s office for pinching girls on the behind.”
  • G-baby was spying on her stepsister when she “heard whispering and then…smacking. Loud smacking. Kissing.”
  • When G-baby’s stepfather leaves the house, he “kissed Mama’s lips and both cheeks… Mama walked to the door and kissed him again. A loud smack like Tangie and Marshall.”
  • G-baby’s best friend tells her, “I bet Tangie kisses boys. Just like you and your boyfriend.” G-baby gets upset because she has never kissed a boy and doesn’t have a boyfriend.
  • G-baby’s friend Kevin kisses her. She “felt his lips on my cheek like a buzzing bee had landed on it… I stood there with my hand on my cheek, like the kiss was gonna fly away.”
  • G-baby’s stepsister, Tangie, talks about her first kiss, which happened when she was 13. “One day he walked me to the porch. And I kinda knew it was coming because I closed my eyes… It lasted about five seconds. When it was over, he ran down the stairs… Neither one of use knew what we were doing. It was okay.”

Violence

  • When G-baby’s mother sees news stories on TV about Michael Brown, who was shot by a police officer, she says, “Bless his mama, Lord. Bless his mama.”
  • Tangie wants to go to a protest for Roderick Thomas. She says, “A boy at Marshall’s school got beat up pretty bad. Roderick Thomas. Busted lip. Black eye. Police stopped Roderick on his way home from a friend’s house…”
  • When Tangie goes to the protest, “the police told us to leave. Marshall’s roommate started shouting. Others joined in. Next thing I know, Marshall’s roommate was on the ground. When Marshall spoke up, they put him in cuffs, too.”

 Drugs and Alcohol

  • One of the character’s moms is a drunk. The character is talked about several times but never appears in the story.

Language

  • Darn is used three times.
  • Dang is used four times. For example, G-baby says that her stepmother can’t cook worth a dang.
  • “Oh my God” is used as an exclamation twice.
  • Lord is used as an exclamation once.
  • Tangie calls G-baby a “snoop tattler.”
  • When G-baby swears to God, she thinks, “Grandma Sugar was about to strike me for using the Lord’s name in vain.”
  • One of G-baby’s friends says, “No shit Sherlock” one time.

Supernatural

  • None

Spiritual Content

  • When G-baby’s mother sees news stories on TV about Michael Brown, who was shot by a police officer, she says, “Bless his mama, Lord. Bless his mama.”
  • Tangie’s little sister was killed in a car accident. G-baby’s mom says, “Some hurt only God Himself can heal.”
  • When Peaches gets sick, G-baby prays, “God, I know I want a big sister, but Peaches is the best little sister in the world. Please, don’t let her die like Tangie’s little sister. I’ll do anything to make Peaches better, anything.”
  • G-baby prays. “Dear God, I’m so sorry for not being a better big sister. Please keep making Peaches better and don’t let her fall out of Your hands…”
  • G-baby’s best friend, Nikki, takes off. When she can’t be found, G-baby prays. “Oh, God. Please, please… don’t let my best friend be an Amber Alert.” When Nikki is found, G-baby thanks God.
  • When Peaches is moved out of ICU, someone says, “Thank the Lord.”
  • When G-baby lies, she “mentally asked God for forgiveness.”

Ida B: and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World

Ida B doesn’t like change. Every day, she has the same thing for breakfast: oats with raisins. Every day, she has the same thing for lunch: peanut butter on one slice of bread, milk, and an apple. Ida B also wants to spend “every day with her Mama and Daddy, Rufus and Lulu, the trees and the mountains and the snakes and the birds. All day, every day.”

When Ida B goes to kindergarten, she quickly changes from an inquisitive girl to a quiet, sullen one. Her parents decide to homeschool Ida B. Ida B is happy to spend every day with her parents. When the trees tell Ida B that trouble is coming, Ida B doesn’t think anything will really happen. When Mama gets cancer, Ida B is forced to return to school. Ida B feels betrayed and hardens her heart; she doesn’t want to ever be hurt again.

Instead of making friends at school, Ida B keeps her classmates away with glares. She refuses to talk to her parents, and she no longer goes to visit the trees. Ida B is determined to “stand there with my mouth closed tight, my lips zipped, glued, and stapled together to keep the angry words that were banging to get out…” The only bright spot in Ida B’s world is her teacher Mrs. W, who quietly encourages Ida B to share her feelings.

Ida B chronicles one girl’s struggle to deal with the changes that come with her mother’s cancer. Since Ida B is written from Ida B’s point of view, the reader will be able to understand her hurt and confusion. Ida B’s feelings are explained in ways that younger readers will understand. However, some readers may have difficulty understanding Ida B’s ability to talk to nature. Readers may also struggle with the story’s difficult vocabulary, such as forbearance, engulfing, dismemberment, and foe.

At the end of the story, Ida B learns the importance of apologizing and sharing her feelings with others. The story doesn’t end with a cheerful conclusion where every problem is solved. Instead, Ida B eventually shares her feelings, which lightens her burden. Even though Ida B teaches positive lessons, readers who love adventure and fantasy books may quickly become bored with Ida B’s story because it focuses on feelings rather than actions. However, anyone who has been faced with a difficult situation will relate to Ida B. Because much of the book revolves around Ida B thinking about her feelings and talking to nature, young readers may have a difficult time finishing the book. If you’re looking for realistic fiction that teaches life lessons, you may want to try Wish by Barbara O’Connor instead of Ida B.

 Sexual Content

  • None

Violence

  • Ida B angrily kicks a tree. “…I kicked its trunk as hard as I could so my foot ached something fierce, but I didn’t even whimper.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • When Ida B learns that her father is selling part of the orchard, “the only thing I cared about was putting together a plan to save me and my valley. But for all my wishing and hoping and sending out ten different kinds of prayers for a good one, not a single decent plan came out of me.”

Ella Unleashed

Ella didn’t think having a stepparent would be cool, but when her mom married Krishnan, Ella soon loved doing things with her stepfather. When Ella enters a junior dog show, Krishnan teaches her how to handle his champion dog, Elvis. Ella’s first attempts end in embarrassing disasters; however, she isn’t giving up. She is determined to win the prestigious National Dog Show.

Ella wants everyone that she loves to see her perform in the next dog show, but her dad can’t stand to be around Krishnan. Ever since her mom and dad’s divorce, Ella’s dad has been lonely and depressed. When Ella’s friends suggest she find her dad a new girlfriend, it seems like the perfect idea. A new girlfriend will lift his spirits and hopefully make him want to come to her next dog show.

When Ella and her friends create a fake online dating profile for her dad, Ella’s convinced that nothing can go wrong. But soon, Ella realizes that her plan isn’t as perfect as she thought. Can Ella find the perfect girlfriend for her father? Will she manage to bring her divided life together in time for her moment in the spotlight?

Any tween with divorced parents will relate to Ella’s struggles. When it comes to winning a dog show, Ella thinks practice will give her the winning edge. When it comes to her father, she’s convinced that using scientific data will help her find her dad the perfect girlfriend. Soon, Ella learns that when it comes to dogs and people, it’s impossible to predict how they will react. In the end, all of Ella’s perfect plans led to hilarious disasters.

Any reader with a blended family should read Ella Unleashed. Although Ella does attend several dog shows, the majority of the story focuses on complicated human interactions. Through her experiences, Ella learns that she can’t control everything. The story also shows the importance of communication. At the end of the story, Ella and her father decide to go to counseling to help them work through some of their issues. Ella Unleashed is an easy-to-read story that uses compassion and humor to explore complex family relationships.

Sexual Content

  • While secretly signing her father up for a dating site, Ella and her friend are confused by the drop-down menu. They don’t know what demisexual and non-binary mean.
  • While having dinner at a restaurant, two women discuss breaking up.
  • A character mentions her “college roommate and her wife.”

Violence

  • None

Drugs and Alcohol

  • While at a restaurant, a lady orders a glass of Malbec.
  • While on a date, a woman “is making big sweeping hand gestures as she talks. . . Beth flings her arm to the right, and her hand smacks directly into the server, who’s about to put down their drinks. . . two full glasses of red wine go flying.”
  • When going to a house for dinner, a woman brings wine.

Language

  • “God,” “OMG,” and “Oh my god” are used excessively as an exclamation. For example, a boy tells his siblings, “God, both of you shut up! I hate you!”

Supernatural

  • None

Spiritual Content

  • Ella is preparing for her bat mitzvah by “learning my Torah portion.”
  • While at a dog show, a judge inspects Ella’s dog, who is acting like he has to go to the bathroom. Ella prays that “she doesn’t put her hands anywhere near his bladder.”
  • Ella pretends to be surprised by something her dad said. Ella prays “my surprise looks genuine.”

Wish

Charlie has made a wish every day since fourth grade. Then, social services send Charlie to live in Colby with a family that Charlie has never met. Charlie doesn’t let that stop her from making the same wish, but now Charlie wonders if that wish will ever come true.

Charlie doesn’t get along with the “hillbilly” kids at school; however, her backpack buddy, Howard, just won’t go away. When Charlie sees a skinny stray dog, Howard promises to help her capture the dog. With Howard’s help, Charlie is able to befriend the dog who has captured her heart.

When Charlie’s sister, Jackie, comes to visit, Charlie begins to see things in a new light. Jackie points out all of the good things in Charlie’s new home. When Charlie’s social worker tells Charlie that she will soon go home to live with her mother, Charlie wonders why she isn’t excited by the news. After all, wasn’t Charlie hoping to leave Colby?

Charlie is an endearing character who desperately wants a normal family filled with love. Because of her unhappy family life, Charlie is filled with uncertainty and anger. Like many children, Charlie says things that she doesn’t mean, worries about fitting in, and dreams of a better life. Despite Charlie’s anger, Howard befriends Charlie, and she soon learns the true meaning of friendship.

Wish is a compelling story about Charlie’s struggle to understand her broken family life. Charlie’s strong voice allows the reader to understand both her anger and her confusion. Charlie is surrounded by an interesting cast of supporting characters that help her begin to heal. With the help of her foster parents, Gus and Bertha, Charlie begins to realize that possessions don’t make people blessed—love does.

Even though Wish deals with the difficulty of coming from a broken family, Charlie’s feelings are described in ways that young readers will understand. Even though the story focuses on Charlie’s internal struggle, the story contains enough action to propel the story forward. Wish is beautifully written, and each character jumps off the page.

When Charlie allows her anger to get the better of her, she is often surprised by Bertha’s kind reaction. Bertha tells Charlie, “You can’t judge people for the mistakes they make. You judge them for how they fix those mistakes.” In the end, Charlie realizes that she has a “real family,” even if it is different than a traditional two-parent household. Wish is written with compassion and insight that will help readers understand the importance of friendship and family.

 Sexual Content

  • None

Violence

  • When a girl makes fun of Charlie’s boots, Charlie “kicked her skinny shin. Hard. The next few minutes were a blur of crying and hollering and tattling and then I found myself sitting in front of Mr. Mason, the principal.”
  • Charlie tells her friend about a time when “I got sent home from kindergarten the very first day for poking some boy with a pencil.” She said she used the pointy side of the pencil.
  • Bertha tells Charlie a story about when her mother was in elementary school. When a boy was being mean, Charlie’s mother “stomped over to that boy and bit him on the hand so hard he hollered like she’d cut his hand off with a butcher knife. Then ran home crying while she hollered cuss words at him.”
  • When a girl accuses Charlie of lying, Charlie gets angry and “before I knew it, I was standing over her with my fists balled up and my heart beating like crazy. I felt red-hot anger settle over me like a blanket. I wanted to stomp her perfect sneakers. I wanted to yank those butterfly barrettes out of her hair.” Charlie’s friend comes over and calms her down.
  • When a boy makes fun of Charlie’s friend, Charlie got angry and ran “straight at T.J., full steam ahead. I kept my arms stiff in front of me and bam! I shoved him so hard his head snapped back and he crashed face-first into the dirt. I confess I was more than a little surprised when he got right up and shoved me back, knocking me to the ground.” The vacation Bible school teacher breaks up the fight.

Drugs and Alcohol

  • None

Language

  • Dang and Darn are used often. For example, after Charlie kicks a girl, her friend asked her, “Dang, Charlie, why you gotta get so mad about that?”
  • Heck is used once. While talking to Bertha, Charlie wonders, “What the heck kind of question was that?”
  • Charlie calls her friend a “squirrel-eating hillbilly.” She also refers to the kids that live in Colby as hillbillies.
  • Charlie’s friend calls her a “quitter and a baby.”

Supernatural

  • None

Spiritual Content

  • Charlie goes to church with Bertha and Gus. Charlie “hadn’t been to church since I was little. Scrappy [her father] never wanted any part of it, calling those people do-gooders and Bible-thumpers, but Mama took me and Jackie for a while.”
  • When a snake gets into the house, Bertha stayed with a friend “for nearly a week until Gus swore on the Bible that it was gone.”
  • Charlie goes to a friend’s house for dinner. “So we sat at the table and before I knew what was happening, Howard grabbed my right hand and Dwight grabbed my left and they all bowed their heads while Burl said the blessing. He thanked the Lord for nearly everything under the sun, inkling the deviled eggs on the plate in front of him.”
  • When Charlie goes to dinner at a friend’s house, “everyone held hands and Dwight said the blessing and thanked the Lord for baked beans and new friends.”
  • Bertha and Gus invite friends over for dinner. Before eating, everyone “held hands while Mr. Odom said the blessing. Gus and Bertha weren’t the blessing type, but I guess they did it to be nice to their company. Mr. Odom sure had a lot of stuff to be thankful for, everything from this beautiful day to those turnip greens.”
  • Charlie attends vacation Bible school and learns songs.
  • Charlie thinks about “those good-hearted Odoms thanking the good Lord for me at their supper table.”

She’s the Liar!

When Abby enters sixth grade at her new boarding school, Brookside Academy, she is determined to reinvent herself. She sheds her shy personality and starts playing the part of the confident, bubbly, popular “Abbi.” She quickly learns about the Committee, an all-powerful student organization that controls nearly every aspect of extracurricular life. Whatever you do, you don’t want to be on the Committee’s bad side.

Abby’s older sister, Sydney, is in eighth grade at Brookside. At home, she was always a loner, so Abby is shocked to discover that Sydney has also crafted herself into a new person at school—she’s the president of the Committee and rules the entire student body through intimidation.

Each sister is a threat to the success of the other’s new personality, and things get heated as Abby and Sydney try to outmaneuver each other for power and influence. Both girls have hidden motives, and they soon find themselves hopelessly tangled in a web of lies, schemes, and blackmail.

She’s the Liar! uses the backdrop of a boarding school to highlight the fact that every story has two sides. The first half of the book is told from Abby’s point of view. In the past, Abby allowed one embarrassing moment to define her. Now that she’s at a new school, Abby decides to reinvent herself. Instead of avoiding people, Abby is going to be outgoing, join clubs, and make friends. Soon, Abby is able to overcome her fears and she realizes, “The old me would’ve been totally terrified that if anyone knew my secrets, nobody would like me. But then you told me that I had to own my failures and my success, because they’re all part of me.”

The second part of the book is told from Sydney’s point of view. At the beginning of the book, Sydney’s actions seem villainous and cruel. Adding Sydney’s point of view allows readers to understand her actions, which are largely based on insecurity. Even though it is clear that the reader is supposed to sympathize with Sydney, why she blackmails people instead of befriending them is never mentioned. The ending is a little too sweet and unrealistic; however, even Sydney learns the importance of taking ownership of her past deeds.

Middle school readers will relate to Abby’s fears and uncertainty, and they will cheer for her when she takes steps towards being a better person. Even though there are some holes in the plot, younger readers will still enjoy the story, which showcases student government and sister relationships. Even though the story focuses on Abby and Sydney, the other characters in the book have different interests: astronomy, theater, dance, and even playing Dungeons and Dragons. The other characters add interest and show that people’s differences should be celebrated. She’s the Liar! is an entertaining story that teaches that no one should feel embarrassed about their past.

 Sexual Content

  • One of the sixth graders is embarrassed because “I wrote this really stupid, gushy letter to a guy in my youth group.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • “God” and “Oh my god” are frequently used as exclamations. For example, during play auditions when a girl sings, someone says, “Oh my god, she’s so good.”
  • Freaking is used once. When Sydney approves purchasing a telescope, someone asks, “Jenna gets a freaking telescope, and I can’t have two hours at the mall?”
  • Pissed is used once. When a student tells her friends that Sydney tried to blackmail her, her friends were “pretty pissed.”
  • While out to dinner with their parents, some girls walk by the table. Abby asks her sister if the girls are her friends. Sydney replies, “I would never associate with those idiots. God, don’t be stupid.”

Supernatural

  • None

Spiritual Content

  • While on stage, Sydney takes “a deep breath like I taught Abby to do and pray everyone can’t read my emotions all over my face.”

Hair Love

Zuri’s hair lets her be her. It coils and kinks to perfectly match a princess tiara or a super-hero cape. This morning, Zuri is too excited to sleep because her mom is coming home. Zuri knows that she’s beautiful, but today she wants an extra-special hairstyle.

Zuri knows her father has had to work extra hard while her mom was away, so she doesn’t want to wake him up. Zuri wants to do her own hair, but she accidently wakes up her daddy. He is convinced that styling Zuri’s hair will be “a piece of cake.” Soon, Daddy realizes that Zuri’s hair has a mind of its own.

While Zuri’s father loves the hairstyle he has created, Zuri and her cat aren’t impressed. After several styles and some tears, Daddy watches a tutorial. “Daddy combed, parted, piled, and twisted. He nailed it!” When Mommy comes home, she gives Zuri a big hug and tells her, “And your hair is beautiful.”

Hair Love isn’t only a book about expressing yourself, but also a beautiful story of a father and daughter. Both Zuri and Daddy show each other their love through actions. Zuri makes her father breakfast—cereal, an apple, and a juice box. Zuri lets him sleep because she knows he is tired. Zuri’s father also acknowledges Zuri’s need to look beautiful and creates several hairstyles before he finds the perfect one.

Told with full-page pastel illustrations, Zuri’s plight becomes real. When Daddy tries to style her hair, the results are often comical. Both the cat and Zuri’s opinions of each hairstyle are portrayed through the characters’ expressions. Even though the illustrations are often humorous, Hair Love does an excellent job of showing how Zuri’s hair allows her to express herself. The ending of the story shows Zuri’s mother, who is wearing a scarf over her head, hinting that she is undergoing cancer treatments. Even though most readers will not pick up on this aspect of the story, readers who know someone with cancer will understand the illustration’s significance.

Readers will fall in love with Hair Love and want to read the story over and over. Through both the illustrations and text, the story shows the special bond between father and daughter and highlights the family’s love for each other. The story’s message is simple and readers will understand Zuri’s need to feel beautiful and to express herself. Hair Love will leave readers with a smile and a new understanding of family love.

Even though Hair Love is a picture book, the story is intended to be read aloud to a child, rather than for a child to read it for the first time independently. Most pages contain 1-2 sentences, which makes the story a quick read and an excellent bedtime story. Hair Love should be in everyone’s home library because the story showcases healthy family relationships and highlights the importance of expressing yourself. If you’re looking for another picture book that explores family relationships, add Mars Needs Moms by Berkeley Breathed to your reading list. Another must-read picture book that shows the importance of loving yourself is Sulwe by Lupita Nyong’o.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

We Set the Dark on Fire

We Set the Dark on Fire takes place on the fictional island of Medio, where a wall separates the poverty-stricken coast and the wealthy inland. Medio has rich mythology about a complicated love triangle between the Sun God, the Moon Goddess, and a human woman. The myth ends with the three entities marrying each other in a holy trifecta. Because of this myth, wealthy inland families customarily marry their sons off to two wives: a “Primera” and a “Segunda.” The Primera functions as a “political” wife who manages her husband’s social appearances and accompanies him at public functions. The Segunda is the mistress who is responsible for bearing and raising the husband’s children.

The story centers around Dani, a seventeen-year-old girl who is graduating from finishing school and is about to start her life as a wife. Despite graduating at the top of her class, Dani is worried about taking her place in the household. Political riots have made the police paranoid, and she is worried that the increased security will reveal that her identification papers are forged. Her parents are from the coast and have risked everything to put her in finishing school.

Dani is soon married off to a powerful political figure in one of the richest families in the Capital. She is the Primera and her school rival, Carmen, is the Segunda. She has little time to settle into household life before being approached by a rebel spy group, La Voz. The spies give her fresh papers so that she can pass a checkpoint, but in return, Dani is dragged into a world of political tensions and intrigue. Soon, she finds herself steeped too deep in her husband’s family’s corruption and is forced to confront ugly truths about the family she has married into. While dealing with espionage and lies, Dani must use all her wits to conceal her own secrets, which include her forged identity, her alliance with La Voz, and a budding romance with Carmen.

We Set the Dark on Fire is an original, well-written story. Mejia navigates a complicated political plot deftly. The story’s twists and turns may become confusing at times, but the narration avoids losing its thread. The prose is poetic and brings Dani’s character to life. The reader will soon be invested in the world of Medio’s aristocratic gender politics where Primeras are expected to show no emotion. Dani, who has been training for years to assume the role of Primera, is well-accustomed to showing no emotion. The layers of composure beneath that she hides add texture and detail to the narrative. She is excellently characterized.

The emotional core of the novel is formed from two main elements. The first is Dani’s relationship—and eventual romance—with Carmen. The tension and forbidden love between the two wives is excellently written, and readers will root for the couple as the stakes get higher and the lies get thicker. The second element is Dani’s love for her hometown. Although she was sent away to school at age twelve and never returned, Dani has a strong love for Polvo, the simple town where she spent her childhood. Upon entering the aristocracy, Dani discovers that she is disgusted by the excess and wealth that her new family can afford. Although she looks back fondly on her time in Polvo and wishes she could live there, she knows that Polvo is racked with poverty and that the police terrorize its citizens.

American readers may notice that the world of Medio draws certain parallels to events on the news. The island is divided by a wall meant to keep certain people out; the police are brutal towards the poor; the culture features Spanish words and foods. The narrative never makes the allegory overly obvious, but the book is deeply political. In one scene, Dani feels regret that she can have fun at all when so many people are suffering. Her guilt and class consciousness will strike a chord with many readers. While the book puts strong moral themes into conflict, the reader likely will not feel patronized or preached to; rather, they will simply want to know what happens next.

Sexual Content

  • Dani and Carmen’s new husband frequently looks at Carmen in suggestive ways, “raking his eyes over her body in a greedy way.”
  • Carmen wears revealing clothing. “Carmen was never underdressed—unless you counted too much bare skin. Today’s dress was plunging.”
  • A seamstress measures Dani and Carmen for new clothes, and Dani is nervous about undressing in front of another person. There are moments of uncomfortable sexual tension. “Carmen in clothes was ridiculous, but in nothing but her underwear she was, objectively, a work of art. She was all circles and curves, all dark amber and soft edges.”
  • In a lie to cover up her communication with La Voz, Dani tells Carmen that she fired a gardener. Dani says, “I heard him talking about you. About your figure in your dress and how he’d like to . . .  well, you get the point . . . I let him go for saying inappropriate things.”
  • In the shower, Dani fantasizes about Carmen. “There was a heat building deep within her. Deeper than her muscles or her bones or her pounding pulse. It was a primal, secret ache that she’d never allowed herself to feel before this moment. Her fingers knew where to find the source of that feeling, and when they went wandering, Dani didn’t stop them. . . In only a few moments, she was lost to the sensations.”
  • After being attracted to each other for a long time, Dani and Carmen finally kiss. “Their lips met like swords sometimes do, clashing and impatient and bent on destruction, and Dani thought her heart might burst if she didn’t stop, but it would surely burst if she did.”
  • Dani and Carmen’s husband are accused by his parents of having an affair. “If you’re going to have an affair, at least be discreet, for Sun’s sake. The years between marriage and moving your Segunda into your room are long, but . . .”
  • Dani and Carmen’s husband kisses Carmen “longer than he should have been allowed, especially when they weren’t alone.” Dani imagines “the places a kiss like this could lead. The places they would necessarily lead, if Dani was still here when it was time for them to produce a child. But would Mateo really wait that long?”
  • Dani and Carmen spend an intimate night together, and Dani is nervous about what Carmen expects. “She was a Segunda, of course; maybe kissing wasn’t enough. Dani tried not to balk at the thought of clothing coming off, of touching someone else the way she’d barely touched herself . . . she wasn’t ready. Not yet.” Carmen reassures her that she doesn’t expect anything sexual. “Don’t worry about that, okay? If we want to . . . when we’re ready . . . we’ll talk about it. But for now, I just want to do this until I get dizzy.” The narration skips over the rest of the night but implies that they continue making out until morning.
  • After their night together, Dani observes herself in the mirror. “She didn’t look like a Primera anymore. She looked like a girl who knew the taste of lips and tongues. A girl who had wondered what was next.”
  • Dani spies on two minor characters, José and Mama Garcia. “Whatever José had been about to say, it was swallowed by Mama Garcia as she claimed his mouth in a passionate kiss. One that clearly wasn’t a first between the two.”

Violence

  • The police use firearms and deadly force. During one chapter, Dani and Carmen have to navigate through a market where a confrontation is taking place between the police and La Voz. The police fire several times and create havoc, but the “long, shallow scratches on her neck were the least of Dani’s worries. There had been blood on the pavement as they’d left the marketplace…” Later, she learns that her main contact within La Voz was shot. “‘Just a scratch,’ he said, but a complicated web of bandages spread across his chest and down his left arm, telling a more sinister story.”
  • Members of La Voz gather in the market with torches to burn it down. Dani barely escapes in time and suffers severe burns. “The figure watched, mask expressionless, as she rolled on the stone stage, trying desperately to put out the fire that had taken over her every thought and feeling. When the flames finally died, the fabric of her expensive dress had become one with her skin, and when she tugged at it her vision went black in spots, coming back slowly to reveal an inferno where she had just been standing.”
  • A member of La Voz holds a knife to Dani’s throat and threatens her life. “The knife pressed harder against her throat, kissing her skin until it broke.”
  • Dani is pulled away from a car that explodes with people inside of it. “Carmen slammed into her from behind, knocking the wind out of her. She didn’t say a word as she scooped Dani up into her arms and flat-out ran back to the car. The whining was deafening now. Above them, the air seemed to grow thinner, the stars too bright. Carmen threw her painfully to the ground behind the hired car, barely covering Dani’s ears with her hands before the darkness exploded all around them.”
  • A member of La Voz holds a gun to Dani’s head, but then empties her clip into a burning car instead of shooting her.

Drugs and Alcohol

  • Playing cards only come out “when the men at a party got too deep in their expensive liquor and one of them had something to prove.”
  • Dani recalls her school roommate “dizzy with drink from the Segundas’ legendary last-night party. She’d been loose and smiling, drunk on her own triumph as much as the rose wine.”
  • The women of the aristocracy frequently drink sangria together, though never to the point of impropriety.
  • When Dani’s husband catches her in his private study, he has her sit down and drink “a clear liquid that smelled like an open flame.” He is already drunk and slurring his words. Dani gets a “pleasant buzz” and stumbles a little while leaving.

Language

  • Occasionally, characters will swear on the Sun and Moon gods and say, “For Sun’s Sake.”

Supernatural

  • Dani recalls her mother’s proficiency in telling fortunes with a deck of cards. “Her mama told the women of the town of small illnesses that were coming: a jealous eye on a child; a husband growing too fond of the fermented pineapple rind most families brewed in the dirt patches beside their houses.”

Spiritual Content

  • Dani views the world through her own religion, which differs from the religion of the inner island. While the inner island focuses on “large gods,” such as the Sun God and Moon Goddess, Dani sees small gods everywhere.
  • For example, during a tense moment, “Dani closed her eyes and muttered a half-forgotten prayer to the god in the air, to the goddess in the flames. Keep calm, she beseeched them. No one around her would understand. Her parents’ gods weren’t in fashion—only the bearded visage of the Sun God, who ruled masculine ambitions and financial prosperity.”
  • These invocations of small, unnamed gods appear throughout the narration and often serve to illustrate what Dani is thinking or feeling.

by Caroline Galdi

 

 

Sofia Valdez, Future Prez

Every morning, Abuelo walks Sofia to school . . . until one day Abuelo hurts his ankle at a local landfill and he can no longer do so. Sofia misses her Abuelo and wonders what she can do about the dangerous Mount Trashmore. Then she gets an idea—the town can turn the slimy mess into a park! She brainstorms and plans and finally works up the courage to go to City Hall—only to be told by a clerk that she can’t build a park because she’s just a kid. Sofia is down but not out, and she sets out to prove what one kid can do.

The story focuses on Sofia’s desire to rid the town of a huge trash heap. However, it is unclear where all the garbage came from and in the end, the story doesn’t explain where all the trash went. The huge pile of trash consists of everyday items, egg cartons, spoiled food, disposable cups. Although the everyday items show how everyone contributes to the pile, most younger readers will miss this lesson.

At first, Sophia is overwhelmed and “her heart skipped a beat as she realized each one of her neighbors had said: “Let me know when it’s done!’ They all thought Sofia could build it alone.” However, Sofia doesn’t give up. Instead, she goes to city hall, where she is sent to six different offices, each with a ridiculous silly name like “The Department of Cheese” and the “Office of Monkeys”. Younger readers won’t understand the humor of dealing with a city’s bureaucracy, but they will enjoy seeing a duck, a monkey, and a man dressed as cheese in the offices. Even though Sophia eventually gets the help of her classmates and adults, most of the story focuses on the process of making a park.

Sophia’s determination allows her to go through the process of getting the park built, starting with a petition drive. Sophia leads a group of diverse people who hold signs asking people to sign the petition. The illustration shows Iggy Peck, Rosie Revere, and Ada Twist from Beaty’s previous books. Although their appearance is quick, readers will enjoy seeing the familiar characters. The petition illustration shows a child in a wheelchair as well as children of different races. Sophia is Latinx, drawn with medium brown skin, and her abuelo speaks one line in Spanish.

Written in rhyme, Sofia Valdez, Future Prez will entertain readers with funny events and detailed illustrations. However, the story lacks Sophia’s though process and the theme is not well developed. Nevertheless, the story would be a great conversation starter because readers will be inspired with Sophia’s can-do attitude, her leadership skills, and her desire to help others.

Even though Sofia Valdez, Future Prez is a picture book, it is intended to be read aloud to a child, rather than for the child to read it for the first time independently. The rhyming makes the story fun to read aloud. However, some pages are text-heavy and have up to 11 lines on a single page. Sofia Valdez, Future Prez’s will entertain readers as it teaches that one person can make a difference.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

On Thin Ice

Lina’s excited about her class field trip to the aquarium. Lina has never ridden on a yellow school bus or gone to the aquarium before. When Lina finds out that her cousin will be visiting and going to school with her, Lina’s a little bit nervous. Because of his ice magic, Jack soon becomes the most popular kid in school. Lina is jealous of Jack’s ice magic skills and she is tired of him always showing off.

At the field trip, Lina and Jack see the penguins. Each one wants to prove that they can build the best ice sculpture. But soon their magic is out of control. Although the penguins love the ice slides and the mountains of snow, the other aquarium animals are in danger. Will the two cousin’s competition turn the aquarium animals into icicles? Will they ever learn to get along?

Readers will relate to Lina’s jealousy of her cousin’s ice magic skills. Lina and Jack get along fine when they are alone, but once Jack is around people he always shows off. In the end, both of them realize that jealousy can be dangerous. Eventually, Lina learns that Jack “thought that if everyone saw I was so good at winter magic, they’d ask me to come back and teach you again.” Even though their ice magic gets them into some cold situations, in the end, both Jack and Lina learn the importance of learning from each other.

Illustrated with cute black, white, and purple illustrations, On Thin Ice is perfect for any reader who dreams of being a princess. Even though Lina tries hard to be nice, she still makes mistakes.  On Thin Ice is told in a diary format using simple vocabulary. The paragraphs contain three or fewer sentences and have a variety of graphic elements to break the text into small portions. The easy-to-read story has relatable conflicts and highlights the importance of communication.

The cute illustrations include pictures of all of the characters and Lina’s activities. The bright purple-and-black illustrations appear on almost every page, and they include illustrations of binder paper with a list that helps readers understand the plot. For example, Lina makes a list of “things I’d noticed earlier this week.” In addition to the illustration, Lina’s grandfather’s words are in big, bold text, which will help the reader distinguish the speaker.

Readers who like friendship, magic, and animals will enjoy On Thin Ice. The story teaches about animals. The end of the book explains how blubber works and gives directions for an experiment. Parents will like the encouraging characters and the positive life lessons the story teaches. Scenes of a perfect pink palace in the sky are mixed with a regular school and kind characters to create a story that will please both parents and younger readers.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Lina’s granddad is the North Wind and he created the jet streams. Both Lina and her cousin Jack are winterharts who can control snow and ice.
  • In Lina’s world, some people have different powers. “Skypainters make sunsets and rainbows. Sparkarachers create lightning and thunder. Stormsirrers make big storms, like hurricanes and tornadoes. Windtamers control the wind and the weather.”
  • When Lina was practicing her magic, she “stood up straight and tall. I let my breath out slowly and spread my fingers wide. The spray of the water froze in midair, making a sheet of ice that looked just like glass.”
  • Lina thinks back to when she was a baby. “The only memory I have of my cousin Jack is from a family reunion at Granddad’s castle when Jack froze my diaper.” Later Jack says, “you ran around the room screaming, ‘Butt cold! Butt cold!’”
  • Jack tries to help Lina control her power. Jack tells her “Focus your magic on just one snowflake, and allow your magic to flow out from there, building and building, crystal by crystal.”
  • While collecting bugs for a class project, Jack “was using his frost magic to stun the insects. That made them slow enough to catch in his jar. As soon as the insects warmed up, they were flying around again, totally fine.” When Lina tries ice magic on a spider, “all of a sudden a ball of snow formed above the spider and dumped right on top of him.” The spider is not injured.
  • Both Lina and Jack want to prove that they have better ice magic. While at the aquarium, they begin making ice sculptures for the penguins. Jack “waved his fingers at the glass, and formed a slide of his own with fancy curlicue decorations made out of spindly ice crystals.” Trying to make a better ice feature, Lina “made snow fall inside the exhibit. I used my powers to scoop the snow into a ramp that the penguins could use to launch themselves in the water.” The two make so many ice features that they endanger the other animals. An employee is able to turn up the thermostat so none of the animals are hurt.

Spiritual Content

  • None

Jada Jones Dancing Queen

When the student council decides to host a dance as their next fundraiser, Jada feels nervous and queasy. She’s excited to give back, but she can’t dance! Still, she’s determined to help the cause and show she cares. She practices her moves, gets help from friends, and even does research at the library to prepare—but will it be enough to help her create change in her community?

Jada Jones Dancing Queen leaves the science behind and focuses on helping others. Jada Jones, the science-loving girl, is worried about what others will think of her less-than-perfect dance skills. Even though Jada’s friends and family try to teach Jada some dance moves, Jada worries about embarrassing herself. By the end of the story, Jada realizes her dance moves don’t need to be perfect. Like the previous books in the series, Jada Jones Dancing Queen has relatable characters, realistic conflicts, and reinforces real-life lessons.

When the student council begins encouraging others to show kindness, Jada witnesses several small acts that make a big difference. For example, students began complimenting others and one student helped a kindergartener tie his shoe. When the student council decides to raise money to purchase coats for kids in need, Jada makes it clear that everyone needs help at some point. Jada uses money that she had been saving for a rock tumbler to purchase a coat for the coat drive. The best aspects of the Jada Jones series is Jada’s positive behavior as well as the encouraging family interactions.

Jada’s struggle comes to life with black and white pictures that have a pop of purple. Jada Jones Dancing Queen is intended for readers who are transitioning to chapter books. The story has eight short chapters, easy vocabulary, and illustrations on almost every page. The story does have several pages with only text and some complicated sentence structure. Science-loving readers may also want to read Ellie, Engineer by Jackson Pearce and The Data Set series by Ada Hopper.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Dog Who Lost His Bark

Patrick has been desperate for a dog for as long as he can remember. A dog he can play with and talk to. A buddy. A best friend.

In his young puppy life, Oz has suffered at the hands of some bad people. His mother told him that somewhere out there is a boy or girl just for him, but Oz no longer knows who to trust. When Patrick finds Oz, he is determined to coax the frightened little dog’s bark back. Then they can finally both be happy, can’t they?

The Dog Who Lost His Bark is a sweet story about a boy and his dog; however, the story hits some heavy topics. Patrick and his mother are spending the summer at his grandfather’s house. During this time, Patrick continues to ask where he will see his father again. His mother avoids the question until the very end. Then she tells him, Patrick’s father “found someone new for himself in Sydney last year, and she’s coming back with him.” Even though Patrick is clearly distressed with his father’s long absence, neither his mother nor father talk to him about the upcoming changes in his life. The story never resolves the conflict, which leaves the reader with many questions.

When Oz was a puppy, he was taken home by a family that was clearly abusive. Although the story does not describe the abuse in detail, younger readers may become upset when they see Oz mistreated and eventually thrown into a trash heap. Patrick goes to a shelter and chooses to take Oz home. Patrick knows he needs help in order to bring Oz’s bark back, so he consults books. Patrick is kind and patient with the sad puppy. However, when Oz poops in Patrick’s shoe, Patrick doesn’t take him outside or teach him where to go to the bathroom. Instead, Patrick keeps putting clean shoes in the room for Oz to use.

The story uses easy vocabulary and short paragraphs, and explains Oz’s emotions in easy-to-understand terms. Some words run together and are in all caps, such as BADSTUPIDDOG, which may cause some confusion for younger readers. Beautiful charcoal sketches appear on almost every page that convey the character’s emotions. Animal lovers will enjoy The Dog Who Lost His Bark; however, because the story contains animal abuse and parents separating, parents might want to read the story with their child.

Sexual Content

  • None

Violence

  • A man and woman take Oz. They put him in a box and leave him in the car overnight without food or water. When they give Oz to their son, he begins poking Oz. “All the people were laughing now. It seemed they enjoyed the boy’s game. They laughed even louder when the boy lifted Dog by his tail, and Dog felt as if his tail would tear off.”
  • A man wraps Oz up in linoleum flooring and throws him in the dump.

Drugs and Alcohol

  • None

Language

  • Several times, a man calls Oz a STUPIDDOG.
  • After a boy knocks down the Christmas tree, “The big man made a sound: ‘OHMYGOD.’”
  • The boy calls Oz, “POOPOODOG” and “STUPIDPOOPOODOG.”
  • Patrick’s mother playfully calls Patrick “dopey.”

Supernatural

  • None

Spiritual Content

  • None

Sisters

Raina wants a little sister, but once Amara shows up, things aren’t how she expected them to be. Amara cries a lot. She’s grouchy. To make things worse, Amara always has to get her own way. As the two sisters grow up, their relationship doesn’t improve. When their baby brother is born, the tiny apartment that they live in becomes even more cramped.

When the family is invited to Colorado for a family reunion, Raina’s mom decides to take a road trip without their dad. Being stuck in a car for three weeks doesn’t bring the sisters any closer. Instead, they argue their way across three states. Is there anything that will bring these two sisters together?

Sisters doesn’t just focus on the family car trip, instead, it continuously jumps back to the past to show how Raina and Amara’s relationship has always been full of conflict. Both girls are mean, argumentative, and do things just to irritate each other. Amara is a complete brat, while Raina tries to block out everything by wearing headphones and ignoring everyone. While younger readers may think the sisters’ behavior is silly, parents will not want their children to emulate the siblings’ behavior.

Throughout the story, the two girls are never disciplined. At one point, Raina’s parents give up their bedroom, so Raina can have her own space. Because the parents knew Amara would be “a little put out,” they let her get a pet snake. However, the family doesn’t research the pet before they purchased it, and the snake eventually ends up lost in the family van.

Sisters is a simple story told through both illustrations and text. Each page contains eight or fewer sentences. The easy vocabulary, simple sentences, and bright pictures make Sisters accessible to all readers. The brightly colored pictures do an amazing job at showing the facial expressions of the characters, which brings the character’s emotions to the forefront. Although the story will engage readers, parents may want to skip picking up this book and instead try Raina Telgemeler’s graphic novel Ghost which shows a healthy sibling relationship and has a positive message. Roller Girl by Victoria Jamieson is also an excellent graphic novel that contains a positive message.

Sexual Content

  • None

Violence

  • While riding in the car, Raina ignores her sister, so Amara reaches over and punches her in the arm.
  • Amara’s pet snake tries to bite her.

Drugs and Alcohol

  • None

Language

  • Amara calls Raina a moron and an idiot.

Supernatural

  • None

Spiritual Content

  • None

Boo’s Dinosaur

When Boo brings home a dinosaur that only she can see, her brother Sammy doesn’t want to encourage her antics. Boo and her dinosaur are inseparable until Boo says goodbye to the dinosaur quite suddenly.

When Sammy sees how sad his sister is, he understands Boo’s need for her dinosaur more than he wants to admit. So much that he almost believes it . . . almost.

Boo’s Dinosaur focuses on Boo and her imaginary friend. The simple story portrays Boo’s family in a positive light, and Boo’s brother Sammy demonstrates patience. The cute story has a simple plot that is easy to understand. However, none of the characters or situations are memorable.

Beginning readers looking for early chapter books will find Boo’s Dinosaur a good bridge between picture books and chapter books. The story has eight or fewer sentences on each page. With six short chapters and easy-to-read vocabulary, beginning readers will be able to read the book independently. Black and white illustrations appear on every page, which breaks up the text as well as shows Boo with her dinosaur. The adorable illustrations bring Boo’s imagination to life and will help readers understand the plot.

Dinosaur-loving readers who are ready for more advanced chapter books and want more adventure should try The Dino Files Series by Stacy McAnulty and the Dino Rider Series by Will Dare.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Boo’s Surprise

Boo is excited to receive a giant egg—and to find out what’s inside! Her brother, Sammy, is not, but he is still willing to help her after the egg hatches into a lovable baby dinosaur. Is it all Boo’s imagination or not? The youngest chapter book reader will want to find out in this wonderfully imaginative sequel to Boo’s Dinosaur.

 Boo’s Surprise focuses on Boo and her growing dinosaur. The simple story portrays Boo’s family in a positive light, and Boo’s brother Sammy demonstrates patience. When Boo raids Sammy’s games, he is clearly annoyed, but he still takes the time to help Boo clean up the mess. The cute story has a simple plot that is easy to understand. However, none of the characters or situations are memorable.

Beginning readers looking for early chapter books will find Boo’s Dinosaur a good bridge between picture books and chapter books. The story has eight or fewer sentences on each page. With seven short chapters and easy-to-read vocabulary, beginning readers will able to read the book independently. Black and white illustrations appear on every page, which breaks up the text as well as shows Boo with her dinosaur. Readers will enjoy seeing a dinosaur dressed up like a cowboy and jumping rope. The conclusion leaves the reader wondering if Boo’s dinosaur was imaginary or real.

Although Boo’s Surprise is the second book about Boo and her dinosaur, readers do not have to read the first book to appreciate Boo’s Surprise. Readers who are interested in a more advanced chapter book may want to try the outrageously silly story Dinosaur Disaster by David Lubar.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Dream Within a Dream

While her parents are off bird-watching, Louisa and her brother spend time with their grandparents, Jake and Boots. Louisa isn’t looking forward to spending the summer with her grandparents. Louisa dreams of traveling with her globe-trotting parents, whereas her brother would like to find a way to stay on Deer Island forever.

While staying with her grandparents, Louisa worries about her grandfather Jake, whose eyesight is failing. Jake has always driven Boots around, and he loves his car. And Jake’s worsening eyesight isn’t the only that that is changing. This year, twelve-year-old Louisa’s summer takes an unexpected turn when she is introduced to George. Can Louisa find a way to embrace the changes that come with growing up?

George pushes Louisa to move out of her comfort zone, allowing her to see herself in a new light and finally realize that she is beautiful. Louisa and George are friends from the start and soon must navigate growing feelings for each other. George and Louisa go on a “date,” they kiss, and they decide they are in love with each other within a short period of time. The romance is sweet, and the author hints that George and Louisa’s love will last a lifetime.

Most of the story is told through the character’s dialogue, which takes place in short phrases. The majority of the paragraphs are one to two sentences. The dialogue, short paragraphs, and simple vocabulary make the story easy to read. However, Dream Within a Dream will appeal to adults more than children because it revolves around relationships and contains little action. The story portrays healthy, long-term relationships and shows the importance of helping each other.

Louisa is a very likable character who is kind to others. With George’s help, Louisa interviews people in their community and writes poetry about each person she meets. Since the story is so short, readers may have a difficult time keeping track of the many characters. Dream Within a Dream shows the importance of embracing change. Even though Dream Within a Dream has many positive aspects, only readers who enjoy realistic fiction that focuses on relationships should pick up the book. Readers who are eager for action, adventure, or fantasy will find the story difficult to enjoy.

Sexual Content

  • Louisa’s grandfather comes into the room and, “he puts his arms around [his wife] and kisses her for a long, long time. I don’t know if I’ve ever seen such a long kiss.”
  • George says that his parents kiss often. Louisa says her parents “don’t kiss in front of us.” Louisa’s brother jumps into the conversation and says, “My friend Joey says my parents have kissed two times—once for Louisa and once for me.”
  • Louisa’s brother sees George’s parents and says, “They’re kissing now.”
  • Louisa is swimming when she gets a cramp in her leg. George jumps in the water to help her. “And then George kisses me. . . Our bodies are as close as friends can be. And to make him feel better, I kiss him back. And we begin to laugh, our lips together, like Jake and Boots laughing when they kiss.”
  • Louisa’s grandmother tells her, “Jake and I were in the sixth grade when we kissed each other for the first time.”
  • During a storm, Louisa kisses George “too fast for Boots and Jake to see.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

 

Far From the Tree

Grace always thought she was going to attend homecoming with her boyfriend, Max. All the pictures, suits, dresses, makeup, heels—it was supposed to be one of the happiest, most memorable nights of her life. However, after Grace gives birth to Peach, her and Max’s baby—Grace finds herself giving Peach away to adopted parents on homecoming night. After giving Peach away, Grace is desperately alone and decides to find her own biological mother.

As Grace searches through adoption paperwork for any information on her birth mother, she learns she has a biological sister and brother. Maya lives close by, but in a family where she feels she does not belong. After years of group homes Grace’s brother, Joaquin, now lives with foster parents. After a few awkward encounters at a local coffee shop, the three teenagers find out they have more in common with each other than they first thought. Together, they search for their mother, and along the way, they learn what truly defines a family.

Three diverse characters. Three diverse families. Three diverse storylines wrapped up into one magnificent book. Grace, Maya, and Joaquin are unique, well-developed characters each with their own problems. Grace feels alone in the world and finds it difficult to love. Maya feels as if she does not fit into her adopted family because her parents love their biological child more. Joaquin loves his foster parents but is scared to be adopted by them. Together, the three friends help each other cope with their problems. Their combined effort will show readers just how strong the ties of family and friendship are.

Although best suited for older readers, Far from the Tree paints a perfect picture of teenagers in modern-day society. Readers will feel as if they are one with Maya, Grace, and Joaquin and will empathize with them as they struggle against their inner demons. The siblings deal with a multitude of problems including racism, bullying, teen pregnancy, substance abuse, and mental health issues. The dilemmas the siblings face are authentic and will have readers in tears. Benway also dives into the problems that adopted children face and the bullying and torment they often encounter in school and foster homes.

Although the story is easy to read, the heavy topics, profanity, and sexual content make this book more appropriate for older readers. The three main characters each have a different perspective on the issues they encounter throughout the story, so every reader will be able to identify and relate to at least one of the characters and their struggles. Altogether, Benway creates a story of three teenagers against the world. Far from the Tree will tug on readers’ heartstrings and leave them with a new world perspective.

Sexual Content

  • Maya asks Grace if she had a boyfriend. Grace answered “yes,” and “Maya wondered if Grace was lying. Grace seemed like the kind of girl who would wait her whole life so she could lose her virginity on her wedding night, who would read Cosmo articles about How to give him the best blow job of his life! but never actually say the word blow job.”
  • Joaquin reminisces about the first time he kissed his girlfriend. He thinks, “The very first time she had kissed him, he had panicked at how soft she was, how hot her mouth felt, and he didn’t understand how someone with such cold hands could have such a warm heart.”
  • While eating in a sandwich shop, Rafe and Grace sit close to each other. Grace thinks that “no boy had been this close to Grace since the night she and Max had the sex that produced Peach, but she didn’t scoot away from him.”
  • After fighting, Maya and her girlfriend Claire decide to make out. “Maya smiled again, her teeth bumping against Claire’s mouth.” Maya says, “Because nothing’s more hot than making out behind the gym at school.”
  • When Grace accidentally falls in Rafe’s arms, “Grace knew what she was supposed to do in the TV-show version of this moment: kiss him. She knew what she wanted to do: kiss him. And she knew what she couldn’t do, not just yet.”
  • Maya asks Grace if intercourse with Max was good. Grace says, “At least tell me the sex was good. If you have to get pregnant and have a baby, the sex should be mind-blowing.”
  • After breaking up with his girlfriend, Joaquin sees her kissing Colin. Joaquin describes this encounter in detail saying, “They were kissing, Birdie’s long arm wrapped around Colin’s neck the same way that she used to wrap it around Joaquin’s. If he thought about it too much, Joaquin could almost feel the warmth of her skin, the heat of her mouth, the way she always smelled good, like soap and shampoo.” One of Birdie’s friends runs up to Joaquin after the encounter and insists that she is doing it to make him jealous.

Violence

  • When Maya was in third grade, Emily Whitmore explained how Maya’s sister would always be loved more than her because she is a biological child. Maya could still remember “Emily’s face as she explained the ‘facts’ to her, could still remember the sharp, cutting way she’d wanted to put her eight-year-old fist right through Emily’s smug little mug.”
  • After being harassed about having a baby with Adam, “Grace didn’t know what moved first, her body or her hand, but then she was flying over her desk like she was running the hurdles in gym class, her fist out so it could make clean contact with Adam’s face. He made a sound like someone had let the air out of him, and when he fell backward, his desk trapping him against the floor, Grace pinned him and punched him again. She hadn’t had this much adrenaline since Peach had been born. It felt good. She even smiled when she punched Adam for the third time.” Grace and Adam are both taken to the office, and Grace has to be homeschooled for the rest of the year. This scene takes place over two pages.
  • After going out for dinner, Maya finds her mom on the bathroom floor, “crumpled like a baby bird that had fallen out of its nest, and there was blood coming from her head, staining the marble floor that was freezing cold under Maya’s bare feet.” Maya’s mom had fallen after drinking too much.
  • The siblings are meeting at a coffee shop when Adam appears and harasses Grace yet again for having a baby. “Maya was about to do something, say something, anything to release the pressure that she felt exploding her chest, when suddenly Joaquin was up and moving so fast that no one saw him coming. In one smooth motion, he had Adam up against the wall, his forearm pressed across his chest, and Adam looked wide-eyed and scared, a fish out of water.” Joaquin threatens Adam, and Adam never hurts Grace again. This scene takes place over two pages.
  • Joaquin discusses his anger management issues. During one of his temper tantrums when he was younger, Joaquin threw a metal stapler at Natalie, a toddler that Joaquin’s former foster parents, the Buchanan’s, loved. After it hit her in the head and knocked her unconscious, Mr. Buchanan let out a roar and grabbed Joaquin and threw him against a bookshelf, breaking Joaquin’s arm. “Joaquin could still hear the crack of bone, one white-hot pain replacing another, but nothing was as loud as the sound of Natalie falling to the floor.” This scene takes place over two pages.
  • Aunt Jessica describes a truck accident. The woman “was twenty-one, crossing the street, and she got hit by a trucker who ran a red light. He said he didn’t even see her. She died instantly, they said. She didn’t suffer. I worried about that, but that’s what they told us.”

Drugs and Alcohol

  • The night Maya got caught sneaking out with her girlfriend, Maya “had met up with Claire in the park, smoking a joint that Claire had stolen from her older brother, Caleb.”
  • Maya’s mom is an alcoholic, and Maya finds her hidden wine while looking for some costume materials. When Maya pulls boots from the closet, she thinks that “they were heavy when she pulled them out, though, way heavier than any boots should have been, and by the time she’d wrestled them out of the closet and into the bedroom, the bottle of merlot had fallen out. Maya looked at it for a long minute before reaching into the other boot and pulling out a half-full bottle of red zinfandel.”
  • Maya and Grace smoke a joint, much to Joaquin’s surprise. He asks, “Are you supposed to be smoking weed?”

Language

  • Profanity is used frequently. Profanity includes asshole, boobs, slut, idiot, damn, and variations of shit and fuck.
  • Oh My god is used as an exclamation often.
  • After Maya reminisces about being bullied for being adopted, Maya says, “Other kids could be real assholes.”
  • When they pulled up to Maya’s house, Grace’s dad whistled under his breath, and her mom said, “Oh my God, I knew you should have worn a suit.”
  • Joaquin realizes that he has two sisters and exclaims, “Holy shit.”
  • After breaking up with Birdie, Birdie’s friend Marjorie says, “You’re a real asshole you know that?” to Joaquin.
  • At school, Grace was called, “Slut, baby mama, Shamu – the list went on.”
  • When Grace sits down at her desk on her first day back, “Someone had carved SLUT into the fake wood desk, but she wasn’t sure if that was for her, some other girl, or just the product of some bored junior who had a limited vocabulary.”
  • Adam makes fun of Grace by saying, “Grace! Hey, are your boobs all saggy now?”
  • Rafe finds Grace crying in the bathroom after her fight with Adam and says, “Shit, I’m sorry, I’m so bad when people cry.”
  • When Grace asks Maya how school is going, Maya answers, “Sucks donkey balls.”
  • Joaquin likes “Ana’s no-bullshit approach to therapy.”
  • Joaquin thinks that his younger self was “a fucking idiot who fucked everything up.”
  • Maya says, “Everything is so fucking fucked up.”
  • Joaquin was scared of being adopted because he thought his birth mom would come back for him. He says, “It’s stupid, I know, it’s so fucking stupid. I was such an idiot.”
  • Claire freaks out after her parents question her about her relationship with Rafe, and says “If I can’t move forward and like someone and make friends and, God forbid, fall in love again, then I don’t understand why I gave up my baby in the first place!” She ends the argument by saying, “And you can tell Elaine from down the street that what I do is none of her damn business.”
  • After Maya continues to annoy Grace while driving, Grace says, “Maya, I swear to God.”

Supernatural

  • None

Spiritual Content

  • Maya jokes with Grace about why she got grounded, saying “I snuck out last week to practice devil worship with these kids I met in a cornfield.”
  • Maya remembers how Lauren cried after her fish died. Maya “would still swear on a stack of Bibles that she hadn’t touched that creepy, scaly thing. Lauren was paranoid and a terrible fish parent, that was all.”
  • When Grace dips her fries in mayonnaise, Rafe says, “Mayonnaise, it’s the devil’s condiment.”
  • Jessica says, “Oh. Thank God ” after she learns that Grace has great parents.

by Matthew Perkey

Drama

When Callie’s middle school decides to produce Moon over Mississippi, Callie doesn’t want to be on stage. She loves theater, and as part of the stage crew, she wants to create a set worthy of Broadway. But bringing her big ideas to life won’t be easy with a middle school budget and her lack of carpentry knowledge.

Once the actors are chosen, Callie finds herself in the middle of drama onstage and offstage. The actors don’t all get along, and Callie has a confusing crush on an eighth-grader. When two cute brothers enter the picture, things get even crazier.

Drama focuses mostly on the stage crew, which gives the readers a unique look at the hard work that takes place behind the scenes. Told from Callie’s point of view, many fans will be able to relate to Callie as she deals with the confusing world of middle school. Callie is naive, cheerful, and obsessed with having a boyfriend. Callie seems to fall in love with any boy that is nice to her, which causes her heartache. However, Callie does seem to finally realize that having a boyfriend isn’t necessary.

The drawings are colorful and do an excellent job of showing the character’s emotions through their facial expressions. Reluctant readers will appreciate that many of the pages do not have words, but instead tell the story through drawings. Readers will love the manga-infused art, which shows the jealousies and misunderstandings of the cast members.

Although Drama does revolve around the students’ production of Moon Over Mississippi, a majority of the story focuses on the characters trying to discover themselves and their sexual orientation. Like a soap opera, the characters in the book are very interested in who likes who, and who broke up with who. When Callie’s friend tells her that he is gay, Callie easily accepts it and promises to keep the information secret. Drama highlights the importance of being accepting and open-minded, and not judging those who are exploring their sexuality—whether they are straight, gay, or bisexual. Although many readers will enjoy the graphic novel Drama, Callie and the plot are not unique or memorable. There is too much romantic angst and not enough action focusing on the production of the play.

Sexual Content

  • Callie has a crush on Greg. When Greg tells her that he broke up with his girlfriend, she kisses him on the cheek. Greg asks, “What was that for?” Callie tells him, “Oh, I don’t know. Just something I’ve been wanting to do for a while.” They have a short conversation, and then Greg kisses her on the lips. The next day at school, Greg ignores her.
  • In order to make Greg jealous, Callie walks by the baseball field with two of her guy friends.
  • One of Callie’s guy friends tells her that he’s gay. Later, when they discuss the eighth grade dance, the boy says he won’t ask another guy because “my dad would probably flip out, and I’m not sure if he’s ready for that. I’m not sure if I’m ready.” The boy says his parents suspect he’s gay, but “we don’t discuss it.”
  • Callie and a group of theatre kids go into the school’s basement to look at the costumes. They find a girl and a boy hiding behind a rack of clothes, kissing.
  • During the school production, a boy breaks up with the lead girl right before the play is about to begin. The girl melts down and refuses to continue acting in the play. In an act of desperation, one of the boys dresses in an evening gown and steps in for the missing girl. During the kissing scene, two boys kiss. There is an illustration of the shocked expressions of the audience.
  • A boy likes another boy, but he’s unsure if they will become a couple because “West still doesn’t know if he’s really gay. Or, I dunno, Bi, or whatever.”

Violence

  • None

Drugs and Alcohol

  • None

Language

  • Callie calls her brother a “fuzzbrain.”
  • Callie’s friend calls Greg a “dork.”
  • A boy calls his brother a “jerk-face.”
  • “Heck” is used twice. “Darn” is used once.

Supernatural

  • None

Spiritual Content

  • None

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