Enola Holmes is the much younger sister of her more famous brothers, Sherlock and Mycroft. But she has all the wits, skills, and sleuthing inclinations of them both. At fifteen, she’s an independent young woman—after all, her name spelled backwards reads “alone”—and living on her own in London. When a young professional woman, Miss Letitia Glover, shows up on Sherlock’s doorstep desperate to learn more about the fate of her twin sister, it is Enola who steps up. It seems her sister, the former Felicity Glover, married the Earl of Dunhench and, per a curt note from the Earl, has died. But Letitia Glover is convinced this isn’t the truth, that she’d know—she’d feel—if her twin had died.
The Earl’s note is suspiciously vague and the death certificate is even more dubious, signed by a John H. Watson, M.D. (who denies any knowledge of such). The only way forward is for Enola to go undercover—or so Enola decides at the vehement objection of her brother. And she soon finds out that this is not the first of the Earl’s wives to die suddenly and vaguely—and that the secret to the fate of the missing Felicity is tied to a mysterious black barouche that arrived at the Earl’s home in the middle of the night. To uncover the secrets held tightly within the Earl’s hall, Enola is going to require help—from Sherlock, from the twin sister of the missing woman, and from an old friend, the young Viscount Tewkesbury, Marquess of Basilwether!
The interaction between Sherlock and Enola is humorous and although Enola usually doesn’t include Sherlock in her plans, he does acknowledge her ability to come up with a creative scheme to solve the mystery. Like Sherlock, Enola is a capable character who uses her mind to solve problems. To Sherlock’s dismay, Enola’s unconventional upbringing has allowed her to grow into a spunky, self-sufficient teen. Enola explains, “My mother saw to it that I was not taught to knit, crochet, embroider, or play the piano; she wanted to make quite sure that I would never become domestic or decorative.” Enola Holmes and the Black Barouche is an engaging mystery, and also explores women’s roles during the Victorian Era.
Springer excellently narrates the adventure with old fashion language, British colloquial language, as well as difficult vocabulary such as crepuscular, galvanization, and pulchritude. Despite this, most readers will be able to use context clues to understand unfamiliar words. The different types of language are part of the book’s charm and help distinguish different characters. For example, when Dr. Watson is worried about Sherlock’s behavior, he seeks out Enola. Dr. Watson tells her, “I exhorted him to shave and get dressed as a rudimentary step in exerting himself toward recovery, but to no avail.”
Enola Holmes and the Black Barouche takes readers on an action-packed adventure that is pure fun. Readers will fall in love with Enola, who is the story’s narrator. The unconventional character isn’t afraid to take risks, use stealth, or ask for the assistance of others. Even as Enola galivants through England, she takes the time to discuss her fashionable clothing which will delight fashion-conscious readers. Readers who want a delightful mystery should add Enola Holmes and the Black Barouche to their must-read list. More mature readers who enjoy historical mysteries should also read Glow by Megan Bryant.
- When Sherlock was investigating a case, he fell into a deep hole. Enola shows up to help and “the Lord of the manor came out with a shotgun and fired upon us!” Both Sherlock and Enola were able to escape.
- Women could be committed to an insane asylum if they had “adulterous thoughts or tendencies.”
- When the Earl of Dunhench’s wife is freed from an insane asylum, she says, “I could not cease brooding over Caddie, his infidelities, how he doomed me for not being complaisant. . .”
- The Earl of Dunhench and his butler grab Enola and lock her in a bedroom. She is able to escape.
- Tish dressed up as her sister who was committed to an insane asylum. Mistaking Trish for his wife, the Earl of Dunhench, puts her in a black barouche and sends her back to the asylum. On the way, Tish gets upset with Dawson (a servant). “Tish reacted like a viper striking. Screeching something inarticulate, she coiled, snatched off her sow, and flung it at Dawson’s face.”
- While Dawson is distracted, Enola comes out from underneath the black barouche’s seat. When Dawson goes to scream, Enola “pounced, clamping my hand over her mouth before she got past her initial squeak. Kneeling on her bosom, with one hand silencing her and the other flourishing my danger, I warned her.”
- When the driver goes to help Tish out of the carriage, Enola “charged. . . I knocked them both sprawling, Tish back into the carriage on her posterior, and the coachman similarly into a formidable rose bush.”
- When Sherlock confronts the Earl of Dunhench, Watson “stationed himself at the main entry and stood guard with his pistol in hand.” When the conversation “deteriorated,” Sherlock “pulled out my life preserver—a handy pocket truncheon made of rope and weighted wood—and showed it to him.”
Drugs and Alcohol
- When Sherlock injured himself falling into a deep hole, Enola tossed “down brandy and bandages.”
- In order to help Sherlock, Enola lists drugs that help with depression. “Laudanum, belladonna, antimony, all highly efficient if they do not cause your untimely demise.” Sherlock does not take any of the drugs.
- Enola falls off a horse. As she lay on the ground, she “saw the clodhopper boots of comment men surrounding me and smelled alcohol on the breath of those leaning over me.” The men take Enola into a tavern and offered her “a nip of brandy.”
- The Earl of Dunhench offers Enola wine, but she “sipped only water.”
- Enola goes into an insane asylum and is told, “In order to calm them enough for bathing, we must drug them.”
- Sherlocks gets angry at Enola and says, “Your mission be damned!”
- Hell is used twice. When Sherlock enters the Earl of Dunhench’s house unannounced, the earl yells, “Who the hell might you be?”
- A woman calls the Earl of Dunhench a “great parlous pile of pig dun” and a “cad.”
- When someone dies, mirrors are covered “supposedly so that the soul of the departed might not blunder into one and get trapped inside the house.”
- Enola finds a woman picking fruit on a Sunday. The woman had been stung by a honeybee. She tells Enola, “Some would say it’s what I deserve for working on the Sabbath. But I can’t believe God will mind, being as these will make such good cider.”