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Iggy Peck and the Mysterious Mansion

Iggy Peck is an architect at his very core: when he’s not making houses out of food, his head is up in the clouds, dreaming of design. So he’s totally blown away when Ada Twist’s Aunt Bernice inherits an old house from ice-cream mogul Herbert Sherbert that is filled with countless rooms from all his favorite architectural periods. But something’s not quite right . . .

Everyone says the house is haunted, and it seems that a number of priceless antiques—which were supposed to help Aunt Bernice pay for the house’s upkeep—have gone missing. If they can’t find those antiques, Aunt Bernice might lose the house forever. It will take all of Iggy’s knowledge of architecture and the help of the other Questioneers—Rosie Revere, Ada Twist, and Sofia Valdez—to solve the mystery and find the treasure!

Iggy Peck and the Mysterious Mansion builds suspense because it has just the right amount of spooky, scary, and strange events. All of the events are eventually solved in a logical way. Iggy and his friends do some sleuthing, but they also research the Mysterious Mansion’s history and Iggy uses his knowledge of architecture to help solve the mystery.

The majority of the story focuses on the Mysterious Mansion’s history. Iggy discovers that two people who lived in the mansion died from the Spanish Flu. “People can still die from the flu, but it’s not as common because scientists invented new medicines and vaccines. People used to die of all kinds of diseases like measles and flu. Vaccines changed that.”

In addition, the spooky story also has humor. For instance, when Mrs. Bernice Twist inherits the mansion, the letter reads, “The Law Offices of Yabba, Dabba & Dew are not responsible for the actions of ghosts or anything that causes shivers, nightmares, heebie-jeebies, or worse. Especially worse.”

Most of the pages have large black, white, and green illustrations that will help readers envision the characters as well as understand the story’s plot. Other illustrations show drawings from Iggy’s notebook. However, younger readers may struggle with the story’s advanced vocabulary and the architectural lingo. However, the story’s use of imagery, onomatopoeia, and alliteration make Iggy Peck and the Mysterious Mansion a fun story to read aloud. The story ends with information about art nouveau and art deco, information about “Weird, Wonderful, and Wonderfully Weird Cats,” and a recipe to make ice cream.

Readers familiar with The Questioneers Series will enjoy seeing the same cast of characters. Iggy and his friends are curious, resourceful, and able to think outside the box. Unfortunately, the conclusion has several events that are unbelievable. Despite this, readers will enjoy the mystery, the friendship, and the illustrations.  If you’re looking for another series that has smart, curious characters, check out the Ellie Engineer Series by Jackson Pearce and the Jada Jones Series by Kelly Starling Lyons.

Sexual Content

  • None

Violence

  • Aunt Bernice, Ada, and Iggy try to open the mansion’s door when “the boards of the porch began to rise and fall like piano keys. A wave rolled from one end of the porch to the other and back again. . . Suddenly, the board beneath Aunt Bernice’s left foot rose up and sent her tumbling.” When they jump off the porch, the motion stops.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The town folks believe that the Sherbert House is haunted by Herbert Sherbert and his wife. When Iggy stumbles upon the mansion, he thinks, “There were darker tales of a woman whose cries could be heard late at night if you dared to get close enough to the house to listen. They said the ghosts were looking for something—or someone!”
  • The Mansion begins to play music and then “the shutters of the Great Hall window slammed shut. Almost as quickly, they flew open again. The shutter opened and shut in rhythm with the music.”

Spiritual Content

  • None

Out of the Ballpark

Before he hit 400 home runs, before he was named American League MVP, before he was ARod to millions of fans, he was Alex. He was just a kid who wanted to play baseball more than anything else in the world.

Baseball superstar Alex Rodriguez has drawn from his own childhood experiences to write Out of the Ballpark. Alex knows what it’s like to swing at a wild pitch or have a ball bounce right between his legs. Alex is determined not to let his mistakes set him back—even if it means getting up at the crack of dawn to work on his hitting and fielding before school starts.

Baseball fans will be drawn to Out of the Ballpark because of the brightly colored cover and Alex Rodriguez’s name. Alex struggles during a game, but during the championship, Alex’s grand slam won the game. Unfortunately, the story is predictable; however, the story does show the importance of hard work, determination, and practice.

The picture book is comprised of bright, cartoon-like pictures that capture the motion of the baseball games. The unique pictures often use two-page spreads to give the baseball field depth and to showcase the celebrating players. Out of the Ballpark is intended to be read aloud to a child, rather than for a child to read it for the first time independently. Each page has 1-6 sentences; however, some of the sentences are complex, which makes the pages text-heavy.

At the end of the story, readers will find a letter from Alex Rodriguez encouraging them to stay away from drugs, work hard, and respect their elders. There are also many pictures of him during his childhood. Even though the story is not memorable, Out of the Ballpark will appeal to baseball fans, and parents can use the story to start a conversation about achieving one’s dreams.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

All Summer Long

Thirteen-year-old Bina has a long summer ahead of her. She and her best friend, Austin, usually do everything together, but he’s off to soccer camp for a month, and he’s been acting kind of weird lately anyway. So it’s up to Bina to see how much fun she can have on her own.

At first it’s a lot of guitar playing, boredom, and bad TV, but things start to look up when she finds an unlikely companion in Austin’s older sister, Charlie. They like the same music, and Charlie actually seems to think Bina is cool. But then Austin comes home from camp, and he’s acting even weirder than when he left. Can Bina and Austin get back to the way things used to be? Or does growing up mean growing apart?

When Bina starts spending time with Charlie, she is excited that a cool high school student wants to hang out together. But it often feels like Charlie is using her. For example, Charlie needs help putting boxes in the attic, but leaves Bina to do the work alone. At first, Bina is afraid to tell Charlie how she feels, but when Charlie skips out on Bina while babysitting, Bina finally speaks up.

Middle school readers will relate to Bina, who wants to appear cool but is also insecure. Even though none of her friends appreciate music, Bina doesn’t let that stop her from playing her guitar. While much of the plot revolves around Bina’s summer, the story has glimpses of her family life. One aspect of the plot is Bina’s older brother and his husband adopting a baby. While this plotline isn’t well developed, Bina is looking forward to being an aunt.

Readers will enjoy the graphic novel’s panels, which are black with orange highlights. Each page has eleven or fewer sentences and the story uses simple vocabulary. However, the text is small, which makes some of the words difficult to read. Despite this, the format of All Summer Long will appeal to many readers.

All Summer Long deals with themes of friendship, family, and coming of age. However, the story’s plot is not well developed and is not very memorable. Despite this, Mila’s experiences will encourage readers to find their own passions.

Sexual Content

  • Austin runs into a boy from soccer camp. Austin introduces Mila as “my friend.” The boy asks “with benefits?”
  • Austin’s teen sister has a boy come over to her house. Austin tells Bina, “That skater guy’s been in Charlie’s room all afternoon, so maybe I’ll get to be a fourteen-year-old uncle.”
  • Austin tells Bina about a girl he met at soccer camp. He says, “Her name’s Rosemary. Ro. We met at camp. She’s a striker. . . It means she scores a lot.” Bina makes a funny face and asks, “Did she score with you?”

Violence

  • After an argument, Austin and Bina shove each other.

 Drugs and Alcohol

  • None

Language

  • Someone is called a jerk three times. When Bina is upset with her best friend, she thinks he is a jerk.
  • When Mila loses her house key, she thinks, “Crud! Where’d it go?!”
  • Freakin’ is used once.

Supernatural

  • None

Spiritual Content

  • None

Storm Warning

Emily and her dog, Zack, have a special bond. But it’s more than that—they can read each other’s minds. Even more surprising, Zack knows when people are in trouble. Now, Emily and Zack are able to use their powers to save lives, though Emily is endangering hers in the process and making her parents worry.

When a hurricane warning is issued, everyone in town starts preparing for the worst while hoping for the best. After all, what are the odds of a hurricane actually hitting a small town in Maine? Emily and Zack don’t know what’s going to happen, but if the hurricane does arrive, are a girl and her dog enough to save a town from the destructive power of Mother Nature?

Unlike the first installment of the Dog Whisperer Series, Storm Warning lacks suspense and action. In order to establish Emily and Zack’s unusual ability to communicate, the story jumps back and forth between Emily’s school life and her personal life. In addition, the town is preparing for an upcoming hurricane. The multiple plot lines make the story disjointed. However, the scenes where Emily and Zack help injured people add some danger and excitement.

Middle school readers will relate to Emily, who wants more freedom and the ability to stay home by herself. While Emily’s family interactions show a healthy family unit, Emily’s parents struggle to balance Emily’s desire for freedom with their need to keep her safe. Several times, Emily runs after Zack in order to help an injured person and Emily’s parents react in appropriate ways. Even though Emily has a happy home life, she still struggles with the fact that she is adopted and has had no contact with her birth mother.

Most of the characters in this story were introduced in The Rescue, but Storm Warning further develops two key characters—Emily’s best friend, Bobby, and Mrs. Griswold, an elderly neighbor. For those who have read The Rescue, the development of these characters will help reinforce the idea that you should not make assumptions about others.

Unfortunately, Storm Warning has an anticlimactic conclusion with little emotional impact. In addition, Mrs. Griswold tells Emily a confusing fact about her birth mother that leaves Emily wondering if her adoptive parents have been dishonest about Emily’s parentage. However, the story thread is left hanging. Despite the lack of action, readers will enjoy the character development and Zack’s ability to sense a person in need. For maximum enjoyment readers should read The Rescue first. Those looking for a more suspenseful hurricane story should read Hurricane Rescue by Jennifer Li Shotz.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Zack’s veterinarian gives the dog some pain medication to help with an injury.
  • Emily’s father breaks his ankle and takes two aspirin to help with the pain.

Language

  • An older storekeeper calls a boy a “young punk” and “riftraff.”
  • Emily gets sent to the principal’s office and sits next to two boys. One boy tells her they were being jerks.

Supernatural

  • Emily can read her dog Zack’s mind. “It was sort of—psychic. Which was really cool, but also kind of unnerving. They had the exact same dreams and nightmares pretty often, and there were sometimes when she would find herself thinking something and then realize that, no, Zackary was thinking it.”

Spiritual Content

  • None

Charlotte the Scientist Is Squished

Charlotte is a serious scientist. She solves important problems by following the scientific method. She has all the right equipment: protective glasses, a lab coat, a clipboard, and a magnifying glass. But Charlotte has a problem: she needs more room.

Charlotte has so many brothers and sisters (she is a rabbit, after all) that she is too squished to work on her experiments! Can she use science to solve her problem?

Charlotte introduces readers to her 13 brothers and sisters and to the five steps of the scientific method. Charlotte’s dilemma comes to life in bright, humorous, full-colored illustrations. Even though each page is packed with adorable bunnies, Charlotte is easy to recognize because she always has on her safety glasses. Readers will enjoy counting all of Charlotte’s siblings, who are a bit rambunctious.

Charlotte decides to use the scientific method to answer her question: How can I get some space around here? Readers will giggle as Charlotte conducts her experiments and feel joy when Charlotte finds peace and quiet on the moon. Once there, she discovers that being alone is lonely. But Charlotte’s solution to her loneliness brings the story to a sweet conclusion.

Charlotte the Scientist is Squished will entertain and delight young readers who will want to read the book over and over. Charlotte has a relatable conflict and is a determined, funny main character. The story uses humor to introduce readers to the scientific method. However, this science-based book also is a story about her family, who can be annoying but also bring joy to Charlotte.

Each page of the picture book has 1 to 4 sentences. Because some of the sentences and vocabulary are complex, young readers will need an adult to read Charlotte the Scientist Is Squished to them. The end of the book explains how Charlotte followed the scientific method to solve her problem.

Charlotte the Scientist Is Squished is a wonderfully illustrated picture book that young readers will love. Adults will appreciate the story’s educational value. Another amazing picture book readers will enjoy is Mars Needs Moms by Berkeley Breathed. Both stories use humor to show the importance of family.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

The Mystery of the Moon Tower

Kyle is a new kid in town who likes to draw. Vic is a cool cheerleader who’s secretly a math whiz. Quiet Beth is a history buff, while goofball Harry likes performing magic tricks with the help of his patient wingman, Nate. These five kids are unlikely to form a team, for sure.

But then they’re thrown together at summer camp, where they watch a grainy old movie about the history of their town (Windrose) and one of its illustrious citizens of a bygone era: the intrepid explorer-inventor Henry Merriweather. He is the one who established their camp. And what is Merriweather’s Camp Pathfinders’ motto? Plus Ultra: more beyond!

The five kids soon find there is indeed “more beyond” in their pokey town with its weird weather and sudden geysers of smelly air. Deciphering a route of historical markers leads them to Merriweather’s old castle, which is lined with ornate, beautiful tiles in hallways that lead to secret rooms full of odd objects—and where time itself is warped!

Kyle, Vic, Beth, Harry, and Nate witness scenes from Merriweather’s past and realize his experiments and eccentricities are pointing toward a path that could lead to the rumored lost treasure of Windrose. The path takes them on a journey through time, through woods, and finally to the looming Moon tower. Will the kids be able to solve the mystery and find the treasure?

Readers who love Scooby Doo mysteries will love the spooky setting that shows the kids lost in a forest, an old castle, and a moon tower. However, unlike Scooby Doo, The Mystery of the Moon Tower’s plot is disjointed and there are a lot of plot holes. The kids hunt for tiles—many of them are attached to plaques detailing historical information—that will lead them to the treasure. However, the historical information is illegible and the characters do not discuss the information on the plaques. In addition, even though the tiles are important in solving the mystery, the reader is still left wondering why they are significant.

The graphic novels’ illustrations will appeal to many readers. The Windrose castle and the woods have wonderful details and the glowing blue light gives the setting a magical feel. The kids are a diverse group both in looks and personalities. Each page has 1 to 6 sentences of dialogue which appear in quote bubbles. The easy-to-read vocabulary makes the story accessible to even the most reluctant readers. Another positive aspect is that the five kids are all introduced at the beginning of the story, which helps the readers understand some of the character’s comments.

Even though The Mystery of the Moon Tower’s plot is underdeveloped, the story sets up what could potentially be an engaging sequel. In addition, the story may spark readers’ curiosity and have them researching Henry Mercer and the Mercer Museum of Doylestown, Pennsylvania. The Mystery of the Moon Tower will entertain mystery fans who like a spooky setting that delves into the past.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • When he finds a hidden tile, Kyle says, “What the heck?”

Supernatural

  • The five kids see visions from the past.

Spiritual Content

  • None

 

 

Peter and the Starcatchers

Peter thinks life cannot get any worse after he and some other boys from the orphanage are dumped on a ship. They’re told that they are bound to become servants to a cruel king. But then strange things start happening on the ship: flying rats, talking porpoises, and a mysterious girl named Molly. The strange occurrences all center around one heavily guarded trunk. But when Peter tries to investigate, Molly gets in his way.

Molly’s father is a starcatcher, with a very important mission. He’s supposed to be transporting precious cargo on another ship. When Molly discovers the two trunk got switched and the precious cargo is on her ship, she knows she must guard it from an overly curious orphan boy. However, when the porpoises tell her a pirate is coming for the treasure, Molly may just have to trust Peter in order to stop the powerful treasure from falling into the wrong hands.

The first half of Peter and the Starcatchers bounces between Peter’s, the pirate Black Stache’s, and Molly’s father’s perspective, creating a fast-paced narrative as the three ships maneuver to steal or protect the treasure. The second half of the book takes place on a remote island, after Peter’s ship crashes onto an island reef. Again, the perspective changes frequently from a wide host of characters, but rather than being confusing, the changing perspectives create excitement and allow readers to see what is happening all over the island. Each character is developed enough to have a unique voice, and readers will enjoy watching as each person fights for a different goal.

The story has plenty of action and suspense, which may frighten more timid readers. Anyone who enjoys a swashbuckling adventure will be delighted by the frequent twists and turns as the different parties clash in their struggle for the treasure. By the end of the story, the island becomes quite crowded with people vying for the treasure, including: Peter and the other orphan boys, Molly, Black Stache and his pirates, the island natives, a group of newly-created mermaids, and Molly’s father with his team of Starcatchers. Each group is well-developed and richly described. Readers will love seeing the story from each group’s perspective—even the groups they are rooting against!

While the large cast of characters doesn’t allow for every individual to be deeply developed—for example, most of Black Stache’s crew are stereotypical pirates—every character is colorful and the more prominent characters are well-developed. Peter and Molly are both very likable and are realistically portrayed. For example, they act bravely but admit to being afraid. They also admit when they make mistakes and learn the importance of working together.

While Peter and the Starcatchers shows the importance of working together, its biggest successes are its wonderful cast of colorful characters and a nonstop, zig-zag plot that is packed full of adventure. This is not a traditional Peter Pan stories, but a delightfully creative take on the original tale. Readers will enjoy when aspects of the original story (mermaids, a crocodile, and a one-handed pirate) are revealed. While there are sequels, all of the main story lines are neatly tied up in this book, allowing readers to decide if they want to be satisfied with this adventure or reach for another.

 Sexual Content

  • Peter overhears Molly’s governess and Mr. Slank in a cabin. Molly’s governess says, “Oh, Mr. Slank! . . . You are a devil!” To which Slank replies, “’That I am . . . And you know what they say! . . . the devil take the hindmost!’ Then Peter hears Mrs. Bumbrake emit a very un-governess-like squeal, followed by what sounded like a slap, followed by some thumping, then more squealing, then more thumping and then much laughing.”
  • The pirate Black Stache has a secret weapon called “The Ladies.” Instead of normal sails on his pirate ship, “the sky above the pirate ship was filled with an enormous black brassiere—an undergarment of fantastic size, as if made for a giant woman. The twin mountains of fabric, funnel-shaped, pointed and bulged ahead of the breeze.”
  • Peter meets a mermaid. “She did not appear to be wearing any clothes, her only covering coming from her lush cascade of hair. Ordinarily this second thing would have gotten Peter’s full attention, but he was much distracted by the third thing, which was blood seeping from a deep gash in her forehead.”
  • A mermaid saves Peter from drowning. “Her mouth was touching his mouth, and—the strangest thing—her breath was becoming Peter’s breath.”

Violence

  • Grempkin, a man from the orphanage, likes cuffing boys on the ear when they annoy him. “ ‘OW!’ said Thomas, upon being cuffed a second time by Grempkin.”
  • Slank, the man in charge of Peter’s ship, also likes cuffing boys’ ears. “
  • When a man tries to abandon ship, a guard stops him with a whip. The man “had taken perhaps three long strides when the whip cracked . . . and wrapped itself around this man’s ankle like a snake. The sailor crashed to the deck . . . [Slank] drew back his leg and kicked the would-be escapee hard in the ribs.”
  • Molly tells Peter about His Royal Highness, King Zarboff the Third, and how, “if you don’t salute with these three fingers when you say his name, and he finds out, he has these very fingers cut off.”
  • When pirates board Molly’s father’s ship, the captain’s “men fought courageously, but the pirates outnumbered them two to one. He could not stomach watching his men be slaughtered in a hopeless cause.” The captain surrenders.
  • Molly and Peter try to throw the trunk with the treasure overboard. “Molly screamed as Slank, grabbing her by her hair, yanked her away from the trunk. Peter lunged forward, grabbed Slank’s arm, and sank his teeth into it, tasting blood. Now it was Slank’s turn to scream.”
  • Pirates board Peter’s ship, and Molly defends the trunk. “She lunged toward Stache, her green eyes blazing with fury. Before Stache could react, she had knocked him away from the trunk, her hands clawing at his face . . . his screams mingling with the roars of the giant, who had lunged forward to grab the escaping girl, only to be attached by the pirates who’d been watching him.”
  • Peter’s ship sinks in a storm. “The Never Land broke apart, whole sections of the deck tearing loose, the masts splintering like twigs. A crewman was pitched, screaming, into the sea; he was followed by another, and then another.” The boys manage to climb into a dory and survive.
  • Slank and his giant crewman, Little Richard, try to steal the trunk from mermaids. “The instant he moved, another she-fish . . . hissed and darted forward, snakelike, opening her own hideous mouth and clamping her needle-sharp teeth down on his right forearm. Slank whirled to shoot it, but Little Richard, bellowing in pain, moved faster; he brought his massive left fist down on the she-fish’s head. She emitted a blood-chilling screech and fell away into the dark water.” The struggle is described over two pages.
  • The mermaids attack again. “The water boiled ominously around them. Little Richard screamed as he was bitten on his right leg, then his left.” Little Richard survives.
  • Slank crashes the dory into a mermaid. “The bow lifted slightly, avoiding a direct collision with the trunk, but striking the defiant mermaid. Slank felt the thud in his feet. That’s one less to worry about.” The mermaid is knocked unconscious.
  • Slank holds a mermaid captive, “holding the knife at her neck.” The other mermaids try to rescue her. “From time to time the knife cut, or the whip connected, each time drawing a scream. The water around the longboat grew cloudy with blood. But the mermaids kept coming, coming, frothing the water around the unsteady longboat.” The fight is described over two pages.
  • Peter is knocked unconscious. “The clublike wooden handle of Little Richard’s whip, two feet of two-inch-diameter oak, slammed into Peter’s skull from behind. Peter instantly crumpled to the shallow water, unable to break his fall, and lay face down, motionless.”
  • Peter and Molly attack Slank with coconuts. “Blood streaming down his face, Slank lunged to his feet, flailing his arms as he staggered toward the lagoon, the children still clinging to his back and bashing him with coconuts.”
  • Slank threatens Molly with a knife, “leaving a thin line of blood on Molly’s neck.”
  • Molly fights to escape. “Slank grunted in pain as Molly drove her left heel into his nose, blood spurting instantly, the shock weakening his grip just enough for Molly to yank her right foot free of his grasp.”
  • When Peter jumps out of the way of Black Stache’s sword, Black Stache accidentally kills Fighting Prawn, the leader of the island natives. “In fact, [Peter] flew straight up, but so quickly did he launch himself that Stache never really saw it, and thus had no chance to stop the thrust of his sword, which continued right through, plunging deep into the chest of Fighting Prawn.”
  • Peter duels with Black Stache. “Peter twisted his body and shot to his right, and as he did he switched his knife to his left hand and slashed downward with it, and it happened too fast for him to see, but he could feel it as he flashed past, feel the knife finding a target, and then, as he shot upward, he heard the scream, and turned to look down upon the vision of Black Stache, holding his sword in his right hand, and looking in horror at the bleeding stump where the left had been.”

Drugs and Alcohol

  • Alf, a sailor, often desires grog (rum mixed with water, a popular sailor drink). “Are we done, then? . . . Because I could use some grog.”
  • The captain of the Never Land is known to have “never bothered to learn even the basics of seamanship, choosing instead to occupy his time consuming vast quantities of rum.” He is never shown drinking but he appears several times, stumbling around and giving nonsensical orders to the crew.
  • A sailor claims a spell was cast on him to make him fall asleep. Another sailor scoffs. “Not hardly. Too much rum, that’s your magic spell.”
  • The men on watch “found some rum somewhere” and are “flat on their backs, snoring.”
  • Peter plans to put the man on watch to sleep, by spiking his food with rum. “Peter was still not sure exactly what rum was, but he knew two things about it . . . The first was that sailors loved to drink it, and gulped it down whenever they had any. The second was that it made them sleep.” He knows the cook has a barrel of rum because “the cook spent far more time drinking rum than cooking.”
  • When pirates board, Slank tells them, “We have a few women . . . And plenty of rum. But if you think there’s treasure on this old scow, I’m afraid you’ll be disappointed.”

Language

  • A man tells Peter that his ship will be traveling for five weeks, “If a storm doesn’t blow you halfway to hell.”
  • Slank asks, “What the dickens are you doing?”
  • The pirates often call each other names, such as “bag of lice.”
  • Idjit is used several times. Captain Stache shouts, “I DON’T WANT YOUR BLEEDIN’ HAND, YOU IDJIT! . . . I WANT THE BLEEDIN’ SPYGLASS.”
  • Moron is used once. A pirate says, “You rock-headed, lobster-brained MORON!”
  • Peter calls Molly a rat, after she threatens to tattle on him.
  • Molly’s father thinks “damn” when he hears pirates are coming, and thinks “damn” again when someone nearly catches him.
  • Devil is used a few times. To distract a giant crocodile, Alf shouts, “COME ON, YOU DEVIL!” Slank later calls the mermaids “she-devils.”

Supernatural

  • A magic trunk does strange things to people who touch it. When Alf touches it, “Alf could see light now, swirling around his head, colors and sparkles, moving to music, dancing to the sound of . . . bells, yes, it was bells, tiny ones, by the sound of them.”
  • Peter sees “a rat floating in midair. Peter blinked his eyes, but there was no question: the rat was suspended in space, as if hanging from a string, but there was no string. As Peter and the guard stared at the rat, it waved its legs slowly, almost languidly, as if swimming, and began to drift toward the doorway.”
  • Starcatchers are “a small group of people . . . There have been Starcatchers on Earth for centuries, Peter. Even we don’t know how long. But our task is always the same: to watch for the starstuff, and to get to it, and return it, before it falls into the hands of the Others.” The Others misuse starstuff to gain power.
  • Starstuff is golden dust that sometimes falls from the sky as meteors and “has amazing power . . . Wonderful power. Terrible power. It . . . it lets you do things . . . It’s not the same for everybody. And it’s not the same for animals as for people.” Starstuff can heal, can make people fly, can make people strong. Molly explains that larger quantities are more dangerous and can kill a person, or turn a fish into a mermaid, horses into centaurs, and other transformations.
  • Starcatchers have learned the language of porpoises, which are extremely intelligent creatures. They work together often to find any starstuff that falls in the ocean. Molly speaks with a porpoise several times, in their language of clicks and squeaks.
  • Some fish are turned into mermaids by starstuff. “They were changing. And fast. They still had their tails, though these had grown longer and more graceful. In their midsections, their bodies narrowed and their skin changed abruptly, from rough green scales to a white, fleshy smoothness. . . a distinct head appeared, separating from the trunk by a slender neck. . . The mouth became smaller, and a bulge of flesh started to protrude above it; ears were sprouting on each side of the head.”
  • Molly’s father turns a bird into a fairy, to watch over Peter. “The fairy, in a shimmer of gold, sprang from Leonard’s hand and darted to Peter, flitting around his head, filling his ears with her magical bell sounds.”

Spiritual Content

  • Molly tells Peter that there seems to be a larger battle going on in the universe over the possession of starstuff. “‘Just as we have the Others and the Starcatchers here on Earth, there seems to be something similar going on up there.’ [Molly] pointed toward the sky.”

by Morgan Lynn

 

Cece Loves Science: Push and Pull

Ms. Curie wants her class to conduct an experiment. The class is going to learn about forces that move objects in different ways. Cece is extra excited because her dog, Einstein, is going to be part of the experiment. Cece is partnered with three of her classmates, including her friend Isaac.

Ms. Curie gives each group supplies that include a toy dump truck, a marble, dominoes and doggie treats. The group works together until they find the best way to use all of their supplies. Einstein helps too! After trying different things, the kids build a contraption that gives Einstein a doggie treat.

Push and Pull introduces the concept of force and motion in a child-friendly way that is easy to understand. The story uses several examples and also gives examples of how readers can have fun with push and pull. The end of the book has a four-word glossary. Push and Pull is intended for independent readers who are ready for complex plots and challenging vocabulary. Each page has 2 to 6 short sentences which makes it accessible to young readers.

Push and Pull introduces science in an engaging way. Cece and her group work together and everyone contributes. Readers will love Einstein, who also shows how push and pull work. Each page has large, brightly colored illustrations that show the science experiment in action. By the end of the book, readers will be ready to try an experiment of their own.

With lots of examples and positive classroom behavior Push and Pull would make an excellent pick for any beginning reader. The Cece Loves Science Series will encourage readers to be curious about their world. Those looking for more science related fun should add the Jada Jones Series by Kelly Starling Lyons to their reading list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Monsters Don’t Scuba Dive

Howie, Melody, Eddie, and Liza are spending their vacation at Camp Lone Wolf. The kids think that Mr. Jenkins is a werewolf because he is so hairy and he’s super strict. Then, when the kids get to camp, Mr. Jenkins introduces Nessie McFarland, who is going to teach the kids how to snorkel. Nessie loves being in the water and is nervous when she’s on land. Because of her shy demeanor and her strange looks, the kids are convinced that Nessie is the Loch Ness Monster. Will the kids be able to prove that Nessie is a monster?

 Monsters Don’t Scuba Dive will entertain mystery-loving readers. Even though the kids think Nessie is a monster, she is never portrayed in a scary or negative manner. For instance, when the kids fall out of a raft, the monster helps them make it back to shore safely. The fast-paced story never fully reveals whether or not Nessie is a monster. Instead, it leaves enough doubt that readers can make the decision on their own. Throughout the book, the Bailey School kids are reminded that every plant and animal deserves to live out its life in peace, including monsters.

Howie, Melody, Eddie, and Liza are relatable characters who work together to solve the mystery. However, the kids sometimes make bratty remarks to each other. For example, Howie shows his friends a book about monsters and Eddie says, “You have monsters in your head if you think I’m going to read a book on my vacation.” In addition, when the camp counselor is talking, Eddie often whispers complaints to his friends.

Monsters Don’t Scuba Dive allows young readers to wonder if monsters really exist without giving them the heebie-jeebies. The Bailey School Kids Series is perfect for emerging readers who are ready for chapter books because it has easy vocabulary, short chapters, and illustrations. The large, black-and-white illustrations focus on the characters and appear every 2 to 3 pages. The illustrations will help readers understand the plot and visualize the characters. However, Mr. Jenkins is a little bit creepy because he is so hairy and his smile shows all of his teeth, including his eyeteeth that “look like fangs.”

While parents might not like all of the kids’ behavior, Monsters Don’t Scuba Dive will entertain readers and make them excited about reading. Readers who want more monster action should check out the Desmond Cole Ghost Patrol Series by Andres Miedoso and the Notebook of Doom Series by Troy Cummings.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • When the camp counselor tells the kids they will learn how to swim, Eddie says, “But this is our vacation. We shouldn’t have to learn a doggone thing!”
  • Eddie calls his friends names such as monster breath, water brains, and octopus brain.

Supernatural

  • None

 Spiritual Content

  • None

The Disappearance of Sloane Sullivan

 No one wants me to tell you about the disappearance of Sloane Sullivan.

Not the lawyers or the cops. Not her friends or family. Not even the boy who loved her more than anyone. And most certainly not the United States Marshals Service. You know, the people who run the witness protection program? Yeah, those folks definitely don’t want me talking to you.

But I don’t care. I have to tell someone.

If I don’t, you’ll never know how completely wrong things can go. How a single decision can change everything. How, when it really comes down to it, you can’t trust anyone. Not even yourself. You have to understand, so it won’t happen to you next. Because you never know when the person sitting next to you isn’t who they claim to be…and because there are worse things than disappearing.

This story begins with Sloane once again changing her name and going to a new school. While Sloane is quickly brought into a group of friends, none of the characters are likable. By the end of the story, readers will wonder why Sloane let any of these people into her life. Each character is so full of secrets that it is difficult to distinguish the truth from rumors. While Sloane’s lies are understandable, the rest of the characters come off as self-centered, manipulating liars.

Sloane tells her own story, which allows the reader to understand her motivations. In addition to her thoughts, Sloane often has flashbacks. Readers will empathize with Sloane, who constantly has to move in order to keep safe. Her only stability is Marc, who is posing as a federal Marshal. Marc has taught Sloane the importance of being aware of her surroundings as well as how to protect herself. Despite this, Sloane makes so many mistakes that it’s amazing she is still alive.

While The Disappearance of Sloane Sullivan has a unique premise and suspenseful moments, by the end, none of the characters can be trusted. The complicated ending is not believable, and even Marc, Sloane’s protector, turns out to be a bit of a creep. At 400 pages, some of the high school drama and Sloane’s inner struggles could have been cut out. If you’re looking for a suspenseful mystery romance, some better options would be Six Months Later by Natalie D. Richards and Crossing the Line by Simone Elkeles.

Sexual Content

  • While talking about the senior trip, someone says, “I heard the chaperones go to bed early and everyone sneaks out and hooks up.”
  • When Sloane was a freshman, she skipped school to hang out with Ben, a senior. “Ben gave a throaty laugh as he pushed my brown hair off my shoulders and kissed the side of my neck. My heart jumped in my chest.” When Marc finds them, Ben “leaned in and kissed me right on the mouth, all the while glaring at Mar . . I’d done my fair share of imagining my first kiss, even the possibility it might happen with Ben, but I never thought it would happen just to taunt Mark.”
  • When Sloane enters a new school, she sees some students “making out in front of classrooms.”
  • Sloane thinks back to a time when she had a boyfriend named Duke. “He leaned in and kissed me. It was slow and sweet and steady, just like him.”
  • Sloane’s friend, Livie, is upset that her boyfriend broke up with her. Livie says, “But we were together for almost two months. We made out tons of times. . . That counts for something, right?”
  • According to rumors, Jason has “slept with half the girls in the school.”
  • Jason said he left a party because “I found my date making out with him [the host] in his bedroom?” Another time, he agreed to go to a party with Lauren, but “when I got there, she and her friends were already drunk. . . she kept trying to take me to her room so we could be ‘alone.’ She said she wanted to ring in the new year by doing something special and she wanted me to be her first.”
  • When a girl disappears, some people say that she’s “hooking up with a guy and she’s “holed up in a motel room somewhere.”
  • Even though Sawyer knew Sloane didn’t like him, he kissed her.
  • While on the senior trip, Livie implies she’s going to a boy’s room to have sex. Livie says she can ask the guy if “he has any lonely friends.” Sloane tells her, “I don’t want some random trip hookup, Livie.”
  • Sawyer and Livie “slept together.”
  • Once Jason knows who Sloane really is, they kiss. Sloane “grabbed a fistful of his shirt, pulling him the rest of the way to me. . . So when I finally pulled away from him, breathless and dizzy from the amazing softness of his lips and the feeling of his hands against my skin. . .” After this, they kiss several times, but the kisses aren’t described.
  • After months, Jason and Sloane are reunited. “And then Jason is kissing me. His kisses are urgent at first, insistent like he’s trying to erase the last eight months. Then they slowly turn soft and sweet and gentle. . .”

Violence

  • Sloane was told her father committed suicide, but later she finds out he was murdered. The death is not described.
  • When a boy gives Sloane an unwanted kiss, she “yanked my knee up as hard as I could until it landed between Ben’s legs. He groaned and doubled over, and I shoved him with both hands. . . I watched him hit the ground.”
  • Sloane has a series of flashbacks. She saw two men kill a man. “The older man slumped against the warehouse at their feet. His blond curly hair was matted with blood and his face was swollen and bruised.” The flashback is described over two pages.
  • While at a birthday party, the girl’s father walks behind Sloane and scares her. “Without thinking, I crouched down and swung my leg around in an arc just like Mark taught, sweeping a man’s legs out from under him. He crashed onto his back with a loud oof . . .”
  • Sawyer gets angry at Jason. “Sawyer planted his hands on Jason’s chest and shoved with all his drunken might. Jason stumbled backward, but caught himself before he fell.” Sloane gets between them and stops the fight.
  • Sawyer taunts Jason and Sloane “grabbed Sawyer’s wrist with my right hand, pulled his arm across my chest, and flipped him over my shoulder in one impossibly fast movement. He hit the ground with a loud smack. . . Then he lunged at me. Faster than I could react, Jason jumped in front of Sawyer and punched him so hard his teeth clicked together as his head snapped back. . . He was out cold.”
  • When the “bad guy” shows up at Sloane’s school, she runs home only to find a man’s body. The man’s eyes “were dull and empty and I couldn’t look at them.”
  • Marc’s family is full of gangsters. He says, “For my tenth birthday, my uncle Gino taught me the best places to cut a person so it would hurt like hell but they wouldn’t bleed out before they confessed.”
  • A rival gangster, Reuben, killed Marc’s little sister. Reuben “told us where we could find her body. He even mocked the way she’d begged for her life.”
  • When Marc threatens Jason with a gun, Sloane “shot him.”

 Drugs and Alcohol

  • While talking about the senior trip, someone tells Sloane, “people smuggle alcohol along and party in their hotel rooms.”
  • In the past, Sawyer got drunk and “got pissed someone beat [him] at cards and punched a hole in the drywall in [his] basement.”
  • While at a party a girl is drugged. The doctors “think someone must’ve slipped something in her drink. . . No injuries or evidence of sexual assault or anything.”
  • At prom, Sawyer gets so drunk that he can’t stand up.

Language

  • Profanity is used frequently. Profanity includes ass, crap, damn, hell, holy hell, pissed, and shit. For example, a boy tells Sloane, “You’re getting ready to tell me we shouldn’t be friends, right? That you don’t want to be dragged into all of my crap.”
  • Christ, Jesus, oh Lord, God, and good God are used as exclamations occasionally. For example, when someone makes a sexual innuendo, Sloane says, “Oh my God! You did not just turn Harry Potter into something dirty.”

Supernatural

  • None

Spiritual Content

  • Occasionally, Sloane prays for something. For example, when Sloane sees someone from her past, she prays that her brown eyes “would be enough to throw him off.”
  • When Sloane and her friends sneak out of school, they go to a carousel. When the cops show up, Sloane introduces everyone. Sloane “prayed, prayed, he didn’t know the characters’ names from The Goonies.”

 

The Strangers

What makes you you? The Greystone kids thought they knew. Chess has always been the protector over his younger siblings, Emma loves math, and Finn does what Finn does best—acting silly and being adored. They’ve been a happy family, just the three of them and their mom.

But everything changes when reports of three kidnapped children reach the Greystone kids, and they’re shocked by the startling similarities between themselves and these complete strangers. The other kids share their same first and middle names. They’re the same ages. They even have identical birthdays. Who, exactly, are these strangers?

Before Chess, Emma, and Finn can question their mom about it, she takes off on a sudden work trip and leaves them in the care of Mrs. Morales and her daughter, Natalie. But puzzling clues left behind lead to complex codes, hidden rooms, and a dangerous secret that will turn their world upside down.

The Greystone kids discover a portal to a parallel universe that is frighteningly different from their own world. While The Strangers has an interesting premise, the story leaves readers with too many questions as well as some frustrating, unrealistic details. For example, several times the kids travel to the parallel world while Mrs. Morales waits in the car. And when Mrs. Morales unknowingly goes to the parallel universe, she doesn’t realize that she is in a different world. Instead of fully developing the parallel universe, the characters spend little time there. Most of the action comes from figuring out what happened to their mother and how they can decode their mother’s message.

Each chapter of the story switches between Chess’s, Emma’s, and Fin’s points of view. Each character’s picture appears at the beginning of the chapter, which helps the reader keep track of the changing point of view. Each character brings an interesting perspective to the story and allows readers to see how the events affect each person differently. In addition, key ideas and events are often repeated in order to help readers keep track of all of the important developments.

The Strangers will appeal to both mystery and fantasy fans. However, the complicated plot, difficult vocabulary, and switching points of view make The Strangers appropriate for strong readers. Full of interesting plot twists, The Strangers ends with a cliffhanger that will leave readers wondering what happens next. The Greystone kids’ story continues in the second book in the series, The Deceivers.

Sexual Content

  • Natalie’s mother is a private detective who “spies on men who are—let’s just say they’re not very good husbands. Mom gives the wives proof, so they have the upper hand in the divorce.”

Violence

  • The Greystone kids find out that their father was “killed.” When they find out, Chess says, “Dad’s car wreck wasn’t an accident? And Mom never told me?”
  • The Greystone kids’ mother was put on trial in front of the entire town. “The guards began marching away, shoving a few more people for no reason, as if the guards were just overgrown playground bullies.” The kids run from the guards and are never caught.
  • When Joe introduces himself to the kids, “rage swelled within him [Chess] now. He slammed the palms of his hands as hard as he could against Joe’s chest.”
  • In order to escape the guards, the kids begin throwing smoke bombs. No one is injured.
  • As the kids run from the guards, they enter an abandoned house. “Then a horrid thud sounded behind them. Daylight streamed in through a crack in the wall that hadn’t been there a moment before. Chess looked back and saw the blade of an ax coming through the drywall.” The kids are able to escape.

 Drugs and Alcohol

  • When the kids go to a parallel universe, the air smells strange. They discover that the air makes people feel a particular feeling.

Language

  • Natalie tells her mom, “Not everyone goes around telling anyone who will listen what a scumbag their husband used to be.”

Supernatural

  • None

Spiritual Content

  • None

A Squirrelly Situation

When Travis finds an abandoned baby squirrel, he brings him home and names him Fluffy. Travis introduces Fluffy to his cat, and the cat welcomes the squirrel into her nest and begins to nurse the squirrel alongside her kitten. Soon, the kitten, named Thud, and the squirrel are running around the kitchen causing havoc.

Mother doesn’t think that Fluffy is such a great family pet, but she’s won over by Travis’s pleas. But when Fluffy is old enough to be put back in the wild, will Travis be able to say goodbye to his squirrelly friend?

Since A Squirrelly Situation is set in 1901, it has an old-fashioned feel in both the language and the illustrations. The story has black and white illustrations of the siblings and the adorable animals. Readers may want to hunt for the various animals are in each illustration. The large illustrations appear every 1 to 4 pages and will help readers understand the story’s plot. The story also has many interesting facts about squirrels.

Callie’s and Travis’s grandfather make a brief appearance and remind her of the importance of not jumping to the wrong conclusion. He says, “Keep in mind, Calpurnia, that there is no point in gathering information unless you are certain it is correct information.” The story also highlights the importance of forgiving others.

A Squirrelly Situation told from Callie’s point of view. Her scientific mind, curiosity, and caring nature make her an extremely likable character. The animals’ behavior and the hint of humor will keep readers interested until the very end. Because of the advanced vocabulary, younger readers will need help. However, the large text and short chapters make A Squirrelly Situation a good book to read aloud to younger readers. Proficient readers will enjoy the silly situations caused by the squirrel as well as the characters’ interactions.

Sexual Content

  • None

Violence

  • The town has a competition to see how many squirrels they could kill. A prize went to the boy who shot the most, and the boy who shot the largest squirrel. One boy tries to cheat by putting pellets in the squirrel’s body.

 Drugs and Alcohol

  • None

Language

  • When Callie and her grandfather go exploring, they hide from a wild boar. Callie doesn’t tell her parents they were in danger because, “Heck, they’d never let me out of my room ever again. What an idiot I was.”
  • When Fluffy allows someone to put him on a scale, someone says, “I’ll be danged.”

Supernatural

  • None

Spiritual Content

  • None

Caramel Moon

Melli the Caramel Fairy can’t wait for the Caramel Moon Festival—the candy corn crops are picked in the moonlight and there’s a big celebration. When Melli notices that there is something wrong in the fields, she needs her friends to help figure out who—or what—is trying to ruin their treats.

One of the fairies tells Melli a story about Lupa the Sugar Fairy. “She was sure that a troll was stealing her sugar fruit chews and wanted to protect her candy. Lupa caught the troll in the middle of the night and sent him back over the Frosted Mountains. She was very brave.” Melli and her friends use the Lupa story to come up with a way to catch the candy stealing culprit. The story allows Melli to be brave and save the candy corn.

The third installment of the Candy Fairies Series focuses on Melli’s dilemma—she must find out why the candy corn isn’t growing properly. In order to trick the Chuchies, the fairies work together and come up with a plan to defeat them. Like the first two books in the series, the Chuchies are the predictable villain. This time around, the Chuchies are defeated when they eat too much candy.

Caramel Moon is a super sweet story about friendship. The fairies use candy language such as saying “sure as sugar” and “you can bet your sugar fruit chews.” The story begins with a map of the Candy Kingdom. The Peppermint Grove and other elements will remind readers of the game Candy Land. Black and white illustrations appear every 2 to 3 pages, and show the fairies wearing pretty dresses. Although most of the fairies look similar, one fairy is African American. The story is best suited for proficient readers who are ready for chapter books.

The friends emulate positive traits and are always willing to help each other. Part of Caramel Moon revolves around a favorite band, Sugar Pops, coming to sing. This element gives the story a more mature tone. In the end, Melli gets permission for her sister to enjoy the Sugar Pop’s show.

Even though the book is a series, readers do not have to read them in order. Caramel Moon is a sweet story that highlights the importance of asking for help and being kind to others, including your younger sisters. Young readers will enjoy spending time in Sugar Valley with the fairies. Readers looking for more fairy fun should also read Rainbow Magic: The Pet Fairies Series by Daisy Meadows.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • “Hot caramel,” “holy peppermint,” “licking lollipops,” and “choc-Caramel” are used as an exclamation.

Supernatural

  • The fairies have magical powers. For example, Melli spreads fine sugar dust over crops to help them grow quickly.

Spiritual Content

  • None

What Do You Do With A Problem?

What do you do with a problem? Especially one that follows you around and doesn’t seem to be going away? Do you worry about it? Ignore it? Do you run and hide from it?

This is the story of a persistent problem and the child who isn’t so sure what to make of it. The longer the problem is avoided, the bigger it seems to get. But when the child finally musters up the courage to face it, the problem turns out to be something quite different than expected.

This picture book gives a problem the form of a black cloud that grows larger and stormier as the story progresses. The beginning of the book uses dark shades that are predominantly dark and gloomy. The unnamed boy’s worry is apparent because of his facial expression and body language. At one point, the boy wonders, “What if it takes away all of my things?” The illustration shows the boy trying to protect his toys and stuffed animals.

Everyone can relate to the boy, who tries to run from a problem. What Do You Do With A Problem shows the importance of tackling problems by coming up with a plan to overcome them. Eventually, the boy jumps into the dark cloud and discovers that the problem “had something beautiful inside. My problem held an opportunity! It was an opportunity for me to learn and to grow. To be brave. To do something.”

While What Do You Do With A Problem has a positive message about overcoming obstacles, the problem and the solution are vague and illustrated with abstract ideas that show the boy’s emotion, rather than an actual solution. Despite this, the story would make an excellent conversation starter about different ways to approach a problem.

Even though What Do You Do With A Problem is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each two-page spread has 1 to 4 sentences. Detailed, interesting illustrations and a conflict that everyone can relate to make What Do You Do With A Problem a wonderful book to read with children. The story’s conclusion leaves the reader with this thought: “Every problem has an opportunity for something good. You just have to look for it.”

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Maggie and the Wish Fish

Eight-year-old Maggie isn’t like other girls who live in the Enchanted Forest. She notices magical animals around her that no one else does – like flying pigs and geese that lay golden eggs.

Maggie hasn’t been getting along with her stepmother and stepbrother. It doesn’t help that flying pigs keep messing up her chores and getting her into trouble! One day while she’s near a lake, she catches a magical fish who promises to make her wish come true, but only if she frees him. Maggie wants a new family more than anything, but can she really trust a talking fish?

Even though Maggie works hard, her stepmother keeps punishing her. Every time Maggie gets into trouble, her stepmother withholds food. It’s a good thing there are wild berry bushes in the Enchanted Forest! Maggie’s stepmother is convinced that Maggie is a liar and a thief, so she throws Maggie out into the cold. Like a Disney fairytale, Maggie and the Wish Fish concludes with a happy ending where Maggie has a new home and a new friend.

Maggie and the creatures who live in the Enchanted Forest appear in black and white illustrations. The cute illustrations appear every 2 to 7 pages. Even though the trolls and the goblins are dangerous, they look cartoonish instead of frighteningly scary. One of the characters shares his journal with Maggie. The illustrated journal gives information about the magical animals and their habits. Readers who are not fluent will need help with some of the vocabulary. However, with short paragraphs, large text, and a simple plot, Maggie and the Wish Fish is accessible to readers ready for chapter books.

Young readers will enjoy the fairytale elements of Maggie and the Wish Fish. A mean step-family, arguing goblins, and talking animals combine to make a sweet story. The story contains enough suspense to keep readers interested and a satisfying ending that will leave readers with a smile. Readers who enjoy fairytales should add the Once Upon a Fairy Tale Series by Anna Staniszewski to their reading list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Maggie meets a girl who has a goose that lays golden eggs.
  • When goblins see Maggie, she chases them away with a piece of unicorn horn. “Unicorn horns destroyed poison. There was poison in goblins’ blood. Any goblin that even touched a unicorn horn would go poof! and vanish.”

Spiritual Content

  • None

Charlie Thorne and the Last Equation

Decades ago, Albert Einstein devised an equation that could benefit all life on earth—or destroy it. Fearing what would happen if the equation fell into the wrong hands, he hid it away.

But now, a diabolical group known as the Furies are closing in on its location. In desperation, a team of CIA agents drags Charlie into the hunt, needing her brilliance to find it first—even though this means placing her life in grave danger.

In this adventure that spans the globe, Charlie must crack a complex code created by Einstein himself, survive in a world where no one can be trusted, and fight to keep the last equation safe once and for all.

Charlie Thorne and the Last Equation starts with an epic chase scene and continues the fast-paced adventure until the very end. The story is told from Charlie’s point of view, which makes her relatable despite the fact that she is a genius. Even though she is intelligent, Charlie doesn’t always know what to do. But when it comes to difficult situations, Charlie can visualize numbers in her head, which allows her to solve complicated problems. This talent comes in handy when she uses a cipher to reveal Einstein’s message.

Charlie wants to keep Einstein’s equation out of the hands of terrorists and hostile governments, but she’s not sure the U.S. government can be trusted. Charlie is cynical when it comes to the U.S. government. She says, “America’s priorities are pretty darn clear: The first thing we do with any major discovery is try to kill people with it.”

Charlie Thorne and the Last Equation deals with some mature topics including religious extremism, death, and Charlie’s complicated family life. The intense fight scenes, life-or-death chases, and the death of several characters may upset sensitive readers. In addition, the complicated plot is best suited for strong readers. However, readers who are ready for more mature content will have a hard time putting the book down because of the action and mystery.

Charlie’s journey takes readers on a suspenseful trip that will keep readers guessing until the very end. Charlie Thorne and the Last Equation will entertain mystery fans. At the end of Charlie’s adventure, she realizes that “all the talent in the world doesn’t mean a thing if you squander it.” The conclusion wraps up all of the story threads and also leaves readers wanting to know what will happen next. Readers will be eager to pick up the next book in the series, Charlie Thorne and the Lost City.

Sexual Content

  • Charlie teases her brother Dante, saying, “Jeez, you might know a whole lot about terrorist cells, but you don’t know much about women. That was a full-on ‘I wish Dante would say to heck with the regulations and just kiss me’ look.”
  • Dante tells Charlie to go to bed, but she will have to share the bed with his partner agent Milana. Charlie says, “You’re sure you wouldn’t rather be in there with her? You could do a little smooching before bed.”

 Violence

  • At Einstein’s request, his friend Ernst began burning Einstein’s papers. Ernst “continued feverishly stroking the flames, even as he heard the men break down the front door and shove Helen aside, even as they burst into the room and pulled their guns and screamed at him to stop, right up until their leaders clubbed him from behind, crumpling him to the floor.”
  • Charlie wants to steal the pool guy’s truck. When he refuses to give her the key, Charlie “lashed out a leg and swept the pool guy’s legs out from under him. . . He slipped and landed flat on his back.” Charlie shoves the guy into the hot tub and then takes off.
  • The KGB captures an American spy, who “cowardly offered secrets in return for his life. The old man and his fellow agents listened as the American spilled his guts—and then they killed him anyhow.”
  • The narration states, “The world’s most infamous serial killers had all been unimpressive losers who had been unsuccessful at just about everything except murdering helpless people.”
  • A terrorist steals one of Einstein’s books. When “the young archivist instinctively moved to protect it. . . he [Marko] punched the archivist in the face, then drilled a fist into his stomach as he reeled backwards. The archivist went down, whacking his head on a table. . .”
  • Charlie tries to get Einstein’s book back. She grabs a skateboard and jumped on a railing. “Then she rode down quickly grinding along the rail, bearing down on Marko . . Charlie bounced off the railing, hitting Marko with the full force of her body. The two of them tumbled across the asphalt.”
  • When Marko recovers, he “lowered his shoulder and rammed into her [Charlie]. . .He knocked the wind out of her while sending her falling backward into the trunk of a parked car. The trunk caught her. . . sending a lightning bolt of pain up her spine.”
  • Marko tries to escape Charlie but she uses the skateboard to trip him. “He flew forward, the rage on his face now giving way to surprise. . . Marko plowed headfirst into a lamppost, hitting so hard that the sound rang across the parking lot. . .She grabbed a handful of his hair, and with a surge of adrenaline and rage she’d never known she had, she slammed his head back into the lamppost again.” One of Marko’s companions kills him and then tries to kill Charlie. The chase scene is described over six pages.
  • In order to escape Dante, Charlie “drove her knee into her brother’s crotch.” Dante runs after her. “Charlie was thrown several feet by their combined momentum and crashed into a kiosk selling fresh fruit.” Dante wrestles her to the ground and drags her to a safe house.
  • When entering the safe house, the terrorist attacks Dante and Charlie. Dante is “beaten down and a gun was pressed against her [Milana’s] head.” One of the terrorists “kicked Dante in the stomach so hard it made Dante curl into a ball.” In order to escape the terrorist, Charlie“grabbed the mug and smashed it on Alexei’s temple, sending him reeling. Then she threw it at Vladimir, hitting him in the face.” As Charlie and Milana run, Charlie can hear the sound of fighting and guns being fired.
  • As Charlie and Milana try to escape, Dante “fired down, directly through the floor. There was a scream of pain from below, and then Dante dove away as more bullets tore upward through the floor. . .” The fight with the terrorists is described over 20 pages.
  • The terrorists kill a CIA agent. A terrorist says, “The brown man? He’s dead. We tossed him in the bathroom.”
  • When Charlie and Milana run from the terrorists, Charlie runs into a fruit stand. “The owner grabbed her arm roughly and raised a hand to strike her . . .” Milana stops the man and “wrenched the man’s arm so hard that he howled in pain, releasing Charlie.”
  • When the terrorists catch up to Charlie and Milana, Charlie threw chili powder into a man’s eyes. “Oleg roared in pain and stumbled forward blindly. Milana spun around and drove a knee into his crotch, folding the man like a hinge.” Charlie throws boiling water in a terrorist’s face. The scene is described over two pages. Both Charlie and Milana escape.
  • The CIA looks at the security video from the safe house. An “unknown figure . . . shot both of the agents before they could even react.”
  • While leaving a church, “three of the pilgrims pounced on her [Milana], knocking her to the ground. . .” Charlie was hit and “her legs were swept out from under her, her face was slammed into the cobblestones, and a gun was pressed against the back of her head.” Then the Mossad arrested them.
  • In order to free Milana and Charlie from the Mossad, Dante shoots one man “in the shoulder, spinning him and dropping him to the ground.” The Mossad lets the two go free, but then there is a high-speed chase.
  • In a multi-chapter conclusion, Alexei, a rogue CIA agent, the Mossad, and Charlie’s group race to get Einstein’s work. The rouge agent shoots and kills a man sitting in a car. Agents shoot at each other and someone points a gun at Charlie’s head.
  • Milana tries to catch Charlie, but “bullets stitched the earth around her, and she felt a sting as one caught her thigh. . . The bullet had only nicked her, although it still hurt like heck.”
  • The rogue CIA agent, John, catches up to Charlie. Charlie punches John. “The punch caught him off guard, but he rolled with it and then came in low. He drove his fist into Charlie’s solar plexus, then caught her with another blow that floored her.” A bullet hits a propane tank and there is a strong explosion. “The explosion roared over her [Charlie] and blasted John off his feet, slamming him into a tree with such force that his bones snapped. . . His spine had been broken when he had been thrown into the tree. . . John felt a sudden rush of heat and smelled something burning close by. . . Within seconds, the flames leapt up all around him. John screamed, but no one heard him.”
  • While trying to flee Jerusalem, Milana and Dante have to get by the security guards. “The CIA agents caught the poor security agents by surprise, rendering them unconscious within seconds.” Then the terrorists show up and open fire. “The CIA agents emptied their guns. One after the other the Furies screamed in pain and dropped. Alexei was the last to go.” When one of the Furies shoots toward a fuel tanker and “emptied his clip. . . The tanker exploded. A ball of fire raced toward the plane. . .” Charlie, Milana, and Dante escape. Three people die. The scene is described over seven pages.

 Drugs and Alcohol

  • When Albert Einstein was gravely ill, his doctor gave him morphine.
  • Alexei goes into a bar and talks to a man who has been drinking. “At first Alexei thought the [man’s] story might be the ravings of an alcoholic.”
  • Einstein’s friend believed he had failed Einstein. A few months after Einstein’s death, his friend died in an alcohol-related death.
  • Several men who are part of a group of terrorists have been in jail for drunk driving. One of the men spent time in jail because of public intoxication.
  • After a fight with a terrorist, Charlie takes ibuprofen for the pain.
  • The terrorist discovers a man works for the CIA and, “The Furies, drunk and vengeful, had shown no mercy. . .the Furies were brutal.” The CIA agent’s body was unrecognizable.

Language

  • The story has a lot of name calling including: creep, idiot, jerk, slimeball, and stupid punk. For example, Charlie calls a pool guy a “sexist jerk.”
  • Crap is used four times. For example, Charlie drove her friend’s “crappy car.”
  • Charlie tells a CIA agent, “I nearly killed myself trying to save your stupid butt. What kind of idiot jumps in front a moving truck?”
  • God is used as an exclamation once.
  • Damn is used once.

Supernatural

  • None

Spiritual Content

  • Alexei is planning on bombing a large city “teeming with people of inferior races. . . He would destroy them all. The day was close. Alexei knew it. God had willed it.”
  • Alexei believes that immigrants are “rats” and his job is to wipe them out. “God had chosen him to do it.”
  • While trying to escape the terrorists, Charlie was “praying her math was right.”
  • Charlie “wasn’t religious . . . And now, here she was sitting inside one of the most important churches on earth. It occurred to her that maybe she should take that as a sign and pray for Dante.”
  • Einstein “didn’t believe God played dice with the universe.”
  • Charlie thinks about God and Einstein. “Einstein had been a religious man, but he had claimed the God he favored was that of Baruch Spinoza, who had declared, ‘God is in the details, the beauty, the math of the world.’”
  • While looking for Charlie, Alexei, “Prayed to God that he would get to Charlie Thorne before the Mossad.” When Alexei finds Charlie, he thinks, “God smiled on him again.”

 

I Am Still Alive

Jess Cooper loses her mother and some of her mobility in a car accident. At fifteen—soon to be sixteen—years old, she is forced to live with her absent father in middle-of-nowhere Alaska. Then just as Jess was getting to know her father, a secret from his past leaves him dead. Jess is determined to survive in the wilderness with nothing except her father’s hunting dog and her wits.

Jess journeys through the wilderness to her father’s second cabin just as winter begins to set in. During her stay at the cabin, she plans her revenge against the men who killed her father. As winter continues, she also learns skills to keep herself alive and just how much the wild does not care about human life.

The first half of the book follows Jess in a “before and after” journal style as she recalls moments before and after her father’s murder.  With the change of point of view (from journal to the first-person present) the reader loses descriptions of Jess’s surroundings as the story becomes more of a stream of consciousness, which focuses on Jess’s inner thoughts. The journal-like style gives readers insight into Jess’s internal thoughts and worries. Understanding Jess’s personality and thought process allow readers to connect and sympathize with her.

Despite the many trials Jess goes through—the car accident, her father’s murder, her physical disability, and a lack of survival skills—she uses her wits and figures out ways to solve problems. Jess’s first obstacle is finding shelter. Jess recalls memories of building stick shelters in a small patch of woods with friends. She realizes that she does not need to chop down trees or find the greatest place to hunker down. She has the remnants of her father’s burned-down cabin, and a belt to help drag planks. Through Jess’s experiences, the reader will learn the importance of perseverance in the face of danger.

The style and wording of the novel welcome young readers, though the topics may be upsetting. While the violent death of a parent is a heavy topic, readers will gain insight into Jess’s emotions and feelings as she struggles with stressful situations. Readers who enjoy survival stories will enjoy the action and tension as Jess fights her father’s murderers. Readers also gain a sense of triumph as Jess completes her goal of survival in the wilderness.

I Am Still Alive is a quick read with an uncomplicated plot, but the act of surviving gives enough of a thrill to make readers want to know the end of Jess’s story. While she does not always learn from her mistakes—she often makes the same mistakes two to three times—she always puts 100% of her energy into planning a way around an obstacle. While the ending is not completely happy, Jess grows as a character from the city girl she once was. At the end of it all, she even feels a slight pull back to the wilderness. Jess thinks the wilderness is, “A place that does not love me and that I do not love. But we don’t expect love from each other, the wild and me.” Readers looking for other snowy survival stories should check out Ice Dogs by Terry Lynn Johnson and Not If I Save You First by Ally Carter.

Sexual Content

  • As she hides, Jess overhears the perpetrator of her father’s murder talking. The man “mostly talked about women. Talking about women in ways that sex ed and primetime TV did not prepare me for. I hated him more with every word.”

Violence

  • The book contains general talk about death in the sense of hunting, hunger, and survival. Skills on how to skin animals and degut them are described. For example, Jess’s dad “narrated everything he was doing as he took the fish and slit it along its belly. He told nobody in particular how to scoop out the guts.”
  • Jess reminisces about her mother’s death in the car crash: “. . .the world ended. Only half of it came back. My half. It was feel of wet cold rain and wet hot blood.”
  • Jess goes fishing with her dad. “Then [dad] hit [the fish] three times sharply on the back of the head with a little weighed club.”
  • Jess has a nightmare. The man “raises his hand, and there’s a gun in it. The gun roars with the sound of a fire, crackling and howling. Griff’s head kicks back. The air filled with red blood like mist, and it’s all over my clothes, it’s all over my hands and my face and in my mouth.”
  • People visit the cabin and “Raph kept smiling. And he took out his gun. And he shot my father in the head.”
  • While she hides from the people who killed her father, Jess debates her next actions. “I would have to get out to the plane and I would have to get the door open and then I would have to shoot him or stab him or whatever it was that I could possibly do to a man with a gun, a man whose friends had shot my father as he reached out his hand to shake.”
  • When Jess confronts the villain he “slams the butt of the rifle against my jaw.”
  • Jess defends herself against a man. “I bring the rock up in both hands and swing it as hard as I can at the side of his head.”
  • Daniel, the villain, attacks. “And Daniel, lying on his side with one arm twisted awkwardly under him. I watch for a long time, but he doesn’t move. He doesn’t breathe. Dead. My fault.”
  • When her dad’s hunting dog takes a bullet for her, Jess has to kill the dog as she cannot save him and he is in pain. “I aim the rifle between his eyes. He doesn’t flinch out of the way, only pants.”

Drugs and Alcohol

  • After the accident, Jess takes medication for her pain. “Painkillers, the powerful kind, leftover from my prescription. I haven’t taken them in weeks, but I shake one out now and swallow it dry.”
  • Jess describes a boulder in the forest. “I remember a boulder. Dropped here by some long-gone glacier, it leaned a bit, like it was drunk.”
  • Jess, her father, and her father’s friend, Griff, are telling stories. “And Griff snorted beer out his nose and into his beard and then we all laughed about it.”
  • Jess’s dad describes Griff, saying “But eventually he always pours himself out of his bottle and comes back.”
  • Jess finds “a couple of bottles of beer at the back of the cabinet.”

Language

  • Ass is used once and asshole is used twice. For example, Jess reminisces about one of her foster families, and thinks, “George is an asshole.” Later Jess names a fox George, “because George was an asshole, and so was the fox.”
  • Jess describes her injury and how unbalanced she is. “Just snap and shut, and I’m on my face or my ass.”
  • Damn is used once. Jess tries to figure out how to survive, but she doesn’t “know a damn thing about making a fishing rod from scratch.”
  • Raph, the villain, talks about Jess’s dad. He says, “It’s his own goddamn fault.”

Supernatural

  • Jess finds the last bullets for her father’s rifle. “I’ll waste at least one bullet, maybe more. Maybe all of them. They were a talisman. A piece of magic I was searching for, but now I have them and I remember that magic isn’t real.”

Spiritual Content

  • Jess describes Griff saying, “Jesus is [Griff’s] personal savior.”
  • Griff tells Jess, “God loves everybody, and when you die he can finally tell you direct. That’s why heaven is so nice.”
  • Jess’s mother, who was a pilot, says, “Pilots don’t have to depend on memory, which will always fail sooner or later. The checklist is God.”
  • Jess says the Lord’s name in vain. When she swears in front of her dad, he says “Don’t say that. . . There is no Lord. God’s just a lie the powerful people tell the little people to keep them in line.”
  • Jess reminisces about how Griff and her dad interacted. “Dad didn’t seem to mind when Griff talked about God. Maybe because Griff’s idea of God was very odd.”
  • At the end of the novel, there is a memorial service for Jess’ father. Jess “stood in an empty chapel while a preacher said kind words about a man he didn’t know, a man who would have hated every mention of God and heaven in the service.”

The Invaders

As champions of the Brotherband competition, Hal and the rest of the Herons were given a simple assignment: safeguard the Skandians’ most sacred artifact, the Andomal. When the Andomal is stolen, the Herons must track down the thief to recover the precious relic. But that means traveling stormy seas, surviving a bitter winter, and battling a group of deadly bandits willing to protect their prize at all cost. If it comes down to a fight, Brotherband training might not be enough to ensure the recovery of the Andomal—or the safety of the Herons.

Even though the Herons have left Skandia, their training continues as they wait for the winter winds to cease. The beginning of The Invaders focuses on Thorn’s training of the boys, which allows Thorn’s character to shift from a broken-down drunk to a respected warrior. The story often shifts focus from the Herons, to the pirate Zavac and back to Skandia. While the three story threads are easy to follow, the large cast of characters do not allow for sufficient character development. Hal and Thorn are well-developed, but the other characters fade into the background.

Despite the lack of character development, one theme runs true: “We all have different levels of ability. What we must do is make the most of what we’ve got.” Each character has a different ability and even Ingvar, who has poor vision, is a valuable member of the crew. The Invaders adds Lydia to the crew. Lydia is not a helpless girl who needs a man to save her. Instead, her skills are essential in helping save lives during the battle against the pirates.

While the plot is somewhat predictable, the interactions between the Herons’ Brotherband, Swengal’s Skandian crew, and the town people add interest. Unfortunately, at 400+ pages, The Invaders does little to advance the plot. The story ends with the pirate Zavac’s escape and the Herons alone in their search to find Zavac and take back the Andomal. The sluggish beginning, the difficult vocabulary, and the descriptive sailing scenes make The Invaders best for strong readers.

Unlike the Ranger’s Apprentice Series, the main characters are not fighting to help their country. Instead, Hal is fighting to restore his Brotherbands’ reputation. Another main difference between the two series is that Hal’s ingenuity is constantly praised, and he does not learn and grow. Readers who fell in love with Will in the ranger’s apprentice, will miss the three main characters—Will, Horace, and Halt. Even though The Invaders is not as captivating as the Ranger’s Apprentice Series, readers ready for an adventure on the high seas will enjoy the story.

Sexual Content

  • None

Violence

  • When Jesper questions Thorn’s ability to train the boys, Thorn “moved with blinding speed. . . The old sea wolf’s left hand closed on Jesper’s collar in an iron grip and hoisted the boy off his feet, holding him suspended, his feet dangling clear of the ground. Then he gathered himself and hurled Jesper away like a sack of potatoes.”
  • While training the boys, Thorn uses a hickory baton to give the boys “a none-too-gentle rap on the behind” to get them moving. Once, Thorn “put a little extra venom into a whack.”
  • Thorn teaches the boys how to fight in battle. During an exercise, “Stig launched one last, massive blow at Thorn. . . Thorn caught it on the slanting face of his shield and deflected it.” Stig loses his balance, and “Thorn jabbed the baton painfully into his ribs like a snake striking.”
  • Pirates attack a ship. When a sailor tried to surrender, “a pirate’s spear was already thrusting forward. It took him in the middle of the body and drove him back. He screamed and fell to the deck, the spear still transfixing him as the pirate struggled to free it.” Even the sailors that surrendered were killed. “One died in silence. The other gave a brief cry of pain and despair, then fell to a bloodstained deck.”
  • The pirate captain, Zavac, questions a sailor to find where the ship’s treasures are hidden. Zavac “slashed the thin blade of the dagger across the Gallican’s face, laying open a long cut. . . Now the pain registered with him, a burning sensation across his face, accompanied by the rush of blood dripping down onto his clothes.” When the sailor stays quiet, Zavac tells his men, “Torture him. . . . On second thought, when he’s ready to talk, keep torturing him for another five minutes. Then call me.” After being tortured, the sailor is “barely recognizable. . . Two of his fingers on his right hand were missing, as was his left ear.” The sailor was eventually killed. The ship attack is described over eight pages.
  • Zavac and the pirates attack a small town, killing many people. The watch commander and his men try to defend the town. Zavac joins the fight and “he pivoted on his right foot and thrust viciously with the long curved blade in his hand. He felt it strike a momentary resistance, pause, then penetrate. Only now, he looked, and saw his sword deep in the belly of one of the garrisons. . . Zavac’s thrust had gone just below the highly polished breastplate that the man wore. The officer’s eyes were wide-open with shock.” The man dies. The pirate’s attack is described over several chapters.
  • A group of pirates chase Lydia. Trying to escape, she gets into a skiff. A pirate “grabbed hold of the stern” and Lydia “unshipped one of the oars and jabbed it at him, aiming at the hand that clutched the stern. He yelled in pain, releasing the boat.” Another pirate comes after her and Lydia “took quick aim at the man who had nearly caught her, then cast. His comrades were startled as he screamed and threw his arms up, then fell backwards against the wave. . .” The pirate dies.
  • Stig asks Barat, a company commander, to allow some of his men to help save Hal. Barat tells Stig no and Stig “hit Barat with every ounce of his strength. . . It was a savage right that connected flush on the side of his jaw, lifted him off his feet, then dropped him to the sand like a sack of potatoes. . . Barat was out like a light.”
  • The Skandians team up with the town people to defeat the pirates. Hal and his crew hit the balustrade with huge arrows. “A few seconds later, a section of the pine balustrade around the tower exploded in a hail of splinters as the heavy projectiles smashed into it, then through it, cartwheeling among the defenders and knocking men over.” Some pirates are injured, but the injuries are not described.
  • After Hal and his crew set the watch tower on fire, the pirates flee. However, the Skandians are waiting for them. The Skandians “smashed into the disorganized Magyarans, axes rising and falling in a deadly rhythm. The pirates, stunned and demoralized by the sudden onset of the watchtower fire, eyes streaming from the smoke, had no chance against the charging Skandians.”
  • Swengal and one of the pirates have one to one combat. “The Magyaran panicked as he tried in vain to withdraw his trapped spear. As a result, he never saw the roadhouse stroke from the massive ax that ended the fight for good.”
  • The story ends with a multi-chapter battle where the Skandians help free the town from pirates. When one of the invaders was shooting arrows at the Heron, Lydia threw a dart at him. The man “reappeared, arrow nocked, bow half drawn—and stepped straight into the plummeting dart she had just thrown. He threw up his hands, the bow went spinning away, and he reeled, then toppled over the railing, hitting the support frame several times as he fell.”
  • One of the Heron’s crew, Ingvar, was hit by an arrow. “. . . Ingvar [was] writhing on the deck, clutching at the arrow that was protruding from his left side, close to the hip.”
  • The Heron uses an oversized crossbow to send projectiles into a platform. The projectiles “wreaked havoc on the platform, smashing and splintering the railing and cutting down five of his [the pirate leader’s] men.”
  • One man is hit with a dart and then “toppled off the catwalk and thudded to the street below.”
  • Another pirate tried to flee, but Thorn “slammed the small metal shield into his unprotected midriff and he gasped and doubled over. A rib-cracking jab from the club finished him, sending him sprawling.”
  • During the battle, many pirates die. One dies when Hal “jabbed quickly forward and saw the shock on the man’s face as the sword penetrated his defense and slid between his ribs.”
  • When some of the pirates attempt to flee, the towns’ people attack them. “After a few brief violent moments, the townspeople moved on, leaving the broken, battered bodies of the pirates sprawled on the cobbles.”

 Drugs and Alcohol

  • A Skandian in the common room had an ale cup in his hand.
  • Sometimes Thorn’s past drunken behavior is discussed and Thorn is called a, “Broken-down old drunk.”
  • A ship that the pirates attack is carrying “a few barrels of wine and ale.”
  • After the town is liberated, they throw a celebration where ale is served.

Language

  • One of the boys says, “Don’t be an ass, Stefan.”
  • Lydia calls someone a “pompous, overbearing prat of a man.”
  • Thorn calls someone a “preening idiot.”
  • Gorlog is a Skandian god. Five times, Gorlog’s name is used in creative exclamations such as, “Oh for Gorlog’s sake.” Another time, Thorn says, “Gorlog’s bleached and broken bones you’re a sorry lot.”
  • Someone says, “Oh Bungall’s braided beard.” Bungall was a minor deity, generally referred to as the god of acting in an embarrassing manner.
  • One of Hal’s crew says, “Perlins and Gertz,” who are the Skandian demigods of snow and ice.

Supernatural

  • None

Spiritual Content

  • Occasional the Skandian gods’ names are used as exclamations.
  • Thorn thinks, “May the Great Blue Whale fly up to the sun.” The reference is not explained.
  • There is a brief reference to Tharon, the god of thunder.
  • When Hal and his crew are found, Swengal says, “Thank the gods you’re all safe.”
  • After a man knocks out Barat, he tells one of Barat’s men to tell the others “Barat stayed behind to pray to Torink for a great victory.” Torink was their god of battles.

Rise of the Dragon Moon

Alone in a frozen world, Toli’s Queendom is at the mercy of the dragons who killed her father. She is certain it’s only a matter of time before they come back to destroy what’s left of her family. When the dragons rise and seize Toli’s mother, she will do anything to save her—even trust a young dragon who may be the key to the queen’s release.

With her sister and best friend at her side, Toli makes a treacherous journey across the vast ice barrens to Dragon Mountain, where long-held secrets await. Bear-cats are on their trail and dragons stalk them, but the greatest danger may prove to be a mystery buried in Toli’s past.

Readers will not want to start Rise of the Dragon Moon unless they have time to read the book in one sitting, because they will not be able to put the book down! Byrne builds a harsh, ice-covered world where dragons and humans are at odds. Right from the start, Toli’s conflict draws the reader into the story.

The story focuses on Toli, who is consumed with guilt about a secret she is keeping. Toli is a strong, determined character who doesn’t want to rely on others. While Toli is far from perfect, readers will admire her for her strength and willingness to put herself in danger to protect the people she loves. The story reinforces the idea that everyone makes mistakes, but “making them doesn’t mean we get to give up.”

Rise of the Dragon Moon is full of action and adventure and ends with an epic dragon battle. The well-developed characters are another positive aspect of the story. Readers will wish they had a friend like Wix, who was willing to fight bear-cats and dragons in order to help Toli. Although the dragons are not as well developed as the human characters, the main dragons all have unique personalities and ambitions which give the story added depth.

Throughout the story, one refrain is repeated several times—“The past was like the ice—it would never bend, but it would also never forget.” This phrase helps reinforce the idea that even though the past cannot be changed, the past does not need to define one’s future.

Besides being an incredible story, Rise of the Dragon Moon also shows the importance of trying to understand others—in this case, the dragons and humans must learn to communicate and work together to fight an unseen enemy. Even though the conclusion wraps up most of the story’s threads, Bryne leaves enough room for a possible sequel. Rise of the Dragon Moon will captivate readers with courageous characters who brave the danger of an icy wilderness in order to bring Toli’s mother home. Readers who love action, adventure, and dragons should also read Legends of the Sky by Liz Flanagan and Spark by Sarah Beth Durst.

 Sexual Content

  • None

Violence

  • The dragons attack a group of hunters. One dragon attacks Toli. “A single talon was half as tall as her . . . she saw the dragon’s tail coming, too fast, too huge. She took the impact in her gut and ribs, flying backward to smash into the cold, hard wall.” Only one hunter survives, but the deaths are not described.
  • A swarm of beetles attacks Toli, Petal, and Wix. When they attack, Toli “swing[s] her beater to knock a beetle out of the air. She swung again. Her arm gave a painful throb as the beater connected with another giant insect. Two down. . . From the corner of her eye, she could see Wix swinging his beater, knocking one after another to the ice.” Wix is injured.
  • A dragon named Krala gets angry at Toli. “Krala lashed the ice with her tail and lurched forward, snapping at Toli. . . Krala rattled and lunged, forcing them farther back.” Wix and Toli grab their bows and shoot. “Both arrows soared, straight and true, piercing Krala’s shoulder and chest, one behind the other. . . The dragon roared in pain, shaking ice under their feet.” Krala flies off.
  • Bear-cats attack Toli and her friends. “Wix fired. His arrow struck the new attacker’s shoulder. It let out a roar and put on a burst of speed. . . Petal cried out as Wix fired again, this time hitting the third one in the chest. It slowed, but the first one let out a roar and surged forward.
  • One of the bear-cats goes after Ruby. “Ruby veered away at the last moment, slashing with her talons as she passed. The bear-cat’s jaws snapped shut and came away with feathers. Its shoulder was bleeding. . .” The fight is described over three pages.
  • The dragons battle to see who will be their leader. Toli is in the middle of the battle. “The air was rife with growls and the sound of tearing flesh. . . Scorched feathers drifted down like ash, bringing with them the scent of burning.” Toli tries to find safety. “Toli rose from the ground and stumbled sideways. She caught herself on the charred ground, crying out as a long slice opened across her palm.”
  • Toli runs from the battle. “Blood stained the ground. The yellow dragon lurched forward, snapping its jaws as Toli switched directions. . .”
  • Spar, a human, tries to stab the Mother dragon. “The Mother took two running steps to meet her attacker. Barbed quills flew like arrows. One caught Spar in the shoulder and she fell to the ground, sending up a plume of fine gray dust.” Spar holds a blade against Toli’s neck. “The blade of her knife pressed tightly against Toli’s skin.” Toli is uninjured. The battle takes place over nine pages.

 Drugs and Alcohol

  • In Toli’s world, the adults drink honeywine.

Language

  • The dragons call a human “bone bag” and “puny bite.”
  • “Thank the stars” is used as an exclamation once.
  • “Nya’s bless, child” and “Nya’s light” are both used as an exclamation once.
  • Hailfire is used as an exclamation several times.
  • Toli calls a dragon a coward.

Supernatural

  • Toli looks into a “silver liquid” and sees into the future.

Spiritual Content

  • When the dragons were awake, “everyone in Gall would take cover and pray to the Daughter Moon to keep them safe.”
  • Toli’s people tell a creation story, where Nya was lonely so she decided to make “the creatures of her dreams. . . with each passing cycle of Father Moon, Nya made new souls to join the people, hiding them from her father on an island of sand and stone under the black rock ledge.” Nya created people from “basalt, and sand, and shell” and made everyone look different.
  • When Toli’s mother is taken, Toli “prayed for Nya to show her where the dragon had taken her mother.”
  • When the dragon Ruby becomes ill, Toli “closed her eyes and sent a fervent prayer soaring out to the Daughter Moon to keep Ruby alive.”
  • When a dragon wants Toli to give her Ruby, Toli “prayed the folds of her cape would hide the dragon’s lithe form.”
  • When Toli is reunited with her mother, her mother says, “Thank Nya’s light, you’re all right!”

 

Stowaway!

When Wally meets a band of puppy pirates, he wants more than anything to join them. He knows that puppy pirates are very tough and very brave. Even though he doesn’t always feel brave, Wally is determined to find out if he has what it takes to become a full-fledged puppy pirate. But when he stows away in a pirate ship, he finds out that he’s not the only one hiding. A friendly boy named Henry has also stowed away on the ship. The two promise to help each other. Will the two new friends be able to convince the ship’s captain that they are brave enough to be a pirate?

The front cover art shows an adorable picture of a pirate puppy, which will draw readers to the book. Nevertheless, the story’s plot is full of humor and suspense that will keep readers engaged until the very end. In a series of tests, both Wally and Henry prove that they can be useful to the ship’s crew. And with the help of Old Salt, an older pirate, Wally is able to be brave.

Younger readers will understand Wally’s desire to find a home and cheer for him as he makes friends with the boy and the pirates. Even though Wally is often scared, he still finds a way to complete difficult tasks. There are no other humans on the ship, but Wally stands up for Henry and the ship’s captain allows the boy to remain on the ship. The exciting conclusion has a riddle, kitten pirates, and a funny conflict.

Stowaway is pure pirate fun that will entertain readers who dream of adventure. The black and white illustrations are adorably cute and will also help readers understand the story’s plot. With short chapters, large text, and illustrations every 1 to 5 pages, Stowaway is the perfect book for readers ready for chapter books. Young landlubbers will be eager to read the swashbuckling tale of Wally and the Salty Bone’s crew. With 6+ books in the series, the Puppy Pirates Series has plenty of adventure to entertain readers.

Sexual Content

  • None

Violence

  • In order to get the kitten pirates to sail away, the dogs trick them. “The puppy pirates’ cannon blasted out a powerful shot of water. It arched up into the air between the two ships, and then it rained down on the kitten pirates. The kittens all shrieked and hissed and ran for cover.”

 Drugs and Alcohol

  • None

 

Language

  • There’s some infrequent pirate name-calling such as scallywag, landlubber, and lazy bum.
  • The kitten captain calls a dog pirate a fleabag.
  • When the captain finds a stowaway, he says, “This is unpoopitable!”

Supernatural

  • None

Spiritual Content

  • None

 

The Ballgame With No One At Bat

Egg’s sixth-grade class is going on a field trip to see the River City River Rats baseball game. Even though Egg doesn’t know a lot about baseball, he is excited to see the minor league baseball team play. From the fans to the concessions, Egg is ready to snap pictures at the stadium.

The class is surprised when the game is delayed because of a theft in the stadium. But Egg’s friends decide to use the time to look for clues. Who could have stolen the cash register from the concession stand? Is it one of the class’s chaperones? Egg and his friends are determined to look for clues and find the culprit.

As the title suggests, the story doesn’t show any baseball action. Instead, the action comes from Egg and his friends looking for clues, following suspects, and asking questions. Even though the game delay is unrealistic, the kids are able to solve the crime because Egg’s friend, Sam, uses her powers of observation. During their time at the stadium, several characters talk about the unhealthy junk food that is sold at the concession stand. One girl chastises her father for eating junk food, and the teacher admits to being “a junk food junkie!” The story’s message about making healthy snack choices is told in an over-the-top and humorous way.

The Ballgame With No One At Bat has beautiful full-colored illustrations that show Egg and his friends interacting with the suspects. Egg’s photographs are also included in the illustrations, which appear every 3 to 7 pages. In addition, some of the story quotes appear in oversized white letters on a black background. The graphic elements, large text, and illustrations break up the text into manageable parts. The book also includes A Detective’s Dictionary with some of the words used in the story.

Mystery-loving readers will be pulled into The Ballgame With No One At Bat by the beautiful illustrations and the high-interest topic. The story ends with an essay that Egg wrote about baseball superstitions. The easy-to-read format and easy vocabulary make The Ballgame With No One At Bat accessible to proficient readers who are ready for chapter books. Readers interested in a more developed mystery with baseball history should check out the Ballpark Mysteries Series by David A. Kelly

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Anton calls Egg and his friends dorks several times. For example, when someone stands up to Anton, he says, “Okay, dork protector. I’ll leave the four dorks alone so they can cry.”
  • When a boy overhears the conversation between Egg and Anton, the boy says, “Don’t listen to him. That guy’s a jerk.”
  • Anton calls a classmate a beanpole.
  • Egg thinks that Anton is “being a selfish dweeb.”

Supernatural

  • None

Spiritual Content

  • None

She Persisted in Sports

Throughout history, in every sport and at all levels of play, women athletes have been told they were never going to be fast enough, strong enough, or good enough. This book introduces readers to women athletes who have excelled in their sports because of their passion, their skills, and their persistence.

She Persisted in Sports begins with Margaret Ives Abbot, who was the first American woman to become an Olympic champion in the 1800s, and ends with Jocelyne and Monique Lamoureux, who helped the U.S. Women’s Hockey team win their first gold medal in twenty years. The book introduces 16 women athletes across a 200-year time span. The women are of different races and abilities, including one woman who raced in a wheelchair.

She Persisted in Sports has a positive message that women can do anything with persistence. The can-do attitude of the women’s profiles is inspiring. The book covers women who overcame many obstacles including sexism, a club foot, loss of hearing, and other hardships. Each athlete is introduced in a two-page spread. One page includes a short introduction of the athlete and the other page has a beautiful watercolor illustration with a motivational quote. Throughout the book, the words “she persisted” appear in colored ink, highlighting the theme.

Even though She Persisted in Sports is a picture book, it uses advanced vocabulary and sentence structure. In addition, the text-heavy pages make the book better suited for elementary students. While She Persisted in Sports is an inspirational book, each profile is short and does not tell how the athletes overcame their circumstances. While many of the athletes competed in individual sports, many of the women, such as Mia Hamm of the 1996 Olympic soccer team, were able to help propel their teams to victory.

She Persisted in Sports would be an excellent conversation starter about persistence and overcoming obstacles. It will also springboard some reader’s interest in athletes, which will lead them to learn more about the women featured in the book. The wide variety of sports, the diverse women, and the unique obstacles make She Persisted in Sports an inspiring book for girls to read.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Yasmin The Writer

Ms. Alex has assigned Yasmin’s class to write about their heroes. Yasmin loves to write, but she can’t decide who her hero is. After tossing out lots of ideas, could it be that Yasmin’s hero has been right beside her all along?

 Yasmin is a relatable character who struggles with choosing a topic for her writing assignment. At first, Yasmin looks at famous athletes, music stars, queens, presidents, and other leaders. But it’s the day-to-day events that make her choose her topic—her mother. While her mother is not famous, she cooks dinner, helps Yasmin find her pajamas, and comforts her when she has a bad dream.

Even though the story’s plot is predictable, young readers will enjoy the story as it shows both Yasmin’s home life and her school life. The story has three short chapters and each page has large illustrations that will help readers understand the plot. The full-color illustrations use cheerful colors and Yasmin’s class has diverse students. Yasmin is Pakistani and her mother wears a hijab. Yasmin’s mother also uses Urdu words, which are defined in a glossary that appears at the back of the book.

Yasmin the Writer will help emerging readers feel confident with their reading. Each page has 1 to 4 short sentences which are printed with oversized text. The conclusion has an illustration of a piece of paper that shows Yasmin’s writing assignment. At the end of the book, there are questions that will help students connect to the text, some fun facts about Pakistani, and directions to make your own journal.

Yasmin the Writer uses an everyday situation that will make young readers think about the definition of a hero. The story will also remind readers that mothers are heroes because they care for their children. Readers who enjoy the Yasmin Series should put the Sofia Martinez Series by Jacqueline Jules on their reading list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

More Happy Than Not

Aaron struggles with his father’s seemingly meaningless suicide and his own attempted suicide. Through the process of coming to terms with his losses, Aaron leans on the support of his mother, brother, girlfriend, and friends. He has been with his girlfriend, Genevieve, since before his father’s suicide and she supported him after his own suicide attempt, solidifying her role as a central part of Aaron’s support system. Then, Aaron meets a boy from a nearby neighborhood, Thomas, who changes his entire life as he begins to fall in love with him.

Since Aaron can’t stay away from Thomas or turn off his newfound feelings for him, he considers turning to the Leteo Institute’s revolutionary memory-alteration procedure to straighten himself out, even if it means forgetting who he truly is.

More Happy Than Not follows Aaron’s journey of meeting a boy who changes his life in a way he has never experienced before. The story is told from Aaron’s perspective which allows the reader to understand Aaron’s internal struggles as he grapples with his sexuality. The reader follows Aaron’s feelings for his perfect girlfriend, which become complicated with his potential feelings for a new boy, Thomas. Aaron struggles with this internal battle of sexuality, his love and care for others, and internalized homophobia.

Following his regained memories, Aaron is upset that the Leteo procedure did not “fix” his sexuality. He confides in Genevieve, who reveals she was aware of his previous relationship a boy, and had helped him through the Leteo procedure in the hopes that it would help him love her the way she loved him. With the return of painful memories and a rejection by Thomas, the novel ends with Aaron considering whether or not he should undergo an additional Leteo procedure to take the pain away.

This raw novel highlights struggles of sexual identity, mental illness, suicide, grief, homophobia, and hate crimes. Aaron is a likable character with challenges that may be relatable to LGBTQ+ readers. More Happy Than Not is an engaging, suspenseful story that is difficult to put down. Yet Aaron’s experiences may be painful for some readers, especially those who have not yet come out. However, it is important that this story be told for LGBTQ+ youth who have faced discrimination as Aaron’s experiences explore how to move forward after painful experiences.

This sensitive and gruesomely realistic novel takes the reader on a journey of understanding Aaron’s inner conflicts. In the end, Aaron learns an important lesson and he decides, “I will do my best to always find the sun in the darkness because my life isn’t one sad ending – it’s a series of endless happy beginnings.”

Sexual Content

  • Aaron’s girlfriend, Genevieve, insinuates she wants to have sex with Aaron, to which he thinks, “A sexy lightbulb flashes on. . . I remember something very crucial: Fuck, I have no idea how to have sex.”
  • When preparing to have sex with Genevieve, Aaron thinks, “I am so screwed later on. Okay, poor choice of words . . . I was hoping I could watch an unhealthy amount of porn to memorize techniques. . . I’ve considered maybe watching porn in the morning while he’s [his older brother] knocked out, but even naked bodies can’t wake me up.”
  • When preparing to have sex, Aaron consults his friends. A friend states, “Fuck all that. I boned a bunch of girls just so I could get off and get better.”
  • When Aaron has sex with Genevieve, in-depth details aren’t given, but kissing and undressing are discussed. Aaron broke “free from her not-so-tight grip, slide up on her, and kiss her lips and neck…She pulls my shirt off and it sails over my shoulder. . . I take off her shirt and leave her in a bra. She unzips my jeans and I kick them off with much awkward difficulty.”
  • Aaron discusses having sex with Genevieve. “Skinny-Dave wanted to know how many times we did it (twice!) and how long I lasted (not long but I lied).”
  • Aaron thinks back to when his best friend said, “Yo! I just got my first blow job!”
  • In his recovered memories, Aaron recalls a previous romance with his classmate, Collin. As they grew closer Aaron wanted to move forward in their relationship physically. “Collin has already lost both of his virginities. He got it on with this girl Suria when he was fourteen, after she gave him a hand job under the bleachers in the gym. Then he let this guy plow him last year when he was vacationing in the Poconos. I still have both of my virginities to lose. . . I want to take it to the next level with Collin.”
  • Once Aaron recovers his memories, he remembers he had sex with Collin multiple times. Aaron thinks back to when he tackled Collin “against the wall, unbuttoning his shirt, and it’s all condoms and awkward first memories from there.”

Violence

  • The book opens with Aaron thinking of his father’s suicide and his own suicide attempt. “I trace the smiling scar, left to right and right to left, happy to have a reminder to not be such a dumbass again.”
  • Aaron shares a long hug with Thomas. When Aaron’s friends see him, they jump him. During the fight, Aaron thought, “I don’t know where we’re going until we crash through the glass door of my building and I am sprawled across the lobby floor. There’s an explosion in the back of my head, a delayed reaction. Blood fills my mouth. This is what death feels like, I think. I scream like someone is turning a hundred knives inside of me, spitting up blood as I do.”
  • When Aaron recovers his memories, he angrily remembers how his friend’s brother died. “Kenneth was fucking gunned down yesterday and it’s all Kyle’s fucking fault. Kyle couldn’t fucking help himself and just had to fucking fuck Jordan’s fucking sister, even though we all fucking knew Jordan is the kind of fucking guy who would fucking kill someone if you fucking crossed him. Those bullets were fucking meant for fucking Kyle but no, they fucking found their way into fucking Kenneth when he was fucking innocently coming home from his fucking clarinet lessons at school.”
  • When Aaron remembers coming out to his father, he recalls his father’s violence. Aaron’s father said, “ ‘I’ll fucking throw him out myself.’ My mom guards me. Dad wraps his big hands around her throat, shaking her. . . I run over, grab his TV remote, and hit him so hard in the back of his head with it that the batteries pop out. . . My dad – the man who fucking played catch with me – punches me in the back of my head. . .””
  • Aaron was sitting close to Collin in a park and two guys yell, “Yo. You two homos faggots?” Then the two guys jump Aaron and Collin. “One slams my head into the railing, and the other hammers Collin with punches. I try punching the first guy in his nose. . . I have no idea how many times he punches me or at what point I end up on the sticky floor with Collin trying to shield me before he’s kicked to the side. . . His kind brown eyes roll back when he’s kicked in the head.”
  • When Aaron gets home after being jumped, he enters his bathroom to find his dead father. “When I see who’s sitting in the bathtub, I drop the shirt and blood just spills down my face and chest. Holy shit. Dad. His eyes are open but he’s not looking at me. He didn’t take his clothes off before getting into the tub. The water is a deep red, stained by the blood spilling from his slit wrists. He came home to kill himself. He came home to kill himself before I could bring a boy here. He came home to kill himself because of me. All this blood. All this red makes me black out.”

Drugs and Alcohol

  • Aaron and his friends frequently drink together. For example, Aaron and his friends are in high school and sneak onto the roof top of Thomas’s apartment complex to drink and party together. During one of these parties, Genevieve goes to find Thomas and Aaron, who are talking in Thomas’s room, and she shouts, “Is party central happening down here now? Let’s go up and drink! Wooooo!”
  • In addition, Aaron and his friends drink in excess. However, when they drink in excess they make a point to not drive. Aaron noticed Genevieve had been drinking heavily and says, “Genevieve is pretty damn drunk and needs to get home.” Then Aaron calls a taxi to drive her home.

Language

  • Dumbass is used frequently by Aaron and his friends. For example, Aaron uses the word “dumbass” to refer to himself after attempting suicide.
  • When jokingly trying to get his girlfriend to break up with him, Aaron calls her a “bitch.”
  • Profanity is used excessively. Profanity includes ass, fuck, dick, holy shit, and shit. For example, when asking his friends how to properly have sex with his girlfriend, he responds to their remarks by saying, “Thanks, asshole. Help me not fuck this up.”
  • Aaron says, “It feels like a dick move to take a girl’s virginity without some kind of present.”
  • The term “faggot” is routinely used in a derogatory manner. For example, Aaron’s friends call him a “faggot” and Aaron’s dad yells, “I’ll be damned if I’m alive the day you bring a boy home you fucking faggot.”

Supernatural

  • None

Spiritual Content

  • None

by Paige Smith

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