Reading Level: Junior High

Astronauts: Women on the Final Frontier

The United States may have put the first man on the moon, but it was the Soviet space program that made Valentina Tereshkova the first woman in space. It took years for the U.S. to catch up, but soon NASA’s first female astronauts were racing past milestones of their own. The trailblazing women of Group 9, NASA’s first mixed-gender class, had the challenging task of convincing people that a woman’s place is in space. But the women soon discovered that even NASA had a lot to learn about making space travel possible for everyone.

Astronauts: Women on the Final Frontier follows Mary Cleave and Valentina Tereshkova, the first woman in space, among others. Many people, including Valentina’s own mother, didn’t think women were capable of becoming astronauts. Astronauts: Women on the Final Frontier takes a humorous look at the gender stereotypes that women astronauts had to overcome. For example, as the first American woman in space, Sally Ride faced great pressure from the media.

Once NASA allowed women to train as astronauts, men realized women were capable of completing difficult tasks. Despite their differences, every astronaut works as a team to complete essential tasks. When Mary finally went into space, she talks about the beauty of space as well as some of the difficult aspects of space flight, such as how difficult it is to use the bathroom with no gravity. While the book has some lighter moments, it also reminds readers, “when you made a serious mistake in this job, it cost lives. We’ve lost three crews: Apollo 1 in 1967, Challenger in 1986, and Columbia in 2003.”

Even though Astronauts: Women on the Final Frontier is a graphic novel, it packs a lot of history into a short amount of text. Since the text rarely uses people’s names, keeping track of the huge cast of characters is difficult. The back of the book has several pages with pictures of different astronauts, but these pages do not include names. Younger readers may become frustrated by the difficult space language as well as the unique font that is used when the Russians speak. One example of a complicated sentence is when Mary said, “That’s because of the 1X resolver’s IMU BITE, we needed a GNC spec 1on CRT 2.”

Strong readers who have a love of history and space will enjoy being introduced to space history, astronaut training, and life in space. The often humorous artwork excellently shows the characters’ feelings through facial expressions. Most pages contain two types of text. The characters’ words are shown in white quote bubbles, while the narrator’s thoughts and basic information appear in the square, blue boxes. Each page contains 2-13 complex sentences.

Even though Astronauts: Women on the Final Frontier focuses on women, the graphic novel will appeal to both girls and boys. In the end, the book shows that with hard work, dedication, and perseverance, anyone can become an astronaut. The last panel shows a diverse group of women who are the “future astronauts.” Everyone who dreams of going into space should read Astronauts: Women on the Final Frontier.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • When Mary interviewed for NASA, she was nervous so she tried to be funny. After she got the job, she says, “I didn’t have a beer just before going to John Young’s office for my first assignment.”
  • When they first get to space, some astronauts take ScopeDex which is an anti-nausea drug.

Language

  • During a test, one of the astronauts says, “good lord, doc.”
  • When Mary joined NASA, “I got one more welcome gift. Nicknames, thanks to my assignments and my degree. Sometimes my fellow astros called me ‘Sanitary Fairy,’ sometimes ‘Crap Com.’”
  • “Oh God” and “my God” are both used once. When Mary looked at the earth from space, she says, “My god.”

Supernatural

  • None

Spiritual Content

  • While the astronauts were getting ready to go into space, someone prays, “Dear Lord, don’t let these guys screw up.”

All About Stephen Hawking

From an early age, Stephen Hawkings dreamed of making the study of the universe accessible to everyone. Diagnosed with ALS at the age of twenty-one, he overcame the challenges of ALS to become an expert on black holes and the origin of the universe.

Stephen realized his boyhood dream of educating people about the universe. While his disease broke down his body, Hawkings’ mind remained strong. He advanced our knowledge of black holes by discovering Hawking radiation, the energy emitted by black holes. Speaking through a computer, Hawkings continued trying to help people understand the universe around them. Stephen has also dedicated his life to several causes such as making buildings accessible to wheelchairs.

All About Stephen Hawkings begins with how Stephen’s parents met and how World War II affected their lives. The story takes a winding road that often quickly switches topics, and includes Stephen’s personal life, his goals, his accomplishments, and information on his wife, Jane. The many topics covered in the story may cause some confusion.

Stephen’s story comes alive both through the text as well as black and white illustrations. The simple illustrations appear every one to three pages. Both the oversized text and the frequent illustrations will appeal to readers. The text explains the meaning of some of the more difficult vocabulary words and there is also a glossary of terms at the end of the book. It also contains a timeline of both Stephen’s life and of world events.

All About Stephen Hawkings would be a great book to use for research about Stephen Hawkings’ life. Anyone who is interested in science will also enjoy the book. The quickly changing topics and the difficult vocabulary make the book best for strong readers. All About Stephen Hawkings will encourage readers to follow their dreams.

Sexual Content

  • None

Violence

  • At one point, some people thought that “Stephen’s wife, Elaine, was hurting Stephen.” One of Stephen’s children called the police. “The police asked Stephen’s nurses how he was getting hurt. . . [Elaine] was accused of breaking one of the bones in his arm, cutting him on the cheek, and leaving him out in the hot sun for so long that he got heat stroke and a sunburn.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • The book occasionally mentions someone going to church. For example, Stephen’s wife “continued to go to church on Sundays, though Stephen wouldn’t go with her.”

Alabama Moon #1

For as long as ten-year-old Moon can remember, he has lived out in the wilderness in a shelter with his father. They keep to themselves, and their only contact with other human beings is an occasional trip to the nearest general store. When Moon’s father dies, Moon follows his father’s last instructions: to travel to Alaska to find others like themselves. But Moon is soon caught and entangled in a world he doesn’t know or understand. Soon, he’s become the property of the government he has been avoiding all his life. As the spirited and resourceful Moon encounters constables, jails, institutions, lawyers, true friends, and true enemies, he adapts his wilderness survival skills and learns to survive in the world of people, and even, perhaps, make his home there.

While Moon’s life is not something most readers can imagine, they will soon be entangled in his story. When Moon’s Pap dies, Moon doesn’t understand why he can’t continue to live in his dirt hovel. Moon wrestles with his father’s ways as well as the world’s ways. Despite his loneliness, Moon fights everyone who tries to drag him away from his hovel to a boys’ home. Moon’s fight is both fast-paced, engaging, and full of surprises.

Alabama Moon takes the reader into the backwoods of Alabama and shows the beauty of living off the land. While the story is full of action, readers will also form an emotional connection to Moon’s story. In the end, many readers will be left in tears as they wonder why our world is so harsh. While Moon’s story ends on a hopeful note, Alabama Moon doesn’t shy away from the tough topics of death and the effects of war. But the main theme that shines is the importance of friendship.

The author’s love of the outdoors and his knowledge of nature allows him to paint a realistic picture of surviving in the wild. Alabama Moon combines intense senses with moments of tenderness and humor. The story highlights the father-son relationship and shows the deep love a son feels for his father—even when his father isn’t perfect.

Anyone who loves an action-packed survival story will love Alabama Moon. The characters are realistic and imperfect. The story doesn’t portray adults as always having the right answers, and some of the adults admit to having made a wrong choice. In the end, Moon realizes the importance of having friends and supportive adults in his life. Moon’s story will leave a lasting impact on readers and will help them appreciate the people in their lives.

Sexual Content

  • None

Violence

  • When a store owner named Mr. Abroscotto says Moon’s father’s plan was crazy, Moon jumped on him. “I started hitting him with my one hand that wasn’t holding on to him. I pounded him on the cheek over and over as fast as I could. . .I kicked him in the knee.”
  • When a social worker shows up to take Moon to a boys’ home, Moon “balled my fist, and socked him in the crotch.” The social worker “pulled his knees in tight as a baby and moaned curses at me.”
  • When a constable tries to detain Moon, Moon tries to run away. Moon “punched him in the face as hard as I could. . . He stood up with me and crushed me against his chest. For a moment I couldn’t breathe, and I felt that my shoulders were about to snap. . . I spun around and bit him on the tit. . .” The constable is able to get Moon into the back of his car.
  • After the constable talks badly about Moon’s father, Moon, “Jumped at him. . . I bit into his shoulder and chewed at it like it was tough gristle. . . He grabbed me around the waist with both hands and squeezed so hard that my body shot with pain and I had to throw my head back and cough at the sky.” Moon pees on the constable. The constable squeezes Moon until Moon is sick.
  • The constable goes to see one of his renters, who is behind on the rent. He “suddenly let go of the steering wheel and backhanded the man across the jaw.”
  • When Moon gets to the boys’ house, he meets Hal, who trash talks him. “I swung my arm from under the blanket and hit him open-handed across the face. . . the big kid recovered and grabbed for my feet. . .” Mr. Carter breaks up the fight. When Hal is disobedient, “Mr. Carter took two steps and grabbed him by the shirt collar. He lifted Hal like a scarecrow and dragged him across the room. He hung there, red-faced and coughing against the shirt that pressed into his throat.” Mr. Carter throws Hal outside and makes him sleep in the cold.
  • Hal approaches Moon. “Hal was walking faster, and he seemed to have something in mind for me. . . While I was crouched down, I hit him as hard as I could in the crouch. Then I covered my face with my hands and started rolling across the ground.”
  • The constable, Sanders, puts Moon on a leash and drags him around. “After we had traveled about a mile, Sanders yanked the leash so hard that I coughed against it. A sharp pain shot up into my head, and I gritted my teeth again. . . I rushed against the leash and felt it jerk me backwards until I lay flat in the leaves. Sanders laughed over me.” When another adult sees Sanders and questions him, Moon is able to run away.

 Drugs and Alcohol

  • Moon is put in jail. “The only other person in a cage, across the hall from me . . . said they locked him up for being too drunk and wrecking his car.”
  • The constable uses Copenhagen chewin’ tabacco.
  • Hal’s father is a drunk. Hal says, “My daddy never did learn to read good. He was so drunk most of the time, he could barely see.” When Hal’s father is driving home, he “pulled a bottle of whiskey from under the truck seat and took a swallow.”
  • When Moon walks up to Hal, Hal “held out a bag of Red Man chewing tobacco” and asked, “you want some?”

Language

  • Profanity is used frequently. Profanity includes ass, crap, damn, hell, and piss.
  • God and Jesus are both used as an exclamation several times. For example, after Moon hit Mr. Abroscotto, he said, “God, that hurt!”
  • Several times someone called Moon a “little bastard” and a “militia bastard.”
  • The constable asks a jailer, “Where’s that little pissant?”
  • The constable tells Moon, “You ain’t nothin’ but white trash. Worse than white trash. . . You’re stinkin’ militia trash, is what you are.” The constable tells Moon that his dad was “some dirty low-life.”
  • Four times, the constable uses the word “sum-bitch.”
  • Someone tells Moon that Sanders “is a bully and a bigot. . . He’s unintelligent, and he’s mean and he’s in a position of power. That’s a bad combination to be facing.”
  • A police officer tells Moon, “You’re a real pain in the ass, you know.”
  • Moon’s aunt says, “My Lord” twice. For example, when Moon tells his aunt that he’d like to eat four times a day, she says, “My Lord!”

Supernatural

  • None

Spiritual Content

  • Moon’s father “said you passed and came back as something else. It could be a squirrel or a coon. It could be a fish or an Eskimo. There was no way to tell.”
  • At the boys’ home, a prayer is said before dinner.
  • Moon’s father “told me I could talk to him be writin’ letters and burnin’ ‘em. He said you can talk to dead people that way.” Moon does this several times.

 

 

A New Class

Victor is thrilled when he is accepted to study at the Jedi Academy! His old school wasn’t a good fit for him, as his overenthusiastic use of the Force often got him in trouble. But at his new school, Victor is sure he will become a great Jedi Master. The only trouble is, Victor’s awesome new friends may not be as awesome as they appear. Victor also struggles to focus in class and he suspects his roommate is a Sith in training. As his grades suffer, Victor can’t stop getting into trouble. He’s warned if he doesn’t improve both his grades and his behavior, he may be sent home from the Jedi Academy – permanently.

A New Class teaches the importance of being true to yourself and shows the difference between true friends and those who are friendly simply because they want something from you. For instance, Zach tries to tell Victor, “if you want somebody to like you, you just need to completely change who you are.” But Victor insists, “my mom told me that if people didn’t like me for who I am that was their problem, not mine.”

By the end of the story, Victor realizes Zach isn’t a true friend at all. As he gets more comfortable with himself and stops trying to be cool, he discovers his true friends were right in front of him the whole time. Victor realizes, “I was looking for friends in all the wrong places. I was looking in places that just weren’t ME!”

Victor is an extremely relatable character for young readers because he struggles to focus in class and accidentally gets into mischief. His friends are diverse and supportive, and they challenge Victor to grow in positive ways. Victor’s teachers range from supportive to silly to strict, which adds an enjoyable aspect to the story. As Victor learns self-control and how to focus, his grades start to improve.

Told from Victor’s point of view, much of the story is written in an easy-to-read, diary format. The diary entries are frequently broken up by school newsletters, fun galaxy feeds, and space-themed comics. In addition, part of A New Class is told in graphic-novel format. Large, often comical, black and white illustrations appear on every page. The illustrations show Victor’s range of emotions and bring the other human and alien characters to life. The illustrations break up the text, making each page accessible to most readers. A New Class is listed as the fourth book in the Jedi Academy series, but it starts a brand-new storyline with a new main character. The previous books do not need to be read in order to enjoy and understand A New Class.

 A New Class is chock-full of fun, with Star Wars references galore and plenty of fun twists and turns. Parents will love the positive messages about friendship, while readers will enjoy the silly adventures. With loads of amusing pictures, humor, and middle school drama, A New Class is sure to delight tweens.

Sexual Content

  • When Victor joins Drama Club, he “had these visions of sharing the spotlight with Maya on stage. Maybe there would even be a scene where we got to kiss!”

Violence

  • Victor draws a comic where he “easily destroyed the evil droids” with a lightsaber.
  • When Victor sneaks away from a school field trip, he is attacked by an enormous gorax. His classmate, Artemis, uses the Force to pull Victor out of harm’s way, then cuts a tree trunk with a lightsaber. The tree tips over and falls on the gorax’s head, and the boys run away.
  • When Zach gets angry, he punches a locker and calls a droid a “hunk of junk.”
  • Zach shuts Victor’s new friends in a locker. When Victor tries to save them, Zach uses the Force to throw a droid. Then, Victor attacks Zach with his lightsaber. They duel until Victor’s sister saves the day, using the Force to throw Zach and free Victor’s trapped friends.

Drugs and Alcohol

  • None

Language

  • Zach calls Victor’s new friends “dweebatroids.”

Supernatural

  • Victor lives in a Star Wars inspired time, with lightsabers, aliens, star ships, and more. He goes to a school that trains future Jedis, and he learns to use the Force.

Spiritual Content

  • None

by Morgan Lynn

The Race to Space Countdown to Liftoff

Step back in time, beginning in 1232 when a Chinese alchemist accidentally discovered gunpowder, after which the Chinese created rockets for the battlefield. Since then, many have worked to advance rocket science. While some men dreamed of using rockets to travel into space, other men used rockets to win wars.

Then flashforward to the 1920s, when Wernher von Braun began creating a liquid-fueled rocket ship but was soon creating bombs for the Nazis. After the war, von Braun worked for the US Government. “Although von Braun wanted to achieve the means for space exploration, he once again found himself building weapons.” During this time, the Russians and Americans raced to create weapons as well as to send a man into space.

Finally, it’s 1957 when the Soviet Union launched the world’s first satellite into orbit, America had barely crossed the starting line of the great Space Race. Later that year, the United States’ first attempt at a similar feat was such a failure that the media nicknamed it “Kaputnik.” Yet American scientists and engineers refused to give up. With each failure, they gleaned valuable information about where they went wrong and how to avoid those mistakes in the future. Neil Armstrong may have made it look easy when he set foot on the lunar surface, but America’s journey to the moon was anything but simple.

The Race to Space Countdown to Liftoff is packed full of interesting historical information and explains how the Cold War spurred the United States into developing the first spacecraft. Instead of overlooking the many failures that occurred, the book explains how those failures were used to gain knowledge. For example, “The Apollo 13 mission is considered by NASA to be a ‘successful failure,’ meaning that the crew had failed to land on the moon. But NASA had learned so much during the operation, including techniques that would go on to aid in the development of new mission protocols and better technological advancements for future missions.”

Readers will learn new vocabulary and mythological references. Some readers will struggle with the advanced vocabulary words, such as diametrically, infiltrating, propaganda and détente. Even though some vocabulary is defined, a glossary would have been helpful. Despite the difficult vocabulary, The Race to Space Countdown to Liftoff breaks the text into manageable parts and uses subtitles, which make transitions to different topics easy. Both historical pictures and cartoonish, black and white illustrations appear on many pages. These illustrations show various acts of space travel and add humor.

The Race to Space Countdown to Liftoff uses a conversational tone that makes learning about history fun. The best part of the book is that it highlights events that could have been seen as “epic fails.” However, each failure was a learning opportunity that advanced space travel. The Race to Space Countdown to Liftoff shows how hard work, dedication, and perseverance can help everyone reach for the stars.

Sexual Content

  • None

Violence

  • In 1969, three men died when a spark created a fire. The spark became a “fire that spewed thick black smoke through the cockpit. The crew, still strapped into their seats, were unable to eject through the hatches before they succumbed to the smoke and fire.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

The Gravity of Us

Cal has his life figured out. He loves living in Brooklyn, where he has friends and a plan. He’s gaining views for his live reporting on the social media app FlashFame, and his journalism career is about to take off with a major internship. But all of this turns upside down when his father—Cal Senior—receives word that his application to NASA has been accepted. Cal’s father is slated to be on the upcoming Mars mission, and their family must relocate to an idyllic small town in Texas where all the astronaut families live.

While he’s upset to lose his internship, Cal soon realizes that he still has the chance to hone his journalism skills. A reality TV network called StarWatch has exclusive control over the narrative around the space program—and therefore the related public interest and government funding. Instead of focusing on the fascinating science of the upcoming Mars mission, StarWatch documents the lives of the astronaut families solely for manufactured drama. When Cal decides to keep live-streaming his own experiences, he becomes an opponent of StarWatch, who are obsessive about their tight control over the astronauts’ public images. Soon, Cal finds himself caught up in the world of high-stakes publicity. He tries to portray his family and the rest of the astronaut families truthfully and honestly, while multiple media forces vie for public interest.

Romance happens when Cal meets and immediately is enamored with another astronaut’s son, Leon. Leon, an ex-star gymnast, suffers from depression and is reluctant to enter into a relationship with someone who thinks he can “fix him.” Cal and Leon immediately have chemistry, but before they finally instigate a real relationship, they try to understand each other and respect each other’s needs.

The Gravity of Us promises a space-centered story but delivers a story that’s more focused on PR and social media journalism than a future Mars mission. While Cal is determined to make the public care about NASA for the science, readers may find that they still don’t get to see as much science as they want. Readers looking for an ultra-realistic view of NASA’s operations, like in The Martian, will be disappointed. Many fascinating logistical aspects of space missions—such as astronauts’ rigorous psychological testing and training—are swept aside or ignored.

The romance is cute but hollow. Cal and Leon have no barriers separating them except for Leon’s depression, which is never really given the attention it needs to be a fully effective aspect of the plot. The main conflict between them is that Cal is concerned that Leon doesn’t know what to do after he graduates from high school. In the end, Leon tells Cal that he’s figured out what he wants to do. It’s anti-climactic and may disappoint readers who want reassurance that they don’t have to have their lives figured out at eighteen.

Overall, The Gravity of Us has little of the gravitational pull promised. While it draws on the images of outer space in its title and cover, the book uses a vague portrayal of NASA to show an ordinary teen romance.

Sexual Content

  • Cal recalls interviewing a Republican Senate candidate and grilling him about “charges of sexual harassment.”
  • Cal says his mom is cautious when entering his room because “she’s always afraid she’ll catch me doing ‘something,’ and we all know what that ‘something’ is, but I’m also not an idiot and can figure out how to do ‘something’ twice a day having never been caught thank you very much.”
  • Cal recalls an old romantic fling with a boy named Jeremy, where he “sunk into his lips, the taste of Coors Light on our tongues.” Jeremy “was new and exciting, and he was there as I took a self-guided tour of my own queerness—something I may never fully find the right label for.”
  • When Cal is with Leon, “I get the urge to kiss him . . . nowhere in my perverse mind do I think he needs this kiss to fix him. I want him, and I want to do it for me. And humanity, even. I want the world to be that much better because of our lips touching and his hand in my hair and…”
  • Cal and Leon kiss. Leon’s “lips are soft and perfect and tug at mine like he’s been waiting for this moment forever. Like he’s been waiting for more than just a week to be with me like this. In seconds, our mouths are on each other and his hand is behind my neck. And my heart’s about to beat out of my chest. It’s too fast and not nearly enough.”
  • Cal and Leon kiss again. “This one isn’t as passionate, it isn’t as hungry, but it makes my insides jump the same way. There’s a caring force in the tug of his lips, and in his bite, I lose control of my body and feel light-headed.”
  • During a makeout session between Cal and Leon, “We’re pressed into each other, and there’s nothing on my mind but his taste. His tongue slips into my mouth, and I press mine against his. I moan softly because it feels so right. So perfect . . . just keep kissing him. We keep celebrating our closeness in muffled moans and gasped breathing.”
  • When Cal and Leon are alone in a hotel room, “We pull off our shirts, and I press his body into mine. His breath hits my neck as our legs hook around each other. We’re a mash of tongue and teeth and warmth.” They stay the night together, but the book doesn’t go into detail about what else they do.
  • Cal brings Leon over to his house because it’s “definitely empty,” with the implication that this is an opportunity for sex. “His face is pressed to mine as I get my key out and unlock the back door . . . and we push through the dark house.” The scene ends soon afterward without revealing any more detail.

Violence

  • When Cal sees how upset his mom is, “I scan her for bruises, for covered arms, for anything—though I know Dad would never hurt her like that.” His suspicions are unfounded—although Cal’s parents argue often, they never get violent with each other.
  • Cal says that the sound of his friend’s parents fighting in a neighboring apartment scares him. “The echoed sound of a fist breaking through a particleboard door settles in my head.”
  • A man looks like “his whole body might be made of stone.” Cal says, “I have a feeling that if I were to punch him in the gut, I’d be the one hurting.”
  • The characters wait anxiously for news about a jet, which was carrying NASA astronauts, that wrecked. One astronaut is killed and several are injured, but the crash isn’t described in detail.
  • An unmanned NASA launch “explodes in the sky.” Cal describes being “barely knocked back by the blast, like a strong but very warm gust of wind.” Then the spacecraft “becomes nothing but some smoking ash.”

Drugs and Alcohol

  • When he gets into the astronaut program, Cal’s father pours champagne for the whole family—“Even for you, Cal. It’s a special occasion.”
  • Cal’s friend says that she likes “watching astronauts get drunk off champagne before falling face-first into a bush.”
  • At an astronaut party, Cal sees “bottles of champagne sitting in a copper tub full of ice.” He notes that “no one would notice a bottle—or ten—missing from this supply.”
  • Cal and Leon steal a champagne bottle from the party and go out back to drink it. Cal drinks the champagne. “The tart, fizzy liquid burns my throat as I swallow it down. The taste isn’t great, but I could get used to it.”
  • Someone gives Cal gum “to cover that champagne breath.”
  • Cal’s mother manages her chronic anxiety “with her therapy appointments and an assortment of low-dosage medication.”
  • Cal steals some champagne from his parents and pops the bottle when he’s alone with Leon. They drink from it together. “I pull the bottle to my mouth and take a sip of the bitter foam.”
  • Cal says, “I start to understand why people celebrate with champagne. It lifts me up, it celebrates my own energy.”

Language

  • Profanity is used frequently. Profanity includes: damn, hell, shit, and fuck.
  • “Oh my God” and “Jesus” are frequently used as exclamations.
  • Cal refers to Clear Lake, Texas as “literal hell” because of its hot weather.

Supernatural

  • None

Spiritual Content

  • The Mars mission is named Orpheus, after the story of Orpheus and Eurydice from Greek mythology. A character explains how “Eurydice dies; Orpheus takes his magical lyre and travels to Hades to save her. He plays his lyre for Hades, who promises to return Eurydice under one condition: she would follow, but if he turned to look at her, she’d be gone forever.”

by Caroline Galdi

Target: Earth

Klawde is not your average cat. He is an exiled emperor from across the universe with a hunger for battle and a thirst for revenge. He’s cruel. He’s cunning. He’s brilliant. He’s also Raj’s best friend.

With Klawde now stuck on a dismal planet, he sets his sights on a new target to conquer: Earth. But to succeed, he needs two simple things: an army of zombie squirrels, and money. Lots of money.

Raj is simply trying to make some cash for a cool virtual reality headset. But when a neighbor catches wind of Klawde’s nefarious plan, Raj may end up paying for his cat’s schemes.

Even though Klawde is devious and deceitful, he is also very likable. In the fourth installment of the Klawde: Evil Alien Warlord Cat Series, both Klawde and Raj need money, but in true Klawde style, he devises a way to make virtual money. Klawde’s obsessive desire to regain control is hilarious, especially because he always underestimates the hairless ogres of Earth. The power-hungry cat doesn’t understand why humans “were so addicted to consumption. To shopping. To their possessions. Did they not realize that the most important things in life are those you cannot touch or possess, let alone buy? Like power domination. And humiliating your enemies!”

Klawde’s plotting brilliantly connects to Raj, who starts a lawn care business with his two friends. But with Klawde’s newfound millions, Raj has everything his heart desires—a virtual reality game, a skateboard, new shoes, and pizza. Raj thought his new game would make him happy, but in the end, he realizes that “The VQ had totally been messing with my mind.” At one point, Raj spends so much time playing a virtual reality game that he doesn’t sleep, do his homework, or spend time with his friends. In the end, Raj learns that “Money didn’t matter when you already had everything you need. . . family and friends.”

Klawde: Evil Alien Warlord Cat Series is exceptionally engaging, humorous, and fun to read. Readers will appreciate the short paragraphs, the easy vocabulary, and the hilarious blue-and-black illustrations. Not only do the illustrations help the readers imagine the story’s events, they also highlight Klawde’s emotions of misery, distaste, and disgust.

Readers will laugh out loud as Klawde tries to use squirrels to take over Earth. The conclusion introduces a new enemy—Colonel Akornius Maximus, a squirrel bent on keeping his Earthy brothers and sisters safe. Readers will be eager to read the next book in the series, Emperor of the Universe. Fans looking to put more humor into their reading should also check out the Mac B. Kid Spy Series by Mac Barnett.

Sexual Content

  • None

Violence

  • Klawde is upset at his “ogre” Raj and scratches him. Klawde “swiped his shin with my claws, leaving a trail of four bloody lines.”

 Drugs and Alcohol

  • None

Language

  • Klawde is upset that some of the cats from his home planet are calling him “Dog Lover” and “Wyss-Kuzz the Butt-sniffer.”
  • Occasionally, Klawde calls his minion, Flooffee, names that include dolt, idiot, and imbecile.
  • When FBI agents appear on Raj’s doorstep, Klawde thinks FBI stands for “Furless Brainless Idiots.”
  • Someone says to Raj, “I heard the FBI raided your house. When did it become illegal to be a loser?”
  • Dang is used once.

Supernatural

  • None

Spiritual Content

  • None

Stargazing

Moon is everything Christine isn’t. She’s confident, impulsive, artistic . . . and though they both grew up in the same Chinese-American suburb, Moon is somehow unlike anyone Christine has ever known.

But after Moon moves in next door, these unlikely friends are soon best friends, sharing their favorite music videos and painting their toenails when Christine’s strict parents aren’t around. Moon even tells Christine her deepest secret: that she has visions, sometimes, of celestial beings who speak to her from the stars. They reassure her that Earth isn’t where she really belongs.

Moon’s visions have an all-too-earthly root, however, and soon Christine’s best friend is in the hospital, fighting for her life. Can Christine be the friend Moon needs, now, when the sky is falling?

Readers will relate to Christine, who is at first reluctant to be Moon’s friend. As she becomes friends with Moon, Christine learns to step out of her comfort zone and try new things, including wearing nail polish. When Christine’s father sees the nail polish, he tells her, “things like clothes, makeup, and nail polish are just things to keep smart girls like you from succeeding.” While Christine’s father encourages her to be friends with Moon, he reminds her, “just because Moon does something doesn’t mean it’s right for you, too, okay. You’re different girls with different paths. Remember who you are.”

In order to make her parents happy, Christine tries to be perfect, but she secretly wishes she could be more outgoing like Moon. At one point, Christine worries that Moon will make new friends and no longer like her. Christine intentionally embarrasses Moon, and when Moon gets sick, Christine avoids her. Despite this, Christine and Moon eventually talk about their conflict and are able to repair their friendship.

The graphic novel’s panels use pastel colors and expressive faces to bring the girls’ world to life. Throughout the novel, the pictures in Moon’s sketchbook are featured, which allow the reader a peek into Moon’s imagination. Wang’s illustrations expertly convey the characters’ emotions through facial expressions as well as actions. Much of the story is told through illustrations without words. Despite this, the reader can easily understand the story’s plot. While some pages do not have words, other pages have up to eight simple sentences that use easy vocabulary and is perfect for even the most reluctant reader.

Anyone who feels ordinary will understand both Moon’s and Christine’s struggles with loneliness and the need to feel special. The two girls’ friendship is imperfect, yet endearing. In the afterword, Wang explains that one reason she wrote Stargazing was to show “the diversity of experiences even within a very specific community. As our society continues to diversify (as I would hope), I imagine there will be many more Moons and Christines out there wondering which parts of them are ‘not Asian,’ and which parts are just uniquely and wonderfully them.”

Sexual Content

  • Moon draws a picture of her teacher, Mr. Pennypacker, in a boat. Moon is next to her teacher and has hearts drawn around her head. When Christine sees the picture she says, “OH MY GOD, MOON! Ewww Eww Eww!!” Moon blushes.

Violence

  • A boy is mean to Christine’s little sister. Moon finds the boy and tackles him. The fight is illustrated over two pages. Two teachers break up the fight. As Moon is walked to the office, she hands Christine’s little sister the boy’s tooth.
  • Christine purposely puts the drawing of Moon and Mr. Pennypacker where other kids can see it. When a girl says, “Here you go, Mrs. Pennypacker,” Moon smacks her across the face and then punches her. A parent breaks up the fight.

 Drugs and Alcohol

  • None

Language

  • Moon tells her friend, “It’s okay if you eat meat, though. Some animals are probably jerks. I won’t tell.”
  • “Oh my God” is used as an exclamation four times.

Supernatural

  • None

Spiritual Content

  • Moon doesn’t eat meat because she’s Buddhist. Moon says, “We don’t eat animals because we believe in respecting life.”
  • When a professional athlete is interviewed, he says, “I’d just like to thank my parents, and God, for being there and helping me follow my true path in life.”
  • Doctors discover that Moon has a tumor. Christine’s father tells her, “Let’s keep her [Moon] in our prayers. That’s all we can do for now.”

Path to the Stars: My Journey from Girl Scout to Rocket Scientist

Sylvia is surrounded by family and friends. She lives in a close-knit neighborhood where everyone speaks Spanish. Sylvia loves her life because there are always other children to play with. Then Sylvia’s sister, Laura, gets really sick and everything changes.

Even though Laura recovers, she is never the same cheerful, inquisitive child she once was. Because of Laura’s illness, Sylvia’s mother decides to move the family to a more affluent neighborhood. Soon, Sylvia is forced to go to a new school – one where the majority of students are Anglo. Sylvia is miserable and self-conscious. When a classmate invites Sylvia to join Brownies, Sylvia finds a place to belong and learn. The Girl Scouts teach her the importance of planning for the future and creating opportunities for herself. Because of Girl Scouts, Sylvia knew “that I could teach myself to fulfill a goal and work as a member of a team. . . I had learned that planning ahead and doing things properly could help you get what you wanted.”

Sylvia’s family life is often chaotic, but with the lessons she learns from Girls Scouts, Sylvia gains the confidence to take control of her life. However, Sylvia has to battle cultural and gender expectations. Sylvia felt “pulled between different worlds: home and school, Spanish and English, traditional and modern.” This doesn’t stop her from planning, learning, and striving to better herself. Sylvia becomes the first Latinx to graduate with a master’s degree in engineering from Stanford University and one of the few female rocket scientists at NASA’s Jet Propulsion Laboratories. Now, Sylvia is the CEO of the Girl Scouts of the USA.

This true story is told by Sylvia herself. Even though she has to struggle to overcome many obstacles, she continues to work hard in order to reach her goals. Sylvia refuses to be defined by gender roles. For example, when she began high school, the school enrolled her in home economics. However, she refused to go to the class because she didn’t want to be a homemaker. The principal allowed her to take an additional math class instead. This helped prepare her for her future career at NASA.

The autobiography Path to the Stars will encourage readers to plan and strive for a better tomorrow. Through Sylvia’s story, readers will come to understand the importance of hard work. Even though Sylvia’s journey was difficult, she continued working to meet her goals. Even though Sylvia gained much of her knowledge through books, she also found other ways to learn. For instance, when her parents’ car kept breaking down because they did not maintain it properly, Sylvia took a class that taught women how to maintain a car. After that, she changed the oil in the car herself, even though she wasn’t yet old enough to drive.

While Path to the Stars is motivational, some readers will struggle with the difficult vocabulary and the slow pacing in some parts of the story. However, the story teaches many life lessons that make Path to the Stars worth reading.

Sexual Content

  • None

Violence

  • Sylvia’s parents argued, and “a couple of times at night, when they were arguing. I had heard Papá hit Mami. . . In those days, domestic violence was considered a private family business, and outsiders seldom intervened.”
  • One day, Sylvia’s mother told her “that she and Papá had a terrible fight and he had hit her the way he had in the past.” Sylvia’s mother planned to move to California and stay with a relative. Later that day, Sylvia’s mother changed her mind but said, “If he ever hits me again, I’m leaving.”
  • Papá was angry and annoyed by Sylvia’s four-year-old brother. “We all knew when Papá was about to lose his temper, and sure enough, he lifted his hand, about to strike. Armando cowered, tears starting down his face even before the spanking, and I rushed forward to stand between my father and my little brother. . . Mario joined me. . .. Papá backed down.”
  • Sylvia refuses to reply to her father with, “Yes, sir!” So her father “smacked” her face. “Papá ran after me, and when he caught up, I hit him without thinking, just trying to protect myself.” Sylvia runs to her bedroom. Then, he “stormed into the room his eyes filled with rage, a look on his face I will never forget. He pulled off his belt and struck me once, twice. I curled up on the bed, and he kept hitting me, over and over, as Laura sobbed and begged him to stop.”

 Drugs and Alcohol

  • Sylvia’s mother did not allow alcohol in the house. “This was partly because my family was Baptist and partly because my mother forbade my father to bring alcohol into the house. In the past, he’d sometimes had a problem controlling his drinking. Now he and Uncle Sam might enjoy an occasional beer, but that was all Mami would allow.”
  • In order to save for college, Sylvia and her friend collect recycling. When they had time, they would go to parks because they were “littered with soda and beer cans.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Sylvia and her family attend church.
  • Hermana Diaz taught Sylvia and her brother English. “To build our vocabulary in English, she taught the song ‘Jesus Loves Me.’”
  • After Sylvia’s sister gets meningitis, her father stopped going to church. “Before Laura got sick, Papá had been a lay minister and leader of our church choir. After Laura’s illness, he felt betrayed that so many members of the congregation, instead of rallying around our family, stayed away from our home for fear of catching meningitis. . . Even then, when I was older, I never knew if it was because he’d been bothered by the behavior of other members of our church, or if his faith itself was shaken by Laura’s illness.”
  • Even after Laura recovered, Sylvia’s mother was sad. “She blamed herself for Laura’s illness and in some ways felt it was a form of God’s punishment, even though she knew that others had gotten sick too. . .”
  • For many years after Sylvia’s sister was sick, Sylvia “prayed that in the morning Laura would wake up to her old self and our family would be happy again.”
  • Many of the school children were Catholic. Sylvia “knew that my family’s Baptist religion made us different from most of our neighbors. I liked church, but I wondered why we needed separate churches with different rules. “
  • When Sylvia was in Brownies, she recited a pledge. “I promise to do my best to love God and my country. . .”

The Kings of Clonmel

In the neighboring kingdom of Clonmel, a mysterious cult, the Outsiders, has sprung up, promising the defense against lawless marauders in exchange for the people’s riches. Their sermons attract audiences from miles around, but there’s a dark side to the seemingly charitable group. This prompts Halt, Will, and Horace to investigate…but what the trio uncovers could threaten the safety of not only Clonmel, but their homeland of Araluen as well.

Halt, Will, and Horace band together to fight evil in the action-packed adventure The Kings of Clonmel. Unlike the other books in the series, The Kings of Clonmel takes a hard look at a religious cult that brutally murders innocent people in order to convince them to follow their leader, Tennyson. While much of the story revolves around Tennyson and his followers, the reader will also get a surprising look into Halt’s life before he became a ranger, which gives depth to his personality.

As The Ranger’s Apprentice series progresses, the relationship between Halt, Will, and Horace matures. No longer uncertain apprentices, Will and Horace have grown into men who are fiercely loyal and willing to go into dangerous situations in order to help the common man. Although Will and Horace respect Halt, they are now comfortable teasing him. This new element adds humor to the story, and it shows the great lengths the two men will go to support Halt. While Horace is straightforward and honest, Halt and Will are willing to use deceit in order to defeat the enemy. The contrast between the men allows the reader to see that friends can disagree without destroying their relationship.

The eighth installment of The Ranger’s Apprentice series will not disappoint readers. While the conclusion of The Kings of Clonmel still contains an epic battle, the story never feels like a repeat of previous books. Instead, the adventure still contains surprises. Halt, Will, and Horace have a deep friendship, and each man uses his unique talent in order to help others. The men clearly love their country and their king, and they are willing to sacrifice for the greater good. While the story contains some disturbing scenes where women and children are mercilessly killed, their deaths highlight the importance of following reason instead of mob mentality. Even though today’s men do not need to go into combat, The Ranger’s Apprentice series teaches important lessons that can be applied to today’s world.

Sexual Content

  • After being gone, Will returns to the castle. When he sees Alyss, “She leaned forward, kissed him lightly on the lips and slipped away.”
  • Horace mentions an event from an earlier book. Horace had asked about some skimpily clad girls. Instead of saying they were prostitutes, Halt told him “that they had short dresses because they might have to run with urgent messages.”

Violence

  • A group of men, the Outsiders, attack a family farm. When the men attack, a man “reached for the ax he had just leaned against a water trough. Before he could raise it, an arrow flashed across the clearing and buried itself in his throat. He gave a choking cry and staggered, falling half into the trough. The water began to turn red with blood.” When the men are dead, the killers “shouldered the door of the farmhouse open…” Once inside, a woman threw a pot of boiling water on a man. “He screamed in agony and lurched to one side, dropping the bloody sword and throwing his hands to his face.”
  • A surviving man “had a long pitchfork in his hands and he raised it as he ran forward. He never saw the bandit leader. He only felt the searing agony of the sword thrust into his side… He fell facedown.”
  • During the attack, a woman asks for mercy. “The raiders, oblivious to the splashed blood and sprawled bodies around them, helped themselves hungrily to the platters of hot, sizzling bacon…” Everyone is killed except for two children who were able to run away. The family’s death is described over three pages.
  • Halt stops raiders from setting a fire to villagers’ boats. “The first moment the raider knew he wasn’t alone was when an iron bar of an arm clamped across his throat while a powerful hand forced his head forward to complete the choke hold.” The man passes out. Then, Halt approaches another man and “slapped the burning pile of tinder out of his hand, scattering it onto the sand. Then he followed through with his other hand, his left, in a hooking palm strike that had all the power of his twisting body and shoulder behind it. The heel of his hand slammed into the man’s chin, snapping his head back and sending him crashing into the hull of the boat with a cry of pain.”
  • A man confronts Halt. Halt “flat-kicked sideways at the inside of the man’s left knee. The leg buckled and the man collapsed with a cry of pain, holding his injured knee and yelling.” The scene is described over four and a half pages.
  • The Outsiders try to capture Halt and send dogs after him. “Faced with a head-on target, the Ranger waited until the dog had lifted its head to send the snarling challenge… Then Halt shot for the throat, the impact of the heavy arrow, with the eighty pounds of draw weight from his bow behind it, sending the dog staggering backwards and sideways. The second arrow… dropping it stone dead.”
  • Another dog is sent after Halt. “As he watched, another massive gray-and-black shape detached itself from the group and came arrowing up the slope after them… This as a pitiless killing machine, perverted by its cruel training so that it sought only to kill and kill again.” Halt’s shot kills the dog instantly.
  • When a man tries to approach Will, “he’d barely begun to draw when a black-shafted arrow hissed downhill and sent him tumbling back into the trees. His companions looked at his lifeless body…” The men send another dog, and Halt kills it “and sent it rolling back down the slope, eyes glazed, tongue lolling.” The dog attack is described over four pages.
  • One of the bandits tries to track Halt, but Halt sees him and “Halt swung an overhand blow and brought the striker knob down hard onto the man’s skull, just behind the left ear.” The man “collapsed, limp as a rag, onto the ground.”
  • Halt takes a man, named Colly, prisoner. The man “tried to throw a punch at Halt. Halt ducked under the wild blow. Stepping in and pivoting his upper body, he hit Colley with a palm strike to the jaw, sending him sprawling again.”
  • When he was a teen, Halt’s brother tried to kill him numerous times. At one point, Halt says his brother “tried to poison me.”
  • Will looks at the evidence left behind in a village. “He could see the scene in his mind’s eye. A boy or a girl, terrified by the galloping, screaming men, had tried to run for the shelter of the trees. One of the raiders had swung out of line to pursue the little running figure. Then he’d cut his victim down from behind.”
  • Horace, Will, and Halt warn a village about the Outsiders preparing to attack. When the Outsiders attack, both Halt and Will begin shooting down men. “And within a few seconds, six men in the center of the advancing line went down. Two of them made no sound. The others cried out in pain, dropping their weapons.”
  • When the Outsiders’ defense begins to break up, “they fell back, leaving a number of their companions sprawled lifeless on the ground and on the barricade itself… they had paid the penalty for assaulting a well-defended position on their own.”
  • Horace goes after the enemy. “They began to back away, but they were too late. Kicker smashed into two of them, hurling one to the side and trampling the other… A sixth outlaw was already sinking to his knees, staring with disbelief at the black arrow buried in his chest. His head dropped forward. The lone survivor looked at his companions, scattered and broken, some of them lying still, others trying desperately to crawl away…” The battle takes place over seven and a half pages.
  • When a messenger mentions the Sunshine Warrior to Tennyson, Tennyson “let his rage loose and he beat back and forth at the wretched man with his closed fist. Blood flowered from the crouching man’s nose and he huddled lower, trying to protect himself from the savage fist.” Tennyson has a servant give the man ale and a meal. Then Tennyson has the messengers assassinated.
  • When trying to leave Tennyson’s camp, a sentry tries to stop Will. In order to escape, Will “shot his booted right foot forward, straightening his knee and slamming the sole of the boot hard into the man’s face. The man stumbled and went down…”
  • When Halt’s brother, King Ferris, won’t listen to Halt, Halt has Horace knock him unconscious. “The king was stretched unconscious on the floor an overturned chair beside him.”
  • Tennyson sends an assassin after Will. When Will sees him, “Will brought his right elbow up to face height and pivoted on his right heel, slamming the point of his elbow into the man’s face, breaking his nose and sending him reeling back against the people around them.”
  • Horace faces one of Tennyson’s assassins, Killeen, in a combat to the death. Killeen uses a mace while Horace uses a sword. The man hits Horace’s shield. “To Horace it felt as if a house had fallen on his shield.” When Killeen exposes his neck, Horace “stepped in and swung a lightning side stroke at the exposed two centimeters of neck. There was a roar of surprise from both sides of the arena as Killeen’s helmet went spinning away to land on the turf with a dull thud… the spectators realized that his head had gone with it.” The combat is described over four pages.
  • When Will finds an assassin in Horace’s tent, Will attacks. “…Something hard crashed into his head, behind the ear, and everything went black.”
  • Even though Horace has been poisoned and cannot focus, he still attempts to fight Gerard. Before Horace can be injured, Will intervenes. “Gerard’s snarl of triumph turned abruptly into a screech of agony as the arrow transfixed the muscle of his upper right arm…the sword falling harmlessly from his nerveless hand…” The scene is described over four pages.
  • Will and one of Tennyson’s assassins agree to a combat. Each man has to shoot arrows until one of them is dead. Will shoots his arrow, and then “the purple figure jerked suddenly, stumbled a few paces and then fell faceup on the grass.”
  • At the end of the combat, the King is found dead. “Peering behind the throne, he saw the flights of the crossbow bolt protruding from the thick wood. The missile had gone through the back of the chair and into Ferris’s back, killing him instantly, pinning him to the chair.”

 Drugs and Alcohol

  • Someone poisons Horace, making him unable to focus. After a few days, the effects of the poison wear off.
  • Will finds a village that had been burnt down. The inn still had cheap brandy sitting on a shelf.
  • In order to infiltrate the Outsiders’ camp, Will knocks out one of the sentries and pours brandy on him. “If a sentry was found reeking of brandy and sleeping peacefully under a tree, no amount of protesting on his part would convince his superiors that he had been attacked.” While Will is sneaking into the camp, he sees a group of men who “were drunk and talking loudly, staggering slightly on the uneven ground.”
  • As Will is spying on the enemy, he heard “the clink of glasses from inside and the sound of pouring… There were one or two appreciative sighs—the sound a man makes when he has taken a deep draft of wine.”
  • While trying to recruit members, the Outsiders set up “several casks of ale and wine under a large, open-sided tent and were serving generous mugs of both to all comers.”
  • Several times during the story, people are served wine or ale. For example, when setting up for a combat, wine and ale are set up for the townspeople to purchase.
  • When the Rangers finish their Gathering, someone says, “So now let’s have a glass of wine and call it a night.”
  • Halt, Horace, and Will go to a farmstead and say, “we’ll pay well for a hot meal and a tankard of ale.”

Language

  • Halt calls his brother “a lying sack of manure.”
  • Damn is used three times. For example, Halt says, “Horace, when you get older, try to avoid being saddled with an apprentice. Not only are they a damned nuisance…”
  • Hell is used twice. Halt says that his brother’s castle is “drafty as hell in winter, too.”
  • “Oh for God’s sake” is used as an exclamation several times.

Supernatural

  • None

Spiritual Content

  • A group of raiders, named the Outsiders, are posing as a religious group in order to fleece the town of its money. The people had a “simple message of friendship… they asked for nothing but a place to worship their benevolent and all-loving deity, the Golden God Alseiass. They made no attempt to convert the locals to their religion. Alseiass was a tolerant god…”
  • When trouble began in the village, “then the Outsiders would come forward with a solution. The outlaws surrounding the village were followers of the evil Balsennis—a dark god who hated Alseiass and all he stood for.” The villagers were told that “to expel Balsennis, special prayers and invocations would be required.” However, they had to build a shrine made of gold.
  • When Will realizes that the Outsiders are killing innocent children, he thinks, “You’d better pray that your god will protect you.”
  • Tennyson preaches about Alseiass, saying, “I’m a servant of the Golden God Alseiass. And he says all men are my friends—and I should be a friend to all men… There are evil, lawless men abroad in the world. They are the servants of the black spirit Balsennis. I see his hand everywhere I go, bringing sorrow and despair and death to the people of this wonderful country…”
  • Tennyson says that Alseiass doesn’t mind if a person worships other gods because “that isn’t Alseiass’s way. He doesn’t’ care to force himself upon you. If you have other gods you prefer, or no gods at all, he doesn’t condemn you.” Tennyson preaches for eight pages, trying to get support to overthrow the king.
  • When Halt goes into a town pretending to be looking to buy sheep, he says, “Thank God, I’ve seen little in the way of good animals arrive so far.”
  • When Tennyson’s inner circle go in to raid a town, one of the men says, “My men and I serve Balsennis, the mighty god of destruction and chaos.”
  • Halt meets a woman who doesn’t believe in Alseiass. She says, “Some of us here worship the old gods. We know the gods send us good times and bad to try us. I don’t trust a god that promises only good times… A god that brings you good and bad in equal amounts doesn’t ask for much. Maybe a prayer or two… A god that promises only good times? A god like that will always want something of you.”

Spaceman (Adapted for Young Readers): The True Story of a Young Boy’s Journey to Becoming an Astronaut

From the time he was seven years old and saw Apollo 11 land on the moon, Mike Massiamo dreamed of becoming an astronaut. But Long Island is a long way from space. Kids like him, growing up in working-class families, seldom left the neighborhood. But with the encouragement of teachers and mentors, Mike ventured down a path that took him to Columbia University and MIT.

It wasn’t easy. There were academic setbacks and disappointments aplenty—and NASA turned him down three times. Still, Mike never gave up. He rose to each challenge and forged ahead, inching closer to realizing his boyhood dream. His love of science and space, along with his indomitable spirit and sense of teamwork eventually got him assigned to two missions to fix the Hubble Space Telescope as a spacewalker.

Growing up, Mike didn’t know anyone who could tell him how to become an astronaut. “There was no science club at school where we could build and launch rockets. None of my friends were into space; it was something I did on my own. I had my spaceman costume, my Astronaut Snoopy and my library books, and that was it.” However, Mike learned that “being the smartest isn’t always the most important trait in school or in life; working hard, having a positive attitude, and getting help when you need it can be more important.” Mike chronicles his life’s failures, his successes, and the people who help him along the way.

Mike tells his story as if he were sitting down to coffee with a friend. His conversational tone and plenty of life lessons make his story even more interesting. He doesn’t leave out the difficult decisions he had to make, or the mistakes he made along the way. Mike says, “I don’t know if there are any lessons to take from this except to realize that the things you think are mistakes may turn out not to be mistakes. . . if you make the most of what you’ve got, you can find a way to keep moving forward.” In the end, what makes Mike stand out is his determination to find a way to overcome life’s obstacles.

Throughout Mike’s journey, he shows how people at MIT and NASA work together as a team. People helped Mike not to get something out of it, but “because that’s what you’re supposed to do. That’s how a team works. You help the people around you, and everybody’s better off for it.” Despite receiving help from others, Mike didn’t always know what to do, and he wasn’t always confident in his abilities.

Many of the lessons in Spaceman are told in such a matter-of-fact way, that it sounds like advice from a big brother. Mike reminds readers that, “If you get caught up worrying about things you can’t control, you’ll drive yourself crazy and waste valuable time. It’s better to focus on the things right in front of you that you can control.” Throughout his time at NASA, Mike’s experiences changed his perspective. To Mike, one important aspect of space travel is that “every person who goes to space, every person who gets to peek around the next corner, is someone with the potential to help change our perspective, change our relationship with the planet, change our understanding of our place in the universe.”

While Spaceman is full of encouraging advice, life lessons, and interesting anecdotes, younger readers may have a difficult time understanding the significance of Mike’s experiences. The ending’s pace is slow and uneventful because it explains how the termination of the space program affected Mike. However, anyone who loves space should read Spaceman. In addition, high school readers would greatly benefit from reading Spaceman because Mike shows how hard work and determination can help a person fulfill their dreams.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • When Mike went to work for NASA, he loaded up his car and “prayed I didn’t break down in the backwoods of Appalachia along the way.”
  • When Mike interviewed for a job as an astronaut, he worried that he couldn’t pass the eye exam. He “was praying for something so far out of my control that I could throw up my hands and say, ‘Well, that’s life. Nothing I can do.’”
  • When Mike reapplied to be an astronaut, he “prayed I’d be ready in time.”

The New Year’s Party

It’s five minutes to 1965. Beth should be at the party having fun with her boyfriend. Instead, she’s looking for her best friend, Karen. Suddenly, a group of men barge into the house with guns—they’re attempting a robbery. One man grabs Jeremy, Beth’s shy brother, puts a gun to his head and pulls the trigger. However, nothing happens because the gun is fake. The robbery was just a prank pulled by Karen and some seniors. Upset, Jeremy runs off. Beth follows him into his car. They’re driving recklessly in the snow when suddenly they hit a boy. They swerve, then crash.

The story jumps in time to the present day. Reenie, Greta, Archie, and Sean are all friends who enjoy playing pranks on each other. For example, Archie hides in Reenie’s closet pretending to be a corpse. Reenie starts to get the idea that their pranks are going too far, though, when she falls off a cliff and nearly drowns in a frozen lake. She has an uneasy feeling when Archie suggests she throw a house party but ultimately agrees.

Archie and his friend Marc come up with the perfect prank to pull at Reenie’s party. They will get Sandi, the most popular girl in school, to ask P.J., the new quiet kid, to the party. At the party, Sandi will kiss P.J., then pretend to die. This prank goes too far when P.J. actually dies from shock. Reenie and her friends are horrified, but the horror turns to confusion when P.J.’s body disappears. In the next couple of weeks, Marc and Sandi are both murdered. Someone is taking revenge on Reenie and her friends, but they can’t figure out who.

 In addition to the supernatural elements, The New Year’s Party has relatable characters, who are not perfect. Like many typical teens, the characters try to justify their wrongdoings. In addition, the story includes fighting couples, friends who party together, and friends that have trouble with trigonometry. The story jumps back and forth in time, but the time differences are separated by chapters.

In the climax of the story, Liz, P.J.’s sister, invites Reenie and her friends to a New Year’s party. At the party, Liz reveals who killed Marc and Sandi, and chaos ensues. This exciting conclusion that connects the past to the present will shock readers.

The New Year’s Party is a gripping story that will keep readers turning the pages. Every chapter ends on a cliffhanger. The vocabulary is simple, and the plot moves quickly. Reenie’s friends play multiple pranks that always seem real, keeping the readers on the edge of their seats. In true R.L. Stine fashion, the book ends with a twist. The New Year’s Party is a good book for readers of all types who are looking for a quick, enjoyable read.

Sexual Content

  • Beth is at a party scanning the room for her friend when she sees a couple who “were making out in the corner.”
  • When the clock strikes midnight, Beth’s boyfriend, Todd, “pulled Beth to him and kissed her.”
  • Todd asks Beth if she wants to move to the stairs, where “four couples sat on the carpeted steps, making out.” Beth “didn’t want to make out in front of the entire party.”
  • At Reenie’s house, Artie sat next to Gret, then “leaned forward and gave her a long kiss.”
  • Sandi, a pretty, popular girl, slow dances with P.J. When the song ends, she “pulled P.J.’s face to hers. Kissed him. A long, slow kiss.” Reenie observes Sandi “kissing the helpless P.J. so intensely. . . her mouth moving over his, her arms wrapped tightly around his slender shoulders.”
  • Before he leaves the party, Sean “pulled [Reenie] close and kissed her. Reenie wished the kiss would never end. She didn’t want to think about anything but the way Sean’s lips felt against hers.”
  • Reenie is hiding under the bleachers in the gym so she can listen to Liz and Ty’s conversation. Reenie watches as “Liz gently pulled Ty’s head to hers and kissed him. A long, serious kiss.”

Violence

  • A group of men with pistols crash a house party. One of the men grabbed Jeremy and “pressed the gun barrel against Jeremy’s head. Then he pulled the trigger.” The gun didn’t fire because it was plastic. The whole thing was a prank played by a group of high school seniors.
  • Jeremy is driving recklessly on icy roads with Beth in the car. They saw a “dim figure” in the road before “something bounced on the hood with a heavy thud. A face appeared through the foggy windshield. A boys’ face, his mouth open in a scream of surprise. The boy dropped to the ground. The car rolled over him with a hard bump.” Because they are scared of facing the fact they just killed a boy, they do not stop to help him and keep driving.
  • Jeremy lost control of the car on the icy roads. “The car smashed hard into the snowbank. . . [Beth’s] scream ended in a grunt as she was thrown forward and her head cracked against the dashboard . . . Beth felt warm blood trickle down her forehead.” Beth watches the car break “through the snowbank” and feels “shock after shock of pain.” Beth is able to crawl out of the car, but she later realizes she is just a spirit, and her body is still in the car, dead.
  • As Reenie puts her sweater in her closet, she sees “bulging, blank eyes.” At first she believes it to be a “corpse” with “gooey blood, dark and caked, oozed over his head.” The corpse is actually Sean, and he was pulling a prank on Reenie.
  • Reenie falls off the edge of a drop-off that overlooks a lake. “She was falling, sliding and tumbling, down the snowy hillside. It knocked the breath out of her. She struggled to gasp in air.” She falls onto the frozen lake, and her “hip smashed against the hard surface. She let out a small moan of pain.” As she is walking to the bank, “the ice beneath her gave way with a groan. She slid into the freezing, black water.” Struggling to get out, “she thrashed her arms, trying to pull herself back up to the surface. . . her head hit the underside of the ice. ‘I can’t breathe,’ she realized. She pounded on the ice with her fists. Clawed at it.” Reenie passes out, but Sean rescues her.
  • As Artie speeds into an intersection with Reenie in the car, another car hits them. Reenie heard “metal slam against metal. Shattering glass. The car spun, slamming her into the door. . . She felt the seat belt biting into her stomach, as she was thrown forward. Then she lurched back against the seat.”
  • After Sandi kisses P.J., she shoves him away and “uttered a long, frightening moan. . . She sank to her knees, her eyes wide, her mouth hanging open. . . Sandi crumpled into a heap on the floor.”
  • Artie and Marc are working in the garage when Reenie and Greta come over. Artie leaves Marc alone in the garage. Marc’s friends hear “a high, ragged scream of terror” come from the garage. When they rush to the garage, they see “a body lay sprawled over the shiny red hood. Marc’s body. Blood dripped from his mouth and nose and his head . . . was twisted around on his neck . . . completely backward.” Marc was murdered.
  • Reenie leaves Sandi alone at the Burger Shack. When Reenie comes back, she finds Sandi dead in a trashcan. “Sandi’s eyes stared blankly at the ceiling. But she lay on her chest . . . Her head had been twisted around backward. And her face held the same terrified expression. Her blue eyes wide with horror.”
  • Liz is holding Sean, Greta, Archie, and Reenie captive. Sean holds a knife as he demands that Liz open the door to let them go. Liz “threw herself at Sean,” who “toppled to the floor with Liz on top of him. . . His body twisted and thrashed as he tried to throw Liz off.” Liz “tried to choke” Sean but Reenie “grabbed Liz by the shoulders and struggled to pull her off Sean.” Liz “tore at Sean’s wrist with her teeth,” causing him to drop the knife.
  • Once she regains the knife, Liz “grabbed Sean and pressed the blade against his throat . . . Reenie saw a drop of red blood roll down Sean’s neck.”
  • While Reenie distracts Liz, Sean “grabbed Liz around the waist. He pinned her against him with one arm—and grabbed the knife away with his other hand.” Liz “stumbled into [Sean]. And the knife plunged deep into her chest.” Everyone is frightened, especially when, “No blood poured from the wound.”

Drugs and Alcohol

  • Reenie has a house party and runs into Marc. “He stood so close she could smell the beer on his breath.”
  • At the party, Reenie notices Artie’s eyes look watery, and thinks, “Great. They’ve both been drinking.”

Language

  • Artie threatens P.J. after P.J. dropped a weight on him. Artie says, “I’m going to get that little creep, P.J.” Artie goes on to call P.J., “You little jerk!”
  • After he describes their “dumb practical jokes” to a police officer, Sean admits he sounded like a “total jerk.”

Supernatural

  • After they crash the car, Beth and Jeremy realize they are dead. They can see their bodies in the car. Jeremy tries to get back inside his body, but he can’t. He cries, “My arms passed right through my body!” Beth realizes Jeremy is starting to fade. Beth feels herself fading too. “Only the darkness remained. Everywhere. Closing on her. Claiming her.”
  • It is revealed that Liz and P.J. are the same people as Beth and Jeremy; they just changed names. Their spirits somehow reappeared solidly enough for them to act like real people. They died in a car crash thirty years ago, and they were trapped for years in a “cold, gray place.” Liz explains, “As the years passed, we grew stronger. And then suddenly we were back. Back in our old bodies. People could see us and hear us again.”
  • Ty confesses he was the boy Beth and Jeremy ran over, and he was also brought back to life to get revenge.
  • As the clock strikes midnight, Beth, Jeremy, and Ty fight with each other. “Liz and Ty and P.J. whirled around, tugging each other as if in a mad dance. Faster and faster. Waves of icy air swept off their bodies. . . A ghostly whirlwind.”
  • Beth, Jeremy, and Ty disappear once the clock strikes midnight. “A high, shrill whistle pieced Reenie’s ears. Louder. Shriller. Until Reenie covered both ears to shut it out. And the three ghosts began to fade. . . They faded to shadows. Then the shadows faded to smoke. A spinning column of smoke . . . The smoke faded. And floated away.”

Spiritual Content

  • None

by Jill Johnson

Lu

Lu’s birth was a miracle, and he’s used to being the only child and track star in the house. That is until Lu’s parents break the news that he’s going to be a big brother. In the final installment of the Defenders Track Team, Lu grapples with his father’s drug-dealing past, his mother’s unusual fruit masterpieces, and his own fears. All the while he’s trying to pick a name for his new sibling and help his team win the end-of-season track championship. Lu struggles while running hurdles; it’s the one race where he can’t seem to get past the first twelve steps.

Lu builds on the growth of the characters in the previous three books. However, Lu spends more time tackling personal integrity, drug abuse, and forgiveness. Lu’s teammates, family, and coach help him learn how to be a compassionate person who rights his wrongs, and he becomes a big brother that his little sibling can look up to. By now, the Defenders track team is a full-fledged family, and the end of the novel wraps up their journey together.

Reynolds knows how to write young teenagers’ voices. Lu’s voice strikes the balance between self-confident and insecure. He’s a great runner, and he’ll be sure to tell everyone about it, but the thought of running hurdles makes him afraid. Lu worries, would he be a good big brother? Can he face his childhood bully and show him kindness? Lu is a good kid, but his ability to overcome his fears and not let them consume him makes his character compelling. Lu even inspires others around him to be better by demonstrating integrity and eventually apologizing for his actions.

Lu is a good end to the series. Unlike the first book, not a lot of big events occur. Despite this, the story never seems to drag, and the smaller plot points carry more weight as they develop the characters. Reynolds’s straightforward style and vernacular usage are fun, and they help make the story believable and interesting.

Readers will enjoy the end of the Defenders Track Team series because it neatly ties up all the characters’ conflicts and ends on a compassionate note. If the reader has read the previous three books in the series, they should definitely read Lu because these books take themes like family, friendship, and track and give them life. Most importantly, these books ask the reader to always be the best version of themselves.

Sexual Content

  • Patty teases Lu about a girl named Cotton, but Lu says “Patty was only teasing me about Cotton because she thinks I like her and we should go together. But I don’t. I do. But not like that. Not all the way. But she cool. But go together. Grease face? Nah.”
  • Lu’s parents occasionally hug or kiss in greeting. When Goose, Lu’s father, returns from work, Lu’s mom “leaned over and kissed him on the cheek.”

Violence

  • Lu and his family playfully slap each other on the arm. For instance, when Lu hears about being a big brother, Dad “popped me on the arm with the back of his hand” out of excitement about the big secret.
  • Ghost playfully “slapped [Lu] on the arm” while getting a ride home after practice.
  • Lu fantasizes about throwing an orange at Kelvin, his childhood bully. In his daydreams, he “cocked [the orange] back like a pitcher, and fast-balled it at his ugly face.”
  • There are references to previous books when Ghost’s dad tried to kill Ghost and his mom. According to Ghost, Mr. Charles “saved our lives. He hid my mom and me in his storage room.” No other details are given.
  • Lu and his teammate Aaron get into a fight when Aaron trips Lu while running. Lu says Aaron “charged me and shoved me with his whole body, and I flew to the ground.”
  • It is implied that Ghost gives Lu a wedgie. The team was chatting with Lu when “one of them thinking it would be funny to give me a wedgie.” The wedgie is played off as friends goofing around.
  • It is implied that Kelvin was abused at home, probably by a parent since it is also mentioned that he went to live with his grandparents. While at the basketball court, Lu sees that Kelvin has “no blue-and-purple spots on his arm. No marks.”

Drugs and Alcohol

  • A former runner referred to as “the Wolf” now has a drug addiction and begs for money. After giving him a dollar, Coach Brody says to Lu, “To me, that’s embarrassment. Not the dope—that’s illness. But to let something get in the way of your full potential…” There are many references to Wolf’s addiction throughout the book.
  • Lu’s dad, Goose, explains how he started selling drugs at 15. His dad says, “I’ve told you that before, and you know I’m not proud of it.” This is the extent of the conversation. Later it is revealed that Goose sold the Wolf “his first hit.”
  • Coach Whit convinces her brother and former track star, the Wolf, to check into a rehab center. Goose brings Lu along because Goose works with people struggling with addiction, and he wants to give Lu a chance to see what he does.
  • While sitting in the rehab center, Lu talks about the pamphlets he reads. Lu says, “I sat in the waiting room for what seemed like forever, reading these papers about detox, and how sometimes before they can even start real treatment they have to let the drug pass through people’s bodies, and how terrible it feels to, like get all the stuff out of you.”
  • At the dinner table, Goose drinks a beer. Lu says, “Juice for Mom. Beer for Dad. Milk for me.”

Language

  • The book is written in the main character’s vernacular, so the grammar is often purposefully incorrect, like when Lu says, “lightning so special it don’t never happen the same way or at the same place twice.”
  • A couple of times, Lu is flippant towards his parents. Early on, when he describes listening to his mother, he says, “I swear, sometimes she just be talking to be talking.”
  • Lu says that Shante Morris “looks like a horsefly” because “her eyes kinda made her look like she was always surprised how nasty those cupcakes were every year. Ha! Sorry.”
  • Words like shut up, dang, fool, stupid, and hater are all used frequently throughout the book.
  • Lu has albinism, so characters will make comments about it. For example, he notes that in his yearbook people write “Have a nice summer, you fine-o albino.”
  • When his dad is late, Lu considers calling him a “booboo-faced clown.”
  • Lu’s family has plenty of playful banter, like when Lu returns from practice and his parents tease him by saying, “You smell like bananas” and “stinky son.”
  • Lu has a laundry list of nicknames for a kid named Kelvin (“Smellvin”), who made fun of him for his albinism.
  • Two pages are dedicated to the things that Kelvin has said to Lu. Some of the more creative insults on the list include: “You look like a cotton ball dipped in white paint,” “Like milk. Like somebody supposed to pour you over cereal,” and “Like grits with no butter.” Of Kelvin’s appearance, Lu says, “It don’t even look like he was born, but instead was built, but together in some kind of blockhead bully factory.”
  • Coach Brody and Goose knew each other as kids, and Coach Brody would make fun of Goose for his stutter. Coach told Goose, “You sound like a choking Chihuahua.”

Supernatural

  • None

Spiritual Content

  • Lu refers to his birth as “a miracle,” and at one point he says that his mom having another child was “magic.”

by Allison Kestler

The Boy in the Black Suit

Matt wears the same suit every day. Even to school. He needs the suit for his job at Mr. Ray’s funeral home, which he does because his mom died and his dad’s struggling with the bills and alcohol. Despite his mom’s recent death, Matt doesn’t mind working in a funeral home. In fact, he likes sitting in on the services and finding the most grief-stricken person. It makes him feel less alone.

Then Matt meets Love, who has experienced even more tragedy than Matt. She’s tough and kindhearted despite her circumstances. Matt finds himself drawn to her strength. Love understands Matt’s pain and loneliness, and she might be able to help him be strong too.

Death is the main focus of The Boy in the Black Suit, and the topic is handled gracefully and respectfully. Although the content is dark, Reynolds balances this with lighthearted moments. The funerals that Matt describes often have some element of comedy. Some characters treat the funeral as a celebration of life rather than a loss. Matt likes seeing both the positive and tragic responses because it gives him an outlet for his own pain.

Throughout the novel, Matt quietly deals with his grief. Matt’s grief over his mother’s death is not immediately obvious, but his thoughts slowly let the reader into his carefully locked-away emotions. Many of the other characters struggle with grief as well. For instance, Matt’s father sinks into alcoholism after his wife’s death. The funeral homeowner, Mr. Ray, still struggles with his wife’s tragic passing many years ago. Matt also discovers that when Love was younger, she witnessed her mother’s murder.

The grief-stricken characters deal with their sadness in realistic ways. Reynolds manages to create well-rounded characters while still showing how grief has influenced their personalities. The Boy in the Black Suit offers a variety of responses to terrible events. After her mom’s death, Love continues her mom and grandmother’s work with the homeless and carries their spirits with her. Despite the tragedies in Love’s life, she doesn’t let them get her down. Because of her compassion and quiet strength, Matt is drawn to Love. With her help and the powerful supporting cast, Matt can begin to come to terms with his grief.

The Boy in the Black Suit tells a story about grief and growth in an accessible way for young adult readers. The themes are universal, and many characters learn to grow from their unfortunate circumstances. The Boy in the Black Suit is an important read because it shows that kindness exists even in dark times, and it introduces topics like death in a mature way for readers. Although this book is somewhat darker, fans of Reynolds’s other work will enjoy this thoughtful story.

Sexual Content

  • Matt thinks about his best friend Chris Hayes and how “girls had a thing for his shaved head.”
  • One of Matt and Chris’s classmates, Shante, “got pregnant sophomore year.”
  • Mr. Ray, the funeral homeowner and Matt’s friend, tells Matt that he “was thinking about one thing only—skirts,” meaning girls. Matt misunderstands and says, “You were thinking about wearing skirts?”
  • Mr. Ray tells Matt that once he and his brother “Robbie done wrecked many a car, taking our eyes off the road to check out some lady’s hind-parts.”
  • Matt’s mom wrote on the cover of a cookbook: “The Secret To Getting Girls, For Matty” because “cooking is what girls really like.”
  • While in Mr. Ray’s basement that was dedicated to his dead wife, Matt “watched [Mr. Ray] take a few more moments down memory lane, back when he could make the game-winning three-pointer, then kiss his girl after he came from the locker room.”
  • At her grandmother’s funeral, Matt flirts with Love. Matt tells Chris about it later, and Chris misunderstands. Chris asks, “The girl from the Cluck Bucket [a local restaurant] is your girlfriend?” Matt says no, but he does express that he likes her.
  • Matt explains Chris’s dating history. Chris “used to kick it with Shannon Reeves, a certified winner. Shannon was so fly, all the older dudes would try to get at her until they found out she was only sixteen. And even then, some of them still tried to get at her. [Chris] also used to kick it with Lauren Morris and Danni Stevens at the same time. Danni was kind of geeky, but in a cute way. And Lauren was a cheerleader at our school, so she had that whole thing going on. Long hair, pretty smile, in shape, all cheery, all the time. The two girls knew about each other, because Chris was up front and told them the truth.” This exchange continues for several pages.
  • Matt tells his dad about how Matt and Love are having Thanksgiving together. Matt’s dad says, “And if for some reason you feel like having dessert, think twice, son. One slice of her pie could equal a lifetime of your cake, if you know what I mean.” Matt is mortified at this innuendo.
  • Matt and Love help at a homeless shelter. When handing out chicken, Matt asks, “Leg, wing, or breast?” An older man replies, “Well, I’m known to be a breast man.” The lady standing behind him “slapped him on the back of the head.”
  • At the park, there’s a couple making out on a park bench. Matt says, “The girl across from us moved her mouth to her boyfriend’s neck. Yuck.”
  • Love kisses Matt at the Botanic Gardens. He spends a page hyping up his feelings, and then describes the kiss as “a peck… Yup. Just a peck.”
  • After the Botanic Garden date, Love and Matt kiss again. Matt describes it, saying, “I pressed my lips against hers again, this time kissing her longer and pulling her as close as possible. I wrapped my arms around her, and I could feel her hands gripping my back.” This description lasts for less than a page.

Violence

  • When someone tried to steal a bag of chips from the local bodega, the owner, Jimmy, “pulled the biggest knife I’ve ever seen—I mean, like a machete—from behind the register and started banging the blade on the counter… He then said that if he catches anyone stealing, he’ll leave their fingers on the bodega floor for the cat to nibble on.”
  • Matt’s mom gives Chris’s mom “the green light to pop [Matt] if she needed to.” In a flashback where Matt is suggesting breaking the rules, Matt considers this potential consequence.
  • One night, Chris and Matt hear Chris’s neighbor get into an altercation with her boyfriend that ends with the cops and paramedics at the apartment complex. The boyfriend shot and killed her. The description of the altercation lasts for a couple of pages but is only told through what the boys can hear. Matt describes, “All of [the man’s] words were long, like he was halfway singing, so we knew he was drunk. And the lady was pretty much screaming, ‘It’s over! It’s over!’ and kept telling him to go home… the loudest sound I had ever heard in my entire life came rushing toward us, making both of us shout out and slam the door. Then came the screams of the woman, and the drunk man in the hallway now mumbling something about him being sorry and that he didn’t mean it.”
  • A car hits Matt’s dad. He was drunk. “When he got to the corner of Fulton and Albany, he lost his balance and stumbled out into the street. Gypsy cab got him.”
  • Mr. Ray’s wife “slipped, hit her head, and was gone before anyone could even get to her.”
  • Matt destroys the wilted flowers sitting on his mom’s grave because he’s upset. He “grabbed a fistful of the flowers by their brittle stems and began beating them against the ground… as if [he] were hitting a drum.”
  • When Love was seven, her mom was murdered. The guy was “accusing her of cheating. He called her all types of names… About five minutes later… gunshot.”’
  • The guy that asked Love for her number at the beginning of the book is killed. No explicit details are given, but Matt works the funeral.

Drugs and Alcohol

  • At a funeral for a man named Speed-O, Speed-O’s friend, Mouse, tells a story about a horse that’s dead-tired. Mouse says that Speed-O said, “that somebody slipped a cigarette in the horse’s mouth to smoke because the dang horse looked so stressed out by the heat… ‘I know it was real because I was the one who lit the horse’s cigarette!’” It is made clear that the cigarette was not real but alluded to because of the exhaustion. However, later Speed-O was “lighting a smoke.”
  • Matt thinks about how rumors spread and warp into lies, including when it comes to his mother’s death. Matt thinks, “Knowing this neighborhood, people were probably saying it was a drug overdose because that’s always what people say. ‘Yeah, she used to get high. That’s why she was always so funny.’”
  • Outside of Chris’s apartment building there is often drug dealing. Matt describes, “There’s always a gang of dudes posted up outside all night, talking trash, and pushing packs of whatever to whoever.”
  • The night when Matt’s mom died, his dad was “down in the kitchen, pouring shot after shot of cognac since around midnight.” It is later described that after his wife’s death, he becomes an alcoholic. One night, Matt finds his dad in the kitchen, and Matt notes, “his words were slurring. I ran down the steps to find him on one knee, holding on to the kitchen counter, trying to pull himself up… On the kitchen floor was a soggy paper bag, soaked with what was obviously cognac. The bottle had broken and glass had torn through the bag and cut his hand. Liquor and blood, everywhere.”
  • Matt’s dad was an alcoholic before he met Matt’s mom. Matt thinks about how his mom says, “Baby, the bottom of the bottle was your daddy’s second home… And if I didn’t stop him, he would’ve made that second home his grave.”
  • Mr. Ray’s youngest brother “was a straight-up drunk” and is often seen loitering outside the liquor store.
  • On the way to the hospital to see his dad, Matt says that he would’ve “taken anything [Mr. Ray] offered [him]. Even a cigarette.”
  • Matt says that “Chris used to always tell [him] that drug dealers played [chess] to keep their minds sharp.”
  • Mr. Ray tells Matt about his friend who would “invite me and [Mr. Ray’s wife] to his shows—this was before he was doing Broadway—and we’d all go out afterward and run through a pack of smokes like it was nothing.” Matt notes that Mr. Ray was “probably thinking about his own cigarette habit that he couldn’t kick, even after cancer. Twice.”
  • Mr. Ray and his brother sometimes smoke cigarettes.
  • Outside the homeless shelter, “there were a few guys… all huddled up. One was holding a handful of cigarette butts while the others sifted through, picking out the ones that still had a little tobacco left in them.”
  • Outside one of the funerals, “teenagers stood on the steps and watched [the procession], some lighting cigarettes, others slipping fingers behind their sunglasses to wipe hidden tears.”

Language

  • Profanity is used frequently. Profanity includes asshole, crap, damn, and shit.
  • Fuck is used once. Mr. Ray has a shrine to his wife who passed away, and he shows it to Matt. Mr. Ray tells Matt, “I was a goddamn mess [when she passed], which is when I started this room, this shrine of all the fucked-up things that happened to me.”
  • A kid ran up behind Chris and Matt at school, “slapped [Chris] on the ass, and rambled off some dumb joke, calling us gay or whatever.”

Supernatural

  • None

 Spiritual Content

  • Mr. Willie Ray is the neighborhood mortician. Matt thinks, “after he beat [cancer] the second time, he basically became, like, a Jehovah’s Witness for cancer, knocking on doors and passing out pamphlets. He swears the only reason God spared his life twice is so that he could spread the word about the illness.”
  • Matt says that his mom used “to always joke with [Mr. Ray] and say, ‘Willie, God saved you just so you could torture the hell outta the rest of us?’”
  • Matt thinks about his father’s alcoholism. “All I could do was pray to God that he would get a handle on it.” Other characters also say, “Lord knows…” to explain their thoughts.
  • Matt works at Mr. Ray’s funeral home, and Matt often sits in on the funerals that take place in the church. Prayers lead by the surviving family members usually occur.
  • Matt attends a funeral for a woman named Gwendolyn Brown. The minister giving the opening speech says, “We don’t come in sadness. No, we come in joy, for sister Brown is finally at peace with the mighty King of Kings.” The funeral program stated that Brown “loved God.”
  • Matt goes to his mom’s grave and tells her about Love. He thinks, “I was going to ask my mother to make me and Love work out, like maybe she had some kind of magic power, or could ask God and the angels to fool around with Love’s mind to make sure this whole thing goes smooth.”

by Alli Kestler

The Maze of the Menacing Minotaur

Zeus the Mighty and the gods of the Mount Olympus Pet Store are exhausted from the sweltering heat. In order to restore Greece to a cooler temperature, Zeus and Poseidon team up to defeat the menacing Minotaur. As Zeus and Poseidon argue their way through the Minotaur’s Maze, they meet an unlikely ally. However, the minotaur isn’t the only threat. The bully Sinis, a Harpy, and the soothsayer Phineus all want to teach Zeus a lesson. Is there any way Zeus and Poseidon can work as a team and make it out of the maze alive?

Join Zeus the hamster, Athena the wise cat, Demeter the loyal grasshopper, Poseidon the proud pufferfish, and Ares the treat-loving pug on their newest adventure.

In The Maze of the Menacing Minotaur, everyday objects become the relics and monsters of ancient Greece. Boyer uses imagination and comedy to bring the myth of Theseus and the Minotaur to young readers. A high-action plot, humorous situations, and black and white illustrations blend to make a fun series that will keep readers turning the pages. Each illustration shows the Greek gods, which gives the reader a visual and helps them understand the plot and the gods’ emotions. Large illustrations appear every 1-5 pages.

The second installment of the series focuses on Zeus and Poseidon, who both want to call the shots. As the two learn to work together, they discover that the soothsayer Phineus is really Cronus, who wants to teach Zeus how to be a better ruler. According to Cronus, a leader should “delegate” instead of lead others on adventures. Cronus says, “Why, I had your minions running all over Greece, doing my bidding. And I didn’t have to lift a paw. That’s how you rule.” However, Zeus realizes that it is important to work as a team and allow others to make decisions.

The Maze of the Menacing Minotaur takes the reader on a fun adventure and introduces Greek mythology. Readers that are unfamiliar with Greek mythology will want to read the historical information about the Olympians, Theseus, and the Minotaur that appears at the end of the book.

The Zeus the Mighty series is perfect for young readers who aren’t ready to jump into The Percy Jackson series. The Maze of the Menacing Minotaur will not only have readers eager to read, but it will also spark their interest in Greek mythology.

Sexual Content

  • None

Violence

  • A Harpy tricks Zeus into jumping into a ladle. Poseidon and the Harpy play tug-of-war with Zeus. Zeus “held fast, caught between the lord of the sea and a fiend of the sky. Zeus’s paws ached. They began to slip… He released his grip and plummeted to the ground… Zeus flopped onto his back…”
  • When Zeus upsets Poseidon, “Poseidon had poked Zeus’s rump with” a spear.
  • With Poseidon’s help, Zeus attacks the Minotaur (a furnace). Zeus “took a deep breath and heaved the spear, burying its tip directly into the orange pit of the beast’s nostril… He pulled on the spear, but it was stuck up the nose of the beast… The Minotaur’s teeth began to unclench, exposing the black pit of its mouth. The boiling gale increased, blowing bits of animal fur dislodge from the Minotaur’s teeth.” Zeus is able to extinguish the Minotaur’s fire.

 Drugs and Alcohol

  • None

Language

  • Zeus calls Poseidon “puff-’n-stuff” and “fish lips.”
  • Periphete calls Zeus a rodent.
  • A Harpy calls Zeus a “flea-ridden fool.”
  • Zeus calls Sinis a jerk, and Demeter calls him a “blowhard.”
  • Twice, Cronus calls Ares a fool.
  • Zeus uses “oh gods” as an exclamation one time.

Supernatural

  • None

Spiritual Content

  • None

The Other Side of the Wall

It’s Christmas break. Tess and Max are in London staying at the posh Sanborn House with their Aunt Evie. As they wait for their parents to arrive, there is an unusual snowstorm that makes the city seem as if it’s caught in a snow globe. It’s the perfect weather for an adventure in Hyde Park. But when Max, Tess, and Aunt Evie leave to search for a cab, they find a horse, carriage, and driver curiously waiting for them at the curb. And that’s just the beginning…

Soon Tess is charmed by a mysterious boy named Colin who lives at the hotel all year round—on the 8th floor. Max is sure the elevator only had 7 floors the day before. How come everyone at the hotel seems to ignore Colin? Things seem to get stranger and stranger. There’s a 1920s costume party in Colin’s parents’ apartment, a marble that seems to be more than it appears, and a shadow that passes mysteriously by Tess and Max’s hotel window.

Tess wants to figure out what’s going on, but she finds only more questions. Is it just a coincidence that Colin’s last name is Sanborn, the same as the hotel? Why does the cat’s-eye marble look eerily similar to the crystal at the top of their hotel room key? And, most importantly, what happened in that hotel one Christmas long, long ago?

Tess and Max are realistic characters who travel back in time. The world building is beautiful, but some readers will quickly become bored because the beginning of the story lacks action. When Tess and Max meet Colin, they are slow to realize that he is a danger. When Colin possesses Max, Tess begins calling him “the person who used to be Max.” This phrase was used too often, and the repetition is annoying. Despite this, Tess’s dedication and love for her brother is both realistic and enduring.

Unlike traditional Christmas stories, The Other Side of the Wall is both mysterious and creepy. The story takes the reader back in time and ends with the sad death of Colin. Readers who have not read the first two books in the series will be slightly confused. Even though the story hints that Tess sometimes sees things that are not really there, her behavior is never explained. The Other Side of the Wall ends abruptly leaving many unanswered questions.

Anyone who wants to add a little fright to their Christmas night will want to read The Other Side of the Wall. The unique story replaces jingle bells for spooky spirits. However, if you’re looking for a fast-paced adventure, you will want to leave The Other Side of the Wall on the library shelf. For those looking to put a little scare into the holiday season, you might want to ask Santa to put Young Scrooge: A Very Scary Christmas Story by R.L. Stine into your stocking.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • Tess and Max go into the hotel’s lobby. “There were two young men in the library (which also had a fully stocked serve-yourself bar in a small room adjacent to it).”
  • Tess’s aunt tells her that, “My friend Bobbie rang up and asked if I’d run down the road to a pub for a holiday drink.”

Language

  • None

Supernatural

  • Tess and Max go to a party where they meet a seer. She tells them, “I ask the question, or you do, but it’s the cards that tell me the answer. I’m not much more than a conduit.”
  • Tess and Max meet a boy named Colin. When Colin begins to go pale, “Max reached out to touch him, but it was as if his hand seemed to go right through Colin’s arm. As if he had become transparent or he wasn’t really there, as if. . .” When Max moves away, Colin “started to walk towards Max, purposefully, step by step, directly to him, almost as if Colin was playing chicken or else he wanted to whisper something to Max. . . But then there was the most startled look on Max’s face. . . as Colin walked directly into him and simply disappeared.” Colin takes over Max’s body.
  • Tess pets a terrier. The dog suddenly vanishes “and Adele the psychic was standing in front of her.” Tess wonders how the dog could transform into Adele.
  • Max walks “straight through the wall. . . and simply disappeared.” Frightened Tess runs out of the room and talks to a man. “But before she could finish the sentence, she saw the gentleman’s face begin to crack and tiny pieces start to break away, first his cheek and then part of his nose as if he was made of plaster.”
  • Tess follows Max into a dark hallway where orange vectors appear. As Max walks on the vectors, Tess follows.
  • Following Max, Tess jumps in a carriage. The horse, Comet, raced so quickly, “it was as if Comet was able to, levitate would be the right word, or simply fly just off the ground, carrying the carriage behind her through mid-air, cold air, spectacularly dotted with snow. . .”

Spiritual Content

  • None

Top Prospect

Travis is starstruck when Elvis Goddard, head coach for the Gainesville Fighting Gators, comes to his house to offer his older brother, Carter, a football scholarship. Carter isn’t the only one who gets an offer.  When Coach G sees Travis’s talent as a quarterback, the coach offers him a scholarship even though he’s just an eighth-grader. This once-in-a-lifetime offer turns Travis into an overnight sensation, landing him VIP access to the Gainesville University gym and football field, an interview with ESPN, and instant popularity at school.

Meanwhile, Carter is learning the ropes of being a college football player. He and his roommate, Alex, start part-time jobs at a car dealership under the guidance of Walter Henry. Walter secretly gives Carter hundreds of dollars, something for which the Gainesville team has already been investigated. Carter feels guilty but accepts the money. When Alex tears his ACL in a football game, he miraculously recovers.  Alex confesses that he is taking steroids to help his healing process. Although Carter doesn’t agree with Alex’s decision, Carter promises to keep it a secret.

Back home, as Travis graduates eighth grade and enters high school, the pressure of keeping a scholarship gets more intense. He is chosen as the high school quarterback, but he feels used because the coach just wants a job at Gainesville University. For the three players, everything is going according to plan until Alex collapses from an apparent heart failure at a football practice and dies. Carter knows the real reason for Alex’s death—the steroids—but chooses not to tarnish Alex’s name by sharing his secret.

Shaken by Alex’s death, Travis’s skills deteriorate. During a game, Travis injures his elbow and must begin a slow, painful recovery. After a devastating loss of a game that costs Travis’s team the championship, Walter Henry offers Travis steroids. Travis hesitantly accepts the steroids, but he decides to ask for Carter’s advice on whether or not he should take them. Carter, knowing the steroids killed Alex, blows up and attacks Walter. Although Walter is investigated, nothing happens to him; however, Coach Goddard resigns, and Travis’ scholarship is withdrawn. Even though Travis is heartbroken, he is happy to be relieved of the pressure of keeping a scholarship.

Football players and fans will enjoy Top Prospect because it explores different aspects of football. The story explores multiple football issues including steroid use, the never-ending pressure to perform well, and under-the-radar payment from sponsors. Readers will relate to Travis’s, Carter’s, and Alex’s passions for football. However, the games and practices are tediously described, which might bore readers. In an afterword, Paul Volponi recounts a few real-life stories of eighth graders being offered college scholarships that inspired this book.

In addition to football issues, Travis also goes through personal issues. Travis’s parents are divorced, and he has to deal with his dad’s emotional and physical distance. The story is told mostly from Travis’s point of view, but there are also several short chapters from Carter’s perspective. Carter is initially frustrated to always have Travis tailing behind him, but the time they spend together ends up strengthening their relationship. Besides his brotherly bond and love of football, Travis is not a relatable character. He overcomes many conflicts, and he learns not to push himself too hard and to always be honest with Carter. However, Travis does not change as a person. He is self-centered and is never humbled. There is no real plot to the story, and the book ends abruptly. However, Top Prospect will suit older readers looking for a football-intense story.

Sexual Content

  • Travis recounts a date with Lyn, a girl he has a crush on. Travis “had even worked up the nerve to kiss her by the end of it. My first real”
  • Travis goes to a party where “five or six cheerleaders kissed [him] hello on the cheek.”
  • Travis, a freshman, is going on a date with a sophomore. His mom has “the talk” with him and tells him, “This is an older girl. I just want to make sure that you’re ready for these relationships.”
  • At the movies, Travis runs into Lyn, who is on a date with a junior boy named PJ. Before the movie starts, PJ “gave [Lyn] a quick kiss,” which makes Travis jealous.

Violence

  • During a Gator’s football game, Carter blocked a defender. “You could hear the huhh of air leaving that defender’s lungs as Carter flattened him like a pancake.”
  • During a Gator’s football game, Alex tears his ACL. “Alex caught a cleat in the turf while he was making a sharp cut. His left knee twisted with a ton of torque, buckling beneath him. He fell to the field screaming in pain, with both hands clamped around his knee.” As he is brought to the locker room on a cart, he “slammed the cart’s metal railing so hard [Travis] thought he might have broken his hand.”
  • During a game, Carter gets tackled in mid-air. “At the height of [Carter’s] leap, a defender hit him in the thigh, sending Carter into a mid-air backflip. He crashed into the ground.”
  • During a game, Travis takes his first sack of the season. “A heavyweight lineman…pounded me pretty hard. But I went with his momentum and didn’t try to fight his force. I bounded up off the ground right away.”
  • During a game, one of Travis’s D-backs “absolutely drilled” the opposing team’s receiver, “burying his shoulder pads into the receiver’s chest and causing the loudest pop [Travis had] heard in a long time.”
  • During a game, Travis decides to ram into a senior linebacker. Travis “lowered [his] right shoulder and stuck it square into his midsection. The crowd let out a roar as my body shook from the collision. But that all-state linebacker flew back almost as far as I did.”
  • During a game, Travis dives for a football that lands close to his feet. Travis “got to the football first and tucked it beneath [him] when the Bruiser slammed into [his] left elbow. A bolt of pain shot through [his] entire body. Then it happened again and again as other players piled on top.”
  • Believing Coach Harkey, the Gainesville fitness coach, gave Travis the steroids, Carter “grabbed [Coach Harkey], running Harkey back against a wall… [Carter] tried to shove that vial down Harkey’s throat.”
  • When Carter realizes Walter gave Travis the steroids, Carter drives to Walter’s dealership. Carter “aimed the car straight for [Walter], jumping the curb… By the time Walter looked up, [Carter] was almost on top of him… [Carter] slammed on the breaks, stopping just a few feet away, nearly pinning him against the glass of the showroom.” After Carter gets out of his car, he “grabbed Walter by the collar and rammed him against the hood of the car.” Then, Carter “punched [Walter] in the solar plexus.”

Drugs and Alcohol

  • Alex tells Carter he is taking PEDs to help his knee recover quickly.
  • Alex explodes on Carter and Travis for talking too loudly while he is trying to sleep. Carter knows this is a side effect of Alex taking PEDs. In his inner thoughts, Carter thinks, “PEDs—that was the only way I could explain what I’d witnessed.”
  • Walter Henry tries to give Travis steroids to help his elbow heal. Walter justifies using steroids by saying, “Travis, steroids are everywhere in society. They’re in the feed we give chickens and cows to make them healthier. These are for humans… The mildest you can take. Just a few steps above aspirin or Tylenol. But instead of making pain, they heal the problem at the source and promote growth… It’s what plenty of scholarship athletes do to compete when they’re injured.” Walter gives Travis “two vials of pills.”
  • When Walter initially offers Travis steroids, Travis tells him, “I can’t. They’re drugs. Anyway, it’d be cheating.” Later that day, though, Travis “talked [himself] into believing [he] really wouldn’t be cheating… taking steroids would be about getting healthy, not about becoming a better player. [He] already had the talent in the first place.”
  • Walter hands Travis the steroids and gives directions for taking them. Walter “produced two vials of pills. ‘It’s a seven-week cycle,’ [Walter] explained. ‘The first four weeks, you take the ones in the container with the blue stripe. The next three weeks, take the ones from the red. They’re stronger.’”

Language

  • When Travis is offered a scholarship, Carter wonders, “Why was I busting my butt in the weight room and staying up nights studying the playbook?”
  • When Travis does an ESPN SportsCenter, his mom asks if it’s live. When he nods, she mouths, “My God!”
  • Damon, a member of Travis’ football team, fumbles a ball and calls himself “a moron” and “a fat idiot.”
  • Alex tells Carter they need to talk, and Carter wonders if it’s about Alex’s mom or “God forbid, somebody from the NCAA heard about Walter’s money.”
  • After a bad first half of Travis’s football game, his coach furiously yells at the players, “If you’re going to get your butts whipped, at least keep your heads up!”
  • When Travis shows Carter the vial of steroid pills, Carter asks him, “Who gave you this crap?”
  • When Carter realizes Walter Henry gave Travis the steroids, he says, “God, I should have seen it.”
  • When Carter tells Coach Harkey he knew Alex was taking steroids, Harkey says, “Relationships aren’t easy. Lord, I only wish I’d had a better one with Alex Moore.”
  • Travis “wished to God [he] could have been there when Carter beat [Walter’s] behind.”

Supernatural

  • None

Spiritual Content

  • In testimony to Alex, Coach Goddard says, “[Alex] was totally committed to fight back from his injury and to play to the very best of his God-given abilities… I’m sure that his spirit and memory will remain a vital part of this team.”
  • Carter says, “After the EMTs put Alex in the ambulance, we all held hands in a circle and got down on one knee to pray.”
  • After swearing he will never tell anyone about Alex taking PEDs, Carter says, “God bless you, fam.”
  • After he dies, Alex’s jersey hangs inside his open locker. “Players passed by it and crossed themselves or bowed their heads, like it was a sort of shrine.” Travis “ran [his] fingers over the fabric, trying to feel Alex’s spirit.”
  • Carter tells Alex’s mom he took steroids. She responds, “I’ll let God judge my son’s mistakes.”

by Jill Johnson

I Survived the Sinking of the Titanic, 1912

George Calder must be the luckiest kid alive. He and his little sister, Phoebe, are sailing with their aunt on the Titanic, the greatest ship ever built. George can’t resist exploring every inch of the incredible boat, even if it keeps getting him into trouble.

Then the impossible happens: the Titanic hits an iceberg and water rushes in. George is stranded, alone and afraid, on the sinking skip. He’s always gotten out of trouble before…but how can he survive this?

Readers will relate to George, whose curiosity gets him into trouble. Because George loves to explore, the reader is able to see different areas of the Titanic. In the end, George’s curiosity helps him save his sister and aunt. Even though the story focuses on the Titanic, George is also dealing with the death of his mother, which has caused friction between George and his father. However, George’s relationship with his sister is sweet and adds some humor to the story. Because George has many facets to his personality, the conclusion has several surprises that give depth to the story.

I Survived the Sinking of the Titanic, 1912 answers the broad questions about the day’s events without giving readers a graphic image of the passengers’ deaths. When the ship begins to sink, George’s curiosity and perseverance help keep him and others safe. Even though the story is historical fiction, the ending doesn’t focus on those who died. Instead, the story leaves the reader with a sense of loss and with a sense of hope. In the end, George and his father begin to repair their relationship.

I Survived the Sinking of the Titanic, 1912 uses a relatable character and suspense to answer readers’ questions about the sinking of the Titanic. The story is accessible to all readers because Tarshis uses short paragraphs and simple sentences. Realistic black and white illustrations are scattered throughout the story and break up the text. While the story weaves interesting facts through, the book also ends with more facts about the Titanic. I Survived the Sinking of the Titanic, 1912 uses kid-friendly descriptions to educate readers about the Titanic and can be used as a springboard for learning more about the sinking of the ship. Proficient readers who would like to learn more about the Titanic should add Survival Tails: The Titanic by Katrina Charman to their must-read list.

Sexual Content

  • None

Violence

  • George snuck into the baggage room, trying to find a mummy that was rumored to be on the ship. While there, “something leaped out of the shadows and pushed him to the ground.” George sees a man “with glittering blue eyes and a scar running down the side of his face.” Before the man could hurt George, “there was a tremendous rumbling noise… A trunk tumbled off a shelf and hit the scar-faced man on the head.”
  • When the Titanic begins to sink, a steward locks a gate so the third class passengers cannot go up deck. As the passengers begin to get rowdy, the steward “took a pistol from his pocket. His hand shook as he waved it toward the crowd.”
  • George’s aunt and sister are able to get on a lifeboat, but George is left on the ship’s deck. As the Titanic was sinking, “Lounge chairs sailed past them and crashed over the side. People clung to the rails. A few slipped and were swept overboard.” A man helps George jump into the water and swim away from the sinking ship.
  • When the ship goes down, George hears “people calling for help. More and more people, screaming and yelling, hundreds of voices swirling together like a howling wind.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Shadowcaster

Alyssa ana’Raisa, the reluctant heir to the Gray Wolf Throne, must overcome the impossible. After suffering the loss of her sister, brother and father, as well as an attempt on her own life, she wants nothing more than to end the war that’s consumed her world for decades. To protect her mother and her friends, Lyss will do whatever it takes to strike a blow against Arden.

Halston Matelon is simply trying to survive the king of Arden’s wrath. Once Hal’s father betrays the king, a target is put on Hal’s back, forcing him into dire situations that could end his life. But when Hal’s captured by an enemy commander, he must confront his own prejudices, as well as a budding, forbidden love for the woman who bested him.

Breon d’Tarvos has stayed far away from the front lines of the war. Performing as a street musician for a little bit of coin, Breon has managed to survive on the streets. Yet that all comes to an end when he’s pulled into an assassination attempt on Princess Alyssa. Now Breon is on the run, hoping to escape to a safe haven on the coast. But nothing is ever that easy.

Shadowcaster is a great follow-up to Chima’s first entry in the Shattered Realms series, Flamecaster. Following three main characters, Lyss, Hal, and Breon, the story unfolds in the northern Queendom of the Fells. Whereas the first book focused on the fanatical religious state of Arden, its prejudices against wizards, and the political intrigue of King Gerard’s court, the sequel explores the different cultures of the north, where wizards are both respected and free, and where many cultures co-exist.

Each of the main characters is linked to the various themes present within the story. For instance, Lyss’ storyline explores dealing with grief. Throughout the novel, Lyss’s motivation stems from the deaths of her family, and she’s forced to confront the pain of finding out her brother may still be alive.

The theme of confronting prejudice is squarely placed in Hal’s storyline. When Hal is captured by Lyss, he is forced to see the northerners as people, and he even falls in love with her. This opens Hal’s eyes to the idea that his prejudices are wrong.

Breon’s story focuses on struggling to survive. As a poor street musician, Breon fights to get food on a daily basis. He also struggles with addiction to a drug known as “leaf.” With little money, no home, and few friends, Breon represents the civilians who are trying to survive amidst a war. Each of these themes is well written, and each is powerful in its own right.

Lyss, Hal, and Breon are all likable, relatable characters. Lyss is relatable because she struggles to fit into people’s expectations of a princess. Rather than lead, Lyss wants to continue as a soldier, fighting for what she believes in. Both Hal and Lyss want to protect their family. Plus, Hal is fiercely loyal to his men, wanting to protect them in dire situations. Breon, while suffering from drug addiction, is likable for his desire to make honest coin and to live with his sweetheart, Aubrey. These three, combined with some thrilling battle scenes, will keep readers on the edge of their seats. In addition, the romance between Hal and Lyss will leave readers wanting more. Their romance sets a fun, exciting pace that ends in a cliffhanger. Readers will look forward to continuing this epic story continues in the third book, Stormcaster.

Sexual Content

  • Lyss has a crush on her friend, Finn. Later on, she admits to herself, “She’d had a crush on Finn sul’Mander since she was eleven years old.”
  • When Finn gets engaged to Julianna, they were “blushing and Finn was smiling. Julianna held up their joined hands to display her engagement ring.” Later on, Lyss watches as “He kissed Julianna again. And again.”
  • The diplomat tells Lyss, “You’re not the beauty that your mother is, or your sister, Hana, may she rest in peace, or your cousin Julianna—such a lovely girl—but there’s a lot can be done with the proper staging.”
  • Hal overhears Bosley, a member of Lyss’ squad, talking about his conquest of Lyss. Hal thinks, “Bosley had described a series of recent trysts with her in embarrassingly graphic detail. Maybe customs were different here in the north, but it seemed crude and dishonorable to share that.”
  • Hal thinks, “If Bosley was sleeping with his commanding officer, the last thing Hal wanted was to get caught in that crossfire.”
  • Hal and Lyss begin a short romance. After falling on top of her by accident, Hal thinks, “it took everything that was in him not to finish their match with a kiss.” Later, Hal thinks, “The truth was, he wanted to kiss this northern girl, and go on from there. He wanted her more than any woman he’d ever known.”

Violence

  • In a battle between squadrons, Lyss sees Hal “lean down from his horse and scoop up a soldier who was staggering around aimlessly, blood pouring from a head wound.”
  • In the Clans, a group residing in the Fells, the amount of braids one has indicates how many people they’ve killed. Less notices “The many braids in Shadow’s hair were evident that he rarely said no to a fight, and that he usually came away with a kill.”
  • Hal thinks back on the people he’s killed. “Several times in the past, Hal had discovered that the man he’d just killed was actually a woman.”
  • When thinking of his friends, Breon thinks, “And Goose? He’d cut your throat for a wad of leaf, but other than that he’d always been a harmless sort.”
  • In an assassination attempt on Lyss, one of her squad is hit with an arrow. Lyss “ran her hand over his uniform tunic until she found the arrow shaft embedded in his right lower back.” Just after that, she’s attacked again. An assassin strangles her, and “his fingers didn’t loosen until Lyss’s shiv transfixed his throat and blood spilled over her leathers.”
  • In the city of Delphi, the residents have been fighting back against Arden’s occupation. The former mayor “was found dead in an alley, his throat cut, his body wrapped in an Ardenine flag.”
  • When arguing with Hal, Lyss tells him, “When Princess Hanalea was murdered, your king sent her head to her mother in a golden casket with a note, in case she didn’t give credit where credit is due.”
  • Sasha tells Breon that he’ll be executed for the attack on Lyss. She says, “But two of her escorts were killed in the attack. That ought to be enough to hang you.”
  • Someone says, “Whenever Montaigne got a little down, he just murdered a few people, and that set him to rights.”

Drugs and Alcohol

  • Breon and his friends often use leaf, which is a street drug. Breon thinks, “People said that leaf fried the brain, and maybe that was true. He could quit anytime, and maybe he should.”
  • On a trip to the coast, Breon thinks, “Or maybe it just seemed longer because Breon has passed much of the trip in a pleasant haze of leaf.”

Language

  • Ass is used several times. For example, when trying on a pair of pants, Breon thinks, “he had to cinch in the breeches to keep them from sliding down his bony ass.”
  • Asshole is used several times. Lyss tells off someone, saying “At least that’s fixable. Being an asshole isn’t.” Asshole is used a few times in the novel.
  • Hell and damn are used a few times. For example, when asked if he’s a wizard, Breon retorts, “Damn right I am.”
  • Sasha tells Breon, “Poke me, and I’ll poke you back, you scaly, scum-sucking sneaksby.”

Supernatural

  • Flashcraft refers to magical items that are created by the Clans in the Fells. Lyss receives a flash craft locket. “When she touched it, the portraits would shift, displaying first one person and then another.
  • In Arden, wizards are called mages and are typically slaves.
  • Hal, who is from Arden, believes witches like Lyss can turn humans into animals. However, this isn’t true.
  • Mystwerk is a school where wizards learn magic.
  • In the Fells, the ruling line of Queens can see wolves that bring prophetic dreams and visions. Less tells Ash, “I just keep having these dreams, where everyone’s dead and I’m all alone on Hanalea Peak, just me and the wolves.” Just after that, Ash tries to soothe her with his magic. Lyss snaps at him, “Stop soothing me!”
  • While Breon is imprisoned someone threatens to use magic on him to get him talking. Breon thinks, “What did he mean by persuasion? Magic? Torture? Hypnosis? Could this mage really make him tell the truth?”

Spiritual Content

  • A dedicate at a temple hands out food to those who need it. Breon notices “The dedicate offered a blessing along with the bread and fruit.
  • The Church of Malthus is the state religion of Arden. Lyss asks Hal, “Is there any way your war-weary people and your bloodthirsty church would allow them to live?”

by Jonathan Planman

 

 

 

The Lions of Little Rock

Twelve-year-old Marlee, who is shy and quiet, feels like her whole world is falling apart. And she’s sure that starting middle school is only going to make things worse until she meets Liz, the new girl. It may look as if they have nothing in common—Liz always knows the right thing to say, and Marlee can barely stand to speak up in class—but they become fast friends. Then, Liz is caught “passing” for white and leaves school without even a goodbye. Marlee decides she wants her friend back. But to stay friends, Marlee and Liz must be willing to take on segregation—and the dangers their friendship could bring to both families.

The Lions of Little Rock is historical fiction at its best. Not only is the story engaging, but it also sheds light on the struggle to desegregate schools in Little Rock Arkansas during the 1950s. The story focuses on Marlee and Liz, who refuse to give up their friendship just because they are of different races. Both girls help each other face their fears, and they encourage each other during difficult times. Through their interaction, Marlee comes to realize that, “A friend is someone who helps you change for the better. And whether you see them once a day or once a year, if it’s a true friend, it doesn’t matter.”

When someone finds out that Liz is passing as white, Marlee tries to understand her friend’s actions. Marlee’s family maid explains why passing as white is so dangerous. “If you’re really lucky, you lose your job or you’re kicked out of school. If you’re a little less lucky, you get beat up, but after a few weeks your injuries heal and you’re left alone. If you’re not lucky, a lynch mob comes and firebombs your house killing you and everyone you love.” Through Marlee and Liz as well as historical examples, the reader will come to understand racism.

Marlee changes from a timid girl who barely talks into a confident person who is willing to fight for what is right. Much of Marlee’s inspiration comes from the Little Rock Nine because they “believed they had a responsibility to make things better. Believed they could make things better, even though they were still just kids.” Marlee isn’t content to just watch the adults try to make a difference. Instead, despite her mother’s objections, Marlee joins the Woman’s Emergency Committee to Open Our Schools. As part of the organization, she helps fold pamphlets, talks to voters, and performs other small jobs that make a huge impact. In the end, Marlee learns the importance of standing up for herself and others.

The Lions of Little Rock won the New York Historical Society Children’s Book Prize. The entertaining story teaches important life lessons about friendship, facing fears, and finding your voice. The story is historically accurate; the author’s note at the end of the book explains which parts of the story were fictional and which events were factual. The book also includes three pages of discussion questions. Everyone should read The Lions of Little Rock because it will help readers understand racial tensions in the late 1950s as well as show the importance of making a difference in your world.

Sexual Content

  • Marlee has a crush on JT. When Marlee drops her pencils and begins gathering them, “JT handed me one of the pencils and our fingers touched and I could almost hear the wedding bells. . . By lunchtime I’d planned our honeymoon in Italy and was trying to decide if we should name our first son Orbit or Cosine. . .”

Violence

  • Marlee’s father invited a “colored minister” to speak at church. “The next day there was a note tucked in with our paper. It said, ‘You let your youngest walk to school tomorrow, she won’t make it.’ And it was signed, KKK.”
  • On Halloween, JT and his brother egg a house. JT’s brother tries to force Marlee to throw an egg at the house. Later a “colored boy” is arrested for the crime.
  • Marlee’s father tells her about Emmett Till. “He was a young Negro boy who went down to visit some relatives in Mississippi. One day someone saw him talking, some say flirting, with a white woman. . .He was murdered. . . He was only fourteen years old.”
  • The story implies that JT’s mother, Mrs. Dalton, is abused by her husband. Marlee “remembered her because she had a scar over her left eyebrow. . . JT had said once she’d got the scar when she tripped on the stairs.”
  • The story implies that JT’s father hits him. JT shows up at school with a black eye.
  • Someone tells Marlee about John Carter, “a colored man.” He was “taken by a mob of people. No one did anything. . . They hung him and shot him and dragged his body down the street and then burned him.”
  • Marlee was at the “colored pastor’s” house when she saw JT’s brother drive by several times. Everyone goes outside and then, “we suddenly heard a car pull up in front of the house. . . There was a crash and the sound of breaking glass. A screech of wheels, driving off. And then, an explosion.” No one is injured.
  • When the schools are integrated, protestors show up. In order to break up the protestors, “the firemen turned the hoses on. In an instant, the segregationists were soaked.” Several people are arrested, but no one is injured.

 Drugs and Alcohol

  • Marlee compares people to drinks. When she meets Liz, she wonders if Liz is “like a shot of whiskey given to you by your older cousin.”
  • At a football game, Marlee sits by JT and one of his friends. The friend, “smelled funny, like a warm beer.”
  • Marlee and her sister used to go to a pond to have picnic lunches. “At night, sometimes teenagers would park there on dates or sneak off to drink beer.”
  • Marlee sees JT’s brother and his friend at the zoo. On the bench they are sitting at are “some beers.”

Language

  • Marlee thinks that someone is a jerk. Later, she tells her friend that, “JT is a jerk.”
  • Nigger(s) is used 4 times. Someone discovers that Liz was passing as white. JT’s brother tells Marlee, “We’ll find your little friend and show her whole family what we think of niggers who try to pass.”
  • Someone calls Marlee an idiot.
  • Several people call Marlee a “square” because she likes math.
  • Someone calls Marlee a coward.
  • Darn is used several times.
  • “Oh Lord” is used as an exclamation once.
  • After someone throws an explosive into a house, the person’s father asks, “What the hell were you thinking?”

Supernatural

  • None

Spiritual Content

  • Marlee has a hard time talking to her family’s maid, Betty Jean. Marlee “just stood there, helpless, praying Betty Jean would understand.”
  • At church, Marlee hears the Bible verse, “But even if you do suffer for righteousness’ sake, you will be blessed.” Often, when Marlee has to make a decision, she reminds herself of this verse.
  • Marlee goes to meet Liz at the colored movie theatre. When a woman questions Liz, Marlee “prayed for the lights to go down and the newsreel to start.”
  • When a “colored boy” is arrested for throwing eggs at a house, Marlee’s father bails the boy out of jail. When the boy’s mother sees him, she says, “Oh, thank God.”
  • Marlee’s church makes a float for the Christmas parade. The theme was from Matthew 19:14. “Let the children come to me, and do not hinder them, for to such belongs the kingdom of heaven.”
  • Marlee’s family goes on a plane. Her mother and sister are nervous. Marlee “thanked God that neither one of them had actually thrown up.”
  • Marlee’s mom is a substitute at Marlee’s school. Marlee “prayed no one would see us together.”
  • JT and his brother see Marlee in the woods. Marlee tries to distract them so they do not see Liz. She “started walking, praying they would follow me.”

The Twelve Pets of Christmas

This Christmas, Quinn Cooper is combining the two things she loves the most—painting and animals—by making ornaments to raise money for her local pet shelter’s “12 Pets of Christmas” drive. The goal of the drive is to find forever homes for twelve cats and dogs before Christmas. With half the proceeds from her ornaments going to the shelter, Quinn plans to use the rest of the money she raises to buy a plane ticket to visit her best friend who moved away last summer.

As Christmas draws closer, the adopt-a-thon is going great… but Quinn’s favorite dog at the shelter, Buddy, is proving especially hard to place. Quinn finds the perfect home for the dog, but the family can’t afford to take on the financial responsibility of adopting him. Will the magic of Christmas help make sure that Quinn and all the pets have a very merry Christmas?

Quinn is a likable, relatable character who has a kind heart. When she tries to befriend Eliza, Quinn is afraid that Eliza has “blown her off.” Even though this conflict plays a part in the story, Quinn’s work at the animal shelter takes center stage. Quinn doesn’t only give her time to the animals at the shelter, she also helps with the shelter’s fundraiser. In the end, Quinn gives away something that is important to her in order to give Buddy a magical Christmas gift.

The Twelve Pets of Christmas highlights the needs of every animal to find a perfect forever home. Because of her work at the shelter, Quinn meets many adults. Even though none of the adults are well-developed, they are all portrayed in a positive manner. Quinn is surrounded by a warm, helping community that reaches out to help each other.

The Twelve Pets of Christmas is an easy-to-read story that focuses on helping animals. Animal lovers who enjoy character-driven stories will find The Twelve Pets of Christmas a sweetly satisfying story. Anyone looking for a little Christmas cheer should add The Twelve Pets of Christmas to their reading list.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Crossover

Twelve-year-old Josh and his twin JB Bell are the kings of the basketball court. Untouchable and unstoppable—the sons of former professional basketball player Chuck “Da Man” Bell couldn’t be anything less than excellent. But when Alexis walks right into the twins’ lives and steals JB’s heart, Josh is left without his best friend by his side. Meanwhile, the boys’ father’s health is on the decline, despite Chuck’s utter denial. Josh and JB must deal with the consequences of everyone’s actions—including their own.

Kwame Alexander’s The Crossover is told in free-verse poetry. As with the prequel novel Rebound, his free-verse poetry works really well with the beat of the basketball games and Josh’s narration. Oftentimes, the basketball lingo and Josh’s internal monologue intermix, and readers will find that the verses enhance the experience.

The Crossover does an excellent job of mixing different storylines. The tensions between the twins’ father’s health, the upcoming basketball championships, and the brothers all get a good amount of page time and work together to raise the stakes. Josh and JB have more arguments as the pressure increases in basketball, and their father has more and more complications with his health as the book continues. The climax of the book is foreshadowed well early on, and each plot point finds an end.

These plot threads help create the themes of family, atonement, and inheritance. The dynamic between the twins, their mother (Crystal), and their father (Chuck) is healthy, though they do occasionally argue. JB and Josh argue with each other often. But when JB refuses to speak to Josh after Josh nearly breaks JB’s nose with a basketball, Josh reveals just how much he loves his family. He also does everything in his power to atone for his actions, and he and JB soon forgive each other. The boys also deal with their father’s legacy and how the legacy impacts their futures. Chuck was a basketball star, and the boys have inherited his prowess on the court. However, high blood pressure and stubbornness also run in the family, and the boys struggle with the fact that they may also inherit these negative characteristics.

While this Newbery Medal Winner is short, Alexander handles all these topics well. Basketball fans will enjoy The Crossover for the sport aspects, but the appeal of the book reaches further than the court. Josh and his family are realistic characters who experience universal emotions like love, anger, and loss. The Crossover is an excellent story that even non-readers and non-sport fans will find enjoyable. The story shows that despite differences in time, space, and opinion, we carry our loved ones in our hearts, always.

Sexual Content

  • Josh and JB’s dad, Chuck “Da Man” Bell tells his sons about how back in the day, he “kissed/ so many pretty ladies.”
  • Josh says that the only reason why JB has been “acting all religious” is because his classmate “Kim Bazemore kissed him in Sunday/ school.”
  • Josh does his homework while his teammate “Vondie and JB/ debate whether the new girl/ is a knockout or just beautiful,/ a hottie or a cutie,/ a lay-up or a dunk.”
  • Josh teases JB and asks if “Miss Sweet Tea” (Alexis) is his girlfriend. JB dodges the question. However, it is clear that he likes her a lot because “his eyes get all spacey/ whenever she’s around,/ and sometimes when she’s not.”
  • Chuck faints, and his wife Crystal demands that he see a doctor. Chuck refuses, and they argue. In an attempt to diffuse the tension between them, he says, “Come kiss me.”
  • After Crystal and Chuck stop arguing about Chuck’s health, Josh narrates, “And then there is silence, so I put the/ pillow over my head/ because when they stop talking,/ I know what that means./ Uggghh!” This happens a couple of times throughout the book.
  • JB and Alexis walk into the cafeteria, and she’s “holding his/ precious hand.”
  • JB and Alexis kiss in the library, and Josh sees them.
  • JB tells Alexis “how much she’s/ the apple of/ his eye/ and that he wants/ to peel her/ and get under her skin.”
  • Josh says, “Even Vondie/ has a girlfriend now…She’s a candy striper/ and a cheerleader/ and a talker/ with skinny legs/ and a big butt/ as big/ as Vermont.”

Violence

  • Josh has long dreadlocks while JB has a shaved head, so JB plays with Josh’s locks. Josh “slap[s] him/ across his bald head/ with [Josh’s] jockstrap.”
  • JB accidentally cuts off five of Josh’s locks of hair. Josh gives JB several noogies over the course of a few interactions.
  • Josh nearly breaks JB’s nose with a hard pass during a basketball game. He does it on purpose because he’s upset with JB, and Josh is suspended from the team. The description is only a couple of words.

Drugs and Alcohol

  • Crystal’s younger brother “smokes cigars.”

Language

  • The younger characters occasionally use rude terms such as crunking, stupid, and jerk.
  • When Josh narrates his plays, he talks big about his game. This leads to him occasionally threatening physical contact during the game. For instance, Josh says, “Man, take this THUMPING.”
  • Josh’s nickname is “Filthy McNasty.”
  • JB suggests a bet against Josh. Josh responds with, “You can cut my locks off,/ but if I win the bet,/ you have to walk around/ with no pants on/ and no underwear/ at school tomorrow.”
  • JB responds with, “if you win,/ I will moon/ that nerdy group/ of sixth-graders/ that sit/ near our table/ at lunch?”

Supernatural

  • None

Spiritual Content

  • JB only went to one basketball summer camp because “he didn’t want to miss Bible/ school.”
  • The Bells go to church on Sundays before basketball. Josh says, “When the prayers end/ and the doors open/ the Bells hit center stage,” meaning the basketball court.

by Alli Kestler

Ice Dogs

Her father’s death could have been avoided. That’s what fourteen-year-old Victoria Secord believes. If she had been with him, he would still be alive. Now that her father is dead, Victoria wonders if her mother is going to force her to leave Alaska. After all, her mother never understood her or her father’s love of dogsledding.

Thanks to her father, Victoria is an expert dogsledder. He taught her how to be independent and self-reliant, even in Alaska’s wintery bush. When Victoria finds an injured city boy, Chris, she doesn’t think twice about helping him. The two are soon lost in a fierce snowstorm. It’s up to Victoria and her dog team to keep everyone alive. Stuck in a frozen wilderness, Victoria doesn’t have enough food for her or her dogs. With temperatures dropping, how can Victoria keep everyone alive?

Ice Dogs takes the reader on a winter journey through the icy Alaskan wilderness. Although the plot is somewhat predictable, Victoria’s personal struggles add an interesting twist. Victoria is struggling with the death of her father, which has caused friction between her and her mother. However, her father’s death isn’t the only conflict that moves the plot along.

Victoria is unexpectedly responsible for Chris’s life. The injured city boy doesn’t know anything about surviving in the Alaskan wilderness. Freezing temperatures, lack of food, and wild animals are only some of the obstacles they will have to overcome. The two must also find a way to get along if they are going to survive. As the two fight to stay alive, they build a friendship as well as grow as individuals. Victoria and Chris are both unique, interesting characters that readers will relate to.

Ice Dogs is a fast-paced survival story that shows Victoria’s determination to keep her dogs and an injured boy alive. Faced with difficult situations, Victoria reflects on her father’s teachings; this allows her to endure each obstacle. Through the story, Victoria comes to realize that no one is to blame for her father’s death. Even though Ice Dogs has some predictable plot points, readers will enjoy Victoria’s relationship with her dogs as well as the interplay between Victoria and Chris. Full of adventure and danger, Ice Dogs highlights the importance of communication and relying on others. Middle school readers who enjoy Ice Dogs may also want to read Johnson’s other book, Dog Driven, as well as Survival Tails: Endurance in Antarctica by Katrina Charman.

 Sexual Content

  • Victoria finds an injured snowmobiler. When she tells him to get into a sleeping bag, he says, “We’ve just met and you’re already t-trying to get me in the s-sack.”
  • Victoria’s dog gets into a fight with another dog. Victoria “pretended not to notice the two dogs caught in a canine version of wanton lust, which was pretty hard since Beetle was squealing like a vixen.”

Violence

  • A moose stands in the trail, blocking Victoria’s sled. Victoria stops the sled and “I don’t think—just bend down and yank off my snowshoe. When I stand, she is less than ten paces from us. Bearing down…I fling the snowshoe as hard as I can. It flies through the air like a Frisbee. It hits her square in the face. The thwack sound is surprisingly loud in the cold air.” When the moose charges, “the dogs explode forward, with me hanging on to the gangline.” Victoria is dragged under the dogs and is slightly injured.

Drugs and Alcohol

  • None

Language

  • Freaking is used twice. When starting a race, Victoria thinks, “I freaking hate starts.”
  • Crap is used once and heck is used three times.
  • Victoria tells her dogs, “Get back, you little turds.”
  • Someone tells Victoria that “some jerk sideswiped us, though. Took the mirror off my mom’s Chevette.”
  • When Chris accidently burns a map, Victoria calls him a “jerk.” Later, she calls him “the biggest milquetoast loser I’ve ever met.”
  • When the dogs take off after a moose, Chris says, “Holy crap, holy crap.”
  • Victoria calls Chris an idiot one time.
  • Victoria’s youth group leader says, Oh Lord three times and Lord twice. For example, she says, “Oh Lord, can you imagine, our own Victoria Secord, a national hero!”

Supernatural

  • None

Spiritual Content

  • When Victoria’s dog is injured, she sends “a silent prayer to Dad to heal Bean overnight.”

Ghosted

When Ellie entered junior high, she promised herself that she would never look weak. She became the smartest, prettiest, best-dressed, and most popular kid at Lincoln Heights Middle School. She is also the most feared. Ellie has figured out that the more horrible she is, the more people fear her, and the more they respect her. Ellie has perfected the ability to manipulate people through fear.

The night of her junior high winter dance, Ellie has a terrible accident. As she lays unconscious, a ghost takes Ellie on a trip to her own past, present, and future. Ellie is forced to relive her parents’ divorce, her struggles with school, and the loss of her best friend, Marley. Can what Ellie sees, inspire her to change her ways?

From the first chapter, the story focuses on Ellie’s mean, manipulating ways. While the reader comes to understand the events that lead Ellie to become such a horrible person, it is hard to relate to her. When Ellie’s parents first divorced, Ellie was surrounded by her best friend Marley and Marley’s two dads. Instead of being comforted by their supportive presence, Ellie focused on what she didn’t have and “let those feelings of hurt and sadness fester into something ugly.” For the reader, Ellie’s ugliness overshadows every other aspect of the story.

Margolis clearly shows the dangers of Ellie’s meanness – both for Ellie and the people she encounters. However, some of the events are unrealistic and portray preteens as sheep who follow the most popular person out of fear. None of Ellie’s peers have the strength of character to stand up to Ellie, even when Ellie makes them do outrageous things. In reality, parents and teachers would have stepped in and protected Ellie’s classmates from her cruelty.

Ghosted follows the same format as The Christmas Carol, and like Scrooge, Ellie changes her ways. Ellie learns and finally admits that “making other people feel bad and weak distracts me from my own pain. And it props me up.” Ellie chooses to own up to her mistakes and apologize; however, the conclusion has several plot holes that readers will notice. For example, while at school Ellie falls and is unconscious for 15 minutes; however, the students do not get a teacher, and they call off the ambulance because when Ellie comes to, she feels fine. In addition, the story glosses over the hurt and pain that Ellie caused others and hints that all will be forgiven.

The story moves at a fast pace. The ghost, who is sarcastic and mean herself, adds interest. Although the message is pertinent to middle school readers, Ellie’s cruelty makes it hard to root for her. Readers looking for another story inspired by the Christmas Carol should pick up Young Scrooge: A Very Scary Christmas Story by R. L. Stine. On the other hand, if you’re in the mood for a Christmas story that will leave you with a warm glow and a positive message, add the Celebrate the Season series by Taylor Garland to your must-read list.

 Sexual Content

  • Ellie takes a video of Marley, who is joking around. Marley pretends that she is boy crazy and says, “I have never kissed a boy, but sometimes at night I practice by kissing my old American Girl doll. I cut the hair off so she looks like a boy.”

Violence

  • None

 Drugs and Alcohol

  • On Christmas Eve, Ellie and her mom have dinner with friends. Ellie’s mom drinks a glass of wine.

Language

  • Ellie thinks that her classmates have “marshmallows-for-brains” and are morons.
  • The ghost calls Ellie stupid and a dummy.
  • Ellie thinks the ghost and her dad are both jerks.
  • OMG is used as an exclamation three times.
  • My God is used as an exclamation once.

Supernatural

  • After a fall, a ghost shows Ellie her past, present, and future self. The ghost can also read Ellie’s mind.
  • The ghost drags Ellie “from place to place, year to year, shrinking you down to fit into the snow globe, changing your regular outfit into a bikini for the fish tank, only to go and transform you back into your regular size.”
  • The ghost takes Ellie to different places. One of the places is a mural that some classmates made. Another place Ellie is transported to is a tunnel in a loaf of bread.

Spiritual Content

  • None
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