Reading Level: Junior High

Eclipse

Now that Edward is back, Bella wants things to go back to the way they were…but too much has changed. Her best friend Jacob happens to be a werewolf, the mortal enemy of vampires. She is desperate to keep her friendship with Jacob, but she isn’t sure how that will be possible. Edward actively stops her from seeing Jacob, and Bella is constantly hurting her best friend by not loving him the way he wants her too.

Even worse, old enemies are on the prowl. The Vulturi will be a threat until Bella is changed into a vampire. She wants to change immediately, but Edward’s family insists on waiting until after her high school graduation. To Bella, it seems a terrible time to remain human, especially as Victoria is back, and more elusive than ever on her quest for revenge.

Eclipse spins out a heartbreaking love triangle among constant danger and suspense, which forces Bella to decide how much sacrifice love is worth. This installment in the Twilight Series will captivate readers of both Team Edward and Team Jacob, and it will leave them in breathless suspense until the end. As the series hurtles towards its final book, Bella will make a heartbreaking decision that will decide the trajectory of her life.

Eclipse combines Edward’s family and their enemies from Twilight with the werewolves introduced in New Moon. The interactions between these two sets of immortals will excite readers and keep them turning the pages long into the night. Parents may not like that Bella pushes to sleep with Edward, but they will appreciate that Edward says no – he will not sleep with her until they are married. Overall, Eclipse continues to uphold the quality of this engaging series.

Sexual Content

  • Bella and Edward kiss several times. Some are described in detail, such as “My arms locked behind his neck . . . One hand slid down my back, pressing me tighter against his stone chest . . . Making the most of my last seconds, I crushed myself closer, molding myself to the shape of him. The tip of my tongue traced the curve of his lower lip.” Other kisses are briefly described, such as, “He interrupted me with a quick kiss,” or “then he pulled the helmet off so that he could kiss me.”
  • When Bella’s dad tries to talk to her about being safe “when you’re physically involved,” Bella exclaims, “Please tell me you are not trying to have a sex talk with me.” When her father refuses to drop the subject, she says, “I really wish you were not forcing me to say this out loud, Dad. Really. But . . . I am a . . . virgin, and I have no immediate plans to change that status.”
  • Angela and Ben, two friends from Bella’s school, are dating. Ben “threw his arm around Angela’s neck and pulled her face down to his height so that he could kiss her enthusiastically.”
  • Edward kisses Bella to make Jacob jealous. “I turned my face up for a goodbye peck, but Edward took me by surprise, fastening his arms tightly around me and kissing me with as much enthusiasm as he had in the garage—before long, I was gasping for air.”
  • Jacob thinks Bella is in love with him, and to prove it he kisses her. Jacob’s “lips crushed mine, stopping my protest. He kissed me angrily, roughly, his other hand gripping tight around the back of my neck making escape impossible . . . Acting on instinct, I let my hands drop to my side, and shut down. I opened my eyes and didn’t fight, didn’t feel . . . It worked. The anger seemed to evaporate, and he pulled back to look at me. He pressed his lips softly to mine again, once, twice . . . a third time. I pretended I was a statue and waited.”
  • Edward and Bella make out in bed. “His hand curved around my elbow, moving slowly down my arm, across my ribs, and over my waist, tracing along my hip and down my leg, around my knee. He paused there, his hand curling around my calf. He pulled my leg up suddenly, hitching it around his hip . . . he rolled to the side, pulling me on top of him.”
  • Bella wants to sleep with Edward, but he insists they be married first.
  • Bella kisses Jacob twice. The first time, “my lips were moving with his in strange, confusing ways they’d never moved before – because I didn’t have to be careful with Jacob, and he certainly wasn’t being careful with me.” Then, Jacob’s “hands were soft on my face and his warm lips were gentle, unexpectedly hesitant. It was brief, and very, very sweet.”

Violence

  • Two vampires, Victoria and Riley, attack Bella. Edward and Seth, a werewolf, defend her. “Riley was on his feet again, looking misshapen and haggard, but he was able to fling a vicious kick into Seth’s shoulder. I heard the bone crunch . . . Riley took a swipe at him with one mangled hand . . . Riley bellowed and launched a massive backhanded blow that caught Seth full in his broad chest. Seth’s huge body soared ten feet and crashed into the rocky wall over my head with a force that seemed to shake the whole peak.” The fight takes place over eight pages.
  • Edward and Seth dismember and burn the bodies of the two vampires that attacked them. “Swift and coolly businesslike, [Edward] dismembered the headless corpse . . . I didn’t have time to recover before both he and Seth were back . . . Seth was carrying a large chunk – the torso – in his mouth.”

Drugs and Alcohol

  • Rosalie tells a story about her former fiancé. “I’d never seen him drink before. A toast, now and then, at a party. He’d told me he didn’t like champagne. I hadn’t realized that he preferred something much stronger.”

Language

  • Damn is used several times. When Bella discovers her friend Jacob isn’t aging, she says “Damn it! What kind of world is this?” Another time, when Jacob hurts himself he says, “Damn it! Ouch!”
  • Crap is used several times. Bella tells Edward, “Screw the protecting me crap, please.”
  • Hell is used a few times. Once, Bella demands, “What the hell is all this?” Later when Jasper is telling a story, he says, “All hell broke loose.”
  • Pissed is used once. Jacob thinks, “Pissed as I was, I still felt guilty when I watched the spasm of pain shoot across her face.”

Supernatural

  • Edward and his family are vampires, and Bella meets other vampires that pass through Forks. Unlike most vampires, Edward and his family survive off the blood of animals, so they do not have to murder people.
  • Some vampires have special abilities. Edward can read minds; his brother Jasper can control the emotions of those around him; his sister Alice can see bits and pieces of the future.
  • Jacob and his tribe can transform into giant wolves. “With another sharp tearing sound, Jacob exploded, too. He burst out of his skin—one second it was Jacob diving into the air, and then it was the gigantic, russet brown wolf—so enormous that I couldn’t make sense of its mass somehow fitting inside Jacob.”

Spiritual Content

  • None

by Morgan Lynn

The Spinner Prince

Prince Leo is next in line for the throne of Singara, a land ruled by super-evolved felines. As a thirteen-year-old, Leo is small for his age. But like all thirteen-year-olds, Leo must prove his worth by hunting a deadly beast called a slaycon. If Leo kills the beast, he will still face many obstacles, including keeping his uncle from taking the thrown. Leo’s uncle will stop at nothing to gain power and control. And once he does, he will invade the neighboring pride.

In Singara, all fiction is outlawed and anyone who tells a story is exiled. Leo must hide the fact that he is a Spinner. Leo has been taught that, “Spinners are cursed with a dangerous disease officially known as the fiction affliction or story sickness, which causes them to spew fiction without warning.” When Leo tells stories, they come alive in visions. After Leo tells a story, one character is left behind. Leo can make the character disappear or he can bring them into his world. Each character wants to help Leo, but Leo just wants them to go away.

The future of Singara is in Leo’s hands. Can he conceal his curse, claim the throne, and protect his realm? Or will he embrace his power and discover a far greater destiny?

Leo’s adventure will take readers into an interesting world where felines consider fiction to be poisonous to the mind. The pride values strength, tradition, and science. Even though Leo’s grandfather has declared Leo the heir to the throne, some of the pride believe Leo’s uncle should be king because Leo’s father is unknown. Much like the Lion King, The Spinner Prince is a story about political unrest, friendship, and fighting evil.

Leo tells his own story which allows readers to understand his fears and concerns. While Leo has a good heart, he often makes unwise decisions. However, along the way, Leo learns the importance of relying on and trusting others. Each member of Leo’s group must work together if they are to succeed in stopping the war.

The Spinner Prince isn’t only a story about Leo. Because Leo is a Spinner, he often recites stories that are based on folktales from many cultures and traditions. However, readers who are familiar with the Bible will recognize the parallels. Each chapter begins with Sayings of the Ancients, which give a piece of wisdom, such as, “You make yourself by the choices you make.”

The Spinner Prince is full of action, intrigue, and interesting characters. Both Leo and the reader will wonder who can be trusted. Although the story is interesting, the complicated plot and large cast of characters make The Spinner Prince best for strong readers. As Leo learns untold truths, he will begin questioning his societies’ beliefs. A wise shepherd tells Leo, “It is hard to be a Spinner. It is much worse to hate yourself for it. We have been raised to view ourselves as afflicted instead of gifted, but that is just another lie we Singas tell.”

Sexual Content

  • None

Violence

  • Leo is hiding the fact that he is a Spinner because “if the disease is proven, Spinners get banished and live among the exiles on the other side of the Great Mountain, right after having their tongues cut out of their heads and nailed to a post in the city.”
  • As a rite of passage, Leo must kill a slaycon before the slaycon kills him. The hunt is described over 17 pages.
  • When Leo sees the slaycon, Storm, he uses a slingshot to throw a stone. “The stone sails across the water and pounds the brute in the snout. . . Storm recoils and whimpers with the impact. He shakes his head, snarls, and charges straight into the river.”
  • Strom struggles to cross the river. Leo believes he can slay Storm, but when he approaches the slaycon, “His tail blurs and I’m knocked off my feet. The blade flies from my hand. I hit the ground and roll away while Storm springs to his feet. . .” Leo runs and Strom falls behind.
  • Leo pretends to be injured and writhes. When Storm pounces, Leo loops “the bag over his head, yanking it all the way up to their ears, and pulling the drawstring. . .I reach for my dagger as Storm’s tail sweeps the ground and flings my legs out from under me. . . I land in a heap and scamper on all fours like a panicky insect to my blade.”
  • While Storm’s head is caught in the bag, Leo hesitates to kill him. When Storm gets the bag off of his head, he “charges, preparing to bite. I [Leo] dodge and my blade lands behind his head, lopping off an ear as I roll to the ground. . . Strom howls, spins, and leaps. I dive under him and land a decent slice to his underside and another to his right back foot. Blood squirts into my face and torso.” Then, Leo climbs into a tree.
  • Leo uses his sling to shoot at Storm. “The pellet vanishes into the tunnel of Storm’s throat. However, Storm is too focused on my foot to notice or care. His mouth does not close. Instead it reaches higher, mouth agape, pushing himself on his tail. His jaws snap, and I feel teeth puncturing my right leg.” Leo goes numb and falls from the tree.
  • During a meal to celebrate Leo as the official heir to the throne, his cousin Tamir makes a scene. A soldier, Kayden, “hisses and thumps Tamir on the side of the head, raking his face with extended claws. Tamir makes no effort to defend himself, and the blow sends him staggering to his knees. . . Kayden hits him again with such force, I want to look away. Another blow follows. And another.” Leo’s grandfather orders Tamir to be killed, but Leo steps in. Tamir’s tail is cut off and he is thrown in prison.
  • When Leo gets to the academy, he must walk in the middle of two lines of cadets. As Leo walks, a cadet “huffs a little roar and thrust her blade at my head. I instinctively dodge the attack, and a cadet from the opposite line sweeps my leg, sending me crashing to the ground. . . The next cadet comes at me with his blade, this time a jab to my ribs. I bend my body around the blade, and a different cadet from the opposite line once again sweeps my leg and drops me.” After being hit, Leo closes his eyes and continues the walk. He can feel “a breeze pass over my muzzle. With another step, a blade whistles behind my head and down my back.” He makes it through the line uninjured.
  • During a practice battle, “Zoya and 10-2 square off. The brawny 10-2 surges forward, plowing into Zoya’s middle and forcing her down. He backflips over Zoya, but Zoya locks her hind legs around 10-2’s waist and uses their combined momentum to launch herself upright and on top of 10-2. Zoya slams 10-2 to the ground, sits on his torso, and bashes him in the head with one fist, knocking him momentarily senseless.” Leo steps in to help and conjures Rukan, who “snatches me up in his great mouth. With a flick of his head, Rukan launches me into the crowd. . . Rukan snatches her [Amara] in midair between his teeth and flings her aside. She too crashes into the crowd.” The cadets attack Rukan, who runs away. The scene is described over eight pages.
  • During feeding time, Leo’s cousin, Amara, approaches Leo. “Her claws sink into my pelt, causing me to wince and tremble.” Zoya sticks up for Leo and “tackles Amara, and pulls her to the floor. Amara kicks and screeches, but without success. Zoya has her pinned to the floor. . .Then we are all on our feet, lashing out like wild animals defending their last scrap of territory.” Leo’s friends are getting “pummeled.” The cadets fight until the Alpha stops them. The scene is described over three pages.
  • While leaving the academy, Leo and his squadron are taken through a mountain tunnel, where giant leeches live. “The slimy wretches circle around Stick’s and Zoya’s feet, then latch on to the legs of my karkadann. He rears up and kicks.” Anjali tries to hack off the leeches and “drives a blade point into the head of a leech. . . the skewered creature squeals and twists under the blade.”
  • In order to repel the leeches, Leo rubs their blood over his pelt. Someone “snatches the tail end of the nearest one, lifts it high with one hand, and plunges her blade deep into its wriggling body.” The leeches are held over Leo’s head and, “Hot sticky blood spills onto my head and shoulders.” The leech scene is described over three pages.
  • A group of soldiers surrounds Leo and his friends. In order to escape, Leo summons a draycon, who “leaps at the soldiers and knocks five of them off their feet with one swat of his tail.” Leo and his friends flee, but they tell the draycon, “Make sure those soldiers stay far away from here.”
  • While riding in a carriage, soldiers try to take Leo and his grandfather hostage. Leo uses a trap door to get out of the carriage. When the soldiers see him, they shoot arrows. “The first arrow zings harmlessly overhead. The second implants itself in the rump of one Karkadann. He screeches and quickens his pace, forcing his partner to keep up.” Leo is the only one that escapes.

 Drugs and Alcohol

  • Someone gave Leo a pellet that would mask Leo’s scent. Leo discovers that the pellet was poison.

Language

  • Someone calls Leo a “royal bastard” because no one knows how his father is.
  • One of the cadets tells Leo, “Prince of not, you have to watch your step with Jakal and Alpha. If you cross them, they will put a foot so far up your dirt hole, you will cough out a big toe.”

Supernatural

  • Being a Spinner is considered a disease. A Spinner is compelled to tell stories. When they are telling the story, a vision appears that only the Spinner can see. When the story ends, “a character or creature is always left behind when the disease hits me. These beings are faded, ghostly, and freakish.” Leo tries to hide the fact that he is a Spinner, but he often has these visions. When a character from the vision appears, Leo can talk to them.
  • Leo learns that Spinners “are gateways to and from another world. The fictions are gifts from Alayah, sent through Spinners, gifts of wisdom and truth. For a few powerful Spinners, beings from the stories are pulled into our world to protect and serve the one who brought them here.”
  • Leo has a vision of a great hunter. He describes it as a “three-sixty waking dream.” The story of a hunter is described over two pages. When the story ends, the hunter is “in the halfway state: ghostly, phantasmal. I can almost look through him. . .”
  • Leo can summon the characters from his stories. During the slaycon hunt, Leo summons a hunter, Oreyon. “When Oreyon appears, he is no longer a phantom, a quasi-physical apparition. He is real. Vivid. Solid. Completely in the world.” Oreyon gives Leo advice on how to win the hunt.
  • When Leo is bitten by the slaycon, he dies. Leo meets Daviyah the “Eleventh Skahyah in your world.” While there, Leo thinks, “We Singas don’t believe anything goes on after death. When you die, that’s it. You’re done.” Daviyah explains, “What you call death is only a door. You have crossed the threshold of that door, but you cannot stay.” When Leo returns to his body, Daviyah tells him, “I am always with you.”
  • During a story, a sage appears and “wraps her hands around my [Leo’s] wound and mumbles strange words. I tremble. . .” Because of the sage, Leo’s wound heals quickly.
  • Grandfather tells Leo about the great war. One of the Maguar was “in some sort of a trance, and yet he spoke with a commanding voice. . .As he spoke, a horde of beasts appeared, slaycon and draycon, giant wolves and bears, serpents as wide as this carriage, and other horrible monsters unknown to the earth.” The creatures attacked the Singa and the “battlefield was awash in blood and covered with bodies of Singas and Maguar alike, though the casualties were heavier on our side. We lost many, many fine warriors in the effort. . .”
  • When Zoya breaks her leg, Leo conjures up a healer. “Instantly, Vishna appears at my side. Without glancing at me, the strange elder squats down and lays her hands on Zoya’s damaged leg. She mutters something in the Old Language.” After healing Zoya’s leg, Vishna leaves.
  • Leo sends the characters from his stories back to where they came from. “Where I would normally find my chest and stomach, there is a patch of blue sky and that glorious light spinning over an infinite sea. Countless winged beings soar and swirl around the light, singing with joy.” One by one, the fictions walk into Leo “disappearing in a flash of light. . . Each creature departs with a flash as it dives into me.” Once every fiction has returned, Daviyah says, “I am proud of you. Alayah is pleased with you.” The scene is described over five pages.

Spiritual Content

  • The Singa and the Maguar are enemies. Leo has never met a Maguar, but he has been told, “They are a superstitious breed, head so full of stories and fantasies about their gods, they wouldn’t recognize a scientific fact if it bit them on the nose . . . Consider the sun. The Maguar believe the sun is a servant of their god, which flies around our planet every day. What nonsense!”
  • The Singa find a hole in a border fence. Leo’s grandfather is afraid that the Maguar will attack. Leo’s grandfather says, “Perhaps their make-believe god has spoken or they have invented a new fiction about the future.”
  • Leo meets a shepherd who can speak the “Old Language.” The shepherd sings “a song of praise to Alayah, blessed be the name.” The shepherd explains the song, “Alayah is known by many different titles. . . One of them is the Lord of Lights. . . We come from the light and we return to the light. A beautiful image, don’t you think?”
  • Leo learns the meaning of faith. An elder tells him, “Faith is a special kind of knowing outside of the evidence, sometimes even contrary to the evidence.”
  • A shepherd tells a story about when humans ruled the earth. Humans “were violent. Greed, bloodshed, and war were common. In time, all the spilled blood flowed like rivers and formed one big pool. Drawn to the scent of salty blood, the great and horrible sea demon, Hasatamara, rose up with a mighty wave and flooded the land to claim it for himself. . . But Alayah, blessed be thy name, punished the sea demon Hasatamara and sealed him into the heart of the mountain.” Alayah saved two humans, who were changed into a new species.
  • The firewing is a messenger of Alayah.
  • The shepherd sings “a prayer of thanks to Alayah for the return of the sun.”

The Quest for the Golden Fleas

Welcome to Mount Olympus, a pet supply and rescue center that sits high on a hill in Athens, Georgia. By day, the overconfident hamster Zeus, wise cat Athena, proud pufferfish Poseidon, loyal grasshopper Demeter, and treat-loving pug Ares are under the watchful eye of their caretaker, Artie, who is obsessed with Greek history. Her favorite podcast, “Greeking Out,” so enthralls her pets with its legendary tales of heroes and heroines that they believe themselves to be the actual megastars of mythology!

Under the cover of nightfall, this gang of gods pursues quests bestowed upon them by the magical, all-knowing Oracle of Wi-Fi. From an accidental plunge into a raging whirlpool (a toilet), to an epic voyage aboard the Argo (a robot vacuum), join Zeus and his minions in this romp through Greek mythology.

The Quest for the Golden Fleas is a strong start to the Zeus The Mighty Series. The hamster Zeus’s arrogance and desire to prove his worth gets him into hilarious situations. Readers will laugh when Zeus and the other Greek gods find wonder and danger in everyday objects. For example, when Zeus and his friends inspect the contents of a purse, they are amazed by the “artifacts” and believe “this relic is surely enchanted.” Similar to the ancient Greek gods, Zeus and Poseidon often disagree, which adds suspense and humor to the story.

Zeus is convinced that finding the golden fleas will prove he is worthy of ruling Olympia. While Zeus looks for the golden fleas, he abandons Demeter, who is being chased by a dragon (an iguana). All of the danger comes to life in black and white illustrations that excellently show the emotions of all of the animals. The illustrations show Athena racing through the store on a robot vacuum and bats chasing Zeus as he wields his shield (a tape measure) and blasts the bats with torchlight (a flashlight). While much of the plot is humorous, Zeus learns an important lesson—friendship is more important than a “furry old Fleece.”

While readers may not understand all of the references to Greek Mythology, the non-stop action will keep readers entertained. Zeus and the other gods are all completely different in a loveable way. The unique story combined with the funny illustrations will appeal to young readers. The Quest for the Golden Fleas will spark readers’ interest in Greek Mythology. The back of the book gives historical information about the Greek gods and The Myth of Jason and the Argonauts. For more humorous mythology, readers should add the Odd Gods Series by David Slavin & Daniel Weitzman to their must-read list. For readers who desire a more action-packed mythological story, the Underworlds Series by Tony Abbott will keep you at the edge of your seat.

Sexual Content

  • None

Violence

  • A colony of bats (Harpies) attacks Zeus. When Zeus tries to turn on the light, “Another Harpy barreled out of the blackness. Zeus blinded it but not before it lashed out and nearly knocked the torch from his arm.”

 Drugs and Alcohol

  • None

Language

  • When Poseidon gets out of his fishbowl, Zeus asks, “What is that fool doing?”
  • An old hamster calls Zeus a coward.
  • Heck is used once.

Supernatural

  • None

Spiritual Content

  • When Zeus opens a portal (a door), he says, “Thank gods.”

The Relic of Perilous Falls

Will Wilder didn’t mean to unlock his otherworldly gift, but that is exactly what happens when Will “borrows” a sacred relic believed to have protected the town of Perilous Falls for nearly a century. Even though Will’s intentions are good, the impulsive twelve-year-old unwittingly awakens an ancient evil that endangers all of Perilous Falls.

As boats sink and hideous creatures crawl from the rising waters, it is up to Will to confront a nightmarish enemy and set things right before it is too late. Along with his sweet—if lethal—great-aunt Lucille (the curator of a museum of supernatural artifacts), Will proves that the actions of one twelve-year-old boy can change the world.

In The Relic of Perilous Falls, Will goes into a vast underground chamber and must solve riddles to advance to the next room. Similar to Indiana Jones, Will must avoid traps in order to find the treasure. In this case, Will finds a religious relic that can heal people. However, Will doesn’t complete his task alone. Will’s two friends help him solve the riddles in the first two chambers. When Will finds the relic, he abandons his two friends, leaving them alone to fight demonic creatures that are similar to crocodiles.

The story blends humor, action, and adventure to create a fast-paced middle school novel. While these elements will engage readers, readers unfamiliar with the Bible may be confused by the Biblical references. Not only is a Catholic priest one of the main characters, but the relics are from Biblical times. They contain healing properties because “these relics are the remains of holy lives. Each and every bone or scrap of clothing is a physical connection to someone now in the presence of God.”

Like many middle schoolers, Will can be snarky and is often disobedient. Will’s flaws will make him relatable to readers and lead to some humorous scenes. One negative aspect of the story is Will’s parents, who argue often and disagree on how to punish Will. This negative relationship is balanced out by Will’s siblings, who play a minor, though important role. Also, Will’s elderly aunt shows that an older woman can still be physically strong and contribute to the world.

The story’s fast pace and surprises will keep advanced readers entertained until the very end. However, struggling readers may have a difficult time with the large cast of characters, the complicated plot, and the Biblical references. The Relic of Perilous Falls blends Biblical stories into a modern setting, much like the Percy Jackson series does with Greek mythology. In the end, Will is able to defeat evil with the help of other people. However, the conclusion leaves many questions unanswered, which will have readers reaching for the second installment in the series, The Lost Staff of Wonders. Readers looking for other action-adventure stories similar to The Relic of Perilous Falls will also enjoy the Addison Cooke Series by Jonathan W. Stokes.

Sexual Content

  • None

Violence

  • Jacob Wilder confronts a demon, who has taken over a dead man’s body. “As if wielding a weapon, Jacob Wilder raised a small vial filled with clear liquid and splashed it across the front of the Nazi… The officer quaked and grimaced, madly attempting to scrub away the fluid streaking down his face and uniform… Then as if he were a balloon suddenly drained of air, the Nazi crumbled to the ground.”
  • Will attempts to ride a donkey. The donkey goes crazy, and “the bouncing donkey sent the table’s edge and the cake flying into Aunt Freda’s jaw. She tumbled backward, her face covered in frosting.” Aunt Freda goes to the hospital because “her blood pressure is spiking, and she has a fractured jaw.”
  • When Will was riding the donkey, he accidentally hits a catapult lever and his brother flies out of it. “Leo flew much higher than Will thought possible… Leo smashed shoulder-first into a wooden slat, breaking the top off and flipping into the school yard.” Leo’s arm is broken in two places, and he dislocated his shoulder. The donkey scene is described over three pages.
  • Will watches a news story. A passenger explains that a boat was hit by something and “People were fallin’ off the decks. I grabbed hold of one lady and dragged her to shore. She was breathin’ and all, but couldn’t talk or even close her eyes. He was frozen. Couple of others like that too.”
  • Will’s father is told that “a couple of swimmers—teenagers—were attacked this afternoon downriver… One of the kids is missing.” The surviving teenager says a crocodile or a gator pulled his friend underwater. Later, Will’s dad finds out that the teenagers were “choked to death. Their mouths and lungs were filled with what Sheriff Stout called ‘river trash.’”
  • A pier collapses, and a group of wheelchair-bound kids falls into the water. Two of the campers died.
  • While Aunt Lucille and a man are on a boat, creatures scale the back of the boat. “The monster’s claws crushed the brass rails as it pulled itself up. The green beat with the pointy face of a dragon and round fish eyes expelled a guttural hiss.” Lucille “stretched her arms out, placed her index fingers and thumbs together to form a triangle… Then, extending her arms, a fiery ray of red-and-white light shot from the triangle of her digits. The twelve-foot-long beast was thrown backwards over the water and dissolved into a foul gray ash.” Aunt Lucille kills several beasts, and the man was “slamming his crutch into the creature’s sleek skull… the thing lifelessly slumped over the railing.” The fight is described over three pages, and a picture accompanies it.
  • The crocodile-like creature, the Fomorii, attacks a priest named Shen. The priest “hurled them to nearby rocks or plunged them into the waters with only a stick and his keen instincts… sensing danger, he raised his bloodstained pole. But before he could fully extend it above his head, Shen was lifted into the air by his left foot… The next thing he knew, he was flying toward the shore. Yowling as he drifted, Shen disappeared around a bend in the river.” The scene is described over three pages.
  • Will shows Captain Balor (a demon in disguise) a relic. When Will slips on the river bank, “a gray mass—a tentacle—smacked him hard across the jaw. The relic fell to the ground, as did Will.” After a brief conversation, the demon “held the boy’s lids open, forcing him to take in the full horror of that wicked red gaze. Will’s body went rigid, his eyes blank.” Later, someone puts Elijah’s mantel over Will, which wakes him from his comatose state.
  • While stuck under the church, Will’s friends are chased by giant crocodile-like creatures. Trying to get to the two boys, the creature “slithered inside the wide tunnel to the right. Within moments of entering the tunnel, a terrible grinding sound greeted the Bottom Dweller. It clawed at the walls, attempting to back out, but it was too late. The smooth walls pressed in on the creature, smashing its body in the darkness.”
  • The demon captures Shen and binds him. “Turning his head, Shen realized that he was attached to a slick, rocky wall. Neon green tentacles bound his wrist and ankles… His feet and hands felt numb, as if they had been stung—or were still being stung.” While he is restrained, he is struck. “After several blows, the old man’s shinbone gave way with a dull snap. Fresh blood pooled on his grey pants.” The scene is described over three pages.
  • Will’s friends are trapped under the church and creatures are trying to attack them. In order to help them, Leo “raised the mantel, and struck the oily water with it. A mighty gust of wind pushed the Wilders against the grille… ” The water is pushed to the side and the boys are able to escape. The scenes are described over several chapters.
  • Several times throughout the story, Lucille uses her powers to kill a demon. For example, “the demon wheezed. Its seven heads wriggled wildly in anguish as if they were roasting from the inside. Aunt Lucille showed no emotion. She simply stood her ground, projecting the steady laser of light.” The demons turn to ash.
  • In an epic, multi-chapter battle, Will and Aunt Lucille fight a demon and his Bottom Dwellers. Aunt Lucille uses her power and “the thing clawed at the walls, trying to steady itself. As it struggled, the seven heads glared at the Fomorrii in front of Aunt Lucille and Will… Aunt Lucille continued to pound the demon with her ray. Like insane dogs, the Bottom Dwellers sprang at Will, their jaws wide and bloodthirsty… One by one the reptilian crawlers were turned to reeking purple ash.”
  • During the battle, Will uses the relic to banish the demon. “‘Back, Leviathan!’ Will so wanted to yell. And though he didn’t, the moment he thought it, the Beast flew against the rear wall and slipped into the bubbling black Hell Mouth.” Although the demon is not dead, Perilous Falls is safe from it.

 Drugs and Alcohol

  • None

Language

  • Simon calls his friend a “Muttonhead” once and a moron five times. For example, Simon says, “I guess you’re embarrassed to admit that I saved you from sudden death, moron.”
  • One of Will’s friends says, “holy crab butts!”
  • Heck is used once.
  • When Aunt Lucille sees Will’s boys partly submerged, she says, “Oh, dear Lord!”

Supernatural

  • Several times, Will’s family hears strange sounds and finds “sea shells, fish bones, rocks, and dead beetles raining down in zigzag patterns… ” Once, the collection of trash fell onto the house’s roof. Another time, the trash fell in the house, and then “the flickering lights were gently disintegrating into the windows and up the chimney, and there before him was an immaculate den. Not a hint of a bone or a shell or anything out of the ordinary remained.”
  • A man is injured in a car crash. While the man was lying on the ground, Will saw “a dozen shadowy arms and hands—claws—reaching, grasping for the injured man… scores of smoky claws rising from the street, inching ever closer to the old man.” The claws disappear when Will screams, “Go away! Go away!” The scene is described over two pages.
  • Will is a seer and can see demons.
  • One character is a Sensitive and foresees an event’s outcome.
  • One character is a Repeller, “that means I can repel major demons when I touch my fingers together.” The Repeller uses “Rebutting illuminance… It’s merely spiritual light that repels evil.”
  • One character is a Summoner and “can call down the angels in time of need. The good ones.” The character can also heal people.
  • Simon learns that the Brethren can travel by “Saccophagal peregrination.” If they lay in a sarcophagus, it takes them to a predetermined destination.

Spiritual Content

  • The story revolves around a demon, who has seven faces. At one point, “Balor’s head now bobbed upon a lengthy serpent’s neck, wide and reptilian. Gray scales covered his hulking chest. Massive arms and a set of tentacles jutted out from his sides.”
  • Will must fight the Fomorii, which are minor demons “under the control of a major demon.”
  • A prophecy tells of a time when demons will come and “a young one will come” to unite the Brethren and defeat the demons.
  • Will has been seeing shadows. While he was riding a donkey, he saw a shadow that was “black, like a phantom—right next to me. Everything got icy cold.” Will’s Aunt Lucille tells Will that he has a gift that allows him to see spirits. She says, “…Everywhere we go, there are bright, good spirits and dark, malevolent ones.”
  • As punishment, Will has to help plant trees at a Catholic church. While he is working, a priest tells him about the relic of St. Thomas. The priest says, “People pray to the saint, and his prayers have great power in heaven. Miracles wait on his intercession. Like a magnifying glass focuses on light, so the relic focuses faith.”
  • The priest tells Will about St. Thomas. “The only way he would believe the Savior had risen from the dead was to shove his hand into the Lord’s side and his finger into the nail wounds of Christ.”
  • The relic, St. Thomas’ bone, is hidden inside the church. “For centuries people have claimed miracles happen just from touching it: healings, protection, amazing things.”
  • Aunt Lucille tells Will that the relics are “sacred touchstones. They’re antennae of faith—magnets that draw belief and devotion from us… These relics are the remains of holy lives. Each and every bone or scrap of clothing is a physical connection to someone now in the presence of God. They have real power!”
  • Aunt Lucille tells Will a story from the Bible where a man’s body “touched the bones of the prophet—POW! The man rose from the dead!”
  • A museum has the “remains of the prophet Elijah’s mantel, his cloak. History tells us it can control water and fire, and even allow the wearer to hear the voice of God.” Elijah’s Biblical story is told.
  • Someone tells the Biblical story of Saul becoming the apostle Paul, including how Paul was beheaded.
  • When Elijah’s mantel is put over Will, Will hears a voice that says, “Believe and keep your heart pure and I shall be at your right hand always. Will you heed my words?”
  • Elijah’s mantel heals Will’s brother’s broken arm.
  • Will uses the relic to heal a priest’s battered legs. “In amazement Shen ogled his bent limbs. The bloodstains dissolved from the gray pants, and his legs straightened. The pain that had afflicted him for hours melted away.”
  • When Will shows up, unharmed, his mother “thanked the Almighty.”
  • Two men discuss how “Every war ever started—all the problems of the world—was caused by some religious nut.”

The Legend of Zelda: Twilight Princess Vol 2

When Link travels to the Twilight Realm to save Ilia, he is transformed into a wolf and is quickly captured. A Twilight imp named Minda takes a liking to Link and helps him escape. Minda introduces Link to Princess Zelda, who explains how the King of Shadows has cast the kingdom of Hyrule into perpetual twilight. The King of Shadows seeks to rule everything under the light and dark. Princess Zelda is powerless to stop him. She prays every day that the gods will save her people. Is Link the prayed-for hero?

But as a wolf, what can Link do? He can talk to animals in his wolf form, but he cannot communicate with his friends or wield a weapon. As Minda leads Link on a quest, it is unclear to readers and to Link himself whether Minda is helping Link save his people or tricking him for her own gain. While this graphic novel has more action than the first book, video gamers who have played Twilight Princess may become bored, as this graphic novel follows the game so closely that it begins to feel like a recap. For readers unfamiliar with the games, this installment may be more interesting.

Link is a relatable character that readers will root for, but the other characters in the story remain two-dimensional, leaving much to be desired. This story has several battle scenes scattered throughout, but there are only a few violent images where Link is shown slashing monsters with his sword or attacking in his wolf-form. The images are not gory. The theme of Twilight Princess Vol 2 follows Link’s struggle to find his inner strength in order to protect his loved ones.

Twilight Princess Vol 2 is darker than the video game. However, the story will appeal to reluctant readers because the Manga-style illustrations tell the story through pictures and uses a limited amount of words. Each page contains 1-6 simple sentences, which appear in thought bubbles. Similar to the original Batman comics, Twilight Princess’s battle scenes use onomatopoeia words, such as “Bwommm” and “gyaaah.” Overall, Link fans may be better off sticking with the video game and skipping the graphic novels altogether.

Sexual Content

  • None

Violence

  • A “demon thief” is banished to the Twilight Realm. He is stabbed with a sword, and the flesh melts from his face before he is sucked into the Twilight Realm.
  • When Princess Zelda tells the story of her kingdom being attacked, the illustrations depict an explosion and a monster slowly crushing a guard to death.
  • Link battles a shadow monster and eventually kills it. The fight is illustrated over six pages.
  • A demon monkey lashes out with fire, burning the forest and killing several animals, who are drawn terrified, aflame, and wounded.
  • Link fights the demon monkey. Their first battle takes place over three pages. Their second battle takes place over five pages.
  • Link battles a giant plant monster and slays it. This battle takes place over nine pages.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Link lives in a world with magic, shadow beasts, and demons. When people from the land of light are engulfed by the Twilight Realm, they turn into lost souls.
  • When Link travels to the Twilight Realm, he is transformed into a giant wolf. While in his wolf form, Link can communicate with animals.
  • Link meets an alpha monkey who “absorbed the power of shadow… He was originally a monkey, but now he’s a demon. He can’t tell friend from foe.”
  • When Link unlocks his instinctive wolf senses, he’s able to see the insects that are “the true form of the shadow demons.” One of the insects is controlling the monkey demon, making him act cruelly.
  • Link finds a boomerang, which speaks to him. It says, “I am the fairy of winds that inhabits the boomerang. You freed me from an evil force, so I can reclaim my true power… Please, use the boomerang in which my power resides.”

Spiritual Content

  • There is a legend that when evil people tried to use magic to take over the land, “the goddesses grew angry at this affront and sent four spirits of light to seal the upstarts’ magical power away in the shadow crystal. Furthermore, the mirror of shadow prevented these wizards from entering the world of light. They were exiled to the twilight realm.”
  • Link meets a light spirit who tells him, “By orders of the gods, I am one of the four spirits of light who protect Hyrule.” The spirit asks Link for his help in saving the land from darkness.

by Morgan Lynn

Tears of a Tiger

After the basketball game, Andy and his friends just wanted to have a little fun. When they pile into Andy’s car and begin drinking beer, they think Andy’s swerving is funny. The fun ends when Andy plows into a wall, killing Rob, Andy’s best friend and the captain of the Hazelwood High Tigers. No one blames Andy for Rob’s death and soon everyone, except Andy, is moving on.

Andy is consumed with guilt. He can’t forget that one horrifying moment or the desperate screams of his friend’s last cries for help. Andy stops doing his school work. He begins acting out, but everyone thinks that Andy is fine – after all, he’s seeing a psychologist. Will Andy be able to move forward or will this one accident claim the futures of not one Tiger, but two?

Andy is consumed by guilt over Rob’s death. Even though he’s in pain, his friends, his family, and his psychologist think he needs to get over the guilt and get on with life. Andy’s psychologist tells him, “the answer is life, Andy, not death.” Andy begins acting out and crying for help. He thinks, “My heart is bloody, and my soul is on ice… Nobody cares.”

Tears of a Tiger tells the heart-wrenching story of Andy and his friends as they deal with Rob’s death. The story unfolds through conversations, English assignments, diary entries, and prayers. While these mediums give a unique perspective, at first the format is confusing. Through various mediums, the readers will come to understand Andy’s guilt, grief, and depression. Even though Andy desperately needs help, no one is there to bolster him up. In the end, the pain of losing Rob causes Andy to commit suicide.

Tears of a Tiger tackles some heavy topics such as death, depression, drinking and driving, as well as racism. The story will resonate with teenagers, especially those who have ever faced a difficult situation. Even though readers will understand the reasons Andy commits suicide, solutions are never discussed, which ends the story with a hopeless tone. The devastation of both Rob’s and Andy’s death will remain with readers for a long time. Tears of a Tiger is an engaging story that will leave readers questioning life and death, and they’ll be wondering if anything could have prevented Andy’s suicide.

Sexual Content

  • Rob brags that colleges will be, “Knockin’ on my door…to instruct the women in the dorms of the finer points of—shall we say—‘scorin’ and to teach skinny little farm boys what it is, what it is!”
  • Andy’s girlfriend calls a friend to ask about Andy. The friend replies, “I bet he’s in the backseat of his car, kissin’ all over some real sexy mama!!”
  • Rhonda writes a letter to her best friend saying, “Girl, that Tyrone can really kiss!!!!! Makes me want to stand up and shout Hallelujah!” In another letter, Rhonda writes about Tyrone, “That boy turns me on!”
  • When Andy gets out of high school, he plans to “use my lips for kissin’ beautiful women, not the soles of some bald-headed white man’s feet.”
  • When Gerald’s English teacher collects a poetry project, Gerald says, “Yeah, just like an English teacher—poetry turns her on.”
  • Andy’s brother goes to Andy’s grave and talks to him. “And how am I ever going to figure out girls? Do you know some girl tried to kiss me for my birthday? Gross!”

Violence

  • Rob was killed in a “fiery automobile accident.” Rob’s feet “stickin’ through the windshield. His legs was cut and bleedin’ really bad.” Rob was “screamin’ and hollerin’, stuck inside.” Rob’s friends tried to get him out of the car, but “The whole car is in flames, and Rob is still stuck inside, and we can hear him screamin’, ‘Andy! Andy! Help me—Help me—Oh God, please don’t let me die like this! Andy!’ He screamed for what seemed like a long time. Then it was real quiet.”
  • On the first day of junior high, Andy asked Rob a question. “He slowly put the pick in his back pocket, slowly looked at me, and then proceeded to beat the snot out of me. We’ve been tight ever since.”
  • Gerald’s stepdad is abusive. Someone says, “My friend Gerald—his dad beats him—he’s got this big scar on his face from when he had to get stitches when his dad knocked him against a radiator.”
  • Andy thinks about jumping off an overpass, but his girlfriend stops him. Afterward, he said, “‘Thanks.’ Then I kissed her real lightly on the lips and went home.”
  • Andy kills himself. Andy’s blood soaked through the ceiling, which caused his mother to run to his room. “Mrs. Jackson went to her son’s bedroom where Andrew’s body was found with a fatal gunshot wound to the head.”

 Drugs and Alcohol

  • Before the basketball game, Andy put four six-packs in the trunk of his car.
  • Gerald writes an essay saying he would get rid of five-dollar bills. “With a five-dollar bill, somebody’s stepfather can buy a bottle of whiskey, a nickel bag of pot, or a rock or crack. He smokes it, or drinks it, and goes home and knocks his kids around, or his wife… Andy and the guys bought a six-pack of beer. They ended up buying five dollars worth of death.”
  • Andy says that he and his friends would go into stores and bother the white sales clerk because they thought, “we’re all drug dealers.”

Language

  • Crap is used three times. After the accident, Andy felt like “a piece of crap.”
  • When Keisha finds out about her boyfriend’s accident, she says, “Oh my God, Rhonda, I’ve got to go. I’ll get my mom to drive me to the hospital.”
  • After Andy dies, Gerald writes, “You know what really pisses me off? You! You’re a coward and a sellout!”

Supernatural

  • None

Spiritual Content

  • After the accident, B.J. prays to God. “Is it my fault that Robbie is dead? I wasn’t drivin’… I don’t sleep at night. I keep seein’ the fire and hearin’ his screams and feelin’ so helpless… Was all this done to teach us kids a lesson?” The prayer is said over two pages.
  • B.J. writes a poem praying to “the lord…to send me a lady—someone to love.” The poem is one page.
  • Tyron writes a letter saying that “we didn’t’ die in that accident for a reason. B.J. says it’s because the Lord needed Robbie up there and he needed us down here.”
  • Keisha writes, “Some people say…that killing yourself is a sin and you’ll go to hell for it because you can never ask for forgiveness for that… I hope God is forgiving. I hope God understands that your heart was good, but your pain was so powerful.”
  • B.J. prays and wonders, “Will stupid keep him (Andy) out of Heaven? He never learned the power and hope that comes from Your forgiveness.” The prayer goes on for one and a half pages.

Step Up to the Plate, Maria Singh

Maria is a nine-year-old growing up during WWII in Yuba City, California. Like most of the families in her community, her father is from India and her mother is from Mexico. Maria spends her time going to school, collecting tin cans for ration stamps, watching her younger brother, Emilio, and helping around the farm, but what she really dreams of doing is playing softball. Luckily, her teacher has just started an all-girls softball team. While Maria learns lessons about teamwork and determination, she also faces prejudice and discrimination on and off the field. With a little help from her parents and her strong-willed aunt, Maria realizes people from different backgrounds may not be so different after all.

Step up to the Plate, Maria Singh gives a new perspective of discrimination and prejudice that existed during WWII.  Maria’s parents are not American citizens, so they cannot own land and must rent their farm. This becomes a problem when their landlord decides to move. Maria is subject to racism, and she gets into a fight when a classmate calls Maria’s friend a “dirty half-and-half.” Through Maria’s story, readers will understand how a culture can normalize prejudice. Although the racism and discrimination in the book occurred during WWII, readers will see that many of today’s problems are similar.

Because Maria’s parents are of different religions, the book focuses heavily on religion, which is a fundamental part of Maria’s community. Although her household leans a little more towards the Catholic side, Maria’s father talks about Sikhism and brings his family to a temple. Maria is not partial to either religion and includes both in her prayers. While Maria appreciates her parents’ cultures, she doesn’t feel they are completely her own.

Readers will relate to Maria as she tries to make sense of the world and find her voice. Maria is a relatable character who, like most people, has flaws.  Maria lies to her mother but then feels guilty. While playing softball, she learns the value of being a team player.  When she faces prejudice, she learns what it means to hate and the importance of forgiveness. Through Maria’s eyes, readers will learn the importance of speaking up during difficult times.

Step up to the Plate, Maria Singh is a great way to introduce readers to this little-known part of history. The end of the book has an author’s note that helps readers understand the story’s context. Lovers of softball (or any sport) will identify with Maria’s softball obsession and how she uses it as a means of escape and personal victory. This story also shows the value of sports as a means of bringing a community together.

Step up to the Plate, Maria Singh takes the reader into history and deals with difficult topics of immigration, racism, faith, and family. Despite the heavy topics, Step up to the Plate, Maria Singh tackles them in a way that is accessible to younger readers. History fans who love sports should add The Brooklyn Nine by Alan Gratz to their reading list.

Sexual Content

  • None

Violence

  • Maria’s friend’s father, Gian, dies in the war. Maria asks Papi if Gian has ever killed anyone, to which Papi doesn’t respond. Gian’s death prompts Maria and her friends to talk about their fathers getting drafted.
  • While she is supposed to be watching Emilio, Maria wanders off. Maria comes back to find Emilio and his friend play fighting, “slamming into each other with arms and legs and fists.”
  • Elizabeth, a white girl, calls Janie a “dirty half-and-half.” Janie retaliates by “throwing herself upon Elizabeth, grabbing her hair with both fists, pushing her down…scratching and pulling and tugging, and both of them shrieking.”
  • When Maria is up to bat, Elizabeth purposely pitched overhand to try and hurt Maria. Maria realized too late how hard Elizabeth was throwing. She was unable to get out of the way in time, and “the ball cracked her [Maria] in the head.”

Drugs and Alcohol

  • None

Language

  • When Maria tells Emilio that she can play softball, she says he is about to get “pig-headed.”

Supernatural

  • None

Spiritual Content

  • Maria explains the misunderstanding people have about her community. “People called the families Mexican Hindus even though the fathers were mostly either Sikh or Muslim in the God department.”
  • When Maria explains why she was late getting home from school, her mom “looked up at the ceiling as if she was asking God and the archangels for guidance.”
  • After lying to her mother, Maria guiltily looks at an altar in her house, on which stands “the Lady of Guadalupe, blessed Mother of Jesus,” a Sikh prayer book, “a wooden carving of the holy man who had founded Papi’s Sikh religion hundreds of years ago,” and “a rounded symbol…called Ikonkar, which meant ‘There is one God.’”
  • Maria goes to confession, which was “near torture.”
  • While the wives and children go to mass, the husbands stay outside and get a picnic ready. This is because, as Papi explains, “God is everywhere, so I will just pray to him out here, under this beautiful sky!” Their wives “would roll their eyes at their stubborn heathen husbands.”
  • Maria’s family attends Mass for Gian’s funeral. As Gian’s wife and daughters process in, someone whispers, “Was he ever baptized?” Maria thinks the service was so special, and “whether he was baptized seemed not to matter.”
  • During Gian’s funeral, Maria thinks, “grieving together for a good man, in the presence of the Holy Mother Church, did bring you closer to the Lord.”
  • Maria prays to Mary and the Sikh holy teachers, asking them to “make the world a better place.”
  • Papi says the bill that will allow people from India to become American citizens has to go to the Senate, and “God alone knows what will happen there.”
  • “Extra blessings were needed” when Papi announces their landlord is moving. “Papi prayed from his holy book and Mama said an Ave Maria. Sometimes life demanded help from every kind of god.”
  • When Maria is worried about not being able to play softball, Papi sings “an old Punjabi prayer” to comfort her. Then he tells her, “Don’t be afraid. God will provide.”
  • Maria asks Papi if he is sad that he can’t see his temple in India. He answers, “All the God you ever need, you carry in your heart.”
  • Maria suggests her parents buy their farmland in her name since she is an American citizen, and they are not. “Papi was singing ‘Waheguru satnaam.’ Mama crossed herself. There were many ways to praise the Lord for sending a really good idea into a girl’s mind.”
  • A minister prays before a softball game.
  • When Maria plays in her first softball game, “fly balls landed in Maria’s glove as if heaven itself was sending them there.”
  • After her team wins the softball game, Maria expresses her thankfulness in both of her parents’ religions. “Wahgeguru, Maria thought, and crossed herself in gratitude.”

by Jill Johnson

I’m Ok

Ok’s life takes a dramatic turn for the worse when his father dies. His mother works three jobs, yet barely makes ends meet. Ok feels that as the man of the house, he should help pay the bills. As a twelve-year-old, he has little opportunity to make money. He hopes he can win the cash prize at the school talent contest, but he can’t sing or dance, and he has no magic up his sleeves. With no talent, he has to come up with another business.

Soon, Ok is braiding hair for the girls at school, but the girls can’t pay him much. His braiding business makes Mickey McDonald notice him. The girl, with a larger-than-life personality, wants to be his friend. Ok is used to being by himself, and he doesn’t want to be friends with Mickey, who will distract him from his mission—making money.

Life gets worse when the pushy deacon at their Korean church starts wooing Ok’s mom. Ok doesn’t want his mom spending time with the deacon. His mom is so caught up in the deacon that she doesn’t even notice Ok anymore. Feeling lost and confused, Ok comes up with an exit strategy. Will being totally alone, give Ok the peace he needs?

I’m Ok deals with the difficult topics of grief, poverty, racism, and friendship. Even though the story highlights the importance of friends, Ok’s story is often dark and depressing. At school, Ok is bullied and made fun of because he’s Korean. He reluctantly becomes friends with Mickey, who is self-assured but also ignored by many of the students. The two team up to win the school talent contest, and Mickey begins teaching Ok to skate. Mickey spends time with Ok, gives him a pair of skates, and is kind to him. Despite this, the only thing Ok cares about is winning the contest’s money. At one point, Ok even steals from Mickey’s mother. While Ok’s homelife is understandably difficult, his negative reaction to all events and his self-centered, mean personality make it difficult to feel compassion for him.

Ok spends time reminiscing about his father, who he clearly misses. Even though Ok grieves for his father, most of Ok’s memories of his father are negative. His father treated both Ok and his mother terribly. For example, Ok’s father would talk under his breath, “loud enough that I could hear, but soft enough so I felt guilty about eavesdropping, ‘When’s this idiot going to be human?’” Ok’s father isn’t shown to have many positive aspects other than financially supporting the family.

I’m Ok shows the difficulties many Korean immigrants face. However, the story’s conclusion leaves several threads untied. Plus for the entire story, the deacon is portrayed in such a negative light that it is difficult to understand why Ok’s mother marries him. Even though Ok and several of the supporting characters are well-developed, readers may have a difficult time relating to Ok, who is often mean to those who care about him. If you’re looking for a book that tackles racism and/or poverty, you may want to leave I’m Ok on the library shelf. However, Katherine Applegate excellently tackles both issues in her books Crenshaw and Wishtree.

Sexual Content

  • While braiding girls’ hair, the girls talk about a lot of different topics. For example, “Jaehnia is in love with Asa, and Asa is not at all interested in her in that way ’cause he’s not into desperate girls… Kym’s parents are getting a divorce… Claudio got caught sneaking around under the back staircase looking up girls’ skirts.”

Violence

  • Several times Ok thinks about his father’s death. When Ok makes a mistake, he thinks his dad would have called him stupid. Ok thinks, “At least I didn’t trip while working on a roof and come tumbling down and land so hard and wrong on concrete that my neck broke.”
  • Ok’s mother accidently “Ran into a parked car, smashing its headlight. My father called her an idiot, yelled at her, took over the wheel, and raced out of there like it was a getaway… He told her to shut up. I crouched on the floor of the backseat, scared my mother would get kicked out of the country.”
  • Asa and Ok wrestle, and Ok “bite[s] his finger, grab[s] his shirt, and stretch[es] it over his face… He punches me in the stomach. I cough and punch him back… We tumble around some more, no longer really hitting each other, holding and rolling disguised as fighting.” A neighbor tells them to stop and they do.
  • Ok steals $10 out of Mickey’s mom’s purse. The next day, Mickey shows up at school with “a bruise on her cheek.” Mickey says, “Ain’t you ever seen a bruise before? If you gotta know, Ma did it.”

 Drugs and Alcohol

  • Ok’s father would play cards with his friends and drink beer. Ok thinks back to a time when his father “let me take a sip of his beer. When I grimaced at the taste, he laughed.”
  • Ok’s father often had a Johnnie Walker in one hand and a cigarette in the other.

Language

  • After Ok’s father dies, a woman tells him that he will need strength to get through this hard time. “What a senseless mess. Makes you want to kick some idiot’s butt, she says, shaking her head…”
  • Pissed is used five times. When Ok is called to the principal’s office, he tells the principal he has to go to the bathroom and “pressing my knees together and making the I’m going to piss right here, right now face.”
  • A kid in Ok’s class makes fun of him, calling him “Okie Dorkie” and “Wong-chung-chung.”
  • Oh my god is used as an exclamation six times. For example, when Ok tells a girl that he saved a puppy’s life, she says, “Oh my God, you’re the bravest.”
  • Mickey McDonald uses “Oh my Lord Jesus Christ” once and “Oh my Lordy” as an exclamation seven times. For example, Ok accidently goes into the girls’ bathroom. When Mickey McDonald sees him, she says, “Oh my Lord, what on God’s green earth are you doing in the girl’s bathroom?” She then calls Ok a “perv.” Later she calls Ok a “snothead.”
  • A kid calls a girl a moron.
  • Ok calls a kid a jerk; later, he thinks the deacon is a jerk.
  • A kid teases Mickey, calling her “Old McD. White Trish-Trash. Mick the Hick. Mickey Gives Hickeys… Mickey McDonald looks like Miss Piggy and a troll doll had a baby.”
  • Ok thinks the deacon is a jackass.
  • Badass is used once, and hell is used three times. For example, a woman tells Ok, “Let’s get the hell out of here.”
  • Ok tells Asa, “Aren’t you glad yo’ mama could spell? Otherwise yo’ name be like Ass… I’m calling you Ass ’cause you look like one, smell like one, and God knows you read and write like one.” Later, Ok calls Asa a butt-face and moron.
  • Ok calls Asa stupid and a nincompoop.
  • Ok tells Mickey that a classmate is a pervert.

Supernatural

  • None

Spiritual Content

  • Ok and his mother attend the First Korean Full Gospel Church. After a service, some of the women “moan and babble because the Holy Spirit has a hold on them.” Ok wishes “the Holy Spirit would get a hold of me so I could wail my sadness too.”
  • After his father dies, a woman from church tells him “to be good and strong for my mother and have faith in God’s will, because I’m the man of the house now. God works in mysterious ways.”
  • After his father dies, Ok’s mother tells him, “I’m not worried. God will take care of us. We just need to do our part and believe he loves us.”
  • When a classmate is mean to Ok, he “prayed I wouldn’t piss my pants, prayed I wouldn’t get beat up because I looked like one of those kids you couldn’t help but beat up.”
  • During church service, the pastor asks the congregation to pray. Ok closes his eyes and prays, “telling God that I need a talent for the talent show so I can win a hundred dollars…”
  • When a girl sees Ok writing in a library book, Ok “pray[s] hard that she doesn’t walk away and tell on me.”
  • After Ok earns some money, he wonders what to do with it. “I could offer the money to God tomorrow, drop my coins onto the plate… What blessing can $11.68 buy me?”
  • The deacon tells Ok’s mother, “Do not worry. What does the Bible say? Worrying is a waste of your time and energy. It is a sign of your lack of faith. Obey our Lord and don’t worry… All things work for the good of those who have faith in God.”
  • When Ok’s mother hurts her ankle, Ok prayed “that I had nothing to do with my mother slipping on some ice that had spilled out of a tub full of mackerel.” Ok wonders if God allowed his mother to get hurt because he stole something, then he blames God for allowing his mother to get hurt.
  • The deacon tells Ok, “God is in math. Oh sure. The concept of infinity. That is God.”
  • Many of the characters pray. For example, after making kimchi, Ok’s mother prays, “thanking God for her abilities, for our kitchen, and for me… She asks God to bless the kimchi, bless anyone who eats it, make the person strong and good and faithful.”
  • At church, the preacher told the congregation, “if we felt sad, we should count our blessings. Make a list of all the things we were grateful for. Not focus on what we lost.”
  • When the deacon is trying to teach Ok to swim, he says, “The Bible says that if you build a house on sand, that house will collapse, so you must build your house on stone, so it can withstand wind and storms.”
  • When the deacon clears his throat, Ok thinks, “here we go with the sermon about how God created the universe, the moon, and the stars, and how he created me in his image and loves me so much he killed his only son for the forgiveness of sins.”

Running Full Tilt

Summer is ending, which means Leo is about to start at a new high school. His family just moved from a neighborhood to a more secluded house because of his older brother, Caleb. Caleb has autism and cognitive delays, which have gotten him into trouble a few times, like when he broke into his neighbor’s house and started asking them random questions. While Leo’s family’s move may have left the neighbors with more peaceful lives, Leo’s life is anything but serene. Caleb has taken to attacking Leo in the middle of the night, and Leo can’t figure out why. To escape these fits and calm his anger, Leo goes for long runs.

Subsequently, this newfound talent for long-distance running lands Leo a spot on the cross-country team where he meets Curtis, the fastest runner in school. Seeing Leo’s potential, Curtis takes him under his wing. He devises running strategies for each meet, and he and Leo climb to the top of the state ranks. Leo also meets and eventually dates Mary, an artistic girl with piercing green eyes. Throughout the year, Leo’s relationships with Curtis and Mary grow, and they help him appreciate his brother. Caleb even picks up running and, with Leo’s help, runs a half marathon.

One day Leo comes home elated after qualifying for state at a track meet. His celebration is short-lived though, as his parents have tragic news. Caleb drowned in a community pool. Leo can no longer run away from his problems with his brother; he has to find a way to cope.

Running Full Tilt is told in the first person from Leo’s point of view, which will help readers connect with him. Readers will watch Leo grow as a brother, boyfriend, and friend. Although he isn’t always the best boyfriend, Mary teaches him it’s okay to confide in others. Curtis becomes a big brother to Leo, helping him be a stronger runner and person. Curtis, Leo, and Mary are very witty; readers will enjoy reading their playful banter. Runners will appreciate Currinder’s vivid depictions of races, strategies, and maybe even pick up a few tips.

In addition to being an excellent book for runners, Running Full Tilt also deals with the implications of having a family member with cognitive issues. Mary tells Leo she thought Caleb looked “normal,” causing Leo to jump to Caleb’s defense: “Who’s to say what’s normal?” Leo feels guilty for “always being a step ahead” of Caleb when he is the younger brother, which he suspects is the reason for Caleb’s outbursts. Leo’s parents are unhappily married (it’s hinted that both are having an affair) and deal with Caleb’s behavior in different ways. Leo and Caleb have their fights, but Leo learns not to dwell on them and appreciate the good days. Running Full Tilt is a good book if readers want to be invested in the characters. They are flawed yet endearing, and readers will relate to them. It is a fast-paced, entertaining story that will both break and warm readers’ hearts.

Sexual Content

  • Leo hears a guy called Itchy and thinks, “I figured Itchy was probably just some dude from their football team with ringworm or a bad case of jock itch.”
  • Stuper, one of the guys on the track team, was absent because he was at the hospital. His friend Rosenthal explains, “He’s got a bad case of poison ivy… he ducked into the woods to go to the bathroom. He wiped himself with it… At first he wouldn’t tell his parents. He thought it was herpes because he’d just seen pictures of it in health class… we reminded him that the only way you can get herpes is through sexual contact.” The guys laugh, suggesting Stuper has never had any sexual contact.
  • At the end of their first date, Leo and Mary kiss. Leo “slowly leaned toward her and closed my eyes, then felt our lips touch. I felt her hands gently moving up to my biceps… I just couldn’t believe how sweet her skin smelled and how soft her lips felt.” When they get back to Leo’s house they kiss again, but the kiss is not described. Leo thinks, “I probably should have kissed her longer.”
  • Leo sees his mom at the movie theater holding hands with a man who is not his dad. This upsets him because his parents are still married. Mary suggests his mom is having an “emotional affair.” Leo thinks, “I fought hard to block the images forming in my mind.” He asks Mary, “Like friends with benefits friends?” Mary answers, “No, it’s not like that. It’s like having some huge crush on someone but not really acting on it.”
  • At a Halloween party, a guy has “a potato dangling out of his fly from something that resembled a coat hanger.” He explains he is dressed up as a “dicktater.”
  • After Curtis tells Leo to “grow some balls” and rescue Mary from the guy who is flirting with her, Leo says, “screw you.” Curtis replies, “Leo, that’s fine by me. I’m not on that team, but I’m an enlightened individual. I’ve got no problem if you are.”
  • Leo says that he and Mary are “acting like old people, the kind who never get off their porches to do anything. That was, until Mary’s mother began dating some new guy. Then we started getting to know each other in new ways.”
  • Leo talks about how cold it is to run in the winter and how it affects his body. “Winter training included running in temperatures so frigid that even after a warm shower I didn’t see portions of my anatomy that had recently become very important to me for six hours. When I considered Mary in the equation, I wondered if it was all worth it.”
  • After running a race in the sleet, Curtis tells Leo, “If I don’t get under a hot shower soon, there’s a serious chance I’ll never see my testicles again.”
  • Leo’s family goes to the Special Olympics in Ford Leonard Wood. Leo asks his dad why there are so many massage parlors. His dad answers, “There are about ten thousand young men on that military base. And very few women. Do I have to give you a lesson on the birds and the bees, Leo?” Leo assures his dad, “I think I get it.”

Violence

  • Leo describes what it’s like being a distance runner in a race. “They run in packs, with steel spikes sharp as steak knives attached to their feet. Inside a tight pack moving at close to four-minute-mile pace, the spikes like barracuda teeth slashing at calves and shins from front and back, elbows and fists box for position.”
  • Leo witnesses a freshman being bullied. “The ringleader, a burly guy wearing a football jersey with the name Glusker plastered over numbers, had his victim down on his knees, hands behind his back, pushing a tiny peanut across the tile floor with his nose. Glusker guided the kid by nudging his ass with the tip of his Timberland boot along a parade route lined by laughing upperclassmen.”
  • Caleb is angry because Leo gets a higher allowance. Leo notices Caleb is getting agitated, and finally Caleb “smashed into me from behind. I smacked my head against an end table and collided with the wall… He slapped my head with one open hand and started pounding the other side of my face with his fist. Then he grasped my throat with his right hand and started trying to jab his left thumb into my eye… I fought to grab a handful of his hair with one hand and his ear with my other, and I pinched and pulled with everything I had before he finally screamed and released me.”
  • While Leo folds laundry, Caleb attacks. “He took me by surprise when he jumped me, but I managed to pull his hair, knee him in the groin, and take off running.”
  • Caleb attacks Leo in the middle of the night. Caleb “had trouble pinning me with his knees in the darkness, but he managed to slap my head a couple of times before going for my eyes. I got a knee into his crotch, pulled his hair, slipped out from under him.”
  • When Caleb attacks Leo in the middle of the night, Leo usually “smacked him on his back a couple of times [with a Little League bat], he usually rolled off me, and if that didn’t work, I pinched and pulled his ears and hair.”
  • Leo finds Caleb having a seizure. “Caleb was on the floor thrashing and writhing. His eyes were rolled back in the sockets, eyelids fluttering, and he was making this terrible wheezing sound like he couldn’t breathe. Both arms were stiff and extended, and his head lifted and thudded against the tile floor… His lips and face began to turn a strange bluish gray.” Leo and his parents bring Caleb to the hospital, and Caleb is okay a few days later.
  • At a Halloween party, Glusker mistakes Curtis for a guy who is dating his ex-girlfriend and beats him up. “Glusker came barreling across the lawn and blindsided Curtis, rolling him onto his back and pummeling his head with his fists… Curtis’s nose was gushing.”
  • Leo and Curtis are running on a golf course when they see a buck dart out from the forest. “The buck was in mid-stride when it suddenly stopped and fell to its side. The shaft and quill of an arrow were plunged deeply inside its heart… I looked at the fallen buck, its torso still rising and falling slowly, its legs still clawing at the earth as it clung to life.” Two men with bows emerged from the forest, and one “pulled a pistol from his pack, ready to finish off the job.”
  • Caleb was in a bad mood all day, so Leo was ready for him to attack that night. Caleb “came at me quick and had my shoulders pinned with his knees and both hands around my neck in seconds. I thrashed and kicked. He went for my eyes with one hand, pushing two fingers deep into my left socket… I grabbed the baseball bat tucked beside my mattress and smacked his shoulder blades sharply three times before he rolled off me.”

 

Drugs and Alcohol

  • Leo’s dad comes home late, and “he had a sheepish grin on his face like he’d already had a few.” Leo’s mom is upset with her husband for coming home late and for drinking. To try to make amends, Leo’s dad “grabbed two glasses from the cabinet. He snatched some ice cubes from the freezer and poured some vodka. When he set a glass next to Mom… she nudged it away with the tip of her knife.”
  • Leo goes to a Halloween party, and there is “a birdbath filled with ice and beer in the corner of the yard.” Leo and Curtis don’t drink because they have a race coming up.
  • Leo and his friends watch a guy flirt with a girl, then lead her away from the party. Curtis complains, “Why can’t I do that?” His friend responds, “I think she’s already had a few.”
  • Mary is drinking at a party. Angry with Leo for not calling her, she takes “another sip of liquid courage” and fusses at Leo. She says she waited all week for him to call and even drove past his house a few times. After she confesses this, she is ashamed and says, “I can’t believe I just told you all that crap.”
  • While Leo and Curtis are running on a golf course, they see two hunters “toting a couple of Budweisers.”
  • After visiting Caleb at the hospital, his dad “came into the kitchen, went directly to the cabinet, and poured himself a drink.”

Language

  • Profanity is used frequently. Profanity includes: damn, crap, holy crap, ass, jackass, smartass, shit, holy shit, chickenshit, bullshit, shit-eating, dipshit, shitload, shitting, frickin’, freakin’, hell, bitching, pissed, and prick.
  • “Christ,” “for Christ’s sake,” “Jesus,” “God,” and “Geezuz” are frequently used as exclamations.
  • After witnessing some guys bully a school janitor, Leo asks Mary, “Did you see what those morons were doing to the guy?” Mary responds, “What those idiots were doing was wrong on so many levels.”
  • Curtis tells Leo to “sit his butt down” when he calls Mary over to their lunch table.
  • When Leo sees a guy flirting with Mary, Curtis tells him to “grow some balls” and go rescue her. Leo replies, “screw you” and gives him “the one-finger salute.”
  • After Curtis yells at a man for killing a buck, the man tells him, “Why don’t you and your little faggot friend just run along.”
  • Leo’s maternal grandmother and his dad dislike each other. Leo’s grandmother frequently calls his dad “Flat Ass,” and his dad frequently calls her “Bubble Butt.”
  • When the track coach tells the track team they will be practicing inside due to the cold weather, Curtis complains, “Only wusses run indoors.”

Supernatural

  • None

Spiritual Content

  • Caleb keeps talking to Leo even though it’s late, and Leo “wished to God my older brother would stop talking nonsense and just close his eyes and go back to sleep.”
  • Caleb frequently asks Leo riddles that only make sense to himself. Caleb asks Leo what kind of car God drives and when Leo can’t answer, Caleb shouts, “God drive brown Thunderbird Ford!”
  • Every night, Caleb tells Leo, “Good night, Leo. God love you.” Leo wonders what Caleb means. “Did God love me, or him?”
  • After planting a nickel in a bully’s sandwich, Leo feels a hand touch his shoulder. He is scared, but turns around to see it’s a girl. He thinks, “Thank God.”
  • After going for a run, Leo finds Caleb sitting in the grass. Caleb “smiled and laughed as he talked about God and the Thunderbird Ford.”
  • Leo takes Caleb to the pool. In the car ride, Leo “spent the twenty-minute drive listening to Caleb laugh and chatter away about God and rocky road ice cream.”
  • Leo’s mom asks if Leo wants fish sticks or cheese pizza for dinner. He explains, “Our family abandoned the church a couple of years ago, but Mom still harbored some residual Catholic guilt and clung to a few traditions like no meat on Fridays.”
  • Leo invites Curtis over for dinner. Caleb insists they pray before eating dinner. In response, Leo whispers, “Amen!” to himself, and Curtis mouths, “Jesus!”
  • Caleb prays “his unique version” of grace: “Blessed our Lord, for these our gifts, about to receive, from my bounty, through Christ our Lord. Amen.”
  • After Caleb attacks Leo, Caleb asks him, “God not punish you?” and, “Jesus love you?” Leo answers no, God will not punish him, and yes, Jesus loves him.
  • Every time Caleb attacks Leo, he asks, “God not punish you, Leo?” Leo wonders what Caleb means and assumes when Caleb says “you,” Caleb means himself. Leo thinks, “‘For some reason he seemed to have a fear of God – even after we stopped attending church. How did someone like Caleb, who often struggled to understand the world around him, become so concerned about God—some abstract, invisible force that we barely mentioned in this house?” Every time, Leo assures Caleb God will not punish him.
  • Caleb’s dad threatens Caleb with committing him to the hospital after finding out Caleb has been attacking Leo at night. His dad gets frustrated and screams, “Jesus!” Caleb yells, “Make God angry!” His dad responds, “You’re making God and me freakin’ angry,” and Caleb apologizes, “Sorry God!”
  • Leo overdid it during track practice. “I spent the next two minutes bent over, clutching my knees, praying I wouldn’t throw up lunch.”
  • While Leo and his mom wait for Caleb in the emergency room, Leo thinks, “I couldn’t tell if her lips were trembling or if she was mumbling prayers.”
  • When Leo and Mary talk on the phone, there is a long silence that is finally broken by Mary. Leo thinks, “Thank God she was the one who finally spoke.”
  • Mary and Leo go to the movie theater but can’t find a parking spot until “the parking gods made a spot miraculously appear right in front of the theater.”
  • During a date, Leo wonders, “how in God’s name I’d scored a date with this girl.”
  • When they arrive at a party, Curtis tells Leo they are not drinking because they have a race coming up. Leo replies, “As you said, we shall treat our bodies as holy temples, Curtis, until our mission is completed next Saturday.”
  • During a race, Leo hopes he will have enough energy to overtake the lead runner. “I opened my stride on the downhill, breathed deeply, and said a quick prayer that I would have enough strength for when it was time to do the real work.”
  • While driving, Mary asks Leo for his life story. Leo thinks, “May the traffic gods be with me.” He hopes they’ll arrive at their destination soon because he doesn’t want to tell her about his life.
  • Leo asks Curtis why he runs, and Curtis responds, “I run to keep my demons at bay.”
  • Before Caleb participates in the Special Olympics race, he tells Leo, “Poke Leo’s eyeballs out middle of the night!” Leo says to not talk about that right now. Caleb says, “Sorry, Leo! What sorry mean?” Leo responds, “Sorry means God not punish you.”
  • When Caleb requests Long John Silver’s for dinner, his dad tells Leo, “Start praying that damn restaurant is still open.” Leo “starts praying.”
  • Mary asks Leo why Caleb makes little piles of grass in their yard. Leo jokes, “Our family belongs to a pagan cult that worships the moles that reside in the underworld. Our winter-solstice ceremony is fast approaching. Caleb has been commissioned by the high priest to create the burial mounds where we will make sacrifices.”
  • Caleb drowns in a swimming pool. Leo’s mom starts to say, “You know, Niles, I was the one who said-” Leo’s dad assumes she is starting to say it’s his fault Caleb drowned, and he explodes: “Oh no, Elise. You think I haven’t thought about letting him go swimming by himself? I hope to God you’re-” He is interrupted by Leo telling his parents to pull themselves together.
  • Leo approaches Caleb in his casket. He whispers to him, “Peace, brother. God love you.”
  • After seeing Caleb in the casket, Leo sobs. He composes himself and “stared blankly at a picture of Christ with his arms raised, thinking about all the times I had assured Caleb that God loved him.”
  • Curtis asks Leo why Caleb’s funeral is open-casket, and Leo says, “I think it’s a Catholic thing.”
  • Leo’s grandfather tells him he’s going to teach him how to play cards. Leo’s grandmother disapproves, saying, “For the love of God, let go of the past, Bernard.”

by Jill Johnson

Back on Track

Addison loves to run – she may even be the fastest runner in sixth grade. Unfortunately, she has no way of knowing because her mom won’t let her join the track team. Addison has to babysit her little brother, Charlie, every day after school while her mom works. When Addison’s PE coach specifically asks her to join the team, she and her best friend Sofia devise a plan. Addison secretly joins the track team and finally gets to pursue her passion.

The lies pile up though, and Addison can’t help feeling guilty. Finally, after lying about going to Sofia’s house when she really is going to a track meet, Addison gets caught. Although her mom ultimately decides Addison can stay on the track team, Addison is still punished for lying and has to make sacrifices, including waking up earlier for school.

Addison is a typical, likable twelve-year-old. She doesn’t always think through her decisions, like when she feeds Charlie ice cream for dinner and he ends up getting sick. She isn’t bitter about having to babysit Charlie. She appreciates how hard her mom works and doesn’t ask for new track shoes because she knows they can’t afford them. But every now and then, Addison wants the opportunity to be able to be a carefree sixth grader.

Back on Track is part of the Jake Maddox JV Girls series, a series of standalone sports books. Back on Track has a simple plot, short chapters, easy vocabulary, and a relatable main character. It is good for reluctant readers. At the back of the book, there is a glossary, discussion questions, writing prompts, and tidbits about track and field. Readers, especially those who run track, will enjoy reading the descriptive race scenes and easily relate to Addison’s passion for running. Although Addison is well-developed, none of the secondary characters have depth.

While Back on Track is a sports book, the story focuses more on the importance of honesty and sacrifice. The story focuses on Addison’s inner battle over whether she should tell her mom she joined the track team. Even though Addison ends up getting what she wants, she still appreciates the sacrifices her mom and Charlie make for her. Now that they are in the stands cheering for her, Addison enjoys the track meets more. She expresses this in her thoughts during her final race: “[Addison’s] family had made big changes just so she could run. She wanted to make them proud.”

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

by Jill Johnson

Sergeant Stubby: Hero Pup of World War I

Stubby, a stray bull terrier from Connecticut, isn’t going to let anyone separate him from his human, Bob—not even a war. Determined to stay with Bob, Stubby sneaks onto the ship that is taking American troops to France. Soon Stubby and Bob are whisked off to the front lines of World War I. Stubby does his best to keep up the men’s spirits, and he can also warn the men when danger is approaching. He ends up saving the G.I.s from poisonous gas attacks and a German spy. Eventually, Stubby is promoted to the rank of Sergeant! Through it all, Stubby stays close to Bob as he makes his way across Europe, fighting to defeat the enemy.

Based on a true story, Hero Pup of World War I is told from Stubby’s point of view. Stubby is determined to help the soldiers as they go to battle. Through Stubby’s eyes, the readers will learn about the daily life of a soldier. Not only were the soldiers in constant threat, but they also had to deal with rats and lice. The story tells about life in the trenches as well as the military hospital. Although the story doesn’t go into gory detail about the soldiers’ deaths, Stubby does see the loss of human life and wishes he could do more to help the injured and dead.

Because the story is told from Stubby’s point of view, the human’s personalities do not come to life. Despite this, Hero Pup of World War I will introduce younger readers to World War I. The end of the book has pictures of Stubby and Bob as well as information about what started World War I. The end of the book also has a shortlist of other books for any reader who wants to learn more about animals in the military.

Although Hero Pup of World War I is the second book in the G.I. Dogs Series, the books do not need to be read in order because each book focuses on a different dog’s experiences. Hero Pup of World War I uses kid-friendly language to show the bravery and the hardships that G.I.s faced on the front line. Stubby is a likable character, who truly cares about the troops. His extraordinary life will inspire readers. Stubby says, “If a stray dog from the back alleys of New Haven, Connecticut can help win a world war and shake hands with the president, then anything is possible.”

Sexual Content

  • None

Violence

  • When a German spy comes into the U.S. camp, Stubby barks at him. The spy begins to run, and Stubby follows. “With one last bark, I leaped and planted my teeth in his backside, getting a mouthful of gray serge material. The German was face down in the mud, struggling to get free. I kept my jaws clamped shut. . .Three American G.I.s ran up to us, and I knew it was safe to let go.”
  • The G.I.s made Stubby a gas mask, but it didn’t fit correctly. “In March, we experienced our first poison gas attack. I smelled something strange—something I had never smelled before. . . Bob and I didn’t get our masks on in time. Hours later, when the shelling finally stopped, my eyes still burned and it was hard to breathe.”
  • One morning, the Germans sent storm troopers to rush the American’s front line. “The storm troopers overran the first trench and then advanced to the next. All the American soldiers joined the battle . . . Even the company cook jumped into the trenches and started swinging his meat cleaver at the German soldiers!” Some men were killed, and others were taken prisoners. Stubby is close to an explosive when it goes off. “A piece of fiery metal hit me in the chest. It hurt so much that I couldn’t move. All I could do is howl.” Stubby is taken to the hospital and recovers.
  • During a battle, Stubby tries to find wounded soldiers. When he finds one, he barks until a medic comes. He finds Smitty and “at first look, I thought he might already be gone, but when I licked his cheek, his eyes fluttered and he focused on me just for a second. . . I ignored the blood and snuggled up next to him. . . One tear slipped down his cheek. And then he was gone.”
  • The French and American troops attack the Germans. “There were shells landing, bullets flying and men screaming.” The troops freed a town of Germans.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Notorious

Keenan has lived all over the world, but nowhere quite as strange as Centerlight Island, which is split between the United States and Canada. The only thing weirder than Centerlight itself is his neighbor Zarabeth, a.k.a. ZeeBee. ZeeBee is obsessed with the island’s history as a Prohibition-era smuggling route. She’s also convinced that her beloved dog, Barney, was murdered—something Keenan finds pretty hard to believe.

Just about everyone on Centerlight is a suspect because everyone hated Barney, a huge dog—part mastiff, part rottweiler—notorious for terrorizing the community. Accompanied by a mild-mannered new dog who is practically Barney’s opposite, ZeeBee enlists Keenan’s help to solve the mystery.

As Keenan and ZeeBee start to unravel the clues, they uncover a shocking conspiracy that dates back to Centerlight’s gangster past. The good news is that Keenan may have found the best friend he’s ever had. The bad news is that the stakes are sky-high. And now someone is after them…

Centerlight’s history is full of gangster lore and hidden treasure legends that Zeebee is excited to share with her new friend Keenan. Middle grade readers will relate to both characters because they are interesting, flawed, and struggle with typical teenage problems. Most of the chapters alternate between ZeeBee’s and Keenan’s points of view. However, some of the chapters are told from other characters’ points of view, which makes it necessary to read the chapter titles. The changing points of view and the large cast of characters may confuse some readers.

Notorious blends mystery, adventure, and suspense into a story that is hard to put down. The story contains just enough gangster lore and teenage drama to hook the reader. Keenan thinks that ZeeBee’s stories are exaggerated, while some of the local kids think that ZeeBee is crazy. ZeeBee struggles with the fact that even though she’s always lived on Centerlight, she doesn’t feel as if she belongs. All of these conflicting plots are interconnected and form a fabulously fun tale that contains many surprises.

Sexual Content

  • None

Violence

  • ZeeBee is obsessed with the town’s prohibition past. When she gives Keenan a tour of the island, she takes him to a cliff. ZeeBee says, “They call it Ripley’s Point because that’s where the gangster Meyer Lansky dumped Reuben Ripley’s body when they caught him helping himself to some of the booze shipments to sell for his own life… You used to be able to see a red stain on that sharp pointed one [rock], but it’s faded over the years.”
  • ZeeBee tells Keenan about a fourth of July when “this crew out of Detroit” was trying to “muscle in on Capone’s business here in Centerlight… Capone’s guys tossed a lit match into the fireworks… There was a lot of noise, so nobody noticed a few extra booms, pops, and bangs in there. But when it was all over, the entire Detroit crew was scattered around the park, dead.”
  • ZeeBee and Keenan are out in the forest at night when two men approach them. ZeeBee’s dog Barney “leaps on the bewildered giant, burying his teeth in the already scarred forearm.” The two men threaten the kids, and Keenan twirls “around into the familiar tae kwon do stance, and my leg launches out into the kick I haven’t been able to execute since I got sick. My whole body tenses… Whack! The sole of my sneaker smacks into the heavy piece of gold, ramming it into the side of Bryce’s head… Bryce’s eyes roll back and he crumples, unconscious, in the dirt.” Keenan injures his foot. The police show up and arrest the bad guys.

 Drugs and Alcohol

  • Keenan finds dead animals in the forest. “There must be twenty-five or thirty of them—all small animals. This is a graveyard.” Keenan thinks the animals ate poisoned meat.
  • The local fro-yo shop makes rum raisin frozen yogurt.

Language

  • There is some name-calling, such as jerk, idiot, and moron. For example, ZeeBee gets upset when Keenan begins hanging out with some boys from school. She tells him, “You’re worse than Ronnie and those idiots! They’re just brainless. You’re a sleaze!”
  • When Keenan goes to visit an elderly man, ZeeBee wonders, “So why is Keenan visiting this jackass?”
  • ZeeBee is upset that Keenan went to a party. The kids broke into a lighthouse, and ZeeBee’s father went to break it up. ZeeBee thinks, “But Dad wouldn’t be much of a border officer if he didn’t have the brains to reconstruct a crime scene. He passed every single one of those boneheads as they biked away from the lighthouse.”
  • Keenan goes to talk to his friend’s father. Later, the father tells his son, “I don’t have time to waste on some twelve-year-old nutjob.”

Supernatural

  • None

 

Spiritual Content

  • None

The Sorcerer of the North

Will is finally a full-fledged Ranger, who has his own fief to look after. Will is just getting used to the sleepy fief when he is called away on a secret mission. Lord Syron, who is a master of a castle far in the north, is struck down by a mysterious illness. Some believe that Lord Syron has been struck down by an ancient enemy who is using dark magic. One thing is known for sure: many do not respect Lord Syron’s son, Orman. Will Orman be able to guide the fief during his father’s illness?

As Will is trying to determine who is loyal to Lord Syron, Alyss shows up disguised as a noblewoman. The two hope to discover who is to blame for Lord Syron’s illness. As Will battles growing hysteria, traitors, and most of all, time, Alyss is taken hostage and Will is forced to make a desperate choice between his mission and his friend.

The Sorcerer of the North has a slow start as Will travels to his new fief. Unfortunately, Will is called away almost immediately. During the first part of the book, Halt, Alyss, and several other known characters make a short appearance. Even though their appearance sets up the book’s conflict, the action is slow. Readers who have read the previous Ranger’s Apprentice books will continue reading because they are familiar with Will and the other characters; however, those who have not read the previous books in the series will not want to start with this one.

In The Sorcerer of the North, Will spends too much time traveling to meet different people in attempt to learn about Lord Syron’s kingdom. Instead of being interesting, the reader may quickly become bored. Once Will travels to Syron’s castle, he still spends much of his time collecting information. It isn’t until the end of the book that the action picks up, ending in a cliffhanger that will lead readers to pick up the next book in the series, The Siege of Macindaw.

Even though The Sorcerer of the North isn’t as entertaining as the previous books, readers will enjoy seeing Will become more confident as a Ranger. As Will investigates Lord Syron’s fief, he learns that things are not always what they seem. However, the story has few surprises, too little action, and an easily solved mystery. In addition, readers will miss Halt, Horace, and Evenlyn, who were prominently featured in the previous books. Despite this, readers will want to continue to read The Sorcerer of the North because they know that Will’s next exciting adventure is just around the corner.

Sexual Content

  • Will is happy to see Alyss, who “sensed his need for warmth and feminine company and affection and had been more than glad to supply all three. It hadn’t progressed past some tentative embraces and kisses in the moonlight. . .”
  • As Alyss leaves Will’s house, “she leaned forward and her lips touched his—light as butterfly wings and amazingly soft to the touch. They remained so for many seconds, then Alyss finally stepped back.”

Violence

  • Will catches a man spying on him. When the man tries to sneak into Will’s house, “Will moved quickly, grabbing the man by the wrist with his right hand and pivoting to jerk him forward into the room. At the same time, he let the pivot movement throw his left leg across the doorway as a barrier, so the outsider was jerked forward and tripped over the outstretched leg. . .” The man recovers and aims a war spear at Will, “the razor-sharp head weaving slightly as if to mesmerize his enemy.”
  • When the spy, Buttle, sneaks into Will’s house, Alyss tries to help by pointing a dagger toward the man. “Buttle swung instantly toward her, dropping into a defensive crouch, the spear ready to thrust. . . ” Will cuts the tip off of Buttle’s spear. Then, Will “brought the brass pommel of the saxe thudding into his temple.” Buttle is knocked unconscious and sold into slavery.
  • As Will and two other men try to leave the castle, guards shoot at them. “Will saw movement on the battlements ahead of them, and heard a crossbow bolt strike, skidding, on the stones in front of Tug. Without conscious thought, seemingly without aiming, he shot again and a figure tumbled from the parapet into the courtyard, his crossbow clattering on the stones beside him.” The men were able to escape.
  • When men follow Will out of the castle, Will shoots an arrow at one of them. “Instead of striking home into Buttle’s upper body, it came out of nowhere and slammed into his thigh, tearing through the fleshy part of the leg and pinning it to the hard leather of the saddle.”
  • Will tries to get Alyss out of the castle, but he is unable to. When he flees the castle, a sergeant recognizes Will and “lunged clumsily with the halbert. Will’s saxe knife was in his hand and he deflected the heavy ax head to one side. Grabbing the sergeant’s arm, turning and crouching in one movement, he threw him over his shoulder to the flagstone of the courtyard. The sergeant’s head slammed into the hard stone. His helmet rolled on one side and he lay stunned.”

Drugs and Alcohol

  • Will asks a stranger about an injured dog. The man replies, “John Buttle has a shepherd like that one. And he’d be the kind to injure a dog and leave it that way. Has a nasty temper, John does, particularly when he’s in the drink.”
  • The Scandians needed to raid a fief in order to get supplies, including wine.
  • Will invites the Scandians to a feast. He tells a man, “But don’t try to match them drink for drink. You’ll never manage it.”
  • Will goes into a tavern where the patrons were “tapping their wine mugs on the table” and singing along with a song. One of the songs is about a “drunken witch,” and another song talks about “the drunken king of Angledart.”
  • Will goes into the barracks rooms because he knew “nothing lessened men’s tongues like an evening of music and wine.” He gives the men “a large flagon of apple brandy to help the night along.”
  • Someone poisons Orman. Later, Will finds out the poison was “a particularly nasty toxin called corocore. It’s very obscure—not listed in any of the major texts on herbs and poisons. It takes about a week to take effect, so it was probably slipped into Orman’s food or drink sometime in the last ten days.”
  • Alyss, disguised as a noblewoman, asks for someone to bring her and her guest “the good Gallic white” wine.

Language

  • A man talks about his injured dog. He says, “little bitch tried to bite me so I taught her.”
  • Damn is used occasionally. For example, Will tells a Scandian that a man “made a damn nuisance of himself around here. . .”
  • “My God” is used as an exclamation twice. For example, when someone shows Will a weapon, Will says, “My God.”
  • “Oh God” is used as an exclamation three times. “Good God” is used as an exclamation once.
  • Alyss is working undercover as Lady Gwendolyn. She tells Will, “Now we can talk, while any eavesdroppers will hear the jongleur serenading that stuck-up twit, Lady Gwendolyn.”
  • Hell is used once. Will says, “Then we ride like hell for the gate.”
  • Someone calls a guard an idiot.

Supernatural

  • While in a forest at night, Will sees an apparition. “. . . A giant figure loomed out of the mist, towering high above the mere, seemingly to rise from the black water itself. One moment there was nothing. Then, in the blink of an eye, the figure was there, fully formed. . . This was no mortal figure he knew. This was something from the other side, from the dark world of sorcery and spells.” When the apparition tells Will to leave, Will quickly exits the forest.
  • Alyss is hypnotized.

Spiritual Content

  • As he was walking across the courtyard, Will “Breathed a silent prayer that they wouldn’t encounter Buttle on his way out.”
  • Will’s dog approaches a man. When the man begins petting the dog, Will’s friend says, “Thank God you didn’t shoot him.”

Fairest of All

Once upon a time, a mirror slurped up Abby and her brother Johan. When Abby and Johan are magically transported into the fairy tale world, they don’t mean to change Snow White’s happily-ever-after. Because of them, Snow doesn’t eat the poisonous apple. Snow doesn’t meet the prince. Abby is determined to fix Snow’s story; she’s just not sure how to make the prince meet and fall in love with Snow.

Abby and Johan are complete opposites, which adds humor to the story. Abby needs a plan for everything and constantly tries to curb Johan’s adventurous spirit. The one thing that remains constant is their desire to help Snow. Unlike the original fairy tale, in this story Snow White’s personality is multifaceted. She proves that a girl doesn’t need a prince in order to live happily ever after. Instead of following the traditional plot, Fairest of All takes the reader down a winding path where danger is behind every corner.

Fairest of All is an imaginative retelling of Snow White’s fairy tale. Told from Abby’s point of view, the story’s start is slow, but once the siblings show up at the dwarves’ cottage, the action picks up. With short chapters, easy vocabulary, and an interesting narrator, Fairest of All will appeal to a wide range of readers. The story leaves several questions unanswered, which will have readers reaching for the next book in the series, If the Shoe Fits. More advanced readers should add The Secret Rescuers series by Paula Harrison to their reading list.

Sexual Content

  • None

Violence

  • Evil Evelyn tries to give Snow a poisoned apple. While arguing with Snow, Evelyn begins to sweat, and “makeup starts to smear down her face,” which allows Snow to recognize her stepmother. Johan retells the story, “Snow’s stepmom was trying to kill her with a poisoned apple, and that’s why she was wearing a disguise.”
  • Snow explains how she came to live with the dwarves. Snow’s stepmom “sends Xavier, her huntsmen, to kill me. He let me get away, but then I got lost in the forest… I came across the cottage… So I fell asleep on an empty bed, and the next thing I knew, there were seven little people staring at me.”
  • Johan tells Snow that the huntsman “told the queen that he had done it. And I think he gave her the lungs and liver of some animal, pretending it was you.” This comes up several times throughout the book.
  • Evil Evelyn tried to kill Snow using laces. The stepmother “tied them so tight Snow couldn’t breathe. We [the dwarves] came home and found Snow lying on the floor. We untied them just in time.”
  • When Prince Trevor was two, he threw a rock at a stranger.
  • Disguised as a child, Evil Evelyn offers to give Snow a cookie. Snow takes the cookie and her stepmother was “lifting the hammer and swinging it toward Snow’s head.” Abby sees the hammer and she “jumps towards Snow and push her out of the way… At the same time, the young girl’s hammer swings through the air and misses its target.” Evil Evelyn flees.
  • Snow, Johan, and Abby sneak into the castle. If they are caught, Snow says Evil Evelyn will kill them. Then Johan askes, “Do you think she’d eat our lungs and livers too?”
  • In order to try to “fix” Snow’s story, Snow pretends to be dead. As she lays in the coffin, she puts her head on a poisoned pillow. Snow screams. “Snow pops up, the tips of her hair burnt off like she stood too close to a fire.” To get the poison out of Snow’s hair, Abby dumps water on her head.
  • In order to get into the castle, Snow, Abby, and Johan swim the moat. Two crocodiles snap at the three friends. “Baby Crocodile blocks our path from behind and snaps her baby teeth… Mama Crocodile lunges again.” Johan throws stew sandwiches at the crocodile, who gobble them up. The three are able to escape.
  • Snow, Johan, and Abby try to leave the castle. They are on the drawbridge when soldiers appear. Evil Evelyn “aims a bowstring at Snow and pulls the trigger… In what seems like slow motion, he [Prince Trevor] jumps in front of Snow.” Trevor is injured, but Snow is saved.
  • The arrow hit Prince Trevor “square in the chest… Prince Trevor is still standing, but he’s shaking. After a few dramatic moments, his knees buckle, and he falls right over the bridge and into the water. Splash!”
  • Snow is able to drag Prince Trevor to shore. Trevor wakes up and says, “You kissed me. I was dead, and your kiss woke me up.” Snow explains that she didn’t kiss Trevor, but that “it was mouth-to-mouth resuscitation.” The escape scene is described over 10 pages.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Jonah and Abby travel through a mirror and end up in Snow White’s fairy tale. When Jonah knocks on the mirror three times, the mirror sucks Jonah and Abby into it.
  • Time in the real world travels slower than in Snow White’s world. Every hour in the real world equals one day in Snow’s world.

Spiritual Content

  • None

Spy School #1

Ben Ripley’s just a normal, average middle schooler until he finds a man in a tuxedo sitting on his living room couch. Recruited by the CIA and sent to their secretive training school, Ben finally has a chance at his dream job: secret agent! Unfortunately for him, his innate math skills won’t help while he’s battling ninjas, fighting off assassins, dodging insane professors, or just trying not to die on the first day of class.

With all the crazy combat and intense classes, Ben starts to miss his normal life and regrets accepting the spy school’s invitation. After learning the CIA is using him to discover an evil mole within their organization, Ben has an opportunity to prove to everyone that he’s capable of saving the day. Joining forces with Erica Hale, the top spy in the school, the duo hunts down the nefarious double-agent under the CIA’s nose. After cracking codes, stealing secrets, and dodging bullets, Ben and Erica realize the mole is closer than they think! Will Ben and Erica stop the mole before their master plan is complete?

Spy School is a non-stop spy thrill ride. From car chases in Washington to killer ninjas in math class to fighting off an assassin with a tennis racket in his underwear, it seems Ben Ripley never gets a break at his new school. However, with the intense, heart-pounding action sequences, Gibbs manages to keep the action appropriate for young readers.

Although Ben Ripley isn’t a super spy, middle school readers will relate to his insecurities and desire to fit in. Ben moves to a new school and has trouble making friends because both bullies and teachers pick on him. The administration uses him to find a flaw in their organization, and no one thinks he can succeed. As the story progresses, readers root for Ben as he fights off bad guys, makes friends, and grows confident in his spy abilities.

Fans of espionage thrillers will enjoy Spy School with its fast-paced action, witty jokes, and plot twists. The story of friendship, self-determination, and self-belief will entertain readers as it teaches positive lessons. Readers will learn the importance of being themselves and that everyone has value. With its tame violence and mild language, the Spy School series is a good precursor for other espionage series, like The Theodore Boone series and The Gallagher Girls series. Altogether, Spy School is an engaging story for readers that will keep them on the edge of their seats with its intense action scenes and surprise ending.

Sexual Content

  • Ben has a crush on Erica. When they first met, Erica tackles Ben to the ground and Ben thinks to himself, “The girl sitting on my chest appeared to be a few years older than me, fourteen or fifteen, with thick dark hair and incredibly blue eyes… She even smelled incredible, an intoxicating combination of lilacs and gunpowder.” However, Erica is often cold to Ben, and there is no “romance” in the story.

Violence

  • When Alexander Hale and Ben arrive at Spy School, Alexander knows something is wrong. The campus was quiet when it “ought to be crawling with people right now.” Ben gets out of the car and runs as “something crackled in the distance. A tiny explosion erupted in the snow to my left. Someone was shooting at me!” Alexander shoots back as Ben reaches the dormitory door. Ben runs into the dormitory area and “something suddenly swept my feet out from under me. I landed flat on my back. A split second later someone dropped on me, sheathed entirely in black except for the eyes. Each knee pinioned one of my arms to the ground.”
  • During the fight, Ben meets his attacker, Erica Hale. Erica is a fellow student who hands him a taser and commands him to follow her as they head to the Nathan Hale Administration Building. As they head up the stairs, Erica notices two enemy agents, so she commands Ben to cut through the library and make it to the principal’s office. Erica attacks them and Ben runs into the library as “gunfire raked the carpet behind me and splintered the doorjamb as I lunged for safety.” Ben heads up a spiral staircase and “a bullet pinged off the banister just as I reached the third floor.”
  • Ben notices a black-clad man clutching a machine gun darting toward his staircase. Ben grabs a book from one of the shelves and drops it from the railing. “From below came the distinct thud of book colliding with a skull, followed by the grunt of the assassin collapsing.” As enemy agents start to surround him, Ben quickly finds the principal’s door. Ben throws himself against the locked door. Ben “flipped on my taser and jammed it into the keypad. The tiny screen flickered as I shocked the system. Then the electricity overloaded, and every light in the hall blew out, plunging me into darkness.” Ben makes it into the principal’s office where Alexander Hale, Erica, and the principal inform him he just failed the first test of Spy School. This scene takes place over 15 pages.
  • After talking in Professor Crandall’s Introduction to Self-Preservation class, Professor Crandall tests Ben’s knowledge with a pop quiz. Crandall opens a door by the podium and three ninjas vault through. They are clad in black from head to toe and armed to the teeth. As Ben tries to escape through the back door, “a throwing star embedded in the door. I spun to find the ninjas creeping slowly up the steps. The one in front spun a pair of razor-sharp sai knives. The other two twirled nunchucks.” As Ben runs away, he hears something whistling through the air behind him. Ben “turned to find a nunchuck quickly closing the gap between the ninja who’d thrown it and my forehead. This was followed by an absolutely incredible amount of pain.” Ben is knocked unconscious. This scene takes place over two pages.
  • During the school’s annual war game, Ben is chased by an attacker he recognized from Chemistry 102: Poisons and Explosives. Ben jumps down a snowy slope head first as “a paintball whistled past my ear and splattered a rock.” Ben lands on rocks below, feet first, as his attacker levels a gun. All of a sudden, “a red paintball nailed her in the helmet, splattering all over her faceguard.” Zoe, one of Ben’s friends and teammates, shoots the attacker in the head.
  • Then, Ben and Warren decide to attack the other team’s flag on the other side of campus. There’s only one problem, the enemy team has Bullseye Bailey, the best sniper “rumored to be able to decapitate a flea with a bullet from a mile away.” As Warren distracts Bailey, Ben becomes distracted, and Warren ends up covered in blue paint. “As this happened, something burst out of the snow on our side of the mill, away from the action. It took me a moment to realize it was a person. Someone who’d somehow dug through the snow to within mere feet of the guards without them noticing.” Erica appears from out of the snow and captures the flag before anyone realizes what has happened.
  • As Ben is held in the school’s security room, he watches as Alexander and a team of agents surround the enemy on campus. “Video images were now coming up faster and faster as the agents tried to track everything that was happening on the surface at once. I caught glimpses of the enemy hurtling past cameras in the woods, teams of CIA agents en route to the dormitory.” The agents attack the enemy and “a dozen nets were launched at once. Four hit their target, while two took out agents who got caught in the crossfire. The enemy went down in a heap, tangled in nets, then rolled over to find fifty agents converging on him with guns raised.” However, the enemy turned out to be Mike Brezinski, Ben’s best friend. At that moment, “an explosion blew the steel door off its hinges behind me… Sedation darts took out the agents at the monitors before they could even reach for their guns.” Another dart nailed Ben in the shoulder. This scene takes place over four pages.
  • Murray tries to escape the school, but Ben orders Murray to stop or he will shoot him with his M16. “Murray froze and turned around, allowing me to see he also had a gun in his hand. He aimed right back at me.” Murray opens fire and the first bullets hit a tree two feet to Ben’s right. Ben returns fire, hitting the roof of the Hale Building. “The ice on the steep peaked roof had frozen into a crust several inches thick. Both my bullets pounded into it, sparkling a network of fractures. A few small glaciers calved free and rocketed off the roof, knocking a dozen massive icicles loose from the eaves en route.” Ice flattened Murray, who is arrested. This scene takes place over two pages.

Drugs and Alcohol

  • None

Language

  • Ben calls Chip a jerk. Erica says, “Jerks hang you up from the flagpole by your underwear. They don’t blow up schools.”
  • Ass is used one time. Ben tries to break into the principal’s office by slamming himself against the door. However, “It was locked. I bounced off it and landed on my ass in the hall.”
  • Ben tells Erica how someone tried to coerce him into hacking the school’s mainframe. Erica says, “And thus would’ve kept his hands clean. Doing something stupid isn’t so stupid if you can get someone else to do it for you.”
  • In an attempt to save his own life after an assassin sneaks into his room, Ben tries to ramble on about how to break into the CIA’s mainframe. The assassin detects Ben’s lies and says, “I’m not an idiot. And I’ve run out of patience. Don’t say I didn’t warn you.”
  • Chip doesn’t believe Ben took on an assassin all by himself and says, “He’s a dork. If that had been a real assassin, he’d be dead.”
  • During Chip and Ben’s fistfight after the war game, “dozens of students and faculty had just returned from the war game only to find us writhing about on the floor like a couple of idiots.”

Supernatural

  • None

Spiritual Content

  • None

by Matthew Perkey

Ida B: and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World

Ida B doesn’t like change. Every day, she has the same thing for breakfast: oats with raisins. Every day, she has the same thing for lunch: peanut butter on one slice of bread, milk, and an apple. Ida B also wants to spend “every day with her Mama and Daddy, Rufus and Lulu, the trees and the mountains and the snakes and the birds. All day, every day.”

When Ida B goes to kindergarten, she quickly changes from an inquisitive girl to a quiet, sullen one. Her parents decide to homeschool Ida B. Ida B is happy to spend every day with her parents. When the trees tell Ida B that trouble is coming, Ida B doesn’t think anything will really happen. When Mama gets cancer, Ida B is forced to return to school. Ida B feels betrayed and hardens her heart; she doesn’t want to ever be hurt again.

Instead of making friends at school, Ida B keeps her classmates away with glares. She refuses to talk to her parents, and she no longer goes to visit the trees. Ida B is determined to “stand there with my mouth closed tight, my lips zipped, glued, and stapled together to keep the angry words that were banging to get out…” The only bright spot in Ida B’s world is her teacher Mrs. W, who quietly encourages Ida B to share her feelings.

Ida B chronicles one girl’s struggle to deal with the changes that come with her mother’s cancer. Since Ida B is written from Ida B’s point of view, the reader will be able to understand her hurt and confusion. Ida B’s feelings are explained in ways that younger readers will understand. However, some readers may have difficulty understanding Ida B’s ability to talk to nature. Readers may also struggle with the story’s difficult vocabulary, such as forbearance, engulfing, dismemberment, and foe.

At the end of the story, Ida B learns the importance of apologizing and sharing her feelings with others. The story doesn’t end with a cheerful conclusion where every problem is solved. Instead, Ida B eventually shares her feelings, which lightens her burden. Even though Ida B teaches positive lessons, readers who love adventure and fantasy books may quickly become bored with Ida B’s story because it focuses on feelings rather than actions. However, anyone who has been faced with a difficult situation will relate to Ida B. Because much of the book revolves around Ida B thinking about her feelings and talking to nature, young readers may have a difficult time finishing the book. If you’re looking for realistic fiction that teaches life lessons, you may want to try Wish by Barbara O’Connor instead of Ida B.

 Sexual Content

  • None

Violence

  • Ida B angrily kicks a tree. “…I kicked its trunk as hard as I could so my foot ached something fierce, but I didn’t even whimper.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • When Ida B learns that her father is selling part of the orchard, “the only thing I cared about was putting together a plan to save me and my valley. But for all my wishing and hoping and sending out ten different kinds of prayers for a good one, not a single decent plan came out of me.”

Spin

Spin centers around the murder of Paris Secord, an up-and-coming musician whose stage name was DJ ParSec. After finding fame and fortune on SoundCloud and YouTube, Paris begins to clash with some of the friends who helped her on her way to the top. When Paris is found dead on top of her signature turntables, her childhood best friend Kya and social media guru Fatimah (“Fuse”) find themselves suspects in the investigation. To clear their name, they set out to solve the murder themselves.

Kya and Fuse are the two main narrators of the story, which switches between their first-person perspectives. As Kya and Fuse delve deeper into Paris’s past, they must come to terms with the bitter fallings-out they had with Paris before she died. While Kya and Fuse start as enemies, they soon bond in their shared efforts to bring justice to Paris. As they investigate, the two encounter a conspiracy involving crazed fans who will do anything to prove themselves loyal members of the ParSec Nation. As Kya and Fuse unravel the mystery, some chapters flash back to Paris’s perspective, which reveals crucial details and reveals how she coped with fame.

 Spin is a fast-paced mystery that introduces readers to music industry concepts, such as ill-intentioned managers and nosy journalists. The story honestly portrays contemporary music culture and rabid fandom. While some of this portrayal comes across as well-researched and genuine, other parts feel forced. Readers might find the narrative’s dialects and buzzwords unnatural. For example, the book often shows tweets from rabid fans, but the style and syntax of the tweets is disingenuous and awkward.

Spin succeeds in its earnest portrayal of class tensions. Kya, Fuse, and Paris all must deal with their families’ financial situations and how their circumstances have shaped their worldviews. For example, Paris set up a bank account for her newfound wealth while trying to keep her grandmother from being evicted. “I learned quickly,” Paris says, “that black-folks rich and rich-rich aren’t the same thing.”

Spin delivers no central lesson about racial injustice. However, Spin is a diverse story set across a backdrop that shows readers how black music and culture evolve. From seeing Paris in the studio to seeing her fans’ blogs and bedrooms, readers will get a close-up look of how people of color influence and lead in the music scene. Readers will also see the anxieties Kya and Fuse experience while dealing with the police, because they are wary that, as people of color, they may become victims of police brutality.

Overall, Spin feels fairly one-dimensional, and readers may guess the ending before the murderer is revealed. The story is strongest in its theme of friendship, and readers will enjoy seeing Kya and Fuse bond as they begin to heal from Paris’s death. Equally important is the way art and culture bring people together, even as fame pushes artists to their breaking points.

Sexual Content

  • An internet troll asks Fuse, “If I hooked jumper cables to a car battery and clamped them onto your fingers and toes…would you blow?”
  • In a flashback, Paris narrates how she meets her boyfriend Shameik, who was “a CUTE-cute boy from my grade. Suddenly him invading my personal space wasn’t such a big deal.”
  • Paris’s boyfriend Shameik “kissed my neck again. It tickled, but I didn’t giggle because I liked acting as if those kisses didn’t affect me so he’d keep trying.”
  • Shameik and Fuse kissed once. It isn’t a big deal to Paris and is never described in detail, but the kiss keeps being brought up.
  • A character says, “If you made me leave so [Shameik and Fuse] could make out, I’m going to need some gas money.”

Violence

  • On the night of Paris’s murder, Kya punches Fuse in the face. “Her punch connected with my left eye. A solid POP! A white explosion of pain that washed out the room for a hot second.”
  • While questioning Fuse about the murder, a police officer “holds his hands at chest level, fingers curled, ready to grab” Fuse. Another cop grabs Fuse “so all I could do was kick, then he lifted me so those kicks only hit air.”
  • Fuse remembers finding Paris’s body. “That sheet of sticky, dark blood over half of ParSec’s [Paris’s] face. How she’d been a rag doll, arms spread wide, across the turntables…Her eyes bulged, the right one deep red where white should be, like something in that side of her head had exploded.”
  • A ParSec fan at school shoves Kya into a locker.
  • Fuse says, “Beyoncé could start the Purge with a tweet if she wanted.” (The Purge is a film about an anarchic period of unhinged murder and violence; the saying “The Purge” has become shorthand for such an event.)
  • Dedicated ParSec fans kidnap Kya and Fuse, zip-tie their hands and ankles together, and put them in the back of a van. Kya’s “turned—too late—to see two [people] rushing at me, duct tape stretched and ready. The first strip pressed hard against my lips while one of my assailants wrapped me [Kya] in a bear hug, pinning my arms.” During the attack a person in a mask “slammed a palm into my [Fuse’s] chest, pushing me back against the van wall.”
  • While they are captive in the van, Fuse is “angry enough to tear a chunk out of Kya” and aims “a two-heeled kick towards Kya’s chest.”
  • Someone tells Kya, “You should calm down. You’ll bust a blood vessel.” Kya responds, “I’ll bust your blood vessels!”
  • Devoted ParSec fans threaten to cut off Kya’s pinkie with garden shears. Later, they claim they were joking.
  • When they find the murderer, a group of ParSec fans deliver him to the police, “tied, gagged, and slightly bruised.” The fans have cut off his pinkie. The murderer’s hand “was heavily bandaged. A splotch of red seeped through.”
  • Fuse threatens Paris’s manager with a stun gun, but never uses it.
  • Fuse’s mother had the stun gun because “these days she preferred pepper spray and the spiked keychain her self-defense teacher gave her.”
  • When confronting a suspect, Fuse expects Kya “to kick the door in, snap this woman’s neck like Jessica Jones, and tear [her] out the house through a load-bearing wall.”
  • Paris’s narration reveals that her murder was an accident. She recounts, “His forearm grazed my chin, and I bit into his denim jacket sleeve. There were layers between my teeth and his flesh…I bit down with all the force in my jaws. He howled, tried to fling me off. He succeeded… The stand my laptop sat on was made of heavy aluminum… the corners were sharp… My temple connected with all the force generated from me and [the murderer]’s combined pain. A solid thunk, then my legs wouldn’t work.”

Drugs and Alcohol

  • A popular rapper smells “strongly of weed and cologne.”
  • Paris’s boyfriend, Shameik, finds beer bottles in Paris’s apartment and says, “Who was over here drinking beer?” Paris admits to sharing beers with a popular rap group. Shameik says, “My girlfriend’s alone with some drunk old guys, and I’m not supposed to be concerned?”

Language

  • “God,” “crap,” and “Jesus” are used infrequently.
  • “God!” and “Jesus!” are used as an exclamation occasionally.
  • Fuse says that ParSec fans view Paris as “their god.”
  • Paris says that Kanye West is “one of the gods.”
  • Paris’s grandmother sometimes says, “Lord.”
  • Paris says, “I promptly lost my ish [sic]” when she gets 8,000 plays on her SoundCloud.
  • Paris’s manager calls Fuse a “strumpet.”
  • Fuse says, “Screw it,” once.

Supernatural

  • None

Spiritual Content

  • Kya’s mother thanks God for Kya’s safety.
  • Kya attends Paris’s funeral and observes that “The Fifth Street Baptist Church choir should’ve been here. That was [Paris’s grandmother]’s church…where Paris got dragged every Sunday before she could call shots. There was no ‘Amazing Grace,’ no ‘His Eye Is on the Sparrow.’”
  • A music journalist finding a lead looks “like someone told him Christmas Eve got rescheduled to today.”

by Caroline Galdi

Ghost

Ghost (or Castle Cranshaw, as he would rather not be known) knows how to run all too well, and since the night his father tried to shoot him and his mother, running is all he can do to handle his wild emotions. When he shows up at a running practice, Coach Brody sees Ghost’s natural talent and insists he joins the team with one condition: that Ghost keep his head straight. For Ghost, who has a knack for running into trouble, this might be the most difficult task of all.

Ghost speaks to audiences that are otherwise underrepresented in middle grade literature, as Ghost and his friends are a diverse bunch. Ghost himself lives in a poverty-stricken part of the city. The novel tackles weighty themes like absent/abusive parents, race, and substance abuse; it contextualizes them through the lens of a thirteen-year-old who is learning to come to grips with his rage and fear. Ghost’s story in particular examines the effect of his father’s drinking and imprisonment on Ghost’s emotional state. Characters like Coach Brody and the other runners help him comprehend his situation, and their story is one about forging a new family through track.

As a character, Ghost can be arrogant. He delivers snap judgments of others. At times, he makes questionable decisions, including a major plot point where he shoplifts shoes because he cannot afford them. Despite these traits, he’s a sympathetic character who embodies what it’s like to be a kid dealing with a difficult home life, and emotions like humiliation, rage, and fear. By the end, Ghost realizes he “was the boy with the altercations and the big file. The one who yelled at teachers and punched stupid guys in the face for talking smack. The one who felt…different. And mad. And sad. The one with all the scream inside.” By the end, Ghost learns how to manage his emotions in a healthier way, as running track gives him a productive outlet.

Overall, Ghost is an entertaining read, and Reynolds does a good job delivering realistic characters that display both good and bad qualities. The plot is smart, straightforward, and doesn’t fall into predictable stereotypes. The biggest strength of the book is its ability to relate to students who otherwise don’t have a voice in middle school literature.

Although Ghost will resonate with those who love sports, any reader who has felt lost will relate to Ghost. The story shows how much of an impact one person or team can make in a kid’s life. Ghost is a must-read because it presents a growth in emotional maturity and shows that anything is possible with a support system and self-discipline.

Sexual Content

  • Ghost briefly mentions that Damon started a rumor at school. Damon “told everybody that I kissed a girl named Janine, who was the only pretty girl who liked me, but I didn’t.”
  • Some of the other runners tease Patty about having a crush on Curron, another runner. She quickly dispels that idea when she says, “Ain’t nobody got a crush on Curron!”

Violence

  • In a drunken rage, Ghost’s father tries to shoot Ghost and his mother. As they run away, Ghost “saw him, my dad, staggering from the bedroom, his lips bloody, a pistol in his hand… As soon as she swung the door open, my dad fired a shot… I didn’t look to see what he hit, mainly because I was scared it was gonna be me. Or Ma. The sound was big, and sharp enough to make me feel like my brain was gonna pop in my head, enough to make my heart hiccup.”
  • Ghost makes an offhand comment when he thinks about his mom meeting Coach Brady. Ghost says, “I’ve seen those weird shows where psychos pose like coaches and stuff and get you caught up and the next thing you know my mother’s in jail too for handling this guy.”
  • Another student bullies Ghost and strikes him with a chicken drumstick. The bully says a series of insults, and then the bully “threw the chicken wing at me. It hit me in the chest… I brushed the over-fried wing off my lap, opened my milk carton, took a swig, and then, with all my might, beamed the container at Brandon’s head…before he could even make a move, I had picked up my plastic tray and whacked him over the head.”
  • Ghost watches a fight break out between a group of men on the basketball court. One man, nicknamed Sicko, pushes someone. Ghost says, “A fight. As usual. Stupid Sicko pushed the wrong guy… And then Pop got into it. And then Big James. Then Big James’s girl. And then some other girl.”
  • Coach Brody details his father’s abuse. Coach Brody says that his father “punched me in the mouth when I was fifteen because I asked him to change the channel on the TV.”

Drugs and Alcohol

  • Ghost’s father is an alcoholic, which Ghost talks openly about throughout the novel. Ghost says, “It was three years ago when my dad lost it. When the alcohol made him meaner than he’d ever been.”
  • Ghost observes the drug addicts hanging around the basketball courts. He says, “And junkies. They’d just be zombied out, roaming around the outside of the court… Goose was the dope man… Super flashy, but an all-around nice guy. Well, except for selling drugs.”
  • Coach Brody talks about his own father’s addiction and overdose. Coach says that his father “was an addict… Three weeks later, he…he stole my medal for a twenty-dollar high. He overdosed, right there on those steps.”

Language

  • Slang and otherwise grammatically incorrect sentences are used in dialogue to simulate authentic speech. For instance, Ghost says, “running isn’t anything I ever had to practice. It’s just something I knew how to do.”
  • Ghost frequently insults people’s appearances. For instance, upon seeing Coach Brody, Ghost says that Coach looks like a “turtle with a chipped tooth.” Later he calls Coach “this bowling-ball-head coach.”
  • When describing people, Ghost will sometimes refer to their race. For example, “milk-face running boy” and “fancy, white-black boy.”
  • Ghost compares a bully to Jack from Lord of the Flies, calling him a “power-hungry dummy.”
  • Ghost and the other kids frequently use words like dang, stupid, weird, crazy person, and jerk.

Supernatural

  • None

Spiritual Content

  • Ghost references God once, saying, “His skin was white. Like, the color white. And his hair was light brown. But his face looked like a black person’s. Like God forgot to put the brown in him.”

by Allison Kestler

 

Let Sleeping Dragons Lie

Odo and Eleanor are excited to be knights. The only problem is that nothing ever happens in their sleepy little village. While Odo is happy to wait for some action to come his way, Eleanor is eager to go on the next adventure. Both knights know they are prepared to go on a quest, especially since they have their trusted and talkative enchanted swords.

When bilewolves attack the village, two strangers show up to dispatch the evil creatures. The strangers, Edga, and Hundred, are determined to prevent an unbearable imposter from taking the crown. Odo, Eleanor, and their swords join the quest. They will wander through unfamiliar lands, fight unseen enemies, and prepare for an epic battle.

The second installment of the Have Sword, Will Travel Series loses its humor and lacks a lot of the charm of the first book. When Odo and Eleanor join the quest, they meet two new characters, Edga and Hundred. Unfortunately, neither of these characters is relatable. Years ago Edga abdicated the thrown, and now he believes Kyndryk should be king. However, Kyndryk rarely appears. When he does, none of his actions prove he is worthy of becoming king.

Several new characters appear in book two. However, a bat that has been taught to recite letters in order to deliver messages is the most interesting character. All of the new characters are one-dimensional. Even though their quest is admirable, their personalities do not pop off the page. As the group travels to stop the coronation, the action lags. When the group finally makes it to their destination, a dragon appears, but his appearance is anticlimactic. Instead of adding an interesting element, the dragon does nothing to add to the story’s plot.

Readers who fell in love with Odo and Eleanor in Have Sword, Will Travel will be slightly disappointed in the sequel, Let Sleeping Dragons Lie. The simple plot, the slow pace, and the lack of enchanted sword action all add up to a mediocre sequel. If you’re looking for an excellent fantasy series, the Riders of the Realm Series by Jennifer Lynn Alvarez and the Max Tilt Series by Peter Lerangis both take readers on an adventurous journey full of wonder.

  Sexual Content

  • None

 Violence

  • “Four enormous, shaggy, wolf like creatures, each the size of a small horse” attack two people—Hundred and Edga. The man’s weapon “was a blur, leaping out to punch one bilewolf’s snout, then jab another’s forefoot. The woman was equally as adept, though she wielded a curved sword, the blade moving swiftly…”
  • When Odo and Eleanor see the fighting, they also notice “three villagers lay dead or seriously wounded, their torn and jagged clothes still smoking from the bilewolves’ acid-spewing jaws.”
  • During the battle against the bilewolves, Sir Halfdan rides his warhorse towards a bilewolf. “A bilewolf turned towards the galloping horse and charged, leaping at the last moment to avoid Sir Halfdan’s lowering lance…” Sir Halfdan “flicked the point up, taking the beast in the shoulder, the steel point punching deep. Bilewolf shrieked, the lance snapped, and then horse, knight, and dying bilewolf collided and went flying.” Sir Halfdan dies. Three other villagers are killed, but their deaths are not described.
  • During the battle, a “bilewolf bunched itself to leap up at Odo…but Runnel’s sharp point cut through its leg even as it sprang. It fell sideways, yelping and Biter came down to separate its massive head from its body…” At the end of the battle, all the bilewolves are “slain, one with a crushed skull and the other with a sliced-open throat. All four carcasses lay steaming, the grass beneath them turning black and smoking…” The above battle takes place over six pages.
  • Edga, Hundred, and some of the villagers sneak into the village’s manor house to take some men prisoner. Hundred “brought down the guard with one hand across her mouth and a forearm tight against her throat. The guard struggled for a minute, then fell unconscious.”
  • The group sneaks into the manner when all of the men are sleeping. The group seizes the sleeping men, “swiftly trussing them up like livestock, wrist tied to ankles.”
  • While the group is herding the men out of the manor, “the front door burst in, admitting the single remaining guard… Hundred tripped the guard and Odo fell on him, one knee pinning him to the ground…and they both tied him up.” No one is injured. The scene is described over three pages.
  • Someone uses a craft-fire to have birds attack Edga’s group. “With a furious flapping of wings, a dozen black shapes converged on them from all sides, claws and beaks reaching for their eyes… Edga spun his staff overhead, knocking a raven to the ground. Hundred produced a whip and cracked it twice. Three birds fell dead, instantly slain.” Everyone is able to escape without injury.
  • A hooded figure appears and when he gestures, “tiny darts hissed out of the trees, striking them each in the throat. Odo felt a string of pain, followed by a rushing, clouding sensation as darkness swept over him once more.” Everyone in the group becomes unconscious, but they wake up safely.
  • When traveling into the urthkin’s tunnels, “something moved behind her [Eleanor] and she felt a tiny pinprick at the neck. ‘Move, tall one, and I will spill your lifeblood to the dirt,’ said the urthkin holding the curved knife to her throat.”
  • Someone uses craft-fire to make birds and bugs attack Edga’s group. “An eagle and dozens of sparrows…swarmed from the sky. Scorpion, spiders, and ants issued from cracks in rocks…” The humans were able to run and escape the attack.
  • When trying to stop Edga’s sister from becoming king, Edga’s group “attacked the backs of the watching Instruments. Two fell with throwing knives buried deep in their shoulders. Another two dropped with tendons cut in their ankles.”
  • During the battle, “Odo lowered the shield from his face long enough to block a wicked slash to his ribs from a skinny woman… The blow jarred every joint in the left side of his body.”
  • In order to stop the attacking birds, “Hundred’s blades caught the craft-worker. The bearded man went down with a cry, and his green-flamed torch went out. The animals were instantly released.”
  • Hundred tries to stop Lord Deor. Hundred “threw a knife that glanced off his shoulder without doing any harm… The third bit into his neck, and he turned with a snarl.” The fighting is described over seven and a half pages.
  • Trying to capture Lord Deor, Odo continues the fight. “Blood still flowed freely down his [Odo’s] side, and his smile was looking forced.”
  • The huge rock where the fight took place began to crumble, and Lord Deor “with a cry, he fell into a fiery crack and disappeared. There came a sound like giant jaws crunching and he was gone.”
  • As Edga’s sister tried to run, the dragon caught her and wrapped her in “his lightning-fast tongue. The dragon held her like that for a few seconds, then whipped his tongue back, sending the regents spinning dizzily away until she fell over a stone and lay there, sobbing angrily.”
  • In the epilogue, an enchanted sword “lunged, killing the peasant with a single stab to the throat.”

 Drugs and Alcohol

  • Edga asks Hundred to sing. “Give us a round of ‘Drunk Eyes Fair See What Fair Might Not Be.”
  • While traveling, Edga’s group stops for the night. As they talk to other travelers, they “passed around a flask of warming spirits that made Odo’s eyes water, just sniffing it.”
  • Someone uses poison darts to put Edga’s group “to sleep.”

Language

  • Eleanor calls someone a “slimy cumberwold.”
  • Edga’s sister says he is a “dullard.”
  • Eleanor tells Odo, “don’t be such a lubberwort.”
  • Kyndryk’s grandmother calls him a fool.
  • Edga’s sister says, “You’re supposed to be dead, you old fool!”

Supernatural

  • Biter and his sister sword are enchanted swords that are able to talk and control their movements.
  • Someone uses a craft-fire to deliberately call the bilewolves.
  • Some people believe that “the dead were dead and likely to stay that way—unless talked about too much.”
  • In order to help Edga grieve the loss of his friends, Odo built a grave. Hundred explains, “These are twigs and berries—an old Karnickan ritual, I believe. A stick for the body, a seed for the soul? To put grief to rest and let the happy memories thrive?” The group buries the stick and seed to represent the dead.
  • Urthkin, “pale-skinned, reed-slender demi-humans” that have “paws like a mole’s, with digging claws,” only come out at night because light hurts their eyes. Edga’s group asks for permission to use the Urthkin’s tunnels.
  • Edga and his group are taken to a forge that is able to create enchanted swords. Odo’s sword, Biter, asks a smith to repair a nick in his sword. Biter is “washed in sweet oils, bathed in three fires, hammered by a master smith.” Afterward, Biter’s memory comes back.
  • Kyndryk paints a mural of a dragon. He chants, “Dragon, dragon, heed our call. Come to aid us, one and all. From a cruel and dreadful fate, save us now, ere it’s too late.” After Kyndryk says the chant several times, the dragon comes alive. “But the dragon was flying too low. The broad wings flapped almost carelessly a third and final time. Then, with a soundless crash that somehow made the stone quiver faintly underfoot, it struck the vertical cliff face and became a mural once more.”

Spiritual Content

  • While trying to sneak past sentries, Odo “kept his face carefully neutral, praying his relief was perfectly concealed.”

Max: Best Friend. Hero. Marine.

When Justin finds out his older brother, Kyle, has been killed overseas, Justin is devastated. Kyle was a marine, a hero trying to live up to his father’s reputation, yet in an instant his life was over. Now, Kyle’s only connection to Justin is Max, Kyle’s former canine partner and a discharged K-9 marine.

When Max was at Kyle’s side, he was meant to sniff out explosives, search for enemy soldiers and weapons, and keep Kyle and his unit alive. Max, just like Kyle, was trained for war. He was trained to be a hero. While Max’s presence doesn’t make it easy for Justin and his parents to grieve, they soon discover that without a home, Max will be put down. With no home to place Max in, Kyle’s partner is placed in Justin’s care.

After Kyle’s death, it isn’t easy for Justin and his family to see Max alive and well. It isn’t easy for Max to move on from his days on the frontlines. Most people misunderstand Max, believing he is too aggressive. Max isn’t meant to be a pet. He is meant to be a hero. Justin is the only one who understands Max is also grieving for Kyle. Both Justin and Max find it difficult to adjust to each other. Soon the two bond over Kyle’s death, supporting each other and giving each other a purpose.

When Tyler, Kyle’s best friend, is discharged from the marines, Justin begins to ask questions. Justin and Max work together to figure out what really happened to Kyle. Can they find the truth and still protect Justin’s family from the dangerous people Tyler is working with?

Shotz’s novel about a war dog coming home to his handler’s family is a wonderfully wholesome story. Justin and his family are well-written characters that deal with the guilt, shame, and sadness that accompanies a loved one’s death. Max serves as the means to which Justin’s family can work out their emotions surrounding Kyle’s death, as well as the means to which everyone comes together in the end. Max is also a stand in for Kyle; since Kyle is gone, Max helps Justin protect his family and sniff out Tyler’s true intentions, just as Kyle would have done.

Max: Best Friend. Hero. Marine. shows that heroes come in many forms. Kyle is considered a hero because he followed in his father’s footsteps and joined the marines. Justin struggles with his father’s pressure to live up to his brother’s legend. Justin’s father, who was discharged early on from the marines because of a leg injury, struggles to connect with Justin because Justin doesn’t want to be a marine. However, Justin proves himself to be as much of a hero as Kyle. At the end of the story, Justin earns his dad’s trust and lives up to Kyle’s memory.

Unlike Kyle, Tyler chose to lie and deceive his best friend’s family in order to smuggle weapons across the border. Tyler will eliminate anyone that stands in his way. The story emphasizes that someone doesn’t need to go into the military to be a hero, and that not all marines are heroes.

Max: Best Friend. Hero. Marine. is fast-paced, and the suspense builds from the moment Justin’s family is told Kyle has died. The believable twists will keep readers turning the page until they reach the heartwarming conclusion. Max: Best Friend. Hero. Marine. is a must-read because of the realistic characters and wonderful storytelling. For more heroic dog stories, try the G.I. Dogs Series by Laurie Calkhoven.

Sexual Content

  • When Justin meets Carmen, “her dark eyes were still zeroed in on him, making his cheeks feel kind of hot.” Justin thinks Carmen is pretty.
  • When two of Justin’s friends are in his backyard, “they looked up to see Justin framed in his window, shirtless.”
  • When Carmen is invited over to Justin’s house for dinner, Justin feels awkward. “Then again, Justin had never brought a girl home for dinner.”
  • After triumphing over Tyler, Carmen and Chuy meet up with Justin. Then, Carmen “stepped forward and planted her lips on his. Justin was so startled that he didn’t know what to do at first. Then he quickly came to his senses and kissed her back.”

Violence

  • At the beginning of the novel, Justin is playing a military-themed video game. In the game, the “virtual army let out a series of grunts and pumped their fists in the air or fell to the ground.” The game makes Justin think of his brother, Kyle, a soldier overseas. “Sometimes Justin tried to picture Kyle as one of these guys, but it was just too weird. He couldn’t imagine his brother shooting anyone.”
  • Chuy, Justin’s friend, has a cousin named Emilio. Emilio is “pretty hard-core—possibly even in a gang—and he wasn’t going to be happy when he learned that Chuy had misplaced his new  (video) game.”
  • Kyle is never seen in the present day because he dies fighting in Afghanistan. When a solider comes to Justin’s house, “Justin knew for sure: His brother was dead. Kyle was dead.”
  • In a flashback, Justin thinks about the time Kyle picked him up from school. Justin had gotten into a fight. “He didn’t know how to tell Kyle that he’d gotten in a fight over a stupid bike. Or that he’d been sucker-punched. Or that he’d managed not to hit back, because he didn’t think it was worth it.”
  • During another flashback, Justin remembers Tyler, Kyle’s friend, speaking to his parents over video call. “‘We’re making trouble, Mrs. W.,’ Tyler said, ‘For the bad guys, that is.’”
  • When Justin confronts his dad about Kyle, he says, “Being a man and enlisting and getting killed, like Kyle? Or being a man and getting my leg shot up, like you? Tell me what I’m supposed to learn from either of those things.” Later, Justin tells his dad, “‘You’d like me to get myself killed,’ Justin said, holding his dad’s ‘Wouldn’t you?’”
  • Justin’s mom gets a call about Max, Kyle’s dog. She tells the family, “Sergeant Reyes called. They’re going to kill Max.”
  • Tyler tells Justin’s dad that Max is the reason Kyle was killed. Justin sees “his father was standing in front of Max’s crate, his gun drawn and pointed at Max’s”
  • When Justin is hunted by a pair of rottweilers, Max fights one of the dogs. “The two dogs rolled around in the dirt, a frenzy of growls and bites and scratches, battling each other fiercely.” Justin found Max injured later.
  • Justin watches as his dad, Ray, is about to be attacked by Stack, a sheriff deputy and Tyler’s accomplice. “What his dad couldn’t see—which Justin and Max both could see—was that Stack was running at Justin’s dad from behind, holding a giant rock in his fleshy hands, raised high in the air. He was about to slam it down onto Justin’s dad’s” Max saves Ray, “Stack stumbled, and Max flew over Ray and crashed into Stack’s chest, knocking him to the ground.”
  • During the final battle with Tyler’s gang, Justin sees “his dad, who pointed a gun straight at the windshield and fired. The truck swerved and crashed into the side of the hill. The back of the truck exploded in a burst of flame, and suddenly a thousand gunshots pinged around the ravine. The ammunition in Tyler’s truck had ignited.” No one is injured or hurt in the explosion.

Drugs and Alcohol

  • Tyler is given pain medication for a shrapnel injury. Tyler says, “But they got me on so many painkillers, I hardly notice it.”
  • When Tyler comes over to talk to Justin’s dad, “Justin was surprised to see his dad limp over to the mini-fridge under his desk and take out two beers. It was early for him to start drinking.”
  • When Tyler asks Justin’s dad for a favor, Justin’s dad took “another swig of beer, as if for courage.”

Language

  • During a flashback, Justin remembers a time when he and his parents were talking to Kyle over video chat. Justin says, “Kyle’s so awesome even his frickin’ dog is a hero.”
  • When going to see Max at the military kennel, Justin thinks, “He was one pissed-off dog, that was for sure.”
  • When Justin thinks about his dad, he thinks, “His dad cared more about a stupid dog that had once belonged to Kyle than he did about his own living, breathing son.”
  • Someone tells Justin, “Yo, you look like crap.”
  • Before Kyle and Tyler became soldiers, Tyler used to tease Justin. Tyler “would make fun of Justin—calling him a serious loser or computer nerd.”

Supernatural

  • None

Spiritual Content

  • Kyle’s funeral is at a church. At the church, Justin’s “Mother’s sobs carried up and over the singing of the choir.”

by Jonathan Planman

Bird & Squirrel On Ice

After Bird and Squirrel crash land in the South Pole during a raging blizzard, a penguin named Sakari thinks Bird has come to rid her village of a hungry Killer Whale. But when Squirrel finds out that Bird will actually be fed to the Killer Whale as a sacrifice, they hatch a crazy plan to escape. With good timing, a little luck, and help from Sakari, they just might make it out alive. Or they might end up as whale food!

Bird & Squirrel on the Run consisted of funny cat chases and misfortunes. While Bird & Squirrel On Ice has more of a storyline, there is less interaction between Bird and Squirrel. For much of the story, Squirrel is trying to save Bird’s life, while Bird is clueless, convinced that Squirrel is just jealous. The storyline has a darker tone and revolves around Bird being sacrificed to a whale.

The story’s serious tone is offset by the funny chases and the introduction of Sakari’s penguin family. Sakari and her father disagree about sacrificing Bird; in the end, Sakari proves that she has a “mighty spirit and an even mightier heart.” Many readers will enjoy seeing a female character save the day. Because of Sakari’s determination to listen to her heart and Squirrel’s dedication to his friend, Bird is saved in the end.

Interesting characters, slapstick humor, puns, and a fast-paced plot combine to create an entertaining graphic novel. The story is illustrated with brightly colored panels. Much like a cartoon, the illustrations use exaggerated facial expressions to add to the humor. Each page contains one to six simple sentences. Bird & Squirrel On Ice will appeal to even the most reluctant readers. Bird and Squirrel’s silly antics will keep readers interested while they explore family dynamics and jealousy.

Sexual Content

  • None

Violence

  • A penguin stabs Squirrel with a spear. Squirrel takes off running and yells, “Something bit me!!”
  • A seal jumps out of the water and tries to eat a penguin. The penguin attacks the seal with her spear, and the seal jumps back into the water. The scene is illustrated over two pages.
  • Sakari discovers that her father plans to sacrifice Bird to a whale. Sakari tells her father, “It isn’t his sacrifice to make. You have to stop it.”
  • Before Bird can be sacrificed, Sakari jumps into the ocean and attacks the whale with her spear. The whale tries to eat Sakari. She swims out of the bay. While Sakari is leading the whale away, Squirrel tries to break a snow bridge. As Squirrel is working, a seal smacks him. Bird begins throwing rocks at the seal. In the end, everyone is safe from the whale. The scene is illustrated over 14 pages.

Drugs and Alcohol

  • None

Language

  • Squirrel tells Bird, “You’re the most self-centered birdbrain I’ve ever met!”

Supernatural

  • Squirrel goes to see a woman who gives him advice. The woman says, “The fire shall provide the light you seek. One cannot be found until one is lost.” Squirrel looks into a fire’s smoke and sees a vision.

Spiritual Content

  • None

Like a Love Story

Like a Love Story takes place in New York City in the late 1980s. The AIDS crisis is devastating gay communities, and activists are protesting the government’s reluctance to extend research or support to those affected. The narration rotates between three teenagers: Reza, Art, and Judy.

Reza is new in town, having recently immigrated to New York from Iran, where his family escaped a violent revolution. In the closet with a nearly hypochondriac fear of AIDS, Reza starts at a new school and soon meets Judy and Art, who have been best friends since childhood. Both Judy and Art are committed to gay culture and gay activism under the tutelage of Judy’s uncle Stephen, an AIDS patient and well-known member of the gay community. Art is an out-and-proud gay teenager, who is assertive and upfront about his identity. Brash and unafraid, Art is full of anger at the injustice of the AIDS crisis. Judy, a straight girl who shares Art’s love of Madonna and fashion, supports him in everything and shares his love of fashion and film.

A romance develops between Reza and Judy. But Reza, a closeted gay, knows he can only hold out for so long before his secret comes out. The first two acts of the novel largely concern their false relationship, eventual falling-out, and then the ensuing romance between Reza and Art. Each of the three narrators has a fairly equal stake in the plot, and each brings their own narration, perspective, and personality to the story. Like a Love Story is largely a coming-of-age story, but it is really three coming-of-age stories as each character grapples with their sexuality, their future, and their imminent emergence into the adult world.

Like a Love Story is essential reading for anyone who wants to learn about the AIDS crisis or the origins of the modern gay rights movement. Without preaching or lecturing, the narrative paints a rich and engaging portrait of the political climate through its three narrators. Each character in Like a Love Story has a completely unique voice; readers can open the book to any page and immediately know who is speaking.

Regardless of their own identities, readers will see themselves in the characters because of how authentically they are portrayed. Each character has uncertainty about their place in the world, an imperfect relationship with their parents, a faulty understanding of how the world works, and a yearning to belong—and readers get to see them grow as the story progresses.

 Like a Love Story has some of the most compelling adult figures in a genre where adults are often one-dimensional and cast to the side. The relationship that each teen has with their parents is complicated and imperfect, but masterfully written. It is genuinely heart-wrenching to see Art’s interactions with his homophobic parents, and it is genuinely moving to see Judy’s conversations with her mother evolve throughout the story.

Like a Love Story does not shy away from sexual content and depictions of sex acts, but it’s one of the few books that feels justified in its usage. Characters frequently talk of condoms and bodily fluids. The mechanics of AIDS transmission and the effects of the disease are explained as Uncle Stephen succumbs to infections. Readers who pick up this book in 2020 will already know the ending to some extent. Thanks to modern medicine, many people today can live full lives with HIV and new pharmaceuticals can help prevent transmission. However, the characters don’t know this, and they can only grieve the dead and dying members of their community while fighting for rights and recognition. The story highlights the importance of community, activism, and love.

Sexual Content

  • When asked how he knew he was gay, Art says, “I had a wet dream about Morrisey.”
  • During a make-out session, Judy tries to find out if Reza is aroused. “As nonchalant as I can, I move my hand down, feeling his crotch. I feel something hard. Is it him, or is it his zipper? I can’t even tell. I’ve never felt a hard-on before.”
  • Judy thinks, “Art told me once that the subway was the hottest place in the city, as in sexual heat, not physical temperature. He said that all those bodies rubbing against each other basically made it a clothed, co-ed bathhouse.”
  • Reza sees a naked male mannequin in a store window and thinks, “I look at the mannequin’s body and find myself getting a little hard. I cover my crotch with my hands. I imagine that Art is the mannequin, standing in the store window naked. How sick do you have to be to be turned on by a piece of plastic?”
  • After Reza sees a photo of Art, Reza thinks, “I need to stop thinking about him, and I know there’s only one way to do that. I lie back on my bed, close my eyes, and unzip my pants. I see Bartholomew Emerson Grant VI come to life, enter my room, climb into bed with me. He kisses me, undresses me, tells me not to be scared. But then he’s gone, and all I see are images of dying men with lesions.”
  • A big part of the second half of the plot is Reza’s shame and paranoia surrounding his sexual desires. Stephen teaches Art and Reza about safe sex and about how to use condoms safely. Stephen tells them, “If you want a tutorial, we can go home and practice with bananas. . . Lube is lubricant. Men need it, because we don’t naturally get wet down there . . . the jury is out on whether oral sex is safe or not, but my advice is to use a condom for that too.”
  • Stephen says, “The straight world has defined losing your virginity as intercourse. That’s their thing. But we get to define it for ourselves. And you never, ever have to do anything you don’t want to.”
  • Reza thinks, “I hate those words. Oral. Anal. I hate how graphic they are, how hostile they feel.”
  • In a photography darkroom, Art takes off his clothes for Reza. “There’s only one thing to take off. My boxer briefs. I remove them. I stand in front of him, exposed.” They kiss, but don’t do anything else.
  • Judy has an intimate moment with Reza’s brother, Saadi. As Judy makes out him, “It’s furious. Our tongues explore each other. Then his hands are all over me… his breath is heavy, and his hips are thrusting urgently. I feel what I never felt when Reza and I kissed, an erection. Saadi is so hard. He sits up and takes his polo off.” They don’t go all the way. “He wants to have sex, but I tell him I’m not ready.”
  • Art says, “The first time I read porn, I was twelve. I found my dad’s stash of Penthouse and Playboy magazines in the back of his closet. But Penthouse has these sex stories in them, and they were very hot because there were men in them.”
  • The characters all go to a Madonna performance wherein she masturbates onstage. The act is not described in detail.
  • When Art and Reza finally consummate their relationship, they use condoms and lube. Reza wraps “my legs around him, pulling him closer to me, or deeper into me, because he’s in me now. We thrust and grunt and sweat until we almost fall off the bed.” The scene takes up about three pages, but it is mostly dialogue and doesn’t go into more physical detail.

Violence

  • While attending a protest, Art hears bystanders say, “Hose those faggots down. They like that.”
  • During a protest, police officers “yank Art away and handcuff him.” The other police officer “pushes Reza to the ground.”
  • Some bullies begin to taunt Art, and he reacts violently. “My fingers tense into a fist. Before I know it, I leap out of my seat and tackle Darryl to the ground, taking him down like I’m one of the gorgeous ladies of wrestling. ‘Go to hell, you fucking ASSHOLE!’ I scream as he writhes below me, his scared, beefy body stronger than mine but unable to overpower the force of my rage. ‘Get off me, fag!’ he yells. ‘Not until I give you AIDS,’ I say, and I spit on his face.” Art describes later, “I pull Darryl’s foot toward my face. He pushes his leg up, kicking my chin hard in the process. My teeth hit my lips. My head doubles back, hits the wall with a thud… My eyes flicker with the shock of pain. When I open them, I see blood on my hand and on my shirt.”

Drugs and Alcohol

  • At a party with some kids from school, Judy gets “drunk on fruit punch.” Her friend tells her, “You don’t want your parents to see you like this.”
  • When Uncle Stephen is on his deathbed, he asks for a glass of wine. Judy’s mom pours wine for him and a small glass for Judy.
  • Uncle Stephen has been taking morphine for his pain; by the time he dies, his bottle of morphine is empty.

Language

  • Profanity is used frequently. Profanity includes: fuck, shit, hell, ass, and damn.
  • “Oh my God” is often used as an exclamation.
  • Art is determined to reclaim the words “faggot” and “fag,” which is a recurring point throughout the story. Judy’s mom asks Art not to use the word because “I heard that word hissed at my brother like a dagger throughout his childhood, and I don’t want to hear it ever again.” They eventually agree to disagree.
  • After coming out, Reza has “heard every possible word a homosexual could be called . . . Faggot. Pansy. Mary. Butt pirate. Fruit. Turd burglar. Flamer. Nancy. Queen.”

Supernatural

  • Art can see “auras.” Readers might recognize them as a condition called synesthesia, but to Art they take on a spiritual and artistic significance. Art doesn’t “snap a photo unless I see its energy. I know they’re all black-and-white, but they have colors to me. Auras.”

Spiritual Content

  • Art says, “I think that if it weren’t for all the bullshit rules of Catholicism, then there would be no Madonna, because what is she if not a rebellion against all of this?”
  • In a church, Art thinks, “I don’t want to burn this place to the ground. What I want is to make them see that I AM HOLY. These thoughts of me and Reza, they are holy.”
  • A priest’s homily “makes multiple references to protecting ‘the unborn.’” Art thinks, “It’s amazing how gung-ho he is about saving the lives of fetuses, but then he turns a blind eye to all the actual humans DYING right in front of him.”
  • Art lights prayer candles in a church and thinks, “I know that I don’t believe in a God who can grant wishes, but if there’s even a chance that such a God exists, then I have some wishes I’d like granted.” He wishes for AIDS to be cured.

by Caroline Galdi

 

Many Waters

When identical twins Dennis and Sandy accidentally mess with their father’s scientific experiment on faster-than-light travel, they are transported to a desert wasteland. Stranded and confused, the two boys meet the locals—dark-skinned people who are only four feet tall. Between the strange people, the miniature mammoths, unicorns, and manticores, Sandy and Dennis are convinced they’re on a strange planet on the other side of the universe. After nearly dying from heatstroke, they are taken in by Grandfather Lameck. When they meet Grandfather Lameck’s son, Noah, the twins realize they have been thrown back in time and are on Earth in the time right before the Great Flood. But the flood is coming—will the twins find a way home before the rain starts to fall?

To make matters more complicated, humans are not the only intelligent beings to deal with. There are seraphim, a tall and beautiful winged people who know many things—maybe even how to get the twins home—but the seraphim do not like to interfere with the lives of men. Then, there are the nephilim, just as tall and beautiful as the seraphim, but they spend their time seducing women with worldly pleasures and extravagant treasures. The nephilim are suspicious of the twins’ sudden appearance, and they will do anything to find out what they are up to.

Once again, L’Engle spins a magical tale that centers on the battle between good and evil. Yalith and Jephath, two of Noah’s children, are kind people that do all they can to help the twins. But most people who live in the oasis are corrupt and evil, abandoning tradition to pursue pleasure and to get ahead in life. The twins and Yalith are all tempted to give in to worldly pleasures. While conflicted, all three reject temptation in exchange for kindness, unicorns, and listening to the stars.

While there are good and bad characters, several members of Noah’s family and Noah himself are more ambiguous, showing that even godly people are not perfect. While God is mentioned several times as “El,” the story centers more around the twins as they adapt to the time period and try to find a way home. The seraphim and the nephilim are revealed to be angels and fallen angels, respectively. They add intrigue and excitement to the story. Overall, Many Waters is a fun tale with a unique twist on the story of Noah’s Ark that will leave readers satisfied.

Sexual Content

  • In Noah’s time, bothmen and women only wore loincloths. Therefore, Sandy and Dennis see several women’s breasts, but none are described graphically. When meeting Yalith, Sandy notes “the girl, who wore only a loincloth . . . was gently curved, with small rosy breasts.”
  • Yalith kisses Aariel, a seraph, much as a child kisses a parent. “Like a child, she held her face up for a kiss, and Aariel leaned down and pressed his lips gently against hers.”
  • Yalith sees her sister with a nephilim. Her sister was “gazing up at him adoringly, leaning against him so that her rosy breasts touched his pale flesh.”
  • Japheth kisses his wife several times. Once, “Japheth leaned to her and kissed her on the lips. Dennis . . . thought that it was a nice kiss. It was the kind of kiss he had seen his father give his mother. A real kiss. If he lived through this, he would like to kiss someone like that.” Another time, Japheth’s wife “bent toward him to kiss him.”
  • A girl from the oasis flirts with Sandy. She “bent closer and brushed her lips against his.” Later, she tries to seduce him. “He was not prepared to have the light suddenly darkened by Tiglah’s face as she pressed her lips against his . . . he knew what she wanted, and he wanted it, too; he was ready, but not, despite her gorgeousness, with Tiglah . . . her breathing mingled with his. He knew if he did not break this off, he would not be able to. With a deep inward sigh, he pulled away.”
  • Sandy thinks about taking Yalith to the future with him. Sandy “looked at Yalith’s small and perfect body, barely covered by the loincloth, her breasts delicate and rosy, and had a moment’s absurd vision of her in one of the classrooms at the regional high school.”
  • When saying goodbye, “Yalith nodded, then reached up to Sandy and kissed him on the lips. Then Dennis. Full, long kisses.”

Violence

  • Sandy is kidnapped. “He tried to wriggle out of the clutch of whoever was carrying him, and a fish crashed into his belly, winding him, and something sharp pricked his arm.”
  • When Japheth tries to rescue Sandy, “the older man swooped on him with the spear, and despite Japheth’s quick reflex, the spear cut across his ribs, and a trickle of blood slid down his side.”
  • Japheth comes home with “an ugly bruise on his cheek where an angrily thrown stone had hit him.”

Drugs and Alcohol

  • Noah has the “largest and best vineyards on the oasis . . . the fame of his wine had spread to many other oases round about.”
  • A man is sick from drinking too much. Afterward, “the smell of Ham’s sickness mingled with the smell of wine, of meat form the stewpot, of the skins of the tent.”
  • Yalith remembers how her sister had a wedding with “far too much wine, inferior, at that.”
  • When Noah reconciles with his father, he “handed his father a small wineskin. . . The old man held the wineskin to his lips, then smacked them in appreciation.” Sandy also takes a small sip.

Language

  • When a woman’s family kidnaps him, Sandy thinks, “you slut.”
  • An angry man says, “Auk’s nuts to you.”

Supernatural

  • Sandy and Dennis accidentally mess up their father’s scientific experiment and are sent back in time. “Dennis groped through a pervasive mist, his hands touching nothing. Came a great sonic boom. Then absolute silence.”
  • In the past, there were miniature mammoths. “From behind the outcropping of rock came something grey and sinuous which the twins at first thought was a snake. But it was followed by a head with small, bright, black eyes, and great fans of ears, and a chunky body covered with shaggy grey hair.”
  • There are manticores in the past, which try to eat the mammoths several times. The manticore had a “man’s face with filthy hair. . . From the mat of hair came two horns, curved downward, with sharp points like boar’s teeth. . . The rest of the creature pushed into the tent. The head did not belong to a man’s body but to a lion’s . . . the lion did not have a lion’s tail but a scorpion’s.” The manticores can only say the word “hungry!”
  • There are unicorns that flicker in and out of existence. They can flicker out of existence in one place, then be called into existence miles away instantaneously. “On the horizon to the far left, moving toward them, appeared a creature which shimmered in and out of their vision, silvery in color, as large as a goat or a pony, with light flickering out from its forehead.”
  • There are seraphim (angels) and nephilim (fallen angels). Both have “Great wings. Much long hair. . . The seraphim are golden and the nephilim are white, whiter than sand.”
  • Both the seraphim and the nephilim can turn into animals; each has their own animal they transform into. One of the seraphim is a scarab beetle. “Grandfather Lameck took it on his palm, a scarab beetle, glinting bronze in the lamplight. The old man stroked it gently with a trembling forefinger, and closed his palm. Then came a vivid flash of light, similar to that of the unicorn’s horn, and a tall presence stood in the tent, smiling at the old man…Hair the color of wheat with the sun on it, brightly gold, long, and tied back, falling so that it almost concealed tightly furled wings.” One of the nephilim is a giant desert lizard. “As the lizard neared her, it rose straight upward to a height of at least six feet, and suddenly [its] arms were outstretched above the head; the tail forked into two legs, and a man came running toward her, a man of extraordinary beauty, with alabaster-white skin and wings of brilliant purple.”
  • Yalith shows Dennis how to listen to the stars. “He listened, listened, focusing on one bright pattern of stars. Closed his eyes. Listened. Seemed to hear a delicate, crystal chiming. Words. Hush. Heal. Rest. Make peace. Fear not. He laughed in excitement. Opened his eyes to twinkling diamonds.”

Spiritual Content

  • A woman tells the twins, “We don’t have any men on the oasis who are as tall and like gods as you are.”
  • The twins discover that Grandfather Lameck’s son is Noah, from the biblical story of Noah and the Arc.
  • Yalith recounts her family lineage, which includes the biblical figures Methuselah and Enoch. “Methuselah, my great-grandfather, lived for nine hundred and sixty-nine years. And his father was Enoch, who walked with El, and lived three hundred and sixty and five years, and then El took him.”
  • The people in Noah’s time call God “El” and El sometimes speaks to them, though his words are never shared directly in the story. Noah says, “Yesterday, when I was working in the vineyard, the Voice spoke to me. El told me that I must find wives for you.”
  • Japheth mentions a curse on the land. “When our forebears had to leave the Garden, they were told, Accursed shall the ground be on your account. It will grow thorns and thistles for you. You shall gain your bread by the sweat of your brow.”
  • The seraphim mention the pattern. They say the twins “are part of the pattern,” but “the pattern is not set. . . It is fluid, and constantly changing.” They always maintain that the pattern “will be worked out in beauty in the end.”

by Morgan Lynn

All the Pieces Fit

In book five, D.J. and Hilo traveled to Hilo’s home planet. In order to keep their activities secret, they left robot versions of themselves on earth. When government agents appear, they are determined to take D.J. and Hilo into custody. With the help of Gina and Polly, the secret agents end up running from the scene. However, now Gina’s parents discover the truth about D.J. and Hilo.

Being a hero isn’t easy. Hilo had no idea it would be this hard. Hilo came to earth because he was running from Razorwark. He’s done running. Razorwark has come to earth, and the time has come for one final face-to-face showdown. What happens will decide the fate of the robot world…and Hilo’s future. The sacrifice will be great but with Izzy’s help, Hilo finally knows what he has to do because THIS is how all the pieces fit.

Fans of the Hilo series will not be disappointed with the sixth installment of the series, which brings all of the characters together to fight Razorwark. All the Pieces Fit is a fast-paced story that contains many exciting battles. However, the fighting is broken up with humorous scenes, such as a hurricane of hamsters and a force field around the city. However, the philosophy about Hilo’s empatis will confuse some readers. However, the ending is surprising and shows how “we all have a purpose. We have a place we’re supposed to fit.”

All the Pieces Fit uses brightly-colored illustrations that keep the action moving. The detailed illustrations show exaggerated facial expressions, which will help readers understand the characters’ changing emotions. For maximum enjoyment, the stories should be read in order. Even though the first chapter recaps the events in the previous books, the stories’ plots build on each other.

Hilo is the perfect series for all ages. The sci-fi story shows the importance of friendship and sacrifice, and the heartwarming conclusion will leave readers smiling. Even though Hilo’s story is wrapped up, readers will be excited that the actions continues in Gina—The Girl Who Broke the World.

Sexual Content

  • None

Violence

  • Government agents try to take custody of D.J. and Hilo. Gina uses her magic wand to knock “buttface here on his butt.”
  • Polly shoots lasers at the government agents, who jump out of the way. Then Gina uses her magic wand to make vines grow around the agents. Later, Polly makes two agents clothes blow up like balloons. Polly hits the agents with a stick and they go flying.
  • Gina and her friends continue to harass the agents. When one of the agents tasers D.J., they discover that a robot has taken D.J.’s place. The government agent fight is illustrated over eight pages.
  • To chase off the rest of the agents, Polly uses magic to send “a wee hurricane of hamsters” to attack. The agent tasers Gina. When he tasers Hilo, he discovers that Hilo has also been replaced by a robot.
  • When Polly creates a “giant monster hedgehog,” the remaining agents run away. The scene takes place over four pages.
  • As a force field covers a town, a car is split in half, separating the passenger from the driver. No one is injured.
  • While flying in the sky, Razorwark grabs Hilo and throws him to the ground. Hilo is uninjured.
  • Razorwark and Hilo fight. Hilo blasts Razorwark with freezing lasers. Razorwark blasts Hilo with a laser, and Hilo falls to the ground. The battle scene is illustrated over five pages.
  • Hilo destroys the portal so Razorwark cannot escape. Then, Razorwark and Hilo blast each other with lasers. Razorwark tells Hilo he wants revenge because people “wanted me to be the sole fighter of their wars! And I was! They wanted me to be a murderer! And I was!” Razorwark plans to kill all of the humans so the “society” of robots has a world of their own.

 Drugs and Alcohol

  • None

Language

  • Lisa calls a government agent a buttface. When Lisa’s father gets upset, her mom says, “No, she’s not totally wrong. They are kind of buttfaces.”
  • Someone calls the government agents “dirt weasels.”
  • When a force field covers the town, an agent says, “holy mackerel.”

Supernatural

  • Razorwark opens a portal to allow robot pieces to enter Earth’s atmosphere. Then Razorwark uses magic to assemble the pieces.
  • Izzy touches Hilo’s heart with a flower that transfers Izzy’s energy to Hilo. When Izzy’s power is drained, she dies. Hilo explains to his friends, “Razorwark gave me some of his empatis and he gave some to Izzy. It’s the energy that brought us to life. Without it we’re empty. We’re broken machines. Without it we die. Izzy gave me all of hers. She gave me everything.”
  • Gina uses her magic wand to make a tree grow to make magic wands. She tells her friends, “You all have wands that can do stunner spells. These won’t hurt the robots! But it’ll knock them on their cans.” The group uses their wands to stun the robots. During this time, the scene flashes to Hilo and Razorwark fighting.
  • Razorwark surrounds Hilo in a “crystal thing.” When D.J. finds Hilo, he breaks the “crystal thing” freeing Hilo.
  • During the final battle between Razorwark and Hilo, the two appear to blow up and “this rain…it’s energy. It’s what made Razorwark. And Izzy…and Hilo…alive.” The energy falls onto the robots, making them come alive.
  • Polly takes the robots through a portal so they can build an entire society.
  • Hilo falls to the ground in a flash of light. Although it’s not explained how, Hilo is now a human.
  • Gina uses a “magic gem. The orb of fellbeck. It cast a spell that makes the entire world forget everything that’s happened in the last two days.” After the spell, Gina says, “Time is the stone that falls. Time is the river that crawls. Turn back the water and rock. Turn back the sun and the clock.” After Gina uses the spell, only four people remember what happened.

Spiritual Content

  • None
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