Black Brother, Black Brother

Donte is black, and the white kids at Middlefield Prep won’t let him forget it. They especially won’t let him forget that they like his lighter-skinned brother, Trey, more than Donte. To make matters worse, the administration turns a blind eye when the students harass Donte. When Donte gets bullied and arrested for something he didn’t do, he feels immensely frustrated and helpless.

Then Donte meets former Olympic fencer Arden Jones. Jones begins to train Donte to take on his main bully: the Middlefield Prep fencing captain, Alan. With support from his friends, family, and the folks at the youth center, Donte begins to unpack the systemic racism that has sought to hold him down all his life.

Through Donte and his family’s eyes, Black Brother, Black Brother tackles systemic racism head-on. Jewell Parker Rhodes shows a range of characters including those who willingly ignore the racism, those who show microaggressions, and finally those who are outright racist like Alan. This book is unflinchingly honest in how it deals with how others treat Donte differently than his brother Trey, who has lighter skin. Even the police treat their father, a white man, differently than their mother, a black woman. These experiences are presented openly and honestly, and in a way, that younger readers will be able to understand.

Donte and the other characters are fully fleshed-out people. Donte and Trey’s relationship shows their solidarity and brotherly love as well as the moments where Donte feels insecure around his older, more popular brother. Their relationship with their parents is also lovely, as they are protective of their sons.

The local Boys and Girls Club has a wide range of characters who bring life to the story. The most prominent of these characters is Donte’s coach, former Olympic fencer Arden Jones. Arden helps Donte grapple with the patience and fortitude required in fencing and in life. Arden’s personal experiences and frustrations show Donte how to conduct himself, and by the end, Donte is an excellent fencer who isn’t afraid to stand up for himself.

Black Brother, Black Brother is an important book that illustrates how racism operates on many levels, and how deeply it affects people of all ages. While this book will appeal to people who like fencing, it is a must-read for all people of any age. Through Donte’s experiences, readers will learn about people from various walks of life and the importance of individual courage. Donte may not be real, but he is certainly not the first nor the last student to be judged on the basis of race when he and every other student should be judged based on the content of their character.

Sexual Content

  • Donte meets twins Zarra and Zion. Donte says, “Zarra’s beautiful. First time I ever thought that about a girl. Deep brown eyes. A wide smile. Glowing black skin. I can’t think of anything to say. Not even my name.”
  • A few girls at school wave at Donte. Trey jokingly says, “Got game, little brother. Girls are going to be calling you.” Donte thinks, “Problem is I won’t know if they like me for me. Or because they like Trey. (Zarra would like me for me.)”
  • When Trey meets Zarra, Donte says, “My brother smiles goofily. I groan. He thinks Zarra’s beautiful, too. If he becomes a competition, I’ll lose.”
  • Donte says that one of the girls from school, “has a crush on Trey. (She knows I know.) Trey hasn’t figured it out yet.”

Violence

  • Another student threw a pencil in class and “it hits Samantha. Donte didn’t throw it, but Ms. Wilson turns from the whiteboard and looks at [Donte] anyway.”
  • At his very white private school, Donte is subjected to plenty of racist words and actions. For instance, Donte’s brother Trey is white-passing, so other students mock Donte by calling him “Black brother.”
  • Donte experiences microaggressions from his peers and adults in his life. Donte describes, “Of all the kids in the school, the police found it easy to arrest me. Why was Mrs. Kay scared? Why did Mr. Waters seem to enjoy my troubles? Worse, why did Headmaster call the police on me? Since I’ve been at Middlefield, the police never came for anyone else. Is something wrong with me?”
  • Donte’s mom notes some real-life stories of police brutality against black people. She says, “Tamir Rice playing with a toy gun, killed. Twelve and he’s dead.”
  • Donte describes a video he sees, saying, “there was a video loop of a school officer pulling a girl from her desk, slamming, dragging her across the floor.”
  • Donte and Trey play-wrestle in the kitchen. Donte describes, “I shove Trey. Rebalancing, his hand swipes and the milk falls to the floor. Trey shoves back. I clutch his waist. He pushes back, clasps me around my back. We wrestle. Our shoes slip. Trey’s long leg sweeps behind my knee. I fall. My shirt soaks up milk.” This lasts for about a page.
  • The boys’ fencing team knocks Donte down. Donte describes, “I fall flat on my face. Each teammate gets a dig, a stomp, a step on me. Trey is flailing, trying to shove them away.”
  • In the seventies, another fencer on Coach’s Olympic team, Jonathan Michael, harassed Coach for being black. Coach describes, “Michael bullied me. Called me terrible names. Threatened me. He’d convince Coach I’d broken curfew even when I hadn’t. Convince teammates everything went wrong because of me.”
  • Alan trips Donte. Donte says, “My mask rolls forward. I drop my foil trying to break my fall. A painful shock sears my wrist.”

Drugs and Alcohol

  • After being tripped and hurting his wrist, Donte asks for Advil.

Language

  • The captain of the fencing team, Alan, “says ‘black’ like a slur. Says it real nasty. Like a worse word. A word he thinks but doesn’t dare say.”
  • Donte’s mom tells Donte, “Take off your hoodie. People might think you’re a thug.”
  • Inappropriate language is occasionally used. Words include: nuts and stupid.
  • During a fencing match, Alan yells, “Hey, black girl!” at Zarra.
  • Another fencer, Jonathan Michael, says some very rude things to Coach while Donte and another young fencer watch. Michael’s young fencer tries to shake hands with Coach, but Michael bats the kid’s hand away. Michael then says, “You don’t shake hands with someone dishonorable.”
  • Someone leaves a note for Trey. Donte sees the first part that says, “Why play with…” but he doesn’t look at the rest because, as he says, “I don’t want to see a hateful word.”

Supernatural

  • Donte is black and experiences discrimination at his private school where most of the other students are white. Because of this, Donte wishes that he “were invisible. Wearing Harry Potter’s Invisibility Cloak or Frodo Baggins’s Elvish ring.”

Spiritual Content

  • Zarra brings in books about women in fencing. She mentions that in the 2016 Olympics, a woman named Ibtihaj Muhammad won team bronze, and that “she’s a Muslim American and fences in a hijab.”

by Alli Kestler

 

Deep Water

Twelve-year-old Julie Sims is still reeling from her parents’ separation and from being moved to a different city. On the other hand, she is looking forward to spending the summer with her father and helping him with his diving business. However, Julie soon finds out that her father hasn’t weathered the divorce well and his business is about to fail. When a rich client agrees to pay an extreme amount to go on a dive, Julie knows her father will have to say yes because he desperately needs the money.

When Julie’s father falls ill miles off the coast of Alabama, Julie knows she must guide the client and his reckless son, Shane, into the depths of the ocean. Both the son and father ignore Julie’s instructions during the dive. Julie realizes she’s in over her head, but it’s too late to avoid danger. When the anchor loses its grip, the boat floats away making it impossible for the scuba divers to locate it. Stranded in the middle of the ocean, Julie just hopes someone will find them before it’s too late. Can Julie keep everyone alive until help comes, or will they all sink to the bottom of the ocean?

Julie’s story focuses on survival and jumps into action right from the start. Deep Water is not a character-driven story but instead centers around Julie’s desire to survive and her conflicting emotions about Shane. Shane’s father is killed by a shark which makes the two teens realize that they must work together. As Julie gets to know Shane, she realizes that Shane’s bratty behavior is caused by the deep hurt he is hiding. Within this survival story, both Julie and Shane’s family dynamics are explored, adding another interesting element to the story.

Key’s love and respect for the ocean shine through the entire story. Even though Julie faces sharks, freezing waters, and other dangers, she doesn’t lose her love of the ocean. Deep Water is a suspenseful survival story that doesn’t rely on typical events. Instead, the story weaves unique elements to create an entertaining tale that readers will have a hard time putting down. The ending is predictable and the characters are not well developed, the story’s action and suspense will still entertain survival story fans. The Raft by S.A. Bodeen and Adrift by Paul Griffin will also be good for any readers who enjoy ocean-themed survival stories.

Sexual Content

  • None

Violence

  • When Shane yells at Julie, she “spun around and punched him in the face with all my fear and anger.”
  • Julie thinks about a shark story her dad told her. The sharks “often tore into each other by mistake. He saw one of the sharks with its stomach completely ripped out, still feeding for another few minutes until the life suddenly left it.” The other sharks “ripped it up even more and ate it.”
  • While stranded in the middle of the ocean, Mr. Jordan begins to thrash about. “He began lifting his arm from the water repeatedly, plunging the knife blade down at his imaginary sharks.” When Julie and Shane realize they can’t help him, they let go of Mr. Jordan. It is implied that the sharks kill Mr. Jordan.

 Drugs and Alcohol

  • Julie mentions that her mom takes anxiety medication.

Language

  • Someone calls Julie’s dad a jackass.
  • When Shane realizes his dad has the bends, he says, “We’re so screwed.”
  • Someone refers to another person as a jerk four times. For example, Julie tells Shane, “I don’t understand why you wouldn’t want to be nice to people. Why would you want to be a jerk?”
  • “God” is used as an exclamation twice. “Oh my God” is used as an exclamation once.
  • Julie tells Shane his dad is an idiot.
  • Crap is used eight times. For example, when Shane loses sight of a shark, he yells, “Where’s that one going? Crap! Where’s he going?”
  • “Holy crap” is used three times. For example, Shane sees a waterspout heading for him and Julie and says, “holy crap!”
  • When Shane is snarky, Julie tells him, “don’t be a smart ass.”

Supernatural

  • None

Spiritual Content

  • None

Shark Girl

On a sunny day in June, at the beach with her mom and brother, fifteen-year-old Jane Arrowood went for a swim. And then everything — absolutely everything — changed. Now she’s counting down the days until she returns to school with her fake arm, where she knows kids will whisper, “That’s her — that’s Shark Girl.”

In the meantime, there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it’s like to lose part of yourself — and to summon the courage it takes to find yourself again.

Part of Jane’s story is told in prose, which allows the text to focus on her conflicting emotions. One reason Jane feels despair at losing her arm is that she can no longer create art, which is one of her passions. During Jane’s stay in the hospital, several people encourage Jane to allow herself to be upset. Jane’s uncle says, “If I were in your shoes, I’d be crying too. . .You have a lot to cry about, and don’t ever apologize for it. It’s part of healing. The tears wash away the pain.”

Many people who have lost a limb write to Jane, telling her about their ordeals and how life does get better. Others want Jane’s advice when it comes to their own tragedies. The letters, which are scattered throughout the book, help reinforce the idea that people can lead happy lives even after a life-altering tragedy.

Anyone who has ever had to overcome an obstacle will relate to Jane, who is struggling to learn how to deal with the loss of her arm. The story is broken into three parts. Part one focuses on Jane’s hospital stay, where she befriends another patient. Part two shows Jane’s difficulty when she gets home. At first, Jane doesn’t want to leave the house because people stare at her. She also doesn’t help with chores anymore. Part three shows how difficult it is for Jane to return to school.

Shark Girl is an easy-to-read story that shows Jane’s struggle to thrive with only one arm. At the beginning of her journey, she sometimes wishes she would have died. However, with the help of others, Jane beings to relearn how to do simple things like cooking an omelet or putting on a bra. By the end of the book, Jane is glad she survived and hopes to use her experience to help others.

Because Shark Girl focuses on Jane’s recovery, much of the story details Jane’s inner thoughts and her conversations with others. Because Jane’s story begins after the shark attack, there is little suspense or action. However, if you’re struggling to overcome grief, Shark Girl would be an encouraging story that explores how to deal with loss and grief.

Sexual Content

  • Jane daydreams about Max taking her to an aquarium. “He’ll kiss me / while giant red crabs / scale pink coral.”

Violence

  • A shark bites Jane’s arm off, but the accident is not described in detail.
  • When Jane gets upset at a friend, she thinks, “Maybe I could make a noose / and hang her.”

 Drugs and Alcohol

  • After losing her arm, Jane is given medication for the pain. “Tubes spiral around my bed. . . The pain medication leaves me floating.”

Language

  • Profanity is used occasionally. Profanity includes ass, bastard, crap, damn, hell, pissy, and shit.
  • Lord, God, and Oh My God are used as exclamations rarely.
  • When Jane complains about all of the cards she has received, her mother says, “Jane, for God’s sake, just appreciate it.”

Supernatural

  • None

Spiritual Content

  • Jane wonders why she was bitten by a shark. “Don’t even tell me / God has a reason / for making Justin suffer / or me, either.”
  • Jane’s uncle tells Jane about his friend who was disfigured by a burn. He says, “He never lost his faith in God. Never questioned why that happened to him and not to someone else. . . I’ve been asking God about this, Jane. And I think as bad as it is, we have to remember how close you came to death. . . I believe in my heart that God saved your life that day.”

 

 

 

Piratica

Art attends a school for proper young ladies. That is, until she bumps her head and remembers her long-forgotten past. Her mother was Piratica, a pirate queen, and Art grew up on her mother’s pirate ship. Art lost her memory not in a mundane accident, but from an exploding pirate ship that claimed her mother’s life! Now that she remembers where she came from, Art quickly takes on her mother’s mantel and runs away to find her mom’s old pirate crew.

Felix was already down on his luck when an unfortunate run-in with Art leaves people thinking he is a famous highway robber. Unable to convince the law that he is innocent, Felix is forced to flee for his life. He ends up on Art’s pirate ship, where he is courteously imprisoned. The pirates promise he will be put ashore when they are far enough from London that he cannot turn the pirates into the law. However, as their adventures continue, Felix finds his utter distaste for pirates warring with a growing admiration for Art’s fearlessness.

Piratica honors bravery, loyalty, and a bit of pirate flair. Art is an inspiring character, who is not immune to doubt, but she is unwilling to let it slow her down for a moment. Determined to will her dream of becoming a pirate into reality, her pirate crew cannot help but be swept along by her vision. With a delightful cast of well-developed supporting characters, every scene carries readers along this swashbuckling tale.

Full of fun, adventure, and a healthy helping of piratical ridiculousness, Piratica is a must-read for anyone who loves adventure, pirates, or strong female characters. The silliness is over-the-top, yet remains believable and thoroughly enjoyable. With plenty of action but not much gore, this is an excellent story for readers looking for more exciting adventures who aren’t mature enough for adult content.

Sexual Content

  • A girl kisses Felix as he escapes from a fight. “She kissed Felix so forcefully it knocked him into the chute.”
  • When the pirates reach Africay, “Slender black locals . . . offered them wives. . . Even Art was offered a wife.”

Violence

  • When one of Art’s pirates slanders her, she slaps him. He “raised his fist . . . but Art had ducked Black Knack’s blow with the perfect weaving motion of the trained fighter. Swimming back, she punched him instead with a sharp thwack on the point of his shaveless jaw. Black Knack’s eyes rolled up. He keeled straight over.”
  • A fight breaks out in a bar. “Cutlasses sparkled and fists flailed. Flying bottles and cuts filled the air . . . Art avoided a descending beer mug and shoved off a fighter who had got carried away and was trying to brain her with a chair.”
  • Art and her pirates capture a ship. When the captain tries to fight, “Art kicked him hard in the leg, and he went to one knee. Behind her at once she heard a scuffle, two or three cries, a series of thuds.”
  • Art and her pirates defend themselves when another ship tries to board them. “She fired. The bullet whizzed, unseen, over the sea between the two ships . . . The bullet struck, as Art had meant it to, a smoke-wreathed barrel of gunpowder left on the forecastle. Which blew up like a firework of pink and primrose.” The fight is described over three pages.
  • A pirate shoots Black Knack. “Then Goldie fired. Fire flash. The silliest sound—like a huge twig snapping. Black Knack seemed to jump—that was all—to jump forward—forward—The jump took him right past the hatch . . . it threw him instead to the lip of the cliff. And over.”
  • Art and Goldie duel. “As she sprang, Art saw Mr. Beast rearing, cutlass and pistol in the way, and landed a fist of ringed knuckles at the base of his nose . . . one of those little knives came zipping out, straight for Art’s throat. Art dodged . . . the knife cut her thinly along the right cheekbone. But Goldie, they now all saw, was bleeding at the temple where the hair had been sliced away.” The fight is described over five pages.

Drugs and Alcohol

  • When running away, Art sees the gate porter “drinking hot gin. He never noticed her, and minutes later she was over the wall.”
  • When a highwaywoman comes to a tavern, the owner says “I’ll take a look at your loot, dear, and we’ll drink some gin.” The highwaywoman responds that she wants sherry because “You know I can’t stand the gin.”
  • Art and her crew visit a tavern with “tall tots of rum and liqueurs.”
  • After a victory, Art’s pirate crew “downed everything—rum, wine, the brandies of Africay, the home-brewed lemon ciders, coffee in which a knife could have stood upright.”
  • For their last meal, Art receives “a bottle of wine.”

Language

  • God is used as an exclamation twice. Art’s dad says, “By God, what’s this?” Another time, Felix says “Oh, God.”
  • Devil is used as part of exclamations. Art’s father exclaims, “Why the devil are you smiling?” A man says, “If a woman did such a thing—she was the devil itself.”
  • Funny exclamations are used often. A few examples include “Cat’s Wallopers,” “Goat’s Gizzards,” “Caterwauling Stars,” “Dastardly Custard,” “by the Sacred Pig of Eira,” and “By the Yak!”
  • Variations of damn are used several times. A man says, “You’re damnably late, sir.” Another man says, “Get your act together, and we’ll be off, dammit innit.”
  • Hell is used as an exclamation several times such as “Hell’s Porcupines,” “By the Blast of Hell,” and “Hell’s Kettles!” Also, a pirate calls Art “a hell of a captain”, and once Art asks, “What the hell could that be?”
  • Poo is used twice. A man says, “And poo to you, too!” Another man says, “Poo to you, sir!”
  • A man calls someone a “pompous asp.”
  • When going into a pitch-black cave, Black Knack tells Ebad, who is black, “Don’t you go in, Ebad. We’ll lose you.” Durk turns and slaps Black Knack in response.
  • Bitch is used twice. Goldie tells her pirates, “You lazy pigs—come here and help me finish this bitch.”

Supernatural

  • None

Spiritual Content

  • A man exclaims, “By the Lord’s Armchair.”
  • One of Art’s pirates says, “I wish to God Molly were here.”
  • A pirate cries, “Fill ‘em full of lead, by the Lord’s Armchair” and another says, “by the sacred Blue of Heaven.”
  • Ebad says, “It’s Molly. By the Lord God. Our Molly Faith.”
  • The pirate Black Knack tells Art, “You’re no girl. You’re a demon. But—a hell of a captain, I’ll give ye that.”
  • Before supper, a pirate says, “Thank you, God, for the gift of greed.”
  • Art finds a message left by pirates. It reads, “We are the Pirate Kind. We live by blood and murder. We end our days on a rope, or under the pitiless acres of the Sea. After which, we are told, we must suffer forever in the Kingdom of Hell, for our Sins.”

by Morgan Lynn

 The Prisoner of Cell 25

Michael Vey is a teenager trying to survive high school in Meridian, Idaho. He has Tourette’s syndrome – except that is not all that complicates his survival. Michael also has a secret: he’s electric.

The only person who knows of his electric powers is his best friend Ostin, and his caring mother, Sharon. His mom attempts to protect Michael and keep his secret safe. But a cheerleader at Meridian High School named Taylor, discovers Michael’s powers after he shocks a bully and his gang. Michael realizes there’s more to the picture when Taylor reveals she has powers of her own—she can read and reset minds based on electrical signals.

Michael and Taylor, with the help of Ostin, set out to learn more about Taylor’s and Michael’s powers. The three friends struggle to keep their secrets safe as they navigate high school life. They band together to form a club, the “Electroclan.” The group sets standards for how and when they should use their powers. However, the search for the origin of their abilities entangles the group in a fight for their lives. A mysterious organization called the “Elgen” kidnap Taylor and hold Michael’s mother hostage. In order to rescue them, Michael teams up with Ostin and his ex-bullies from the Elgen’s academy (which is really a laboratory and prison) in Pasadena, California.

The story follows Michael and the other main characters’ limited perspectives, including the manipulative Dr. Hatch, one of the Elgen. Michael learns more about the evil deeds of the corporation that stole his mother and gave him his powers. Hatch tries to convince Michael and Taylor to join him, although Michael doesn’t agree with Hatch’s desire for global domination. Michael is most concerned with protecting those he loves and keeping himself on the right side of history. Despite the changing perspectives, the story’s plot is easy to follow. The Prisoner of Cell 25 also has a host of interesting side characters and unexpected plot twists.

This coming-of-age story is geared towards late middle schoolers and early high schoolers. While this age group may not relate to having superpowers, the Michael Vey series emphasizes staying true to one’s values and being loyal to one’s friends and family. Temptation, torture, and manipulation from the Elgen, the evil side, are common themes in the story. Michael is constantly pressured to choose differently than what he thinks is right, such as when Dr. Hatch wants him to forget his mother and join his academy. The gravity of these themes can be unsettling because the teens in the story are manipulated by an older and more powerful adult: Dr. Hatch. Michael struggles under the responsibility of his power, but all the characters—including the non-electric ones — show that the ability to choose is the greatest power we have.

Sexual Content

  • Ostin thinks Michael’s mom is attractive. He calls her “hot” and “a babe.”
  • Taylor is described as very beautiful. Ostin and Michael both think so. At one point, Ostin says, “Taylor’s really a babe. You know she likes you . . . I read this book on body language. And I was watching her body.” Michael says, “Yeah, I bet you were.” Ostin replies, “for scientific purposes.”
  • Michael has a crush on Taylor. They begin dating towards the end of the story and share a few quick kisses. Michael describes, “She [Taylor] set down the phone and walked over and took my hand… She leaned forward and kissed me on the lips. Then she wrapped her arms around me and we kissed again.”

Violence

  • Because the Elgen are trying to locate Taylor and Michael, there is a bounty placed on them.
  • Michael and Ostin are bullied in school by a gang of boys. “It was the second time I’d been locked in my locker by Jack Vranes and his friends that month. This time they put me in upside down and I nearly passed out . . .” The gang also “pantsed” Ostin.
  • Michael reveals why he left his previous school: “When I was in sixth grade… a bunch of wrestlers put me in the lunchroom garbage can and rolled me across the cafeteria… It took five minutes before I couldn’t take it anymore and I ‘went off,’ as my mother calls it. I wasn’t as good at controlling it back then, and one of the boys was taken to the hospital.”
  • Knowing of Michael’s powers, Ostin suggests that Michael shocks people that pick on him.
  • When they suspect Michael of ratting them out, Jack and his gang beat him up. Michael uses his powers to shock them. Michael will frequently use his powers to defend himself from worse threats. The scene is described over four pages. “Jack grabbed me by the hair and pulled my head around… He smacked me again on the nose, which sent a shock of pain through my body. At that moment something snapped… A surge of anger ran through my body so powerful I couldn’t control it. Suddenly a sharp, electric ZAP! pierced the air, like the sound of ice being dropped onto a hot griddle. Electricity flashes and Jack and his posse screamed out as they all fell to their backs and flopped about on the grass like fish on land. I rolled over to my side and wiped the blood from my nose… I stood above Jack, who was frothing at the mouth. ‘I told you to leave me alone. If you ever touch me again, I’ll do worse.’”
  • When Ostin uses a multimeter to test the levels of Michael’s electricity, he says Michael produced so much electricity that he “could kill someone.”
  • When investigating birth records, the Electroclan discovers that Michael and Taylor’s birthdays coincide with an increased number of infant fatalities at Pasadena General Hospital. Only 17 of 59 children survived. They discover that the incident is related to Elgen.
  • While out to dinner with Ostin, Michael and his mom are held at gunpoint by a robber working for the Elgen corporation. Michael shocks him, but it was a test to see his skills. Dr. Hatch – the head of the Elgen’s facility in Pasadena, California – has one of the other 17 electric children, Zeus, shock Michael’s mother. Nichelle, another electric child who is also present, uses her power on Michael to take away his electricity.
  • Nichelle, one of the electric children, takes pleasure in hurting other people with her powers and frequently does so, even when she’s not under orders by Dr. Hatch. She tortures Michael upon first meeting him: “As the girl neared me I started to feel different… With each step the girl took toward me, my dizziness increased. Then my head began to pound like a bass drum.” She tortures many of the electric children, remarking once of Michael that she “almost killed him.”
  • Dr. Hatch’s elaborate schemes often involve the forced participation of the electric children. He tries to get Taylor and Michael on board by separating them from their families and bribing them to join him. He has a twisted view of reality. When talking about the babies that died, he says, “Accidents are the price of civilization. Blood oils social progress. Sure, it was awful, but was it worth it? Believe me, it was.”
  • Tara, Taylor’s twin sister, can produce fear and reset brain signals. She also uses her powers to torture others because she is loyal to Dr. Hatch, such as making people think snakes are crawling on them. This isn’t described by any of the characters until Michael is in Cell 25.
  • It is implied that the Elgen brought down an airplane, killing the passengers.
  • Dr. Hatch “broke” Tanner, one of the electric children. Hatch tortured Tanner’s little brother in front of him. Hatch says, “The first time I told him to take down a 747 he refused. Until we let him see his little brother getting nearly electrocuted by one of your peers. It only took ten minutes of his screams before he was quite eager to help out.” It is also implied that they killed another girl’s adopted family in an electrical fire.
  • Dr. Hatch pressures Taylor into using her powers to “reboot” people. Rebooting is Taylor’s word for making someone forget what they are doing. Hatch makes her do this to a singer at a concert, making the singer forget her lyrics. Taylor learns that Hatch often forces the students to demonstrate their powers as a test of their loyalty to him.
  • Dr. Hatch punishes the children if they lash out and use their powers on others, such as when Zeus shocks someone at the concert. “Bolts of electricity shot out from Zeus’s fingers. The man cried out and dropped to the ground like a bag of concrete.”
  • Later, Dr. Hatch tries to make Taylor reboot a motorcycle driver, but she refuses because he could crash and die. Instead, Tara reboots the man for her. Taylor argues, “’He asked me to kill someone.’ ‘So what?’ Tara replies. . . ‘They’re just people!’
  • When Taylor refuses to reboot a man, Nichelle tortures her as punishment. Hatch says, “’You have no idea what hurt is. But you will. Nichelle, Miss Ridley needs a little lesson in gratitude—about an hour’s worth to begin with. Oblige me.’ A sadistic smile lit up Nichelle’s face. ‘I’d be happy to.’ Nichelle stepped inside the darkroom and Hatch shut the door behind the girls. He could hear Taylor’s screams even before he reached the other end of the corridor.”
  • Jack and Wade, Michael’s former bullies, agree to drive him and Ostin to Pasadena. Because they formerly did not get along, name-calling and threats are common. Michael learns from Jack about Wade’s upbringing. Wade’s “parents were alcoholics. His old man used to beat the tar out of him until the state took him away. He lived with foster parents until they put him with his grandma, but she doesn’t really want him. She’s not shy about telling him either.”
  • After breaking into the academy, Hatch imprisons Michael. Nichelle uses her power to force Michael into submission. When Michael lunges at Hatch, Nichelle protects the doctor by using her powers against Michael, “Pain seared through my entire body, buckling my knees. I fell to the ground screaming.”
  • Hatch tells Michael that he killed his own father by stopping his heart.
  • Hatch often threatens to use violence because he will use any means necessary to get Michael on his side, including harming Michael’s mother, who they still have imprisoned. Hatch also wants Michael to shock a GP—the name the academy gives to their human guinea pigs, who are kept with shockable collars that don’t allow them to speak.
  • Hatch imprisons Michael in Cell 25, which is supposed to be a form of torture. Later, the reader learns that it is a special type of solitary confinement in which Tara creates fear. Michael stays in Cell 25 for twenty-six days, which is described in a short chapter. “I was suddenly filled with fear like I had never felt before. Something evil was crawling around in the cell… Something frightening beyond words.”
  • After, Michael is still defiant, so Hatch orders Zeus to kill Ostin and Taylor in front of him. However, Michael distracts Zeus and escapes with Taylor and Ostin.
  • The group of electric children that aren’t loyal to Hatch attempt to escape the academy. The kids use their powers to knock out the guards. The non-electric kids often fight with their fists. “Wade hit first, wrapping his arms around the guard’s legs, while Jack knocked him over. The other inmate grabbed the guard around the neck. The guard was flailing around but had no idea who or what had hit him.” The rest of the fighting is not described in great detail.
  • During the escape, Hatch attempts to shoot Michael, but Zeus stops the bullet. “Hatch pulled a revolver from beneath his jacket and pointed it at me. ‘You did this, Vey. Now pay.’ He pulled the trigger. As the gun erupted, lightning flashed across the room and hit the bullet inches in front of me, blowing it into nothing.”
  • The final confrontation is between Michael and Nichelle. He stops her by surging with all he has, which hurts her: “’Stop it!’ Nichelle screamed again, then began convulsing as if she were having a seizure… [She] fell to her knees in agony.” He stops when she’s unconscious.

Drugs and Alcohol

  • Jack, Michael’s former bully turned ally, is seen smoking a few times.
  • When Taylor is kidnapped, she “felt as if she’d been drugged.”
  • Jack’s brother is in prison due to a gunfight over drug money. He tells Michael, “He got really messed up on drugs. He and a guy were stealing snowmobiles to get money for drugs when the owner came out. The guy with [Jack’s brother] had a gun and he shot the man. My brother didn’t even know that he had a gun, but the way the laws are, he’s also guilty.”
  • Wade’s parents were alcoholics.

Language

  • Name-calling is frequent, both affectionately and for bullying purposes. Insults include spawn, stupid, wimp, freak, and idiot.
  • Michael is sometimes made fun of for having Tourette’s. Jack calls him “blinky boy.”
  • Ostin is made fun of for his weight. He’s called “doughboy.”
  • Sometimes insults are created to reference powers of the electrical children. For example, Michael is called “glow worm” because the electric children glow in the dark. Ian is called “bat boy” because he uses electrolocation to see, similar to how bats use echolocation.

Supernatural

  • The seventeen electric children have electric-based powers and have a faint glow in the dark. Michael can “shock,” “pulse,” and “surge” electricity.
  • Taylor can “reboot” people by resetting electrical brain signals.
  • Nichelle can cause pain and take away electricity. She calls herself an “electrical vampire.”
  • Zeus can shock others with lightning bolts.
  • Tara can induce fear and other emotions.
  • Bryan can burn through objects.
  • Kylee is similar to a magnet since she can bring metal objects to her and stick to metal surfaces.
  • Mckenna can make light and heat.
  • Abi can take away pain due to stimulating nerve endings.
  • Tanner can interfere with electrical signals, often with aircraft.
  • Ian, who is blind, uses electrolocation to see.
  • Grace works like a computer and can import electric data files into her memory.

Spiritual Content

  • Hatch remarks that fate favored him. He says, “we never dreamed that we’d be so fortunate that she’d [Taylor] lead us to you. In this matter, fate was truly generous.”
  • Michael thinks, “Fate sucks.”

by Madison Shooter

The Vanishing Deep

Seventeen-year-old Tempe was born into a world of water. When the Great Waves destroyed her planet five hundred years ago, its people had to learn to survive living on the water. However, the ruins of the cities lay below. Tempe dives daily, scavenging the ruins of a bygone era, searching for anything of value to trade for Notes. It isn’t food or clothing that she wants to buy, but her dead sister’s life.

For a price, the research facility on the island of Palindromena will revive the dearly departed for twenty-four hours before returning them to death. It isn’t a heartfelt reunion that Tempe is after; she wants answers. Elysea died keeping a terrible secret, one that has ignited an unquenchable fury in Tempe. Tempe knows that her beloved sister was responsible for the death of their parents; now she wants to know why.

But once revived, Elysea has other plans. She doesn’t want to spend her last day in a cold room accounting for a crime she insists she didn’t commit. Instead, Elysea wants her freedom and a final glimpse at the life that was stolen from her. She persuades Tempe to break her out of the facility, and they embark on a dangerous journey to discover the truth about their parents’ death. Every step of the way they are pursued by Lor, a Palindromena employee desperate to find them before Elysea’s twenty-four hours are up—and before the secret behind the revival process and the true cost of restored life is revealed.

The Vanishing Deep takes the reader on a trip into the future, where people live on metal structures on the ocean. The Old World was destroyed due to unsustainable practices because people “always [are] wanting more than we have.” Scholte’s world-building is detailed, realistic, and beautiful. Even though the story shows the importance of caring for the earth, the message is integrated into the story and never feels like a lecture.

The story jumps back and forth between Tempe’s and Lor’s points of view, which helps build suspense. Both characters are suffering from grief, but they each react to the loss of a loved one in different ways. Lor hides from the world and forces himself to pay penance to his friend’s death. On the other hand, Tempe is so shrouded in anger that she hasn’t grieved for her lost sister. By the end of the story, both Lor and Tempe realize they need to deal with their grief. Tempe realizes “anger had been my anchor. It had tethered me to the darkness in the world, to the things I couldn’t control. I had hidden from my grief. It was easier that way. But it wasn’t healthy.”

The Vanishing Deep is a suspenseful story that propels readers into an imaginative world that makes one consider questions about death. Tempe and Lor’s different perspectives show how grief can overtake someone’s life in unexpected ways. The conclusion contains several surprises but also leaves many unanswered questions. Despite this, readers will enjoy the journey through the New World, where people can resurrect a loved one. The story leaves off on a positive note by reinforcing the need for people to go through the grieving process, which includes learning to fully live their lives even though they’ve suffered an incredible loss.

Sexual Content

  • Lor and Tempe kiss. Tempe’s “skin blistered at the touch of him. I wasn’t sure who had ignited who. He tasted like the sea, smoke, and brine. His hand snaked up and into my hair. I breathed him in between kisses, needing him, needing this, needing life.”

Violence

  • When Tempe was younger, kids “would circle me, throw things in my hair and chant, water witch, water witch, water witch, as they ran around me. They wanted protection from the Gods below. Protection from me.”
  • When Tempe and her sister escape Palindromena, Lor goes after them. When Elysea sees him, she yells, “He’s already killed me once! Don’t let him do it again!” The barkeeper “tossed the knife at [Lor]. . . The knife dug into the counter, scratching [Lor’s] arm and pinning [Lor’s] shirt to the wood.” Lor is uninjured.
  • When Lor boards Tempe’s boat, she “Dove toward him, my arms connecting around his middle. . . He slipped on the wet metal hull, and we fell to the deck. . .He had hit his head against the mast when he fell. He was out cold.” Tempe ties Lor to the boat.
  • Lor and his best friend, Calen, were climbing a cliff when they fell into the sea. Lor died and his mother “couldn’t say goodbye to her son, so she killed Calen so Lor could live on.”
  • Tempe, Elysea, and another boy go to an underwater temple where they are ambushed. “Something silver shot past [Tempe’s] shoulder, tearing through my diving skin and into my flesh. I gasped in pain.”
  • While in the temple, a rebel named Qera grabs Tempe. Qera “grabbed my leg and twisted the flipper off. . . I reached for Qera’s wrist. She elbowed me in the face, attempting to tear my dome loose.” The fight is described over five pages. No one is seriously injured.

 Drugs and Alcohol

  • After diving, Tempe takes a “recompression pill to neutralize the bubbles that were currently forming in my muscles and bloodstream.”
  • When Tempe goes on land, she is given “two opaque pills” to help with the stationary sickness.
  • There is the occasional mention of drinking rager—“a spirit made from fermented seaweed that hit you in the face like the odor of a month-dead familfish.”
  • A man goes to the bar and asks for a rager. He says, “Thanks, man. Liquid courage.”
  • While at a celebration, Lor drinks rager. Lor takes “a tentative sip. The fermented drink burned my tongue and made my eyes water.” Lor gets drunk.
  • The day before Tempe’s birthday, she goes to a bar with her friend. The worker gives Tempe’s friend “a shot of rager and a half a shot for me.”

Language

  • Profanity is used occasionally. Profanity includes ass, bastard, crap, damn, piss, and shit.
  • “Gods below” and “Gods” are both used as an exclamation occasionally.
  • Fuck is used once.

Supernatural

  • Scientists found a way to bring people back to life for 24 hours. Some thought “bringing back the dead was against the Gods’ wishes. Both Old and New.”
  • When a person is revived, he or she is “intrinsically linked through the echolink, tethering to my heartbeat. If she died, I would too.”

 

Spiritual Content

  • The New Gods and the Old Gods are mentioned, but no specific information is given about them.
  • Several times, Tempe prays to the Gods below. For example, she drops stones into the ocean “saying a prayer to the Gods below who took souls from boats in a storm and the air from the lungs of divers.”
  • In the past, “the Old World believed in the Gods above and followed the stars to journey across the land.”
  • Some people believe the “Old Gods had turned away from us and our selfishness.”
  • Tempe “doesn’t believe in luck; I believe in the Gods below and what they determined for my future. Why they had chosen to take my parents and my sister, I wasn’t sure.”
  • When Tempe goes to Palindromena, someone says, “Praise the Gods below for protecting our island.”
  • Tempe asks her sister about death, but her sister doesn’t remember anything. “Those who believed in the Gods below said you would be reunited with your loved ones in a realm beneath the sea. A realm where you could breathe underwater. And those who believed in the Old Gods said you would go to a place in the sky.”
  • When Tempe’s sister suddenly becomes unconscious, Tempe prays. “In all the times I’d prayed to the Gods below, they’d never listened. I begged that they would this time. Just this once.”
  • Lor wants to save Elysea’s life, but he’s not sure how. “For the first time in my life, I whispered words of prayer to the Gods below, not knowing if they existed, listened or cared. But wasn’t that how everyone prayed? With faith that they weren’t alone and no evidence to prove it?”

 

 

 

Breath Like Water

Susannah Ramos became a world champion swimmer at 14. But two years have passed, and she has yet to reclaim her former glory after an injury. Susannah is fighting through the lapse, but she feels like she’s floundering at the one thing she loves most in the world – swimming. When a new coach with a new training strategy and a charming new teammate named Harry Matthews enters her life, Susannah begins a painful fight back to the top of the ranks.

During her dramatic comeback, romance blossoms between Susannah and Harry. But Harry has secrets of his own, and the pressure of competitive swimming and other outside forces work to pull the pair asunder. Susannah must work to balance her own needs and the needs of her loved ones. She must also figure out which wonderful things in life, like friends and swimming, are worth the struggle.

One of the most prominent storylines of Breath Like Water deals with Susannah’s journey as a competitive high school student-athlete. Jarzab intelligently writes about Susannah’s experience with constant pressure from intense coaches and her teammates. The coaches in particular stand out because of their interactions with Susannah and her teammates. They give an intensive look at what it means not only to work hard but to work with intelligence. The swim competitions are well-paced and show Susannah’s thought process as she’s competing.

Told from Susannah’s point of view, this story shows her as a likable but tough kid. Breath Like Water spends a good amount of time detailing Susannah’s recovery from a shoulder injury. The story also shows Susannah’s mental and physical struggle that comes from being a competitive athlete. These parts of Susannah’s journey show her frustration and determination to be better. Susannah faces adversity at every turn, and she takes the emotional and physical pain with as much grace and dignity as could be asked of a sixteen-year-old.

Another prominent storyline deals with the relationship between Susannah and Harry. They quickly go from friends to dating. Susannah learns that Harry has dealt with bipolar disorder for much of his life. This book tackles the difficult parts of Harry’s life, including his past drinking problems and self-harm, and he does relapse during the novel. Susannah and Harry learn how to cope with their insecurities and neither character is villainized for who they are. Things are not perfect for the pair, but they care about each other and work to make their lives better.

Breath Like Water is a refreshing story that intertwines competitive swimming with Susannah’s growth into young adulthood. The heart of the novel is in the love Susannah has for swimming, for Harry, and for her family. Susannah wants to make it to the Olympics, but she learns that win or lose, she has to love herself and love what she does. This book is excellent for those who want an exciting, and often times harsh, look at the reality of competitive swimming. Breath Like Water reads like a love letter—to family, to friendship, and to the water that keeps us all afloat.

Sexual Content

  • One of Susannah’s former swim teammates is pregnant, much to everyone’s surprise as she was slated for the Olympics. When Susannah asks how, her friend replies, “Don’t make me explain where babies come from. My version does not involve storks.”
  • Harry shows up at Susannah’s house early in the morning. She sees Harry and thinks, “The sight of him does funny things to my nether regions.”
  • Susannah likes Harry, and Harry likes Susannah. Susannah thinks about her feelings and says, “I’ve had crushes—I’ve even been kissed a few times, by a boy at swim camp a few summers ago—but nothing close to Harry.”
  • After beating her time at Nationals, Susannah kisses Harry. She narrates, “Before he can say anything else, I bracket his face with my hands and press my lips to his lips in a long, hard kiss that leaves my head spinning…Harry lifts my chin with his fingers and takes my lips with his, easing them apart. His palm comes to rest on my jaw and his other hand drifts to my hip, drawing me in by the waist.” They continue to kiss periodically throughout the book.
  • Harry keeps touching Susannah’s leg with his foot, and Susannah thinks, “He’s got sneakers on, and I’m wearing jeans, and we’re in public, but the image of his barefoot gently touching my bare leg as we lay wrapped around each other in bed keep flashing through my mind.”
  • Susannah is worried about having sex. When she asks Harry if he’s a virgin, he “shakes his head slowly.”
  • Susannah walks in on her sister Nina and another girl “making out on Nina’s bed.” They tell Susannah that they’re dating. Nina later comes out to her parents as pansexual.
  • Susannah and Harry have sex. Susannah narrates, “I love the weight of him, the soft hair on his legs tickling my bare ones, the sharpness of his hip bones digging into mine . . . I sigh as he kisses my throat, my collarbone, the space between my breasts, letting myself drown happily in the sensation of knowing someone loves the body that I never could.” The scene is described over a couple of pages.

Violence

  • Harry has bipolar disorder. When he was young, he “did stupid stuff. Defaced a public building, got into fights with other kids. I was drinking and taking pills, and I . . . I cut myself, sometimes . . . Where no one else can see.”
  • While in a depressed state, Harry “cuts himself too deep” and then calls Susannah for help. Susannah calls 911. When she arrives at his house, she sees “travel-size bottles of alcohol scattered underneath Harry’s desk.” Harry’s parents decide to take him to the youth ward of the psychiatric hospital – one that he’s been to before.

Drugs and Alcohol

  • Susannah and her friends go to a house party with other high schoolers. Susannah notes that most of the students “have red Solo cups in their hands, which I’m sure do not contain soda.”
  • Susannah’s mom sends Susannah’s dad out on an errand run before the tamalada, a tamale-making party, to pick up “last-minute groceries, liquor, and other supplies.”
  • Nina, Susannah’s older sister, “has appointed herself bartender” for the tamalada. The adult relatives get a little tipsy during the tamalada.
  • When he was eleven, Harry found out he has bipolar disorder. According to Harry, he “didn’t know how to control [his] emotions or understand what was going on with [him], so [he] started stealing vodka from Bruce’s liquor cabinet and getting drunk in [his] room whenever [his] parents fought.”
  • For his bipolar disorder, Harry is on a list of meds. He lists them saying, “I’m on a mood stabilizer, and Prozac . . . I also take Xanax for anxiety, and Ambien to help me sleep when I need it.”
  • Susannah tears the labrum in her shoulder, and the doctors, “gave [her] some good drugs” to fight off the pain.
  • Susannah’s mom takes Susannah to get prescribed birth control from the gynecologist.

Language

  • Profanity is used frequently throughout. Profanity includes ass, fucking, shit, and damn. People flip each other off on a few occasions as well, though in jest.

Supernatural

  • None

Spiritual Content

  • Harry and Susannah use the Jewish community center’s pool to practice, and Harry mentions that his stepdad is Jewish.
  • Every Christmas, Susannah’s family hosts a tamalada, where family, friends, and neighbors are invited for a massive “tamale-making party.”
  • Susannah mentions that her parents were raised Catholic but that they don’t go to church.
  • Father Bob, Harry’s friend, and mentor, visits him in the hospital and runs into Susannah. Susannah thinks about her relationship with God. She thinks, “I’m not sure I believe in God, or the wisdom of priests for that matter. The closest I’ve ever come to a religious experience is a really great race.” Susannah and Bob speak for several pages about the Bible and Carl Sagan, both of which Bob is fond of.
  • When Susannah’s mom found out that she was pregnant, she said, “I’m not a religious person, but I prayed to a god I’m not even sure I believe in that I would be the sort of mother a little girl could look up to.”
  • Susannah compares her position in the Olympic trials to the other competitors. She says, “I’m like a mortal who somehow wandered up a cliffside to Mount Olympus and is looking for a place to sit among the gods.”

by Alli Kestler

Fish Girl

Who is Fish Girl?

She lives in a tank in a boardwalk aquarium. She is the main attraction, though visitors never get more than a glimpse of her.

She has a tail. She can’t walk, but she can speak. She can make friends with Livia, an ordinary girl, and can yearn for a life that includes yoga and pizza. She can grow stronger and braver. With determination, a touch of magic, and the help of a loyal octopus, Fish Girl can do anything.

When Livia meets Fish Girl, she is determined to get to know her new friend. Due to Livia’s curiosity, Fish Girl learns the truth about her origins and the falsehoods that Neptune, her captor, has told. Livia’s friendship gives Fish Girl the inspiration and courage to go against Neptune’s rules.

Fish Girl’s journey comes to life in beautiful watercolor illustrations, drawn in blue hues. While most of the conversation appears in white quote bubbles, Fish Girl’s thoughts appear in square boxes, which helps readers distinguish the speakers. Each page has 6 or fewer sentences, which are written with easy-to-understand vocabulary.

This graphic novel beautifully portrays the power of friendship. When Fish Girl is in danger, the octopus helps protects her. In addition, with Livia’s help, Fish Girl realizes she has the power to free herself from her captor’s grasp. The amazing illustrations of Livia’s underwater home show an array of sea creatures. Fish Girl’s facial expressions will also help readers understand her emotions.

Fish Girl will appeal to many readers because of the high interest in mermaids. The themes of friendship and freedom will also resonate with readers. Fish Girl’s compelling story, coupled with beautiful illustrations, makes Fish Girl a wonderful book to read. The simple plot and vocabulary will appeal to reluctant readers and the heartwarming conclusion will put a smile on readers’ faces.

Sexual Content

  • None

Violence

  • Fish Girl goes to the boardwalk. A man begins to follow her, and he grabs her hair. He says, “You’ve got nice hair. . . C’mon. Let’s get out of here—” Fish Girl breaks free and runs.
  • A fisherman gets angry with Fish Girl and begins yelling at her. Her octopus friend grows larger and holds the man so Fish Girl can escape.
  • Fish Girl asks the ocean to destroy the aquarium. In response, the octopus grabs ahold of the building and pulls it towards the sea. “The ocean rises up, and sets the sea creatures free.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • When Fish Girl is in danger, the octopus grows into a giant like the kraken.
  • Fish Girl asks the ocean to destroy the aquarium in order to set the sea creatures free. After it’s destroyed, she says, “It’s dying down. You listened. Thank you, ocean.”

Spiritual Content

  • The fisherman who owns the aquarium pretends to be “Neptune, god of the seas and storms.”
  • The fisherman tells the Fish Girl that “the muses were lovely. They had the form of women and their voices were sweeter than anything anyone could ever dream of.”

 

Emerge

Lia Nautilus may be a Mermaid but she’s never lived in the ocean. War has ravaged the seven seas ever since the infamous Little Mermaid unleashed a curse that stripped the Mer of their immortality. Lia has grown up in a secret community of land-dwelling Mer hidden among Malibu’s seaside mansions. Her biggest problems are surviving P.E. and keeping her feelings for Clay Ericson in check. Sure, he’s gorgeous in that cocky leather jacket sort of way and he makes her feel like there’s a school of fish swimming in her stomach, but getting involved with a human could put Lia’s entire community at risk.

So it’s for the best that he’s dating that new girl, right? That is until Lia finds out she isn’t the only one at school keeping a potentially deadly secret. And this new girl? Her eyes are dead set on Clay, who doesn’t realize the danger he’s in. If Lia hopes to save him, she’ll have to get closer to Clay. Lia’s parents would totally flip if they found out she was falling for a human boy, but the more time she spends with him, the harder it is to deny her feelings. After making a horrible mistake, Lia decides to risk everything to stop Clay from falling in love with the wrong girl.

Lia and her family are descendants of the Little Mermaid, which gives the story an interesting connection to the fairy tale. In addition, one of the Mermaids is a siren and her ability to manipulate will leave readers on edge. Much of the dramatic tension in this story is saved for the multi-chapter conclusion that quickly builds suspense and ends with a surprising twist.

The Mers living on land rarely return to the ocean, which keeps the story one-dimensional. While Lia’s desire to do what is right is admirable, her inner struggle is predictable and tedious. Lia fantasizes about kissing Clay but knows it is forbidden for a Mer to love a human. While the story doesn’t describe anyone having sex, there is abundant talk about sex. The Mer world is accepting of promiscuous behavior both in and out of marriage as well as having sexual partners of both sexes.

Emerge starts out strong with many cute sayings from the Mer world. Unfortunately, Emerge uses teenage angst, a love triangle, and ancient potions to create a typical teen romance. The narrator, Lia, is the only well-developed character, but her inner dialogue is tedious. Readers who are looking for an interesting Mermaid story will find Emerge lacking in originality and over-focused on sexual desire. Readers looking for a unique, memorable story may want to leave Emerge on the shelf.

Sexual Content

  • Lia is upset when Clay and Mel, another Mermaid, begin dating. While shopping, “Mel gives me [Lia] a curious look before wrapping her arms around Clay’s neck and kissing him right there in the middle of the store, her hands tangling in his hair.”
  • Because Mermaids used to be immortal, “fidelity was never a requirement” and Mermaids would “roam periodically” and then return to their mate.
  • Lia’s twin sisters have “both had human hookups at parties.”
  • Lia often thinks about kissing Clay. At one point, Lia wonders if she should have dated Clay. “I could have gotten in a few glorious weeks of kissing Clay. What would it be like to be able to hold onto those strong arms . . . kiss that full smirky mouth?”
  • Mermaids need to learn how to make their tails turn into and stay legs. Originally, merfolk only needed legs when they had sex. When a young girl first gets her legs, someone says, “What you need to do is embrace your natural impulses: You don’t need to act on those urges—thinking about them will be enough.” Someone else says, “So, all you have to do is think slutty thoughts, and your legs will stay firmly in place.” The conversation goes on for three pages.
  • After talking to Clay, Lia says her sisters, “hook up with new guys at practically every party, and I’ve never had a real kiss.” As they continue to talk about relationships, Clay says, “When I’m kissing Mel, all I can think about is kissing her more.”
  • Clay’s girlfriend sirens him. Then, she “leans up to kiss him. Hunger gleams in his eyes. . . whatever he’s feeling right now, she’s forcing it on him.”
  • Lia walks Clay home. She “wants to run [her] fingers over the skin, explore his rich mahogany hairline. . . I wanted to know what it would be like to feel him, to taste him.” The scene is described over two pages.
  • While shopping for a bra, two girls talk about what type of bras and underwear their boyfriends like them to wear.
  • Lia’s twin sisters tell her that she can have sex with an underclassman because, “we haven’t tapped anyone younger than us, so the junior class is all yours.”
  • Lia goes to Clay’s house to work on a school project. “A slow kiss covers my shoulder, his lips firm and cool against my heated skin. . . He plants a trail of kisses across my shoulder, toward my throat. As soon as his lips make contact with my neck, a shudder runs through me and I want to grab him to me and hold him there forever.”
  • Lia’s cousin is conflicted because she is attracted to other girls. Lia thinks, “Before the curse, homosexuality. . . was accepted in Mer culture. Most Mermaids mated with Mermen, but Mermaids mating with Mermaids wasn’t uncommon, and neither was Mermen with Mermen.”
  • Lia is preparing to walk away from Clay and never see him again. Her “eyes meet his open, questioning ones, and I stop thinking. Grabbing two fistfuls of his shirt, I yank him up close to me. . . crash my lips against his. . . Then his lips part and I’m tasting him. . . My world becomes a whirlwind of supple lips and exploring tongue, of light stubble and sweet, gasping breath.” The scene is described over a page.

Violence

  • Lia’s family are descendants of the Little Mermaid, so the fairytale is retold. However, in this version, the Mermaids were cursed because of the Little Mermaid’s actions. “Merkind blamed her father the king for her mistake and executed him, throwing our entire society into a state of anarchy and war that’s lasted ever since.”
  • In the past, when a Mermaid “sirened” a man, which put him under a spell, the man was executed because “they couldn’t risk him telling other humans what had happened to him.”
  • Lia researches the history of sirens. One siren “ordered a man under her spell to gouge out his own eyes while she watched in amusement. . . a Mermaid who heard a bard singing on a ship off the coast of Tudor England and used his own song to siren him. . . she commanded him to sing and dance for her until he died of exhaustion.”
  • Before sirening was made illegal in the Mer World, sailors attacked a Mermaid, “in her anger, she screamed for their deaths, and each one of them jumped off the island’s cliff to a watery grave.”
  • A Merman commits suicide because “he couldn’t take the constant reminder that he was aging. That he wasn’t immortal.”
  • In a violent and deadly multi-chapter conclusion, Clay is kidnapped and Lia goes in search of him. Lia goes under the ocean and into Mer territory where she sees dead Mermen. “Permanent agony contorts each lifeless face. . . Bodies battered and bloody, limbs twisted at odd angles, fins hacked off.”
  • When Lia is looking for Clay, “someone grabs me from behind. . . I’m breathing in whatever noxious potion is on the kelp, and I’m growing dizzier by the second.” When Lia awakens, she sees Clay “bound and bloody.”
  • Lia’s captor “drags the tip of the dagger down [her] cheek and neck with just enough pressure that it must leave a line of raised, red skin in its wake.”
  • Lia and her captors fight. “With his other hand, he grabs the top of my fin and folds my tail back up into that painful bent position. I lash out with my arms, twist my torso around so I can hit him with my fists, and try to free my tail, but he stands firm against my attack.”
  • One of Clay’s captors stabs him in the stomach with a knife. Lia’s “eyes fly open in time to see Melusine twist the dagger deeper into Clay’s stomach. . . And now he’s screaming. Covering the wound with his hands.”
  • Lia’s captor tries to kill her. “His cold hands tighten around my throat, pressing both my windpipe and my gills shut. I can’t breathe.”

 Drugs and Alcohol

  • When Mermaids started living on land, there were “a few bar fights” because the Mer “weren’t used to the effects of liquor.”
  • Clay’s ex-girlfriend slips something into his drink. Lia finds Clay. “He convulses, his limbs smacking against the unforgiving pavement. Sweat pours down his face.” Later, Lia discovers Clay was given a love potion. “It would have performed its office successfully if the boy weren’t already under another form of Mer magic.”

Language

  • Damn is used three times. For example, when Lia’s cousin gets her legs, her cousin says, “Those are some damn sexy legs you got there, Aims.”
  • OMG and God are both used as an exclamation once.
  • Bitch is used 4 times. For example, a Mermaid asks, “Father, will it disrupt the ritual if I kill this meddling bitch before I take care of the human?”
  • Clay loses his balance and falls on “his grabbable ass.”
  • Someone tells Lia she will kiss Clay. Lia says, “Like hell I will!”
  • Pissed is used once.

Supernatural

  • Clay’s girlfriend is a siren. She uses her song to control him. When she sings, Clay’s “eyes are glazed over, like he’s lost in some dream world. The spark of intelligence, of awareness, is gone.”
  • Clay is kidnapped. Lia finds “ritualistic symbols line the walls in a translucent, sickly blue ink.” Later, she finds out that the symbols were part of a spell.
  • In order to save Clay’s life, a Merman gives him a potion. “All the blood smeared on Clay’s body slides across his skin and back into the wound! Even the red staining his boxers seeps upward along the fabric, back onto his torso, and into his body.”

Spiritual Content

  • None

 

The Surprising Power of a Good Dumpling 

Anna Chiu strives to be a perfect Chinese daughter. However, Ma has been stuck in bed for longer than usual and her mental health is worsening. Anna’s Baba, who is supposed to be the parent, is spending more time at his restaurant. While the family struggles to keep Ma’s sickness a secret, Anna feels it is her responsibility to take care of her younger siblings, Michael and Lily, but she soon falls behind in her schoolwork. Will Anna realize she is taking on more than she can handle and accept that she and Ma need help?

To escape the pressures of home, Anna volunteers to help at Baba’s Chinese restaurant. There, she meets Rory, the delivery boy with a history of depression. With Rory’s help, Anna learns that treatment for her mom’s mental health is available and can help bring peace to the Chiu family. After a traumatic episode involving Ma mutilating a live fish, Ma is sent to a hospital for psychiatric care where doctors can evaluate her condition and prescribe medication. While her mother is under the doctor’s care, Anna can focus on her own mental health and she finds new ways to open up.

By the end of the novel, the family learns how to better support one another, and Anna eventually accepts that not every day can be perfect. Even Rory, who has received help for his depression and anxiety, has difficult days. The book delivers a message to those struggling with mental health issues that no one is alone and there is always someone willing to listen.

The Surprising Power of a Good Dumpling is told through Anna’s perspective and provides a realistic picture of mental health issues. Anna is a relatable character who struggles to fit in and at first, is awkward in her relationship with Rory. However, after witnessing Rory’s honest personality, Anna learns to discuss issues that are bothering her. Anna and Rory support and care for one another in a happy and healthy way. Anna is an admirable protagonist who loves her Ma and is passionate about working hard to save Baba’s restaurant. Plus, Anna shows love and encouragement to her younger siblings.

The novel demonstrates how race and struggles with identity can influence one’s mental health. As s Chinese-Australian, Anna experiences microaggressions from her peers and cultural pressures from her family. For example, the kids at Anna’s school call her “banana,” meaning she is “yellow on the outside, white on the inside. . . It’s like saying [Anna’s] a bad Chinese.” Anna soon recognizes how these pressures contribute to her anxiety. Despite this, these comments make Anna question whether she is good enough for her family.

In the end, Anna learns to take each day one at a time. She no longer bears the full responsibility of her family but recognizes the journey of her mother’s mental health recovery. Despite the stigmas against mental health issues that Anna witnesses, she accepts that her life is already normal—“It’s heartbreaking. And it’s true.” Anna no longer needs perfection as long as she is with the people she loves. The Surprising Power of a Good Dumpling explores mental health issues in addition to having a cute romance. Readers who would like to explore mental illness through another book should also read Paper Girl by Cindy R. Wilson.

 Sexual Content

  • Anna talks about how she has little experience with boys. “It’s like when it comes to matters of sex, I don’t even count as an observer.”
  • One of Rory’s bullies makes a racist and sexist comment to Anna asking, “Aren’t the Asian ones supposed to be submissive?”
  • Rory and Anna share a passionate kiss. “We press our mouths harder against each other. Kissing still feels a bit strange and weird but exhilarating at the same time.”
  • Rory and Anna share a kiss in his car and things escalate. “Somehow we’re in the back seat. I feel his tongue on my skin, his breath against my neck, a hot and wet sliding.” However, they are quickly interrupted by Anna’s ringing phone.
  • Anna and Rory are kissing once again. Anna drags “him closer, feel[s] the tiny hairs on the back of his neck, the base of his throat, taste[s] the inside of his mouth. My legs and hips move, and I’m climbing out of my seat and into his lap.” Rory rubs his hands down Anna’s back, but then the scene ends.
  • Anna briefly describes her sexual experience with Rory. “When Rory hovers over me and I can feel his skin pressing up against the bits of my skin that have never felt someone else before, it’s I feel sated, protected, and exhilarated all at the same time.” Anna’s first time having sex with Rory is not described in great detail, but the action is clear.

Violence

  • Some schoolgirls discuss their assignments and joke about suicide. A girl says, “I’m going to kill myself.”
  • Anna discusses how “Ma used to beat us with the end of a feather duster when we did something naughty . . . I went to school with long sleeves covering the blue-and-green streaks.”
  • Anna claims she wants to “smack the eyeliner off” of a mean girl’s face.
  • Anna makes a vague comment that she wants to “tie weights to [her] ankles and be done with it now.”
  • Rory tells Anna how he once tried to kill himself by jumping in front of a moving train, but the train did not come that day.
  • While Lily is sleeping, Ma tries to hit her. “There are a few muffled thuds and a sharp cry, so I know Ma’s blows have landed but probably across the blanket.”
  • During one of her episodes, Ma mutilates a fish at the restaurant. Ma “holds up a slippery orange fish, no bigger than a mackerel, and before I can do anything, she pops its eyes between her fingers.”

Drugs and Alcohol

  • Anna is surprised to see her father home “standing by the sink, holding a small tumbler of beer.”
  • Rory takes Anna to his sister’s roller derby game where there is drinking. Rory offers Anna a beer and she accepts.
  • Ah-Jeff, who works at Baba’s restaurant, slips Anna some Hennessy and Coke while celebrating the new restaurant.

Language

  • Anna acknowledges that her “Cantonese might be crap.”
  • Baba calls a work colleague who quit a “bastard.”
  • After Anna finds her sister has pierced her ears, Anna exclaims, “What the hell, Lily?”
  • Anna makes an awkward squeaking sound and questions, “What the hell is wrong with me?”
  • Rory wants Anna to form a thesis declaring Rory, “The most badass English professor I’ve ever had,” to which Anna responds calling Rory, “Mr. Badass.”
  • Rory describes his time in the hospital. “It was shit and it made me feel worse.” He proceeds to use “shit” multiple times in his description.
  • Anna snaps at her brother Michael who can’t find his sock. She yells, “It’s a goddamn sock. Deal with it!”
  • Anna states Michael’s “cute pout isn’t going to save my ass.”
  • Anna calls Rory’s old friends “real assholes.” In a text conversation, she refers to the same group as “dickheads.”
  • Lily texts Anna that she is still “pissed” at her.
  • Rory feels as though he is a “shit son.”
  • A patient at the hospital calls someone a “bitch.”
  • Shit is used four times in one paragraph. For example, Rory states that “Hospitals are shit.”
  • Anna’s face turns red from drinking alcohol she can’t tell if she should “feel embarrassed or damn happy to be called out this way.”

 Supernatural

  • None

 Spiritual Content

  • Anna runs into some girls from school at the market and says a silent prayer “to whatever gods there are that the girls won’t see me.”

by Elena Brown

The Cruel Prince

Jude, her twin sister Taryn, and half-sister Vivi lived a normal life until their parents were murdered by Madoc, Vivi’s war general faerie father. Despite killing their parents, Madoc takes the three sisters to live with him at his estate in Faerieland. While Vivi is half-faerie, Jude and Taryn are outsiders to their new world and some of the only well-treated mortals in the land. However, being the high general’s “children” does not grant them respect. At school, Taryn and Jude find themselves the butt of many jokes and are tormented by Cardan (a faerie prince), Nicasia, Locke, and Valerian. Jude often feels powerless against the fae and is subject to their glamours and compulsions. Plus, her mortality makes her vulnerable to their cruel jokes.

However, Jude’s life begins to change when she becomes a spy for Prince Dain, Cardan’s brother and next in line to be the High King of Faerie. Given a geas by the prince, which prevents compulsion, Jude begins to stand up to Cardan and his friends. She also begins a romance with Locke, who is the only one of Cardan’s friends that had ever shown her compassion. Jude’s mortality allows her to slip into Hollow Hall (Prince Balekin’s residence; Dain’s main competition for the throne) unnoticed and gather crucial information for Dain’s cause.

At the coronation, Taryn reveals that she is to be married to Locke, shocking everyone, most notably Jude, who believed herself to be Locke’s girlfriend. While Dain is being crowned, chaos breaks out and Balekin, Dain’s brother, challenges Dain for the throne. Madoc, who is secretly working with Balekin, kills Dain, and shortly after, all of Dain’s siblings have been killed or committed suicide—except for Cardan, who is nowhere to be seen. While scrambling for shelter from the bloodshed, Jude stumbles upon Cardan, and decides to take him hostage and use him as a bargaining chip with Balekin and Madoc. While holding him hostage, Jude discovers Cardan’s reason for hating her, which is that he cannot stop thinking about her and shamefully desires her.

Jude becomes embroiled in palace intrigues and discovers her own capacity for bloodshed. But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.

Told from Jude’s point of view, The Cruel Prince explores the triumph of an outsider. Although the characters feel believable, at times, it can be difficult to root for them, or even like them, because they are cruel. The novel pushes the point that cruelty only begets more cruelty, and that betrayal and ruthlessness are essential in the pursuit of power. The plot is rather complex, and the book is chock-full of events that all seem to be very important. Although some events seem superfluous at first, their relevance is revealed by the end of the novel. The dialogue, at times, can feel a little convoluted and antiquated, but this seems to fit with the holier-than-thou air of the fae. Altogether, The Cruel Prince is an engaging, fast-paced novel showcasing a strong female lead.

Sexual Content

  • Vivi is revealed to have a girlfriend in the human world. “Vivi is in the photos, her arm draped over the shoulders of a grinning, pink-haired mortal girl. Maybe Taryn isn’t the only one who has decided to fall in love.”
  • Vivi “kisses Heather,” her mortal girlfriend.
  • After being forced to consume faerie fruit, which is like a drug to humans, Cardan and his friends convince Jude to take of her dress, until all she is wearing is “mortal underclothes—a mint-and-black polka-dotted bra and underpants.”
  • Jude begins a romance with Locke, Cardan’s friend. At Locke’s house before a party, she thinks, “I want his mouth on mine, blotting out everything else.”
  • Jude sees Cardan at a party with a girl. “A horned girl I don’t know is kissing his throat, and another, this one with daffodil hair, presses her mouth against the calf of his leg, just above the top of his boot.”
  • While Jude is holding Cardan hostage, she realizes that Cardan desires her. Jude leans “toward him, close enough for a kiss. His eyes widen. The look on his face is some commingling of panic and desire.”
  • After realizing she has power over Cardan, Jude kisses him. “But kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, like an adrenaline strike of lightning, like the moment when you’ve swum too far out in the sea and there is no going back, only cold black water closing over your head . . . Then his hands come up, gentle as they glide over my arms. If I didn’t know better, I’d say his touch was reverent, but I do know better… He doesn’t want this. He doesn’t want to want this…He kisses me hard, with a kind of devouring desperation, fingers digging into my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It’s like fighting, except what we’re fighting for is to crawl inside each other’s skin.”

Violence

  • Madoc confronts Jude’s mother who faked her death. Madoc says, “The bones of an earthly woman and her unborn child in the burned remains of my estate were convincing.”
  • Madoc kills Jude’s mother and father as an act of revenge. Madoc is particularly violent when he kills Jude’s father. “The man plunged the sword into Dad’s stomach, pushing it upward. There was a sound, like sticks snapping, and an animal cry.” The scene is described over four pages.
  • When a faerie doesn’t bow to Cardan, he “grabs one of his wings. It tears like paper. The boy’s scream is thin and reedy. He curls up into himself on the ground, agony plain on his face.”
  • Madoc is a redcap, meaning that “after every battle, he ritually dips his hood into the blood of his enemies.” In one scene, the cap is described as, “stiff and stained a brown so deep it’s almost black.”
  • When Jude is awarded a ruby-studded pen from Madoc, one of her classmates becomes angry. “This threw Valerian into such a rage that he cracked me in the back of the head with his wooden practice sword.”
  • When she was a child, Jude was bullied because she is human. Jude mentions that “when I was nine, one of Madoc’s guards bit off the very top of the ring finger on my left hand.”
  • After being catcalled by a human in a visit to the mortal world, Jude attacks the catcaller, “I am turning before I can think, my fist cracking into his jaw. My booted foot hits his gut as he falls, rolling him over the pavement. I blink and find myself standing there, staring down at a kid who is gasping for air and starting to cry. My boot is raised to kick him in the throat, to crush his windpipe.”
  • After answering a question right in school, Jude is harassed and a classmate “slaps [her].”
  • After sneaking into Cardan’s house, Jude sees Cardan and his brother practicing swordplay. “Balekin brings down his staff hard, smacking him in the side of the head. I wince at the sound of the wood against his skull.”
  • After Cardan and his brother spar, Balekin punishes him for failure and has a servant whip him. “The servant strikes twice, the slap of the leather echoing loudly in the still air of the room.”
  • One of Cardan’s friends tries to get Jude to kill herself because she is embarrassing him. Jude retaliates, however, and “pull[s] the knife from my little pocket and stab[s] him in the side. Right between his ribs. If my knife had been longer, I would have punctured his lung.”
  • Jude tries to take a human servant that she had saved back to the human world. However, the servant, Sophie “tilts to one side, let’s go of the steed’s mane, and lets herself fall.” She falls into the ocean after filling her pockets with stones, committing suicide.
  • After finding out that Jude has stabbed Valerian after Valerian attempted to kill her, Dain, Jude’s spymaster, begins to question her loyalty to him because she has revealed her inability to be glamoured, putting the whole operation at risk. Because of this, Dain tells her to stab herself and prove her loyalty. Jude’s eyes were “on him, I slam the knife into my hand. The pain is a wave that rises higher and higher but never crashes.”
  • Angry with Jude for besting him, Valerian sneaks into Jude’s house and attacks her. As he chokes her, Jude retaliates. “Despite his fingers against my windpipe, despite the way my vision has begun to go dark around the edges, I make sure of my strike before I drive my knife into his chest. Into his heart,” killing him.
  • When Jude shoots a faerie spy, “the creature topples over, a flailing arm sending a pyramid of golden apples spilling to the dirt.”
  • At the coronation, while Dain is being crowned, “Madoc thrusts his sword through Dain’s chest with such force that the blade emerges on the other side. He drags it up, through his rib cage, to his heart.”
  • At the coronation, Jude takes Cardan hostage and “press[es] the tip of the knife against his skin so he can feel the bite.”
  • It is revealed that “Dain poisoned his own child, still in the womb.”
  • Locke has been secretly dating both Jude and Taryn. When Jude finds out, she challenges Taryn to a fight. Afterward, Madoc questions Taryn, “Did she thrust a sword into your hand and make you swing it? Do you really think that your sister has no honor, that she would chop you into pieces while you stood by, unarmed?’”
  • Jude challenges Madoc to a duel, and they fight for about 5 pages. Jude feigns “left and then land[s] a clever slice to his side. It’s a shallow hit, but it surprises us both when a line of red wets his coat. He thrusts toward me. I jump to one side, and he elbows me in the face, knocking me back to the ground. Blood gushes over my mouth from my nose.” She knows that she cannot win the fight, but she poisoned Madoc and just has to outlast him until the poison takes effect.

Drugs and Alcohol

  • There are many instances where people drink wine at faerie parties and also at dinner. At parties, people are described to, “drink themselves sick and numb themselves with poisonous and delightful powders.”
  • At the first revel Jude attends, Cardan is drunk. “His breath is heavy with the scent of honey wine.”
  • At dinner, Madoc and his wife, Oriana, “drink canary wine,” while the children “mix [theirs] with water.”
  • At one party, Jude is glamoured by a faerie to drink. “So [Jude] drank; the grass-green faerie wine slipping down my throat like nectar.”
  • Faerie fruit is dangerous for humans to consume. It “muddles the mind, which makes humans crave it enough to starve themselves for another taste, which makes us pliant and suggestible and ridiculous.”
  • When first introduced to Dain’s spies, Jude is offered a drink. The Ghost, one of Dain’s spies, “pours out four shots.” Then he says, “Have a drink. And don’t worry . . . It won’t befuddle you any more than any other drink.”
  • Jude talks about the various poisons that exist in Faerieland. Jude read “about the blusher mushroom, a pale fungus that blooms with beads of a red liquid that looks uncomfortably like blood. Small doses cause paralysis, while large doses are lethal, even for the Folk. Then there is deathsweet, which causes a sleep that lasts a hundred years. And wraithberry, which makes your blood race until your heart stops. And faerie fruit, of course, which one book called everapple.”
  • Jude begins to poison herself to build up immunity to poisoning. She consumes “a leaf of wraithberry from the palace garden. A petal from a flower of deathsweet. The tiniest bead of juice from the blusher mushroom. From each, I cut away a tinier portion and swallow. Mithridatism, it’s called. Isn’t that a funny name? The process of eating poison to build up immunity. So long as I don’t die from it, I’ll be harder to kill.”
  • While at a party, Jude and Locke “drink pale green wine that tastes of herbs out of massive goblets that Locke finds in the back of a cabinet.”
  • Jude worries about going to a party, but Locke reassures her by saying, “They’ll quickly be too drunk to notice.”
  • While in someone’s study, Jude notices that he has various herbs, and “a few are poisonous, but most are just narcotic.”
  • During Dain’s coronation, Jude sees Cardan, “unsteady on his feet and with a wine-skin in one hand. He appears to have gotten himself riotously drunk.”
  • Jude tricks Madoc into drinking a glass of poisoned wine. Jude gives “him a quick smile, pouring two glasses of wine—one light and the other dark. I am careful with them, sly-fingered. I do not spill a drop. . . I offer them both up for Madoc to choose between. Smiling, he takes the one the color of heart’s blood. I take the other.”
  • While at a coronation, Cardan drinks “directly from the neck” of a bottle of wine.

Language

  • Profanity is used rarely. Profanity includes bitch. For example, when Jude fights a stranger, the stranger’s friend screams, “Bitch. . . Crazy Bitch!”

Supernatural

  • Supernatural elements play a large part in the novel, as it takes place in Faerieland, a place ruled and inhabited by the fae.
  • Vivi, Jude’s half-sister, who is half-fae, is described as having a “split-pupiled gaze” and “lightly furred points of her ears.”
  • Jude describes the precautions that humans must take in Faerieland, and how her housemaid, Tatterfell protected her. “It was Tatterfell who smeared stinging faerie ointment over my eyes to give me True Sight so that I could see through most glamours, who brushed the mud from my boots, and who strung dried rowan berries for me to wear around my neck so I might resist enchantments. She wiped my wet nose and reminded me to wear my stockings inside out, so I’d never be led astray in the forest.”
  • When Tatterfell is doing Jude’s hair, she notes, “’I put in three knots for luck.”
  • One of Madoc’s spies is “a wrinkled creature with a nose like a parsnip and a back hunched higher than her head.”
  • While attending a faeire party, Jude describes the folk who are in attendance. “There are dozens of the Folk here, crowding around the entrance to the vast throne room, where Court is being held—long-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crows crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armor.”
  • Prince Dain, a faerie, has “hooves and deer legs.”
  • Cardan has a tail, “with a tuft on the end! It coils up under his clothes and unfurls like a whip.”
  • As Jude and Taryn walk to school, they “spot mermaids and merrows sunning themselves near craggy caves, their scales reflecting the amber glow of the late-afternoon sun.”
  • The Lake of Masks is a magical lake, that “doesn’t reflect your own face—it shows you someone else who has looked or will look into it.”
  • Jude describes some of the fae. “There are hobs born with lined faces like tiny, hairless cats and smooth-limbed nixies whose true age shows only in their ancient eyes.”
  • Jude is compelled by a faerie to drink and dance at a party. Jude isn’t able to stop of her own accord because a stranger “compelled me to drink, and so I drank; the grass-green faerie wine slipping down my throat like nectar. He danced me around the hill. It was fun at first, the kind of terrifying fun that makes you screech to be put down half the time and feel dizzy and sick the rest. But when the fun wore off and I still couldn’t stop, it was just terrifying. It turned out that my fear was equally amusing to him, though.”
  • Vivi can summon beings called ragwort ponies and, “They look a little like sea horses and will ride over land and sky, according to Vivi’s command, keeping their seeming for hours before collapsing back into weeds.”
  • After rescuing a human servant, Jude explains the world of Faerie. The girl responds, “I always wanted there to be magic. Isn’t that funny? I wanted there to be an Easter Bunny and a Santa Claus. And Tinker Bell, I remember Tinker Bell. But I don’t want it. I don’t want it anymore.”

Spiritual Content

  • None

by Sara Mansfield

 

 

 

 

Shine

What would you give for a chance to live your dreams?

For seventeen-year-old Korean American Rachel Kim, the answer is almost everything. Six years ago, she was recruited by DB Entertainment—one of Seoul’s largest K-pop labels, known for churning out some of the world’s most popular stars. The rules are simple: train 24/7, be perfect, don’t date. Easy right?

Not so much. As the dark scandals of an industry bent on controlling and commodifying beautiful girls begin to bubble up, Rachel wonders if she’s strong enough to be a winner or if she’ll end up crushed…especially when she begins to develop feelings for K-pop star and DB golden boy, Jason Lee. It’s not just that he’s charming, sexy, and ridiculously talented. He’s also the first person who really understands how badly she wants her star to rise.

Get ready as Jessica Jung, K-pop legend and former lead singer of Korea’s most famous girl group (Girls’ Generation) takes us inside the luxe, hyper-color world of K-pop. The stakes are high, but for one girl the cost of success—and love—might be even higher. It’s time for the world to see: this is what it takes to SHINE.

Life as a trainee is not glamorous. Instead, the girls’ daily weight checks are belittled and they are treated harshly. For example, one of the trainers yells at Rachel. “Look, if this is too hard for you, go home. You think giving me attitude will make you a better dancer? Get your head out of your ass and try harder. If you can’t even get these dance steps, you’ll never get anywhere.” All of the girls take the abuse because they are afraid that speaking up will cause them to be kicked out of the training program.

In the K-pop world, men and women have different standards. Women get lower pay, aren’t supposed to date and are treated badly. One K-Pop singer says, “All they [her agents] care about is making us into perfect K-pop machines that will do everything they say and rake in the money for them.” Shine puts a spotlight on the sexism in the K-pop world as well as in the girls’ families. Even though women are treated differently than men, the women never come together to work to improve their situation.

Even though the narrator, Jessica, is self-centered, acts rashly, and is sometimes mean, readers will get caught up in the drama of the K-Pop world. Jessica’s erratic behavior keeps readers on the edge of their seats. Unfortunately, all of the characters have flaws that will leave readers wondering why anyone would subject themselves to the abuse of training. Jessica leaves the reader with one thought, “When we feel like we cannot do this any longer, we remember that we already have, and we will again.” If you’re up for a fun, romance-based Korean comedy, add I Believe in A Thing Called Love by Maurene Goo to your must-read list.

 Sexual Content

  • Rachel sees two people she knows with their “lips locked.”
  • Right before a concert, Jason “cups one hand gently against my face, and I let my eyes close as I lean in. I feel his lips press softly against mine. Warmth floods through my entire body as he moves his hand to the back of my neck, sparking in my stomach and out to my fingertips.”
  • While at a party, Jason kisses Rachel. “When he finally turns toward me, his face lit up in the familiar Jason way, it feels like a thousand tiny fireworks going off in my heart. . . I throw my arms around him and kiss him.”
  • Rachel overhears trainees talking about a love triangle between a K-pop star and two girls. The girl says, “I heard she’s [Rachel’s] pregnant with Minjun’s love child. . .”
  • A boy comes over to Hyeri’s house, one of Rachel’s friends. “Hyeri throws her arm around him and presses her lips against his. Juhyn and I cheer as Daeho wraps his arms around her and kisses her passionately back. . .”

Violence

  • Rachel sees Akari, a trainee, being yelled at by her trainer. “Her voice cracks on the high note and the trainer bends over, slapping her hard in the gut. Akari winces through the blow but doesn’t stop singing. . . the trainer hits her again. Harder.”

 Drugs and Alcohol

  • When a trainee was let go “rumors had run rampant that she had a drug problem and she owed thousands of dollars to her dealers.”
  • Rachel goes to a party at the trainee house. “I trip over more than a few empty beer cans as I march toward what looks like the bar area. . .”
  • Rachel and other people at the party drink. “People are dropping shows of grapefruit soju into beer glasses and downing the whole drink.”
  • While at the party, Rachel gets drunk and then one of the trainees puts something in Rachel’s champagne. Later, Rachel wonders, “What the fuck did Mina put in that drink?”
  • Rachel goes to a hotel buffet and sees “a young couple sharing a bottle of wine with their salmon dinner.”
  • Jason and Rachel go to a restaurant for dinner. While there, they see three girls. “One of them is clearly wasted, chugging soju straight from the bottle.”
  • Rachel and Jason go to dinner with Jason’s aunts, who order wine.
  • Rachel and Jason go to a party, where alcohol is served to minors.
  • Rachel goes to her friend’s house and they have “alcohol bottles lined up neatly on the table, all ready for the twin’s predrink.” Upset, Rachel grabs “the bottle of tequila and pop[s] it open. . . I take a big gulp straight from the bottle.” All three of the girls get drunk.

Language

  • “Omg,” “God,” and “ohmygod” are occasionally used as exclamations.
  • Profanity is used often. Profanity includes ass, asshole, badass, bitch, crap, damn, fuck, hell, holy shit, piss, and shit.
  • Rachel says “thank god” several times.

Supernatural

  • None

Spiritual Content

  • None

 

Charlie Thorne and the Lost City

Charlie Thorne is a genius. Charlie Thorne is a fugitive. Charlie Thorne isn’t even thirteen.

After finding Einstein’s last equation and going incognito, Charlie’s ready to take it easy in the Galapagos Islands. That is until she’s approached by the mysterious Esmerelda Castle, who’s on the hunt for a legendary treasure and has a code only Charlie can decipher.

In 1835, Charles Darwin diverted the HMS Beagle’s journey to go on a secret solo expedition in South America. When he returned to the ship, he carried a treasure that inspired awe and terror in his crew. And so the treasure vanished, never to be seen again. . . but Darwin left a trail of clues behind for those brave and clever enough to search for it once more.

In a daring adventure that takes her across South America, Charlie must crack Darwin’s nearly two-hundred-year-old clues to track down the mysterious discovery—and stay ahead of the formidable lineup of enemies and CIA agents who are hot on her trail.

In an epic Amazonian adventure, Charlie teams up with Milana and Dante as they try to solve the clues and find Darwin’s “treasure.” They must outmaneuver the Castellos siblings who have teamed up with a Russian spy. The groups try to outsmart each other and the bad guys are willing to use any means necessary to find the treasure. The fast-paced action will have readers at the edge of their seats as they try to guess who will betray who.

Even though Charlie and the others are trying to decipher Darwin’s clues, these messages take a back seat to the story’s action. However, readers will gain insight into some of the Amazon’s plight including the loss of habitat. But the real treasure in Charlie Thorne and the Lost City is the introduction to the Amazon’s flora and fauna. Another interesting aspect of the story is when the group finds a creature that would prove that evolution is a fact. While some believe that the creature should be introduced to society, Charlie believes that the only way to keep the creature safe is to keep its existence a secret.

Middle school readers who are ready for a more realistic mystery that has cruel villains will enjoy Charlie Thorne and the Lost City. While most of the action revolves around Charlie being chased, the villains make it clear that they will kill anyone who stands in their way. The story also explores the idea of evolution. Fans of the Theodore Boone Series by John Grisham will enjoy Charlie’s winding trip through the Amazon and her courage to do what is best for the creatures that remain hidden deep within the Amazon’s depths.

Sexual Content

  • Dante took Charlie’s advice and “kissed Milana Moon.”

Violence

  • When a strange man and police appear looking for Charlie, she sets a booby trap so she can escape. “The resulting explosion blew the policeman off his feet, throwing him across the tiny kitchen. The cabinets all burst open spilling glass and plates, which shatter on the floor.” No one is seriously injured, but one policeman’s “eyebrows had been scorched off his face.”
  • While looking for Charlie, Ivan goes to the Darwin research facility to question an employee. When he doesn’t get the answers he wants, Ivan “spun Luis around, wrenching the young man’s arm behind his back so that he cried out in pain.”
  • Charlie attempts to get out of town unnoticed but Ivan gives chase. Ivan “clipped two cars and sent them skidding. More cars crashed into those, and a terrific jam blossomed instantly.”
  • There is a multi-chapter chase where Charlie’s group tries to avoid being killed by Esmerelda and her brothers. By plane, Esmerelda and her brothers follow Charlie into the Amazon. Esmerelda’s “brothers’ bullets only hit the water. Gianni got caught up in the excitement and lobbed a stick of dynamite as well. . . The blast had been close enough that she, Dante, and Milana had been soaked by the plume of water.”
  • Trying to avoid being shot, Dante was “weaving back and forth across the river. . . Milana had her gun out, ready to fire on the approaching plane.” Milana’s bullet “caught the guy on the pontoon in the arm, making him drop the machine gun, which plunked in the river.” During the chase, Milana is hit with “a piece of red-hot shrapnel” but is not injured badly.
  • Charlie swims to a barge and sets a trap. “As Esmerelda approached the barge, Gianni took the remaining submachine gun, stepped out onto the pontoon, and prepared to shoot. . . Charlie ran as fast as she could while the plane closed in on her. Gianni opened fire. Bullets sparked off the metal skins of the oil tank. . . And then the world erupted into flame.”
  • The tanker explodes. Esmerelda’s “plane was directly above the first tanker when it blew apart like an enormous firecracker. The blast tossed the plane like a toy, while a ball of fire and smoke enveloped it. . .” The plane catches fire. “Esmerelda and her brothers leapt from it, their clothes on fire too. Just after they dove into the water, the plane blew up.” Everyone survives, but Esmerelda and her brothers are “badly burned.”
  • Esmerelda and her brothers join Ivan, a Russian spy. Ivan holds Charlie, Milana and Dante at gunpoint. In order to escape, Dante and Milana “targeted the Castellos first. . . Dante and Milana made quick work of them.” Charlie runs.
  • Milana, Dante, and Charlie try to escape the bad guys in a multi-chapter chase. Each group is trying to capture a creature. Someone shoots the creature, who “shrieked in pain and tumbled across the wet ground, then rolled back to its feet and scampered away into the cover of the rain. . .”
  • After someone shoots a creature, its friends attack. “Then the creatures’ assault was quick and well coordinated. And while their weapons were rudimentary, only rocks and sticks, they wielded them with terrifying skill.” The man shoots and hits a creature. “It crumpled into the mud, whimpering in pain.”
  • Charlie helps a creature. “It was bleeding from it’s leg where Oz’s bullet had struck it and was in obvious pain.”
  • Someone shoots Dante. “Dante turned to see who had shot him, but his vision was already going blurry. His mind was clouding. His strength was ebbing.”
  • A snake attacks one of Esmeralda’s brothers. “It moved with startling speed for such a big creature, first sinking its teeth into Gianni’s torso and then coiling around him. . . He was certainly hurting now—and he was terrified.” When Gianni’s brother tries to help, “the snake responded by wrapping its tail end around Paolo as well.”
  • Esmerelda sees her brothers. “The anaconda had already killed them both. Gianni’s body was floating facedown in the creek, while the giant snake was actually consuming Paolo. It had unhinged its jaw and begun the long process of swallowing her brother headfirst.”
  • Ivan and Esmerelda capture Charlie. In order to escape, Charlie throws a bullet ant at them. “Ivan felt the sting first. . . It felt as though every nerve ending in his body had suddenly caught fire. It was so intense that it leveled him. . . Esmerelda went down next. . . She sank to the floor as well, gripped by convulsions.
  • Charlie and Esmerelda fight. “Charlie intercepted her attack, catching Esmerelda’s arms in her hands. She used her fingernails as a weapon like Milana had told her, digging them deep into Esmerelda’s skin. . .” Charlie had put poison on her nails.
  • Esmerelda “lunged for Charlie with the knife. . . [A creature] slammed into Esmerelda, sending her reeling backward into the cockpit. . .” Charlie escaped but Esmerelda and “the helicopter plummeted into the gorge, crashed into the river. . . and exploded in a ball of fire.”

 Drugs and Alcohol

  • While in America, Ivan, a Russian spy, helped support the illegal drug trade.
  • While at a lodge, “The adults were drinking beer” and Dante “had brought another beer back to the room from the bar.”
  • Someone shoots Dante and Milana with a tranquilizer dart.
  • After an expedition into the Amazon, Milana and Dante finally make it back to civilization and they both have a beer.

Language

  • None

Supernatural

  • None

Spiritual Content

  • Darwin makes an incredible discovery, but others think it is “an affront to God.”
  • When a group of creatures attack, they chase a man. “He had to get away from the ones that were chasing him and pray that there weren’t others ahead.”

 

Lovely War

In a hotel room in Manhattan in the midst of World War II, the Greek gods Aphrodite and Ares are caught in an affair by Aphrodite’s husband, Hephaestus. Hoping to understand Love’s attraction to War, Hephaestus puts Aphrodite on trial. Her defense is to tell the tale of one of her greatest successes, the intersecting love stories of Hazel Windicott and James Alderidge, and of Aubrey Edwards and Colette Fournier. Aphrodite’s witnesses are Ares (god of war), Apollo (god of music), and Hades (god of death). Each contributes their own different, but overlapping, perspectives to the proceedings.

The story begins as piano player Hazel and soldier James meet at a parish dance and fall into instant, dizzying love, only to be separated three days later when James is sent to the front. Desperate to distract herself from anxiety about her soldier’s well-being, Hazel joins the YMCA where she meets Colette, a singer who lost her whole family in an attack on her home in Belgium. There, they happen upon ragtime musician Aubrey, a Black soldier who desires to make a name for himself on stage and on the battlefield. Aubrey and Colette bond over their music and realize their affections go beyond an appreciation for each other’s talents.

While the story addresses dark and violent subject matter due to its historical period, the frame narrative allows for light moments as well. The banter among the gods, and their respective belief that their part of the story is the most memorable, allows the mood to lift as needed. The darker moments hold meaning within the larger narrative and the smallest joys are heralded as gifts from the gods.

The human characters hold their own amongst their immortal narrators. Each character is likable and humorous in his/her own way. Over the course of the war, Hazel emerges from her meek demeanor, learning to stand for what she sees is right, while not losing her innocence and goodness of heart. James is goofy and sincere, making his experience in combat all the more tragic, as he must reconcile that what he does on the battlefield does not have to mean a loss of himself. Colette is strong-willed and a fierce defender of her friends, though internally she fears that anyone she loves is destined to die. She opens up, however, to the charming dreamer Aubrey. Aubrey’s experiences with racial violence show that the enemy to their happiness is not only the German soldiers they encounter on the battlefield but also those who perpetrate violence and discrimination against black Americans within their own neighborhoods and war camps.

Teenage readers who enjoy romance, Greek mythology, and historical fiction may enjoy this book. It is recommended that readers proceed carefully, as the book does address racism and racial violence as well as the terrors and destruction of war. Despite the hate and violence which surround them, the couples find their way back to love amidst it all. Their fragility as mortals in wartime allows for precious love to shine, as even the impermeable gods come to admire. After Aphrodite reminds Hephaestus that the mortals die, he responds, “They do. But the lucky ones live first. . . The luckiest ones spend time with you.”

Sexual Content

  • Two characters are briefly described as having an affair. “In an instant they are in each other’s arms. Shoes are kicked off, hats tossed aside. Jacket buttons are shown no mercy.” Their kisses are “like a clash of battle and a delicious melding of flesh, rolled together and set on fire.”
  • Athena and Artemis are called, “Those prissy little virgins.”
  • Some of the gods make brief jokes about paying attention to women’s bodies.
  • Hazel’s attraction to James sparks “a series of little explosions” which “began firing throughout her brain and spread quickly elsewhere.”
  • Stéphane admires Colette’s spine and thinks that “he could run his fingers along her back.” He does not act on his thought.
  • Colette is attracted to Aubrey’s musical talent, saying, “It was sexy. And so was its athletic high priest at the piano bench.”
  • During an attack on Aubrey, a racist soldier implies that Aubrey is after white women. Aubrey retorts asking if the man has “ever been with a black girl.” When the soldier laughs, Aubrey “had no illusions about her being a willing participant.”
  • Joey assumes an encounter between Aubrey and Colette was sexual in nature. He asks Aubrey, “Did you . . .?” Aubrey informs him, “It’s not like that,” and then scolds him for presuming that Colette is a “hooker.”
  • Aubrey hides so as not to be seen by a supervisor and realizes “he was free to ogle Colette from the shoulders down just at that moment, and he took advantage of it.”
  • Colette tries to understand Hazel’s fear about meeting up with James. Colette assumes that Hazel’s fear might be due to the possibility of one of them “taking advantage” of the other. Hazel admits that “if anyone found out, there’d be such a scandal.” She explains, “When I’m around James, I do the most outrageous things.”
  • Colette recognizes that being “alone in the dark” could lead to “dozens of ways a young man could try to take advantage of this situation,” although nothing comes of it.
  • A couple says goodbye, and “the brief kiss she gave him at the door was filled with neither passion nor desire, but sweetness, affection, gratitude.”
  • Hazel removes her stockings at the beach, and it is said, “The sight of her bare feet was just about enough to give poor James a stroke there on the spot.”
  • Hazel is pushed into James’ arms and, “The feel of her body pressed against his went through him like an electric shock.” They hold each other for a moment, spinning in circles.

Violence

  • There are multiple instances of racial violence perpetrated against Aubrey and his bandmates. There are also third-party historical sources referenced. Words such as “darkie,” “coon,” “negroes,” and “colored” are frequently used by other characters to address these men. At one point a southern soldier states, “An ape’s an ape.” Other racist comments permeate the experience of the black soldiers at home and abroad.
  • The black soldiers face fears of waking to a “lynch mob.”
  • The narrator describes an instance of police brutality. “A white police officer had entered a black woman’s home without a warrant, searching for a suspect. When she protested, he beat and arrested her, dragging her from her home though she wasn’t fully dressed. When a black soldier saw this and tried to intervene to defend the woman, the white policeman pistol-whipped the black soldier, seriously injuring him.” She then briefly mentions the “shooting that followed” which killed many people.
  • When addressing the possibility of looking at white women, Aubrey states, “No pretty face is worth swinging from a tree.”
  • The “Rape of Belgium” is described in detail over five pages. The narrator notes that German soldiers “pulled men from workplaces and homes and hiding places and executed them in the streets. Women, children, and babies were executed too. As old as eighty-eight. As young as three weeks.” Later, Aphrodite goes on to reference “the stories of women raped, children crucified, nailed to doors, of old men executed. . .”
  • The story frequently finds itself in the midst of trench combat. There are descriptions of the training process, of learning how to kill another man with minimal remorse, and of soldiers often encountering death and the bodies of those lost in battle. The men learn about the effects of gas attacks and how “those poor buggers in the first gas attacks drowned in their own blood.” At one point the trenches are described as “slick with blood.”
  • James imagines his own brother ending up the way his fellow soldiers have. “He saw Bobby’s burnt and blood-soaked body lying in the mud at the bottom of a trench.”
  • The soldiers travel “past live horses and dead horses and trucks and motorcycles.”
  • Multiple racially motivated murders take place in the camps. Two men are “strangled” and the discovery of one body is described over 6 pages. Aubrey and Lieutenant Europe come to the realization that “that was blood on the snow. His head. His face. His bloated, blackened face.” They assume the killers “beat his face in with their rifles.” They note, “You almost wouldn’t know it’s him” and they “gently [close] his gaping lower lip to hide the horribly broken jaw.”
  • Aubrey is held at gunpoint by a racist soldier who says, “We ain’t gonna let you Negroes get a taste for white women.” Aubrey took the man’s gun and “pressed the cold muzzle of the revolver against his victim’s temple.” Then, Aubrey warns his attacker not to mess with the Black soldiers again.
  • The narrator cynically describes how little detail is provided in the notifications of soldiers’ deaths, explaining, “They never said, ‘hung for hours on a barbed wire fence with his bowels hanging out, pleading for rescue, but nobody dared go for fear of hostile fire.’”
  • James partakes in trench warfare. He is a sniper and frequently must shoot German soldiers. After he shoots a man, “a red throat pours blood down a gray uniform.” James actively tries to not think about what he is doing in order to protect his friends.
  • A flamethrower is used in combat. The soldiers try to distinguish the fire, and the narrator notes that “the smell of flesh on fire reminds James of food, of cooking meat.” Ares goes on to narrate that “Chad Browning has stopped his screaming. His clothing is half melted away, half fused to his skin.”
  • Hazel is sexually assaulted by a prisoner of war. The attack is thwarted quickly but not before, “He licked her lips and teeth with his foul tongue, then forced it inside her mouth.”
  • Multiple explosions occur throughout the text. For example, after one explosion “the smoke lifted, and James scrubbed the grit from his eyes, Frank Mason wasn’t there anymore. Just a fire, a helmet, a torn pair of boots, and a little charred prayer book.” It is later implied that there would not be a body to bury.
  • Later, another explosion occurs. “The engine and the first two cars were annihilated. The cars beyond buckled and crashed into one another. Soldiers and war workers were thrown all about the cars. Shards of glass from shattered windows flew like shrapnel. Colette emerged unscathed, for Hazel had thrown her body over her friend’s.” James must treat Hazel’s injuries. Hades goes through the necessary course of action to “apply pressure to the bleeding and summon a medic. Clear airflow, release tight clothing.”
  • Hazel receives a blood transfusion. She notes the “tubes of red blood dangled from jars mounted to a metal frame and ran, Hazel realized, into a needle injected into her arm.”

Drugs and Alcohol

  • A character jokes about how the soldiers of the 369th “were knocked on their backs by the routine daily allotment of wine for French soldiers.”
  • While under treatment for shell shock, James is given sedatives.

Language

  • The narrator quotes real news articles about the 369th infantry; these include racist comments and one censored use of the n-word.
  • Offensive terms for opposing soldiers are often used. These include “Jerry,” “Russkies,” “Fritz,” and “Boche.” They refer at one point to Kaiser Wilhelm as “Wee Willie Winkie.”
  • Audrey calls the racist behavior of another soldier “shit” twice.
  • A trainer tells soldiers that in the event of a gas attack, “‘If you’ve lost your mask, you still stay calm. If all else fails, piss on a hankie and breathe through that.’” He warns that they will “break out in damnable sores everywhere” and that they “hurt like hell.”
  • Joey calls Aubrey a “jackass.”
  • Men are called “bastards” twice.
  • Aubrey calls his own behavior “damnably stupid.”
  • There is one use of the oath “Chrisssake.”
  • Emile regrets not being injured sooner, saying, “But non, you stayed away, leaving me healthy and sound, so the Germans could piss on me with their shells and bullets year after year…”
  • Aphrodite calls her husband a “blooming ass.”

Supernatural

  • Spirits occasionally observe their loved ones from the afterlife. At one point, James feels Frank’s presence and begins speaking to him. James wonders if he is going mad.

Spiritual Content

  • The story is told from the rotating perspectives of four Greek gods. Their influence and powers are often employed as catalysts for plot developments.
  • Hades comes dressed as a Catholic priest, as that is how he presents himself to humans.
  • Many of the human characters are Christian and are described praying, visiting churches, and lighting votive candles. They also reference Christian stories and practices.
  • After losing everyone she loves to the war, Colette struggles with her faith. She believes herself to be a “plaything to a vindictive god.” She calls god “it” and explains that “a loving god would never allow this. And if there was no god at all, surely chance would occasionally favor me, non?”
  • After standing up to an authority figure, the narrator says that Hazel “wasn’t a Catholic, but at the rate she was going, she probably needed a priest to take her confession. Before she was struck by lightning and cast down to hell.”

by Jennaly Nolan

 

14+    480   4.7   4 worms   AR   hs  (World War I)

Diverse Characters, Strong Female Character

 

 

 

 

 

Hannah

Hannah wants to be normal, but she’s not. The sea calls to her, and she can see a delicate tracing of scales on her legs. Billowing waves soothe her, but flat land makes her sick. She knows there’s something wild in her that’s different, wrong, and deeply thrilling.

Only one person seems to know who—or what—Hannah is. He’s a guest in the house where she works as a scullery girl and his fascinated gaze follows her. She doesn’t understand his terrifying allure, or her longing. But even as the mystery deepens, Hannah is sure of one thing. A sea of change is coming.

The first installment of the Daughters of the Sea Series focuses on Hannah, who doesn’t know that she is a mermaid. Much of the story focuses on the class distinction during the time period and the relationship between the serving class and the wealthy Boston family. While the running of a household is at times interesting, the story has little action. Instead, Hannah is trying to figure out why she is different than others and why the sea calls to her.

Readers looking for a book that explores the world of mermaids will be disappointed with Hannah’s story. There are too many plot points that are left unanswered. Hannah’s background is never explained and when Hannah meets a merman, the interaction borders on sexual harassment; at one point, the much older merman grabs Hannah and forces a kiss on her. While Hannah is occasionally an interesting character, some readers may find it difficult to relate to her struggles.

The long-winded descriptions, lack of plot development, and dysfunctional family dynamics make Hannah a difficult book to get through. Readers who enjoy historical fiction and want to learn more about the late 1800s may enjoy Hannah. However, if you are looking for a peek into the magical world of mermaids, you should bypass Hannah altogether.

Sexual Content

  • Lila has a crush on Mr. Wheeler. Lila’s sister says, “Lila wants to wear something that Mama says is much too daring for a girl her age. You know what I mean, Hannah, very naked-looking. I think she wants to look almost naked for Mr. Wheeler.”
  • Hannah goes out into the forest. When Mr. Wheeler follows her, she yells at him. “He suddenly stepped toward her. He wrapped his arms around her, pressing her to his chest. . . He was kissing her lips, crushing his face against hers. She was lost. She was adrift. She was happy.”

Violence

  • When her cat goes missing, Lila hits her sister and makes her bleed.
  • Lila goes into Hannah’s room at night. Hannah tries to lead her back to her room. “Lila’s eyes were wild. She was scratching at Hannah’s face and the cat suddenly came to life and pounced on her back. Hannah could feel the claws digging into her shoulders, close to the neck of the nightgown. . . The strings of Hannah’s pouch were cutting into her throat, and she was gasping for air. . . “
  • After Lila and her cat attack Hannah, Hannah runs into the ocean. Lila’s sister, Ettie, follows Hannah. When she sees the cat, Ettie throws a rock at it. Lila points to “a clump of blood-soaked sea lavender where Jade was sprawled. The cat’s head was twisted at an odd angle to its body. One side was bashed in and there was a mangled mash of fur and protruding bone.”
  • After Ettie kills the cat, Lila “exploded and hurled herself across the grass, knocking down her sister. His hand was reaching for a rock when Mr. Marston ran up and dragged her off Ettie.”

 Drugs and Alcohol

  • One of the workers asks the butler if he can “add two bottles of the sweet sherry to the wines and spirits order.”
  • Three men share some sherry.
  • While getting the summer cottage ready for their employers, the workers “slid the miniature wine bottles into the racks in the wine cellar.”
  • While serving dinner, the butler goes into the kitchen to get “two more bottles of wine.”
  • Lila is given a sedative: laudanum. The butler says, “Administered properly, it alleviates anxiety and induces sleep.” However, the cook disagrees with him and says, “Drugs, pure and simple. They might as well have sent her to an opium den.”

Language

  • Damn is used six times, usually referring to the cat. For example, the workers do not like the house cat. One of the workers says, “I’d like to wring that damn cat’s neck.”
  • My God is used as an exclamation once.
  • Someone says that Lila’s cat is “mean as cat’s piss.”
  • Someone calls Lila a “hell hag” and her cat a “hell cat.”

Supernatural

  • None

Spiritual Content

  • Occasionally Hannah prays. For example, when Hannah is taken away from Boston, she becomes sick. Hannah says, “I have prayed to God every night. I must go back. This land is not good for me.”
  • While applying for a job as a maid, Hannah prayed, “Let me just seem normal. Let me fit.”
  • While helping serve dinner, Hannah prays, “God do not let me spill this.”

 

 

02/01/2011   12+    336      5.3    3 worms    AR

Breaking the Ice

Sophie Fournier’s first love is hockey. When she’s the first woman drafted into the North American Hockey League (NAHL), she finally gets her chance to play hockey for a living. But being the first woman in the NAHL means she has to be perfect on and off the ice in order to prove that women should have a shot at being drafted. Not meeting that perfection means no playing—not just for her—but for every woman wishing to play.

Breaking the Ice is a hockey-heavy book. Sophie’s love for the sport comes up often because it’s her career, and there are many scenes depicting games and practices. The story starts with Sophie being drafted and ends with the next year’s draft, leading the reader through her first season with the Concord Condors as she battles with opponents and some teammates. Although this story and Sophie are fictitious, most of the scenes are very realistic.

Sophie is a strong protagonist. She’s extremely intelligent and understands how the press and her teammates perceive her is very important to her survival as the first and only woman in the NAHL. Because Sophie is so well-controlled in her behavior, she does occasionally come off as aloof and uptight. As the story progresses, she begins to befriend her teammates and some of her icy exterior thaws. As she allows herself to open up, she becomes friends with some of the other characters, like her opponent Dmitri and teammate Merlin.

Sophie does have issues with a couple of teammates, opponents, and the press because she is a woman and many feel that she doesn’t have a place in the NAHL. Sophie takes these confrontations with as much grace as possible, and she pushes herself to be absolutely perfect on and off the ice. As this is the first book in the series, Sophie’s need for perfection as well as her character growth will most likely continue in the next books as her team vies for the Maple Cup. Sophie wants it all, like any serious athlete, and she’s working hard while knowing that her mark can help or hinder the next woman who wishes to be drafted and taken seriously.

Breaking the Ice has a steady pace throughout as it details Sophie’s first season with the Condors. As a result, those looking for a book with a very exciting ending probably will not find it here, though there is much excitement throughout. Sophie’s story is enlightening for hockey players as well as those who don’t know anything about the sport, and her dedication is admirable. Sophie has a lot of obstacles to overcome in Breaking the Ice, but readers will see she is more than up for the challenge.

Sexual Content

  • Sophie has played on men’s hockey teams for a long time. Sophie mentions that “she’s had teammates hit on her before, a waste of everyone’s time, but that was in high school.”
  • None of Sophie’s teammates are allowed to be alone with her, even if it’s just driving to and from practice, according to the team’s PR person. Sophie says “they don’t want to give any ammunition to the inevitable rumors that she’s sleeping with one, or more, or her teammates.”
  • One of Sophie’s teammates offers Sophie some advice. He says, “If a boy tells you he’s too big for a condom, punch him and run.”
  • Sophie expresses no interest in dating men. Her reason is that “after years of guys slamming her into the boards and trying to break her wrists and listening to what they’d do to her if the officials weren’t there to stop them, she has no desire to get closer.”
  • Sophie has lunch with her former teammate Travis, and Travis’s current teammate. Sophie tells Travis’s teammate not to leave because she’s not allowed to be alone with anyone because of rumors that might be spread, though Sophie and Travis make it clear that they would never try anything like that. Sophie then turns to Travis’s teammate and says, “Of course, maybe Forbes likes to watch.” She says this in jest.
  • Sophie and her teammate Merlin joke about Sophie’s admiration for another player’s hockey abilities. Sophie makes a point to show she can like a player for hockey and not romantically. She says, “You can like someone’s hockey without wanting to see them naked.”
  • A fellow hockey player tells Dimitri that he only scores the pretty goals and needs to score “some dirty ones too.” Dimitri responds by saying, “I score dirty.”  The other hockey player responds with, “Keep it in your pants.”

Violence

  • Dimitri and Sophie are sharing a piece of cake. Jokingly, Sophie “kicks his shins then steals the best bite of cake.”
  • There are a lot of playful slaps and hits between the hockey players on the same team. For instance, one player “slaps Matty’s [another player’s] ass on the way by then laughs all the way down the tunnel.”
  • Sophie has a rival teammate named Hayes with whom she fights for the same position on the ice. They also fight over who gets number 93 on their jersey, then Sophie gets the first pick. Hayes is mad, and “she’s almost to the door when Hayes catches up to her. She looks over her shoulder in time for him to shove her up against the wall . . . She knocks his hands away and shoves him back.”
  • Hockey is a high-contact sport where fighting and checking into the boards are commonplace. Sophie, being the only woman in the league, often gets the brunt of the hits. For instance, “[An opponent] slams her into the glass a second later. He snarls at her, and the fans pound the glass, hoping for a fight.”
  • One of the other incoming players physically threatens Sophie after a game one night. Sophie narrates, “He grabs her by the lapels of her suit jacket and slams her back against her car.” Soon after, he leaves.
  • At a hockey event, Sophie sees someone holding up a “well-drawn, and graphic, image of Sophie on the ground, her limbs bent at awkward angles as a condor picks at her intestines.”

Drugs and Alcohol

  • At the hockey team’s Canadian Thanksgiving party, one of the younger players drinks a beer “even though [he’s] still a few years too young.”
  • At a backyard party, one of Sophie’s teammates says, “Alcohol and painkillers don’t mix.” Another player responds, “I learned that one the hard way.” They don’t explain this story further.
  • Some of the fans show up to games already drunk. Sophie describes how at one game, “Fans, already drunk, pound the glass and shout at her when she skates her two easy laps.”

Language

  • Profanity is included often throughout. Profanity includes: stupid, shit, ass, bullshit, fuck, dick, bitch, and slut.
  • One of Sophie’s opponents makes a nasty comment towards one of her teammates that seems to be racially charged. Sophie notes, “Walker sneers something, all Sophie hears is, ‘The Rez.’ [One of Sophie’s teammates] freezes, shock and disgust on his face.”

Supernatural

  • None.

 

Spiritual Content

  • Sophie celebrates Christmas with the General Manager of her NAHL team, but there are no references to church.

 

by Alli Kestler

 

The Hunters

Hal and his fellow Herons have tracked Zavac across the ocean, intent on retrieving the stolen Andomal, Skandia’s most prized treasure. Even though a fierce battle left Zavac and his fellow pirates counting their dead, the rogue captain managed to escape right through the Skandians’ fingers. If they hope to bring Zavac to justice and reclaim the Andomal, the Herons must take to the sea. But the challenge ahead is a dangerous one that could very well take out Hal’s entire crew.

In the first installment of the Brotherband Series, it was difficult to keep track of all of the characters. However, the main characters are now well-rounded individuals and their unique traits are beginning to shine. Hal has grown into a confident skirl, who knows his crew, which allows him to assign each person a job that is best suited to his/her talent. Even though Lydia is a girl, during battles she contributes because her skills are extremely useful. Readers will enjoy the interplay between the Herons and laugh at some of their mischievous ways.

While the second installment of the series, The Invaders, was slow and uneventful until the end, The Hunters has the perfect blend of suspense, character development, and battles. The Herons work as a team and show the importance of hard work, friendship, and loyalty. One of the best aspects of the series is that everyone has a valuable skill and that skill does not have to revolve around fighting. For example, Edvin cooks, knits, and steers the Heron. Even though the crew teases Edvin about his knitting, in the end, even Edvin’s knitting is used to benefit the entire crew.

The Brotherband Series brings to life the sea-faring warriors of Skandia, while teaching important lessons about working as a team and valuing others. The Hunters quickly captures the readers’ attention and keeps readers hooked by introducing interesting characters and conflicts. Even though all of Flanagan’s books end in an epic battle, each battle is realistic, unique, suspenseful, and told without gory details. The book’s conclusion is both heartwarming and humorous. After finishing The Hunters, readers will be eager to pick up the next book in the series, The Slaves of Socorro.

Sexual Content

  • None

Violence

  • Thorn and Lydia go after Rikard, who hears them and jumps to his feet. Lydia reacts and “her arm whipped forward and the long dart hissed away through the morning air. It flashed at knee level between Rikard’s legs, tangling between them.” Rikard falls “flat on his face.” Torn “hauled the pirate to his feet, then hit him with a thundering left, sending him crashing back to the ground once more.”
  • A pirate overhears a man talking about his pirate ship. The pirate walks into the man. “Nobody noticed the thick stiletto that he slid into the old man’s side. Pegleg’s gasp of pain was lost in the tavern’s bubble of shouting, drunken voices.”
  • When a pirate sees Rikard walking down a dark alley, he “stepped forward and rammed his knife up and under the other man’s ribs, shoving and twisting until it reached, and stopped, his heart. Rikard shuttered briefly. . . his hands went to the blood welling from the terrible wound.”
  • A sentry detains the Heron. Upset, Thorn “stepped toward the guard. His left hand flashed out to grip the spear at its midpoint, thumb down. Then he twisted his hand and the spear upward in a half circle and jerked backward, all in one rapid motion. . . Thorn had leveled the razor-sharp point at the captain’s throat.” The Herons are eventually allowed to pass.
  • Doutro has the Herons’ crew arrested. In order to get Hal to reveal where the crews’ valuables are hidden, Doutro has Hal beaten. “Hal tried to duck the first blow, but the man behind him held him still. The big fist exploded off his cheekbone. He grunted in pain.” Hal is beaten until he is unconscious. The description of the beating is described over several paragraphs.
  • Doutro has Lydia taken to his house because he is thinking about selling her as a slave. As Lydia tries to escape, a young man tries to stop her. She knocks him off balance and then “hit him on the side of the jaw with the heel of her open hand, fingers spread to increase its rigidity.” The man blacks out.
  • The Herons are put in a prison cell with another man. When the Herons escape, Stig hit the other man “with a blinding right cross that sent him sprawling. Luckily, there was a pile of dirty straw to break his fall. He lay spread-eagle on it, out cold.”
  • As the Herons leave the prison, the guards “went through the guardroom like a hurricane. . . In seconds, they were sprawled unconscious on the floor.
  • Pirates attack a merchant ship. The Herons jump in to help the merchants. Lydia uses her atlatl and “one of the longboat’s crew rises to his feet in agony as the dart transfixed him. Then the pirate crashed over, falling on the rower in front of him. . .” Hal uses a huge crossbow to shoot at the pirates. “The helmsman collapsed over the steering oar and the longboat swung wildly.”
  • After several pirates have been injured or killed, some of the Herons board the longboat. “Thorn and Stig moved forward like a two-man battering ram. The huge club and Stig’s whirling ax swept away anyone who tried to oppose them. . .” In the end, many of the pirates jump into the river to avoid being killed. The battle is described over 8 pages.
  • A group of pirates attack the Herons in an ally. Stig attacks a pirate and “the two blades rang together and shrieked against each other as Stig’s axe slid down the sword’s crosspiece. . .[Stig] grabbed the swordsman’s right hand with his left, twisting it down and around, bending the wrist back. The man howled in pain and inadvertently leaned forward to try to lessen the twisting pressure. . . Stig head-butted him in the face and jerked his wrist one more time.”
  • Seven pirates try to stop Stig’s movement. “The first man to move had taken two paces when Stig’s sword darted out and back. The thug clutched at his chest, a surprised look on his face, he crumbled to his knees.” The pirate dies.
  • Thorn arrives and sees the Herons are in danger. “Thorn kept coming, his massive club-hand rising and falling, then sweeping from side to side, smashing ribs and skulls and arms as he scattered the gang, spilling them like ninepins before him. . . The shaggy old sea wolf, transformed into a terrible and terrifying instrument of violence, simply lunged the club-hand in a straight-armed punch at the terrified thug. It hit him in the chest and hurled him backward. . . the man flew between them [Hal and Lydia], smashing into the brick wall with a sickening sound, then sliding to the ground as his knees gave way.” The fight scene is described over three pages.
  • The book ends with an epic ship-to-ship battle between the Herons and Zavac’s pirates. Hal shoots a giant crossbow and “the bolt streaked away and plowed through the packed men in the bow of the ship. . . He figured that first bolt had killed or wounded at least four men. . .” As Hal shoots the crossbow, Lydia uses her weapon to shoot darts at the men. One of Lydia’s darts hits Zavac’s first mate who “staggered and fell.”
  • Some of Zavac’s men were able to board the Heron by making a bridge of oars. In man-to-man combat, Hal uses a spear and “thrust quickly, hitting him [the pirate] in the thigh. The Magyaran dropped his spear, reached to clutch the wound in his leg and toppled off the oars into the sea.”
  • Hal’s crewman, Ingavr “swung the oar at full length, smashing it into them, sweeping them from their unsteady foothold. One fell back aboard the Raven, three of his ribs fractured by the oar. The others went into the sea.”
  • Hal rams the Raven with his boat. “Heron’s sharp prow sliced like a giant blade along the starboard bank of oars, smashing and splintering them as she went, hurling the oarsmen off their benches as the butt ends of the oars jerked forward and smashed into them. The air was filled with the shouts of injured men and the grinding, smashing sound of the oars as they flew into splinters.” Two men are injured and two men are knocked unconscious.
  • The Herons board the pirate ship and begin swinging their axes. A pirate stabs Wulf with a sword and “blood welled out.” Thorn helps the two boys. “Thorn swung a backhanded stroke across his head, shearing through the helmet.”
  • Zavac tries to kill Hal. Zavac “suddenly thrust down with a convulsive heave, putting all his weight behind the knife. Hal just managed to twist his body to the side. The dagger scored a shallow cut across his neck and he felt the hot blood flow from the cut.”
  • Thorn appears and puts a hook on Zavac’s arm. “Zavac screamed in agony as the two-piece clasping hook clamped down on his forearm like a vice. Hal actually heard several small bones cracking as Thorn increased the pressure. . .” Zavac is left to go down with his ship. This final battle is described over 26 pages.
  • Tursgud, the Heron’s nemesis, acted belligerently and Ingvar’s massive hand, balled into a fist, flashed up in a thundering, devastating uppercut. It caught Tursgud on the point of his jaw, picking him up and hurling him backwards for several meters. He slid across a table, collapsing it, then crashed into the ground. . .”

 Drugs and Alcohol

  • Thorn goes into a tavern to see if he can get some information on a pirate ship. The patrons were drinking ale.
  • A pirate goes into a tavern and “he signaled the tavern keeper for another jug of brandy.”
  • While trying to sleep on the Heron, Hal hears “drunken voices of sailors heading back to their ships after an evening in the taverns close to the waterfront.”
  • When the Herons return home, the town throws a party. “There were platters of roast vegetables and barrels of ale and wine for those who wished it.” Several of the adults drink the wine.

Language

  • The Skandians often use their gods’ names in exclamation. For example, “For Gorlog’s sake” is used as an exclamation three times. “Lorgan’s ears” and, “Oh Gorlog help us,” are both used as an exclamation once.
  • One of the Herons’ crew calls someone a “treacherous cow.”
  • Several times someone is called a fool.

Supernatural

  • None

Spiritual Content

  • Zavac “wore on the gods of several different religions, none of which counted him as a devoted follower. . .”

Clap When You Land

Camino and Yahaira’s lives are turned upside down when they hear the news, “There have been no survivors found from flight 1112.”

Sixteen-year-old Yahaira lives in New York with her mother and father. Every year, her father returns to his home country – the Dominican Republic. This summer, he was on flight 1112. After Yahaira is told her father died in a plane crash, she is devastated by the news and weighed down by a secret – her father had a wife and a child in the Dominican Republic.

 Sixteen-year-old Camino lives in the Dominican Republic with her aunt. After Camino’s mother died, her father moved to New York. Camino’s father returns to the Dominican Republic every summer to spend time with her. Camino is crushed by the loss of her father and the discovery that he had another child, Yahaira, in New York.

Camino works with her aunt as a traditional healer and had aspirations of joining her father in New York to study medicine and become a doctor. Her father pays a local sex trafficker to leave Camino alone so she can focus on her schoolwork. Without her father funding this and her private education, she feels as though her dreams are now out of reach.

Clap When You Land follows Camino and Yahaira on their journey to discover how their lives are interconnected and what it means to be family. They both feel betrayed by their father’s secrets and must learn to cope with the aftermath. Camino and Yahaira learn the world is not always black and white, that maybe their father truly loved both of them. Yahaira comes to terms with her father’s deception saying, “I know now, Papi could not move between two families. When he was here – he was mine, when he was there, he was theirs.”

This spellbinding novel follows the two girls on the cusp of adulthood. Both girls must learn to deal with life’s challenges. Yahaira navigates life in New York as a lesbian, while Camino learns how to follow her dreams despite her circumstances. Clap When You Land will help readers understand the grieving process and how to cope with an immense loss.

The narration is provided in prose, switching between Camino and Yahaira’s voices which provides multiple perspectives on how loss can change someone. Camino and Yahaira’s relationship provides a valuable perspective on sexual assault and what it means to be a survivor. Camino and Yahaira find comfort in leaning on each other as they deal with the emotional and physical trauma they have suffered.

In addition, Clap When You Land discusses health disparities that exist both in the Dominican Republic and in the United States, providing important commentary on health inequities throughout the world. High school-aged readers will find Camino’s and Yahaira’s journey entertaining and captivating. The two young women are relatable characters who impart valuable life lessons.

 Sexual Content

  • As Camino walks to school, she sees “the working girls I once went to school with.” She is referring to girls who had to drop out of school to become sex workers.
  • Camino discusses how her father didn’t need to be strict with her because “I don’t mess with dudes from the barrio who love gossip at the domino bars about the girls that they’ve slept with.” Camino only flirted with the American boys from her school, but “not because they’re cute or interesting – they’re often obnoxious and only want a taste of my gutter-slick tongue and brownness; they act as if they could elevate my life with a taste of their powder-milk-tinged pomp.”
  • Camino discusses the neighborhood sex trafficker saying, “El Cero always gets a first taste of the girls who work for him. Before he gussies them up and takes them by the resort beach in cut-off tanks and short shorts so the men from all over the world who come here for sun and sex can give thumbs-up or -down to his wares.”
  • Yahaira reminisces about when she and her girlfriend, Dre, were intimate for the first time. Yahaira thinks, “The first time Dre touched me without our clothes on, she kept running her hand from waist to hip. And I wanted to write Miami a thank-you text, for giving my body a spot that was made to nest Dre’s head in.”
  • Yahaira describes Dre as saying, “If you tell a dirty joke, Dre will talk about plants that pollinate themselves. If you talk about hoeing around, you’d see Dre blink as her mind goes down a long winding path of tilling dirt.”
  • Camino is worried about El Cero, the local sex trafficker. She thinks, “Even the women, girls like me, our mothers and tias, our bodies are branded jungle gyms. Men with accents pick us as if from a brochure to climb and slide and swing.”
  • Yahaira was sexually assaulted on the train. She says, “When I felt a squeeze on my leg I thought it was an accident and when I felt fingers float up my thighs I thought I must be mistaken and when he palmed me under my skirt openhanded I dropped my trophy but did not scream, did not make a scene did not curse him out there was no strategy no alternate plan no way to win, there was just me stuck, and being felt up on a public train.”
  • Camino said her aunt always answered her questions, “whether it was about sex, or boys, healing or the Saints.”

Violence

  • When Camino learns that no one survived the plane crash, she thinks, “A body means there is no miracle to hope for; dead is dead is dead.”
  • Dre plays Nina Simone’s music when she is dealing with difficult events. Yahaira says, “She will play her when we see videos on social media of another black boy shot, another black girl pulled over, another kid in the Bronx stabbed outside the Bodega. Dre plays Nina when two girls holding hands are jumped.”
  • Yahaira’s mother won’t let her see her father’s remains because “the airline representative mails us a catalog of all the bits of cloth, and bone, and hair, and suitcase things that probably belong to my father.”
  • When a man sexually assaults Camino, she desperately thinks, “kick him back scratch at the eyes mouth open cry cry cry for help.”

Drugs and Alcohol

  • Camino frequently smokes cigars. “I lift my mouth to the cigar. Inhale. Hold the smoke hard in my lungs until the pain squeezes sharp in my chest.”
  • Camino’s aunt “hauls the honeyed rum.”
  • When they are making an offering to Camino’s dead parents, Camino and her aunt have a drink. “We pour a bit of homemade mamjuana into the water, and Tia doesn’t even stop me when I take a sip from the bottle. I am feeling guilty.”

Language

  • Damn is used occasionally. For example, after Yahaira’s coach calls to give her condolences. Yahaira thinks, “Who knew death must be so damn polite?”
  • Fuck is used sparingly. For example, Camino described how her house was blessed by saints, but “a lot of people don’t fuck with that kind of thing here.”
  • When walking down the street, Yahaira avoids “dog shit.”
  • Yahaira is planning on flying to the Dominican Republic to attend her father’s funeral even though “Miami is dead-ass serious that she isn’t going to the DR funeral.”
  • A man calls Camino an “uppity, ugly bitch.”

Supernatural

  • Yahaira asks Camino if she believes in ghosts. Camino answers, “Of courses, I believe in ghosts. There are spirits everywhere.”
  • Yahaira describes the alter in Camino’s home. “Miami and I have been ignoring the alter in the corner. I don’t know much about Saints or ancestors, only the rumors of sacrificing chickens and how it all relates to voodoo.”
  • Camino and her aunt are traditional healers and frequently call upon spirits. The townspeople say Camino’s aunt “has the Saint’s ear.”

Spiritual Content

  • None

by Paige Smith

Cinderella is Dead

King Manford rules Lille as a tyrant. He ensures women have no rights and are completely under the power of men. Cinderella has been dead for two hundred years and history has twisted her story to make it seem as though she found true love at the ball with Prince Charming. King Manford uses this story to ensure that each 16-year-old girl attends an annual ball where men choose a woman to wed. Many girls grow up looking forward to this day, where they think they will get their chance to find their own Prince Charming.

But sixteen-year-old Sophia is not like other girls. She has always rebelled against the rules and does not have faith in the story of Cinderella. Most importantly, Sophia does not want to marry a man. Instead, Sophia desires to run away with her best friend Erin. Since homosexual relationships are banned under King Manford’s rule, Sophia and a gay man, Luke, attempt to partner up at the ball. But the king discovers their plan, resulting in devastating repercussions for Luke.

Sophia narrowly escapes and goes on an adventure to take down King Manford. Along her journey, she meets and falls for Constance, the last living descendant of Cinderella’s family. Together they discover the fairy godmother, who is actually an evil witch. They also uncover the lies that have been spread about Cinderella, King Manford, and the rules that hold everyone in this patriarchal hierarchy.

Bayron twists a beloved fairytale into an empowering story where women get to decide their own fate and do not need to wait for their Prince Charming to come and save them. Cinderella is Dead is both captivating and moving as Sophia witnesses a seemingly picture-perfect fairytale crumble around her. In order to create a society where girls have the same freedoms as men, Constance says, “we need to burn the whole thing to the ground and start over. The entire system, the ideals that have been woven into society. It all has to go.”

Sophia is a powerful LGBTQ+ woman of color who works to overthrow a corrupt system. Sophia empowers all readers who have been pushed aside by society, making this novel a must-read for any queer teenager. Bayron’s story exemplifies how standing up for yourself and refusing to be shoved aside can truly benefit all people. Sophia’s adventure touches on many difficult subjects such as domestic violence and homophobia. However, these challenges are told in a sensitive way that will help introduce high school readers to the real difficulties and challenges of the world. Sophia is a powerful and personable character that readers will love, root for, and ultimately feel her pain as she attempts to create a just world.

Sexual Content

  • Sophia is upset the carriage ride to the ball would be the last time she would see Erin. Sophia reminisces, thinking that Erin was “the first and only person I’ve ever kissed.”
  • Sophia is harassed by an old man at the ball who “leans in and presses his lips to mine. I try to pull away, but he holds me close. He smells like wine and sweat, and all I want to do is get away from him.” Sophia fought him back as she “steps back and brings her knee up as hard as she can between his legs.” This causes an uproar, allowing Sophia the opportunity to escape.
  • Sophia and Constance share an intimate moment that Sophia describes. “Before I have a chance to overthink it, I press my lips to hers. Her hands move to my neck and face. A surge of warmth rushes over me as she pressed herself against me. There is an urgency in her kiss, like she’s trying to prove to me how much she cares, and I yield to her, unconditionally.”
  • Constance embraces Sophia when she returns from a trip. “Constance presses her lips against mine as she winds her arms around my neck.”
  • When she has to go to the winter cotillion, Sophia says goodbye to Constance. “I lean forward and kiss her, wrapping my arms around her, breathing her in and hoping this isn’t the last time.”
  • Sophia and Constance embrace. “Tears come again, but she wipes them away with the tip of her fingers, kissing my hand and pulling me close.”

Violence

  • Morris, Luke’s schoolmate, makes fun of Luke for being gay, which angers Luke. “Luke’s fist connected with Morris’s right cheek, sending spittle and at least two teeth flying.”
  • At the annual ball, the guards detain Luke. Sophia sees Luke getting “punched in the ribs and doubling over.”
  • A guard makes fun of Sophia’s friend, saying, “I would have offed myself, too, with a face like that.”
  • The local seamstress is falsely accused of helping Sophia escape at the annual ball. She is publicly executed and her head is cut off with an ax. Sophia saw “the seamstress’ head roll into the dirt.”
  • A local man harasses Constance and Sophia which leads to Constance fighting him. “Constance raises her knife and brings the hilt down on top of the man’s head, sending a loud crack! echoing through the alley. He falls face-first onto the ground.”
  • When Sophia plans to murder the king, she says, “I’m going to have to let him get close to me, so I can put a dagger in his neck.”
  • At the cotillion, a man attempts to flirt with Sophia, and a guard attacks him as a result. “As I turn, a guard sweeps in and strikes him on the top of the head with the hilt of his sword. The man collapsed into a heap.”
  • Sophia tries to assassinate King Manford. “In one quick move I plunge the dagger into his neck. I twist the blade the way Constance showed me. He blinks. Standing upright, he staggers, clutching his throat. I jump back, pulling the blade out. I smile at him. I’ve done it. I’ve ended him. Constance said that if I killed him, he would probably collapse into a heap. King Manford doesn’t move. She told me blood would rush from the wound. He doesn’t bleed.” As King Manford is no longer human, there is simply a gaping hole in his neck, but it did not cause him any pain as the hole slowly closed itself.
  • After Sophia’s attempt to kill King Manford, the guards restrain her. “Someone yanks my arm so hard it feels like my shoulder might come out of its socket.”
  • Sophia escapes her cell by attacking a guard. The guard “blinks, confused, as I bring the candlestick down with all the strength I can muster. It impacts his head with a sickening thud, and he falls into a pile, his knees and elbows jutting out in an unnatural way.”
  • Sophia continues attacking guards with her candlestick as she helps others escape the prison. The other prisoners cheer her on saying, “Hit him again!”
  • Amina, the fairy godmother, betrays Sophia and Constance. Constance stabs Amina for her betrayal. “The tip of Constance’s dagger sticks out of Amina’s chest as Constance grips the hilt behind Amina’s right shoulder.”
  • Sophia realizes King Manford is kept alive through magic and sees a bright core in him where the magic resides. She stabs the bright, magical center. “Bright, hot, and crimson like a heatless flame, the light in his chest erupts out of his mouth and engulfs the king’s entire head as he rears back, his hands clutching wildly at the air. A sound escapes his throat, the cries of a dying animal. What is left of his skin begins to shrivel and crack like burned paper.”

 Drugs and Alcohol

  • Sophia considers Helen, a local potion maker, to be a hoax. Sophia thought, “Her potions were probably watered-down barley wine.”
  • Sophia describes the Bicentennial Celebration where every night of the week, “before curfew, people crowd the square to make music and drink.”
  • As Sophia and Erin ride to the annual ball, Erin speculates, “I hear they have tables and tables of food and wine.”
  • Amina, the fairy godmother, frequently smokes from a pipe. “She puffs away on her pipe, a wreath of earthy-smelling smoke encircling her head.”
  • The evil king, King Manford, meets Sophia at the cotillion. Sophia describes him. “From his smell, a mixture of wine and smoke, to the predatory look in his eyes, everything about him repels me.”
  • Amina describes the guilt she felt for betraying Cinderella, Sophia, and Constance. Amina felt “a twinge of guilt about Cinderella, but it’s nothing that can’t be stifled with a full pipe and a stiff drink.”

Language

  • Damn is used occasionally. For example, Sophia’s mother is frustrated with Sophia’s behavior and says she wishes Sophia “would sit down and stop trying to get herself arrested like some damned fool.”
  • Shit is used a couple of times. When Luke sees Morris, his classmate who always bullies him, he says “shit.”

Supernatural

  • Sophia walks past Helen’s Wonderments and thinks about the different potions Helen claims to brew up. The sign outside Helen’s store reads, “Find a Suitor, Banish an Enemy, Love Everlasting.”
  • Amina, the fairy godmother, explains how she learned magic. “All my life I’ve practiced magic. My mother raised me in the craft, taught me from the time I was young.”
  • Amina, Constance, and Sophia plan to use necromancy to raise Cinderella from the dead so Cinderella can help fight the king. Constance explains necromancy as, “It’s when you communicate with the dead.” Amina corrects Constance by explaining, “You have to call the spirit back to communicate with them.”
  • In order to see the future, Amina, Constance, and Sophia complete a divination ritual. In Sophia’s vision she sees Cinderella and the king. Then, the king’s “face transforms into something horrid and rotting – something dead. A ball of white-hot light erupts between us, pulling at the center of my chest. I cry out.”
  • Amina uses a spell to make the guards sleep. Amina describes the spell as “a little sleeping dust to send them to dreamland. . . It brings nightmares. . . The kind you never forget. The kind that haunt you even in your waking hours.”
  • Amina describes a special stone that allows the holder to see into the future. Amina explains, “An alternative to the kind of divination we used at the pond. An enchanted stone, polished up like a mirror. It can be used to see all sorts of things – the future, the present – but they are exceedingly rare.”
  • Amina raises Cinderella from the dead. Sophia describes the emotions of seeing Cinderella as, “A literal ghost is speaking to us, it takes everything I have not to give in to the little voice in my head that is screaming at me to run.”
  • Amina uses magic to create a gown for Sophia. Sophia describes the experience. “The same strange luminescence that clings to it clings to me. I hold my breath as a dress of shimmering silver materializes around me.”
  • Sophia realizes how the king has stayed alive for hundreds of years. When Sophia is imprisoned, the girl in the cell next to her explains, “He siphons the life from your very soul. There is a light, a pull, and whatever he takes from you, he uses to make himself young, to live as long as he so chooses.”
  • Sophia finds Cinderella’s journal which also explains how King Manford used magic to stay alive. Cinderella had written, “A channel opened between us, a connection. I could see right into his blackened heart. Something invisible, something unnatural, surrounds the source of the light. And now I know that there is no hope for me. Or for anyone.”
  • King Manford attempts to draw the life out of Sophia. Sophia describes the experience saying, “I’m dying. I feel the life being pulled out of me in long, rasping draws. A fire ignites in my chest, burning away any feelings of hope or love or happiness. Something tugs hard at my waist, and suddenly I’m sliding backward across the ballroom floor.”

Spiritual Content

  • None

by Paige Smith

 

 

Before the Ever After

ZJ’s dad, “Zachariah 44” Johnson, is a football star and ZJ’s entire world. He has always been there for ZJ and his mom. Zachariah 44 is a source of pride for the neighborhood and his fans. But after his most recent football concussion, ZJ’s dad has been different: Wild mood swings, forgetting ZJ’s friends’ names, even forgetting ZJ’s name. ZJ finds himself watching as the father that he loves deteriorates before his eyes. Clinging to his friends and mom, ZJ dreams about what life was like before the ever after.

Told in verse by ZJ, Before the Ever After highlights important moments that ZJ remembers about his father—the good and the bad. This is a story that pertains to head injuries in the NFL in the early 2000s and how they were dealt with. It specifically highlights the impact these injuries had on the families of these players.

In a way, ZJ is narrating a tragedy about his father’s fall from football star to a father that can’t remember his own son’s name. ZJ and his mother deal with the situation as best they can, and ZJ’s stories of the good times with his father carry a strong nostalgic tone. ZJ is elementary to middle school-aged, and the way he understands and relays information is perfect for younger readers. ZJ also plays football, but his relationship with it is complicated as ZJ tries to come to terms with the sport that his father loved so much. Although this story is about ZJ’s father, it is very much ZJ’s story as well.

Although Before the Ever After isn’t very long, Jacqueline Woodson carries us along with simple yet powerful verse that conveys the somber tone of ZJ’s particular voice. Throughout the course of the novel, ZJ learns that the things we love in life become a part of us, whether it’s a hobby or career or a person. Those things that we love unconditionally live in our memories, good and bad. By the end of the book, ZJ’s narration is mostly in the present rather than in the past, showing that he’s starting to accept his new reality. Although what happened to his father will never be okay, ZJ isn’t alone, and that’s the most important lesson of all.

Sexual Content

  • ZJ’s mom takes his dad to the doctor, who tells ZJ’s dad that he can’t drive anymore. ZJ narrates, saying “the doctor said to Daddy, / Look on the bright side. You have this / beautiful chauffeur. / Then he winked at Mama. / Look on the bright side, my daddy said / back to the doctor. / You’re a total chauvinist.”

Violence

  • “Zachariah 44” Johnson (also referred to as Dad) is a professional football player, so football-related pains and injuries are abundant. Once, Johnson describes, “His whole body . . . / is 223 pounds of pain / from toes to knees, from knees to ribs, / every single hit he took yesterday / remembered in the morning.”
  • One day, Ollie and ZJ are playing tackle in the yard when “Ollie tackled [ZJ] so hard, [his] head hit / the ground / and [his] nose bled.” Ollie felt terrible about the situation.
  • ZJ notes that “[his] dad probably holds the Football / Hall of Fame record / for the most concussions. Even with a / helmet on.”
  • This book takes place during the late nineties through the early 2000s. The topic of Y2K and what comes with the millennium comes up in conversation. ZJ talks about “this guy on the radio [who] said the world / was going to end / when we got to the new millennium. / That it was gonna explode—a whole / ‘nother big bang / but this time, instead of the earth being / created, / it was just gonna burst into smithereens / and all of us would be gone from here.”
  • ZJ’s dad’s mental state deteriorates throughout the course of the book from years of many concussions. Dad often forgets things and gets irrationally angry, and he sometimes will “slam the door so hard / the whole room shook.”
  • ZJ says that when he was a little kid, his grandma would say, “You’re about to get yourself / in deep water.” ZJ explains, “Deep water was a spanking from her.”
  • Football-related violence is sometimes described. ZJ notes that one time, his dad “got hit so hard, a / vein broke / in his left eye / and it stayed bloodred for days and / days.”
  • ZJ and his friend Ollie have a snowball fight in the park, and ZJ looks for specific gloves. He says, “I don’t know why / but those gloves seem to have a / superpower / when it comes to shaping snowballs and / firing them / at the sucker who didn’t duck fast / enough.”
  • ZJ gets tackled during a touch-football game. ZJ describes, “I’m going down, tasting snow and / dirt and spit / and something else too. / Blood.” ZJ, thinking about his dad’s injuries, quits football then and there.
  • ZJ’s dad punches out a window in the bedroom. ZJ says, “I’m half asleep when I hear the glass, / shattering once, then again as it’s / falling. / I hear my mother screaming and run to / their room, / where my daddy is standing at the / window, his arm through it, / and cold air blowing in.” The scene lasts for a couple of pages, and it’s clear that ZJ’s dad is confused about what’s happening.

 

Drugs and Alcohol

  • ZJ says that Ollie’s mom Bernadette comes over and drinks “sometimes, if it’s a Friday night, / one glass of wine.” Bernadette jokes, “Any more than that. . .  / and I forget my own name.”
  • After ZJ’s dad forgets who ZJ’s friends are, they ask “was your dad drunk?” and “maybe it was drugs.”
  • The doctors want to prescribe some “experimental drugs” to help ZJ’s dad cope with his migraines, memory loss, and anger.
  • ZJ describes some of the pills that his dad takes, saying, “there’s the pill that makes his feet / swell. / And the one that blurs his vision. / And the one that makes it hard for food to stay / in his belly. / And when none of those pills work, / there’s another doctor to see.”
  • ZJ remembers his dad’s earlier birthday parties, before people had stopped visiting them: “the ones who used to fill up our house, / their wineglasses clinking, / their laughter echoing through the / rooms.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • ZJ’s best friend Ollie was left on the doorstep of a church as a baby. As a result, “a preacher and his wife found / and kept [Ollie].”
  • ZJ talks about the toll that his dad’s condition is taking on his mom. ZJ says, “Last night I found my mom outside / standing on the deck, looking up at the / sky. / Are you counting stars? I asked. / No, she said. I’m looking for God. / If anyone has any answers, I guess / God would.”
  • ZJ’s mom prays to herself, saying “In Jesus’s name, I pray. Amen.”

by Alli Kestler

The River

Two years after Brian Robeson survived fifty-four days alone in the Canadian wilderness, the government wants him to head back so they can learn what he did to stay alive. This time Derek Holtzer, a government psychologist, will accompany him. But a freak accident leaves Derek unconscious. Brian’s only hope is to transport Derek a hundred miles down the river to a trading post. He’s survived with only a hatchet before—now can Brian build a raft and navigate an unknown river? For the first time, it’s not only Brian’s survival that’s at stake.

As Brian embarks on his journey, he realizes that being in the wilderness with another person isn’t the same as crash landing. There is no danger. No tension. And then Derek is injured, and Brian must make a life or death decision. However, the situation still has little suspense or action. Even when Brian is rafting down the river, there is little excitement, and Brian’s hallucinations are confusing. However, when Brian becomes exhausted, he thinks, “It would be better if Derek were gone. What were the differences? He was dumb enough to rise up and get hit by the lightning, and he should be gone.” Brian doesn’t give in to this momentary weakness and ends up saving Derek.

Even though The River follows Brian on another adventure, Brian’s character does not grow. Much of the plot focuses on Brian’s thoughts and emotions, which slows down the pace. The conclusion is abrupt and the secret that plagued him in Hatchet is never resolved; however, it no longer bothers Brian. The River has few intense moments and the plot and characters are underdeveloped, which makes it hard for readers to connect with the characters.

Readers who enjoyed Hatchet will find Brian’s journey interesting. However, if the slow pace of Hatchet made finishing the story difficult, you will want to avoid picking up The River. Brian’s next adventure, Brian’s Winter, takes the reader back in time and shows what would have happened if Brian wasn’t rescued after his plane crash. Readers who enjoy understanding character’s thoughts and emotions will find The River satisfying. However, if you’re looking for a more fast-paced survival story, Adrift by Paul Griffin would be a better choice.

Sexual Content

  • None

Violence

  • Derek is hit by lightning. “Some thing, some blueness of heat and light and raw power seemed to jump from the tree to the briefcase and radio and enter Derek’s hand. All the same part of a second it hit him and his back arched, snapped him erect, and then it seemed to fill the whole shelter and slammed into Brian as well.” After being hit, Derek is in a coma.
  • Brian falls into the river and is swept along with the current. “. . .he was down again, mashed down and tumbled by the pressure wave, smashed into the rocks on the bottom, and all he could think was that he had to stay alive. . . He fought and clawed against the rock, broke his face free, then was driven down again, hammered into the bottom.” Brian finally finds the raft and is able to get on it.

 Drugs and Alcohol

  • None

Language

  • God is used as an exclamation four times.
  • When Derek is injured, Brian thinks, “The woods. The damn woods.”
  • When Brian decides to build a raft and travel down the river, he thinks, “Oh, hell, we just have to do this. . .”

Supernatural

  • None

Spiritual Content

  • Brian was trying to make a difficult decision. “Please, God, he thought—and did not finish it. Just that—please, God.”
  • When the raft is near huge rocks in the river, Brian whispers, “God. . . “

Becoming RBG: Ruth Bader Ginsburg’s Journey to Justice

Supreme Court Justice Ruth Bader Ginsburg is a modern feminist icon—a leader in the fight for equal treatment of girls and women in society and the workplace. She blazed trails to the peaks of the male-centric worlds of education and law, where women had rarely risen before.

Ruth Bader Ginsburg has often said that true and lasting change in society and law is accomplished slowly, one step at a time. This is how she has evolved, too. Step by step, the shy little girl became a child who questioned unfairness, who became a student who persisted despite obstacles, who became an advocate who resisted injustice, who became a judge who revered the rule of law, who became RBG.

Growing up during World War II and living during the McCarthy era made a huge impact on Ruth. Because she witnessed discrimination, she was determined to help others. However, Ruth’s main focus was helping those who faced gender discrimination. While most of her cases focused on “girls who were held back by unequal treatment,” she also defended men who received unfair treatment because of their gender. Ruth’s goal was “identifying and removing the barriers that restricted what women could do, and that also restricted what men could do.” Ruth knew that as a judge she must listen to others and engage with opposing ideas in order to overcome discrimination.

As a woman, Ruth had to face many obstacles. While society thought that a girl’s greatest goal was to “find a husband who could take care of his wife and family,” Ruth’s mother encouraged her to be independent. Ruth’s mother wanted Ruth to chase her dreams as well as act like a lady. Her mother said, “A lady reacts calmly to upsetting things and without anger. A lady has nothing to do with jealousy.” Throughout her life, Ruth often based her behavior on her mother’s advice.

Eleanor Roosevelt was another positive influence in Ruth’s life. Eleanor Roosevelt spoke against intolerance and cruelty. She said, “Don’t be prejudiced. Be open to refugees who come to our country. Don’t be cruel, even to enemies.” Ruth’s story includes many examples of how both Ruth’s mother and Eleanor Roosevelt affected Ruth’s behavior in a positive manner.

Readers who aren’t interested in the law may find Becoming RGB’s focus on the legal cases that Ruth fought overwhelmingly. The graphic novel has different shaped text boxes which often make it difficult for readers to know which order the text should be read in. However, the text includes explanations of terms that readers may not be familiar with. Even though Becoming RGB is a graphic novel, some of the pages are text-heavy and have advanced vocabulary.

Readers will enjoy the graphic novel’s illustrations that are white with shades of blue. Some pages have pops of red that highlight important aspects of the story. Each short chapter has a title that helps readers know the topic of the chapter. Even though some parts of the biography are dominated by legal cases, Becoming RBG is worth reading. Ruth’s story of perseverance is packed full of life lessons and shows how one woman helped change the world for the better.

Sexual Content

  • None

Violence

  • Ruth lived during World War II when the Nazis were “creating a nation of all those they considered true Germans and repressing—even killing—people they considered inferior.”
  • During World War II, Japan surrendered after America “dropped an atomic bomb over Hiroshima. . . Three days later, the US military dropped a second atom bomb on another Japanese city, Nagasaki.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • During World War II, some thought “Jews were Christ Killers.”
  • One of the Supreme Court justices “suggested that divine law ordained that women shouldn’t be lawyers. He wrote, ‘The paramount density and mission of women are to fulfill the noble and benign offices of wife and mother. This is the law of the Creator.’”

 

 

 

The Berlin Boxing Club

Karl Stern is Jewish in heritage only. No one in his family practices and Karl doesn’t even see himself as Jewish. However, in Nazi Germany, Karl is Jewish, whether he or his family practice the religion. Despite this fact, Karl’s concerns are less about the Nazis and more about becoming a cartoonist, flirting with his neighbor Greta Hauser, and learning how to box from his father’s friend, the great Max Schmeling. But as the restrictions tighten around Jewish people, Karl must learn what it means to be a man, to be Jewish, and to be strong.

Although The Berlin Boxing Club is set in Nazi Germany and has a Jewish protagonist, the events lead up to Kristallnacht, or night of the broken glass, instead of describing a concentration camp. Although the reader will be familiar with the Holocaust, the characters do not know what’s to come. The historical events, like the laws passed against Jewish people, did actually happen, and the reader gets to experience discrimination and hatred through Karl’s eyes. As a form of escapism, Karl draws cartoons that depict him and his sister fleeing the bullies in their lives. These cartoons appear throughout the book and help them keep up hope, even when the situation is dire.

The Berlin Boxing Club contains some characters who are real historical figures. Most prominently featured is Max Schmeling, who was a real German boxer who lost in a historic fight against African American boxer Joe Louis. Although Schmeling was beloved in Germany before this event, his loss failed to prove Hitler’s assertion that the so-called “German race” was superior. This loss helped move Schmeling out of the spotlight. Most importantly, Schmeling historically helped hide two Jewish children. Schmeling’s history is closely tied with Karl and his family, and it is a clever way of mixing fiction with historical facts. It should be noted that Karl and his family are fictional.

The main theme shows Karl’s evolving understanding of manhood. Karl desperately wants to be a boxer because he hates getting beaten up at school, and he would like to be strong to defend himself and exact revenge against his bullies. At the beginning of the book, Karl ties manhood to physical prowess, causing him to knock heads with other characters. Then, Karl meets his father’s friend, the Countess, who is a man dressed as a woman who lives with his male partner. Initially, Karl reacts very negatively towards both of them. But as the story progresses, Karl learns that the Countess fought in the Great War, and he eventually risks his own safety to help hide Karl and his sister. Through characters like the Countess, Karl unpacks his negative baggage around masculinity and learns that courage and strength come in more forms than just physical.

The Berlin Boxing Club is sometimes upsetting due to the events that took place in Nazi Germany and due to Karl’s own internalized issues that stem from damaging propaganda about Jewish people, women, and homosexuality. Karl’s personal journey shows that he can unlearn those terrible things that he thought were true, and that people are far more complicated than Karl gives them credit for. Readers who have already read other fictionalized and real accounts of life from Jewish people under Nazi rule will find that The Berlin Boxing Club is a change of pace, and they may enjoy the different perspectives that the book brings to the conversation. As Karl unpacks his own preconceived ideas, The Berlin Boxing Club is also worth unraveling to find its heart.

Sexual Content

  • Item number three on Karl’s list of biggest concerns in his life is, “Getting inside Greta Hauser’s pants and having her find her way into mine.” Karl mentions that he “was also obsessed with the recently bloomed chest of Greta Hauser, who lived with her family in [Karl’s] apartment building.” Karl mentions Greta’s breasts several times.
  • Karl talks about how he finds abstract art difficult to digest. He says that he prefers “paintings and drawings of whores, exposing themselves to men on the street and in brothels.”
  • In pursuit of a flyer about one of his father’s artists, Karl finds an ad lying on the floor that he describes as a “sexy message.” It reads, “Berlin is still hot ladies—You just have to look in the right cracks. The countess has just what you’ve been waiting for . . . ” An “ink smear” prevents Karl from reading the rest of the page.
  • The building superintendent of Karl’s apartment reads a Nazi tabloid. Karl swipes his copies “because of the pinups, not because of the Nazi propaganda.”
  • On his morning run, Karl passes a “weary prostitute walking home from a long night.”
  • Greta kisses Karl in the furnace room. Karl describes how “she wrapped her arms around me, rubbing the back of my neck. Goosebumps spread down my spine, and our kisses became more intense as she pressed her body against mine, so close that I could feel the pulse of my heart beating against hers.”
  • The apartment superintendent catches Karl and Greta kissing. As Greta leaves, he says to Karl, “Hope she tasted good, Stern. I’ve had my eye on that for a long time.” Karl and Greta are 14 and 15, respectively.

Violence

  • To “prove” that Karl is Jewish and humiliate him, three of Karl’s classmates pull down his pants to show that he is circumcised. Karl describes, “Franz roughly unbuckled my belt and unbuckled my trousers . . . my penis bobbed in front of them in all of its circumcised glory.”
  • The boys who humiliate Karl then fight him, though Karl wants no part of any physical confrontation. One boy punched him several times, “catching me on the edge of my chin and sending my head snapping back. More laughter. Franz (the one boy) then threw several punches at my face, landing on my eye and the side of my mouth. My top lip caught on the corner of my right canine tooth, and blood gushed out of my mouth and dribbled down my chin, eliciting more howls.”
  • When the boys hear a teacher’s voice from down the hallway, they shove Karl down the stairs. Karl says, “I fell hard against the side of the stairwell, knocking my face against the metal handrail as I went down. I slid down a few steps until I came to a stop face-first on the landing.” One of his teeth gets knocked out.
  • When Karl, his father, and his sister come home one night, they find Uncle Karl “bending over the sink with his bare ass hanging in the air. A small dark bloody hole had punctured his left buttock, which my mother was probing with long tweezers.” The adults won’t tell Karl or Hildy what happened, though it is implied that it has something to do with the political climate exacerbated by Hitler.
  • Karl wants to know what happened to Uncle Jakob when they find that one of his butt cheeks has been punctured in an altercation. Uncle Jakob jokes that “One of [Jakob’s] girlfriends found out about one of [his] other girlfriends, and the next thing [he] knew [he] had a hole in [his] Hintern [butt].”
  • Karl knows some things about Uncle Jakob, including that “Uncle Jakob was a member of an underground Communist group that was trying to organize against the Nazis.” From that, Karl guesses that Uncle Jakob “was part of a secret meeting that had been broken up by the Gestapo and that he’d gotten shot while he fled the scene.”
  • The boys in the Hitler Youth continue to harass Karl at school. One day they “grabbed [him] by the arms and pulled [him] back, pinning [his] arms behind [him]” so he couldn’t escape.
  • The boys in the Hitler Youth have a new initiation for their members, that requires they “baptize a Jew.” They grab Karl and plunge his head into a toilet in the school bathroom. Karl describes, “I quickly held my breath as I felt my hair and top of my face plunge into the water.”
  • Karl is upset when Max hasn’t come to get him for boxing lessons. Karl imagines in his “most exaggerated fantasy . . . becoming a heavyweight contender and defeating Schmeling himself, with [Karl’s] long arms snapping off a series of rapid-fire punches.”
  • When their mom won’t respond, Karl and Hildy break into the bathroom. Upset about having to let the housekeeper go, their mom falls asleep in the bathtub and it seems that she has come close to drowning. Karl describes how “she choked and gasped as water went up her nose.”
  • Karl learns how to box from Max Schmeling, who was a real professional boxer in Germany in the 1930s. Boxing is a violent sport, and Karl gets beaten up regularly during training. Max says about boxing, “There’s an art to boxing and plenty of skills to learn, but at the end of the day, boxing is just fighting, plain and simple.”
  • Karl describes what it’s like landing his first punch in a spar. Karl narrates, “The punch had mass and weight, and a wonderful electric thrill ran down my hand and across my body as I sensed his muscles tighten.”
  • Neblig, one of Karl’s friends at the boxing gym, reveals that he is blind in one eye because some other boys tried to beat him up. He also has a stutter, which comes through his dialogue. He says, “I held th-th-them off good. But then one of them hit me in the eye, and it almost p-p-p-popped right out.”
  • Karl reads a profile in a magazine about the Jewish American boxer Barney Ross. The magazine says that Ross’s father “was killed during an armed robbery.”
  • Uncle Jakob is arrested because his “political group doesn’t agree with the Nazis . . . They took him to a concentration camp in a place called Dachau.” The family only hears “rumors of torture and murder in the camps,” but at this point Karl’s family is unsure.
  • After Uncle Jakob’s arrest, Karl’s parents have a loud fight about leaving Germany. Karl describes the scene. Karl’s father “kicked the suitcase so it slid into my mother’s leg with a dull thud. She grabbed her shin in pain where the suitcase had struck her. ‘Goddamn you!’ she screamed. She picked up the suitcase and hurled it toward my father. He ducked out of the way, but it struck him on the shoulder and then bounced against the wall.”
  • Karl and the few other Jewish students are expelled from their school because of the implementation of the Nuremburg laws (which barred Jewish people from doing a host of activities and jobs, and defined who was “a Jew”). Afterward, some of the boys at school run to beat up Karl and the others. Karl is faster than Benjamin, another Jewish student, and Karl looks back to see a student “grab [Benjamin] by the back of his jacket and swing him to the ground . . . he was completely covered by the kicking and punching bodies of the other boys.”
  • Bertram Heigel (the Countess) tells Karl about his experience in the First World War with Karl’s father, who had saved Heigel’s life. Heigel notes, “Your father had already made it and was returning fire to give us cover when a mustard gas cloud swept over us . . . We had lost our masks during the retreat, and I started gagging as the gas hit the back of my throat.” Karl’s father pulls them from the trenches. This description lasts for a couple of pages.
  • Karl’s apartment superintendent ambushes Karl and Greta’s meet up one night, and he grabs Greta with the intent of sexually assaulting her. He tells Karl to go away or he’ll throw Karl’s family out on the street. Karl discovered “Greta pressed up against a tree by Herr Koplek [the building superintendent].” Karl then “lunged forward and gave [Koplek] a quick shove, which sent him tumbling to the ground.”
  • Koplek gets revenge by forcing Karl’s family to move out, claiming that Karl was “making sexual advances” on Greta. Although untrue, the rumor has spread, and no one can afford to believe Karl.
  • Karl’s family receives word that Uncle Jakob died of “dysentery” according to the records at Dachau.
  • After school, the boys from the Hitler Youth hit Hildy. They throw rotten eggs and say, “Ten points to whoever can hit the first Jewess.”
  • In the news, Karl hears that “a Polish Jew living in France…had entered the German Embassy and shot and killed a German diplomat.”
  • Karl and his family experience what would become known as Kristallnacht, or the night where Nazis were “attacking Jews and Jewish businesses.” Karl is badly injured by Nazis when the rioters break into the art gallery, and Karl watches as “the man plunged the piece of glass into my father’s side.” Karl’s father is alive, but his doctor friend takes Karl’s parents away so they can hide. The scenes from Kristallnacht last for several chapters, and Karl sees scenes like Nazis “kicking an elderly Jewish man” who was lying in the street.
  • The Gestapo takes Karl’s father. Nothing is heard of him afterward.

Drugs and Alcohol

  • Karl and his sister Hildy help serve wine at their father’s art gallery openings and exhibitions. Karl’s job was “to redistribute the wine from the full bottles into the three empty bottles and then fill up the difference with water.”
  • Karl takes “a small taste from each one.” Hildy, who is eight, asks if she can try some, and Karl says, “When you’re thirteen.” Germany’s legal drinking age and drinking regulations for minors are much different than those in the United States, though this is not outright stated in the text.
  • Max has a string of rules for Karl, including “no tobacco . . . no booze.”
  • Karl’s father comes home one night “smelling of cigars and the peppermint-flavored liquor he preferred.”
  • While listening to Schmeling’s fight with Joe Louis, Karl drinks some beer with his fellow boxers. At this point in the story, Karl is almost seventeen. Karl notes that the beer makes his “brain tingle pleasantly.”
  • Karl gets drunk on beer during Schmeling’s fight. Karl says, “After an hour of steady drinking, I had to get up and relieve myself. I pushed myself up from the table, and my legs felt rubbery as I staggered into the men’s room.” He blacks out while in the men’s room.

Language

  • The Nazis and Nazi-sympathizing townsfolk use slurs and negative stereotypes towards the Jewish characters. Some of Karl’s classmates call him a “dirty pig” and say, “You should’ve been honest with us . . . We might’ve wanted to borrow money from you, Jew,” and “Jews are destroying our country.”
  • Profanity is fairly common throughout the book. Swear words (in both German and English) include: scheiss (shit), verdammt (damned), schwein (pig; swine), crap, ass, bastard, and retard.
  • Karl says of people who practice Judaism, “I disliked Jews as much as they did. I didn’t identify with them at all . . . To me, most of the Nazi propaganda about Jews had a ring of truth to it . . . And just like Adolf Hitler, I believed they were ruining everything. Only Hitler saw the Jews as ruining Germany, while I merely saw them as threatening my standing at school with my friends.”
  • Sometimes characters use exclamations like “God.” For instance, when Herr Boch finds Karl injured at the bottom of the steps, he says, “Du Lieber Gott! My God! What happened?”
  • Some of the students in Karl’s class call Karl a “Red,” referring to Russian communists. One of his classmates also comments that “All the Reds are Jews anyway, aren’t they?”
  • There are discussions about Hitler’s book, Mein Kampf. Much of the book is known for Hitler’s demonization of many groups of people, including Jews, LGBTQ+ folks, and many others. This book would go on to influence the Nazi party as well as much of Hitler’s regime in Germany. But The Berlin Boxing Club also discusses the parts where Hitler “specifically advocated for boxing to be part of the standard physical fitness program for all German boys.”
  • The apartment superintendent of Karl’s apartment was “an avowed fan of Hitler and kept a Nazi flag pinned to the outside of his door. He loyally read the Nazi tabloid, Der Stürmer, which featured the most virulent anti-Semitic articles and cartoons.”
  • At school one day, Karl notices that many of his classmates are wearing the regalia of the Hitler Youth. Karl notes, “I saw many boys wearing some sort of Nazi or Hitler Youth insignia, from buttons to belt buckles or kerchiefs around their necks . . . The Hitler Youth uniforms filled me with envy rather than fear. What boy wouldn’t want to wear a military uniform?”
  • During an assembly, a teacher wearing a “green Bavarian jacket with a small enamel swastika pin” leads the students in the Nazi salute and shouts, “Heil Hitler.” Karl participates because he “doesn’t want to draw attention to [himself] for not doing it.”
  • There is a lot of rhetoric against Jewish characters. For instance, the new principal at Karl’s school says that Jewish people “are the greatest threat to our fatherland.”
  • In biology classes at Karl’s school, the students “received long lectures on the purity of Aryan blood versus Jewish, African, [and] Gypsy blood.”
  • One of the boys in the Hitler Youth points at Karl and says, “Take a good look, boys. On the outside, he appears like us, but his blood and his cock are pure Jew.”
  • Karl’s father asks Karl to make a delivery to the Countess. Karl peeks at the package and sees “a simple illustration of two people dancing . . . both of the people were men with slicked-back hair, wearing tuxedos. The caption above the image read: The Countess presents another private winter ball for the beautiful boys of Berlin.” Karl, upon seeing this, reveals that he is homophobic. He says that his father “was somehow in league with homosexuals. It was risky enough being Jewish, but associating with homosexuals would put us at an even greater risk. Even Jews didn’t like homosexuals. It was the one thing everyone seemed to agree on.”
  • Karl meets the Countess, and he discovers that the Countess is a man dressed as a woman. Karl is not sure how to address him, and thinks to himself, “What were you supposed to call those people?”
  • Karl suspects that because his father is friends with the Countess, that his father is “a homosexual.” Then Karl wonders, “Did [he] have homosexual blood in [his] veins too?”
  • The girls at school call Hildy a “rotten apple” in reference to a very antisemitic book the class reads of the same name. On the cover, Karl sees the depictions of the apples. He notes, “The tree was filled with beautiful apples, except some of the apples had strange human faces with large noses and droopy eyes.” The book also praises Hitler for “cutting [Jews] out of Germany.”
  • Some of the boxers at the gym discuss a new and upcoming American boxer named Joe Louis. One of the boxers thinks he’ll take the heavyweight belt in no time. To this statement, another boxer says, “A Negro champion? It won’t happen.” When someone points out that Jack Johnson, an African American boxer, had already won the belt, the other boxer responds with, “A fluke . . . Negros don’t have the brainpower to be champions.” This conversation continues for about a page. The term “Negro” is used when referring to Joe Louis and other black characters.
  • Karl talks about how he makes deliveries for folks who live in the Berlin underworld— “homosexuals, Gypsies, Jews, Communists, anyone whose lifestyle or beliefs forced him or her to live in secret.”

Supernatural

  • Greta sees Karl shoveling coal in the apartment basement and says, “Well, if it isn’t Vulcan at his forge.” When Karl is confused, she clarifies, “The god of fire.” She then notes the difference between Vulcan and Hephaestus, saying, “Vulcan was a Roman god . . . Hephaestus was the Greek god of fire.”
  • Karl and Greta talk about mythology again in the furnace room, and this time Karl brings up the story of Pandora. Karl says, “Zeus ordered Hephaestus to create Pandora to punish mankind for stealing the secret of fire . . . Her box released all the evils of mankind—vanity, greed, envy, lust . . . ”

Spiritual Content

  • Karl is Jewish, but he was “raised by an atheist father and an agnostic mother, I grew up in a secular household. I had absolutely no religious background or education.”
  • Karl’s father fought in the First World War, and he hates religion and politics. He says, “I learned everything I needed to know about politics and religion during the war. They’re all worthless.”
  • Karl talks about pseudoscientists “proving Hitler’s theories of racial superiority” and who were also perpetuating “medieval myths about Jews’ kidnapping Christian children and drinking their blood in strange religious rituals.”
  • Greta’s family is Catholic, so her father “doesn’t want [her] talking to Lutheran boys” or Jewish boys.
  • Greta tells Karl that she’ll “have to say a special prayer” for him before his first real boxing match.
  • Greta confesses that “she was not sure that she believed in God at all.”
  • Jewish-American boxer Barney Ross’s father was an “Orthodox rabbi.”
  • Karl and Hildy’s mother sends them to attend a Jewish school since their old schools expelled them for being Jewish in the eyes of the Nuremburg laws. Karl is told on the first day that he is required to wear “a yarmulke,” or a small cap while at school even though he does not practice Judaism.
  • Karl has some thoughts on attending a Jewish school. He notes, “I felt no connection to the religious Jews and didn’t believe in any of their traditions. Why should God or anyone else care if I ate a pork sausage or walked around without a hat?”
  • The Jewish owner of the store where Karl buys his ink is suffering because of the laws against non-Jewish people doing business with Jewish people. He says a prayer over Karl before Karl leaves the store one day. The owner tells Karl, “That was the Tefilat HaDerech; it’s a prayer for a safe journey.”

by Alli Kestler

A Thousand Splendid Suns

A Thousand Splendid Suns is set against the volatile events of Afghanistan’s last thirty years—from the Soviet invasion to the reign of the Taliban to post-Taliban rebuilding. It puts the violence, fear, hope, and faith of the country in intimate, human terms. It is a tale of two generations brought jarringly together by the tragic sweep of war. In war, personal lives—the struggle to survive, raise a family, and find happiness—are inextricable from the history playing out around them.

Mariam and her mother live as outcasts. With little contact with the outside world, Mariam dreams of a time when her father will accept her. When Mariam’s mother dies, Mariam has no choice but to show up at her father’s house. Her father quickly arranges for Mariam to marry Rasheed. At first, Mariam is hopeful that living in a new city with a new husband will be the beginning of something good. But after a string of miscarriages, Rasheed becomes violent and forbids Mariam from seeking friendship.

Meanwhile, Laila grew up with parents that believe everyone deserves an education, including girls. While Laila’s childhood is far from perfect, she is surrounded by loving people. Then, just when her family plans to leave their war-torn city, Laila’s parents are killed. With no family or friends left, Laila isn’t sure where to turn. When Rasheed offers marriage, Laila reluctantly agrees to become his second wife. However, she wasn’t prepared for his first wife’s hate or Rasheed’s violence.

A Thousand Splendid Suns has worked its way onto many schools’ required reading lists because the story helps readers understand Afghan history. More importantly, it is a story of family, friendship, and hope. Mariam and Laila’s friendship gives them strength to live in a brutal environment, where their husband is cruel and abusive. Through their plight, readers will begin to understand the role women play in Afghanistan and how the Taliban changed their world overnight.

Readers will be deeply moved by the story’s events. However, the brutality of war, the massacre of innocent people, and the harsh physical abuse of both Mariam and Laila is graphic and disturbing. Hosseini paints a realistic picture of living in a war-torn country, and the images of death will remain with readers for a long time after they close the cover of the book. Even though A Thousand Splendid Suns has a positive message, sensitive readers will find the descriptions of Rasheed’s abusive behavior and the constant death upsetting.

Before you read A Thousand Splendid Suns, grab a box of tissues because the story will bring you to tears. Because of Laila’s friendship, Mariam makes a decision that will forever alter both of their lives. Through Mariam’s experiences, readers will come to understand how powerless women were under the Taliban’s rule, but they will also see how friendship and kindness have the power to change one’s life.

Sexual Content

  • After Mariam’s mother got pregnant, the baby’s father told his wives that her mother had “forced” herself on him.
  • Mariam is forced to marry a much older man. Before the marriage, Mariam thinks about her mother’s words. “It was the thought of these intimacies in particular, which she [Mariam] imagined as painful acts of perversity, that filled her with dread and made her break out in a sweat.”
  • One night, Mariam’s husband comes into her room. “His hand was on her right breast now, squeezing it hard through the blouse. . . He rolled on top of her, wriggled and shifted, and she let out a whimper. . .The pain was sudden and astonishing. . . When it was done, he rolled off her, panting.”
  • Mariam finds pornography in her husband’s room. The women in the pictures, “their legs were apart, and Mariam had a full view of the dark place between.”
  • Mariam’s husband desires intimacy. “His appetite, on the other hand, was fierce, sometimes boarding on violent. The way he pinned her down, his hand squeezes at her breast, how furiously his hips worked.”
  • Laila’s feelings for her best friend, Tariq, begin to change. She wonders “what would it be like to kiss him, to feel the fuzzy hair about his lips tickling her own lips?” Later, they have sex. “Laila thought of Tariq’s hands, squeezing her breast, sliding down the small of her back, as the two of them kissed and kissed.”
  • Laila hears a story about three sisters who were raped and then “their throats slashed.”
  • After Laila’s parents die, an older man asks Laila to marry him. He implies that if she says no, she may have to work in a brothel. Laila agrees to marry him because she is pregnant.
  • After Laila and the man are married, he has sex with her. “Laila had a full view of his sagging breast, his protruding belly button. . . she felt his eyes crawling all over her.” They have sex several times, but the action is not described in detail.

Violence

  • The book often describes the violence of war. For example, someone says that the Mujahideen forces boys to fight. “And when soldiers from a rival militia capture these boys, they torture them. I heard they electrocute them. . . then they crush their balls with pliers. They make the boys lead them to their homes. Then they break in, kill their fathers, rape their sisters and mothers.”
  • After Mariam goes into town, she comes back and sees “the straight-backed chair, overturned. The rope dropping from a high branch. Nana dangling at the end of it.”
  • After Mariam has a miscarriage, her husband becomes different. It wasn’t easy tolerating him talking this way to her, to bear his scorn, his ridicule, his insults. . . [Mariam] lived in fear of his shifting moods, his volatile temperament, his insistence on steering even mundane exchanges down a confrontational path that, on occasion, he would resolve with punches, slaps, kicks. . .”
  • Russians took over Afghanistan and people talked about “eyes gouged and genitals electrocuted in Pol-e-Charkhi Prison. Mariam would hear of the slaughter that had taken place at the Presidential Palace.” The president was killed after he watched the “massacre of his family.”
  • Mariam’s husband was angry because of her cooking. “His powerful hands clasped her jaw. He shoved two fingers into her mouth and pried it open, then forced the cold, hard pebbles into it. Mariam struggled against him, mumbling, but he kept pushing the pebbles in, his upper lip curled in a sneer . . . Then he was gone, leaving Mariam to spit out pebbles, blood, and the fragments of two broken molars.”
  • A teacher would slap students. “Palm, then back of the hand, back and forth, like a painter working a brush.”
  • A boy shoots a water gun, spraying a girl with urine.
  • After a girl is bullied, her friend fights the bully. “Then it was all dust and fists and kicks and yelps.”
  • A rocket hits one of Laila’s friend’s houses. “Giti’s mother had run up and down the street where Giti was killed, collecting pieces of her daughter’s flesh in her apron, screeching hysterically. Giti’s decomposing right foot, still in in its nylon sock and purple sneaker, would be found on a rooftop two weeks later.”
  • A rocket hits Laila’s house. “Something hot and powerful slammed into her from behind. It knocked her out of her sandals. Lifted her up. And now she was flying, twisting and rotating in the air. . . Then Laila struck the wall. Crashed to the ground.” Laila sees her dead parents.
  • Laila hears a story about soldiers “raping Pashtun girls, shelling Pashtun neighborhoods, and killing indiscriminately. Every day, bodies were found tied to trees, sometimes burned beyond recognition. Often, they’d been shot in the head, had their eyes gouged out, their tongues cut out.”
  • Rasheed, Laila’s husband, hits both of his wives often. “One moment [Laila] was talking and the next she was on all fours, wide-eyed and red-faced, trying to draw a breath. . .” She drops the baby she was carrying. “Then she was being dragged by her hair.” Her husband locks her in a room and then goes to beat his other wife. “To Laila, the sounds she heard were those of a methodical, familiar proceeding. . . there was no cussing, no screaming, no pleading. . . only the systematic business of beating and being beaten, the thump, thump of something solid repeatedly striking flesh.”
  • When the Taliban take over Afghanistan, they kill the Afghanistan leader. The Taliban “had tortured him for hours, then tied his legs to a truck and dragged his lifeless body through the streets.”
  • After Rasheed hits Laila, she “punched him . . . The impact actually made him stagger two steps backward. . . He went on kicking, kicking Mariam now, spittle flying from his mouth. . .” At one point Rasheed put the barrel of a gun in Laila’s mouth.
  • Rasheed gets upset at Laila and begins “pummeling her, her head, her belly with fists, tearing at her hair, throwing her to the wall.” Mariam tries to help Laila but Rasheed hits her too.
  • After an old friend comes to see Laila, Rasheed gets angry. “Without saying a word, he swung the belt at Laila. . . Laila touched her fingers to her temple, looked at the blood, looked at Rasheed, with astonishment. Rasheed swung the belt again.” Rasheed begins to strangle Laila. “Laila’s face was turning blue now, and her eyes had rolled back.”
  • In order to save Laila, Mariam hits Rasheed with a shovel. “And so Mariam raised the shovel high, raised it as high as she could, arching it so it touched the small of her back. She turned it so the sharp edge was vertical . . . Mariam brought down the shovel. This time, she gave it everything she had.” Rasheed dies from his wounds.
  • When an Afghanistan leader is killed, Laila thinks about some of the violence that he caused. “She remembers too well the neighborhoods razed under his watch, the bodies dragged from the rubble, the hands and feet of children discovered on rooftops or the high branches of some tree days after their funeral. . . “

 Drugs and Alcohol

  • Someone is given morphine after being injured.
  • Laila overhears a story about her husband. He was drunk when his son “went into the water unnoticed. They spotted him a while later, floating face down.” The boy died. Someone says, “This is why the Holy Koran forbids sharab. Because it always falls on the sober to pay for the sins of the drunk.”

Language

  • Profanity is rarely used. Profanity includes ass, piss, shit, and damn.
  • As a child, Mariam’s mother reminds her that she is a bastard because she was born out of wedlock.
  • Mariam yells at her half-brother, saying “he had a mouth shaped like a lizard’s ass.”
  • Mariam pleads with her father, asking him not to make her marry a stranger. He yells, “Goddamn it, Mariam, don’t do this to me.”
  • A child yells at a bully, saying, “Your mother eats cock!” The child does not know what the words mean.
  • Someone calls Laila a whore. Later, Laila’s husband also calls her a whore.

Supernatural

  • None

Spiritual Content

  • The story focuses on characters who are Muslim. They often pray.
  • Mariam’s mom said she had a difficult labor. She said, “I didn’t eat or sleep, all I did was push and pray that you would come out.”
  • Mullah Faizullah teaches Mariam about the Koran’s words. He tells her, “You can summon them [God’s words] in your time of need, and they won’t fail you. God’s words will never betray you, my girl.” During difficult times, Mariam thinks about verses from the Koran.
  • Mariam asks Mullah Faizullah to convince Mariam’s mother to let her go to school. He replies, “God, in His wisdom has given us each weaknesses, and foremost among my many is that I am powerless to refuse you, Mariam.”
  • Mariam’s mother tells her, “Of all the daughters I could have had, why did God give me an ungrateful one like you?” Later that day, her mother commits suicide.
  • After Mariam’s mother commits suicide, Mullah Faizullah says, “The Koran speaks the truth, my girl. Behind every trial and every sorrow that He makes us shoulder, God has a reason.” Later, he tells Mariam that Allah “will forgive her, for He is all-forgiving, but Allah is saddened by what she did.”
  • After Mariam’s father forces her to marry, her father says he will come to visit her. She tells him, “I used to pray that you’d live to be a hundred years old. . . I didn’t know that you were ashamed of me.”
  • When Mariam learns that she will have a baby, she thinks about a verse from the Koran. “And Allah is the East and the West, therefore wherever you turn there is Allah’s purpose.”
  • When Mariam has a miscarriage, she gets angry, but thinks, “Allah was not spiteful. He was not a petty God. . . Blessed is He in Whose hand is the kingdom, and He Who has power over all things, Who created death and life that He may try out.”
  • When the Taliban took over Afghanistan, flyers were passed out with new rules including “all citizens must pray five times a day. . . If you are not Muslim, do not worship where you can be seen by Muslims. If you do, you will be beaten and imprisoned. If you are caught trying to convert a Muslim to your faith, you will be executed.”
  • A man tells Mariam, “God has made us differently, you women and us men. Our brains are different. You are not able to think like we can.”

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