Keeker and the Springtime Surprise

It’s springtime in Vermont, and Keeker and Plum have discovered all kinds of surprising things on the farm. Keeker finds a baby bird on the lawn. Plum has a new roly-poly family of groundhogs living in her field. But the biggest surprise of all is the discovery that Keeker’s mom’s horse is going to have a baby. With all of the excitement, Keeker and Plum get tired of being ignored. Keeker decides staging a play will be just the thing to win back her parents’ attention, and the play’s ending is even more exciting than Plum or Keeker could have imagined!

Get ready for some springtime silliness as Keeker and Plum help a family of groundhogs. Readers will relate to Keeker, who feels like her parents only care about their horse, who is going to deliver a foul any day. Keeker’s frustration of being ignored is balanced by the comic way Plum tries to hide the groundhogs from “Keeker’s dad [who] didn’t like groundhogs at all; he always yelled and waved his arms at them.”

With cute baby animals, a silly horse, and a determined protagonist, young readers will enjoy Keeker and the Springtime Surprise. The story has a relatable conflict and a healthy family unit. However, one negative aspect of the story is Keeker’s attention-seeking behavior. For example, once when her parents weren’t giving her attention, Keeker “lay down on the ground and worked up a gigantic tantrum. . .she sobbed, flailing her arms around” and later she “stamped her foot a little.”

Keeker and the Springtime Surprise is told in five short chapters and has a simple plot. Large black and white illustrations appear on almost every page. The illustrations will help younger readers visualize the characters and events in the story. Beginning readers will need help with some of the more advanced vocabulary such as absentmindedly, clanky, and eventually.

The Sneaky Pony Series will appeal to young readers who will laugh at Keeker’s wild imitation. The story’s plot jumps around, and young readers will not understand the reference to Don Quixote. However, the conclusion is sweet and happy for everyone, including the hedgehogs. If you’re looking for a book with a more positive protagonist, Maggie and the Flying Horse by E.D. Baker would make a better choice.

Sexual Content

  • When the horse, Pansy, is getting ready to have a baby, Plum “hoped being pregnant wasn’t something you could catch, like a cold.”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • When Keeker gives Plum a hug, the horse says, “Stop strangling me, you crazy girl!”

Supernatural

  • None

Spiritual Content

  • None

 

Thunder Horse

What if your Aunt Aldora gave you a miniature horse, no bigger than a puppy? And what if the little horse began to grow wings? What would you call him? When he grew large enough, would you ride him? And cherish him?

Thunder Horse is a wonderful story that introduces young readers to Greek mythology and explains how a constellation is formed. The story follows a girl’s journey with her thunder horse named Pegasus. When the girl receives Pegasus as a gift, the horse is tiny, but he soon grows large enough to take the girl for a ride through the sky. Even though the girl knows that Pegasus will eventually leave her, the girl encourages Pegasus to fly. When Pegasus is fully grown, the girl “watched as he rose up, up, till he was only a snow speck in the sky. That’s when I cried.”

The story of the girl and Pegasus is drawn in muted shades that give each illustration a magical feeling. Each picture focuses on the girl and the thunder horse, which allows the reader to feel the girl’s wonder and delight. Readers will be able to put themselves in the pictures and imagine themselves flying above the city. Even though Thunder Horse is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has 2 to 12 complex sentences that use difficult vocabulary such as quicksilver, agog, and a-glimmer.

Young readers will be drawn to Thunder Horse because of the beautiful cover illustration of a girl and a Pegasus. While younger readers may not understand the larger themes of love and letting go, they will still enjoy the story and watching Pegasus grow and soar.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • A teacher reads a story about Pegasus, “the winged thunder horse who lived in the palace of the Greek god, Zeus. He became part of a beautiful constellation of stars.”

Spiritual Content

  • None

 

Uni Brings Spring

Uni lives in the forest where she loves to visit her animal friends. Spring has finally arrived, and the animals are enjoying the warm air. But then a winter storm blankets everything in snow. All the forest animals are cold and hungry. How can Uni help her friends?

Readers will fall in love with Uni, a kind-hearted unicorn who wants to help her friends. One of the best attributes of Uni is her caring nature. When her friends are cold, Uni realizes that magic cannot solve the problem. However, Uni finds other ways to help her friends such as helping Robin put more leaves in her nest and helping a baby bear find his mother. The happy conclusion highlights how Uni’s actions helped her friends.

The contrast between the seasons becomes apparent through the full-page illustrations. Each page that illustrates spring has bright, cheerful colors. But when the snowstorm hits, the illustrations are predominantly white and blue-grey. Every page has 1 to 3 short sentences that readers will need to sound out.

Uni Brings Spring is perfect for young readers familiar with sight words. However, parents may need to help their child with unfamiliar words. All animal lovers will enjoy seeing Uni help others. Young readers who love unicorns should also read the Unicorn and Yeti Series by Heather Ayris Burnel.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Uni finds a magical icicle that caused winter to come back. “Uni’s horn can handle this icicle. One touch of Uni’s horn makes the icicle glow. Now rainbows dance on the cave walls.” Winter leaves.

Spiritual Content

  • None

Frosted Kisses

Former Manhattan girl, Penny, has quickly discovered that life in a small town is never dull. Not when there’s a festival for every occasion, a Queen Bee to deal with, an animal shelter to save, and a cute boy to crush on.

But Hog’s Hallow just got another new girl: Esmeralda. She’s beautiful, French, and just happens to be Charity’s (the Queen Bee’s) best friend. Penny figures with the arrival of Esmeralda, the Queen Bee might be too busy to keep making her life miserable. Penny couldn’t be more wrong.

But Penny doesn’t have a lot of time to worry about Charity. Her best friend, Tally, has recruited her to help save the local animal shelter, which is in danger of closing unless they can raise some desperately needed funds.

Then there’s Marcus, the adorable and mysterious boy that Penny thinks might likes her as much as she likes him. But while things with Marcus are wonderful and fluttery, they are also confusing at the same time. Can Penny and her friends save the animal shelter, navigate her new family dynamics, and get the boy—or will Charity and Esmeralda find a way to ruin everything?

While The Cupcake Queen was a cute romance that would appeal to middle school readers, the second book Frosted Kisses falls flat. Much of the story follows the exact same format as the first book and none of the characters are given any more depth. In addition, there are too many topics—divorce, jealousy, bullying, and parental problems. None of these topics are fully explored. Instead, the story jumps from topic to topic and leaves the reader with too many questions.

In The Cupcake Queen, Penny’s insecurity was understandable because she had just moved to a new town and her parents had recently separated. However, in the second installment of the story, she is still insecure, this time focusing her insecurities on Marcus. Penny’s jealousy and inability to talk to Marcus are frustrating. In addition, the fact that Marcus and Penny do not talk or spend any time together at school is unrealistic.

Frosted Kisses is a holiday-themed romance that doesn’t add any sparkle to the season. Instead, Hepler writes a stagnant story that relies on a typical mean-girl, love-triangle format. There is nothing exciting or wonderful to keep the story interesting. While readers will enjoy the first installment in the series, Frosted Kisses will leave readers disappointed. If you’re looking for a holiday-themed story to read while snuggling up by the fire, the Celebrate the Season Series would make an excellent choice.

Sexual Content

  • Penny wonders if Marcus is going to kiss her, but they are interrupted before anything happens. Penny thinks, “As much as I think I would want Marcus to kiss me, part of me isn’t sure I’m ready. Because there’s this tiny part of me that likes looking forward to it.”
  • Someone tells Penny that Marcus and Charity kissed “a few times last summer.” Penny gets upset and all she “can think of is him kissing her. And I know it was before I knew him and it shouldn’t bother me, but it does.”
  • Penny’s grandmother tells her a story about Dutch, who she dated in the past. When the two rekindle their romance, Penny’s grandmother kisses him several times.
  • At a festival, Marcus “bends and brushes his lips against mine [Penny’s]. And everything falls away.”
  • After Marcus walks Penny home, she kisses him. “I have to stand on my tiptoes to reach. It’s fast and I might have actually missed his mouth a tiny bit, but it was a kiss.”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Several times a mean girl calls Penny, “Penny Lame.” The same girl also refers to Penny as a loser.
  • At one point Penny says, “I’m an idiot.”
  • “Oh my God” is used as an exclamation once.

Supernatural

  • None

Spiritual Content

  • When Marcus tells Penny he is going to be tutored, she prays, “Please not Charity. Please not Charity.”

If You Take A Mouse To The Movies

“If you take a mouse to the movies, he’ll ask you for some popcorn. If you give him the popcorn, he’ll want to string it all together. Then he’ll want to hang it on a Christmas tree.”

 If You Take A Mouse To The Movies shows one little boy’s adventure with his mouse. Each page gives a silly cause and effect, such as when the mouse and boy build a snowman, the mouse will then want to build a fort.

This simple story has one sentence on each page, which makes it a quick read. Each page’s illustration shows the mouse and the boy. Some of the illustrations are sweet, such as when the boy wraps the mouse up in a warm blanket. Other illustrations are silly, such as when the mouse, who is wearing candy cane shorts, sings into a microphone. The easy-to-read text and fun pictures make If You Take A Mouse To The Movies a favorite book for younger readers.

If You Take A Mouse To The Movies will delight younger readers and get them in the holiday spirit. However, if you read the story to your child, your child will likely want to grab the glitter and glue to make ornaments of their own.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Sophie’s Squash

One fall day, Sophie makes a surprising friend during her family’s sunny trip to the local farmers’ market. The friend just happens to be a squash. Sophie calls her Bernice. At first, Sophie’s parents let Sophie care for and love Bernice—taking her to storytime at the library, introducing her to the other squash at the market, practicing somersaults in the garden, and tucking baby Bernice into a crib at night with a bottle. “Well, we did hope she’d love vegetables,” Sophie’s parents humorously justify. However, as Bernice begins to get older and rot, Sophie’s parents try to convince Sophie to cook Bernice, or send her to a food donation site. Even the other children during library storytime look down on Bernice as she ages. However, Sophie is not ready to ever give up her perfect friend—so when Bernice begins to soften and can no longer do somersaults, Sophie makes the difficult decision to put her in a bed of soft soil and wait for Bernice to grow again.

Sophie’s Squash is a wonderfully gentle tale that not only teaches children how to care for the things that they love, but also shows readers how letting go can sometimes lead to new possibilities. Miller thoughtfully weaves her story of Sophie and Bernice alongside whimsical watercolor illustrations in which illustrator Anne Wilsdorf fully showcases Sophie’s somersaults, Bernice’s baby carriage rides, and multiple family trips to the farmers’ market. Even though Sophie’s Squash is longer than most picture books, two or three illustrations sit on each page and break up the text so that there is no more than five to ten lines between each image. The watercolor illustrations also work to bring the entire narrative to life, so viewers still gain a complete grasp of the story by looking only at the pictures. This, coupled with the digestible nature of Miller’s prose, makes Sophie’s Squash perfect for new and learning readers.

Throughout all the quirky shenanigans of Sophie’s Squash, Sophie’s character shines with a heroic agency and independence. Sophie’s care towards Bernice turns this silly story about a girl and a squash into a truly heartwarming story about friendship, care, and even environmentalism. By exemplifying the new path Sophie must take in order to regrow her friend Bernice, Sophie’s Squash creates a powerful metaphor demonstrating the wondrous things that can come from putting something else’s needs— particularly the needs of nature— before your own.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • One of the children at the library points and stares at Bernice, saying to Sophie, “What’s that spotty thing?” In the narrative, this question takes on a teasing tone that may be hard for some children to read.

Supernatural

  • None

Spiritual Content

  • None

by Hannah Olsson

Pax

Twelve-year-old Peter regrets when he and his father abandon Pax, his pet fox, in a forest two hundred miles away from home. Pax has been part of their family since Peter lost his mother five years ago, and the two friends were inseparable. To Peter, “leaving Pax hadn’t been the right thing to do” so he sets out to bring Pax home. Not far into his journey, Peter fractures his foot, and Vola, a veteran who lost a leg and knows the cost of war, forces him to stay at her cabin until he can walk again.

Pax, with the help of the local foxes, travels through the forest to find Peter. At first, he struggles with living in the wild, but he befriends Bristle and Runt, who teach him about hunting and survival. However, the foxes get into a tiff with soldiers, including Peter’s father, who is gearing up for an unspecified war. As Peter and Pax try to reunite, they are changed by their experiences.

Each chapter alternates between Peter’s and Pax’s perspectives, which allows the reader to understand their bond. In Pax’s point of view, the foxes speak in italics because “fox communication is a complex system of vocalization, gesture, scent, and expression.” The “dialogue” in italics attempts to translate their eloquent language. Switching the point of view adds interest to the overall narrative as the main characters reflect on the five years they have known each other.

Peter faces his limits but resolves to find Pax amongst a brewing war. Peter’s recovery time with Vola helps him gather his scattered thoughts and focus on finding peace within himself, his relationship with his father, and his relationship with his late mother. Older elementary school readers will relate to Peter, who must consider if he should leave Pax in the forest, effectively putting his childhood behind him, or keep Pax and move forward without knowing their future. By the end of the story, Peter learns that “his fox belonged to [Bristle and Runt]. And they belonged to Pax. Inseparable.”

While Pax has several light-hearted moments, it hits on grim topics, including war, death, grief, and betrayal. The descriptive, violent content may shock sensitive readers. Even though there are minimal effects of war on the humans, the foxes are threatened with violence at every turn. Despite this, the story’s slow pacing gives respect for each character. In the end, Peter has found his peace, and Pax has found another place to belong. The story’s conclusion is bittersweet; nonetheless, it demonstrates the inseparable, yet distanced friendship between Peter and Pax.

Pax is a raw and entertaining story suited for more mature readers. The alternating chapters begin with an illustration of Peter or Pax, and other black and white illusions are clustered in the beginning, middle, and end. The illustrations will help readers visualize the story’s characters and events. Readers looking for a compelling, but tamer story about how war affects animals should read Survival Tails: World War II by Katrina Charman and Judy, Prisoner of War by Laurie Calkhoven.

Sexual Content

  • None

Violence

  • Gray, an older fox, mentions, “When the war-sick arrive here, [his] family will have to move nearer to those colonies or go north, into the mountains.” The soldiers would come into the forest and clear the land for war. While traveling through the forest, Pax watched “the war-sick spread out along the riverbank, rolling out more wires, digging more holes, and burying more dark boxes under the hot sun.”
  • Throughout the story, the foxes hunt frequently. “In a second, Bristle’s head reappeared, and in her jaws was a wood rat. She leaped clear of the grass, bit through the rat’s neck, then dropped it to the ground.”
  • Pax recalls a story about two foxes. “A mated pair of foxes, struggling with something that reminded Pax of his pen—steel, but with jaws and clamps instead of bars. The steel jaws and the white snowy ground were smeared with blood.”
  • Bristle tells Pax about her parent’s death from a gunshot. Just before Bristle and Runt’s mother reaches the chicken coop, “steel jaws sprang out of the earth with such speed that the air snapped. Our mother screamed. The clamp held her front leg.” Their father tries to help their mother, but “the human raised the stick, and in front of our eyes our mother and father burst into blood and fur and shattered bones spattered over the snow.”
  • Peter steals Vola’s knife because he thought she might kill him. Peter “found the knife she’d left . . . the knife he’d stolen grew heavier across his thigh.” Later, she confronts him about her missing knife and scolds him for thinking she would harm him. “My tools? I have twenty acres of trees to care for. And I’m a wood-carver. You thought they were weapons?”
  • Vola says she has post-traumatic stress disorder from being in a war. “People around me, they called it PTSD, post-traumatic stress disorder, from being in the war. . . I had forgotten everything that was true about myself.”
  • While in the military, Vola killed someone. “I killed someone. . .  probably killed a lot of people, or at least contributed to their deaths . . .” She regrets killing him, saying, “Even though he had grown up in a different country—we might have had something in common. . . But I’d killed him, so now we would never know. I searched his body, not for weapons, but for clues to who he’d been.”
  • An unnamed fox injures Gray. “The challenger ignored the peaceful greeting and sprang, hitting the old fox hard in the flank and pinning him down, then sank his teeth into Gray’s thin neck. . . The puncture was deep.”
  • An explosion kills Gray. “Gray tripped. Instantly, the scorched-air smell sizzled up from the spot like an earthborn bolt of lightning, and at the same second the riverbank exploded. . .The old fox was still. . . The scent of Gray’s death was on Pax’s fur, but the foxes knew already.”
  • Lightning strikes Bristle and Runt. Bristle’s “beautiful brush was burned to a black crust” and Runt lost a hind leg. “Where Runt’s hind leg should have been, where the neat black-furred leg and the quick white paw should have been, there was only a shredded red mess on the blood-soaked leaves.” Peter finds the hind leg, thinking it belongs to Pax. “Fleshless and singed, but still he knew it was a hind leg. . .” When Peter finds his father, he “pressed the fox leg into his father’s hand.”
  • The towns that Peter walks through are vacant because they had been evacuated due to the impending war. Peter “had traveled on roads though vacant towns, past abandoned schools and playgrounds and neighborhoods spookily silent without their squeaking tricycles, their car radios, their pickup ball games.”

Drugs and Alcohol

  • An employee in a hardware store “took a drag on his cigarette” while speaking with Peter. The man “stubbed out his cigarette” when following Peter around the store.
  • Vola says she will give Peter “something for the pain, something that’s legal to give a child. . .a measure of willow bark. . . Aspirin in the wild.”

Language

  • Peter’s mother calls the rabbit that stomped on her tulips a “little devil.”
  • Several times, Vola uses the word “dyableman,” a Haitian Creole word meaning damned.
  • Peter uses “holy dyableman” once.
  • Vola says her first prosthetic “scares the devil out of [her]” and “scares the devil out of the crows, too, apparently.”

Supernatural

  • Peter refers to Vola as “witchy.”

Spiritual Content

  • Peter refers to the baseball field as “holy.”
  • Vola describes her concept. “It’s a Buddhist concept. Nonduality. It’s about one-ness, about how things that seem to be separate are really connected to one another. There are no separations. . . All these things are separate but also one, inseparable.”

by Jemima Cooke

Christmas in Camelot

Jack and Annie are on their most exciting mission yet! It begins with a simple invitation to spend Christmas Eve in Camelot, a magical place that exists only in myth and fantasy. What Jack and Annie don’t know yet is that the invitation will send them on a quest to save Camelot itself—not just from destruction, but from being forgotten forever. Can they succeed, even though Camelot’s greatest knights have failed?

When Jack and Annie arrive at Arthur’s castle, they find the kingdom has been robbed of all joy. The Christmas Knight appears with a warning—someone must go on a quest to retrieve the Water of Memory and Imagination. Only Jack and Annie are willing to go on the quest. The Christmas Knight tells the kids a riddle, which will help them succeed. However, their journey is filled with danger and magic.

Readers will relate to Jack and Annie, who want to fight to save Camelot. Despite the characters’ young age, they work together to complete the quest. With a little imagination, a little magic, and a lot of bravery, the two kids are able to save Camelot. While the setting is in Camelot, King Arthur and his knights only appear at the very beginning and end of the story. However, readers will enjoy trying to solve the riddle and seeing how Jack and Annie persevere until the end.

Proficient readers who are ready for chapter books will enjoy Christmas in Camelot’s fast-paced plot. The large text and black and white illustrations every 2 to 7 pages make the story accessible to young readers. The large, detailed illustrations bring the characters and monsters to life. The author’s note includes the Celtic Myths that Christmas in Camelot was based on. The back of the book also includes fun Christmas craft activities that readers can enjoy.

Anyone who wants to add a little magic and mystery to the holidays will enjoy Christmas in Camelot. Even though the story is part of the Magic Tree House Series, the book can be read as a stand-alone. For more time travel and historical fiction, add the Imagination Station series by Marianne Hering & Paul McCusker to your reading list.

Sexual Content

  • None

Violence

  • Jack and Annie must fight the Keepers, four monsters that look similar to dragons. “The four Keepers hissed louder than before. Great balls of blue fire exploded from their mouths and nostrils! Jack and Annie slashed the air with their fiery weapons, jabbing at the Keepers. They fought fire with fire, blue flame with purple flame.” The monsters retreat back into their caves.

 Drugs and Alcohol

  • King Arthur and his knights “were gnawing meat off bones and slurping wine from heavy goblets.”

Language

  • Darn is said once.

Supernatural

  • Jack and Annie have a magic tree house that allows them to travel to the past. The two kids find an invitation in the tree house. When Jack holds the invitation and makes a wish, the magic works.
  • A “Dark Wizard” cast a spell over Camelot that “robbed Camelot of all its joy.”
  • In order to break the Dark Wizard’s spell, Jack and Annie must travel to the Otherworld, “an ancient, enchanted land beyond the edge of earth.” The two kids must bring back a cup of the Water of Memory and Imagination.
  • When King Arthur tries to stop Jack and Annie from going on a quest, the Christmas Knight “raised his gloved hand in the air. In an instant, the room fell deathly quiet.” Everyone was frozen in place.
  • The Christmas Knight gives Jack and Annie a cloak that makes them invisible.
  • Jack and Annie fight the monsters. The kids drink the Water of Memory and Imagination and the water gives Jack bravery.
  • Jack drops the cup of Water of Memory and Imagination. Then, “a golden cloud was rising from the cracks between all the stones of the floor. . . It soared across the dark room like a bright light, then swooped back out into the night.” The water unfreezes King Arthur and his knights. The water also brings laughter and celebration back to Camelot.
  • A white stag helps the kids on their journey. When they return to Camelot, the stag turns into “an old man with a long white beard.”

Spiritual Content

  • None

One-Dog Sleigh

Harness bells jing-jing-jingle under branches frosted white, but is there enough room for everyone when a squirrel, owl, lynx, and other forest animals ask to play? On the ten-year anniversary of One-Dog Canoe, the author-illustrator team of Mary Casanova and Ard Hoyt have created a winter version of their popular picture book.

One-Dog Sleigh is a simple story that focuses on one girl’s sleigh ride with her dog. Around every corner, a forest animal jumps onto the sleigh to join the fun. However, the girl begins to cry when a little mouse hops on the sleigh and adds just enough weight that the sleigh can no longer move. With the help of the forest animals, the girl is able to free the sleigh from the snow. Then all the animals jump into the sleigh and race down a hill. The story highlights the importance of teamwork and shows how problems can be solved by working together.

The illustrations in One-Dog Sleigh are truly special. Each illustration is set against a wintery backdrop, which allows the red sleigh to catch the reader’s eye. The colorful illustrations are full of action. As each new animal joins the little girl and the dog in the sleigh, the girl’s worry and dismay are excellently portrayed with her facial expressions. The animal’s facial expressions are also expressive and add humor to the story. One-Dog Sleigh could start a wonderful conversation about reading people’s facial expressions.

One-Dog Sleigh is a picture book that uses repetition, rhyming, and context clues to help younger readers understand the story. However, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. The onomatopoeias and other keywords are printed in large blue text, which adds fun to the page. Each page has 2-3 sentences, which makes One-Dog Sleigh a perfect bedtime story.

One-Dog Sleigh would make an excellent addition to anyone’s winter library. Younger readers will want to read One Dog Sleigh over and over because the simple story and illustrations are so much fun. If you’re looking for other wonderful winter stories to cuddle up with, add A Loud Winter’s Nap by Katy Hudson and Snowmen At Night by Caralyn Buehner to your reading list.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Wicked King

Jude, a mortal living in Faerieland, finds herself pulling the strings behind a puppet king she has created. With Cardan, the High King of Elhame, bound to follow her every command, Jude feels that she has finally bested the faeries who have tormented her for her entire childhood. However, she only has this control for a year and a day, and five months have already passed leaving Jude scrambling for a method to hold on to her power. It seems that the entire world is against Jude. Her twin sister, Taryn, is marrying a man who Jude dislikes, the advisory council refuses to take her word into account, and she is warned that someone that she trusts has betrayed her.

There’s an uprising occurring with the Undersea, a kingdom that had previously forged an alliance with Cardan’s dad, but that now wants independence and power. Orlagh, the Queen of the Undersea, teams up with Cardan’s brother, Balekin, who is responsible for the past king’s death. During Taryn’s wedding, the Undersea strikes, kidnapping Jude and holding her hostage. Cardan makes enormous sacrifices to bring Jude back, and the two begin to recognize that they have feelings for each other and that the intense hatred between them has faded.

Things go terribly awry when Cardan throws a party to make peace with the people whose land he sacrificed to the Undersea. Cardan is poisoned by his brother, Balekin, and Balekin tries to pin the blame on Jude. Jude and Balekin duel and Jude emerges victorious, killing Balekin. Jude and Cardan marry in secret, cementing her as the High Queen of Elfhame. However, as a punishment for Balekin’s murder, the Undersea demands that Jude be exiled to the mortal lands. Though exiled, Jude begins to hatch a plot to return home.

Told from Jude’s point of view, this fast-paced sequel to The Cruel Prince provides hidden depth to the characters, as well as develops a plot that’s full of twists and turns, with betrayal around every corner. Despite some of Jude’s questionable decisions, it seems impossible not to root for her. Jude is a strong female character that many girls will be able to relate and look up to. She doesn’t let her shortcomings stop her in her quest for power and glory. She is able to overcome every hurdle, which makes her even stronger. Although the reader is privy to her inner thoughts, she never seems to falter in her strength, which makes her a positive female role model.

Black creates a mystical, magical world that is both fantastical and terrifying, drawing the reader into the story and its world.  The book emphasizes the danger of an abundance of ambition, and how power has the ability to corrupt individuals. It also establishes a romantic relationship between Cardan and Jude that feels satisfying and believable, as the two finally begin to view themselves as equals. All of these elements come together to form an intricately woven story about power, love, and betrayal.

Sexual Content

  • When made to play a cruel game at a party, Jude “pull[s] the dress [she] is wearing over [her] head,” standing “in the middle of the party in [her] underwear.”
  • Cardan seduces Jude. Cardan “presses his mouth to my ear, kissing me there. . .He doesn’t kiss me as though he’s angry; his kiss is soft, yearning.” Jude notes, “I try to stop myself from making embarrassing noises. It’s more intimate than the way he’s touching me, to be looked at like that.”
  • Jude describes a night with Cardan, “trad[ing] kisses in the darkness, blurred by exhaustion. I don’t expect to sleep, but I do, my limbs tangled with his.”

Violence

  • While visiting Balekin in prison, Jude is slapped by a guard, leaving her “cheek stinging and furious.”
  • Jude stabs a prison guard with “a little pin I keep hidden in the lining of my doublet.”
  • Someone shoots Cardan with a crossbow, and his wound is depicted as “a stripe of raw skin along his side.” Another faerie was hit with a bolt in the leg, and the wound is not described.
  • Jude threatens Locke, Taryn’s fiancé, putting her “foot on his chest, pressing down a little to remind him that if [she] kicked hard, it could shatter bone.”
  • Jude notes that Locke knows “I stabbed Valerian once, but he doesn’t know I killed him, nor that I have killed since then.”
  • While in the woods, Jude is shot with an arrow, and is “unable to bite back a cry of pain.”
  • The Undersea attacks and knights are killed, which is not depicted. Jude enters the scene after the attack and notes that “all their eyes have been replaced with pearls. Drowned on dry land.”
  • When speaking to Madoc, Jude reveals her troublesome past as a mortal in Faerie. She says, “You’ve let Folk hurt me and laugh at me and mutilate me.” Then, she holds up “the hand with the missing fingertip, where one of his own guards bit it clean off. Another scar is at its center, from where Dain forced me to stick a dagger through my hand.”

Drugs and Alcohol

  • Cardan is often depicted as drunk. At one party, “He calls again and again for his cabochon-encrusted goblet to be refilled with a pale green liquor. The very smell of it makes [Jude’s] head spin.”
  • Jude purposefully poisons herself in a process called mithridatism, “by which one takes a little bit of poison to inoculate oneself against a full dose of it.” She notes that because of this, “My eyes shine too brightly. The half-moons of my fingernails are bluish, as though my blood doesn’t get quite enough oxygen. My sleep is strange, full of too-vivid dreams.”
  • Jude explains what the different poisons of faerie do. “The blusher mushroom, which causes potentially lethal paralysis . . . deathsweet, which can cause a sleep that lasts a hundred years. . . wraithberry, which makes the blood race and induces a kind of wildness before stopping the heart . . . of everapple—faerie fruit—which muddies the minds of mortals.”
  • Jude notes going to a party in the mortal world, and “being allowed little sips of Shiraz.”
  • When Jude is hurt, a fellow spy gives her an ointment with the “scent of strong herbs.”
  • At a party, Cardan is poisoned by his brother in an attempt for the crown, but Cardan is quickly given an antidote.

Language

  • None

Supernatural

  • The Faerie world is full of different types of faeries, such as a boy who has “the lower half of a deer.” Another faerie is described as being “grass-haired,” and having dark green skin.
  • Jude reminisces about her past. “Sometimes Jude longed for her bike, but there were none in Faerie. Instead, she had giant toads and thin greenish ponies and wild-eyed horses slim as shadows. And she had weapons.”
  • In Faerie, the King/Queen’s health is directly tied to the land in a magical way. “They are the lifeblood and the beating heart of their realm in some mystical way,” and when Cardan “becomes drunk, his subjects become tipsy without knowing why. When his blood falls, things grow.” All of Cardan’s actions seem to have a direct impact on the land and his subjects, and if he bleeds on the ground, new life sprouts from it.
  • Grimsen, a faerie blacksmith, is described as imbuing his works with magical qualities. He is the one who “made the Blood Crown for Mab and wove enchantments into it. It’s said he can make anything from metal, even living things—metal birds that fly, metal snakes that slither and strike. He made the twin swords, Heartseeker and Heartsworn, one that never misses and the other that can cut through anything.”
  • A faerie is described as, “A hag—old and powerful enough that the air around her seems to crackle with the force of her magic. Her fingers are twiggy, her hair the color of smoke, and her nose like the blade of a scythe.”
  • Cardan receives a gift of fabric woven from “spider silk and nightmares. A garment cut from it can turn a sharp blade, yet be as soft as a shadow against your skin.”
  • It is revealed that along with a physical gift of woven fabric, an old faerie had presented Cardan with “a geas, allowing you to marry only a weaver of the cloth in my hands. Myself—or my daughter.”
  • Faerie marriages are different than mortal ones in that, “unlike the mortal until death do us part, they contain conditions like ‘until you shall both renounce each other’ or ‘unless one strikes the other in anger’ or the cleverly worded ‘for the duration of a life’ without specifying whose.”
  • Pixies are described as having “iridescent wings shining in the candlelight.”
  • A faerie guard is described as “a large, hairy creature . . . wearing beautifully wrought plate armor, blond fur sticking out from any gaps.”
  • Jude describes a group of faeries, “a boy with sparrow wings, three spriggans, a sluagh girl.”
  • A forest, Milkwood, is described as a place “where black-thorned bees hum in their hives high in the white-barked trees. The root men are asleep. The sea laps at the rocky edges of the isle.”
  • Jude asks a fellow spy if he was a happy child, to which he replies, “’I was magic. How could I fail to be?’”
  • When Taryn comes to Jude offering help, Jude begins to doubt her intentions, noting that, “Faerie runs on debt, on promises and obligations. Having grown up here, I understand what she’s offering—a gift, a boon, instead of an apology.”
  • Jude depicts a couple of faeries she sees at a party, “a boy and a girl—one with ram’s horns, the other with long ears that come to tufted points, like those of an owl.”
  • Nicasia, the sea princess’s, hair is described as being “the many colors of the sea.”
  • One of Jude’s fellow spies is described as a “hob-faced owl.”
  • Jude describes the Council of the King: “the Unseelie Minister, a troll with a thick head of shaggy hair with pieces of metal braided into it; the Seelie Minister, a green woman who looks like a mantis; the Grand General, Madoc; the Royal Astrologer, a very tall, dark-skinned man with a sculpted beard and celestial ornaments in the long fall of his navy-blue hair; the Minister of Keys, a wizened old hob with ram’s horns and goat eyes; and the Grand Fool, who wears pale lavender roses on his head to match his purple motley.”
  • Jude finds an “enchanted orb” that allows her to see video-like memories.
  • A fellow spy tells Jude that when she was a thief in the mortal world, she was mostly “using glamour to hide [her] mistakes.”
  • There is a game in faerie in which a group of faeries, “Steal away a mortal girl, make her drunk on faerie wine and faerie flattery and faerie kisses, then convince her she is being honored with a crown—all the time heaping insults on her oblivious head.”
  • If a mortal dances with faeries, they find themselves unable to stop. When this happens to Jude, she thinks, “I cannot stop myself from dancing, cannot stop my body from moving even as my terror grows. I will not stop. I will dance through the leather of my shoes, dance until my feet are bloody, dance until I collapse.”
  • Jude describes a faerie who could tell the future, “The hag was given to prophecy and divined futures in eggshells.”
  • When Heather visits Faerie, Jude warns her, “Listen, the Folk can glamour things to look different than they do. They can mess with your mind—charm you, persuade you to do things you wouldn’t consider normally. And then there’s everapple, the fruit of Faerie. If you taste it, all you’ll think of is getting more.”
  • When visiting a blacksmith to get a gift for her sister’s wedding, the blacksmith offers “a necklace of tears to weep so that she won’t have to? A pin of teeth to bite annoying husbands?” A pair of earrings that, “make someone more lovely than they were, painfully lovely.” He takes many forms of payment, such as “a year of your life. The luster of your hair. The sound of your laugh.”
  • The blacksmith offers to make Cardan “armor of ice to shatter every blade that strikes it and that will make his heart too cold to feel pity. Tell him I will make him three swords that, when used in the same battle, will fight with the might of thirty soldiers.”
  • When someone is cursed, “her ears have grown furred and long, like that of a cat. Her nose is differently shaped, and the stubs of whiskers are growing above her eyebrows and from the apples of her cheeks.”
  • When Jude is captured by the Undersea, she notes that Nicasia’s feet have been “replaced by a long tail.”
  • Jude describes a merman, “His hair is a kind of striped green, and the same stripes continue down his body. His large eyes flash in the indifferent light.”
  • Nicasia attempts to glamour Jude, trying to convince her that her stone room actually contains a “four-poster bed, wrapped in coverlets. And the cunning little side tables and your own pot of tea, still steaming. It will be perfectly warm and delicious whenever you try it.”
  • Jude eats soup that “tastes of a memory I cannot quite place, warm afternoons and splashing in pools and kicking plastic toys across the brown grass of summer lawns.”
  • Orlagh, the queen of the Undersea is described. “Her skin is covered in shiny silvery scales that seem both to be metallic and to have grown from her skin. A helmet of bone and teeth hides her hair.”
  • Cardan is depicted as magical and being able to call on the land. “He stretches out his hand, and something seems to rise to the top of the water around us, like a pale scrum. Sand. Floating sand.”

Spiritual Content

  • None

by Sara Mansfield

Willodeen

Eleven-year-old Willodeen adores creatures of all kinds, but her favorites are the most unlovable beasts in the land; strange beasts known as “screechers.” The villagers of Perchance call them pests– even monsters– but Willodeen believes the animals serve a vital role in the complicated web of nature.
Lately, though, nature has seemed angry indeed. Perchance has been cursed with fires and mudslides, droughts and fevers, and even the annual migration of hummingbears, a source of local pride and income, has dwindled. For as long as anyone can remember, the tiny animals have overwintered in shimmering bubble nests perched atop blue willow trees, drawing tourists from far and wide. This year, however, not a single hummingbear has returned to Perchance, and no one knows why.

When a handmade birthday gift brings unexpected magic to Willodeen and her new friend, Connor, she’s determined to speak up for the animals she loves, and perhaps even uncover the answer to the mystery of the missing hummingbears.

Willodeen is a wonderfully relatable character who feels as if she’s odd and unlovable because she would rather spend time in nature than with people. Like many middle school readers, Willodeen is often self-conscious and struggles to find her voice. Many people make fun of Willodeen’s love of screechers because they don’t understand why she loves the ugly, smelly creatures. However, when Willodeen meets Connor, they connect over their love of all creatures. In the end, Willodeen becomes the heroine of the story when she uses her power of scientific observation to solve the town’s problem, saving the screechers in the process.

Through Willodeen’s experiences, readers will learn about the importance of community. When the town is threatened by fire, everyone joins in to help put the fire out. The theme is developed further when Willodeen and Connor go to the city council meetings—where both Willodeen and Connor find the bravery to speak up for the detested screechers. Readers will love how Mae, Birdie, and Connor’s father stand up for Willodeen and encourage her to “be what you are meant to be.” Even though Willodeen is different than others, the story shows that she has value and can contribute to her community in her own unique way.

Willodeen is also a story about caring for all nature—even the animals that aren’t adorably cute like the hummingbears. The story shows how all of nature is interconnected and how each animal has an important role in the ecosystem. Readers will love discovering how the screechers and the hummingbears are interconnected. In the end, the town learns to appreciate the screechers. And when tourists “complained about the horrible beasts stinking up the village, we learned to simply shrug and say, ‘when screechers were invented, Mother Nature made them scented.’”

Appplegate creates another beautiful story that advanced readers and middle school readers will love. The short chapters, loveable characters, and a bit of magic will captivate readers and leave them contemplating ways they can use their voice to impact their community.

Sexual Content

  • None

Violence

  • Willodeen and her family are caught in a fire. Her father, mother and little brother died in the fire. Willodeen has a nightmare about the “flames grabbing for me like a hungry monster. The soles of my feet blistering. The poisonous smoke scorching my lungs.” Willodeen wonders why she “made it out” when her family didn’t.
  • Willodeen is looking at a screecher curled in a nest, when she “heard footsteps, movement. Thwap. The arrow hit with such force that the nest seemed to explode.” The screecher runs, but Willodeen sees “a thick trail of blood leading into the trees.” Later she finds the animal dead. “His eyes staring at nothing. His white snout was covered in blood.”

 Drugs and Alcohol

  • Every year Perchance has a fair where “ale and trinkets” are sold.

Language

  • None

Supernatural

  • Birdie tells Willodeen “angry tears have magic in them. . . There’s magic in all of us. Just a bit. You’re born with it, like fingers and toes and fuzzy baby hair. Some of us make use of it. And some do not.”
  • A screecher magically comes alive. “The creature has a maker, a boy with nimble fingers and a tender heart. He’s spent hours weaving weeds and thistledown in the milky moonlight, spinning her into existence.” The creature began as a screecher, made from weeds, wood, and other materials. But then Willodeen cried “for myself because I was alone and lonely on my birthday. And because I was odd and unlovable. For a long time, I let myself weep. . .” Willodeen’s “angry tears” had the magic to make the screecher alive.

Spiritual Content

  • None

 

Share Some Kindness, Bring Some Light

Bear is sad. All of the other animals are afraid of him because he’s so big. But his human friend, Coco, offers to help.

Coco shares her grandmother’s advice: “When life gets dark as winter’s night, share some kindness, bring some light.” They decide to bake cookies to “share some kindness” and make lanterns to “bring some light.” But when the cookies and lanterns don’t work, they must look for other ways to win over the other animals. And while they’re hard at work on their mission of friend-making, Coco and Bear just might discover kindness is a gift that only comes from the heart.

If you want a sweet story with a positive message, then Share Some Kindness, Bring Some Light is the perfect picture book to add to your child’s winter reading list. Readers will love the whimsical illustrations full of interesting details. The forest is covered in a blanket of beautiful snow and the animals are snuggled up in their winter clothes. Both Bear and Coco have a splash of red that contrasts the winter wonderland. At first, the forest animals are afraid of Bear, and their fear is clearly illustrated in their facial expressions.

Even though Share Some Kindness, Bring Some Light is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has 1 to 11 sentences that include some complex sentence structure. Despite this, most pages are not text heavy and younger readers will be engaged throughout the story.

When Coco first shares her grandmother’s advice, Bear is not sure what it means. However, when Bear and Coco find a baby deer stuck in the snow, they jump in to help because it’s the right thing to do. Through this experience, the two friends discover the meaning of kindness. Bear says, “I guess kindness is giving away love instead of gifts. It’s doing something nice without expecting anything in return.”

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Malamander

Twelve-year-old Herbie Lemon has always been fond of lost things. After all, as an infant, he was a “lost thing.” Herbie was found and given a home in the town of Eerie-on-Sea, where he was eventually put in charge of the Lost-and-Foundery at the Grand Nautilus Hotel. His job now is to keep track of every lost item in the hotel and, when possible, find its home.

One day, a new kind of lost thing arrives, inspiring quite an eventful case for the young detective-of-sorts. Violet Parma puts Herbie in charge of helping her track down her missing parents, who became “lost” when she was an infant while staying at the Grand Nautilus. Herbie reluctantly takes the case, and the pair works together, discovering that one legend from the town’s past may have more to do with the Parmas’ disappearance than they could have imagined.

The Parma mystery leads the duo to the malamander, a mythic creature that supposedly lives in the water surrounding Eerie-on-Sea. The malamander only comes inland once a year to lay its wish-granting egg. The power of the egg draws a variety of characters into the fray, including a gruff man with a boat hook for a hand. Herbie and Violet must consult the eclectic townspeople and watch their backs as they work to uncover the mysteries which are hidden in the mist of Eerie-on-Sea.

Taylor wonderfully builds the world of Eerie-on-Sea. From the very first chapter, it is clear Eerie-on-Sea is no ordinary island. It is home to ancient legends regarding the existence of sea monsters, which Herbie and Violet discover to be more fact than fiction. The legends– and the people who tell them– are enthralling, and each person is essential to the story being told. By the end of the novel, readers will feel as if they were on the island themselves.

Herbie is a loveable narrator who provides much needed information about the culture of Eerie-on-Sea. Herbie’s friendship with Violet also helps readers understand the mysteries of such a place. She is new to the island, as is the audience, allowing readers to identify with Violet as they learn about the stories which the townspeople know well. The balance between Herbie and Violet is engaging from their first meeting. Violet is a go-getter, who thinks quickly and is strong-willed. Herbie, while confident in some moments, is much quieter and cautious.

The malamander’s egg is central to many of the characters’ motivations, and Taylor’s story touches on the harmful nature of greed that has lasting effects it can have on others. For example, the legend of Captain K demonstrates how the captain’s desire for the egg causes his entire crew to be lost to the malamander. Captain K wishes for eternal life, and while he gets what he wished for, he becomes a shell of a man. Consequently, Captain K’s family spends generations trying to fix his mistakes. On the other hand, Herbie acts as a counter to this greed. Herbie’s job is dedicated to helping others find what they have lost. His decision to help Violet as well as his concern for the townspeople teach readers that selflessness and caring for others can lead to happiness.

The author occasionally uses advanced vocabulary, but the context clues provided make Malamander a good option for children looking to learn new words. Black and white illustrations bring the quirky characters to life; the illustrations are used periodically to aid in the visualization of some of the more significant moments in the story. Young readers who love mysteries and myths will enjoy Malamander as the story creates an interesting setting that has endearing characters and a gripping plot.

Sexual Content

  • Mrs. Fossil, a beachcomber, thinks she has some “beach finds” which would “suit a young man looking for something for that special someone in his life.” She assumes Violet and Herbie are romantically involved.
  • After hugging Herbie, Violet “looks a bit embarrassed and tries to hide it by punching [Herbie] on the arm.”

Violence

  • A man has a “large iron boat hook, ending in a long gleaming spike” for a hand. He is called “Boat Hook Man.”
  • When the Boat Hook Man comes looking for Violet in Herbie’s Lost-and-Foundery, he “shoves [Herbie] against the wall as he pushes past.”
  • Boat Hook Man uses his hook to break into the chest where Violet is hiding. “He raises his spike and brings it down with a sickening thud, driving it deep into the lid of the chest.” When he cannot find her, Herbie says the Boat Hook Man “[goes] berserk.” Herbie narrates, “He starts ransacking my cellar, sweeping his massive arms from side to side.”
  • Violet’s history becomes a large part of the story. She was “found abandoned” as a baby. Her parents left behind only “two pairs of shoes . . . left neatly on the harbor wall.” There were also “footprints in the sand, leading from the harbor wall to the sea.”
  • Herbie’s cap almost never cooperates when he tries to put it on his head. At one point he narrates “the elastic strap pings and nearly takes [his] eye out.”
  • Violet tells Herbie that “a fork bounced off the wall behind [her]” when she ran out of the hotel kitchen, where she was not supposed to be. Herbie knows that these were the actions of the head chef who “guards his kitchen like a fortress.”
  • In Herbie’s lost and found system, if red lines are crossing out a name, that means “the owners were declared dead.” Violet’s parents’ entry is crossed out in red, and Herbie apologizes while giving Violet her parents’ lost belongings.
  • Herbie teases his boss, Mr. Mollusc, to the point that he “is close to bursting a blood vessel.”
  • While walking with Violet, Herbie mentally describes how “the snow is like a swarm of icy bees—stinging [their] eyes and trying to get up [their] noses.”
  • Herbie fears he may have seen “a shadow stepping back into a doorway” when he checks to see if he and Violet are being followed.
  • While eating at the diner, Herbie notes, “Outside, where the sea mist is gathering, someone screams.” Herbie and Violet see Boat Hook Man head for the beach, “his long, hooked spike dangling like a weapon.” However, they never find out where he was going, because instead they find Mrs. Fossil, a townsperson, “clutching one arm and sobbing with pain.” Her clothes are “torn to shreds” and “there are angry red marks on her skin.” She had been bit by something with what she calls “teeth like needles.” She passes out.
  • Boat Hook Man sees Violet on the beach and “grabs Violet by her collar, lifting her in the air.” She has a hard time speaking because of where he grabbed her. She is left “clutching her throat.”
  • Herbie says, “I need to get some work done, or Mollusc will have me stewed and served up as today’s special.”
  • Mrs. Fossil receives treatment for her wound and reports that she “can already move [her] fingers again.”
  • Mrs. Fossil tells the children about the legend of the malamander. She says the creature lays an egg and then “devours it.” Since the egg has the power to grant wishes, she explains, many people have sought it. However, she tells them, “Every single one of them . . . gobbled up by the beastie!”
  • Herbie points out “all that’s left of the battleship Leviathan” is in the sea. He says, “It was wrecked years ago.”
  • Boat Hook Man corners Herbie and Violet in the fish shed. They try to escape using a rope, by jumping from the window to a suspended fishing net. Herbie misses the first opportunity for release and is left “dangling, four stories up.” He thinks, “At this point, I can let go of the rope and probably break both my legs, or I can stay dangling where I am and be filleted like a small lemon-flavored herring in a Lost-and-Foundery’s cap.”
  • Just before Boat Hook Man can use his hook to capture Herbie, Violet “strikes Boat Hook Man in the eye” with her book. Violet and Herbie manage to escape, but they fall before they get all the way to the ground. Herbie notes “the air escaping from [his] lungs with an OOF.” Violet hurts her ankle on impact and needs help running away. This event is described over four pages.
  • Jenny, the bookstore owner, explains how Sebastian Eels and Violet’s father knew each other. They were both authors interested in the malamander, and at one point “they went monster hunting together.”
  • The malamander comes to the museum when Herbie and Violet are there. It “slaps the window right in front of us with such force that it shatters.” Herbie feels “points of pain on my hands and face as the pieces cut in.” Then, the creature tries to “throw itself over the edge” of the museum walls, but Violet grabs its tail. Herbie thinks, “All I can see is that if Violet doesn’t let go, she’ll be pulled over the ramparts too, down onto the toothlike steeples of Maw Rocks, far below.”
  • When trying to save Violet, Herbie is dragged hard against the wall.” He cannot yell, because he feels “the air being crushed out of [his] lungs.” When the creature strikes Violet with its tail, they let go and the malamander falls. Herbie expects “to hear a thud, and maybe the crunch of breaking bone” but the creature simply slithers back to the ocean. This encounter is described over two pages.
  • When Herbie and Violet are caught in the museum by its owner, Dr. Thalassi, Herbie notices, “The folded umbrella [the owner] brandished as a weapon is on the desk, too, like a polite threat.”
  • In anger, Dr. Thalassi attempts to justify his luring of the malamander, which caused the attack on Violet. Herbie exclaims, “An experiment that just slashed off half of Vi’s face!” Herbie knows it’s “an exaggeration” but she was injured by the creature.
  • The museum owner tells the story of the Leviathan and its Captain. The captain led his crew into a cavern where “they found a great stinking mound of seaweed, bones, and shipwreck salvage.” They found the malamander and took its egg, causing it to attack the ship. Dr. Thalassi says, “Many lives were lost defending Leviathan against the creature.” Despite the crew’s use of weapons, the monster kept attacking. Dr. Thalassi explains, “Bullets sparked off its scales, leaving scarcely a mark, and its claws could rend iron.”
  • While the Captain was holding the egg, the malamander “delivered a . . . good, hard bite, which injected stinging venom” that numbed the captain. Then, the creature “with a single snap of its jaws tore his right hand—the hand that held the malamander egg—clean off and swallowed it whole.” The story is recounted in seven pages.
  • Herbie notices in the museum, “Above us the skeleton of a whale hangs suspended, and in the cabinets all around, stuffed and desiccated sea creatures peer out at us through glass eyes.”
  • The hotel’s owner, Lady Kraken, says, “I have no doubt [Violet’s dad] wanted the egg, too, and no doubt that the malamander devoured him for his trouble.”
  • Sebastian Eels plans to carry a weapon to confront the malamander. He claims it “will be for protection only, to scare it away if I’m seen.”
  • When Boat Hook Man is arguing with Eels, Eels says, “Don’t you wave that hook at me.” Boat Hook Man then warns Eels that the malamander will kill him if he goes after its egg. Later, Herbie watches as “Eels brings his fist down on the desk.”
  • Sebastian Eels’ plan for the malamander is to “put a dozen harpoons through its stinking fish guts before it can even spit.” If people come to stop him, he will do the same to them. Eels says, “the sea will quickly dispose of the bodies.”
  • While hiding from Sebastian Eels and Boat Hook Man in Eels’ home, Herbie and Violet are caught. Boat Hook Man goes after them, using his hook as a weapon, though he misses Herbie by inches. Erwin the cat protects them by “attacking the old mariner’s head ferociously, raking at [Boat Hook Man] with his claws.” Herbie watches as “instead of blood, only water spouts from the wounds.”
  • Herbie narrates, “the poor cat is flung to one side” by Boat Hook Man. When trying to escape the building, Sebastian Eels uses his harpoon gun multiple times on the children with one missing and “ricocheting back . . . and clonking Boat Hook Man in the face” causing him to fall. He is not fully human, though, so he is not injured when he hits the ground. Another harpoon makes its target, Violet. The harpoon hit the book in Violet’s pocket, narrowly saving her life. The incident occurs over six pages.
  • Herbie says of Eels, “hopefully the big bully will get himself eaten by the monster.”
  • Eels steals an important paper from Violet. When she tries to fight back, “he picks her up with one hand and throws her out of his way.” Erwin comes to the rescue, “hissing as he claws up [Eels’] legs and sinks his teeth into the man’s hand, making him drop the paper.”
  • Eels throws the cat away, and the cat “hits the corner of a bookshelf and . . . falls limply to the ground.” Eels then “brings his fist down on [Herbie’s] head.” This event is described in one page.
  • Eels retells the story of Achilles and the “arrow in the heel that brought about his death.”
  • Violet says to Eels, “I hope the malamander bites your head off.”
  • Eels promises to “wipe [Violet] out of existence and end [her] misery for good” with the power of the malamander egg.
  • Violet discusses the legend of the malamander, including its annual move “near the town to hunt” and lay its egg, which it then “devours.”
  • Aboard the Leviathan, Herbie thinks, “I shrink back into the darkness, still pulled by Violet, desperately hoping it is Violet pulling me and not some flubbery faceless horror from the deep.” Later, he sees actual sea creatures around him and kicks them off.
  • Herbie observes the malamander open “its cavernous tooth-needle mouth and roars an earsplitting, soul-tearing, nightmarish cry of saurian fury.” This is followed by the creature charging the pair. Herbie wonders “if it’s worth fighting for a moment or two of extra life, or if it’s better to just fall down into the water and hope the end comes quickly.” He then remembers Eels’ comment about bodies being disposed by the sea and thinks it could be true, “especially if the bodies are quite small — and devoured by a folkloric fish man in the belly of a sunken warship.” The malamander passes them over in its search for Eels.
  • Herbie sees “human bones” in the malamander’s nest.
  • Eels threatens to shoot Violet with the harpoon gun but does not.
  • In a flashback to Violet’s parents’ disappearance, her dad comes to believe that Eels could be responsible for the infant Violet’s disappearance. He says to his wife, “He said I’d pay a heavy price if I kept my discoveries from him. But surely he wouldn’t . . .”
  • Eels tries to get the egg from Violet. Eels “grabs the egg with one hand and punches Violet in the face with the other.” She falls into the cold water. Herbie dives in after her and wonders “for a moment if I’ve died without noticing” due to the “cold and dark.” When he finds her, “she gasps and coughs.”
  • The malamander resurfaces. “In its claws it is holding the broken body of Boat Hook Man.” Herbie recognizes Boat Hook Man is not dead, but “he has clearly lost the fight with the monster” as his “face is white and awful”.
  • The malamander tries to get its egg back from Eels, but he “shoots it” first. He repeatedly fires and Herbie hears the “th-TOUM” sound the gun makes. Herbie then sees that “the harpoon has buried itself deep between two of the monster’s scales, where — now that we look closely — a slim opening in its armor can be seen.” This opening is the only way the malamander can be killed. The malamander has been shot “straight through its heart” and “with a gurgling sigh, the malamander twitches one last time and then goes still.”
  • After Boat Hook Man was attacked by the malamander, Herbie describes that the creature’s victim “looks awful, his twisted body half submerged, his skin raked over with great gashes and slashes.”
  • Boat Hook Man tells Eels about his pursuit of the egg. He says, “I lost everything — my ship, my fine men, even my family, in the end.”
  • Eels uses the egg to transform malamander into a tentacle-ridden sea creature to restrain Boat Hook Man. “As we watch, the scaly corpse of the monster quivers and splits, and dozens of fleshy tendrils shoot up from it.” Eels then magically replaces Boat Hook Man’s hook with a crab pincer. Boat Hook Man uses it “to cut through one of the tentacles holding him by using his new claw.” In response, Eels turns Boat Hook Man “into a mass of squid and jellyfish and sea slime.”
  • Trying to get the egg away from Eels, Violet shoves him. She then “lands a kick in the man’s face.” Eels tries to shoot Violet at “point-blank range” but there are no harpoons, so it only makes a “fut! Fut!” sound. When Violet gets the egg, Eels pulls “his knife from its sheath.”
  • Eels gets the egg back, but the malamander’s “mouth, lined as before with tooth needles, closes with a sickening crunch over the hand that holds the egg.” The monster drags him under the water and “there’s a ripple or two . . . then there’s nothing”. The entire fight between the malamander, Herbie, Violet, Eels, and Boat Hook Man aboard the Leviathan takes place over 30 pages.
  • Herbie thinks he has drowned aboard the Leviathan. He thinks, “It’s not cold, though, so I guess being as dead as driftwood has an upside.” However, Herbie is warm because he was rescued. He feels the effects of nearly drowning, his “chest and throat feel as if they’re on fire”.

Drugs and Alcohol

  • Mrs. Fossil explains that the town doctor has prevented her from “languishing in a hospital bed somewhere, pumped full of goodness-knows-what.”
  • Violet’s cut is treated with “a wad of cotton, soaked in disinfectant.”
  • In Eels’ house, Herbie sees “an empty bottle of whiskey” on the floor near Violet. She insists she did not drink it and asks him, “Do you think I drink whiskey?”

Language

  • Many of the characters use names such as weasel, fool, stupid, and creep. For example, Herbie calls Mollusc a horrible, hideous man, though not to his face.
  • Herbie narrates that “Lady Kraken is almost a recluse.” Herbie thinks, “The way her wrinkly head emerges from her sumptuous silky gown reminds me of a turtle.” He watches her “clawlike hand” and “wizened eye.”
  • Lady Kraken calls Herbie an “incorrigible dunderbrain.” She also asks if he has “cloth for brains.”
  • Lady Kraken exclaims, “Curse the clouds!”
  • Violet refers to the mermonkey cards as “freaky” and “weird.”
  • Herbie mentally describes the mermonkey as “grotesque” and “ugly.”
  • Violet thinks Eels looks “booky” and he gives her the creeps. Herbie calls him “a bit full of himself.”
  • Mrs. Fossil collects “coprolite” which she explains is “doodah…dino turd…petrified poo.”
  • Herbie thinks Boat Hook Man is an “awful man” and “freaky.”
  • Herbie calls Mollusc “old Mollusc breath.” He then refers to him as “that whiny old whinge-bag.”
  • The characters occasionally “swear” to show honesty. Jenny says Violet’s father “swore blind that he saw things” that were supposed to be only legend, not real.
  • Herbie often internally describes the museum owner as having a “Julius Caesar nose” or a “beaky nose.”
  • Mrs. Fossil uses the expression “goodness-knows-what.”
  • Herbie uses the expression “bladderwracks” occasionally.
  • Eels calls himself “just an old daydreamer” in a disparaging way.
  • Eels uses the expression, “Goodness me.”
  • Herbie calls Eels “Eel Face” in conversation with Violet.
  • Violet asks Herbie if he thought Jenny was a bit “shifty.”
  • Herbie calls himself a “ninny.”
  • Herbie says that he and Violet are “freezing [their] cockles off.”
  • In the story of Captain K, the captain calls his men “cowards” for wanting “to turn back.” They later plead, “for the love of grog, give it back its egg!”
  • The captain calls the malamander “just a dumb animal” and a “fiendish creature.”
  • Herbie calls an action in the story of Captain K “bonkers.” The museum owner agrees and says the captain was “drunk with power.”
  • After his encounter with the malamander, the captain is described as becoming “a ruin of a man, ranting and raving.”
  • Herbie asks himself, “How could I have been so stupid?”
  • Lady Kraken calls the museum owner “sly” and Violet “that sneaky little friend of yours.”
  • Damned is used occasionally. For example, Eels says, “I’ll be damned if I’m going to let that bleeding-heart Peter stand in my way, even from beyond the grave.”
  • Eels tells Boat Hook Man, “It’s not my fault you didn’t have the wit or the will to use the egg properly.”
  • Eels calls the behavior of the malamander “pathetic” and asks, “doesn’t it just make you want to puke?” He also adds, “But also, how very unsurprising that a softy like Peter Parma would be the one to discover such a ridiculous fact.”
  • Herbie assumes Eels believes “no one in their right mind would crawl into such a small and dismal hole.”
  • Hell is used several times. For example, Herbie calls the shipwreck “watery hell.”
  • Violet’s dad uses the expression “dear gods.”
  • Eels calls Violet “wretched, unimaginative child” and “as weak and pathetic as [her] father.”

Supernatural

  • The legend of the malamander is central to the story. According to the townspeople’s beliefs, “It’s a monstrous creature — half man, half fish, half goodness-knows-what” with “rows of quivering spines.” The creature lays a “magical egg” once a year. The egg’s abilities are described as the “grants-you-your-dearest-wish kind.”
  • The malamander can climb walls and swim very well, as well as survive long falls. The malamander “was not invincible . . . it could be killed” by attacking the small opening to its heart. Eels says, “the monster opens its heart when it lays its egg. Quite literally — the armored plates over its heart fold back so that its beatings can be heard in the ocean. That’s how it calls its mate.”
  • The book dispensary has an animatronic mermonkey, a monkey that “has the lower body of a fish” and dispenses the identification code for a book that it feels the reader needs. Jenny, who owns the dispensary says, “It’s the book that chooses you.” Herbie also tells Violet that many believe the machine to have “a sense of humor, too” because Herbie “met a man once who swears he belched in front of the mermonkey and got dispensed a copy of Gone with the Wind.
  • Lady Kraken, the hotel owner, has a mechanism called a “cameraluna” which uses the moon to project “a moving image of the pier at Eerie-on-Sea, seen from above.” She uses it to spy on the townspeople in real time. She can also reverse the recordings, making the “little figures of the townsfolk dart around, walking backward at high speed, as if [Herbie and Lady Kraken] are going back in time.”
  • Herbie explains that the rumor is that the diner owner “came here as a young man and saw a mermaid from the end of the pier. Heard her sing. No one ever recovers from that.”
  • The cat, Erwin, speaks occasionally.
  • The egg can vaguely communicate telepathically with its holder. “In the captain’s wondering mind, a thousand voices seemed to whisper as one: I can make your dreams come true.”
  • Captain K, also known as Boat Hook Man, wished to “live forever” and the egg granted that wish. The egg responds, “But if you lose [the egg], your wish shall become your curse.” Captain K’s “wounds closed up as soon as they opened, and his injuries healed.”
  • Boat Hook Man exists today as half-man, half-water. He arrives in the form of a “cloud of mist” which gathers into a shape.
  • The egg’s power is used multiple times by Eels and Violet. Violet uses it to see her parents’ disappearance in a mist “like a tornado,” which displays images and sound. In addition, the mist “encircles” Boat Hook Man and transforms him into his former self, Captain K. “The boat hook on the end of his right arm evaporates, and a new hand appears there, pink and perfect.”
  • Eels uses the egg to replace Captain K’s hook with a “red crab pincer” and then turns the malamander body into multiple sea creatures. “Captain Kraken’s body trembles and ripples, then collapses into a mass of squid and jellyfish and sea slime.”
  • Violet then uses the egg to make the malamander “miraculously whole again,” raising it from the dead.

Spiritual Content

  • The diner owner says, “In my country, we leave gifts for beings like this, for spirits. Offerings. At night, when I close up, I, too, leave gifts — the fried fish that is left over — outside on the pier. In the morning, it is gone.”

by Jennaly Nolan

Llama Llama Holiday Drama

If there’s one thing Llama Llama doesn’t like, it’s waiting. He and Mama Llama rush around, shopping for presents, baking cookies, decorating the tree…but how long is it until Christmas? Will it ever come? Finally, Llama Llama just can’t wait anymore! It takes a cuddle from Mama Llama to remind him that “Gifts are nice, but there’s another: The true gift is, we have each other.”

Llama and his Mama are rushing through the days, trying to get ready for Christmas. In all the hustle and bustle, Llama is frustrated by the wait. Younger readers will relate to Llama, who is in a hurry for Christmas to come so he can open his gifts. When Llama has a meltdown because of all of the holiday drama, Mama takes time to “take a rest and hold the ones we love best.” After a snuggle in Mama’s lap, Llama sleeps soundly on Christmas Eve.

Llama Llama Holiday Drama shows a typical story of getting ready for the holidays. Each page has colorful illustrations that feature Llama and his Mama completing traditional Christmas tasks, such as baking cookies. Each illustration shows Llama’s emotions in a funny way. Each page has 1-2 rhyming lines. Younger readers will enjoy the illustrations and the positive message; the story is bland. Llama Llama Holiday Drama would make a good story to read once, but it’s not one that readers will want to read again and again.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

I Am Not Your Perfect Mexican Daughter

An ambitious and fiercely independent teenager, Julia Reyes never seemed to fit in with her family’s traditional Mexican values. Her sister, Olga, was who her mother considered a “perfect Mexican daughter.” Olga was content with living at home, helped her mother cook and clean, and never got into trouble. However, after Olga’s sudden and tragic death, Julia feels pressure to fill the gap in her family, despite not being able to live up to her mother’s expectations.

Dealing with grief and conflicting personalities, Julia and her mother “Amá” struggle to mend their relationship. Amá, who grew up in Mexico, wants an obedient and responsible daughter, while Julia, who was raised in America, wants to explore the world and dreams of being a famous writer. Eventually, the pressure from her mom becomes too much for Julia to handle. Julia struggles with her mental health and feels misunderstood by her parents and friends. To make matters worse, after exploring her sister’s room, Julia discovers that Olga may not have been a perfect daughter after all.

Julia is a very realistic and relatable protagonist. She works hard to figure out her place in the world even though she makes mistakes along the way. As the child of Mexican immigrants, Julia experiences both generational and cultural conflicts with Amá and her father “Apá” who, while physically present, is often emotionally absent from Julia’s life. Although she has her friend, Lorena, and a new attentive boyfriend, Connor, Julia realizes grief is a difficult experience and it can take a lot of time to heal.

The book has a strong theme of self-acceptance and acceptance of others. Although Amá has difficulty understanding Julia, she learns to see what makes Julia unique and different from Olga. Julia also must learn to stop comparing herself to her sister and accept who she is and what she wants to be: a writer.

I Am Not Your Perfect Mexican Daughter tackles mature themes of death, suicide, abortion, and rape. The novel also contains Spanish words which are used naturally in the dialogue to better represent Julia’s culture, and most words and phrases are understandable within the context of the scene.  If you want to explore another book with these themes, Loveboat, Taipei by Abigail Hing Wen should be on your reading list.

Overall, the poignant story explores the challenges of youth, especially the cultural and generational boundaries between first-generation immigrants and their children. Eventually, Julia and her mother must learn to see things from each other’s perspectives. Julia also begins to understand a lot about her mental health and how to heal from painful situations to become a stronger and more balanced young woman.

Sexual Content

  • After searching through Olga’s bedroom, Julia finds “five pairs of silk-and-lace thongs. Sexy lady underwear I imagine a very expensive hooker might buy.”
  • Julia describes a time Olga’s friend Angie came over and Julia “walked in on her touching Olga’s boobs.”
  • Julia feels uncomfortable around her friend Lorena’s stepdad. “Every time I know he’s going to be home, I wear my baggiest shirts and sweaters so he can’t gawk at my boobs. Sometimes it feels like he’s undressing us with his eyes.”
  • Julia falls asleep at Lorena’s house. When she wakes up, she sees Lorena’s stepdad, José Luis, crouched in front of her. “He looks like he’s doing something with his phone, but I’m not sure.” Julia is too exhausted to process what is happening. It is unclear what José Luis’ exact intentions were.
  • Julia and Lorena visit the lake with two boys. Julia wonders where Lorena has gone and assumes she and Carlos are “probably fucking somewhere, even in this cold, and most likely without a condom.”
  • Ramiro, a boy Lorena sets Julia up with, kisses Julia, but she doesn’t really enjoy it. “At first the kisses are soft and feel all right, but after a while, he spirals his tongue against mine.” Julia and Ramiro soon stop kissing. She feels uncomfortable kissing someone she barely knows.
  • Julia states that her tío Cayetano “used to stick his finger in my [Julia’s] mouth when no one was looking.”
  • During a party, Julia notices people “dancing so close they’re practically dry-humping.”
  • Julia watches a couple make out in public. “Their kisses are wet and sloppy, and you can see their tongues going in and out of each other’s mouths.”
  • Lorena’s friend, Juanga, starts to describe different penis shapes he has seen. “The craziest one, he says, was long and pointy.”
  • A man harassing Julia on the street says he has something to show her “’cause you have nice tits.” When an adult helps Julia, the harassers eventually drive away.
  • After her first kiss with Connor, her first boyfriend, Julia describes how “Connor is gentle with his tongue, and something about the way he touches me makes me feel so wanted.”
  • Lorena tells Julia she’ll have to “shave [her] pussy” before having sex with Connor.
  • Julia and Connor have sex. Julia looks away while Connor puts a condom on. She states, “it hurts more than I imagined, but I pretend it doesn’t.” This is all that is described.
  • Julia discovers Olga was “having sex with an old married dude, hoping he would one day leave his wife.”
  • After taking a pregnancy test with fuzzy results, Lorena believes she might be pregnant.

Violence

  • Julia describes the appearance of her dead sister at the funeral stating, “the top half of her face is angry—like she’s ready to stab someone—and the bottom half is almost smug.”
  • Julia explains how Olga was “hit by a semi. Not just hit, though—smashed.”
  • It is implied that Julia tried to kill herself by cutting. The scene is not described.
  • In a support group, Julia meets a boy who is “here because his stepdad beat him with cords and hangers when he was a kid.”
  • On the journey to America, it is implied El Coyote raped Amá and “held [Apá] down with a gun.”
  • While visiting Mexico, Julia hears gunshots in the street and sees “two dead bodies are lying in the middle of the street.”

Drugs and Alcohol

  • Julia’s uncle once teased Olga’s boyfriend, Pedro, for being innocent. Julia remembers “tío Cayetano trying to give him a shot of tequila once, and Pedro just shaking his head no.”
  • Lorena and Julia smoke weed at Lorena’s house. Julia explains she has smoked weed “a total of five times now.”
  • At a birthday party, Julia’s father, and her uncles drink tequila.
  • At a party, Lorena and Juanga take shots while Julia opens a beer, “which [Julia] regret[s] immediately.”
  • At another party, “the girls all choose Malibu rum,” while Julia drinks “Hennessy and Coke.”

Language

  • Profanity is used in the extreme. Profanity includes ass, crap, fuck, hell, shit, and bitch. For example, after Olga’s death, Julia’s mom was screaming and “telling the driver and God to fuck their mothers and themselves.”
  • Lorena calls Julia a “bitch” for underestimating her intelligence. When Julia is on a bus after skipping school, she believes “the school has already called [her] parents and [she’s] in some deep shit again.”
  • Lorena tells Julia to give papers about a college tour to her “crazy-ass mom.”
  • Pissed is used often. At Olga’s funeral, Julia decides “it’s easier to be pissed,” rather than sentimental.

Supernatural

  • None

Spiritual Content

  • Julia shares that she and her mom argue about religion often. Julia “told her that the Catholic church hates women because it wants us to be weak and ignorant. It was right after the time our priest said—I swear to God—that women should obey their husbands.”
  • Amá forces Julia to attend church meetings. Julia wonders “who in the world would want to spend their Saturday night talking about God?”

by Elena Brown

Artemis Fowl #1

Captain Holly Short is a highly skilled elf. However, as the first female officer assigned to her unit in LEP (Lower Elements Police), she has a lot to prove. But with the short-tempered Commander Root breathing down her neck, Holly wonders if she’ll ever be given a fair chance to succeed. If only the fairy folk still lived above ground and had never been driven into hiding by the Mud Men.

Artemis Fowl is a twelve-year-old human genius. His family has a long history of illegal activity, though Artemis’ father had tried to legitimize the family fortune. But when Artemis’ father’s ship sank—along with most of the family fortune—Artemis decides to return to his family’s illegal roots in order to regain his father’s lost wealth. Luckily for Artemis, he is in a unique position. His youth means he still believes in magic, while his genius may allow him to become the first human in history to succeed in stealing fairy gold.

Artemis Fowl is told in the third person with the main points of view being Artemis’s and Holly’s; however, the story often jumps to other characters’ points of view, which helps develop smaller characters and flush out the actions of the large cast of characters. While Holly and Artemis are on opposite sides of his gold-stealing scheme, they are both likable characters. Holly is impulsive, clever, and confident. Artemis is brilliant, socially stunted, and he never goes anywhere without his bodyguard Butler. While Artemis is a criminal mastermind, he learns from his mistakes and grows to realize that kidnapping Holly was wrong (though he still keeps the money).

This first installment of the Artemis Fowl series is fast-paced, hilarious, and action packed. Colfer does an effortless job introducing a myriad of fairy folk in a way that does not feel overwhelming. Each chapter leaves readers on the edge of their seats, as they wonder what will happen next. While there is violence, it is not graphically described. There is also potty humor. For instance, dwarves tunnel much like worms, with dirt going in one end and coming out the other, which allows for plenty of bathroom-related humor. But for readers ready for action and excitement, Artemis Fowl is a delightful read that will leave them reaching for the next book, Artemis Fowl and the Arctic Incident.

Sexual Content

  • None

Violence

  • While walking through a city, “an unfortunate pickpocket attempted to steal Butler’s wallet. The manservant broke the man’s fingers without looking down.”
  • When Holly sees a dwarf picking pockets, she “gave him a swipe in the backside with her buzz baton. The electric charge singed the seat of his leather pants.”
  • A troll eats a couple of cows. “It was not a pretty sight. Without going into details, let’s just say that there wasn’t much left besides horns and hooves.”
  • Holly stuns a troll before it can kill anyone. “Aiming for the weak point at the base of the skull, she let the troll have a long burst of the concentrated ion ray . . . The troll picked up a table . . . He pulled back a shaggy arm and let fly.” Holly’s gas tank is hit. It “burst into flames like some deadly firework. Most of the gas landed on the troll. So did Holly.” The struggle is described over three pages.
  • Butler picks a fight in order to cause a diversion. “Butler dropped the first with a round house punch. Two more had their heads clapped together, cartoon style. The fourth was, to Butler’s eternal shame, dispatched with a spinning kick.”
  • Artemis lures Commander Root into a trap, then sets off an explosion. Commander Root, “made it. Barely. He could feel the explosion rattling his torso as he threw himself into a reverse loop. Flames latched on to his jumpsuit, licking along his legs. Root continued his maneuver, crashing directly into the icy water.”
  • Butler fights off a squad of LEP officers. “Captain Kelp was the first casualty, a titanium-tipped dart puncturing the neck of his suit . . . Butler continued the swinging motion, driving punishing punches into the chests of two more fairies.” The fight takes place over three pages.
  • A goblin tries to blow a fireball out his nose and hit Mulch. Mulch stuffs his thumbs up the goblin’s nose. “The fireball had nowhere to go. It rebounded on the balls of Mulch’s thumbs and ricocheted back into the goblin’s head. The tear ducts provided the path of least resistance, so the flames compressed into pressurized streams, erupting just below the goblin’s eyes.”
  • When Mulch starts to burrow, Foaly tries to watch. However, “a blob of recently swallowed and even more recently recycled limestone whacked him in the face.”
  • There are several other times where characters are either hit with earth or gas that Mulch ejects from his derriere. For instance, “the constrained wind had built itself up to minicyclone intensity and could not be constrained. And so it exited. Rather abrasively. Blowing open Mulch’s back flap, and slamming into the rather large gentlemen who had been sneaking up behind him.”
  • During her escape, Holly punches her kidnapper, Artemis. “Holly put an extra few pounds of spring in her elbow and whacked her abductor right on the nose.”
  • Butler and Holly fight a troll. Trolls are primal hunters; they have little brain power and kill anything that gets in their path. Butler “squeezed the trigger as rapidly as the Sig Sauer’s mechanism would allow. Two in the chest, three between the eyes . . . scything tusks ducked below Butler’s guard. They coiled around his trunk, slicing through his Kevlar reinforced jacket . . . he knew immediately that the wound was fatal. His breath came hard. That was a lung gone, and gouts of blood were matting the troll’s fur.” Holly joins the fight with the troll. “Her heels caught the beast square on the crown of its head. At that speed, there was at least half a ton of G-force behind the contact. Only the reinforced ribbing in her suit prevented Holly’s leg bones from shattering. Even so, she heard her knee pop. The pain clawed its way to her forehead.” Later, “The human twirled the mace as though it were a cheerleader’s baton, ramming it home between the troll’s shoulder blades. . . Butler planted his foot just above the creature’s haunches and tugged the weapon free. It relinquished its grip with a sickly sucking sound.” Butler defeats the troll but does not end its life, at Holly’s request. The fight takes place over seventeen pages.
  • The fairies send in a blue-rise bomb, which kills all life forms but doesn’t harm anything else. However, Artemis and his friends had already escaped, so the only thing killed are bugs and rats.

Drugs and Alcohol

  • Artemis meets a fairy hooked on alcohol. He gives her “a virus that feeds on alcohol,” to purge it from her system. He also mixed a “slight amnesiac” into the injection, so she won’t remember ever meeting him.
  • Artemis secretly slips a fairy holy water, which would have killed her. Then he offers her the antidote as part of a deal.
  • Artemis’ mother is ill. “Nervous tension, the physicians said. Nothing for it but rest and sleeping pills.”
  • Holly is tranquilized with a dart. “Holly felt the dart puncture the suit’s toughened material, depositing its load of curare and succinylcholine chloride-based tranquilizer into her shoulder. The world instantly dissolved into a series of technicolored bubbles.”
  • Root smokes cigars often.
  • Mulch burrows through the earth, into a wine cellar. “Over the centuries, residue seeped through the floor, infusing the land beneath with the wine’s personality. This one was somber, nothing daring here. A touch of fruit, but not enough to lighten the flavor. Definitely an occasion wine on the bottom rack.”
  • Artemis, Butler, and Butler’s sister drink champagne, to celebrate when the ransom is paid. However, Artemis secretly spiked the champagne with a tranquilizer.

Language

  • Holly thinks another officer is “a bimbo. An airhead.”
  • Idiot is used once.
  • D’Arvit is a fairy curse word that is used several times.
  • Two fairy coworkers call each other “half-wit” and “cave fairy.”
  • Mulch says “Oh, gods above” when surprised by something.
  • Damn and hell are used a few times. For example, a sprite says, “Blow the door off its damn hinges.” Holly asks, “What the hell is going on here?”

Supernatural

  • The fairy folk live underground, where they hide from the Mud Men (humans). There are pixies, sprites, centaurs, dwarves, goblins, etc. The first fairy Artemis meets is a sprite. “The fairy’s nose was long and hooked under two slitted golden eyes. Her ears were pointed, and the alcohol addiction had melted her skin like putty.”
  • “A lot of the magic attributed to [fairies] is just superstition. But [faries] do have certain powers. Healing, the Mesmer, and shielding being among them . . . What fairies actually do is vibrate at such a high frequency that they are never in one place long enough to be seen.”
  • Fairies can use their magic to heal. Holly heals Butler during a fight with a troll. “Butler could actually feel his bones knitting and the blood retreating from semicongealed scabs.”
  • Fairies can temporarily stop time over a small area. “Five elfin warlocks would form a pentagram around the target and spread a magic shield over it, temporarily stopping time inside the enchanted enclosure.”
  • Dwarves “can unhinge their jaws, allowing them to ingest several pounds of earth a second. The material is processed by a super-efficient metabolism, stripped of any useful minerals and . . . ejected at the other end.”

Spiritual Content

  • Every fairy carries a book that contains all the rules the fairy folk live by. “It was their Bible, containing . . . the history of their race and the commandments that governed their extended lives.”
  • Sprites are the only fairies with wings, and male sprites are very arrogant about that. It’s said in passing, “Give a fairy a pair of wings and he thinks he’s God’s gift to women.”

by Morgan Lynn

 

 

 

Winter Wonders

It’s Christmas time at Whispering Pines, and everyone is buzzing with excitement—especially since Cat and Mr. Henry are getting married! Delia and Willow have been appointed junior bridesmaids, and there’s a flurry of things to do.

The counts are whipping up a sweet feast of desserts, and they’re determined to top it all off with an extra-special gift for the couple. Meanwhile, Delia can’t wait to share Saugatuck’s festivities with Willow. But when the wedding treats go missing and a blizzard collapses the Food Pantry roof, can Willow and Delia keep Christmas from snowballing into a disaster?

Bake delicious recipes alongside Delia and Willow, as the entire Bumpus clan teams up to save the day in the final installment of this scrumptious series.

Delia and Willow want to give Cat and Mr. Henry the perfect gift, but they just can’t seem to agree on anything. Most of the story comes from this conflict, in addition to Willow being afraid to cook because of a previous disaster. While their family makes quick appearances, readers who have not read the previous books will not connect with them. Unfortunately, most of the family’s appearances do very little to move the plot forward.

Winter Wonders shows the importance of helping those who are less fortunate. Delia and Willow both help at a food pantry and are eager to make Christmas treats to share with those in need. However, their young age makes some of the events unbelievable. For example, the two girls make enough food for a hundred guests.

Cheerful black and white illustrations appear every 2 to 5 pages. While the illustrations focus on Delia and Willow, they also include many of the family members. One character uses several puns and Cat uses fun sayings such as, “I’ll be back, quick as a snowman on ice skates.”

Young readers who love to cook will find Winter Wonders interesting and will enjoy learning new recipes that celebrate winter. However, the slow pace and lack of conflict may cause readers to become quickly bored. If you’re looking for some winter fun, Diary of an Ice Princess by Christina Soontornvat will take you to a magical world while it teaches positive lessons.

Sexual Content

  • None

Violence

  • The girls wanted to make a lobster dinner for Cat and her fiancé, but when the lobsters arrive, the girls didn’t expect them to be alive. Willow’s dad explained, “They’re supposed to be alive before we cook them. Then when the pot is nice and hot, we drop them into the boiling water.” The girls decide not to cook the “creepy crawlers.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Out of Place

Cove Bernstein’s life has gone from bad to worse. After her best friend Nina moves from the island of Martha’s Vineyard to New York City, Cove is bullied more than ever by her classmates, Amelia and Sophie.  Without Nina, Cove has become the center of a bullying campaign. Cove tries to find a way to leave the island, but her mother refuses to leave, saying places outside of Martha’s Vineyard have “the never-ending pressure to be a certain person.”

Cove finds the chance of a lifetime to visit New York by entering herself in a kids-only fashion competition. Cove has little experience in sewing, but her friend in the retirement home, Anna, teaches her the basics. The plot thickens when Jack, a boy from her school, starts appearing wherever she goes. Then, she makes a terrible mistake – one that she thought she could not undo.

Told in an easy-to-read fashion, Out of Place truly captures a long-distance friendship as well as a friendship found in an unexpected place. Many readers will relate to Cove as she starts the school year without many kids to call friends. Despite their distance, Cove and Nina remain friends by writing letters to each other. The letters between Cove and Nina show their enduring friendship and summarize the events in their respective lives, which helps the reader understand the effort needed to keep a long-distance friendship.

Nina is less developed since she primarily appears through letters, but the letters about her life in New York City allow the reader to take a break from Cove’s days at school and to later reengage in the happenings of Cove, back at Martha’s Vineyard. Black-and-white spot art appears at the start of each chapter. The illustrations in Cove’s letters show the influence of the island’s residents on her, which is contrasted by Cove’s desire to leave the island through any means while dealing with Amelia and Sophie’s bullying. The theme of friendship holds stronger than the theme of bullying because the story focuses on Cove’s development into a more self-assured person. One instance of her development is when she wins a “stuffed scarecrow contest” and makes the scarecrow in the art room. As she looks at the finished product, Cove says to herself, “The letters are wobbly and Anna would never approve of the stitches—they’re way too uneven—but the message is clear. Anyone who wants to sit next to [her] scarecrow is more than welcome.”

Unlike many stories, Out of Place deemphasizes the bully’s mean behavior. Cove becomes invested in her passions, not as an escape, but to figure out her place in her hometown. Through the story, readers will come to a better understanding of a subtle approach to standing up against bullies, all while being one’s true self. Out of Place does end with a hopeful happily-ever-after, but perhaps most importantly, the story shows how friends — old and new – can make a difference in a person’s life.

Sexual Content

  • None

Violence

  • Nina splashes dirty water onto Sophie and Amelia, who have been taunting her and Cove. “There is a moment when the foamy, dirty water floats in the air. Then it lands in Sophie’s and Amelia’s laps. And all I [Cove] hear are screams.”

Drugs and Alcohol

  • None

Language

  • Sophie refers to Cove as “Rover” because Sophie had decided that Cove “looked like a dog.”
  • Many characters use the word “stupid” to describe an unlikable person or situation. For example, in a letter to Cove, Nina writes about the people and situations that she considers “stupid.”
  • Jack helps the art teacher and another classmate stuff straw into a scarecrow’s body. Jack says, “Horses must be pretty freaking tough.”
  • Cove’s mother yells at Cove’s stepfather. She calls him “naive. . . and stupid. And irresponsible.”
  • Cove tells Jonah, a college student, about her bullying. He says, “Damn. . . I forgot how tough growing up can be.”
  • Cove’s stepfather is late to meet Cove’s mother. He says “crap.”
  • Nina writes that the shirt design for Amelia and Sophie’s shirts “totally stinks.”
  • When Cove is practicing her sewing, she says it “stinks.”

Supernatural

  • None

Spiritual Content

  • Cove’s mother believes in spiritual things, mostly that people have a “spirit” and that the events that happen in life affect them. Additionally, she believes in karma and fate.

by Jemima Cooke

Mortimer’s Christmas Manger

Mortimer Mouse needs a new house—a house that’s not so cold, cramped, and dark. Where can he go?

Mortimer sees a huge tree covered with twinkling lights. And next to the tree, a mouse-sized house. And inside the house, a wee wooden manger just Mortimer’s size. But statue people already seem to live there! One by one, Mortimer lugs and tugs the statues out of the house—only to find them all put back in their place each evening! What is Mortimer to do?

It’s not until he overhears a very special story that Mortimer realizes whose house he is sharing and where Mortimer himself belongs. It is the story of Christmas and the night the baby Jesus was born that warms Mortimer’s heart in this magical holiday story.

Readers will enjoy following Mortimer as he leaves his dark, dirty home and searches for a new home. While Mortimer doesn’t understand the significance of the decorations or the manger, younger readers who celebrate Christmas will recognize the common holiday decorations. Suspense is created as Mortimer sneaks into the living room, climbs the Christmas tree, and moves the people out of the nativity. While Mortimer doesn’t know how the people get back into the house, the reader will see a little boy gently placing the people back into the house.

Mortimer’s Christmas Manger introduces the story of baby Jesus. The detailed full-page illustrations use Christmas colors and show Mortimer’s viewpoint. While most of the illustrations do not show Mortimer’s emotions, the words will help readers understand Mortimer’s hopes and feelings. Even though the story is a picture book, parents will need to read the story to their younger children. Some of the pages are text-heavy and many of the sentences are complex. The amount of text will make Mortimer’s Christmas Manger a longer story to read and children may have questions about the Christmas story.

Mortimer’s Christmas Manger is a beautiful story about Mortimer learning the Christmas story and coming to understand the significance of the nativity scene. The conclusion shows how God answers prayers and provides for his people.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • The story of baby Jesus’s birth is retold.
  • Mortimer says a prayer, “Jesus, you were born to save the world. Perhaps you could also bring me a home?”
  • After Mortimer’s prayer, he sees a gingerbread house and moves into it. Mortimer prays, “Thank you, Jesus. You’ve made room for me, too.”

Apollo 13

On April 11, 1970, astronauts Jim Lovell, Fred Haise, and Jack Swigert blasted off to the moon. But while they were flying, part of their spaceship exploded! The ship was quickly losing power and air. They had to think of something fast, or they’d be stuck in outer space forever. How would Lovell, Haise, and Swigert make it back to Earth?

Almost everyone has heard the phrase, “Houston, we have a problem” and know it refers to traveling to the moon. Apollo 13 shows how the brave astronauts were able to safely make it back to Earth. While the book focuses on the astronauts, readers will learn a host of new facts about space travel in general. The book is packed with information explaining Apollo 13’s journey including what went wrong, why it was dangerous, and how the astronauts dealt with the problems. The end of the book also has more space information, such as how a person goes to the bathroom in space.

Apollo 13 uses short chapters and explains some of the vocabulary, which makes the book accessible to reluctant readers. Large black and white illustrations appear every 5 to 9 pages that show the astronauts in action. While the book is easy enough for young fluent readers, the content will be interesting to older readers as well.

Readers who know little about space travel may find it difficult to get to the end of Apollo 13. Even though the astronauts had some scary moments, the story is missing a sense of suspense and action. The factual way Apollo 13 is told may put off readers who were expecting the book to read like a story. However, if you love space and/or need to research Apollo 13, you should definitely check out this book!

If you’ve ever wondered about traveling to space, Apollo 13 should be read along with several other books. Even though Counting on Katherine: How Katherine Johnson Saved Apollo 13 is a picture book, it is a must read for anyone who wants to learn more about Apollo 13. In addition, readers interested in learning more about space flight should also read The Race to Space: Countdown to Liftoff by Erik Slader & Ben Thompson.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Daughter of the Deep

Ana Dakkar is a freshman at Harding-Pencroft Academy, a five-year high school that graduates the best marine scientists, naval warriors, navigators, and underwater explorers in the world. Ana’s parents died while on a scientific expedition two years ago, and the only family she’s got left is her older brother, Dev, also a student at HP.

Ana’s freshman year culminates with the class’s weekend trial at sea, the details of which have been kept secret. She only hopes she has what it’ll take to succeed. All her worries are blown out of the water when, on the bus ride to the ship, Ana and her schoolmates witness a terrible tragedy that will change the trajectory of their lives.

But wait, there’s more. The professor accompanying them informs Ana that their rival school, Land Institute, and Harding-Pencroft have been fighting a cold war for a hundred and fifty years. Now, that cold war has been turned up to a full boil, and the freshman are in danger of becoming fish food.

In a race against deadly enemies, Ana will make amazing friends and astounding discoveries about her heritage as she puts her leadership skills to the test for the first time.

In Daughter of the Deep, the books 20,000 Leagues Under the Sea and The Mysterious Island written by Jules Verne are more factual than fictional. One of the teachers explains who the book’s characters are and where they fit into modern society. Ana also discovers that she is a descendant of Captain Nemo who “hated the great colonial powers. . . and had personal reasons to hate imperialism.” While introducing the above topic, both the Land Institute and Harding agree that “turning Nemo’s technology over to the world’s governments, or worse, the world’s corporations, would be disastrous.” Riordan repeatedly reminds readers of the danger of the world’s governments and corporations, who are more concerned with keeping their monopolies than helping citizens. This theme is not well-developed, and most teens will quickly forget these passages.

The story is told from Ana’s point of view. Even though she is the heroine, Ana is not portrayed as a perfect person. After her parents died, Ana dissociates; the narrative explains that Ana has talked to the school counselor regarding her grief. While Ana’s talk of her painful menstrual cycle makes her more relatable, the topic will make some younger readers uncomfortable. After the hostiles destroy Harding-Pencroft Academy, killing anyone on campus, Ana decides that the hostiles will be let free without any consequences. In the story’s conclusion, Ana unrealistically forgives the people who destroyed the school and then tried to kill her and her friends.

The story has a large group of characters who are both racially and religiously diverse. Plus, one character, Ester, has autism and needs an emotional support animal. However, even with readers paying close attention, the large cast of characters is difficult to keep track of. Daughter of the Deep has a unique premise, interesting characters, and fun technology; however, the story leaves the reader wondering if justice was served or if Ana’s opponents will just regroup and come back to continue their killing spree. Before jumping into Daughter of the Deep, readers who are intrigued by Jules Verne’s books should read the Max Tilt Series by Peter Lerangis.

Sexual Content

  • None

Violence

  • In order to demonstrate a Leyden, Dr. Hewett shoots a student. “The only sound is a high-pressure hiss. For a millisecond, Gem is wrapped in flickering white tendrils of electricity. Then his eyes crossed, and he collapsed in a heap.” Gem recovers quickly.
  • Students from the Land Institute attack the Harding-Pencroft Academy’s yacht. When they board the vessel, they use grenade launchers. “Two fist-size canisters plunk onto our gangway and roll hissing. . . the explosions still leave [Ana’s] head ringing.”
  • A student’s dog helps defend his person. The dog, Top, “joins the party, clamping his jaws around the guy’s throat . . . As it is, he [the attacker] crab-walks backward, screaming and trying to shake off the furious twenty-pound fluff demon attached to his windpipe.”
  • During the attack, “Two hostiles fire their silver weapons. Miniature harpoons impale Elois’s shoulder and Cooper’s leg. White arcs of electricity bloom from the projectiles, both [students] crumple.” When the hostiles continue to fire, “Drue Cardenas shoots another intruder. Unfortunately, the electricity also arcs to Nelinha, who had been in the process of pummeling said intruder with a socket wrench. Both of them go down.” No one is killed, but several are injured. The fight is described over six pages.
  • Caleb, a student from the Land Institute, attempts to kidnap Ana. They are in the ocean when Ana snaps her “head backward and hears the satisfying crunch of Caleb’s nose breaking.” As the two struggle, “help comes from an unexpected direction. Right next to us, a mass of sleek blue-gray flesh explodes out of the sea, and Caleb is body-slammed into oblivion under the weight of a six-hundred-pound bottlenose dolphin.” Ana is able to escape.
  • A huge octopus, Romeo, likes the submarine, the Nautilus. When Ana and Gem first see it, “Gem tackles me and jets me out of the way, but the creature isn’t interested in us. Eight tentacles the size of bridge cables wrap themselves around the Nautilus.” The group manages to safely detach the octopus from the sub.
  • Ana’s brother, Dev, who is captain of the Aronnax, attacks the Nautilus. “The Aronnax’s four torpedoes sail straight over our heads. . .” Before the Aronnax can cause any damage to the Nautilus, “Romeo’s enormous tentacles wrap around the Aronnax, pulling her into an embrace… Romeo snaps the Aronnax like gingerbread. Fire and sea churn together. Giant, silver air bubbles, some with people inside, billow toward the surface.” The Aronnax is destroyed, but everyone survives.
  • There is a multi-chapter confrontation between Dev’s group and Ana’s group. When Ana and Gem try to get back to base, they see “Dev’s skiff is waiting for us. . . a black wedge bristling with weapons like the spines of a porcupine fish. It faces us from only fifty feet away. . . and in the pilot’s seat is my brother. . . We sail over the Dev’s stern . . . Gem shoulders his Leyden rifle and fires two rounds straight into the submersible’s propulsion system.” Once the skiff is out of commission Ana and Gem go to free the hostages.
  • Back at the base, Ana and Gem are attacked before they can get out of the ocean. “The nearest diver jabs [Ana] with his knife. . . The razor-sharp edge rips the fabric and grazes my ribs. . . White spots swim in my eyes. Nevertheless, I use my boots to wrestle my attacker, pushing him backward into one of the pier’s pylons.”
  • In order to get away from her attacker, Ana unsheathes her “blade and stabs him in the BC vest. . . With his vest’s air bladder punctured, my opponent is blinded by bubbles. He starts to sink . . . On his way down, I kick him for good measure.” Socrates, Ana’s dolphin friend, helps in the fight. “While he headbutts the blue-eyed diver into submission, three of the local bottlenose dolphins descend on the other guy . . . The dolphins welcome him to the neighborhood with an extreme tail-fin smackdown.”
  • Gem shoots several of the opponents with non-lethal bullets. The bullets leave them with “nasty red welts in the middle of their foreheads.”
  • When Gem and Ana get to the base, they see their friends “are being held at gunpoint.” Gem uses an alt-tech flash-band and then enters the dining room “but there’s no one left to shoot at. Our friends are still alive, though they’ve looked better. . . All four hostiles are out cold, spread-eagled on the floor, goofy grins frozen onto their faces. . .”
  • Dev finds Ana and Gem. “My brother smacks [Gem] across the head with a ratchet. Gem collapses. . . My brother glares at me. . . He grabs my wrist, slapping the gun from my hand, then steps in and twists, attempting to throw me over his shoulder.” The brother and sister fight until, “[Ana] shoot[s] him three times. The last rubber bullet snaps his head back, raising an ugly red spot right between the eyes.” Dev is taken as prisoner and locked in a room. The casualties from the battle are minor. There were no deaths on either side.

 Drugs and Alcohol

  • Students from the Land Institute attempt to kidnap Ana. Ana describes, “Someone behind me locks his forearm across my throat. I feel a sharp pain like a wasp sting in the side of my neck.” Ana discovers that she has been injected with sea-snake venom.
  • Ana takes Midol for period pain.

Language

  • God, oh god and my god are all used as exclamations several times.

Supernatural

  • None

Spiritual Content

  • When Ana’s school is attacked and destroyed, she prays, “Three-Eyed One, Lord Shiva, who nourishes all beings, may He liberate us from death.”
  • While thinking about her ancestors, Ana thinks, “Ester and I were bound together before we were born. It makes me wonder about reincarnation and karma, and whether our souls might have met at another time.”
  • After Ana realizes that her brother destroyed their school, she said “a prayer for my brother, and for the future.”

 Rise of the Elgen

After escaping the Elgen Academy, Michael Vey and his Electroclan return to Idaho to figure out their next step: going to Peru to rescue Michael’s mother who is imprisoned in the Elgen’s Starxource electricity plant. Meanwhile, the evil Dr. Hatch has gone rogue after the Elgen board decides his electric children should be sent back to their normal lives.

In secrecy, Hatch calls thousands of Elgen guards to the plant in Peru in order to brainwash them into becoming his army. His plan is to spread a new form of renewable energy, created by electric rats. Michael quickly deduces, “If the world became dependent on Elgen energy, the Elgen would control the world.” Michael and the rest of the Electroclan aren’t about to let that happen. The confrontation is bound to be shocking.

The second installment of the Michael Vey Series picks up almost immediately after the first. The reader joins Michael and his friends on an action-packed adventure through the Peruvian jungles. This book focuses on loyalty and bravery, as sacrifices and trust are essential in carrying out the rescue plan. In addition, Michael learns that he and his friends are not alone—they have allies that also wish to see the Elgen fall. Nevertheless, the pressure is on Michael and his friends as Hatch continues to hunt them.

Rise of the Elgen is more methodical than The Prisoner of Cell 25 as it focuses on the infiltration plan and multiple escapes from Hatch’s grasp. Because of the risk, sometimes Michael considers that he might die along the way. The threat of death and capture may be difficult for young readers to relate to, although they will admire Michael’s dedication and his loyalty to his friends. Michael thinks, “the only thing worse than dying would be to watch everyone I loved suffer and die too.” Michael’s unfailing selflessness makes the risk worth it – he is willing to die if it means his loved ones and the world can be free from the evil Elgen corporation.

The fast-paced story is thrilling and showcases some of the characters in greater depth, such as Ostin, who gets a few moments to shine with his intellect, and Michael, who struggles with leading the Electroclan into danger. After finishing the story, the reader knows that Michael’s conflicts are far from over. Though he escapes the compound and successfully rescues his mother, Michael is still separated from his friends. Michael fears that the Elgen corporation will keep hunting them until the Electroclan joins their side. Michael’s fight for his friends – and now the world – to live free of the Elgen’s grasp makes this story a must-read. In the face of these odds, Michael is not always a fearless leader, but is often torn between his responsibility to protect his family and his so-called destiny as one of Hatch’s elite electric creations. This conflict makes his character genuine and relatable to anyone who struggles with the pressure of growing up. Though Hatch would say that Michael deserves to rule the world beside him, Michael’s humility and open heart proves that he is just like the rest of us.

Sexual Content

  • Taylor and Michael are dating. They hold hands and kiss a few times. “‘Are you still going to kiss me?’ she asked. . . I leaned forward and kissed her.”
  • When Jack goes on an errand with Abi, a boy suggests they are “probably kissing” and that’s why they are taking so long.
  • The ranchers at the compound use a tube—”the Weekend Express”—to escape. They use it to visit their girlfriends. When the Electroclan uses this tube, Ian lies to a guard saying they are “hooking up” with Raúl’s cousins.
  • A guard remarks that Michael’s mom is good-looking and that he made her “belly dance for a glass of water.”

Violence

  • Low level descriptions of violence, such as knocking out guards or shocking them unconscious are frequent.
  • Ostin is worried about his parents’ reaction after running away to help Michael. Ostin says, “I am so freaking dead . . . My dad’s going to tear off my arms and beat me to death with them.”
  • Upon returning to their apartment building, Michael and Ostin discover that Ostin’s parents have been taken. Jack also finds that the Elgen have burned down his house.
  • A mystery contact helps the Electroclan escape as Hatch zeroes in on them. They give the group two Hummers. Jack says his brother drove one in Iraq, but it was “blown up underneath him by an IED.” His brother survived.
  • While in a safe house, Hatch has the kids kidnapped and put in vans. A guard tortures Zeus, who is shocked every time he touches water. “I caught a glimpse of what he’s taken from the cabinet. It was a child’s plastic squirt gun… [The guard] pulled the trigger and a stream of water showered on Zeus. I heard the crisp sparking of electricity… He sprayed again. There was a louder snap, and Zeus cried out this time. He was panting heavily and moaning in pain… He began pulling the trigger over and over. Zeus let out a bloodcurdling scream.”
  • Jack and Wade learn that the Elgen keep finding them because they have GPS trackers in their arms. To destroy the trackers Michael shocks them. Abigail takes the pain from Wade and Jack, although it hurts her instead, which makes her cry. “Jack’s body heaved and Abigail jumped back with a scream. The spot on Jack’s arm was bright red and there was a blister where my finger had touched him…I put my finger to the spot [on Wade] and immediately pulsed… Abigail cried out as she pulled away, shaking her hand in pain. Tears were rolling down her face.”
  • In one chapter, there are three references to suicide: 1. Hatch has been reading a book on mind control. He enjoys studying hypnosis and suicide cults. 2. Hatch talks to the Elgen board. A man says that of the three missing GPs, two are Jack and Wade, and the other committed suicide. 3. The chapter closes with a phone call informing Hatch that Tanner, one of his electric kids, attempted suicide. “Tanner just tried to kill himself.”
  • One of the electric children uses electricity to microwave things, including a snake. The boy killed the snake “as it was wrapping its coils around me, I looked it in the eyes and cooked it. Its brain exploded out its ears.”
  • Hatch threatens to kill the children by torture if they reveal his secret plans. “The punishment for disclosing a C10 secret is death by torture.”
  • While Hatch and the electric children are on an airplane, Tanner tries to bring down the aircraft. Another child, Torstyn, intervenes and starts to cook Tanner with his powers. “‘Shoot him!’ Hatch shouted to the guard. The guard didn’t move. He just stared, as if frozen. ‘Shoot him before he kills us all. Now!’ The guard still hesitated. Suddenly, Tanner started screaming, ‘I’ll stop! I’ll stop!’ Hatch looked over to see Torstyn, his lip curled in anger, his hand extended towards Tanner.” Tanner is promptly knocked out.
  • Hatch and the kids arrive at the powerplant in Peru, which is fueled by electric rats. The kids are forced to watch the rats’ feeding time, where they strip the meat off the bone of two live bulls in minutes. “Within seconds, the bull was completely covered by the rodents in a wild feeding frenzy…Within three minutes, the bull was reduced to nothing but a skeleton. Even its internal organs were eaten.”
  • The rats are also cannibalistic, eating biscuits made from their dead and ground-up predecessors. “Those tasty little biscuits are called Rabisk. They’re made of ground-up rats: meat, fur, and bonemeal.”
  • The plant has a Re-Education center for rogue guards. Hatch says, “This is where we teach these misguided souls the error of their thinking . . . in the right environment the mind can be molded like clay. Men and women walk in here as enemies and come out as devotees, willing to lay down their lives for our cause.”
  • There is a gruesome “re-ed” process that Hatch describes. “When the prisoners are brought in for re-education, they go through our boot camp, a carefully orchestrated psychological assault guaranteed to drive them to submission or madness… First, they are shown a rat feeding, then told that they will be fed to the rats the next morning. While they await their fate, they enter phase one: They are locked naked in a three-by-three cell without food or water… During the next seventy-two hours, loud music is piped into their cube, nonstop… After those three days comes phase three. The music stops. They are told that due to the mercy of the Elgen and because we believe that they still might be saved, their life has been temporarily spared. This is when their education begins. We start by playing a looped audio presentation we call The Scold. This recording consists of different voices screaming at them…. [after which,] they are usually reduced to whimpering idiots.”
  • Sharon Vey, who is being held in the prison area, is tortured by Tara until she passes out (which we learn via Tara; we do not see it happen).
  • Hatch welcomes the new soldiers to the compound and shows them a video of the guard being fed to the rats. “The image on the screen behind Hatch changed, revealing a close-up of the bowl’s chute… When the chute reached its extremity, the door in the wall opened. A man’s black boot appeared, followed by the rest of his body as he was pushed out and the door shut behind him. The guard was fully dressed in Elgen uniform and bound at his legs and wrists… Within seconds the guard was covered with rats. His amplified screaming echoed through the entire hall for less than a minute, leaving the men silent. After just ninety seconds the man’s skeleton was ejected from the chute.” Hatch makes it clear that this is common practice for insubordination.
  • After the electric kids make it to Peru, their jungle guide, Jaime, shows them a tangarana tree, which has a symbiotic relationship with ants. Jaime explains, “The ants protect the tree and the tree gives them shelter . . . The natives used to tie their enemies to the tree. The ants would eat them alive.”
  • Raúl is a rancher for the Elgen compound and assists the Electroclan in their break-in. He hates the Elgen for stealing his family’s land. He has scars on his back from being whipped by the Elgen guards. “Those scars on his back are from the guards. The Elgen lost some cattle to a jaguar, so the guards whipped [Raúl] as an example to the other ranchers.”
  • When a guard remarks that he made Michael’s mother “belly dance for a glass of water,” Michael shocks him. Michael says that he’s “never shocked someone that hard before.” Ostin says, “Michael, stop it! You’ll kill him!”
  • The Electroclan finds Tanner imprisoned and free him from a device called a RESAT which uses Nichelle’s ability to cause pain and dampen the kids’ electricity. However, Tanner doesn’t want to be saved because he’s a murderer. Tanner says, “Do you have any idea how many people I’ve killed? Thousands.”
  • While escaping, the group runs from the rats that Hatch unleashes on them. To escape, they trigger the sprinkler system, which nearly kills Zeus. Michael describes, “Zeus was completely covered by the rats . . . his skin was severely blistered and blood was streaming down his arms and legs from rat bites.”
  • As the group is escaping the compound, Michael hangs back to create a diversion. “I produced a lightning ball in each hand and simultaneously threw them in the faces of the guards closest to me, dropping them both to the ground. Then I lunged at the captain as he reached for his RESAT. I never made it. Two darts hit me in the back, followed by a third, taking my breath away.”
  • Michael is tortured by the RESAT device after Hatch captures him. “[Hatch] reached over to the box on my chest and turned a knob. Increased pain shot through my body…” Later on, he does it again: “the RESAT buzzed, and pain racked my body. I gasped, my eyes welling up from the pain.”
  • Then, Hatch tells Michael he’s going to feed him to the rats. “This time there will be no one to save you… I’ve seen [the rats] strip a bull to bones in less than two minutes. I can’t imagine the pain, the sheer agony, as a thousand little teeth devour your flesh.”
  • Meanwhile, the others attempt to rescue Michael by blowing up the cooling vent to the plant as well as the backup generators with dynamite. The plan is successful, and Michael enters the space with the rats only to find out that he can absorb their electricity. The power of it kills the rats before they can eat him.
  • As Michael escapes he steals a gun but doesn’t use it. Search helicopters locate him, but Tanner stops them. “The helicopter to my left began to descend when it suddenly started to wobble. It yawed violently to one side, veering directly into the path of another helicopter. Their blades collided and both helicopters exploded. The third and fourth helicopters dropped to the ground.”

Drugs and Alcohol

  • Jack says his “old man . . .  drinks sometimes.”
  • Michael is struck by darts which reduce his power and make him dazed and in pain.
  • After Tanner tries to commit suicide, Hatch has him heavily sedated and medicated.
  • When Tanner tries to harm others, Hatch says to his doctor, “Sedate the boy until anesthetic flows from his tear ducts.”

Language

  • There is occasional name-calling including words like “loser,” “pretty boy,” and “stupid.”

Supernatural

  • Based on the electric children as models, the Elgen have created electric rats which are used to generate electricity by running on a grid. The rats can grow very large and glow like the children do.
  • The seventeen electric children have electric-based powers and have a faint glow in the dark. We met Torstyn in the second book, who can microwave objects. We also learned about Quentin, who can create EMPs or electromagnetic pulses. For a complete list, read the review for The Prisoner of Cell 25.

Spiritual Content

  • None

by Madison Shooter

Junie B. Jones and Her Big Fat Mouth

When Job Day is announced at her school, Junie B. says her job will be the best job in the world and can do all sorts of things. The problem is, when asked what her job is, Junie B. has no idea. Realizing her big fat mouth has gotten her into trouble, Junie B. is frantic to come up with the best job in the world. Will she live up to her classmates’ expectations? Or will she get laughed out of the classroom?

Junie B. is a spoiled child with no respect for others’ boundaries. She shouts, she calls people dumb, she demands to get her own way, and she does not listen to her parents or teachers. After headbutting another classmate in the stomach, her main thought is, “And guess what? I didn’t even get caught!”

While Junie B. Jones is the main character in all of the Junie B. Jones books, readers do not need to read the books in order. Easy vocabulary and simple sentence structure make the story accessible to young readers. Black and white illustrations appear every five to ten pages and will help readers understand the plot.

Young readers will think Junie B.’s behavior is funny; however, parents will not want their children to emulate her behavior. If you’re looking for an entertaining book series with positive life lessons, check out the Zoey and Sassafras Series by Asia Citro.

Sexual Content

  • None

Violence

  • Junie B. doesn’t like Jim. “I made a fist at him. ‘How’d you like a knuckle sandwich, you big fat Jim?’”
  • Junie B. threatens to “knock [Lucille] on [her] can.”
  • Junie B. “butted that mean Jim in the stomach with [her] head. And guess what? I didn’t even get caught!”
  • When a “stupid ant” bites Junie B. Jones, she kills it. “And so I had to drop a rock on his head.”
  • One of Junie B. Jones’ classmates explains a hard hat. “You have to wear it when you’re building tall buildings. Or else somebody might drop a hammer from way up high. And it could hit you on the head and kill you . . . Ricardo just kept on talking about other stuff that could fall on your head and kill you.”
  • Junie B. pinches a classmate when he doesn’t give her what she wants. “I wanted the mop. Only that stupid head Jim wouldn’t let go of it. And so I had to pinch his arm.”

Drugs and Alcohol

  • A police officer comes to the school in preparation for Job Day. “He told us some other stuff that cops do. Like give our dads speeding tickets. And arrest drunk guys.”

Language

  • Junie B. Jones calls things and people “dumb” frequently. For example, she says“I never even heard of that dumb word careers before.” Another time she thinks, “I couldn’t get any peace and quiet. ‘Cause everybody kept on talking about dumb old Job Day.”
  • Junie B. Jones calls people “stupid” often. Once she says, “You stupid head Jim!”
  • Junie B. Jones says heck several times. For example, “I won’t know what the heck we’re talking about.”
  • A boy calls Junie B. Jones stupid. Later, when she announces to the class that she wants to be a janitor, “they called me the name of stupid.”
  • Junie B. Jones says darn it several times. When she is mad, she says to herself, “Darn it, darn it, darn it.”

Supernatural

  • It’s revealed that the Mickey and Minnie Mouse characters in Disney Land are fake; that they are people in costumes.

Spiritual Content

  • None

by Morgan Lynn

 

 

Bear Stays Up for Christmas

Bear’s friends are determined to keep Bear awake for Christmas! So they wake Bear up and have him help them find a Christmas tree, bake cakes, hang up stockings, and sing Christmas songs. At first, Bear has a difficult time staying awake, but soon he’s so excited for Christmas day that he can’t sleep. When all of his friends fall asleep, Bear stays up and makes each one a Christmas gift. Bear is so busy making gifts that he doesn’t see Santa come. Bear and his friends share their gifts, and then Bear falls fast asleep.

Bear Stays Up for Christmas has adorably cute illustrations that feature many forest animals, including a rabbit, a badger, a crow, a mole, and a goffer. Each page has colorful illustrations. When Bear and his friends go outside, everything is wintery white as the snow falls. Inside Bear’s lair, the illustrations are completed in warm browns. Each picture has some fun details. For example in one illustration, the goffer and rabbit are playing jump rope with the mouse.

Bear and his friends are kind to each other, and they demonstrate what friendship looks like—caring for each other and spending time with one another. Each page of the story has 1-4 lines of text. The text repetition and rhyming make Bear Stays Up for Christmas a fun story to read aloud. Little readers will fall in love with Bear and his friends, who will inspire them to make gifts for their friends. Bear Stays Up for Christmas will entertain readers as well as teach the true meaning of Christmas.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Latest Reviews