Dragon’s Halloween

Dragon waits too long to go to the pumpkin patch. When he gets there, he finds six small pumpkins. When Alligator and Fox see Dragon carving his pumpkins, they laugh. Fox says, “Those pumpkins are too small to be scary.” Even though the pumpkins are small, Dragon is able to make a scary jack-o-lantern.

After carving pumpkins, Dragon has a hard time deciding what costume to wear to a costume party. He finally dresses as a mummy, but on the way to the party, rain ruins Dragon’s costume. His friends laugh at his silly costume. But then a pumpkin falls on Dragon’s head and all of his friends are so scared they jump into Hippo’s arms. When Dragon removes the pumpkin, everyone feels better. Everyone except the one animal that Hippo sat on.

In the final story, Dragon is frightened by strange sounds in the night. When Dragons yells, an angry squirrel tells him, “That’s no monster. That’s your stomach! Now go home and get something to eat before you wake up the whole forest!” So Dragon goes home and bakes a feast of pumpkin-flavored foods. And then he “ate and ate and ate.”

Readers won’t be able to get enough of Dragon, the loveable blue dragon. Dragon’s Halloween has three silly, short stories that will entertain readers. Each page has 1-4 easy-to-read sentences and large illustrations. Each Halloween story has a simple plot. The book is intended for children who are learning to read. With simple text, humor, and full-color illustration on every page, Dragon’s Halloween will help readers build confidence and fluency. As Dragon gets into the Halloween spirit, readers will laugh as he discovers both the fun and the scary parts of Halloween.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Forgotten Girl

On a cold winter night, Iris and her best friend Daniel sneak into the woods to play in the freshly fallen snow. There, Iris makes a perfect snow angel—only to find the crumbling gravestone of a young girl named Avery Moorse right beneath her.

Soon strange things start to happen to Iris. She begins having vivid nightmares. She thinks she sees the shadow of a girl lurking in the night, and she feels the pull of the abandoned grave calling her back to the woods…

Obsessed with figuring out what’s going on, Iris and Daniel start to research their town. They discover that Avery’s grave is actually part of an abandoned black cemetery, dating back to a time when white and black people were kept separate in life—and in death. They become determined to restore Avery’s grave and have proper respect finally paid to Avery and the others buried there.

Unfortunately, they have summoned a jealous and demanding ghost, one who’s not satisfied with their plans. She is tired of being overlooked and wants Iris to be her best friend forever—no matter the cost.

The Forgotten Girl is a heart-stopping ghost story intertwined with the historical significance of racism. As Iris and Daniel research their town’s history, they learn about when their junior high was desegregated and the history of segregated cemeteries. The story delves into history, but the examples of racism are completely integrated into the story and never feel like a lecture. Through the characters’ eyes, readers will be able to understand how racism isn’t always overt, but it is always painful.

The story also shines a light on how grief can change people’s lives. When Daniel’s father dies, Daniel becomes fearful and cautious. He spends more time at home and no longer spends time with his friends. However, Daniel is not the only person affected by a death. When Daniel’s grandmother, Suga, was a teenager, her best friend died during a snowstorm. The loss of her friend caused Suga to become fearful and superstitious. Through their experiences, the reader learns the importance of not allowing fear to control your life.

Iris and Daniel’s friendship will draw the reader into the story, but readers will keep reading because of the creepy events that happen. The Forgotten Girl uses an engaging story to present historical information that is both interesting and relevant. At the end of the book, the author’s note gives historical information about abandoned graveyards and her inspiration for the story. However, sensitive readers should be wary of reading The Forgotten Girl because the ghostly events are frightening; readers will be able to imagine the events happening to them. Despite this, The Forgotten Girl should be on everyone’s reading list because of the historical information and positive lessons.

 Sexual Content

  • None

Violence

  • While doing research, Iris and Daniel learn about when Nelson’s Pond Middle School was desegregated. “There were protests…Avery and the others were spit on, their hair was pulled, and things were thrown at them, when all they wanted to do is go to school. To learn.”
  • A ghost tries to drown Iris so they can be “forever friends.” Daniel sees Iris. “Iris’s head broke the surface of the pond, her mouth open to take a loud gasp of breath, before she was pulled back underwater…she’s pushed Iris into the pond and held her under. Iris tries to fight her, but couldn’t, her arms going right through her instead.” Iris survives the attack. The scene is described over six pages.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Suga has many superstitions. Suga believes that “Babies can talk to angels, you know.”
  • Suga believes that the snow spirits snatch children. She tells Iris the tale. “When you hear the winter wind, that’s the sound of their screaming. That’s when you’ll know spirits of the snow are ready for their feeding. Wandering children are their prey, lonely in the night. They take the children in the snow, feeding on their fright.”
  • When someone drops their fork, that means they will get an unexpected visitor soon.
  • Suga tells Iris, “If you looked over your left shoulder and saw a ghost, it was probably the devil. If you looked over your right, it was likely an angel.”
  • Suga tells Daniel, “Well, if a ghost is attached to a person, they’ve lost their way to where they were trying to go in the first place… They need to be led to where they need to go, so they can rest. A ghost obsessed with a person is a lost spirit.”
  • When Iris and Daniel are lost in the woods, Daniel “silently prayed, thought about his father… Daniel saw a light. He let himself become relieved. He was starting to see houses!” Iris is afraid that the light is a trap, but Daniel “didn’t think so. He didn’t feel afraid. The light felt like basketball and comic books and trying ties and haircuts…” When Daniel touches the ball of light, “a familiar, warm comfort washed over him. He felt the excitement he used to feel from holding a basketball. He felt his dad telling him that it would be all right, that he was proud of him. That he was at peace.”

Spiritual Content

  • While sneaking out of the house, Iris “tiptoed down the stairs praying that they wouldn’t creak.”
  • When Iris hears a tap-tap-tap, she “prayed that the spirits of the snow wouldn’t come for her tonight in her dreams.”
  • Iris falls asleep. When a noise wakes her up, “she stared straight at the ceiling, realizing she’d fallen asleep praying.”
  • Iris and her family go to church. “The pastor talked about the importance of helping those in need, talking about some of the community service drives they were holding…” During the church service, “they prayed their benediction.”
  • When Daniel’s family go to visit his father’s grave, “Suga closed her eyes in prayer.”
  • Before the meal, Iris’s sister “said a singsongy prayer.”
  • When Iris sneaks out of the house, the neighbor turned on the porch light and yelled to see if anyone was near. Iris “ran past the neighbors’ house, praying that they were already back in bed, not looking for anyone anymore.”

Digging Deep

Asiyah Najjar isn’t sure she wants to play on a travel team. But her best friend Lucy talks her into going to volleyball tryouts. When both Asiyah and Lucy are chosen to be part of the team, Asiyah is excited. But the practices are longer, harder, and more frequent than her old squad’s. Soon, Asiyah isn’t sure that she made the right decision in joining the travel team.

Asiyah is well-known for goofing around and making her friends laugh. While at practice, she keeps up her silly antics but instead of laughing, Asiyah’s new teammates are upset that she’s distracting them. Instead of having fun, Asiyah keeps making mistakes. Instead of upper her game, Asiyah is having difficulty concentration. When she overhears Lucy and her other teammates talking poorly about her, Asiyah wants to quite the team. Will travel volleyball come between Asiyah’s and Lucy’s friendship? Can Asiyah dig deep and jump to the next level of play?

Before quitting, Asiyah asks her brother for advice and with his encouragement, Asiyah begins to ask herself, “Is now the right time for fun?” As Asiyah gets more serious and focused on the game, she realizes that working hard improves her skills. Soon, both her coach and teammates notice Asiyah’s efforts. When Asiyah makes a key play that leads to winning a game, Asiyah knows her hard work has paid off. Asiyah realizes that she doesn’t need to change, she just needed to figure out when to be serious and when to be silly.

Readers will relate to Asiyah, who loves to make people laugh. Her silly faces, dance moves, and jokes are fun, but they also lead to trouble. Like many, Asiyah’s feelings are hurt when her best friend doesn’t stand up for her. Asiyah begins avoiding Lucy, which just makes the problem worse. When Asiyah talks to her brother, he gives her advice—about both volleyball and friendship. Her brother tells her, “Well, you need to decide if you want to put in the effort to get better…If you don’t, then maybe the travel team isn’t right for you. And that’s okay.”

Asiyah is Muslim and wears a hijab. When she tries out for the travel team, she is nervous about having to explain why she wears a hijab. This brief scene is the only time Asiyah’s religion is mentioned. While the story has diverse characters, the characters are one-dimensional and generic.

While the story has some play-by-play sports action, readers of all types will relate to Asiyah’s insecurities, realistic conflicts, and silly antics. Told from Asiyah’s point of view, Digging Deep allows the reader to understand Asiyah’s conflict. Digging Deep has ten short chapters, easy vocabulary, and a simple plot. The cute black and white illustrations that appear every 4 to 7 pages help keep readers engaged. For those who would like to use Digging Deep as a learning opportunity, the end of the book has a word glossary, discussion questions, writing prompts, and a glossary of volleyball terms. Digging Deep will entertain readers and teach them the value of hard work.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Children of Virtue and Vengeance

Since the ritual that brought magic back to Orïsha, rebel maji have been concentrating their forces in preparation to take down the corrupt monarchy that has oppressed them for so long. Not only have the white-haired maji regained their magic, but nobles inside the monarchy have also begun to gain magical powers, heightening the stakes of the upcoming war.

Children of Virtue and Vengeance picks up shortly after the conclusion of Children of Blood and Bone.  The second installment in the Legacy of Orïsha series showcases the political struggles of the Orïsha’s rebel army. The story is told from the rotating perspectives of Inan, Zélie, and Amari. Inan, the crown prince of Orïsha, returns to his mother’s inner circle and struggles to understand which side he should take in the war. Amari, once the princess of Orïsha, has joined the rebellion and is hoping to lead the people to victory and take her place as their new queen. Zélie has become one of the most powerful maji in the rebellion. While she hones her new powers, she also must grapple with processing the traumas she underwent in the first part of her adventure, which was detailed in Children of Blood and Bone.

Amidst endless political turmoil and battles, the reader will likely find the most compelling part of the story to be the relationships between the characters. Amari and Zélie had a strong friendship in the first installment, but political stressors test their bond. Meanwhile, Zélie’s feelings for Inan, which were romantic in the first book, solidify into hatred. Consequently, Zélie begins a new romance with pirate mercenary Roen, while her brother Tzain continues seeing Amari.

Audiences may find the plot unsatisfying, as its pacing does little to hold the reader’s attention. The prolonged battles are difficult to follow and visualize. Characters talk abstractly about the deaths of soldiers and rebels while discussing war strategy, but this limits the battle’s emotional effect. The most compelling parts of this book are the emotional struggles that the characters experience. Zélie, Inan, and Amari all struggle with anxiety, grief, and the long-lasting effects of trauma. They make messy decisions, and their relationships break apart due to stress. Readers who rooted for the friendships forged in the first book may find themselves disappointed when these friendships fall apart.

The politics are hard to follow, and the constant switch of perspectives makes the battle scenes difficult to understand. Despite this, fans of the first book will be happy to have a continuation of the story. However, they won’t find the same adventure and excitement that made the first book so memorable.

Sexual Content

  • Tzain and Amari share an intimate moment. Amari burrows “back into Tzain’s neck, running my fingers across the new stubble along his chin… He runs his thumb along my jaw, igniting a surge almost as powerful as my magic.”
  • When Roen takes his shirt off, Zélie’s “face warms at the sight of his sculpted muscles.”
  • Zélie sees Inan and remembers his “lips that promised me the world. Hands that caressed my skin.”
  • Inan’s cousin jokingly tells him, “I’ve heard the legends of what greatness lies beneath your robes, but I fear I’m far too pure to see it for myself.”
  • Roen touches Zélie’s face, and she thinks, “Though I don’t want to feel anything, his touch makes an ember flicker in my stomach.”
  • During a romantic moment with Tzain, Amari notices “his sandalwood scent, I realize how much I want him. How much I want more… I imagine what a few hours with him might entail. How his kiss might feel.” When they kiss, their “lips meet, and the rush is so strong it spreads through my entire body. A flutter erupts between my legs as I shift, pressing into him.” They are interrupted and don’t go any further.
  • At a celebration, Amari slow dances with Tzain. “Tzain dips his chin and kisses the top of my head. He places his hands along my waist, making my skin tingle when his thumbs brush a sliver of bare skin.” Later, they leave the party and kiss more. Amari’s “fingers curl the moment his lips meet mine. I sink into him, tasting the sweet remnants of palm wine… I think of how many times I’ve imagined this moment. Imagined being here with him. My pulse races as I slip my fingers under the hem of his tunic.”
  • As they’re about to move further, Tzain makes her stop because he’s afraid she’s only consenting to intimacy because she’s afraid she’ll die soon. Amari says, “I don’t want to be with you because I’m afraid of dying. I want to be with you because I love you.” They take off their clothes and lay on a bed together, but the narrative skips over the actual act.
  • During an outing with Roen, Zélie asks him, “Is this a ploy to get me naked?” Roen says, “You know I don’t need ploys for that.”
  • Zélie sees something and says, “That’s the most amazing thing I’ve ever seen!” Roen tells her, “That’s usually what my lovers say about me.”
  • Zélie and Roen have an intimate moment. Zélie surrenders “to his touch. To the feel of his lips against my ear. He makes me lose myself in his arms, stealing the air from my lungs with every caress. ‘Is this okay?’ he whispers. My breath hitches as he squeezes my waist, hands lingering at the hem of my tunic.” They stop soon afterwards.

Violence

  • A lot of the battle scenes are magic-centered. For example, when Amari launches an attack on the enemy in battle, she magically “strikes them in an endless blue wave.”
  • Later in the battle, someone uses magic to turn the army’s mounts rabid. “Soldiers scream as they’re flung form their panthenaires’ backs. The riders foam at the mouth… A rabid panthenaire sinks its fangs into its soldier’s throat.”
  • While discussing military strategy, someone floats the possibility of the queen using innocent villagers “as shields.”
  • Zélie recalls how the mercenary Roen “once told me that his torturers carved a new line [in his arms] every time they killed a member of his crew before his eyes; twenty-three tally marks for twenty-three lives.”
  • As Amari begins to practice magic, she finds it painful. “Midnight-blue tendrils shoot from my fingertips like sparks from a flint. My palms sting as my skin splits. My scars rip open at the seams… I stumble into the mirror. Crimson smears across my reflection. Blood trickles down my chest as I fall to my knees.”
  • During a battle, the royal army releases majacite gas into the air, which is toxic to maji. Maji “scream like their nails are being ripped off.” A maji’s skin “sizzles and burns. He struggles to scream as he chokes on the black smoke.”
  • Zélie is hit by the toxic gas and describes how “smoke burns my skin like a branding iron… The poison sears the skin of my calf. Another cloud hits the scars on my back.”
  • The rebellion uses a large stone dome as their base of operations. Amari watches the queen use magic to collapse it. The queen “punches her fists into the ground. The earth splits open at her touch… Screams fill the dome as Nehanda’s fracture cuts across the sand… Then I hear the crack. The crack cuts through the dome’s wall… The dome crumbles.”
  • While recklessly riding her lionaire, Zélie crashes and nearly falls off a cliff. “I claw at the sky as I fly toward the forest. My body smashes through wiry branches before slamming into a tree. I wheeze as my chest collides with hard bark. My ribs fracture with a loud crack. Blood flies from my lips as my vision blacks out and I tumble to the ground.”
  • In their dreamscape, Zélie sees Inan “hold the scarred flesh of his abdomen as if it still leaks blood. I can almost see his memories coming back to him. The pain of his father’s sword driving into his gut.” He is physically unharmed. The wound he is remembering was detailed in the first book.
  • During a magical dreamscape, Zélie gets mad at Inan and makes “black vines tighten around his throat, cutting off his words as he chokes. Blood drips down his back, oozing as the jagged bark scrapes into his skin.”
  • While escaping the palace, Inan punches guards in the throat. The guards “wheeze… their grips loosen and I break free, ignoring the way they scream.”
  • Inan watches from a distance as Lagos comes under attack. “Countless balls of fire arc through the air. They explode when they hit the ground… Screams ring through the night as the firebombs ravage Lagos all at once.”
  • When Inan uses magic, he raises his hand “and my magic explodes with such force I hear the bones shatter in my arm.”
  • Inan sees someone from the royal military kill a maji by injecting them with majacite. The torturer says, “Do you know what it feels like to have majacite in your veins? First it blocks the illness you call a gift. Then it burns you from within.” Inan watches as the torturer “yanks the girl’s head to the side, exposing her neck… The girl cries out when the needle pierces her skin. She tumbles like a brick, body seizing in the dirt as the majacite kills her from within.”
  • During a fight, a fellow rebel maji attacks Amari with magic. “A cobalt cloud roars from [the maji’s] hand, searing into me. The cloud engulfs my mind like a match ignited in my skull… Her magic feels like thousands of nails drilling through my bones.” The fight is described over three pages.
  • The maji tells Amari during the fight, “Kill your vile family. Kill yourself.”
  • Amari fights the maji, and she screams “as I dig my hand into [her] hair and pull, driving my elbow into her temple… I straddle her body as a cobalt blaze ignites in my hands.”
  • When Zélie encounters Inan, she attacks him. Zélie shifts her “weight, twisting Inan’s sword from his hands. Before he can react, I extend my blades. My spear slices through his side… I drive my knee into his gut.”
  • Inan gets into a fight with a trusted friend. Inan pulls “a dagger from my belt, throwing it at his thigh.” The friend stops the dagger with magic, avoiding injury.
  • Zélie is caught in a massive chain of explosions and falls into water. “My ears ring from the string of explosions. I can’t see anything. Falling rocks slice through my skin… The collision knocks precious seconds of air from my lungs.”
  • A character loses a limb in the explosions, and “his severed arm lies underneath the boulder.”
  • A character dies when a column of earth is magically thrusted through his stomach. His “eyes bulge as it punctures his stomach… he slumps forward as blood leaks from his gut, pooling onto the silver floor.”
  • A maji summons a magical gas during battle. “The gas unleashes its attack, launching the wall of death… The cloud moves like a wave, crashing over everything in its path. Birds squawk as they try to escape… One’s wings fold as it’s flung into the cloud. The second it’s hit by the gas, its body shrivels. It plummets to the ground.”
  • Zélie watches the gas hit a young mother. “Blood shoots from her mouth on impact. Her skin shrivels as it turns black. I see the moment she realizes that she won’t make it. The baby falls from her hands.” The mother dies, but the baby is safe.
  • A maji attacks Amari. The maji “opens her hands and dark shadows of death shoot forth. Pain rips through me as they wrap around my body and my throat.”

Drugs and Alcohol

  • Roen has “a cigarette tucked between his teeth.”
  • The rebel maji drink palm wine during a celebration. Amari takes a cup and joins in a toast.
  • During the celebration, “music and laughter bounce against the sanctuary walls. Palm wine runs free.”
  • A couple makes a scene during the celebration. As a man tells a woman, “I love you!” the woman says, “You’re drunk!”
  • Amari doesn’t drink palm wine because “Father wouldn’t drink before battle. Neither can I.”
  • Inan drugs the queen by putting her own sedatives in a flute of wine.

Language

  • A piece of fabric is “not fit to wipe a leopanaire’s ass.”
  • “Gods” and “my gods” are used as invectives infrequently.
  • “Skies” is used frequently as an invective. For example, “What in the skies?”
  • Maggots is a slur that refers to the white-haired maji. People in the royal family often use the slur as a hateful pejorative.
  • Twice, specific gods are invoked by name: “For Yemoja’s sake” and “By the grace of Oya.”
  • Dammit is used four times.

Supernatural

  • Several chapters concern the effects of a ritual wherein Zélie binds her lifeforce to that of another maji. Zélie “used the moonstone to connect our lifeforces. But without a blood sacrifice to bind our connection, neither of us can survive.” While they are connected, if one sustains an injury, both of them will suffer.
  • An elder volunteers herself in a blood sacrifice. “Blood magic spreads inside her, glowing through every vein… With the final chant, the shine around her becomes too bright. She lights up the night like a comet flying through the sky.” Instead of physically dying, the elder magically disappears. This ritual marks a turning point in a battle and gives the rebel maji enormous advantage over their enemy.
  • Zélie and Inan meet in a dreamscape, a magical landscape that exists only in their dreams.

Spiritual Content

  • Much of the spiritual content concerns the magic system, and there is little separation between the spiritual and the supernatural. Maji get their powers from the same gods that they pray to.
  • In a moment of hopelessness, Zélie thinks that her dead mother “was wrong to keep me on the earth.” The spiritual beliefs are as real as the magic system, and Zélie previously met her dead mother during a magical ritual. The existence of an afterlife is treated not as speculation, but as fact.
  • Zélie says, “From the gods comes the gift of life… to the gods, that gift must be returned.”
  • Zélie says, “This is destiny. The gods don’t make mistakes.” She’s referring to her new role as a maji with the rebellion.

by Caroline Galdi

Forged by Fire

Gerald’s mother, Monique, has always been unstable. When his mom goes to jail, Gerald goes to live with his Aunt Queen, who gives him a stable, loving home. After six years, Gerald’s mom returns. Gerald has no desire to spend time with Monique. When Aunt Queen dies, Gerald’s life dramatically changes.

Monique and her husband, Jordan, bring Gerald into a home filled with anger and abuse. Jordan, a brutal man, doesn’t hesitate to use his fists. The only bright spot in Gerald’s new home is his stepsister, Angel. Living in a home of misery and despair, Gerald tries his best to protect Angel. When Gerald learns that Jordan is sexually abusing Angel, he finally reaches out for help.

When Jordan is behind bars, Gerald hopes their lives will get better, but his substance-addicted mother rarely pays attention to her two kids. Drug, violence, and uncertainty surround Gerald and Angel. When Jordan gets out of jail, he says he has changed and Monique welcomes him back home. Gerald doesn’t trust Jordan, but is he strong enough to face Jordan’s anger and protect Angel?

Forged by Fire vividly paints a picture of the devastation caused by addiction and abuse. As a three-year-old, Gerald was already consumed with the fear and pain of living with a neglectful, abusive mother. After a fire that almost killed Gerald, his mother spends six years in jail. When Gerald is thrust back into an abusive home, his apathetic mother refuses to acknowledge the physical, sexual, and mental abuse that is a daily part of Gerald’s and Angel’s lives.

Gerald is an admirable character, who tries to keep his stepsister safe. Despite his best efforts, Gerald cannot always shield his sister from abuse. To make matters worse, both Gerald’s friends and the adults in his life fail him because they casually accept the abuse and provide little support. Instead, they act as if the abuse is just something that Gerald needs to deal with.

Forged by Fire vividly describes Gerald’s abuse, which allows the reader to feel Gerald’s despair. In a world surrounded by violence, the brutal details of Gerald’s life come into focus. Since the story accurately portrays an abusive home, some readers may be disturbed by the images of abuse. Even though the story is engaging, the conclusion hints that Gerald’s life will always be full of turmoil.

Gerald’s story will stay with readers for a long time. Even though readers will admire Gerald’s perseverance, the story ends with a hopeless tone. Readers are left wondering if any adult will step in and help Gerald and his sister. Without assistance, Gerald’s future will be grim.

Forged by Fire is the second installment in the Hazelwood High Trilogy; however, the story can be read as a stand-alone. The events from Tears of a Tiger are mentioned, but they do not have the same emotional impact as they did in the first book of the series. While the story will spark conversations, both Tears of a Tiger and Forged by Fire don’t offer solutions. While both stories are engaging, they describe situations in detail that will make readers uncomfortable. In the end, the Hazelwood High Trilogy is an engaging, easy-to-read series that tackles difficult topics that are relevant to teenagers.

Sexual Content

  • Gerald’s mother was abusive, and “Mama got really mad when you woke her up, especially if she had somebody in bed with her.”
  • Angel’s father sexually abused her. “Terrified, she could only weep silently as he touched her, rubbing his hands over her arms, her back, her legs. He had done this many times before, ever since she was a baby… Jordan whispered in her ear, his breath hot and foul, ‘You remember our secret game, Angel… Touching is good. Telling is bad. If you tell, your mama will put you out in the snow all alone, and you will die. Now, let’s play.’”
  • When Angel gets chickenpox, Jordan stays home. “Angel tearfully removed her T-shirt while Jordan watched… He touched her back and she tensed at the roughness of his fingers. Angel wept silently while he explored her body for chickenpox spots. He took his time. He found all of them.” In order to keep Angel quiet, Jordan says, “Oh, by the way, if you’re lookin’ for the stinkin’ cat, it’s in the oven. Don’t worry, I didn’t turn it on. But if you say one word to anyone—I swear I’ll kill that cat and cook it!”
  • One of the boys on the basketball team jokes that college scouts are “knockin’ on my door, beggin’ me to drive six new Cadillacs to their school, to instruct the women in the dorms on the finer points of, shall we say, scorin’…”
  • When a girl calls Gerald looking for her boyfriend, Gerald says, “I bet he’s in the backseat of his car, kissin’ all over some real sexy woman!”
  • Jordan comes home drunk and finds Angel home alone. When Jordan grabs her, “Angel, eyes wide with fear, yanked free of his grip and ran screaming toward the door… He grabbed her again, both arms this time, and dragged her, kicking and screaming, toward her bedroom door.” The story implies that Jordan rapes Angel.

Violence

  • When Gerald was three, his mother caught him playing with a lighter. Mama “made the fire come out and she held his hand over the flame…” The flame “made his hand scream and made him dizzy with pain, and he could smell something like the meat Mama cooked, but it was his hand.”
  • Gerald’s mother “yells and gets her belt or her shoe and hits, and hits, and hits…” During his mother’s bad days, “she would slap him and he’d cry and he’d cuss at her and then she would slap him until his head hurt.”
  • Monique’s husband was “mean, and Monique was truly afraid of him. He would hit her whenever she made him angry, which was often… When he was drunk, it was worse.”
  • Angel tries to avoid Jordan. Angel “took a deep breath, lowered her head, and curried past him. But she wasn’t quick enough. His fist, like a hammer, connected with her back as she ran. She groaned in pain, but dared not stop.” Gerald tries to help. He “leaped into the room, jumped between Angel and Jordan, and the blow came down on him instead. Gerald was tough and strong, but the force of that punch almost made him lose his breath.”
  • When Gerald accidently walks in on Jordan molesting Angel, Jordan “slapped Gerald full in the face.” Gerald is too afraid to do anything.
  • Gerald tries to avoid Jordan, but “Jordan was mean—he smacked Gerald on the back of his head if he got a C on his report card, he punched him on his arm if he spilled milk, and he whacked his legs for not bringing him a beer fast enough.”
  • Gerald’s mother is hit by a taxi. The driver says, “She ran right in front of me! I didn’t see her!” Monique is injured.
  • Jordan gets angry at Monique, and “he raised his arm above his head and slapped Monique with the back of his hand so hard that she fell onto the bed. Pain and confusion filled her face… Gerald was coming back from his job. His fist hit Gerald full in the face. Blood spurted from Gerald’s nose and lip as he staggered to the floor.”
  • Gerald comes home to find the house on fire. “Angel lay on her bed, barely conscious. Jordan was walking slowly toward the foot of her bed…” Jordan and Gerald get in a fight. “With the steel toe of his cowboy boots, Jordan kicked Gerald squarely on the shin. Gerald screamed in pain. He heard the bone crack. He fell once again.” Jordan leaves the two kids to die in the fire.

 Drugs and Alcohol

  • Gerald learned to avoid his mother when “she sniffed the white stuff.”
  • Gerald’s step-dad Jordan gets drunk often.
  • When Jordan goes to jail, Monique “had not returned to the drugs, but she had developed a taste for whiskey and was finding more and more excuses to go out and drink with her friends.”
  • After Monique’s accident, the doctor prescribes pain pills. “She keeps insisting that her head hurt…but that’s only when she runs out of her pain pills. Jordan kept her supplied with refills of her prescription, and when the doctor wouldn’t give her anymore, he bought these weird-lookin’ shiny red pills…”
  • After a while, Monique “used beer now, instead of water, to wash down the pills that Jordan bought her.”
  • Several of Gerald’s friends go out drinking after a game. They are in a fiery car crash, and one of the boys dies.

Language

  • When Angel tells her mother about Jordan’s abuse, Monique calls her a “filthy liar.”
  • Jordan calls Monique a “witless idiot!”

Supernatural

  • None

Spiritual Content

  • When Gerald almost died in a fire, his aunt says, “Well, Praise the Lord, he didn’t.”
  • When Gerald’s aunt tucked him into bed, she “prayed for strength.”
  • Before breakfast, Gerald’s aunt prays, “Dear Lord, be with this family. We’re gonna need you. Bless this food, and please be with Gerald on this special day. Amen.”

The Legend of Zelda: Twilight Princess Vol 3

Link continues on his quest to save the children from his village and dispel the dark clouds that are threatening to take over the land. Link returns to the Twilight Realm in the form of a wolf and quickly discovers that the children are stuck in the Twilight Realm as lost souls! With the help of an unlikely wolf ally, Link must learn to become a much stronger warrior if he wants a chance to save those he loves.

Much like the previous two installments, this graphic novel closely follows the plot of the video game with a few diversions and added elements. For intense Zelda fans, another taste of Twilight Princess will make this graphic novel enjoyable. However, casual gamers will likely be bored due to the repetitive plot, and those who are not familiar with the Twilight Princess game may be confused in a few places. All in all, this graphic novel is best for readers who are already a part of the Link fandom.

Link is a lovable character that will capture readers’ interests. While one of the children becomes slightly more developed in this installment, Link is mostly surrounded by two-dimensional characters. There is more action in this book than in the first book, but aside from the last battle, most of the battle images are not graphic. In Twilight Princess Vol 3, Link continues to explore what true strength really is, and he finally realizes that strength lies in protecting the innocent.

Twilight Princess Vol 3 has intense fighting and a dark tone. Even though the manga artwork is incredible, the fight scenes are a bit confusing because there is so much going on. Unlike the previous books, this volume shows different characters’ points of view, which helps develop the characters and gives the story an interesting twist. Twilight Princess Vol 3 continues to develop Link and his world. Although Twilight Princess Vol 3 contains action and adventure, the slow pace of world-building may make it difficult for some readers to get through the story.

Sexual Content

  • None

Violence

  • While in his wolf form, Link kills two monsters by ripping them apart with his teeth.
  • Link fights a skeleton warrior as part of a training session. At the end of their fight, Link cuts off the skeleton warrior’s head. The skeleton warrior then stands up, picks up his head, and congratulates Link.
  • A captured village girl considers committing suicide. The girl wonders, “Rather than living alone with monsters…” and almost cuts her wrist with the pottery shard, but is interrupted by a kitten that needs her help.
  • Link battles a monster and his minions during a 32-page battle. In the end, Link slashes the monster across the chest with his sword, and the reader sees the monster bleeding profusely before he falls into a gorge.
  • A monster clubs a village boy in the head, and then is attacked by a mob of village children.

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Link lives in a world with magic, shadow beasts, and demons. When people from the land of light are engulfed by the Twilight Realm, they turn into lost souls. This is what happens to the children from Link’s village. When he finds them, he cannot interact with them, as they are merely lost souls.
  • When Link travels to the Twilight Realm, he is transformed into a giant wolf. While in his wolf form, Link can communicate with animals.
  • Link learns that “humans aren’t the only race living in Hyrule” when he meets a Goron. Gorons are giant rock-like creatures that “live in Death Mountain and eat rocks.”
  • Link meets a magical wolf that transports Link to his realm in the clouds. Once there, the wolf shows himself as a skeleton warrior and trains Link to be a better swordsman.

Spiritual Content

  • There is a legend that when evil people tried to use magic to take over the land, “the goddesses grew angry at this affront and sent four spirits of light to seal the upstarts’ magical power away in the shadow crystal. Furthermore, the mirror of shadow prevented these wizards from entering the world of light. They were exiled to the twilight realm.”
  • Renado, a shaman and physician, takes the children to his village to protect them.
  • The children hide from the monsters in a house. There is a statue of a spirit in the house. The shaman says, “perhaps the power of the spirit Eldin does not allow the monsters to enter.” Link later meets the Eldin, “one of the spirits of light who gather in Hyrule and protect this land.”
  • Renado says, “thank the gods,” when his daughter is saved by monsters.

by Morgan Lynn

Race to the Sun

Lately, seventh-grader Nizhoni Begay has been able to detect monsters, like the man in the fancy suit who was in the bleachers at her basketball game. Turns out he’s Mr. Charles, her dad’s new boss at the oil and gas company. He’s alarmingly interested in Nizhoni and her brother, Mac, their Navajo heritage, and the legend of the Hero Twins. Nizhoni knows he’s a threat, but her father won’t believe her.

When Nizhoni’s dad disappears the next day, he left behind a message that said “Run!” The siblings and Nizhoni’s best friend, Davery, are then thrust into a rescue mission that can only be accomplished with the help of Diné Holy People, who are all disguised as quirky characters. However, their aid will come at a price. The kids must pass a series of trials that seem as if nature itself is out to kill them. If Nizhoni, Mac, and Davery can reach the house of the Sun, they will be outfitted with what they need to defeat the ancient monsters Mr. Charles has unleashed. It will take more than weapons “for Nizhoni to become the hero she was destined to be.”

Middle-grade readers will relate to Nizhoni, who wants to be good at something but just isn’t. When her emotionally distant father is kidnapped, Nizhoni embarks on a quest to save her father. However, she isn’t alone; Nizhoni’s book-loving best friend and annoying brother join her adventure through the Southwest. On the quest, Nizhoni and her friends meet the “Holy People” as well as some scary monsters.

The fast-paced story combines Navajo mythology with moments of humor, unexpected twists, and timeless lessons about friendship, family, and failure. The importance of hard work and helping others is weaved into the story. Spider Woman says, “All good things come through hard work. If something is too easy to get, it isn’t worth much, is it?”

At first, Nizhoni doesn’t feel like she has the qualities to become a hero. However, Nizhoni learns that she doesn’t need to change. One of the story’s recurring themes is: “Don’t worry about what you’re supposed to be. Just be who you are.” While Nizhoni shows bravery, she is able to defeat the monsters only with the help of others.

Race to the Sun will take readers on an action-packed quest and introduce them to Navajo mythology. Nizhoni is an interesting but imperfect narrator. Readers will relate to Nizhoni’s insecurities and her moments of courage. The conclusion is rushed, and there are several holes in the plot, but this doesn’t take away from the book’s enjoyment. For readers looking for more marvelous mythology books, the following books will delight you: the Storm Runner series by J.C. Cervantes and the Pandava series by Roshani Chokshi.

Sexual Content

  • When Nizhoni’s parents are reunited, they kiss.

Violence

  • Charles tells Nizhoni that he wants her dead. Without thinking, Nizhoni runs “full tilt at Mr. Charles. His startled eyes are the last thing I see before I kick that knife right out of his hand… I’m not done. I head-butt Mr. Charles in the stomach… And for good measure, I execute a perfect elbow strike to the cheek, just like I learned in self-defense class Coach taught in PE last year.” Nizhoni’s dad comes in and stops her.
  • In the past, Nizhoni had to attend anger management classes for “punching Elora Huffstatter in the nose.”
  • Adrien, a bully, and his friends corner Mac. “Mac screams, an animal-like bloodcurdling cry of rage. He slams his hands onto the ground, palms flat… A low rumble rolls across the baseball field, like an army of badgers tunneling through the earth, and then, suddenly, all the sprinklers turn on…” Mac makes the sprinklers shoot at the bullies. “The jets are all pointed at them, zipping back and forth in sharp slashing cuts, or pulsing bursts aimed at their eyes.” The bullies eventually run away.
  • To save Black Jet Girl, Nizhoni needs to get by two buzzards. She throws a feather into a fire and “it explodes into a million tiny salt crystals that pop and sizzle. Hot granules fly everywhere… The salt strikes their protruding eyes and they stumble around, screeching in pain.”
  • Some people believe that Spider Woman eats children. However, Spider Woman helps Nizhoni and her friends.
  • Nizhoni and her friends are following the Rainbow Road. They enter a corridor surrounded by rocks. When Mac disappears, Nizhoni runs after him. When she finds him, “he’s staring right at me. With big red eyes… He bares his sharp teeth and hisses… Monster Mac takes a swipe at me, and I see that besides having long, pointy teeth, he has long, pointy claws, too.”
  • When Nizhoni sees monster Mac, she turns to “launch a swinging kick right at the monster’s stomach. It lands with an Oomph! I elbow him in the chest and he doubles over. One more kick—this time to his ribs—and he’s down. He’s on all fours, panting.” Monster Mac “becomes a cockroach. It scuttles off…” The fight is described over one page.
  • In a multi-chapter battle, Nizhoni and her friends fight to keep the monsters from returning to earth. “Nizhoni lifts her bow and…release. The arrow flies true, a streak of white lightning that hits the banáá yee aghání in its veiny red eyeball. The monster screeches and veers away…”
  • A banáá yee aghání goes after Nizhoni’s mother. “Mom waits until the buzzard is practically on top of her, and then she swings the sword. Lightning crackles from its tip, slashing the monster’s face. Ligai drops, almost too quickly, streaking under the buzzard and dragging its beak across the monster’s underside, tearing it open.”
  • During the fight, Mac falls off a flying bird. “A shimmery substance unfurls in the air underneath him like a silver net. He falls into the glimmering stuff, and it completely envelops his body, rolling him into what looks like a giant burrito.” Later, Mac finds out that Spider Woman put him in a spider web to keep him safe.
  • When Mr. Rock points a gun, Nizhoni’s mom “launches herself into the air, her sword slashing downward, and Mr. Rock’s gun goes flying—while still attached to his hand.”
  • Mr. Charles shoots an arrow at Nizhoni. “It’s a direct hit right over my heart. I scream as fire radiates through my body… I struggle to breathe, my pulse beating too loud in my ears… I fall to the canyon below.” Nizhoni discovers that she cannot be killed by her own arrow.
  • Nizhoni uses lightning “that’s been building up in my blood. And I blow Mr. Charles to smithereens… And then a sound like a bubble popping. And then more pops as all the banáá yee aghání in the sky above me burst into a blaze of white lightning and turn into ash that rains down on me.”

 Drugs and Alcohol

  • None

Language

  • A girl tells Nizhoni that her mom “left us because I was a dirty Indian. Then she made war-whopping noises like something out of a bad Western.”
  • Adrien, a bully, and his friends bother Mac. The bully says, “Marcus Be-gay! Oh, please be gay!” The rest of the boys chant, “Gay! Gay! Gay!”
  • Adrien calls Nizhoni a loser.
  • “Oh my God” is used as an exclamation one time.
  • Heck is used three times. For example, when Mr. Charles meets Nizhoni and her brother, who are a mess, Mr. Charles asks, “But holy heck, what happened to you all?”
  • Nizhoni calls her brother a dork.
  • A buzzard tells his brother, “Don’t be an idiot.”
  • Nizhoni says her mom is “badass.”

Supernatural

  • Nizhoni can tell if a person is a monster in disguise. When she sees Adrien, a bully, “his eyes meet mine and that horrible sensation—my monster detecting—springs to life. The hair on the back of my neck rises, and a chill like the trail of an ice cube scuttles down my spine.”
  • Nizhoni knows the “language of animals” and can see in the dark.
  • Marcus can control water. He tells Nizhoni, “I’ve made water move before. Like in the bathtub.”
  • Nizhoni’s stuffed horned animal comes to life. Nizhoni had “been raised to take seemingly supernatural things in stride. Up to now, talking animals hadn’t been a part of my everyday life, but my shimásání taught me there’s more to the world than we humans can see…”
  • Mr. Charles is a shape-shifter who can look human. He is related “to a nasty kind of monster called a banáá yee aghání. These are vicious bird creatures.”
  • Nizhoni meets a crystal boy, who is made of white crystal rock, and a girl, who is made out of black rock.
  • Nizhoni and her best friend Davery go into a school that is having a prom. They are tempted to stay, but when they leave, “in an instant, the whole gym shimmers and disappears.”
  • Nizhoni looks into a mirror. She “leans forward to press my hands against the mirror, and suddenly the surface is not there anymore… I go plummeting into the glass.” Nizhoni is transported to a glade, “where she can see people, but they can’t see her.”
  • Nizhoni meets the sun, who is “wearing blinding bright armor and carrying a golden shield. And step-by-step on an invisible set of stairs, he appears to be climbing into the sky.”
  • Nizhoni finds her mom, her friends, and others encased in amber. When the amber cases shatter, Nizhoni looks up, and “Mac is standing on a platform, yawning and stretching his arms over his head.” All the people in the amber come back to life.
  • Nizhoni and her friends must fight a group of buzzards, but “only a monster slayer can look into their eyes.”

Spiritual Content

  • Along the journey, Nizhoni meets the Holy People. Someone tells her, “The tricky part is that the Holy People don’t always answer, or at least not in ways that you might recognize. But they are always there.”
  • After Nizhoni’s father is kidnapped, she prays “with all my might that he’s out of that trunk and getting food and water.”

A Perfect Day

Warm sun. Cool water. A full bird feeder. What could possibly spoil a perfect afternoon in Bert’s backyard?

Lane Smith’s tale imagines how one creature’s idea of a perfect afternoon might be quite different than another’s. For a cat, the perfect day is spending time in a “flower bed where the daffodils grew.” But for a squirrel, who cannot reach the bird feeder, a perfect day is hanging out chomping on a cob of corn. The story shows how everyone’s idea of a perfect day is different, and how one bear ruins the others’ perfect day.

The beautiful, textured illustrations use muted, soft colors to draw in readers. Pictures show how Bert takes care of the wild animals without turning them into pets. Bert puts seeds in a bird feeder and gives the squirrel a cob of corn. The pictures also have a hint of humor. For example, when a bear steals a squirrel’s corn, the bear smiles wide showing his corn teeth.

The easy-to-read story uses short, repetitive sentences, which make A Perfect Day a great bedtime story. On the back cover, a picture of a bear raiding a bird feeder shows how the story was inspired by Smith’s personal experience. Depending on the reader’s location, A Perfect Day could be used to discuss why people should not feed wild animals. A Perfect Day is a perfect book to show how anyone—animal or human—can enjoy the simple things in life.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Longboard Let Down

Valeria loves longboarding and going to competitions. She’s always been one of the best downhill longboarders around. But when Valeria injures her arm, she isn’t sure she wants to jump back on a longboard. Valeria is no longer fearless; instead, she’s overwhelmed by doubts and insecurities. When her best friend, Mateo, tries to get Valeria to ride again, she keeps making up excuses.

When Valeria meets Chloe, a new girl at school, Mateo tells Chloe that Valeria can teach her to longboard. Valeria reluctantly agrees, but when Valeria gets back on the board, she crashes. Valeria wonders if she should quit longboarding. The Pro Longboard event is right around the corner, and Valeria has always dominated the local kids’ division. Will Valeria get over her fear in time to participate in the competition?

Valeria is like many of the “Mexican people in Harlow Springs. Some only spoke Spanish. Valeria, like many of her friends, had been born in Colorado. Her parents had come from Mexico.” Valeria and several of the other characters use Spanish words when speaking. While having diverse characters is a positive attribute, Valeria is stereotypically portrayed. Valeria’s family is poor and when injured she goes to the free medical clinic. Valeria lives in a trailer park and “sometimes people looked at her differently after they found out where she lived.”

Unlike Valeria, Chloe is a spoiled, rich white girl, who is a bit outrageous. She never looks down on Valeria, but she obviously doesn’t have to worry about money. Chloe’s outrageous behavior adds humor to the story. For example, during the competition, Chloe wears a gorilla suit in protest against her mother. Chloe says, “That way when people ask, ‘Which one is your daughter’ she’ll have to tell them, ‘The one in the gorilla suit.’”

Valeria is a relatable character who has to overcome her fears. Valeria meets a competitive longboarder champion, Ana, which helps Valeria realize that everyone has moments when they want to quit. However, with Ana’s encouragement, Valeria is able to get back on the board. Even though she doesn’t win the competition, Valeria thinks, “In a way, getting second place today feels more important than all my first place wins. I never would have expected that.”

Longboard Letdown will introduce readers to a sport that is often overlooked. Readers will enjoy the cute black and white illustrations that appear every 4 to 7 pages. The story has a simple plot, easy vocabulary, and realistic conflicts. The ten short chapters and full-page illustrations make Longboard Letdown an easy read. For those who would like to use Longboard Letdown as a learning opportunity, the end of the book has a Spanish word guide, word glossary, discussion questions, writing prompts, and a glossary of rodeo events. Longboard Letdown explores Valeria’s fear and teaches the importance of perseverance.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Some Places More Than Others

For her birthday, Amara wants to visit New York City and visit her father’s side of the family. She wants to meet her grandpa Earl and cousins in person. When her father has a business trip in New York, Amara is determined to get permission to go.

When Amara’s teacher gives the class “The Suitcase Project,” which requires Amara to look into her family’s past, Amara thinks this is the perfect way to convince her parents to allow her to go to New York. As Amara looks for family keepsakes, she looks at the family Bible and learns that her grandma Grace died on her birthday. After Amara overhears a conversation, she learns that her father hasn’t talked to his dad for twelve years. Amara isn’t sure how the two events are connected, but she’s determined to find out.

When Amara finally gets to New York City, it isn’t what she imagined. As she explores the city and asks questions, Amara learns more about this place, her father, and their history. Her experience helps her see how everything in her family connects and helped make Amara the person she is.

Some Places More Than Others explores family relationships and the shared events that combine to knit a family together. As Amara explores Harlem with her family, she begins to understand the importance of honoring those who came before her—Adam Clayton Powell, Harriet Tubman, Langston Hughes, etc. While the story doesn’t go into depth explaining the historical people’s contribution to society, readers will feel Amara’s awe and pride as she begins to understand how these people made her life possible.

Like all families, Amara’s family dynamics are complicated. Though she doesn’t always get along with her relatives, she knows that love binds them together. While in New York, Amara tries to help her father and grandfather put the past behind them and begin talking. The past has caused lingering pain and resentment in Amara’s father. However, by the end of the book, the two men are able to forge a new relationship. By watching her family, Amara learns that “The sign of true maturity is when you’re able to end the argument first, to forgive a person even if they haven’t asked for it.”

Middle-grade readers will relate to Amara, who is often confused and searching to find herself. She feels unloved because her mother wants her to be more girly and wear dresses. When Amara meets her cousins, their view helps Amara see how lucky she is to have a stable, two-parent household. However, Amara also struggles with her mother’s pregnancy. Because her mother has had a string of miscarriages, Amara is afraid to get excited about a new baby. Through Amara’s story, the reader will learn important lessons about family, forgiveness, and the people who shaped her. Even though Some Places More Than Others imparts important lessons, the lessons are integrated into the story and never feel like a lecture. While the characters are not well-developed, Some Places More Than Others would be a perfect way to introduce historical figures and the idea of exploring your family’s past. Readers who enjoy realistic fiction should add Caterpillar Summer by Gillian McDunn and Listen, Slowly by Thanhhá Lai to their reading list.

Sexual Content

  • When in New York, Amara sees “two men are walking and holding hands.”

Violence

  • None

 Drugs and Alcohol

  • While waiting for a subway, Amara sees a “man leaning against the green pillar in the middle of the platform holding a sign that says, ‘I Ain’t Gonna Lie, I Just Want a Beer.’”

Language

  • None

Supernatural

  • None

Spiritual Content

  • Amara’s family attends a church service and they pray.
  • Before dinner, Amara’s family prays. For example, Amara’s father prays, “We thank you, God, not only for this food, but for this family. Bless us, and keep us, and please—” Amara interrupts and prays, “Let me go to New York with Dad to meet Dad’s side of the family.”
  • Several times Amara prays to her dead grandmother. For example, “I whisper a prayer to Grandma Grace, ask her to help me.”
  • While walking in New York, Amara sees “a man not too far away speaking into a megaphone about Jesus being the white man’s god.”
  • When Amara wakes up, she says a prayer. “God, please let my baby sister be okay.”
  • While traveling home, Amara whispers “a prayer for Mom, for my baby sister, for all of us.”

Starry Eyes

Zori and Lennon used to be best friends. Now they are each other’s worst enemy. They go out of their way to avoid each other, which is difficult to do when you go to the same school and live next door to each other.

When a friend invites Zori to a camping trip, Zori thinks this will be an opportunity to have some fun. No one told her that Lennon would be there. After a series of unfortunate events, Zori and Lennon find themselves stranded in the wilderness. Alone.

With no one but each other for company, the two finally begin to hash out their issues. They slowly begin to understand each other, but they still have to fight the forces of nature. Can they work together and make it out of the California wilderness as friends?

Told from Zori’s point of view, Starry Night takes a winding trip and gives the reader a peek into Zori’s home life, friendship life, and love life. Unfortunately, Zori’s controlling, insecure nature makes her difficult to like. Zori is not the only boy crazy, but she agrees to go on a trip to advance her social standing. In the end, Zori discovers that her friends have been keeping secrets from her and that one friend has a grudge against her. So, it’s not a huge surprise when Zori’s friends sneak away in the early morning, leaving Zori and Lennon on their own.

None of the characters have healthy relationships with each other or with their parents. Zori is hiding the fact that her father is having an affair. Lennon allows Zori’s father to blackmail him, which is why he’s been avoiding Zori. In an effort to make Lennon jealous, Zori quickly finds a new boy to make out with. Instead of engaging readers with an interesting, plausible plot, Bennett relies on sexual desire and stupid teenage behavior to pull readers in. To make matters worse, the plot is often unbelievable and the characters unmemorable.

Starry Night is a predictable romance that would be best left on the shelf. If readers are looking for a modern-day Romeo and Juliet, Crossing the Line by Simone Elkeles would make a better choice. However, if you are looking for an entertaining romance, Don’t Date Rosa Santos by Nina Moren or Somewhere Only We Know by Maurene Goo would be excellent alternatives.

Sexual Content

  • Zori’s parents have a wellness clinic, which is next to a shop that sells adult sex toys and is run by two lesbian women. Zori often talks about the types of toys for sale, such as butt plugs and cock rings. The shop “has a themed display window that the owners change once a month. This month it’s a forest, and like toadstools, a curated collection of bright rubber dildos rise from fake grass.”
  • Zori thinks it’s “kind of hard to ignore the giant vaginal-shaped sign out front.” She refers to the shop as “dildo land.”
  • Zori sees a photo album that shows her dad and another woman. “He’s got his arms wrapped around her, and—in one photo—is even kissing her neck.”
  • During spring break a boy kisses Zori at a party.
  • Zori uses her telescope to look through the neighbor’s window. She sees Lennon undress. Zori thinks, “holy mother of God, when did he get all…built? …He’s too lean to be buff.”
  • Zori has sex with a boy who was moving because “we were never going to see each other again.” Afterward she took three pregnancy tests “just to be triple certain.” Later, Zori finds out that the boy told his friends that they “hooked up.”
  • When Zori is preparing for a camping trip, she thinks about the boys who will be there. “I certainly hope there will be roaming hands.”
  • Someone asks Lennon, “Is it true that your moms were, like, together with your dad all at the same time… I mean all three of them.”
  • During a conversation, a boy says, “Did you know he and his best friend Neal Cassady both slept with Carolyn Cassady, Neal’s wife? Wild, huh?” Later, someone says, “Kerouac drank himself to death. Neal Cassady screwed anything that moved and was a total misogynist… Then he died of barbiturates abuse.”
  • At the campground, there is a “carved wooden statue that looks like two squirrels having sex.”
  • A girl says she is getting naked with her boyfriend “in the sauna later.”
  • A boy tells his friend, “your mom is hot.”
  • Before the story begins, Zori and Lennon did a “Great Experiment, in which we tried to incorporate intense make-out sessions in our normal relationship without telling anyone.” Zori thinks kissing Lennon was weird, but “also very nice. So nice that I can’t think about it right now, because it makes me flustered.”
  • Lennon tried to rent a hotel room so he could have sex with Zori after the homecoming dance.
  • When Lennon helps Zori with her backpack, she wonders if she wants him to touch her. She thinks, “I can’t afford to let my imagination run wild around him. The last time that happened I ended up in his lap on a park bench with his hands up my shirt.”
  • One of the boys has “been with” all three girls who are on the trip.
  • A girl tells Zori, “your skeevy dad tried to sleep with Michelle Johnson’s mom after the Olympic fund-raiser in Berkeley this spring.”
  • Zori has neurotic dreams about Lennon, but the dreams are not described. She thinks, “We just started talking again, and my body is so stupid that it’s already having erotic dreams about him, which is what got me into trouble with him in the first place.”
  • Lennon sees Zori “kissing Andre in front of [her] locker.”
  • Zori tells Lennon, “Andre and I had sex one time. Once! You probably screwed Jovana’s brains out for months!” Lennon tells her, “And yeah, we had sex. But I wasn’t in love with her.”
  • As Zori and Lennon fight, Lennon kisses her. “He kisses me roughly. Completely unyielding. His hand is on my head, holding me in place… I kiss him back.” The two make out for about one page and then are interrupted.
  • Lennon and Zori are talking when, “softly, slowly, his lips graze over mine. His mouth is soft, and his hands are roaming up my back. I exhale a shaky breath, and he kisses me: once, briefly. Warmth flickers in my chest.” Zori goes to unbuckle his pants when there is a scream. They leave the tent to find out what’s going on. The scene is described over a page and a half.
  • Lennon and Zori have sex. First, “we both pounce on each other at the same time… My legs wrap around his hips, and he’s holding me against the tree, pinning me as he warms my neck with kisses…” When they undress, Zori thinks, “I CAN SEE EVERYTHING, and I can’t stop looking—I don’t even care that I’m shivering in my bra and panties in the middle of the woods… It’s actually happening. It’s good, and a little awkward, and sometimes funny, because wow, human bodies are weird. But it’s also more than I expected—than I even hoped.” The scene is described over eight pages, but they stop and have a conversation before they have sex.
  • The story implies that Lennon and Zori have sex in the back seat of a car.

Violence

  • When Zori’s friend is mean, Zori thinks, “I sort of want to punch her in the boobs.”
  • Someone tells a story about a family that went camping and got lost. “An animal had eaten the husband’s leg.”
  • When Lennon tries to get a hotel room for him and Zori, Zori’s dad “demanded to know if my moms had sanctioned this. He called them ‘dyke heathens.’” Then, Lennon hit Zori’s dad. Lennon said, “After I landed the punch, he started to come after me, but one of the hotel employees stepped in.”

Drugs and Alcohol

  • At the campground, the adults have wine served with dinner.
  • Zori watches as a couple of her friends steal wine. Later, she finds out that a couple of her friends got drunk that night. One drunk boy “Pissed on a yurt.”
  • Zori’s mom gives her “miracle weed lotion” to put on her hives.
  • Lennon’s father overdoses on pain pills.
  • A boy sends Lennon a text, “asking if I can get him weed again.”

Language

  • Profanity is used often. Profanity includes ass, bastards, crap, bitches, damn, dick, fuck, god-damn, holy hell, hell, shit, and smart-ass.
  • Zori sees a “motherfucking snake.”
  • Oh God, God, Jesus, Oh Sweet Lord, Christ, and other variations are frequently used as an exclamation.
  • Zori thinks, “Oh for the love of God” a few times.
  • The phrase “crap on toast” is used several times.
  • Lennon says that Zori’s dad is a dick, a scumbag, and that he has “sticks that are stuck up his ass.”
  • Lennon tells a girl, “You’re being a huge asshole, you know that?” The girl tells Lennon, “Brett likes you, and you’ve been nothing but a prick to him since we left Milita Hills.”

Supernatural

  • None

Spiritual Content

  • After Zori sees a picture of her dad kissing another woman, she thinks, “Thank God the normal clinic receptionist came in to take over for me at lunch.”
  • When a boy sees Zori spying on him, she thinks, “If there’s a God above, please let him or her grant me the power of time travel, so I can rewind the clock and completely avoid this nightmare.”
  • Lennon thinks, “Thank God for small favors.”
  • One of Lennon’s moms has no tolerance for thieves. Zori thinks, “May God have mercy on anyone who tries to shoplift vibrators from Toys in the Attic…”
  • Zori is distracted when Lennon is “feeling me up.” Because she can’t concentrate, Lennon asks Zori, “Are you saying I’ve got magic hands, like Jesus?”

Out of Step

Mercy loves to dance, but she has been having trouble lately. She just can’t seem to get the steps, let alone land her cartwheels, round offs, walkovers, or handsprings. After a particularly hard practice, Mercy’s mom provides some insight into her struggles: Mercy’s four-inch growth spurt has thrown off her center of gravity.

Mercy’s mom suggests asking the dance coach, Sara, for some extra lessons. Mercy is hesitant though because she doesn’t want Coach Sara to think she isn’t good enough for their upcoming competition. One of Mercy’s friends suggests booking a private lesson with another dance coach. Mercy, excited at the prospect of a private lesson but knowing her family doesn’t have a lot of spare money, decides to get a job walking her neighbor’s dog every morning before school in order to save up enough money for the lesson.

Mercy discovers having a job is tiring and now her dancing is worse than ever. When she messes up at a dance competition, she finally comes clean to Coach Sara. Graciously, Coach Sara offers to stay after dance practices to give Mercy extra help. These extra practices, along with Mercy’s determination, finally pay off at the quad city tournament, where her team wins first place.

Out of Step focuses mainly on Mercy’s inner conflict. She is admirable for her resolve, but she relies on herself too much instead of asking others for help. Mercy suffers from a lack of adult leadership; her parents see her struggling but do not intervene. Coach Sara only offers Mercy extra lessons when she messes up at a competition. In addition, Mercy’s feelings are hurt when one of her teammates, Jill, makes a snarky remark about how tall Mercy is. Eventually, the two girls make amends when Mercy finds out Jill takes extra lessons, too.

Mercy is an overall good example for readers, especially dancers. She never gives up and does everything she can to make herself a better dancer, thus making the team stronger. At a competition, she makes the difficult and selfless decision to sit out on their routine because she is too tired to perform. Mercy’s dance team also highlights how teammates should be steadfast in their support for one another.  After reading Out of Step, readers will learn it’s okay to ask for help and being a teammate means doing what is best for the whole team.

Out of Step is part of the Jake Maddox JV Girls series, a series of standalone sports books. It has a simple plot and is separated into short, easy-to-read chapters, making it good for reluctant readers.

Some readers will need to use the glossary to understand the scenes where the choreography is described in detail. However, readers do not need to have an understanding of dance to enjoy the book. The back of the book also has discussion questions and writing prompts. Out of Step is a feel-good book that will inspire readers to overcome their challenges.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

by Jill Johnson

The Siege of MacIndaw

The kingdom is in danger. Renegade Knight Sir Keren has succeeded in overtaking Castle MacIndaw and now is conspiring with the Scotti. The fate of Aralean rests in the hands of two young adventurers: the Ranger, Will, and his warrior friend, Horace. Yet for Will, the stakes are even higher because inside the castle, held hostage, is someone he loves. Now the time has come for this once apprentice to grow up.

Will and Horace join together to free Alyss, defeat Keren, and return the castle to its rightful leader. Along the way, Will and Horace must work with the Sorcerer of the North and the Skandians. As the allies work together, they learn that things are not always as they seem. The group of unlikely allies will put their lives on the line when they siege the castle MacIndaw.

Fans of the Ranger’s Apprentice series will enjoy this action-packed story that shows Will’s and Horace’s personal growth. They are no longer apprentices who can rely on others for advice. In order to survive, they need to use their individual strengths to overcome Sir Keren. Unlike previous books in the series, Sir Keren is a well-developed villain who shows moments of weakness and uncertainty. Sir Keren’s behavior highlights the importance of keeping a vow and the unintended consequences of being an oath breaker.

The sixth installment of the Ranger’s Apprentice series is full of action, intrigue, and unexpected twists. The story explores how people react to things that they don’t understand. When strange lights are seen in the forest, people believe that a powerful sorcerer is using black magic. Will and Horace are able to use this belief to their advantage. Even though the reader knows that the “sorcerer” uses illusions to trick people, the illusions still add interest to the story.

 The Siege of MacIndaw ends with an epic battle. However, the battle for MacIndaw is more violent, bloody, and descriptive than the previous books. In The Siege of MacIndaw both Will and Horace have grown into adults, so the story hits on more mature topics such as loyalty, love, and sacrifice. However, the story leaves the reader with a satisfying picture of Will and Horace, who have built a stronger friendship and turned into trustworthy men who have each other’s backs. The Siege of MacIndaw will satisfy fans of the Ranger’s Apprentice series and leave readers reaching for the next book, Erak’s Ransom.

 Sexual Content

  • None

Violence

  • The Skandians plan to sell Buttle into slavery. When the Skandians’ ship begins to sink, they unchain Buttle. He “seized his chance. He grabbed a knife from one man’s belt and slashed it across his throat. Another rower tried to stop him, but he was off balance, and Buttle struck him down as well. Then he was over the rail and swimming for the bank.”
  • A Skandian wearing a horned helmet questions Horace’s ability to lead. “Horace stepped forward, grabbed a horn in each hand and lifted the helmet clear of the head. Before the man could properly protest, Horace had slammed the unpadded heavy iron headpiece back down, causing Nile’s knees to buckle and his eyes to cross slightly under the impact… He felt the iron grip seize his beard and was jerked violently forward.”
  • Will, Horace, and a group of Skandians ambush a party of Scotti in order to get information. Will shoots an arrow at a Scotti general, and “the arrow seared through the tendons and nerves in the wrist, the immediate shock of the wound depriving the hand of all feeling… robbing MacHaddish of the strength to brandish the huge sword.” Two other Scotti come to MacHaddish’s defense. Will fired an arrow “dropping one of them to the snow, dead in this tracks. Then the other was all over him, screaming hate and revenge, sword going back for a killing stroke.” Horace jumps in and throws “a solid right uppercut to his [the Scotti’s] jaw. The Scotti’s eyes rolled up in his head and his knees collapsed under him. He fell face down in the soft snow, unconscious.” The battle is described over three pages.
  • When MacHaddish escapes, Will goes after him. When MacHaddish sees Will, he “reacted almost without thinking, hurling himself forward… he lowered his shoulder and drove it into the cloaked figure.” As they fight, MacHaddish slashes with his dirk. Will “felt the blade slice easily through his cloak and kicked out flatfooted at the Scotti’s left knee.” When Will reaches for his scabbard, MacHaddish attacks. “Desperately, Will skipped backward, feeling the blade slash through his jerkin, a trickle of blood running down his ribs. His mouth had gone dry with fear.”
  • As Will and MacHaddish fight, MacHaddish uses his body weight to pin Will down. Horace appears just in time. “The heavy brass pommel of Horace’s sword slammed into the Scotti’s temple twice in rapid succession,” knocking MacHaddish unconscious. The fight between Will and MacHaddish is described over seven pages.
  • While seizing the castle, Horace uses a ladder to get over the castle walls. Horace “cut the first man down with ease. The second came at him, Horace deflected his halberd thrust, seized his collar and propelled him over the inner edge of the walkway. The man’s startled cry cut off abruptly with a heavy thud as he hit the flagstones of the courtyard.”
  • Will joins the fight and begins firing arrows. One of the men “staggered, screaming, as an arrow appeared in his thigh. Three men dead or wounded in a matter of seconds.”
  • In order to free a prisoner, Will tries to climb the stairs leading to the tower. Will surprised a man who was waiting above him. Will “continued his upward movement and lunged, feeling the saxe knife bite into flesh. The man cried out in pain and stumbled forward.” In order to get up the stairs, Will sends a “volley of ricocheting shots” up the stairs and injures the man. “Will grabbed his shirt front and heaved him down the stairs, sending him crashing into the outer wall, then tumbling head over heels down the staircase. Then he was silent, the only sound his inert body sliding a few meters farther down the stairs.”
  • During the attack, Horace and Buttle fight. Another man joins in to help Horace. When Horace looked back, “he saw the club fall from Trobar’s nerveless fingers as Buttle withdrew the sword from a thrust in the giant’s side. Trobar clutched at the sudden fierce pain, feeling his own hot blood course over his fingers… He saw that Buttle was about to thrust at him again and, hopelessly, threw up his arm to ward off the sword. The point of the blade thrust into his massive forearm, sliding through muscle and flesh, jarring the bone.”
  • Horace steps in to defend Trobar. When Buttle realizes he will lose the fight, he begs for mercy. When Horace thinks back to all of Buttle’s cruel deeds, he “grabbed Buttle by the front of his shirt and heaved him to his feet. As part of the same movement, Horace hit him with a short, savage right cross, perfectly timed, perfectly weighed, perfectly executed… Buttle screamed as he felt his jaw dislocate.”
  • Keren mesmerizes Alyss and commands her to kill Will. Will is able to break Alyss’s trance. While Will is comforting Alyss, Keren attacks. “Will regained his feet, the saxe knife sliding from its scabbard just in time to parry a side cut.” When Keren gets the upper hand on Will, Alyss picks up a bottle of acid. “She seized the weapon and moved to where Keren had trapped Will in a corner. The point of the sword was now leveled at Will’s throat… Keren smashed Will’s grip by the massive force of a two-handed overhead stroke.” Alyss throws the acid at Keren, and “his scream was terrible as the acid burned into his skin and eyes. The pain was excruciating, and he dropped the sword, clawing at his face, trying to ease the dreadful burning.” Keren eventually falls out the window. “His scream was long and drawn out—a mixture of pain and blind fear. It hung in the night above his falling body, like a long ribbon trailing behind him. Then, abruptly, it stopped.” Keren dies. The seize of the castle is described over 36 pages.

Drugs and Alcohol

  • Will thinks back to a banquet where ale was served.
  • Buttle went to the inn and demanded: “the finest food, wine and ale when he was visiting…”
  • Many of the Skandians had “bellies on them that suggested they might be overly fond of ale.”
  • A Skandian gave Horace a “beaker full of spirit.”
  • After Alyss broke out of her prison, a “healer had given her a sleeping potion and had put her to bed.”

Language

  • Will surprised a Skandian who cried, “Thurank’s horns! Where the devil did you spring from?”
  • Horace jokingly calls Will an oaf.
  • A man calls someone an idiot.
  • A man calls someone a fool.
  • After MacHaddish almost kills Will, Will yells, “Of course I’m not all right, you idiot! He damn near killed me!”
  • “For god’s sake” is used as an exclamation three times. For example, when Horace questions Will, Will says, “For god’s sake! Stop trying to make me worry!”
  • “My god” is used as an exclamation twice.
  • Damn and hell are used occasionally. For example, when a man interrupts Keren, he yells, “Get out, damn you!”
  • Hell is used several times. For example one of the Skandians says, “He’d better be one hell of a warrior.”
  • The Skandians use the exclamations “For Loka’s sake” and “Gorlog’s beard.”
  • Keren yells at one of the soldiers, “Get up, you yellow-skinned coward!”
  • A man calls Keren a fool.
  • Horace asks a man, “You really are a gutless piece of scum, aren’t you?”

Supernatural

  • Keren used a blue gemstone to hypnotize Alyss. “The stone had become the trigger for his posthypnotic suggestions. All he had to do was order her to look at it and within a few seconds, she would be mesmerized again.” When Keren uses the stone, Alyss’s “eyes fell to the beautiful orb as he rolled it gently back and forth on the tabletop. As ever, she could feel it drawing her in, filling her consciousness.”

 Spiritual Content

  • Horace saves Will from being killed. “Thank God, he thought, he had made it just in time.”
  • In order to get information out of MacHaddish, trickery is used. MacHaddish is lead to believe that “the dark demon Serthreck’nish is abroad in this forest, watching us stand here.” Serthreck’nish is a demon that is known as the soul stealer, “the flesh eater, the renderer, the tearer of limbs—Serthreck’nish was all these things and more. It was the demon, the ultimate evil in Scotti superstition. Serthreck’nish didn’t just kill his victims. He stole their souls and their very being, feeding on them to make himself stronger. If Serthreck’nish had your soul, there was no hereafter, no peace at the end of the long mountain road. And there was no memory of the victim either…”
  • “Gorlog was a lesser Skandian deity who had a long beard, curved horns and fanglike teeth.”
  • While seizing the castle, Will “breathed a silent prayer of thanks that there were not archers with longbows or recurve bows on the castle wall.”
  • After saying goodbye to his friends, Will tells his horse, “Thank God I still have you.”

Marley and the Runaway Pumpkin

Marley’s family has spent the summer taking care of their pumpkin. They hope their pumpkin wins a blue ribbon at the county fair. But when Marely’s family rolls the pumpkin into the truck, Marley breaks his leash and jumps on the pumpkin. The pumpkin runs down the street. The pumpkin crashes into garbage cans, takes a ride on a scooter, and almost runs over the mailman. The pumpkin finally crashes and smashes into a tree.

Marley’s family is disappointed that the pumpkin can no longer be entered into the contest. But Mommy has an idea! “When life gives you lemons, make lemonade. And when life gives you smashed pumpkins, make pie.” The family enters the pumpkin pie into a contest and wins first place. Cassie says, “It was a blue-ribbon pumpkin after all.”

Marley doesn’t mean to cause mischief, but his curiosity causes trouble. Throughout the story, Marley’s family uses creative solutions to solve their problems. When Marley smashes their pumpkin, the family comes up with another plan. While the conclusion is unrealistic, the happy ending implies that Marley has been forgiven and that his family still loves him.

Young readers will relate to Marley, who accidentally gets into trouble. The plot comes alive through large, brightly colored illustrations that appear on every page. Each page has 43 or fewer words. The story uses longer sentences and has some challenging words that readers may need help with. Even though Marley is featured in over 20 books, the books do not need to be read in order.

Marley and the Runaway Pumpkin is a fun fall story that teaches the importance of thinking creatively. If you’re ready for colorful leaves falling and the smell of pumpkin pie, Marley and the Runaway Pumpkin will help readers get into the mood to enjoy fall’s delights.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Moon’s First Friends: One Giant Leap for Friendship

The Moon shines brightly in the night sky. She watches the Earth and wishes someone would come visit her. As the Earth changes, the Moon wonders why the animals don’t look up at her. In order to get people to notice her, she shows off by spinning and twirling. The moon is excited when people start trying to fly. But they still have a long, long way to go. Will anyone come visit the Moon?

Moon’s First Friends begins with the time of the dinosaurs and goes through man’s first steps on the moon. The story shows mankind’s important feats, including the building of the pyramids, modes of transportation, and finally the construction of the Apollo spaceship. Through it all, the Moon watched and hoped someone would come visit her.

Little readers will empathize with the Moon, who just wants a friend. The Moon’s plight comes alive in beautiful, imaginative pictures that bring the Moon’s personality to life. The Moon’s facial expressions are adorably cute and expressive. As the Moon watches people build the first fire, the Moon looks on with wonder. The Moon patiently watches the events down on Earth and tries to get the attention of those down below. The story ends with the astronauts landing on the Moon, and the moon gives them a gift of moon rocks and dust. In return, the astronauts leave her a “handsome plaque” and a “beautiful flag.”

Hill takes an imaginative look at the first Apollo moon landing, gives factual information that will fascinate readers and inspires them to want to learn more. The end of the book includes nonfiction information about the mission to travel to the moon, moon cycles, and other information about the Apollo mission. Readers can also scan a QR code and listen to Neil Armstrong’s first words on the moon.

Moon’s First Friends will appeal to any child. The brightly colored illustration beautifully shows the Earth’s history and shows how the Moon and man become friends. Little readers who are interested in space will also enjoy Mousetronaut Goes to Mars by Mark Kelly and Mae Among the Stars by Roda Ahmed.

 Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

How to Steal a Dog

Georgina Hayes’ life was turned upside down when her father left and they were evicted from their apartment. She hates living in a car with her mother and brother. Her mama is trying the best she can. Mama works two jobs trying to get enough money to find a place to live, but now Georgina is stuck looking after her younger brother, Toby.

Without a home, Georgina begins to look unkempt, and the kids at school notice. Georgina is angry and flustered because she’s also lost her best friend and her good grades. Georgina is desperate to make things better. When Georgina spots a missing dog poster with a reward of five hundred dollars, the solution to all her problems suddenly seems within reach. All she has to do is “borrow” the right dog and its owners are sure to offer a reward, but nothing goes how Georgina planned.

Georgina’s story sheds light on the problem of homelessness. Because the story is written from Georgina’s point of view, readers will be able to understand Georgina’s conflicting emotions and her desperation to live in a home. Georgina is frustrated and angry, which causes her to be mean to her brother. When Toby asks Georgina what’s wrong, she thinks, “How could I answer that? Should I start with that big F at the top of my science test today? Or should I jump right on into how mean our daddy was to leave us in this mess? And then should I move on to how bad it felt to live in a car while my best friend went to ballet school with somebody better than me?”

How to Steal a Dog shows readers how people often misjudge others based on their living situation. For instance, Georgina misjudges Mookie because he is a “bum.” Even though Mookie is homeless, he is kind and helps others. Although Mookie knows Georgina stole Willy, he keeps her secret and helps guide Georgina into making the right decisions. However, when Georgina skips school, Mookie tells her, “School’s about as useful as a trapdoor on a canoe.” Through her interaction with Mookie, Georgina learns that “sometimes the trail you leave behind is more important than the path ahead of you.”

How to Steal a Dog tackles the issue of homelessness in a kid-friendly manner that highlights the importance of being kind to others. Readers will relate to Georgina’s desire to keep her situation secret so kids don’t make fun of her. The conclusion shows Georgina’s family finally finding a house, but it also leaves several unanswered questions. How to Steal a Dog is an easy-to-read story that will help readers grow empathy. For more books with a homeless character, add Crenshaw by Katherine Applegate to your must-read list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Georgina’s family moves into an abandoned house that has a hole in the roof. When they first enter, Georgina sees “a wobbly table was covered with empty soda cans and beer bottles. Cigarette butts were scattered on the floor beneath it.”

Language

  • “Hot dang” is used twice. Dang is used once.
  • “Dern it” is used eleven times. For example, when Georgina’s mom loses her job, she says, “Maybe I better get out of the whole dern world.”
  • Georgina frequently calls her brother names, including idiot, ninny, dumbo, and dummy.
  • Heck is used once.
  • When Georgina hides in the bushes, a man says, “I ain’t scared of a coward that won’t even show his face.”
  • One of Georgina’s classmates calls her a dirtbag.

Supernatural

  • None

Spiritual Content

  • Georgina is upset that her family doesn’t have a home to live in. When Georgina asks her mother when they will have a house, her mother says, “I swear, every night I pray for a miracle but I reckon nobody’s listening.”
  • When the car won’t start, Georgina “Stared out the window, praying that old car would start.”
  • When a friend of Georgina’s mom gives the kids a ride to school in her beat-up car, Georgina prayed, “Please don’t let anybody see me.”
  • When the car starts, Georgina’s mom “clasped her hands together like she was praying and hollered up at the ceiling, ‘Hallelujah, praise the Lord.’”
  • When Georgina sees the dog’s owner, the owner tells her, “Now all I have to do is hope and pray somebody brings my Willy home.”

Red Queen #1

In the Kingdom of Norta, the silver blood nobility rule over the red blood commoners. While the Silver enjoy luxury, life without strife, and supernatural powers, the Reds live in poor villages, forced into a war they don’t want, and powerless against their Silver rulers. Mare Barrow is a young, Red girl simply trying to get by. After her brothers are shipped off to war, Mare steals money and food to survive, helping her parents and younger sister when she can. When she meets the mysterious Cal, her whole world is flipped upside down. He helps assign Mare to the royal Silver court, where she discovers Cal is the crown prince.

After an accident where Mare falls onto a dome of magical lightning, she discovers she has a power just like the Silvers (a supposed impossibility). To cover up her newfound power, the King forces Mare into the role of a lost Silver princess, betrothing her to his youngest son, Maven.

As Mare is drawn further into the Silver world, she begins to fall in love with Maven’s older brother, Cal. A budding love won’t stop Mare from supporting her family and fellow Reds.  In order to fight the Silvers from inside the palace, Mare secretly joins the Red freedom group. With every step she takes, danger closes in around her. If she steps the wrong way, Mare and everyone she loves will certainly die.

Red Queen focuses on the struggle surrounding the Silver and Red caste systems. For anyone born with Silver blood, life is incredibly easy and much of that luxury is created through the hard work of the lower caste of the Reds. Reds are basically soldiers for the Silvers, as the Silvers send Reds to fight in a war with a neighboring nation, the Lakelands. This gap in the social hierarchy and the ways in which the Silvers flaunt their status create a suspenseful, dangerous situation for any Red, like Mare, that interacts with a Silver because the Silvers can punish the Reds for any reason.

The story unfolds from Mare’s point of view, which allows the reader to see Mare’s inner thoughts, anxieties, and frustrations. However, Mare isn’t the most likable main character. Mare is the typical YA heroine, who is poor, but not particularly perceptive. Despite being described as knowing how to read people, she falls into numerous traps. Even though Mare is clearly on the side of the Reds, she manages to depict both sides in equal light, showing how both the Silvers and Reds can be kind or cruel.

The novel’s main theme is betrayal, which allows Mare to learn not to trust others. This theme of betrayal makes the plot predictable and a bit slow-paced. However, both the politics of the Norta Silver court and the action scenes, which include some spectacular fights, help make up for the slow pace. The Silvers aren’t entirely unified, which leads to some interesting scenes that pit the Silver caste against its own. Mare’s growing love for Cal, the crown prince, also helps to balance out the story. Red Queen leaves readers with a cliffhanger that will leave them dying to know what happens in the next book, Glass Sword.

Sexual Content

  • Gisa, Mare’s younger sister, has a crush on Mare’s friend. After Mare mentions him, Gisa’s “skin flushes bright red at the mention of him. She even giggles, something she never does. But I don’t have time for her schoolgirl crush, not now.”
  • Cal, the elder prince, is regularly tasked with dealing with suitors. Mare watches as a noble girl’s “gaze lands on Cal—I mean the prince—trying to entice him with her doe eyes or the occasional flip of her honey-blond hair.”
  • When Mare and Maven go to see Cal, they see him removing his armor. Mare thinks, “He doesn’t notice me at first; he’s focused on removing more of his armor. It makes me gulp.” Later, she’s close to Cal and thinks, “Unable to meet his gaze, I focus on what’s right in front of me. Unfortunately, that happens to be his chest and a much-too-thin shirt.”
  • Mare realizes she’s beginning to fall for Cal. While visiting her home, she thinks, “What can I say? That he’s kind? That I’m beginning to like him?” Later on, she kisses him. “His lips are on mine, hard and warm and pressing. The touch is electrifying, but not like I’m used to. This isn’t a spark of destruction but a spark of life.”
  • Mare also kisses Maven. She notes, “His kiss is not at all like his brother’ Maven is more desperate, surprising himself as much as me.”

Violence

  • At the beginning of the novel, two Silvers, Samson and Cantos, fight each other. Before Samson “can hope to stand, Cantos is over him, heaving him skyward. He hits the sand in a heap of what can only be broken bones but somehow rises to his feet again.” Immediately after, “Samson spits, sending a sunburst of silver blood across the arena.” Samson takes control of Cantos’s mind, causing Cantos to kill himself. “Another twist of Samson’s hand and silver blood splashes across the sand as Cantos plunges his sword straight through his armor, into the flesh of his own stomach.”
  • After a mass panic, Mare is attacked by a Silver. A “frothing blue wave knocks me sideways, into churning water. It’s not deep, no more than two feet to the bottom, but the water feels like lead.” Mare watches as her sister is attacked, Gisa’s “eyes are on mine as he brings the butt of his gun down, shattering the bones in her sewing hand.”
  • At a Silver fighting arena, Mare watches as “birds dive headfirst into the lightning shield, bursting in little clouds of blood, feathers, and deadly electricity, my awe turns to disgust. The shield sparks again, burning up what’s left of the birds until it shines like new.”
  • Mare falls onto the lightning shield. Mare’s “head bangs against the shield, and I see stars. No, not stars. Sparks. The shield does its job, lighting me up with bolts of electricity. My uniform burns, scorched and smoking, and I expect to see my skin do the same.” After Mare gets back on her feet, she tries to run from angry Silvers who shoot at her. As she runs, “a blast of gunfire explodes over my head, forcing me to drop to the floor.”
  • Mare’s kingdom, the Kingdom of Norta, is at war with the Lakelanders, another nation. Maven tells Mare, “I spent three years in the barracks, following Cal and officers and generals, watching soldiers fight and die for a war no one believed in. Where Cal saw honor and loyalty, I saw foolishness. I saw waste. Blood on both sides of the dividing line, and your people gave so much more.”
  • A group of Reds plan to assassinate prominent Silvers. In the aftermath of the assassination, Mare witnesses as “Sonya screams nearby, bent over the body of Reynald. The spry old Ara wrestles her off the corpse, pulling her away from the chaos. Reynald’s eyes stare glassily up at the ceiling, reflecting the red light.”
  • After the assassination, Mare trips and “lands face-to-face with a corpse, staring at Colonel Macanthos’s scar. Silver blood trickles down her face, from her forehead to the floor. The bullet hole is strange, surrounded by gray, rocky flesh.”
  • After the assassinations, the group of Reds responsible are found and tortured. Mare sees that the torturer “is not gentle, wrenching out Farley’s wounded arm. Farley yelps in pain but still says nothing.”
  • In order to free the Reds, Mare attacks two Silvers and gets hurt. “The bullet hits me in the stomach, but my lightning blazes up the metal rail, through his skin, and into the healer’s brain. Pig-Eyes shouts, firing his own gun. The bullet digs into the wall, missing me by inches.”

Drugs and Alcohol

  • Cal likes to visit Red bars. When Cal tells Mare the palace is stuffy, she says, “And crowded bars, Red bars, aren’t?”
  • Oliver, one of the boys that Mare trains with, clutched a “sloshing drink.” He grabs onto Cal, but “Cal shifts out of Oliver’s grip. The drunk windweaver doesn’t seem to notice and keeps babbling.”
  • When going through her mentor’s room, Mare notices “the bottle of brown liquor on the table, occupying a spot usually reserved for tea.”

Language

  • Lucas, Mare’s personal guard, doesn’t like his cousin, Evangeline. He tells Mare, “Evangeline is a bitch.” Mare echoes this sentiment later on, saying, “Evangeline Samos is a bloodthirsty jerk.”
  • After the royal ball is bombed, Maven says, “Bastards.”
  • After the bombing, the Queen says the Reds “are a disease.”

Supernatural

  • Silvers use magic to help them rule over the Reds. They are sometimes seen as gods. As Mare states, “The gods rule us still. They have come down from the stars. And they are no longer kind.”
  • Whispers are Silvers with the rare ability to enter someone’s head, read someone’s thoughts, and control someone’s mind.
  • When Mare and her sister try to enter a Silver city illegally, Mare’s ID is scrutinized by a Silver guard. Mare thinks, “I wonder if he’s a whisper too and can read my mind. That would put an end to this little excursion very quickly and probably earn me a cable noose around my neck.”
  • Swifts are Silvers that can enhance their speed. After Samson kills Cantos, Swifts rush in to help. “A few are swifts, rushing to and fro in a blur as they herd us out.”
  • A nymph is a Silver that can manipulate water.
  • Telkies are Silvers that can levitate objects.
  • A greeny is a manipulator of plants and earth. Mare watches as a “florist runs his hands through a pot of white flowers and they explode into growth, curling around his elbows.”
  • Strongarms are Silvers that have superhuman strength. Mare notices “A Silver next to me clenches his fist and pounds on the bar, sending spider cracks through the solid rock top.”
  • A cloner is a Silver that can clone themselves. When Mare is caught stealing by a cloner, she thinks, “And then there are three of them, four, five, six, surrounding us in the crowd.”
  • The King is a burner who can control fire. Mare watches as fire “seems to burn against his inky black hair flecked with gray.”

Spiritual Content

  • None

by Jonathan Planman

Swing

Despite their love for baseball, Noah and Walt are terrible players. Walt, who now requests to be called Swing (a request that Noah ignores), is undeterred. As with everything else in his life—jazz, love, and becoming cool—Swing is always willing to take a chance and wants to convince Noah to take swings in his life too.

Noah has been pining after his childhood best friend, Sam, since third grade. When Noah uncovers a set of love letters, he uses his art skills to adapt the letters to help him articulate his feelings for Sam. When Walt anonymously sends one of Noah’s letters to Sam, Noah must decide whether to put himself out there, even if it means rejection.

While Noah grapples with his emotions, many American flags are being left around town. Some think it’s a prank, but others seem to think that something more sinister is going on. The rising tensions and prejudices of their town come to light as Noah struggles to find confidence.

Despite being the main character, Noah is a shadowy figure compared to Swing. Swing’s vibrant sense of humor and optimistic outlook never waiver, and he has endless methods for trying to get Noah to see that life can be sunnier with a little effort. Noah, who can be petulant, drags his feet at most of Swing’s suggestions and comments. Many of Noah’s problems could be fixed if he earnestly took Swing’s advice. However, as the story progresses, Noah learns to take life in stride.

Most of the novel focuses on Noah’s conflicts with his unrequited love for Sam. Noah thinks he’s superior to Sam’s current boyfriend, Cruz, who is a varsity baseball player. Much of Swing’s advice for Noah surrounds this topic, as it consumes Noah’s every waking moment. There are moments where Noah’s passion for art comes up, but often it is to impress Sam in some way. Occasionally, Noah’s pining and self-pitying nature can be overbearing. However, he eventually finds the courage to tell Sam how he feels.

Although Swing, Noah, and Cruz all enjoy baseball, the main focus of Swing is not baseball. Instead, baseball is used to highlight Swing’s willingness to go after what he wants. Unlike Swing, Noah’s reserved nature holds him back from going after what he wants, and Noah himself gives up baseball early in the book.

 Swing tackles a lot of themes, including love, friendship, and prejudice. Not all the topics are fully expounded upon, and because of the twist ending some narratives are shortened. Swing is also told in free verse, and various art pieces appear as part of the story. These creative elements enhance Noah’s emotions and the reading experience. Overall, Swing shows that life is what people make of it. The most important lesson Swing offers is that people should find the courage within themselves to swing for worthy goals.

Sexual Content

  • According to Noah, his crush and best friend Sam, “was busy being cool, and fine.” He thinks he’s in love with her, and he claims that she is his inspiration when he draws.
  • Swing says to Noah, “Seven years is a long freakin’ time/ not to hook up with your/ self-proclaimed soulmate.”
  • Swing claims that his cousin, Floyd, is his romance guru because Floyd “used to date a reality TV/ star, and he knows a thing/ or two about love. Girls are always/ fighting over him.”
  • Sam indirectly tells Noah that her boyfriend, Cruz, is trying to pressure her into sexual activities which makes her uncomfortable. She says, “Cruz is kinda putting pressure on/ me…How do I tell him to slow down?
  • Swing tells his cousin Floyd that he’s “saving [his] paper for some nice frames the chicks will love.” Floyd reprimands Swing for being sexist and calling women chicks.
  • Floyd says to Swing, “Your future stepdad is a lucky man/ Aunt Reina was/ always fine as full-bodied wine.” To this comment there is silence and then Floyd adds, “What? It’s not like Floyd’s trying to Oedipus your mom. . .
  • Noah wants to write Sam “maybe a love song/ or a sonnet.” Unsure of how to convey his feelings, he listens to Swing’s recommended podcast, The Woohoo Woman, which dispenses love and life advice.
  • In a thrift store, Sam and her boyfriend Cruz kiss twice much to Noah’s chagrin. Noah describes, “they kiss like nobody/ and everybody’s watching.” The second time, Noah’s details about the kiss increase. He thinks, “I try not/ to pay attention to how long it lasts/ –eleven seconds—or how his hands move up and down/ her back (slowly), or/ how her eyes are closed and his are/ looking at—” Cruz then says to Noah, “Hey you, stop staring at my girl’s/ haunches.”
  • The employee in the thrift shop, Divya, shows Swing and Noah a purse. After she explains what it is, Swing says, “Striking. Exquisite…/looking not at the bag, but/ at her.” He makes several more passes at Divya. Swing even “grabs her hand/ with a confidence/ [Noah’s] never seen/ in mixed company/ and kisses it.” From this scene on, Swing is infatuated with Divya and expresses his feelings to Noah frequently.
  • Noah shares his first attempt at writing a song for Sam. The song is crude, and Swing points this out. Some of the lines include, “Your moist lips/ the oboe/ my tender mouth/ sings through.”
  • Noah finds a stack of love letters from the 1960s. In these letters, the writer, Corinthian, sometimes talks about how he wants to kiss Annemarie, his love.
  • Swing asks Noah to think about what he feels while listening to jazz. During a jazz song, Noah imagines “ending the day with a mad kiss/ under the jungle gym.”
  • Noah sees Sam and Cruz kissing at school. Noah notices that “She kisses him/ loudly.”
  • Noah asks who Sam thinks is sending her love letters/art pieces. Sam says, “whoever/ is doing this is/ smart and sexy.” In a separate thought, she muses, “Maybe it’s a girl.”
  • Cruz asks Swing and Noah how to “close the deal with Sam.” In this case, it is implied that Cruz wants to have sex with Sam.
  • Sam tells Noah why her parents got divorced. She says, “five years ago, our German/ shepherd Lucy ate some/ woman’s lingerie. When they/ recovered the skimpy outfit/ from Lucy’s gut, things got a little/ awkward when Mom/ realized the vet tech wasn’t holding/ up her lingerie.”
  • Sam, Noah, and Swing look at a Dali painting with a girl in it. When asked about what he sees, Swing says, “A girl with a big rump-shaker staring out/ the window.”
  • Sam gives Noah a parting kiss, “centimeters from/ [his] lips.”
  • Sam stays over at Noah’s house and they lay in bed. They talk all night and into the morning.
  • Sam says to Noah, “let’s go back to your/ place, and I can show/ you how a sophisticated lady acts.” This is seemingly sexual, but it is not explained further.
  • Sam kisses Noah on the cheek.
  • Noah describes one of his kisses with Sam. He says, “Our noses touch./ Our breath quickens./ We’ve kissed/ at least a dozen times,/ but this feels/ like the first,/ the only.”
  • Swing is miserable because Divya kissed him “on [his] neck.” For Swing, this means that she doesn’t want “to engage in witty/ conversation/ and occasional verbal sparring,” but rather she wants to do potentially more sexually explicit activities.
  • Noah describes his classmates and friends at prom. He notes, “Everyone’s either/ smiling or smirking,/ twirling or twerking,/ posing or posturing,/ kissing or wanting.”
  • Swing tells Noah that Divya kissed him. Swing describes, “Divya kissed me, really kissed me,/ and it was an out-of-body/ experience. It was heaven, Noah,/ and she was an angel.”

Violence

  • While in the third grade, a bully named Zach punched Noah. Sam, in retaliation, “pushed Zach Labrowski/ out of the seat, then/ squeezed in next to me/ and offered a tissue.”
  • Noah thinks that Swing snuck the love letter/art piece that Noah made into Sam’s bag. Noah is furious and thinks, “Never/ been/ a/ violent/ person/ but/ right/ now/ I/ feel/ like/ going/ to/ batting/ practice/ on/ Walt’s/ head.”
  • Noah compares his confrontation with Cruz and Sam to an old cowboy movie. He describes, “and the drunk fool will answer,/ I reckon this is none of your business,/ stranger,/ and clumsily pull out his six-shooter,/ at which point/ he will get shot dead/ between the ears/ by the handsome stranger,/ who will then/ ride off/ into the sunset/ with the lady/ on his arm.”
  • At a party, one of the seniors, who is very drunk, jumps from the upstairs railing to the couch. He’s in a lot of pain, and the students decide to call an ambulance. Much later, it is explained that he “sprained/ his pinky toe/ trying to be Superman.”
  • Swing’s brother, Moses, fought in Afghanistan and seems to suffer from PTSD. Sometimes he makes references to what he saw in combat, though it is never graphic or explained. For example, he yells “BAM!” quite a bit, in reference to the explosions that he heard.
  • Noah has Sam listen to some jazz, and she doesn’t enjoy it. Noah says, “It’s not depressing, it’s yearning.” To this, Sam says, “Yearning for what, a bullet to the/ head?”
  • It is insinuated throughout the book that the police are harassing minorities about the flag vandalism occurring around town. One night, Swing and Noah realize that Swing’s brother Moses is behind the incidents. When Swing and Noah find Moses, Swing takes the baseball bat that Moses is holding because he’s worried that Moses might be unstable due to Moses’ personal history. The police arrive, and they shoot and kill Swing on sight. It is later stated that the officers perceived Swing as a threat because he was holding a baseball bat. It becomes clear that the officer’s prejudices influenced their decision, as Swing was black. Noah describes, “One/ shoots/ two/ shoot/ three/ shots/ slice/ through/ rain/ drops/ Walt/ drops/ blood/ drops/ I run/ I run/ to Walt.” Noah runs to Swing’s aid, but the cops tackle him to the ground. Noah later recalls, “The bat falling/ from Walt’s hands,/ suspended/ for too long./ The sound/ of gunshot/ piercing air/ and flesh.”

Drugs and Alcohol

  • Swing describes to Noah how they’re going to be cool one day. Swing says, “when people google/ cool a picture of me and you/ spitting seeds and tobacco/ with our hats to the back will pop/ up.” It is expressed later that they themselves do not chew tobacco.
  • Noah’s parents go to Barcelona for the International Hotel Association conference. According to Noah, this trip is where “hotel managers/ talk about hotels/ from sunup/ to sundown,/ then get drunk/ and post videos/ of horrible, late-night/ karaoke sessions.”
  • Before Noah’s parents go to Barcelona, they sit Noah down to talk about the house rules. Noah dryly jokes to his parents, “I think I’m clear on all the rules . . . no beer on an empty/ stomach, right?”
  • One of the love letters that Noah finds states that the writer, Corinthian, and the intended recipient, Annemarie, drank wine.
  • Noah and Swing listen to a podcast called Straight, No Chaser. The podcast’s content is never discussed.
  • Noah looks for the Corinthian, who wrote the love letters. All he can find is a Corinthian who wants to “turn up and sig a little/ drink.”
  • Swing suggests that he and Noah should “get pizza and beer.” Noah replies, “We don’t drink beer.”
  • Sam spreads the word that Noah’s having a party. Sam tells Noah, “I can ask/Cruz to get his older/ brother to bring some beer.” The beer is expressly for the partygoers rather than Swing, Sam, or Noah, who stated several times that they do not like beer.
  • At Noah’s party, there is “some sort of punch/ that some guy,/ who [Noah’s] never seen before,/ starts immediately spiking/ with a bottle/ from his backpack.” Many of the teenagers at the party drink out of it and from the beers they’ve brought.
  • Sam speculates that Moses may have been “on drugs” when he showed up at Noah’s party.
  • Sam admits that she’s tried weed, “just once.”

Language

  • Words like weird, idiot, dang, friggin’, shut up, suck, pissed, and dayum appear infrequently.
  • Sam and Noah have creative insults for each other, though these jabs are light-hearted. For example, they call each other, “Sucknerd,” “Toadlip,” “Horsehead,” and “Big butt.”
  • On The Woohoo Woman Podcast, Marj says, “We’re back for the last half/ hour of Woohoo Woman,/ hopefully with a little less profanity/ in this segment.” Jackie later almost says various swear words, but she catches herself or is cut off by Marj each time. For instance, Jackie says “DAYU-“ instead of damn.
  • Noah’s Granny calls some of her card-playing buddies “SHYSTY FELLAS.”

Supernatural

  • Swing is very superstitious. Noah says that Swing “can’t walk/ up or down/ the same side of the street/ on the same day,/ or in and out/ of the same door/ when he’s coming/ or going somewhere.”
  • Noah describes art to Swing. Noah says, “Art is…finding yourself/ under the spell of/ Gustav Klimt’s/ The Kiss.”

Spiritual Content

  • Many years ago, Noah and Sam went to the same “Jesus camp.”
  • In the third letter, Corinthian makes many religious references. Corinthian tells Annemarie, “i went to church with nothing but a penny for an offering. inside i prayed a thousand prayers sacredly and secretly holding the memory of your hand in mine. . . all the mysterious and magnificent things that make music will be ours under notes of heaven above and earth below. our love provides god’s angels with trumpet and song. . . [you] gave me everything, like the goddess of muses. heaven may be a place where artists go when they die, eternally playing songs, painting scenes, writing plays, or else napping, but i regret to inform the big man that i’m not leaving for eternity until u and i can be seen as an ‘us’ on this same earth.”
  • Swing paraphrases the Bible’s book of Matthew. Swing tells Noah, “If your brother pisses you off, tell him about it. If he listens to you, he is your brother for life.” Noah replies, “I doubt the Bible says pissed off.”
  • Noah and Swing listen to a jazz album. Noah describes the experience by saying, “We listen/ like we’re in church, on/bended knee, and our god/ is Dexter Gordon.”
  • Noah describes art to Swing. Noah says, “Art is…Monet’s/ Impression. Sunrise/ carrying you away on a harbor of dreams/ that only God/ knows about.”
  • After an officer interrogates Noah about Swing, Noah thinks about the officer, “You are not/ God. Here. You are/ not God. You/ are no God. You/ are no good.”

by Alli Kestler

Clean Getaway

For the life of him, William “Scoob” Lamar can’t seem to stay out of trouble—and now the run-ins at school have led to a lockdown at home. So, when G’ma, Scoob’s favorite person on Earth, asks him to go on an impromptu road trip, he’s in the RV faster than he can say “freedom.”

With G’ma’s old maps and a strange pamphlet called the Travelers’ Green Book at their side, the pair takes off on a journey down G’ma’s memory lane, but adventure quickly turns to uncertainty. G’ma keeps changing the license plate, dodging Scoob’s questions, and refusing to check Dad’s voicemails. The farther they go, the more Scoob realizes that the world hasn’t always been a welcoming place for kids like him, and things aren’t always what they seem—G’ma included.

While Scoob gets a glimpse of G’ma’s youth, the events are often disjointed and slightly confusing. During the trip, G’ma shares a secret that has been haunting her for the majority of her adult life. Soon after G’ma married her husband Jimmy, the two took off on a cross-country trip, hoping to end up in Mexico. As G’ma retraces her steps, Scoob is left wondering how all the pieces fit. When the reader finally learns G’mas secret, many of the facts just don’t make a lot of sense and there are many questions that are unanswered.

Most of the story’s action happened in the past, which makes the details less exciting and not well-developed. For example, G’ma stops at Medgar Evers’s house and tells Scoob about his death. Even though the events were tragic, the significance of Medgar’s life and death is lost because there is so little information about him. Instead of feeling like a well fleshed-out story, Clean Getaway brings up a topic and quickly moves on, leaving the reader with a list of people and events that lack historical significance.

Even though the story is disjointed, middle school readers will still enjoy the relationship between Scoob and G’ma. As they travel, Scoob gets a clearer picture of the difficulties that existed in the segregated south, especially for a biracial couple. Despite the great gains America has made, Scoob realizes how the past has helped shape his life.

Told from Scoob’s point of view, middle-grade readers will understand Scoob’s confused emotions and his anger at his father. When Scoob enters a state, a map of the state appears, which gives fun facts. The maps help the reader keep track of G’ma’s route as well as some of the important places the pair go to. Clean Getaway explores the difficult themes of racism, regret, and the complicated nature of humans. Black and white illustrations appear throughout the story, which will help the reader visualize the story’s events. As G’ma tells about her days of youth, readers see how G’ma’s choices have affected not only her son but also her grandson.

Sexual Content

  • None

Violence

  • Scoob tell his grandma about his friend, Drake, being bullied by Bryce. Bryce would “tap Drake on the back of the head as he’d shout ‘Sup, Drakey-Drake?’ loud enough for the whole room to hear. After a few days of this, the tapping turned to shoving, turned to smacking. There was one morning Bryce hit so hard, Drake cried out in pain.”
  • Bryce makes fun of Drake’s epilepsy. Bryce “passed by and hit him, and Drake’s whole body lurched forward like a board… He pointed of his fat, pink fingers at Drake and laughed…” Bryce imitates Drake’s seizure and says, “‘Too bad it’s not the type where he shakes and his tongue falls out.’ And he stuck his big, ugly tongue out and pretended to convulse.”
  • When Bryce teases Drake, Scoob “leapt from his seat, hopped the table, and tackled Bryce. Then they were on the floor. Bryce was on his back. Scoob on top of him. Punching. Punching. Punching.”
  • G’ma tells Scoob about April 3rd, 1968 when Martin Luther King’s assassination occurred and a “colored” church was bombed and “four little girls were killed.”
  • G’ma stops in front of Medgar Evers’s house. She tells Scoob, “It was built to house Medgar Evers’s family. Medgar was known for helping black folks get registered to vote back in the day. Also drew national attention to the horrible crime committed against the Till boy, Emmett. He was killed just a few hours north of here… He [Medgar] was shot as he got out of his damn car.”

 Drugs and Alcohol

  • G’ma drinks bourbon from a flask. She says bourbon “was your G’pop’s favorite.”

Language

  • Heck is used nine times. For example, Scoob thinks, “What the heck was he thinking letting G’ma drag him out into the Mississippi wilderness?”
  • G’ma and Scoob eat at a place called “Damn Yankees.”
  • G’ma calls Bryce a “bonehead.”
  • Darn is used five times. For example, G’ma says, “Not as nimble as I used to be, but this old bird can still start a darn good fire.”
  • G’ma says, “Good lord. Haven’t laughed like that in years.”
  • Damn is used once. Dang is used once.

Supernatural

  • None

Spiritual Content

  • Scoob tries to find a TV channel, but “the antenna only picks up four channels. One is religious, of the cowboy-looking guy hopping around.” The man says, “I said-ah, the good Lord-ah, he is among us-ah.”

Otis and the Puppy

Otis and his farm friends love to play hide-and-seek. Otis especially loves to be “it,” finding his friends as they hide in funny places. But one day, when the newest addition to the farm—a bounding puppy who can’t sit still—goes hiding, his attention wanders along with his legs, and soon he is lost in the forest.

Daylight fades quickly, and Otis begins to worry. He knows that his new friend is afraid of the dark and must be terrified to be all alone in the woods. Yet Otis has a secret that makes his tires tremble at the thought of searching in the dark. How can he conquer his fear to save the day?

Any child who loves hide-and-seek will love seeing the funny places Otis finds the farm animals hiding. Otis works and plays hard on the farm. The tractor loves to help plow and plant fields. Otis’s personality shines because of his expressive facial expressions. Readers will fall in love with the cute, curious puppy who loves to sleep curled up next to Otis.

When the little puppy wanders away from the farm, Otis worries about his new friends. Otis understands the puppy’s fear of the dark because Otis has the same fear. However, Otis doesn’t let his fear keep him from going into the dark woods to seek his friend. When the two friends find each other, “somehow the night sounds no longer felt so frightening to them.”

The background of each illustration is done in soft grays, which allows Otis’s and the animal’s colors to pop on the page. When night comes, the animals are just shadows, but even the silhouettes convey the animal’s feelings. As Otis goes into the dark woods, readers will have fun finding the animals in the shadows. The story has the perfect ending. Otis and the puppy reunited, and they are no longer afraid of the dark.

Even though Otis and the Puppy is a picture book, the story is intended to be read aloud to a child rather than for the child to read it for the first time independently. The onomatopoeias make the story fun to read aloud. Each page has 1-5 sentences; however, some of the sentences are complex. Younger readers will love seeing that tractor and puppy become friends.

 Sexual Content

  • None

 Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Goldie Blox and the Three Dares

While in the attic, Goldie Blox finds her grandmother’s book of dares. With the help of her friends, she is determined to finish the last three remaining challenges. However, one of the challenges may be impossible. Despite this, Goldie Blox is determined to succeed and make her grandmother proud.

Goldie and her friends complete a series of dares ranging from eating a hot pepper, smelling a rotting fish flower, stealing the original Bloxtown blueprints, and having a picnic on the moon. While completing the challenges, Goldie and her friends each use talent and engineering. For example, when Goldie and her friends need to cross a swollen river, Goldie makes a zip line. For another task, Ruby uses her minicomputer to deactivate the museum’s alarm system.

Goldie Blox and the Three Dares introduces readers to STEM and features a group of interracial friends. The friends are illustrated with different skin tones; however, the characters’ races are never discussed nor does it affect any of the characters’ behaviors. The story focuses on each character’s unique talent and personality. Despite the friends’ differences, each person helps Goldie complete the challenges.

The story shows the power of imagination, problem-solving, and extreme risk-taking. Goldie is up for any challenge and has more freedom than the average seven-year-old. For example, Goldie and her friends are dropped off at a trailhead and embark on an overnight camping trip. While some of the events are presented in a cartoony way, some of the dares could lead to injury. Also, while completing the challenges, Goldie’s parents know that Goldie and her friends are planning on breaking into a museum and they allow the children to proceed with the theft as long as they return the stolen item afterward.

Goldie Blox and the Three Dares will appeal to younger readers. The story uses easy vocabulary, short paragraphs, and cartoonish black and white illustrations that appear every three to five pages. Goldie and her friends are smart and creative; however, the story never explains how any of their inventions are created. Also, some of the antics are too outrageous to be believable. For example, while breaking into the museum, the guard has an alligator on a leash. In order to distract the alligator, Goldie’s dog, Nacho, “dropped a potato chip. Then another and another. He made a trail of snacks leading away from the Gearheads.”

The Goldie Blox Series will entertain readers and spark their interest in engineering. The Goldie Blox toy line will also give readers a chance to create some gadgets of their own. Younger readers interested in engineering will also enjoy Rosie Revere, Engineer by Andrea Beaty. Strong readers who want books that combine engineering and positive friendships should put the Ellie Engineer Series by Jackson Pearce at the top of their reading list.

 Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Goldie modifies her walking stick to sing a different version of 99 bottles of beer on the wall. Instead of using beer, the stick sings, “One hundred bottles of superglue in the shop. . . Take one down, use it all up.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

The List of Things That Will Not Change

When Bea’s parents get divorced, Bea gets shuffled between her mom’s house and her dad’s house. In order to help Bea process her emotions, her parents give her a notebook that has a list of things that will not change. Eventually, Bea meets her father’s partner, Jessie. When the two decide to get married, Bea’s biggest wish is about to come true—Bea’s finally going to have a sister!

Bea has a lot in common with her soon-to-be sister, Sonia. Both Bea’s and Sonia’s parents are divorced. Both of their dads are gay. The one thing that is different is that Bea lives in New York while Sonia lives in California. When Bea finally meets Sonia, Bea has a hard time understanding some of Sonia’s actions. Bea wonders if Sonia and she will ever be like real sisters. Will the wedding turn them into a real family?

Even though Bea’s parents try to make the transition easy, Bea is confused because her parents have a different set of rules. In order to help Bea work through her emotions, she goes to see a counselor who helps her deal with her emotions in an appropriate way. For example, a counselor named Mariam teaches Bea how to worry. “She wanted me to worry for five minutes straight, two times a day… And if my worry showed up at any other time, like during school or at Angus’s house, Miriam said I should tell it ‘Go away, and I’ll see you later.’”

The List of Things That Will Not Change is told from Bea’s point of view, which allows the reader to understand her insecurities, fear, and anger. However, the story jumps back and forth between the “Year of Dad Moving Out” and the “Year of Dad and Jessie Getting Married,” which can cause some confusion. Some of Bea’s thoughts are revealed through letters that she writes to Sonia. Bea’s vast emotions are explained in ways that every child can understand.

As the story progresses, Bea learns that not everyone is accepting of her Dad and Jessie getting married. Someone tells Bea, “Family can turn their backs on you, just like anyone else.” Bea finds out that Jessie’s family doesn’t talk to him anymore because he is gay. Jessie’s sister tells Bea that when people take away their love, “It makes you smaller. Sometimes it makes you disappear.”

Another important lesson Bea learns is that “Life is like a trip. A very long one. And what matters most is the people you travel with.” While The List of Things That Will Not Change teaches some important life lessons, readers may have a difficult time finishing the book. The majority of the book focuses on Bea’s emotions, which slows the pace and makes the book difficult to read to the end. The List of Things That Will Not Change will help readers who are facing a life-changing event process their emotions. We Are All Made Of Molecules by Susin Nielsen tackles some of the same themes and contains more action; however, it is only appropriate for more mature readers. Readers who are plagued by anxiety and need help understanding their emotions should read Guts by Raina Telgemeier.

Sexual Content

  • Bea’s father told her, “He would always be attracted to some men the same way some men were attracted to some women. It’s the way he’s felt since he was little.”

Violence

  • Bea’s cousin calls her a ping-pong ball because she goes back and forth from her mother’s house to her father’s house. Bea “was on top of her in three steps. First, I yanked her ponytail, and then I smacked that ball off her hip, down to the dirt.”
  • When Bea was eight, she was invited to a birthday party. While playing musical chairs, she “didn’t want to lose… But when the music stopped the second time, the closet chair already had someone sitting in it…” Bea shoved a boy off the chair onto the floor.
  • When Bea was leaving the birthday party, she “threw my party bag at Carrie’s mom. It hit the wall right behind her, and everything inside—candy corn, mostly—exploded all over the floor.”
  • Bea is upset at a girl in her class. She tricks the girl into putting her hand up to her nose. Then Bea “bashed it into her face. Carolyn’s eyes teared up. She cupped her hands around her nose for a few seconds and then took them away, slowly.” Carolyn tells Bea, “You’re mean sometimes, you know that?”
  • Bea feels guilty because she “pushed my cousin Angelica off the loft at our summer cabin. Uncle Frank says her head missed the woodstove by four inches.”
  • Bea’s cousin shows her a scar and says, “That’s where James threw a piece of wood at me when he was ten. It had a nail sticking out of it! Blood everywhere!”
  • Jessie’s brother comes to the wedding and “pushed the cake off the table.” Then he runs out of the wedding.

 Drugs and Alcohol

  • Bea’s cousin said she saw a guy that “was totally drunk.”

Language

  • While at the family’s summer cabin, Bea’s cousins begin commenting on people’s butts. One cousin says, “Hey, hey, my name is Bill, but my butt is bigger than Hamburger Hill.” Another cousin says, “Hey, hey, my name is May—and my butt’s not big, but my daddy’s gay!”
  • Bea calls her cousins “a bunch of jerks.”

Supernatural

  • None

Spiritual Content

  • Bea’s cousin thinks she was injured because she had bad karma. She says, “I was vacuuming—I have to vacuum the whole house. And I heard this noise in the hose… And when I looked, I saw this little toad in the canister… I didn’t do anything. I left it there, to get dumped.”

Undefeated: Jim Thorpe and the Carlisle Indian School Football Team

In 1907, the Carlisle Indian School in Pennsylvania became one of the most innovative football teams in the United States. Lead by Ivy League graduate Pop Warner and star player Jim Thorpe, this team would go on to challenge the most prominent football teams of the day, including Harvard, the University of Pennsylvania, and Yale.

This narrative nonfiction story highlights the history of football and of the United States’ direct involvement in the mistreatment of Native Americans. The Carlisle Indian Industrial School was the first government-run boarding school meant to assimilate Native Americans into white society. The school opened after the Black Hills war and centuries of violent conflict. Native American children were taken from their homes to live in military-style schools, where they were not allowed to dress in traditional Native American clothing nor speak their native languages. This practice became standard in the U.S., effectively cutting children off from their parents and their cultures. This is the context that surrounded Jim Thorpe and the Carlisle Indian School football team. It is a history unknown by most and not widely discussed.

Undefeated weaves the history of football and the Carlisle Indian School Football Team into the United States’ treatment of indigenous people. Sheinkin masterfully presents history without holding back on the grim reality of boarding schools or the overwhelming obstacles Native American students faced both on and off the football field. Sheinkin effectively balances a creative narrative nonfiction style with more strait-laced historical aspects. These two facets create an engaging view of a lesser-known aspect of one of the United States’ favorite sports without sacrificing accuracy or becoming boring.

The football-heavy parts of this story delve into the danger the players faced before football was modernized. Sheinkin makes the game descriptions digestible even to those who don’t know football or the sport’s history well. Undefeated takes readers through the highs and lows of practices and games, giving readers the feeling of being there in real-time. Ultimately, Undefeated shows a love for football that is untarnished by time.

Undefeated is not a typical football story about the underdog team fighting for first place. The story is far more complicated and interesting, and it breathes life into its historical cast of characters. History rarely comes with clean-cut lessons, but Undefeated presents the need for perseverance when the going gets tough. The world that Jim Thorpe and his classmates from the Carlisle Indian School lived in was unfair to them, and their stories deserve recognition in American history. Their legacy lives on in one of America’s favorite pastimes and their influence upon football will carry forward for generations to come.

Sexual Content

  • Jim Thorpe liked classmate Iva Miller and told her upon meeting her that, “‘You’re a cute little thing.’ Iva was not impressed.”

Violence

  • Jim Thorpe attempts to try out for the football team, but Pop Warner sends him out to get tackled by the current varsity players. No one can touch Jim, though, because he’s incredibly agile and fast. Warner yells, “Hit him down so hard he doesn’t get up!”
  • Football-related violence occurs throughout the book. One memorable line comes from the first official American football game in 1869. During the game, “One of the Rutgers men, George Large, took a blow to the head and came up woozy. He stayed in the game. For the rest of his life, Large would boast that he was the first man ever injured playing American football.”
  • The football-related violence is heightened because early football had few real rules. In one description, “[The play] wasn’t over until the man with the ball quit moving. So while he squirmed and wriggled forward, more defenders piled on, and plays ended in massive, writhing mounds, inside of which guys would throw elbows and knees, scratch and bite, spit and choke, until the refs could untangle the heap.”
  • When Jim was young, his father Hiram “strode into the river in his boots, grabbed [Jim], hauled him out to deep water, and dropped him in the current. Hiram then waded back to the bank and watched.” This was Hiram’s way of teaching Jim how to “man up.”
  • Hiram carried “bullets in his belt.”
  • The story discusses the historical treatment of Native Americans by the United States government, including the Indian Removal Act of 1830. For instance, “President Andrew Jackson explained the objective in bluntly racist language. Native Americans were surrounded by what Jackson called ‘a superior race.’” Describing the Trail of Tears, Sheinkin writes “an estimated four thousand people died of disease, cold, and starvation before the nightmare journey ended.”
  • Of a town near Jim’s birthplace, one stagecoach driver said you could, “stay for half an hour and see a man killed.”
  • Losing one of Jim Thorpe’s childhood games came with a price. Anyone who fell behind or lost had to endure the slapping machine. He describes it as, “This consisted of scampering on hands and knees between the legs of others in the game, assisted by a brisk paddling.”
  • Jim hiked 23 miles home from school and Hiram “gave Jim a whipping” and took him straight back to school. This happens several times, as Jim tended to skip school and return home.
  • A player from Georgia died during a football game. The player “hit the ground headfirst . . . The blood drained from his face. His eyes were open, his lips quivering. A doctor ran onto the field and diagnosed a fractured skull . . .  he died the next morning.” Similar injuries and deaths are described in similar detail.
  • Thorpe and two of his teammates were going to the baseball field when a large white man stepped in their path. The white man said, “When a white man approaches, you get off the sidewalk and get into the street.” In response, Thorpe punched the man in the face, and the trio “walked around [the white man’s] fallen body to the baseball field.” They then “spent that night in jail.”
  • The Carlisle Indian School staff mistreated students, and the 1914 Congress investigated the claims. Students “came forward to testify about skimpy meals for non-athletes and cruel treatment, including beatings, by teachers.”
  • Coach Pop Warner reported that “If a player was too good-natured or easygoing . . . the coach would tell one of his own mates to sock him in the jaw when he wasn’t looking and then blame it on the other team so as to make him mad.”
  • As a child, Pop Warner stood up to his bullies. “One of the class bullies grabbed Pop’s hat, tossed it into a slushy puddle, and stomped on it . . . In a burst of rage, [Warner] pounced on the bully, knocked him down, and started pummeling him.”

Drugs and Alcohol

  • Jim grew up near Keokuk Falls. The story was that “it was a place where even the pigs got drunk—a whiskey distillery near town dumped used corn mash behind the building, and hogs gorged on it and staggered down the dirt streets.”
  • After a game in Chicago, “the [Carlisle] players collapsed onto couches at their hotel and lit up cigars.”
  • Pop Warner smokes during practices with the Carlisle players.
  • The Carlisle football players were allowed to drink at the local bars, which “weren’t supposed to serve Carlisle students, but exceptions were made for football players.”
  • Jim Thorpe occasionally smokes cigars.
  • After a game, “Thorpe and Welch sat together with glasses of beer.”
  • Thorpe and his daughter Charlotte told stories one night “over drinks.”

Language

  • Profanity is limited. Derogatory terms include “sissy” and “crippled.”
  • Many derogatory names are referenced in quotes toward Native Americans. For instance, the founder of the Carlisle Indian Industrial School fought in land disputes against Native Americans on behalf of the U.S. He said, “I had concluded . . . that as an army officer I was there to deal with atrocious aborigines.” In another example, newspapers referred to the Carlisle football team wins as “scalpings” and “massacres.” This occurs somewhat often throughout the book.
  • Pop Warner’s childhood nickname was Butter— “It was not a compliment . . .  [His classmates] pelted his broad backside with beans shot through straws, and pebbles launched from slingshots.”
  • When the first group of Native American students was brought to the Carlisle Indian School, “the townspeople waved their arms and made grunting sounds—mimicking their idea of Indian behavior.”
  • Pop Warner had a colorful vocabulary and used it during some practices with the Carlisle players, who did not appreciate his rudeness. The book quotes Pop as saying such things as, “Play @#$& football!” and “What in the %&*# you think you’re doin’?” It does not use the actual swear words.
  • At one point, Thorpe says to Pop “Aw, hell . . . what’s the use of going through ‘em when I can run around ‘em?”

Supernatural

  • None

Spiritual Content

  • None

by Alli Kestler

The Crossover (Graphic Novel)

Twelve-year-old Josh and his twin JB Bell are the kings of the basketball court. Untouchable and unstoppable—the sons of former professional basketball player Chuck “Da Man” Bell couldn’t be anything less than excellent. But when Alexis walks into the twins’ lives and steals JB’s heart, Josh is left without his best friend by his side. Meanwhile, the boys’ father’s health is on the decline, despite Chuck’s utter denial. Josh and JB must deal with the consequences of everyone’s actions—including their own.

The illustrations in the graphic novel, The Crossover, bring the story to life. Illustrator Dawud Anyabwile’s comic book style illustrations match the high-pace action of the novel, especially during the basketball scenes. Most of the illustrations are in black and white with detailed shading, but Anyabwile frequently utilizes orange to help features pop off the page. The text changes in size and shape which helps to capture the rhythm of the poem. Even though this is a graphic novel, the poetic language makes The Crossover a good choice to read aloud.

The pages vary in the amount of text and pictures. Some pages have full-bodied scenes with a few sentences, while others have smaller pictures with mostly narration or dialogue. Alexander’s free-verse poetry moves very well and, thus, lends itself to these variations in page styles. The text placement only serves to emphasize parts of the story. Even though the graphic novel has some difficult vocabulary, the words are often defined and the repetition of the words allows the reader to understand the term. Readers will learn new vocabulary, but the more advanced vocabulary is balanced with realistic dialogue and trash talk during the basketball scenes.

The words themselves rarely vary from the original book, though the verse orientation on the page serves to emphasize different phrases. Those who have read the original text will still find that the graphic novel conveys characters’ moods and personalities in different ways due to the addition of illustrations. Josh, JB, and their friends and family are all vibrant characters and the pictures give them new life and add to the reading experience.

The Crossover was already a moving story, but the story benefits greatly from the addition of illustrations. The illustrations enhance the characters’ emotions and the story’s stakes feel heightened. The story speaks truths about grief, love, and basketball, and the pictures serve to bring those wonderful themes to another dimension. Newcomers and fans of the original story will find this edition to be a worthy addition to their shelves.

Sexual Content

  • Josh and JB’s dad, Chuck “Da Man” Bell, tells his sons about how back in the day, he “kissed/ so many pretty ladies.”
  • Josh says that the only reason why JB has been “acting all religious” is because classmate “Kim Bazemore kissed him in Sunday/ school.”
  • Josh does his homework while “Vondie and JB/ debate whether the new girl/ is a knockout or just beautiful,/ a hottie or a cutie,/ a lay-up or a dunk.”
  • Josh teases JB and asks if “Miss Sweet Tea” (Alexis) is his girlfriend. JB dodges the question. However, it is clear that he likes her a lot because “his eyes get all spacey/ whenever she’s around,/ and sometimes when she’s not.”
  • Chuck faints, and his wife, Crystal, demands that he see a doctor. Chuck refuses, and they argue. In an attempt to diffuse the tension between them, he says, “Come kiss me.”
  • After Crystal and Chuck stop arguing about Chuck’s health in the bedroom, Josh narrates, “And then there is silence, so I put the/ pillow over my head/ because when they stop talking,/ I know what that means./ Uggghh!” This happens a couple times throughout the book, though it is never illustrated.
  • Alexis wants to know “am I [JB’s] girlfriend or not?”
  • Josh likes Alexis romantically as well, but JB doesn’t know that.
  • JB and Alexis walk into the cafeteria, and she’s “holding his/ precious hand.”
  • JB and Alexis kiss in the library, and Josh sees them. The kiss is illustrated.
  • JB tells Alexis “how much she’s/ the apple of/ his eye/ and that he wants/ to peel her/ and get under her skin.”

Violence

  • JB plays with Josh’s locks of hair. Josh “slap[s] him/ across his bald head/ with [Josh’s] jockstrap.”
  • JB accidentally cuts off five of Josh’s locks of hair. Josh gives JB several noogies over the course of a few interactions.
  • Josh nearly breaks JB’s nose with a hard pass during a basketball game. He does it on purpose because he’s upset with JB, and Josh is suspended from the team. The description is only a couple of words long.

Drugs and Alcohol

  • Crystal’s younger brother “smokes cigars.”

Language

  • There are a few rude terms used occasionally by the younger characters. Some terms include crunking, stupid, and jerk.
  • When Josh narrates his plays in games, he talks big about his game and this leads to him occasionally threatening physical contact during the game. For instance, Josh says in part of his beginning speech, “Man, take this THUMPING.”
  • Josh’s nickname is “Filthy McNasty.”
  • JB suggests a bet against Josh. Josh responds with, “You can cut my locks off,/ but if I win the bet,/ you have to walk around/ with no pants on/ and no underwear/ at school tomorrow.”
  • JB responds with, “if you win,/ I will moon/ that nerdy group/ of sixth-graders/ that sit/ near our table/ at lunch?”

Supernatural

  • None

Spiritual Content

  • JB only went to one basketball summer camp because “he didn’t want to miss Bible/ school.”
  • The Bells go to church on Sundays before basketball. Josh says, “When the prayers end/ and the doors open/ the Bells hit center stage,” meaning the basketball court. Josh sometimes mentions team prayers or praying to win games.

by Alli Kestler

 

 

Latest Reviews