I Don’t Want to be a Pea!

Hugo Hippo has a best bird. Bella Bird has a best hippo. And they are going to the Fairy-Tale Fancy Dress Party. Together, of course.

Hugo wants to be the princess (and Bella will be the pea). No, wait—Bella will be the princess (and Hugo will be the pea). No, wait—the first way. No, wait—the second way.

Well, one of them must be the pea if they’re going to the party. Well, maybe they won’t go then. Hmph. Yes, hmph.

At first, Hugo and Bella think the most important part of going to the party is deciding on a costume. Soon, the two argue and Bella says, “Besides, I don’t even want to go to the party with you anymore.” Once the two friends are all alone, they realize that their friendship is more important than getting their own way. That’s why they both show up at the party dressed as a pea.

Young readers will fall in love with Hugo and Bella, who act like typical children, who want to get their own way. Their dilemma comes to life in brightly colored illustrations that are fun and lively. Readers will giggle at all the funny costumes such as when Bella dresses as a jester, and they’ll feel sad when they see Hugo crying in the shower.

Even though I don’t want to be a pea is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has 1 to 4 sentences that appear in oversized font.

I don’t want to be a pea is short enough to be a quick bedtime story, while still having an important message for children. While the story can be used as a conversation starter about friendship, the silly story will captivate readers because everyone can relate to their conflict.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Who Was Princess Diana?

A shy twenty-year-old girl stepped out of a horse-drawn coach and into the world spotlight, capturing the imagination of millions as a real-life fairytale princess. Although the storybook marriage didn’t have a happy ending, Diana learned to use her fame to champion charitable causes near to her heart. She became the “People’s Princess” by humanizing the image of the royal family and showing care and concern for all people, including the homeless, the sick, and others in need.

Even though Princess Diana was born into a wealthy, noble family, her father taught her to “treat everybody with kindness and never act more important than another person.” Because of her caring and compassionate nature, Princess Diana was loved by millions. Princess Diana used her fame to help people in need, including AIDS patients, the Red Cross and Mother Teresa. Again, though her fairy tale didn’t have a happily-ever-after, Princess Diana’s life is still an inspiration for millions around the world.

While the majority of Who Was Princess Diana? focuses on Diana’s life beginning with her early childhood, the book is full of other interesting facts. Scattered throughout the book are one-to-two-page non-fiction articles that talk more about the royal residences, the order of succession, Mother Teresa, as well as other topics that affected Princess Diana’s life. The end of the book includes a timeline of Princess Diana’s life and a timeline of the world.

Who Was Princess Diana? shows that life as a princess isn’t like it is in a fairy tale. The book has an easy-to-read format with large font. Large black-and-white illustrations appear on almost every page. Many of the illustrations show the royal family; however, the drawings are a bit off-putting because of the strange expressions on people’s faces. In addition, some of the drawings are of people in Diana’s life, but the picture doesn’t look much like them.

While Princess Diana was an admirable person, she is not portrayed as a perfect person. Throughout her life, her caring nature was a bright light. She was never afraid to show her love for people including the sick and the poor. Today, Princess Diana’s legacy is carried on by her two sons, Prince William, and Prince Harry. Who is Princess Diana? is perfect for readers who are researching the princess. However, learning about the princess will also encourage everyone to be a kinder person. Diana said, “I knew my job was to go out and meet people and love them.”

Sexual Content

  • None

Violence

  • After Princess Diana visited Angola, she joined the Red Cross to help get rid of land mines. After a civil war, “Close to fifty thousand people—including children—had lost an arm or leg in land-mine accidents.”
  • The paparazzi followed Princess Diana everywhere. Diana and her boyfriend, Dodi, were in a vehicle. Their driver tried to outrun the paparazzi. “The driver was going too fast and lost control. The car crashed into a concrete pillar inside a Paris tunnel.” All three passengers died.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Majesty

Power is intoxicating. Like first love, it leaves you breathless. One young woman is born with it. After centuries of kings on the throne, Queen Beatrice is the most powerful woman America has ever known. So why does it feel like she’s lost so much?

Her sister is born with less power. Heir, spare, whatever. The American people will always think of Princes Samantha as the part princess. So she might as well play the role, right?

Some are pulled into the Washington’s world. Nina Gonzales longs for a normal life—whatever that is. But disentangling herself from Prince Jefferson’s world isn’t as easy as she’d hoped.

And a few will claw their way in. There is only one crown that can be captured in this generation, and Daphne Deighton is determined to have it. She will take down anything—or anyone—that stands in her way.

American Royals continues the drama of the three Washington children. The story is told from multiple points of view including Beatrice, Samantha, Nina, and Daphne. Each person’s point of view is uniquely different and allows the reader to understand each person’s thoughts, which are often different than their actions. This leads to well-developed characters who are flawed and relatable.

The second and last installment of the American Royals Series focuses more on each character’s love life and less on politics. The story is full of steamy kissing scenes, heated arguments, and the confusion that comes with young love. One character’s story is like Shakespeare’s Taming of the Shrew with a modern twist. Unlike many romance novels, Majesty doesn’t end with a happy-ever-after for everyone. Instead, the book ends by showing the complicated and messy nature of love. The reader is left with this message: “real love comes from facing life together, with all its messes and surprises and joy.”

If you’ve ever wished a prince would steal your heart, American Royals: Majesty should be on your must-read list. The American Royals Series has well-developed characters, a unique premise, and several plot twists. However, if you’re looking for a book with less alcohol and sexual tension, The Selection Series by Kiera Cass would be a tamer choice.

Sexual Content

  • Even though she is engaged to Teddy, Beatrice kisses Connor. After an argument, Connor “grabbed her by the shoulders and kissed her. There was nothing gentle or tender in the kiss. Connor’s body was crushed up against hers, his hands grasping hard over her back as if he was terrified she might pull away.”
  • Ethan declares his love to Daphne. Then Ethan “leaned down to kiss her. . . She felt like she’d been on a torturous low simmer for months, and now she was finally alive again.”
  • Nina and Ethan kiss several times. For example, after eating pizza, Nina and Ethan kiss. “Ethan’s touch grew firmer, his hand moving to trace the line of her jaw, her lower lip. The air between them crackled with electricity. . . Nina leaned deeper into the kiss, her grip tightening over his shoulder.” The scene is described over a page.
  • Samantha and Marshall begin a “fake” relationship. While at a party, they end up in the pool. “One of Marshall’s hands had looped beneath her legs, the other braced behind her back. . . Then he brushed his lips lightly over hers. . . Sam kissed him back urgently, feverishly. She had shifted, her legs wrapped around his torso, her bare thighs circling the wet scratchy denim of his jeans.” The scene is described over a page. After this, they kiss several more times.
  • After spending an evening together, Beatrice “pressed her lips to [Teddy’s]. Perhaps out of surprise, his mouth opened beneath hers, letting her tongue brush up against his. . . She tugged impatiently at his shirt, trying to pull it over his head, but Teddy tore himself away.” Teddy stops Beatrice because she has had too much to drink.
  • After Teddy encourages Beatrice, she kisses him. “She turned and pulled his face to hers, dragging her hands through his blond curls, kissing him with everything that was aching and unsettled in her.”
  • Samantha tells Marshall how she feels about him. Then, “Marshall stood up in the moving carriage, bracing his hands on the wall behind Sam, and closed his mouth over hers. Sam arched her back and leaned up into him.”
  • After Teddy and Beatrice proclaim their love for each other, they kiss. “Beatrice tore her mouth from his only to tug his blazer impatiently from his shoulders, letting it fall to the floor. Teddy fumbled a little with her dress, struggling with its tiny hooks. . . His breath caught when he saw her in nothing but her ivory lace underwear.” The scene is described over 1 ½ pages. The two have sex, but it isn’t described.
  • On Beatrice’s wedding day, her first love, Connor, shows up. Beatrice is startled and, “Connor, seeing her parted lips, leaned in to kiss her. She didn’t resist. . . The sheer Connorness of him overwhelmed her senses. . . Then reality crashed back in and she pulled away, her breathing unsteady.”

Violence

  • None

Drugs and Alcohol

  • There are many, many events where alcohol is served to both adults and minors. For example, on a spring break trip, Nina and her friends drank “cheap beer.”
  • During boat races, alcohol is available. “Long queues had formed behind the scattered bars that sold mint juleps.”
  • At a museum event, alcohol is served. A worker “was pushing a catering cart, and Sam heard the unmistakable clink of jostling wine bottles.” Sam grabs “a bottle of sauvignon blanc from the cart.” Sam and a man she just met take turns drinking straight from the bottle. “The wine had a crisp tartness that settled on the back of her tongue, almost like candy.”
  • In the past, Daphne “had slipped a couple of ground-up sleeping pills into Himari’s drink.” Her friend, Himari, climbed “a staircase in her dazed, disoriented state—only to fall right back down.” The fall put Himari into a coma.
  • At a party hosted by Jefferson, minors drink alcohol including vodka. Jefferson’s old rowing team shows up, already drunk, shouting that they needed him for a “round of shots.”
  • Teddy takes Beatrice home to meet his parents. Beatrice explains why she usually doesn’t drink, “I can’t afford to get drunk and publicly make a fool of myself.” However, she drinks “the grapefruit thing” and gets slightly drunk.
  • The Russian ambassador told Beatrice, “That while beer and wine muffled and muted your emotions, vodka revealed them.”
  • During a historical reenactment, Marshall talks about his ancestor, the king of Orange joining America. Marshall says politicians from the past, “bickered over terms for weeks. Then, when they finally signed a treaty, they got roaring drunk.”
  • During a celebration, Marshall teaches Samantha about a game. If you lose, as a penalty “you get a choice. You can either sweep the steps of your local post office or buy a round of shots at your local bar.”
  • Jefferson and his best friend “got drunk for the first time together, that night we accidentally had all that port and ended up puking our guts out.”

Language

  • Profanity is seldom used. Each word of the following words is used several times: ass, badass, damn, and hell.
  • Beatrice’s secret boyfriend yells, “When you’re making choices about our future, I want a damn vote!”
  • Nina tells her lab partner, “Not to brag, but I kick ass at assignments.”
  • God and Oh my god are used as examinations a couple of times.

Supernatural

  • None

Spiritual Content

  • one

Disney at Dawn

The Kingdom Keepers are back together to protect the Disney Parks from the evil fairy, Maleficent, and the Overtakers. But this time, the attack is personal. Amanda’s sister, Jez, has been kidnapped, leaving behind only her journal of clairvoyant sketches to help her friends find her. The search takes the Keepers to Walt Disney World’s Animal Kingdom, where Maleficent is hiding and using mind-controlled animals to do her evil bidding.

Raising the stakes further, Maleficent has set up a second hologram server that only she controls.  If the heroes fall asleep, Maleficent and the Overtakers can force them to “crossover” into their holographic state and be stuck in Sleeping Beauty Syndrome, a coma-like sleep from which you cannot wake up on your own. Finn and the rest of the Kingdom Keepers must go undercover as Animal Kingdom employees to uncover secret meanings in Jez’s clairvoyant drawings, stop Maleficent and the animals from their quest to escape the parks, and find a way to shut down the second server, all before they become unable to stay awake any longer.

This thrilling second installment in the Kingdom Keepers Series keeps readers on their toes with fast-paced action sequences, simultaneous missions, and an exciting new location where the magic of the parks is shown. The book successfully transports readers to Animal Kingdom in the thick of the action. Pearson’s narration once again manages to provide wayfinding tips as well as the necessary descriptions of park attractions, so even those who have never seen Animal Kingdom before will feel as if they are actually there with the Keepers. Pearson also strikes a balance between solo missions for each Kingdom Keeper as well as creating new duos and trios for the action to revolve around. As the teams split off, the characters’ dynamics shine, with each different personality on display for readers to enjoy. They all get the chance to be leaders in their own unique way.

As before, if your young reader enjoys the Disney Parks, or has an interest in the park’s operations, this book offers an exciting “behind the scenes” view from the Kingdom Keepers’ perspective. It balances the presence of technical knowledge of the theme park and its attractions with the fantastical plot that brings animals, animatronics, and evil villains to life. The second book in the series does everything that Disney After Dark does well, but on a bigger scale, with characters that readers now know and are sure to root for.

Sexual Content

  • In the tunnels, Jez and Finn’s “faces were about a foot apart,” when Jez reminds Finn that she has a boyfriend.

 

Violence

  • There are references to the events of the previous book, including Maybeck’s “Sleeping Beauty Syndrome” in which he crossed over into his DHI state against his will and was unable to wake up. The narration describes the severity of the syndrome, saying it “might have killed him.”
  • While trying to stop a man from chasing Finn through a series of booby-trapped tunnels, Finn decides to trigger one of the booby-traps so that they both fall through the chute, effectively throwing off the man’s pursuit. As Finn falls and grabs onto the ledge, “His body smacked into the hanging trapdoor.”
  • Jez is “kidnapped” by the Overtakers, the evil Disney villains trying to take over the park.
  • Finn fears that the weather balloon him and his friends spotted in the sky above the park is meant to “kill him and his friends.” Philby says if that were true, then the man chasing Finn and Philby to the top of the castle would be “suicidal” as he would also be subject to the lightning strike. Finn also imagines that it could be a Frankenstein-like experiment, picturing “some Disney monster strapped to a stainless-steel table with wires attached to his head and heart.”
  • Finn and Philby discover an actress dressed as Tinkerbell tied up in the room of the castle from which she is meant to “fly” by ziplining across the park during the fireworks shows. However, Maleficent has orchestrated this event as her escape. Finn watches as Maleficent “jumps” out the window, though he soon realizes that she is not falling, but flying away.
  • The kids often use an online virtual reality system that allows them to navigate the software that controls the park as well as communicate with other people. Finn remembers how his parents warned him of “stalkers” that preyed on kids “by pretending to be kids themselves.”
  • Finn wondered if his mentor, Wayne, had “died or been captured by the Overtakers” or “been in a coma” since he had not heard from him.
  • Wayne explains that Maleficent wants to put all the DHIs into Sleeping Beauty Syndrome so that they are “out of the way . . . for good.” They can only prevent this by “crashing” the system that the Overtakers will use to put them in the coma. However, if they do this too soon, Wayne says they may never see Jez again.
  • While on the roof of Amanda’s house, Finn slips causing him to fall “face-first.” The narration says that if Amanda had not grabbed his wrists in time, “he was gone.”
  • Amanda says her parents drowned, while Jez’s were possibly overtaken by “real pirates.
  • There is a recap of a time in the previous book in which the DHIs were attacked by the dolls in It’s a Small World as well as other characters.
  • A bat attacks the hosts from the sky. The Keepers turn on lights, knowing that bats have an aversion to it, causing the creature to dive “as if it had been shot.” They capture it and Philby later “suggested doing something to it that wouldn’t have been approved by the SPCA”.
  • Philby, after seeing Jez’s notebook of sketches, asks in a reference to Van Gogh, “At what point did she cut off her ear?”
  • A swarm of birds attack Maybeck. He sees a “pitch-black flurry of wings and beaks and scratching claws.” He escapes, surprisingly, without a scratch.
  • The plot of the safari ride at Animal Kingdom is described. Ride-goers try to prevent a group of poachers from catching a baby elephant.
  • Maleficent uses her powers to create a ball of flame that she intends to throw at Maybeck, but he sprays her with a hose first.
  • Finn pushes over the magically alive broom that is chasing him.
  • Philby thinks a tiger is looking at him as if he was “lunch.” The tiger then jumps to attack Philby, though he is not harmed. It is revealed later that the tiger is a hologram.
  • A few monkeys capture a cast member. They “knocked him over,” tied him up, and gagged him.
  • Maybeck encounters a lizard that he chases through the park. He recalls the amount of times his aunt “beat [lizards] with a broom” in her home. As a kid, he would catch them and pull their tails off, since they would grow back.
  • When being kidnapped by an orangutan, the animal lunges to bite Finn, though Finn pulls away in time.
  • Maybeck recalls when his dog has gotten into dogfights with other pets in the neighborhood. Maybeck thinks about how he “nearly got his hand bitten off.”
  • Finn runs under a trampoline while being chased by an ape. The animal is “crushed by the weight of the acrobat,” but is not seriously harmed.
  • In order to escape capture by orangutans, Finn sprays them in the face with a shower head. He then ties them up. Maybeck “poked it with a hanger that he wielded as a sword.”
  • Amanda is hit by a magical arrow that Maleficent made. She immediately falls unconscious. Finn becomes so angry that he slammed Maleficent against the wall and “was choking the life from her” telling her to bring Amanda back. She eventually agrees.
  • Philby and Wayne’s avatars are attacked on the virtual reality website they are using to navigate the park systems. They use swords to defend against the trolls. Philby is able to “slice the troll’s leg in two at the knee.” He later “severs” the virtual troll’s arm. However, the troll manages to “[chop] off the end of Philby’s right foot.” The attack occurs over three pages.
  • Finn faces multiple monkeys and a tigress. He defends himself with a baseball bat. He watches as the tiger seems to be hunting the monkeys for a “snack.” He also sees the tigress “swiping her huge claws” at other cats, but they do not feel the pain as they are holograms. Then the tigers attack him. He thinks they will “land on him, crushing him, then snap his neck with their powerful jaws and start the feast.” This does not happen. He watches as the monkeys jump to attack him, “and would have torn his head off…had the tigress not sprung.” The attack occurs scattered over 31 pages.
  • Maybeck and Willa are attacked by animatronic dinosaurs. Willa is “nearly beheaded” by a dinosaur tail. Maybeck is injured and felt as though “every joint was separating simultaneously.” He then snaps the pterodactyl’s leg in half. It reacts as if it is in pain, and he wonders if the bird is alive. Maybeck is nearly crushed by the creature and he leaves the attack “bleeding,” though he is alright. This event takes place over six pages.
  • The final showdown between the hosts and Maleficent includes her throwing fireballs at them. Finn realizes that the fireballs never actually hit him and determines that the imagineers who develop the parks would not create a being that could harm people, let alone kill him. Maleficent promises to kill Finn when he’s “no longer of use to” her. Using magic, Amanda lifts Maleficent and then threatens to drop her sixty feet. Finn, meanwhile, must cling to another Disney villain who is fighting alongside Maleficent, Chernabog, “rather than drop to the platform where the creature might squash him like a bug.” The final battle takes place over eight pages.

Drugs and Alcohol

  • Maybeck refers to using the caffeine in Coca-Cola to avoid accidentally falling asleep. Later the kids all use this strategy.

Language

  • Some mean language is used including: stupid, hideous, what the heck, and darn. For example, often the characters use the word “stupid” to describe things they do not like.
  • There is some name calling including: geek, jerk, insane, buggy, nimrod, warped,
  • Occasionally, Maybeck is said to use “a few words that would have gotten him detention.” He later says, “Son of a –.” The book never says what words Maybeck uses, but it makes it clear that he is cursing.
  • Finn is also said to “curse at the screen” of his computer.
  • Maleficent calls Amanda a “little tart.”
  • Maybeck uses the word “bleeping” in place of a curse word.

Supernatural

  • The story takes place in Disney World where magic exists.
  • Maleficent, the evil fairy, often casts spells. No specific words are relayed, but when she does, the narration describes that she “chants.”
  • Maleficent can also fly and transform into different animals.
  • Jez dreams the future. She draws these images in a notebook that become the guide map for her friends and sister’s journey to rescue her throughout the book.
  • Amanda tells Finn that she and Jez are “fairlies,” “as in, fairly human.” She says they are “just kids with unusual abilities” like “spoon-benders, mind readers, clairvoyants” and the ability to cause fires to start mentally.
  • Amanda refers to the incidents of the previous book, in which Maleficent bewitched Jez so she could not recognize Amanda. She then makes Jez do the Overtakers’ bidding.
  • Amanda levitates Finn to the ceiling of a truck they are hiding in so that he is not seen by the security guards.
  • The hosts come to learn that heat is Maleficent’s “kryptonite,” impeding her power’s effectiveness.
  • Maybeck thinks the bat they captured may be able to understand his words. Then he sees a group of birds that appear to be “following him.” These are the first pieces of evidence that the animals are under Maleficent’s control.

Spiritual Content

  • Finn sees that Jez has collected fortunes from fortune cookies in her journal.
  • Willa told her parents she was going to Mass to get them to let her leave the house. Her mother is “no longer a churchgoer.”
  • In Animal Kingdom, the hosts see replicas of Temples. One location has “prayer flags.”
  • Jez says she prayed for help to come when she realized she was trapped in the tunnel, “though [she’s] not very good at praying.”

by Jennaly Nolan

Cold As Ice

Abby and her brother, Jonah, don’t plan to use the magic mirror. But when their dog, Prince, jumps into the mirror, they only have one choice—go in after him.

Abby and Jonah land in a snow-covered winter wonderland. At first, they think they might be in Disney’s Frozen fairy tale. But this fairy tale is nothing like the movie! Instead, they are thrown into the cold world of the Ice Queen by Hans Christian Anderson. This Snow Queen is super creepy and mean, and she turns Prince into a dogsicle!

In this adventure, Abby and Jonah have to defrost their furry friend, ride a very chatty reindeer, learn to ice-skate and escape from a band of robbers. If they’re not careful, they could end up frozen!

The story starts with Abby at school where she has a confrontation with one of her best friends, Robin. Abby is hurt that Robin has been spending time with Penny. Abby gives Robin an ultimatum, “We’re your best friends. Me and Frankie. Not Penny. Penny isn’t nice. . . You can’t be Penny’s best friend and our best friend, too.” The fairy tale world connects to Abby’s school problem. Through Abby’s experiences, she learns that “of course people can have more than one best friend. . . Maybe it wasn’t very fair of me to say that Robin had to choose between us and Penny.”

One negative aspect of the story is that Abby and Jonah have been lying to their parents. Finally, the guilt gets the best of Abby and she realizes, “You’re never supposed to listen to someone who tells you to lie to your parents! Everyone knows that! People who tell you to lie to your parents are always the ones who are up to no good.” However, when Abby finally tells her parents the truth, the fairy in the mirror, Maryrose, erases the parents’ memory.

The two siblings balance each other out nicely. Jonah is impulsive, annoying, silly, and fun, while Abby is bossy, worried, and always wants to have a plan. Anyone who has a sibling will understand how Abby gets frustrated with her brother. The interplay between the two siblings adds a little humor and Abby’s inner dialogue helps keep the conflict in sharp focus. While the story isn’t always logical, younger readers will enjoy the ridiculous aspects of the story. The conclusion ends with a surprise that will have readers reaching for the next book in the series, Beauty Queen.

Most of the Whatever After books use the same formula and may begin to bore older readers. If your child is ready to move on to another fairytale inspired series, both Fairy Tale Reform School and Royal Academy Rebels by Jen Calonita would make an excellent choice.

Sexual Content

  • None

Violence

  • Abby summarizes the original fairy tale, The Snow Queen by Hans Christian Andersen. The Snow Queen kidnaps a boy and puts him under a spell. When Jonah and Abby meet a boy, they know he is under the Snow Queen’s spell because he has “zombie eyes.”
  • Abby and Jonah are kidnapped by a band of robbers. The robbers put them in a basement that is “cold and damp. There’s no furniture. Just a pile of brown blankets in the corner. Water leaking from the ceiling has frozen into threatening-looking icicles.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Abby and her brother Jonah have a magic mirror that allows them to go into the world of fairy tales. “We discovered that when we knock on our basement mirror three times, it takes us into a fairy tale. Well, first the mirror starts to hiss, then it casts a purple light over the room, then it starts to swirl, and then it sucks us into a fairy tale.”
  • While in the fairy tale world, time passes differently. “Sometimes a day in a fairy tale is an hour at home. Sometimes an hour in a fairy tale is an hour at home. The watches we [Abby and Jonah] wear from home keep track of the time back there.”
  • The Snow Queen blows on Abby’s dog, Prince. “With her lips rounded, the Snow Queen looks like she’s blowing a kiss. But it’s not a kiss. I can actually see the air that comes out of her mouth. It’s like steam from a kettle. A tiny white tornado.” When the air hits Prince, “he freezes in mid-motion.”
  • Ralph is a talking reindeer who can fly.
  • The Snow Queen explains how she gained her powers by breaking a magical mirror over her head.
  • Maryrose, the fairy in the mirror, casts a spell erasing Abby’s parents’ memory. Jonah’s memory is also accidentally erased.

Spiritual Content

  • None

Charmed

The second book in the Fairy Tale Reform School Series revisits Gilly Cobbler and her friends following their triumph against the evil queen Harlow. Now that Gilly has been named a hero by all of Enchantasia, she experiences the praise she has never received before. Plus, her father’s glass slipper making business is booming and everything seems to be going her way.

Just as all is going well, the evil fairy Alva strikes again, breaking Harlow out of the Fairy Tale Reform School (FTRS) and leaving behind a manifesto that leads many reformed students back to villainy. Gilly decides to defend her status as a hero, taking Alva down all alone. Gilly sets off to uncover the identity of a mole at the school who is helping with Alva’s takeover. As Gilly will discover, the path to victory is more complicated than she believes. The lines between good and evil are blurred, and Gilly might just lose herself in the process without the help of her friends.

Charmed engages readers and explores what it means to be a hero. Gilly thinks she can handle Alva on her own, so she abandons the friends who helped her last time. Plus, she becomes overly confident due to the praise she is given. Eventually, Gilly comes to realize that she needs humility and the help of those who truly know and care about her. As her father says, “Sometimes being a hero means being brave. Other times it means knowing when you need help.”

In addition to working with friends, Gilly has to become more open-minded. She must confront her own prejudices about people like the Royal Ladies in Waiting. While she perceives them as evil and silly, she quickly learns that people are not so simple. Gilly must also confront her own behavior. While she sees herself as a hero, she is also capable of doing bad things. She says, “I’m still a little bit bad, a lot good, and a whole lot of other things too. Just as it should be.”
In Charmed the “villains” are given second chances. Even Gilly is misguided at times, and she must learn how to face her own misgivings and the guilt that accompanies them. Charmed allows readers to dive deeper into the overarching theme of recognizing that people are not rigidly good or bad; they are capable of both. Calonita continues to establish the message that people can change. Readers will appreciate how Gilly stumbles but is able to pick herself back up. Gilly learns and grows which leaves readers curious as to what will come next. While the ending is entirely satisfying in itself, the book ends with an open-ended letter from Gilly’s friend, Jax. The letter introduces the conflict for the third book in the series, Tricked, without compromising the characters’ victory.

Gilly leads readers through the story with help from the occasional “Happily Ever After Scroll,” a sort of daily newspaper that provides context for events throughout the story as well as introduces characters. The scrolls allow readers who have not read the first book in the series to easily follow the plot of this installment. Readers who enjoyed the film series Descendents will also enjoy taking a journey into the lives of the students at Fairy Tale Reform School. The high stakes and magical showdowns are captivating from the first page and readers will also be excited to see familiar faces from classic fairy tales.

Sexual Content

  • A professor at the school is said to know “plenty of [sea shanties]” which the Happily Ever After Scrolls take as possible confirmation for former flings with pirates.
  • The Pirate Blackbeard says, “I’ve been swayed by a bonny lass before.”
  • When Gilly goes to a meeting in a dress and with a new hairstyle, Jax, comments on how well she “cleans up.” Gilly is nervous when “Jax touches my pink sash and the pink ribbon wrapped around my uniform waist.”
  • Jax later tells Gilly he misses his “partner in crime” to which she blushes. These moments seem to imply a budding romantic connection between the two characters.
  • Gilly watches Professor Blackbeard put “an arm around” Madame Cleo and then she squeals. Gilly calls this “gross.”

Violence

  • Alva’s goal is to recruit “an army to help her take over the kingdom of Enchantasia.”
  • At the FTRS, the students celebrate “Wand What You Want hour” in which they can cast spells on borrowed wands. When she got her wand, Gilly says her wand looked “like it’s seen a few battles.” Her classmates are using spells. One student turns someone into an ice sculpture. She hears “kids . . . cheering and fighting”.
  • When Gilly and Jax try to leave the school on a magic carpet they are “stunned by an invisible wall” that prevents students from leaving without permission.
  • The students are in FTRS due to their histories as criminals. Gilly and some of her friends were caught stealing, which warrants their sentence in the reform school.
  • On Wand What You Want day, Gilly worries “about what [Kayla] could zap next.” There seems to be a history of harmful accidents with the wands, which is why the students are not permitted to use them regularly. Gilly narrates, “every time someone screws up by zapping off their pinkie or growing their nose to three times its size.”
  • Gilly recognizes that her life consists of “villains . . . trying to kill” her. Gilly and her friends have “kept [their] school from burning down,” thwarting Alva’s plans.
  • Gilly and Jocelyn, who is a witch, fight using magic. Gilly casts a spell at Jocelyn’s dress, leaving “a burn mark” on her “butt” which hurts. Gilly considers what else she could do, including “turn [Jocelyn] into a toad” and locking “her in a tower.” Instead, after more arguing, Gilly drops a pie on Jocelyn’s head. Jocelyn returns the favor, magically throwing “a piece of pudding pie into [Gilly’s] face” with a “Smack”. The food fight expands when Ollie steps in and gets “a wall of dead fish” smacked in his face, which leaves a slimy trail”. Kayla gets welts when “radishes hit [her] in the head.”
  • Interrupting the fun at Wand What You Want day, the students hear a loud “KABOOM.” Both Gilly and Jocelyn rush to the site of the explosion. When Gilly makes it to the school and jumps through the magically changing hallways, she lands “right on top of Jocelyn.” The students “drop to the ground just in time to see a cannonball whiz past [their] heads.”
  • Kayla’s backstory includes being blackmailed into helping the villainous Alva. Kayla’s “whole family was cursed by Alva and turned into a group of trees.”
  • The Pirates arrive on a ship with flags featuring skull and crossbones. Their ship is damaged from cannon fire after “racing away from the Royal Navy after pillaging the gold taxes the navy had collected from a port.” When they dock, the “pirates begin disembarking, swinging their swords menacingly in the air.” They are carrying “chests full of weapons.”
  • Jocelyn threatens Gilly with a “small swirl of purple smoke.” As the girls argue, a “fireball hits a pirate on the gangplank” who “yelps” after being struck.
  • As punishment for their fighting, Professor Blackbeard “grabs Jocelyn and [Gilly] by the backs of [their] uniforms.” He decides to set Gilly and Jocelyn against each other in an in-class duel to “get this aggression out.”
  • While the students are on the ship, they realize that the pirates are not responsible for the cannon fire when “another cannonball comes whirling toward” them. Alva is behind the attack and she brings her gargoyles with her. The gargoyles surround the ship. Ollie defends the students by “hurling radishes in the air.”
  • When Gilly and Jocelyn dash for the school, Gilly uses a magic pocket watch to paralyze Jocelyn temporarily. Gilly watches as “a light bursts from the watch and sends Jocelyn flying backward.” While Gilly is analyzing Jocelyn’s new state, another explosion happens “sending rocks and debris raining down on” them. This causes Gilly’s “right leg [to be] pinned under a piece of wall” and Jocelyn to be “stuck under a fallen wooden door.”
  • When trying to read the manifesto left by Alva, students are “pushing and conjuring spells to move others out of the way.”
  • Gilly watches a group of students “in full armor starting dragon training against a mechanical dragon that shoots real fire.”
  • Blackbeard says his “former occupation” was pillaging and plundering. To be more menacing, he also used to tie “fuses to his hair so they’d give off smoke.”
  • Gilly and Jocelyn are forced to duel. Blackbeard hands them swords, and Gilly thinks “the sheen of the blade” and “the clinking noise” tells her that “those babies are real.” The other students in the room encourage the violence against Jocelyn, saying, “Pummel the witch!” Jocelyn uses magic to send Gilly’s “body [flying] backward, smacking into a pixie and knocking her into Maxine’s hands.” After that, Jocelyn “raises her sword to strike” Gilly, but Gilly rolls out of the way. The fight turns into “the old-fashioned way . . . with name-calling and hair-pulling.” Blackbeard ends it by mummifying them in a sail. The fight is described over 11 pages.
  • Princess Rose says one of her hobbies includes hunting because “it keeps [her] focused.”
  • Kayla relays the information, “There’s been an attack on Royal manor. . . Alva sent her gargoyles to tear things up.” The people survived, but Princess Rapunzel “got knocked out when she tried to fight the gargoyles off.”
  • Gilly explains that “the silver turrets of Royal Manor blind anyone who dares look at them too long.”
  • Ollie ends up stealing pastries in the village, causing a police chase. He escapes by using a “smoke bomb.” Gilly helps distract the police by sending a Pegasi in the direction of a police officer. Gilly puts an apple cart in the street and the police officer is thrown from his horse. Gilly thinks, “I watch him land on a bag of apples and wince.“
  • When they return to the school, Gilly says she and her friends “are lined up like [they’re] about to be sent to the gallows.” Gilly thinks, “Blackbeard’s sword looks particularly menacing hanging from his scabbard.” Blackbeard suggests a “walk on the plank” for the rule-breakers. He adds that they could “put a few sharks in the waters” to encourage better behavior.
  • In the process of being disciplined by the teachers, Gilly and Jocelyn begin to argue again. Gilly narrates, “Jocelyn lunges for me, and Blackbeard extends his sword to keep us both apart.”
  • Gilly trips over a watermelon, landing on her face and smashing the watermelon with her fall. When Jocelyn laughs, Gilly pulls “on Jocelyn’s skirt and [takes] her down. . . Then I take a piece of watermelon and chuck it at her.”
  • When the girls leave the hall from which they were spying on Flora, they “smack” into Princess Rose, sending her “flying backward where she lands on her butt.”
  • Alva’s forces “burned half the village to the ground . . . Villagers were able to get everyone to safety.” Alva left behind another message which says, “Join me or perish.”
  • A final battle between Gilly and her friends and Alva. Several people are paralyzed by magic, and the gargoyles carry off others. The castle crumbles, raining debris on the students and guests.
  • Alva uses her ability to transform into an unkillable Wyvern. “Fire engulfs [Alva] completely. Through the flames, I see one leathery green wing, then another, and a spike-covered tail that whips around so fast that it knocks one gargoyle into a wall and squeezes another ’til it shrieks.”
  • Gilly is burned. She thinks, “I hear the fire before I smell it. The scent of rotting flesh.” She is ultimately okay. The battle is described over 24 pages.

Drugs and Alcohol

  • While the fruit punch at the RLW meetings is not actually laced with mind-altering drugs, Jax jokingly implies that it may be when he asks Gilly, “How much pink fruit punch have you had at these meetings?”
  • Several people use gingerroot to magically paralyze someone else. For example, Gilly is given gingerroot and her “legs feel like they’re on fire.”

Language

  • The students frequently wonder if they or their friends have gone crazy.
  • The characters occasionally use exclamations including: geez, holy shipwreck, holy gingerbread, thank goodness, fiddlesticks, for the love of fairies, duh, flapjacks, my heavens, and what the gingerbread.
  • After Jocelyn insults Gilly for her family’s previous inability to “afford pudding,” Gilly makes a pointed statement meant to harm Jocelyn. Gilly says, “. . . you’re an orphan with an evil sister in lockup.”
  • Blackbeard refers to a woman as a wench.
  • Harlow calls the students brats.
  • One student’s mother lovingly calls him Porridge Bottom.
  • Often, characters call each other names such as liar, silly princess wannabes, peasant, thief, wicked, goons, and a pill.
  • Gilly tells Jocelyn she’s “as crazy as [her] sister.”
  • Gilly asks herself if the RLWs are “missing a screw.”
  • Jocelyn calls Gilly “as pigheaded as the Three Little Pigs.”
  • Jocelyn tells Gilly, “Don’t act like Humpty Dumpty!”

Supernatural

  • The book is based on the existence of magic, fairytales, and magical creatures. Many of the characters are magical creatures such as fairies, witches, ogres, living gargoyles, and dwarves.
  • The students are watched over by a magic mirror, which acts as a looking glass to see people in different locations as well as being alive itself with a voice and personality.
  • The school has magic hallways that change throughout the day, making the floorplan of the school variable.
  • The school is also surrounded by a magical barrier that prevents students from escaping.
  • The headmistress makes a deal with Rumpelstiltskin that magically protects the school grounds, though not the students that reside on it.
  • The characters frequently use or encounter spells in their journey to stop the evil fairy, Alva. Often magic is represented with the sound effect of a quick “zap” followed by the spell’s effects. Jocelyn’s magic appears as purple glow before she uses it. One spell that is used most often is the ability to paralyze other people.
  • Jocelyn places an irreversible curse on Gilly which turns a strip of her hair purple.
  • One variation of the paralyzing spell uses a magical pocket watch and the incantation “Houratiempo”.
  • The students occasionally have access to magic wands which are said to have preprogrammed spells in them. The wands allow the students to do things like conjure food, change outfits, and fly on magic carpets.
  • Pegasi exist within the text and are frequently ridden by the students. These creatures are said to have the ability to read minds, which is how Gilly is able to calm Macho the Pegasus without saying a word allowed.
  • The RLW sashes act as mind control tools in the final battle. Everyone who wears one becomes a mindless servant.
  • Alva has the ability to transform into other creatures. In the final battle, she becomes an unkillable, fire-breathing Wyvern.

Spiritual Content

  • None

by Jennaly Nolan

 

The Snoring Princess

Princess Rosa is missing! The Princess disappears from her palace on the day a hundred-year sleeping spell is set to end. If Princess Rosa is not back by sunset, the spell will start all over again! Kara and Zed—along with a fairy from the palace—go looking for her. But can they find Princess Rosa before the sun sets?

Kara, Zeb, and a magical pig are off on their next mission—finding Zeb’s missing royal messenger bag. Along the way, they stumble across a tower and discover Princess Rosa is also missing. While The Snoring Princess is an imaginative retelling of Sleeping Beauty, the story is a little disjointed and most of the events do not make sense. For example, Kara and Zeb find Princess Rosa who continues to sleepwalk down a cliff and then float down a river all without hurting herself or waking up. While some of the events are silly, many of them are unbelievable even for a fairy tale.

The Snoring Princess is part of Scholastic’s Branches early chapter books, which have easy-to-read text and illustrations on every page. The story uses short descriptions and dialogue to keep the story moving at a fast pace. Black and white illustrations appear on every page and help break up the text into manageable sections. The engaging pictures will help readers follow the plot. Plus, the book ends with four reading comprehension questions and one activity. Even though The Snoring Princess is part of a series, each book can be read as a stand-alone.

Unfortunately, in The Snoring Princess, Kara and Zeb solve the mystery more by chance than by following the clues. However, young readers who are familiar with the Once Upon a Fairy Tale Series will enjoy seeing Kara and Zeb back in action. In the end, a lying fairy does the right thing by telling the truth. The conclusion reveals an unexpected villain, who isn’t evil. Despite the plot’s flaws, readers who are transitioning to chapter books will enjoy the book’s illustrations and the silly magical pig. If your child loves fairies, check out both the Candy Fairies Series by Helen Perelman and Disney: The Never Girls Series by Kiki Thorpe.

Sexual Content

  • None

Violence

  • When Kara grabs a fairy, the fairy “shot red sparks at Kara’s fingers.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The story takes place in Sleeping Beauty’s world, where magic exists. Sleeping Beauty is “the princess who was cursed by an evil fairy when she pricked her finger on a sewing needle. The curse made her fall into a deep sleep for one hundred years.”
  • Zed and Kara meet a fairy who tells them, “Fairies can actually change shape and size. It’s one of our magic powers.” Later the fairy uses his magic to make a hat. The fairy “raised his hands and wiggled his fingers. Sparks of magic danced between his fingertips. Then a small sun had appeared in Leon’s hands.”
  • The fairy “held his hands over the water and wiggled his fingers again. Sparks began to fly from his fingertips. Slowly, the bottom of a boat appeared. Then the sides. Then the oars. Then the anchor.”

Spiritual Content

  • None

Kate Middleton: Real-Life Princess

This book describes Kate Middleton’s childhood, family, education, interest and career in fashion, and marriage to Prince William. Readers will learn about Middleton’s college years at the University of St. Andrews in Scotland, where she met the prince, the couple’s royal wedding, and their charity work. From attending events to traveling with guards, readers will discover what it’s like to represent a royal family as a princess! Features include a table of contents, maps, “Did You Know” fun facts, a “Snapshot” page with vital information, a glossary with phonetic spellings, and an index.

Anyone interested in real life princesses will enjoy learning more about Kate Middleton. Each page has large photographs that focus on Kate. Every two-page spread has 3 to 5 sentences in large print. While the book’s format will appeal to reluctant readers, some readers may want a book that gives a more in-depth look at Kate’s life especially since the biography ends with Kate Middleton and Prince William’s wedding.

The biography will give readers insight into Kate’s early life. While the book does not have enough information to complete a thorough research paper, younger readers who are interested in learning about a modern princess will enjoy Kate Middleton: Real-Life Princess.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Chain of Gold

Shadowhunters are angelic humans who are responsible for keeping mundanes (humans) safe from demons and other supernatural threats. For many years, London has had a quiet period, where demons have been rare. However, this changes when a new demon, a Manticore, begins killing shadowhunters. James and his sister Lucie, along with his friends, Cordelia, Matthew, Thomas, and Christopher, hatch a plan to stop the murders of their friends and families. They enlist the help of many others, not just shadowhunters, but also warlocks and ghosts, to heal those who have been injured by the Manticore. The group is determined to defeat the Manticore once and for all.

James is the son of Tessa (a warlock), and Will (a great shadowhunter). Due to the presence of demonic blood in his lineage, James often finds himself jumping between the “shadow world,” and the mortal realm. Lucie, his sister, has an unusual ability to speak to ghosts, as well as to command the dead. Cordelia is a strong, independent woman. Matthew provides comic relief. Thomas and Christopher are wholesome, kind men. Together, this band of self-named “Merry Thieves” provides an interesting cast of characters you can’t help but love.

James has been in love with Grace Blackthorn for years, seeing her every summer when on vacation, and keeping up a relationship in secret. However, when Cordelia moves to London, he finds himself drawn to her in ways that he wasn’t expecting, and is torn between the two women. When Grace breaks it off with James, he and Cordelia begin a relationship; however, it is cut short by Grace reentering James’s life using a bracelet that breeds affection. With James hopelessly in love with Grace once more, Cordelia is in an awkward situation.

In order to finally defeat the Manticore, James must journey to Hell to meet his grandfather, a demon. He and Cordelia enter the realm and kill the Manticore, while those still in the mortal realm find a cure for those who have been injured. Although it seems that the Manticore has been defeated, Belial, a Prince of Hell and James’s grandfather, has not been incapacitated to the same effect. The reader is left with a sort of cliffhanger, knowing that there is more trouble to follow.

The book is told from a third-person omniscient point of view, allowing the reader to get inside the heads of the characters, and better understand their actions and motivations. Clare creates a captivating story that’s impossible to put down, with characters who feel real enough to jump off the page. The novel emphasizes the importance of friendship and relying on those around you for help. Family is also an important theme in the novel, especially recognizing those in your family as people, rather than idols of perfection.

The cast is full of characters who are outsiders in a way, be it through sexuality, race, or gender, and the story showcases the importance of being yourself. Altogether, the novel has a fast-paced plot, characters full of depth, and important messages. All of these aspects come together to create a story that is not only entertaining but meaningful as well.

Sexual Content

  • James kisses Grace at her request, and he feels “the cool, soft press of her lips against his.”
  • Cordelia catches her brother, Alastair, kissing Charles. “It was Alastair’s turn to bury his hands in Charles’s hair, to press against Charles’s body and fumble with his waistcoat. Charles’s hands were flat against Alastair’s chest, and he was kissing Alastair hungrily, over and over—”
  • Grace coerces Matthew into kissing her. Matthew “pressed his hungry mouth against her lips and kissed her, and kissed her. She tasted of sweet tea and oblivion. He felt nothing, no desire, no yearning, only an empty desperate compulsion.”
  • In order to keep from getting recognized at a party, James kisses Cordelia. “She knew he was making it look as if they were Downworlders having an assignation in the Whispering Room—but it didn’t matter, nothing mattered except the way he was kissing her, gloriously kissing her.”

Violence

  • James kills a demon, and “let both of his knives fly. One plunged into the demon’s throat, the other into its forehead.”
  • There is a four-page scene in which the Shadowhunters fight a large demon. Particularly violent parts are when “the demon clawed at [someone’s] throat,” and Cordelia brought “Cortana down in a great curving arc, severing [the demon’s] head.”
  • James saves Cordelia from a demon. “The demon screeched, a high and horrible noise, as the knives plunged into its torso. The creature spasmed—it seemed almost to be crumbling, its leathery seedpods pattering to the ground like rain. It gave a last choking hiss and vanished.”
  • Cordelia describes the fight against the Manticore. Cordelia “whipped Cortana [her sword] forward with a slashing motion, shredding the demon in front of her.” The scene is described over four pages.
  • James and Matthew fight a Khora demon, and James throws knives at it. “The knives sank to their hilts in the demon’s skull. It blew apart; one of the other demons screamed.” Then Christopher gets hurt. “The demon’s great clawed hand raked across Christopher’s chest.”
  • James fights the Manticore in the Hell realm, and the Manticore attacks with his claws, “One raked James’s arm; he spun sideways, blade whipping overhead, slashing across the demon’s torso.” The scene is described over 3 pages.
  • Grace says, “I was eight when [my parents] were killed by demons.”

Drugs and Alcohol

  • Matthew is often portrayed as either drunk or drinking, with eyes that are “suspiciously bright.” He is often holding a flask or alcohol of some kind. Lucie confronts him, saying, “You’re drunk now . . . Matthew, you’re drunk most of the time.”
  • When James is sick with a scalding fever, he is forced to drink a “loathsome potion” to heal.
  • After Grace breaks up with James, he gets drunk. “James unbuttoned the inside pocket and drew out [Matthew’s] silver flask.”
  • Alastair reveals to Cordelia that their father is an alcoholic. Alastair says, “he’s always bloody drunk, Cordelia. The only one of us who didn’t know that is you.”

Language

  • Profanity is rarely used. Profanity includes bloody and hell.

Supernatural

  • When Lucie is exploring the forest outside of her house, she talks about the moss, and how “her father told her it was a pillow for faeries at night, and that the white stars of the flowers that grew only in the hidden country of Idris made bracelets and rings for their delicate hands.”
  • While in the forest, Lucie falls into a pit. Jesse saves her and then says, “This is one of [the faerie’s] pit traps. They usually use them to catch animals, but they’d be very pleased to find a little girl instead.”
  • Jesse tells Lucie that if the faeries catch her, she “could find [her]self serving faerie gentry in the Land Under the Hill for the rest of [her] life.”
  • When James is fighting a demon, “he was suddenly pulled into Hell,” which is often referred to as the “shadow realm,” a dimension James is often taken to without warning.
  • Most of the characters are Shadowhunters/Nephilim, who are “a special race of warriors, descended from an angel, gifted with powers that allowed them to wield weapons of shining adamas and to bear the black Marks of holy runes on their bodies—runes that made them stronger, faster, more deadly than any mundane human; runes that made them burn brightly in the dark.”
  • James fights a demon that is described as having “a ribbed gray body, a curving, sharp beak lined with hooked teeth, and splayed paw-like feet from which ragged claws protruded.”
  • While fighting a demon, James notes something like recognition in its eyes, but goes on to say that “demons, at least the lesser kind, didn’t recognize people. They were vicious animals driven by pure greed and hatred.”
  • Shadowhunters rely on Seraph blades, swords “infused with the energy of angels.”
  • Shadowhunters have runes that allow them to do various things, such as “glamour runes [that] made them invisible to all eyes not gifted with the Sight.”
  • As James and his friends walk through London, “James caught a glimpse of the pale skin and glittering eyes of a vampire.”
  • There are a variety of supernatural beings, referred to as “Downworlders.” One of these groups are warlocks. “Warlocks were the offspring of humans and demons: capable of using magic but not of bearing runes or using adamas, the clear crystalline metal from which steles and seraph blades were carved. They were one of the four branches of Downworlders, along with vampires, werewolves, and the fey.”
  • Both James and Lucie can see ghosts, a trait they note as “not uncommon in the Herondale family.”
  • James describes the shadow realm as having, “charred earth. A similarly scorched sky arced above him. Twisted trees emerged from the ground, ragged claws grasping at the air.”
  • When James is hurt, Matthew draws an “iratze, a healing rune,” on James.
  • Tessa, James’s mother, recalls “attending a vampire frolic once. And some sort of party at Benedict Lightwood’s house, before he got demon pox and turned into a worm, of course—”
  • Cordelia talks about the reason for her father’s arrest, noting that “a nest of Kravyād demons had been discovered just outside the border of Idris,” the home country of Shadowhunters. She notes that her father had been called in to help, but “the Kravyād demons had gone—and the Nephilim had trespassed onto land that a vampire clan believed was theirs.”
  • Matthew talks about a warlock he once knew, “who had three arms. He could duel with one hand, shuffle a deck of cards with the next, and untie a lady’s corset with the third, all at the same time. Now there was a chap to emulate.”
  • Shadowhunters have a light source that they call “witchlight,” which requires no electricity.
  • Jessamine and Jesse, two characters in the book, are ghosts.
  • Cordelia has a sword, Cortana, which her father used when he “slew the great demon Yanluo…They say the blade of Cortana can cut through anything.”
  • While all the young Shadowhunters are at a picnic, “a demon broke the surface” of the lake.
  • A pack of demons are described: “The demons raced like hellhounds across the grass, leaping and surging, utterly silent. Their skin was rough and corrugated, the color of onyx; their eyes flaming black.”
  • Silent Brothers are the healers of the Shadowhunter world, and speak in silent voices, “an echo in [the] head.” They are described in, “Ivory robes marked in red, skin drained of color, scarred with red runes. Most were without hair and worse, had their eyes sewn shut, their sockets sunken and hollow.”
  • Before sneaking into Grace’s house, Lucie and Cordelia “marked themselves carefully with various runes—Strength, Stealth, Night Vision.”
  • Cordelia encounters a demon in the Blackthorn’s greenhouse. “It was a demon, but not like any she had seen before. From a distance it almost seemed a butterfly or moth, pinned to the wall, wings outspread. A second, closer look revealed that its wings were membranous extensions, shot through with pulsing red veins. Where the wings joined together, they rose into a sort of central stalk, crowned by three heads. Each head was like a wolf’s, but with black, insectile eyes.”
  • When the group meets a warlock, Malcolm Fade, Cordelia notes that, “Most warlocks had a mark that set them apart, a physical sign of their demon blood: blue skin, horns, claws made of stone. Malcolm’s eyes were certainly an unearthly shade, like amethysts.”
  • At the Hell Ruelle, a sort of party, Cordelia talks about the guests in attendance: “Vampires stalked by proudly, their faces gleaming in the electric light; werewolves prowled the shadows in elegant evening dress. There was music coming from a string quartet standing on a raised cherrywood stage in the center of the room. Cordelia glimpsed a handsome violin player with the gold-green eyes of a werewolf, and a clarinetist with auburn curls, his calves ending in the hard hooves of a goat.”
  • At a party, Cordelia meets Hypatia Vex, whose pupils “were the shape of stars: her warlock mark.”
  • After Cordelia realizes that someone had tried to poison two warlocks, one of the warlocks confirms this using magic. “Malcolm Fade waved a hand over his own cup. Purple sparks woke and danced in his glass. The red wine stain on the carpet unfurled like a flower and turned to purple smoke.”
  • Ragnor Fell, a warlock, is described as having “an extra joint on each finger,” and Gast, another warlock, has “multiple rows of teeth, like a shark.”
  • At a warlock’s house, a “clearly enchanted fire burned in the grate, the flames silver and blue. The smoke that rose from the fire traced delicate patterns on the air in the shape of acanthus leaves. Its smoke smelled sweet, like attar [a fragrant essential oil] of roses.”
  • The group acquires a Pyxis, used for catching demons, and describes how it works. “When you wish to trap a demon, you first wound or weaken it. Then you place the Pyxis on the ground nearby and speak the words ‘Thaam Tholach Thechembaor,’ and the demon will be sucked into the box.”
  • Cordelia describes the Manticore demon as having “the body of a mangy lion with elongated legs, each one ending in a massive, taloned paw. Its head was snakelike and scaled, with glittering red eyes and a triple row of serrated jaws.”
  • Lucie is revealed to have the power to call the dead, something that Jesse explains to her, saying, “You called the dead, and the dead came. I heard you, across the whole city, calling for someone to help you.”
  • James opens a portal to Hell, which Cordelia describes as “a large archway. It seemed to be made of dark light; it curved with Gothic flourishes, as though it were part of the cemetery, but Cordelia knew it was not. Through it, she could glimpse a swirl of dark chaos, as if she were looking through a Portal into the vastness of black space itself.”
  • Grace is attacked by a demon described as “half-reptilian and half-human, with leathery bat’s wings and a sharply pointed chin like the tip of a knife.”
  • James meets his grandfather, Belial, a Prince of Hell, and he is described as “a Prince of Hell showing himself in his most human form. He looked like a statue carved by a divine hand: his features were ageless, handsome, everything in balance. It was possible to see in his face the terrible beauty of the fallen.”
  • Grace reveals that her “mother invoked black magic to try to bring [her] brother back [from the dead].”
  • Lucie saves James by giving him Jesse Blackthorn’s “last breath,” which had been contained in a locket before he died.

Spiritual Content

  • To enter the Silent City where the Silent Brother’s live, James must answer a riddle. “’Quis ut Deus?’ he said. ‘Who is like God?’ the Angel asks. The answer is ‘No one. No one is like God.’”

by Sara Mansfield

 

Girl From Nowhere

Ninety-four countries. Thirty-one schools. Two bullets. Now it’s over . . . or so she thinks.

Sophia Hepworth has spent her life all over the world–moving quickly, never staying in one place for too long. She knows to always look over her shoulder, to be able to fight to survive at a moment’s notice. She has trained to be ready for anything.

Except this. Suddenly it’s over. Now, Sophia is expected to attend high school in a sleepy Montana town. She is told to forget the past, but she’s haunted by it. As hard as she tries to be like her new friends and live a normal life, she can’t shake the feeling that this new normal won’t last.

Then comes strong and silent Aksel, whose skills match Sophia’s, and who seems to know more about her than he’s letting on . . .

What if everything Sophia thought she knew about her past is a lie?

Sophia is an interesting character, whose parents have taught her many survival skills, including how to defend herself, even if that means she must take a life. While Sophia’s conflict isn’t relatable, her story takes the reader on a fast-paced ride through many dangerous situations. Along the way, Sophia meets Aksel, who adds romance and gives Sophia a protector. Eventually, Sophia confides in Aksel and explains how, after being kidnapped and tortured, she feels as if she is “tainted.” Aksel helps Sophia realize that she’s not defined by what others did to her.

While Sophia and Aksel are teenagers, they do not act like typical teenagers. Instead, Aksel reveals that he has been secretly training to be an undercover agent. While this explains his advanced skills with weaponry and evasion, readers still may have a difficult time believing that Sophia and Aksel could survive an attack from a trained terror group. The conclusion is one bloody confrontation after another and finally ends with a surprise that has a very little emotional impact. Despite this, Sophia’s story is entertaining and suspenseful, and Aksel is a swoon-worthy protagonist.

Readers who love action-packed, secret agent stories will enjoy Girl from Nowhere. Sophia isn’t portrayed as a helpless girl in need of a man to protect her. Instead, she is a strong character who is intelligent and resilient. Readers who love strong characters, conspiracy theories, and a sprinkle of romance, but don’t want the graphic descriptions of violence, should read Not If I Save You First by Ally Carter and Endangered: A Death on a Deadline Mystery by Kate Jaimet.

Sexual Content

  • At a party, Sophia is dancing when Tate “comes up behind me, places his hands on my hips, and sways with me along with the music. . . I elbow him in the chest, right above his second rib.” Then Sophia leaves to line dance with a friend.
  • From the first time Sophia meets Aksel, she feels drawn to him. “His fingers graze mine, igniting flames across my skin.” Often, Sophia thinks about her reaction to Aksel. She wonders, “Why does being around Aksel make my skin feel like it is perpetually on fire?”
  • While out with friends, Tate puts his arm around Sophia’s shoulder. Sophia thinks, “Emma once said memories of kissing Ryan Rice in ninth grade give her the ‘heebie-jeebies.’ This is what I feel when Tate puts his arm around me—the heebie-jeebies.”
  • As Sophia and her friends split up, “Tate slinks his arm around [her] waist.” Tate realizes that he left his keys in the restaurant and leaves Sophia alone.
  • Sophia and Aksel are exploring the wilderness. Sophia’s snowshoe causes her to stumble. Aksel’s “arm is braced firmly around my waist to keep me from falling. He stares down at me, and my cheeks go blistering hot. . .Aksel’s lips press against mine. His fingertips trace my cheek, my jawline, before returning to the nape of my neck. . . Then our lips are meeting again and every nerve in my body is electrified.”
  • After Sophia rejects Tate, a rumor goes around that she “hooked up with Tate outside the Creamery, then hooked up with Aksel hours later.”
  • While swimming, Aksel swims towards Sophia, and “he wraps his large hands around my ankles and stands up in the water. . .Heat spreads like wildfire across my chest and it constricts my airways, like I can’t breathe . . . He outlines my lips with his thumb. He bends forward to kiss me. . .” Aksel stops and asks about a Sophia’s scar.
  • Sophia and Aksel kiss for the first time. They’re at his house when “his hands entwine my waist, resting on the hollow of my lower back. Gently, he pushes me against a wall. . . An intense heat races throughout my body. . .We kiss until he leans away.” The scene is described over a half-page.
  • Sophia and Aksel kiss numerous times. For example, “Aksel’s hands slide across my [Sophia’s] neck, slipping down my back. . . flames of heat surge across my throat. I feel his pulse, flush against my chest. Our lips hover. . . He pulls me in, wraps his strong arms around my waist, and kisses me.”

Violence

  • After being kidnapped, Sophia is home alone when someone breaks into her apartment. She was hiding when “right before he stepped into the kitchen—pop! He slumped to the ground, dead the instant my father’s bullet penetrated the back of his head.”
  • While walking in the forest, a bear attacks Sophia. “Huffing and grunting, she swats my back, violently rolling me over. My skull hits the dirt. She strikes my thigh fiercely with her paw.” Someone shoots a rifle and the bear runs away.
  • Sophia has a flashback that makes her panic. When she was younger, her family charted a sailboat when a group of men began chasing them. Sophia’s parents tell her to hide underwater. Her mother says, “No bubbles. You have to stay hidden, and that’s the only place! Now go!”
  • When the men get close to the sailboat, “gunfire erupted. . .” When Sofia comes up, she sees “four bloodied bodies floating in the water. Facedown.”
  • While attending school in Africa, the class goes on a safari. While the group was exploring, a truck blockades the road. One of the men gropes Anika and “her brother Peter shouted at him. The rebel hit Peter so hard with his rifle barrel, Peter staggered into the bumper, bleeding from his ear. . .”
  • One of the rebels shot the driver, who “crumpled onto the dirt, dead.” The rebels killed another adult, but when they went to shoot some of the children, the gun jammed. Sophia describes, “I reached into my boot, pulled out my 5-7, and fired twice. The commander dropped to the ground. A rebel shot Katu, so I shot him too, a double rap into his stomach. . .” The school group race to the hospital, but the fate of the injured adults isn’t known.
  • While leaving a restaurant, Sophia sees a man who has been following her. The man is standing next to Aksel’s truck, blocking the passenger door. “Abruptly, the man takes a step toward Aksel, like a tiny squirrel provoking a chained dog. Glinting in the man’s hand is the shining, polished edge of a blade. . .” After a short standoff, the man backs down.
  • Sophia tells Aksel about being kidnapped. While in Istanbul, two women ask Sophia for directions. Sophia “turned in time to see the second woman corner me. Her hand shot out like a viper from the folds of her pleated dress, snatching my wrist with a viselike grip. The first woman threw her shawl over my head, muffling my screams as they dragged me into the alley.”
  • After the two women restrain Sophia, a man blindfolds her and takes her someplace where she “was tied to a copper pipe jutting out from between the floorboards. . . I was scared. I knew I would be sold to a terror group, or a wealthy buyer. . .” A man finally unties Sophia and questions her. “When I didn’t answer, he touched my cheek and rubbed his hand against my neck . . . That was worse than when he hit me. And he did. . . often. . . he made me bleed.”
  • While being held captive, a man named Farhad “pulled out a rusty knife and put it next to [Sophia’s] throat.” The man threatened her, “Tell us who your father is or I send him your head.” When Sophia spat in his face, the man cut her, leaving a scar under her chin.”
  • Sophia was able to get the knife from Farhad. She “swung the knife, cutting him from his forehead to the bottom of his cheek.” Then, Sophia was able to escape. The kidnapping is described over four pages.
  • Terrorists surround Aksel’s house in an attempt to capture Sophia. One of the men throws a grenade. “The floor-to-ceiling glass windows shatter. The trim erupts in bright flames, splintering shards of wood across the room. We throw ourselves to the floor. Aksel turns midair, landing on top of me, shielding my body.”
  • The terrorists begin shooting at both Aksel and Sophia. Aksel “fires twice. Both bullets hit a man’s chest. His knees buckle and he drops. Aksel. . . pulls the trigger again. This time he punctures the man’s neck. A geyser of blood sprays across the foyer.”
  • When some of the terrorists enter the house, “Boom! A flash of bright light, the doors burst open. The force of the exploding thrust me [Sophia] across the room. I land hard on my bleeding leg.” Then “a man lunges for Aksel’s neck. Aksel spins hard around, hitting the butt of his rifle into the man’s face with a bone-crunching sound.”
  • A man is able to capture Sophia and “holds my arms behind my back and wraps a cable tie around my wrists. . . I throw my head backwards with as much force as I can. Crack! The Chechen lets go of me. . .” Sophia is able to use a knife to cut the man. “The semiautomatic drops from his hands as he tries to stop blood spurting from the neck.” The bloody scene is described over nine pages.
  • Sophia reads a report about Anton Katranov, who was an undercover spy that worked under Sophia’s father. Sophia’s father, Kent, found Anton “face down on the floor, arms outstretched… behind him were the lifeless bodies of his two boys. And behind them, blocking the entrance to the back bedrooms, lay the crumpled body of Mrs. Katranov.” The deaths are described over two pages.
  • Sophia gets angry at her parents and sneaks off a train. When Sophia realizes she is being followed, she goes into a crowded club and then tries to leave, undetected. She cuts through an alley and sees, “the bald man. I reverse, but two other men approach from behind me. . . Between them is a girl with long, dark hair, and silver hoops in her ears. . . Now, she stares at me, wide eyed. Petrified. Blood is coagulating around a cut in her eyebrow. Her lip is swollen. . .” Sophia gives herself up, so the men will let go of the girl.
  • Sophia is thrown into a car, and her ankles are zip-tied. Despite this, she is able to “curl my knees into my chest, pivot to the left, and rocket my legs out from my body. My blunt heels collide with the back of the driver’s head.” The car swerves and crashes. Sophia escapes.
  • The story concludes with a multi-chapter, extended description of the battle between Sophia, her parents, and the terrorists. Sophia’s father appears out of nowhere and grabs one of the terrorists, Munich Jacket. “Unflinching, my father bends Munich Jacket’s forefinger so far in the wrong direction that the bone snaps in two. . . With a swift swipe of his HK, my father breaks Munich Jackets’ skull.” There is a blood gun battle where many people are killed, including Sophia’s father.
  • As Sophia runs from the terrorists, she runs across a frozen pond. When the men try to follow, “I turn to see the ice dissolve beneath them too. Their bodies plunge into the frigid water.”
  • Bakami, the terrorist who wants Sophia, finally captures her. “Bakami slides his hand around the back of my neck and pinches my spine so savagely between his forefinger and thumb I nearly black out. . . Slowly, I tilt my neck back then ram my head forward. My forehead collides into his face with a hard crunch . . . Blood gushes from his nostrils, soaking the collar of his shirt.”
  • When Sophia continues to talk back to Bakami, he “traces my collarbone with his fingernail. . . with the back of his hand, he swings the weight of his forearm across my jaw. He grips my neck, pinching my esophagus, strangling me.” Bakami points a gun at Sophia, readying to shoot her when, “A gunshot sounds. Followed by another. . . Abramovich [Bakami] crumbles back against the mahogany desk, blood pouring from the silk handkerchief in his pocket.”
  • Sophia and the secret agents follow the terrorists, who set off a bomb. When Sophia comes to, “my skin is on fire. Hot pieces of metal gash my forearms like fiery embers; they singe my shirt, engulfing the pavement and every nearby surface.” While there are several injuries, no deaths are described.
  • When the double agent is discovered, Sophia’s mother “grabs Andrews by her lapel, flings her around, and shoves. Andrews tumbles backward out of the plane, sucked into the sky.”

 Drugs and Alcohol

  • When Sophia is injured, she is given an injection of lidocaine.
  • Sophia’s captor drinks vodka.

Language

  • Damn is used twice. Sophia’s father tells her, “Stop being obstinate and get on the damn plane.”
  • One of the terrorists calls Sophia a whore.

Supernatural

  • None

Spiritual Content

  • None

Chicken on Vacation

Zoey the chicken needs a vacation and she wants to take her barnyard friends, Sam and Pip, with her.

Zoey knows you don’t need to go to the shore to have the perfect beach day. . . but you do need a great imagination and a treasure map! Will Zoey lead her barnyard pals to buried treasure?

When Zoey and her friends get to the beach (the pond in their backyard) they each have fun doing different things. Pip floats around on his duck floatie. Sam swims in the mud. And Zoey rides her surfboard (the dock). They build sandcastles and look for buried treasure. The animals use their imagination to go on a great adventure. And in the end, Pip and Sam love the treasure they find—a pie!

Chicken on Vacation is an adorably cute story that shows readers the power of imagination. Told with simple sentences and humor, Chicken on Vacation will keep young readers entertained. Each page has 1 to 4 sentences and a large illustration. The story is ideal for readers who can read on their own, but who may still need a little help.

Chicken on Vacation will have readers giggling as Zoey pretends that everyday objects are something totally different. For example, a tractor becomes a lookout tower, and an old fence becomes a shipwreck. Readers will look forward to seeing where Zoey’s imagination takes them. Readers who love humorous stories should also check out Splat the Cat and the Duck with No Quack by Rob Scotton.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Bo’s Magical New Friend

Bo Tinseltail loves going to Sparklegrove School with the other unicorns. Every unicorn has magical power. Bo is a Wish Unicorn with the power to grant wishes. Bo has lots of friends, but one thing Bo wants more than anything is a best friend. When a new unicorn named Sunny Huckleberry pops into the forest, will Bo’s big wish finally come true? And what will Sunny’s unicorn power be?

Young readers who are ready for a glittery-good new series need to check out Bo’s Magical New Friend. The first installment of The Unicorn Diaries Series introduces all the unicorns and their magical powers. As part of the early chapter book line, Branches, the text is aimed at newly independent readers. Bo’s Magical New Friend is told in a blend of diary entries and speech bubbles. The blended text makes each page manageable for young readers. Plus, some of the words appear in bright pink text for added emphasis.

Bo wants a best friend, so he’s especially happy when Sunny appears. To earn a patch, all of the unicorns need to use their magical power to help someone. Bo really wants to use his power to help Sunny. However, Sunny gets upset because he thinks Bo is pretending to be his friend to earn a patch. In the end, Sunny and Bo talk about their conflict and discover that friendship is more important than badges.

Bo’s Magical New Friend is packed full of magic. However, in the next book, Bo and the Dragon-Pup, the unicorns are able to problem solve without relying on magic. Readers will fall in love with the unicorns’ world which comes alive in brightly colored illustrations. Bo’s world is “glitterrific,” and readers will happily imagine a place where sunbeam ice cream, dream dust, and twirl drops are served for dessert.

The story revolves around a relatable conflict and fun characters—Sunny and Bo. When Mr. Rumptwinkle introduces Sunny, he reminds the class, “I’m sure you remember how scary everything was when you were new. So please be kind to Sunny and help him find his way around.” Even though Sunny has a hard time discovering his magical power, he always looks on the bright side and makes others laugh. If you’re looking for a book series that will captivate readers, The Unicorn Diaries will not disappoint.

Sexual Content

  • None

Violence

  • Trolls capture Bo and Sunny. “We got swept up in a net.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • All the unicorns have a special power. Bo is a Wish Unicorn that “can grant one wish every week.” The other unicorns have powers such as flying, healing, shapeshifting, size-changing, etc.
  • Unicorns do not have parents. “We’re not born like other creatures are. We just pop into the world on really starry nights.”
  • Rumptwinkle turns into a mouse.
  • Sunny discovers that his unique power is turning invisible.

Spiritual Content

  • None

I Will be Fierce!

It’s a brand new day, and a young girl decides to take on the world like a brave explorer heading off on an epic fairytale quest. From home to school and back again, our hero conquers the Mountain of Knowledge (the library), forges new bridges (friendships), and leads the victorious charge home on her steed (the school bus).

I Will Be Fierce is a powerful picture book about courage, confidence, kindness, and finding the extraordinary in everyday moments. Young readers will relate to the girl who uses her imagination in every aspect of life. For example, she pretends that her backpack is a treasure chest and the neighborhood dogs are monsters. The text and illustrations combine to show the girl’s varied emotions such as fear, wonder, and happiness.

At the heart of I Will Be Fierce is the idea that every day, we can choose to either be kind or cruel. When the girl sees a classmate eating by herself, she chooses to sit by the girl and become a friend. Instead of following the crowd, she charts her “own course.” While going against the crowd requires the girl to “be fierce,” it is important for her to “conquer” her fears and make her “voice heard.”

The bright and cheerful illustrations allow readers to understand the girl’s imagination. For example, when she looks at the school bus with kids hanging out the windows, the girl knows she must “charge the many-headed serpent.” Most of the story takes place in school and portrays a diverse group of children. Each page has one simple sentence and “I will be fierce” is repeated throughout the story.

I Will Be Fierce incorporates lively illustrations, lifelong lessons, and a relatable main character. Because of the story’s lessons, I Will Be Fierce would be an excellent book for parents to read and discuss with their child. However, I Will Be Fierce is also the perfect book to use as a quick bedtime story. Another picture book that encourages children to be kind is The Power of One: Every Act of Kindness Counts by Trudy Ludwig.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

I’ll Never Tell

Friends for life. Or death. Spring break. Aruba.

Swimming, sunshine, and golden beaches. It was supposed to be the best time of Anna’s life. Paradise. But then the unthinkable happens. Anna’s best friend is found brutally murdered. And when the local police begin to investigate the gruesome crime, suspicion falls on one person—Anna.

They think she’s dangerous, and they’re determined to prove her guilt. With the police and media sparking a witch-hunt against her, Anna is running out of time to prove her innocence. But as she digs deeper into her friend’s final moments, she finds a tangled web of secrets, lies, and betrayal.

Will she clear her name in time? When the truth is finally revealed, it’s more shocking than anyone could have imagined.

Originally published as Dangerous Girls in 2013, I’ll Never Tell portrays a group of friends as partying rich kids, who spend their free time drinking, doing drugs, and having sex. The story is told through Anna’s point of view and jumps to various timeframes including when Anna meets her best friend Elise, a trip to Aruba during spring break, various points of the investigation, and Anna’s current experiences in jail. The shifting time periods are not confusing because they are clearly labeled, however, the format doesn’t allow any of the supporting characters to be well developed. As a result, it’s hard to sympathize with any of the characters, including Elise who is murdered.

Even though the story is a mystery, a large portion of the plot focuses on Anna’s jail experiences and explores how the wealthy escape the arms of the law. While this story thread is interesting, it is not well-developed, and in the end, none of the rich suspects are guilty of the crime. Another flaw in the story is the conclusion, which has several inconsistencies that take away from the murder reveal. When the murderer finally is uncovered, there is little shock value, but plenty of confusion.

In a world full of good books, readers can find engaging mysteries without the over-the-top partying and gratuitous sexual content. Unfortunately, I’ll Never Tell falls short in both mystery and entertainment. Readers looking for an excellent mystery should read Six Months Later by Natalie D. Richards, Heartwood Box by Ann Aguirre, and the Jess Tennant Mysteries Series by Jane Casey.

 Sexual Content

  • While at a bar, Chelsea tries to get a boy to dance with her. “She grinds above him like a lap dancer, laughing, until he finally catches her around the waist and follows her into the dark, one hand draped possessively across her shoulder.”
  • Anna and her boyfriend, Tate, kiss often. For example, Anna reaches up “to kiss him, and this time, there’s no tension, just a familiar low heat building, and Tate’s hands sliding along the edge of my shirt—”
  • Anna, Tate, and Elise dance. “Tate brings me (Anna) tight against him, and then it’s the three of us, me and Elise dancing up close to him and spinning away. . . Tate laughs between us, his hands linger on Elise’s waist as she grinds against him. . . I grab his hand away from her, pulling him wordlessly to the edge of the dance floor, my back finding some surface, his hands finding the curve of my hips, his lips finding mine.” The scene is described over two pages.
  • Elise says Tate is a “man-whore. He’s already dated four different girls this year.”
  • On Halloween, Tate likes Anna’s “sexy costume. . . His lips press against my neck again, but this time he bites down softly, playfully. . . he’s pulled me around so I’m facing him, his lips hard and searching on mine. . .” The scene is described over a page.
  • Elise says she dumped a guy because “he had a two-inch dick and no idea what to do with it.”
  • Elise and Tate plan their first time having sex. “He grinned, trailing his hand lower, down my throat, and across the sensitive skin of my breast. I felt my stomach flip over. . . Tate dipped his head, following the path of his hand with his lips now, kissing a winding trail down my body, while the other hand gently stroked, lower, in a slow rhythm that left me gasping.”
  • Elise has sex with several boys that she just met. Because of Elise, Anna realizes, “I could kiss a boy, breathless against the back wall of some club, and then just walk away not even knowing his name. Or, like Elise, do more. Do whatever we wanted.”
  • Elise and Anna have a sexual relationship, but their kisses are the only thing described.
  • While in Aruba, Tate and Anna share a room. One morning, “He pulls me back up, kissing me hard as he rolls over and crushes me in his embrace. . . then the kiss deepens, his hands reaching impatiently for the flesh of my thighs, easing them apart. I feel him harden against me.” When Anna asks Tate to wait, he decides to go for a run.
  • After hooking up with a boy, Elise complains about him. “You know he did this weird role-playing thing. . .He got off on the whole domination thing, you know, holding me down, trying to make me beg. I mean, I like getting thrown around as much as the next girl, but this was different.” Later, the boy tried to spike Elise’s drink with liquid Ecstasy.

Violence

  • While in jail, an inmate attacks Anna. “The girl lunges at me. I barely have time to get my hands up in defense before her body is on mine and she’s tearing at my hair, clawing at my face. . .The girl drives her elbow into my stomach, making me gulp for air. Her face is lit up, breathless and bright, nose bloody from one of my desperate blocks.” The fight is broken up when Anna is pulled off the inmate. Someone gives Anna a syringe that makes everything go black.
  • Elise and Anna get into an argument. Anna keeps “holding tight, until she shoves me away hard enough to send me flying to the ground among the shattered glass. . . there’s a dull pain in the back of my head, where it cracked against the floor.”
  • Elise slept with Niklas once. Later, he goes to see Anna in prison. Niklas says, “Found yourself a prison bitch yet? Some action in the shower?”

 Drugs and Alcohol

  • Anna, Elise, and a group of friends go to Aruba over spring break. They drink beer, vodka, and other alcohol excessively throughout the trip.
  • During a trial, an attorney tries to “establish Miss Chevalier’s normal partying routine” by showing a picture of her and her friends drinking. Anna says, “We all drank. Just some wine, or vodka with mixers, you know? The guys had beer.”
  • During the trial, Anna’s attorney tells her that the prosecutor will “ask about the weed and the pills. About my mom’s Xanax, and the times Elise tried her dad’s Percocet, about the cocaine Melanie saw Elise try over Christmas break, and the liquid X Niklas tried to feed her in the club that night.”
  • Anna thinks the lawyers are trying to say “[she] led Elise astray. . . that [Anna] coerced her into skipping school, and staying out too late, and drinking dollar shots in dive bars until she screwed strange guys in the bathroom of clubs that should have never let [them] in.”
  • Elise and Anna go to a restaurant and “sip cocktails from sugar-rimmed glasses.”
  • Tate meets Anna at a college party where they both drink beer. Later, they “do lime Jell-O-shots together.”
  • Anna and her friends go to each other’s “big, empty houses, sneaking liquor and smoking weed.”
  • After Elise is murdered, one of her friends “spends most of the day curled up in his room with the blinds drawn, woozy on anti-anxiety meds.”
  • Elise takes prescription pills “sometimes. When I don’t’ want to deal with . . . feeling, like this.”
  • After Elise is murdered, Tate “was having panic attacks. . . so they put him on a bunch of meds. He was pretty out of it.”
  • While in prison, Anna is given sleeping pills.

Language

  • “Oh my God”, “God” and “Jesus” are used as explanations occasionally.
  • Profanity is used often. Profanity includes: ass, asshole, bitch, bastard, bullshit, dykes, hell, pissed, and shit.
  • When Elise ignores Anna at school, Anna thinks, “What was she going to do? Tell her friends to go fuck themselves, cast herself out of their world, all alone?”
  • Elise tells a girl she is a “skanky bitch with no soul.”
  • One of Anna’s friend’s posts, “So hungry, could murder a fucking rhino” on his social media account.
  • Elise flirts with a young vendor and then upsets him. He yells, “Fucking Americans! You are whores!”
  • Someone calls Anna a pussy.

Supernatural

  • None

Spiritual Content

  • None

Written in the Stars

Naila’s fate always seems to be under her parents’ control, especially when it comes to boys. Following Pakistani tradition, Naila’s parents will choose a husband for her when the time comes. Naila, however, did not grow up in Pakistan and the idea of an arranged marriage seems very old fashioned. Besides, she has fallen in love with a boy named Saif—of whom her parents do not approve– so she must keep him a secret. However, after lying to her parents to attend her senior prom, Naila is caught with Saif and her parents ignore her apologies and explanations.

Believing their daughter has gone astray living in America, Naila’s parents take the family to Pakistan for the summer, causing Naila to miss her high school graduation. At first, Naila enjoys spending time with her family, but she still looks forward to starting college in America where she will finally be with Saif and her best friend, Carla. However, Naila soon discovers her parents are planning a much longer trip. Her cousin, Selma, informs Naila that her parents are planning an arranged marriage. To escape this fate, Naila contacts Saif and plans her escape, which is thwarted by her uncle. Afraid their daughter will try to run away again, Naila’s parents force her into a marriage with Amin without Naila’s knowledge or consent. Naila is met with a choice: accept fate and try to find happiness with her new husband or continue to fight for her true love, Saif.

Despite everything she must endure in Pakistan, Naila is a strong character who never gives up on the possibility of love. While multiple aspects of Pakistani culture are represented in the book, the tradition of arranged marriage is especially prominent. The intent of the novel is to demonstrate that while some arranged marriages have been successful, others can trap men and women into loveless marriages that are more harmful than beneficial. Through Naila’s experience, the novel reveals the importance of having a choice, especially when it comes to love and marriage.

The novel, which takes place mostly in Pakistan, gives poignant depictions of Pakistani culture. Urdu words are used throughout to help capture the setting and culture, and a glossary is provided in the back of the book to aid understanding. The novel also includes mature themes of violence, inter-marital rape, and pregnancy.

Naila is an easy character to root for because, despite the situation she is in, Naila stays true to herself and her beliefs. In addition, Naila discovers that honesty, no matter how hard it can be, is always best. Naila’s conflict is relatable because she wants what anyone else would want—the freedom to have a choice. Although the limitations of her situation sometimes slow the pace of the novel, the tension consistently builds as readers anxiously wait for Naila to be freed and reunited with Saif. If you’re interested in how women are treated in the Middle East, add A Thousand Splendid Suns by Khaled Hosseini to your must-read list.

Sexual Content

  • Amin, Naila’s husband, forces her to have sex with him. In an attempt to stop him, Naila tries “to sit up, to reach for the light on the nightstand, but his hands press against my shoulders, pushing me down. I twist my body, trying to wrench free, but I can’t move.” Amin continues to force himself onto Naila. He whispers to Naila to forgive him and “suddenly, I [Naila] scream. Pain envelops me. The world is white, illuminated with pain.” This is all that is described.
  • Naila discovers she is pregnant with Amin’s child. “I tried denying it, I made excuses for my growing fatigue, my delayed period. But when the first wave of nausea overtook me shortly after, I could deny it no more. I’m pregnant.” Later, Naila explains that she lost her baby.
  • When they are reunited in Pakistan, Saif and Naila share a passionate kiss. “Suddenly, he leans down; his lips press against mine. Pull away. But no part of me knows how. . . I run my fingers through his hair, trace the outline of his face—And then I kiss him back.”

Violence

  • When Naila tries to run away, she is caught by her uncle. Her uncle gets on the bus and Naila is “yanked from [her] seat, dragged down the aisle, down the rough metal steps.” To defend herself, Naila tries to “kick, twist [her] wrists to pry [her]self away from him. I bite his arm. He does not let go.”
  • Furious with his daughter for trying to run away, Naila’s father slaps her across the face. She describes the “metallic taste of blood in [her] mouth.”
  • After Amin’s mother, Nasim, discovers Naila is still in love with Saif, she attacks Naila. “Nasim seems possessed by a demon. I try covering myself from Nasim’s feet—she kicks me with each curse.”
  • When Saif arrives to defend Naila, “Amin shoves Saif to the ground.” Amin punches Saif until Saif’s uncle arrives.

Drugs and Alcohol

  • Naila’s uncle forces water down her throat and “almost instantly, I [Naila] feel hazy. The drink. He’s drugging me, I realize.” Naila is drugged and her parents force her to sign the marriage papers.

Language

  • None

Supernatural

  • None

Spiritual Content

  • In Pakistan, Naila hears a “melodic sound” she recognizes to be “the call to prayer.”

by Elena Brown

The True Confessions of Charlotte Doyle

 

Thirteen-year-old Charlotte Doyle leaves her boarding school in England to reunite with her family in America. She leaves England a prim and proper lady with a notebook from her father to detail her travels. However, Charlotte quickly discovers that her voyage home is not going to be smooth sailing.

On board The Seahawk, Charlotte fears the majority of the ship’s male crew, including the lone black man Zachariah, who gives her a knife the first time they meet. He warns Charlotte to keep the knife for protection, as “she might need it.” This is the first hint that things aboard The Seahawk aren’t all they seem, but Charlotte’s determined to keep her ladylike composure, especially in front of Captain Jaggery. Jaggery is a refined and educated man, unlike his crew, which prompts a friendship between him and Charlotte. Yet, Charlotte wonders if something more is awry when Jaggery asks that Charlotte become his “informant” and report any talk of rebellion to him.

After her promise, Charlotte discovers that the crew intends to mutiny. When Charlotte reports the threat, Jaggery responds with violence, killing some of the sailors including Zachariah. Suddenly, Charlotte’s journey turns into one of atonement. To fill the gap left by the now dead sailors, Charlotte joins the crew. Then, during a hurricane, the first mate is found with Charlotte’s knife in his chest. After a trial by Jaggery (who now scorns Charlotte because she has sided with the crew), Charlotte is proclaimed guilty, even though she didn’t commit the crime.

In the end, it’s discovered that Zachariah lived through his beating. He helps Charlotte create a plan to rid the ship of Jaggery and prove her innocence. They discover that it was Jaggery who murdered the first mate as a ploy to get rid of Charlotte, whom he hates for being an “unnatural” girl. Charlotte is able to dispatch Jaggery and sail home as a young captain with Zachariah by her side. However, her greatest conflict is the one she faces back on American soil, when her father burns her journal and forces her to be a “lady” again. Charlotte runs away from home when she remembers the words Zachariah once told her: “A sailor chooses the wind that takes the ship from a safe port. . . but winds have a mind of their own.”

The True Confessions of Charlotte Doyle is a thrilling and detailed story for young adults. The book is told from Charlotte’s perspective, and she is a compelling narrator. At first, she’s somewhat difficult to like because she’s stuck in her ways, but the reader will sympathize with her desire to do what is right despite the criticism she faces as a woman. While it is unlikely something like Charlotte’s story ever happened at the time, the story is realistic in the context of the era – such as the behavior of the characters, the dialogue, and the use of religion. The end of the book also includes a glossary of ship terms which the author uses for the reader to feel as if they’re on board a ship just like Charlotte is. The overarching message of this story is to follow one’s own path, even in the face of adversity, and Charlotte is a character that embodies that until the end.

Sexual Content

  • Ewing, one of the crew, kisses Charlotte on the cheeks to say goodbye.

Violence

  • Zachariah gives Charlotte a knife for protection.
  • Charlotte uses the knife to scare an animal. “I heard a sound. I looked across the cabin. A rat was sitting on my journal, nibbling at its spine. Horrified, I flung the dirk at it.” The rat runs off.
  • Zachariah describes a past incident where Captain Jaggery punished one of the crew for not tying a knot properly. “Captain Jaggery said Mr. Cranick’s laboring arm was his by rights. Miss Doyle, Mr. Cranick has but one arm now. He was that much beaten by Captain Jaggery, who, as he said himself, took the arm.”
  • Captain Jaggery shows Charlotte that he keeps guns in his cabin.
  • Charlotte describes Jaggery’s violent behavior. “If provoked sufficiently, the captain might resort to a push or a slap with his own open hand. . . I saw him strike Morgan with a belaying pin, one of the heavy wood dowels used to secure a rigging rope to the pin rail. In dismay, I averted my eyes. The fellow was tardy about reefing a sail, the captain said and went on to catalog further likely threats. Confinement in the brig. Salary docking. No meals. Lashing. Dunking in the cold sea or even keelhauling, which, as I learned, meant pulling a man from one side of the ship to the other – under water.”
  • Charlotte finds a gun in one of the crew member’s chests. Another man, Morgan, who catches her, threatens her so she won’t tell the captain. “He lifted a hand, extended a stiletto like a forefinger, and drew it across his own neck as if cutting A spasm of horror shot through me. He was – in the crudest way – warning me about what might happen to me if I took my discovery to the captain.”
  • Captain Jaggery kills a crew member, who tries to start a mutiny. “Captain Jaggery fired his musket. The roar was stupendous. The ball struck Cranick square in the chest. With a cry of pain and mortal shock he dropped his sword and stumbled backward into the crowd. They were too stunned to catch him, but instead leaped back so that Cranick fell to the deck with a sickening thud. He began to groan and thrash about in dreadful agony, blood pulsing from his chest and mouth in ghastly gushes.”
  • Captain Jaggery has Zachariah whipped for starting the unsuccessful mutiny. The first mate “turned Zachariah so that he faced into the shrouds, then climbed up into these shrouds and with a piece of rope bound his hands, pulling him so that the old man was all but hanging from his wrists, just supporting himself on the tips of his bare toes. . . I turned to look at Captain Jaggery. Only then did I see that he had a whip in his hands.”
  • Jaggery says that the first mate, Mr. Hollybrass, will give Zachariah 50 lashes. “Hollybrass lifted his arm and cocked it . . .with what appeared to be the merest flick of his wrist, the whip shot forward; its tails hissed through the air and spat against Zachariah’s back. The moment they touched the old man’s skin, four red welts appeared. . .” Hollybrass continues to whip Zachariah.
  • Charlotte begs the Captain to make it stop. When Captain Jaggery refuses, Charlotte whips him. “He took another step toward me. In a gesture of defense, I pulled up my arm, and so doing flicked the whip through the air, inflicting a cut across the captain’s face. For an instant a red welt marked him from his left cheek to his right ear. Blood began to ooze. . . When [Captain Jaggery] saw they were bloody he swore a savage oath, jumped forward and tore the whip from my hand, whirled about and began beating Zachariah with such fury as I had never seen.” Later, Charlotte sees the sailors dump a hammock overboard, which is said to contain Zachariah’s dead body.
  • After Charlotte joins the crew, Captain Jaggery punishes her. “He struck me across the face with the back of his hand, then turned and walked away.”
  • Charlotte finds Mr. Hollybrass’s body after he’s been killed. “A knife was stuck in his back, plunged so deeply only the scrimshaw handle could be seen. I recognized the design. . .This was the dirk Zachariah had given me.”
  • Charlotte is accused of murdering Mr. Hollybrass since the knife belongs to her. Captain Jaggery threatens to hang her if she can’t prove who killed him.
  • After Charlotte realizes that Captain Jaggery has killed Mr. Hollybrass, he chased her with a pistol to kill her. Jaggery chases Charlotte out to the bow, where he falls into the sea and drowns.

Drugs and Alcohol

  • One of the sailors, Morgan, has a tobacco pouch.

Language

  • Charlotte describes the sailors as “men recruited from the doormat of Hell.”
  • Captain Jaggery says that the men on the ship are unable to understand kindness. He says, “they demand a strong hand, a touch of the whip, like dumb beasts who require a little bullying.” He also calls the crew, “the dirtiest, laziest dogs” and “a poor set of curs.”
  • When Charlotte tells Jaggery that she suspects a mutiny, Jaggery says, “why the devil did you not tell me before?”
  • Captain Jaggery shouts, “damn you!” once.

Supernatural

  • Charlotte considers that Zachariah might’ve appeared to her as a ghost or an angel.

Spiritual Content

  • References to God, the Bible, and Heaven occur occasionally throughout the text. Captain Jaggery occasionally has a Bible with him, and a church service is held on the ship on Sundays, where Charlotte reads passages from the Bible to the crew. Captain Jaggery sometimes refers to himself as a Christian. “And was ever a Christian more provoked than I?”
  • Zachariah compares God to a ship’s captain. “When a ship is upon the sea, there’s but one who rules. As God is to his people, as king is to his nation, as father to his family, so is captain to his crew.”
  • After Cranick’s death, Zachariah wishes to give him a funeral, but Captain Jaggery wants him thrown overboard. Zachariah says, “Even a poor sinner such as he should have his Christian service.” Captain Jaggery replies, “I want that dog’s carcass thrown over.”
  • Charlotte feels responsible for what happened to the crew and Zachariah since she revealed their plot. She prays to God for forgiveness.
  • During Charlotte’s trial, each man swears on the Bible to tell the truth.
  • Zachariah tells Charlotte an old saying, “the Devil will tie any knot, save the hangman’s noose. That Jack does for himself.”

by Madison Shooter

Exile

Sophie is settling in nicely to her new home and her new life in the world of the lost cities. And it helps that living at Havenfield means getting to spend time with rare, precious species—including the first female Alicorn– who shows herself to Sophie and trusts only her.

Sophie is tasked with helping to train the magical creature so that the Alicorn can be revealed to the people of the lost cities as a sign of hope. Sophie wants to believe that the recent drama and anguish are gone for good.

But the secrets buried deep in Sophie’s memories remain, and before long, she’s back in incredible danger, risking everything to find the answers to questions that could save not only her life but the life of someone close to her…

From the first page, Exile jumps into action and takes the reader on an adventure through the elf’s world. The story focuses on the mystery of the Black Swan and Sophie’s unique talents—telepathy, teleportation, understanding all languages, and being able to perform a brain push. The intrigue around Sophie’s beginnings adds danger, suspense, and mystery. The moments between Sophie and her friends also give the story added depth as well as blush-worthy awkward boy scenes. As the narrator, Sophie draws the reader into her life and highlights the dangers of guilt. One councilman tells Sophie, “Guilt is a treacherous thing. It creeps in slowly, breaking you down bit by bit.”

Exile is extremely entertaining, but the complicated plot, the large cast of characters, and the political intrigue make Exile more suitable for strong, middle-school readers. Scenes between Sophie and a high-maintenance unicorn add humor and glitter to the story. Sophie’s friends—who don’t always get along with each other—give the story heart. The heartwarming conclusion leaves several questions unanswered, which will have readers reaching for the next book in the series, Everblaze. However, readers should be warned, that Sophie’s adventures will draw you into the action and leave you wanting to read every book in the series, which has 8.5 books (and counting).

Sexual Content

  • None

Violence

  • When a man sees Sophie’s family pendant, “He lunged for her. Sophie shrieked and tried to block him, but he pinned her shoulders to her chair with one arm while his other hand tore at her cape.” Sophie is scared, but not injured.
  • Fintan creates a fire. “Flashes of orange thrashed among the yellow flames, and Fintan stumbled to his feet, realizing they were the figures of his friends. . . All he could do was watch their agonized faces as the fire attacked. Then he dropped to his knees and vomited.”
  • While performing a brain push, Alden and Sophie are injured when “a wave of heat shot up Alden’s arm, burning Sophie’s hand. . .” Alden falls to the floor. “Alden lay unconscious, a large gash on his forehead streaking his face red.”
  • By using his power, Bronte inflicts pain on Sophie. “The harder Sophie tried to fight the heat, the hotter it burned. . . Sophie screamed and felt her body collapse as the searing heat raged through her mind like an inferno.” Sophie takes a serum that makes it so she “couldn’t feel, couldn’t think, just lay there and soaked up the freedom of being so light, so calm, so completely unburdened.”
  • A group of cloaked people throws a net over Sophie, Keefe, and the Alicorn. “Keefe aimed at the figure who was armed, but before he fired, one of the other figures nailed Keefe in the head with a rock. The melder slipped from his hand. . .” Keefe uses a throwing star and “the silver blades clipped the figures shoulder, tearing his cloak and making him drop his end of the net.” During the struggle, the Alicorn’s wing is broken.

Drugs and Alcohol

  • Several times, Sophie is given serums called “Achey Break,” “Fade Fuel,” and another one called “Youth.” When she drinks the Achey Break, “it rushed through her like warm bubbles floating into all the places she’d felt sore.” The water had a special enzyme that helped keep everyone healthy.
  • Alden geos into an unconscious state and is given sedatives to keep him from thrashing.
  • When Sophie is upset, a healer gives her a “salty medicine.” After she takes it, “the room didn’t just become clearer—it became brighter. Lighter. Things weren’t so bad, really. How could they be when there was this cool rush racing through her, filling her with life and energy and lifting her higher. . .”
  • A dwarf gives Sophie a sedative so he can take her to a secret location.

Language

  • Other elves call Sophie a freak.
  • One of the council members calls Sophie’s adoptive parents “two of the world’s most scandalous misfits.” Later, a council member calls Sophie’s adoptive father an “insolent fool.”
  • Several times, a boy calls his brother an idiot.
  • One of Sophie’s friends asks, “Ugh, how do I apologize for being the hugest jerk ever?”

Supernatural

  • Sophie is an elf with many powers including teleportation and understanding all languages. In addition, “Sophie was the only Telepath who could track thoughts to their exact location—and the only one who could read the minds of animals.”
  • Sophie uses a “brain push” that allows her to channel “energy from her core into her legs” so she can run faster.
  • In the elf world, some elves use a crystal to “light leap” to another location. For example, Sophie “stepped into the light, letting the warmth swell under her skin like thousands of tickling feathers as the simmering rush swept her and the alicorn away.”
  • A spectral mirror has a girl in it. Sophie is told the mirror works because of “a clever bit of programming.”
  • Sophie’s adoptive mother, Edaline can “pull things out of thin air.”
  • Sophie’s adoptive father, Grady, is a Mesmer. He says, “I could make anyone do anything they needed. I could mesmerize the entire Council if I wanted to, make them sight any law into effect. I could make them all jump off a cliff if I felt like it.”
  • One of Sophie’s classmates says her special ability will “probably be a Guster like my dad. Controlling the wind—whoop-de-fricking-do.”
  • Dwarves mine a mineral called magsidian. “It has an inherent field that draws things to it, and you can change what it draws by how you carve it.”

Spiritual Content

  • None

Ty’s Travels: Zip Zoom

Ty’s excited to try out his new scooter, so his parents take him to the park. As Ty attempts to ride, he imagines crowds watching him. Ty imagines that riding a scooter would be easy, but he wobbles. He doesn’t zip and zoom. However, Ty’s family encourages him to keep trying. Ty’s just about to give up when a girl stops her scooter and offers to help. With the help of his new friend, Ty learns how to zip and zoom on his scooter.

Young readers will relate to Ty, who tries hard to ride his scooter, but fails at first. Ty’s experience shows how learning a new skill can be difficult, but with practice, anyone can achieve their goal. The story blends Ty’s experience with his imagined experienced which allows readers to understand Ty’s goal. The conclusion shows Ty and his new friend racing together.

Ty’s Travels is part of the My First I Can Read Series, which uses basic language, word repetition, and illustrations that are ideal for emergent readers. Each page has 1 to 4 simple sentences with large, brightly colored illustrations. Plus, the cute illustrations will help young readers understand the plot.

Ty’s Travels is perfect for young readers who are learning a new skill. Ty’s two-parent family is shown in a positive light. As Ty struggles to ride his scooter, his family cheers him on and encourages him to keep trying. The story’s message is clear: Don’t give up. The simple plot and relatable conflict will capture young readers’ attention as they learn to read on their own.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

I Believe I Can

From the moment she starts her book, I Believe I Can, Grace Byers writes a dedication of encouragement to her readers: “There will always be one person who might not believe in you; let that person never be you.” These words set off a first-person narrative of “I can” affirmations.

As the reader dives into the pages of I Believe I Can, they are sent into the narrative as the first-person character; a character with the imagination to accomplish a list of feats including sailing, stretching like the Alps, igniting like a rocket, or building the world up, brick by brick. The narrative describes all the extremes that a person can be: grounded, boundless, brave, loud, right, wrong, and strong. Through these adjectives, the reader understands that they may encounter stumbles along their path and that they may not always be perfect, but that ultimately, believing in oneself is the key to getting up and trying again whenever one falls down.

I Believe I Can by Grace Byers is a book of empowerment for young readers at the very beginning of their road towards understanding themselves and accomplishing new feats. In colorful penciled drawings by Keturah A. Bobo, readers follow along with a diverse cast of children dancing ballet, playing in pirate ships or astronaut helmets, dressing up in silly costumes, planting greenery, and decorating cakes. The book even shows the children making mistakes—like drawing in crayon on their house walls— to relate to the mistakes readers themselves may have experienced.

Byer’s diction is simple, the sentence length is short (at most five sentences per page), and most pages are a set of two-sentence rhyming couplets. There is no complicated plot to follow, as the story is more focused on accumulating powerful “I” statements that readers can use throughout their daily lives. In addition, Bobo’s drawings often add animation to the subjects described in Byer’s phrases. For example, when a rocket is mentioned, there is a drawing of a rocket made from building blocks. In this way, the powerful encouragements and detailed drawings will be suitable for any reader looking to study new words and rhyming sentences on their own.

After reading this book, all youngsters will feel encouraged to dive into the activities they love and believe in themselves as they tackle new things in their life—including reading. I Believe I Can by Grace Byers ultimately shows readers the importance of lifting yourself up, and the way believing in yourself can lead to a power you never knew you had.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

by Hannah Olsson

Super Fake Love Song

Sunny Dae is a third generation Korean-American and a 17-year-old high school student in Ruby Rancho, one of the richest areas in Southern California—a town that in which a majority of people are white. He calls himself a “super-huge mega-nerd” and a loser. His friends are Milo, a Guatemalan-American boy, and Jamal, a Jamaican-American boy. Together, they form the group DIY Fantasy FX where they create cheap, safe, and cool practical gadgets for all the LARPing (Live Action Roleplay) nerds out there.

Sunny, Milo, and Jamal love D&D (Dungeons & Dragons) and, for the most part, they spend their time making props. Sunny’s room is filled with boxes of props he’s made for DIY Fantasy FX while his brother Gray’s room is filled with guitars, amps, chords, and clothes that are opposite of Sunny’s. Gray hasn’t been home in years since he went off to Hollywood to in hopes of being a rock musician.

A new family in Ruby Rancho arrives and as fate would have it, the parents of said family are friends with Sunny’s parents. Through this connection with family friends, Sunny meets Cirrus Soh. When they first meet, Cirrus mistakes Gray’s room for Sunny’s and assumes that Sunny is a musician. Sunny, who finds Cirrus very pretty and develops a crush on her quickly, decides to play the role of a rock musician to impress Cirrus. He eventually ropes Jamal and Milo into joining him with the ruse, pretending they are a band known as The Immortals. To truly convince Cirrus they are a band, they sign up for the school’s annual talent show to perform one of Gray’s songs. Sunny’s new persona is getting him places with Cirrus, but then Gray comes home and shakes the balance Sunny had created. As Sunny attempts to navigate his relationships, he also struggles to truly understand who he is and wonders if he can ever truly be himself around Cirrus.

Super Fake Love Song is a high school romance told from the perspective of Sunny Dae, who is unapologetically a nerd. The story follows Sunny’s emotions, allowing the readers to feel his sense of division with his identity as he tries to understand himself. The complex relationships Sunny has with his friends, and especially his brother Gray, shape the entire story. Sunny is only able to pretend he is in a band because of Milo and Jamal. He does so convincingly because Gray takes Sunny under his wing. Oftentimes, Sunny reminisces about the better days with him and Gray, such as when they were younger and went on dungeon adventures or stole the spoons from the country club they visited. Then, Sunny returns to the bleak reality that he and Gray are just no longer close. These memories allow the readers to feel just how far apart Sunny and Gray have drifted while also showcasing a natural sibling relationship that’s both turbulent and loving.

Sunny is a nerd who tends to talk about events as though they were a D&D campaign. For readers who are just being introduced to D&D, the specific references to the game may be confusing. Sunny is unique in that he understands things in D&D terms, which is his way of figuring out problems and how he accomplishes building his rock star persona. For example, Sunny understands that performing on stage is just like LARPing which helps him bridge the gap between Rock Star Sunny and Nerdy Sunny. He attributes different kinds of musical performers to the different classes of characters in D&D. To research being cool, Sunny decides to watch videos of rock stars. “As I watched, I became convinced of my hypothesis that music performance was a form of LARPing in itself. Rock performers, after all, hoisted their guitars like heavy axes; their screamsong was a kind of battle cry. Rappers swayed their arms and cast elaborate spells with cryptic finger gestures and fast rhymes. Pop stars danced love dramas, superstar DJs commanded their hordes via mass hypnosis, country crooners sold a pastiche of folklore simplicity long vanished.”

Super Fake Love Song is reaching out to a certain audience: teenagers that play and understand D&D. D&D references are sprinkled throughout the book and show that anyone can participate in D&D. In addition, teens will relate to Sunny’s struggle to understand himself.  The story subverts a traditional romance novel, ending with its own nerdy twist. However, some plot points are wrapped up too quickly and need to be fleshed out. Super Fake Love Song is a book for readers who want a love story and who also love D&D or want to be introduced to it without needing to campaign.

Sexual Content

  • Sunny and Cirrus kiss several times throughout the novel.
  • Cirrus tells Sunny that one of the hottest things a girl can imagine is a guy singing rock and roll to them.
  • At Cirrus’s housewarming party, Sunny takes Cirrus upstairs to her bedroom where they make out. The scene lasts for two pages.
  • Cirrus invites Sunny to a panopticon live. In the virtual world, he and Cirrus become sylphs and kiss using their avatars. “We kiss in that awkward way avatars do: the polygons of our faces glancing off each other, never really touching.”
  • Sunny goes over to Cirrus’s condo where “Cirrus kissed me at her front door.”
  • Cirrus and Sunny have a picnic where they cuddle with each other and kiss.
  • On the way back home, Cirrus and Sunny kiss again. This time, they also confess to each other that they love each other. The kiss is not described.
  • At Fantastic Faire, Sunny and Cirrus reunite after months of missing each other. They “kissed, and the beautiful nerds around us laughed and cheered.”

 Violence

  • Gunner bullies Sunny and his friends. “Gunner would invade my table at lunch to steal chips to feed his illiterate golem of a sidekick and tip our drink bottles and so on, like he had routinely done since the middle school era.”
  • Sunny imagines testing a prop he made on Gunner. “The wires streaked across the stone chamber in a brilliant flash and wrapped Gunner’s steel helm before he could even begin a backswing of his bastard sword. The rest of my party cowered in awe as a nest of lightning enveloped Gunner’s armed torso, turning him into a marionette gone made with jittering death spasms, with absolutely no hope for a saving throw against this: a +9 magical bonus attack.”
  • Gray catches Sunny sitting in his old room with his guitars and friends and doesn’t fall for the ruse of them being a band. Sunny is very frustrated with his brother’s snide behavior. He imagines himself using an FX prop he made against Gray. “I wished I could stun him with Raiden’s Spark for real from one hand, and then cast Esmeralda’s Veil with the other so that I could abscond with the iPod while he choked on clouds of sulfur―no constitution-saving throw, automatic lose-a-turn.”
  • Gunner has bullied Sunny ever since Sunny moved in middle school. Gunner apologizes for being a bully and Sunny thinks about how he “had always fantasized about propelling Gunner with a seventeenth-level Push spell into a fathomless crevice full of lava.”
  • Sunny is practicing how to shred on a guitar and he compares the experience to a D&D campaign experience. “And when I was done, I flung the neck aside like I had just sliced open a charging orc.”
  • Sunny’s anger boils over when his brother hijacks his performance. Sunny pushes Gray into oncoming traffic. “When I shoved him this time, Gray was unprepared. Gray tripped over a pipe jutting from the concrete; He hit the ground backward. . . He found his feet, looked right, and held up a polite hand as tires shrieked. Then he was taken down.” Gray ends up being injured and taken to the hospital. He doesn’t die.

 Drugs and Alcohol

  • When imagining himself as a rock star performing for the first time, Sunny describes the air as “stinking of smoke and sour spilled beer of the ages.”
  • While hosting a housewarming party, Cirrus says that there’s a variety of alcohol to drink such as “chevre, manchego, membrillo for said manchego, mild ojingeo, spicy ojingeo, stuff from my parents’ liquor stash like Aperol and Richard and makgeolli and like six bottles of clara in the fridge if you’re not into makgeolli, which I get, makgeolli’s definitely an acquired taste, ha!”
  • At the talent show, Sunny sees Gray “standing in the underlit glow of the stage wings, he held onto a truss and raised his beer in a swaying toast at me.” Because he is drunk, Gray ends up hijacking Jamal’s mic and ruining Sunny’s performance.

 Language

  • Both Sunny and his friend Milo call Gunner, “Asswipe.”
  • Jamal says that Gray is “kind of a dick.”
  • After learning someone keyed his car, Sunny’s dad goes into a cursing fit. He yells, “What kind of GD MF-ing A-hole SOB would pull this kind of BS on me?”
  • In a text message thread, Jamal says, “So Gray’s gone from garden variety dick to full on douchetube.”
  • Gray has been treating Sunny very poorly which frustrates Sunny. He says, “Why did Gray have to be what he was―the lord of all douchetubes?”
  • Gray mentors his brother and his friends on how to be a band. He describes a certain face to make saying, “Just grit your teeth like this and mouth a bunch of angry stuff like, You ugly guitar with your dumbass frets and your dumbass strings.”
  • Gray confesses to his family that when they moved to Ruby Rancho, someone asked him “if he ate dog.” Sunny also says that happened to him. Asking an Asian person, especially an East or Southeast Asian person, if they eat dogs is a racial microaggression.

 Supernatural

  • None

Spiritual

  • None

by Emma Hua

Battle of the Ampere

After sacrificing himself for the successful destruction of the Starxource plant, Michael is lost in the Peruvian rainforest. He’s rescued by a group of natives named the Amacarra tribe, who are also sheltering another one of Hatch’s electric children: Tessa. From Tessa, Michael learns that the Elgen have a fleet of boats, including the Ampere, where the head of the Elgen corporation resides. Michael’s next goal is to track down Hatch who lived through the destruction of the plant and seized control of the Ampere which is his new base of command. But first, Michael must reunite with the Electroclan if he wants to have any hope of taking Hatch down.

Battle of the Ampere is broken into three parts. The first part follows Michael and Tessa’s journey through the jungle with Jaime, their guide, who works for the unnamed resistance against the Elgen corporation. The resistance is headed by someone who Michael calls “the voice.” The voice wants the Electroclan to sink the Ampere to put a stop to Hatch’s plans.

 The second part of the book details the fate of the remaining Electroclan members. The Peruvian government declared the Electroclan terrorists after the destruction of the Starxource plant left much of Peru without electricity. It’s up to Michael and Tessa to rescue them from prison.

Lastly, the book covers the sinking of the Ampere, which puts a dent in Hatch’s plans. Unfortunately for the Electroclan, Hatch still escapes with his life and the other electric children. This book is an important read because the Electroclan is tested in ways it hasn’t been before: losing one of its members. Wade dies during the group’s escape from the Peruvian army. Michael reflects that “Grief is a powerful force that settles in the heart like a dark, heavy fog.” The group certainly feels the weight of grief as they split up; some of them choose to return home rather than continue to risk their lives to sink the Ampere. Michael says that the split hurts him, “not just because I was losing my friends, but because deep inside I really wanted to go home with them.” Even though the decision is hard, Michael still chooses to do what he thinks is right.

Things look especially grim at the climax of the novel when Hatch locks the Electroclan in the engine room of the Ampere. The group decides to ignite the bomb they have with them, sacrificing themselves so that they can sink the ship and take Hatch down with them. However, at the last moment, they are rescued by other members of the Electroclan who decided not to return home after all. Upon reuniting, Abigail says to Michael, “You said not to regret my decision. I couldn’t. If something had happened to you, I would have regretted it the rest of my life.”

Battle of the Ampere is darker than the last installment, but it highlights a worthwhile message of sticking by loved ones even when the odds are against you. When the Electroclan wants to give up, Michael emphasizes that they should not let Wade die in vain by letting the Elgen win. The story addresses the grief that comes with losing friends, but it also shows how to preserve their memory. At the end of Battle of the Ampere, Hatch escapes once again, but the Electroclan have learned an invaluable lesson: they are stronger together than apart.

Sexual Content

  • Taylor and Michael reunite, they kiss. Michael runs to her. They “hugged, then she pressed her lips against mine.” When they kiss again, someone says, “Get a room.”
  • When Jack and Abi say goodbye, they kiss. Abi, “leaned forward and kissed him on the cheek. Then she looked intensely into his eyes, then kissed him on the mouth.”

Violence

  • During their trek through the forest, Michael and Tessa are caught by Elgen guards, who torture them with RESATs (devices that are made to paralyze the children’s electricity). Michael narrates, “Out of my peripheral vision, I could see them cuffing Tessa’s hands as well. She was still crying but not struggling. She looked as if she was having difficulty breathing. The RESAT was set way too high for her.”
  • Jaime is also captured. Michael says, “With some effort I looked over at Jaime. He was so still I wondered if he was dead. . . But they tranquilized him. The Elgen only killed when their foe had no value. Jaime had value. They would torture him. They would break him and learn about the voice.”
  • To kill the guards holding them hostage, Michael activates a sentry gun. Michael says, “I got the remote in my hands and moved it around in my fingers. As the first guard reached me, I pressed the button. The entire campsite exploded with machine gun fire. . . I closed my eyes until the firing stopped, the stench of smoke falling low to the ground. . . I dared not even move my head enough to look around to see if anyone was left. . . The Elgen guards were lying all around me, but no one was moving. I looked back at Tessa. She was shaking. She tried to speak but couldn’t. She was drenched with sweat and her blouse looked as if she had showered in it. The RESAT was set way too high. I was worried that if I couldn’t get it turned off soon that it might stop her heart.”
  • The Electroclan (minus Michael and Tessa) attempt to escape from prison in a van driven by Peruvians, but they are caught. Jack is shot in the process. “The transport veered off the road and everyone bounced around in the back. Bullets tore through the front and side windows of the cab, ripping apart the front of the van. A stray bullet hit Jack in the arm . . . As they lay there, dozens of Peruvian soldiers surrounded the vehicle. Soldiers pulled open the front door of the van, then dragged the bodies of the traitorous soldiers out of the cab. ‘Están muertos.’ [They’re dead].”
  • On board the Ampere, the Elgen council votes to execute Hatch. He attacks them by using the electric children who are still loyal to him. “The corridor lights flickered. Then the lights at the end of the hall went dark. . . both guards drew their weapons, the first a submachine gun, the second a Colt sidearm. Suddenly the second guard dropped his handgun and began screaming. His face was red and he was violently shaking his hands in the air. ‘My hands! They’re burning!’ Then, the first guard also threw his gun to the floor and fell to his knees, pulling off his boots…” The two guards lay on the ground writhing and screaming with pain.
  • The kids continue to abuse the guards before locking them in the ship’s brig. Quentin makes the guards strip down to their underwear even though they’ve been burned. Torstyn orders one to crawl inside the cell. “The guard hurriedly pulled down his slacks, screaming as they brushed against his feet. Then he crawled into the cell, whimpering.”
  • When a hostage board member tries to grab a gun, Hatch throws him out of a window. “The guards lifted the man and threw him out. The sound of his screaming could be heard until a distant splash ended it.”
  • The guards also hurt head chairman Schema on Hatch’s orders. “The captain walked up to Schema and pulled him out of his chair, forcing him to kneel, then kicked him in the stomach. Schema gasped, then fell to his side, coughing fiercely. . . Hatch turned around and said, ‘Captain of the guard, I want former chairman Schema hung upside down by his feet.’” Later, while drunk, Hatch visits Schema. Schema “had been hanging for more than three hours and was unconscious. There was a pool of vomit on the floor beneath him.”
  • Michael, Tessa, and Jaime work together to stop a Peruvian convoy that is transporting the rest of the Electroclan to trial. Michael attacks the soldiers with lightning. Michael makes a ball of lightning and “lobbed it into the truck’s cab. There was a flash of blue light, then the sound of a head hitting the dashboard.”
  • Mercenaries use the attack on the Peruvian convoy to capture Jack and Taylor for ransom money. A few of the men argue over how to split the money. One of men pulls out a gun. “The Australian [mercenary] drew first and shot him twice. Then he shot the man next to him. The other three men put their hands in the air as smoke rose up from the campsite.”
  • Wade is killed in the escape. “Jack was kneeling on the ground holding Wade in his arms. There was blood everywhere. As we got to Jack’s side, he was pressing down on Wade’s abdomen. Blood was rising up between his fingers. Wade was shaking and his skin was pale and waxlike.”
  • Michael reflects on Wade’s death. “Time seemed frozen, disjoined like broken sequences cut out of a horror movie. Jack’s hands and torso were drenched in blood and he was screaming in anguish. . . During it all, one of the guards woke and began shouting at us to let him go.”
  • After Wade dies, Michael walks over to a guard. “When [the guard] saw the fierce anger on my face his own expression turned from anger to fear. I had to control myself so that I only shocked him unconscious. Then Zeus and I dragged him out of the clearing into the jungle, crammed leaves into his mouth, and tied his shirt around his face to keep him from making any more noise. We were doing it for his benefit. In Jack’s current state he would gladly silence him permanently. Then, Zeus, Ian, and I dragged the other guards into the jungle. There was no need to tie up the guard who had shot wade. He hadn’t survived Zeus’s blast.”
  • Taylor informs Michael that Jack intends to “go down when we sink the Ampere.” Jack refers to their mission as “a suicide mission” a few times, reflecting his wish to die when they sink the ship. Michael tells Jaime, “[Jack] blames himself for Wade’s death. Taylor told me she read his mind and he’s not expecting to survive the attack. It’s like he’s just accepted this is going to be a suicide mission.”
  • Jack cuts Wade’s initials into his arm. “Jack walked into the kitchen. His arm was covered with blood. . . He held up his wound. He had a cut a jagged line on his forearm below his tattoo.”
  • After the group infiltrates the Ampere, Michael finds the aftermath of Hatch’s torture of the board members: “Two of the cells were occupied. One had an Elgen guard lying unconscious on the floor in a pool of blood. The other was jammed full of people, with a woman hanging upside down against the bars, her long hair touching the floor.” The woman has died.
  • Taylor reboots someone too hard. “The man screamed out with pain, fell to one knee, then to his side, crying out as he hit the floor.” Ostin tells Taylor that she probably gave the man an aneurysm.
  • After sinking the Ampere, the Electroclan celebrates Wade’s birthday. Taylor reads a post from a blog Wade kept. The blog says, “Today, my grandmother hit me again. She bashed me like a hundred times with a wooden spoon, and then with a tennis racquet. I have cuts and bruises all over. It takes all I have not to just haul off and knock her one, but I know they’ll throw me in jail if I do. The last time I stood up to her she called the police, and when they came she acted like a sweet old lady who got stuck with a low-life juvie… Sometimes I feel like this crummy world is completely stacked against me and I want to give up.”
  • Wade writes about Jack’s history in his blog too. “Jack’s been dealt a bad hand too. His old man’s an alcoholic. His mom left him, and one of his brothers is a drug head and in prison, but Jack never gives up and he never complains. . . If it wasn’t for him, I probably would have just ended it a long time ago.”

Drugs and Alcohol

  • Hatch and the kids drink alcohol in a toast to their future successes. Hatch gets drunk and visits Schema in the brig, but Schema is unconscious.

Language

  • The Australian mercenary calls a few of his men “wankers” and “bloody crook[s]” for being cowards and wanting more money.
  • After the Electroclan escapes to a nearby town, the townspeople recognize them and surround them because they still believe they are terrorists. Ostin calls it, “a freakin’ lynch mob.”
  • Ostin tells Hatch that he is “a skid mark on the underwear of humanity.”

Supernatural

  • There are seventeen electric children in the series. Each one has a different electricity-related power including the ability to create light, heat, magnetism, or lightning. Others can interfere with electrical equipment. Some of the kids can manipulate electrical signals within the body that allow them to read minds, take away pain, and create emotional responses such as fear. For example, Michael can make his body electric and is able to absorb the energy from the other children and concentrate it into lightning he can pulse and throw. Taylor can read minds due to electrical brain signals. Ian is blind and uses electro-location to see through walls and solid objects.
  • Tessa, another one of the electric children, meets Michael in the rainforest. Unlike Michael, she amplifies electricity rather than taking it away.
  • The Amarcarra people believe Dr. Hatch is a Chullanchaqui. Tessa explains, “The natives believe the Chullanchaqui is a demon who lives in the Amazon jungle. It appears as a friend and lures people off into the jungle where they are never heard from again.”
  • The Peruvian people have a similar distrust in the electric children. “Rumors spread quickly through the Peruvian military force that eight teenagers they were hunting in the jungle were more than just young terrorists. They were part of an occult group called the Electroclan and workers of black magic – a rumor that gained credence when it was discovered that some of them actually glowed in the dark.”

Spiritual Content

  • Hatch says, “Fate is an excuse for people who are too stupid or too weak to make their own future.” Later he adds, “You can’t fight destiny.”
  • Hatch and Quentin talk about the Bible. Hatch says, “It’s fabulous fiction, really. Hogwash, of course, rubbish and drivel. But every now and then, the writers got it right. Did you know that it prophesizes of us?”
  • Hatch quotes the Bible, “And I saw a beast rising up out of the sea, having seven heads and ten horns, and on his heads a blasphemous name. . . The dragon gave the beast his power, his throne, and great authority. And all the world marveled and followed the beast.” Hatch thinks “the seven heads and ten horns, the number seventeen, represents the seventeen electric children. And the dragon gave them their power, as I have given you yours. Just as I will give you thrones and great authority. And the people of the world shall fear you and they shall worship me.”
  • When they bury Wade, “Ostin fashioned a small cross from tree branches.”
  • An innkeeper who shelters the Electroclan says, “I will pray to the Virgin Mary for your safety.”
  • Michael is worried that Jack wants to commit suicide. Michael says, “I don’t know what to do when someone loses hope.” Jaime replies, “you pray for them.”

by Madison Shooter

Climbing Everest

The peak of Mount Everest is the highest place on Earth—and one of the deadliest. Terrible storms stop climbers in their tracks. Avalanches crush everything in their way. Brave adventurers disappear on the snowy slopes. Despite this, Edmund Hillary and Tenzing Norgay decided to climb. They come from different cultures, but their dream is the same. Can their teamwork help them make it to the roof of the world?

Everest’s story begins with George Leigh Mallory, who was born in 1886. Mallory attempted to climb Everest many times and although people believe he reached the summit, he died while climbing the mountain. However, Mallory was not the last to climb. Climbing Everest describes the different people who tried to make it to the top of the world.

In order to explain why some of the explorers wanted to climb Everest, the book focuses on the main climbers. This allows readers to understand each person’s motivation behind climbing Everest. Some of the words come directly from the explorers’ personal letters and writings which adds interest to the story. Through the climbers’ stories, readers will be awed by the climbers’ dedication, grit, and ability to survive in harsh conditions.

Climbing Everest uses short chapters and easy vocabulary which makes the book accessible to reluctant readers. Large black and white illustrations appear every 3 to 7 pages and show the mountain and the mountain climbers. The end of the book includes records set at Everest, a map of the climbers’ camps, and other interesting facts. While the book is easy enough for young fluent readers, the content will be interesting to older readers of all ages.

Today, more than 300 people have died attempting to reach Everest’s summit. Climbing Everest chronicles the first explorers who dared to reach earth’s highest peak. Their stories explain the difficulties of reaching the summit as well as the teamwork involved. Even though the book is nonfiction, readers will have a hard time putting it down. Readers who are interested in mountain climbing will also want to read Peak, the first book in the Peak Marcello Adventure Series.

Sexual Content

  • None

Violence

  • Mallory’s body was found years after his death. He was “lying face down in the snow. His feet were pointed toward the mountain base. His arms were outstretched as if trying to stop a fall. He had a broken leg, broken ribs, and a broken shoulder.”

 Drugs and Alcohol

  • During the 1922 expedition, the climbers brought cases of champagne so “they could celebrate their success once they reached the top.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • On their trip to Mount Everest, the climbers stopped at the Rongbuk Monastery. “Sherpas, and many other people from the region, followed the Buddhist religion. . . The paths of the monastery were lined with stones, and the stones had prayers carved into them.”
  • When Edward North and his expedition went to the monastery, “he asked the head lama to give a special blessing to the Sherpas.” The lama “held a silver prayer wheel to each man’s head. By doing this, he gave the climbers a blessing.”
  • One of the Sherpas was “a little scared” of going to the summit because “his Buddhist religion taught him that gods and demons lived in the mountains. They were sacred places, to worship and to protect.” Later Tenzing “left gifts for the mountain gods—sweets, and the pencil his daughter had given him.”

I Want to Be a Doctor

Jack jumps off the bed and breaks his foot. His whole family—dad, mom, and sister—go with him to the emergency room. While Jack and his mom go into the exam room, his dad and sister go on a field trip through the hospital. In the process, his sister learns about all kinds of doctors.

Young readers will enjoy exploring a hospital and meeting friendly doctors who want to help people feel better. The story blends narrative and nonfiction elements to create an educational story perfect for young readers. Readers will learn about nine different types of doctors including, a dentist, a physical therapist, and a pediatrician. The last page of the book has an infographic listing the different types of doctors and what they do.

I Want to Be a Doctor is part of the I Can Read series that introduces young readers to important community helpers. Another positive aspect of the book is the brightly colored illustrations that show a large cast of hospital employees who are diverse and friendly. Each page has four or fewer sentences typed in oversized text. The short sentences and familiar words make the book perfect for children learning to sound out words and sentences. I Want to Be a Doctor will delight little readers who are curious about hospitals and doctors. Readers who want to learn more about doctors should check out the picture book, The Doctor With An Eye for Eyes: The Story of Dr. Patricia Bath by Julia Finley Mosca.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

I am Sonia Sotomayor  

Sonia Sotomayor’s life will inspire children to reach for their dreams. The biography begins when Sonia was a small child, who often got into mischief. Living in the Bronx was not always easy, but Sonia found comfort in reading and learning. Sonia was inspired by Nancy Drew, who “was a master at doing puzzles, and no matter what got in her way, she could figure things out.” Sonia wanted to help others by becoming a police officer. However, because of her diabetes, she couldn’t pursue her dream of joining the force. Instead of giving up, Sonia found new inspiration by watching Perry Mason, a lawyer. After watching the show, she decided she wanted to be a judge.

Instead of focusing on the hardships of life, Sonia’s biography describes all the people who helped her along the way. She does acknowledge the fact that “there were a lot of Puerto Rican workers, but few managers or owners, and even fewer lawyers and detectives. It wasn’t that my Puerto Rican neighbors didn’t work hard. People aren’t poor because they’re lazy. . . But sometimes where you live affects the kind of opportunities you have.” But with words of encouragement from her mother, her teachers, and her friends, Sonia was able to become the first Latina Supreme Court Justice. Sonia’s story proves there is no limit to what someone can accomplish.

Colorful, full-page illustrations, show important aspects of Sonia Sotomayor’s life beginning when she was a little girl. The book’s text includes speech bubbles as well as short paragraphs. Because Sonia is Latino, some of the speech bubbles are in both Spanish and English. Throughout the book, Sonia and some of the other people are cartoonish. When groups of people appear, the people are diverse and include both male and female. The end of the book has a timeline of Sonia’s life, and four pictures of her. In the last line, Sonia says, “Remember that no one succeeds alone.”

Younger readers will enjoy I am Sonia Sotomayor’s fun format, conversational text, and positive message. The book reinforces the importance of learning, reading, and listening to those who encourage you. Sotomayor says, “The more you learn, the further you’ll go. Education is a rocket ship. It can take you anywhere. But no matter how high you fly, never forget where you started.” For more inspirational stories about successful women, read She Persisted in Sports by Chelsea Clinton.

Sexual Content

  • None

Violence

  • One day Sonia found “my little brother surrounded by bullies, so I walked over to protect him.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

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