Arthur’s Tractor: A Fairy Tale with Mechanical Parts

One day, Arthur is out plowing the green fields into brown with a mighty tractor. Does he notice that a fair maiden is running for her life right behind him? Not a chance. Does he notice the dragon? Or the knight?

The only thing he does notice is his “broken” tractor! Little does Arthur realize that he is heading for a fairy tale ending himself. With action and details to discover on every page, this picture book will captivate every knight and princess in your kingdom . . . or backyard!

Arthur’s Tractor is the perfect book to read aloud because it’s full of funny dialogue and onomatopoeia. For example, while the princess is under attack, she makes many different sounds such as “EEEK!” Arthur thinks that his tractor is to blame for the odd sounds, and he’s determined to make his tractor as good as new. At one point, Arthur wonders, “Well, bless my blisters, whatever can that THUD THUD THUD be?”

While Arthur inspects his tractor, a battle is going on right behind him. Behind the green and brown fields that Arthur is plowing, there is a princess in pink, a brave knight, and a huge dragon. Plus, several animals, including a frog and a squirrel, are fighting over a golden egg. Readers will love looking at the detailed illustrations that are packed full of action.

In the end, the princess proves that girls can love tractors as much as anyone. After helping Arthur fix the tractor, the princess says, “Now pass me that can, and I’ll oil that coil bolt brandisher before the dang things bangles free.” Each page of the picture book has 1 to 6 sentences. Because of the colloquial language, and complex sentences, young readers will need an adult to read the story to them.

Arthur’s Tractor will appeal to anyone who loves tractors and fairytales. Young readers will laugh at the silly antics of the fairytale characters and enjoy the unique conclusion that shows the princess driving the tractor as “they all lived happily ever after.”

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • “Dang” is used once.

Supernatural

  • None

Spiritual Content

  • None

 

Parker Shines On: Another Extraordinary Moment

As she grows older, Parker Curry puts her whole heart into the art of ballet. At home, this passion manifests through silly dance moves Parker performs with her younger sister Ava and her younger brother Cash. These “dance parties” bring the whole family together.

In ballet class, Parker focuses more seriously on the movements of her teacher and vows to practice her skills more adamantly in the hopes of becoming a soloist like her friend Mira, or a professional dancer like those she sees featured on posters in the dance studio. With newfound determination, Parker waves away her sibling’s silly dances, instead dedicating herself to long hours in front of her mirror alone, practicing ballet steps over and over. “Becoming a real dancer is a serious business,” Parker thinks to herself. It isn’t until the day of her recital that Parker notices their soloist, Mira, is nervous. In this moment, Parker realizes it isn’t always practice, but the joy in the practice, that makes a performance beautiful. This realization, along with Ava and Cash’s encouragements to form a “Dance party!” help Mira and Parker showcase their hearts onstage.

The sequel to Parker Looks Up, Parker Shines On, is a true story from Parker Curry’s life, and works again to display the way powerful role models and positive experiences can shape a child’s life. Parker Shines On has dynamic and eye-catching digital illustrations by artist Brittany Jackson. On each page, readers follow Parker as she gathers dancing guidance from the posters of famous ballet icons, the movements of her best friend Mira, and the silly shenanigans of her siblings Cash and Ava.

Each illustration contrasts Parker’s carefree adventures at home — reading books, playing piano, dressing up, eating the last slice of cake, holding dance parties on the bed — with the precise and structured dances of Parker’s ballet classroom. With this contrast, readers can quickly see the way these two environments impact Parker’s approach to dancing. This adds an interesting tension to the story by displaying the way in which influences can negatively impact a person if they cause that person to pull joy away from their passions. In resolving this conflict in the end, Parker Shines On exemplifies how one can balance the structure and fun of life to not just improve on a skill, but also enjoy the process of that improvement. Each page holds scattered sections of text ranging from two to five lines and a simplistic vocabulary perfect for emerging readers.

In addition, the end of Parker Shines On is followed by Jessica Parker’s story behind the story, a note from famous ballet dancer Misty Copeland, and a biography for each dancer illustrated on the posters Parker sees throughout her practicing. These additions add another interactive piece for the readers of Parker Shines On, as these sections grant parents an opportunity to discuss real-life role models with young readers.

Though Parker Shines On will mainly appeal to those with a passion for dancing, it aims to truly capture the attention of all young readers looking for inspiration while practicing a new hobby. In showing the way Parker celebrates her own unique way of dancing, all readers are encouraged to express creative endeavors on the outside in the exact way they feel on the inside.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

by Hannah Olsson

Hunted

Beauty knows the Beast’s forest in her bones—and in her blood. After all, her father is the only hunter who’s ever come close to discovering its secrets.

So when her father loses his fortune and moves Yeva and her sisters out of their comfortable home among the aristocracy and back to the outskirts of town, Yeva is secretly relieved. Out in the wilderness, there’s no pressure to make idle chatter with vapid baronesses– or to submit to marrying a wealthy gentleman.

But Yeva’s father’s misfortune may have cost him his mind, and when he goes missing in the woods, Yeva sets her sights on one prey: the creature he’d been obsessively tracking just before his disappearance. The Beast.

Deaf to her sisters’ protests, Yeva hunts this strange creature back into his own territory—a cursed valley, a ruined castle, and a world of magical creatures that Yeva’s only heard about in fairy tales. A world that can bring her ruin, or salvation.

Fans of Disney’s Beauty and the Beast will love Hunted which takes place in medieval Russia and follows the original Slavic fairytale. Spooner expertly weaves parts of the original folklore while taking an in-depth look at Yeva, who often feels discontent. When Yeva’s father dies and the Beast takes her captive, Yeva’s thoughts often revolve around killing the Beast. Instead of being portrayed as perfect, Yeva’s emotions are more complicated because she feels both hatred and compassion toward the Beast. She is also admirable because, no matter how dire the situation, she never feigns comfort or lies to herself about her circumstances.

Unlike Spooner’s book Sherwood, Hunted has a much slower pace because Yeva spends much of her time alone hunting. Also, when the Beast holds Yeva prisoner in the dungeon, she is alone most of the time. Since much of the conflict comes from Yeva’s inner thoughts, there are few moments that are truly action-packed. Despite this, Hunted is an engaging story that looks at one’s deepest desires. Through Yeva’s experiences, the reader will come to understand that most people have more than one nature and they can take several paths that will lead to happiness.

Hunted will delight readers who like to explore a character’s thoughts and feelings. Even though the story focuses on Yeva, Beast’s emotions are also explored through letters that he’s written. While at the Beast’s castle, Yeva and Beast are alone, which limit’s the story’s perspective. Despite this, Hunted will transport you into a magical world full of danger. Readers who enjoy fairy tale retellings should also read the Once Upon a Con Series by Ashley Poston.

Sexual Content

  • Yeva agrees to marry Solmir. “Solmir freed one hand from Yeva’s grasp and lifted it to take hold of her chin in his fingers. He leaned forward and brushed his lips against hers, the briefest of touches before he pulled away.”
  • After Yeva returns home, she is not invited back into society because “no one quite knew what to make of her, whether she had spent the winter with an unmarried man under a curse or if she’d spent it in the bed of a wicked monster.”
  • When the Beast turns back into his human form, Yeva kisses him.

Violence

  • Yeva’s father invested in a caravan of goods. He gets word that all the men were killed. “Barbarian swords in their guts, heads piled in the wagon and burned. All the goods stolen or destroyed.”
  • Yeva finds her father’s body in the woods. “She uncovered his bow, then a few feet farther she found his pack, the leather torn and the contents strewn about beneath the snow.” She believes the Beast killed her father.
  • When Yeva sees a wolf in the woods, “she swung her father’s bow around and drew it in one smooth movement. The arrow flew straight and true. There was a bone-shaking roar of fury and pain that threw her to the ground with its intensity, and then the shadowy giant bounded off through the wood.”
  • The Beast pretends to be injured, and Yeva prepares to kill him. “The Beast lunged at her, knocking the ax aside with a blow that numbed her from the shoulder down, arm falling uselessly to her side. . . The impact of the Beast’s body hitting hers sent her head snapping forward out of its concealing hood, as it lifted her from her foot.” Yeva is knocked unconscious and taken captive. She wakes up “chained underground with broken ribs and no light.”
  • Yeva tells a story about a young man, Ivan, who had jealous brothers. “They killed Ivan in his sleep and cut his body into pieces.” Later, a wolf “ate his treacherous brothers whole.”
  • Unknowingly the Beast has been kindly caring for Yeva. But when Yeva tries to see the Beast’s face, “something huge flung itself at her, knocking her back onto the ground. Her head struck hard enough to stun her, despite the carpet to cushion it.” When Yeva discovers her helper is the Beast, “Yeva’s hand closed around the knife, and with a scream she brought her arm up in an arc, sinking the knife to its hilt in the Beast’s shoulder.” The Beast is injured, but not critically.
  • Yeva’s dog Doe-Eyes attacks the Beast. The Beast “gave his great body a shake that dislodged the dog and sent her flying. Yeva’s heart shriveled, then snapped as Doe-Eyes collided with a tree and dropped into a heap in the snow, unmoving.”
  • Yeva sneaks into the Beast’s bedroom one night to kill him. “The knife stabbed deep into this throat and hit bone, and Yeva gasped aloud as she jerked the knife sideways, trying to slice. . . There was blood everywhere, blood on the rug and blood spattering the wardrobe. . . A final breath. And then he was still.”
  • A woman who married young discovered that “her husband wasn’t a good man. He hit her when she didn’t do everything exactly to his liking. . . He always hit where it wouldn’t show, until one day he lost his temper and blackened her eye.” The woman stayed with her husband because he made her feel “so special, so loved.”

 Drugs and Alcohol

  • Yeva uses willow bark as a pain reliever.

Language

  • “By God” and “good love” are both used as an exclamation once.
  • When Yeva returns home, she tries to break her engagement with Solmir. He yells, “If you think I give a damn—sorry—about the silly rumors people whisper in the streets, you must not think very highly of me.”

Supernatural

  • The Beast takes Yeva to a magical wood where she meets Lamya, who is both a woman and a dragon. She also “discovered tress that had faces, voices, peeping at her one instant and gone the next.”
  • Yeva meets a fox named Borovoi, who will only answer three of her questions. Borovoi leads her to a frozen pond. When Yeva falls into the pond, she sees “a rotting face loomed out of the blackness at her, boney arms pulling her close.” Yeva almost drowns but is able to pull herself out of the pond. Later, Yeva learns that the pond “belongs to one of the Rusalk, a girl killed long ago by a lover or father or brother. She appears to men as their heart’s desire to lure them to their deaths.”
  • After Yeva kills the Beast, she is surprised when “the Beast’s gaping throat knit itself together neatly, as though she was watching a seam ripping in reverse. His lungs filled with one great, wet, rattling breath, and he coughed more blood onto the rug.” Yeva discovers that the curse will not allow the Beast to die.

Spiritual Content

  • Yeva doesn’t want to tell her sisters the truth about a man’s interest in her. Yeva “prayed they wouldn’t ask her again what she knew, for she couldn’t lie to them.”
  • When Yeva readies herself to leave, she gets Solmir to promise to take care of her sisters. She prayed “he didn’t change his mind.”

The Golden Braid

The one who needs rescuing isn’t always the one in the tower.

Rapunzel can throw a knife better than any man. She paints beautiful flowering vines on the walls of her plaster houses. She sings so sweetly she can coax even a beast to sleep. But there are two things she is afraid her mother might never allow her to do: learn to read and marry.

Fiercely devoted to Rapunzel, her mother is suspicious of every man who so much as looks at her daughter and warns her that no man can be trusted. After a young village farmer asks for Rapunzel’s hand in marriage, Mother decides to move them once again—this time, to the large city of Hagenheim.

The journey proves treacherous, and after being rescued by a knight—Sir Gerek—Rapunzel, in turn, rescues him further down the road. As a result, Sir Gerek agrees to repay his debt to Rapunzel by teaching her to read. Could there be more to this knight than his arrogance and desire to marry for riches and position?

As Rapunzel acclimates to a new city, she uncovers a mystery that will forever change her life. In this Rapunzel story unlike any other, a world of secrets and treachery is about to be revealed after seventeen years of lies. How will Rapunzel finally take control of her own destiny? And who will prove faithful to a lowly peasant girl with no one to turn to?

Other than Rapunzel’s name and long hair, the story’s heroine doesn’t have any of the magical elements of the Rapunzel fairytale. While the beauty of Rapunzel’s hair is discussed throughout the entire book, her hair has no real significance. Gothel has made Rapunzel keep her hair covered because it will attract men, and Gothel has also taught Rapunzel to distrust all men. When Rapunzel meets Gerek, a knight, she thinks, “He was also handsome. But her mother had taught her not to regard fairness of face, especially in men. It was a tool they used to manipulate weak-willed women into giving them what they want.”

Predictably, Rapunzel falls in love with Gerek, the first knight that she meets. When Rapunzel admits that she loves Gerek, a friend tells her about a tragic event and then says, “Only God could heal our pain. . . That is when I began to understand that he [her husband] was only a man—a very good man who loved me, but a man nevertheless. He was not God. So I stopped trying to make him the god of my life, expecting him to bring me healing, and started expecting perfect love and satisfaction from God alone.”

Readers who enjoy Christian Fiction will find the many references to God and the Bible heartening. However, the plot has few exciting moments and instead is a gentle love story. While Rapunzel is a sweet and caring protagonist, she is not necessarily unique or memorable. If you’re looking for an easy-to-read romance, The Golden Braid, will take you into the time of Knights and chivalry. If you love fairytale retellings the Once Upon a Con Series by Ashley Poston may be a better choice.

Sexual Content

  • Rapunzel’s mother always makes her cover her hair. Mother says showing her hair is “indecent… If you go around letting men see your head uncovered, your hair on display, you will see what it will get you. A broken heart and an illegitimate child.”
  • When Mother was young, she fell in love with a man. She explains, “I believed he loved me. But it was all a lie. He got me with child, and then I never saw him again.”
  • A girl suggests that Rapunzel should wear something revealing to attract Gerek’s attention. She says, “He doesn’t have to marry you. If you have his baby and he claims it, you get money out of him, or a nice house, or a position in the church for your child, if it turns out to be a son.”
  • Rapunzel discovers that her mother is “the illegitimate child of Duke Wilhelm’s father.”
  • When Lord Claybrook’s men take over the castle, Rapunzel wonders, “Would Claybrook force Margaretha to say vows and then force himself on her? If he wanted to hurt her, that would be a good way to do it.”
  • While traveling together, Gerek and Rapunzel share a horse. Rapunzel wonders, “His hair was so dark and thick. What would it feel like to touch it? He seemed to be staring at her lips. Was he imagining what it would feel like to kiss her? Because she was.”
  • Gerek wonders what it would feel like to kiss Rapunzel. “What would she do if he put his hands on either side of her face and kissed her lips? Probably slap him.”
  • Gerek professes his love to Rapunzel and then, “He leaned down and hovered, his breath on her temple. Then he pressed his lips to her check.” They kiss several times.

Violence

  • While traveling, two men attack Rapunzel and her mother. “The scarred man clamped his hand over Mother’s face.” Another man “grabbed [Rapunzel’s] face, his fingers biting into her cheek, smothering her screams. . . She had to get free, had to help her mother. She yanked a hand up and slammed her fist into the grinning man’s throat. Next she brought her knee up and struck him between the legs.” The scene is described over two pages.
  • Gerek, a knight, comes to Rapunzel and her mother’s rescue. The attackers saw his “drawn sword and they halted. One man turned and ran left, the other right.” Gerek is able to apprehend one of the men. The scene is described over two pages.
  • While traveling with the prisoner, Gerek’s saddle breaks and his horse falls on him. Gerek is trapped and has a broken ankle. “He twisted around to see the prisoner pull Gerek’s long knife out of his saddlebag. . . The prisoner hovered over Gerek with that strange, angry smile. He raised the dagger, aiming for Gerek’s throat. Something flew past, above Gerek’s head. The hilt of a knife was sticking out of the prisoner’s upper arm.” Rapunzel saved Gerek’s life.
  • Rapunzel kills a chicken for dinner. “She held it as far away from her body as possible, then squeezed as hard as she could and slung the chicken’s body around and around by its neck while counting to ten, breaking the neck and strangling it at the same time.” She chops off the chicken’s head and lets the blood flow onto the ground.” The death is described over a page.
  • While walking to the monastery, the man who attacked her on the road follows her. “The man grabbed her hair and jerked so hard, her feet left the ground and she landed on her back. . . He struggled to get something off his hip, then held up a knife—her knife.” Gerek hears Rapunzel’s screams and comes to her rescue. The scene is described over two pages.
  • Gerek’s father killed his wife and then himself. After an argument, Gerek’s father “hit her, then pushed her down the stairs. She was dead, her neck broken, by the time she reached the bottom.”
  • Gerek is afraid that he will be like his father. “He had a terrible temper. When he was angry, he would hit anyone who got in his way. He killed his favorite hunting dog just because the dog let a fox get away. He beat me, he beat the servants, he beat his wife. And I am his son.”
  • Enemy forces take over the castle. Gerek sees “Two of the men drag the guard’s limp body to a nearby shed. They soon emerged. . .”
  • Rapunzel sees two of the enemy guards walking with one of Duke Wilhelm’s guard, who had a bloody face.
  • A man named Balthasar attacks Rapunzel. “He lunged at her and closed his hands around her throat. Rapunzel raised the knife and sliced across both his forearms.” She locks herself in the linen room. Later, Balthasar threatens Rapunzel with a knife. “He lurched toward her, but she threw herself on the ground and closed her hand over the object, which was indeed the other knife. She brought the blade up as she twisted her body around to face him—just as he threw his body on top of her.” Balthasar dies.
  • Gerek attacks the enemies’ guards. “Gerek roared his battle cry and ran at them. He struck the first one with all of his strength, bringing his sword down and knocking the man’s sword to the ground.” Duke Wilhelm’s guards manage to regain control of the castle.
  • When Gerek finds Rapunzel locked in a tower, he tries to free her. “Gothel lunged at him with the long knife blade. Gerek swung his sword. His blade connected with hers and knocked her knife to the ground. . . Then he grabbed Gothel by the arms and pulled her hands behind her back.”
  • After Gerek restrains Gothel, she tells him, “I stabbed Reginald through the heart, and I’ll do the same to you.”

 Drugs and Alcohol

  • After being attacked, Gerek gives Rapunzel some red wine. “She took it, and the sharp scent of the red wine filled her nose. . .The taste lingered on her tongue and wasn’t as pleasant as she thought it would be—it was rather like drinking vinegar.”
  • Duke Wilhelm’s servants put poisonous berries in the wine that is served to Lord Claybrook and his men. They become ill, but no one dies.
  • Rapunzel’s mother, Gothel, gives her a sleeping potion and then ties her to a cart. When Rapunzel tries to escape “pain suddenly crashed through the back of her head as if something hit her. Then everything went black.” Rapunzel wakes up locked in a tower with no door.

Language

  • “Oh, heavenly saints” is used as an exclamation once.

Supernatural

  • None

Spiritual Content

  • Rapunzel often prays to God and thinks about God’s words. For example, when Rapunzel and her mother are attacked, Rapunzel prays, “O Father God, send your angels. Send your archangel with his flaming sword.” When a knight rides up on a horse, Rapunzel thinks he was sent by God.
  • Gerek is left at a monastery. Rapunzel leaves without saying goodbye. A monk tells Gerek, “God will repay her for saving your life.”
  • While recovering from his injuries, Gerek wonders, “Why would God give him a new arm and leg, or even miraculously heal his old ones? They would likely be healed on their own in six weeks. . . Besides, God probably wanted to teach him patience.”
  • A monk asks Gerek to teach Rapunzel to read. Gerek says, “I do not wish to succumb to temptation any more than you do. I have taken a vow of chastity as well, a vow to never know a woman before marriage, and I have promised myself that I will never marry a peasant girl.” Despite his protest, Gerek teaches Rapunzel.
  • Gerek plans to teach Rapunzel to read by using the Bible. She is concerned because “a priest once told me that people who have not said their vows or been consecrated to God should not interpret the Bible for themselves.” Many of the passages that Rapunzel reads appear in the book.
  • Rapunzel memorized the verse, “Rejoice always, pray continually, give thanks in all circumstance, for this is God’s will for you in Christ Jesus.”
  • The Bible teaches Rapunzel that “God was like a loving father. She never had a father, and she’d never thought of God like this. All her life she had heard God described in many terms—holy, almighty, righteous, even vengeful.” Rapunzel contemplates the verse over a page.
  • Gerek is a Christian and he thinks about his “Christian duty. Jesus had given his life for others, and a knight must do the same, and nothing was nobler than saving a young woman.”
  • After Gerek prays, a verse comes into his mind. “Trust in the Lord with all of your heart and lean not on your own understanding; in all your ways submit to him, and he will make your path straight.”
  • After Rapunzel disappears, Gerek attempts to find her. Unsure where to look, Gerek goes to a church to pray. “When Gerek looked up, the crucifix was glowing.” Then he hears God’s voice. “Take the north road toward Thornbeck and listen for my instructions.”

Ty’s Travels: All Aboard

Ty is ready to play, but everyone is busy. Daddy is cooking. Mommy is folding clothes and brother is doing homework. Even though no one can play with him, Ty decides to use his imagination and take a trip on a train. Soon, everyone is jumping into the fun.

Ty’s Travels is part of the My First I Can Read Series, which uses basic language, word repetition, and illustrations that are ideal for emergent readers. Each page has 1 to 4 simple sentences with large, brightly colored illustrations. Ty’s imagination comes to life in illustrations that look like crayon drawings. Plus, the cute illustrations will help young readers understand the plot.

Ty’s Travels is perfect for young readers who are learning a new skill. Readers will enjoy the repeating onomatopoeias such as chugga-chugga-chugga and clickety-clack. The repetition, onomatopoeia, and short sentences make the story fun to read out loud. Another positive aspect is that Ty’s two-parent family is shown in a positive light. The simple plot and relatable conflict will capture young readers’ attention as they learn to read on their own. Best of all, the story will encourage readers to use their imagination.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Thornwood

For years, Briony has lived in the shadow of her beautiful older sister, Rosalin, and the curse that has haunted her from birth. According to the curse, on the day of her sixteenth birthday, Briony would prick her finger on a spindle and cause everyone in the castle to fall into a 100-year sleep. When the day the curse is set to fall over the kingdom finally arrives, nothing—not even Briony—can stop its evil magic.

You know the story.

But here’s something you don’t know. When Briony finally wakes up, it’s up to her to find out what’s really going on, and to save her family and friends from the murderous Thornwood. But who is going to listen to a little sister?

Thornwood looks at the classic tale of Sleeping Beauty through the eyes of the little sister. While the villain in the story is clearly the fairy queen who cast the spell, she doesn’t make an appearance until the very end. Instead, the suspense is created by the Thornwood branches that attack the castle’s inhabitants. When Briony and a group of acquaintances try to defeat the Thornwood branches, a fairy tells Briony, “The Thornwood will disappear once Rosalin dies in it.” At one point, Rosalin considers sacrificing herself to the Thornwood to save the people she loves. However, Briony is the true hero of the story because she perseveres until she finds a way to defeat the fairy queen without sacrificing her sister.

Adding Sleeping Beauty’s sister to the story is an interesting premise, however, the sister relationship is spoiled by Rosalin, who has few redeeming qualities. For the most part, Rosalin is too caught up in her looks and the prince to notice her sister. When Rosalin talks, her statements are mean and dismissive. For example, when Briony tries to help Rosalin, Rosalin tells her, “Why don’t you just leave. Nobody needs you here. Go annoy someone else.” Plus, Rosalin constantly makes fun of Briony’s hair describing it “like mud that’s been stirred with bathwater” or “a mass of frizz that’s been hit by a lightning bolt.” Anyone who has been a victim of bullying will be saddened by Rosalin’s behavior, especially because Briony already feels ignored and unimportant. Despite this, Briony never gives up on trying to help her sister.

In the end, the Royal family is not portrayed in a positive light. The parents are clueless fools, Rosalin is self-centered, and the family doesn’t consider the feelings of others. However, by the end, Briony wonders, “Had we even thought about anyone but ourselves? We had acted like this was our story. Like the other people in it—everyone in this castle, and outside it, too—were minor details we didn’t have to pay attention to.” The conclusion has a typical happy ending that attempts to show that your station in life doesn’t determine your worth. However, if you’re looking for a fabulous fairy tale, you should leave Thornwood on the shelf and instead read The Prince Problem by Vivian Vande Velde or the Royal Academy Rebels Series by Jen Calonita.

Sexual Content

  • In order to wake Rosalin, a prince kisses her. Briony sees the kiss and thinks, “I wish I had gotten there thirty seconds later. . . It wasn’t a gross kiss. Just a peck on the lips—polite and distant—and then the prince stepped back from the bed.”
  • The story implies that Rosalin and the prince kiss. Briony “looked pointedly away and caught Edwin doing the same. We both snickered.”
  • When the prince thinks Rosalin is about to die, he professes his love and then kisses her. Briony thinks, “This time, the kissing was gross.”
  • After the castle is free from the Thornwood, Rosalin “claims that she only ‘likes’ the electrician who had been modernizing the castle, and she’s ‘not interested in getting serious with anyone right now.’ I mean, she’s already kissed him more times than she kissed Varian, back when she thought he was her destined husband.”

Violence

  • While Briony searches the castle, the Thornwood grabs her. “Something snapped around my wrist, driving sharp spikes into my skin. . .The branch that had grabbed me yanked back so hard that I was dragged towards the window. . .the branch pulled, slowly and steadily. Thorns dug into my wrist with sharp stabs of fiery pain.” Someone saves her. The scene is described over three pages.
  • When Briony, Edwin, Rosalin, and the prince try to leave the castle, the Thornwood attacks. “The ground around Edwin exploded, clumps of dirt flying as barbed vines broke through the earth. One wrapped itself around his ankle. . . another snapped around his wrist. . . Edwin had been pulled to the ground, and a thorny branch was crawling up his arm over his shoulder.” The Thornwood attacks everyone except for the prince. Rosalin’s fairy godmother saves them, but Edwin is seriously injured. The scene is described over six pages.
  • When the fairy godmother gets Edwin out of the Thornwood, Edwin is a “bruised and bloody creature. . . He was unconscious, his clothes in shreds and stuck to his body with dried blood.”
  • The Thornwood gets into the castle. The branches attack Rosalin. Briony “lunged for them and grabbed the largest, pulling at it with my bare hands. It could have encircled me easily, but it was too busy trying to get to Rosalin.” When they get Rosalin free, Briony, Edwin, and the prince run into a tower.
  • When they get to the tower, “A thorn snagged my [Briony’s] hair and pulled several strands out, with a burst of pain that brought new tears to my eyes. I wrenched myself free, into the golden light.” The tower scene is described over five pages.
  • Briony traps the fairy queen. But then, “She reached out and grabbed me by the throat. . . she lifted me from the floor, and I couldn’t’ breathe. I tried to scream, but couldn’t do that, either. Panic filled me as I struggled to draw air into my lungs and no air came.” Rosalin and Edwin save Briony.

 Drugs and Alcohol

  • After sleeping for over 100 years, Rosalin discovers that the castle is surrounded by thorns. “There are some princes that come there [the village] to try to fight their way through the Thornwood and wake the beautiful princess sleeping in the castle. They need a place to sleep. . . and lots of ale.”
  • Before the castle fell asleep, Edwin was apprenticed to the blacksmith. The blacksmith “was not a good man. He got angry a lot, and drunk, and he let the other apprentices—”
  • When Briony goes to the apothecary, she finds it to be a mess. “The pots on the shelves were knocked over sideways or smashed on the floor. . .” Someone suggested that people were looking for wine and didn’t find it.
  • When the prince finds an empty jug that smells like alcohol, he says, “Someone in this castle is very drunk right now.” Later, the royal wizard shows up to the ball drunk. He tells the king and queen, “I have been working great and terrible magics to figure out a way to release us from our plight. I had to partake of wine so I could access the depths of. . . um. . .”
  • The prince offers Rosalin a bite of her birthday cake. When she refuses the cake, he eats it. Then, “his eyes went wide. He fell over sideways, straight as a log. The fork with its remnant of cake flew out of his hand, skittering across the dance floor. . .” The cake had been poisoned.

Language

  • Briony uses “oh curses” as an exclamation once.
  • A boy calls Edwin “sniveler.”
  • Rosalin calls Briony an idiot.
  • Rosalin often makes rude comments about Briony’s hair. For example, Rosalin says, “And fix your hair. You look like a Pegasus caught in a windstorm.”

Supernatural

  • The story takes place in Sleeping Beauty’s magical kingdom, where magic exists.
  • The castle is surrounded by Thornwood, a living plant that tries to trap people. When the branches are cut, “they hissed as if they had been burned.”
  • Briony sees a strange bird that “cocked its head and looked straight at me, and then it wasn’t a bird at all. It was a woman—a creature that looked like a woman—with shimmery dragonfly wings whirring behind her back.”
  • After the curse is broken, the fairy godmother throws a birthday ball. “The doors of the kitchen swung open and a cart rolled out. Rosalin’s birthday cake teetered on top.”
  • The prince says a fairy gave him a magical sword that can help him fight off the Thornwood.
  • Briony trips and puts her hand out to catch herself. “My palm landed right on a thorn. I screamed and pulled back. I expected the branches to wrap around my wrist. Instead, they all arced toward the thorn that had pierced my skin. A drop of blood dripped from the thorn’s tip, and one of the branches, swooped low to catch it.”
  • The tower room has a magic spinning wheel. Briony uses the spinning wheel to create magical, gold thread. The Thornwood “seemed to flinch back from the gold thread.”
  • Rosalin believes that the only way to save the castle from the Thornwood is to sacrifice herself, which she considers. Rosalin says, “It needs my blood. Once it has it, you’ll be free. You’ll all be safe. . . Name your first child after me.” Rosalin “thrust both hands into the thorns. Their hiss rose around us, sharp and sibilant and triumphant.”
  • Briony discovers that her blood repels the Thornwood. She “jabbed [her] palm into the spindle of the spinning wheel. It hurt. It really hurt. For one blinding second, the pain was all there was. Then I blinked out tears and saw that the thorns had drawn back even farther, leaving a larger space around the spinning wheel than they had before. My blood had given the spinning wheel power.”
  • Briony realizes that “No one, no prince, no savior, had come to us through the Thornwood. [The prince] had come from it.” Then Briony uses the magical gold thread. She “brought the thread down over his head and around his neck. I crisscrossed the ends and pulled them, making a noose that tightened against his throat.”
  • When Briony puts the golden thread around the prince, he changes. “His body shimmered; his face lengthened; his eyes grew larger. Two wings, blacker than black, snapped shut over his shoulder blades. He didn’t look like a woman, but he wasn’t a man either. He was a creature. A being. A center of power.” The prince was the fairy queen in disguise.

Spiritual Content

  • None

Firefly Hollow

There are certain things that are taught to the young fireflies and crickets of the Hollow. But Firefly doesn’t only want to learn how to fly—she wants to fly to the moon. And Cricket doesn’t only want to sing about baseball games—he wants to play in one.

Their dreams seem too big for the Hollow, and as Firefly and Cricket chase them beyond the trees, they stumble upon a giant, like the ones they have always been warned about. But this giant is different—he’s miniature, and his name is Peter.

Peter is in need of friends, even small ones, even if his dad thinks they are imaginary. But Firefly and Cricket are actual, not imaginary. And so are their dreams. And sometimes dreams, like friendships, lead to something extraordinary.

In the Hollow, both fireflies and crickets have been warned to stay away from humans, who are dangerous. “The worlds of tiny creatures and humans were unbridgeable, or at least that’s what crickets and fireflies were always told. But every once in a while, there was one—sometimes two—who ventured out of firefly nation, out of the cricket nation, to test the waters on their own.” Despite their fear, Firefly and Cricket leave the hollow and become friends with Peter. In the process, they learn that friends—no matter how small—can come in unlikely places.

Firefly Hollow shows how dreams can come true in unexpected ways. Unlike most of the Hollow’s creatures, Peter doesn’t make fun of Firefly’s and Cricket’s dreams. Instead, he helps them achieve their goals through encouragement and advice. Through the three friends’ experiences, readers will learn that true friends are kindred spirits who accept you as you are. As Vole says, “A kindred spirit is someone who understands the deepest dream of your heart.”

The Hollow is portrayed in a magical way through beautiful illustrations. Both black and white drawings and full-color illustrations appear every 3 to 7 pages. Most of the black and white illustrations focus on the characters. The colored illustrations show the beautiful light from fireflies as well as the scale of Firefly and Cricket compared to their surroundings. While younger readers will love the story, they may need help with the book’s advanced vocabulary which includes words like carapace, heedless, disintegrate, circumnavigated and kindred.

Firefly Hollow is a must-read because it is a beautiful story about friendship that shows the importance of determination, preservation, practice, and trying new things. The story also explores the idea of death by focusing on how people are missed after they die. Even though Firefly and Cricket are bugs, they are completely loveable and relatable. Readers will fall in love with the two friends who remind us that dreams are never too big.

Sexual Content

  • None

Violence

  • The Museum of Giant Artifacts has items from the human world. In the museum, “the Jar that was especially horrifying to the firefly nation. The Jar! It contained actual firefly corpses!”
  • A cricket named Gloria is injured by a human. “One lollipop stick flung carelessly from the hand of a miniature giant and now there she is—one front leg and one wing permanently damaged.”
  • Vole’s nation was washed away. “The giants who lived upstream had struck down a beaver dam. This caused the river to rise up in fury, swamping the fishing boats of the river voles and sweeping both boats and voles downriver, never to be seen again. All except one. Vole.”

 Drugs and Alcohol

  • None

Language

  • Many think that Cricket and Firefly are “nuts” or “crazy.” For example, when Cricket says he’d like to catch a baseball, someone asks, “Are you nuts?”
  • At one point, Peter’s father says that Firefly is insane.
  • A cricket is talking about Cricket when he says, “He’s weird and he’s a pain, but we miss him anyway.”

Supernatural

  • None

Spiritual Content

  • An elder asks Firefly, “Did you know that when fireflies get very old, they turn into stars? And what that means is that if the day ever comes when I’m not here, I’ll be up in the sky. . .Just remember that,” he said. “Remember that one of the stars in the sky will be me, and I’ll be watching over you.”
  • After crickets die, they “turn into music and we are everywhere. . .They turned into the sound of the wind, rustling the leaves on the trees. The crunch of an acorn in the fall.”

 The Wishing Spell

Twins, Alex, and Conner Bailey are no longer living in a fairytale. After their father dies in a car accident, their mother struggles to make ends meet, and leaves the twins to fend for themselves on their birthday. Despite struggles in school and trouble making friends, both twins find comfort in the fairytales told to them by their late father and grandmother. A storybook from their grandmother titled, The Land of Stories allows the twins to enter a world of magic where fairytales become reality, but not everything happens as it was written.

In The Land of Stories, Goldilocks is a sword fighting outlaw, Little Red Riding Hood is a self-obsessed queen, and one of their greatest allies is a talking frog. However, as magical as the world may seem, the dangers are just as real, especially since the Evil Queen–from the tale of Snow White–has escaped from prison. To return to the safety of the real world, Alex and Conner need to find the items of “the Wishing Spell,” a legendary incantation that will allow them to wish their way home. But the Evil Queen is after it too. The twins are in a race against the Queen. Who will find the items of the Wishing Spell first? The twins will have to work together to settle their differences if they ever wish to return home.

The Wishing Spell is an entertaining and creative retelling of many classic fairytales including Jack and the Beanstalk and Cinderella. The Land of Stories is a well-crafted world, filled with many well-known tales that are explored in more depth. Because of that, the fairy tale characters develop intricate personalities, which are an enjoyable part of the book. The complicated plot is explained well, but the large cast of characters may be difficult for readers to remember. As for the main characters, Alex and Conner are opposites–Alex is a diligent, well-read girl with an introverted and idealistic personality, while Conner is a class-clown type character that provides comic relief and serves as a “realist” when needed. Combined, they make an engaging and loveable pair.

In the end, the twins learn that there is more to each story than what meets the eye. Alex and Conner are thwarted by the Queen, resulting in her using the Wishing Spell items before they can. However, they learn about her motives that reveal her to be less evil and more misunderstood, which deepens their compassion for her. As Alex says, “I think what I’ve learned from all this is that villains are mostly just people villainized by circumstance.”

In the end, the Evil Queen dies, and the truth of her motives—to save her lover who is trapped in the magic mirror—die with her. The twins learn that, while “happy ever after” may not be a reality for everyone, genuine kindness and love does exist. The story highlights the importance of treating others with respect and patience so misunderstandings can be prevented. No one can go back in time to save the Evil Queen from her demise, but Snow White concludes that “the best thing we can do now to honor her memory is to live every day with the compassion and understanding no one ever gave her.”

Sexual Content

  • Conner says he remembers the location of a room because of a painting beside it. Conner says, “I remember that portrait of Red being next to the basket room.” Conner pointed to a portrait where Red Riding Hood was barely clothed, with only a wolf-skin coat to cover her. Alex gave Conner a dirty look. “‘What?’ Conner asked with a smirk. ‘It’s memorable.’”
  • Goldilocks and Jack (from Jack and the Beanstalk) are in love. They kiss. Jack “reached through the gate and pulled Goldilocks close to him, and they kissed. It was passionate, pure, and long overdue.”
  • To get released from prison, Conner has to kiss a troll. “At a snail’s pace, [Conner] approached Trollbella with his lips extended. He wasn’t going fast enough for Alex, so she pushed him toward the cell door and Trollbella grabbed hold of him through the bars. She planted a big, fat, juicy kiss on him.”
  • When Goldilocks is rescued from the palace wreckage, she and Jack kiss. Goldilocks and “Jack collided into each other’s arms. They shared a kiss so passionate that a few of the soldiers blushed.”

Violence

  • Goldilocks and her horse, Porridge, fight with a pack of wolves. “One wolf tried to pounce on Porridge, but the horse kicked him away with her hind legs. Another wolf tried to bite Goldilocks, but she struck him with her sword, drawing blood, and he whimpered away. . . A wolf leaped and sank his claws into Porridge’s back. The horse bucked to free herself. In one quick slice, Goldilocks chopped one of wolves’ paws off. . . Goldilocks swung [her sword] hard at the wolves closing in on her, leaving large gashes in their muzzles.”
  • The goblins and trolls keep other beings as slaves who dig tunnels for them. They whip and imprison the humans, but it is not described in depth.
  • The twins fight back when they are chased by wolves in a minecart. “A few of the wolves swiped at them with their claws. The twins ducked down as far as they could in the cart, but not before one of them reached Conner and left a bloody scratch on his forearm. Alex kicked another right in the snout, and it whimpered away.”
  • The Evil Queen hits Conner. “She struck him hard across the face with the back of her hand. Conner’s whole body shifted with the blow.”
  • The Evil Queen’s Huntsman tries to kill Jack but ends up getting killed. “The Huntsman began shooting arrows at Jack. . . Jack was trying to block the arrows with the sword. . . He hit one [arrow] perfectly, and it flew behind the Huntsman. The Huntsman grunted and froze. His eyes bulged and he fell flat on his face. The arrow had bounced off the wall behind him and was now sticking out of his back. The Huntsman was dead.”
  • The Huntsman’s daughter, the Huntress, tries to kill Jack in retaliation. “Jack turned around and the Huntress stabbed him in the arm with her dagger. . . He dropped the sword and fell to the ground. . . He was clutching his arm. Blood was everywhere.”
  • To protect him, Goldilocks intervenes and fights the Huntress. “Goldilocks blocked the dagger with her sword. . . [Then Goldilocks] kicked the Huntress in the stomach. The Huntress rolled to the other side of the room and hopped back to her feet. Goldilocks swung her sword at the Huntress and the duel began. . .” The fight lasts five pages and ends with the pair dueling on the palace roof. Jack interferes to save Goldilocks. “He ran over to a cannon and lit it. He wrenched it toward the Huntress’s direction, and it fired. A cannonball soared towards the women and blasted away the section of roof the Huntress was standing on. [The Huntress] fell the entire height of the castle and into the moat, silently screaming the entire way. There was no way she could have survived the fall.”

Drugs and Alcohol

  • None

Language

  • Mrs. Peters, the kids’ teacher, gives a patronizing look. “‘And why is that?’ Mrs. Peters said, as if asking, ‘What on earth could you possibly be confused about, idiot?’”
  • Conner says, “Don’t piss off your neighbors.” He also says “stupid” once.
  • A farmer says, “the damn thing never worked” talking about a magic watering can.
  • Alex calls Conner an “idiot” when Connor screams in surprise at his reflection in a mirror.
  • Conner calls Queen Red Riding Hood a “self-obsessed twit.”
  • Froggy, a talking frog, says “damn you, miserable plants,” when the twins are attacked by vines.
  • Goldilocks insults Red Riding Hood a few times, calling her a “red-hooded harlot” and a “basket carrying bimbo.”
  • When the Evil Queen hits Conner, she calls him a “stupid boy.”

Supernatural

  • The kids use the fictional storybook The Land of Stories to travel to a magical land where all fairytales are true—with varying degrees of truth, such as Goldilocks becoming an outlaw after her run in with the three bears.
  • In The Land of Stories, there are talking animals, fictional creatures such as fairies, and magic.

Spiritual Content

  • Conner wonders why Snow White’s kingdom would have so many tributes to apples because they were what almost killed her. Alex says, “I suppose it’s symbolic for the kingdom. Like a cross in the church.”
  • When Connor and Alex wake up in the Mermaid Kingdom, Conner thinks that they have died. He thinks, “We must be in heaven.” Conner also mistakes the mermaids for angels.

by Maddie Shooter

The Three Little Fish and the Big Bad Shark

“Little fish, little fish, let me come in.” “Not by the skin of my finny fin fin!” “Then I’ll munch, and I’ll crunch, and I’ll smash your house in!” Mama tells her three little fish that it’s time to make their own homes. Jim builds his house of seaweed, but the big bad shark munches it up. Tim builds his house of sand, but the shark crunches it up. It’s smart Kim who sets up house in an old sunken ship!

This reimagined version of the Three Little Pigs has no fear factor and is silly enough to entertain squirmy readers. Young readers will love watching the big bad shark break into the little fish’s house. But Jim, Tim, and Kim all know the importance of sticking together. In the end, “The big bad shark munched, and he crunched but he would not smash the house in and all his teeth fell out!” After losing all his teeth, the shark is seen eating a salad, and “the three little fish were safe at last.”

The Three Little Fish and the Big Bad Shark has plenty of visual appeal. The ocean world comes to life in bright colors. Jim, Tim, and Kim are orange fish that pop out of the blue ocean. Plus, readers will have fun finding the other ocean creatures, such as a crab and a turtle. The giant-sized shark shows all his sharp teeth as he narrowly misses chomping the fish.

Even though The Three Little Fish and the Big Bad Shark is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has 1 to 3 sentences that appear in oversized text. Since there is little text on each page, the story is a quick read, making it an excellent bedtime story. The Three Little Fish and the Big Bad Shark is a wonderfully creative fairytale retelling that will entertain readers over and over. Shark-loving readers should also read Clark the Shark by Bruce Hale.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Dragon Myths

They’re called drakon in Greek, azhdaha in Persian, kelekona in Hawaiian, and they have different names in numerous other cultures as well. They’re dragons. Many cultures even agree on what the giant serpents look like, though they may differ on whether these mythical creatures are benevolent or evil. This compelling volume takes readers on a tour of world cultures and dragon lore. Sometimes, the folklore is entwined with actual historical events, such as a Roman general’s supposed encounter with a water-spewing dragon on a march to Africa.

Take a trip back in time and learn how so many myths about dragons became legends. Readers will learn how different cultures preserved their dragon lore as well as why so many people fear dragons. Included in the text are different examples of dragons that have always been warned against. The book has several examples of dragons that are referred to in literature. Readers will also learn why dragons were worshiped, feared, or even considered friendly in ancient civilizations.

 Dragon Myths is visually appealing. Each page has large illustrations that include short captions. In addition, each section is broken into smaller sections that have fun headlines such as “SWOOP, SLITHER, SLASH.” Another appealing aspect of the story is the fun facts that appear in a graphic that looks like a scroll. Throughout the book, readers will encounter bolded words that may be unfamiliar; however, the words are defined within the text making the passage easy to understand.

If you want to learn more about dragons, Dragon Myths is the perfect book for you. While none of the myths are covered in detail, the book will spark readers’ curiosity and give them different topics that they may want to research. Full of colorful pictures, interesting facts, and historical information, Dragon Myths will keep readers’ attention as they learn about the dragon lore.

Sexual Content

  • None

Violence

  • Some old folktales warn about the tatzelwurm, a dwarfish dragon that “is said to gobble up travelers.”
  • In North America, legend tells of a “leech-like dragon. Get too close and the dragon might vomit foul liquid on you. Stunned, you’d fall into the raging waters. . .maybe your family would find your dead body washed ashore—nose and ears mysteriously sliced off.”
  • An Ethiopian legend tells of a dragon that “feasted on elephants!”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • Ancient Egyptians believed in Gods such as a dragon with “a winged snake with three heads and four clawed feet” and “the goddess Mersokar and the god Chanuphis (or Bati).”
  • In the legends of Saint George, “a Roman soldier who converted to Christianity. . . In one town, he encounters a dragon, which he was certain was really the devil in disguise. George not only killed the dragon but also convinced the townsfolk to adopt Christianity.”
  • In Asia, many dragons were worshiped. “They were said to possess magical powers that included natural events.”

The Queen of Nothing

Jude is a mortal who has grown up in Faerieland, but she has recently been exiled back to the land of her birth. Now, Jude lives in the mortal land with her siblings, Oak, a faerie, and Vivi, who is half-faerie. Jude begins to rely on odd jobs to get by. However, this all changes when Taryn, Jude’s twin sister, seeks refuge with them, telling them that she’s killed her husband. Because they’re identical, Jude and Taryn decide to swap Identities and Jude jumps at the chance to return to her home. However, when Jude returns, her husband, the High King of Elfhame, recognizes she isn’t Taryn, and tells Jude that her exile was all a farce and she could have returned at any time. Jude feels betrayed. Before the two can fully reconcile, however, Madoc, Jude’s adoptive father, swoops in, trying to save Taryn from her interrogation, but takes Jude instead not realizing she and Taryn had switched.

Jude plots against Madoc and confronts him revealing that she isn’t Taryn. The two fight, and Madoc delivers a fatal blow to Jude. Despite the severity of the wound, Jude is able to heal and return to the palace, where she is now the queen due to her marriage to Cardan. At the palace, Madoc and his allies strike, and Madoc challenges Cardan to a duel. Before the duel can take place, Cardan speaks out about the ridiculous manner of the monarchy of Elfhame and makes a show of breaking the crown in half. However, the crown is cursed and Cardan transforms into a giant serpent. It’s prophesized that “only out of his blood can a great leader rise,” so Jude kills the serpent and Cardan is reborn and accepted to be the true High King of Elfhame. Jude and Cardan then fully recognize the love that they have for each other and resume their legal rules in peace.

In the final book of The Folk and the Air Trilogy, Black creates a thrilling read full of suspense. The characters plotting against each other make a gripping story that feels impossible to put down. The ending, where Cardan turns into a snake, seems a little out of place and extremely odd given the rest of the trilogy. Despite this, Black creates a story full of characters who seem believable and relatable, with at least one character the reader will see themselves in.

The Queen of Nothing wraps up loose ends which creates a satisfying ending to Cardan and Jude’s tale. The story tells of the heroic achievements of the underdog and emphasizes the importance of remaining strong throughout adversity. The novel emphasizes the idea of finding allies in unlikely places, as well as the importance of resilience. Altogether, Black creates a series that is highly engrossing and deeply satisfying.

Sexual Content

  • Cardan and Jude kiss. She thinks, “I want him to kiss me. My weariness evaporates as his lips press against mine. Over and over, one kiss sliding into the next.”
  • Before Cardan and Jude have sex, Jude thinks, “When I was a kid, sex was a mystery, some bizarre thing people did to make babies when they got married. Once, a friend and I placed dolls in a hat and shook the hat around to indicate that they were doing it . . . But though I understand what sex is now and how it’s accomplished, I didn’t anticipate how much it would feel like losing myself.”
  • Cardan and Jude have sex. Jude fumbles “into what I think is the right position. Gasp as our bodies slide together. He holds me steady through the sharp, bright spark of pain.”

Violence

  • Prince Dain, Cardan’s brother, shoots a mortal with an arrow. Prince Dain “loosed the arrow . . . It struck the mortal through the throat.” The wound is not described.
  • In a three-page scene, Jude fights Grima Mog, a cannibalistic faerie general. At one point, “Jude swings a metal pipe at Grima Mog’s side with all the strength in [her] body.” Grima Mog is injured, but not severely.
  • Taryn confesses that she killed Locke, her husband. She goes on to explain his death: “There was a jeweled letter opener on the desk and—you remember all those lessons Madoc gave us? The next thing I knew, the point of it was in Locke’s throat.”
  • When Madoc invades the castle to rescue Taryn, many guards are killed. “One of [Cardan]’s guards lies dead, a polearm jutting out of her ribcage.” The fight is not described.
  • Madoc and Jude have a three-page fight, where Madoc stabs her. “His sword sinks into my side, into my stomach.” Although the wound is not described, Jude then goes on to describe when Madoc walks away. “His blade comes free, slick with my blood. My leg is wet with it. I am bleeding out.” Despite incurring such a violent injury, Jude is able to heal.
  • When Jude and Cardan reunite, she slaps him. “It’s a stinging blow, smearing the gold on his cheekbone and causing his skin to redden.”
  • One of Jude’s fellow spies tells Jude, “We caught a few courtiers speculating about assassinating the mortal queen. Their plans got blown up . . . As did they.”
  • Jude kills the serpent that Cardan becomes. “I swing Heartsworn in a shining arc at the serpent’s head. The blade falls, cutting through scales, through flesh and bone. Then the serpent’s head is at my feet.”
  • The Queen of the Undersea, Orlagh is shot by a cursed arrow. Madoc tells Cardan, “’If you will not risk the Blood Crown, the arrowhead will burrow into her heart, and she will die.’”

Drugs and Alcohol

  • Madoc drugs Jude with “a cloth smelling of cloying sweetness.” Jude “feel[s] [her] limbs go loose, and a moment later, [she] feel[s] nothing at all.”
  • At parties, there is often drinking, especially of “honey wine.”

Language

  • None

Supernatural

  • At Cardan’s birth, a prophecy is given. “Prince Cardan will be your last born child . . . He will be the destruction of the crown and the ruination of the throne.”
  • When Cardan is a child, his brother instructs him to shoot a walnut off a mortal man’s head. The mortal is described as “enchanted, of course. No one would stand like that willingly.”
  • While in exile, Jude reminisces on her time in Faerie, thinking, “It’s magic I long for, magic I miss. Maybe I even miss being afraid.”
  • There are many faeries. For example, Oak, Jude’s brother, is described with horns and hoofed feet.
  • Heather, Vivi’s girlfriend, texts her about her time in Faeire, saying, “I want to forget Faerie. I want to forget that you and Oak aren’t human. I don’t want to feel like this anymore. If I asked you to make me forget, would you?”
  • While in the mortal realm, Jude explains that “faeries in the mortal world have a different set of needs than those in Elfhame. The solitary fey, surviving at the edges of Faerie, do not concern themselves with revels and courtly machinations.”
  • Jude’s boss, who provides her with odd jobs, is described as  “a black-furred, goat-headed, and goat-hooved faerie with bowler hat in hand.”
  • Both Grima Mog (a cannibalistic faerie general), and Madoc (Jude’s father) are Redcaps, meaning “they have a cap they dip in the blood of their vanquished enemies, supposedly to grant them some stolen vitality of the slain.”
  • When Jude opens Grima Mog’s fridge to put some leftovers away, “The remains of the Folk she’s killed greet me. She’s collected arms and heads, preserved somehow, baked and broiled and put away just like leftovers after a big holiday dinner.”
  • Heather confides in Jude about her troubles. Heather says, “I have nightmares. About that place. Faerie. I can’t sleep. I look at people on the street, and I wonder if they’re glamoured. . . I don’t need to know there’s a whole other world full of monsters. . . But I also hate that [Oak] and Vee have magic, magic that she could use to win every argument that we could ever have. Magic to make me obsessed with her. Or turn me into a duck.”
  • Jude explains that she “had a geas placed on me. It protects me from glamours.”
  • Grimsen, a Faerie blacksmith, explains that he made Cardan an earring that “allowed him to overhear those speaking just outside of range.” However, “it was cursed. With a word, I could turn it into a ruby spider that would bite him until he died.”
  • Jude explains the importance of the full names of faeries. “Among the Folk, true names are closely guarded secrets. A faerie can be controlled by their true name, surer than by any vow.”
  • As the High Queen of Faerie, Jude wonders if the earth can heal her in a way similar to how the land reacts to Cardan. After sewing her wound shut, she notices that in the ground, where she had bled, “tiny white flowers [are] pushing through the snow.”
  • Nicasia, princess of the Undersea, is described as wearing “armor of iridescent scales.”
  • At Cardan’s old house, there is a magical door “carved with an enormous and sinister face” that can speak.
  • Madoc drives a sword into the floor. “A crack forms on the floor, starting where the blade punctured the ground, the fissure widening as it moves toward the dais, splitting the stone.” The throne is split, and “sap leaks from the rupture like blood from a wound.”
  • Cardan, after being cursed, turns into a giant serpent. “The monstrous thing seems to have swallowed up everything of Cardan. His mouth opens wide and then jaw-crackingly wide as long fangs sprout. Scales shroud his skin… In the place where the High King was, there is a massive serpent, covered in black scales and curved fangs. A golden sheen runs down the coils of the enormous body.”
  • Jude begs the earth to uncurse Cardan. “‘Please,’ I say to the dirt floor of the brugh, to the earth itself. ‘I will do whatever you want. I will give up the crown. I will make any bargain. Just please fix him. Help me break the curse.’”
  • There is a theory that the health of the king is tied closely to the land, so when it storms, Jude thinks, “I can only assume that Cardan, in his cursed form, is cursing the weather as well.”
  • Grimsen, a blacksmith, created a bridle that can “leash anything. In fact, it will fit itself to the creature being restrained.”
  • Jude is able to heal a poisoned man by placing her hand on his ankle and thinking, “Wake…I am your queen and I command you to wake.”
  • The astronomer on the king’s council says the stars are unclear. “When the future is obscured, it means an event will permanently reshape the future for good or ill. Nothing can be seen until the event is concluded.”
  • Once Cardan is uncursed, he heals the land that Madoc had broken, “Cardan spreads his hands, and the earth heals along the seam, rock and stone bubbling up to fill it back in. Then he twists his fingers, and the divided throne grows anew, blooming with briars.”
  • Cardan gifts the spies of his kingdom magical masks, explaining, “When you wear it, no one will be able to recall your height or the timbre of your voice. And in that mask, let no one in Elfhame turn you away. Every hearth will be open to you, including mine.”

Spiritual Content

  • None

by Sara Mansfield

 

The Madre De Aguas of Cuba

A legendary sea serpent is missing. Can the Unicorn Rescue Society find it and end Cuba’s terrible drought?

A brand-new adventure is ready to unfold as Uchenna, Elliot, and Professor Fauna fly to Havana to search for the Madre de Aguas. Is this missing creature responsible for the drought that has ravaged the island for months? And why are the Schmoke Brothers’ goons driving around Havana, dumping pink sludge into sewers? The Unicorn Rescue Society is ready to save the day—and hopefully not get eaten in the process!

Uchenna, Elliot, Professor Fauna, and a Jersey Devil come together on a fast-paced journey through Havana, where they meet several locals. The Madre De Aguas of Cuba shows how different cultures—Taino, Africans, and Spanish—have combined their traditions. Now the Cubans are like a ceiba tree, “many roots, one tree.” The story seamlessly incorporates the idea that people can have different beliefs and still live in peace.

When Uchenna, Elliot, and Professor Fauna get to Cuba, Yoenis—a Cuban American—gives a lecture on the political situation in Cuba, including commentary on the United States embargo. The history lesson is long-winded and has nothing to do with the story’s plot. Another downside of the book is that several of the characters, including Professor Fauna, speak Spanish. Some of the Spanish passages are long and there are not always enough context clues to understand what is being said.

All the characters are quirky in different ways, which adds humor and suspense. Even though the history of Cuba is introduced, young readers will still enjoy the story because of the humorous tone and the interesting characters. Black-and-white illustrations appear every 1 to 2 pages; the illustrations add humor and help the readers visualize the characters. Most of the text is easy to read because it uses short paragraphs, simple vocabulary, and dialogue.

The Unicorn Rescue Society Series will delight readers who want to learn about mythical monsters. Uchenna, Elliot, Professor Fauna, and a Jersey Devil are loveable characters who appear in each installment, and the interplay between the characters is both humorous and endearing. Readers who enjoy The Madre De Aguas of Cuba should check out Knights vs. Dinosaurs by Matt Phelan as it also mixes humor with monsters.

Sexual Content

  • None

Violence

  • Uchenna and Elliot are told some of Cuba’s history. “When Columbus first arrived in Cuba, he said it was the most beautiful place on earth, claimed it for Spain, and then he started killing the Taino, the Native People who live here.”
  • When the Europeans came to Cuba, they “began enslaving people in Africa and bringing them across the Atlantic.”
  • The Madre de Aguas uses the pipes to travel to a golden statue that is in a hotel. “Shards of gold and steel shot in every direction, hitting the ceiling and the chandelier, causing glass and plaster to mix with gold and steel to rain down on everyone.” No one is injured.
  • From the hotel window, the Madre de Aguas sees the ocean. “Her body rippled and vibrated with strength, and she tore away from the fountain and plowed through the tables, reducing them to wood chips and tatters of white fabric. . .She burst through the huge window” and escaped.

 Drugs and Alcohol

  • The Schmokes brothers use Sure-to-Choke insecticide to poison Cuba’s water supply.

Language

  • None

Supernatural

  • None

Spiritual Content

  • An older woman explains the importance of the ceiba tree. She says, “The ceiba is sacred to the Taino, the Native People on this island.” The Spanish invaded Cuba in 1519. When they arrived, they gathered under a great ceiba tree and prayed, to give thanks for arriving safely in this land.
  • The Afro-Cubans considered the ceiba tree “the holy tree of Afro-Cubans.”
  • Cuba is suffering from a drought, and many Cubans “pray to Maria and she keeps them safe.”
  • At a gathering of people who work in agriculture, people argue over who is responsible for providing Cuba’s water. Some say, “We can all thank Oshun (daughter of the river) for all the sweet waters in Cuba.” Someone else says, “Every good Catholic knows that we get fresh water from Maria, Mother of God.” Others believe that the Madre de Aguas brings water.

Monstrous

The city of Bryre suffers under the magic of an evil wizard. All the young girls get sick because of his curse and disappear without a trace. No one is allowed outside at night, but for Kymera, night is the only time she can enter the city. Kymera was a victim of the wizard, but her father brought her back to life, and he replaced her burnt body parts with the remains of other girls and modified her body with animal body parts. According to her father, people would not understand her wings, her claws, or her spiky tail. They would not comprehend her purpose: to rescue the missing girls from the wizard’s prison.

Even though she was cautious, Ren, a boy from the city, sees Kymera and leaves a perfect rose for her every evening. Over time, they become friends, and as they talk, Kymera realizes that Ren knows about the missing girls’ plight, the wizard, and the evil magic encroaching on Bryre. And what he knows will change her life.

Set in, near, and around the cities of Bryre and Belladoma, each chapter follows Kymera’s perspective, and the first page is decorated with shifting side profiles of Kymera, her father, Ren, and Batu, a rock dragon, allowing the reader to visualize the characters. However, each chapter details one or more days in her life, which leads to the unique chaptering of non-consecutive days: the chapter format does not make the story confusing. Instead, the chapter format assists in thoughtfully unveiling the setting as Kymera becomes accustomed to her new body and old memories.

Due to her interactions with Ren, Kymera rethinks everything she had known about herself, her father, and her relations with the city. Though Ren and Kymera have a wonderful friendship, their relationship does not extend from their mutual feelings as allies. At first, she is cautious of Ren because she does not know how he will react to her animal traits. Eventually, Kymera fully trusts Ren as she learns the truth about her mission. Despite her initial ignorance about the city of Bryre, Kymera is a fascinating narrator, but her monologues about her true nature make the story drag.

Monstrous takes pieces from classic fairy tales and uses them to make a compelling, unique story. Readers will take away one lesson from the story—know who you can trust. For instance, the king and queen of Bryre make a deal with a wizard to protect Bryre from an unnamed city but decline to compensate the wizard when he asks for their first-born child as payment. Ten years later, he betrays the king by killing the queen and his first-born child—Rosabel.

Rumpelstiltskin is the inspiration behind their deal; The Pied Piper of Hamelin is the inspiration behind its consequences. Readers will enjoy pointing out the fairy tale inspirations and figuring out the true villain’s identity within Kymera’s limited perspective. There are few scenes with graphic violence and many acts of magic scattered throughout the story. All in all, this debut novel by MarcyKate Connolly stands out as an original story while feeling like a classic. Readers who enjoy reading fairytale-inspired stories will also enjoy Royal Academy Rebels Series by Jen Calonita.

 Sexual Content

  • Ren leaves perfect red roses for Kymera, but her father “would not be happy that a boy is leaving [Kymera] gifts.”
  • When Kymera tests her abilities for the first time, a man approaches her and asks her to take off her cloak. “His gait appears nonchalant, but it is faster than I think. . . Why did he [Father] leave me to face this unsettling man alone?”

Violence

  • Father tells Kymera that a powerful wizard killed her mother. “Your mother attempted to stop him, and the wizard murdered her in the ensuing struggle.” Later, Father elaborates, “The queen [Kymera’s mother] tried to block my path to the princess. I killed her. . . I killed [the princess], too. I took [the princess’s] body and disappeared.”
  • Kymera hunts a rabbit for dinner. “I pounce, my teeth tearing into the soft flesh of its neck.” She does not know if she was meant to kill the rabbit. Then, she returns to her cottage with the “limp, bloody creature.” This scene continues for two pages.
  • There used to be a lot of magical creatures, but several species have been hunted to extinction. Father says, “The last griffin died more than a century ago, and dragons have been hunted to the brink of extinction for their magic powers. . .” When Kymera meets Batu, he adds, “[Wizards] take our blood, they take our magic.” Magical creatures’ extinctions are mentioned throughout the book.
  • Kymera fights a multitude of guards in the wizard’s prison. “Two guards peel off the wall and hurl themselves at me . . . I duck and sting them. . . others succumb to the effects of Father’s weapon. . .” She harms the guards.
  • A corpse of “the sickly girl…lies inside . . . the cold box.” Father said the young girl was buried in Belladoma. Kymera wonders why the sickly girl’s body was in Father’s basement instead.
  • When they see she killed a girl, the townspeople call for Kymera’s murder. “The crowd chants as a tradesman carries the limp body up to a platform in the middle of the square . . .” Oliver, a friend of Ren’s parents, attempts to calm the rioters and clear Kymera’s name. This scene continues for seven pages.
  • When Kymera and Ren are leaving Belladoma, King Ensel and Albin, his captain, fight them. “The blade sings past my [Kymera’s] arm and cuts a few feathers off my left wing.” After the Sonzeeki, an ancient, tentacled sea creature, eats Albin, Kymera hurls the king into the sea, and “the sea catches him in its maw and swallows.”
  • A man abducts Emmy, a missing girl from Bryre, and Kymera chases after him. When she finds him, she swoops down, pins him to the ground, and kills him. “The flame of rage in me explodes into a bonfire. . . My body acts of its own accord.” After she kills him, she finds Emmy dead from a blade embedded in her back. “[The crossbow] must have been set with the blade. . . One flick of his wrist and she was dead.”
  • When the wizard and King Ensel gather their troops in Bryre, Kymera gives chase. She stings King Ensel “until his shirt is shredded and bloody, and his eyes are dull.”
  • Kymera and Batu are fighting the wizard. The wizard kills Batu with vines and “drops of blue, glittering liquid—dragon’s blood—dot the ground. [Batu] stops moving.” Then, Kymera fights the wizard by herself. She kills him by dropping him “into his own funnel cloud. . . Then it spits him out . . . in seconds his body crumbles to dust.” Including the initial encounter, the final fight lasts for twelve pages.

Drugs and Alcohol

  • Kymera’s barbed tail can put “people to sleep.” She frequently uses this function.
  • Kymera uses “vials of sleeping powder” to put the guards to sleep.

Language

  • None

Supernatural

  • Magic is used by wizards and magical creatures, and the most prominent type of magic is dark magic. “Dark magic is the most powerful in shadows and moonlight. . .”
  • The wizard created a curse that only affects young girls and is transmitted like a disease.
  • Batu and Kymera make “a blood oath” so they can protect each other from the dark wizard. The spell prevents Batu and Kymera from mentioning their names and identities in front of individuals outside of their blood oath. Batu says, “We must keep each other secret to keep each other safe.”
  • Besides dragons, a lot of magical creatures exist, such as “centaurs, fauns, and mermaids.”
  • The dark wizard planted vines that would grow all over Bryre. “A huge gnarl of vines and thorns rises in front of us. It appears to be swallowing a building whole.”
  • Kymera’s father set up warding charms to “prevent anyone who would do the city harm from entering.”
  • King Ensel angered an ancient sea creature, the Sonzeeki, and “if he [King Ensel] doesn’t send a young girl off the cliff at the apex of each full moon, the Sonzeeki floods the city.”
  • The evil wizard revives King Ensel without inflicting any ill effects.

Spiritual Content

  • During one of Kymera’s conversations with Batu, he says, “Humans, dragons, hybrids–we are all animals in some form. And we all return to the universe when we pass from this life.”

by Jemima Cooke

Castle Hangnail

When twelve-year-old Molly appears on their doorstep claiming to be the new Master of the castle, every minion in Castle Hangnail is doubtful. Molly’s short height and politeness are different from the tall, intimidating Masters of the past. However, the castle needs a Master or else the Board of Magic will decommission the castle, leaving the minions without a home. Molly assures the minions that she is a bona-fide Wicked Witch and begins completing the Tasks required by the Board of Magic, leaving everyone with hope. But Molly has a few secrets—the biggest one being that she is not who she claims to be.

Castle Hangnail uses tropes of old-school baddies to create a humorous story that will leave readers laughing. Molly hides her secrets as she is learning magic, casting magic, and imitating the wickedness of the previous Masters. Majordomo, the head of the minions, finds out that Molly was not the intended Master and confronts her about her claim to Castle Hangnail. When the intended Master, a Sorceress named Eudaimonia, arrives to take the castle by force, Molly and the minions work together to defeat her.

At Castle Hangnail, Molly interacts with many magical creatures, all of which are based on the supernatural and fantastic. To add to the zaniness, stories about the former Masters are sprinkled throughout the book. At one point, Majordomo talks about the previous Vampire Lord, who “liked to keep the hearts in jars in the basement, but he was rather old-fashioned.” Stories about the former Masters and snippets about the magical creatures add levity and humor to the story. Readers will enjoy the humor of the story as well as how Molly finishes the Tasks and defeats Eudaimonia.

Fun black and white illustrations of the characters and scenery add to the hilarity of the book, alongside two-page spreads so readers can visualize the happenings in Castle Hangnail. The blend of text and pictures help to keep younger readers engaged with the story. The beginning is slow because of the initial worldbuilding, but the interactions between Molly, the minions, and the villagers keep the action going. Castle Hangnail shows the value of standing up against bullies and will engage even the most reluctant readers. Although Castle Hangnail is a stand-alone title, readers will be asking for a continuation of Molly’s adventures. Readers who enjoy Castle Hangnail may also want to try Ursula Vernon’s series Dragonbreath.

Sexual Content

  • Lord Edward, an enchanted suit of armor, remarks that Miss Handlebram, the gardener, is a “fine figure of a woman.”

Violence

  • Angus, the son of the cook at Castle Hangnail, suggests that Molly should cause a ruckus for Old Man Harrow because Old Man Harrow “beats his donkey.”
  • After Miss Handlebram stood up for Molly, Eudaimonia “froze Miss Handlebram in ice.” Later, Molly and the rest of the minions defrost Miss Handlebram, so Eudaimonia “zapped Majordomo” because he was the head of the minions and betrayed Eudaimonia’s trust.
  • After seeing Old Man Harrow punch his donkey “between the eyes,” Molly turns the donkey into a dragon by saying, “Accreus Illusus Equine Accomplicia Margle Fandango” while holding a sprig of moonwort. Molly expected the spell to last for a minute, but it lasted for “seven minutes and forty-three seconds.” The dragon “tore at the stack of firewood with its claws” while Old Man Harrow hid in one of the animals’ stalls. Then, the dragon smashed its tail “through an old water trough” and scorched the roof when it learned it could “breathe fire.” Molly grabbed the dragon’s attention, calmed it down by scratching it “behind its ears,” and takes the donkey off “[Old Man Harrow’s] hands.” The scuffle between Old Man Harrow and the dragon lasts for four pages.
  • Freddy Wisteria, a real estate developer, tried to throw a rock into a window but “dropped the rock on his own foot.” He ran away when Molly threatened to turn him to the police for questioning.
  • When comparing the different Masters of Castle Hangnail, a minion comments that “the old Vampire Lord used to drain the blood of villagers.”
  • Gordon, one of Eudaimonia’s minions, knocked over Lord Edward, leaving the suit of armor in “multiple pieces.”
  • To gain the title of Master of Castle Hangnail, Eudaimonia and Molly fight in “a formal challenge.” Throughout the fight, Molly uses the many spells she learned from the Little Gray Book and Eudaimonia shoots bolts “of ice” from her wand, which freezes her targets. First, Molly turns the stone under Eudaimonia’s feet into cheese by yelling, “Grappa Electroi Caseus Formatus” while holding mint leaves. The minions help as well; she transforms Bugbane into a small dragon by reciting, “Accreus Illusus Chiropteran Accomplicia Margle Fandango” as she holds a piece of his fur. Bugbane sets “the bodyguard’s hair on fire” and breathes fire everywhere, but Eudaimonia shoots at the dragon-bat. Molly notices Eudaimonia “keeps using [Molly’s] magic against [her]” and she stops Eudaimonia from taking her magic by picturing “a silver cord coming out of her chest and sliced her hand down across it” while the Clockwork Bees distracted Eudaimonia. Angus “dove between Molly and the blast of ice” but was cold and took a shot. The other minions handle “[Eudaimonia’s] minions”. Finally, Molly uses the shadow spell. The shadow breaks Eudaimonia’s wand and drags Eudaimonia into a large pool of shadows called the “Kingdom of Shadows.” Molly stops the shadow by jabbing a forefinger with a pin. “She held out her hand. A single drop of blood fell onto the mint leaves” and offered the bloodied herbs to the shadow, ending the fight.  The fight lasts for 11 pages.

Drugs and Alcohol

  • Majordomo gives a cup of hot milk and “brown flecks” to Gordon, one of Eudaimonia’s minions, to sedate him.

Language

  • When Majordomo admits to the rest of the minions that Molly lied to her parents about where she was going to camp for the summer, Majordomo exclaims, “For the love of Hecate . . .”
  • When Molly’s sister arrives at Castle Hangnail, she remarks, “Hecate’s ghost! She is the good twin, isn’t she?”
  • The Cursed Beastlord, one of the previous Masters of Castle Hangnail, gave Majordomo the name “Wretch.”
  • Miss Handlebram calls Eudaimonia, the intended Master of the Castle, a “nasty girl.” In return. Eudaimonia calls Miss Handlebram an “interfering old Majordomo biddy.”
  • Freddy Wisteria tries to force the townsfolk into selling their homes to him and attempts to buy Castle Hangnail, so Molly calls him a creep.
  • When hearing a noise from downstairs, Majordomo says, “Blast.”
  • Eudaimonia calls Angus “stupid” when he asked about the food for her cockatrices.
  • Eudaimonia refers to Castle Hangnail as a “pathetic run-down little backwater.”

Supernatural

  • To prove herself to the Board of Magic, the association that gives the Masters places to own, Molly must “smite” or use magic to punish people, and “blight” or use magic to harm objects or plants.
  • Molly uses the spells she learned from spell books and from Eudaimonia. She can make a ward by pinning a sprig of rosemary near a door and saying “Zizzible zazzible…watch-and-report.” The smell of rosemary fills her nose when someone steps through the door. In addition, she “could start a fire with her thumbnail…get tangles out of the worst tangled hair…turn a leaf into a teacup, and a teacup into a leaf.”
  • Molly can turn invisible by holding her breath, and the only side effect is light-headedness.
  • Molly casts a spell to allow her to talk to the bats in “the belfry.” To cast the spell, she holds the fur or feather of an animal and says, “Avack! Auilriuan! Arwiggle!” She uses the spell again to speak to the moles. There are no ill effects with this spell.
  • Molly gives some of her magic to Stonebreaker, a mole shaman, so the moles can summon Wormrise, a “great spirit,” for luck and fortune.
  • Eudaimonia and Molly use rosemary in “an alarm spell” to alert them to intruders in Castle Hangnail.
  • Molly gives the power of speech to a statue who “muttered insults. . .in Latin, so they sounded very grand and impressive.”
  • During Eudaimonia and Molly’s formal challenge for Castle Hangnail, Molly turns the goldfish into a “sea serpent.”
  • Molly animates her shadow with a shadow spell by reciting, “Shanks and shadows—up and down—inner and outer and magic unbound!” She can command her shadow to dance; she uses the animated shadow once to intimidate Freddy Wisteria when he is caught breaking and entering and attempting arson on her barn, and once against Eudaimonia during their “formal challenge”.

Spiritual Content

  • Molly’s sister “sings in the church choir.”

by Jemima Cooke

Once Upon a Camel

Zada is an achy, old camel with a treasure trove of stories to tell. She’s won camel races for the ruling Pasha of Smyrna, crossed treacherous oceans to new lands, led army missions, and outsmarted a pompous mountain lion.

But these stories were before. Now, Zada wanders the desert as the last camel in Texas. But she’s not alone. Two tiny kestrel chicks nestled in the fluff of fur between her ears and a dust storm the size of a mountain take Zada on one more grand adventure – and it could lead to Zada’s most brilliant story yet.

Readers will fall in love with Zada as she protects two kestrel chicks from a windstorm. Zada’s patience is never-ending, and she uses beautiful stories to keep the chicks occupied. However, some readers may become annoyed by the chicks’ constant chirping and complaining. Despite this, the relationship between Zada and the birds is super sweet, and readers will relate to the chicks who are anxious about being separated from their parents.

The wind, which attacks Zada and her friends, is described as a living beast. For example, “As if they were waiting to grab one of the chicks, the willy-willies and the dust devils, the samiels and simoons, danced all around Zada. They swiped at her ankles, raced ahead of her, rose and fell, then rose and fell again, reminding her of ocean waves.” Through the story, readers learn about the weather, which adds depth to the story.

Once Upon a Camel is best suited for advanced readers because of the constant back and forth between present day and the past. Each chapter begins with the name of a place and the year, which will help readers know if the events are one of Zada’s stories or not. Some readers may be confused by the advanced vocabulary and the Turkish words, such as simoons, samiels, muster, escarpment, festooned, denizens, and dissipate. Detailed black and white illustrations appear every 8 to 16 pages, and a one-page glossary appears at the end of the book.

Each story Zada tells is full of magic. Zada demonstrates how stories can help us deal with an array of emotions. Zada’s love for her original country shines, and readers will catch a glimpse of Turkey’s culture through her stories. Even though Zada was born into a caravan of prized racing horses owned by a Turkish pasha, in 1857, she sails the seas and lands in Texas, where she discovers she will be a pack animal for the U.S. Army. Some readers may be disappointed with the lack of details about how the camels helped the army.

While Once Upon a Camel highlights the magic of storytelling, younger readers may struggle with the constantly shifting time period, advanced vocabulary, and Turkish words. By the end of the story, the chicks’ “tap-tap-tap-KICK, tap-tap-tap-KICK,” and “peeppeeppeeppeeppeeppeeppeepeep” becomes frustrating. However, Zada’s point of view is interesting and unique, and she isn’t afraid to jump in a potentially dangerous situation to help those in need. In the end, no matter how difficult a situation is, Zada is determined to “become the brightest star.”

Sexual Content

  • None

Violence

  • Like human siblings, the two baby chicks argue and peck at each other.
  • When the camels traveled to Texas, they upset the horses. “The combination of hollering and gamboling set the resident equines into a frenzy of bucking and snorting. They reared up onto their hind feet, kicked each other, even cracked a bunch of teeth and jawbones.”
  • Pecos de Leon, a mountain lion, would hunt for prey. “He would spot an unsuspecting pack rat from ten feet away, then boom! Four paws off the ground and no more pack rat. Even snakes weren’t safe from his stalking prowess. He liked their spicy flavor.”
  • A group of boys sees Zada and her friend. “The boys and horses surrounded the camels, and for no reason whatsoever, started pelting them with rocks. Whap, whap, whap! Ouch ouch ouch!”
  • A flock of Kestrels attacks a coyote puppy. The puppy “was trying to tuck itself underneath a mesquite bush. Its front paws were covering its eyes, and it was shaking from nose to tail. . .[the birds] swished by and scraped the coyote’s ears with their sharp little talons. The coyote kept yipping and yapping and whimpering. The kestrels kept dive-bombing.” Zada chases the birds away.
  • The birds attack the coyote puppy because it ate some kestrel eggs. “They made a quick breakfast for the hungry pup.”

 Drugs and Alcohol

  • Zada goes to the races and sees amazing things, including travelers who carried wine.

Language

  • None

Supernatural

  • None

Spiritual Content

  • When the birds get separated, the bird’s father Pard thinks his family will be at the mission. Pard “was praying that Perlita [the bird’s mother] was already there.”

I Don’t Want to be a Pea!

Hugo Hippo has a best bird. Bella Bird has a best hippo. And they are going to the Fairy-Tale Fancy Dress Party. Together, of course.

Hugo wants to be the princess (and Bella will be the pea). No, wait—Bella will be the princess (and Hugo will be the pea). No, wait—the first way. No, wait—the second way.

Well, one of them must be the pea if they’re going to the party. Well, maybe they won’t go then. Hmph. Yes, hmph.

At first, Hugo and Bella think the most important part of going to the party is deciding on a costume. Soon, the two argue and Bella says, “Besides, I don’t even want to go to the party with you anymore.” Once the two friends are all alone, they realize that their friendship is more important than getting their own way. That’s why they both show up at the party dressed as a pea.

Young readers will fall in love with Hugo and Bella, who act like typical children, who want to get their own way. Their dilemma comes to life in brightly colored illustrations that are fun and lively. Readers will giggle at all the funny costumes such as when Bella dresses as a jester, and they’ll feel sad when they see Hugo crying in the shower.

Even though I don’t want to be a pea is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. Each page has 1 to 4 sentences that appear in oversized font.

I don’t want to be a pea is short enough to be a quick bedtime story, while still having an important message for children. While the story can be used as a conversation starter about friendship, the silly story will captivate readers because everyone can relate to their conflict.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Who Was Princess Diana?

A shy twenty-year-old girl stepped out of a horse-drawn coach and into the world spotlight, capturing the imagination of millions as a real-life fairytale princess. Although the storybook marriage didn’t have a happy ending, Diana learned to use her fame to champion charitable causes near to her heart. She became the “People’s Princess” by humanizing the image of the royal family and showing care and concern for all people, including the homeless, the sick, and others in need.

Even though Princess Diana was born into a wealthy, noble family, her father taught her to “treat everybody with kindness and never act more important than another person.” Because of her caring and compassionate nature, Princess Diana was loved by millions. Princess Diana used her fame to help people in need, including AIDS patients, the Red Cross and Mother Teresa. Again, though her fairy tale didn’t have a happily-ever-after, Princess Diana’s life is still an inspiration for millions around the world.

While the majority of Who Was Princess Diana? focuses on Diana’s life beginning with her early childhood, the book is full of other interesting facts. Scattered throughout the book are one-to-two-page non-fiction articles that talk more about the royal residences, the order of succession, Mother Teresa, as well as other topics that affected Princess Diana’s life. The end of the book includes a timeline of Princess Diana’s life and a timeline of the world.

Who Was Princess Diana? shows that life as a princess isn’t like it is in a fairy tale. The book has an easy-to-read format with large font. Large black-and-white illustrations appear on almost every page. Many of the illustrations show the royal family; however, the drawings are a bit off-putting because of the strange expressions on people’s faces. In addition, some of the drawings are of people in Diana’s life, but the picture doesn’t look much like them.

While Princess Diana was an admirable person, she is not portrayed as a perfect person. Throughout her life, her caring nature was a bright light. She was never afraid to show her love for people including the sick and the poor. Today, Princess Diana’s legacy is carried on by her two sons, Prince William, and Prince Harry. Who is Princess Diana? is perfect for readers who are researching the princess. However, learning about the princess will also encourage everyone to be a kinder person. Diana said, “I knew my job was to go out and meet people and love them.”

Sexual Content

  • None

Violence

  • After Princess Diana visited Angola, she joined the Red Cross to help get rid of land mines. After a civil war, “Close to fifty thousand people—including children—had lost an arm or leg in land-mine accidents.”
  • The paparazzi followed Princess Diana everywhere. Diana and her boyfriend, Dodi, were in a vehicle. Their driver tried to outrun the paparazzi. “The driver was going too fast and lost control. The car crashed into a concrete pillar inside a Paris tunnel.” All three passengers died.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Majesty

Power is intoxicating. Like first love, it leaves you breathless. One young woman is born with it. After centuries of kings on the throne, Queen Beatrice is the most powerful woman America has ever known. So why does it feel like she’s lost so much?

Her sister is born with less power. Heir, spare, whatever. The American people will always think of Princes Samantha as the part princess. So she might as well play the role, right?

Some are pulled into the Washington’s world. Nina Gonzales longs for a normal life—whatever that is. But disentangling herself from Prince Jefferson’s world isn’t as easy as she’d hoped.

And a few will claw their way in. There is only one crown that can be captured in this generation, and Daphne Deighton is determined to have it. She will take down anything—or anyone—that stands in her way.

American Royals continues the drama of the three Washington children. The story is told from multiple points of view including Beatrice, Samantha, Nina, and Daphne. Each person’s point of view is uniquely different and allows the reader to understand each person’s thoughts, which are often different than their actions. This leads to well-developed characters who are flawed and relatable.

The second and last installment of the American Royals Series focuses more on each character’s love life and less on politics. The story is full of steamy kissing scenes, heated arguments, and the confusion that comes with young love. One character’s story is like Shakespeare’s Taming of the Shrew with a modern twist. Unlike many romance novels, Majesty doesn’t end with a happy-ever-after for everyone. Instead, the book ends by showing the complicated and messy nature of love. The reader is left with this message: “real love comes from facing life together, with all its messes and surprises and joy.”

If you’ve ever wished a prince would steal your heart, American Royals: Majesty should be on your must-read list. The American Royals Series has well-developed characters, a unique premise, and several plot twists. However, if you’re looking for a book with less alcohol and sexual tension, The Selection Series by Kiera Cass would be a tamer choice.

Sexual Content

  • Even though she is engaged to Teddy, Beatrice kisses Connor. After an argument, Connor “grabbed her by the shoulders and kissed her. There was nothing gentle or tender in the kiss. Connor’s body was crushed up against hers, his hands grasping hard over her back as if he was terrified she might pull away.”
  • Ethan declares his love to Daphne. Then Ethan “leaned down to kiss her. . . She felt like she’d been on a torturous low simmer for months, and now she was finally alive again.”
  • Nina and Ethan kiss several times. For example, after eating pizza, Nina and Ethan kiss. “Ethan’s touch grew firmer, his hand moving to trace the line of her jaw, her lower lip. The air between them crackled with electricity. . . Nina leaned deeper into the kiss, her grip tightening over his shoulder.” The scene is described over a page.
  • Samantha and Marshall begin a “fake” relationship. While at a party, they end up in the pool. “One of Marshall’s hands had looped beneath her legs, the other braced behind her back. . . Then he brushed his lips lightly over hers. . . Sam kissed him back urgently, feverishly. She had shifted, her legs wrapped around his torso, her bare thighs circling the wet scratchy denim of his jeans.” The scene is described over a page. After this, they kiss several more times.
  • After spending an evening together, Beatrice “pressed her lips to [Teddy’s]. Perhaps out of surprise, his mouth opened beneath hers, letting her tongue brush up against his. . . She tugged impatiently at his shirt, trying to pull it over his head, but Teddy tore himself away.” Teddy stops Beatrice because she has had too much to drink.
  • After Teddy encourages Beatrice, she kisses him. “She turned and pulled his face to hers, dragging her hands through his blond curls, kissing him with everything that was aching and unsettled in her.”
  • Samantha tells Marshall how she feels about him. Then, “Marshall stood up in the moving carriage, bracing his hands on the wall behind Sam, and closed his mouth over hers. Sam arched her back and leaned up into him.”
  • After Teddy and Beatrice proclaim their love for each other, they kiss. “Beatrice tore her mouth from his only to tug his blazer impatiently from his shoulders, letting it fall to the floor. Teddy fumbled a little with her dress, struggling with its tiny hooks. . . His breath caught when he saw her in nothing but her ivory lace underwear.” The scene is described over 1 ½ pages. The two have sex, but it isn’t described.
  • On Beatrice’s wedding day, her first love, Connor, shows up. Beatrice is startled and, “Connor, seeing her parted lips, leaned in to kiss her. She didn’t resist. . . The sheer Connorness of him overwhelmed her senses. . . Then reality crashed back in and she pulled away, her breathing unsteady.”

Violence

  • None

Drugs and Alcohol

  • There are many, many events where alcohol is served to both adults and minors. For example, on a spring break trip, Nina and her friends drank “cheap beer.”
  • During boat races, alcohol is available. “Long queues had formed behind the scattered bars that sold mint juleps.”
  • At a museum event, alcohol is served. A worker “was pushing a catering cart, and Sam heard the unmistakable clink of jostling wine bottles.” Sam grabs “a bottle of sauvignon blanc from the cart.” Sam and a man she just met take turns drinking straight from the bottle. “The wine had a crisp tartness that settled on the back of her tongue, almost like candy.”
  • In the past, Daphne “had slipped a couple of ground-up sleeping pills into Himari’s drink.” Her friend, Himari, climbed “a staircase in her dazed, disoriented state—only to fall right back down.” The fall put Himari into a coma.
  • At a party hosted by Jefferson, minors drink alcohol including vodka. Jefferson’s old rowing team shows up, already drunk, shouting that they needed him for a “round of shots.”
  • Teddy takes Beatrice home to meet his parents. Beatrice explains why she usually doesn’t drink, “I can’t afford to get drunk and publicly make a fool of myself.” However, she drinks “the grapefruit thing” and gets slightly drunk.
  • The Russian ambassador told Beatrice, “That while beer and wine muffled and muted your emotions, vodka revealed them.”
  • During a historical reenactment, Marshall talks about his ancestor, the king of Orange joining America. Marshall says politicians from the past, “bickered over terms for weeks. Then, when they finally signed a treaty, they got roaring drunk.”
  • During a celebration, Marshall teaches Samantha about a game. If you lose, as a penalty “you get a choice. You can either sweep the steps of your local post office or buy a round of shots at your local bar.”
  • Jefferson and his best friend “got drunk for the first time together, that night we accidentally had all that port and ended up puking our guts out.”

Language

  • Profanity is seldom used. Each word of the following words is used several times: ass, badass, damn, and hell.
  • Beatrice’s secret boyfriend yells, “When you’re making choices about our future, I want a damn vote!”
  • Nina tells her lab partner, “Not to brag, but I kick ass at assignments.”
  • God and Oh my god are used as examinations a couple of times.

Supernatural

  • None

Spiritual Content

  • one

Disney at Dawn

The Kingdom Keepers are back together to protect the Disney Parks from the evil fairy, Maleficent, and the Overtakers. But this time, the attack is personal. Amanda’s sister, Jez, has been kidnapped, leaving behind only her journal of clairvoyant sketches to help her friends find her. The search takes the Keepers to Walt Disney World’s Animal Kingdom, where Maleficent is hiding and using mind-controlled animals to do her evil bidding.

Raising the stakes further, Maleficent has set up a second hologram server that only she controls.  If the heroes fall asleep, Maleficent and the Overtakers can force them to “crossover” into their holographic state and be stuck in Sleeping Beauty Syndrome, a coma-like sleep from which you cannot wake up on your own. Finn and the rest of the Kingdom Keepers must go undercover as Animal Kingdom employees to uncover secret meanings in Jez’s clairvoyant drawings, stop Maleficent and the animals from their quest to escape the parks, and find a way to shut down the second server, all before they become unable to stay awake any longer.

This thrilling second installment in the Kingdom Keepers Series keeps readers on their toes with fast-paced action sequences, simultaneous missions, and an exciting new location where the magic of the parks is shown. The book successfully transports readers to Animal Kingdom in the thick of the action. Pearson’s narration once again manages to provide wayfinding tips as well as the necessary descriptions of park attractions, so even those who have never seen Animal Kingdom before will feel as if they are actually there with the Keepers. Pearson also strikes a balance between solo missions for each Kingdom Keeper as well as creating new duos and trios for the action to revolve around. As the teams split off, the characters’ dynamics shine, with each different personality on display for readers to enjoy. They all get the chance to be leaders in their own unique way.

As before, if your young reader enjoys the Disney Parks, or has an interest in the park’s operations, this book offers an exciting “behind the scenes” view from the Kingdom Keepers’ perspective. It balances the presence of technical knowledge of the theme park and its attractions with the fantastical plot that brings animals, animatronics, and evil villains to life. The second book in the series does everything that Disney After Dark does well, but on a bigger scale, with characters that readers now know and are sure to root for.

Sexual Content

  • In the tunnels, Jez and Finn’s “faces were about a foot apart,” when Jez reminds Finn that she has a boyfriend.

 

Violence

  • There are references to the events of the previous book, including Maybeck’s “Sleeping Beauty Syndrome” in which he crossed over into his DHI state against his will and was unable to wake up. The narration describes the severity of the syndrome, saying it “might have killed him.”
  • While trying to stop a man from chasing Finn through a series of booby-trapped tunnels, Finn decides to trigger one of the booby-traps so that they both fall through the chute, effectively throwing off the man’s pursuit. As Finn falls and grabs onto the ledge, “His body smacked into the hanging trapdoor.”
  • Jez is “kidnapped” by the Overtakers, the evil Disney villains trying to take over the park.
  • Finn fears that the weather balloon him and his friends spotted in the sky above the park is meant to “kill him and his friends.” Philby says if that were true, then the man chasing Finn and Philby to the top of the castle would be “suicidal” as he would also be subject to the lightning strike. Finn also imagines that it could be a Frankenstein-like experiment, picturing “some Disney monster strapped to a stainless-steel table with wires attached to his head and heart.”
  • Finn and Philby discover an actress dressed as Tinkerbell tied up in the room of the castle from which she is meant to “fly” by ziplining across the park during the fireworks shows. However, Maleficent has orchestrated this event as her escape. Finn watches as Maleficent “jumps” out the window, though he soon realizes that she is not falling, but flying away.
  • The kids often use an online virtual reality system that allows them to navigate the software that controls the park as well as communicate with other people. Finn remembers how his parents warned him of “stalkers” that preyed on kids “by pretending to be kids themselves.”
  • Finn wondered if his mentor, Wayne, had “died or been captured by the Overtakers” or “been in a coma” since he had not heard from him.
  • Wayne explains that Maleficent wants to put all the DHIs into Sleeping Beauty Syndrome so that they are “out of the way . . . for good.” They can only prevent this by “crashing” the system that the Overtakers will use to put them in the coma. However, if they do this too soon, Wayne says they may never see Jez again.
  • While on the roof of Amanda’s house, Finn slips causing him to fall “face-first.” The narration says that if Amanda had not grabbed his wrists in time, “he was gone.”
  • Amanda says her parents drowned, while Jez’s were possibly overtaken by “real pirates.
  • There is a recap of a time in the previous book in which the DHIs were attacked by the dolls in It’s a Small World as well as other characters.
  • A bat attacks the hosts from the sky. The Keepers turn on lights, knowing that bats have an aversion to it, causing the creature to dive “as if it had been shot.” They capture it and Philby later “suggested doing something to it that wouldn’t have been approved by the SPCA”.
  • Philby, after seeing Jez’s notebook of sketches, asks in a reference to Van Gogh, “At what point did she cut off her ear?”
  • A swarm of birds attack Maybeck. He sees a “pitch-black flurry of wings and beaks and scratching claws.” He escapes, surprisingly, without a scratch.
  • The plot of the safari ride at Animal Kingdom is described. Ride-goers try to prevent a group of poachers from catching a baby elephant.
  • Maleficent uses her powers to create a ball of flame that she intends to throw at Maybeck, but he sprays her with a hose first.
  • Finn pushes over the magically alive broom that is chasing him.
  • Philby thinks a tiger is looking at him as if he was “lunch.” The tiger then jumps to attack Philby, though he is not harmed. It is revealed later that the tiger is a hologram.
  • A few monkeys capture a cast member. They “knocked him over,” tied him up, and gagged him.
  • Maybeck encounters a lizard that he chases through the park. He recalls the amount of times his aunt “beat [lizards] with a broom” in her home. As a kid, he would catch them and pull their tails off, since they would grow back.
  • When being kidnapped by an orangutan, the animal lunges to bite Finn, though Finn pulls away in time.
  • Maybeck recalls when his dog has gotten into dogfights with other pets in the neighborhood. Maybeck thinks about how he “nearly got his hand bitten off.”
  • Finn runs under a trampoline while being chased by an ape. The animal is “crushed by the weight of the acrobat,” but is not seriously harmed.
  • In order to escape capture by orangutans, Finn sprays them in the face with a shower head. He then ties them up. Maybeck “poked it with a hanger that he wielded as a sword.”
  • Amanda is hit by a magical arrow that Maleficent made. She immediately falls unconscious. Finn becomes so angry that he slammed Maleficent against the wall and “was choking the life from her” telling her to bring Amanda back. She eventually agrees.
  • Philby and Wayne’s avatars are attacked on the virtual reality website they are using to navigate the park systems. They use swords to defend against the trolls. Philby is able to “slice the troll’s leg in two at the knee.” He later “severs” the virtual troll’s arm. However, the troll manages to “[chop] off the end of Philby’s right foot.” The attack occurs over three pages.
  • Finn faces multiple monkeys and a tigress. He defends himself with a baseball bat. He watches as the tiger seems to be hunting the monkeys for a “snack.” He also sees the tigress “swiping her huge claws” at other cats, but they do not feel the pain as they are holograms. Then the tigers attack him. He thinks they will “land on him, crushing him, then snap his neck with their powerful jaws and start the feast.” This does not happen. He watches as the monkeys jump to attack him, “and would have torn his head off…had the tigress not sprung.” The attack occurs scattered over 31 pages.
  • Maybeck and Willa are attacked by animatronic dinosaurs. Willa is “nearly beheaded” by a dinosaur tail. Maybeck is injured and felt as though “every joint was separating simultaneously.” He then snaps the pterodactyl’s leg in half. It reacts as if it is in pain, and he wonders if the bird is alive. Maybeck is nearly crushed by the creature and he leaves the attack “bleeding,” though he is alright. This event takes place over six pages.
  • The final showdown between the hosts and Maleficent includes her throwing fireballs at them. Finn realizes that the fireballs never actually hit him and determines that the imagineers who develop the parks would not create a being that could harm people, let alone kill him. Maleficent promises to kill Finn when he’s “no longer of use to” her. Using magic, Amanda lifts Maleficent and then threatens to drop her sixty feet. Finn, meanwhile, must cling to another Disney villain who is fighting alongside Maleficent, Chernabog, “rather than drop to the platform where the creature might squash him like a bug.” The final battle takes place over eight pages.

Drugs and Alcohol

  • Maybeck refers to using the caffeine in Coca-Cola to avoid accidentally falling asleep. Later the kids all use this strategy.

Language

  • Some mean language is used including: stupid, hideous, what the heck, and darn. For example, often the characters use the word “stupid” to describe things they do not like.
  • There is some name calling including: geek, jerk, insane, buggy, nimrod, warped,
  • Occasionally, Maybeck is said to use “a few words that would have gotten him detention.” He later says, “Son of a –.” The book never says what words Maybeck uses, but it makes it clear that he is cursing.
  • Finn is also said to “curse at the screen” of his computer.
  • Maleficent calls Amanda a “little tart.”
  • Maybeck uses the word “bleeping” in place of a curse word.

Supernatural

  • The story takes place in Disney World where magic exists.
  • Maleficent, the evil fairy, often casts spells. No specific words are relayed, but when she does, the narration describes that she “chants.”
  • Maleficent can also fly and transform into different animals.
  • Jez dreams the future. She draws these images in a notebook that become the guide map for her friends and sister’s journey to rescue her throughout the book.
  • Amanda tells Finn that she and Jez are “fairlies,” “as in, fairly human.” She says they are “just kids with unusual abilities” like “spoon-benders, mind readers, clairvoyants” and the ability to cause fires to start mentally.
  • Amanda refers to the incidents of the previous book, in which Maleficent bewitched Jez so she could not recognize Amanda. She then makes Jez do the Overtakers’ bidding.
  • Amanda levitates Finn to the ceiling of a truck they are hiding in so that he is not seen by the security guards.
  • The hosts come to learn that heat is Maleficent’s “kryptonite,” impeding her power’s effectiveness.
  • Maybeck thinks the bat they captured may be able to understand his words. Then he sees a group of birds that appear to be “following him.” These are the first pieces of evidence that the animals are under Maleficent’s control.

Spiritual Content

  • Finn sees that Jez has collected fortunes from fortune cookies in her journal.
  • Willa told her parents she was going to Mass to get them to let her leave the house. Her mother is “no longer a churchgoer.”
  • In Animal Kingdom, the hosts see replicas of Temples. One location has “prayer flags.”
  • Jez says she prayed for help to come when she realized she was trapped in the tunnel, “though [she’s] not very good at praying.”

by Jennaly Nolan

Cold As Ice

Abby and her brother, Jonah, don’t plan to use the magic mirror. But when their dog, Prince, jumps into the mirror, they only have one choice—go in after him.

Abby and Jonah land in a snow-covered winter wonderland. At first, they think they might be in Disney’s Frozen fairy tale. But this fairy tale is nothing like the movie! Instead, they are thrown into the cold world of the Ice Queen by Hans Christian Anderson. This Snow Queen is super creepy and mean, and she turns Prince into a dogsicle!

In this adventure, Abby and Jonah have to defrost their furry friend, ride a very chatty reindeer, learn to ice-skate and escape from a band of robbers. If they’re not careful, they could end up frozen!

The story starts with Abby at school where she has a confrontation with one of her best friends, Robin. Abby is hurt that Robin has been spending time with Penny. Abby gives Robin an ultimatum, “We’re your best friends. Me and Frankie. Not Penny. Penny isn’t nice. . . You can’t be Penny’s best friend and our best friend, too.” The fairy tale world connects to Abby’s school problem. Through Abby’s experiences, she learns that “of course people can have more than one best friend. . . Maybe it wasn’t very fair of me to say that Robin had to choose between us and Penny.”

One negative aspect of the story is that Abby and Jonah have been lying to their parents. Finally, the guilt gets the best of Abby and she realizes, “You’re never supposed to listen to someone who tells you to lie to your parents! Everyone knows that! People who tell you to lie to your parents are always the ones who are up to no good.” However, when Abby finally tells her parents the truth, the fairy in the mirror, Maryrose, erases the parents’ memory.

The two siblings balance each other out nicely. Jonah is impulsive, annoying, silly, and fun, while Abby is bossy, worried, and always wants to have a plan. Anyone who has a sibling will understand how Abby gets frustrated with her brother. The interplay between the two siblings adds a little humor and Abby’s inner dialogue helps keep the conflict in sharp focus. While the story isn’t always logical, younger readers will enjoy the ridiculous aspects of the story. The conclusion ends with a surprise that will have readers reaching for the next book in the series, Beauty Queen.

Most of the Whatever After books use the same formula and may begin to bore older readers. If your child is ready to move on to another fairytale inspired series, both Fairy Tale Reform School and Royal Academy Rebels by Jen Calonita would make an excellent choice.

Sexual Content

  • None

Violence

  • Abby summarizes the original fairy tale, The Snow Queen by Hans Christian Andersen. The Snow Queen kidnaps a boy and puts him under a spell. When Jonah and Abby meet a boy, they know he is under the Snow Queen’s spell because he has “zombie eyes.”
  • Abby and Jonah are kidnapped by a band of robbers. The robbers put them in a basement that is “cold and damp. There’s no furniture. Just a pile of brown blankets in the corner. Water leaking from the ceiling has frozen into threatening-looking icicles.”

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Abby and her brother Jonah have a magic mirror that allows them to go into the world of fairy tales. “We discovered that when we knock on our basement mirror three times, it takes us into a fairy tale. Well, first the mirror starts to hiss, then it casts a purple light over the room, then it starts to swirl, and then it sucks us into a fairy tale.”
  • While in the fairy tale world, time passes differently. “Sometimes a day in a fairy tale is an hour at home. Sometimes an hour in a fairy tale is an hour at home. The watches we [Abby and Jonah] wear from home keep track of the time back there.”
  • The Snow Queen blows on Abby’s dog, Prince. “With her lips rounded, the Snow Queen looks like she’s blowing a kiss. But it’s not a kiss. I can actually see the air that comes out of her mouth. It’s like steam from a kettle. A tiny white tornado.” When the air hits Prince, “he freezes in mid-motion.”
  • Ralph is a talking reindeer who can fly.
  • The Snow Queen explains how she gained her powers by breaking a magical mirror over her head.
  • Maryrose, the fairy in the mirror, casts a spell erasing Abby’s parents’ memory. Jonah’s memory is also accidentally erased.

Spiritual Content

  • None

Charmed

The second book in the Fairy Tale Reform School Series revisits Gilly Cobbler and her friends following their triumph against the evil queen Harlow. Now that Gilly has been named a hero by all of Enchantasia, she experiences the praise she has never received before. Plus, her father’s glass slipper making business is booming and everything seems to be going her way.

Just as all is going well, the evil fairy Alva strikes again, breaking Harlow out of the Fairy Tale Reform School (FTRS) and leaving behind a manifesto that leads many reformed students back to villainy. Gilly decides to defend her status as a hero, taking Alva down all alone. Gilly sets off to uncover the identity of a mole at the school who is helping with Alva’s takeover. As Gilly will discover, the path to victory is more complicated than she believes. The lines between good and evil are blurred, and Gilly might just lose herself in the process without the help of her friends.

Charmed engages readers and explores what it means to be a hero. Gilly thinks she can handle Alva on her own, so she abandons the friends who helped her last time. Plus, she becomes overly confident due to the praise she is given. Eventually, Gilly comes to realize that she needs humility and the help of those who truly know and care about her. As her father says, “Sometimes being a hero means being brave. Other times it means knowing when you need help.”

In addition to working with friends, Gilly has to become more open-minded. She must confront her own prejudices about people like the Royal Ladies in Waiting. While she perceives them as evil and silly, she quickly learns that people are not so simple. Gilly must also confront her own behavior. While she sees herself as a hero, she is also capable of doing bad things. She says, “I’m still a little bit bad, a lot good, and a whole lot of other things too. Just as it should be.”
In Charmed the “villains” are given second chances. Even Gilly is misguided at times, and she must learn how to face her own misgivings and the guilt that accompanies them. Charmed allows readers to dive deeper into the overarching theme of recognizing that people are not rigidly good or bad; they are capable of both. Calonita continues to establish the message that people can change. Readers will appreciate how Gilly stumbles but is able to pick herself back up. Gilly learns and grows which leaves readers curious as to what will come next. While the ending is entirely satisfying in itself, the book ends with an open-ended letter from Gilly’s friend, Jax. The letter introduces the conflict for the third book in the series, Tricked, without compromising the characters’ victory.

Gilly leads readers through the story with help from the occasional “Happily Ever After Scroll,” a sort of daily newspaper that provides context for events throughout the story as well as introduces characters. The scrolls allow readers who have not read the first book in the series to easily follow the plot of this installment. Readers who enjoyed the film series Descendents will also enjoy taking a journey into the lives of the students at Fairy Tale Reform School. The high stakes and magical showdowns are captivating from the first page and readers will also be excited to see familiar faces from classic fairy tales.

Sexual Content

  • A professor at the school is said to know “plenty of [sea shanties]” which the Happily Ever After Scrolls take as possible confirmation for former flings with pirates.
  • The Pirate Blackbeard says, “I’ve been swayed by a bonny lass before.”
  • When Gilly goes to a meeting in a dress and with a new hairstyle, Jax, comments on how well she “cleans up.” Gilly is nervous when “Jax touches my pink sash and the pink ribbon wrapped around my uniform waist.”
  • Jax later tells Gilly he misses his “partner in crime” to which she blushes. These moments seem to imply a budding romantic connection between the two characters.
  • Gilly watches Professor Blackbeard put “an arm around” Madame Cleo and then she squeals. Gilly calls this “gross.”

Violence

  • Alva’s goal is to recruit “an army to help her take over the kingdom of Enchantasia.”
  • At the FTRS, the students celebrate “Wand What You Want hour” in which they can cast spells on borrowed wands. When she got her wand, Gilly says her wand looked “like it’s seen a few battles.” Her classmates are using spells. One student turns someone into an ice sculpture. She hears “kids . . . cheering and fighting”.
  • When Gilly and Jax try to leave the school on a magic carpet they are “stunned by an invisible wall” that prevents students from leaving without permission.
  • The students are in FTRS due to their histories as criminals. Gilly and some of her friends were caught stealing, which warrants their sentence in the reform school.
  • On Wand What You Want day, Gilly worries “about what [Kayla] could zap next.” There seems to be a history of harmful accidents with the wands, which is why the students are not permitted to use them regularly. Gilly narrates, “every time someone screws up by zapping off their pinkie or growing their nose to three times its size.”
  • Gilly recognizes that her life consists of “villains . . . trying to kill” her. Gilly and her friends have “kept [their] school from burning down,” thwarting Alva’s plans.
  • Gilly and Jocelyn, who is a witch, fight using magic. Gilly casts a spell at Jocelyn’s dress, leaving “a burn mark” on her “butt” which hurts. Gilly considers what else she could do, including “turn [Jocelyn] into a toad” and locking “her in a tower.” Instead, after more arguing, Gilly drops a pie on Jocelyn’s head. Jocelyn returns the favor, magically throwing “a piece of pudding pie into [Gilly’s] face” with a “Smack”. The food fight expands when Ollie steps in and gets “a wall of dead fish” smacked in his face, which leaves a slimy trail”. Kayla gets welts when “radishes hit [her] in the head.”
  • Interrupting the fun at Wand What You Want day, the students hear a loud “KABOOM.” Both Gilly and Jocelyn rush to the site of the explosion. When Gilly makes it to the school and jumps through the magically changing hallways, she lands “right on top of Jocelyn.” The students “drop to the ground just in time to see a cannonball whiz past [their] heads.”
  • Kayla’s backstory includes being blackmailed into helping the villainous Alva. Kayla’s “whole family was cursed by Alva and turned into a group of trees.”
  • The Pirates arrive on a ship with flags featuring skull and crossbones. Their ship is damaged from cannon fire after “racing away from the Royal Navy after pillaging the gold taxes the navy had collected from a port.” When they dock, the “pirates begin disembarking, swinging their swords menacingly in the air.” They are carrying “chests full of weapons.”
  • Jocelyn threatens Gilly with a “small swirl of purple smoke.” As the girls argue, a “fireball hits a pirate on the gangplank” who “yelps” after being struck.
  • As punishment for their fighting, Professor Blackbeard “grabs Jocelyn and [Gilly] by the backs of [their] uniforms.” He decides to set Gilly and Jocelyn against each other in an in-class duel to “get this aggression out.”
  • While the students are on the ship, they realize that the pirates are not responsible for the cannon fire when “another cannonball comes whirling toward” them. Alva is behind the attack and she brings her gargoyles with her. The gargoyles surround the ship. Ollie defends the students by “hurling radishes in the air.”
  • When Gilly and Jocelyn dash for the school, Gilly uses a magic pocket watch to paralyze Jocelyn temporarily. Gilly watches as “a light bursts from the watch and sends Jocelyn flying backward.” While Gilly is analyzing Jocelyn’s new state, another explosion happens “sending rocks and debris raining down on” them. This causes Gilly’s “right leg [to be] pinned under a piece of wall” and Jocelyn to be “stuck under a fallen wooden door.”
  • When trying to read the manifesto left by Alva, students are “pushing and conjuring spells to move others out of the way.”
  • Gilly watches a group of students “in full armor starting dragon training against a mechanical dragon that shoots real fire.”
  • Blackbeard says his “former occupation” was pillaging and plundering. To be more menacing, he also used to tie “fuses to his hair so they’d give off smoke.”
  • Gilly and Jocelyn are forced to duel. Blackbeard hands them swords, and Gilly thinks “the sheen of the blade” and “the clinking noise” tells her that “those babies are real.” The other students in the room encourage the violence against Jocelyn, saying, “Pummel the witch!” Jocelyn uses magic to send Gilly’s “body [flying] backward, smacking into a pixie and knocking her into Maxine’s hands.” After that, Jocelyn “raises her sword to strike” Gilly, but Gilly rolls out of the way. The fight turns into “the old-fashioned way . . . with name-calling and hair-pulling.” Blackbeard ends it by mummifying them in a sail. The fight is described over 11 pages.
  • Princess Rose says one of her hobbies includes hunting because “it keeps [her] focused.”
  • Kayla relays the information, “There’s been an attack on Royal manor. . . Alva sent her gargoyles to tear things up.” The people survived, but Princess Rapunzel “got knocked out when she tried to fight the gargoyles off.”
  • Gilly explains that “the silver turrets of Royal Manor blind anyone who dares look at them too long.”
  • Ollie ends up stealing pastries in the village, causing a police chase. He escapes by using a “smoke bomb.” Gilly helps distract the police by sending a Pegasi in the direction of a police officer. Gilly puts an apple cart in the street and the police officer is thrown from his horse. Gilly thinks, “I watch him land on a bag of apples and wince.“
  • When they return to the school, Gilly says she and her friends “are lined up like [they’re] about to be sent to the gallows.” Gilly thinks, “Blackbeard’s sword looks particularly menacing hanging from his scabbard.” Blackbeard suggests a “walk on the plank” for the rule-breakers. He adds that they could “put a few sharks in the waters” to encourage better behavior.
  • In the process of being disciplined by the teachers, Gilly and Jocelyn begin to argue again. Gilly narrates, “Jocelyn lunges for me, and Blackbeard extends his sword to keep us both apart.”
  • Gilly trips over a watermelon, landing on her face and smashing the watermelon with her fall. When Jocelyn laughs, Gilly pulls “on Jocelyn’s skirt and [takes] her down. . . Then I take a piece of watermelon and chuck it at her.”
  • When the girls leave the hall from which they were spying on Flora, they “smack” into Princess Rose, sending her “flying backward where she lands on her butt.”
  • Alva’s forces “burned half the village to the ground . . . Villagers were able to get everyone to safety.” Alva left behind another message which says, “Join me or perish.”
  • A final battle between Gilly and her friends and Alva. Several people are paralyzed by magic, and the gargoyles carry off others. The castle crumbles, raining debris on the students and guests.
  • Alva uses her ability to transform into an unkillable Wyvern. “Fire engulfs [Alva] completely. Through the flames, I see one leathery green wing, then another, and a spike-covered tail that whips around so fast that it knocks one gargoyle into a wall and squeezes another ’til it shrieks.”
  • Gilly is burned. She thinks, “I hear the fire before I smell it. The scent of rotting flesh.” She is ultimately okay. The battle is described over 24 pages.

Drugs and Alcohol

  • While the fruit punch at the RLW meetings is not actually laced with mind-altering drugs, Jax jokingly implies that it may be when he asks Gilly, “How much pink fruit punch have you had at these meetings?”
  • Several people use gingerroot to magically paralyze someone else. For example, Gilly is given gingerroot and her “legs feel like they’re on fire.”

Language

  • The students frequently wonder if they or their friends have gone crazy.
  • The characters occasionally use exclamations including: geez, holy shipwreck, holy gingerbread, thank goodness, fiddlesticks, for the love of fairies, duh, flapjacks, my heavens, and what the gingerbread.
  • After Jocelyn insults Gilly for her family’s previous inability to “afford pudding,” Gilly makes a pointed statement meant to harm Jocelyn. Gilly says, “. . . you’re an orphan with an evil sister in lockup.”
  • Blackbeard refers to a woman as a wench.
  • Harlow calls the students brats.
  • One student’s mother lovingly calls him Porridge Bottom.
  • Often, characters call each other names such as liar, silly princess wannabes, peasant, thief, wicked, goons, and a pill.
  • Gilly tells Jocelyn she’s “as crazy as [her] sister.”
  • Gilly asks herself if the RLWs are “missing a screw.”
  • Jocelyn calls Gilly “as pigheaded as the Three Little Pigs.”
  • Jocelyn tells Gilly, “Don’t act like Humpty Dumpty!”

Supernatural

  • The book is based on the existence of magic, fairytales, and magical creatures. Many of the characters are magical creatures such as fairies, witches, ogres, living gargoyles, and dwarves.
  • The students are watched over by a magic mirror, which acts as a looking glass to see people in different locations as well as being alive itself with a voice and personality.
  • The school has magic hallways that change throughout the day, making the floorplan of the school variable.
  • The school is also surrounded by a magical barrier that prevents students from escaping.
  • The headmistress makes a deal with Rumpelstiltskin that magically protects the school grounds, though not the students that reside on it.
  • The characters frequently use or encounter spells in their journey to stop the evil fairy, Alva. Often magic is represented with the sound effect of a quick “zap” followed by the spell’s effects. Jocelyn’s magic appears as purple glow before she uses it. One spell that is used most often is the ability to paralyze other people.
  • Jocelyn places an irreversible curse on Gilly which turns a strip of her hair purple.
  • One variation of the paralyzing spell uses a magical pocket watch and the incantation “Houratiempo”.
  • The students occasionally have access to magic wands which are said to have preprogrammed spells in them. The wands allow the students to do things like conjure food, change outfits, and fly on magic carpets.
  • Pegasi exist within the text and are frequently ridden by the students. These creatures are said to have the ability to read minds, which is how Gilly is able to calm Macho the Pegasus without saying a word allowed.
  • The RLW sashes act as mind control tools in the final battle. Everyone who wears one becomes a mindless servant.
  • Alva has the ability to transform into other creatures. In the final battle, she becomes an unkillable, fire-breathing Wyvern.

Spiritual Content

  • None

by Jennaly Nolan

 

The Snoring Princess

Princess Rosa is missing! The Princess disappears from her palace on the day a hundred-year sleeping spell is set to end. If Princess Rosa is not back by sunset, the spell will start all over again! Kara and Zed—along with a fairy from the palace—go looking for her. But can they find Princess Rosa before the sun sets?

Kara, Zeb, and a magical pig are off on their next mission—finding Zeb’s missing royal messenger bag. Along the way, they stumble across a tower and discover Princess Rosa is also missing. While The Snoring Princess is an imaginative retelling of Sleeping Beauty, the story is a little disjointed and most of the events do not make sense. For example, Kara and Zeb find Princess Rosa who continues to sleepwalk down a cliff and then float down a river all without hurting herself or waking up. While some of the events are silly, many of them are unbelievable even for a fairy tale.

The Snoring Princess is part of Scholastic’s Branches early chapter books, which have easy-to-read text and illustrations on every page. The story uses short descriptions and dialogue to keep the story moving at a fast pace. Black and white illustrations appear on every page and help break up the text into manageable sections. The engaging pictures will help readers follow the plot. Plus, the book ends with four reading comprehension questions and one activity. Even though The Snoring Princess is part of a series, each book can be read as a stand-alone.

Unfortunately, in The Snoring Princess, Kara and Zeb solve the mystery more by chance than by following the clues. However, young readers who are familiar with the Once Upon a Fairy Tale Series will enjoy seeing Kara and Zeb back in action. In the end, a lying fairy does the right thing by telling the truth. The conclusion reveals an unexpected villain, who isn’t evil. Despite the plot’s flaws, readers who are transitioning to chapter books will enjoy the book’s illustrations and the silly magical pig. If your child loves fairies, check out both the Candy Fairies Series by Helen Perelman and Disney: The Never Girls Series by Kiki Thorpe.

Sexual Content

  • None

Violence

  • When Kara grabs a fairy, the fairy “shot red sparks at Kara’s fingers.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • The story takes place in Sleeping Beauty’s world, where magic exists. Sleeping Beauty is “the princess who was cursed by an evil fairy when she pricked her finger on a sewing needle. The curse made her fall into a deep sleep for one hundred years.”
  • Zed and Kara meet a fairy who tells them, “Fairies can actually change shape and size. It’s one of our magic powers.” Later the fairy uses his magic to make a hat. The fairy “raised his hands and wiggled his fingers. Sparks of magic danced between his fingertips. Then a small sun had appeared in Leon’s hands.”
  • The fairy “held his hands over the water and wiggled his fingers again. Sparks began to fly from his fingertips. Slowly, the bottom of a boat appeared. Then the sides. Then the oars. Then the anchor.”

Spiritual Content

  • None

Kate Middleton: Real-Life Princess

This book describes Kate Middleton’s childhood, family, education, interest and career in fashion, and marriage to Prince William. Readers will learn about Middleton’s college years at the University of St. Andrews in Scotland, where she met the prince, the couple’s royal wedding, and their charity work. From attending events to traveling with guards, readers will discover what it’s like to represent a royal family as a princess! Features include a table of contents, maps, “Did You Know” fun facts, a “Snapshot” page with vital information, a glossary with phonetic spellings, and an index.

Anyone interested in real life princesses will enjoy learning more about Kate Middleton. Each page has large photographs that focus on Kate. Every two-page spread has 3 to 5 sentences in large print. While the book’s format will appeal to reluctant readers, some readers may want a book that gives a more in-depth look at Kate’s life especially since the biography ends with Kate Middleton and Prince William’s wedding.

The biography will give readers insight into Kate’s early life. While the book does not have enough information to complete a thorough research paper, younger readers who are interested in learning about a modern princess will enjoy Kate Middleton: Real-Life Princess.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Chain of Gold

Shadowhunters are angelic humans who are responsible for keeping mundanes (humans) safe from demons and other supernatural threats. For many years, London has had a quiet period, where demons have been rare. However, this changes when a new demon, a Manticore, begins killing shadowhunters. James and his sister Lucie, along with his friends, Cordelia, Matthew, Thomas, and Christopher, hatch a plan to stop the murders of their friends and families. They enlist the help of many others, not just shadowhunters, but also warlocks and ghosts, to heal those who have been injured by the Manticore. The group is determined to defeat the Manticore once and for all.

James is the son of Tessa (a warlock), and Will (a great shadowhunter). Due to the presence of demonic blood in his lineage, James often finds himself jumping between the “shadow world,” and the mortal realm. Lucie, his sister, has an unusual ability to speak to ghosts, as well as to command the dead. Cordelia is a strong, independent woman. Matthew provides comic relief. Thomas and Christopher are wholesome, kind men. Together, this band of self-named “Merry Thieves” provides an interesting cast of characters you can’t help but love.

James has been in love with Grace Blackthorn for years, seeing her every summer when on vacation, and keeping up a relationship in secret. However, when Cordelia moves to London, he finds himself drawn to her in ways that he wasn’t expecting, and is torn between the two women. When Grace breaks it off with James, he and Cordelia begin a relationship; however, it is cut short by Grace reentering James’s life using a bracelet that breeds affection. With James hopelessly in love with Grace once more, Cordelia is in an awkward situation.

In order to finally defeat the Manticore, James must journey to Hell to meet his grandfather, a demon. He and Cordelia enter the realm and kill the Manticore, while those still in the mortal realm find a cure for those who have been injured. Although it seems that the Manticore has been defeated, Belial, a Prince of Hell and James’s grandfather, has not been incapacitated to the same effect. The reader is left with a sort of cliffhanger, knowing that there is more trouble to follow.

The book is told from a third-person omniscient point of view, allowing the reader to get inside the heads of the characters, and better understand their actions and motivations. Clare creates a captivating story that’s impossible to put down, with characters who feel real enough to jump off the page. The novel emphasizes the importance of friendship and relying on those around you for help. Family is also an important theme in the novel, especially recognizing those in your family as people, rather than idols of perfection.

The cast is full of characters who are outsiders in a way, be it through sexuality, race, or gender, and the story showcases the importance of being yourself. Altogether, the novel has a fast-paced plot, characters full of depth, and important messages. All of these aspects come together to create a story that is not only entertaining but meaningful as well.

Sexual Content

  • James kisses Grace at her request, and he feels “the cool, soft press of her lips against his.”
  • Cordelia catches her brother, Alastair, kissing Charles. “It was Alastair’s turn to bury his hands in Charles’s hair, to press against Charles’s body and fumble with his waistcoat. Charles’s hands were flat against Alastair’s chest, and he was kissing Alastair hungrily, over and over—”
  • Grace coerces Matthew into kissing her. Matthew “pressed his hungry mouth against her lips and kissed her, and kissed her. She tasted of sweet tea and oblivion. He felt nothing, no desire, no yearning, only an empty desperate compulsion.”
  • In order to keep from getting recognized at a party, James kisses Cordelia. “She knew he was making it look as if they were Downworlders having an assignation in the Whispering Room—but it didn’t matter, nothing mattered except the way he was kissing her, gloriously kissing her.”

Violence

  • James kills a demon, and “let both of his knives fly. One plunged into the demon’s throat, the other into its forehead.”
  • There is a four-page scene in which the Shadowhunters fight a large demon. Particularly violent parts are when “the demon clawed at [someone’s] throat,” and Cordelia brought “Cortana down in a great curving arc, severing [the demon’s] head.”
  • James saves Cordelia from a demon. “The demon screeched, a high and horrible noise, as the knives plunged into its torso. The creature spasmed—it seemed almost to be crumbling, its leathery seedpods pattering to the ground like rain. It gave a last choking hiss and vanished.”
  • Cordelia describes the fight against the Manticore. Cordelia “whipped Cortana [her sword] forward with a slashing motion, shredding the demon in front of her.” The scene is described over four pages.
  • James and Matthew fight a Khora demon, and James throws knives at it. “The knives sank to their hilts in the demon’s skull. It blew apart; one of the other demons screamed.” Then Christopher gets hurt. “The demon’s great clawed hand raked across Christopher’s chest.”
  • James fights the Manticore in the Hell realm, and the Manticore attacks with his claws, “One raked James’s arm; he spun sideways, blade whipping overhead, slashing across the demon’s torso.” The scene is described over 3 pages.
  • Grace says, “I was eight when [my parents] were killed by demons.”

Drugs and Alcohol

  • Matthew is often portrayed as either drunk or drinking, with eyes that are “suspiciously bright.” He is often holding a flask or alcohol of some kind. Lucie confronts him, saying, “You’re drunk now . . . Matthew, you’re drunk most of the time.”
  • When James is sick with a scalding fever, he is forced to drink a “loathsome potion” to heal.
  • After Grace breaks up with James, he gets drunk. “James unbuttoned the inside pocket and drew out [Matthew’s] silver flask.”
  • Alastair reveals to Cordelia that their father is an alcoholic. Alastair says, “he’s always bloody drunk, Cordelia. The only one of us who didn’t know that is you.”

Language

  • Profanity is rarely used. Profanity includes bloody and hell.

Supernatural

  • When Lucie is exploring the forest outside of her house, she talks about the moss, and how “her father told her it was a pillow for faeries at night, and that the white stars of the flowers that grew only in the hidden country of Idris made bracelets and rings for their delicate hands.”
  • While in the forest, Lucie falls into a pit. Jesse saves her and then says, “This is one of [the faerie’s] pit traps. They usually use them to catch animals, but they’d be very pleased to find a little girl instead.”
  • Jesse tells Lucie that if the faeries catch her, she “could find [her]self serving faerie gentry in the Land Under the Hill for the rest of [her] life.”
  • When James is fighting a demon, “he was suddenly pulled into Hell,” which is often referred to as the “shadow realm,” a dimension James is often taken to without warning.
  • Most of the characters are Shadowhunters/Nephilim, who are “a special race of warriors, descended from an angel, gifted with powers that allowed them to wield weapons of shining adamas and to bear the black Marks of holy runes on their bodies—runes that made them stronger, faster, more deadly than any mundane human; runes that made them burn brightly in the dark.”
  • James fights a demon that is described as having “a ribbed gray body, a curving, sharp beak lined with hooked teeth, and splayed paw-like feet from which ragged claws protruded.”
  • While fighting a demon, James notes something like recognition in its eyes, but goes on to say that “demons, at least the lesser kind, didn’t recognize people. They were vicious animals driven by pure greed and hatred.”
  • Shadowhunters rely on Seraph blades, swords “infused with the energy of angels.”
  • Shadowhunters have runes that allow them to do various things, such as “glamour runes [that] made them invisible to all eyes not gifted with the Sight.”
  • As James and his friends walk through London, “James caught a glimpse of the pale skin and glittering eyes of a vampire.”
  • There are a variety of supernatural beings, referred to as “Downworlders.” One of these groups are warlocks. “Warlocks were the offspring of humans and demons: capable of using magic but not of bearing runes or using adamas, the clear crystalline metal from which steles and seraph blades were carved. They were one of the four branches of Downworlders, along with vampires, werewolves, and the fey.”
  • Both James and Lucie can see ghosts, a trait they note as “not uncommon in the Herondale family.”
  • James describes the shadow realm as having, “charred earth. A similarly scorched sky arced above him. Twisted trees emerged from the ground, ragged claws grasping at the air.”
  • When James is hurt, Matthew draws an “iratze, a healing rune,” on James.
  • Tessa, James’s mother, recalls “attending a vampire frolic once. And some sort of party at Benedict Lightwood’s house, before he got demon pox and turned into a worm, of course—”
  • Cordelia talks about the reason for her father’s arrest, noting that “a nest of Kravyād demons had been discovered just outside the border of Idris,” the home country of Shadowhunters. She notes that her father had been called in to help, but “the Kravyād demons had gone—and the Nephilim had trespassed onto land that a vampire clan believed was theirs.”
  • Matthew talks about a warlock he once knew, “who had three arms. He could duel with one hand, shuffle a deck of cards with the next, and untie a lady’s corset with the third, all at the same time. Now there was a chap to emulate.”
  • Shadowhunters have a light source that they call “witchlight,” which requires no electricity.
  • Jessamine and Jesse, two characters in the book, are ghosts.
  • Cordelia has a sword, Cortana, which her father used when he “slew the great demon Yanluo…They say the blade of Cortana can cut through anything.”
  • While all the young Shadowhunters are at a picnic, “a demon broke the surface” of the lake.
  • A pack of demons are described: “The demons raced like hellhounds across the grass, leaping and surging, utterly silent. Their skin was rough and corrugated, the color of onyx; their eyes flaming black.”
  • Silent Brothers are the healers of the Shadowhunter world, and speak in silent voices, “an echo in [the] head.” They are described in, “Ivory robes marked in red, skin drained of color, scarred with red runes. Most were without hair and worse, had their eyes sewn shut, their sockets sunken and hollow.”
  • Before sneaking into Grace’s house, Lucie and Cordelia “marked themselves carefully with various runes—Strength, Stealth, Night Vision.”
  • Cordelia encounters a demon in the Blackthorn’s greenhouse. “It was a demon, but not like any she had seen before. From a distance it almost seemed a butterfly or moth, pinned to the wall, wings outspread. A second, closer look revealed that its wings were membranous extensions, shot through with pulsing red veins. Where the wings joined together, they rose into a sort of central stalk, crowned by three heads. Each head was like a wolf’s, but with black, insectile eyes.”
  • When the group meets a warlock, Malcolm Fade, Cordelia notes that, “Most warlocks had a mark that set them apart, a physical sign of their demon blood: blue skin, horns, claws made of stone. Malcolm’s eyes were certainly an unearthly shade, like amethysts.”
  • At the Hell Ruelle, a sort of party, Cordelia talks about the guests in attendance: “Vampires stalked by proudly, their faces gleaming in the electric light; werewolves prowled the shadows in elegant evening dress. There was music coming from a string quartet standing on a raised cherrywood stage in the center of the room. Cordelia glimpsed a handsome violin player with the gold-green eyes of a werewolf, and a clarinetist with auburn curls, his calves ending in the hard hooves of a goat.”
  • At a party, Cordelia meets Hypatia Vex, whose pupils “were the shape of stars: her warlock mark.”
  • After Cordelia realizes that someone had tried to poison two warlocks, one of the warlocks confirms this using magic. “Malcolm Fade waved a hand over his own cup. Purple sparks woke and danced in his glass. The red wine stain on the carpet unfurled like a flower and turned to purple smoke.”
  • Ragnor Fell, a warlock, is described as having “an extra joint on each finger,” and Gast, another warlock, has “multiple rows of teeth, like a shark.”
  • At a warlock’s house, a “clearly enchanted fire burned in the grate, the flames silver and blue. The smoke that rose from the fire traced delicate patterns on the air in the shape of acanthus leaves. Its smoke smelled sweet, like attar [a fragrant essential oil] of roses.”
  • The group acquires a Pyxis, used for catching demons, and describes how it works. “When you wish to trap a demon, you first wound or weaken it. Then you place the Pyxis on the ground nearby and speak the words ‘Thaam Tholach Thechembaor,’ and the demon will be sucked into the box.”
  • Cordelia describes the Manticore demon as having “the body of a mangy lion with elongated legs, each one ending in a massive, taloned paw. Its head was snakelike and scaled, with glittering red eyes and a triple row of serrated jaws.”
  • Lucie is revealed to have the power to call the dead, something that Jesse explains to her, saying, “You called the dead, and the dead came. I heard you, across the whole city, calling for someone to help you.”
  • James opens a portal to Hell, which Cordelia describes as “a large archway. It seemed to be made of dark light; it curved with Gothic flourishes, as though it were part of the cemetery, but Cordelia knew it was not. Through it, she could glimpse a swirl of dark chaos, as if she were looking through a Portal into the vastness of black space itself.”
  • Grace is attacked by a demon described as “half-reptilian and half-human, with leathery bat’s wings and a sharply pointed chin like the tip of a knife.”
  • James meets his grandfather, Belial, a Prince of Hell, and he is described as “a Prince of Hell showing himself in his most human form. He looked like a statue carved by a divine hand: his features were ageless, handsome, everything in balance. It was possible to see in his face the terrible beauty of the fallen.”
  • Grace reveals that her “mother invoked black magic to try to bring [her] brother back [from the dead].”
  • Lucie saves James by giving him Jesse Blackthorn’s “last breath,” which had been contained in a locket before he died.

Spiritual Content

  • To enter the Silent City where the Silent Brother’s live, James must answer a riddle. “’Quis ut Deus?’ he said. ‘Who is like God?’ the Angel asks. The answer is ‘No one. No one is like God.’”

by Sara Mansfield

 

Latest Reviews