Big Time

Gerri waits outside all night to audition for Big Time, her favorite TV singing competition. She believes she has a shot at success, but when she’s insulted by one of the judges and kicked out of the competition, she thinks she’ll probably never sing again. 

After a teacher at her school asks her to join a choral club, Gerri reluctantly gets involved. Even though she can’t read music and she doesn’t know the other kids, she finds herself enjoying the group and learning a lot about music. A cute guy she met at the Big Time auditions joins the group, and when they perform their unique mashups at an open-mic night, Gerri realizes there’s more than one way to be a successful—and happy—singer!

Anyone who’s ever faced rejection will relate to Gerri’s conflict and empathize with her feelings of insecurity. Since much of Gerri’s self-doubt and personal growth revolves around her musical ability, the story lacks action. Nevertheless, readers who are interested in music will enjoy learning how being part of a group helps Gerri understand music and herself better. While much of the story revolves around Gerri’s choral group, her guitar-playing granddad also plays a positive and significant role in Gerri’s musical growth. Gerri’s granddad helps her see that people should sing for their own personal enjoyment because music “helps us bring a little bit of happiness into other people’s lives.”

When Gerri tries out for Big Time, she meets Poppy, a confident singer who has some success on the reality show. Even though Poppy doesn’t play a large role in the story, her experiences help reinforce the importance of singing for enjoyment. While she was competing, Poppy began to focus on beating the other contestants, which caused a lot of stress and unhappiness. When she was cut from the competition, Poppy was relieved because being on Big Time took the joy out of singing. 

One of the best aspects of the book is Gerri’s personal growth. She changes from a downtrodden girl who doesn’t want to sing, to a more confident musician who is thankful that she was rejected from Big Time. Gerri thinks, “It turns out that getting rejected from Big Time was one of the best things that could have happened to me. . . because it helped me understand what being a musician is really all about. . . It’s about learning and practicing and making music wherever and whenever you feel like it.”

As part of the Orca Limelights collection, Big Time is specifically aimed at middle schoolers and teens with an interest in the performing arts who want to read a short, high-interest novel. The story’s straightforward plot, easy vocabulary, and interesting characters make Big Time the perfect fit for music-loving readers. 

Big Time has many positive aspects including teaching the importance of overcoming obstacles. In addition, the story portrays Gerri’s family in a positive light, and the supporting characters, while not perfect, unite over their love of singing. If you’re looking for a quick read, Big Time is a short, but solid story that will please anyone who loves music. Readers who want to read more music-themed books should grab a copy of Ace’s Basement by Ted Staunton and the graphic novel series Eagle Rock by Hope Larson.

Sexual Content 

  • None

Violence 

  • A woman calls one of the Big Time judges a jackass.

Drugs and Alcohol 

  • One of the Big Time contestants says that Adele drinks whiskey before every performance.

Language 

  • None

Supernatural

  • None

Spiritual Content 

  • None

The Hate U Give

Angie Thomas’ novel centers around Starr, a sixteen-year-old girl, who within the first thirty pages of the book witnesses her friend Khalil’s brutal murder at the hands of a police officer. The rest of the book follows Starr’s journey of grieving for her friend, testifying to the police, and also dealing with the instances of racism that occur at her predominantly white private school, Williamson. Starr ultimately agrees to testify before a grand jury, to combat their narratives that Khalil is a “drug dealer and gangbanger,” and also to testify that Khalil was doing nothing wrong; he was needlessly murdered. 

Identifying and combating systemic oppression is a major theme in The Hate U Give. In the hopes of getting justice, Starr decides to speak to the police about Khalil’s murder; Starr’s family, her father in particular, supports her decision. Starr realizes that speaking out, speaking to the police, and speaking to the grand jury and the media is ultimately her own way of fighting for Khalil. Starr thinks, “This is how I fight, with my voice.” In her televised interview, Starr risks being attacked by corrupt officers, as well as by gang violence as she implicates the gang’s leader by explaining, “Khalil was forced to sell drugs for him” because “his mom’s life was in danger . . . that’s the only reason he’d ever do something like that.” Starr also grows to realize that, “I don’t understand how everyone can make it seem like it’s okay he got killed if he was a drug dealer and a gangbanger.” Starr connects Khalil’s murder and police brutality in general to assumptions, “[the officer] assumed that we were up to no good. Because we’re black and because of where we live. We were just two kids minding our business. His assumption killed Khalil.”

Starr is an extremely sympathetic character who exemplifies feeling split into two different people: “Garden Heights Starr” in her hometown and “Williamson Starr” at her majority white private school. She desperately wants to feel “the normal where I don’t have to choose which Starr to be. The normal where nobody tells you how sorry they are or talks about ‘Khalil the drug dealer.’ Just . . . normal.” On top of grieving her friend’s death and trying to get him justice, Starr is navigating this sense of dual identity, which many readers may relate to.

Starr’s father is also an extremely sympathetic character and a strong role model for Starr. He talks about getting out of the King Lord gang. He says, “I became a King Lord when I was twelve. Shit, that was the only way to survive . . . Then I became a daddy, and I realized that King Lord shit ain’t worth dying for.” He describes being a “d-boy” and selling drugs as part of his job within the gang. Starr’s father went to prison for three years, “[he] took that charge” instead of letting the leader, King, go to prison for life. By the end of the book, her dad is organizing members from both gangs to work together to protect their neighborhood from riots as the grand jury verdict approaches. He says, “We all mad, but burning down our neighborhood ain’t gonna fix it . . . Y’all gotta come together somehow, man . . . For the sake of the Garden.”

Another major theme is Starr confronting toxic friendship—specifically with her friend Hailey from Williamson Prep. Starr feels distanced from her friend after Hailey “unfollowed my Tumblr.” Starr explains, “I once posted a picture of Emmet Till, a fourteen-year-old black boy who was murdered for whistling at a white woman in 1955. His mutilated body didn’t look human. Hailey texted me immediately after, freaking out . . .She couldn’t believe I would reblog such an awful picture.” Hailey also makes a racist comment to Starr when they’re playing basketball. Hailey says, “Pretend the ball is some fried chicken. Bet you’ll stay on it then.” Starr starts to confront Hailey by saying, “You made a fried chicken comment to the only black girl in the room.” But Starr is not able to truly call Hailey’s behavior out until later. Starr discovers that Hailey is bothered by Starr posting “Petitions. The Black Panther pictures. That post on those little girls who were killed in that church . . . ” Hailey said she did not want to see “all the ‘black stuff,’” showing her true ignorance and the underlying reason for her comments towards Starr. 

Readers who are prepared to handle frequent language and instances of violence will find Starr and her entire family to be strong and relatable characters who truly demonstrate what it means to advocate for yourself and for others. The Hate U Give shows a zoomed-in look at how systemic racism affects Starr, her family, and their community as a whole. The book ends with an important message, that “People are realizing and shouting and marching and demanding. They’re not forgetting. I think that’s the most important part.” These vital themes covered in Thomas’ novel make it a must-read. Explore more books that highlight racism and the need for change by reading I’m Not Dying with You Tonight by Kimberly Jones & Gilly Segal and Stamped: Racism, Antiracism, and You by Jason Reynolds & Ibram X. Kendi.

Sexual Content 

  • Starr mentions how the guys at the party “grind so close to girls that they just about need condoms.” She goes on to explain, “Spring in Garden Heights doesn’t always bring love but it promises babies in the winter.”
  • Starr’s friend, Kenya, tells her about drama with another girl. “You’re so lucky you go to that white-people school and don’t have to deal with hoes like that.”
  • Starr recalls her first kiss with her childhood friend, Khalil. They kissed at Vacation Bible school.
  • When Starr and her boyfriend, Chris, were kissing, her mom and uncle walked in on them. “They pointed out that friends don’t kiss like that.”
  • Starr describes the incident with Chris that made her angry. “Fooling around isn’t new for us, and when Chris slipped his hand in my shorts, I didn’t think anything of it. Then he got me going, and I really wasn’t thinking . . . And right as I was at that moment, he stopped, reached into his pocket, and pulled out a condom. He raised his eyebrows at me, silently asking for an invitation to go all the way.” Starr is angry because “he knew I wasn’t ready for that, we already talked about it, and yet he had a condom? He said he wanted to be responsible, but I said if I’m not ready, I’m not ready.”
  • Starr reveals that her half-brother, Seven, came out of a one-time encounter between their father and a prostitute, “It’s no secret that my big brother is a result of a ‘for hire’ session Daddy had with [a prostitute] after a fight with Momma.”
  • Starr and Chris begin to passionately kiss. “I kiss his lips . . . He kisses me back, and soon we’re making out like it’s the only thing we know how to do. It’s not enough. My hands travel below his chest, and he’s bulging in more than his arms. I start unzipping his jeans . . . ” But Chris stops her because she’s “not in a good place,” as she is extremely stressed waiting for the grand jury’s verdict.

Violence 

  • Starr meets up with Khalil at a party, when suddenly a fight breaks out and she hears, “Pop! A shot rings out. I duck. Pop! A second shot. The crowd stampedes towards the door.” Later in the novel, readers learn that a young boy was shot in an encounter between rival gangs.
  • Khalil explains that he believes the shooting may have been connected to the local gang violence. “Garden Heights has been a battlefield for the past two months over some stupid territory wars.”
  • While Khalil is driving Starr home, police pull him over because his tail light’s broken. For no reason, the officer is aggressive and forces Khalil out of the car. After the officer pats Khalil down “two more times,” Starr thinks the encounter is over. But suddenly, as Khalil walks back to his car, the officer shoots him three times. It is described in detail, “One. Khalil’s body jerks. Blood splatters from his back . . . Two. Khalil gasps . . . Three. Khalil looks at me, stunned. He falls to the ground.” This horrifying scene is described over five pages. 
  • Starr immediately runs to her friend and sees his body “in the street like it’s an exhibit.” While she sits with her friend’s body, “Officer One-Fifteen yells at me, pointing the same gun he killed my friend with.”
  • After Khalil’s murder, Starr has nightmares about another friend’s murder, her friend Natasha, who was killed by an unknown gang member in a drive-by shooting. “It happened six years ago, but I still remember everything from that day . . .Natasha was splashing in the water, all happy and stuff. Then—Pow! Pow! Pow! I dove into a rosebush. At first I thought it was me, ‘cause I had blood on my shirt. The thorns on the rosebush got me, that’s all. It was Natasha though.” Starr says, “[Natasha’s] blood mixed in with the water, and all you could see was a red river flowing down the street.”
  • Starr’s half-brother, Seven, says his stepdad, King, is abusive towards his mom and sisters. “He’ll beat her, she’ll put him out. Then he’ll come back.”
  • Starr’s dad saw his cousin being killed. He says, “A drug deal turned into a robbery, and he got shot in the head twice. Right in front of me.”
  • In Starr’s neighborhood, patrolling officers pull up to her father’s store and when they see his name on his ID, they force him to the ground. A cop yells, “On the ground, face-down!” Then, “The black cop keeps his knee on Daddy’s back as he searches him. He pats him down once, twice, three times, just like One-Fifteen did to Khalil. Nothing.”
  • While watching a basketball game with her family, Starr suddenly hears gunshots. “Glass shatters. Then, pop, pop, pop, pop. Gunshots. ‘Get down!’ Daddy yells . . . Momma’s on top of us, and she wraps her arms around us.” This scene goes on for two pages. Starr feels that this attack is “clearly a message for me” about her speaking to the grand jury. 
  • Hailey tells Starr that, “Somebody was gonna kill [Khalil] eventually,” and, “The cop probably did everyone a favor. One less drug dealer . . . ” Starr “slam[s her] fist against the side of Hailey’s face.” They fight for two pages.
  • Lesha, the King Lord’s gang leader’s wife, threatens Starr’s family. Lesha says, “Can’t wait till King fuck y’all up for letting that girl snitch on him on TV.”
  • Starr joins a peaceful protest and speaks to a crowd, but just as she begins speaking about Khalil’s death, the police throw tear gas at her and the other protestors. “The can of tear gas sails toward us from the cops. It lands beside the patrol car.” Starr picks up the can because “any second it’ll combust,” and “[chucks] it back at the cops.”
  • During the riots, Starr, Seven, and Chris search for her father. When they check on his store, they are trapped when, “A glass bottle with flaming cloth—Whoomf! The store is suddenly lit bright orange . . . Flames lick the ceiling and block the door.” This intense scene lasts three pages. All the protestors struggle to breathe because of the tear gas, but no one is shown to be gravely injured. 

Drugs and Alcohol 

  • The opening scene of the book shows Starr at a party, “A haze lingers over the room, smelling like weed.”
  • Starr tries a drink at the party, but spits it out because, “this is way stronger than what I’m used to. They shouldn’t even call it punch, just straight up liquor.” 
  • Kenya’s friends ask Starr about her school and the parties there. She asks, “I bet they be doing Molly and shit, don’t they? White kids love popping pills.”
  • Starr reveals that Khalil’s mom was not present for much of his life because she was “on crack.”
  • Rosalie, Khalil’s grandmother, tells Starr’s family that Khalil “was selling that stuff” to pay for Rosalie’s cancer treatments, but that “he wanted to stop” because it was so dangerous. 
  • Reflecting on her hometown, Starr says, “Garden Heights has dope boys on corners, but downtown people in business suits wait for crossing lights to change. I wonder if they ever hear the gunshots and shit in my neighborhood.”

Language 

  • The teenagers frequently use profanity such as shit, hell, damn, goddamn, bitch, fuck, and ass. 
  • A recurring exclamation in the book is one of Tupac’s expressions, “Thug Life,” which Khalil explains to Starr stands for, “The Hate U Give Little Infants Fucks Everybody.” He says it means, “what society gives us as youth, it bites them in the ass when we wild out.”
  • A member of the gang The Garden Disciples calls Starr’s brother the N-word and asks, “You Kinging?” Trying to find out if he is with the other gang.
  • Starr sees Khalil at a party and says, “The sea of people parts for him like he’s a brown-skinned Moses.”
  • Occasionally, Starr exclaims, “Thank Black Jesus.”
  • Starr discusses how everyone at her school expects her to date “the only other black kid in eleventh grade . . .Because apparently when it’s two of us, we have to be on some Noah’s Ark type shit and pair up . . .”

Supernatural

  • None

Spiritual Content 

  • Starr explains, “Problem is it would’ve taken Black Jesus to convince my parents to let me come. Now Black Jesus will have to save me if they find out I’m here.”
  • Starr discusses her family’s views on religion: “Momma became a member of Christ Temple Church when she was in Nana’s belly. Daddy believes in Black Jesus but follows the Black Panther’s Ten-Point Program more than the Ten Commandments. He agrees with the Nation of Islam on some stuff, but he can’t get over the fact they may have killed Malcom X.”
  • Before school, Starr’s father leads their family in prayer saying, “Black Jesus, watch over my babies today.”
  • Before Starr testifies in front of the grand jury, her father leads their family in a prayer: “Black Jesus, thank you for this blessing . . . Now, Lord, tomorrow is a big day for my baby girl as she goes before this grand jury. Please give her peace and courage . . . I ask for some mercy, God. That’s all. Mercy for Garden Heights, for Khalil’s family, for Starr.”
  • Starr’s father explains why he named his son Seven, “Seven, that’s a holy number. The number of perfection . . . you’re the perfect gift God gave me.”

Tristan Strong Keeps Punching

In the final installment of Kwame Mbalia’s series, Tristan’s problems are greater than ever. The gods of Alke are scattered across his world and there are ghosts everywhere  —  good and bad, as it turns out. What a wonderful time to have a Strong family reunion in New Orleans, amidst all the chaos!

Tristan also has another issue: his powers are flaring with his mood swings, causing him to be covered in magical fire. And of course, Cotton, the main antagonist of the series and a powerful and evil spirit is back and ready to put up a fight. This time Cotton has brought even darker moments from American Black history. Tristan just hopes he can find his friends and the gods of Alke – and figure out how to control his temper – before Cotton can enact his plan on Tristan’s world. 

Tristan Strong Keeps Punching wraps up loose ends from the previous two books, includes familiar friends and foes, and introduces new characters in creative ways. For instance, Tristan and his friends encounter the Redliners, a barely disguised reference to the historic practice of redlining in the United States.  However, middle school students may who are not familiar with the historical practice of redlining may be confused by Mbalia’s dialogue. For example, the Redliners tell Tristan and his friends, “We, the Redliners, are the most tolerant and welcoming group you could find! We just don’t think you belong here.” The Tristan Strong Series deals heavily with the injustices that have occurred in American Black history, and Mbalia continues to handle the topic with grace and gravity, balancing historical facts with Tristan’s emotional stake in the issues at hand.

In this book, Tristan finds himself reckoning with his grief and anger, and he learns how to handle his emotions in a productive way. His emotions are validated, but he starts to understand how to conduct himself in a manner that accounts for other people involved. Previously, his actions previously endangered his friends. It is only when his magical animated sticky doll friend, Gum Baby, dies that he realizes his actions directly led to her being put in harm’s way. From that point forward, Tristan reckons with the consequences of his actions without losing the fire that keeps him fighting for justice.

Tristan Strong Keeps Punching is an excellent end to the trilogy. Readers should read the first two installments before tackling this one as this book makes many references to the previous books. Young readers will enjoy the fast-paced action plot and the balance between humor and grave historical fact. This book would appeal to fans of Riordan Reads mythology novels, like Aru Shah and the End of Time by Roshani Chokshi or Percy Jackson and the Olympians by Rick Riordan himself. Tristan’s remarkable gift as a storyteller of the gods of Alke is made more perfect by his perseverance to keep telling these important stories. If these books teach readers anything, it’s to keep dreaming, create a better world, and never forget the stories of those who came before.

Sexual Content 

  • None

Violence 

  • Tristan must fight various magical and evil entities. In one sequence, Tristan fights a haint (an evil spirit). Tristan narrates, “But I was attacking, too. The shadow gloves flashed in and out, jabs and straights, hooks and uppercuts. Gum Baby flipped from my left shoulder to my right and back again, hurling sap balls and insults with equal intensity. I dodged a slicing strike, slipped a bull rush, and turned and fired three punches at the back of the haint.” This sequence lasts for a chapter.
  • There are descriptions of slavery as this series deals heavily with the history of Black Americans and Black American culture. Tristan recounts some of these details, saying, “I read about the barges that had hauled the shackled enslaved north, up the river, to a giant plantation. A free man’s protests were scrawled in the grass of Artillery Park, where he’d been kidnapped and sold into slavery. A family’s prayers were carved into the pillars lining the docks along the Mississippi, where they’d been separated, never to see each other again. These were the hidden narratives Folklore hero and god High John had been talking about. This is what he had meant.” These descriptions come up somewhat frequently throughout the book.
  • Tristan fights coffles (malicious spirits) that have trapped some kids. Tristan “swung again and again, trying to take out the coffle before it could rise. The monster wriggled and writhed on the ground, and I had to hop and dodge its flailing limbs or my legs would’ve been ripped to shreds.” This fight sequence lasts for several pages.
  • Tristan’s friend, Ayanna, tells Tristan about one of her former friends who died in a fight. She says, “He wanted to go out and kill [evil magical creatures, including the fetterlings], and I didn’t, and we argued about it. He flew into a rage, took his raft, and left. We heard fighting and went out after him, but by then it was too late. The fetterlings used his anger against him, and I lost a friend.” 
  • Gum Baby is loudly and badly playing music, and Tristan asks her to stop. Gum Baby responds, “Gum Baby’s gonna tune your face with some sweet chin music if you keep talking,” insinuating that she’d hit him with her banjo if he insulted her again. She does not actually hit him.
  • Tristan says he thinks Cotton is going to Fort Pillow as he’s “raiding places where Black people suffered in large groups…[Fort Pillow] was the site of one of the biggest massacres of Black soldiers in the entire Civil War. People fighting for their freedom were cut down by Confederate soldiers without remorse.”
  • Tristan goes into High John’s memories and sees a town being burned to the ground. “Flames exploded out of broken glass and spread everywhere. More shouts and screams…Flames shot fifteen feet into the air. Every house in the small neighborhood was on fire. I couldn’t see anyone, but the screams…I knew the screams would haunt me for the rest of my life. So many. Old, young. I heard them all.” The memory lasts for a few pages and it is clear that Tristan witnessed the “Memphis Race Riots of 1866. Nearly all of South Memphis was destroyed…Black-owned homes, businesses, restaurants. People were killed. Abused. Beaten. And yet no one was ever brought to justice.”
  • Another magical being, Granny Z, tells Tristan, “My children are kicked, beaten, harassed, stolen, abused, abandoned, forgotten and stripped of their rights every single day. And it’s a sad fact that their abusers are always gonna be afraid that their own sins will be revisited upon them.”
  • Tristan and his friends Gum Baby, Ayanna, and Thandiwe are attacked in a Wig Emporium. “Gum Baby flipped out of nowhere, her hands moving a blur as sap rocketed through the air. Breakers exploded into smoke five at a time. I limped forward to help her, but she disappeared in a crowd of foes. I tried fighting my way free, but there were too many. We were being overwhelmed.” This scene lasts for a page. Gum Baby dies but the death isn’t described. 
  • Tristan helps ghosts save their stories from Cotton, who wants them erased. Tristan hears one ghost say, “I moved here to get away from the lynchings.” This point is not elaborated upon.
  • Tristan fights with many Breakers, magical creatures that can strip people and gods of their spirits, thereby killing them. Tristan describes how the Breakers “rained blows on me, snarled at me, shrieked at me, roared at me, sent wave after wave after wave of pure hatred and malevolence, and it was all I could do to keep my arms raised and defend myself, because I was so tired, incredibly tired, of defending myself, but it wasn’t just me I was defending, now was it?” The scene lasts for several pages.
  • One of the old folk gods, John Henry, fights Cotton. John Henry gripped the ghostly tentacles, “lifted one foot, and then exploded into motion, charging Cotton like a linebacker and planting a shoulder squarely in the haint’s chest. Cotton flew back a dozen yards —  through the air! —  before landing and skipping across the sand like a stone across a pond.” This battle sequence lasts for several chapters.
  • Tristan has one final battle with Cotton that lasts for several pages. Tristan narrates, “Cotton’s momentum carried him past me, and he was off-balance. My right fist, my power fist, knifed through the air and connected flush against Cotton’s chin. Just my fist, not the shadow gloves, because I needed them for what came next…The black flames flared to life one more time, with as much energy as I could muster flowing through them. Just as I’d done on the barge, I willed the gloves together, merging six into two shining beacons of black in the light of the setting sun…I darted forward and grabbed Cotton. He twisted, turned, fought, and struggled, but I didn’t let go. The flames of the akofena [magic] spread to him, devouring the thorns and cotton as if they hungered for the hatred binding the haint together.” Tristan destroys Cotton by turning him to ash.

Drugs and Alcohol 

  • Tristan ends up at an outdoor strip mall. He says, “Shelves are stocked with products you’d never heard of, or weird stuff you’ve seen advertised on TV — all two-a.m. hangover purchases, as my dad called them. I’m not sure what a hangover is, but if it made me buy an automatic toenail clipper that looked like two machetes taped together, I want no part of it.”

Language 

  • Gum Baby, a magical sticky being, loudly and frequently refers to Tristan as “Bumbletongue” or “thistle-head.” As they’re friends, it’s done mostly in jest.
  • Light language is occasionally used. Words include chump, rejects, and doofus.
  • Tristan meets a kid named Memphis, who uses they/them pronouns. 
  • A slave-patroller haint chases Tristan, yelling, “You ungrateful little stain on society, get over here! I will hunt you down, you hear?”

Supernatural

  • Tristan is having issues with his magic. Most notably he keeps bursting into flames when he gets angry. For instance, Tristan notes, “I stared in utter horror at the small silver flame popping out of my knuckles.” This happens frequently throughout the book.
  • As this is the third installment in the series, Tristan gives a quick recap of the last couple books. He says of his summer, “I’d eaten a bunch of key lime pie, done a little boxing, fallen into another world with powerful gods and made a bunch of folk hero friends…You know, the normal summer.” These gods and folk heroes feature throughout the book as Tristan is trying to rescue them.
  • Tristan’s magical smartphone is controlled by Anansi, the trickster god. Tristan says, “He was the Weaver, the owner of all stories, from truths to tall tales, and his name was embedded in my title of Anansesem.”
  • Tristan and his granddad enter Congo Square in New Orleans, where “ghostly apparitions dressed in their Saturday night finest were hitting moves that made my calves cramp as I watched…as if on cue, everybody started doing the Electric Slide.” Ghosts appear frequently in this book; many of them are friendly or give helpful advice.
  • Gum Baby announces that she’s been following a “ghostie” for a while because it was terrorizing everyone. This creature is like the haints, which are malicious spirits. Tristan describes the creature, saying, “I looked up and saw a long, lanky creature scuttling down from the top of the wheelhouse like a monstrous crab.” The group spends a chapter fighting the creature.
  • Tristan discovers that the haint that they’ve encountered is a coffle. His cousin explains its odd appearance, saying, “They were used to fasten slaves together when they were marched from the house to the fields and back.” Tristan describes its appearance, “Two long, wooden, bone-like structures protruded from the opposite sides of a loop, forming what looked like the skull of a hammerhead shark. Its body was a chain, and its four limbs were thorny, viny branches.”
  • Tristan’s magic storyteller abilities occasionally cause him to have visions. In one instance, he describes, “I saw stories — written in French and Spanish and Chitimacha and English — about the birth of jazz and the death of neighborhoods. I saw tales of Fon and the Ewe and the Igbo, and legends of Vodun and Vodou and the spirits within…I read about the slave ports that had dotted the Mississippi River. I read about the glamorous buildings that had been built around the sale of men, women, girls, and boys like me. Some older, some younger.” This description continues for several pages.
  • Cotton is the main antagonist of the series and is a powerful and evil haint. He is a manifestation of the evils of slavery. Tristan describes, “I once again saw the horrific true form of the haint underneath the disguise. Complete with his burning hatred and desire for power.”
  • A god, Mami Wata, rides in a boat that encounters Angola. Tristan notes that “a monstrous, nearly see-through house was superimposed over the prison…The house I was seeing was Old Angola, a long-gone plantation.” In this house and prison reside many trapped spirits and evil haints, including Cotton.
  • Tristan’s usual Ananasem powers (storytelling powers) change when he meets ghosts of former soldiers. He says, “I was inside the story!” In this instance, the sequence lasts for several pages and details the lives of a couple Black soldiers escaping the South to Vicksburg.
  • Tristan teaches some kids magic. When he tells them what he’s going to do so, one kid responds, “Ain’t no wizards ‘round here. That’s movie stuff.” Tristan then demonstrates that all the kids have magic within them. Tristan says, “Each of the kids had a story fragment nestled in their chest, right above their heart. A piece of the story of Alke lived on in each of them.”
  • Tristan meets Granny Z, who tells Tristan about Loa. Granny Z says, “L-O-A. The mysteres. The links between the High God and his people on earth, serviced by the mambos, their priestesses.”
  • Tristan and his friends drive a magic SUV after a magical horse that’s kidnapped a child. Tristan says, “We looked out the front windshield to see Twennymiles (the horse) leaping into the air and disappearing. Old Familiar (the SUV) followed.” They are magically transported through the air and through neighborhoods, and the scene lasts for a couple pages.

Spiritual Content 

  • Tristan encounters many different gods (like Anansi and Mami Wata) on his journey, and they’ve given him powerful artifacts for his magical powers. These gods exist throughout the book, and sometimes Tristan mentions his magical gifts. He says, “I reached for the adinkra bracelet on my right wrist. Dangling from it were my gifts from the gods. The Anansi symbol. The akofena from High John. The Gye Nyame charm. The Amagqirha’s spirit bead from Isihlangu. They gave me strength, power, and right now, all the confidence I needed.”
  • Tristan meets a girl named Hanifa, who “wears a hijab.” 
  • The gods of Alke, due to the events of the previous books, are now scattered in Tristan’s world. Some of them are weakened and some die in nonviolent ways. Tristan often laments that “Gods can’t die,” but the events of the book say otherwise, like when High John passes away beneath a tree. 
  • High John’s ghost tells Tristan, Ayanna, and Thandiwe about his upbringing and the influence of the Church. He says, “some Sundays, his lordship and most honorable, the man who wanted to be called Boss, graciously allowed the people who actually worked the fields to rest.”

Be Prepared

Vera, a nine-year-old Russian girl, yearns for a sense of belonging. She looks to her classmates for guidance on how to fit in. In Vera’s case, this means trying to blend in with her American classmates. Despite her best efforts, she just can’t seem to get it right. Her first American-style sleepover is a disaster, leaving her feeling like she’ll never be able to connect with her peers. 

Just when she’s about to give up, her friend, Ksenya, tells her about a Russian summer camp. Vera is intrigued, but also a little hesitant. After all, the camp is in the middle of the woods in Connecticut, which is not exactly what she had in mind. Nevertheless, she decides to give it a try. 

When Vera first arrives at the camp, she is introduced to her tent-mates, Sasha and Sasha. While initially hopeful, her first interaction with the Sashas does not go well. Vera tries to make friends with them by drawing pictures and sharing her stash of hidden Skittles, but it soon becomes clear that their friendship is only superficial. Will Vera ever find a place where she belongs? 

The Russian language is heavily used throughout the text. There are even some portions written completely in Russian scripture. For example, campers sing a song that is written in Russian scripture: “БУАЬ ГОТОВ, РАЗВеДЧИК, к Делу чеСТноМУ, Трудный путь лежит перед тобоЙ . . .” In addition to direct Russian scripture, there are Russian words that utilize the English alphabet. For example, the boys at the camp are referred to as “volchata,” which means “wolf cubs.” A handful of the English-written Russian words are defined, but most of them are not given a definition and there is not a glossary, which can make some areas of the text harder to decipher. 

Be Prepared is a captivating graphic novel that partially draws on the true experience of the author, who shares an intriguing snippet of her life. The graphic novel takes the reader on a thought-provoking journey of self-discovery, narrated from the viewpoint of nine-year-old Vera. Through her eyes, readers witness not only the challenges that many preteens feel, such as finding their place in the world but also the unique challenges immigrant children face.  

One of the most striking aspects of the graphic novel is its use of green and gray illustrations. These colors add depth and dimension to the story and help to convey the complex emotions that Vera experiences throughout her journey. The adorable art style, with its round-faced characters and expressive eyes, is both charming and heartwarming, making it impossible not to root for Vera as she navigates the ups and downs of growing up. 

In the end, Vera gains a new perspective and begins to reach out to other campers who are also left out. This allows her to find a sense of purpose, make new friends, and appreciate her Russian heritage. Vera’s story is a powerful testament to the resilience and strength of the human spirit. As she learns to navigate the world around her, she discovers new friendships and a sense of belonging that she never thought possible. This graphic novel is a must-read for anyone who has ever felt like an outsider, and for anyone who wants to understand the experiences of immigrant children in a deeper and more meaningful way. 

Sexual Content  

  • Vera starts to change in front of her new tent-mates who are both fourteen. One of the girls says, “She doesn’t wear a bra? Gross!” 
  • One of Vera’s tent-mates, holds a maxi pad in front of Vera’s face and makes fun of her for not having a period.  The girl says, “It’s a maxi pad!! Do you seriously not know what those are?” 
  • Sasha and Sasha, Vera’s tent-mates, taunt her for drawing Alexei, their camp crush and an older male camper. “She wants [the picture of Alexei] so she can kiss it.” 

Violence  

  • A chipmunk bites Vera on the pointer finger.  Vera talks to herself about the possibility of what may happen. “Now I am going to die of rabies… I wonder how many people I’ll bite before they subdue me.”  
  • Vera, after being bitten by the chipmunk, chooses to stay silent since she feels there is no one she can tell at the camp. When her mother comes to visit her after the second week, Vera fills her in. “I have rabies and I’m going to die!” Vera yells to her mother upon her arrival at camp.  
  • Vera talks about the violent side of the Russian religion, particularly in relation to Saint Vera. “I never forgot, [the saints] died horrible deaths . . . [Saint Vera] was tortured and beheaded, along with her sisters, while her mother watched. If I was learning anything from the history classes, it was that Russians are bred for suffering.” 
  • Vera talks about the history that leads up to the formation of the camps that exist today. She talks about the harsh history that made many Russians lose their culture, which is why the camps were formedto help Russian heritage remember their culture and past. “During one three-year period in the seventeenth century, a third of the population starved to death. And in the twentieth century, the government sent millions of its own citizens to suffer and die in work camps (including my own great-grandmother).” “Gulag” is one of the terms used in the text. This refers to the system of labor camps run by the Soviet Union during the 1930s-50s. 
  • “Ow! Something stung me!” a male camper exclaimed when a wasp stung him on the forehead. The sting caused an allergic reaction and swelling. 
  • The camp counselors told a story about a small camper who died because a bigger camper pooped on top of him. The boy “died down there, in the dark at the bottom of the [outhouse].” 
  • A jealous camper hangs another girl’s bloody underwear on the flagpole for everyone to see.  
  • Phil, Vera’s little brother, talks about dealing with a mean individual at camp. “Yeah he takes karate at home, and he put me in a headlock. And one time he found a mouse in the woods, and he ran up and kicked it right in front of me. It died.” 

Drugs and Alcohol  

  • None 

Language  

  • Hollywood is used to refer to the outhouse that is set up for the camp. 
  • When a wasp stings a boy on the head, Vera accidentally says the bite looks like a “nipple.” Afterwards, the entire camp calls the boy “tit head.”  

Supernatural 

  • None 

Spiritual Content  

  • Vera writes to her mother about the Russian church at camp. “On Sundays we have church. It’s just like church at home except it’s outside. They keep all the icons in a little house, so they don’t get wet. I am jealous of the saints for the first time ever.” 
  • Vera explains what she likes about the church services at camp and her personal connections to the religion.  “The orthodox liturgy is a beautiful melodic chant. I understood maybe a third of it. But the icons…I loved the icons. The gilded script, the tiny piece of Saints’ bones in jewel-encrusted frames. And I never forgot those people died horrible deaths. I had a picture of my namesake, Saint Vera, over my bed at home. She was tortured and beheaded, along with her sisters, while her mother watched.”  

Unscripted

Zelda Bailey-Cho is an incredibly talented and ambitious seventeen-year-old comedian who dreams of making it big before she turns 25. She is a young woman with a sharp wit, impeccable timing, and a passion for making people laugh. Zelda has always known comedy is her calling, and she is willing to work hard and persevere until she achieves her dreams.

As Zelda prepares to attend the Rocky Mountain Theater Arts camp, she is excited about the opportunities that lie ahead. She sees the camp as the perfect place to start her journey and is determined to take full advantage of every opportunity that comes her way. At RMTA, Zelda has the chance to learn from some of the most experienced and skilled comedians and improvisers. She is eager to absorb as much knowledge and experience as possible. She believes that making the varsity improv team is the first step towards achieving her goal of being on Saturday Night Live. However, the reality of being on the varsity team at the camp is not everything Zelda expected. 

It turns out, the camp is plagued by toxic masculinity, sexual harassment, and misogyny, all of which make it difficult for Zelda to accomplish her goals. She faces many obstacles, including being the first female in fifteen years to make the varsity squad on top of being one of only five female campers that summer. She wants to make her other female campers proud, but it becomes increasingly difficult as she becomes the target for humiliation on her male-only team.

As Zelda struggles to navigate the obstacles at camp, her relationship with her coach, Ben, becomes increasingly complicated. While Ben reassures Zelda that he will stop the humiliation, he still allows the guys to tear her down during rehearsals. His sweet smiles and endearing touches leave Zelda’s head spinning. As the rehearsals become more and more heartbreaking for Zelda, so does her relationship with Ben. It all comes to a head one day when he pins her against a tree and unclasps her bra. 

Zelda feels betrayed and violated because she thought she could trust Ben. The incident leaves her questioning her own judgment, as well as the intentions of those around her. But despite the trauma she experiences, Zelda refuses to let it define her. Her fellow female campers — Paloma, Sirena, Emily, and Hanna — help Zelda learn the difference between abuse and affection. They help Zelda realize that she is a survivor who will not be silenced. Zelda finds the strength to speak out about what happened to her, hoping that her story will inspire others to do the same. 

Zelda’s journey is one of resilience, determination, and strength. She faces numerous challenges, including toxic masculinity, sexual harassment, and misogyny, but refuses to let them hold her back. She is a role model for young women everywhere, showing them that they too can achieve their dreams, no matter what obstacles they may face. 

Unscripted is a captivating and thought-provoking book that is sure to resonate with young women. In a where misogyny and sexual harassment are still prevalent, it is important for young women to be aware of these societal issues and learn how to navigate them. The book does an excellent job of exploring these themes through the experiences of its strong and inspiring female lead character. Furthermore, Unscripted is not limited to themes of misogyny and sexual harassment. It also delves into various other issues that young women may face, such as gender stereotypes, body image, and self-esteem. The author does a great job weaving together these themes in a way that is both informative and engaging. Overall, Unscripted is a great read for young women who want to empower themselves and learn how to overcome the challenges they may face in today’s society. It provides a positive role model and valuable insights that can help them navigate the complexities of the world. Readers who enjoy Unscripted should also read Ana’s Story: A Journey of Hope by Jenna Bush Hager.

Sexual Content 

  • During Zelda’s first rehearsal with her male counterparts, she plays a nurse. One of the boys opens her office door and says, “Well, hello there, lady doctor. How lucky am I? Should I drop my pants now, or now and later?” Zelda stays in character, looks at his chart, and says, “Ah! I see you’ve had a series of brain injuries that make you say inappropriate things. Well. We should get you some heavy drugs to suppress that.”
  • In another scene, there were some allusions to Zelda’s character being a porn actress, but it wasn’t the focus of the scene so she “let it go.”
  • In another scene, one of the males in Zelda’s group forces her to be a prostitute in the woods. “‘Oh, look! A woods hooker! I think I’d like to see a dance,’ Xander said. ‘I’ll be the pole.’” 
  • Xander tries to make Zelda uncomfortable by making sexual comments. Xander began grinding on Jake and pitched his voice into a falsetto. “’Oh, Jakey!’ he tittered, apparently imitating me. ‘You’re so funny! I love it when you do me!’ The grunting sounds increased, reaching a fever pitch.”
  • The girls at the camp tell Zelda that guys look at her as a sexual object. Hanna says, “See—you do that leaning in thing and your boobs just—” Hanna makes jazz hands.
  • Ben utilizes his power as a coach to get Zelda alone for a one-on-one rehearsal. He makes her act out a scene in which he kisses her. “And then he was kissing me. A real, live boy was kissing me. Kissing ME. I hardly knew what was happening. He wrapped an arm around my back and pulled me closer.”  The kissing stops as Ben pulls away and calls the rehearsal to a close. It is the only scene that they “rehearse.”
  • Another time Zelda is put in a demeaning position. “It was happening again. And Ben was doing nothing to stop it. I was numb as Xander marched with me over his shoulder and set me down off stage. ‘Woo! Quick, but satisfying!’ He mimed zipping up his pants. Bile rose up in my esophagus.”
  • Ben sexually violates Zelda outside the cabins against a tree. “Before I had a chance to make a decision, the fingers of his right hand unclasped my bra and his left hand grabbed my boob. The moment he made contact, I knew I didn’t want it. I tried to step back, but I was still pushed up against the tree.” Zelda says, “‘Don’t. Please, Ben. Just—’” Zelda “tried to push him away with my hands, but he ground into me. ‘It’s okay,’ he murmured. ‘You’re so sexy. I can’t help myself.’” He only stops because Zelda knees him in the crotch and runs away. 

Violence 

  • Before Zelda goes to camp, her father tries to teach her about life. He recounts the story of what led them to this point, but this time he includes a part Zelda had never heard. He loves his new wife and stepson, Will, but they were not deterring him from the negative thoughts inside his head. It was Zelda that ultimately saved him. “‘Zelda-belle.’ He exhaled sharply, folded and unfolded his arms, then took my hands. ‘Your mom loved Will, and I . . . I couldn’t take the sadness anymore. I was thinking about . . .’ He raised his eyebrows, willing me to fill in the blanks . . . Did he mean . . . he was thinking about killing himself?” He lets Zelda know it was her birth that brought light back into his life. She was the one to pull him out of his depression.
  • The owners of RMTA, Paul Paulsen and Paul Deluca (P1 and P2), lay out the ground rules upon everyone arriving at the camp. “’Lastly, we have a very strict physical violence policy. If you get in a physical altercation, you will be sent home. No exceptions.’ Paul Paulsen said . . . ‘Well,’ Paul DeLuca drawled, ‘unless it’s in a scene.’”
  • There is a scene in which Jake 2 and Trey, other members of the varsity improv team, fake punch one another. “‘A punch in the face for not freeing the slaves earlier!’ Jake 2 called. He turned to Donovan and clapped him on the back. ‘Right, my brother?’ My eyes grew huge. Anger flashed in Donovan’s eyes, but it was gone so quickly, I thought I might have imagined it.” This scene upsets Donovan as a biracial individual. It is one of the first times Zelda realizes that it isn’t just sexual comments that are being made and hurting someone.
  • Zelda knees Ben in the crotch to avoid him going further in his sexual advances. “A switch flipped in my head. A message flashed in my mind with lightning speed and clarity: Ben was not what love looked like. He was what danger looked like. And that’s when Dad’s voice shouted in my head, Prime attack zones: spectacles and testicles! I jerked up my knee as hard as I could and rammed it into his crotch.”
  • Ben, the varsity coach, punches a Boy Scout that Zelda is hiking with, Jesse, in the face which causes a fight to break out between the three of them. Most of the violence comes from Ben. “But it took a cracking sound, blood pouring out of Jesse’s nose, and Ben shaking out the hand that had punched Jesse to set off a bomb inside my body…Ben charged at me, and I barreled toward the steps…’How dare I?’ He caught up with me in two strides and grabbed my arms. ‘How dare you?’ He spun me to him. Fury contorted his face. ‘I let you onto Varsity and this is how you repay me?’ His hands dug into my upper arms, and he shook my body…I tried to break out of his grasp, but he growled, ‘Shut up!’ and shook me again…I twisted around, but still gripping my arms, Ben kicked Jesse in the knee as he lurched toward us, which sent him stumbling back down into the gravel. Jesse’s nose was bleeding so freely, the front of his shirt was a lake of blood…’Stand UP, bitch,’ he demanded, digging his fingers even deeper into my forearms. Whimpering from the pain, I listened…Turning around in shock, Ben dropped my arms, so I grabbed his shoulder to force him back to face me, then spectacles-testicled him, and he collapsed to the ground.”

Drugs and Alcohol 

  • None

Language 

  • Zelda is in a conversation with two girls who are discussing how the males on their improv team tend to stereotype them just because they are female. For example, “Then when guys do a scene together, do they call it ‘Dick-prov’?”
  • Sexism and misogyny are heavily discussed throughout the book.
  • The terminology surrounding the LGBTQ+ community is brought up multiple times as both Zelda’s brother and bunkmates are a part of the community. In one scene, the two bunkmates, Sirena and Emily, are telling the girls what they feel comfortable being called. “Sirena says, ‘We like ‘gay.’ And ‘lesbian’ is fine, too. In certain contexts, ‘queer’ makes the most sense. Right, Em?’”’
  • Emily, one of the few females at the camp,  brings up her weight multiple times on her own volition and discusses the stereotypes she faces because of it. This scene is a wonderful example of the adversity she faces daily due to her weight. “Unfortunately, Emily was too anxious to be her best self. At one point, she played a really funny newscaster who was so nervous, she couldn’t remember any of the news, and later managed a spot-on Irish accent, but the guys she was performing with mostly sidelined her. After the third scene, where she played someone’s mom, a guy behind me whispered, ‘That fat girl is really bombing.’”
  • The terminology “asshats” is used several times. 
  • There are also multiple instances of the males making derogatory symbols and expressions towards the girls. When Zelda glares at a group of boys, they “flipped me off. I looked to the coaches to see if anyone was paying attention to the cretins, but the coaches were spread around the room, eyes on the stage.”
  • Zelda’s varsity group is called up to the stage for one of the improv games, but she is joined by the two guys who continue to humiliate her. “I took a deep breath and trotted up on stage. Unfortunately, Crotch-grabber and Finger-flipper stood on either side of me. My weakest aspect of improv next to two sexist body-shamers. Awesome.”
  • The word damn is used several times.
  • The words prostitute and hooker are used multiple times, often in improvisational scenes where they are forcing Zelda to be one.
  • Zelda stands up to some of the negative comments being made towards her during rehearsal. Zelda says, “You know, improv has always made me feel good. Like I was strong and funny and smart. I was a part of something. But you guys — What you do isn’t improv. It’s a lot of one-upmanship and dick waving and you don’t need me for that.” 
  • Ben, the varsity improv coach, calls Zelda a bitch multiple times. Zelda thinks, “It took a long time to fall asleep, but when I woke the next morning, I was sure about two things: 1) Ben was never getting me alone again. And 2) If I was a bitch, I was going to be the funniest bitch that asshole had ever seen.”
  • Ben calls Zelda a whore one time.
  • Nina Knightley, Zelda’s idol, says, “There’s a lot of crap out there. . . and I’ve seen my fair share of it. But the way you get through it is together. Find your people. And then keep helping people up. It’s the only way. Got it?”

Supernatural

  • None

Spiritual Content 

  • None

The Maze Cutter

Isaac, Sadina, and their friends are living on an isolated island — far from the destruction and terror on the mainland caused by the Flare virus. But when a suspicious ship carrying a woman from the mainland arrives, the friends take this chance to leave the safety of the island for the opportunity to see what life on the mainland holds for them. Isaac and his friends leave their safety and their home behind for a chance at improving the world for future generations. The novel follows Isaac and his friends’ trip to the mainland, as well as two warring groups, both desperate for descendants of a certain bloodline that they hope to use for their respective causes.

Fans of Dashner’s original Maze Runner series (2009) will be thrilled to find a new batch of characters and references to the original series in The Maze Cutter. Though the story is set seventy-three years after the Maze Runner Series, the references to the original series will make it difficult to follow for readers who have not read the original series. The prologue opens with references to the events of the original series and there are interspersed excerpts from the diary of one of the characters in the original series. 

The Maze Cutter’s point of view switches between Alexandria, Isaac, and Minho. Alexandria is a goddess with powers stemming from the Flare virus. Isaac is a young man who joins his friends who return to the dystopian mainland. And Minho is a trained soldier for the Remnant Nation. The varying plots can be hard to follow since the different characters start out in completely different places, hundreds of miles from each other. However, by the halfway point of the novel, a trap set by one of the two warring factions brings them together with a battle scene that keeps readers wanting to know more. 

Minho and Isaac demonstrate the importance of building relationships and embracing “found family.” Isaac struggles to reckon with the loss of his family, as well as his perceived guilt because his family died when they entered stormy ocean waves to save him from drowning. Isaac’s willingness to push through his fear to protect his friends makes him a likable character, and readers will enjoy seeing his realization that “all the crazy people” that survived the battle with him “had made [the loss of his family] a little more bearable.” 

Minho is an orphan who “had no parents, no brothers, no sisters, no friends. Only enemies,” until he meets an older woman named Roxy who offers him food and shelter when he stumbles onto her property. Readers will appreciate how Minho’s mindset changes about having family, as he initially is taught to “follow protocol” and not trust anyone, but eventually, he lets Roxy in and shows his emotional side. During the battle scene at the end of the novel, Roxy saves him. Minho says, “It was kinda cool having a mom.”

Another major theme is humanity, and what happens when humans reach for power. To prevent any spread of the Flare virus, the Remnant Nation trains children, like Minho, to be soldiers that will kill any outsiders in hopes of eradicating the virus. By contrast, the Godhead wants to use the virus to infect all of humanity and cause “The Evolution”—powers they hope to gain from the virus. Minho explains of the Godhead and the Remnant Nation, “You’re talking about two religions here, both in a race to the end. And one won’t rest until the other’s gone.” Readers can take away the message that while sometimes people start out with the intention of protecting and helping people, the opportunity to gain power can cause them to hurt others to achieve their goals.

The conclusion leaves readers wondering what the characters will choose to do—will they stay on the mainland or look for a way to return home? Will Alexandria take complete power over her faction? Readers will be left looking forward to the next book in the series, The Godhead Complex, which shows Alexandria uncovering the most valuable asset in this post-apocalyptic battle—a clue that connects the book back to the original Maze Runner series. Readers who are not put off by violence will enjoy how the end battle brings the characters together and shows the survivors forming tight bonds of friendship. 

Sexual Content 

  • After Sadina is kidnapped, she is reunited with her long-time girlfriend, Trish. “Trish and Sadina had yet to let go of each other. . . kissing and hugging in a loop that might last another day or two.”

Violence 

  • Minho is approached by a man who begs for his life. Minho didn’t have the courage to disobey protocol” so he shot the man. The murder is described in detail, “A single shot rang out” and the man Minho shot is described as having “a small wisp of smoke leaking from the new hole in his head, slumped off the horse and fell into the mud with a wet splat. Another shot, and the animal fell as well.”
  • Alexandria finds out that another member of the Godhead, Mikhail, has been attacking followers in a vicious process called “hollowing.” During hollowing, “they’d been sliced from aft to stern, their very essence of life removed with violent but precise efficiency.”
  • When witnessing a young boy being attacked, Minho grabs the man attacking him and “slammed him against the wall . . . the stranger’s head cracked against the jagged stone.” It is implied that Minho kills him.
  • Sadina and Isaac are threatened by Timon, a follower of the Godhead, who attempts to kidnap them and threatens to kill their friends. Timon yells, “MEET ME OR THEY ALL DIE . . . TELL ANYONE, THEY DIE.” 
  • When Sadina and Isaac are kidnapped, Kletter, a suspicious woman who arrived on a mysterious ship at the beginning of the book, is brutally murdered. “Her neck . . . that was the bad part. The really bad part. It had been slashed with something sharp, from one side to the other like a necklace, and blood poured down the front of her body in gushes.” 
  • In order to protect his newfound friend Roxy, Minho attacks Letti, one of the kidnappers. Minho “swung the club of wood and smashed it against the side of Letti’s head . . . Letti collapsed to the ground in a heap.” She is not killed as, “Her chest moved up and down, still alive, but her bloody head sure didn’t look so good.” 
  • While trying to escape the confines of the Remnant Nation’s “Berg,” Minho’s friend, Skinny, is killed. It is brutal; Skinny’s “head was smashed, the arms and legs twisted at weird angles, blood everywhere.” Several people die, but these deaths are not described in detail. This “Berg” battle is described over ten pages.
  • During the battle scene, “Minho had barely stepped from the wreckage when he saw a man buried beneath a large chunk of the Berg that had fallen off . . . The chest didn’t move at all, and there was blood in all kinds of bad places.” 
  • Roxy saves Minho from being stabbed by a Remnant Nation leader during the battle: “Then a long object swung in from the left of his vision, slamming directly into the face of the priestess. The woman screamed, blood spurted, she dropped the knife, collapsed, and went still.”
  • Alexandria orders her followers to kill Nicholas and bring her his head. Alexandria “slid the box closer to her, lifted its lid . . . The eyes of Nicholas stared back at her. His eyelids removed so that they could never close again. She smiled at him, half-expecting what was left of the dead man to return the kind gesture. He did not.”

Drugs and Alcohol 

  • During a meeting of the Congress of the island, Sadina discovers that her mother and two other congresspeople have put something in the wine so that they can leave the island without resistance. They “spiked the wine. But don’t worry, it only puts them to sleep.”
  • Alexandria meets with Mannus, a wavering follower of the Godhead, who describes how he ended up with “horns sewed upon his head.” He says, “I was young and drunk and there might’ve been a lady involved. She’s dead now and I still got these damn horns.” 

Language 

  • Many of the younger characters frequently use hell and damn.
  • Other profanity is used occasionally. Profanity includes bastard, shit, and bullshit.
  • Characters from the Remnant Nation frequently use “thank the Cure” and “for Flare’s sake” as exclamations.
  • Within the setting of the Godhead, there are frequent exclamations of “Praise to the Maze,” “Glory to the Gladers,” and other expressions of worship towards Alexandria, “the Evolution,” and powers that come with it.
  • Old Man Frypan, one of the original Gladers, often exclaims, “hallelujah” and “amen.”

Supernatural

  • Though there are no direct examples of magic in the book, futuristic technology often appears to fill this type of role. For instance, when Isaac and his friends are reunited once more, they are horrified to discover “at least a dozen dark shapes hovered above the horizon as if by magic,” but “Isaac knew it wasn’t magic,” instead it is gigantic “Bergs” coming to take them away. 

Spiritual Content 

  • Characters with strength and enhanced senses from “The Evolution” are referred to as Gods and Goddesses of “the Godhead.”
  • Timon, one of the kidnappers, asks Sadina and Isaac if they have heard of the Godhead, to which Sadina asks, “Like in the Bible. . . Never read it.” But Timon exclaims, “No I’m not talking about the damn Bible.” 
  • The Remnant Nation forces Minho to go on a forty-day trek. While pretending to be loyal to the Remnant Nation, Minho says, “Long live the Cure . . . May I wander for forty days and nights and return a Bearer of Grief in her service! May the Godhead die, and the Cure rule the earth.” 
  • Jackie, one of Isaac’s friends, worries about her kidnapped friends, explaining, “We’re wandering the wilderness like freaking Moses from the Bible. Or was that Joseph? Paul? Who the hell knows.” 
  • Alexandria is part of “the Godhead”, and her goal is to overtake the other two “Gods” and become “their new God.”

by Elana Koehler

Holding Up the Universe

Holding Up the Universe follows the love story of two teenagers who are grappling with their own perception of identity. Jack Masselin is a popular boy who secretly struggles with a neurological disorder; Libby Strout is known as an overweight girl, once dubbed “America’s Fattest Teen” after an incident from her childhood was covered by local news. Jack and Libby realize they have more in common than they thought, but both teens struggle with understanding themselves and learning how they present themselves to others. Over the course of the book, the characters gain confidence in themselves, and learn how to trust their intuition and interact with peers.

Seventeen-year-old Jack has a reputation as being a popular “playboy” and has various other popular friends, such as Dave Kaminski and Seth Powell. Jack is also in an “on-again, off-again everyone-assumes-we’ll-end-up-together-forever” relationship with Caroline Lushamp, one of the school’s most popular cheerleaders. Jack embraces his own arrogance and confidence as he considers himself to be “charming,” “hilarious,” and “the life of the party.” However, Jack secretly struggles with prosopagnosia, which prevents him from being able to recognize faces. Jack is terrified of being excluded, so he tends to go along with what the “popular” kids are doing in order to remain in their good graces. Throughout the story, Jack learns how to tell others about his condition, and learns various “tricks” to manage his condition.

After her mom’s death, sixteen-year-old Libby lost control of her weight. The media negatively represented the Strout family after Libby had to be airlifted out of her home following a panic attack. After being dubbed “America’s Fattest Teen,” Libby was homeschooled for several years, but now she’s ready to return to public school. Shortly after re-enrolling, Libby is bullied for her weight and consistently receives hurtful remarks from peers. Despite the mean statements, Libby remains confident in herself, almost becoming empowered by their hate. 

Following a physical altercation between Jack and Libby, they are required to engage in an after-school Conversation Circle with the school counselor, Mr. Levine. During these meetings, Jack and Libby get to know each other and help each other in a variety of ways. Libby encourages Jack to seek an official prosopagnosia diagnosis from researchers at Indiana University, and Jack slowly realizes he is falling in love with Libby. By the conclusion of the Conversation Circle meetings, Jack and Libby discover how important their identity is, and that it doesn’t matter what anybody else thinks about them. They come to terms with this realization and manage to develop deeper relationships with those around them.

Jack and Libby narrate alternating chapters which occasionally include flashbacks. At times, the back-and-forth perspectives between the two characters can be confusing, but the author weaves them together so seamlessly, it allows the reader to see the emotions of both characters within a specific event. The author effectively uses flashbacks by including them during relevant parts of the plot, such as referring to the day that Libby was airlifted from her home. 

Jack and Libby are relatable in their own ways. Jack is terrified of being excluded, while Libby understands that people will hate her for her weight and chooses to ignore their comments and trust herself. Because Jack is obsessed with what others think, he can sometimes be annoying. Instead of talking to his friends and accepting help from others, Jack believes he should manage everything independently. Despite this, the relationship between Jack and Libby is sweet, and has a lovable moment when Jack is able to recognize Libby without having to use “identifiers.” 

Overall, Holding Up the Universe is well-written and enjoyable to read because it’s paced appropriately and has a plot that readers can connect to. The author effectively utilizes descriptive language to manipulate the emotions of readers to the point that it feels like they are experiencing the events through the characters’ eyes. Holding Up the Universe tackles complex topics that may not be suitable for younger readers, such as fat-shaming, bullying, depression, and peer pressure.

Holding Up the Universe speaks on empowerment, acceptance, and overflowing love, which makes it a feel-good read, but readers still learn about struggles common in high school. The overall theme of the novel can be identified as “seeing and being seen,” since the main characters struggle with identifying others and being respected for who they really are. If you’re ready for another story that explores the importance of accepting yourself, Dating Makes Perfect by Pintip Dunn and Mosquitoland by David Arnold should be added to your must read list.

Sexual Content 

  • There are multiple references to blow jobs and girls being undesirable as a sexual partner.
  • Libby is eager for her first kiss and talks about being hopeful to find a boy to “claim her body.” She also is fascinated by the anecdote about a woman losing weight by having “marathon” sex.
  • Jack discovers that his father is having an affair with a teacher.  Jack sees “a new, unopened email from Monica Chapman . . . and then I open it. And wish I hadn’t.” Jack then drafts a reply which reads “Dear M. If Jack is angry, it’s because of us . . . Maybe I should stop being so selfish. If I really loved you, I would end my marriage or at least come clean to my wife.”
  • On a date, Jack invites Libby to dance with him. Jack is “at first aware of every eye in the room on us, but then all the faces fade away, and it’s just Libby and me, my hands on her waist, all that woman in my arms.”
  • At a party, Caroline tries to coerce Jack to have sex. After removing her shirt, Caroline says, “I think I’m ready for it. . . with you . . . unless you don’t want to.” They do not have any form of sexual contact because Jack realizes, “I don’t love Caroline. I don’t even like Caroline.”

Violence 

  • There is a game known as “Fat Girl Rodeo” where players non-consensually jump on the back of a “fat girl” and try to hang on as long as possible. After Libby enrolls in high school, she becomes the target of the game. Jack jumps on her in the cafeteria, and Libby manages to “summon all the strength [she has] to peel him off like a Band-Aid.” Once Jack is on the ground, she punches him in the mouth. Jack’s “jaw feels knocked loose, like it’s somewhere in Ohio. I give it a rub to make sure it’s still attached, and my hand comes away covered in blood.” 
  • Jack sticks up for someone being bullied. When the group doesn’t back down, Jack “runs right into the herd of them . . . one lands in the dirt, and suddenly they’re not laughing anymore.” The bullies argue with Jack, and then Jack begins to throw punches. “Maybe because I’m angry. At everyone. At myself.” Jack continues to punch the bullies that come at him “even when his hand feels broken, even when he can’t feel his knuckles anymore.” This scene lasts four pages.
  • After a misunderstanding at a party, Moses Hunt tracks down and begins punching Jack. Moses’ “fists are coming at me too fast to duck, too fast to move. Over and over his fists make contact with bone, or maybe he’s not the only one swinging.” This fight lasts three pages.

Drugs and Alcohol 

  • Teens gather for a party and consume alcohol and weed. Jack drinks beer. After drinking several shots, he declares “my esophagus burns like I just inhaled gasoline.” Jack also smokes a joint “because maybe this is the secret of life . . . maybe this will give me answers. Instead, I end up coughing like an old man for a good five minutes.”

Language 

  • Insults and taunting such as “whore” are used toward the girls.
  • There is frequent swearing throughout the book, both casually and as insults. Profanity includes ass, bastard, bitch, bullshit, damn, douche, fuck, goddamn, hell, pissed, and shit.
  • Phrases such as OMG and oh my god are used occasionally.

Supernatural

  • None

Spiritual Content 

  • None

Five Survive

Six friends. One RV. Five make it out.

Red thought this would be a normal spring break road trip with her friends, Maddy, Simon, and Arthur. Maddy’s older brother, Oliver, and his perfect girlfriend, Reyna, come along as chaperones. But things start falling apart after the RV unexpectedly crashes, stranding them in the middle of nowhere with no cell service. Soon, it becomes clear that this was no accident. Someone had masterminded all of this.

A sniper’s voice in the woods tells them that one of them has a secret. Once that person confesses, they die; the rest go free. Alliances form and tensions rise, forcing Red to recall harsh truths about her past and come to terms with the fact that not everything in her life is as straightforward as it seems.

Red is an incredibly complex protagonist. Right away, it’s clear that there’s more to her than meets the eye. Her thought process is quite scattered, so readers initially only get small glimpses into her background but those glimpses are powerful enough to convey that her home life is quite rocky. When Red was in middle school, her mother was killed, leaving Red to take on household responsibilities while her dad was consumed by grief. Throughout the novel, she must work through the guilt related to her mother’s death. Red is a puzzle that slowly comes together as she and her friends work together, first to devise an escape plan and then to figure out which of them is the target. But is there a liar among them? Buried secrets will be forced to come to light and tensions inside the RV will reach deadly levels. Not all of them will survive the night.

While Jackson uses traditional third-person narration, every character is equally fleshed out and has a distinct personality. Each of them has a role, even if it may not be obvious at first. In the beginning, Oliver takes control and seems to be the unquestioned leader, but power dynamics subtly shift over time and each character has their moment in the spotlight. As each new piece of information is revealed, Red is forced to reevaluate her relationship with her best friend’s family. This creates a familiar experience for teenage readers who learn that their childhood perceptions of the people around them are not necessarily the full truth.

Jackson is a master at grabbing the reader’s attention and not letting it go for 400 pages. Pacing is maintained through multiple internal plots and sagas that all come together in the end; every story element is there for a reason. With each failed escape attempt, Jackson raises the stakes impossibly high, creating delicious suspense. Characters must grapple with their sense of right and wrong, and question what they think they know about themselves and the people closest to them. Five Survive will stay with readers long after they finish the final page. Although it’s action-packed, it’s also a fascinating glimpse into human psychology, examining what drives people to make the decisions they do and keep the secrets they keep. Jump into another suspense-filled thriller by reading We Were Liars by E. Lockhart or The Agathas by Kathleen Glasgow & Liz Lawson.

Sexual Content 

  • A few sexual “that’s what she said” jokes are made. 

Violence 

  • Oliver and Maddy’s mother is an attorney who is currently involved in a case related to a conflict between two gangs. When describing the case, Oliver mentions some violent altercations. “At the end of August last year, one of the leaders, Joseph Mannino, was killed by another, Francesco Gotti. Allegedly, I should say. Shot him twice in the back of the head.”
  • After the RV breaks down, the six hear a loud noise outside. When they go outside to investigate, a rifle is shot. “A crack in the darkness, louder now that she was outside with it. Red flinched, hands up to her ears, and the red dot wasn’t there anymore. But there was something else. A splintered hole in the RV. Not the size of a fingernail. The size of a bullet.” This scene occurs over two pages.
  • In an internal flashback, Red remembers reading a graphic description of how her mother, a police officer, was killed. “Mom on her knees. Begging for her life…On her knees, terrified, knowing what was about to happen. And then it did: two shots to the back of the head. Killed with her own service weapon.”
  • The six devise an escape plan using reflections in a mirror. The sniper would shoot at the reflection, thinking that one of them was coming out, revealing where the sniper was hiding and allowing them to run in the opposite direction. As predicted, the sniper shoots: “Behind Simon, there was a splintered hole in the wooden base of the dining booth, where the bullet had struck through after the mirror, probably out the other side of the RV back into the dark night. Through glass and wood and wood and plastic and metal. Skin and bone would be nothing in its path.”
  • An elderly couple, Don and Joyce, drive by and, noticing the broken down RV, offer to help. The sniper communicates via walkie-talkie that the six have to drive them away; if they ask for help, the couple will be shot. Oliver slips them an SOS note despite protests from the other five, and the sniper kills them. “Crack. Too quick. Joyce folded sideways onto the road, a space where the middle of her face had been…Crack. A plume of blood in the headlights. A gaping hole in Don’s face, beside his forever-open mouth. He fell slowly, knees buckling first, crumpling backward over his legs, bent all wrong. Empty stare up at the stars, a halo of red pooling on the road.”
  • Oliver describes a bar fight he was in a few months before. Someone was hitting on his girlfriend, Reyna. Oliver describes, “So I pull Reyna away from the guy and I tell him to leave her alone. And then this guy loses it. He shoves me and I’m asking him what his problem is. And then he hits me, punches me right in the face…So I did what any other guy in the situation would do: I hit him back. And maybe it was too hard, I don’t know. But I think the guy gets knocked out. He falls back on the pavement and, you know, he’s breathing heavy like he’s unconscious. He’s not bleeding out or anything.” It is later revealed that this person died a few days later as a result of this incident.
  • Thinking that Arthur is the one with the secret, Oliver attacks him, demanding a confession. “Oliver slapped a hand down on the kitchen counter beside him and then he charged, wrapping his hands in Arthur’s shirt, driving him backward.” This incident continues over four pages, with the fight described between interludes of dialogue.
  • The sniper shoots Maddy in the leg when she tries to get to Don and Joyce’s abandoned car to get help, and the five work together to stop the bleeding as best they can. This is the focus for seven pages; Maddy’s injury is referred to throughout the rest of the novel.
  • The police arrive and chaos ensues. Multiple people are shot and Oliver threatens to set fire to the RV. “Red’s hands jumped to her ears at the sound of the rifle, her eyes flickering from Oliver, lying dead still on the road, to Arthur clutching at this neck, to the police officer in front of her. But the woman wasn’t looking at Red. She was looking at the dark shape of the walkie-talkie in Red’s hand. It must have been instinct for her too. Her gun flashed. A tiny firework. Something stung Red in the chest, breaking through…Her hand cradled her chest, pressed against her dark red shirt. Her fingers came away and the red came away with them.” Several people are injured, but only Oliver dies. This scene lasts six pages.

Drugs and Alcohol 

  • A few references to drinking and being drunk are made. For example, Simon sits down awkwardly next to Red, who remarks, “You’re drunk already? I thought you only had like three beers.” When he moves closer, she “smells the sharp metallic tang on his breath.”

Language 

  • Profanity is frequently used, mostly variations of “fuck” as well as a few instances of “shit” and “ass.”
  • “Oh god” is rarely used as an exclamation.

Supernatural

  • None

Spiritual Content 

  • None

Out of Sight, Out of Time

At the end of the last school year, Cammie decided to leave the Gallagher Academy. The Circle of Cavan will not stop trying to kidnap her until they get the answers they need, and the people around her were in constant danger because of it: Bex, Liz, Macey, and Zach. Cammie will not allow anything bad to happen to them. In order to protect the people she loves most, Cammie decides to spend the summer holiday following in her father’s footsteps and hunting for the Circle. 

Then Cammie wakes up in a remote convent in the Alps. Her body is weak and covered in wounds. Her hair is short and midnight black. And tomorrow is the first of October.  

Cammie is whisked back to school, but she remembers nothing—nothing—of what happened over the summer. Did she find any answers? Was she captured by the Circle of Cavan? Her mother and teachers beg her to let it go; they warn her there are things she may not want to remember. But Cammie can’t let it go. Bit by bit, she begins to piece together what happened last summer. And the more she does, the bleaker the future becomes.  

Out of Sight, Out of Time diverges from past books as it wades deeper into the mystery that has surrounded the Circle of Cavan. Less focus is given to Cammie’s school as Cammie struggles with confusion, feeling lost, and how her friends and Zach were changed by her disappearance. After she returns to school, Cammie’s state of mind is questioned by everyone—herself included. At times, the first-person point of view takes on a dreamy quality, as Cammie gets sucked back into the trauma of what happened last summer. Though it is implied that Cammie was tortured, there are no graphic descriptions of her experiences.  

Since it has a different feel from the previous books, readers will either love or hate Out of Sight, Out of Time. As she pieces together a frightening picture of her summer, Cammie’s fragile mind leads her to doubt if she can trust herself. However, it is easy to relate to Cammie’s struggles with her friends, who are mad at her for leaving them behind. The mysteries built up over the last several books slowly fall into place, queuing this series up for a dramatic showdown in the next and final book in the series, United We Spy 

Out of Sight, Out of Time has high stakes, suspense, action, and mystery galore. All our favorite characters are back, including Macey’s friend Preston Winters. From Rome to the Alps, Cammie will stop at nothing to find answers, to fix whatever went wrong last summer, and to finally finish her father’s mission.  

Sexual Content 

  • When Zach and Cammie reunite after the summer, Zach kisses Cammie. “Zach’s lips found mine. His hands burned as they left my arms and moved through my hair, bracing the back of my neck . . . And then he kissed me again, and the kiss was all that mattered. He pulled back, traced his lips across the tender place on my head.”  
  • When Zach and Cammie split up on a mission, “he squeezed my hands and kissed me gently. ‘For luck,’ he said.” 

Violence 

  • When a teacher startles Cammie, she reacts instinctively. “It felt like someone else who was turning, grabbing the hand, and kicking at the leg closest to me. That girl was spinning, using gravity and momentum to push the two-hundred-pound man toward the railing.” Later, she sees the bruise marks that she left on the man’s neck.  
  • A sniper aims for Cammie but hits a teacher, Dr. Steve, instead. His blood splashes Cammie. “I’d never realized how pale Dr. Steve’s skin was until it stood in contrast to the red blood that was oozing down his arm.” Dr. Steve survives.  
  • Then, Cammie kills the mysterious sniper, who was about to kill Bex. “Bex lunged, striking the man, but he didn’t fall. And as he shifted his weight, Bex crashed to the ground . . . She tried to block the blow, but the man was so strong. And the next thing I knew, there was a splatter of blood and Bex was screaming, her face a mix of shock and fear and . . . relief as the man fell to the ground and didn’t move again. The gun was in my hands. My finger was on the trigger.” The struggle takes place over two pages.  
  • A man guides Cammie to an alleyway where the Circle is waiting to ambush her. When Cammie realizes it is a trap, she “was already spinning, kicking him to the ground, knocking his head against the stone wall and starting to run . . .” The fight to escape takes place over seven pages. 
  • During the fight to escape, Cammie’s car crashes. “My head snapped, and the car spun. I was faintly aware of the sensation of being weightless and then rolling, over and over. The crunching metal made a sickening sound. Shards of glass pierced my skin.” Cammie is shaken up with some cuts, but otherwise is okay.  
  • Cammie flees from Zach’s mother, leader of a splinter group of the Circle. As Cammie flees, she “felt a blow to my back. I fell, crashing against an outcropping of rocks . . . my right arm slammed against the ground. Pain shot from my elbow to my shoulder as if lightning had struck.”  

Drugs and Alcohol 

  • None 

Language   

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

Breaking Time

When a mysterious Scotsman suddenly appears in the middle of the road, Klara thinks the biggest problem is whether she hit him with her car. But, as impossible as it sounds, Callum has stepped out of another time, and it’s just the beginning of a deadly adventure.

Klara will soon learn that she is the last Pillar of Time—an anchor point in the timeline of the world and a hiding place for a rogue goddess’s magic. Callum believes he’s fated to protect her at all costs after being unable to protect the previous Pillar, his best friend, Thomas. For a dark force is hunting the Pillars in order to claim the power of the goddess—and Klara and Callum are the only two people standing in the way.  Thrown together by fate, the two must learn to trust each other and work together. . . but they’ll also need to protect their hearts from one another if they’re going to survive.

Since the death of her mother and moving to Scotland, Klara’s life has been turned upside down. Things only get worse when Callum arrives. At first, Klara doesn’t believe he has traveled from the past nor does she understand the strange powers that have manifested through her. While many readers will relate to Klara’s grief and her inability to be honest with her father, Klara is not a very memorable character. Even after a man steps out of a mist and tries to kill her, Klara is still unwilling to believe Callum’s story. This conflict takes too long to resolve and slows the story’s pacing.

Breaking Time introduces many ancient Gods as well as some lore for the Fair Folk; however, some of the story’s magical elements are inconsistent. For example, while one goddess is only able to appear to Klara at a mystical site, another appears to her through a dream, and demon monsters can appear anywhere. Since Klara doesn’t understand her powers, she goes on a quest to different mystic sites in an attempt to understand them. At each place, she learns more about herself and what it means to be a Pillar. Unfortunately, the story’s worldbuilding is lacking and the magic elements are inconsistent which causes confusion.  In addition, some of the people and events are not clearly connected to the central conflict. To make matters worse, the conclusion is ambiguous and doesn’t wrap up any of the conflicts, which many readers may find frustrating.

Unfortunately, Breaking Time’s unremarkable protagonist and inconsistent worldbuilding make the story difficult to enjoy. Readers who have some previous knowledge of Scottish folklore may still find Breaking Time an interesting read; however, readers who have no previous knowledge of Scottish folklore may want to leave the book on the shelf. If you’re looking for a time-traveling romance, Time Between Us by Tamara Ireland Stone and the Ruby Red Trilogy by Kerstin Gier both have mystery, excitement, and some swoon-worthy scenes.

Sexual Content

  • Klara sees Callum watching for danger. Klara goes to him and Callum “took her waist between his strong hands, pulling her close. In a swift movement, he turned Klara so that her back was against a nearby tree. His body flush against hers. She could feel every inch of him. . . His lips pressed hungrily against hers, and she grasped the nape of his neck, wanting him closer. . . Their lips danced. She willed him to move faster, harder against hers. Her tongue dipped into his mouth and he moaned at the contact.” The two do not go further. The scene is described over a page.
  • After kissing Klara, Callum thinks about how “He had only kissed one girl before.”
  • After a near death experience, Klara tells Callum to kiss her. “His lips descended on hers, slow and meaningful. . . He slid the palm of his hand down to the back of her neck, she shuddered.”
  • Klara told Callum that she could send him back to his own time. He refuses her offer. Then, “his lips found her hairline and lingered there. He felt her palms up his back, felt his muscles tighten in response to her touch. . . Klara wanted him here, too. . . Everything that was fierce and gentle in Callum flowed out of his touch and into her . . .” They stop kissing when they are interrupted. The scene is described over a page.
  • While listening to a band and dancing, Callum “pulled her even closer, lifting her so she was on her toes. . . She pushed her fingers into his hair. He moaned, feeling euphoric. His lips descended to hers.” The kiss is described over half a page.

Violence

  • To pay for their meals, Callum and his friend, Thomas, fought in a local pub. Callum recalls one fight when “Thomas got pummeled. . . Sounds still rang in Callum’s ears: the thud of fist and flesh, the sickening crunch of bone.”
  • One night, Callum comes across Thomas lying in the street. “Thomas lay on the ground, his legs splayed at sickening angles. Blood seeped through his shirt. . . [Callum] pressed his hands against the deep slice that marred his friend’s torso. A knife wound.” 
  • While Callum kneeled next to Thomas, his “world flipped sideways. A blow had hit Callum like a runaway carriage. . . pain exploded along his ribs.” Thomas’s killer steps out of the shadows and “Callum didn’t see the blow coming, only felt the pain searing across his temple as he was thrown to the ground again.” 
  • During the fight, the man stabs Callum. “Callum touched his side, and his fingers came away with blood. He watched as crimson spread across his shirt. . . He tried to take a step, only to crumple to the ground beside Thomas, whose head rested limp against his chest.” Callum passes out. When he awakens, he is in another time period and he assumes Thomas is dead. The fight scene is described over four pages. 
  • A man steps out of a fog and grabs Klara’s throat. “He squeezed tighter, making her sputter. Her lungs worked fruitlessly, burning and straining like her ribs had been welded shut. He was trying to kill her. Was killing her.” Callum jumps to Klara’s aide and “ lunged forward and sunk his dagger into the man’s thigh. . . crying out in pain, the man released his grip slightly, allowing Klara to pull out of his grasp.”
  • While fighting the man, “A powerful burst of energy exploded inside [Klara], moving in electric waves outward from her chest into her limbs. Her fingertips felt like live wires. . . it suddenly sparked into a bright, white light that wiped away everything else.” Klara’s power sends the man into a different realm. The fight scene is described over four pages.
  • A beast appears “standing as tall as a horse and twice as wide, it bore the head of a snake, the form of a panther, and the cloven hooves of a demon.” The beast corners Klara, and Callum comes to her aid. “The creature lunged at Callum. He threw all of his strength at the beast, ducking down and ramming his shoulder into its stomach. . . [Klara] slam[ed] her phone into the beast’s snapping jaws.” 
  • During the fight with the beast, “the monster swung its neck like an unbroken horse, throwing Callum head over heels into the nearest partition wall. . . His body exploded with pain.” While Callum is down, “The monster lumbered toward [Klara], its tongue lashing the air as its hideous head darted and swayed. Its monstrous skull smashed into Klara’s side and sent her sliding along the floor.”
  • As the fight with the beast continues, Callum “slammed the rock into the beast’s spine, the spot on the neck where the scales met fur. The monster shrieked in pain. . . its scaled back, [was] now slick with dark blood as the monster fell on its side.” After being injured, the monster turned into “a pile of dust on the floor.” The bloody fight is described over five pages.
  • While fighting in the pubs, if Callum had a bad fight, his master “would be so mad that the beatings wouldn’t stop until I did better in the next fight.”
  • While in the forest, a god in the shape of a stag appears to Klara. Soon, another monster appears and attacks the stag. “The stag was crumpled before her, his neck in the jaws of another beast. Familiar teeth sunk into the animal’s furred flesh.”
  • Once the stag is out of the way, the monster goes after Klara. The beast “snapped its head up from the stag’s neck, blood dripping from the pearly points of its teeth.” Klara ran, but “spit flew from its mouth and landed with a heavy smack on the tree, acid sizzling where it met the bark—right next to her face.” Eventually, “the leopard-like tail came around and pinned Klara against the tree. Splinters cut through the back of her jacket and into the soft flesh of her skin. She convulsed with a full-body shiver as its jaws opened.” 
  • During the fight, the stag recovers and charges the monster that has Klara pinned against a tree. Once free, “Klara grabbed the broken antler from the forest floor and rammed it into the beast’s eye. The black pupil sunk like putty around the shard, which shuddered violently in her hand the deeper she plunged it in . . . the beast shrieked then collapsed into darkly shimmering dust.” The fight is described over six pages.
  • Aion, a man who Callum has only seen once, follows Callum. When Callum confronts him, Aion refuses to answer any questions. “Callum’s knuckles sunk into Aion’s cheek and nose, glancing off bone. His cry was muffled by Callum’s fist. He drew his hand back, chest heaving. A line of dark blood trickled from Aion’s nostril and over his lip.”
  • While at a mystic site, another monster attacks Klara and Callum. “Callum crouched in front of the beast, sword raised. With a twist of her heart, she noticed the blood splashed across his leg. His limp. . . [Callum] lunged again, this time striking the beast’s neck with the broad side of the sword. Rearing its head, the beast cried out. Then, it swung down in a flash. . . sinking its teeth into Callum’s side.”
  • As Callum and the beast fight, Klara jumps in. “She grabbed the hilt and ran headlong toward the creature. . . leaping as high as she could, Klara bore down and drove the blade into the monster’s open mouth.” When nothing else works, Klara uses her power against the beast, causing the beast to dissolve “until nothing more than a shimmering curtain of gold dust remained.” The scene is described over four pages.
  • Four beasts that “looked as if they were plucked straight from the pits of hell” attack Callum. When the lead beast runs at him, Callum “dropped, flattening his body against the ground to avoid the snarling beast . . . One hand grasped the beast’s muzzle, the other the meat of its neck. Callum felt the crunch of its crooked and uneven teeth under his fingers as he tightened his grip, then used the beast’s own weight to swing it away—and let go.”
  • As the fight continues, “Callum fell to his knee and thrust the dirk upward, catching the creature’s soft belly with his blade. . . The terrible sound of ripping flesh filled his ears. Hot blood splattered in his hair and face. . .” 
  • The beasts almost overtake Callum when one of them “sunk its claw into the front of Callum’s chest. The bite of fang and flesh tore a scream from his lungs.” After Callum fights the beasts, Llaw, a demigod who is trying to kill all of the Pillars, appears and attacks. “Llaw was strong. He stole the remaining breath from Callum’s belly with a sharp kick, sending his body reeling like he had run full force into one of the standing stones. Pain flared in his injured shoulder. Callum fell to his knees. Llaw drove a fist into his chest.”  At the end of the six pages of fighting, Callum’s “vision faded, along with the beat of his heart.”
  • When Klara finds Callum’s body, she pleads to the god Cernunnos. However, Llaw appears. “Llaw’s boot slammed against her chest, pinning her to the ground. The hound by his side. . . crouched. With its sickening sharp claws carving up the earth as it moved, the creature inched toward her until its snapping, snarling jaw was nearly pressed against her throat.” Llaw “pressed his foot down on her chest until a rib snapped.”
  • Klara calls on her powers and is able to distract Llaw. Then, she swung her sword. “The hilt shuddered in her fingers as the blade met resistance—as it cut through the flesh and bone of Llaw’s arm. Then the sword was free again, a swatch of blood on silver the only evidence that she hadn’t missed.”
  • At the end of the fight, Klara stabs Llaw in the chest. “He shuddered violently, like he’d been pushed onto her blade. . . She felt his body go limp.” Klara and Llaw’s fight scene is described over seven pages. 

Drugs and Alcohol

  • Callum thinks back to a time when he had whisky at a pub.     
  • After Callum gets into a fight, Klara calls a doctor. The doctor assumes Callum is drunk. The doctor said, “this young man needs aspirin, water, and perhaps to reconsider his life choices, if he’s already this drunk so early in the morning.” 
  • Klara and Callum go to a bar to listen to a band. Other people are served beer.
  • Klara’s grandmother “smoked a joint every Christmas.”
  • Klara’s father talks about the night before he married Klara’s mother when they had champagne.

Language

  • Profanity is used infrequently. Profanity includes ass, bastard, crap, damn, hell, pissed, and shit.
  • Goddamn is used once.
  • God, oh my God, and Jesus are used as exclamations a few times. 

Supernatural

  • In the woods, Klara and Callum come across an area that looks like a fairy ring. Then, a fog begins to take form. “The air in front of [Klara] began to shimmer as if it was the height of summer—but the air turned suddenly cold. . . The mist grew thicker still with every passing second, until it was a curtain of light and shadow. . . Callum watched in horror as a hand emerged from the mist and reached for her.” A man steps out of the fog. 
  • The story revolves around Samhain, “a Gaelic holiday, similar to Halloween, celebrating the barriers of the human and spirit world thinning out on October 31 through November 1, allowing crossover from both realms.”
  • Callum learns that Thomas was visiting mystical centers. A man tells Callum, “Different centers are thought to be closer to different gods or different locations in the Otherworld. . . Some say energy flows at these sites – at these mystic centers, or thin places— especially at certain times of the year, or with specific celestial events, the power of which is beyond our understanding.”
  • If Klara concentrates, she can feel the “pull of the Otherworld.” While trying to understand her powers, Klara walks into a forest and a stag steps out of the mist. “She watched in awe as the stag fell away, its body transforming until the only thing that remained of the beast were its antlers” that “crowned a man.” The man is Cernunnos, the god of the wilds, of nature, and of life itself. He tells Klara that “my essence is connected to the soil, the leaves, the trees, the ocean.” 
  • Callum wants to find the “bean-nighe” who is part of the Fair Folk. The bean-nighe “appears to those she chooses, and those who will die.” To find a bean-nighe, Callum will need to go to a lake, take part of his shirt, “soak it in your blood, and leave it in the waters. With it, you must swear to leave your life—if the bean-nighe would so choose to take it.” When Callum follows these directions, he asks the bean-nighe for “the strength of ten men” so he can protect Klara.
  • Klara goes to a mystic site. While there, a “pearl of light” appears. “The pearl grew. . . the spin stopped abruptly, and it flattened in the air in front of her, casting her in a blaze of white. . . Klara cried out, at first in shock, then in agony. It felt like she was being scorched alive.” The light takes her through a vision of the past.

Spiritual Content

  • Arianrhod, the Goddess of the Silver Wheel is “a primal figure of female strength—often associated with the moon, she had dominion over the sky, reincarnation, and even time and fate itself.” The goddess appears to Klara and Callum. Arianrhod shows a vision to Callum. “The fog gathered around them again. . . A familiar form took shape in front of Callum’s eyes. His chest wrenched open with disbelief and wonder.” Callum is shown his friend Thomas, and Arianrhod explains that “Thomas’s life was precious—more precious than most of the humans who walk this earth. There was a power in his blood more valuable than any mortal treasure. . .”
  • The Goddess reveals that Callum’s friends, Thomas, and Klara are both “pillars.” Arianrhod divided her powers “amongst ten human souls that would be born into your world. . . Spread across the centuries, each of the ten chosen ones became a Pillar of Time, with my power sealed within their blood.” 
  • Arianrhod’s son, Llaw, is a demigod who is trying to kill all the Pillars so he can gain their power. The goddess explains that “Llaw has already taken the power from the other nine vessels, but my power can all be restored as long as you live past Samhain.” If Llaw isn’t stopped, chaos will reign and time itself will be destroyed.

Ghost Boys

When twelve-year-old Jerome Rogers is shot and killed by a police officer, his ghost watches his family and the world around him shake in the wake of his death. Upset and frustrated, he doesn’t understand why this had to happen–why a police officer would confuse a kid with a toy gun for a grown man, and why no one administered any medical care at the scene. Jerome is mad that this often happens to black folks like him. Then, Jerome meets another ghost boy named Emmett Till, who teaches him about the United States’ long legacy of discrimination against black people, and especially black boys.

Jewell Parker Rhodes’ Ghost Boys is a gripping story about violence, grief, and the devastation caused by systemic racism. Jerome laments about how he’ll never get to grow old, and that he has to leave his family behind. He witnesses the court proceedings deciding the fate of the police officer, and he sees his family’s reaction when the judge decides that there is not enough evidence for a trial. It is wholly unfair, and Jerome struggles with this unfairness throughout much of the novel. It is by Emmett Till’s explanation of history that Jerome learns he can still look after kids who have been wronged and that maybe we can take steps toward change.

A couple of people can see Jerome’s ghost and interact with him. His grandmother has some inkling that he’s there, but Jerome spends most of his time speaking with Sarah, the daughter of the police officer. She grapples with internalized biases, and they help each other understand that they can still create change for the better, even though their worlds are categorically messy. It is through Sarah and Emmett Till that Jerome comes to accept his death and realizes that sharing his story will hopefully help prevent events like this in the future.

Rhodes doesn’t hold back in Ghost Boys. Although this book details violence and tragedy, she does an excellent job using these details to move the plot along and help the characters grow. Her choice to include the historical case of Emmett Till is also well done, and Emmett’s inclusion in the book helps balance out Jerome’s other primary interactions as a ghost. 

Ghost Boys is an emotionally difficult book, and the target audience should be middle-grade readers and older readers who find themselves ready for this intensity. The tragedy of this book is not that it is violent, but rather that this is our unfortunate reality. The names of real-life black people killed by the police are scattered throughout the book, reminding us that this book doesn’t exist in a vacuum. For all the gravitas that Ghost Boys brings, it is an important read for understanding grief and compassion, and by the end, there is still a glimmer of hope that maybe people can change for the better.

There are many great book options for middle-grade readers who want to explore racism in more detail including  The Lions of Little Rock by Kristin Levine, A Good Kind of Trouble by Lisa Moore Ramée, From The Desk of Zoe Washington by Janae Marks, and The Parker Inheritance by Varian Johnson.

Sexual Content 

  • Jerome dreams about what it would be like for him to be able to grow up. On his list of things he would’ve done, he mentions, “Real is me having a girlfriend. (Maybe.)”

Violence 

  • The protagonist, Jerome, is shot and killed by police officers who mistook his toy gun for a real one. As a ghost watching himself outside his body, Jerome describes his body, saying, “Laid out flat, my stomach touching ground. My right knee bent and my brand-new Nikes stained with blood. I stop and stare at my face, my right cheek flattened on concrete. My eyes are wide open.”
  • Jerome’s Ma pokes him while emphasizing that she wants him to be educated. Jerome says, “Sometimes the poke hurts a bit. But I get it.”
  • Jerome is afraid of some bullies at school because they “like to dump [his] backpack. Push [him], pull [his] pants down. Hit [him] upside the head.” This is a common occurrence when Jerome describes his time at school. 
  • Jerome notes that the new kid, Carlos, is going to get a beating from the school bullies. Jerome says, “New students are beat-down magnets.”
  • The bullies attack Carlos in the school bathroom. Jerome describes, “Mike punches Carlos. He falls backwards. Then, Mike and Snap are both kicking Carlos. In the stomach. The head.” This scene continues for two pages. 
  • Jerome stands up to the bullies on behalf of Carlos, and Carlos pulls a gun on the bullies, surprising everyone. Jerome describes, “We all turn. Carlos has a gun.” It turns out later that it’s a plastic toy, and that’s how Carlos got it past school security.
  • Jerome doesn’t like seeing his mom upset. He says, “seeing Ma crying makes me want to crush, slam something into the ground.” He does not act on these impulses.
  • Jerome’s dad is upset over his son’s death at the hands of a policeman. While speaking with the rest of the family about the injustice, Jerome describes, “Pop’s fist slams the wall. The drywall cracks. I’ve never seen Pop violent.”
  • Many references are made to slavery and violence against black people in the United States. Jerome’s dad says, “Tamir Rice, 2014. He died in Cleveland. Another boy shot just because he’s black . . . No justice. No peace. Since slavery, white men been killing blacks.”
  • Sarah, the daughter of the police officer, can see Jerome’s ghost. She tells him that she’s sorry, and Jerome thinks, “If she wasn’t a girl, I’d think about hitting her.”
  • Ever since her dad killed Jerome, Sarah’s parents have been arguing. Jerome and Sarah both hear noise coming from downstairs. “A door slams. Sarah’s mom and dad are shouting. Glass breaks.”
  • Jerome becomes angry, and in his ghost form his “hand connects. Peter Pan flies across the room. The book hits the wall, drops to the floor.”
  • Emmett Till died in 1955. He was lynched by a group of men, and the scene lasts for two pages. Jerome watches Emmett’s memories, describing, “The husband fires the gun, sparks fly. Emmett’s spirit rises. With barbed wire, the men lash Emmett’s body to a large wheel. They drag, shove the wheel into the river. Watch it sink. Blood stains the riverbank.”
  • In one of the final chapters, the reader experiences Jerome’s death in first person. Jerome says, “Pain slams me. Two fire sticks are inside me. Burning, searing my right shoulder and lower back. What happened? What happened to me?” This description goes on for a couple of pages.

Drugs and Alcohol 

  • Jerome says that, “I know Ma will remind [Grandma] to take her blood pressure pill.”
  • Jerome describes a lot a few blocks away from his home. He says, “A meth lab exploded there and two houses burnt.”
  • Jerome describes some drug dealers who happen to deal two blocks away from his school. He says, “drug dealers slip powder or pill packets to customers, stuffing cash into their pockets. Pop says, ‘Not enough jobs, but still it’s wrong. Drugs kill.’”
  • After killing Jerome, Sarah’s dad “drinks, stares at the TV.”

Language 

  • Mild language is used occasionally. Terms included are stupid, dumb, and crazy.

Supernatural

  • Jerome dies and becomes a ghost, watching over his family for much of the book.
  • Jerome meets Emmett Till’s ghost, who was a real-life boy who was killed in 1955.
  • From Sarah’s window, Sarah, Emmett, and Jerome can see “a shadow. Then, another. And another. Another and another. Hundreds, thousands of ghost boys standing, ever still, looking up, through the window into our souls.” It is then clarified that these are the ghosts of thousands of black boys who have been killed.

Spiritual Content 

  • Grandma has “premonitions . . . worries about bad things happening.” She tells Jerome that she receives these premonitions in the form of bad dreams.
  • Grandma has superstitions, and Jerome states that she likes to do things in threes because it’s “Grandma’s special number.”
  • Grandma tells Jerome, “Three means All. Optimism. Joy . . . Heaven, Earth, Water. Three means you’re close to the angels.”
  • For Jerome’s funeral, Reverend Thornton makes an appearance. He says to Jerome’s family, “We should pray.” To this, Jerome’s dad says, “What for? Jerome’s not coming back.”
  • Grandma expresses her belief in spirits and the afterlife, saying, “Every black person in the South knows it’s true. Dead, living, no matter. Both worlds are close. Spirits aren’t gone.” Her words are dismissed by the reverend and by others as mere superstition. 
  • Emmett Till talks about his mother’s beliefs, saying, “‘Family and faith,’ that’s what mattered, she said.”
  • Jerome’s grandma has an altar to her late husband. Jerome describes, “Every Sunday, Grandma lights candles and talks to a picture of Grandpa in a sailor’s uniform.”
  • Carlos tells his dad that he “wants to honor Jerome” on Day of the Dead. The Day of the Dead ceremony goes on for a chapter.

Contingency Plan

When Sandra Sinclair, recently widowed and the mother of twelve-year-old Jane, meets wealthy lawyer Joe Gillette, he wins her over with his kind and conscientious attitude. Falling in love faster than she ever thought possible, Sandra agrees to marry him. But soon after they move into their new home, things begin to change, and Joe’s controlling behavior causes Sandra to question her decision. When her new husband becomes seriously abusive, Sandra decides she and Jane must leave.

When Joe makes it clear that he will not just let Sandra walk away, she discovers it’s quite likely Joe arranged his first wife’s death and that Sandra is now part of his “contingency plan.” She soon realizes that even the law is no defense against this meticulous and egotistical man. Fleeing to an old family cabin on a remote lake, mother and daughter prepare to live off the grid. But when Joe tracks them down, Sandra must come up with a contingency plan of her own.

Contingency Plan is part of the Orca family of Rapid Reads books which are intended for a diverse audience, including ESL students, reluctant readers, adults who struggle with literacy, and anyone who wants a high-interest quick read. Since Contingency Plan focuses on Sandra, who was recently widowed, younger readers may have a difficult time connecting to her. While readers will empathize with Sandra’s grief, she is not necessarily a dramatic character that will keep readers’ interest. Much of the story is told in the past tense, which limits the suspense, and the ending of the book is anticlimactic and unsurprising. 

Some teen readers may reach for the book because they are interested in Sandra’s daughter. However, Sandra’s daughter rarely plays an active role in the story, which makes it difficult to emotionally invest in her. Plus, Joe has very little interaction with Sandra’s daughter. 

Even though Joe is very controlling, his abusive behavior is rarely physical, which may lead some readers to wonder why Sandra feels she cannot stay with him. Unfortunately, Contingency Plan isn’t a compelling story and fails to teach any life lessons. Reluctant readers who are looking for a story that focuses on family and will appeal to teens have many good options, including In Plain Sight by Laura Langston and Tell by Nora McClintock.

Sexual Content 

  • Sandra goes on an overnight trip with Joe. While having dinner, Joe smiles at her and Sandra proclaims, “the chemistry took my breath away. But it was more than sexual attraction.” Later, his “tender mouth nuzzled my ear, sending a tingle to forgotten places. . . We wouldn’t need that second bedroom tonight.” 
  • After being married for a while, Joe says that Sandra treats sex “like a chore.”
  • Even though Sandra is beginning to hate Joe, she feels that she has to pretend like she loves him. One night, “our lovemaking earned a solid-gold Oscar for me. For him, the usual silver star for excellence. My body responded in spite of itself.”

Violence 

  • Joe gets angry at Sandra. Sandra describes, “he gave me a shake that rattled my teeth. But he didn’t slap me.”
  • A private detective investigates Joe because while backpacking in the wilderness, Joe’s first wife died. Some people believed Joe intentionally got lost and caused his wife’s death. 
  • Sandra takes her daughter and hides out in an old hunting cabin. Sandra knows Joe is in town asking questions, so she comes up with a plan to kill him. When Sandra hears Joe’s snowmobile, she jumps on her own snowmobile and drives towards a partially frozen lake. Both Sandra and Joe break the ice and fall into the freezing water, but because she is prepared, Sandra is able to make it out. “He bobbed to the top. . . Joe’s gloved hand flipped up his visor and he splashed. ‘Help me! For god’s s-sake, S-sandra,’ he splashed.” Sandra leaves him in the water and thinks, “At 15°C, it wouldn’t take long for the ice to refreeze.” 

Drugs and Alcohol 

  • Joe and Sandra drink champagne several times.
  • After getting married, Joe and Sandra have dinner with the family. One woman gets “tipsy” while “the wine and brandy were making everything a bit unreal.”
  • After their marriage, Joe often drinks alcohol. 
  • When running from Joe, Sandra stays in a cheap hotel where someone has a drunken party.
  • On a long trip, Joe takes amphetamines to keep awake.

Language 

  • Hell is used three times. For example, after looking at Sandra’s computer chat history, Joe yells, “What the hell are you doing gossiping on the computer with those bitches?”
  • Joe tells Sandra, “I have every right to know what my goddamn wife is up to.”
  • Joe calls Sandra’s car a “shitbox.”
  • Bullshit is used once.

Supernatural

  • None

Spiritual Content 

  • After getting married, Joe says, “May God hold you in the palm of his hand.”
  • After going on her honeymoon, Sandra tells her dead husband, “Thanks for your blessing, Andy.”
  • Occasionally Sandra prays simple prayers. For example, after lying to Joe, Sandra “prayed that [Joe] couldn’t feel my heart breaking out of my chest.”

Now is the Time for Running

In the poor village of Gutu in Zimbabwe, Deo and his family live in one room. The people of his village are starving and struggling. Deo doesn’t even have a proper soccer ball to play with – just a bag of leather and twine – but this village is the only place he’s called home. When government soldiers destroy Gutu for housing “dissidents” suddenly Deo has lost his family, his home, and his happiness all at once. Deo’s mentally disabled older brother, Innocent, is his only remaining relative. Deo must get Innocent to safety in South Africa, but the journey to a better life is harder than he could ever imagine.

First, Deo and Innocent leave Zimbabwe. As they travel, they see a country torn apart by the government’s purge of dissenters. They narrowly escape run-ins with soldiers and travel through dangerous wilderness to cross the border. They spend some time at a farm, but danger arises when the local workers don’t like that refugees have stolen their jobs. The promise of a better, safer life lies in the city of Johannesburg. Once again, Deo and Innocent uproot themselves and travel to the city.

However, Johannesburg doesn’t turn out to be the haven they heard about. Instead of fighting against the government, the people in South Africa are fighting each other. Groups of radicals are calling for “foreigners” – the refugees from other African nations – to go home or be eradicated. They destroy refugee-owned shops and ruin their homes. During one of these raids, Innocent is killed. 

Without his brother, Deo doesn’t know what to feel. In fact, he wants to feel nothing at all. The book resumes almost two years later with Deo addicted to drugs and living on the streets. His life changes by chance when a soccer coach sees Deo’s skill with the ball, and suddenly Deo is given a place to sleep, warm food to eat, and a reason to live: playing soccer.  

At first, his team is a far cry from a family. Deo thinks they come from too many different places to understand each other. However, Deo’s coach convinces them that their strength lies their differences. They play successfully at the Street Soccer World Cup, also known as the Homeless World Cup – a competition that brings refugees and street kids together for the chance to change their lives. The story doesn’t reveal how the final match ends, but for Deo, his new life is just beginning. 

Inspired by true events, Now is the Time for Running is a journey of displacement through the eyes of a young man. Deo tells it like it is – he doesn’t shy away from the situation in Zimbabwe despite how much pain it causes him. It’s necessary to note that this book does not shy away from the horrors of civil war, poverty, and intolerance. While this book is not for the faint of heart, the lessons and truths it brings to light are meaningful and powerful. As a narrator, Deo goes through more in a few years than many people suffer through in their whole lives, but this doesn’t make him less relatable. Deo wants to protect the people he loves and to be happy – goals that anyone can relate to.

The first lesson of this book is clear: Deo never gives up. His unrelenting goal to protect his brother and escape the disastrous situation in Zimbabwe shows that he is continuously determined to have a better life. Even after Innocent dies and Deo struggles with addiction, he gets back on his feet through the soccer program. Despite great odds, Deo shows that people can always make the choice to persevere towards their goals. 

The other main theme of the story is not as apparent, but it’s one of the reasons readers see repeated instances of violence as Deo searches for a new place to call home: The “us vs. them” mentality. While present throughout the whole book, such as when the soldiers massacre the people of Gutu or when Innocent is killed in the anti-refugee riots, this issue comes to a head in Deo’s soccer team. After fighting breaks out amongst the teams, Deo’s coach teaches them that the true strength lies in their differences. The coach says, “Each of you brings something special to this team. Zimbabwe has brought me guts and determination; from Kenya, I get lightness and speed; from Mozambique, superb ball control and agility. . . It is because we are not the same that we are stronger than any other team in this competition! All of you have learned to play soccer in different parts of Africa. Our combined playing style is like no other in the world.” Once the team listens to the stories of their fellow teammates, they understand that they all have suffered, but they can all move forward together. 

Now is the Time for Running is a powerful book that teaches that strength does not lie in forcing everyone to be the same; it comes from accepting that everyone’s differences bring something new and unique to the table. Readers who want to learn about history through the eyes of an athlete should also read The Berlin Boxing Club by Robert Sharenow.

Sexual Content 

  • The guards punish Innocent by taking his clothes away. When Deo rescues him, Innocent throws a fit about being naked, but Deo convinces Innocent to come with him by saying that the soldiers might take both their clothes. “We don’t want the soldiers to come back and take my clothes too. Then we’ll both be naked. . . Can you imagine everyone laughing at our butts and our balls bouncing around?” 
  • One of the women that Deo and Innocent stay with is a sex worker. 
  • Two of the soccer players, T-Jay and Keelan, have a short exchange. When T-Jay says Keelan has a “cute butt,” Keelan gives him the middle finger. 
  • Innocent always carried a condom. Keelan says, “Perhaps your brother knew more about sex than you think.” Deo replies, “Innocent didn’t like girls much. He saw safe-sex ads everywhere, and he thought that condoms would keep him safe from girls.”
  • During a game, Deo describes, “Keelan. . . scored her third goal and headed straight to me. I was sitting on the bench when she threw her arms around me and kissed me on the cheek.”

Violence 

  • Deo punches a kid named Pelo who calls him crazy on the soccer field. “Pelo does not have the chance to finish what he’s saying because he has to deal with my fist in his mouth. . . ” Another kid pulls Deo away before the fight continues.
  • When Deo sees soldiers carrying guns, he thinks about the damage guns can cause. “I have seen a cow cut in half from a burst from one of those guns.” 
  • Deo knows stories about the violence brought by the soldiers. The soldiers “went to Chipinge when the people were angry from hunger, so angry that some of them were killed. Auntie Aurelia told us that her niece was one of those who were hungry. She did not say how she bled to death.”
  • Commander Jesus comes to Deo’s village, Gutu, to kill dissenters of the government. Commander Jesus says, “In the back of my jeep there is a drum filled with blood. The blood came from people who voted wrongly. My life is to drink human blood. My supply is running low. I have come here to kill dissidents. . . You are going to eat eggs, after eggs hens, after hens goats, after goats cattle. . . . Then you are going to eat your children. After that you shall eat your wives. Then the men will remain, and because dissidents have guns, they will kill the men and only dissidents will remain. That’s how we will find who they are, and then we will kill them.” 
  • The soldiers and Commander Jesus hurt Grandpa Longdrop. Deo witnesses “an awful crunch and [I] see Grandpa Longdrop collapse in front of me. His eyes look dazed. He tries to get up, and I try to reach him to tell him to stay down, but then Commander Jesus kicks him. He crumples.” 
  • Deo’s mentally disabled brother, Innocent, comes to defend Grandpa Longdrop. “Innocent runs screaming toward Commander Jesus with a stick raised high above his head. He cracks it down on Commander Jesus’s outstretched hands.” The soldiers attack Innocent. “The soldiers beat Innocent with their rifle butts. What is worse than the sound of wood against the bones of your brother?. . . Innocent does not cry. He lies like a baby, curled up, his hands and arms covering his head. . . Innocent is pulled to his knees. His face is crooked, his eyes black balls. Blood trickles from his broken nose.” Innocent later recovers from these injuries.
  • Commander Jesus has the soldiers beat all the residents of Gutu. “The soldiers beat us as we lie on the ground. . . Useless hands against hard sticks. Elbows cracked. Heads smacked. Screams. Flashes of wood. Soldiers grunting. And pain. Lots of it.” 
  • After the beating, Deo assesses the townspeople’s injuries. “Grandpa Longdrop lies on the ground, his head in my [mother’s] lap. Sometimes he groans, and sometimes he is so quiet that I am afraid that he will never wake up. . . The backs of my legs hurt where the soldiers’ sticks fell, but this is nothing to what others have suffered. One of Lola’s brothers has a broken arm. Bhuku’s [mother] has a split in her head that bleeds and bleeds. Shadrack’s little sister could be dead.”
  • The soldiers pull a truck driver out of his car and kick him before letting him run away.
  • The soldiers take Innocent as punishment for hitting Commander Jesus. Deo finds him later. “A naked body is lying in the middle of the [cattle pen]. The man’s wrists are tied to pegs in the ground. His ankles are tied to the end of a log that stretches his legs wide apart. There is a sack over his head. . . I notice ants crawling all over his body. . . There is dried blood at the side of his mouth, his nose is broken, and his eyes are all puffy.” Innocent says the soldiers also peed on him.
  • The soldiers end up killing everyone in Deo’s village. “Gunshots rat-a-tat-tat across the valley. . .I crawl forward into the noise of people dying. The soldiers are shooting. People are running away. Some are falling. Now the soldiers hold their guns as if they mean business. Their guns bark, come alive in their hands, their bullets rip into the earth, the walls, trees, pots, chairs, and flesh. I watch. I am too afraid to turn away. People scream; their cries are cut in half by bullets.” 
  • Deo finds his mother (or “Amai”)  and Grandpa Longdrop among the dead villagers. “Amai is lying face down. Her arms are thrown out in front of her as if she is trying to grab something out of her reach. Her back is covered with a damp patch of blood. . . I find Grandpa Longdrop. He stares up at the sky. His mouth is open. He does not look like Grandpa Longdrop anymore. I find Shadrack. Dead. There is Lola. Blood where her face should be. Her brothers are lying not far away.” 
  • During a soccer game, Deo gets angry and kicks a boy named Aziz. “I charge [Aziz] from behind and deliberately kick his ankles. He falls, and the players on his team shout at me.. . . Aziz gets up, inspects his knee. It’s bloody.”
  • When crossing the border, two of the men in the group climb an electric fence and are electrocuted. “The two men run ahead, faster than us. They are the first to reach the fence. They start climbing. . . The wire fizzes, crackles, and the men shriek and fall to the ground as the electricity burns them.” The men are dazed but recover. 
  • An anti-refugee gang pulls a shopkeeper named Ahmed from his store and beats him. “Hands grab Ahmed and pull him onto the street. He screams as many sticks fall on him. . . Ahmed’s white robes turn red with blood.” It’s unknown whether he lives or dies.
  • Deo finds Angel, a sex worker, beaten up by one of her clients. “Angel is covered with blood, beaten. She lies on her bed, curled up in a ball. Her face is swollen. . .” Angel explains that her clients “were tired of paying a kwerekwere [a foreigner]. They wanted it for free.”
  • Deo finds Innocent’s dead body on the ground during an anti-immigrant raid. “I see the shape of a human head, lying on its side. The shape of an arm and a hand. . . I reach the body of my brother, facedown on the ground, covered with rubble.”
  • A refugee named Muhammad commits suicide by jumping into the ocean. “Muhammad had had enough of what he called a life without hope and without country. . . so he chose to run to the blue horizon. [The police] sent out a boat to fetch [Muhammad], but they never found him.”
  • While playing soccer, T-Jay and Deo get in a fight. “T-Jay lashed out at me with his elbow. The blow caught me squarely between the eyes, and for a moment I thought I was going to fall down. But instead of taking me down, it was like a switch that flicked on inside me. My fist found its way up T-Jay’s nose and my knee said hello to his balls. . . he got in quite a few good punches before my nose started bleeding. I stopped kicking T-Jay only when I heard [the] whistle bursting my eardrum.”
  • Keelan explains how she ended up in South Africa. Soldiers came to her town to punish the people who had voted wrongly. Her father, the community leader, was killed. Keelan says, “they had chopped off his arms with a machete.” 
  • T-Jay shares his story too. His father lost his foot when he stood on a landmine. T-Jay’s father “couldn’t work anymore, so he stayed at home. He beat the crap out of me until the social services took him away.” 

Drugs and Alcohol 

  • Captain Washington, a family friend of Deo, drinks after he learns Deo’s mother is dead. Captain Washington “brings back a bottle of booze. He pours himself a drink and swallows it quickly…At least when he drinks, he is no longer crying.”
  • After his brother dies, Deo gets addicted to sniffing glue, a common addiction for street kids in South Africa. Deo says, “the glue makes everything weightless.” He also calls it the “magic tube.” Deo talks about getting high off glue and the withdrawal symptoms, which include vomiting and muscle aches. 
  • Deo notices that some of the other kids on his South African soccer team are also “glue-tube heads.”
  • T-Jay’s father was an alcoholic.
  • T-Jay says it’s too late for him to go back to school because he got into drugs.

Language   

  • The story contains some profanity. Shit is used a few times; damn is used three times.
  • Deo says fear smells worse than “dog crap.”
  • A rude man calls Mai Maria, a woman who helps Deo and Innocent cross the border, a “filthy Rasta woman.”
  • Angel calls someone a “bitch.”
  • The slur kwerekwere is used occasionally. It is a derogatory term for foreigners or outsiders. It is used by gangs of people who want to expel the refugees from their country.
  • The guy who sells Deo glue says, “get your ass down here.”

Supernatural 

  • There is a rumor that Mai Maria is a witch who eats children. 

Spiritual Content 

  • The Methodist Church is mentioned throughout the story because they sometimes provide food and shelter for refugees or struggling communities. Once, Deo stays in a shelter set up by the Methodist Church. 
  • Deo talks about Spirits. “Grandpa Longdrop says that there are two kinds of people, those who believe in the Spirits and those who don’t. . . I understand the Spirits of the Wind, the Spirits of the Rocks, and the Spirits of the Trees are all those who have died and live on in other ways. I understand that they watch over us, that they can sometimes be angry because we forget them. And it is said that when they are angry, they can sometimes punish us. But this thing of the beating [by the soldiers] is too big to blame on the Spirits. They would not allow such a painful thing to happen. If I believe in Spirits, why would I believe in something that causes such pain? Surely the Spirits had nothing to do with what has happened in our village.”
  • Deo sings an ancient Spirit song passed down by his family to prompt Innocent into a fit so they can distract a group of soldiers. “It is always terrible to see Innocent when he has one of his fits. . . People are afraid of Innocent when he becomes like this. They think he is possessed. They think that the Spirits have taken over his body.” The lyrics of the song are not included in the story.
  • One of the items that Innocent carried with him was a pocket Bible with a note inside from their father. The note reads: “To Innocent and Deo, This is not a book of laws but a book of love. It will always be your salvation.” 
  • The soccer team from the Philippines at the Homeless World Cup chants, “For God and for country!” 
  • Bishop Desmond Tutu, who has come to oversee the Homeless World Cup, thanks God and says to the players, “God bless you all!” 

All My Rage

In the humble and quiet town of Juniper, California, resides two Pakistani-American teens who are not just best friends, but family as well: Salahudin Malik, an aspiring writer who struggles to take care of the family motel as his mother’s health declines and his father slowly succumbs to alcoholism, and Noor Riaz, an intelligent and logical woman who dreams of becoming a doctor, yet has to hide her ambitions from her controlling uncle, who adopted her when her parents were killed in an earthquake in Pakistan. 

However, their friendship is compromised when the Fight breaks out between them, and their individual problems gradually worsen. Sal’s desperate attempts to save the motel and Noor’s determination to go to college lead to unforeseen consequences. Sal and Noor’s friendship rises and falls with each harrowing decision, all the while fending off the monsters that live in their past and the ones that live to this day.

Narrated in dual-POV, both Sal and Noor are engaging and complex—even though they have plenty of flaws. The teens are perfectly portrayed as realistic teenagers who are withstanding difficult lives. While trying to ensure his family motel remains competent, as per his dying mother’s wishes, Sal’s desperation and lack of proper judgment lands him in deep waters; this further compromises his friendship with Noor, who is sacrificing her own happiness to appease her selfish uncle by working at his liquor store. At such a young age, both teens must not only think for themselves, but also for their guardian/family as their living conditions and financial situations are not ideal.

However, the two protagonists shed an inspiring light with their determination—and especially their deep love and care for each other. When Sal finds out a disturbing fact about Noor’s uncle, he takes her out for the evening in order to distract her and ensure she does not undergo her uncle’s wrath anymore. Sal states, “She was always ready to run. Every day, she came to school wondering if this would be the day she had to get out. . . I should have seen. Done something.” He worries for her—just like Noor does for him, as she urges him to prioritize his impressive writing skills and make something out of it, instead of striving to save the motel and sacrificing his own dreams. 

Furthermore, Tahir perfectly exacerbates the problems delineated in this novel, such as racism, familial issues, the oppression of religion, and, of course, inner rage—specifically directed toward the unfair circumstances Noor and Sal are both placed in. Their character development is phenomenal, with them being naive and unsure in the beginning, and in the end, they’ve indubitably matured after undergoing numerous ups and downs in their personal and social lives. The plot development is extraordinary because the slow build-up to the climax, which hits the reader hard, perfectly exhibits how one really does not see the worst situation coming. It also depicts the true feeling of rage, and how—sometimes—the universe will compile loads of problems upon someone to no end. 

The story is more than enjoyable, what with Tahir’s effective storytelling and proper characterization of the two protagonists and the people they were surrounded by. The underlying message in this story is that home can only feel like home once you fit in. In this case, the two characters struggle indefinitely to do so — undergoing an infinite amount of distress and, eventually, rage as well. From there, the novel covers topics such as drug and alcohol addiction, Islamophobia, mentioning of repressed sexual assault, and death.

This awe-inspiring novel’s message is about the identity crisis that comes with belonging to two different cultures, especially for South Asian teenagers, as they often struggle with balancing their ethnic and nationalistic backgrounds. Someone from a background different from the characters’, or even the same, will learn that there are drawbacks, but also beauties involved in South Asian culture. They’ll also learn just how much these teenagers had to fight—just so they can feel like they belonged somewhere. Not only is this book adorned with a meaningful and captivating premise, but it has an impactful and emotional conclusion that will leave readers, especially those with a South Asian background, with a newfound understanding of young love, forgiveness, and inner growth. There is no doubt that Tahir’s razor-sharp writing and remarkable story will reside in all readers’ hearts from the first line. Readers who want to read another excellent book about teens with complicated family lives should read The Astonishing Color of After by Emily X.R. Pan.

Sexual Content 

  • Noor is at Sal’s house, and he becomes enamored in her presence, thinking about the way she smells, “and the way her body curves beneath her worn The Cure t-shirt…” He also thinks that his “skin is tingling in a good way for once.”
  • Sal picks up Noor from school and thinks about how, last night on the phone, she made a “comment about impure thoughts . . . which made [him] wonder if she had impure thoughts. About [him].”
  • Sal takes Noor to the outskirts of Juniper, and she settles herself between his legs, her back against his chest. He thinks: “Too many synapses are firing. Too much of her is touching too much of me. My whole body prickles.” They kiss passionately two times after that, and she “makes a funny sound, between a gasp and a moan.” He also thinks: “Suddenly, I need her, all of her. I need her to be close to me.” This whole interaction lasts about three pages.

Violence 

  • When Sal visits his dying mother in the hospital, his drunk father is there. The police are called because his father was causing a commotion in the waiting room. As Sal pleads for his father to let him take him home, he jerks away from Sal, thus “windmilling” him and smacking him in the face.
  • Jamie, a bully, yells racist remarks at Noor. Then, Jamie grabs Noor’s arm, but Noor rips away from her grip and swings, meeting “her face with a dense thump” she “knows too well… [Jamie] falls back, screams, grabs her nose.”
  • Noor has been physically abused by her uncle, but it worsens when he finds out that she has been applying to colleges. He yells at her—right before he kicks her, and she is on the ground, and she curls up and waits “for it to be over.” He continues to kick her, “his tennis shoe [slamming] into [her] ribs.” From there, she pulls herself up to her feet and throws a brass sculpture at him, and he screams at her right before she runs away.

Drugs and Alcohol 

  • Drugs and alcohol are one of the few prominent themes in the story, as Sal’s father is an alcoholic and Sal becomes involved with drug dealing to keep his family’s motel running. 
  • In the very beginning of the book, Sal states, “It’s 6:37 a.m. and my father doesn’t want me to know how drunk he is.” Shortly after, Sal runs into Art, his then-girlfriend’s cousin, who is a drug dealer and deals with someone in the bathroom. He states: “Even though [Art] hangs out with the white-power kids, he gets along with everyone. Probably because he supplies most of Juniper High with narcotics.”
  • Sal and his alcoholic father share a heart-to-heart about Sal’s mother. Just when Sal thinks of consoling his father, Sal states, “His plate clatters in the sink. A cupboard opens. A glass clinks. I smell it, that sharp stink I’ll never get used to, and his sigh of relief, as his memories slide away, a quiet, merciful forgetting.”

Language 

  • The words bitch, shit, asshole, ass, dumbass, and dick are all used several times. The most common is shit.
  • The word “fuck” is used very rarely. For example, when Sal’s mother is dying, he recollects himself by thinking, “Not now. I’m not going to fucking weep.” 
  • Sal’s father curses in Punjabi once: “Haramzada kutta!” which directly translates to: Dog of a bastard. 

Supernatural

  • None

Spiritual Content 

  • Most of the characters are religious, especially Sal’s mother, who commonly makes references to God to get through tough times. For instance, when Sal, as a young child, gets hurt by a stranger, she prays to God, “Do not let him remember. Punish he who did this. Punish him with pain, God. Punish him as only you can.”
  • Noor’s uncle refers to God negatively as he looks down upon the practice of Islam in general. For example, he says to Noor, “Do you even understand what they’re saying in Arabic? It’s backward and illogical, Noor .  . . ‘Religion is the sigh of the oppressed creature. It is the opium of the people.’ Karl Marx.”

Good Girl, Bad Blood

After unearthing her town’s secrets and investigating and solving the murder of Andie Bell and Sal Singh, Pip Fitz-Amobi swears she is not a detective anymore.

Even though Pip has released a viral podcast about her investigation, with the help of her boyfriend Ravi Singh, she has put her investigating days behind her. Pip is still haunted by her past involvement in solving the case. “I almost lost everything,” she explains, “I ended up in the hospital, got my dog killed, put my family in danger, [and] destroyed my best friend’s life.” After seeing the lengths she went to investigate Andie’s and Sal’s murders, the obsessive, reckless, almost selfish person she became, and the damage it caused her and the people she loves, Pip never wants to be pulled back into investigating.

But the morning after the six-year anniversary of the deaths of Sal and Andie, the brother of Pip’s friend Connor, has gone missing. She feels she has no choice but to help find him. This time as Pip looks for Connor’s brother Jamie, she uncovers more of her town’s secrets, and now everyone is listening.

Good Girl, Bad Blood is a fantastic sequel to A Good Girl’s Guide to Murder. Like its predecessor, this book has fantastic twists and turns. Similar to the first book, Good Girl, Bad Blood has an interesting use of storytelling, combining the more traditional third-person narration with interview transcripts, Pip’s notes, images, maps, newspaper clippings, and more.

Picking up where A Good Girl’s Guide to Murder left off, Good Girl, Bad Blood deals directly with the events of the last book. Unlike other books in the murder mystery genre, this book examines the impact of traumatizing events on Pip and her friends and family. After Pip’s world has been turned upside down by uncovering the secrets surrounding Andie and Sal’s deaths, Pip is a changed person. She is more protective of those she loves and more careful with her actions. But Pip is also traumatized and scared, and she is haunted by the events she witnessed. Pip tries to make it seem like she is fine so she can support those around her, but in reality, Pip is lost. She is unsure of who she is and who she is becoming.

In the end, while Pip and her friends rescue Jamie and uncover a larger, more sinister plot in the process, Pip comes to terms with many of her flaws. She is not a “good” girl. “Maybe I’m selfish,” Pip says, “maybe I’m reckless and obsessive and I’m OK with doing bad things when it’s me doing them and maybe I’m a hypocrite, and maybe none of that is good, but it feels good. It feels like me . . .” Pip also recognizes that she needs more time to heal. She accepts that it’s okay to be angry at the injustices in the world, and it’s okay to not have a perfect answer to every problem. As Pip comes to terms with who she is, she is also shattered from witnessing violence and death as she watches someone get shot and then, unfortunately, fails to save them. Although Pip is forced to accept the cruelty of the world and the people in it, she is still traumatized and terrified by her experiences.

Overall, Good Girl, Bad Blood is a great sequel, with a dark, suspenseful story full of twists and turns and a fantastic cast of characters. Pip is strong-minded, courageous, and independent, but she is also flawed and broken. She continues to show readers that one does not have to fit into the perfect model society expects from you. It is okay to be angry at the world and its injustices and to grieve the loss of others, and to also grieve who you once were. 

Sexual Content 

  • Ravi picks Pip up for dinner. Ravi is dressed nicely, and Pip “could smell aftershave too, as he stepped towards her, but he stopped short, didn’t kiss her on the forehead nor run a hand through her hair.” The pair begin to talk, and Ravi “[places] one hand on her waist, his warm fingers dancing up her ribs.” The scene cuts out before anything else happens between the two. 
  • The night of Ravi’s brother’s memorial, Ravi greets Pip and “[presses his] words into her forehead with his lips.”
  • After an argument, Pip confronts Ravi about her feelings, explaining why she has been so distant lately. “She had barely finished speaking, but Ravi’s hand was against her face, cupped around her cheek, his thumb rubbing the rain from her bottom lip. He moved his fingers down to lift her chin and then he kissed her. Long and hard, their faces wet against each other, both trying to fight a smile.”

Violence 

  • Picking up where the first book in the series left off, Good Girl, Bad Blood, references much of the violence of A Good Girl’s Guide to Murder including the disappearance and death of Andie Bell, the murder of Sal Singh, and the kidnapping of Isla Jordan. Andie Bell was having an affair with her history teacher Elliot Ward, and when she went over to his house to talk one night, “an argument ensued. Andie tripped, hitting her head against his desk. But as Ward rushed to get a first aid kit, Andie disappeared into the night” and was declared missing. 
  • Thinking Andie must have died from her head injury, Ward killed Sal, Andie’s boyfriend, making “it look like suicide and planted evidence so police would think Sal killed his girlfriend then himself.” Months after this, Elliot Ward found who he thought was Andie on the side of the road, disheveled and incoherent. Ward kidnapped Isla, who he thought was Andie, for five years to continue to cover up his crimes. 
  • Andie was actually not killed directly by Ward, in fact, she was able to make it home that night, only to be confronted by her sister, Becca Bell. Becca had been drugged and sexually assaulted by Max Hastings (who is revealed to be a serial rapist), and later finds out that the drugs Max used were sold to him by her sister. The two “started arguing, pushing, until Andie ended up on the floor, unconscious and vomiting. . . Becca froze . . . watching Andie die, too shocked, too angry to save her sister’s life.” Becca hides Andie’s body “because she was scared no one would believe it was an accident.” 
  • After Pip tells the police about how important it is to look into Jamie’s disappearance, the police say, “We’ve got an actual high-risk case: an eight-year-old abducted from her backyard.” It is later revealed that the abduction was only a domestic dispute. 
  • After publishing the podcast, Pip’s life changed. “The anonymous death and rape threats still came in weekly, comments and tweets calling her an ugly, hateful bitch.” Pip explains internet trolls comment on almost everything Pip posts. These hateful comments continue after she posts about Jamie. Pip gets comments saying “I killed Jamie Reynolds,” Who will look for you when you’re the one who disappears?” and “I killed Jamie and I’ll kill you too, Pip.
  • As Pip goes to the old, abandoned farmhouse on the edge of town in search of Jamie, she remembers this is “the place where Becca Bell had hidden her sister’s body for five and a half years. Andie had been right here all along, decomposing in the septic tank.”
  • As the investigation into Jamie’s disappearance continues, theories pop up online about what happened. Connor angrily tells Pip about what he is reading. “They think my dad killed Jamie . . . They’re saying [Connor’s dad] took the knife from our house and followed Jamie down Weevil Road. Killed him, cleaned and dumped the knife, and hid his body temporarily. That he was still out when I got home around midnight because I didn’t ‘actually see’ my dad when I got in. And then he was absent last weekend because he was out disposing of Jamie’s body. Motive: my dad hates Jamie because he’s ‘such a fucking disappointment.’”
  • Six days after Jamie goes missing “a dog walker discovered [a] body at about six a.m. . . . in the trees beside I-95, between Fairview and Stamford.” The radio reports “Officers are still at the scene. The deceased is as yet unidentified but has been described as a white male in his early twenties.” Worried, Pip rushes to Connor’s house to see if the body is Jamie’s, but they find out it is not. 
  • It is revealed that Jamie was kidnapped by Stanley Forbes, who is in the witness protection program because his father was a “serial killer. He killed children. And he made his young son, Child Brunswick [Stanley], help him lure out the victims.” Over the years “six children disappear . . . Their burned remains were later discovered buried along the shore of Lake Ontario, all within one mile of each other. The cause of death in each case was blunt force trauma.” 
  • As Pip questions him, Stanley explains that Jamie confronted him about his identity. Stanley explains, “the next thing I know, Jamie lunges at me with a knife. I managed to get out of the way and knock the knife out of his hands. And then we were fighting, out by those trees beside the house . . . I push Jamie off, into one of the trees, and he hits his head, falls to the ground. I think he lost consciousness for a few seconds and after that he seemed a little dazed, concussed.” Not wanting to have to move again, Stanley kidnapped Jamie because he “just needed time to think about what to do. I was never going to hurt him.”
  • Charlie, the brother of one of the victims who was killed by Stanley’s father, tricked Jamie into helping him. Charlie made Jamie believe he was a girl who had a stalker “threatening to kill her.” In reality, Charlie is trying to have Jamie kill Child Brunswick (Stanley) for him. 
  • Charlie finds Pip and Stanley talking in the old barn and Charlie pulls a gun on Stanley. Three months after his sister was found, Charlie explains how his “dad hanged himself. I was the one who found him, after school. My mother couldn’t cope and turned to alcohol and drugs to numb everything out. I almost starved. Within a year I was removed from her care and sent from foster family to foster family . . . By seventeen, I was living on the streets.” 
  • As Charlie holds Stanley at gunpoint, Pip steps in front of Stanley, pleading to Charlie, “Please don’t shoot.” To protect Pip, Stanley pushes her away. Pip pleads with Charlie more, but he does not budge. “Charlie looked at [Pip], watched her crying. And then he lowered the gun. [Charlie] took two heavy breaths. . . then Charlie fired. The sound ripped the earth out from under Pip. . .  He fired again. And again. And again. Again. Again. Until they were just empty clicks. Pip screamed, watching Stanley stagger back off his feet, falling hard against the floor.” Pip tries to save Stanley by performing CPR and placing pressure on the wounds. As she tries to help him, the building bursts into flames and smoke fills the room. “The smoke was getting lower and darker . . . Pip coughed with every breath. But she didn’t let go of him. She held on and she pulled” Stanley out of the burned building. Outside, on the grass, she continues to perform CPR, trying to save Stanley, but unfortunately, Stanley dies. This scene is rather vivid and lasts over a few pages. 

Drugs and Alcohol 

  • On her podcast, Pip recounts the trial of Max Hastings and how he drugged his victims. An “expert witness . . . [talked] about the effects of benzodiazepines like Rohypnol . . . The drug acts like a sedative and can have a depressant effect on the body’s central nervous system . . . It feels almost like being separated from your own body, like it just won’t listen to you, your limbs aren’t connected anymore.” Two women who were assaulted by Max, explained they “both only had one or two alcoholic drinks the nights of the” attacks.
  • The night after the memorial, Cara, Pip’s best friend, went to a party and “was so drunk she couldn’t speak in full sentences, not even half sentence, or quarter, broken up by cries or hiccups.” Pip picked up a “drunken, sobbing Cara.” The next morning, Cara texts Pip: “Urgh, been throwing up literally all day.” 
  • The night he went missing at a party, Jamie “went outside to have a cigarette.” 
  • People send Pip videos of the party Jamie went to. One video showed two of Pip’s classmates “downing two bottles of beer” and later playing beer pong. 
  • When Pip tells her parents she is investigating Jamie’s disappearance, they are angry. Pip’s mom reminds her, “you ended up in the hospital, Pippa, with an overdose. They had to pump your stomach.” 
  • Another witness tells Pip they saw Jamie after they “went to [their] buddy’s house on Weevil Road for some takeout and beers.”
  • As Pip stakes out the abandoned barnyard, she encounters three teenagers who regularly hang out there. Pip recognizes one who was “buying drugs from Howie Bowers last year.” She sees all three of them smoking cigarettes. After questioning them, Pip learns that they “carry drugs across state lines” for a local drug dealer and in return get “weed for free.” 

Language   

  • Profanity is used often throughout this book. Profanity includes shit, fuck, bitch, and ass.

Supernatural 

  • None

Spiritual Content 

  • None

Dark Blue: Color Me Lonely

Kara Hendricks and Jordan Ferguson have been best friends since kindergarten. By now—sophomore year—they’re more like sisters, really. Jordan has always been the leader in the friendship, but still she’s the perfect friend. That is until Jordan started hanging out with a new “cool” crowd and decided Kara was a popularity liability. 

Devastated, Kara feels betrayed and abandoned by everyone—even God. How could Jordan do this? Why did God let this happen? Yet for all the hurt and insecurity, these dark blue days contain a life-changing secret. Now that Jordan is gone, Kara has the chance to discover something about herself that she never knew before. But first, she must learn to trust again. It won’t be easy.

Kara’s story deals with universal themes of self-worth, identity, and loneliness that anyone who has suffered a loss will relate to. However, readers may find it difficult to sympathize with Kara because of her self-pitying attitude. When Jordan starts hanging out with the cheerleaders, she tries to include Kara in her new friend group. However, Kara is so uncomfortable that she begins to avoid Jordan. Since Kara’s insecurities drive much of her action, when the friendship finally ends, Kara turns to daydreaming about scenarios that would hurt Jordan. From the start, the girls’ unhealthy relationship is portrayed in a negative manner, so when the friendship ends there is little emotional impact.

Unfortunately, there is nothing unique about Dark Blue’s plot. Instead, it revolves around the typical stereotypes – a goth girl, a nerd, and an academic high achiever. None of the supporting characters are well developed and Kara begins spending time with some of her new friends, not because she truly likes them, but because she’s so desperate not to be alone. The connection between Kara and her new friends feels forced and unauthentic, especially since so many of their conversations are about their belief in God. But through these lunch time discussions, Kara begins to realize that God is the only best friend she needs.

Another negative aspect of Dark Blue is Kara’s long and tedious inner musings. Most of Kara’s interactions with others are short and do little to develop Kara’s personality. Instead, the story has long passages that focus on Kara’s thought process. Because Kara is so caught up in her misery, it is difficult to relate to her. 

Dark Blue reminds readers that God is with us even during difficult times. While it is important to connect with others, only God can fill the emptiness that is inside of us. Once Kara accepts God’s love, she is finally able to look at life in a more positive light. While Dark Blue’s message will resonate with readers, the lack of character development and the typical plot structure are not very memorable. However, readers who are dealing with loss and loneliness will find comfort in the book’s message.

Sexual Content 

  • At school, Kara sees some “couples hanging onto each other like they can’t bear to let go, a few even making out.” 

Violence 

  • Edgar’s mom was up for parole, but it was denied so “she hung herself.”

Drugs and Alcohol 

  • Kara’s friend, Amy, smokes cigarettes and is part of the “pot-smoking Goth group.”
  • When Amy and her friends show up at a school dance, Kara thinks “Some of them are high or drunk or both. Including Amy.” Later, Amy pukes. 
  • Kara’s friend, Edgar, has a father who is a recovering alcoholic and a mother who is in jail for drugs.
  • While talking about Edgar’s home life, Amy says that she’s “used all kinds of lame excuses to get drunk.” 

Language 

  • Freaking, crappy, and crud are used rarely. 

Supernatural

  • None

Spiritual Content 

  • When Jordan becomes part of the cheerleading squad, Kara thinks, “Maybe it’s because I prayed that Jordan did so well. Maybe her success was God’s way of getting even with me for being so hopelessly selfish.” 
  • Kara and her friends often discuss their belief in God. For example, during lunch, some of the kids talk about freedom of religion. A girl says, “I don’t think our government should tell us to pray either. But I don’t think they should tell us that we can’t.” The conversation lasts for a page. 
  • Kara asks her friends, “I mean do you think it’s true that you can really have a close relationship with God?” Two kids in the group discuss their beliefs. A boy who goes to church three days a week says, “God made us all unique people. . . I need to go to church a lot and read a lot and pray a lot.” The conversation lasts for three pages. 
  • Because of Kara’s depression, she thinks about giving “this God-thing a shot.” However, she feels like she wants to make a deal with God so her life will go back to the way it was before Jordan dumped her as a friend. Kara thinks, “And I’ve got to wonder whether it’s worth the risk of blowing it with God just because I think I might be able to swing some sort of deal. . . my life is cruddy enough without going and making it worse by messing with someone like God.” Kara’s inner musings last for a page.
  • One of Kara’s friends, Edgar, says, “I think God is calling me to be a missionary.” He then explains why he believes this. The conversation lasts for about a page. 
  • When Amy offers to give Edgar a makeover, he says, “I’ve been asking God to do something to change me. I’ve been praying to become the kind of guy that other people will listen to.” 
  • Edgar considers Jesus his best friend. 
  • Kara goes to church with Edgar. The youth pastor discusses how “God designed us to feel lonely” and only God can fill the lonely ache inside of us. 
  • After the pastor speaks, Kara isn’t sure how to ask Jesus into her heart. The pastor explains how she needs to “invite Jesus to come inside of you. And once you’ve done that, your life will never be the same.” The church scene is described over five pages.
  • Edgar tells Kara that “God wants us to make good choices. . .But most of all I think he just wants us to love him and to let him into all the ordinary and sometimes gory details of our daily life.”

Minecraft: Mob Squad #1

The village of Cornucopia is practically perfect in every way. Plenty of food, cozy homes, and a huge wall to keep everyone safe from the scary world outside. What more could a kid possibly need?

Well, a lot, actually.

Mal, a fearless girl, needs adventure, and her friends are right there with her. There is Lenna, a dreamer whose family underestimates her every day, and Tok and Chug, two brothers who love to build stuff (Tok) and smash stuff (Chug). They’re best friends, and in a town whose grown-ups value safety over bravery and fitting in over standing out, they’re the bad apples.

But when a mysterious mob sneaks past Cornucopia’s defenses, the village is in huge trouble. And nobody knows what to do. Finally faced with the adventure they’ve always wanted, Mal and her friends defy the rules their elders have always followed and set out beyond the wall for the first time.

On their journey across the Overworld, they discover wonders they’ve never dreamed of and dangers they’ve never imagined. To save the day, they’ll have to prove they’re more than bad apples. They’re the Mob Squad!

Minecraft fans will love Mob Squad’s action and adventure. As the four friends venture out into the unknown, they quickly learn that they aren’t “bad apples” like the people of Cornucopia have labeled them. Instead, they begin to understand how their unique talents are perfectly suited for the world outside of Cornucopia’s wall. As they fight mobs, they discover more about the world as well as themselves. Through their experiences, the kids gain confidence and realize being different is what makes them special. 

The Mob Squad shows the world of Minecraft from the viewpoint of the four friends. Readers will enjoy seeing aspects of the game through their point of view. Each chapter alternates between the four kids; however, the characters’ voices are not very distinct so readers will need to pay attention to the name that appears at the beginning of each chapter. 

Mob Squad’s quick pace will keep readers interested with plenty of action, adventure, and battles against mobs. The battle scenes are suspenseful, but not long or gory. However, what makes The Mob Squad shine is the friendship between the kids. Not only do they learn to survive on their own, but they also learn the importance of teamwork. When the kids save the town, they realize that their destiny doesn’t have to be chosen by their family, but they can choose to do what is best for themselves. Readers will be eager to learn what happens to Mal, Lenna, Tok, and Chug in their next adventure which appears in Mob Squad: Never Say Nether.

Sexual Content 

  • None

Violence 

  • A group of boys corner Tok in an alley. Tok’s brother, Chug, punches the leader of the bullies, Jarro. Then Chug “lands a kick right in Jarro’s backside.”  
  • Tok was running into town when Jarro put his arm out causing him to fall flat on his back. Chug is “just about to give in and woop some rumpus when a shadow looms over us all.” An elder stops the fight. 
  • Once the four friends leave Cornucopia, they fight mobs often; not all fights are listed below. On the first night out of Cornucopia, Tok forgets his cat outside. However, Chug and the others must help because zombies are waiting for them. Chug is “hacking at one monster, but it hits him back, and he grunts in surprise. . .” Lenna shoots arrows and “one of the zombies makes a splattery hiss and flops over dead. . . Lenna aims for the two zombies on the left with her arrows, one after the other, while Chug and Mal hack away at the one with the sword and helmet.” 
  • During the fight, Chug and Mal work together. “Mal swipes at [the Zombie’s] legs with her diamond pickaxe, and the moment it turns to groan angrily at her, Chug deals a massive blow against its back with his sword, and the zombie finally falls over.” The fight is described over three pages.
  • Skeletons start shooting at Lenna. Lenna describes, “On instinct, I throw the torch at the skeleton and use its moment of distraction to reach into my pocket and prepare my own weapon. I fire off two shots before it returns an arrow.” An arrow hits Lenna in the leg. “It feels hot and dull, and I yank it out and shoot it right back at the skeleton, destroying it.” The scene is described over three pages.
  • While in the wilderness, zombies attack the Mob Squad. Lenna takes down a zombie. “We’re all feeling confident, right up until someone runs around the corner and hits Mal with an ax.” Mal “stagger[s] back, seeing stars. . . The monster sprints at me again, axe raised, and my arm feels dead. An arrow lodges in the creature’s chest, and then Chug darts forward and gets in a strike with his new diamond sword.” 
  • The kids have to fight evokers, vindicators, and other mobs. When a vex attacks, Lenna takes “it down with two fiery shots. . .I’ve landed two shots on it when Poppy yelps and something slashes at my legs. I look down and see a spectral fang rolling past. My leg burns with pain, and I stumble.” No one is seriously injured.
  • The story concludes with vexes, vindicators, and other mobs attacking Cornucopia from inside the wall. One of Cornucopia’s members, Krog, is commanding the mobs. As the mobs climb out of an underground cavern, “three vindicators barrel out, axes ready, grunting. Chug and [Mal] engage them, working as a team as Lenna keeps harrying the vexes with flaming arrows. . . More vexes fly out, and one lands a hit on my back before Lenna can nock another arrow. The cry of pain flies out of my mouth before I can stop it.”
  • During the battle, “more vexes swarm out the door of Krog’s house, followed by their evoker. Ghostly white fangs ripple up from the ground, hitting Dawna [a resident of Cornucopia] in the leg and making her scream. . . Dawna reaches for one of Tok’s swords, takes her first swing at a vex, and incredibly, lands a solid hit.”
  • As the battle continues, someone grabs Lenna. Lenna “flail[s] and shout[s] . . My elbow catches someone in the face—I feel the pop of their nose at the solid hit, and they grunt and drop me.” Lenna discovers the person is her sister.
  • Tok is surprised when he hears “a snort and look[s] up to find a huge beast snarling at me. It’s like a cow crossed with the biggest, ugliest rock I’ve ever seen. It paws the ground with an enormous hoof and charges.” Tok runs for his life, leading the beast into a narrow alley. Tok jumps onto the beast’s back. “The creature screams and throws me, and I skid on my back across the cobblestones. It hurts. . . . I look up, and all I see is a ton of stinky beast butt. I raise my sword. . . I stab it.”
  • When the villain, Krog, begins throwing harmful potions at the Mob Squad, Tok hits him on the head with an iron sword. Krog “topples forward.” In the end, Krog is arrested and the mobs are defeated. The village attack is described over 30 pages.

Drugs and Alcohol 

  • A vex puts a potion on all of Cornucopia’s crops, causing them to die.
  • Chug licks a potion off the floor. Afterwards, he describes how he doesn’t “feel every rib when I breathe. I can do cartwheels again.”
  • Someone throws a slowness potion at Mal. The potion makes her do everything “super slowly.”
  • Krog throws a poison at Mal.  Once the poison hits her, “her cheeks are sinking in, there are purple hollow pooling made her eyes, her lips are going dry and cracked.” Mal feels “like being sunburned on the inside, like I’m drying out, all my blood turned to ash.” Mal drinks milk which reverses the effects of the potion.
  • Krog throws a potion of weakness at Chug. Chug’s arms feel like they “are made of noodles. I can barely lift the sword.” When he drinks milk, his strength returns.

Language 

  • Chug insults Jarro by saying, “You’re a thief? You certainly stole all the ugly around town for yourself.” 
  • Because of her imagination, Lenna’s family refers to her as “loony Lenna” and “liar.”
  • Lenna’s sister calls her an idiot.
  • The town people call the Mob Squad “Bad Apples.”
  • An adult calls the Mob Squad kids “rapscallions,” “scalaways,” and “dunderheads.”
  • Darn is used three times.
  • Chug tells his brother to “shut your piehole.”
  • Twice, Chug calls someone a jerk. For example, when thieves steal from Chug and his friends, he calls one of the men a jerk. 

Supernatural

  • None

Spiritual Content 

  • None

Only the Good Spy Young

After the events of last semester, Cammie could use more normal in her life. Well, as normal as the life of a spy-in-training can be. But people are still after Cammie, and she is no closer to finding out why. Even worse, the CIA seems to think Mr. Solomon is working on the side of the enemy. Cammie and her friends struggle to believe it, but true or not, they know it’s long past time for them to find some answers of their own.  

With her mother keeping secrets, an unlikeable new teacher, and Mr. Solomon in question, Cammie doesn’t know who to trust. But she has her roommates, Macey, Bex, and Liz, and the four of them will have to be enough. The stakes are higher than ever as the four friends hack into the booby-trapped sublevels, decode a secret journal, and break into the infamous Blackthorne Institute. There is no room for mistakes. At this level, mistakes are deadly.  

Only the Good Spy Young ramps up the action in an exciting story packed with twists and turns. This installment deepens the mystery and leaves readers wondering why the Circle is trying to kidnap Cammie, if Mr. Solomon is a friend or a foe, and why Zach keeps appearing every time Cammie is in trouble. Cammie feels as if her world is turned upside down and isn’t sure who can be trusted. While the mystery adds suspense, the highlight of Only the Good Spy Young is the relationship between Cammie and her friends—who always have her back. 

Through first-person narration, Carter creates a fun story full of relatable characters and explores teen romance in a wholesome way that is perfect for teens. While the beloved cast is back, this installment gives Zach a prominent role which will leave readers swooning. The moments between Zach and Cammie are adorable. Adding Zach to the spying, action, and danger makes Only the Good Spy Young one of the best books in the series.  

With a strong cast of smart girls, a relatable protagonist, and the perfect blend of humor and suspense, Only the Good Spy Young will keep readers flipping the pages until the very end. Make sure you have the next book, Out of Sight, Out of Time, on hand, because this installment ends on a tantalizing cliffhanger.  

Sexual Content 

  • A teacher “accidentally spilled his latest invisibility concoction over Madame Dabney, and her white blouse was becoming more and more invisible by the second . . . At the front of the room, Madame Dabney (who, by the way, wears way sexier bras than anyone would have guessed) started dabbing at the front of her blouse with an antique tablecloth.”  
  • Zach keeps tabs on Cammie, watching her to make sure she is okay. One time he visits her while ice skating and “pressed his lips hard against my forehead for a split second—nothing more—and when he finally let me go and disappeared back into the trees, I thought that I might fall.”  
  • Before a dangerous mission, Cammie and Zach kiss. Cammie “kissed him—longer and deeper than I ever had before . . . we were just two people kissing as if for the first time, as if it might be the last.”  
  • Zach kisses Cammie goodbye at the start of summer vacation. “And then his arms were around me. When he kissed me it was hungrier somehow, as if this moment was all we had, and we had to taste it, drink it, savor it, and not waste a single drop.” 

Violence 

  • When Cammie finds a stranger in her room, she goes on the defense. Cammie “stepped back and grabbed the arm that grabbed at me, spinning, using my attacker’s own momentum to fling him through the open bathroom door and to the other side of our room. He smashed into a dresser and sent a lamp crashing to the floor . . . before he could say a word, a Louis Vuitton suitcase came flying into our room, struck the man squarely on his face, and dropped him to the floor like a stone.” Macey heard the struggle and threw her suitcase at the man, who turns out to be a new teacher at the school. His face is bruised, but he is okay.  
  • When Cammie meets the man responsible for her father’s death, she “brought my hand up along the side of his face—hard. It was just a slap—nothing special. Hardly something they would ever teach in P&E. And yet I felt like doing it again.” 
  • A member of the Circle interrogates Mr. Solomon. “The woman struck Mr. Solomon’s face so hard that blood sprayed across the room.”  
  • Cammie and Zach fight Zach’s mother, the leader of a splinter group of the Circle, and her henchmen. Their struggle takes place over three pages. Cammie describes, “I parried away another of [Zach’s mother’s] blows, and when I countered, I landed a swift punch to her kidney and another to her face . . . Across the room, Zach had taken an old sword from the wall and was fighting two men at once.” Both Zach and Cammie eventually get away, and are okay.  

Drugs and Alcohol 

  • Cammie and her roommates drug an apple with truth serum, then interrogate their teacher/suspect. “It took four seconds for Liz to take the syringe from her bag. Her hands were shaking as I pulled the apple from my tray and held it beneath the table.” After their teacher eats the apple, they ask him some questions.  

Language   

  • None 

Supernatural 

  • None 

Spiritual Content 

  • None 

Ride On

Victoria has always loved horses. But riding in competitions is high stakes, high stress, and shockingly expensive. And even though Victoria’s best friend Taylor loves competing, Victoria has lost her taste for it.

After a heartbreaking fight with Taylor, Victoria needs a new start—at a new stable. A place where she doesn’t have to worry about anything other than riding. No competition, no drama, no friends. Just horses.

Edgewood Stables seems ideal. There are plenty of horses to ride, and Victoria is perfectly happy giving the other riders the cold shoulder. But can she truly be happy with no friends?

While Ride On will specifically appeal to horse-loving readers, the graphic novel also has a universal theme of friendship which all readers will be drawn to. Victoria’s past is murky and, although it is slowly revealed, she never explains why she has rejected all her friends including her yearbook friends. Despite the fear of rejection, Victoria slowly warms up to Norrie, Hazel, and Sam; while they all share a love of horses, it’s their love of the sci-fi television series, Beyond the Galaxy, that brings them all together. This adds both an interesting twist and some humor to the story.

Many readers will relate to Victoria’s insecurities as well as her desire to have a well-rounded life that doesn’t completely revolve around horse competitions. In a world where competitive sports are the norm, Ride On reminds readers that they do not need to let one thing consume all their time. Instead, they can love horses, cosplay, and hanging out with friends. Along the way, the story explores the importance of friendship as well as getting over fears. These lessons are wrapped up in a good story with interesting, relatable characters who often struggle with being different. Seeing the characters grow and connect is heartwarming as well as entertaining. 

The graphic novel’s artwork uses vivid colors to bring the characters to life. One of the best aspects of the illustrations is the characters’ facial expressions and body language—both of these will help readers understand the characters’ emotions. The horse pictures are wonderful as well. Some pages tell the story only through pictures, while other pages have up to seven sentences per page. This, along with the easy vocabulary, make Ride On accessible to most readers. 

Ride On highlights everyone’s need for companionship and validation. The graphic novel is a character-driven story that doesn’t have a lot of exciting conflicts. However, the characters are interesting enough to keep readers hooked. The conclusion holds several surprises that show the true meaning of friendship. Similar to Ride On, the graphic novel series Eagle Rock by Hope Larson is another coming-of-age story that explores the need to find your passion.

Sexual Content 

  • None

Violence 

  • None

Drugs and Alcohol 

  • None

Language   

  • Crap is used once.

Supernatural

  • None

Spiritual Content 

  • None

Not That Kind of Girl

Natalie Sterling has made one thing clear: nothing will get in the way of her having a successful senior year of high school. She has big plans, such as applying to colleges and becoming Ross Academy’s student council president. Natalie doesn’t have time for distractions, and she certainly is not like the other girls, who get hung up on boys. But the road to success is not easy. On the first day of school, Natalie takes Spencer under her wing – a girl who has grown up considerably since Natalie used to babysit her long ago. Spencer likes getting attention and she’s not afraid to show it. Meanwhile, Mike Domski, a vulgar football player, is running against Natalie in student council. Still, Natalie stands strong: she is not the kind of girl who gets distracted.

Things start to change after Natalie is elected president. She fights with her best friend Autumn, who despite getting bullied over a failed relationship, still wants to go to parties and talk to guys. Autumn is willing to forgive the people who spread rumors about her, but Natalie can’t understand why her best friend would even associate with those people. Not to mention, Natalie’s caught the eye of one of Mike’s friends, Connor, who kisses her one night after school. Worst of all, Natalie starts to like him in return. 

Natalie’s perfect senior year crumbles. She sneaks out to see Connor nightly, letting her grades suffer in exchange for secret kisses. Natalie’s confidence wavers as she thinks about how people would perceive her if they find out. She might have feelings for Connor, but she says that “the realization that other people would judge what I’d done spoiled everything.” Their relationship becomes strained and awkward when Natalie can’t accept Connor outside their private nights. In addition, Natalie doesn’t speak to Autumn for weeks, and constantly butts heads with Spencer over the way she chases male attention. Disaster strikes when a nude photo of Spencer circulates, and Natalie knows that Mike is the culprit. Spencer begs Natalie not to get involved, but in an effort to protect Spencer, Natalie gets Mike in trouble. Retaliation is swift – Mike reveals that Natalie has been seeing Connor, and suddenly the perfect class president is perfect no more.

When Natalie’s whole world crumbles, she decides that her reputation is not as important as her relationships. Natalie has to accept that some part of her does like boys, and that she loved her time with Connor. The book encourages girls to explore their sexuality as long as they’re comfortable and in control of the situation. Natalie learns she’s okay not having perfect grades or being the perfect student council president. She says, “It didn’t matter if I was the kind of girl who had sex, or the kind of girl who had her portrait on the wall in the library, or the kind of girl who got into the best college . . . I just needed to be okay with all the kinds of girl I was.” She reconciles with Spencer and Autumn, and even asks Connor out on a real date. Not That Kind of Girl ends with Natalie accepting that she can be focused on her goals while still having a relationship. 

This story is narrated in the first person and is an interesting take on high school drama. It can be quite vulgar when the students talk about each other and the things they’ve done, but it is not a complicated read. In fact, Not That Kind of Girl is not the kind of book you’re expecting – the narrator, Natalie, is not the typical “hero-like” narrator. Instead, Natalie is incredibly judgmental about people’s actions and concerned about how she’s perceived, which ruins many of her relationships. While readers may find it hard to stomach Natalie’s harsh criticism, this is a story about a character who learns to be more accepting. 

Natalie realizes that she’s been hypocritical and that it’s not possible to know someone by making assumptions. Natalie used to believe getting into a relationship was a girl’s downfall, but she realizes how wonderful it can be. Natalie starts to understand that just because someone likes boys doesn’t mean that they don’t aspire to do other things. Some readers may have trouble relating to Natalie, but a key aspect of the book is learning to accept that everyone has a different idea of success. At the beginning of the story, Natalie believes that a girl can’t have a relationship and be successful, but the events of the story prove her wrong. Readers can learn a lot from Natalie’s willingness to admit her wrongs and her attempts to be more open-minded. Not That Kind of Girl shows how, when confronted with challenges and opportunities that redefine you, you can either run away or face them head-on. Natalie realizes that her fear of how people perceive her is negatively impacting her life. When she accepts the person she always refused to be, Natalie finds freedom and happiness where she least expects it.

Sexual Content 

  • Natalie says guys will have a successful high school experience if they “wear a condom.”
  • Natalie describes an infamous high school couple as people who “fooled around.” According to Natalie, the girl “took things slow, preferring sweet kisses while walking through piles of crispy autumn leaves over half-naked wrestling matches.” 
  • Natalie describes how two students, Autumn and Chad, almost hooked up in the locker room. “Chad greeted [Autumn] with a grin. A moment later, before they’d even said hello, they were kissing. Which quickly turned into groping. . . Chad tried to convince her with words, with kisses. . . He pleaded with her to stay. After all, she’d barely touched him, and he was so turned on. . . [Autumn] leaned in to kiss [Chad]. A cute peck aimed for the tip of his nose, to make it all okay.” Autumn leaves to go back to class and Chad starts to ignore her. 
  • Natalie says that before this incident with Autumn and Chad, Chad’s “inability to get off with a freshman had become a running joke. . . He’d complain of blue balls after he’d drive [Autumn] home, or hump his locker door in mock frustration after [Autumn] hugged him good morning.” Everyone knew that he was going to hook up with Autumn in the locker room, but when it didn’t happen, he needed an excuse, so he started a rumor that Autumn smells bad. He starts to call Autumn “Fish Sticks” and breaks up with her.
  • Natalie says everyone forgets about the “Fish Sticks” incident months later, “when a junior supposedly had a three-way in her parent’s shower.”
  • Spencer bends down in the hallway, accidentally revealing her underwear. Natalie says, “The girl was kneeling on the floor. . . Her pleated uniform skirt tipped forward like a ringing church bell. A small triangle of lavender mesh barely shielded her rear from the entire hallway.” 
  • Natalie tells Spencer that people can see her underwear. “When you bent over before, you could see everything. And a bunch of boys were enjoying the view.” After Natalie leaves, Spencer bends down again, “her butt back on display for everyone. The eyes of the passing football players flitted to the left as if Spencer’s ass gave off a high-pitched noise at a frequency only boys could detect. One of the guys snatched a binder and flapped it furiously toward Spencer’s rear end, trying to make a strong enough breeze so her skirt would flutter up even higher.” 
  • A jock, Mike Domski, runs for student council with a poster “with a cartoon version of [himself], smoking a cigar and flanked by two busty bikini girls.”
  • Natalie says that one day Mike Domski will marry “a pregnant stripper.”
  • Mike vandalizes Natalie’s student council campaign poster. Originally the poster said “Vote For Natalie, a Leader with Experience.” Mike “had taken a marker and done some doodling at my expense. He had given me a mustache, drawn two enormous penises (one for each of my hands), and a bunch of question marks hovering over my head. He’d crossed out Leader and written VIRGIN on top of it. And squeezed the word NO in before Experience.”
  • When Natalie gets mad at Mike, he says, “I have to say Natalie, your level of intensity is pretty hot. . . I’m actually getting a chubby.” When Natalie tells him to stop, Mike says, “I’m only kidding with you. . . You could never give me a hard-on. You’re like. . . dick repellent.”
  • Natalie drives by a house party where the boys from the football team run out in front of her car drunk. “I tried to inch my car forward, but [it was] pinned by the human roadblock, forced to witness their drunken celebration.” 
  • While the football players surrounded Natalie’s car, “Mike Domski tossed aside a beer can and started humping my hood ornament. . . . ‘I’m trying!’ he moaned. ‘Oh, God, I’m trying!’ After Mike pretended to bring my Honda to orgasm, the laughing boys made their way up the front lawn.”
  • Spencer says that Natalie and Mike have “sexual tension.”
  • When Natalie asks Connor to donate wood for a bonfire, Mike says, “Natalie wants your wood. Bad.” Natalie says, “I don’t need anybody’s wood. I can buy my own wood. . . ” She later realizes what she said and “dream[s] about a tragic accident where Mike’s crotch caught fire.”
  • Spencer and her friends wear inappropriate shirts to school. “Each shirt had a pair of bulbous footballs positioned like pasties over their boobs. And above them, the same single word was printed across the chest, curling in a perfect arch. Rosstitute.” This is a combination of Ross Academy and prostitution. When one of the teachers tells Spencer to change, she takes off her shirt in the hallway. “She took off her shirt, right there, in the middle of the hallway. Her bra was a pink gingham number, with a tiny rosette in the center, underwire working overtime to hoist and enhance a modest amount of cleavage.” 
  • Natalie overhears the football boys talking. Mike says, “I’d like to make that Spencer girl’s titties my business. . . Did you see her dancing? I mean, she’s practically a stripper.” One of the players reminds Mike that Spencer isn’t interested in him because she likes Connor. Mike replies, “You think a girl like her will turn celibate because Connor shuts her down? Trust me, man. The Domski will make it happen. And none of you guys better try and cock block me.” 
  • A football player says, “That skinny blond freshman would be cute if she weren’t totally flat. I might as well feel up my little brother.” 
  • Mike says that Natalie is “the kind of chick who’d cut off your balls in the middle of the night. . . I wouldn’t be surprised at all to hear Natalie has a bigger dick than I do.”
  • Spencer says that girls aren’t permitted to have “sexual needs” in the same way guys are. “I won’t be villainized because I happen to like being sexual. . . Forcing girls to be ashamed for doing the things that come naturally to them – it’s a ridiculous double standard, and we should all, frankly, tell anyone who judges us to screw off.” 
  • During an all-girls meeting, one of the girls admits that she gave a guy a hand job to prove that people treat her differently because she experimented with her sexuality, “My brother found out I gave a hand job to one of his friends, and now he won’t even look at me.” Spencer says, “That’s horrible! Because I bet your brother wishes a girl would give him a hand job. But because you’re his sister, you’re dirty.” 
  • Spencer shows Natalie a picture of “a back-to-school pictorial, where a sexed-up vamp of a teacher stood on her desk in fishnets and stilettos, with schoolboys cowering in a pile on the floor.” 
  • Connor kisses Natalie. Connor “took another step. A big step, closing the gap of air between us. And then he kissed me. He grabbed me and kissed me, and his whole body tensed up. . . When I felt him pull away, I leaned forward and kissed him harder. . . This kiss had heat behind it.” 
  • On Halloween, Spencer dresses as a “slutty construction worker.” The outfit “consisted of a skintight little denim minidress cut to look like a pair of overalls. She had a tight white cami on underneath, and the whole thing fit her like a corset, her boobs bubbling up over the top. The skirt stopped right underneath her butt cheeks, and when she dipped and bent to the music, you got flashes of a pair of electric orange booty shorts. . . She really, truly looked like a stripper.”
  • At the Halloween dance, Natalie notices Connor looking at another girl. Natalie says, “Of course guys like Connor were going to notice the scantily clad girls dancing in front of them. . . Immunity to booty and boobs did not occur in teenage boys.”
  • Spencer tells Natalie she looks hot. “Natalie, you have such a good body. Your butt looks totally hot in those pants. Why are you hiding it from everyone?. . . You could get any guy in this room, if you just loosened up a little.”
  • Connor and Natalie meet secretly in a shed behind Connor’s house, where they kiss. Natalie “leaned in and kissed him fast. . . And then he kissed me. This time with lips parted, as if he was whispering into my mouth. . . His hands moved up to my shoulders, pulling me closer to him. He was warm, hot even. I wrapped my arms around his neck, tucked my fingers down into the back of his collar. My whole body folded into his warmth, and then we both lay down. . . We were moving and pressing and shifting all over each other.” They end the kiss after a while. 
  • Spencer tricks Mike into meeting her at a movie theater. Later, she tells the story to Natalie. Spencer says, “I told Mike to whip it out and have it ready for me. He wrote back, You nasty little girl. . . Anyway, a bunch of girls and I were already hiding in the very last row, and we could see him shimmying and wriggling in his seat. I ducked out and found the manager and let him know that there was a boy with his pants down in theater twelve.”
  • While Natalie and Connor kiss, he tries to undo her bra. “Connor pulled me on top of him, and his hands slid up my back again. . . His fingers tucked underneath my bra strap, then he pinched the closure, trying to pop the hook open.” Natalie stops him.
  • Natalie tells Connor that she knows he lost his virginity in eighth grade. She says that everyone knew that Connor had gotten really drunk and had sex with a girl on New Year’s Eve.
  • Natalie gets a splinter in her rear while in the shed. Connor has to help her pull it out. “Suddenly my left butt cheek burned bad enough for me to gasp. . . I rolled over to my knees and stuck my butt up in the air. . . I unzipped my pants and pulled my jeans down. I’d never been undressed in front of a boy before.” 
  • Natalie looks at herself in the mirror and is unhappy with what she sees. “I wished that I had bigger boobs. . . I turned sideways and stared at the dimpled skin on my upper thigh.” Natalie wondered, “Is this the kind of stuff Connor would see if I let him look at me naked?” 
  • Spencer uses the gesture of wiggling a pinky to make fun of Mike. She says, “I invented a hand gesture to make fun of Mike Domski. It means teeny peeny, and it’s caught on like wildfire.” 
  • Spencer asks if Natalie’s guy is “all good down there” to which Natalie replies that she’s a virgin. Spencer says, “Like a total sex virgin? Or a straight-up intercourse virgin? Because I haven’t had complete sex with anyone before, either, though I’ve done lots of other stuff.”
  • Natalie and Connor have sex. “I lifted up my T-shirt and shimmied out of my pants. I unhooked my bra and slid down my underwear. . . I took Connor’s clothes off too. . . I rolled on top of him and let gravity press us together. Lips, chest, abdomen, thighs. I wasn’t planning to have sex with him. Only now it was all I wanted. . . The entire world fell away until it was just me and Connor. Finally.”
  • A naked picture of Spencer starts to circulate at school. Connor shows Natalie the picture. “Nothing could have prepared me for seeing Spencer like this on the tiny pixelated screen. Her curls, her puckered lips, her bare breasts cast forward toward the cameraman.”
  • Connor gets mad at Natalie for defending Spencer. Natalie says, “Mike takes naked photos of a fourteen-year-old girl and spreads them to the whole school, and I’m the one who did something wrong? . . . I wish that Spencer had kept her freaking boobs covered up… I also wish that the whole school didn’t think I’m a slut.”

Violence  

  • When Mike Domski calls Autumn “Fish Sticks” in the cafeteria, Natalie “reached for the closest object and hurled it at Mike. That turned out to be a slice of my pizza, and it hit him square in the chest.” 
  • Spencer says she wants to cut Autumn’s ex-boyfriend’s balls off because he started the “Fish Sticks” rumor.

Drugs and Alcohol 

  • Natalie says there is a “smoker’s tree” at her school.
  • Autumn takes Natalie to a party where there are guys smoking and drinking. “We came upon a big boulder. . . A bunch of guys sat on it, drinking beers and blowing smoke into the night sky.”
  • Natalie says that girls avoid the bathroom by the teacher’s lounge, so they don’t get caught smoking cigarettes. 
  • At the Halloween dance, Natalie smells beer on Connor’s breath.

Language   

  • Curse words like ass, shit, bitch, and damn are used occasionally.
  • Occasionally, the teens call each other names such as asshole, bitch, boners, sluts, and nympho.
  • Spencer says, “Mrs. Dockey was just bitching about Principal Hurley not approving her costume budget for the school musical. She actually said that she ‘can’t put on the Wizard of Oz with fucking bedsheets and a burlap sack.’”
  • A football player calls Connor a “lucky bastard” for getting Spencer’s attention.
  • Spencer says that she’s “not looking to shack up with some pervert.”
  • When Natalie tries to host a girls-only event, Mike wants to sign up. He says, “This girl’s night is more of a vaginathon. No dick allowed.” Spencer steps up and says, “That’s right, Mike. No dicks, no dickheads, no cocks, no penises, no wieners, no weewees, no boners, no dongs, no dill weeds, no scrotums allowed. Which, I think, are all adjectives used to describe you.” Mike gives Spencer the middle finger and leaves. 
  • Natalie and Autumn look at Halloween costumes, which Natalie finds too revealing. She says that she’s not going to be “slutting it up” on Halloween. At the Halloween dance, Natalie calls Spencer a “stripper” and calls another girl “Slutty Sherlock Holmes.”
  • Natalie calls Connor “as big of a dick as Mike Domski.” 
  • “Oh God” or “My God” are both used occasionally. 

Supernatural 

  • None

Spiritual Content 

  • Natalie thinks about a biblical story when things feel awkward between her and Connor. “I thought about Adam and Eve. How they’d been so happy, playing naked in the garden. And then in one moment, it all turned to shame.”

The Wolves are Waiting

When fifteen-year-old Nora Melchionda wakes up, dizzy and disoriented, half-naked on the town’s golf course, with her underwear hanging from a flagstick, she doesn’t remember a thing. She was drinking a root beer, enjoying the Frat Fair, an annual fundraiser held by the local school fraternities, and the next thing Nora remembers is waking up next to her best friend, Cam, on the putting green. During the time that Nora doesn’t remember, “anything could have happened. Anything.

Before that night, Nora’s life seemed perfect. She had good grades, she was a star player on the field hockey team, and she had a great circle of friends and a supportive family. Most importantly, Nora always had her father, Rhett Melchionda. Nora’s father was her personal hero and the athletic director of Faber University. He always said his job was to protect her. 

But after that night, Nora’s world comes crashing down. What Nora thought was true about the town she grew up in, the university, her father, and her family is all turned upside down. Through searching for the truth of what happened, her friends Cam and Adam Xu and her older brother Asher, uncover the larger truth about the town and university. The teens realize the attempted sexual assault of Nora was not an isolated incident, but part of a decades-long rampage of sexual violence tied to fraternities. To make matters worse, the violence has been swept under the rug.

While this story deals with the difficult topics of sexual assault and harassment, The Wolves are Waiting beautifully tackles this theme from different angles, from examining the prevalence of rape culture to highlighting the experience of survivors of sexual assault and harassment. This book raises important questions about societal beliefs surrounding sexual assault, including the trivialization of sexual assault. It questions why those in power often implicitly trust the word of assailants over victims. For example, when Nora confronts her dad about stories of college athletes sexually assaulting women, he dismisses her, saying “Events can be misinterpreted in the light of day.” 

The Wolves are Waiting also raises questions about the culture of victim blaming. Nora and others are continuously asked what they were wearing or what they were drinking or what they said, rather than simply being believed. When repeatedly asked if she had been drinking the night she was assaulted, Nora “flare[s] up with anger.” Nora explains “What difference did it make if she was drunk, or high, or roofied, or sober, or wearing a prairie dress, or a thong, or if she knew the guys, or if she’d never seen them before in her life? . . . Why should she thank [Adam] for believing her? She was telling the truth.” While some of this questioning is highly pointed in the attempt to discredit victims like Nora, The Wolves are Waiting shows how seemingly innocent questions or comments with good intent can actually help perpetuate these problematic social issues. As these questions are raised throughout the novel, it asks both the characters and the audience to reexamine their beliefs surrounding sexual assault and the harmful, yet prevalent stereotypes in society about sexual assault and survivors.

In The Wolves are Waiting, Natasha Friend examines the experience of survivors of sexual assault and their process of healing after trauma. At first, Nora is in disbelief and doesn’t want to talk about what happened that night. “I’m fineI’m fine. I’m fine,” she keeps telling herself, hoping for it to be true. She also begins to push away her family and her friend Cam, who is hell-bent on finding the perpetrators of Nora’s attack and bringing them to justice. In reality, Nora feels alone, scared, and traumatized by her experience. But with the support of friends and family, she realizes she is not alone in her experience. After realizing her own silence will only perpetuate the problems in her town, Nora speaks out ferociously, “tell[ing] her story . . . own[ing] every word of it . . . set[ting] herself free.”

The Wolves are Waiting is a must-read because it tackles serious societal issues and misconceptions surrounding sexual assault. It considers not only the perspective of survivors of assault but also bystanders, showing how not speaking up makes one complicit in larger systems of abuse. Nora is an incredibly compelling character. She is strong and independent, yet also flawed. She is forced to re-evaluate the world around her. The Wolves are Waiting breaks down harmful stereotypes and misconceptions about sexual assault while also teaching readers the importance of questioning societal beliefs, even ones you hold to be the truth.

Sexual Content 

  • At a party, Cam sees Nora’s brother, Asher. Cam and Asher begin to talk. She tells him that he is not wasting his time pursuing art. “He looked so quintessentially Asher that Cam was overwhelmed by a sudden desire to hug him . . . It was a little awkward. Her nose rammed into his shoulder. She stepped away almost as quickly as she’d stepped toward him. But then. Then. Cam felt something warm on her face. It was . . . Asher’s hand, cupping her cheek . . . He bent down and pressed his lips to hers. Cam was 100 percent sober, but Asher’s kiss was like three slugs of Manischewitz straight from the bottle. When she came up for air, she felt warm and dizzy. ‘Was that okay?’ he said. And she said, ‘Definitely.’ They kissed again. And again.”
  • Cam and Nora promised “each other, back in sixth grade . . . They had vowed to share every boy-related detail, which was how Cam knew that Nora had tongue-kissed a Jersey boy named Evan Fendelbaum at Becca Bomberg’s bat mitzvah, and Nora knew that Cam had seen Kyle Tenhope’s erection through his swim trunks at the track team’s end-of-season pool party freshman year.”
  • Nora compares herself to other girls her age. “Nora knew there were girls her age . . . who were already having sex – not just making out with someone in the back row of the movie theater – legit sex. Nora also knew how guys talked. . . Nora never wanted guys to talk about her that way, which was why she never let Adam get very far. There had been kissing, yes. There had been up-the-shirt action, yes. But Nora always drew the line there.”
  • When Nora’s dad comes home from a game, he grabs Nora’s mother “around the waist and dipped her so low, her hair touched the floor.” Her father and mother kiss. “Nora didn’t love watching her parents make out in the middle of the kitchen, either. It was awkward.”
  • Outside the gym one day, Adam, Nora’s “kind-of boyfriend,” and Nora see each other. Adam “kissed her, for the first time, by the flagpole in front of the school – and another twenty times after that.” That morning, the two sit together. Adam “leaned in, kissing her lightly on the lips. She pulled away,” feeling uncomfortable. Normally, Adam was irresistible to Nora. “Every time he kissed her, he made her feel all melty inside. But now . . . how to explain? Thinking about his tongue darting inside her mouth made Nora think about other tongues darting inside her mouth, other hands touching her body.”
  • At school, Adam walks by and “whistle[s] through his teeth” at Nora. Nora explains the boys “made jokes behind her back about what kind of sauce she would taste like . . . and how they’d like to spread her on a sandwich.”
  • A few days after her assault, a picture of Nora circulates on the internet. “Her back was to the camera, and her head was resting on someone’s shoulder – a big blond guy in a gray hoodie. His arm was wrapped around her waist. A dark-haired guy in a red shirt was on the other side of her, laughing. His hand was on her butt, lifting her skirt.”
  • Standing outside Nora’s room, Cam and Asher look at each other. Cam imagines what could happen: “One step closer, and his breath would be on her face. One tip of the chin, and his mouth would be on hers. His hands, gripping the back of her head. His lips, his tongue. It took Cam a few seconds to come to her senses.”
  • After gym class, a group of guys were in the locker room when, “Kevin stood on a bench, held up his phone, and said, ‘Who wants to see some prime FU titties?’ . . . because Kevin had the newest iPhone with the biggest, brightest screen, the photo was right there in HD for everyone to gawk at. A pair of breasts barely contained by a lace white bra, with something black scrawled between them.”
  • When Cam goes to a fraternity party to do recognizance for Nora’s case, she meets a frat boy. He asks to kiss her. Cam “thought for a moment. She was sober. And he was asking. And maybe kissing him was the way to extract the information she needed. Also, if she was being completely honest with herself, she was curious. She’d only made out with high school guys. There wasn’t anything wrong with a little experiment, was there? A little compare and contrast in the name of science? It’s not like she was planning to have sex with him. The next thing Cam knew, they were kissing . . . Intellectually, she wanted to stop – she did – but her hormones had suddenly taken the wheel, and Malik was a great kisser . . . Malik had definitely more experience. The circles he was making with his tongue. The way his hands were holding her hips, lifting her up to meet him . . . And then he pulled away, breathless.”
  • After going out for ice cream, Cam and Asher talk outside of Asher’s house about everything that has conspired in the last few days including her going to a frat party and kissing a college boy. While upset, Asher agrees to move past the incident and asks her to the homecoming dance. The two kiss. As Cam walked home “her face was raw from kissing, but she didn’t care. The fact of the matter was, she could have kissed Asher all night.”  

Violence 

  • This story surrounds Nora’s attempted sexual assault and rape by three fraternity boys. Adam Xu stumbled across the assault, “one of the figures was holding something in the air. A phone? Another was bent over on the ground.” He heard one of them say, “Dude, she’s completely out” and another was “taking off his pants.” When he scared the three boys off, he found Nora passed out on the ground and texted her best friend Cam to come help her. 
  • Cam found Nora “lying on the ground, spread eagle.” Nora’s underwear was hanging off the flagstick on the golf course. Later at Cam’s house, Cam encourages Nora to inspect her pubic area for “bruises or scratches.” Nora is hesitant, but when she does eventually look, she sees something. “What she had seen up in Cam’s bathroom was a mark, maybe half an inch long, on the skin of her bikini area. Not purple like a bruise. Not red like a cut. Black. . . Up close it was pretty obvious. The black mark wasn’t a birthmark or a scab or an engorged dog tick clinging to her skin. It was the number 9.” The number marked that Nora was the ninth girl to be targeted by her assaulters; as part of the initiation into one of the local frats, new members have to sleep with 18 girls. 
  • Nora and her friends had always heard stories about sexual assault on campus and sayings like “don’t walk by Greek Row alone at night.” There “was a story about a girl who’d graduated from FCS years ago . . . One night after an orchestra concert, she had been walking past the frats on her way home. Some of her brothers from Alpha Psi had been sitting outside on lawn chairs. They’d called her over. The next thing she knew, she woke up on the quad in a Faber football jersey with a Blue Devil tattoo on her boob.” There were other versions of this story, whether it was a toga or a football jersey, or what type of tattoo it was. But nevertheless, it was heavily insinuated she was drugged, assaulted, and branded.
  • Asher tells Nora and Cam about other instances of sexual violence from frat members and her father’s involvement in the cases. There was a quarterback: “A girl said he raped her behind the Iron Jug. He said it was consensual. Dad helped get him off.” A hockey player, Peyton Mallory, “sexually assaulted a sorority girl at a frat party . . . She filed a report with the university saying he did . . . The guy got off. He was never expelled. He was never even suspended from the team.”
  • After Nora’s mother finds out about the attempted assault, Nora’s mother tells her about her first college roommate, who had been raped at a frat party. The theme of the party was “King Tuts and Egyptian Sluts . . . They were handing out shots of Goldschlager, with ‘flecks of real gold,’ they told us. Amy and I had one drink. That was our rule: one drink . . . Our other rule was to stick together . . . but at some point I had to go to the bathroom, and Amy was talking to one of the frat brothers about books.” 
  • When Nora’s mother got back from the bathroom, she “looked and looked,” but explained, “I couldn’t find [my roommate] . . . I figured she and the guy she’d been talking to had hit it off. So I went back to the dorm. . . she’d been raped at the party by two of the frat’s brothers. She had no idea who they were because they looked like every other King Tut.” 
  • When they told someone from the sorority, they were dismissed and told “Don’t worry about it.” Nora’s mother took her roommate to the dean. “She told him she had been raped, and he said that was a serious accusation. He asked if she had made a police report. He asked how many drinks she’d had. What was she wearing? Who entered the room first? Did she say no? He asked if she could identify the two guys. When she said she wasn’t sure, all the King Tuts looked the same, he said, ‘Well, if you don’t know who they are, I can’t help you.’”

Drugs and Alcohol 

  • After Cam finds Nora on the night she is assaulted, Cam asks Nora, “What did you drink? Rum? Vodka? . . . Tequila?” Nora replies adamantly, “‘No, Camille.’ Cam knew she didn’t drink alcohol. Ever since that sleepover at Becca Bomberg’s house the last day of ninth grade, when the three of them drank an entire bottle of Manischewitz and Nora projectile-vomited into a potted plant on Becca’s porch.”
  • Since Nora was found passed out, Cam believes something was put in Nora’s drink. While originally the two think it’s roofies or Rohypnol, Cam has Nora’s hair sample tested and it shows that Nora was in fact drugged with “GHA. Gamma hydroxybutyric acid, otherwise known as liquid ecstasy.”
  • At a party, “one of the guys would bring out a bottle – whatever they could find in their parent’s liquor cabinets – pass it around. To avoid drawing attention to himself, Adam would take a few sips. Fifteen minutes later- bam. His face would heat up and start to tingle. His eyes would go bloodshot . . . He hated when that happened. . . . The reaction in Adam’s body was the result of an accumulation of acetaldehyde, a metabolic by-product of the catabolic metabolism of alcohol.”
  • The night Nora was assaulted, Cam was at Kyle Tenhope’s party, “on the Tenhopes’ front stoop, holding a beer and scrolling through her phone . . . everyone inside the house had been well on their way, but Cam had only had two sips of warm keg beer.” 
  • At the party a boy was wearing a yellow construction hat attached to two beer cans and was drinking through a tube. . . They found Kyle in the far corner of the kitchen, pumping beer from a keg.”
  • After a game one night, Nora’s father comes home after a few “victory beers.”
  • At a soccer game, the stands are “packed. Nora was aware of all the bodies pressed in around her. At one point, a guy tried to push past her to get to an empty spot. Nora could smell him. Beer. Sweat. For a second, she panicked.”
  • When Cam goes to a fraternity party to do recognizance, everyone is drunk. She is approached by some guy, who “lifted the cup in his hand, taking a sip of neon green – what? Toxic waste? Battery acid?”
  • As Adam tries to get access to a private Instagram account, he messages a fraternity member. After a while the fraternity member messages, “I am just drunk enough to give you 10 min” and he allows Adam access.

Language                                         

  • Profanity is used often. This profanity includes shit, fucking, slut, bitch, and bullshit.
  • Some of the profanity in the book is only implied, such as the use of “eff’s” or “effing.”

Supernatural 

  • None

Spiritual Content 

  • None

The Astonishing Color of After

After her mother died of suicide, Leigh Chen Sanders is only sure of one thing—when her mother died, she turned into a large, beautiful, red bird.

Days after her mother dies, Leigh feels “colorless, translucent . . . [like] a jellyfish caught up in a tide, forced to go wherever the ocean willed.” She begins sleeping on the downstairs sofa, farthest away from where her mother died. The night before the funeral, Leigh hears a “sharp rap on the front door.” She is greeted by a “red-crowned crane . . . with a long feathery tail” where “every feather [is] a different shade of red, sharp and gleaming.” “Leigh,” the bird cries out, in the voice of her mother. Suddenly, the bird flies away and all Leigh is left with is “a single scarlet feather.”

Leigh tries to explain to her father what she has seen, but he is dismissive of her. After the bird delivers a package and note from Leigh’s maternal grandparents, asking Leigh to visit them in Taiwan, he still doesn’t fully believe her. Eventually, after Leigh’s father is visited by a strange wind and even stranger red feathers, he finally books himself and Leigh two plane tickets to Taiwan.

In Taiwan, Leigh meets her maternal grandparents for the first time. It’s awkward because even though she is half Taiwanese, Leigh does not speak Mandarin Chinese and knows very little about her grandparents. To make matters worse, after an argument with Leigh’s grandparents, her father decides to leave for Hong Kong, leaving Leigh alone with them.

But Leigh decides to take advantage of being in Taiwan. She is determined to find her mother—as the bird—and search for answers about her mother’s death. She asks her grandmother and her grandmother’s friend, Feng, to take her to every place her mother loved, in the hopes of finding traces of her mother and of the bird. On Leigh’s journey, she finds a box of incense. Every time Leigh lights one of the sticks of incense, she is brought through space and time into memories of the past—some are her own memories, but others are her mother’s and grandmother’s memories. As Leigh enters each memory, she learns more about her family history and their secrets, including memories about an aunt that Leigh never knew she had, and memories about her mother’s illness and the pain she went through. Through her search for her mother, Leigh connects with her grandparents and eventually finds comfort in their support and love.

As she grieves, Leigh also comes to terms with her mother’s suicide. While her mother was taking her own life, Leigh was kissing her long-time best friend, Axel. In a way, she not only feels responsible for her mother’s death but also for ruining her friendship with Axel. As Leigh travels through time and memory, she also traces her friendship with Axel, wondering where they went wrong and why their friendship was “crumbling.”

The Astonishing Color of After is a story about loss and grief, but also about love and growing up. In the end, Leigh never truly catches her mother, the bird. Yet as Leigh is grieving, she learns to remember her mother during both her illness and during the happy moments. Leigh realizes that catching the bird will not fix the pain she feels. She learns to accept that, when grieving, it will hurt for a long time.

Since The Astonishing Color of After deals with difficult topics of suicide, depression, and mental health, it is better suited for a high school audience. Leigh explains, “[My mother’s] illness was something I’d been afraid to look at head-on . . . There was also the fiery, lit-up version of my mother. How could a person like her be depressed?” Leigh discusses the stereotypical image she had of a depressed person, that made her “think of this group of kids at school who wore all black and thick eyeliner and listened to angry music and never showed their teeth.” Leigh comes to understand that depression is a disease, and her mother’s illness did not have a singular cause, that no one is to blame for her suicide. Leigh learns, “We can’t change anything about the past. We can only remember. We can only move forward.”

Overall, The Astonishing Color of After is a fantastic book. Though it deals with serious issues, it also works to break down barriers surrounding mental health. Leigh is a great leading character who is a flawed, complex person, who struggles to understand the world around her. But she is also incredibly strong and brave as she works through grief and tragedy. She shows readers that even in one’s darkest times there is hope, not necessarily for things to return to normal, but to move forward. With beautiful prose, terrific characters, and great use of magical realism, The Astonishing Color of After is a must-read.

Sexual Content 

  • Axel, Leigh’s long-time crush and best friend, kisses her. “Instead of bursting into sparks, my body froze.” Then, “Axel’s hands stretched around my back and unlocked me. I was melting, he had released my windup key, and I was kissing back hard, and our lips were everywhere and my body was fluorescent orange no, royal purple no. My body was every color in the world, alight.”
  • Caro, Leigh’s good friend, complains to Leigh about her family’s snowboarding trip. Caro exclaims “My grandparents were killing me . . . half the time they sat in the lodge making out.”
  • Leigh and Axel join Caro and her girlfriend Cheslin at a photo shoot. “At one point, Cheslin began to shed her clothes. Off came the shorts, the tank. She unhooked her bra–.” While Axel and Leigh are slightly bothered by her actions, Cheslin shrugs saying, “It is, after all, just a body.” Eventually, Axel and Leigh walk away from the photo shoot. They comment on Caro and Cheslin’s intimacy, saying “It was almost like we were watching them have sex or something.”
  • After almost seeing Axel naked, Leigh is flustered. Thinking about that specific memory, Leigh explains, “My right hand ended up down between my legs and I wondered about sex. I thought of all the skin you saw in R-rated movies and the way bare limbs just slid together like they were made to be entwined. I thought of Axel, imagined us sitting on his couch and taking off our clothes.”
  • During a school dance, Leigh is talking to a senior. He asked her if she had “ever been kissed” and she replied no. He then leans in and Leigh thinks, “I knew what was coming. His face loomed close, his lips first finding the edges of mine before sliding in toward the center. He was eager with his tongue, and he didn’t taste great.” When he leaned in again, Leigh “moved aside before he could make contact,” and walked quickly away.
  • When Leigh asks Caro how her relationship is going, Caro confides in her that she and Cheslin have “decided [they’re] ready to . . . y’know. Go all the way.”
  • After Axel and Leigh discuss their feelings for each other, Leigh does “possibly the bravest thing I’ve ever done: I close the space between us and kiss him hard. He’s surprised for only a fraction of a second. Then my hands are at his face, peeling his glasses up over his head and tossing them on my nightstand. My body, drawing him down onto the bed. His lips, between my teeth. Our legs, sliding against each other.”

Violence 

  • The premise of this book surrounds the topic of suicide, as Leigh’s mother kills herself. The act is not described in great detail, as Leigh “never saw the body up close.” She explains, “All I could see were my mother’s legs on the floor” and a large pool of blood.
  • Suicidal thoughts are briefly mentioned. In a memory, Leigh sees her mother “rising from her bed in the middle of the night. She walks quietly, slowly avoiding the creaks in the floor. Down in the garage, she slides into the sedan and sits in the driver’s seat, car keys biting into her palm. She’s thinking. Debating. If she turns on the car. If she doesn’t open the garage door. If no one in the house wakes, and she falls asleep at the wheel. The vehicle doesn’t even have to move. She could sleep forever.”

Drugs and Alcohol 

  • Before she dies, Leigh’s mother takes “a bottle of sleeping pills.”
  • When searching for a note left by her mom, Leigh and her father find “a pile of capsules. . .  Mom’s antidepressants” in the garbage; they hadn’t been taken in weeks.
  • Leigh’s mom was taking medicine for her depression and Leigh often sees her mom with a yellow pill bottle next to her. At one point, Leigh’s dad explains her mom has “tried so many medications. They work well for a lot of people, but they haven’t really worked on her.”
  • In a memory, Leigh sees her mother “in the basement, holding a bottle of OxyContin and a jug of bleach. She heard once that it takes ten seconds for something swallowed to reach the stomach.” Before Leigh can see more, the memory moves on. 
  • During a school dance, Leigh goes outside for air and sees a senior. He reached into his jacket pocket and pulled out a steel flask, “unscrewed the top and took a swig.” He offers some to Leigh, but she declines. 

Language   

  • Profanity is used sparingly. Profanity includes goddamn, shit, and bullshit.

Supernatural 

  • One visit, the bird delivers a box, saying “The box is from your grandparents . . . bring it with you.” The box contains “yellowed letters, neat in a bundle. A stack of worn photographs, most of them black-and-white . . . [and] an intricately carved [jade] cicada” necklace, the necklace Leigh’s “mother wore every single day of her life.” Later, Leigh finds out her “grandparents put this package together [and] they burned it. . . They burned it so that your mother could have these with her on her next journey.”
  • One night “some strange, unexplainable compulsion makes” Leigh “roll out of bed and walk over to the dresser.” She finds “a curved Winsor red feather. And a slim, rectangular box [she’s] never seen.” Inside are “long sticks smelling of smoke and wreckage and used-up matches . . . incense.” Holding them, Leigh explains, “It’s strangely hot, like it’s been warming in the sun. And then: the whispering. The tiniest, most hushed of voices. It’s coming from the incense.” When lit, “the smoke that rises is inky black, drawing lines through the air . . . The smoke fills the room, until there’s only black.” By lighting each incense stick, Leigh is brought back in time, visiting memories. 
  • One night, as Leigh tries to fall asleep, she begins to see odd things. Leigh explains, “It happens in a flash, in a blink: My eyes close, and when they open again, the room is bright as day, the ceiling so white it’s glowing—except for the inky cracks branching off in all different directions about me. . . The in-between lines so thin, so black – like there’s nothing beyond that layer of ceiling but a gravity-defying abyss.” In the subsequent days, Leigh notices that the cracks on her ceiling are “widening, spreading farther. They’ve stretched across the entire surface and begun fissuring down the walls. An entire corner’s missing, like someone just took out a chunk of it. There’s nothing to be seen there, only oblivion made of the blackest black.” 
  • As Leigh wonders if her mother is a bird, something happens. “It’s as if my thoughts summon some kind of magic. The colors of my room begin to deepen their hues, like flowers blossoming. Crimson in the corners. Cerulean along the southern crack. Indigo by the window. Bioluminescent green tracing the creases of the wall closest to the bed. The things that are already black somehow take on a truer shade, pitch dark and empty.”
  • At a restaurant with her grandmother, Leigh finds a note stuck to the bottom of a dish, it has a few lines of an Emily Dickinson poem on it. Fred, who is helping Leigh, explains “This came from a ghost.” He sends the note back by burning it. Fred tells Leigh that this poem was burned for the wedding. Leigh questions him asking “what wedding?” Fred replies, “When I married the ghost of Chen Jingling. ” Chen Jingling is Leigh’s aunt. Fred married her aunt because Leigh’s grandparents were “grieving. So they could have peaceful hearts if they know their daughter has a husband.” He continues, “It’s like a normal wedding, but they made, like, a doll for her. Using bamboo and paper. She wears real clothing and jewelry. And afterward, everything was burned. We send it all to the spirit world.” Leigh asks Fred if he’s ever seen her ghost or spirit. Fred responds, “I see and hear and feel enough to know she is there.”
  • Fred explains that in Jilong, during Ghost Month, the Ghost Festival “is so big it brings the attention of many ghosts. And because of higher concentration of ghosts, they are more noticeable to the living . . . When ghosts come up here, they become more visible.” 
  • When Feng and Leigh are in a park, they see a young child and her mother. “The girl says she sees their grandfather. Her mother’s saying that’s impossible. . . Children know the truth . . . they hadn’t learned to walk around with a veil over their eyes. That’s a habit that comes with adulthood. Kids always know what they see. That’s why ghosts can’t hide from them.”
  • On the forty-eighth day after her mother dies, Leigh awakens to a weird smell. As she steps into the hall, the “scent gathers . . . [reeling her] in, down the hallway and toward the bathroom . . .”  As she opens the shower curtain, Leigh sees “in the bottom of the tub is a thick layer of feathers, dark and drenched, sticky and shining red.” Leigh calls her grandmother, but her grandmother does not see what Leigh is seeing. 
  • After the final memory Leigh sees, she “land[s] on the moon. Not the whole moon, but just a patch of it.” She is greeted by her mother, the bird. Her mother tells Leigh, “Goodbye.” Then, the “bird rises higher and higher. She turns and arcs. [Leigh] watch[es] as she burst[s] into flames . . . She burns like a star.”
  • Weird things happen to Leigh’s phone. For example, it begins to play music randomly – music Axel made for her. Leigh has been getting emails from Axel, he later explains while he wrote them, he “didn’t send those emails,” but instead kept them in his drafts. But magically they were sent to Leigh, and in their place in his draft inbox is a picture of a bird’s shadow. 
  • Towards the end of the novel, Leigh finds out the true identity of Feng. She was not Leigh’s grandmother’s friend. In fact, no one even remembers Feng’s existence. Feng is revealed to be the ghost of Jingling, Leigh’s aunt. She was there as Leigh’s guide “during the most difficult times,” after Leigh’s mother’s passing.

Spiritual Content 

  • In Taiwan, Leigh, her grandmother, and Feng visit Leigh’s mother’s favorite Taoist temple. Her grandmother explains to Leigh that her mother “would come here when she needed guidance when she was looking for an answer.” In “the heart of the temple, people bow before a crowned statue with a face of black stone, and dressed in imperial reds and gold.” 
  • In the temple, a young man is tossing things into the air. “In Taiwanese they’re called bwabwei. He’s asking his god a question. If one lands faceup and the other lands facedown, the answer is yes. If both land facedown, it means the god doesn’t like what he’s asking. If both land faceup, it means the god is laughing at him.”
  • Leigh, her grandmother, and Feng also visit a Buddhist temple, where Leigh’s mother spent most of her time and “where her spirit is.” There are hundreds of wooden plaques “painted in the color of marigolds. . . [The] yellow tablets bear the names of the dead,” including Leigh’s mother. There is a ceremony and “after a person’s death, they have forty-nine days to process their karma and let go of the things that make them feel tied to this life—things like people and promises and memories.” 

Haze

Bram’s friend Jeremy wants to go public with information about a hazing-related student death. The morning after he tells Bram this, he’s injured in a hit-and-run accident. Now Jeremy is in a coma, and Bram is trying to follow the trail that he left. The trouble is that Abby, Jeremy’s sister, is convinced that Bram’s swimming coach is to blame. Bram knows Coach is innocent, but can he prove it? And what will happen if he’s wrong?

Told from Bram’s point of view, Haze is a well-rounded swim story that highlights the dangers of hazing. Bram, who is trying out for the swim team, has always looked up to Jeremy. When Jeremy warns Bram to stay away from the swim team’s initiation party, Bram wants to understand Jeremy’s strange warning. But before the two can meet, Jeremy falls victim to a hit-and-run resulting in a coma. As Bram begins to investigate, he finds that the swim team is known for dangerous hazing, excessive drinking, and other inappropriate behavior. 

Bram’s story will captivate readers from the start because Bram’s desire to fit in is very relatable. In addition, the story quickly increases the danger and suspense. As Bram tries to piece together the clues surrounding Jeremy’s accident, he discovers that no one can be trusted—not the coach or the members of the swim team. The realistic mystery will keep readers guessing until the very end. 

As part of the Orca Sports collection, Haze is a fast-paced story that uses easy-to-read language that will appeal to reluctant readers. The high interest topic and the well-written story will entertain most teens. Plus, Bram’s story reminds readers of the dangers of excessive drinking and shows how hazing can quickly become dangerous. While the story revolves around the swim team, the mystery, and suspense will captivate non-athletic readers as well. If you’re part of a swim team and want more swim-related stories, these books are sure to make a splash: Whale Talk by Chris Crutcher and Breath Like Water by Anna Jarzab.

Sexual Content 

  • Bram and his ex-girlfriend, Abby, are at a party. She tells him that they should go into a room. Teasingly, Abby says, “Relax. I’ll leave your virtue intact. It is still intact, isn’t it?”
  • To get into her brother’s computer, Abby takes it to another student who says, “I warn you. If he has protected files, there’s a ninety-five percent chance they’re porn.” 

Violence 

  • The swim team is known for hazing new teammates. The new teammates are called “pond scum” and forced to wear diapers while swimming. Another time, they had to walk across campus in their Speedos. 
  • Jeremy is hit by a car. Later, it is revealed that the driver was trying to kill Jeremy. Jeremy is in a coma for several days before he wakes up. 
  • Someone locks Bram in the sauna. In order to escape, Bram slams his body “against the door. My left cheekbone smashed the window frame, and my arm hung through the broken window. . . Deep cuts burned along my arm. Blood welled up, then started to pour from a gouge along the inside of my forearm.” Coach finds Bram and takes him to the hospital. 
  • In order to silence Bram, two of the swim team members and an adult put Bram in the trunk of a car. The adult “had a handgun pointed” at Bram.
  • Bram is taken to a boat and a swim team member, Steven, “grabbed my arm and yanked. I fell into the boat face-first, landing half on the floor and half on the rear-facing seats.” Bram is hidden in the boat’s crawl space and, later, Abby is thrown in with Bram. As the boat goes out to sea, Bram and Abby are able to jump into the ocean and swim to shore. Both are hospitalized but recover. 

Drugs and Alcohol 

  • Three years ago, after a swim team party, one of the boys “choked on his own vomit and died.”
  • Bram goes to an off-campus party. When he walks inside, the air is “ripe with beer.” Bram finds a group of swimmers taking shots.
  • Bram finds a picture of a swim party where the coach was “holding up some kind of a large funnel. Marcus was drinking out of it while Coach poured beer in the top. . . And later that night, Marcus died of alcohol poisoning.” 

Language   

  • The new members of the swim team are referred to as “pond scum.”
  • Pissed is used infrequently. 
  • Damn and hell are both used a few times. 
  • Bastard is used twice. For example, while talking about Jeremy’s accident, the coach says, “If I ever get my hands on the bastard who did this. . .”
  • The coach uses Jesus as an exclamation once.

Supernatural

  • None

Spiritual Content 

  • None

Centerville

Basketball-crazy Jake Burnett is thrilled to be leaving home to attend prestigious Centerville Prep. It’s an opportunity to pursue his hoop dreams at the highest level. But things aren’t quite as advertised at his new school, and Jake soon finds himself struggling both on and off the court. At first, Jake is determined to play harder and ignore the warning signs. But then he discovers that his new head coach is a scam artist, putting kids at risk for his own gain. Now Jake has a difficult choice to make—advance his basketball career or do the right thing.

When Jakes upends his life to play basketball for Centerville, he soon realizes that Coach Stone wasn’t honest about the school. Despite this, Jake is pumped about being able to play basketball with other elite players. However, Coach Stone yells disparaging remarks at Jake and doesn’t give him any playing time during games. While Jake’s conflict is unique, readers who play sports will relate to Jake’s desire to play for a winning team.

When Bill Jennings, who works for the State Board of Education, starts asking questions, Jake tries to avoid him. Jake doesn’t want to do anything that might hurt the other players. Jake’s struggle to protect his teammates and please his coach is understandable. However, when Jake realizes that Coach Stone’s scheme has the potential to cause serious harm, Jake knows that keeping the coach’s secrets isn’t the right thing to do. In the end, Jake realizes that “basketball was a great game, but it didn’t define us.”

As part of the Orca Sports Series, Centerville is an engaging book written for middle-schoolers and teens. The story has a fast-paced plot and easy-to-read language that is perfect for reluctant readers. While the book is relatively short with 176 pages, Centerville’s plot and character development is well-developed and doesn’t feel rushed.

Centerville is a fast-paced basketball story that has enough play-by-play basketball to keep sports fans entertained. Because the story focuses on Jake, readers will be able to understand his struggles as well as his thinking process; this will allow readers to connect with Jake and empathize with his conflict. While Jake clearly loves basketball, he learns that basketball isn’t “everything. . . There were more important things in life—like being happy, being a good friend, living up to your word and doing the right thing.” Centerville is an easy-to-read story that will entertain as well as teach important lessons about the importance of honesty. The graphic novels The Crossover  by Kwame Alexander and Nothing Can Possibly Go Wrong by Prudence Shen & Faith Erin Hicks will also be a slam dunk for basketball fans.

Sexual Content 
●      None

Violence 
●      None

Drugs and Alcohol 
●      Billy, one of Jake’s basketball teammates, tries to commit suicide by drinking alcohol and taking pills. A nurse tells Jake that Billy had “been drinking. And it seems he’s taken a lot of pills.” Billy spends a night in the ICU.

Language 
●      Pissed is used occasionally.
●      Crap and damn are both used once.

Supernatural
●      None

Spiritual Content 
●      None

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