Barnum Brown Dinosaur Hunter

Barnum Brown had one ambition as a child: to grow up to be a great dinosaur hunter. And that’s just what he did when he was hired by the American Museum of Natural History—working to build their astounding collection.

Barnum had a knack for finding dinosaur bones, a skill that rivaled the paleontologists before him. His most amazing discovery was uncovering one of the largest carnivores that ever walked the earth, the “tyrant lizard king,” Tyrannosaurus Rex!

Barnum’s biography begins when he was a child living in Kansas. As a boy, he was amazingly curious, and this curiosity served him well throughout his career. The picture book describes Barnum’s work, and younger readers will need help decoding the advanced vocabulary and dinosaur terms. The illustrations show the work behind finding the fossils as well as the actual dinosaurs. The dinosaurs are often shown next to their bones which allows readers to imagine the dinosaurs behind the fossils. Plus, the illustrations show both the beauty and ferocity of the beast.

Barnum’s life story is exciting and interesting. Despite this, younger readers will not want to tackle this picture book alone. While the pages have 2 to 5 sentences, the sentences are long and complex. However, Barnum Brown Dinosaur Hunter is an enlightening book that dinosaur-loving readers of all ages should put on their must-read list, especially because Barnum is responsible for discovering 11 new dinosaurs. Without Barnum’s eye for finding fossils, the science of paleontology may be missing important fossils. Readers who want to learn more about Barnum’s life should also read Finding the First T. Rex by Kathleen Weidner Zoehfeld.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

We All Looked Up

Ardor, a newfound asteroid, is barreling towards the earth—coming closer and closer each day. The threat of Ardor becomes clear as it is determined to have the capability to wipe out the entirety of civilization. Suddenly the simple lives of four teens doesn’t seem so cut and dry anymore. Given a few weeks left to live, the four find themselves contemplating life and what they want out of it.

Andy, Anita, Eliza, and Peter—four unsuspecting students at the same high school – find themselves intertwined in the lives of each other when an asteroid threatens to demolish the earth. Peter finds himself questioning if all there is to life is sports and the prospect of growing old. Andy has never cared about anyone or anything other than his best friend Bobo, but suddenly that changes when Anita comes into his life. Since the day she was born, Anita has only ever known the pressure to go to Princeton and fulfill the investment that her family has made in her. And Eliza finds art to be more reliable and kinder than any friend has proven to be. In the past, the four have passed each other in the hallway and only made off-handed comments to one another when no one is around. They have carried on with their lives and kept to their social crowds . . . until an asteroid threatens their planet.

Anita runs away from the restrictions of her family and becomes roommates with Andy as they pursue a music career and hope to perform at the end of the world concert. Peter has found the courage to declare his love for Eliza, even though they have an exceptionally bad history. Andy has no idea what he wants, but he knows that his best friend Bobo is acting crueler than usual. And Eliza begins photographing the pre-apocalyptic version of Seattle and posting it on Tumblr which quickly earns her more fame than she would like.

As the asteroid gets closer, the four go from strangers to friends. They confide in each other, plan an end of the world party, and defend Peter’s sister from her boyfriend and a drug dealer. They even break a bunch of teenagers out of a juvenile detention center. Four distinctly different characters come together and showcase that sometimes there is a comfort that comes from being seen by those you never thought were looking in the first place.

We All Looked Up gives the reader a unique glimpse into the thoughts of teenagers who grapple with the threat of the end of the world. Overall, the development of the characters is strong. But the societal labels put on the four main characters can come off a bit cliché, especially with the novel being set in high school. Each chapter alternates between Peter’s, Anita’s, Andy’s, and Eliza’s point of view, which allows the reader to get a glimpse into the inner thoughts of each character. While the actions of some of the characters are not exactly likable, they are entirely relatable. Coming from a teenager’s vantage point, it is easy to understand their reactions and missteps add a sense of realness to the story that elevates it for the reader.

The plot examines adult topics such as toxic relationships, drug and alcohol use, mental illness, self-harm, and gang-related violence. In addition, the scenes pertaining to violence are graphic and may disturb sensitive readers. If you’re looking for a story with a happy ending, potentially forego reading We All Looked Up due to the serious topics and melancholy conclusion. However, We All Looked Up is a good read for those who like to contemplate life’s what-ifs. For each trial the characters face, readers are reminded of the fact that everyone is just trying their best at life. People work constantly to exceed and yet can still fall short, but there is beauty in the fact that you can get up and try again. We All Looked Up reminds us that there is no better time than the present to start making the most of every day we have because no one knows exactly how many more precious days they have left to live.

Sexual Content

  • Eliza’s dad refers to her best friend Madeline as “a stripper dressed up as a prostitute for Halloween.”
  • Bobo (Andy’s best friend and Misery’s boyfriend) makes a bet with Andy. Andy must lose his virginity to Eliza before Ardor hits, or he has to pay Bobo $1,000. Andy says, “Come on, it’s inevitable. You’re the biggest virgin at Hamilton, and she’s the biggest slut. You’re just working the odds.”
  • Eliza recounts making out with Peter in the art room and being caught. “He sat her down on the table, still kissing her, his tongue rough in her mouth, and his hands were making their way up her shirt when the lights flickered on. A skinny blond girl stood between the black curtains in the doorway, her mouth agape, like some cartoon character expressing shock.”
  • Eliza brings a guy home with her from the bar, and it is alluded to that they have sex. “It took her fifteen minutes in front of the bathroom mirror to scrape away the telltale signs of an alcohol fueled one-night stand.”
  • After being caught making out with Peter, Eliza goes to school and sees that the word “S-L-U-T” painted on her locker. “By the time Eliza got to school the next morning, someone had already spray-painted her locker, one huge black word with four capital letters: S-L-U-T.”
  • Eliza mentions losing her virginity. “In reality, she’d never had a serious boyfriend, and she’d lost her virginity practically by accident at a summer camp for blossoming artists, to a pale Goth boy who only painted wilted flowers.”
  • Anita and Andy have sex before they perform at the concert. “‘I don’t want to die a virgin,’ Anita said. She immediately covered her face with her hands. ‘I know it’s crazy to say that right now, with everything that’s happened, but it’s the truth.’ She straightened up, took a deep breath, and looked him straight in the eye. ‘I like you. If you’re into it, then I’m into it.’”
  • Peter and Eliza have sex at the release party at the detention center. “Misery was one. Hopefully, she’d gotten a ride home. He had no idea what he’d say to his parents if he had to show up without her. Sorry, but I got distracted having sex with this girl I cheated on Stacey with last year. You’re going to love her.”
  • Eliza and Andy drunkenly kiss and begin to remove each other’s clothing. They proceed to almost have sex before Anita walks in and Eliza runs out of the room. “But as Eliza felt his hand drop down between her legs, as she unconsciously ground against him with her hips, she felt the wrongness of what she was doing crash like an asteroid against the plant-size need to connect with someone, with anyone, and she pushed him off her with a fury that she knew he wouldn’t understand.”
  • Another inmate asks Eliza if she would sleep with him. “You don’t know me, but I’m a really nice person. And I think you’re absolutely beautiful. If you tell me to go, I’ll go. But, I’d love to hook up with you, and because it’s the end of the world and we’re stuck here, I figured I might as well ask.”

Violence

  • Andy talks about the cop that is standing at the end of the football field of the high school and mentions his gun. He states, “Andy half expected him to whip out his sidearm and mow them all down.”
  • Peter gets brutally beaten by Golden and Bobo. At one point, Golden instructs Peter to put his hands behind his back to allow Bobo to attack him even further. “‘Hands behind your back,’ Golden said. He had the gun trained on Peter’s forehead. ‘Bobo, tie him up. He’ll probably kick your ass by accident otherwise.’”
  • Andy tases Peter with the encouragement of Bobo. “At first, Andy thought Peter was playacting-quaking and quivering like a fish just pulled out of the water, little grunts coming out of his slack mouth. Then his knees buckled and his forehead collided with the pavement. His body went still.”
  • Peter punches Bobo in the face after he makes a foul remark about Eliza. “A black blur of movement, a meaty thunk. Bobo was suddenly bent over, holding his hands to his stomach. And there was Peter, appearing out of nowhere, like some kind of superhero.”
  • Police intervene at a rally being held and begin to use tear gas to disperse the crowds.
  • Eliza tries to talk to a cop and he detains her instead. “The cop wretched Eliza’s arm behind her back, and then he was carrying her away, back beyond the wall of shields.”
  • Eliza, Misery, Bobo, and Kevin get detained and put into a juvenile detention center for being at the rally.
  • Andy references the suicide pact that he had with Bobo and how he was unable to go through with it. “He called Bobo’s cell as soon as he realized he couldn’t go through with it, but there was no answer, so he called the police. Later on, a paramedic told him it had come down to just a few minutes.”
  • Andy and Bobo steal a guitar from the mall and witness others looting.
  • Bobo kidnaps Misery and keeps her held hostage at the hotel he is staying at.
  • Anita shoots Golden. “‘What happened to Golden?’ Peter asked. ‘I shot him,’ Anita said. There was no remorse in her voice.”
  • Eliza stabs Bobo. “He slid off her, onto the floor, and she jumped on top of him, preparing for the next assault. But he didn’t move. She’d aimed for the heart and she’d found it.”

Drugs and Alcohol

  • Andy says he wants to “smoke a bowl.”
  • Andy mentions that Bobo’s dad was in an alcohol treatment facility.
  • Peter and Andy successfully get the detention center to release the juvenile occupants, the protestors have a large party in the detention center. There is a lot of alcohol provided and everyone is heavily intoxicated.
  • The characters frequently drink out of a bottle of alcohol or finish a bottle of alcohol.

Language

  • Profanity is used regularly and includes words such as shit, fuck, and ass.
  • Bobo is said to be able to “chat up the crackheads and gangbangers.”
  • Eliza is talking about her encounter with Peter with her father and says, “He can fuck off and die for all I care.”
  • When Eliza goes to see her father, he says “Gaga’s a fucking hag next to you.”
  • The term slut is used frequently.

Supernatural

  • None

Spiritual Content

  • Peter admits that he is a “Christian”, while Eliza confesses that she doesn’t believe in God.
  • As Ardor makes contact with the earth, Eliza finds herself “praying for forgiveness. Praying for grace. Praying for mercy.”

by Cassady McIntyre

The Greatest Zombie Movie Ever

Fifteen-year-old Justin and his friends Bobby and Gabe are amateur filmmakers . . . very amateur filmmakers. Their previous horror movies have gone unnoticed on YouTube (aside from a few derisive online comments) and no one seems particularly interested in their filmmaking endeavors. But after a minor setback during the trio’s recent vampire movie, Justin decides it’s time to pursue something new. Something ambitious. Something like making the Greatest Zombie Movie Ever.

Although Bobby and Gabe are immediately along for the ride, Justin’s plan to write, produce, and shoot the best feature length zombie movie of all time quickly hits a few roadblocks. For one thing, the trio has only a month to finish the project before Gabe leaves for the summer. Plus, they have no budget—just a highly dubious script that they cobbled together over two sleepless nights. But the boys’ luck turns around when they are able to get Alicia Howtz—the most popular girl in school and Justin’s longtime crush—to play the movie’s lead zombie-hunter Veronica Chaos, as well as secure a $5000 investment from Justin’s surprisingly cutthroat (and possibly mafia-affiliated) grandmother.

Despite a number of problems on set, the crew pushes forward with making the movie. With the help of a colorful cast of characters—including Bobby, Gabe, Alicia, Bobby’s Uncle Clyde, some extras in zombie makeup, and a twelve-year-old documentarian named Spork—Justin gives the film everything he has. It’s a noble effort, but in the end, Justin doesn’t complete this task the way he originally intended. When he is caught trespassing on school property, his principal threatens to suspend him unless he can get A’s on all his final exams. This puts his film on hold as Justin desperately scrambles to avoid repeating a grade. Five months later, when he does eventually complete the movie, it’s seventeen minutes long and mostly voiceover.

The Greatest Zombie Movie Ever is told from Justin’s perspective and, as a result, it’s a film nerd novel through and through. The text is punctuated by references to famous zombie movies and tropes, that Justin takes inspiration from. George A. Romero, director of Night of the Living Dead, comes to Justin in a vision to assure him that his scheme to film the final half hour of his movie in one shot will work. Additionally, Justin and his friends argue about whether they should include “fast zombies” or “slow zombies” in the movie; then they list good and bad zombie movies that have included each type. While non-zombie-appreciators might not understand these references, their placement does not detract from the story.

The Greatest Zombie Movie Ever deals primarily with the themes of sticking to your goals and persevering in the face of adversity, but this novel also explores when it’s time to call it quits. Throughout the book, Justin emphasizes the importance of finishing his zombie movie, but he also makes it clear that he has other priorities. After a problem with production, Justin worries that the only way to complete the movie is if “everybody was willing to skip school for two weeks. . .They weren’t . . .Nor was he.” Justin ends up sidelining the movie when he’s forced to choose between it and his education. However, he does eventually finish his film, even if the final product is much different from what he originally planned.

While the plot of The Greatest Zombie Movie Ever is not especially heavy on depth, this teen horror-comedy is a wildly entertaining exploration of zombie filmmaking, with a unique cast of characters and a heavy helping of relatively harmless comical mayhem. It’s the perfect book for teens who want a light read, especially if they are interested in zombie movies.

Sexual Content

  • During auditions, a student asks if her shirt will stay on in the movie.
  • The script includes a romantic relationship between Alicia’s character and a male lead. Justin is somewhat jealous of the two actors’ chemistry due to his own crush on Alicia, but a friend reminds Justin “it’s not like they’re slobbering all over each other through the whole movie. There’s one kiss at the very end, and they’re both covered in guts, so Alicia probably won’t be that into it.”
  • While on set, Gabe asks out Alicia’s friend, Daisy, but she turns him down because she “only dates directors.” Gabe dejectedly alerts Justin of Daisy’s availability, but Justin scoffs at this idea and reaffirms his crush on Alicia. When Gabe still insists, Justin says, “It doesn’t matter right now because unlike one of us, I’m here to make a movie, not a baby.”
  • Two actors share “a gentle kiss” at the end of the movie. Due to technical difficulties and much to Justin’s chagrin, this scene has to be refilmed several times, and the crew notes that Alicia and the male lead’s shots are especially “passionate.”
  • After he promises to complete the movie, Alicia gives Justin a kiss on the cheek.

Violence

  • Justin threatens to grab a friend “by the ears” and “bash [his] head into the floor” if he doesn’t take Alicia off speakerphone.
  • In the opening scene of his prospective script, Justin describes a helicopter crash “crushing dozens of zombies” and “leaving a thick smear of squished zombies in its path.”
  • In another scene, Justin writes that the protagonist punches a zombie in the face and then headbutts another zombie whose head “shatters like glass.”
  • During a sleepless night, Justin hallucinates his bed threatening to “bite” him “right in half” with “sharp, glistening fangs.”
  • During auditions for the movie, a student mimes swinging a shovel into a zombie’s face while repeatedly shouting “Die!”
  • While filming a scene in a park, Bobby accidentally drops the boom mic on Alicia, hitting her infected eyebrow piercing. In response, she “charge[s]” at him “knocking him to the ground.” Then, Alicia “pick[s] up the boom mic” before repeatedly smacking him in the face with it.
  • When he accidentally runs in front of a driveway, Justin is hit by a car. He wakes up in a hospital bed with both a concussion and a “mangled” arm.
  • During a heated exchange, Bobby throws a carton of chocolate milk at a school bully named Zack. It “douse[s] him like a water balloon.” In response, Zack “raise[s] his fist and step[s] forward.” The situation is diffused before anything more can happen.
  • Due to a misunderstanding, one of the cast members is tased by an elderly woman.
  • Justin’s principal, Ms. Weager, stumbles upon the crew trespassing in the school at night and is so startled by the zombified cast that she falls to the ground screaming. But she quickly stands up again and begins “knocking zombie heads together.”

Drugs and Alcohol

  • Uncle Clyde uses an e-cigarette.
  • At one point, the crew visits Uncle Clyde’s house to pick up the zombie effects. When he doesn’t immediately answer the door, Justin speculates that he is “probably drunk and unconscious.”

Language

  • Bobby says that he won’t let Justin “wuss out” on offering Alicia a part in their movie.
  • Justin’s boss frequently yells at his employees, and his tirades are often punctuated by the word “dang.”
  • At one point, Justin calls Gabe a “jerk.”

Supernatural

  • Many of Justin’s films center around supernatural creatures such as zombies, vampires, and werewolves.

Spiritual Content

  • A woman in the park tells Justin he should “spend a little less time thinking about zombies” and “a little more time thinking about the Lord.” She later refers to his cast and crew as “cultists.”

by Naomi Brenden

A Hundred Horses

Nell is not happy about spending her school vacation with relatives she doesn’t know. Expecting nothing more than silly little cousins and boring farm life, she sneaks along a special suitcase that once belonged to her father. In it, she knows, are the parts of a music box and sixteen miniature painted horses. She thinks maybe she can fit them all back together.

But the countryside has unexpected surprises. When a half-wild and mysterious girl named Angel steals Nell’s suitcase, the two girls are united in an adventure of Angel’s devising. Nighttime meetings and a horse that just might be magical, pique Nell’s curiosity. Soon, she might find a way to put together the mystery of who Angel truly is and understand the legend about the herd of a hundred horses. She may also discover something special about herself.

A Hundred Horses revolves around a fairytale about the one-hundredth horse. Some people believe that when the one-hundredth horse arrives, it will corrupt all the other horses. However, Nell’s friend Angel has learned the fairytale with a different conclusion. Angel’s story views the one-hundredth horse’s arrival as positive because the horse has magic. In the end, the one-hundredth horse’s arrival is tied into Angel’s personal story. However, many young children will not understand the significance of the fairytale and how it relates to Angel.

Nell narrates the story, which allows the reader to understand her complex thoughts. Despite this, some readers will have a difficult time connecting to Nell. The story grows at a slow pace because most of the suspense revolves around the mystery of Angel, who doesn’t want anyone to know she is back in town. Nell’s interactions with Angel allow Nell to look beyond Angel’s appearance. Because of her relationship with Angel, Nell realizes, “I knew what it meant when you don’t let people stick around. You’re scared that they don’t really want to know you, that when they do, they’ll leave you anyway. So you make yourself not care about them first.”

The book slowly weaves a story about friendship, family, and self-acceptance. While a horse and a foal make several appearances, they are not a focal point. Instead, the girls’ feelings of abandonment and their budding friendship take center stage in this heartwarming story. Readers who enjoyed Louisiana’s Way Home by Kate DiCamillo will like this book. However, many readers will have a difficult time reading to the end of the story. If you’re looking for an engaging book that explores the loss of a parent, you should read My Father’s Words by Patricia MacLachlan.

Sexual Content

  • Nell’s father “ran away to a place called Las Vegas with someone—called Susie or something. . .”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • Because of the legend of the hundred horses, Nell wonders if Angel is a real angel. Nell ponders, “Isn’t that what real angels did? Watched over and protected us just at the time between life and death.”
  • Angel thought Nell was an angel. Angel says, “I know I kept telling you to go away, but you didn’t I thought that meant you must be an angel. Only you’d lost your wings, so you’d forgotten you could fly.”

 

 

The New Olympians

There is a horse named Tornado Warning that’s winning every race he enters—and faster than ever before seen—and Emily thinks the animal looks a lot like Pegasus. Afraid of what this might mean and of what Jupiter might do if he finds out, Emily, Joel, Paelen, Pegasus, and the sphinx Alexis decide to go to Earth to investigate. There they discover a plot to replicate Olympians and Nirads. The CRU has already created dozens of clones. Now they want to create their own Emily clone—and it doesn’t matter to them if the original Emily dies in the process. 

Can Emily and her friends put a stop to the CRU’s plans before Jupiter finds out and follows through on his threat to destroy the Earth? 

The New Olympians’ plot revolves around the CRU’s ability to make clones of the Olympians. The Olympians believe making clones is unnatural and that the humans must be stopped. Emily’s thoughts, the descriptions of the clones, and the Olympian’s views all reinforce the idea that making clones is immoral. To make matters worse, the CRU hopes to use the clones to dominate the world. An agent explains, “One world order isn’t a bad thing, Emily. There will be no more borders, no more wars . . . One language, one people and one country. . . The CRU is going to create Olympus on Earth.” In order to achieve this, the CRU will murder anyone who opposes them. While Emily has no desire to hurt anyone, she has no choice but to destroy the CRU facility and anyone who tries to stop her.  

The New Olympians has a more serious tone and ramps up the violence. Sensitive readers may be upset by the treatment of the clones, some of which have deformities and are kept in cages. While none of the actual deaths are described, the number of people who are injured, killed, and punished may be upsetting.  

One negative aspect of the story is inconsistencies in the characters’ actions. For example, even though the CRU can identify Paelen, he still puts himself and others in danger when he goes to the Las Vegas strip to see the sights. In the first two books, Paelen tries desperately to prove that he is no longer a thief. However, in The New Olympians, he steals several times and acts as if he enjoys the thrill of thievery. In another instance, Emily and her friends’ original goal was to verify that the CRU had indeed made clones. However, instead of reporting back to Jupiter once they’ve confirmed the existence of clones, the group decides to confront the CRU. Despite their knowledge of the CRU’s cruel tactics, the group makes several unrealistic decisions. For example, Agent T, who used to work for CRU, leads the group to a small town close to Area 51. Even though he knows the area is crawling with agents, Agent T thinks the group will go unnoticed. However, Agent T is quickly dispatched. Agent T’s presence doesn’t shed light on any new information which makes that section of the story feel unimportant and a waste of pages. 

Readers who have read the first two books in the series will find The New Olympians frustrating because of the story’s inconsistencies, Emily’s lack of character growth, and events that do not advance the plot. However, readers may enjoy the reappearance of several characters from the previous books. The New Olympians wraps up the main conflict with the CRU’s clone-making abilities, which allows the next book in the series, Pegasus and the Origins of Olympus, to take Emily back in time to the origins of Olympus and to the deadly battle between the Olympians and the Titans. Readers who love traveling to other worlds where pegasi live should also read the Riders of the Realm Series by Jennifer Lynn Alvarez. 

Sexual Content 

  • After Joel scores a winning goal, the sphinx Alexis “brushed back the hair from Joel’s eyes, leaned forward, and kissed him full and long on the lips.” The kiss makes Emily jealous. 
  • The newspaper prints a picture of Tornado Warning, who looks like Pegasus’ twin. One of the Olympians asks Pegasus, “Did you get up to some mischief while you were in Emily’s world?” 

Violence 

  • Emily and her friends break into a house that belongs to Agent T and Earl. When Agent T comes down the stairs, he screams. “Alexis knocked to the floor a long-haired man wearing a brown bathrobe. Emily received her first look at Alexis’s eating teeth as the Sphinx stood on the man’s chest and prepared to kill him. . . Huge, sharp canines filled her mouth as her jaw unhinged to allow her to open her mouth wider than Emily had thought possible.” Joel calms the sphinx down before anything worse happens.  
  • A newspaper article describes a robbery, saying “there was only one survivor of the massacre.” 
  • Another newspaper article describes a boy who broke into a chocolate store. “One witness said he was super strong and tossed everyone around like they weighed nothing.”  
  • When Pegasus sees Tornado Warning, Pegasus attacks him. “Tornado Warning charged out of his stable. Rearing up, the two glowing stallions attacked each other with all the fury they possessed. Pegasus’s wings opened and smashed at Tornado’s head, knocking him into the large open training ring.”  
  • Pegasus’s brother tries to stop the fight, but “all his presence did was to infuriate Tornado Warning further. The gray stallion rose high in the air and came crashing down on Chrysaor with his powerful front hooves. Driven to the ground, the winged boar squealed in pain.” Chrysaor is injured.  
  • Ranch hands hear the horses fighting and go to investigate. “A blast from a shotgun fired at Pegasus alerting the group. . . [Emily] raised her hands in the air. No flame emerged, but the man was lifted over the heads of the fighting stallions and thrown to the opposite side of the stable.” Agent T holds the ranch hands at gunpoint.  
  • The stallions continue to fight. “Pegasus was steadily gaining over Tornado. Despite the racing stallion’s strength, he was no match for the enraged Olympian . . . Tornado Warning was covered in blood from the deep cuts caused by Pegasus’s hooves. His eyes were closed, and he wasn’t breathing.” The fight is described over six pages. 
  • Agent T needs information about Tornado Warning. A ranch hand named Rip refuses to talk, so Agent T “slapped Rip across the face.” Rip is still defiant and Alexis attacks. “Moments later Rip Russell was on the ground, crying in pain and grasping his lower legs. His jeans were torn from Alexis’s claws, and blood was rising to the surface.”  
  • When Rip and some other ranch hands try to grab Emily, Alexis attacks them. Emily closes her eyes, so she doesn’t see the attack, but Agent T tells her, “Keep your eyes shut; you don’t want to see this.” Alexis kills the men who were “going after Emily.” Later, Emily sees blood on her clothes.  
  • When Agent T tries to talk to the CRU, they attack him and Alexis. Alexis’ wings are dislocated. Alexis thinks Agent T is dead, so she runs to warn the others. 
  • The CRU soldiers try to capture Emily and her friends. When the soldiers arrive, “Popping sounds filled the air as they fired. [Emily] felt the stings on her arms and back and realized they were using tranquilizer darts. . . She held up her hand and released the laserlike flame at the nearest military vehicle. It exploded in a brilliant blast.” This causes a chain reaction that blows up the other vehicles.  
  • The CRU also try to capture Tornado Warning. The horse “stopped, spun around, and charged the soldiers who were trying to capture him. . . He instinctively used his wings as weapons. He flapped them and struck the men who were trying to catch him. Others were kicked by his lethal hooves. . . the winged racehorse [was] finally brought down by the countless tranquilizer darts being shot into him.” 
  • During the attack, Joel is shot. In anger, Emily goes after the military helicopters. “Emily focused her eyes on the closest helicopter. . . Emily raised her hands and unleashed the flame.” The story implies that Emily destroys all the helicopters. The attack is described over five pages. 
  • While walking down a Las Vegas street, two men “pulled out weapons and shoved them into Paelen’s and Joel’s backs.” They take Paelen, Joel, and Frankie to their mob boss. After the mob boss threatens to kill them, Joel and Paelen attack the men. “A shot went off and hit Joel’s arm, but the bullet ricocheted off the silver and hit one of the men.” Paelen is shot in the head. “The bullet knocked Paelen backwards. He felt a searing pain in the center of his forehead. . . Joel charged the shooter. . . The tattooed man cried out as the bones in his arm shattered under the impact of Joel’s silver arm.” The scene is described over seven pages. 
  • After subduing the mob boss’ men, Joel tries to get the mob boss to talk. When he refuses, Joel “put his silver hand around the man’s throat and hoisted him up in the air. As the tattooed man squirmed and tried to break free, Joel slammed him hard against the wall.” The man eventually talks. Joel and Paelen then tie up the man and leave. 
  • When Paelen’s clone sees him, the clone attacks. The clone “smashed through the diner door and turned on Paelen. It screeched and roared and charged at him with murderous fury in his eyes. . . The clone lifted Paelen in the air and threw him through the plate-glass window of the diner. . . The clone struck out at Joel with a brutal blow that threw him several meters in the air. Joel landed on the roof of a seller’s pushcart and slipped down to the ground, badly winded.” 
  • As the fight continues, Paelen “tore up a streetlight from the pavement and used the pole like a bat, smashing the clone into a tall, brightly lit casino sign. Lightbulbs burst and sparked as debris poured down into the street.” As Paelen and the clone throw each other around, they start a fire. 
  • Ignoring the fire, Paelen “hurled the clone at the biggest, heaviest thing he could find—a lighted wall of a casino. The casino’s sign exploded with the impact, and the wall crumbled. As the clone fell to the ground, part of the lighted sign collapsed and fell on top of it.”  
  • A police officer raises his weapon at an injured Paelen. When Paelen refuses to stop, the officer shoots a taser. “Electrical current tore through him. He lost control of his muscles and collapsed to the ground, convulsing. The pain was intense, and he couldn’t move.” Paelen passes out and wakes up in jail. The fight scene is described over five pages. 
  • Paelen breaks out of jail, and returns to his hiding place, but the clone is still able to find him. “The clone, caught hold of him and, screaming in rage, lifted him high above its head. Snarling with uncontrolled hatred, it hurled Paelen at the painted window. . .” Paelen falls off the building and is presumed dead.  
  • In order to keep her friends safe, Emily shoots at the military helicopters that are shooting at them. “One by one, the helicopters exploded in the air and rained fire down on the dark desert floor. Soon they were alone.” 
  • In an epic, multi-chapter conclusion, the Olympians, led by Emily, fight the CRU. Emily tries to talk to the CRU soldiers, who shoot her. Emily “felt her body exploding in pain as several bullets found their mark. Thrown backwards, she hit her head on the ground with an explosive impact.” In a panic, Emily accidentally makes Alexis and Pegasus disappear and Emily assumes she has killed them. 
  • When Jupiter finds out what is happening on Earth, he takes his two brothers—Pluto and Neptune—to Earth. To help Joel, the three go to the police station. The police “opened fire on the chariots. Unaffected by their bullets, Jupiter returned fire with his lightning bolts. Suddenly the ground beneath the police exploded as Neptune commanded water to come forth.” 
  • When another police officer shoots at Pluto, “he swept his hand in the air. An instant later, the officer collapsed dead to the ground.” As they talk to the police, helicopters appear. “A second rocket was fired at the Olympians. Jupiter raised his arm, and the rocket shot away from the chariots and tore into the police station. The rocket exploded on impact. . .” Jupiter “fired powerful lightning bolts at [the helicopters]. They burst into flame and crashed down to the street in a heap of burning metal.” 
  • The military continues to shoot weapons at the Olympians, who remain unharmed. The weapons “were defeated by the Olympians’ powers and crashed into a big black pyramid-shaped building. The light at its top went out, the windows exploded, and the building burst into flame.”  
  • The CRU captures the Nirad prince, Toban. They secure him to a table with gold and the gold burns his skin. The gold “scalded him until his skin smoldered, opened, and bled. [Emily] watched scientists extracting fresh black blood and skin samples from the suffering young prince. . . The prince’s eyes were shut as he writhed and howled in pain. The tight gold bands were cutting deep into his smoking, open flesh.” 
  • To destroy the CRU’s ability to make clones, Emily destroys Area 51. “Emily unleashes her power. Laserlike flames rushed from her hands and burned their way into the buildings. . . The sounds of the groaning and crumbling facility filled the air and grew in intensity until they become almost unbearable . . . The dust settled, and where once stood the CRU facility was nothing but an impossibly large crater.” 

Drugs and Alcohol

  • When Emily meets Tornado Warning, one of the workers tells her, “Tornado Warning is loco. He has killed two riders. No one can touch him unless he is drugged.” In order to control Tornado Warning, the horse is given sedatives.  
  • In order to keep Tornado Warning from fighting with Pegasus, the horse is given “heavy tranquilizers” that make him sleep.  
  • Paelen meets a homeless boy named Frankie. Frankie’s mother abandoned him, and the boy is being cared for by a man who is drunk often. 
  • In order to steal money, Paelen targets a drunk gambler. 

Language   

  • The adults use profanity infrequently. Profanity includes darn, heck, damn, and hell. For example, Agent T asks Emily, “what the hell are you doing back here?” 
  • Oh God and Lord are used as exclamations several times.  

Supernatural 

  • The story includes many Greek Gods, who have supernatural powers, such as the sphinx Alexis who can “read a human’s intentions.” 
  • The sphinx Alexis is given Pluto’s helmet of invisibility so she can travel around Earth without being seen. 
  • Emily can heal others. She also has new, unpredictable powers. She explains, “Sometimes I can move things. Sometimes items disappear and I can never find them again. And sometimes they explode.” 

Spiritual Content 

  • When Emily plans to go to Earth without permission, she “prayed she would be returning to him in Olympus soon with good news.” 
  • When Earl finds out about Tornado Warning, he says, “pray to God he’s just a horse and not an Olympian clone.” 
  • When Emily leads the military away from her friends, Paelen prayed, “Be safe, Emily.” 
  • At Agent T’s request, Jupiter turns him into a willow tree. Jupiter explains that Agent T is a “very happy” tree. “Agent T will never feel pain but can still experience joy. He can think, speak, and live a long and happy life with Alexis.” 
  • In order to punish the CRU staff, Pluto changes them into Prometheus Oak trees. “Being turned into a Prometheus Oak is living torture. He will remain fully conscious and aware of his previous life. He will feel everything. . . His bark is like breaking bones, and when the wind blow through his leaves, you will hear him screaming.” 

Athena the Brain

Athena has always been above average. She’s never quite fit in at Triton Junior High, but who would’ve guessed that Athena is actually a goddess? Principal Zeus’s daughter, to be exact. When she’s summoned to Mount Olympus Academy, Athena thinks she might actually fit in for the first time in her life. But in some ways, school on Mount Olympus is not that different from down on earth. It doesn’t help that Althea is going to have to deal with the baddest mean girl in history—Medusa! 

In the Goddess Girls Series, readers will follow the ins and outs of divine social life at Mount Olympus Academy, where the most privileged godboys and goddessgirls in the Greek pantheon hone their mythical skills including “manipulation, disasters, and quick saves.” 

The students at Mount Olympus Academy act like typical junior high students, but they have powers that add drama to the story. As part of her course work, Athena must create a quest for Odysseus. This allows the book to explore the story of Helen, who ran away with Paris and started the Trojan War. However, the rules between the human world and Olympus are unclear to Athena. For example, because Athena just learned that she was a goddess, she accidently makes mistakes, such as falling asleep and dropping Odysseus in the sea where he almost drowns. While none of the events are particularly believable, young readers will enjoy learning about Mount Olympus Academy and the Greek gods. However, in order to create more drama and conflict, the story doesn’t always stick to the facts from the original Greek myths. 

Athena and the other students also have a contest to see who can make the best inventions. Most of the inventions are silly, such as Lucky-in-Love Lip Balm that makes everyone fall in love with the wearer. When Poseidon wins the contest, he gets to determine his award. He says, “First off, I’d like mortals to name a chewing gum after my trident, so no one will ever call it a pitchfork again. And I’d like to be Earth’s official water park designer.” The book’s humorous tone will appeal to many readers.  

The quickly changing topics, the large cast of characters, and the reference to the Odyssey and the Trojan War may be confusing for some readers. However, Athena the Brain is full of silly events, crushes, and new friendships. While the story has no educational value and teaches no life lessons, young readers will quickly be caught up in the school’s drama. Athena’s bully, Medusa, is a predictable villain that readers will love to hate. While the conclusion is a bit predictable, readers will be happy to see the mean girl Medusa meet her downfall.  

If you’re looking for a fun series that will engage young readers, the Goddess Girls Series hits the mark. With 28 books in the series, it will keep readers entertained for a long time. Athena the Brain is perfect for readers who are ready to leave illustrated chapter books behind, but not yet ready to jump into the Percy Jackson Series. If you love stories that revolve around mythology, you should also read the Thunder Girls Series by Joan Holub & Suzanne Williams. 

Sexual Content 

  • Aphrodite encourages Athena to try out for the cheer squad because “you’ll get to hang out with the cutest guys on the team.” Athena teases Aphrodite, saying, “You’ve got a one-track mind.”  
  • Aphrodite thinks Poseidon is crushing on Athena. Aphrodite says, “Poseidon’s probably never come across a girl who didn’t fall for him right away. That’s why he’s trying so hard with you. You’re a challenge.” 
  • The events of the Trojan War are discussed. The characters talk about Helen falling in love with Paris and leaving her husband. 

Violence 

  • Poseidon tricks Medusa into looking into a mirror and she turns into stone. 

Drugs and Alcohol 

  • None 

Language   

  • Pheme, one of the students, asks Athena about her father, Zeus. Pheme asks, “So you think he’s kind of nutty? Then you think he’s a blowhard.”  
  • Some of the students make fun of Athena because her mom is a fly. “Making buzzing noises, the triplets whipped out flyswatters they’d tucked in their belts. . . Waving the swatters in choreographed moves, the girls launched into a little skit.” 

Supernatural 

  • Most of the book takes place on Olympus, where the Greek gods live. They follow many of the Greek gods’ lives including Zeus, Poseidon, Athena, Aphrodite, Medusa, etc. Some examples are explained below. 
  • Aphrodite was “born from sea foam.”  
  • Athena’s mom is a fly “as in a hairy-legged, two-winged, compound-eyes insect of the order Diptera.” The fly lives in Zeus’ head, so he can relay messages from the fly to Athena. 
  • Athena sketches inventions that come to life on earth. Artemis explains, “You should never make sketches without bespelling them to stay put on the page first.” 
  • As part of a class project, the students design a quest for someone on Earth. Athena chooses Odysseus. Everything Athena does has “an effect on mortals.” For example, Odysseus almost drowns when Athena falls asleep and drops him into water.  
  • Athena makes a special shampoo, Snarkypoo. “After someone uses it, any snarky words they think of turn to stone in their brain before they can be spoken. I invented it with Medusa in mind.” Later she discovers that she misspelled “the name as Snakeypoo, it turned hair into snakes.”

Spiritual Content 

  • None

The Summer I Turned Pretty #1

The story follows 15-year-old Belly, who has gone to Cousin Beach every summer since she was born, along with her brother Steven and their mom Laurel. The house owner, Susannah, is Laurel’s best friend, and their visits are a tradition Belly always looks forward to. 

Belly holds a genuine love for the house and the memories it holds. Especially when it comes to the memories Belly has shared with Susannah’s son, Conrad. Conrad is known for his intense, quiet presence and his keen observance of everything around him. Belly has been completely infatuated with him ever since they were kids. But with Conrad, she never truly knows where she stands.  

It’s the complete opposite with Conrad’s younger brother, Jeremiah. Jeremiah and Belly have been close friends for as long as she can remember. They’ve kept each other’s secrets and looked out for one another. Jeremiah has been a great friend, although this summer he may no longer be satisfied with just being friends.  

This year, Belly decides to branch out on her own rather than staying stuck behind the boys’ shadows. Belly is finally coming into her own and gaining confidence, which gives her the courage to venture off and meet new people. Even though Belly is determined to change, she finds herself conflicted. Somehow every time Belly thinks she’s left her insecurity behind, she runs into things that make her feel like the self-doubting little girl she once was. This causes her to reflect on the past summer memories that led her to this point. 

The Summer I Turned Pretty will effortlessly keep readers intrigued because Belly shares her love for Cousins Beach and brings readers into her whirlwind life full of boys. Belly is a realistic character who faces typical teenage conflicts such as liking boys and trying to fit in. Belly’s strong-headedness will cause readers to root for her as she takes the reader through emotions such as cheerfulness, heartbreak, and nostalgia.  

Although The Summer I Turned Pretty is full of clichés and a typical love triangle, the characters will make readers fall in love with them. Since the characters share their memories, their complexities shine. Plus, readers will enjoy seeing both Belly’s struggles in the present and her reminiscence on her past. However, the constant switching of time periods is frustratingly confusing. The Summer I Turned Pretty is a summer romance that is a fun, easy read that will leave you in tears. For more sweet summer romance worthy of taking to the beach to read, check out The Unexpected Everything by Morgan Matson.  

Sexual Content 

  • Cam writes a note to Belly saying, “IOU one skinny-dip.” 
  • Belly has her first kiss with Jeremiah. “He kissed me right on the lips. His mouth was a little bit open, but it wasn’t a French kiss or anything. I tried to push him off, but he kept on kissing me for a few more seconds.” 
  • While parked in the driveway, Belly shares a kiss with Cameron. “He dipped his head low and kissed me. I didn’t let go of the door handle. All I could think was, I wish this had been my first kiss.” 
  • In the midst of consoling Conrad, Belly kisses him. “I let his head rest there, stroking the back of his hair, and then I cup the back of his head, moved it toward me, and kissed him. Tentatively at first, and then he started kissing me back, and we were kissing each other.” 
  • Belly catches her best friend and her brother kissing on the beach. “He had his arms around her, and they were kissing. They weren’t even watching the sunrise.”  
  • Jeremiah explains his first kiss to Belly. He says, “The first time I kissed a girl was a joke. She kept telling me what I was doing wrong.”  

Violence 

  • Conrad almost gets in a fight with a guy at a party. “Conrad was looking for a fight. He wouldn’t be satisfied until he got one, period, and this guy, he could kill Conrad.” They do not end up fighting.  
  • Conrad and Jeremiah get into a confrontation over different opinions. “Conrad pushed Jeremiah away roughly, and Jeremiah pushed him back. Conrad stumbled and nearly fell, and when he rose up, he punched Jeremiah right in the face. I think I screamed. Then they were wrestling around, grabbing at each other, hitting and cursing and breathing heavy. They knocked over Susannah’s big glass jar of Santee, and it cracked open. Tea spilled out all over the porch. There was blood on the sand.” 

Drugs and Alcohol 

  • Because Conrad has been distant and on edge, Belly’s mom asks, “Is Conrad doing drugs?” Belly says he is not. 
  • Conrad is caught smoking a cigarette. “Since when did you start smoking?” Belly asks him accusingly. 
  • Conrad leaves empty beer cans on the patio, after drinking alone.  
  • Someone offers Belly a beer, but she declines it. 
  • A boy named Kinsey is rumored to sell “crystal meth out of his trunk.” 
  • Belly’s mother has “been taking medicinal marijuana to help with nausea from the chemo.”

Language 

  • Profanity is used frequently. Profanity includes hell and ass. 
  • A girl calls Belly a “little skank.”  

Supernatural  

  • None 

Spiritual Content  

  • None  

by Jae’La Leavy

Bo the Brave

Bo’s life is “glitterrific!” Bo’s class is going camping! The unicorns have fun at first, but then they hear strange sounds outside their tents. Is there a scary creature in the forest? Can the unicorns be brave and help one another face their fears?

Bo the Brave has relatable conflicts—being scared, experiencing misunderstandings, and “falling out” with friends. One misunderstanding occurs during a camping trip when a unicorn accidentally destroys a pixie house. Instead of being upset, the unicorns start laughing which upsets the pixies. The pixies thought the unicorns were laughing at them, but they weren’t. Bo the Brave shows how friends can sometimes make mistakes and need to apologize. While the conclusion has a little bit of magic, the real magic is in being able to fix a friendship with kindness. In the end, the pixies accept the unicorns’ apology. Then, the unicorns and pixies work together to make the pixies’ houses stronger.

The Unicorn Diaries Series is part of the early chapter book line, Branches, which is aimed at newly independent readers. Bo the Brave is told in a blend of diary entries and speech bubbles. The blended text makes each page manageable for young readers. Plus, some of the words are underlined or bolded for added emphasis.

Readers will be attracted to Bo the Brave because of the bright colors used on the illustrations of each page. However, they will keep reading because of the fun format and the interesting characters– including pixies. Chapter One introduces the main characters, Sparklegrove Forest, and provides interesting facts about unicorns.

Bo the Brave is a great book that teaches lessons about friendship and bravery. Mr. Rumptwinkle reiterates the theme: “Bravery isn’t just about battling monsters. It’s about standing up for your friends and standing up to your friends when they’re in the wrong. It’s also about being brave enough to admit when you’re wrong and say sorry.”

The fast-paced plot and relatable conflicts will appeal to younger readers. The colorful pages are full of illustrations that are packed full of details. Readers will fall in love with Bo and be excited to read the next book in the series The Goblin Princess. Readers who love sparkly unicorns should also check out the Unicorn and Yeti Series by Heather Ayris Burnell.

Sexual Content

  • None

Violence

  • One of the unicorns “accidentally rolled over the pixie’s houses.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • All of the unicorns have a special power. Bo is a Wish Unicorn that “can grant one wish every week.” The other unicorns have powers such flying, healing, shapeshifting, size-changing, etc.
  • When helping the pixies, one of the unicorns “used her thingamabob power to pull coins from her mane.” They use the coins to distract the magpies.
  • Rumptwinkle is teaching the unicorns about bravery. When the unicorns go to bed, “Monty screamed! He’d spotted a big spider running through our unipod! This made us all jump!” The spider was actually Mr. Rumptwinkle.

 

 

 

The Midwife’s Apprentice

A girl known only as Beetle has no family, no home, and no future until she meets Jane the Midwife and becomes her apprentice. As she helps short-tempered Jane deliver babies, Beetle—who renames herself Alyce—gains knowledge, confidence, and the courage to want something in life for the first time. 

At first, Alyce thinks she is unimportant and unworthy of kindness. The midwife often reminds Alyce that she is a nimwit, a lackwit, and has no brains. At first, Alyce believes the midwife’s assessment of her and silently takes the midwife’s abuse. Slowly, with the help of fate, Alyce begins to realize that she is worthy and deserves a real name. However, Alyce’s growing confidence is often overcome by fear. And when Alyce faces failure, she runs away from the midwife and leaves the village. While she is gone, she learns to value herself and to ask herself what she really wants.  

As the title implies, the story revolves around a midwife who often delivers babies. While none of the births are described in detail, there are some long descriptions of the herbs and potions that are used during birth. In addition, the story discusses some of the medieval superstitions revolving around birth. Because Alyce is the midwife’s apprentice, she accompanies the midwife and learns many skills through observation. Due to this, there is little action (after all, babies take time and patience to deliver.) 

While Alyce isn’t necessarily a relatable character, readers will still sympathize with her plight and understand her fear of failure. Originally, Alyce allows her fear and uncertainty to paralyze her, but she eventually learns that failure is part of life and she must “try and risk and fail and try again and not give up.” Even though Alyce is frightened, she is brave when a boy almost drowns and she saves him, and when a woman is struggling to birth her child, Alyce uses her knowledge to safely bring the child into the world. These events help Alyce learn that “everyone is somebody” and everyone deserves to be treated with kindness. It is Alyce’s compassion for those in need that make her a truly remarkable character.  

The Midwife’s Apprentice received the Newberry Medalist award. It has universal appeal because Alyce wants what every human wants—to be loved. Through Alyce’s experiences, readers will step back into medieval times and learn about their superstitions, customs, and the importance of midwives. The rich period language, advanced vocabulary, and slow pace make The Midwife’s Apprentice best for strong readers who are interested in the topic. Readers who stick with the story will fall in love with Alyce and her cat, and the story’s conclusion will leave readers with a warm glow and encourage them to never give up.  

Sexual Content 

  • Alyce spies on the midwife and sees her kissing the baker, “and him with a wife and thirteen children in their cottage behind the ovens.”  
  • While looking at a comb, the merchant says, “Comb those long curls till they shine, girl, and sure you’ll have a lover before nightfall.”  
  • Some of the village boys have “too much ale and too few wits.” When they see Alyce, a boy says, “Dung Beetle, give me a kiss.” Alyce runs away. 
  • The priest opens the door to a barn and sees “the smith’s lardy daughter, and the pockmarked pig boy from the manor. The boy gathered his breeches and flung himself out the barn window.” Their behavior was blamed on the Devil. 
  • While looking for a friend, a man looked at Alyce and said, “Forget this Edward, curly top. . . Climb up here on this hay bale and give me a warm, sticky kiss.” Alyce tells the man, “Save your sticky kisses for your wife or your cow.” 

Violence 

  • The boys in the village are mean to Alyce and her cat. “The taunting, pinching village boys bedeviled the cat as they did her, but he, quicker and smarter than they, always escaped. She did not, and suffered their pinching and poking and spitting in silence. . .” 
  • Two of the village boys throw rocks at Alyce, “which made the villagers laugh.” 
  • One day the village boys capture the cat. A boy put the cat in a sack with an eel. “And the sack with eel and cat was tossed into the pond.” Alyce saves the cat. 
  • A boy drags Alyce to a pregnant woman’s house to help deliver a baby. When Alyce doesn’t know what to do, the woman yells, “‘ ‘By the bones of Saint Cuthbert, they have sent me a nimwit! You lackwit! No brains!’ Screeching still, the miller’s wife let go of Beetle’s arm and began to throw at the girl whatever she could reach from her bed—a jug of warm ale, half a loaf of bread, a sausage, the brimming chamber pot.” The midwife shows up and sends Alyce away. 
  • For fun, a mean boy would sit on Alyce, “so Jack and Wat could rub chicken manure in her hair.” The miller was also mean to Alyce. He “pinched her rump when she brought grain to the mill.” 
  • When the village boys begin teasing Alyce’s cat, “she took a handful of nuts, the biggest and hardest and heaviest in her basket, and heaved them at the boys.” Then she yells, “Touch that cat again and I will unstop this bottle of rat’s blood and viper’s flesh and summon the Devil, who will change you into women, and henceforth each of you will giggle like a woman and wear dresses like a woman and give birth like a woman!” The boys leave the cat alone. 
  • A pregnant woman sends someone to get Alyce, instead of the midwife. The midwife is furious and “she began to throw cooking pots.” Alyce quickly leaves the room.  

Drugs and Alcohol 

  • The midwife uses herbs and other plants such as “columbine seeds to speed the birth, cobwebs for stanching blood. . . jasper stone as a charm against misfortune, and mistletoe and elder leaves against witches.” 
  • Throughout the story, both children and adults drink ale. The adults also drink wine. 

Language   

  • After Alyce pulls the cat out of a pond, she says, “Damn you, cat, breathe and live, you flea-bitten sod, or I’ll kill you myself.” 
  • The midwife insults Alyce and calls her derogatory names such as a “clodpole,” “brainless bratt,” “good-for-nothing,” “shallow-brained wiffler,” etc. Other villagers call Alyce names as well. 
  • While delivering a baby, the midwife tells the woman, “Push, you cow. If an animal can do it, you can do it.” 
  • Alyce saves a boy from drowning in the river. When he calls Alyce brave, she says, “I near pissed myself. I did it for else you’d have drowned and gone to Hell, a drunken loudmouth bully like you, and I would have helped send you there. . .” 
  • The saints’ names, such as “corpus bones,” are used as exclamations, but rarely. For example, a pregnant woman says, “Let me die. By the bones of Saint Mildred, let me die.”  

Supernatural 

  • The midwife requested “a murder’s wash water” to help in delivering babies.  
  • People are superstitious and think there are witches and devils in town because a two-headed cow was born and a “magpie landed on the miller’s barn and would not be chased away.” Then they see strange footprints and the villagers are “convinced the Devil had found their village and was looking for souls to lead into sin.” For a while, when people were found sinning, the villagers thought the Devil tempted them. 
  • People believed that “newborn infants are readily seized by fairies unless salt is put in their mouths and their cradles, that a baby born in the morning will never see ghosts, and that a son born after the death of his father will be able to cure fevers.” 
  • The villagers believed that twin cows were “a joy and a boon while twin babies were ill-starred and unlucky.” 

Spiritual Content 

  • When the hay had been cut and was drying, “the village [was] praying for rain to hold off until the grain was safely cut and stored away.” 
  • When the midwife injures herself, “her furious oaths made Beetle truly fear she was a witch, for only someone who had truck with the devil could know such words.” 
  • Alyce helps birth a cow. During the labor, a boy tells her, “Rub her head and belly. If we can but calm her, God will tell her and the calf what to do.” 
  • An innkeeper cheats her customers. She tells Alyce, “Thundering toads. . . I am sure God does not begrudge me my little economies.”  
  • A peasant “cursed God for making him a peasant and not a lord.”
  • While delivering a baby, Alyce “called on all those saints known to watch out over mothers—Saint Margaret and Saint Giles and Saint Felicitas, and even Saint Loy who protects horses, and Saint Antony, who does the same for the pigs, for she believed it would do no harm.” After the baby is safely born, “the man and the servants, still on their knees before her, prayed and thanked her for the cure of their mistress.” 

Gregor the Overlander

When eleven-year-old Gregor and his two-year-old sister, Boots, fall down an air duct in their laundry room, they find themselves in Underland: an underground world that has remained hidden from the surface dwellers for centuries. Underland is populated by the friendly but fierce Underlanders, who live in the underground city of Regalia. However, Underlanders are not the only ones who live in the dark. Giant, talking animals inhabit this strange place: enormous bats, upon whom the Underlanders ride and fly, cockroaches, spiders, and worst of all, rats.

The rats are the sworn enemies of the people of Regalia and when Gregor arrives, word begins to spread that he may be the warrior spoken of in an ancient Underland prophecy; a warrior who will save Regalia from the rats. Gregor, however, just wants to find his father, who’s been missing for over two years and may be lost somewhere in Underland. On his quest to recover his father, Gregor learns many important lessons about courage, friendship, and perseverance.

Those who read Gregor the Overlander will enjoy its unrelentingly quick pace and action. The peculiar and intriguing world of Underland, the fantastical and dangerous creatures, the mysterious “Prophecy of Gray,” and the hunt for a boy’s lost father are sure to hook the reader for the entirety of the story. The action, while violent and bloody, is not gory. Often, giant bugs or animals are wounded and killed in battle, which some may find more palatable than human violence.

The story is rife with themes that are important for every child to explore, such as family, friendship, sacrifice, courage, and empathy. Throughout the book, Gregor is unceasingly loving, kind, and protective of his little sister, and in the darkest moments of his quest, Gregor finds strength and hope in the thought of reuniting with his father. Gregor is not a perfect character though; he often finds himself losing his temper and judging others too quickly, like the cockroaches Tick and Temp. However, Gregor learns that these humble creatures possess virtues of their own and are deserving of respect and dignity. Gregor also frequently butts heads with two young Underlanders (who also happen to be royalty in Regalia), Luxa and Henry. However, after Luxa rescues Gregor and vice versa the two begin to trust and respect one another, planting the seeds of friendship.

Throughout the story, Gregor expresses doubt that he is in fact the warrior spoken of in the Prophecy of Gray. However, he continually demonstrates courage in the face of danger, surprising both himself and the Underlanders. In the end, Gregor finds that he is willing to sacrifice himself for his friends. Throughout the story, Gregor develops into a courageous, yet thoughtful young man. Though the story is self-contained, it also sets up the sequel, Gregor and the Prophecy of Bane, quite nicely.

Gregor the Overlander’s unique blend of fantasy, mystery, and adventure combine to create a story that is sure to entice and delight young readers. Plus, readers will find it easy to identify with Gregor and imagine how they would react to the challenges he faces. The fast-paced story with its unique world, its pulse-pounding action, and its compelling characters ensure that readers won’t want to put it down until they’ve finished, after which they’ll quickly reach for the next one, Gregor and the Prophecy of Bane.

 Sexual Content

  • None

Violence

  • When Gregor tries to escape and return home from Regalia, two rats find him and Boots, intending to eat them. The kids are saved when a squad of Overlanders comes to their rescue, but there are many bloody wounds sustained in the ensuing battle. One of the rats bites the wing and throat of a bat, and an Underlander cuts off a rat’s ear “with one stroke of her sword.” Gregor “thrusts his torch into [the rat’s] face,” causing him to stumble back “right into Henry’s sword.” A bat sprays blood from a wound in its wing, and another rat dies when stabbed through the throat.
  • Luxa, a human Underlander, “crossed the room and struck [Gregor] on the face” for attempting to escape Regalia’s palace.
  • A woman and her bat barge into a meeting, the woman “pressing her hands to her chest to stem the flow of blood [while one of her] bat’s wings folded in, but the other extended at an awkward angle, clearly broken.” The woman delivers a message, then passes out.
  • A giant spider nearly eats Luxa, but she is saved at the last moment: “From above, a jet of silk shot down, encircling Luxa’s sword arm and jerking her from her bat. The pair of striped legs reeled her in like a fish.” Gregor saves Luxa by spraying the spider in the face with a can of soda: “Just as the fangs were about to pierce Luxa’s throat, [Gregor] flew up and popped the soda can top. The stream of root beer shot out and smacked the spider queen right in the face. She dropped Luxa and began to claw at her six eyes.”
  • A brown spider who has been wounded and is “oozing a strange blue liquid” dies. A different spider “began to pump juice into [the dead spider]” and eats him.
  • Henry, a human Underlander, stands over Ripred the rat as he sleeps, “ready to plunge his sword into [Ripred’s] back,” but the rat awakens at the last second. “In the split second Henry drove the blade down, Ripred flipped onto his back and slashed his terrible claws. The sword cut across the rat’s chest as Ripred tore a deep gash along Henry’s arm.” The scene takes place over three pages.
  • Tick, a cockroach, charges a group of rats, sacrificing herself in order to save Boots. She dies when a “rat sprang forward and crushed [her] head in its jaws.”
  • Many rats fall from a bridge after Luxa and Henry sever it with their swords. The rats plunge into a river below where “enormous piranha-like fish surfaced and fed on the screaming rats.”
  • Ripred, a rat ally to Gregor and his quest, “tore out [one rat’s] throat with his teeth while his back feet blinded the second. In another flash, both rats lay dead.”
  • Gorger, king of the rats, using his tail, “slashed poor Gox (a friendly spider) in half.”
  • Gregor jumps off a cliff, and many rats follow him over the edge, as does the Underlander Henry. A bat dives down and saves Gregor, who sees “the rats beginning to burst apart on the rocks below,” and just before Henry hits the rocks, Gregor turns away. The scene is described over three pages.
  • Gregor falls off of a cliff and nearly breaks his nose when caught by Ares the bat: “At that moment, Gregor slammed into something. ‘I’m dead,’ he thought, but he didn’t feel dead because his nose hurt so badly and his mouth was full of fur. Then he had the sensation of rising and he knew he was on Ares’s back.”
  • Gregor attempts to help a wounded bat by stitching its wing. “He cleaned off [the bat’s] wound as well as he could and applied an ointment she told him would numb the area. Then, with great trepidation, he began to sew up the rip. He would have liked to move quickly, but it was slow, careful work mending the wing. Aurora (the bat) tried to sit motionless, but kept reacting to the pain involuntarily. ‘Sorry, I’m sorry,’ he kept saying. ‘No, I am fine,’ she would reply. But he could tell it hurt a lot.”

Drugs and Alcohol

  • None.

 Language

  • Several times, Boots declares that she has pooped herself and needs to be changed.

 Supernatural

  • Gregor’s neighbor, Mrs. Cormaci, is known to read tarot cards for people.
  • A reference is made to Nostradamus the soothsayer.
  • Central to the plot is a series of ancient prophecies from the half-sane founder of Regalia, Bartholomew of Sandwich. Pertinent to this book is the Prophecy of Gray: “Two over, two under, of royal descent, Two flyers, two crawlers, two spinners assent. One gnawer beside and one lost up ahead. And eight will be left when we count up the dead. The last who will die must decide where he stands. The fate of the eight is contained in his hands. So bid him take care, bid him look where he leaps, As life may be death and death life again reaps.”

 Spiritual Content

  • None

 

Biscuit and the Little Llamas

It’s springtime on the farm. Biscuit can’t wait to meet all the new animals. He makes friends with the piglets, the lambs, the chicks, and even the little llamas!

As Biscuit and a little girl explore the farm, Biscuit keeps tugging on a rope, trying to show the girl what he has found. The little girl is distracted by all the baby animals, butfinally she sees what Biscuit has found—a llama. Biscuit then proudly leads the llama to “the fresh green grass.”

As part of the My First I Can Read Series, Biscuit is perfect for emergent readers. The story uses basic language, word repetition, sight words, and sweet illustrations. Each page has one to three simple sentences and many of the pages have onomatopoeia animal sounds that make the story fun to read. Plus, the large pastel-colored illustrations are sweet and show all the cute baby animals.

Biscuit and the Little Llamas will appeal to young readers who love animals. As part of the My First I Can Read Series, the story will help build reading confidence in emergent readers. Plus, there are 35+ books in the Biscuit Series that cover many different topics. Readers who love animals and want to visit another farm should also check out Otis by Loren Long and The Apple Orchard Riddle by Margaret McNamara. 

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Exploring Flight

Why do airplanes look the way they do? Why can’t birds fly when they’re first born? And why do some paper planes fly farther than others?

Exploring Flight is the perfect nonfiction resource for all these questions and more. Discover everything there is to know about flight from Ada Twist, Scientist—from information about creatures that fly, to the history of aircraft, to modern technology that allows us to soar through the air faster than ever.

Fans of Ada Twist who are interested in flight will enjoy reading Exploring Flight and learning about how an object flies because of thrust, drag, lift, and weight. However, some readers may become frustrated by the quickly changing topics. For example, the text includes a poem written by Ada, brainstorming ideas and questions that Ada has. One page asks, “What could make a penguin fly?” The brainstorming answers include the following. “1. Wear a hat with a propeller. 2. I could make parrot wings for them to flap, flap, flap. 3. Buy a ticket on South Pole Airlines.”

The book’s format will appeal to young readers because each page includes large pictures, Ada’s drawings, and brightly colored fonts. The informational text appears in type and the important terms are in bold font. However, the bolded words are not always defined and there is no glossary. To distinguish Ada’s thoughts and questions, they appear in brown font that looks like handwriting. Many of Ada’s ideas add a little silliness to the topic. For example, Ada wonders “If a cat toots, will it scoot? If it toots a lot, will it fly to the moon?”

Exploring Flight will teach readers about many different aspects of flight and includes information about planes, birds, rockets, spiders and hot air balloons. There are also several pages that list important people such as Paul Cornu, who invented the first helicopter model. In addition, the back of the book includes two fun science experiments that will excite younger readers.

If your little reader wonders why things are able to fly, then Exploring Flight will delight. The book uses kid-friendly examples to help explain difficult concepts. Plus, the nonfiction book has plenty of fun illustrations as well as pictures from the Netflix Series. The text is broken up into manageable sections with one to seven sentences per page. However, readers may need help understanding some of the complex ideas. Exploring Flight mixes a little silliness in with fun facts to teach readers all about flight. To learn about different scientists readers should also read the picture book series Amazing Scientists by Julia Finley Mosca. Another excellent picture book series that will pique reader’s interest in space flight is Mousetronaut by Mark Kelly.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 Pride and Premeditation

Unlike other unmarried women her age, rather than a good husband, seventeen-year-old Lizzie Bennet wants nothing more than to practice law and work in her father’s law office. When there is a murder in high-society London, Lizzie jumps at the opportunity to prove herself worthy of being a litigator.

Although the authorities have charged someone with the crime, Lizzie has her doubts, promising to catch the real killer and clear the name of the man accused of the crime. But many obstacles stand in her way. For example, the man accused of the crime isn’t actually her client and is being represented by Mr. Darcy, a young lawyer and the heir of a prestigious law firm, who has no interest or patience for Lizzie’s antics. In order to uncover the truth and catch the killer, Lizzie pushes the boundaries of social and gender norms in this regency-era murder mystery.

Pride and Premeditation reimagines Jane Austen’s classic characters from Pride and Prejudice with a murder mystery twist. Following in the footsteps of the classic, Price examines gender roles and social standards of 19th century England. Lizzie is often pushing against preconceived sexist notions of what an unmarried, young woman should be doing. Rather than finding a husband of good social standing—as society and her mother tells her to—Lizzie would rather help her father around his office, and study contracts and case law. In conversations with her father or Mr. Darcy, Lizzie questions if she would be treated differently if she “weren’t a young lady.” Headstrong and extremely motivated, Lizzie explains she “will not live [her] life sitting by the side while there are so many men making a mess of things.”

The novel also looks at the classism and the social hierarchy of English society at the time. Lizzie feels as if she is looked down upon by those with higher social standing. The upper class often looks down on Lizzie, judging her based on where she lives or what she wears. But Lizzie, actively aware of this classism, simply sees this as another obstacle she must face in order to prove herself. Furthermore, Lizzie observes how people of her social standing look down on people of a lower class. In one instance, her mother scolds Lizzie for socializing with “street children” (or “urchins” as her mother would say).

Full of witty dialogue, Pride and Premeditation is a fast-paced story centered not only on the murder of a member of high-society London, but also on notions of justice, class, and the role of women in 19th century England. Readers will relate to Lizzie, who struggles with social and familial standards, and the people who are trying to dictate her actions when Lizzie is simply trying to pursue her interests. Readers can learn the importance of unabashedly being oneself and sticking to one’s convictions from Lizzie, no matter the obstacles society attempts to throw at you.

Pride and Premeditation has many familiar characters from Jane Austen, making it a great read for those familiar with Austen’s works (though knowledge of the original characters can make the twists and turns of this mystery slightly more predictable). However, the novel can also be enjoyed as a standalone novel for those unfamiliar with Pride and Prejudice. With a strong female lead, Pride and Premeditation is an inspiring and fun book with just the right mix of mystery, adventure, and a hint of romance, making this book is a must-read.  Readers who enjoy historical fiction and mystery should also read Enola Holmes and the Black Barouche by Nancy Springer.

Sexual Content

  • Lizzie and Darcy share one kiss. When Lizzie sees Darcy a few weeks later she is “reminded of the warmth of their kiss.”

Violence

  • The basis of this novel is the murder of Mr. Hurst, who was “stabbed with a fine penknife.”
  • There is a discussion about the blood spatter on the body, Lizzie notes “when a creature is killed, there is usually a bit more splatter.”
  • As she walks down the street, Lizzie is abruptly grabbed, as “a gloved hand” stops her from screaming and shoves her into a carriage. Lizzie is taken in order to talk to Lady Catherine de Bourgh, someone interested in Lizzie’s investigation, then freed.
  • Lizzie discovers the dead body of Abigail who was left in the river Thames to drown with her hands “bound with rope”.
  • After stumbling upon the ransacked offices of Pemberley and Associates, Darcy and Lizzie are shoved by the assailant “sending them tumbling into the records room.” As the assailant rushes back to the streets, Georgina, Darcy’s younger sister, “opened the door [of the carriage] as he went by and hit him quite hard,” but he gets away.
  • In a heated moment of action, as Lizzie and the others discover what Mr. Wickham has done, he holds Lizzie at gunpoint, digging “the muzzle into her ribs.”
  • Mr. Wickham drags Lizzie out of her house, threatening violence to anyone who interferes. A chase ensues. Lizzie manages to escape the grasps of Wickham, “plung[ing] the sharp end of her brooch into his thigh.” As Lizzie tries to run away Wickham shoots at her, just missing her. The scene lasts over ten pages.
  • Darcy catches up to Wickham and Lizzie and confronts Wickham with a gun. In order to stop them from shooting each other, Lizzie steps in between the two. There is a confrontation between Darcy and Wickham where they talk about Wickham and Darcy’s history. This is interrupted by the mastermind of the murder of Mr. Hurst and Abigail, who shoots Wickham. He “double[s] over …crumpl[ing] to the ground,” falling into the river Thames. This action sequence is described over a chapter.
  • When Lizzie confronts a suspect, he grabs her, but she pulls away, drawing “Darcy’s spare pistol, pointing it at [him] just as he brandished a knife.”

Drugs and Alcohol

  • Multiple times, Mr. Hurst is referred to as a drunk and he is “always drinking.” The night before he is killed, the man suspected of killing him finds him at a “club,” brings him home, and tells “him to sober up.”
  • There is a delay outside Darcy and Lizzie’s carriage, and the driver blames it on “a drunk.”

Language

  • Mrs. Bennet refers to Fred, Lizzie’s informant, as an “urchin.”
  • Words like “lord almighty,” “for heaven’s sake,” and “bollocks” are used once.

Supernatural

  • None

Spiritual Content

  • None

by Mikaela Querido

Every Reason We Shouldn’t

Sixteen-year-old figure skater Olivia Kennedy’s competitive dreams have ended. She’s bitter but enjoying life as a regular teenager instead of trying to live up to the expectations of having Olympians Midori Nakashima and Michael Kennedy as parents. . .until Jonah Choi starts training at her family’s struggling rink.

Jonah’s driven, talented, going for the Olympics in speed skating, completely annoying. . . and totally gorgeous.

Amid teasing Jonah, helping her best friend try out for roller derby, figuring out life as a normal teen, and keeping the family business running, Olivia’s got her hands full. But will rivalry bring her closer to Jonah, or drive them apart?

Olivia’s life is a mess. Her father is on the road working, her mother is so doped up on pain pills that she’s mostly absent from Olivia’s life, and Olivia’s best friend is dealing with her own set of troubles, including raising her daughter. Then, Jonah enters the picture. The “Ice Prince” may set Olivia on fire, but his cocky attitude puts a damper on the romance. Instead of being a sweet and sexy love interest, Olivia and Jonah sneak into storage rooms, behind counters, and even behind a dumpster to make out. The abundance of kissing makes their romance seem shallow and cheap. Instead of rooting for the two teens, readers will have a hard time believing the two are really in love.

Olivia’s parents are another negative aspect of the story. Olivia has no parental support. While Olivia’s mother’s excuse is her constant pain, her injury is never explained, which leaves the reader wondering if the pain meds are necessary or just a way for her mother to escape. To make matters worse, the book’s conclusion is unrealistic because it portrays Olivia and her parents as a cohesive group that supports each other when there is absolutely no evidence that supports this.

Unfortunately, Every Reason We Shouldn’t isn’t a fun, flirty romance that readers will enjoy. Instead, it’s full of forgettable characters that are hard to relate to. While both Jonah and Olivia hope to go to the Olympics, they spend more time kissing than they do on the ice. The story combines skating with romance and parental pressures; however, the book’s flaws will quickly damper reader’s interest. Instead of reading Every Reason We Shouldn’t, readers looking for an entertaining story that mixes sports and romance should check out the Hundred Oaks Series by Miranda Kenneally.

Sexual Content

  • The father of Mack’s baby asks her if she wants to go to his house. He says, “Derek will get us a six-pack or two. We’ll hang and stuff . . . My mom doesn’t’ care if you sleep over. Long as we’re quiet.”
  • Olivia watches Jonah skate. “Every time he stops, Jonah looks over at me and smiles. I’m melting. I fantasize about stepping up onto his bladed feet, wrapping my arms around his neck, and kissing him until we’re standing in a puddle of water in the middle of the rink.”
  • When Olivia asks a friend for boy advice, the friend texts, “and use protection. . . And he better not be sending you pictures of his junk.”
  • Olivia and Jonah lay on a couch. Olivia brings “my other hand up underneath his T-shirt until my palm rests over his heart. . . Jonah pushes me gently down on the couch until his whole body presses into mine. . . When Jonah’s lips find mine, the blanket becomes completely unnecessary.”
  • Olivia and Jonah go into a supply closet at the skating rink. “As soon as the door is closed, I launch myself at him, our lips connecting like I’ve wanted them to do all morning. . . Cold fingertips glide underneath the back of my T-shirt and up my spine. . . I pull the zipper of Jonah’s skinsuit down to mid-chest. . . Jonah’s breath hitches when I slide my cold hand underneath the fabric.” They part when Jonah’s father calls him.
  • At the skate rink, Olivia and Jonah kiss. Jonah makes a “trail of kisses from my ear to my throat.” Then Olivia pulls “Jonah down until we are both kneeling on the well-worn carpet behind the skate counter. . .” They are interrupted by Jonah’s father.
  • After being apart for several days, Jonah goes to the ice rink. Olivia goes to take out the trash and, “As soon as I walk out the front door, Jonah grabs the trash with one hand and my hand with the other and pulls me behind the building to the dumpster. His lips meet mine before the bag of trash even hits the bottom of the dumpster.”
  • Olivia and Egg (her old skate partner) go to Los Angeles for a skate audition. While driving, Egg says, “Do you know what this looks like? Human trafficking.”

Violence

  • Olivia’s school has a lock down because of an angry parent’s “disorderly conduct” and a “confrontation” with the school’s security officer.

 Drugs and Alcohol

  • Olivia’s mom has an injury so she takes muscle relaxants and pain medication. Olivia says the medication makes her mom “spaced out.”
  • Olivia thinks that some of the high achieving kids at her school “snuck into their parents’ medicine cabinet to take a Xanax or two because their anxiety was way off the charts.”
  • Olivia’s classmate has a panic attack. She says, “The new medication helps. I still spent the rest of the day in bed surrounded by all my dogs and watching sea otter videos though.”

Language

  • Profanity is used often. Profanity includes ass, crap, damn, freaking, hell and pissed.
  • OMG, God, and Lord are used as exclamations occasionally.
  • Mack calls two boys “boneheads.”

Supernatural

  • None

Spiritual Content

  • None

Babe & Me: A Baseball Card Adventure

On October 1, 1932, during Game Three of the Chicago Cubs–New York Yankees World Series, Babe Ruth belted a long home run to straightaway centerfield. According to legend, just before he hit, Babe pointed to the bleachers and boldly predicted he would slam the next pitch there.

Did he call the shot or didn’t he? Witnesses never agreed. Like other baseball fans, twelve-year-old Joe Stoshack wants to know the truth. But unlike other fans, Joe has the astonishing ability to travel through time using baseball cards—and now he’s determined to settle one of baseball’s greatest puzzles.

 Babe & Me explores the father-son relationship through both Babe Ruth’s eyes and Joe’s eyes. Even though Joe’s father has spent little time with him, Babe Ruth points out the good aspects of Joe’s dad. Despite this, Joe struggles with feelings of resentment because his father seems more concerned with coming up with get-rich-quick schemes than spending time with him. His father, who is often angry, blames his troubles on luck. He says, “You can try as hard as you want. Be as good as you can be. But a lot of what happens in the world is plain dumb luck.” Towards the end of the book, Joe’s dad finally realizes that his relationship with Joe is more important than money.

Throughout the story, both Babe Ruth’s public persona and his private, more serious side are shown. Babe Ruth is loud, reckless, and a big spender when around people. However, when he is alone with Joe and his father, Babe Ruth has a tortured soul because of his upbringing as well as his belief that he was not a good father. Historical pictures and partial news articles are scattered throughout the story. Plus, the author explains what events actually happened and which events he made up. In addition, there are four pages of quotes from baseball players that show that even now, people do not agree on whether or not Babe Ruth called his shot.

Joe is a likable main character, who has conflicting emotions about his father. Because Joe and his father were able to spend time with Babe Ruth, they witnessed Babe Ruth’s generosity, his reckless behavior, and his emotional turmoil. However, Joe’s father is not necessarily a likable man and his change of attitude is not believable. Despite this, the fast-paced time travel adventure will appeal to sport-loving readers even though the story has little baseball action. Readers who want to learn more about Babe Ruth should also read Babe Ruth and the Baseball Curse by David A. Kelly. Middle-grade baseball fans can also jump back into time by reading The Brooklyn Nine by Alan Gratz.

Sexual Content

  • Babe Ruth sees a woman crossing the road and says, “Got a load of the sweet patootie! She is one red-hot mama!”

Violence

  • While at a park, men stood on wooden crates making speeches. As one man spoke, “some people booed, and somebody threw a rock at the guy . . .” When two policemen show up, “somebody threw a rock at one of them, and it bounced off his helmet. The cop pulled out a nightstick and hit a guy with it. . . The people in the crowd began to hiss and boo and throw things at the cops. The second cop pulled out his pistol and fired it up in the air.” The scene is described over two pages.
  • Babe Ruth was signing his autograph when one boy dropped his paper. Joe picks it up and refuses to give it back to the boy. The boy’s father “reached into his jacket and pulled out a knife.” After the fathers’ argument, Joe gives the paperback to the boy.
  • As a boy, Babe Ruth stole money from his father. “Dad caught me and beat me with a pool cue.”
  • Babe Ruth’s father “got kicked in the head in a fight outside his saloon and died when he was forty-six.”
  • Babe Ruth tells a story about a baseball player who “didn’t see a pitch coming at him. It busted his skull. He crumpled like a rag doll right in the batter’s box.” The man died.
  • One of the reasons that Joe’s father is often angry is because of his family history. His grandparents and their children were rounded up by the Nazis. Joe’s father says, “Only my father escaped, by hiding under the house. The Nazis sent the rest of the family to Treblinka, a concentration camp. They were all killed. In the gas chambers.”
  • Joe’s father catches Babe Ruth’s home run ball. His father “and a few other guys dove for it, but I got there first. They tried to beat it out of me. That’s how I got the black eye, actually.”

 Drugs and Alcohol

  • Babe Ruth is seen smoking a cigar.
  • Even though it’s prohibition, Babe Ruth orders a pitcher of beer. During his meal, “he washed everything down with another pitcher of beer.”
  • Babe Ruth says that he “was drinking beer before I could read.”

Language

  • Several times cuss words are replaced with @#$%.
  • Someone calls Joe’s father an idiot.
  • Babe says heck once.
  • While at a game, some of the other teams called out insults. Someone calls Babe Ruth an “ugly tub of guts.” He is also called, fatso, a washed-up balloon headed meatball, old potbelly, lummox, and other names.
  • Some boys are playing baseball. A boy calls a player a dope.

Supernatural

  • For Joe, baseball cards function as a time machine. When he touches an old card, “that tingling sensation was the signal that my body was about to leave the present and travel back through time to the year on the card.”
  • In order for Joe and his dad to return from the past, Joe needs “to bring a new card. . . If I didn’t have one with me, we could have been stuck in 1932 forever.”

Spiritual Content

  • While men were giving speeches on the solution to the Great Depression, someone says, “God is the answer.”

The Wig in the Window

Sophie Young and Grace Yang are best friends, seventh graders, and wannabe spies. The town of Luna Vista is quite boring, so they make a game out of spying on their neighbors. They even have a map of who and who not to spy on. But their game quickly becomes serious.  On one of their midnight stakeouts, they stumble across a terrifying scene at the home of their eccentric yet demure middle-school counselor Dr. Agford (also known as Dr. Awkward). The school counselor is hacking away at what appeared to be a piece of human flesh. Even though they are proven wrong about what Dr. Agford was chopping, the girls are still convinced that Dr. Agford is hiding a dangerous secret—and are determined to find out what it is.

Sophie and Grace attempt to uncover more about Dr. Agford, but Dr. Agford effortlessly evades the girls’ efforts to trip her up. Dr. Agford, as a respected adult, easily inserts herself into Sophie’s life. She slowly changes the girls’ neighborhood watch into a serious game of cat-and-mouse. As their investigation heats up, Sophie and Grace crack under the pressure. Their friendship, along with their investigative skills, are put to the test.

The narrative squarely focuses on Sophie’s perspective. This point of view helps the reader understand the workings of Luna Vista Middle School and Sophie’s personal life. Older readers will relate to the book’s portrayal of middle school, as the story is realistic in depicting Sophie’s thoughts about her classes, peers, and teachers. Like any preteen, Sophie also openly talks about her obsession: hers is Chinese culture, more so since Grace is Chinese American. Sophie gets “carried away with the traditional Chinese practice of feng shui . . . the idea that you can arrange your space to bring good luck and positive chi” and she takes the teachings of philosopher Sun Tzu as fact. This is notable when Sophie uses Sun Tzu’s tips about deception (when you are near, you must pretend you are far) to make sure she doesn’t reveal any information to Dr. Agford.

The story also covers cultural appropriation and interracial friendships, which is a point of conflict between Sophie and Grace’s relationship. Sophie dislikes that Grace is seemingly unengaged in Chinese culture, and Grace hates that Sophie practices activities relevant to Chinese culture without knowing their cultural significance. Grace accuses Sophie of “being superficial” because she talks about Sun Tzu, arranges her room with feng shui in mind, and practices kung fu. Sophie is performative in her adoration of Chinese culture. To Grace, Chinese culture is who she is. While Sophie never understands its importance to Grace, the two friends make up, but Sophie doesn’t move past her surface-level understanding of Grace’s culture. Through their exchanges, readers will learn the importance of being considerate of other’s cultures.

The Wig in the Window is a suspenseful yet fun story that focuses on relationships between authority figures and friends. The suspense comes from the girls avoiding Dr. Agford’s wrath, as she has a lot of sway in the community. Sophie’s narration about the school and the town gives the story a humorous and light tone. There is some name-calling that is typical of middle schoolers bad-mouthing each other, such as when Sophie’s classmates purposely mispronounce her French name as “AY-NUS” instead of “AN-YES.”

The consequences for the girls’ crimes—spying on their neighbors and breaking-and-entering—are nonexistent for the sake of the plot. Any adults that could stop the girls from investigating criminal activity are equally absent. Still, this book has lessons about appreciating other cultures and a good portrayal of interracial friendship, alongside the masterful way the girls uncover the mystery surrounding Dr. Agford. If readers enjoy the game of cat-and-mouse between Dr. Agford and the girls, and the girls’ friendship, then they should consider reading the City Spies Series by James Ponti.

Sexual Content

  • Grace is in love with one of the boys in their grade. She says “Score. He’s totally hot”
  • Sophie’s brother, Jake, says Sophie’s probably angry because it’s “probably that time of the month.”
  • Jake got busted for not being home. At first, Sophie thinks her brother, “had his own brush of death at his girlfriend’s.” However, upon closer inspection, she notices that “the red welts all over his neck proved to be hickeys.”
  • Sophie thinks of her crush, Rod. “Who cares if people still called him Rod Pimple? He was cute now.”
  • Sophie thinks about Rod’s appearance. “At Luna Vista the guys weren’t allowed to let their bangs hang over their eyes. It made him seem even cuter that he was so adorable and a rebel.”

Violence

  • Agent Stone tackles Sophie to the ground. Sophie “groaned in agony as he pressed his knee against my back and wrenched my arms behind me.” Sophie feels pain on one side of her body for the rest of the night.
  • Sophie gets out of Agent Stone’s grip so she can stop Dr. Agford from hurting Grace. The adults want to get rid of the girls because the girls were going to tell the authorities about their crimes.  “[Sophie] hoisted [her] knee up and rammed [her] foot down over his.” He loosens his grip. Then, Sophie “delivered a swift donkey kick square into his crotch.” He crumples to the ground, groaning. Finally, Sophie pepper sprays the man’s eyes. He “screamed. His hands flew to his face as he stumbled backward.”
  • Agford is trying to drown Grace, so Sophie sneaks up on Dr. Agford. Then, Sophie hits Dr. Agford so she can get Grace out of Dr. Agford’s grasp. “[Sophie] slammed the heel of Grace’s cowboy boot directly into the back of [Dr. Agford’s skull]. She let out a bloodcurdling yell and crumpled to the sand in front of [Sophie].” Dr. Agford is knocked unconscious.

Drugs and Alcohol

  • None

Language

  • Most kids at Luna Vista Middle School refer to Dr. Agford as “Dr. Awkward.”
  • Grace says “Oh my God” nine times.
  • “Thank God” is used as an exclamation five times.
  • One of Sophie’s friends says “Oh, my lord!”
  • Sophie calls herself a “psycho.”
  • After meeting with Agent Ralston, Sophie comments that the government “sure gives [FBI agents] crappy cars.”
  • When she is trying to figure out why Dr. Agford wasn’t smiling at one of the assemblies, Sophie thinks “for God’s sake.”
  • While watching an episode of Wheel of Fortune, Sophie’s grandfather yells, “Buy a vowel, nitwit!”
  • Grace and Sophie call themselves “crazy” for confronting Dr. Agford.

Supernatural

  • None

Spiritual Content

  • Sophie is obsessed with Chinese philosophy, and she explains the concept behind the teardrop-shaped half of a yin-and-yang pendant. “According to Chinese philosophy, yin and yang are opposite forces that interact with each other. Yin is dark, quiet, colder energy. Yang is active, bright, and warm energy. The two need to be in balance for harmony.”
  • Sophie’s brother likes to topple some of Sophie’s “Buddha figurines” because he thinks it’s funny to mess with her.

by Jemima Cooke

Nobody Knows but You

Kayla Martin has always been a bit of an outcast. That is until she meets Lainie at an eight-week-long summer camp. The two girls instantly become inseparable. Lainie is fun, charming, larger than life, and able to bring out a side of Kayla that she never knew she had. However, it isn’t long before another camper enters the picture.

Nerdy but confident, established playboy Jackson immediately grabs the interest of Kayla’s newfound best friend. The two begin a passionate, hot, and cold relationship. Though Kayla is less than thrilled about the effect Jackson is having on Lainie—and about becoming the third wheel—she remains fiercely loyal and hopes Lainie will come to her senses by the summer’s end.

But the summer ends with Jackson’s corpse being discovered in the lake. Foul play is suspected, and Lainie quickly becomes the prime suspect. As her friend awaits trial, Kayla grapples with the murder and the events leading up to it. Everyone else seems so sure of the truth, but she knows there’s often more to a story than meets the eye.

Nobody Knows but You is largely told from letters Kayla writes, but never sends, to Lainie. These letters describe her memories of that fateful summer as well as the aftermath. Kayla’s perspective, especially in the format it’s presented, is very unreliable. Early on she states, “even now, I am keeping [Lainie’s] secrets. Everyone that I can.” It becomes clear Kayla has a very biased outlook on the situation, and the reader is not necessarily meant to agree with how she perceives the events.

In order to give more perspective, the reader also gets glimpses of Kayla’s text exchanges with various characters. Kayla’s contributions to these exchanges tend to be very short and vague while the other person provides more substance, which shows that our narrator doesn’t reveal all that she knows. In addition, the narrative sometimes shifts to news articles and fellow campers’ transcribed statements. The articles and statements give the reader outside perspectives that highlight Kayla’s bias. The perspectives provided give the reader a very intimate (Kayla’s letters), semi-removed (camper’s statements), and outside (articles) look at the situation.

The story emphasizes the idea that strong connections and a deep sense of community are formed at camp. An unnamed camper muses, “I have friends I was tight with only the last ten days of camp and I know them better than people I’ve been friends with all of high school. You kind of have to experience it to know about it, but it’s true.” Teenagers who have been avid attendees of summer camp will likely be able to relate to this sentiment and understand why Kayla holds her bond with Lainie in such high regard. However, Kayla and most of the other characters are unlikable. This seems to have been the author’s intent, but it might make it difficult for some readers to get invested in the story.

Nobody Knows but You suffers from underdeveloped characters, particularly in the case of Kayla herself. Another negative aspect of the story is that the letter-writing format makes it difficult to gauge who she is outside of her relationship with Lainie. Furthermore, the final twist will be predictable for seasoned YA readers. However, this is a short and fast-paced read that is intriguing. While not a must-read, it is a gripping story that even the reluctant reader will be drawn into.

Sexual Content

  • Lainie and Jackson are often portrayed kissing and struggling to keep their hands off each other. A camper says, “you’d see them laughing and cuddling, or practically tearing each other’s clothes off in public.” The sexual nature of their relationship is heavily alluded to, and near the end of the story, Kayla states in one of her letters to Lainie that a scene flashed before her eyes of “letting [Jackson] kiss you. Kissing him back and running your hands under his t-shirt to feel his warm skin. Letting him unzip your hoodie and push it off your arms … leading him down the path toward the dock, where you can continue what you started, and more.”
  • Jackson, who is sixteen, hooked up with fellow camper Emma, who is only thirteen. A camper says regarding a statement Emma made, “sucking face with a notorious fuckboy doesn’t show you the depths of his soul.”
  • Kayla describes passionately kissing a boy named Ian at a Halloween party in one of her letters to Lainie. She says she knew she and Jackson gave each other scratches, and that some were “featherlight, and others harder, like the ones I gave Ian at the party tonight, experimenting.”
  • One camper states that they heard a rumor that “Lainie, Kayla, Nitin, and Jackson had a four-way orgy on the dock one night.”
  • Kayla recalls a late-night swim with Lainie, Jackson, and Nitin in which they all removed the majority of their clothes. She states that “only Jackson stripped completely – and only once he was underwater, thank goodness.”
  • Lainie tells Kayla that she went out with a girl in her school and that the two of them “hooked up at the Valentine’s dance.”
  • Kayla and Lainie kiss twice. Kayla says, “your lips were soft on mine, but what I felt was my insides plummeting.”

Violence

  • Jackson was murdered. He was bludgeoned in the head. He is hit twice, the first knocks him unconscious and the second “[breaks] the skin – a small gash, but still bleeding.”

Drugs and Alcohol

  • When Kayla and Lainie sneak out at night, Lainie offers her “contraband.” Kayla assumes she is referring to cigarettes or other drugs, but it turns out to just be gum.
  • Kayla describes a Halloween party where she unknowingly drinks spiked punch and becomes drunk.
  • Lainie jokes about the camp chef having Scooby Snacks in the kitchen. Kayla realizes she is referring to a drug, “though exactly what kind of drug, [Lainie] didn’t seem to know for sure.” She later concludes that it’s either Valium, pot, mushrooms, or club drugs.

Language

  • “Fuck” is said multiple times.
  • “Motherfucking” and “fuckboy” are both used on one occasion.

Supernatural

  • None

Spiritual

  • Kayla is pretty certain she does not believe in an afterlife but considers the possibility. As Kayla muses over her dislike for Jackson, she says, “I hope it’s fine. I don’t need [Jackson] to rot in hell for eternity.”

by Erin Cosgrove

Dog Days

It’s tough being the new kid at Carver Elementary. Gavin had lots of friends at his old school, but the kids here don’t even know that he’s pretty good at skateboarding, or how awesome he is at soccer. And when his classmate, Richard, comes over and the boys end up in trouble, not only does Gavin risk losing his one new friend, but he has to take care of his great aunt Myrtle’s horrible little dog, Carlotta, as punishment.

To make matters worse, Gavin seems to have attracted the attention of the school bully. Will he be able to avoid getting pounded at the skate park? And how is he ever going to prove he’s cool with a yappy little Pomeranian wearing a pink bow at his side?

Gavin’s problem starts when he goes into his sister’s room to steal candy. While looking for the candy, Gavin’s friend, Richard, throws a snow globe that breaks. In order to earn enough money to pay for the snow globe, Gavin walks his aunt’s dog. However, Gavin never takes responsibility for his deeds. Instead, Gavin thinks “it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him.”

Gavin’s problems continue when he walks Carlotta. Not only is he mean to the dog, but he also ties Carlotta to a park bench and leaves Carlotta alone so he can skate. When Gavin returns, he discovers that another dog has stolen Carlotta’s Chew-Chew. When Gavin sees the toy with another dog, Gavin asks the dog’s owner to return it, which the owner refuses to do. Gavin thinks, “It’s not fair. The guy is bigger than me. He’s older. And that means one thing. The older, larger person can tell a giant fib and the smaller person can’t do anything about it.” However, instead of being honest with his aunt, Gavin buys a new Chew-Chew for the dog. When he lies, “He’s proud that he’s managed not to tell a big lie.”

Dog Days will appeal to a wide range of readers, but parents may not like the story’s content. Even though Gavin is the narrator of the story, parents would not want their children to emulate Gavin’s behavior. He treats Carlotta terribly, he lies, and he blames his actions on others. To make matters worse, Gavin’s friend Richard is mean to Gavin and often ditches him to spend time with older boys. However, it’s not just the children in the book who behave badly. Gavin’s parents allow Aunt Myrtle to boss Gavin around, and in order to avoid Aunt Myrtle’s bad attitude, Gavin’s mom disappears which allows Aunt Myrtle to rule over Gavin.

Misbehaving and bratty kids give Dog Days some humor and suspense, but it also showcases bad behaviors. By reading the story, young readers will learn that telling small lies is okay. Because of the story’s lack of positive relationships, both with the adults and children, Dog Days lacks any educational value. If you’re looking for a fun dog-related book, there are plenty of other options including the Puppy Pirate Series by Erin Soderberg, the King & Kayla Series by Dori Hillestad Butler, and the Haggis and Tank Series by Jessica Young.

Sexual Content

  • None

Violence

  • After Gavin sees Harper stealing from a convenience store, Gavin tells his friend Richard. Richard then tells Harper what Gavin said. The next day at the skate park, “Harper gives Gavin’s shoulder a poke. A hard poke. He glares down at him.” After poking Gavin several times, an adult steps in and stops Harper’s behavior.

 Drugs and Alcohol

  • None

Language

  • Gavin’s sister calls him a bozo several times. She also calls him a dork.
  • As part of the narration, Gavin refers to his classmates as knuckleheads.
  • Gavin also thinks one of the girls in his class is stuck-up and snooty.

Supernatural

  • None

Spiritual Content

  • None

Miss Mary Reporting: The True Story of Sportswriter Mary Garber 

“Press Box: Women and children not admitted.” So read the press pass that Mary Garber had to wear as a reporter at sporting events. It was embarrassing, even insulting, but in the 1940s, sports—and sports reporting—was a man’s world.

Mary didn’t let that stop her. She never let anything stop her really. As a kid, she played quarterback for her local football team. Later, as a reporter, she dug in her heels and built up her own sports beat. For close to fifty years, Mary shined the spotlight on local heroes whose efforts might otherwise have gone unnoticed. “‘That’s Miss Mary Garber,’ one boy said at a soapbox derby. ‘And she doesn’t care who you are, or where you’re from, or what you are. If you do something, she’s going to write about you.’”

This is the story of a woman who pursued her dream and changed the world.

If you’re looking for an inspirational story that will encourage young readers to follow their dreams, then Miss Mary Reporting is the book for you. While the story focuses on the hard work and dedication that made Miss Mary an excellent reporter, the story also shows how others helped Miss Mary along the way. In addition, the book briefly mentions the segregated Negro leagues as well as Jackie Robinson and the discrimination he faced.

While Miss Mary’s story is inspirational, younger readers may have a difficult time sitting through a reading of the book because of the text-heavy pages. Each page has four to seven complex sentences and the text includes difficult vocabulary. The full-page illustrations use muted tones that reflect the serious topic of discrimination. The illustrations will give readers a peek into the past because it shows the clothing, hairstyles, and other aspects of the time period. Readers who want to learn more will find an author’s note, a timeline, and a list of more resources at the end of the book.

Miss Mary’s biography will inspire readers and show how one woman impacted the world of sports. However, the heavy topic makes the picture book more suited to older readers. While Miss Mary’s story is interesting, it’s not necessarily entertaining; the book is best read by those who have an interest in sports and journalism. Readers who would like to learn more about women in sports should also read Catching the Moon: The Story of a Young Girl’s Baseball Dream by Crystal Hubbard and She Persisted in Sports by Chelsea Clinton.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Time Between Us

Anna and Bennett were never supposed to meet. She lives in 1995 Chicago, and he lives in 2012 San Francisco. But Bennett’s unique ability to travel through time and space sends him into Anna’s life, and he brings with him a new world of adventure and possibility.

As their relationship deepens, they face the reality that time might knock Bennett back where he belongs, even as a devastating crisis throws everything they believe into question. Against a ticking clock, Anna and Bennett are forced to ask themselves how far they can push the bounds of fate, what consequences they can bear in order to stay together, and whether their love can stand the test of time.

Anna is an extremely relatable and likable character, who hopes to travel out of the small town she has always lived in. Then she meets Bennett, who at first confuses and frustrates her. Bennett makes it clear that he is not interested in getting to know Anna, but fate has other plans. Bennett’s ability to time travel complicates matters because his future self appears to Anna before his present self has met her. Despite this, Anna and Bennett fall in love and engage in a sweet romance that will leave readers smiling.

Time Between Us is a story about family, friends, and falling in love. But it also explores the timeless question: what would you do if you could go back in time and change events? When two of Anna’s friends, Justin and Emma, are in a terrible car accident, Anna wants Bennett to go back in time and change the day’s event. This dilemma threatens to tear Anna and Bennett apart as they debate whether changing history is the right thing to do.

Teen readers who want a heartwarming romance will enjoy Time Between Us because of the likable characters, the relatable conflict, and the added interest of time travel. Readers will also fall in love with Anna’s friends and family who are warm, supportive, and protective. The story has the perfect blend of high school scenes, family life, and suspenseful time-jumping action. This easy-to-read romance will have readers wishing they could step into Anna’s life. Readers will be excited to read the companion book, Time After Time, which focuses on Bennett’s point of view.

Sexual Content

  • Anna’s mom tells her a story about “one of the nurses who got caught kissing an EMT out by the ambulance bay.”
  • Anna’s best friend, Emma, teases her about a boy. Emma says, “You wanna shag Shaggy!”
  • Bennett and Anna are talking about their plans for the future when Bennett “reaches forward and slowly traces the line of my [Anna’s] jaw to my chin. I close my eyes as his thumb slides towards my mouth and brushes my lower lip. . .I wait for the touch of his lips. But the kiss never comes.”
  • While at the beach with Bennett, Anna thinks about “him pulling me into a kiss and rolling around in the sand like we’ve just been dropped into a photoshoot for some cheesy designer cologne. . . I can’t bring myself to touch him.”
  • Bennett and Anna kiss several times. When Bennett decides to stay in Anna’s time period, he “scoots in closer and brings his hand to my face, and I fall back into the bookcase as he kisses me with this intensity—like he wants to be here. . .”
  • While on a date, Bennett “kisses the back of my neck. . . he kisses my neck again and I lose my train of thought entirely.” Later in the date, Bennett “pulls me tighter and kisses me, warm and sweet and long and slow and never ending, and I know this is what I want.”
  • One night, Bennett uses his ability to appear in Anna’s room. “Without even thinking about it, I grab his arm and pull him down on my bed, and he lands sprawled out next to me, looking a little surprised. I roll over onto his chest and smile down at him. . . His hand finds the back of my neck, and he kisses me, harder than usual.” The scene is described over a page.
  • Bennett uses his ability to take Anna to Italy. He “takes my face in his hands. Buried deep in his kiss is a new kind of promise for our future. . . We spend the rest of the day in the Cinque Terre. And then we spend the night there.”
  • Before Anna leaves for a trip to Mexico, Justin (Anna’s best friend’s boyfriend) kisses her. Anna isn’t “quite sure how to stop it. I feel trapped between his mouth and the wooden CD bin. I turn my head so fast that when our lips brush, it’s an awkward, almost accidental movement.” Anna calls Justin an idiot, and he apologizes.
  • After being unable to time travel, Bennett appears in Mexico. When Anna sees him, “I feel tears slide down my cheeks. . . within seconds he’s right next to me, and all I can feel is his fingers on the back of my neck. His kisses land everywhere on my wet cheeks and my forehead, on my eyelids and my neck, and finally on my mouth, and we pull each other close, neither one allowing even the smallest gap between us.”

Violence

  • A robber comes into the bookstore while Anna is working. He demands money. Anna’s “attention is on the shiny metal knife he pulls from his baggy jeans. He points it straight at me. . . I keep my gaze on the floor and try not to think about the cold steel of the blade on my neck or his heavy breath in my ear.” Bennett uses his abilities to relocate himself and Anna. The scene is described over three pages.

 Drugs and Alcohol

  • None

Language

  • Profanity is used rarely. Profanity includes ass, crap, hell, and pissed.
  • “Dear God,” “Oh My God,” and “Good God” are occasionally used as exclamations.

Supernatural

  • Bennett can travel through time. “Bennett can disappear. And reappear. He can make other people disappear and reappear.”
  • Bennett can also “do over minor details in the past to affect the outcome, but you can’t erase an entire event. You can travel to any place in the world and into other times, but only within certain dates.”
  • Bennett loses his sister Brooke in the past. They traveled back to 1994, but Bennett “couldn’t stay because I didn’t exist in March 1994. . . Brooke did. She was born in ’93.”

Spiritual Content

  • After Bennett uses his abilities to take Anna to a different place, she becomes sick. She prays, “Please, God. Please don’t let me throw up in front of him. Please. Just this one thing.”

 

Time Traveling with a Hamster

On his twelfth birthday, Al Chaudhury receives two gifts: a hamster, and a letter from his dad who died four years ago. The letter points Al to a time machine, an unimpressive-looking zinc-tube-and-laptop contraption in the secret bunker of their old house. It also describes a mind-blowing mission: if Al can travel back to 1984 and stop a go-kart accident involving his dad as a twelve-year-old boy, then maybe he can alter the course of history—and prevent his dad’s death.

As Al soon discovers, whizzing back thirty years requires not only imagination and courage, but also garage break-ins, midnight rides on his grandpa’s mauve scooter, and even setting his school on fire. And through it all, he’s got to keep his hamster safe.

One of the best parts of the book is the relationship between Al and Grandpa Byron, who doesn’t think anyone should try to change time. Grandpa Byron says, “Life, Al, is such a wonderful gift that we should open our minds to every possible moment and cherish the memory of those moments. Because people change. Places change. Everything changes, but our memories do not. Accept life the way it is, Al. That’s the way to be happy.”

Despite Grandpa Byron’s advice, Al goes back in time several times and unintentionally makes his timeline change for the worst. When Al first meets his father, Pye, he is considering setting a cat on fire to prove he is friends with a group of bullies. Instead of being a sympathetic character, Pye is whiny and weak. While the story focuses on the father-son relationship, Al’s relationship with his father is underdeveloped. Instead, Al’s relationship with his grandfather is the central relationship. This relationship adds interest to the story because Grandpa Byron shares his Indian culture and his immigrant story.

Grandpa Byron tells Al, “Don’t dream of a different life, Al. Love the one you’ve got.” Despite this, the conclusion shows Al changing time and saving his father’s life. The conclusion is anticlimactic because after all the craziness of Al’s earlier time-traveling adventures, he ends up saving his father’s life by sending a note back into time. The ending also conflicts with the central theme.

The cover art and the title suggest that Time Traveling with a Hamster will be a fun romp through time. However, the story’s themes — grief, blended families, and bullying — are more suited to older readers. Plus, the advanced vocabulary, the explanation of the theory of relativity, and the workings of time travel may be difficult to understand for some readers. While the story is full of adventure, the complicated plotline is, at times, difficult to follow. However, strong readers who want to explore the serious consequences of time travel will enjoy Time Traveling with a Hamster.

Sexual Content

  • Al asks his stepsister if she is a virgin. She says, “as it happens, yes, if that’s any of your business, of course I am. Jesus.”
  • After Al’s father dies, his mother starts seeing a man named Steve. “The first time he stayed over at our house, I couldn’t sleep in case I would hear them, you know, doing it. But I don’t think they did.”

Violence

  • Al thinks back to a time in the past. “Back in primary school Hector Houghman stabbed Conrad Wiley in the thigh with a compass, and he wasn’t punished at all because his mum came to school and said he had ADHD and that it was the school’s fault. . .”
  • Al’s grandpa lived during a civil war. “When he was a kid, pretty much everyone in a family he knew, including a boy he played with, was murdered one night just because they were Muslim, or Hindus, or something.”
  • A boy shoots a cat, and his friends were planning on setting the cat on fire, but Al stops them.
  • A mean boy, Mecca, takes Al’s hamster. When Al tries to grab his hamster, the boy “shoves me away, then turns to grab me, one hand gripping my jacket and the other grabbing a handful of my hair. . .He practically picks me up and marches two or three steps up the grass bank before throwing me hard on the ground.”
  • When Al tries to steal something, the shopkeeper “slaps me across my cheek with the full force of the large man he is. My head is jerked to one side with the strength of the blow.”
  • Al sets a school on fire. “I’ve barely had time to stand up again and already the flames are surrounding me, getting hotter by the second. . .”
  • Al changes time so his stepsister Carly no longer knows who he is. When Carly finds Al in her room, she freaks out. Carly’s friend, Jolyon, tries to grab Al. Al distracts Jolyon and then “I draw back my foot and deliver a swift, hard kick right between Jolyon’s legs. The sound he makes is horrible. . .I feel sorry for him as he keels over sideways, clutching his groin and retching.” Al gets away.

 Drugs and Alcohol

  • Al’s dad would sometimes tuck him into bed and “sometimes chat with [him], especially if he’d been drinking wine.”
  • On New Year’s Eve, Steve got “a bit drunk.”

Language

  • Oh my Lordy is used as an exclamation once.
  • Oh my God, God Almighty, and God are all used as an exclamation several times.
  • Al reads a letter his mother wrote. The letter says, “Life’s a bitch.”
  • Damnit and crap are used once.
  • Twice, Al is told to “piss off.”
  • Al comes downstairs in the morning, looking terrible. His grandpa sees him and says, “Oh my flippin’ Lordy. What happened to you?”
  • Heck is used several times.
  • Hell is used three times. A mean boy finds Al’s hamster. The boy asks, “How the hell can it be yours? Don’t be such a moron—it’s a rat with a deformed tail.”
  • A man calls Al a “gaandu” which means ass.

Supernatural

  • None

Spiritual Content

  • None

Disaster on the Titanic

Ranger, the time-traveling golden retriever with search-and-rescue training, finds himself in 1912 on the Titanic!

Everyone says the Titanic is unsinkable, and Patrick Murphy believes this most of all. He grew up near the shipyard where the magnificent ship was built and started working there when he turned thirteen. Then he was chosen to be part of the crew during the Titanic’s maiden voyage! Ranger meets Patrick before the ship sets sail, and once on board they befriend Maryam and Hamad. But one night, the ship hits an iceberg and starts to take on water. It’s a race against time, and Ranger and his friends must help get as many passengers as possible—including themselves—off the ship before it’s too late.

Even though Ranger helps people in dangerous situations, he has a playful disposition and likes to chase squirrels. While on the Titanic, Ranger wasn’t sure how to help the passengers of the Titanic, but he nuzzled some of the most frightened passengers. Ranger thought, When you couldn’t fix a problem, you could at least let a person know you were there.”

Even though the sinking of the Titanic is told in kid-friendly language, the story doesn’t skip over the horrible events. For example, some men snuck onto the lifeboats instead of allowing a woman or child to take the spot. In addition, after the Titanic sunk, many of the people in lifeboats were leery about helping passengers who were in the water. They didn’t try to help others even though their boat had room for more passengers. One group refused to help because “there are hundreds of people in the water. What if they swamp the boat?”

Disaster on the Titanic is an entertaining and educational story that has a unique perspective because it focuses on a golden retriever. Ranger’s perspective adds some humor, but it also helps reduce some of the fear of the situation because he interprets fear from his scent. For example, when Ranger follows Patrick below deck, Ranger thinks, “With every flight of stairs they descended, the air smelled more dangerous. Like metal and seawater and ice.”

Readers interested in the Titanic will enjoy Disaster on the Titanic, which has full-page, black-and-white illustrations approximately every six pages. Even though Ranger’s story is fictional, facts are woven into the story. The end of the book has more information about the Titanic as well as a list of further resources. Readers who want to read more about the Titanic should also read I Survived the Sinking of the Titanic, 1912 by Lauren Tarshis. For readers who love jumping back into time, the Time Jumpers Series by Wendy Mass would also be worth the read.

Sexual Content

  • None

Violence

  • Patrick’s father was working on the Titanic when “a section of the staging collapsed in the shipyard. Patrick’s father was killed in a fall.”
  • After the Titanic hit an iceberg, stewards were trying to get women and children out of the third-class floor and onto the lifeboats. “A mob of passengers crowded behind a gate that led up to the boat deck . . . They were arguing and surging forward. . . An officer shot a gun into the air.”
  • Some men tried to push their way onto the lifeboats. Patrick saw, “crew members firing pistols in the air, threatening men who tried to force their way onto boats.”
  • A teenage boy tries to board a lifeboat. When the steward sees him, he pointed a gun at the boy and said, “I’ll give you ten seconds to get back onto that ship!” The boy gets off the lifeboat and “collapsed on the deck” and begins crying.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Ranger travels through time with the help of a first aid kit. When the first aid kit hums, Ranger puts the strap over his head. “The box grew warm at his throat. It grew brighter and brighter… He felt as if he were being squeezed through a hole in the sky. . .” When Ranger opens his eyes, he is in the past.

Spiritual Content

  • Patrick tells his mother that he will be working on the Titanic’s maiden voyage. His mother replies, “I’ll pray for your safety.”
  • Patrick wanted to keep a young boy and his sister together, so he helps the boy dress as a girl. When he was getting on the boat, “Patrick prayed that she wouldn’t call Hamad’s name.”
  • As the ship sank, some people “huddled in right little circles and prayed.”

Be Brave Little Penguin

Little Penguin Pip-Pip would love to join in with all his friends swimming in the sea, but there’s just one problem . . . he’s scared of water. Can Pip-Pip overcome his fear and finally take the plunge? This irresistible story shows that sometimes all it takes is a little bit of encouragement – and a whole lot of heart – to finally make that leap and be brave!

At first, Pip-Pip watches the other penguins playing in the water. They tease him, calling him “Scaredy-Pip-Pip.” Little Pip-Pip is so sad that a single tear runs down his cheek. Pip-Pip’s mommy treats him lovingly as she reminds him, “we all have certain fears that might be hard to understand.”

Readers will relate to Pip-Pip, who worries about all the what-ifs. “What if the water’s freezing? And what if there are monsters who smell me from their den, and they slither up and eat me and I’m never seen again?” Mommy penguin asks Pip-Pip to turn his what-ifs into something positive. “What if in that water there are friends for you to meet? And what if it is light and warm and full of treats to eat?”

Pip-Pip finally takes the jump and discovers that swimming is so much fun. The cute story uses a beautiful blue color pallet that contrasts with the black-and-white penguins. The full-page illustrations are adorable and have fun elements, like the penguins playing with fish. Plus, the illustrations help readers visualize Pip-Pip’s fears. For example, one illustration shows a large, scary octopus deep underwater.

Be Brave, Little Penguin is a fantastic, fun story that uses rhymes to help young readers face their fears. Because Mommy penguin is loving and encouraging, she is able to help Pip-Pip learn that “sometimes all you have to do is just be brave and jump.” By the end of the story, Pip-Pip is smiling and laughing, which will leave readers with a big grin as well.

Readers will fall in love with Pip-Pip and the other penguins because of the adorably cute illustrations, but the story will become one of your child’s favorite picture books because of the relatable conflict. Each page has one to four sentences that are easy to understand. Plus, some of the words are in bold and some of the sentences are curved to add even more emphasis.

Be Brave, Little Penguin is a must-read because of the entertaining storyline as well as the positive message that will help readers overcome their fears and gain confidence. If you’d like to explore more books that will help young children face their fears, check out Otis and the Puppy by Loren Long and The Pout-Pout Fish in the Big-Big Dark by Deborah Diesen.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • The other penguins tease Pip-Pip, calling him “Scaredy-Pip-Pip.”

Supernatural

  • None

Spiritual Content

  • None

 

32    3.3    5 worms   AR    picture book, must read

 

Amelia Earhart

When Amelia was young, she liked to imagine she could stretch her wings and fly away like a bird. As a grown woman, she set a new female world record for flying up to 14,000 feet. She also flew across the Atlantic and the Pacific oceans, and eventually undertook the most dangerous mission of all: to fly all the way around the world.

As part of the Little People, Big Dreams Series, Amelia Earhart retells the story of Amelia Earhart in a picture book format. Each two-page spread has one to two simple sentences that are easy to read. Another positive aspect of Amelia Earhart is the brightly colored illustrations. The simple illustrations are whimsical and beautiful. For example, one page features the ocean where a huge whale swims; Amelia flies over the whale, making her plane look tiny in comparison.

Because the picture book is intended for young readers, Amelia’s life is not explored in detail. However, the biography explains enough of Amelia’s accomplishments to show Amelia didn’t allow obstacles to stand in the way of her dreams. The back of the book also has a short timeline of Amelia’s life and includes four historical photos. There is also a list of other books about Amelia Earhart as well as a list of other books in the Little People, Big Dreams Series.

 Amelia Earhart’s story highlights her amazing accomplishments in a kid friendly format that won’t overwhelm young readers. Beginning readers will enjoy learning about Amelia’s bravery as she flew “thousands of miles, over oceans and jungles and over the savanna, where giraffes turned their heads.” By reading Amelia’s story, readers will learn that dreams do come true. Readers who are interested in flight should also read the picture book Wood, Wire, Wings: Emma Lilian Todd Invents an Airplane by Kirsten W. Lawson.

Sexual Content

  • None

Violence

  • Although the book doesn’t explain Amelia Earhart’s plane crash, it does say that “she flew on like a bird, farther than anyone had gone before. . . never to return.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

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