Icon: AR Test

Prime-Time Pitcher

Seventh-grade baseball pitcher for the Monticello Middle School team, Koby Caplin, wants nothing more than to lead his team to victory this season. He’s definitely got the pitching chops to help his team succeed. When a local TV station wants to do a documentary showing local youth sports, they pick Koby to be their star. Unfortunately, this causes a rift between Koby and his teammates when Koby lets his new stardom get to his head.

Matt Christopher’s Prime-Time Pitcher deals with the issue of how the arrogance of individuals affects team sports. Koby is a good pitcher. Other players and students notice this fact, including student journalist Sara Wilson. Sara puts events into motion as her articles focusing almost solely on Koby’s pitching, which causes the news station to select Koby for their documentary.

Koby’s older brother, Chuck, helps Koby understand that the success of the team rests on the team and not just Koby. Chuck and Koby’s teammates help Koby understand that teamwork is more important than individual stardom. When Koby’s arrogance causes his teammates to distance themselves from him, Chuck shows Koby how his behavior needs to change if Koby really wants to do well in baseball and still have his teammates be his friends.

Prime-Time Pitcher is a short, straightforward story that will appeal to younger baseball fans. Koby’s story isn’t uncommon in youth sports (or professional sports for that matter), and the lessons he learns about being a good teammate and person, are applicable to all people, especially those who play team sports. The book contains sections of baseball trivia questions, which will appeal to both baseball fans and readers who like trivia.  Most importantly, the lessons Koby learns can be applied to all areas of life, not just baseball. Readers who love baseball but want a more complex plot should add Soar by Joan Bauer and The Brooklyn Nine by Alan Gratz to their reading list.

Sexual Content

  • None

Violence

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • After a game, Sara asks Coach T. a series of questions. Sara asks for Coach’s prediction of how the game was going to go, and Coach replies, “I don’t make predictions—that’s for carnivals and fortune-tellers.”

Spiritual Content

  • None

by Alli Kestler

If You Ever Want to Bring a Circus to the Library, DON’T!

If you go to the library and see a poster that says, “You can do ANYTHING AT THE LIBRARY,” it is not giving you permission to put on a circus.

But Magnolia doesn’t see any problem with setting up her own big top. She’s got a whole lot of gusto! Sportsmanship! And a mean human-cannonball routine! So what if her greatest show on Earth won’t fit between bookshelves? It’s not like she’ll wreck the place, right?

Readers will giggle their way through If You Ever Want to Bring a Circus to the Library, DON’T! The picture book uses bright colors and cartoonish illustrations to bring Magnolia’s circus to life. The diverse cast of characters are drawn with hilarious facial expressions that show the characters’ changing emotions. While some of Magnolia’s daring deeds are met with enthusiasm, others are met with dismay.

Readers will love the mischief Magnolia gets into. Parents can use the story to discuss appropriate ways to behave at the library, at school or any other public place. The text is written with large words. “YOU CAN DO ANYTHING AT THE LIBRARY!” is written in red text and appears over and over, which highlights the fact that there are really so many things that you can’t do at the library. Each page has 1-4 sentences. However, young readers will need help with some of the vocabulary and the complicated sentence structure.

The ending is funny, but it also shows everyone working together to clean up Magnolia’s great big giant mess. Be sure to point out the poster on the last page, because it shows how you really can’t bring a circus to the library. If You Ever Want to Bring a Circus to the Library, DON’T! blends both text and illustrations into a hilarious book that is sure to tickle everyone’s funny bone.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Great Escape

What do magnetic slime, a secret code, and the periodic table have in common? They’re all part of the science-themed escape room that Kate’s science teacher puts on for their class. Will Kate and her friends be able to use their science know-how to crack the code before time runs out?

The Great Escape begins with conflicts that everyone can relate to: friendship drama, arguing with a classmate, and competition. Kate and her class are broken up into groups in order to complete a science project. The group that wins gets to show the whole school how to make a pumpkin vomit. Kate is determined that her group will win, but when Kate and another classmate get into a tug-of-war over pliers, both groups are forced to stay after school and complete an escape room which will require everyone to work together.

The escape room involves helping the legendary scientist, Rosalind Franklin, who was “a science superhero who used X-rays to take images of DNA.” As Kate and the other kids try to solve the escape room’s mystery, they learn about Rosalind Franklin and other chemistry facts. The kids also learn the importance of working together. Even though the kids rely on science to escape the room, there is enough dialogue and spooky situations to keep the story entertaining.

The short chapters all begin with definitions of science words such as deoxyribonucleic acid, condenser, and double helix. Simple black and white illustrations appear every 1 to 3 pages. While the illustrations help break up the text, they will not help readers understand the plot or visualize the characters. The book ends with instructions on how to make magnetic slime. The book includes some other experiments, but there are no instructions on how to perform those experiments. Even though The Great Escape is the second book in the series, each book can be read as a stand-alone.

The second installment of the Kate the Chemist Series focuses less on science and more on peer relationships, which makes the story interesting. The arguing between the girl’s group and the boy’s group is realistic and relatable, and the fall theme gives the story a hint of spooky suspense. The Great Escape will appeal to a large range of readers, not just those interested in science. If you’re looking for a book that may spark readers’ interest in science, The Great Escape would be a good choice.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Kate’s mother takes Tylenol for a headache.

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Running Dream

Running is the thing that makes Jessica feel most alive. So when she loses a leg in a tragic accident, she is shattered—inside and out.

The doctors say she’ll walk again with a prosthetic limb, but to Jessica, that is cold comfort. Walking isn’t running, and at this point just standing up causes her to shake. As she struggles to re-enter her life, Jessica gets to know Rosa—a girl with cerebral palsy—and begins to see that her future is full of opportunities. Soon Jessica starts to wonder if it is possible to cross new finish lines.

The Running Dream is told from Jessica’s point of view, which helps the reader understand her myriad emotions. Jessica’s story unfolds in five sections and each section focuses on one aspect of Jessica’s experiences. Understandably, at first, Jessica wonders why the accident happened to her. Why was she the one to lose a leg? However, the story also shows Jessica’s healing process and how she comes to better understand others because of her disability. Rosa, who has cerebral palsy, helps Jessica with her transition back into school. Through Rosa, Jessica learns that Rosa’s “biggest wish wasn’t to cross a finish line or have people cheer for her. It’s to have people see her instead of her condition. That’s all anybody with a disability wants. Don’t sum up the person based on what you see, or what you don’t understand; get to know them.”

Each chapter of The Running Dream is three pages or less, which keeps the action moving. Dividing the book into sections also helps the reader understand the changes that Jessica is going through. Even though the book focuses on Jessica’s recovery, The Running Dream is also a book about friendship, community, and finding hope.

The Running Dream was awarded the Schneider Family Book Award. The engaging story shies away from profanity and other objectionable material. Instead, the story is propelled by Jessica’s conflicts and relationships. Anyone who has ever been injured or who loves to run will connect with The Running Dream. However, Jessica’s story includes enough high school drama, sibling conflict, and parental problems to capture everyone’s attention. The conclusion ends on a hopeful note and shows how Jessica’s injury has made her a better person.

Sexual Content

  • Jessica has had a crush on Galvin. He tells Jessica how he feels about her and then gives her “a long, salty kiss.”

Violence

  • None

 Drugs and Alcohol

  • While in the hospital, Jessica is given morphine and other medication for the pain. Jessica says, “The nurses are nice about my pain meds. It’s the only way I get any sleep.”
  • After Jessica gets home, she begins, “pushing the clock on my pain meds. Taking them early. Slipping in an extra one when I really need it.” When Jessica’s parents find out, they take the pain meds away from her.

Language

  • “Oh my God” is used as an exclamation once.

Supernatural

  • None

Spiritual Content

  • None

Slaves of Socorro

Hal and his fellow Herons return home to Skandia after defeating the pirate captain Zavac and reclaiming Skandia’s most prized artifact, the Andomal. With their honor restored, the Herons turn to a new mission: going to Araluen. But soon after they arrive, news comes of a Skandian wolfship attacking a village and enslaving twelve people.

With the help of the ranger Gilan, the Herons set off to track down Tursgud—leader of the Shark Brotherband and Hal’s constant opponent. Tursgud has turned into a pirate and a slave trader, and the Herons are determined to save the twelve Araluen villagers from him. The Heron crew sail into action. But finding Tursgud and freeing the slaves proves more difficult than the Herons ever imagined.

The Slaves of Socorro begins slowly, as it starts with the Herons returning home. When they are given a mission, the Herons travel to Araluen. Along the way, they see Tursgud’s ship and give chase, but Tursgud is able to slip away. Determined to find Tursgud, the Herons travel to Socorro. This causes the first half of the book to lack action and suspense, and readers will be glad when the Herons finally arrive at their destination.

The pace picks up in the second half of The Slaves of Socorro. Flanagan vividly builds the world of Socorro, which adds interest to the story. As the Herons come up with a plan to free the Araluens, Ingvar agrees to pose as a slave. His imprisonment shows his willingness to make sacrifices for strangers. Ingvar’s kind nature and loyalty are admirable. The Herons also highlight the importance of working as a team, as well as embracing each person’s strengths.

Fans of the Ranger’s Apprentice Series will cheer as Gilan joins the Herons on their mission. However, fans will be frustrated when several scenes depict Gilan in an uncharacteristic way. Gilan is not the only new character added to the story. Kloof, a misbehaving dog, joins the crew and adds humor to the otherwise serious story.

In typical Flanagan style, the book concludes with an epic battle that is somewhat bloody. Tursgud and his crew all die; however, their deaths are not celebrated. Even though many people die at the hands of the Herons, they intentionally try to disable their enemies instead of killing them when possible.

Slaves of Socorro may start off slowly, but the second half of the book is full of action as the Herons save the Araluens from slavery. The story’s difficult vocabulary and detailed sailing scenes make the Brotherband Series best for strong readers. Readers will enjoy the friendship between the Herons, Thorn’s gruff behavior, and the unexpected plans that Hal comes up with. Readers will be eager to begin the next book in the series, Scorpion Mountain, which will add another character from the Ranger’s Apprentice Series.

Sexual Content

  • When Lydia finds out that Karina and Thorn are going to a celebration together, Lydia sings, “Karina and Tho-orn, sitting in a tree-ee. Kay-eye-ess-ess-eye-en-gee.”
  • Thorn asks Karina to the celebration. Later, Thorn tells Hal, “Just wanted you to know, there’s been no . . . funny business between me and your mam. No . . . hanky-panky, if you know what I mean.”
  • Before Thorn sails off on a mission, Karina “threw her arms around Thorn’s neck and kissed him soundly on the mouth. For a moment, Thorn was caught by surprise. Then he responded eagerly.”
  • One of the saved Araluens thanks Hal and then “leaning in, she kissed him on the cheek.” When Lydia snorts, Thorn asks, “What’s got your undies in a twist, princess?”

Violence

  • The Oberjarl, Erak, sees Tursgud, “and half a dozen of his unsavory crew members” drinking ale. Tursgud’s “eyes were bleary and he was very much the worse for drinking ale.” When the boys are disrespectful, “Erak raised the cask high, then slammed it down on Kjord’s head. The bottom of the cask gave way and showered the remaining ale down over Kjord’s body and shoulders. . . He [Kjord] sat upright for a second or two. Then Erak grabbed his collar and jerked him up and back off the bench with one convulsive heave.” Kjord is knocked unconscious. Erak tells Tursgud, “‘Now pick that piece of garbage up.’ He jerked his head at Kjord, who was moaning softly. ‘And get out of my sight.'”
  • A man shows up in Cresthaven looking for help. The man says slavers “hit us after dark and caught us totally by surprise. Killed three and took twelve prisoners. The rest of us ran. . . [They] drove us off and sat around drinking and feasting on our food and ale—and burning down houses and barns.”
  • A group of men attacks the Herons. In the fight, Hal uses a large crossbow. “The force of the shot jerked the man’s leg out from under him, and he fell, dropping the bow and clutching at his injured leg.” The Herons create a shield with their bodies. “Four of the attackers went down in the first impact, as the Skandian axes, and Thorn’s mighty club-hand smashed into them. . . The leader looked back in an attempt to rally his men. . . [a crossbow bolt] hit him squarely in the chest. The impact hurled him backwards and crashed into two of his men, dead before he hit the sand.” Many of the bandits are wounded or killed in this eight-page fight.
  • While Ingvar is imprisoned in the slave market, another Slave named Bernardo, bullies him. “Each of his questions was accompanied by a vicious elbow jab into his [Ingvar’s] ribs.” Bernardo’s head jerked back with the first punch. . . Ingvar heard the sound of bones cracking as the man’s nose broke. Bernardo uttered a choked cry, dazed from the rapid sequence of devastating punches.”
  • To create a diversion, Gilan starts a fire in the gold market. As he is leaving, someone sees him and Lydia and calls for the guards. The guards attack and “Lydia took a pace forward and punched her dirk into the soldier’s upper arm. The heavy blade sliced through the man’s chainmail shirt like a hot knife through butter. He felt the sudden burning pain in his arm.” Several of the guards are injured.
  • As Gilan and Lydia flee, the guards continue to follow. “Gilan’s sword shot forward. . . the guard felt the impact, felt the point penetrate his chest and almost immediately withdrew. He felt the hot gush of blood that spelled the end.”
  • Hal and some of the Herons break into the slave quarters in order to free them. When they enter a room, a guard “began to rise, just as Thorn kicked the heavy table over. The two on the side nearest Thorn were caught by a quick back-and-forth sweep of his club, thudding into their skulls and sending them sprawling to either side.”
  • As the slaves try to escape, soldiers “began shooting at the fleeing slaves. . . the would-be escapees began to fall, some crying out in pain, others ominously silent.”
  • While trying to escape, a group of guards corner the Herons and slaves. Hal’s dog Kloof attacks. The guard “yelped in fear as Kloof’s jaws clamped shut on his sword arm with all the force of a bear trap. . .” Then the Herons rush the guards. “Thorn’s small shield slammed full into his face, breaking his nose and cheekbone. The sergeant stumbled backward, blinded by blood and tears, his hands to his face, sinking to the cobblestones, huddled over in agony.”
  • One of the Herons stabs a guardsman who “fell sideways, staring in horrified disbelief at the blood welling from the wound. His chain mail and his sword clattered as he crashed onto the cobbles.”
  • To prevent Tursgud from following the Herons, Hal secretly ties ropes to Tursgud’s ship. When Tursgud tries to follow, the ship is ripped apart, and “the water rushed in and the boat filled and sank. . . One or two heads bobbed on the surface and they could hear their desperate cries. Then they fell silent.”
  • As the Herons flee Socorro, guards use a catapult to throw huge boulders at the ship. The Herons use their own catapult to launch jars filled with pottery shards. The pottery shatters, hitting a guard. The guard “took a jagged, five-centimeter piece in the forehead. It tore a huge flap of skin from his head. Blood gushed out, blinding him, and he threw both hands to his face in pain.” Gilan and Lydia shoot arrows at the guards.
  • A guard accidentally hits a trebuchet, and a boulder fell on the commander who “was still hurling curses at the little ship as it slid past. . . when the huge, crushing weight landed on him. He screamed once, then he was silent.”

 Drugs and Alcohol

  • Hal’s mom soaks a “slab of meat. . . in a mixture of red wine and oil.”
  • At a dance celebrating the Heron’s return, wine and ale are served to the adults. “The band seemed to have mastered the art of drinking deep drafts of ale in sequence, so that the music continued, uninterrupted.”
  • The Herons go to Cresthaven to relieve a Skandian crew of duty. Someone tells Hal, “the ale is wonderful.” Before they leave, the villagers throw a party for the Skandians, who drink plenty of ale.
  • Smugglers bring brandy from Gallica into Cresthaven.
  • Wine is served at the gold market.
  • Tursgud and his men had been banned from “several drinking places.” So Tursgud went into a different tavern and “spent the night there, hunched over a table in the corner, repeatedly calling for his ale cup to be refilled.”
  • When the Herons return the Araluens, the village throws a party and offers their guests ale. The Herons drink coffee instead.

Language

  • The Skandians often use their gods’ names as exclamations. For example, when a dog eats a brush, Hal yells, “Let go, you fool! . . . Orlog blast you!”
  • When the Herons approach a damaged ship, Hal says, “Oh Gorlog’s socks, they think we’re going to attack them.”
  • Someone calls the Oberjarl a “silly old fool.”
  • Two brothers argue and call each other names, such as idiot and blithering twit.
  • Several times someone is called an oaf or an idiot.
  • Damn is used once.
  • A guard calls his commander a “son of a pig.”

 Supernatural

  • None

Spiritual Content

  • The Socorrans build prayer towers for their gods. Hahmet is the god of war. Jahmet is the god of love. Kaif is the god of good harvest, fair weather, business and success, and family matters. The Socorrans pray three times a day.
  • The Hellenese believe in the goddess Ariadne.
  • When the Herons rescue slaves, one of them tells Hal, “May the gods bless you for coming.”
  • Someone says, “By Ergon’s tears,” which refers to an obscure Araluen god.

Heartless

Catherine may be one of the most desired girls in Wonderland and a favorite of the unmarried King, but her interests lie elsewhere. A talented baker, she wants to open a shop and create delectable pastries. But to her mother, such a goal is unthinkable for a woman who could be queen.

At a royal ball where Cath is expected to receive the King’s marriage proposal, she meets a handsome and mysterious jester called Jest. For the first time, she feels the pull of true attraction. At the risk of offending the King and infuriating her parents, she and Jest enter into a secret courtship. Catherine is determined to choose her own destiny. But in a land thriving with magic, madness, and monsters, fate has other plans.

Catherine’s sweet and fiery nature will have readers falling in love with her from the very start. Readers will empathize with her troubles. Catherine desperately wants to make her parents proud, so she often hides her feelings. Catherine wonders, “Was she so afraid to disappoint her parents and the King, that she was willing to put their happiness before her own?” To make matters worse, her domineering mother doesn’t listen even when Catherine tries to be honest, and her mother constantly harasses her about food. At one point, her mother takes away custard and says, “You’ll be mistaken for a walrus at the festival. . . You’ll become an elephant!”

Heartless takes the reader into the imaginative world of Heart, a reflection of the land in Alice in Wonderland—a place with walking cards, magical pumpkins, and hats that give hope. Even though the setting is magical, the story isn’t a sweet love story. Instead, Catherine’s transformation into the Queen of Hearts that we all know from Alice in Wonderland is heartbreaking. Throughout the story, Catherine’s good intentions repeatedly lead to disaster. It doesn’t matter if the characters acted out of love, the results are always disastrous.

If you’re looking for a cheerful Alice and Wonderland based story, Heartless is not the book for you. Heartless is an engaging story with complex characters and sensational surprises. Catherine’s story will have you reflecting on fate and wondering if people have the ability to choose their futures or if their futures are predetermined. Readers will either love or hate Heartless, but either way, the characters will stay with you a long time after you close the book.

Sexual Content

  • Catherine daydreams about Jest’s “arms lowering her onto a bed of rose petals. Fingers tracing the contours of her face. Kisses trailing down her throat. . . And if her dreams were to be believed, he was a very, very good kisser.”
  • Catherine doesn’t want to marry the king. One of her friends suggests, “I’m only saying that you might be the king’s wife, but who is to say you couldn’t also have more clandestine relations with the joker.” Catherine is aghast.
  • While at the theatre, one of the entertainers “peeked up the skirts of the passing actresses.”
  • After Jest declares his feelings of love, he kisses Catherine. Jest “kissed her—soft at first. . . Another kiss, hesitant, growing bolder. . .Catherine grinned, delirious once more, and pulled him down onto the grass.”
  • Jest and Catherine run from Heart. When they think they are safe, Jest “grabbed her suddenly, crushing his mouth against hers. Cath threw her arms around his neck, delighting in the way her heart expanded as if it could consume them both.”
  • Catherine leaves Jest to help a friend. Before she goes, “She threw her arms around him and silenced him with a kiss, digging her hands into his hair. . . His arms drew her closer, melding their bodies together.”

Violence

  • Catherine meets Jack “who had been out of pity after losing his right eye in a game of charades.”
  • A Jabberwock attacks the castle. It “shattered one of the windows and took two of the courtiers right from the ballroom floor. Then it just flew off with them. . .” Later, someone finds pieces of the courtiers.
  • While at a tea party a Jabberwock attacks. “The Jabberwock screamed again. It was followed by the sound of splintering wood and creaking nails. The wall trembled. . .”
  • As the guests flee, a turtle “froze.” Catherine goes to help the turtle. “Every limb tightened and she could see its neck outstretched and its fangs bared and its tongue lolling toward her. . . The Lion threw himself in front of Catherine, one massive paw lifted as if he would bat the Jabberwock out of the sky.” The scene is described over six pages.
  • In the Hatta’s family, everyone goes mad. Hatta says his father “killed himself. With a brim tolliker.”
  • Catherine reads a mock turtle soup recipe. “Begin with a medium-sized mock turtle. . . Using a sharp butcher knife, remove the calf head. Mock turtles die slowly, so be aware that the head will continue to mewl and the body may try to crawl away for some minutes after decapitation.”
  • At a festival, a woman grabs Catherine’s wrist. “She rubbed her wrists, glad that the wounds weren’t deep and had already stopped bleeding, though they stung something dreadful.”
  • The Jabberwock attacks a theatre. “With a gurgle in its throat, the Jabberwock leaped forward, jaws unhinged. Catherine screamed. . . He [Jest] leaped onto the stair’s balustrade and dashed toward the best like running up a marble statue. He rolled in the air, landed on the back of the monster’s long neck, and grabbed one of the spindly whiskers that grew from its head as if he were gripping a leash. . .” The monster flies away. Catherine is injured. The fight scene is described over six pages.
  • Jest talks about where he lives, saying, “I’ve watched so many die on the battlefield. I’ve taken so many lives myself—pawns of the Red Queen, mostly, only for them to be replaced by new soldiers and sent forward again.”
  • While Catherine is trying to free a friend, the Jabberwock “crashed to the ground, blocking her path. The best curled its serpentine neck towards the sky and snorted, its nostrils steaming. . . A scream was ripped from Cath’s throat and she charged forward, swinging the sword as hard as her arms would allow it. The blade made one fast, clean cut. . . The Jabberwock’s head disconnected from her slithering neck. Her body crashed onto the rows of abandoned pumpkins.” The Jabberwock’s attack is described over ten pages.
  • After Catherine kills the Jabberwock, a man attacks Jest. “. . . There was the sound of blood sputtering across the ground. . . Jest. Mutilated. Severed. Dead.”
  • After Catherine becomes Queen of Hearts, Three Sisters magically take her heart. One of the sisters, Lacie “raised the dagger and plunged it into Cath’s chest. Catherine gasped. . . Lacie pulled out the blade. A beating heart was skewered on its tip. It was broken, cut almost clean in half by a blackened fissure that was filled with sawdust.” Catherine still lives, but her only emotion is rage.

 Drugs and Alcohol

  • Several times throughout the book, adults drink wine. For example, wine is served at a royal ball.
  • Mr. Caterpillar smokes “from a large hookah.”
  • Catherine’s parents drink “cordials.”
  • When Catherine is injured, Jest gives her “treacle.” When she takes the treacle, it “contains mythical healing properties.” Her ankle begins to heal itself. “She hardly felt it. The slow straightening of the joint, the shrinking of the lump, the gradual reduction of her swollen flesh.”

Language

  • A lady yells, “YOU BLOODY BIRD! CAN’T YOU AIM STRAIGHT FOR ONCE?”

Supernatural

  • Catherine’s world is full of magic.
  • Many characters are animals or other strange creatures, such as playing cards.
  • When Catherine dreams, she wakes up to find a lemon tree once, and another time a rose bush climbing her bedpost. Later a vine with “hundreds and hundreds of small, delicate hearts surrounded her—all of them bleeding.”
  • A turtle suddenly begins to change. “Upended on his back, exposing the softer underside of his shell, his arms and legs flailing. He was still groaning and pressing his flippers to his stomach, his voice hoarse with pain, his eyes wide and frightened. . . His screams turned gargled as his head, too, began to morph into something strange, something horrid.” Parts of the turtle’s body change. “His reptilian tail stretched and curled and spouted a tuff of fur on its end. His tail, too, was now that of a young cow.” His transformation is described over three pages.
  • Hatta makes hats from “unique materials” that give them magical properties.
  • Jest can change into a raven. “Jest’s body dissolved—a shadow, a flutter, a wisp of ink-dipped quills.”
  • If someone steps through a magical-looking glass, they are transported to another place.
  • A woman eats magical pumpkins that turn her into the Jabberwock. Later, the pumpkins tell Catherine that she should “run away with your human legs, run away. . .”

Spiritual Content

  • None

The Gold Medal Mess

Five friends are ready for their school’s Olympics field day. There will be relay races, archery contests, and more! But not everyone wants to play fair—in fact, someone is trying to ruin the events! Can the kids in the Most Valuable Player club solve the mystery, save the Olympics, and take home the gold?

The Gold Medal Mess introduces five diverse friends—Max, Alice, Luke, Kat, and Nico. The kids work well together in order to find the culprit. None of the kids are well developed, but there is room for each character to grow in later books in the series. However, Luke is portrayed as silly and lazy. For example, when his friends ask Luke if he wants to practice archery, Luke says, “The only way I’m going to win is if they give out medals for not doing homework!”

The story’s plot is easy to understand and readers will enjoy following the clues to see if they can solve the mystery before the culprit is revealed. Large black and white illustrations break up the text and help readers understand the plot. The story’s dialogue and quick pace are engaging. However, struggling readers may have a difficult time with some of the vocabulary.

The Gold Medal Mess has a good blend of mystery and competition which makes the book appealing to a wide range of readers. The simple plot will entertain beginning readers but may be too simple for more advanced readers. Ellie Steps Up to the Plate by Callie Barkley and the Little Rhino Series by Ryan Howard & Krystle Howard will also appeal to sports fans.

Sexual Content

  • None

Violence

  • While running a race, the contestants fall down. “And like the first kid, their feet flew out from under them and they rolled onto the ground too! Before long, the runners from all six teams had slid out on the grass.” The kids slipped because someone put oil on the grass.
  • During the tug-of-war competition, “the tug-of-war rope broke in half” and the “teams tumbled backward!” Someone intentionally cut the rope.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Because a Little Bug Went Ka-CHOO!

Just one “KA-CHOO” causes a whole chain of hilarity, from a splashing turtle to a wet hen, to a flying policeman, a sinking boat, and just about everyone crashing a circus parade! “Because that seed dropped, a worm got mad. Because he got mad, he kicked a tree. Because of that kick. . .” Turn the pages and find out what could possibly happen next!

Because a Little Bug Went Ka-CHOO! is a simple story that shows a chain reaction of cause and effect. The silly characters range from an angry worm to Farmer Brown and even a flying policeman. The simple story is perfect for beginning readers because every sentence uses the same format and only a few new words are introduced on each page. As part of the I Can Read It Myself Beginning Book Series, young readers should be able to read the book on their own.

The full-page illustrations are bright, hilarious, and have fun details. Each page adds more characters—soon cows, chickens, Farmer Brown, police officers, and even a fish follow the action to see what will happen next. Readers will have fun finding all of the familiar characters on each page. From a fish riding a motorcycle to a blue elephant in the sky, the characters will keep young readers engaged.

Because each page has 1 to 2 simple sentences that have rhythm, Because a Little Bug Went Ka-CHOO! makes a great story to read aloud. The combination of simple sentences and funny illustrations will have young children reading Because a Little Bug Went Ka-CHOO! again and again. The book allows beginning readers to gain confidence in reading. As readers follow the chaos that one little sneeze causes, they will learn that reading can be fun.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

All Together Now

Bina and her friend Darcy love shredding the guitar and belting high notes together in their new band. All they need now is a drummer. When their classmate Enzo, volunteers, Bina is thrilled. That is until she realizes that sometimes two’s company and three’s a crowd.

To make matters worse, Bina’s best friend Austin has been acting strange ever since he and his girlfriend broke up. Is he interested in someone new? And is it. . . Bina?

Bina always thought she wanted a band, not a boyfriend. But now romance seems to swirl around her whether she likes it or not. Can she navigate its twists and turns before the lights come on and the music starts playing?

Anyone who is more interested in music than romance will relate to Bina, who isn’t ready to date. When Bina’s best friend decides that they should add a little romance to their relationship, Bina isn’t sure what to do. She doesn’t want to lose her best friend, but she’s not ready to start smooching him either. To add to her worries, Darcy and Enzo kick Bina out of the band that Bina started, and then they steal her songs!

All Together Now is told from Bina’s point of view, which allows her conflicting emotions to take center stage. Bina’s story highlights the importance of understanding yourself. When Bina is given an opportunity to play in front of a large audience, her mom says, “I know it’s scary to walk away from something you really want, but you have to ask yourself, ‘Is the timing right?’” In the end, Bina realizes that she’s not ready to date or perform. The book ends on a hopeful note that hints that one day, Bina will be ready for both.

All Together Now uses pink hues to illustrate the graphic novel panels. The easy-to-read story uses simple vocabulary and has eleven or fewer words on each page. The characters’ words appear in quote boxes, and the characters’ thoughts appear in arrows, which makes it easy to distinguish the two. The graphic novel format makes All Together Now a good choice for reluctant readers. Even though the book is the second installment of the Eagle Rock Series, each book can be read independently.

Readers will relate to the friendship conflict that dominates All Together Now. Even though Bina’s mother only makes a small appearance, her positive advice and encouragement helps Bina. In the end, Bina is able to make a mature decision based on her own needs. All Together Now explores the complicated nature of friendships in a teen-friendly way that shows that it is okay to go at your own pace.

Sexual Content

  • Bina and her friend see the neighbor’s daughter kissing her boyfriend.
  • Bina and her neighbor, Charlie, have a talk about boys. Charlie says, “Maybe I should date girls for a while.” When Charlie asks Bina if she likes girls, Bina says, “Sometimes I think I’ve got a crush on someone—girl, guy, whatever—but then I wonder, what’s the difference between liking someone and liking them?”
  • Darcy tells Bina that Enzo kissed her. She adds, “He’s a good kisser. I guess he’s my boyfriend now.” Bina gets upset and asks Darcy if she went to Enzo’s house “because you were hoping to hook up?”
  • When Bina gets to band practice, she sees Darcy sitting on Enzo’s lap and kissing him.
  • Enzo, Darcy, and Bina go shopping. Bina gets upset when Enzo and Darcy go into a dressing room so they can make out.
  • While at a concert, a boy kisses Bina. She gets upset and runs off.

Violence

  • None

 Drugs and Alcohol

  • Bina goes camping with her older brother and mother. Her brother says, “There’s a reason so many musicians come out here to record albums. And do drugs.” Bina’s mother says, “And die from heroin overdoses, like Gram Parson did, which is what will happen if you do drugs.”

 Language

  • “Oh my God” and “OMG” are used as exclamations thirteen times.
  • Crap and freaking are both used once.

Supernatural

  • None

Spiritual Content

  • None

Seedfolks

In a neglected and unkempt empty lot in a Cleveland neighborhood, a young Vietnamese girl named Kim plants a seed to honor her dead father. Although her gardening was meant to be a secret, her actions are detected by a curious neighbor, and Kim’s small seed ignites a change throughout the neighborhood; soon the community strives to revitalize the lot and transform it into a beautiful garden. Neighbors from all sorts of backgrounds come together to grow things, sharing gardening tips and growing closer as a community.

Seedfolks is a heartwarming story that demonstrates the power of simple actions, and how change is possible. Each chapter follows the perspective of a different neighbor with a unique background and a new story to tell. For example, Gonzalo watches his Tío plant seeds and feels closer to the earth as he remembers life in Guatemala. Virgil’s father from Haiti wants to grow lettuce for money. And Sam, although too old to garden himself, talks to his neighbors as they grow their fruits, vegetables, and flowers and unites the community through conversation.

Ultimately, Seedfolks is a story that celebrates diversity. Although the neighbors originally use the garden separately without communicating, they eventually begin to help one another grow things and learn from each other’s similarities and differences. Even when the winter comes, they have the promise of the garden to bring them back together again.

Although the garden is at the center of the book, the real story comes from the lives of the people using this revitalized space. Each chapter introduces a brand-new character and includes a black and white sketch to give a sense of who they are. While some characters speak broken English, their perspectives are understandable and personal. There is no coherent plot in the novel as every chapter follows a new perspective, but some of the same characters reappear in the background of other’s stories. With this format, the central theme showcases how even small actions, like planting a seed in a vacant lot, can produce big changes that bring people together. In the end, the neighbors that once coexisted separately from one another are united with a common space and goal to grow.

 Sexual Content

  • None

Violence

  • In the past, Wendell’s boy was “shot dead like a dog in the street.”
  • Gonzalo explains it isn’t safe to sit outside or “some gang driving by might use you for target practice.”
  • Sae Young was robbed and assaulted at her dry-cleaning store. The thief had a gun and “he take out money, then push me [Sae Young] down. He yelling at me. Very bad words. Then he kick me. Break cheekbone. Then he kick me again, head hit hard against wall and I go to sleep.”
  • Amir hears a woman scream because “a man with a knife had taken her purse.”

Drugs and Alcohol

  • Before the garden, there were “men with no work drinking from nine to five instead, down there in the lot.”
  • Sam hires a young boy to plant his garden. The boy “wanted to grow marijuana, to sell.” Instead, they agree to plant pumpkins.

 Language

  • None

Supernatural

  • None

Spiritual Content

  • Sam calls the garden “a small Garden of Eden.”
  • After visiting the garden, Wendell is reminded of the Bible verse, “And a little child shall lead them.”

by Elena Brown

History is All You Left Me

Griffin Jennings is no longer dating Theo McIntyre, but his ex-boyfriend is still his favorite person in the world. In Griffin’s universe, he and Theo are “endgame,” even though Theo is off at college with a new boyfriend, Jackson. Ever since they broke up so Theo could enjoy college, Griffin has been impulsive and reckless. Slowly, he’s been able to manage life without Theo, by holding onto the thought of their future together.

That dream shatters when Griffin learns that Theo is dead. Now, he must speak at Theo’s funeral, watch him be lowered into the ground, and learn to live in a universe without his first love and best friend. History is All You Left Me is divided into two sections. First, it covers Griffin and Theo’s history in the past. Then it switches to the present day as Griffin deals with losing Theo. He befriends Jackson, the person who took his place; Griffin sees Jackson as the only person who understands his grief. Additionally, the story details Griffin’s relationship with Wade, Theo’s childhood friend, and how their group of three was impacted by Theo and Griffin dating and breaking up.

In the end, Jackson and Griffin come to terms with the fact that they both loved Theo, but in different ways. Griffin says, “I’m hit with a realization: the Theo you were with him isn’t the Theo you were with me, and maybe that’s okay.” Though their story is fraught with complications, jealousy, cheating, and impulsive hook-ups, History is All You Left Me is a story about learning to navigate the world when you lose someone you love.

Griffin narrates the book in the first person, often voicing his thoughts directly to Theo as “you” – such as “you’re still alive in alternative universes, Theo.” The story switches from the present to the past, which allows readers to immerse themselves in Griffin’s headspace as he grieves and remembers Theo via the history they shared.

As a main character, readers may not relate to Griffin because of his impulsiveness and jealousy. By sleeping with Wade and Jackson, he seeks to get revenge on Theo. However, this book is much more complicated than what is on the page. Griffin also struggles with OCD compulsions that contribute to his behavior. In addition, dealing with grief causes people to do things they normally wouldn’t consider. Griffin is experiencing two kinds of loss: first, losing his boyfriend to someone else, and second, losing his best friend to death.

Even though Griffin’s actions may not be relatable, he is a well-developed and complicated character who deals with grief realistically. He doesn’t hide his pain and is willing to admit he has done wrong, which makes him human rather than a hero. His guilt and regret are genuine and devastating—sadly, there is no happy ending; rather the ending emphasizes the process of learning to be happy again while still preserving history. A certain amount of moving on is necessary too. For Griffin, that comes in repairing a friendship with Jackson and trying out a relationship with Wade as all three of them learn to live without their versions of Theo McIntyre.

Sexual Content

  • Griffin kisses Theo after a trivia game night, in which they win a plastic sword and shield. Once they take their prize, Giffin “lean[s] over to give Theo a thank-you kiss.”
  • Griffin thinks about having sex with Theo. Griffin doesn’t “know if Theo is smiling because he’s imagining us having sex or because he likes making me uncomfortable, but I do know that I don’t have the balls to continue this conversation.”
  • While they’re doing a puzzle in Theo’s room, Theo asks Griffin to have sex with him. Theo “immediately holds my hand and kisses me. We lie down. When our shirts finally do come off, it’s different from all the times we’ve gone to the beach, since we’ve never held each other shirtless . . .  And just like that we’re naked in my bed . . . It’s weird how it’s nothing like I thought it would be from the countless hours of porn watching I’ve clocked.”
  • After having sex, Theo says, “I’m Theo McIntyre, a dude who just had sex with another dude!”
  • At a birthday party in central park, Wade, Theo and Griffin’s friend, says, “Just don’t have sex out here or I’m calling the cops.”
  • Wade talks about Griffin’s sex life with Theo a lot. Later, Wade says, “You came out to each other, made out, banged out, and now came out to your parents. You’re as out as it gets.”
  • Wade accompanies Theo and Griffin to buy condoms and they run into Griffin’s father. They both feel awkward. “’Protection is good,’ Dad says. ‘You can’t get pregnant, but there are other dangers.’ Griffin tries leaving the aisle, but his dad cuts ahead. Griffin’s dad says, “Wait. We should be able to talk about this. This doesn’t have to be embarrassing . . . Your mom and I were thinking about sitting down with you soon to talk about this stuff—to talk about sex . . . Wait. Have you both already?” His father ends up buying the condoms for them, but the boys vow not to use them because it would remind them of the awkward situation. This scene is described over five pages.
  • Afterward, Wade says, “Good going guys. Do you think your dad is trying to figure out who’s the top and who’s the bottom yet?”
  • While working on Theo’s college admission essay, Griffin kisses Theo. Theo says, “Screw college, let’s have sex instead.”
  • On Griffin’s birthday, Griffin says, “I woke up to a video from a shirtless Theo for my eyes only.” Later that day, Theo can tell Griffin is thinking about something. Theo says, “You’re supposed to be able to talk to me when something’s up. If you don’t the Bad Boyfriend Council will show up at my house and give me a demerit.” Griffin replies, “What happens when you get too many demerits?” Theo says, “I’ll be sentenced to an entire month without masturbation or sex. You got to save me here.”
  • Griffin visits Theo’s dorm. “The single bed is unmade. It’s so small, and whenever Jackson slept over, you two must’ve been forced to really push up against each other so no one fell off the edge. I have no idea when you and Jackson had sex for the first time, but the first time you casually mentioned it to me was a couple of months after you were already dating him, a little joke as if you were testing the waters to see if I would laugh. I did, but I knew you could tell it hurt me, because you never brought it up again. Either that or you and Jackson stopped having sex, which, let’s be real. . . I know you.”
  • Because Theo liked zombies, Griffin created a “zombie kiss” for him, where he nibbles Theo’s cheek. Jackson later shows this to Griffin. “Jackson nibbles on my [Griffin’s] cheek, doing a very stupid growl. He stares into my eyes afterward and smiles . . . he doesn’t know I know all of this. You taught him something personal to me . . . I grab Jackson by the back of the neck and kiss him – a straight-up kiss where my tongue finds its way into his mouth and his massages mine back . . . His fingers rake my lower back as he pulls me so close to him our chests are pressed together, hearts hammering against one another. I push him backward, and he probably thinks I’m done, that I’ve come to my senses or something, but I take off my shirt and send it sailing across the room.” To Theo, Griffin says, “I want you to watch me have sex with your boyfriend.”
  • When Theo visits home, he kisses Griffin and says he will break up with Jackson.
  • After Wade hears about this, he lets Griffin know that Theo doesn’t intend on breaking up with Jackson. “I have to tell you something. Theo got a single room for his sophomore year so he can have more private time with Jackson . . . Stop defending him, Griffin. And stop putting him on some throne.”
  • Griffin and Wade kiss: [Wade] pulls me into a hug, which is rare. But I need it. I hug him back. Then [Wade] kisses me, which is unimaginable . . . I stop kissing Wade. He’s Theo’s best friend. Wade doesn’t apologize. He stares at me, probably expecting me to punch him or run away. He’s no longer the same Wade I grew up with and this dizzies me, even more so than the news of Theo getting a single room so he can pretty much live with Jackson . . . So I kiss Wade again. I kiss him because he’s Theo’s best friend.”
  • Griffin and Wade have sex multiple times. Griffin takes “off my shirt and pull[s] off Wade’s too. I climb on top of Wade and he sinks to the floor, flat on his back, and I kiss him a lot like Theo kissed me the last afternoon we had sex. It’s not long before we make it into his bed, completely undressing ourselves, and Wade confesses this is his first time. . . Theo is never going to take me back. Not after he learns I’ve had sex with Wade five times already.”
  • Veronika, one of Jackson’s friends, meets up with him and Griffin and reveals that she had an abortion. When someone comments on her Facebook status, Veronika gets upset and says, “Did my Facebook status mention I broke up with the latest love of my life because of the abortion I had to have? Did my Facebook status tell you all about how I wasn’t ready to be a mom and he wasn’t ready to be a dad and how we agreed this was a bad time, that we would go to the clinic together and he would hold my hand through this? Did my Facebook status tell you he didn’t show up and hasn’t responded to any of my texts? . . .I lose a part of myself and lost a little person who was growing inside me and was going to look like me . . . I’ll never get to be this kid’s mom.”

Violence

  • One of Griffin’s cousins tells him to get over Theo, prompting a fight with Griffin. He narrates it like this: “I lunge at the bastard—I hear the gasps of my mom and Rosie, some cheers from some younger cousins, screams from others—and my dad catches me before I can snuff him, dragging me back toward the kitchen while Remy laughs.”
  • Theo drowns, but it is not described because Griffin didn’t witness it. However, Jackson admits that, instead of trying to save Theo himself, he went to get a lifeguard. Griffin is angry so he says, “’I would’ve never stood by and watched Theo die!’ Jackson jumps up and he holds my arms. I don’t know if he’s trying to stop me from shaking or keep me from walking out, but I break out of his grip and punch him in the face, which surprises both of us, and then I punch him in the face again, which only surprises him.”

Drugs and Alcohol

  • Russell, Theo’s father, goes “out for a smoke” occasionally.

Language

  • Profanity is used occasionally. Profanity includes: damn, shit, hell, dick, bitch, and ass. Fuck is used less often. For example, the weather is described as “fucking freezing.”
  • Slut and whore are both used once.
  • Griffin says to Theo, “I’m sorry. That was a dickhead thing to say. I need a condom for my mouth.”

Supernatural

  • None

Spiritual Content

  • Griffin’s grandmother is religious and asks him if he’s prayed today. Griffin says, “I prayed this morning.” Then he thinks, “lying about prayer would’ve felt a lot more sinful if I ever believed in God, but well, those thoughts are better suited for someone with reasons to believe in the miracle of resurrection.”
  • Griffin’s family prays at Thanksgiving.
  • Jackson and Griffin talk about God while wishing at a fountain. Griffin says, “Look, there are so many coins in here. People thought their spare change could buy them stuff, like actual riches or something else. We’re all suckers.” Jackson says: “I always thought it was more religion than fantasy. Ignore everyone throwing in money for more money. Everyone else is praying. Throwing a coin into a fountain is a little less disappointing than praying in some church. You go straight to the Big Man’s house, you expect results.” Griffin says: “How the hell can you believe in God? After Theo?” Jackson replies: “I don’t spend my Sundays at church, but I’ve always taken to the idea of bigger plans. I had big plans with Theo – now I don’t. There’s got to be something to take away from this. I refuse to believe he died pointlessly… I’m not going to give God the silent treatment because I’m pissed off Theo is dead. Theo believed in God.”
  • Griffin speaks to Theo in his mind about going to church: “I should remind Jackson where I stand on this God character, but this place is beautiful . . . You [Theo] never mentioned going to services with Jackson, but I guess I wouldn’t be surprised if you did. I’m trying to be respectful here, but my feelings on faith at the moment are the same feelings I have for the church itself—beautiful and promising on the outside, but possibly disappointing on the inside.”

by Madison Shooter

 

Charlotte’s Web

Fern saves a piglet, the runt of his litter, from being killed by her father, Mr. Arable. She names the piglet Wilbur and cares for him until he has grown too big to stay at the Arables’ house. Her father is unwilling to provide for Wilbur, so he convinces Fern to sell Wilbur to her uncle, Mr. Zuckerman. Wilbur can stay at Mr. Zimmerman’s farm for the rest of his days. And although Wilbur has more room to move and plenty to eat, he becomes lonely—he wants a friend.

After hearing Wilbur’s request, Charlotte, a gray spider, befriends him. Fern frequently visits Wilbur and observes the activities around the barn, occasionally accompanied by her little brother, Avery. One day, a sheep warns Wilbur of an inevitable future: one of those days, the farmers will slaughter him for “smoked bacon and ham.” However, Charlotte plans to dissuade the humans from killing her new friend.

An external narrator tells the story of Charlotte’s Web so the reader can understand the thoughts of every character. Since the story centers on Wilbur’s growth from his friendship with Charlotte, who encourages him to be “some pig,” “humble,” and “radiant,” Wilbur is the only character who changes throughout the story. The narrator follows Wilbur’s actions often since Fern spends more time with the humans than the animals. Fern expresses her fondness for Wilbur, nonetheless. Younger readers will not get lost in the plot because Fern tells her family about the farm animals’ activities. In addition, pictures of the farm and characters are in most chapters so readers can visualize the setting.

Even though the story is a beloved classic, the frequent praise of Charlotte’s webs and Wilbur’s magnificence is heavy-handed at times. Plus, the book’s vocabulary will make it difficult reading for some readers. Younger readers may not understand the 1950s culture, but they will understand the relationship between Fern and the humans, and the friendship between Wilbur and Charlotte. The dialogue has 1950s dialogue, and some phrases and terms may be offensive to modern audiences. For example, when Mr. Zuckerman says to the minister that Fern is a “queer child,” he meant that Fern is a strange child.

Elementary school readers will enjoy the book as it ultimately tells the story of friends from unlikely places. If you are looking for a more modern story about love, life, and friendship similar to Charlotte’s Web, there are great ones to choose from, such as A Boy Called Bat by Elana K. Arnold and The One and Only Ivan by Katherine Applegate.

Sexual Content

  • None

Violence

  • Mr. Arable was on his way to kill Wilbur, but Fern stops him by saying, “The pig couldn’t help being born small, could it? . . . This is the most terrible case of injustice I ever heard of.” The scene lasts for two pages.
  • Throughout the book, Charlotte captures and eats “anything that is careless enough to get caught in [her] web.”
  • One of the old sheep in the farm tells Wilbur that the humans have been fattening him up so they can kill him and eat him. “Almost all young pigs get murdered by the farmer as soon as the real cold weather sets in. There’s a regular conspiracy around here to kill you at Christmastime. Everybody is in on the plot.” Wilbur’s panic at the revelation continues for two pages.
  • One of Charlotte’s cousins battled against a fish. “There was my cousin, slipping in, dodging out, beaten mercilessly over the head by the wildly thrashing fish, dancing in, dancing out, throwing her threads and fighting hard.” Her cousin wrapped the fish in her threads, defeating it. Then, “[Her] cousin kept the fish for a while, and then, when she got good and ready, she ate it.” The fight lasts for two pages.
  • Charlotte dies after seeing off Wilbur and Templeton, a rat, who are returning to Mr. Zuckerman’s farm. “She never moved again. . . Nobody, of the hundreds of people that had visited the County Fair, knew that a grey spider had played the most important part of all. No one was with her when she died.”

Drugs and Alcohol

  • Charlotte gives her prey “an anesthetic” so they won’t feel pain when she eats them.
  • Lurvy, the hired man on Mr. Zuckerman’s farm, gives Wilbur “two spoonfuls of sulfur and a little molasses” when Mr. Zuckerman notices Wilbur’s misery.

Language

  • Templeton is mad when Wilbur wakes him from his nap, and says, “What kind of monkeyshine is this?”
  • Wilbur calls Templeton a “crazy rat” when the rat makes noise at night.
  • Zuckerman calls Edith, his wife, “crazy” because she wants to wash Wilbur with buttermilk.

Supernatural

  • An announcer refers to Wilbur’s excellence as “dealing with supernatural forces.”

Spiritual Content

  • When Mr. Arable lets Fern keep and care for Wilbur, he prayed for the “good Lord” to “forgive him for this foolishness.”
  • Lurvy “dropped to his knees and uttered a small prayer” upon seeing the words “some pig” on one of Charlotte’s webs.
  • Many humans refer to Wilbur and the webs as a “miracle.”
  • Mr. Zuckerman meets with the minister about Wilbur and the webs. The minister says, “I can explain it in my sermon next Sunday.” On that Sunday, the minister says, “the words on the spider’s web proved that human beings must always be on the watch for the coming of wonders.”
  • Wilbur refers to the doorway where Charlotte wove her webs as “hallowed” when he spoke to three of Charlotte’s daughters, Joy, Aranea, and Nellie.
  • Templeton exclaims, “Bless my soul” out of frustration when Wilbur persuades him to take Charlotte’s egg sac before they leave the County Fair.

Sherwood

Robin of Locksley is dead.

Maid Marian doesn’t know how she’ll go on, but the people of Locksley town, persecuted by the Sheriff of Nottingham, need a protector. And the dreadful Guy of Gisborne, the Sheriff’s right hand, wishes to step into Robin’s shoes as Lord of Locksley and Marian’s fiancé. Who is there to stop them?

Marian never meant to tread in Robin’s footsteps—never intended to stand as a beacon of hope to those awaiting his triumphant return. But with a sweep of his green cloak and the flash of her sword, Marian makes the choice to become her own hero: Robin Hood.

Marian is a captivating protagonist who struggles with deciding what is right and wrong, just and unjust. As a girl, Marian has always struggled to fit into her society because she would rather wield a sword than wait for a knight-in-shining-armor to save her. Even though Marian’s society expects her to act like a lady, Marian knows she will never fit into the typical female mold. One of the reasons Marian loved Robin of Locksley is because he never asked her “to be someone she’s not.”

Even though Robin of Locksley died in the story’s prologue, his voice is not silent. When Marian first dons Robin’s cloak, Robin’s voice guides her. Flashbacks to Robin’s and Marian’s childhood also develop both characters’ personalities. As the story progresses, Robin’s voice recedes into the background, and Marian wonders if she ever really knew Robin. Despite this, Marian deeply misses Robin’s friendship and appreciates that he never tried to change her.

Sherwood quickly grabs the reader’s attention and keeps the suspense high until the very end. The story is full of sword fights, chases, and secrecy. Spooner creates wonderfully complex characters that cannot be judged based on their appearances or their station in life. Readers will fall in love with Marian’s ragtag group of followers as they fight for justice. Through this fight, the story questions whether the law is just. Gisborne is dedicated to the law, but even he realizes “the law will never be just. Perhaps it can come close—so close the line is hard to see. But laws are written by men, who are imperfect by nature, and justice belongs to something beyond the power of men.”

The action-packed conclusion contains several surprises but also ends with a heartfelt scene that will leave readers in tears. In the end, Sherwood is a story that will stay with readers for a long time after they put down the book. Marian’s story reinforces the idea that each person needs to be true to themselves. Even though you cannot fight today’s problems with a bow and arrow, Sherwood encourages you to make an impact on the people around you.

Sexual Content

  • While confronting Marian (who Gisborne thinks is a man), Gisborne said, “You’re of noble birth. Disgraced one too many times with the household servants or else a bastard son banished when you came of age.”
  • Seild, one of Marian’s friends, is in an unhappy marriage. Seild says her husband “prefers the company of women who are too afraid to refuse him.”
  • Robin Hood tells Seild’s husband, “Only a coward leaves his wife alone while he forces himself on the servants.”
  • After Gisborne shares part of his personal life with Marian, she kisses him. “Her lips met his too strongly, the sudden need for him turning her clumsy. . . He held her a moment longer, eyes falling to her lips—and then he bent his head to kiss her. His mouth met her gently at first, but when she leaned close, when her lips parted, when he slipped an arm around her and felt her back arch, he abandoned gentility as utterly as the rest of the façade he’d worn for so many years. . . Her hips moved, tipping up like a beckoning finger, and when he felt her swell toward him he tore his mouth from hers . . . “ The steamy scene is described over two pages.
  • After Marian and Gisborne jump into a river and survive, Gisborne kisses her. “He was kissing the tears from her cheeks when he realized she was shivering, and not from his touch.”

 

Violence

  • During a war, Robin tries to protect the king. The enemy “must have killed the sentries in silence. . . Something thuds into Robin’s shoulder, sending him off balance, and he whirls, searching for the blade he knows is coming. . . It’s then that he feels the fiery lance of pain racing down his biceps and he gasps, sword dangling uselessly from his shoulder.”
  • Even though he is injured, Robin uses his arrow to save the king. “And then a blade crunches into Robin’s side and he’s knocked down against the stone with the force of the blow. He cannot move, cannot feel anything below his rib cage—there is no pain.” Robin dies. The battle is described over four pages.
  • While in the forest, Marian is attacked. “She saw a thick, blunt branch swinging out of the darkness towards her face. She moved without thought. . .The cudgel came at her again, its wielder a shadowy, wild shape that danced in her half-stunned vision.” When Marian pulls her sword, the man stops because “he was afraid.” Marian realizes that the man is Will.
  • Will and Marian continue to fight. “She dropped the weapon as his body collided with hers, and her world narrowed to a frantic staccato of gasps and grunts. . . And then Will got to his feet, and in his hand was Marian’s sword. . . she ducked easily when he rushed her, twisting so that she could land a jab of her elbow into his arm below the shoulder.”
  • During the fight, Marian “struck out at the back of [Will’s] head, momentum half spinning him so she could ready a second blow. But before she could strike, his knees crumpled and he dropped to the ground. . .” Marian ends up saving Will’s life.
  • Marian goes into the forest looking for Will. Two men see her and try to steal from her. While on horseback, Marian tries to run down the thief. “John, now flailing in the leaves, had dropped his staff – Marian threw herself down and snatched it up. . . She had the staff’s tip against Little John’s throat before he could stand.”
  • While disguised as Robin, Marian meets Gisborne. “But then something kindled in Gisborne’s dark eyes, a flash of decision or ferocity, and her instinct took over. She swung her blade up in time to deflect his blow, the clang of steel on steel bringing her back to herself.” After a brief scuffle, Marian runs.
  • Marian, disguised as Robin, hears fighting in the forest. She finds Little John “surrounded by a swarm of the Sheriff’s men. . . Every so often he landed a blow that sent one reeling back, but there were more men than could gather round him at once. . . Gisborne strode up, holding John’s staff, and swung it in a massive arc at John’s head. John grunted and dropped to his knees, his eyes glazed. . .” John passes out because of his injuries.
  • After Marian helps John, a man leaped out at Marian, and “his fist slammed into her stomach. . . She staggered back, all the air driven from her lungs. . . The world around her grew dim, the green-gold of afternoon fading into a deep velvety gray twilight.”
  • Marian as Robin flees from the castle. However, Gisborne chases her. “. . . A hand shot out of the drizzle and slammed into her shoulder. She skidded backward, breath driven from her lungs as she hit the wall. . . Dazed, ears ringing, she forced her eyes to focus in time to see the hand coming at her again. . . She ducked, and twisted, and grabbed for the arm as it passed her, and threw all her weight against the body the arm was attached to and sent it into the wall with a sickening thud.”
  • Marian plans her own kidnapping. After “Robin” drops off the ransom notice, she tries to escape from Gisborne. Gisborne “was moving, lunging at her with shocking speed. . . and then something wrapped around her throat and hauled her backward, chocking. Gisborne had the edge of her cloak, and with a second heave he flung her down to the ground and rolled on top of her . . .” Robin “swung its hilt with all her strength into the side of Gisborne’s head. . .” Robin escapes. The scuffle is described over three pages.
  • While robbing a wealthy man, Robin and her men cut the horses’ traces so the carriage stopped moving. “Little John felled one of the remaining guards with one sweep of his staff, and by the time the other guard reached for his sword, Marian was standing in front of him, bow drawn, arrow just a breath away from his nose.” No one is seriously injured.
  • Seild’s husband, Owen, raises his hand to strike her. Robin Hood shoots an arrow. “Its point pierced Owen’s hand in the dead center of his palm, causing the man to stagger back and fall with a howl of surprise and pain, clutching his wrist with his good hand.”
  • While fighting a war, Gisborne was scarred. He said, “The Saracens poured oil from a jar down my face and tied me over a lamp so that I could feel its heat rising against my skin, and had to hold myself back against the ties or else be burned. . . they cut the bonds. I was too weak to stop myself from falling against the burning lamp.”
  • Marian accidentally drops her Robin Hood mask and a guard finds it. When the guard pulls his sword, Marian shoots an arrow at him. “The force of the arrow’s impact had knocked him back against the wall, and he stayed leaning there, mouth open. . . he moaned and slumped toward the ground.” The guard dies from his injuries.
  • Robin Hood and his men plan to steal gold, but they end up walking into a trap. When Robin Hood realizes it’s a trap, she yells to the others to flee. “One of the guards screamed a moment later as he fell, bleeding from a shallow cut across his face. . .”
  • Robin Hood is left to fight Gisborne on her own. “She swung hard, with the momentum of her whole body, as Gisborne’s next blow came down at her. The force of her parry knocked him back a step, and Marian scrambled back. . . His sword came down like an elemental force, but Marian saw the shift in his feet and the tension in his arm and she was ready. . . Steel met steel with a clash that numbed Marian’s arm.”
  • When Robin Hood flees, Gisborne shoots an arrow. “The point had broken off when she’d rolled, but when she looked down a bloody, splintered thing protruded from her chest. He’d shot her in the back, and the force of it had driven the arrow straight through her. . . His eyes moved from his hand to her face, and then down to the mess of blood and splintered wood at her chest.” As Gisborne looks at Mariam, “something heavy swung into view and collided with the side of Gisborne’s head, knocking him flat.” The fight scene is described over six pages.
  • When Marian is accused of being Robin Hood, she is sentenced to hang. Her men and Gisborne attempt to free her. “. . . Before Marian could recover, [Gisborne] pulled her sideways and dropped her neatly and abruptly off the edge of the platform and into the mud.” Marian is grabbed and pulled underneath the platform.
  • Gisborne fights the sheriff’s men. “Gisborne flung himself down onto the wood to avoid two more swords, spraying blood onto the planks from a gash in his neck.” Marian jumps in to help Gisborne.
  • While trying to free Marian, the scene turns into chaos, which allows Marian and Gisborne to flee. When their pursuers get close, “a hard body collided with hers and slammed her to the ground. . .” As arrows fly toward them, Marian and Gisborne jump off a cliff into a river. The final escape scene is described over ten pages.

Drugs and Alcohol

  • After Marian is told about Robin’s death, a physician gives her something that makes her sleep. Later her maid gives her “herb-laced wine.”
  • When Marian is upset, her maid gives her a “cup of well-watered ale.” The ale has “draught” that makes Marian sleep.
  • Occasionally the adults have wine or mead. For example, Marian thinks back to when her mother would give her father a “mug of watered ale” to ease his tension.
  • Marian runs into a castle guard that was “slumped on one of the tables . . . drunk, and out of his head.”
  • When robbing a wealthy man, John “had liberated a cask of wine.”

Language

  • Damn is used seven times. For example, the sheriff yells at his men, “Kill him—now, you damned slackwits!”
  • Ass is used once and hell is used twice.
  • “God’s bones,” “God’s knees,” “oh God,” “Christ” and other like phrases are rarely used as an exclamation.
  • “Mary’s tits” is used as an exclamation twice.
  • When Will doesn’t want to help Gisborne escape being hung, Alan says, “He just saved her life. You really do have shit for brains.”

Supernatural

  • Some believe Robin’s spirit has returned; however, it is really Marian in disguise.

Spiritual Content

  • When Robin’s uncle died, Robin was told, “Your uncle was much liked, before he went to be with God.”
  • While engaged, Robin and Marian had “never lain together, both too conscious of the laws of God and man. . .”
  • Occasionally Marian prays. For example, when Marian goes to help a friend, she prays, “God what am I doing? It’s Robin—Robin’s the one who should be here.”
  • When Robin’s mother died, “people kept saying [Robin] should be happy she was with God.” Marian replies, “Or I could be like Father Gerolt and give you a sermon about God’s plan. Don’t despair, my child, for it is not for us to know the will of heaven.”
  • After injuring a guard, Marian prays “to God that he lives.”
  • When Marian goes to see the injured guard, a monk tells her, “Now it only remains to wait, and to pray for God’s mercy. If the wound begins to heal, he may live. If the wound poisons his blood. . . he will go with God.”
  • The monk moves with difficulty. When Marian asks after his health, the monk tells her it is a “test God has granted me.”
  • Gisborne tells Marian, “Because the law will never be just. Perhaps it can come close—so close the line is hard to see. But laws are written by men, who are imperfect by nature, and justice belongs to something beyond the power of men.”

 

The Adventures of John Blake: Mysteries of the Ghost Ship

Trapped in the mists of time by a terrible research experiment gone wrong, John Blake and his mysterious ship are doomed to sail between the centuries, searching for a way home. In the modern day, John rescues a shipwrecked young girl his own age, Serena, and promises to help her.

But returning Serena to her own time means traveling to the one place where the ship is in most danger of destruction. Plus the all-powerful Dahlberg Corporation has an ambitious leader with plans far greater and more terrible than anyone has realized. The Dahlberb Corporation is hot on their trail, because only John, Serena, and the crew know Dahlberg’s true intentions. And only they have the power to stop him from bending the world to his will.

John Blake is an interesting character who is brave enough to try to stop Dahlberg from controlling the world. However, John and his crewmates are not well developed. The end of the book has a snippet of backstory for each of the crew. However, none of their backstories is discussed in the graphic novel, which makes the characters one-dimensional.

The large cast of characters causes a lot of confusion, and at first, it’s hard to distinguish the good guys from the bad guys. For instance, the introduction of Danielle is confusing. She has been researching the ghost ship Mary Alice, but her interest in the ghost ship isn’t explained until the very end. Plus, it’s unclear why Danielle’s knowledge of the ship is a threat to Dahlberg. Unfortunately, none of the secondary characters are developed enough to understand their motivations or care about their outcomes.

While the publisher recommends Mysteries of the Ghost Ship for readers as young as eight, the graphic novel is not a children’s book. The great lengths Dahlberg takes to rid anyone who he perceives as a threat leads to a lot of violence. Plus, the profanity and dialogue are geared more towards adults than children. Even though the two main characters, John and Serena, are in their teens, younger readers will have a difficult time connecting to them.

Mysteries of the Ghost Ship uses language that makes the book accessible to readers, but some pages are text-heavy and the complicated plot is confusing. The illustrations help propel the story forward, while the spooky nature of the Mary Alice’s illustrations adds a little mystery.

Even though the Mary Alice is a time-traveling ship, the book’s action is almost entirely in the present day. If you want an action-packed graphic novel that is a quick read, Mysteries of the Ghost Ship is a good choice. However, readers who want more developed characters who jump into a particular time period should add Tangled in Time by Kathryn Lasky and the Ruby Red Trilogy by Kerstin Gier to their reading list.

 Sexual Content

  • A crewmember warns Serena about the Barbary Pirates who “take slaves, then make them row, then sell them. Sold to a harem, you know.”

Violence

  • Roger knocks out a man. Then Roger puts a chokehold on a man. Another person swings a knife at Roger. Roger steals a briefcase and then leaves. The fight is illustrated over two pages.
  • When Danielle tries to fly out of the country, men approach her and force her into a room. Roger breaks into the room and begins hitting and kicking the other men. Then, Roger points a gun at one of the men’s heads. Then men are tied to a table and their mouths are duck taped shut. The scenes are illustrated over three pages.
  • Roger recognized a man who is “an expert on enhanced interrogation techniques.” Roger considers the man’s techniques to be torture.
  • After falling off a boat, Serena finds her family and runs toward her mother. One of the villain’s lackeys points a gun at her. Serena and her friend Blake run. They go into a restaurant’s kitchen and when the men follow, Blake and Serena throw food in their faces.
  • As Serena and Blake flee, a man with a gun jumps onto the car. Blake rolls down the window and pokes the man in the eye, which causes him to fall off of the car.
  • Blake talks about meeting Kevin. When the two boys part, a man jumps out and stabs Kevin in the heart. Kevin dies.
  • When the ghost ship travels to the present, men in military clothing board the ship and start shooting. Blake is able to “spring” and “slam” the men, knocking them overboard. The fight is illustrated over six pages.
  • During a party, Blake and one of his crewmates sneak onto the villain’s yacht. A man points a gun at them. Roger punches the man in the face, knocking him out.
  • Roger, Blake, and some of Blake’s crewmen try to sneak into a party. Another man points a gun at the group. Blake confronts the villain and the two get into a fight. Once Blake is able to reveal the villain’s crime, he and his crew jump back into the Mary Alice. The fighting is illustrated over nine pages.
  • The villain shoots a missile at the Mary Alice, but the ghost ship disappears and the missile sinks the villain’s yacht. The yacht sinks and other boats come to rescue the passengers.

Drugs and Alcohol

  • None

Language

  • Profanity is used often. Profanity includes bloody, damn, and hell.
  • “Oh Mother of God” is used several times. For example, when seeing a strange ship, a man says, “Oh Mother of God, protect us.”
  • A father calls his son an idiot and a moron.
  • Oh God and Oh my God are rarely used as exclamations. For example, when a girl falls into the ocean, her mother says, “Oh God!” Later she says, “For God’s sake—the engine! Never mind the damn sails. . .”

Supernatural

  • The ghost ship Mary Alice travels to different times, but the crew cannot control where the ship goes. Blake says, “But I don’t know where we’ll end up. I think Mary Alice does though. . .maybe the wood remembers things we don’t. We seem to end up where we need to be more times than not.”

Spiritual Content

  • When the Mary Alice’s crew hears strange, but beautiful music, one of the crew says, “Jesus Christ. Protect me! Protect me!”

Tristan Strong Punches a Hole in the Sky

Seventh-grader Tristan Strong lost his best friend, Eddie, in a bus accident, and Tristan is dealing with grief as well as guilt because he thinks he could have saved Eddie. Now, all Tristan has left from Eddie is a journal where Eddie was recording a bunch of stories. With the journal and his grief in hand, Tristan’s parents send him to live with his grandparents in Alabama to recover.

Then a creature shows up one night and steals Eddie’s journal. Tristan is sent on a chase to the Bottle Tree where he ends up punching a hole in the MidPass, a magical world filled with black American folk heroes. The only way Tristan can get back home is to help the gods find Anansi to seal the hole and end the war in the Alke and MidPass. Easy enough, right?

Tristan Strong Punches a Hole in the Sky introduces black American folklore like John Henry, High John, and Brer Rabbit, plus older tales such as the story-weaving spider Anansi. In this book, they are gods living in their own world adjacent to Tristan’s world. The mythology includes strong ties to the slave trade and slavery. For instance, the main antagonists, Uncle Cotton and the Maafa, embody greed and enslavement, and monstrous bone ships carry the terrible and haunting memories of enslaved Africans who suffered and died in the Trans-Atlantic slave trade.

The importance of memory and storytelling are key themes that come to life through the folklore and history of this story. Tristan discovers that he is an Anansesem, which means his ability to weave stories is imbued with magical qualities that bring the stories to life. His abilities keep history and mythology alive. History and mythology are intertwined, and readers will see how they influence each other.

Tristan also deals with his own grief over the death of his friend Eddie. Tristan’s memories and Eddie’s journal keep those memories alive. Through Tristan’s memories and Eddie’s ghost, Tristan learns how to cope with his grief. He will always be sad that his best friend is gone, but using the journal and his storytelling abilities, Tristan can continue to live his own life while honoring Eddie’s memory.

Storytelling is one of the most important themes in Tristan Strong Punches a Hole in the Sky, and it serves as a constant reminder that stories keep histories and memories alive. Oral storytelling is one of the oldest practices, and Mbalia taps into that intensely human need to share experiences in a beautiful and creative way. Tristan’s story encapsulates the fun, adventurous elements of traveling to a new world where gods come to life and mythology runs rampant. The heart of this book, however, is in the memories and experiences that have survived and are now shared through Tristan’s eyes.

Sexual Content

  • None

Violence

  • Tristan comes from a long legacy of boxers. Boxing-related violence, like punching, happens. For example, Tristan notes that in his first fight, he “got knocked flat on [his] butt. Twice.”
  • Tristan has gotten into several fights at school. Tristan notes, “At least I’d held my own in those school fights.”
  • A legend named Gum Baby threatens Tristan for following her. She says, “If Gum Baby had more time, she’d wear out that hide of [Tristan’s], up one end and down the other.”
  • Gum Baby tries to beat up Tristan. Tristan narrates, “it took everything I had to shield myself as her tiny fists and feet pummeled me.”
  • Tristan tells Gum Baby that if she loses Eddie’s book, he’ll “turn [Gum Baby] into an incense holder.”
  • Tristan accidentally nearly knocks Gum Baby over. In response, she grabs the hood of his sweatshirt and yells, “BUMBLETONGUE, GUM BABY GONNA WHOOP YOU LIKE YOUR BUTT’S ON FIRE!”
  • Tristan uses his boxing abilities to protect himself against magical monsters. Tristan describes that during a fight with the fetterlings or magical shackle-snakes, “I ducked its attack and slammed home an uppercut. Another slithered up and I snapped two quick jabs and a hook.”
  • Other characters use weapons against magical monsters, including staffs and swords. Tristan uses magical boxing gloves gifted to him by John Henry. In one battle, Tristan punches a fetterling, and “it exploded, showering [Tristan] with broken bits of chain and fluff.” These fight sequences often last a few pages.
  • Tristan’s best friend, Eddie, died in a bus crash, and Tristan couldn’t save him. Tristan tells his friend, Ayanna, about the crash. Tristan narrates, “We drove over a bridge and hit a patch of ice . . . We slid into the other lane, right into the path of a truck . . . I saw that the bus was hanging over the edge of the bridge . . . Eddie was in the back corner, trapped between two seats, struggling and failing to free himself. He asked me to save him . . . I still see his hand reaching for me. I didn’t move I was so scared. I was scared of falling, of drowning in the water below. I didn’t wanna die.” Tristan spends several pages telling the full story.
  • Much of the mythology in the book is influenced by the effects of slavery. For instance, Tristan meets two immortal women with wings. He describes, “Nana used to tell me stories about how over in Africa, before the horrors of slavery, people used to fly all the time . . . Then came the chains and ships, and pain and whips, and the people’s wings fell or were torn off.”
  • There is a magical war being waged in Alke, and there are many casualties. Ayanna tells Tristan that she “had to go talk to some of the Midfolk… . . . had to tell some families that we weren’t able to find their loved ones.”
  • Tristan activates a magical statue while being chased. To do this, Tristan picked up Gum Baby and “threw the best spiral [he’d] ever tossed in [his] life. Like, fifty yards, easy. I should’ve played football.”
  • Tristan and his friends go into the mountains looking for the Story Box, but the mountains have several layers of protection against intruders, including laser-shooting rocks. As they fly in on their magical raft, Tristan describes, “Silver and black lightning bolts were being hurled at us by giant black stone towers with jewels at the tops.”
  • The horrors of slavery are baked into the folklore throughout the book. Sometimes, Tristan gets a glimpse at different scenes hinting at this. One of the obvious moments is when the god, High John, shows him, “Old trees and Mississippi suns. Auction houses and Congo landings.” At these images, Tristan says, “I didn’t recognize any of the images and yet I knew them all.”
  • Gum Baby slaps Tristan across the face because, as Gum Baby says, “Ain’t no time for sleep . . . Gum Baby got missions and stuff.”
  • Giant poisonous brand flies swarm the Ridgefolk in the mountain. Tristan describes the scene, saying, “Everywhere a brand fly landed, skin sizzled and welted. Victims tried to peel the flies off, but whatever type of poison those flying iron monsters carried, it was potent. After a few feeble attempts to free themselves, the Ridgefolk crumpled to the floor paralyzed. Fetterlings snapped cuffs around their wrists and ankles and tugged them out the door.” The attack from all the monsters in this scene lasts for a chapter.
  • High John cuts up a massive monster with his magical ax. Tristan describes, “It wasn’t pretty. You ever see a twig get caught beneath a lawnmower? Or tree branches fed into a wood-chipper? Yeah.”
  • The poison from the brand flies infects Tristan’s friend, Ayanna. When they find her again, “she’s not breathing.” They bring Ayanna with them when they flee the mountain. Chestnutt, another companion, is also in a magical coma due to the poison.
  • Tristan and the surviving gods fight the Maafa, a magical entity built upon pain that consumes all that it can. Tristan sees the others fighting and describes, “But the refugees from Midfolk fought, too, for their very right to live, though they were far from home. John Henry, the raft line wrapped around his waist so he could use both hands, swung his hammer like he was back drilling through a mountain. Left and right, up and down, the hammer fell on the fetterlings with the rash of metal on metal. No flourishes, just a steady rhythm.” The battle lasts for several chapters.

Drugs and Alcohol

  • None

Language

  • Light profanity is used throughout. Profanity includes chumps, sucks, dumb, stupid, idiotic, nimrod, and loudmouth.
  • Tristan calls Gum Baby a “doll baby,” and she attacks him. She calls him a “giant turtle-faced thistle-head.”
  • Tristan’s go-to exclamation is “sweet peaches.”
  • Tristan sees a place called the Golden Crescent from the air. Tristan says, “Holy—” but is cut off by some of his companions.

Supernatural

  • This is a book about mythology, specifically West African mythologies that include “Nyame or Anansi.” There are also many African American folk legends, including “High John, John Henry, and Brer Rabbit.” These legends are gods. Tristan interacts with these immortal beings frequently, and they all do a variety of magic. They also live in magical realms that Tristan visits.
  • Rick Riordan, the author of the Percy Jackson series and head of Riordan Reads, has a preface in this book. Riordan pokes fun at Greek mythology, saying that “you can’t swing a gorgon’s head in any bookstore without hitting at least a dozen Greek-myth-inspired books.”
  • Tristan’s best friend, Eddie, dies before the start of the book, and Eddie leaves Tristan his journal. Eddie’s journal emits an “emerald-green glow” that Tristan realizes only he can see.
  • The first page of the journal is blank when Tristan received it, but Tristan soon notices that “a weird symbol appeared to be stitched” into Eddie’s journal. It is assumed that it appeared out of nowhere.
  • Nana tells many stories about mythology to Tristan. When they arrive on the farm, Nana tells Tristan about haints. She says that they’re “evil spirits . . . Lord knows, plenty of those ramblin’ about.” Haints show up throughout the book.
  • There is a baby doll in Tristan’s room at his grandparents’ house. One night, Tristan hears weird noises, and he turns his flashlight on. When the light hit the baby, it “rotated its head.” The baby doll is a legend called Gum Baby, and she talks to Tristan. In Anansi’s stories, Gum Baby “was a doll Anansi used to trap an African fairy while he was on a quest.”
  • Tristan punches the Bottle Tree, ripping a hole in the sky. “The punch smashed into the large blue bottle near the top, shattering the glass…Out of the corner of [Tristan’s] eye, [Tristan] saw a shadowy shape ooze from what was left of the broken bottle on the ground and creep along the grass…a chasm ripped open at the foot of the tree. A giant sucking sound filled the clearing like air rushing toward a hole.” Tristan and Gum Baby fall through the hole as they try to save Eddie’s journal.
  • Ayanna describes Tristan’s world and her world, Alke, by saying, “Alke is the dream to your world’s reality. The tales, the fables, the things you think are made up, they exist here. We aren’t just stories—we’re real, with hopes and dreams and fears just like you.”
  • Eddie’s spirit comes back through his journal several times throughout the book. Tristan describes, “The journal pages spun and coiled in the air until they formed a humanoid figure.” Eddie saves Tristan from the fetterlings, which are metals snakes with shackles for heads. He also speaks to Tristan occasionally.
  • Tristan is an Anansesem, or a magical storyteller. John Henry explains that when Tristan tells stories, “something special happens.” Tristan is able to bring the stories to life or summon them with his words, and this happens several times throughout the book. For instance, when Tristan tells a story about him and Eddie, the clouds around him “swirled and stretched into a diorama. Two cloud boys—one slightly larger than the other—crept into a large nimbus of a building.”
  • The god High John pulls Tristan’s soul out of his body and brings him into a spirit realm where they can talk privately. They fly on the back of High John’s giant crow, “Old Familiar.”
  • In the popular stories about High John, he would take “slaves’ spirits on trips of happiness and joy and wonder, all while their bodies remained on the plantation and continued to work.”
  • There are forest fairies, the Mmoatia, who know plants and healing remedies. They “have taken a shine to [Tristan].”

Spiritual Content

  • Before a battle, John Henry says, “Give me strength.” Tristan “was confused until [he] realized it was like a prayer before battle, and [Tristan] gulped. When gods prayed, things were about to get real.”
  • Inside the mountain, the council within calls upon their ancestors for guidance. Tristan notes, “I could see through them. ‘They’re spirits,’ I mumbled.”
  • The diviner in the mountain tells the ancestors that Tristan “has the blessing of gods and the spirit of the imbongi . . . I can feel it.”
  • Tristan is afraid of heights, and while flying around on a magical flying saucer he “mumbled prayers in seven different languages.”
  • There’s a legend about High John in which he “fell in love with the devil’s daughter. In order to win her hand, the devil told him he had to clear an enormous field, plant corn, then harvest it, all in one day.”

by Alli Kestler

Meet the House Kittens

All Marmalade wants to do is build things. She is, after all, a trained architect. She’s also a distractingly adorable kitten.

Fed up with not being taken seriously because she’s so cute, Marmalade bands together with a handful of other aspiring builders—all of them kittens. But in a world where humans call the shots, can the Kitten Construction Company prove their worth . . . without giving up the very things that make them kittens?

Meet the House Kittens has instant appeal because of the adorable cats on the cover. Many readers will be able to relate to Marmalade, who just wants to be taken seriously. Everyone assumes that an adorable cat’s only job is to be cute so humans will stare at him. Readers will laugh as Marmalade meets other kittens who are also underappreciated. In the end, the kittens find an unlikely ally, who helps the Kitten Construction Company get the recognition they deserve.

The bright, comic-like illustrations are displayed in 1 to 3 large panels. While the illustrations mostly focus on the kittens, the adults have a variety of skin tones. Each page has 0 to 6 sentences that appear in quote boxes. Even though the story is a graphic novel, younger readers may need help with some of the more difficult words, such as irresistibly, version, and construction. In addition, readers may not understand all of the construction terms. For example, Professor von Wigglebottom says, “I am licensed and bonded to work masonry and lumber!”

Readers will enjoy seeing two sides of kittens—the fun, playful side and the more serious, professional side. The adults who are awed by the kittens’ cuteness also add some humor. Even though Meet the House Kittens is packed full of humor and kitten cuteness, the story shows the danger of making assumptions based on names or appearances. Green builds a graphic novel that is the perfect blend of humor and teaching. Parents may want to use Meet the House Kittens to start a discussion on how we judge others and why that is wrong. If you’re looking for another humorous graphic novel, check out the Pets on the Loose Series by Victoria Jamieson.

Sexual Content

  • None

Violence

  • A man chases Bubbles with a broom.

 Drugs and Alcohol

Marmalade goes to a café to “drown my sorrows.” He orders, “One saucer of milk! And keep ‘em coming!”

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Gargoyles Don’t Drive School Buses

There are some pretty weird grown-ups living in Bailey City. But could the new bus driver, who looks just like a statue on top of the old library, really be a living gargoyle? Howie, Melody, Eddie, and Liza are determined to find out. As they investigate, the four friends cause havoc in the library and sneak up to the roof. Soon, they learn that the city plans to tear down the gothic-style library and replace it with a new glass and steel building.

Before the city begins demolition, some really strange things begin to happen. A mysterious person replaces an expensive stained glass window and fixes the leaky roof. No one knows who made the repairs in the middle of the night, but the kids think the gargoyles are coming to life at night to make the repairs. Will the kids be able to convince the city to save the building and the gargoyles?

Gargoyles Don’t Drive School Buses will entertain mystery-loving readers. Even though the new school bus driver is a little strange, he isn’t frightening. The fast-paced story never fully reveals whether or not the school bus driver is in fact a gargoyle. Instead, it leaves enough doubt that readers can make the decision on their own. As the kids investigate the library gargoyles, they decide to save the building by gathering signatures and holding a protest. The kids’ peaceful protest is responsible for saving the old library and the gargoyles’ home.

Howie, Melody, Eddie, and Liza are relatable characters who work together to solve the mystery. However, Eddie often makes mean comments. For example, he tells Howie, “There are legends around Bailey Elementary that you’re crazy,” and “your brain is one brick short of a full load.” While Eddie’s comments are typical of some kids, his “joking” is often mean-spirited. Another negative aspect of the story is that Eddie intentionally makes a mess in the library in order to distract the librarian. When the librarian begins cleaning up the mess, the kids sneak onto the library’s roof to investigate the gargoyles.

Gargoyles Don’t Drive School Buses is perfect for emerging readers who are ready for chapter books because it has easy vocabulary, short chapters, and illustrations. The large, black-and-white illustrations focus on the characters and appear every 2 to 3 pages. The illustrations will help readers understand the plot and also show the comparison between the bus driver and the gargoyles.

While parents might not like all of the kids’ behavior, Gargoyles Don’t Drive School Buses will entertain readers and make them excited about reading. With over 80 books in the series, readers will have lots of books to choose from. Readers who love more monster mysteries may also want to check out The Hide-and-seek Ghost by Dori Hillestad Butler and Ghost Attack by David Lubar.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • At one point, Eddie says, “I think this plan is nothing but pigeon poo. . .”

Supernatural

  • The kids talk about “legends that say gargoyles can come to life at night.”
  • Howie says, “Gargoyles are trapped in stone forever. . . unless they are forced to break the spell of stone to fight off great danger.”

Spiritual Content

  • None

The Apple Orchard Riddle

Mr. Tiffin’s class is going on another field trip. The class is excited to go to an apple orchard and learn all about apples. The kids will see how apples are harvested, how apples are turned into cider, and how apples are turned into pies and cakes. Mr. Tiffin even shows the class all the different varieties of apples. During the field trip, the class is challenged to find the answer to a riddle: “Show me a little red house with no windows and no door, but with a star inside.”

Each book in Mr. Tiffin’s Classroom Series focuses on a different student. This story focuses on Tara, who likes to daydream and isn’t “good at tests.” Even though Tara is the focus of the story, she doesn’t have a conflict. Without a conflict, the story is flat and lacks suspense. In addition, one of the students is a little snarky.

Each page has large illustrations that show a diverse group of children. Each page has 1 to 6 sentences and almost every page shows an illustration of a different aspect of an apple farm. Even though The Apple Orchard Riddle is a picture book, the story is intended to be read aloud to a child, rather than for the child to read it for the first time independently. The end of the story contains a list of apple orchard facts.

As students work to discover the answer to the riddle, they look at a tractor, a barn, and an apple peeler. However, the answer to the riddle is obvious from the start. Throughout the field trip, Tara spends a lot of time thinking instead of participating in the other activities. In the end, she discovers the riddle’s answer. Unfortunately, Tara’s situation doesn’t correspond with apples and the story doesn’t have a life lesson.

The Apple Orchard Riddle isn’t as interesting as other books in Mr. Tiffin’s Classroom Series. However, readers will enjoy seeing the different parts of an apple farm. In addition, Tara’s tendency to spend time thinking and daydreaming is showed in a positive light. Mr. Tiffin’s Classroom Series allows readers to explore and learn about different places from the comfort of their homes.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

The Capital Catch

Mike and Kate are about to face their biggest, most important mystery yet! Why? It involves the president of the United States! The president’s brother is a catcher on the Nationals baseball team, and someone is stealing his equipment! Can these super-sleuths help the commander-in-chief catch a criminal?

Mike and Kate are excited to explore Washington D.C.’s historical landmarks. While on a White House tour, Mike meets the president! This leads to Mike and Kate trying to discover who is stealing from the president’s brother, who is a baseball player. While Mike and Kate investigate, the kids don’t sneak around or go to restricted areas. Instead, they use their powers of observation and their interview skills to solve the mystery. Readers will enjoy following the clues along with Mike and Kate.

Capital Catch is an easy-to-read story that uses short sentences and dialogue to keep readers interested. Black and white illustrations appear every 3 to 5 pages. Most of the illustrations are a full page. They help readers visualize the characters and understand the plot. The book ends with Dugout Notes, which give even more baseball facts. Even though Capital Catch is the 13th book in the series, the books do not build on each other so they can be read out of order.

Sports-loving readers will enjoy Capital Catch’s mystery and baseball action. Parents will appreciate how Mike and Kate are polite to others and do not put themselves in dangerous situations. Unfortunately, the thief was predictable and the culprit doesn’t reveal why he stole Chip’s baseball equipment. Despite this, baseball lovers will enjoy the combination of mystery and baseball action. The Little Rhino Series by Ryan Howard & Krystle Howard will hit the mark for young readers who want more baseball action.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Drat is used once as an exclamation.

Supernatural

  • None

Spiritual Content

  • None

Aru Shah and the Tree of Wishes

War between the devas and the demons is imminent, and the Otherworld is on high alert. Fourteen-year-old Aru Shah and her friends are sent on a mission to rescue two “targets,” one of whom is about to utter a prophecy that could mean the difference between victory and defeat. It turns out that the targets, a pair of twins, are the newest Pandava sisters, though the prophecy says one sister is not true.

When the Pandavas fail to prevent the prophecy from reaching the Sleeper’s ears, the heavenly attendants ask them to step aside. Aru believes the only way to put the shine back on their brand is to find the Kalpavriksha, the wish-granting tree that came out of the Ocean of Milk when it was churned. If she can reach it before the Sleeper, perhaps she can turn everything around with one wish.

Aru Shah and the Tree of Wishes brings India’s mythology to life in an engaging and suspenseful story that pits good against evil. Readers will meet the constellations, Saturn, a dismembered crocodile, and other deities. As Aru, her Pandava sisters, Aiden, and Rudy (a prince) try to stop the Sleeper from winning a war, they travel through the skies (literally) in a fast-paced adventure that is at times heart-stoppingly suspenseful as well as mixed with humor and heart.

Two new Pandava sisters enter the scene, but they play a secondary role. However, readers will enjoy Nikita’s fashion sense as well as her ability to make plants grow into weapons. Her sister, Sheela, adds interest because of her ability to tell prophecies. Even though the two sisters do not have a starring role, their inclusion adds several fun elements to the story. Because of the large cast of characters and their backstories, Aru Shah and the Tree of Wishes should only be read after the first two installments of the series.

Each one of Aru’s group has family issues that make them feel unworthy; some of them also feel unloved. Because Aru’s father gave up his family and became the Sleeper, Aru feels “a terrible ache of loss” as well as a “confusing mix of anger and pity and pain.” While the story explores the hurt of being unloved by a parent, it doesn’t offer platitudes to explain away the pain. By the end of the story, Aru is full of rage, which will leave readers wondering what will happen next.

Even though the characters fight several battles, many of them are won through optical illusions. While the battle scenes are suspenseful, the descriptions are never bloody or gory. While the story is appropriate for younger readers, the complicated plot, large cast of characters, and the mythological gods, goddesses, and monsters make the story best for strong readers.

Anyone who enjoys an excellent adventure should read Aru Shah and the Tree of Wishes. Aru and her friends are relatable characters who are willing to enter dangerous situations in order to defeat the Sleeper. The ending doesn’t wrap up any story threads but ends with a surprise twist and a cliffhanger that will have readers reaching for the next book in the series, Aru Shah and the City of Gold.

Sexual Content

  • Aru and her friends are sprinkled with “glittering dust” that “forces out secrets.” Rudy yells, “I’ve never kissed a girl. Once I practiced on a gem, but I choked on it!”

Violence

  • A rakshasa is a demon “with the body of a man and the head of a bull.” The rakshasa tries to take a girl. Aru and Mini attempt to stop the demon, and “he flung out his other hand, and an S-shaped piece of onyx came hurtling toward Aru. The weapon writhed as it flew, emitting shadows that obscured her vision.” A shadow “wrapped itself around Mini’s ankle while another slipped under her sneakers, trying to dislodge her show suckers.”
  • During the attack, the girl is on a Ferris wheel. Using magic, Mini makes the Ferris wheel turn, “slowly, then fast and even faster until its lights blurred. . . The rakshasa’s grip loosened and he tumbled, his bull head knocking against the metal spokes as he dropped from one rung to the next.”
  • When the rakshasa tried to open the door of the Ferris wheel, Aru “let loose. Electricity rippled around the door. . . He howled as a surge of lightning shot through his arm, sending him crumpling to his knees.” Someone trips the demon who “let out a terrifying roar right before he knocked his head on a telephone pole and promptly passes out.” The demon battle is described over six pages.
  • While going over the Yamuna River, Aiden, Brynne, and Rudy drink the water. Later, Aru and Mini see their friends in the river water “swirling in a tight knot, their heads dipping in and out of the water. . . In fact, they seemed, well . . . dead.” Mini saves Aiden, Brynne, and Rudy. However, the goddess erases Aru’s mind so no one knows that Mini saved them all.
  • Two yali try to kill Aru and her friends. “The second yali lunged at them, trying to reach the pillar.” Bryn creates wind that “roared through the air, and the creature hit a pile of stones with a hard thud.” Aru and the others, including the yali, all live. Their bartering and fighting is described over 7 pages.
  • The king of the birds orders the birds to attack Aru and her group. Aru cast a lightning bolt that transformed into a net. A swath of birds is caught in mid-flight. They squawked as they dropped to the forest floor, squirming beneath the mesh.
  • During the battle against the birds, “Aru, Brynne, and Aiden channeled everything they could at the flock—concentrated tornadoes, winnowing electrified blades, and bolts of lightning. When a large percentage of the birds had fallen away, Mini replaced the veil of invisibility with a violet shield.” The force field gives the other birds a “powerful conk to the head.” The fight is described over 6 pages.
  • When Saturn looks directly at something it bursts into flames. When he was looking for a beetle, “his gaze went everywhere at once. One glance and a palm tree hissed as it went up in flames. One blink and the pit of broken musical instruments burst into flames, filling the air with the twanging of popped guitar strings.” No one is injured.
  • A plant bites Aru’s finger.
  • The story ends in a multi-chapter battle. While trying to save Sheela, an invisible enemy threatens the group. “Aiden raised his scimitars only for something to hurl him backward, slamming him against a boulder.” The group attempt to defend themselves. “Nikita spread out her arms, and the fence of roots and thorns exploded outward. Something yelled in pain.”
  • When they find Sheela, she “appeared, gagged with a shadow and bound with silvery ropes. Her eyes looked frantic, but she held up her chin.”
  • When a pair of naga try to “snake toward the group,” Rudy “borrowed one of Aiden’s scimitars and skewered the ends of their tails to the ground. They screamed and hissed, coiling back on themselves.”
  • Trying to protect herself and her friends, “Nikita slammed her palms together. Roses of every size and color cascaded down her body like a ball grown unfurling. Their branches reached for the shadows and grew around the Sleeper, trapping him in a net of thorns.”

Drugs and Alcohol

  • None

Language

  • “Oh my gods” and “Oh gods” are both used as an exclamation once.
  • While on a bridge over the Yamuna River, Aru thought, “Gods, she was thirsty.”
  • Heck is used twice.

Supernatural

  • Magic is used often. For example, after catching several rakshasas, Aru and her friends decide to take them to the Court of the Sky. In order to restrain them, Nikita “stretched out her hand and green light radiated from her fingertips. The sidewalk trembled as weeds between the cracks grew taller, multiplied, and spread outward until they had formed four rectangular cushions on the ground. . . Vines snaked out from Nikita’s tiara and grew several feet long before they snapped off and wound around each of the rakshasas, binding them tight.”
  • Aru is given a key that will unlock all things. The key is “in a sense, alive, and it might demand something in return for its services.”
  • Nikita and the other Pandavas meet in each other’s dreams.
  • While crossing the Yamuna River, the river “called to her like a lullaby” making Aru desperately thirsty for its waters. While there, Aru and Mini meet the goddess of the river whose “long black hair was pinned back with fish teeth and dotted with pearls. Around her neck and wrists she wore writhing snakes brighter than any jewels.”
  • Nakita makes clothes with magical elements. She makes Aru pants “where the coiled-up sticky threads were disguised as embroidery.”
  • Aru finds a jewel that is “a receptacle for thoughts, emotions, memories.” The jewel shows Aru her father’s memories. When the stone is pressed on, “something like a hologram emerged from the jewel, rending an eerie sequence of scenes in front of them.”

Spiritual Content

  • Aru is the daughter of thunder and lightning.
  • Aru and the other Pandavas are reincarnated. Nikita and her twin are “the reincarnations of Nakula and Sahadeva, the brothers famous for their beauty, archery and equestrian skills, and wisdom.”

 

The Ghost

From the day Emily rescued her dog, Zack, they have always shared a special connection—they can read each other’s minds. And since Zack can sense when someone is in danger, they’ve been using their special powers to help save people.

But now Emily and Zack have discovered something new. They can see ghosts! And one ghost, in particular, needs their help. Shocked by her new discovery, Emily is determined to find out who this ghost is and why he is haunting her town. But if Emily and Zack are the only ones who can see the ghost, how can they get anyone to believe them? Will they be able to help in time, or will the ghost be doomed to haunt the earth forever?

The third installment of the Dog Whisperer Series has a unique premise but unfortunately lacks development and action. Emily and Zack save a woman from a fire, but the incident is so out of place that it lacks emotional impact. Likewise, many of the story’s scenes are not developed enough to make the reader care about the outcome. For example, when Emily meets a ghost, their interactions are not exciting. Instead, when Emily talks to the ghost, the ghost gives vague answers that are confusing. Even though Emily helps the ghost, the ending is predictable and lacks action.

Emily, who is biracial and adopted, asks her parents about her birth mother. Emily is upset that her birth mother doesn’t want to meet Emily. Throughout the story, Emily is trying to work through her feelings about her birth mother. To complicate matters, Emily is upset that her birth mother has other children who she did keep. While Emily’s feelings are understandable, nothing is resolved.

Even though Emily is a likable character, readers will find the lack of action and plot development frustrating. The one bright spot is Emily’s interaction with Mrs. Griswold, an elderly neighbor who is a recluse. Mrs. Griswold’s backstory is slowly revealed and the conclusion hints that Mrs. Griswold will begin reaching out to other people. Through multiple characters, a theme is revealed—people are often doing the best that they can in difficult situations, and only by looking deeper can you understand a person’s character.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Emily’s neighbor was in a car accident. “The worst part was that Mrs. Griswold had tested positive for alcohol that night. . . her blood alcohol level was way below the legal limit, and that she had probably had a glass of wine or eggnog at the party.”

Language

  • The store owner, Cyril, calls a boy “a shifty-eyed, squinty little punk” and a “snaggle-toothed punk.”

Supernatural

  • Emily can read her dog’s mind. Emily “didn’t understand it, but ever since the night she had found him, the two of them had been connected, somehow. When he was hungry, she felt hungry.”
  • Zack is a conduit for the ghost. When Emily sees a ghost, “the man suddenly seemed to be surrounded by a small cloud of gray mist—and then he disappeared.” Emily can read the ghost’s mind.
  • Emily can read her cat Josephine’s mind. “Reading Josephine’s mind was always a little bit unsettling.”

Spiritual Content

  • A ghost tells Emily that his dog, “Moved on, at once. Animals have very beautiful souls.”

Leroy Ninker Saddles Up

Yippie-i-oh! Saddle up for the first in a spin-off series starring favorite characters from Kate DiCamillo’s Mercy Watson Series. Leroy Ninker dreams of being a cowboy. He has a hat, a lasso, and boots. What he doesn’t have is a horse—until he meets Maybelline, that is, and then it’s love at first sight.

Leroy has big dreams, but he’s not sure how to make them come true. His coworker tells him, “What you have to do here is take fate in your hands and wrestle it to the ground.” This advice motivates Leroy to find a horse. Even though the horse, Maybelline, isn’t a perfect horse, Leroy loves her. Maybelline’s owner tells him that he needs to remember three things. One: Maybelline likes compliments. Two: She eats a lot of grub. Three: “Don’t leave Maybelline alone for long, or you will live to rue and regret the day.”

Leroy leaves Maybelline alone for just a minute, but that was enough time for the horse to get scared and wander off. Maybelline runs and runs. Leroy goes to search for his horse, but he can’t find her. Will Leroy be able to find his horse?

Leroy’s adventure has plenty of humor that will leave readers with a smile. Leroy gives the horse a lot of compliments such as, “You are the brightest star in the velvety nighttime sky!” Readers will laugh when Leroy uses pretty words, and when Leroy unsuccessfully tries to push Maybelline through the apartment’s door. Leroy’s dream comes true in a unique way, and the love between him and his horse is endearing.

Large black and white illustrations appear every 1 to 3 pages and will help readers understand the story’s plot. The illustrations highlight the difference between Leroy’s dreams and reality. Leroy’s dreams appear in bubbles and show a beautiful, perfect horse. However, Maybelline is an imperfect horse, but Leroy loves her. Many of the illustrations are full-page and have humorous elements to them. Even though Leroy Ninker Saddles Up is intended for younger readers, they may need help with difficult vocabulary such as cogitate, informational, emboldened, and savoring.

The sweet conclusion gives the sense of community as Leroy, Maybelline, and several others are invited in to share breakfast with Mercy Watson. Readers familiar with the Mercy Watson Series will enjoy the two books’ similarities. However, readers do not need to read the Mercy Watson Series to understand the events in Leroy Ninker Saddles Up. Both the text and the illustrations in Leroy Ninker Saddles Up use humor that will inspire readers to dream big.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • When someone throws a can at Leroy, he says, “Dang nib it.”
  • Occasionally, Leroy exclaims phrases such as, “Gol’ dang it, dag blibber it” and “flibber gibber it.”
  • Heck is used once.

Supernatural

  • None

Spiritual Content

  • None

I Got the School Spirit

Summer is over, and this little girl has got the school spirit! She hears the school spirit in the bus driving up the street—VROOM, VROOM!—and in the bell sounding in the halls—RING-A-DING! She sings the school spirit in class with her friends—ABC, 123!

The school spirit helps us all strive and grow. What will you learn today?

In this picture book, an African American girl celebrates going to school. The vibrant oil-painted illustrations focus on one girl. When she gets to school, her classmates are a diverse group of children. Several pictures show students who are worried about going to school, which causes tears. However, in the end, all of the students are happy to be in school. From storytime to the bus ride home, the school day isn’t complete until the girl gets a big hug from her mother.

Each two-page spread has one illustration that takes up both pages. Each page has one short sentence that ends with a few words that are in big, bold text. Many of these words are onomatopoeias such as “crunch, munch, sip.” Whether your child is getting ready for their first day of preschool or their first day of kindergarten, I Got the School Spirit will help younger readers feel more confident about going to school.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Off the Hook

Investigators Mango and Brash are on the hunt for Crackerdile, who has been turned into a bucket of dough. With the help of the plumber who has been combined with a snake, Crackerdile plans to find the perfect secret lair and recruit more villains. But first, Crackerdile must find a way to change forms because “no one’s going to want to join a team led by a soft pile of mush.”

Before Mango and Brash start their investigation, they are given new V.E.S.T.s. However, once outside the science lab, the new V.E.S.T.s cause problems of their own. For instance, Mango and Brash are mistaken for investment bankers and must attend a board meeting, which is a complete bore.

As Brash and Mango are stuck in the meeting, Crackerdile figures out a way to make himself into Waffledile. Then, Waffledile kidnaps a scientist. With the scientist’s help, Waffledile grows to a huge size. But then Waffledile eats Brash. Is there any way to stop Waffledile? And how can Mango free Brash from Waffledile’s stomach?

Off the Hook is a graphic novel that is laugh-out-loud funny. The combination of human and animal characters blends to create a ridiculous story that uses wordplay to add humor. While readers will enjoy all the wordplay, parents might not like the references to butts.

The imaginative story comes alive in brightly colored artwork that shows the characters’ wide range of emotions. The text is large and uses different font sizes, which help emphasize the characters’ emotions and important aspects of the story. Another positive aspect is that the human scientists are a diverse group of characters with a wide range of skin tones. The end of the book shows how to draw Waffledile and includes a few riddles.

The illustrations and the unique storyline of Brash and Mango will appeal to even the most reluctant readers. Each page has 3 to 11 sentences. The sentences range from one word to more complex sentences. The story does an excellent job of giving enough background information so readers who are new to the series will understand the plot. However, for maximum enjoyment, the series should be read in order.

Off the Hook will appeal to even the most reluctant readers because the plot is more silly than serious. Readers may not understand all of the humor regarding investment bankers, but they will still enjoy the silly antics of Brash and Mango. Parents who want their children to read a graphic novel with a more positive message should add the Hilo Series by Judd Winick to their reading list.

Sexual Content

  • None

Violence

  • Crackerdile prods Brash with an electric shocker. Then Crackerdile ties up Brash and drops him off a train. Crackerdile blows up the bridge and the train crashes in a puff of smoke. Later, the reader finds out that this five-page scene was a simulation.
  • The plumber tries to hit Brash and Mango, but instead, he breaks a window. The plumber’s snake arm whacks Mango over the head with a stop sign, “Wham Wham Wham.”
  • Waffledile puts an electrical cord around a huge chicken’s neck. He threatens the scientist’s chicken, “You’re going to make me as big as you! Giddy up! Ha Ha! I feel like a cowboy.”
  • The plumber’s snake arm ties Brash and Mango to a pole.
  • Waffledile grows so big that he destroys a roof. The construction workers begin throwing tools and bricks at Waffledile.
  • Waffledile eats Brash. Mango dumps concrete on Waffledile. Then the plumber crashes into the statue of Waffledile and pulls Brash out of its stomach.

Drugs and Alcohol

  • None.

Language

  • There is some humor about butts. For example, as a scientist is flushing Brash and Mango down a toilet, she says, “Hold on to your butts.”
  • After Waffledile eats Brash, Waffledile says, “You can’t dump concrete on me and save your partner. But let me go, and I’ll barf Brash back up! Or you know, he could come out the other way.” A reporter on the scene says, “Inquiring minds want to know. Do waffles have butts?”
  • Darn, drat, dang, and dagnabbit are occasionally used as exclamations.
  • The characters sometimes call other people idiots. For example, Crackerdile says his team’s mission would be “the total annihilation of idiot law-doers!”

Supernatural

  • Crackerdile is “a former-agent-turned-radioactive-saltine-cracker.” In this installment of the series, Crackerdile is a bucket of dough.
  • One of the villains is a “plumber whose arm was combined with a snake, giving him grappling hook powers.”
  • Crackerdile is cooked in a waffle iron. He says, “I, Crackerdile, have been reborn as . . . Waffledile!”
  • Dr. Jack Hardbones is a “news helicopter but also a skilled surgeon.” He can change back and forth from a human to a helicopter.

Spiritual Content

  • None

 

 

  1. Pages:
  3. 1
  4. ...
  5. 35
  6. 36
  7. 37
  8. 38
  9. 39
  10. 40
  11. 41
  12. ...
  13. 82

Latest Reviews