A Short History of the Girl Next Door

Matt and Tabby have been best friends almost since birth. When Matt and Tabby enter high school, Tabby starts dating a senior basketball player and makes other friends. Because of Tabby’s other friends, Matt struggles to understand his place in his best friend’s life. He also tries to make sense of his feelings for her, all while trying to be the best basketball player on the junior varsity team. Then tragedy strikes. Matt’s world is turned upside-down, and he has to piece himself back together.

A Short History of the Girl Next Door surrounds Matt and Tabby’s friendship, basketball, and the tragedy that strikes their community. Matt loves Tabby, and losing her to senior basketball star and school golden boy, Liam Branson, is unbearable. Much of Matt’s life and his memories include Tabby, so when she and her father suddenly died in a car accident, Matt has to figure out how to deal with all his feelings. Although Matt, who narrates the story, sometimes can come off as petulant, his personal growth at the end of the story is commendable.

With the help of his family and basketball, Matt makes peace with Tabby’s death and apologizes to the people he’s hurt. The book deals with themes of friendship, death, and forgiveness. The most bittersweet and touching moments come when Matt learns to cherish his memories and opens up to those who are also grief-stricken. Family and community rally around their collective sadness, and they help Matt through his personal grief. Matt is only able to get better by relating his experiences and his pain to others.

Although most of the book is about Matt and Tabby’s friendship, basketball is also important to Matt. Basketball is Matt’s outlet, and the only activity he has that is separate from Tabby. However, when Tabby is dating fellow basketball player Liam, Matt’s two worlds become intertwined. And when Tabby dies, Liam becomes a reminder of what Matt has lost. Basketball itself isn’t as important to the story as the relationships between Liam, Matt, and Tabby, and the sport serves as a vessel for their personal issues.

A Short History of the Girl Next Door will appeal to those who enjoy slower-paced, slice-of-life stories. Those looking for a basketball-heavy book won’t find it here, as basketball is not the primary focus. The sexual content and language are geared towards an older audience and may not be appropriate for middle schoolers. Nevertheless, Matt’s growth throughout the novel is commendable, and Matt’s reaction to Tabby’s death will no doubt resonate with readers. A Short History of the Girl Next Door is a quiet book that looks closely at the ending of a friendship, and how someone learns to pick themselves back up.

Sexual Content

  • Matt admits that he started making “a mental list of the top-five hottest girls by grade level. Lily Branson landed the #1 ranking on [his] list.”
  • Tabby says about Lily, “People say she’s all stuck-up, but she’s actually really nice. I think people just say stuff because she’s pretty, you know?” To this comment, Matt says that he feels “like a complete ass. [He’d] made that comment—and worse—more than once, about Lily Branson, and any number of other attractive girls. Probably every girl on [his] top-five list. Because, you know, if a hot girl doesn’t want to mate with you, she’s obviously stuck-up.”
  • Matt is attracted to Tabby, his longtime best friend. He thinks, “Seriously, how can you see a person nearly every day of your life and never think a thing of it, then all of a sudden, one day, it’s different? You see that goofy grin a thousand times and just laugh, but goofy grin number 1,001 nearly stops your heart?”
  • Matt says upon describing the height difference between his grandparents, “The Wainwright men’s infatuation with pocket-size women is apparently genetic,” a nod towards Tabby’s small stature.
  • Matt describes the book An Absolutely True Diary of a Part-Time Indian by Sherman Alexie as “an amazing book about basketball, and masturbation, and feeling shitty and alone, and how Indians are perpetually screwed.”
  • One of Matt’s neighbors, Corey, is very straightforward with girls at school and “openly tries to get [girls who like Corey] to touch his dick at his locker.”
  • Tabby tells Corey to go away, and Corey responds with, “You know, if you grow some tits, I’ll let you suck my dick.” Matt tries standing up for Tabby by saying, “Hey, that’s what I said to your mom last night, bro.”
  • One of the basketball players says to Liam, “What’s the deal with the freshman, B? She sucking your dick yet?” It is clear that he is talking about Tabby. He then says, “She’s a cockmonster, isn’t she?”
  • Matt jokes that his mom’s Thanksgiving stuffing is so good that he and his dad get “stuffing boners.”
  • Matt has a physical copy of his “Do List: Girls [he] would do if there were no consequences—social, emotional, or physical: freshman class.” Tabby finds the list and is very upset. She tells him, “Let me know when you’ve done the first hundred on the list, Matt. So I can spread my legs and wait my turn.”
  • Matt and his friend Trip have to write gift poems for poetry class. Matt jokes that he’s writing his for Trip, and that Matt “couldn’t think of a word that rhymes with bulge.” Trip responds, “Indulge,” with a wink, messing with him.
  • Matt writes a persona poem for his poetry class from the point of view of Mr. Mint, who has “wildly inappropriate opinions on King Kandy, the princess, and most of all, Plumpy, whom Mr. Mint tells to choke on it.”
  • Matt’s mom wants him to wear a bald eagle costume for Halloween. He would have to wear skinny yellow pants with the costume, and he says, “Where am I supposed to keep my nuts in these things?”

Violence

  • Tabby playfully “punches [Matt] in the shoulder, hard” when Matt asks if she likes Liam Branson.
  • Corey grabs the front of Matt’s shirt, looking to start a fight. Tabby, holding a corked baseball bat, “swung. Hard. The bat slammed into Corey’s right arm, the dented plastic barrel and duct-taped head finally giving way.”
  • After Tabby hits Corey with the bat, “he shoved Tabby to the ground. Tabby flew backward, landing hard on her elbows to keep her head from smacking the pavement.”
  • After hearing other basketball players make sexual comments about Tabby, Matt envisions different scenarios in his head, usually violent. He imagines “Branson going stone-faced in the locker room, grabbing Lighty by the neck and slamming him back into a locker . . . Or me, walking up behind Lighty as he’s singing his song, palming the back of his stubby, lumpy head and slamming his face into his locker, smashing his nose and knocking him unconscious.”
  • Matt tells Trip that he looks like a “squirrely-ass twelve-year-old.” Trip responds by picking up “a spent pizza crust from the box and backhands [him] with it on [his] arm.”
  • Trip and Matt play a video game where their characters spar against each other. Trip beats him one round, saying “I just made you my bitch.” Matt describes, “On the screen, his demon-girl flips into the air over another empty swing from my dude’s battle-ax and lands on his shoulders. In one quick motion, she scissor-cuts my poor bastard’s head off, reaches down into his gaping neck-stump, pulls out his still-beating heart, and eats it.”
  • Tabby “passed away in an automobile accident” while visiting her grandparents. Matt and the other students hear about it at school. It is later stated that, “an SUV lost control on a patch of ice coming off a turn, hit Tabby’s dad’s pickup head-on. Died instantly. Felt no pain. Probably never saw it coming.”
  • The team rallies around Liam because he dated Tabby and took her death hard. Matt is frustrated that no one has acknowledged that Tabby was Matt’s best friend, so when another player brings out armbands for the team to wear in solidarity with Liam, “a laugh escapes [Matt’s] mouth before [he] can stop it.” Liam “stands and drills [Matt] in the face.”
  • Grampa talks about when they used to paddle kids in school, as a teacher. After his first wife and daughter died in an accident, “by Christmas, a kid was getting it about every day. Usually the same ones.” On one kid who was being particularly nasty, he “broke the paddle.” Grampa never hit a kid after that.

Drugs and Alcohol

  • Of Liam Branson, Matt thinks, “This time next year, Branson will be gone—hopefully putting on forty pounds of beer fat in a dorm at some state college.”
  • Trip’s dad explained how to cork a bat to Trip while “a beer [rested] on [Trip’s dad’s] stomach.”
  • One of Matt and Tabby’s neighbors, Corey, takes “weed from his parents’ stash.”
  • Tabby’s mom was a “drug-addict” who left when Tabby was a few months old.

Language

  • Profanity is used frequently. Profanity includes: ass, bullshit, fuck, douche, badass, damn, shit, bastard, dick, slut, and cock.
  • Tabby calls her friend’s boyfriend a “complete perv-ball.”
  • Matt sketches a carny ride operator that wears a “a trucker hat that reads ‘I <3 Little Boys.’”
  • Matt writes a poem that’s an “ode to Internet pornography.” The reader never sees the poem.

Supernatural

  • None

Spiritual Content

  • Matt’s grandpa takes one look at Matt in the bald eagle costume and says, “Sweet Jesus.”
  • At Tabby and her father’s funeral, Matt listens to “a few more numbing hymns” and the priest “speaks in infuriatingly generic terms about ‘the mystery of God’s love’ and [Matt] thinks, Yeah, this is a pretty big fucking mystery.”
  • Grampa has a heart-to-heart with Matt after Tabby’s death. Matt’s struggling to reason out what happened to Tabby and if life has meaning. Grampa says, “If there’s a God—and I’m pretty skeptical, myself—I figure he can fill me in when my time comes.”

by Alli Kestler

 

The Canyon’s Edge

Nora’s birthday marks the one-year anniversary of the worst day of her life. To distract them both from the memories of a horrible mass shooting that killed Nora’s mom, her dad surprises her with a trip to explore a slot canyon deep in the Arizona desert. Nora hopes they’ll find some remnants of the happiness they felt when her mother was alive.

But in the twisting, winding depths, the unthinkable happens. Suddenly Nora finds herself lost and alone, at the bottom of a canyon, in the middle of a desert. Separated from her supplies, she faces dehydration, venomous scorpions, deadly snakes, and worst of all, the Beast who has terrorized her dreams for the last year. To save herself and her father, Nora must conquer her fears—and outsmart the canyon’s dangers.

The middle part of Nora’s story is told through poetry that uses repetition, alliteration, and other types of figurative langue to convey Nora’s emotions. Nora’s fear of “the Beast” becomes apparent as she imagines the man who killed her mother. “Now I feel the Beast below me, / sneering, sniping, snapping/ his snarling mouth / his claws outstretched, / waiting, patiently waiting, / for me to fall.” The poetry has an emotional impact and also creates a sense of panic, suspense, and fear.

The poetry creates wonderfully descriptive passages and the text often is placed to create a visual element that enhances the story’s emotion. For example, when a flash flood takes Nora’s father, the descriptive words are placed in the form of a whirlpool. The visual effect of the words helps the reader imagine the story’s events and the emotion behind them.

Nora’s story begins with Nora and her father building protective walls around themselves in order to shut out all other people. Nora suffers from post-traumatic stress disorder, nightmares, and loneliness. Even though Nora struggles with understanding why her mother died, the story never explains why a man killed strangers. Yet the terrifying events in the canyon allow Nora to deal with her past and her story ends on a hopeful note as she begins to heal.

Even though the story uses Nora’s stream-of-consciousness narration, The Canyon’s Edge is not a character-driven story. Instead, the story focuses on 48 hours of heart-stopping tension as Nora fights to survive scorpions, dehydration, and other dangers. Nora’s emotional trauma, the death of her mother, and the life-and-death struggle she faces may upset younger readers, but will be enjoyed by older readers. The Canyon’s Edge will take readers on a twisting emotional ride that will stay with them for a long time after they put the book down.

Sexual Content

  • None

Violence

  • One year ago, Nora’s mother was killed in a mass shooting. Nora thinks back to the event. “First come the tremendous booms. My mother, singing to me seconds ago is shoving me under the table so frantically, so desperately, that I bash my head on the edge and her fingers leave bruises on my body.”
  • Sofia Moreno, a woman in the restaurant, tackles the shooter. “Sofia Moreno, / who died / while giving her two boys, / while giving everyone, / while giving me, a chance / a bigger chance. . . to flee, / to hide, / to act, / to survive.” Sofia is able to stop the shooter before she dies.

 Drugs and Alcohol

  • None

Language

  • Damn is used once.

 

Supernatural

  • None

 

Spiritual Content

  • Nora’s psychologist tells her about Gerald Manley Hopkins, a poet. “He was searching for a pattern. He believed if he sketched the same wave twice, it would be proof. . . That there was a god.”
  • When Nora sleeps in a cave, she prays “for help, though I don’t know who or what could possibly help me here inside a hole in the wall on the side of a canyon.”
  • As Nora walks through the desert, she prays “for help.”

Click’d #1

Allie Navarro can’t wait to show her best friends the app she built at CodeGirls summer camp. Click’d pairs users based on common interests and sends them on a fun (and occasionally rule-breaking) scavenger hunt to find each other. And it’s a hit. By the second day of school, everyone is talking about Click’d.

Watching her app go viral is amazing. Leaderboards are filling up! Everyone’s making new friends. And with all the data Allie is collecting, she has an even better shot at beating her archenemy, Nathan, at the upcoming youth coding competition.

But when Allie discovers a glitch that threatens to expose everyone’s secrets, she has to figure out how to make things right, even if that means sharing the computer lab with Nathan. Can Allie fix her app, stop it from doing any more damage, and win back the friends it hurt-all before she steps on stage to present Click’d to the judges?

Click’d is an engaging story that mixes coding, middle-school drama, and competition between Allie and her archenemy. Readers will relate to Allie who loves the positive attention she gets because others love playing her game, Click’d. The glitch in her code highlights Allie’s desire to win the completion versus her desire to do the right thing—shut the app down until she can fix the code. Throughout her experiences, Allie learns important lessons about friendship including that “clicking” with people in real life is always the most important thing.

In the end, Allie does the right thing—she shuts Click’d down and withdraws from the competition. Even though this makes Allie feel like a failure, the adults in her life—her parents, her coding teacher, and the principal—let Allie know that they are proud of her because of her dedication and hard work. Allie’s coding teacher tells her, “I am so proud of you. . . For building your app. For working all week to fix it. For being here in the pavilion. I’ve never been so proud of one of my students.” The story reinforces the idea that mistakes are nothing to be ashamed of.

Click’d will inspire middle school readers to be brave enough to try new things, whether it be talking to a classmate, going to a camp, or joining a competition. The story has the perfect amount of friendship drama, internal conflict, and crushes. The conclusion has a few unexpected twists and a sweet, hopeful ending. Click’d is the perfect book for middle school readers not only because of the engaging plot but also because the story reinforces the importance of forgiveness and being open to making new friends. Readers who love books about smart girls who can code should add Emmy in the Key of Code by Aimee Lucido to their reading list.

Sexual Content

  • Click’d posted a screenshot of a private conversation, where Emma talked about her crush. When the picture is circulated around school, Emma is upset because “People keep making kiss noises at me.”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • “Oh my God” is used as an exclamation four times. For example, when Maddie tries Click’d, she says, “Oh My God, this is so insanely fun.”
  • When people start making fun of Emma, Allie says that the people are jerks.
  • Darn is used once.

Supernatural

  • None

Spiritual Content

  • None

Ways to Make Sunshine

Ryan’s name means “king,” and she is determined to grow into the name her parents gave her. She is all about trying to see the best in people, to be a good daughter, sister, and friend. But Ryan has a lot on her mind.

For instance, Dad finally has a new job, though money is still tight. That means moving into a new house, and Dad working the night shift. Also, with the fourth-grade talent show coming up, Ryan wonders what talent she can perform on stage in front of everyone without freezing. As more changes and challenges come her way, Ryan always finds a way forward and shows that she is a girl who knows how to glow.

Ryan deals with real issues, including arguing with her brother and having stage fright. The story hits on several difficult topics such as family financial difficulties and having a best friend move away. Despite this, none of the topics are well developed. However, Ryan does tackle each obstacle and tries to see the bright side of things.

Most of the conflict comes from Ryan arguing with her brother as well as some friendship issues. While the conflicts are realistic, none of them are very exciting. The story portrays Ryan’s family in a positive manner and her parents always encourage her to do her best. Despite this, Ryan still has stage fright and is unable to say a poem during church. Ryan’s mother doesn’t reprimand her but instead encourages Ryan to try again. In the end, Ryan is able to gain confidence and overcome her stage fright.

Ways To Make Sunshine shows how Ryan uses the power of positive thinking to overcome many obstacles. Another positive lesson the book teaches, is that beauty doesn’t come from looks. Ryan’s grandmother says, “Your kindness makes you beautiful and the way you’re always willing to offer help makes you beautiful.” Another positive aspect of the story is the cute, black-and-white illustrations that appear every 4 to 11 pages.

Ryan is a relatable African-American character. However, the story is realistic fiction and does not have much action or adventure. If you like cooking disasters, sibling squabbles, and friendship drama, then Ways To Make Sunshine will entertain you. On the other hand, if you’re looking for a book with similar themes but more action, take a look at The Friendship War by Andrew Clements or Caterpillar Summer by Gillian McDunn.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • Ryan and her brother, Ray, find a container with keepsakes inside. Ray thinks it belongs to a dead person. “Maybe the spirit of whoever lived here before is angry because we went through her things. Maybe she’ll haunt me every night till I put them back where she left them.”

Spiritual Content

  • At church, Ryan and the other children say a speech every Easter and Christmas. None of the speeches are shown in the book.
  • When Ryan is unable to say her speech, she runs off the stage and wonders “why Jesus’ love for us has to be celebrated by torturing children to memorize poems.”
  • At dinner, Ryan’s father prays. “God, we thank you for this food. Please bless it and bless the hands that prepared it.”
  • When Ryan’s father prays, Ryan wonders “if God will bless me even though I’ve made Ray’s food extra, extra, extra hot.”
  • When Ryan and Ray’s parents announce that they are having another baby girl, Ray asks why the baby isn’t a boy. Their dad says, “Because God blessed us with another girl.”

Class Act

Eighth-grader Drew Ellis is no stranger to the saying, “You have to work twice as hard to be just as good.” His grandmother has told him that his entire life. But, lately, he’s been wondering: even if he works ten times as hard, will he ever have the same opportunities that his privileged classmates at the prestigious Riverdal Academy Day School take for granted?

To make matters worse, Drew begins to feel as if his good friend Liam might be one of those privileged kids. He wants to pretend like everything is fine, but it’s hard not to withdraw, and even their mutual friend, Jordan, doesn’t know how to keep the group together.

As the pressures mount, and he starts to feel more isolated than ever, will Drew find a way to bridge the divide so he and his friends can truly see and accept each other? And most important, will he finally be able to accept himself.

While the first installment focused on Jordan, Class Act focuses on Drew. Middle school readers will relate to Drew as he tries to navigate junior high and all of the pressure that comes with growing older. Going to Riverdal Academy is difficult because most of the students are white and the teachers have a difficult time discussing race. To make matters worse, the neighborhood kids tease Drew for acting as if he is better than them. In addition, Drew isn’t sure where he fits in. When discussing his confusion with a classmate, Drew’s friend asks him, “What good is having people like you if you don’t like you?”

In addition to regular middle school drama, Class Act gives many examples of classism. After Drew sees his friend Liam’s huge mansion, Drew is angry and begins avoiding Liam. Drew says, “People like him are never friends with people like us. We won’t live in the same neighborhood. We won’t eat the same food. Our kids won’t go to the same schools. So what’s the point?” In the end, Drew shows Liam his neighborhood, which helps the two understand and accept each other.

Class Act is an entertaining graphic novel that has brightly colored illustrations that are at times heartwarming and hilarious. Craft does an excellent job making the characters’ feelings clear by focusing on the character’s facial expressions. Even though the story focuses on Drew, Jordan’s artwork is still included as black and white illustrations. In the end, Class Act will entertain the reader as it touches on the difficult topics of classism and race. Readers who would like to read more about racial inequality and the Black Lives Matter movement should also read Blended by Sharon M. Draper.

Sexual Content

  • None

Violence

  • Some of the neighborhood kids tease Drew. When Drew gets upset, Wendell says, “You better take your bougie butt home to your grandma.” Wendell tries to fight Drew, but the other boys hold him back. Wendell leaves and Drew starts a snowball fight. After the fight, the guys talk about their issues.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • When Drew worried about the first day of school, his grandma says, “I’ll say a prayer for you.”

 

Taking Flight: From War Orphan to Star Ballerina

Professional ballerina Michaela DePrince hasn’t always lived in the world of ballet. Adopted from war-torn Sierra Leone when she was young, her life was forever changed by her adopted family and a picture of a ballerina, ripped from a magazine, floating in the wind. Upon seeing that ballerina, ballet became DePrince’s love. Taking Flight is DePrince’s memoir of her life as a war orphan who became a professional ballerina in the United States.

Taking Flight begins with many of DePrince’s memories of her native country of Sierra Leone, which was experiencing a destructive civil war. DePrince’s recollections of events are often harrowing. Her birth parents, who were clearly a shining light in her life, died in quick succession due to events surrounding the civil war. She talks about the orphanage that her uncle dragged her to, and the terrible treatment of the children there. However, DePrince’s narration shows that despite the terrible situation, she was still bright and animated, making friends with the other children and making up games.

Much of the story describes DePrince’s experiences in ballet after the DePrince family adopted her with a couple of the other girls from the orphanage. Family is an important feature of her story and considering her earliest memories, it is a relief to watch her life improve thanks to her jovial spirit and the loving people in her life.

DePrince, being a professional ballerina, talks a lot about ballet. When she describes seeing the Nutcracker with her family and eventually performing in various productions of the show, the reader can feel the love she has for her chosen profession. Not all that glitters is gold, however. DePrince also addresses the extreme lack of diversity in the ballet world, and her own struggles being a black ballerina. She sometimes describes comments from other parents, ballerinas, and instructors about her race and how it affects or will affect her dancing in the future.

Despite these obstacles, despite the odds, DePrince is a professional ballerina living well in the United States with her loving family. DePrince ends the book by discussing how she hopes she can be a role model for other aspiring ballerinas and how she wants to help other people affected by war in their home countries. Taking Flight oozes DePrince’s love for ballet and her family. It is a wonderful and wondrous thing that DePrince found a picture of a ballerina that day in Sierra Leone, jump-starting the rest of her life. This book will appeal to people who like dance as well as people looking for a book about overcoming adversity. DePrince had the odds stacked against her, and her story is inspiring for people from all walks of life.

Sexual Content

  • The critics discuss Michaela DePrince’s Odile in Swan Lake, “She was the sweetest seductress you ever saw . . . but she has yet to develop any ballerina mystique.” DePrince discusses how she needed to become mysterious and a “seductress” in the role.
  • Michaela says of her boyfriend Skyler, “I was lucky enough to fall in love with a young man who was capable of doing all the things my mother had described to me.”

Violence

  • DePrince’s Uncle Abdullah had three wives and fourteen children, and DePrince says at night they could hear Uncle Abdullah “beating his wives and daughters . . . He blamed any and all of his misfortunes on their existence.”
  • DePrince is originally from Sierra Leone, where a civil war has been brewing since 1991. “As the war progressed, the youth lost track of their goals and started killing innocent villagers.”
  • A man came to DePrince’s family “moaning and wailing. He told us that he was the only survivor of his village. The debils (rebel forces) had forced him to watch as they killed his friends and family. Then, laughing, they asked if he preferred short sleeves or long sleeves. He said that he usually wore long sleeves, so they cut off his hand and sent him on his way to spread fear and warnings throughout the countryside.”
  • The debils shot and killed DePrince’s father while he was working in the mines. DePrince describes, “I woke up to the sound of my cousin Usman’s voice. ‘Auntie Jemi,’ he hissed quietly. ‘Auntie Jemi, the rebels came to the mines today. They shot all of the workers.’”
  • DePrince’s mother refused to marry Uncle Abdullah, which angered Uncle Abdullah. He abused both DePrince and her mother, starving them. DePrince says, “We often went hungry, and for months Mama gave me most of her food.”
  • DePrince’s mother dies of Lassa fever. DePrince notes that “Most of the night I had heard Mama tossing and turning. Just before dawn I heard her sigh loudly three times and finally grow quiet.” DePrince did not realize that her mother had died, and instead thought that her mother had finally fallen asleep.
  • Within a couple of days of both of her parents dying, DePrince ends up at the orphanage, where “If [DePrince] awakened Auntie Fatmata (one of the workers) with [her] crying, she will beat [DePrince] with her willow switch.”
  • Another girl was going to be whipped in the orphanage for wetting her mat, but DePrince steps between the girl and the worker and tells the worker that the punishment is unfair. As a result, “Auntie Fatmata raised her switch and struck [DePrince] first and then Mabinty Suma. She struck us over and over again, raising welts all over our bodies.”
  • It is noted that in the orphanage, the “aunties loved to tug on our tightly braided cornrows, because it hurt so much but left no evidence of their abuse. This was important to them. Andrew Jaw needed to send our pictures to America, so he did not want to see bruises on us.”
  • In order to make DePrince cry, Auntie Fatmata “ground chili peppers into a fine powder” and “sprinkled it all over [DePrince’s] face until it filled my nostrils, eyes, and mouth.”
  • When most of the children in the orphanage contracted malaria, Auntie Fatmata made “one of the younger children go to the bathroom on [DePrince’s] hair and face while [she] was asleep.”
  • DePrince’s teacher, Sarah, is killed by the debils, and they cut her unborn baby out of her body. One of them, “slashed downward with his knife and cut into Teacher Sarah . . . The debil reached inside of Teacher Sarah and pulled out her unborn baby.” The nightwatchman, Uncle Sulaiman, saves DePrince. It is assumed that the baby died.
  • The director of the orphanage “beats [DePrince] with a switch for leaving the orphanage.”
  • When they are forced to walk into the jungle, DePrince and the other orphans, “saw hundreds of dead bodies on our way out of Sierra Leone. The debils had taken machetes to many of the people, but the majority of them, even small children, had been shot in the head. They lay sprawled on the ground with their eyes and mouths open in terror.”
  • DePrince vomits on herself and Uncle Ali out of nervousness on the plane ride to Ghana. Uncle Ali “dragged [her] into the toilets and spanked [her] soundly before bringing [her] back past everyone a second time.”
  • DePrince’s new mom (Mama) made a list of rules for DePrince and her sister. They were, “No hit, no bite, no pinch, no scratch, no say caca.” They soon stopped doing those things, except to their dolls because they were “mimicking the way Auntie Fatmata had treated the children in the orphanage.”
  • DePrince notes a statistic about Sierra Leone. She says, “More than 90 percent of girls in Sierra Leone endured genital mutilation.”

Drugs and Alcohol

  • As a child in Sierra Leone, DePrince had contracted a form of mononucleosis and had not recovered from it, leading to an infection five years later in her left eye. The doctor “put [her] on an antiviral drug.”
  • While attending boarding school, some of the older high school students taught DePrince “that alcohol mixed with a power drink would relax [her] muscles, relieve the stress of Auntie Fatmata, and ease the pain of tendinitis. Someone suggested I try it once when I was off campus, and I did and never tried it again because it made me violently ill.” Some other students suggest fad diets, smoking cigarettes, and “taking laxatives and vomiting after meals.”

Language

  • Uncle Abdullah is extremely sexist and uses plenty of sexist language. For instance, he says of DePrince, “All she needs to learn is how to cook, clean, sew, and care for children.”
  • Uncle Abdullah tells DePrince’s father that DePrince, “needs a good beating.” He then says about DePrince’s mother, “And that wife of yours, she too needs an occasional beating. You are spoiling your women, Alhaji. No good will ever come of that.”
  • DePrince and her adopted sisters experience racism in the United States. Once when she and one of her sisters were having a tea party on the lawn, “a neighbor walked over and said, ‘You girls will need to take your things and move your tea party out of sight of my property. I’m trying to sell my house. Someone is coming to look at it, and I don’t want them to see the two of you.’” DePrince describes these experiences over the course of a chapter, and some more stories are littered throughout the novel as well.
  • DePrince notes that “unless I’m in physical danger or my civil rights are being violated, I ignore [bigotry aimed at DePrince]” except for the “racial bias in the world of ballet.” DePrince spends a chapter explaining some of the things parents, other dancers, and dance coaches said about black dancers. In one incident, “one of the mothers who was chaperoning us said, ‘Black girls just shouldn’t be dancing ballet. They’re too athletic. They should leave the classical ballet to white girls. They should stick to modern or jazz. That’s where they belong.’”

Supernatural

  • To get revenge on Auntie Fatmata, DePrince pretends to be a witch and have “voodoo powers.” She does this by rolling her eyes back into her head and turning her eyelids inside out, saying, “I am a witch. I will place a spell on you if you harm me.” She then says, “The aunties were superstitious, and we lived in a place where many people practiced voodoo, so I knew my trick would scare them.” They never again physically abused her.
  • While working as an apprentice on a touring company for The Nutcracker in New England, DePrince lived in a house with other ballet dancers. She and the other dancers thought that the “Victorian house looked and sounded haunted,” and DePrince confesses to being afraid of “getting up to go to the bathroom at night, fearful of running into a shadowy specter in the hallway.”

Spiritual Content

  • DePrince and her family are Muslim, and to learn to read and write, DePrince would be “outside, sitting cross-legged on a grass mat, studying and writing my letters, which I copied from the Qur’an.”
  • DePrince notes how loving her parents are and says that at night she would “thank Allah because I had been born into the house on the right, rather than the one on the left,” meaning the one where her uncle beat her cousins.
  • DePrince’s mother notes that the debils (rebels of the Revolutionary United Front in Sierra Leone) spared DePrince’s family’s home and their lives when they burned the crops. Her mother then says, “We should be grateful to Allah for that.”
  • When DePrince’s father died, she and her mom had to move into Uncle Abdullah’s house because “according to Sharia, Muslim law, Uncle Abdullah became our guardian.”
  • Uncle Abdullah often refers to DePrince as the “devil child” because she could read several languages and had vitiligo, the condition that causes patches of her skin to lose coloration.
  • DePrince was knitting a scarf for her brother, Teddy, when he passed away from complications with hemophilia. DePrince said, “What should I do with this? I was knitting it to go with Teddy’s favorite hoodie. I wanted to give it to him for Hanukkah.”
  • DePrince had the opportunity to travel to Jerusalem where she “left a prayer for her [mother] in the chinks of the Wailing Wall, and [DePrince] wore [her] hamesh (or hamsa), a hand-shaped charm, for protection during our travels to the Dome of the Rock and the salty Dead Sea.” The reason why DePrince wears it is because “Muslims believe that it represents the hand of Fatima, the daughter of Mohammed, and Jews believe that it represents the hand of Miriam, the sister of Moses.”
  • DePrince’s mom explains to DePrince the story of Moses. She says that “thousands of years ago, when the pharaoh was killing Jewish baby boys, Miriam had watched over her baby brother, Moses, after their mother floated him down the Nile River to protect him from the pharaoh’s wrath. He was then found by the pharaoh’s daughter and raised as a son of Egypt.”

by Alli Kestler

Deception

When Baalboden is destroyed, the survivors are left to fend for themselves. The ragtag group elect Logan as their leader. With Rachel by his side, Logan is determined to get the survivors to the safety of another city-state. The survivors must leave the ruins of their home and take their chances in the Wasteland. But the Commander and a rival city-state’s army both want to take the device that controls the Cursed One for themselves.

Soon, it becomes clear that the survivors have a traitor among their ranks, who is killing them. Both Rachel and Logan are put under an unbearable strain, causing Logan and Rachel to wonder if their love will be shattered. Soon, everyone is questioning if they can survive the Wasteland.

The second book of the Defiance Series has wide plot holes, long and unrealistic fight scenes, and underdeveloped characters. Even though the story’s point of view alternates between Logan and Rachel, the two are frustrating characters to follow.

Rachel’s father trained her to defend herself, and Rachel is portrayed as an excellent fighter who can defeat male soldiers. Her daring acts in battle are described in long descriptive scenes that are completely unrealistic. In addition, Rachel is amazingly self-centered. When Rachel’s best friend Sylph dies, Rachel is distraught and only thinks about how Sylph’s death will affect her. Instead of being a heart-wrenching moment, Sylph is so underdeveloped that her death has little impact on the reader.

Most of the time, Logan only thinks about keeping Rachel alive. He feels guilty about everything and doesn’t trust anyone in his inner circle to help him keep the survivors safe. Even though Logan is surrounded by others who are older and more knowledgeable, Logan acts as if he is the only one intelligent enough to save the survivors. He over-thinks every situation and doubts his own abilities, but is still arrogant enough to think only he can find the solution to every problem. Plus, Logan’s repetitive inner dialogue is annoying.

This dystopian novel blends action and romance together; however, the story’s many flaws will leave readers wishing that they had left the book on the shelf. If you’re looking for an entertaining dystopian romance, you should read The Selection Series by Kiera Cass and the Matched Trilogy by Ally Condie.

Sexual Content

  • Rachel and Logan kiss several times. For example, Rachel gives Logan a “quick kiss.”
  • Logan thinks “kissing Rachel is like discovering a new element—one that turns my blood into lava and sends sparks shooting straight through every logical thought still lingering in my head.”
  • Rachel has a bad dream. When Logan wakes her, Rachel “raise[s] my head to kiss him, swallowing the rest of his words. My lips are harsh. My hands grip his arms. Claw his shoulders. . . This is what I need. This will make it better. I wrap my leg around his. . . I kiss him hard enough to hurt.” The scene is described over three pages.
  • Rachel and another girl have a short conversation about Logan’s kissing abilities. Rachel thinks, “I lose myself for a moment in the thought of his callused fingers gently sliding over my back, his lips pressing urgently against mine, his breath quickening against my skin.”
  • Rachel and Logan walk into a bedroom and see a husband and wife in bed together. Both the woman’s and man’s chest are exposed.
  • Logan helps Rachel, who is injured, change clothes. Rachel’s skin “glows, my breath hitches in my throat, and a feeling just as real as the pain in my arm but infinitely more delicious spreads through my stomach in lazy spirals. . . His chest scrapes the sensitive skin along my back as he breathes in quick, little jerks as if he’s been running.” Logan admits being tempted by Rachel.

Violence

  • The story begins with a multi-chapter battle. After Baalboden is destroyed, a group of soldiers try to enter the town to attack the survivors. “The first wave of soldiers crashes into the tiny band of survivors and the scream of metal against metal shivers through the air. . . Logan slams into another man, and their swords clash. We lunge, swing, hack, and parry with the Wall at our backs, and slowly gaining ground toward the gate.”
  • During the above fight, Rachel “leap[s] to my feet, and he [a soldier] lunges toward me on legs suddenly too weak to hold him. I follow his gaze as he stares down at the deep cut on his thigh, at the blood gushing out of his artery with every beat of his heart.” Another soldier attacks and Rachel “slice[s] my knife across his neck as he turns. Blood spurts, and I stagger back as it arcs toward me.”
  • A soldier pens Rachel down. Rachel jabs “the knife into the soft meat of the soldier’s leg, and he stiffens, his grip on my Switch arm loosening slightly. Before he can recover, I snap my head back, smashing my skull into his nose.” A man helps Rachel “as he wrenches the man’s sword arm to an impossible angle. The soldier screams in agony as the sickening crack of a bone ripping apart from its tendons fill the air.”
  • During the battle, Willow uses a bow and arrow and “takes them [soldiers] both down in less than ten seconds.” Rachel looks “away before I can see the blood that pours out of their wounds and spreads across the soot-stained cobblestones beneath them.” After the fighting, Logan gives an order “to strip the soldiers’ bodies of anything we can use.”
  • Rachel thinks back to when she killed a man. “My knife. His chest. Blood covering me as I sat horrified.”
  • When soldiers attack, Rachel tries to keep them away from the others. “I plant my right foot, lean back slightly, and snap my left leg into the air, kicking his windpipe with my boot. He drops to the floor. . .” She kills the man, but other soldiers attack her. “I slash my knife, sticking into a soldier’s neck. A line of brilliant red spills across his coat and splashes onto my hand.” Many of the soldiers are killed in bloody detail.
  • The Cursed One attacks a group of survivors. “A thick stream of red-gold fire spews out of its snout. Frankie dives beneath it, but flames grab hold of his tunic and his clothing ignites. He rolls across the grass, extinguishing the flames.” Frankie dies.
  • Someone slits a man’s throat. Logan finds the body. “I shake him and watch in horror as his head tips back, revealing the thick crimson slice across the base of his neck.”
  • While in the forest, someone throws a rock at Logan, making his head bleed.
  • As the group of survivors flees, highwaymen attack. Rachel leads their counterattack. “The highwaymen are converging on me. . . I dive out from under his feet before he can finish swinging his sword at me. His momentum carries him past me, and I slash the tendons behind his knees with my blade.” When the man is down, Rachel goes after another one. “I snatch my knife and lunge to my feet, bringing my weapon in his sternum as I stand. He deflates slowly, and I shove him away as he crumples. . .” Twenty-three of the highwaymen are killed.
  • An army attacks the group. The survivors throw jars full of acid and “the cypress explodes in a shower of splinters, branches, and shards of bark the size of my arm. . . A handful of soldiers are crushed beneath the trunks. Still more are bleeding from gaping wounds to their heads, arms, and legs. . . The soldiers closest to the explosion are thrown onto their backs, their skin riddled with cuts.” The survivors escape by blowing up a bridge. The fight takes place over eight pages.
  • One of the survivors, Willow, jumps into the river to save someone. When a solider goes after her, Rachel shoots him with an arrow. “He staggers, reaches up to grab the arrow, and falls backward into the river. Three more arrows fly, and all of the injured soldiers stop moving.”
  • As the survivors are resting, the rocks near them begin to explode. “Before they can move, another piece of the ground bursts into flames, right beneath the feet of an older man. . . He screams, a long, high wail of agony that tapers off into silence as his body twists away from the fire and falls to the grass in a smoldering heap.” Rachel pushes a child out of danger’s way. The stone explodes and “pain—searing, vicious pain unlike any I’ve ever felt—blazes a trail of agony down my right forearm. I scream and belly crawl away from the terrible heat that reaches for me.” Many people die or are injured. The scene is described over seven pages.
  • Two of the characters reveal that they killed their father. The father’s death is not described.
  • Rachel is kidnapped. Quinn tires to stop the traitor. “He drags me to my feet, but Quinn is already there, crouched and shaking, his breath rattling in the back of his throat like a trapped animal. . . Quinn falls to the ground and disappears beneath the cloud of smoke.” Rachel tries to escape, but the traitor finally “balls up his fist and slams it into the side of my head. . . then my ears ring, my eyes close, and darkness takes me.” The scene is described over eight pages.
  • When Rachel insults the traitor, “the knife plunges down, slicing through my bandage and digging into burned flesh. I scream as raw agony blisters my arm.”

Drugs and Alcohol

  • Someone poisons the survivors with castor seed poison, which cannot be cured.
  • Several times people are injured and are given pain medication.

Language

  • None

Supernatural

  • None

Spiritual Content

  • When soldiers try to ram their way into the city, Logan prays that the survivors have time to escape.
  • When the Cursed One attacks a group of survivors, Frankie gives his life to save them. “I [Rachel] close my eyes, praying that Frankie dies quick and that the pain is over in seconds. Praying that the monster leaves once he’s satisfied his prey is dead. Praying that everyone else has the good sense to honor Frankie’s sacrifice by remaining silent.”
  • While holding an infant, Rachel prays “that I don’t break her.”
  • When Rachel is kidnapped, Logan prays that she is okay.

Emmy in the Key of Code

Twelve-year-old Emmy is the only one in her family who can’t make music to save her life. And now that her dad’s symphony job has uprooted her to a new city and school, everything seems even more off-key than usual.

Until a computer class changes her tune and Emmy discovers that her coding skills can really sing. Now life is starting to seem a little more upbeat, especially when computer wiz Abigail is around to share tips and tricks with. But can Emmy hold on to her newfound confidence with bad news and big secrets just around the corner? Or will her new life come to a screeching halt?

In Emmy in the Key of Code, Emmy’s uncertainty and her desire to belong takes center stage. Unlike her musically gifted parents, Emmy is fearful of being on stage and her singing isn’t beautiful. Even though Emmy loves music, she knows her voice isn’t stage-worthy. To make matters worse, Emmy moves to San Francisco, which is completely different than Wisconsin. Her clothes are all wrong, she’s unable to talk to others, and she goes through each school day alone. She doesn’t feel like she belongs anywhere.

Emmy’s mother is an opera singer and her father plays the piano. Their musical influence on Emmy comes across both in her love of music as well as her speech. For example, Emmy describes her computer teacher as follows: “The teacher crescendos in / with a smile painted candy-apple red. / A color so joyful / so allegro / so dolce and vivace / that it spills into the rest of her face. . .” In addition, Emmy refers to musical pieces such as Mozart’s Don Giovanni. Readers who are unfamiliar with the musical terminology may become frustrated.

Emmy’s computer class and her teacher Ms. Delaney have a huge impact on Emmy’s life. To show this connection, some of the lines use coding symbols such as brackets, colons, and quotation marks. To make the coding vocabulary understandable, some pages explain what the code means. To highlight the JavaScript, the words are typed in a lighter font. Emmy also explains coding by comparing it to music.

Emmy’s story is told in a combination of poetry, JavaScript, music, and narrative. Like Emmy’s emotions, some of the text’s words appear broken up, jumbled, faded, and with other graphic elements that help convey Emmy’s emotions. Emmy, who is extremely likable, has a relatable conflict of a new town and not fitting in. In the end, Emmy and her friend Abagail both learn the importance of being “a girl who today / made the decision / to listen to what she loves.”

Readers will relate to Emmy’s desire for friendship and belonging. Lucido’s beautiful writing comes alive and teaches that programming is for everyone. In the end, Emmy discovers that her love of music and coding can blend to make something truly beautiful. Readers who love books about smart girls who can code should add Click’d by Tamara Ireland Stone to their reading list.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Jerk is used three times. For example, Abigail asks why Francis is “such a jerk all the time.”
  • Abigail’s friends meet her outside of the computer class. One girl says, “I hate thinking of you in a class / with all these weirdos.”
  • A student asks Mrs. Delaney, “Why did you leave your fancy job / to come teach idiots / like me: }”

Supernatural

  • None

Spiritual Content

  • None

Absolute Hero

A crowded new school and a crazy class schedule are enough to make Izzy dizzy.  It may be the first day of sixth grade, but as long as best friends Allie Einstein and Charlie Darwin are by her side, Izzy knows it’ll all be okay. But first–day jitters take an icy turn when Izzy’s old pal Marie Curie comes back to town and gives her former friends the cold shoulder. The problems pile up when the school’s air conditioning goes on the fritz. The temperature suddenly drops to what feels like the coldest possible, and the adults don’t seem to have a clue how to thaw out the school.

Cold temperatures and a frigid friendship? Izzy has had enough of feeling like an absolute zero. She rallies the girls to use their brainpower and science smarts to tackle the school’s chilly mystery—and hopefully fix a certain frozen friendship along the way. Will the girls succeed and become the absolute heroes of Atom Middle School?

As the girls try to discover why the air conditioner is malfunctioning, they use the scientific method, which appears as illustrations that look like binder paper. When the girls are checking out the air condition unit on the roof, the door closes and Izzy uses a hose to repel from the two-story building. When the girls tell Allie’s grandmother about their adventure, she says, “Well behaved women rarely make history. You girls go ahead and be subversive. Just be careful, too.”

The characters are a racially diverse group, who have different family dynamics. Charlie has two veterinarian moms, and she loves to eat healthy, homegrown food. Allie lives with her grandmother because her archaeologist mother works a lot. Izzy seeks out her grandfather who helps her solve problems. The S.M.A.R.T Squad is made of confident girls, who love science and are not afraid of being smart. The girls are likable because they are quirky and imperfect.

Another positive aspect of the story is that the girls are able to solve the mystery of the too-cool school, yet they keep their success a secret. Instead of being braggarts, the girls are confident enough that they don’t need to tell the whole world about their good deeds.

Valarie Tripp, the author of several American Girl stories, writes a fun story with science-loving characters. Even though the story shows smart girls using science, the science facts never feel like a lecture. Instead, science seamlessly blends into the story’s events. The end of the book includes short biographies of the scientist that the characters are named after as well as two pages that explain some great women scientists.

With themes of friendship, science, and solving problems, Izzy Newton and the S.M.A.R.T. Squad: Absolute Hero will appeal to a wide variety of readers. Black and white illustrations, which appear every 4 to 6 pages, show the girls’ unique personalities. Girls who want to read other stories with smart girls should check out the Girls Who Code Series by  Stacia Deutsch and Ellie, Engineer by Jackson Pearce.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Charlie tells Izzy, “Your brothers are total eye candy.”

Supernatural

  • None

Spiritual Content

  • None

They Called Us Enemy

Following the attack on Pearl Harbor, Japanese Americans are forced into internment camps. While George knows there is a war against the Japanese, he does not understand why he and his family are being forced to leave their home. Unable to grasp the injustices that George, his family, and other Japanese Americans are being forced to endure, George describes his joyful, yet troubled boyhood in two of America’s ten internment camps.

As George and his family adjust to life in the internment camp, George cannot help but notice the anguish and anxiety his parents and families around them are experiencing. When will the war end? How long will Japanese Americans suffer under this legalized racism? Will George, his family, and the other 120,000 Japanese Americans in internment camps ever be able to return home?

As he grows older, George angrily questions how his parents and so many other Japanese Americans could have let this happen. George’s later successes as an actor, activist, and author force him to reflect not only on his time in the camps but also on his understanding of his parents and their situation.

This heartfelt story highlights the themes of family, sacrifice, and empathy. As readers learn George’s story and watch his growth physically and emotionally, they will view all stages of George’s life—from blissful childhood ignorance to teenage anger and thoughtful adulthood. In addition, George includes his thoughts on his incarceration. Through simple, captivating images and storytelling, readers are given the chance to grow alongside George as the story progresses.

They Called Us Enemy utilizes compelling visuals and accessible language to engage and educate readers on the difficult and often overlooked subject of Japanese internment. The animated illustrations and comic style make this difficult subject more palatable for young readers while still depicting the tough reality of the characters’ situations.

From the eyes of a young George Takei, readers are able to join George in his journey to understanding and coming to terms with his and his family’s imprisonment. The combination of George’s conversation and a short, accompanied narrative tells not only George’s autobiography but the evolution of Japanese sentiment during and following World War II. Overall, this 2020 American Award Winner lives up to the praise. With its engaging historical background and cultural depictions, They Called Us Enemy is a must-read for readers of all backgrounds.

Sexual Content

  • None

Violence

  • When residents become seemingly more radical, George notes the unrest that exists throughout his second camp, Tule Lake. This results in “hostile words quickly erupt[ing] into violence throughout Tule Lake.”
  • As George and his family prepare for Christmas, they hear on the radio that Pearl Harbor has been attacked by the Japanese which would “naturally mean that the President would ask Congress for a declaration of war.”
  • Thousands of volunteers from Hawaii and across internment camps form the 442nd regimental combat team of all American-born-Japanese Americans. George narrates that, “the 442nd suffered over eight hundred causalities.”

Drugs and Alcohol

  • After leaving the internment camp, George and his family live on Skid Row in Los Angeles where they lived among “derelicts and drunkards.”

Language

  • Older boys teach George and his brother the phrase “sakana beach” in order to prank the young boys and upset the guards. The words do not hold a negative meaning in Japanese but are meant to imitate the phrase “son of a bitch.”
  • Before yelling “sakana beach,” an older boy warns George to “run like hell” in order to avoid being caught by the angry guards.
  • While being arrested by a guard, a man yells, “Damn Ketoh,” which George’s father later explains is an offensive term used against white people. Ketoh translates to “hairy breed.”
  • During a fight between the guards and the internment camp residents, a man yells, “Go to hell ketoh!”
  • The term “Jap” is used in a derogatory manner by non-Japanese individuals throughout the story.

Supernatural

  • None

Spiritual Content

  • None

by Katie Ng Ross

The Art of Holding On and Letting Go

Cara Jenkins feels that rock climbing is in her blood. Her parents and uncle, famous rock climbers themselves, have raised her as a nomad and a child of the wilderness. But when her parents and uncle go on a climbing trip in Ecuador, tragedy strikes Cara’s life and she is sent to live with her grandparents in Detroit, Michigan—a world away from her usual life in their cabin in California.

Stuck in her grief and in a normal high school, Cara finds herself at a loss without rock climbing and without her parents, who are dealing with the grief of losing their friend, Cara’s uncle. Cara has to learn how to navigate a normal high school, friendships, and the city. But then someone starts leaving notes in her locker, trying to get her to return to climbing. Cara has to figure out how to return to the one thing she loves without it being too painful to bear.

Much of The Art of Holding On and Letting Go is about Cara’s first love: rock climbing. The book delves into the uniqueness of her life and the sport, giving readers a look at something that they may not know much about. Along with rock climbing, the book discusses nature a lot, as Cara and her family read books by famous writers who wrote about nature, including Annie Dillard’s Pilgrim at Tinker Creek and Henry David Thoreau’s Walden. These elements make Cara’s story vivid and unique.

Much of the story focuses on Cara’s loss, not just of people but of places as well. As a person who was raised in nature and led a fairly unconventional life, getting thrown into public school in Detroit and living with her grandparents is a very difficult change for her. Cara makes friends and is able to find a connection with them and her grandparents despite their differences. However, she still longs for her old life. She learns that she can include the old and the new in her life. Although some things can’t be reversed, Cara reconciles her losses with the fact that life is forever changing, and she is able to embrace the good things that have come from moving to Detroit.

The Art of Holding On and Letting Go is a wonderful story that tackles grief, friendship, and nature without feeling preachy. Cara and the rest of the characters feel real, and their story gives a glimpse into the world of rock climbing. Told from Cara’s point of view, rock climbing and themes about grief and loss come to life. Through this story, Cara learns how to live again. This book will surely appeal to nature-lovers and Cara’s story will also resonate with anyone who has ever felt lost in the world.

Sexual Content

  • Becky, a climber, would like a reason “to hang all over Zach,” one of her teammates.
  • Of her Uncle Max, Cara says, “I knew he’d had boyfriends over the years, but they never seemed to last long.”
  • Kaitlyn, one of Cara’s new friends, and Cara talk about their friend Nick’s sexuality. Cara is convinced that he likes Kaitlyn, and Kaitlyn says, “Sometimes I even wonder if he’s gay.” It is later revealed that Nick does like Kaitlyn.
  • Cara has to take Sex Ed with the rest of her classmates. When Grandma sees the permission form, she says, “Well, I hope this is an abstinence-based program.” To this, Grandpa replies, “Don’t think so, Margaret. Says here the class will discuss all methods of birth control in the context of healthy relationships.”
  • Cara mentions that her mother had “gotten pregnant with [Cara] when she was only twenty.”
  • When Kaitlyn asks Nick to go to the Sadie Hawkins dance, Nick says yes and “kisses her hand.”
  • Nick “kissed Kaitlyn on the top of her head.” Nick and Kaitlyn end up dating.
  • Tom, the boy Cara likes, “kissed [Cara’s] cheek.”
  • Tom and Cara kiss. Cara describes it as a “deep, blood-cell bursting kiss . . . our lips met again, hungry and searching. The Earth tilted.”

Violence

  • Cara has a head rush and loses her grip while climbing. Then, she “slams into the climbing wall.” Several other climbers fall on the same hold. No one is injured badly, just minor scrapes.
  • After a giant sheet of ice separates Uncle Max from Cara’s parents, he is presumed dead.
  • Cara walks into another student at school and, “Crack. [Their] skulls collided.”
  • Tom was in a bad car wreck a few years prior. He says, “a huge SUV plowed right into us.”

Drugs and Alcohol

  • Grandma wants Cara to go out and have fun on a Friday night when Cara would rather stay in. Grandma then says, “I suppose [staying home is] better than going around with some boy, smoking dope.”
  • While staying at Kaitlyn’s house, Cara and Kaitlyn drink Baileys and get a bit drunk. Cara mentions that she’d “tried beer once during a camping trip and hated the bitter taste.”
  • Nick’s older brother Mike “started getting into drugs and trouble a few years ago.”
  • Nick’s brother Mike ran off to Colorado. Nick is certain it’s because “they just legalized pot.”
  • Cara falls ill with the flu, and her grandparents give her some “dandelion wine” to help her feel better. Grandpa mentions that the secret ingredient is “whiskey.”
  • On New Years, Cara’s dad calls from Ecuador, and he is crying on the phone. When Cara’s mom finishes the call, she turns to Cara and says, “He’s had a little too much to drink.”
  • One girl shows up to the Sadie Hawkins “trashed.”

Language

  • There is occasional profanity throughout. Profanity includes shit, hell, bitch, damn, fuck, and asshole.
  • In middle school, a girl spread a rumor about Kaitlyn. Kaitlyn says, “Swimming was part of our gym class, so we had to change and shower before we got into the pool. She went around and told all the guys that [Kaitlyn] was a true redhead. You know, meaning that [Kaitlyn] had red hair everywhere.” Kaitlyn’s nickname then became “firebush.”
  • One of Cara’s classmates is referred to as “Virgin Goth Girl.”

Supernatural

  • None

Spiritual Content

  • When Cara’s parents go missing on their climbing expedition, Becky tells Cara, “I’ll pray for you.”
  • Uncle Max had “strewn Tibetan prayer flags” from the cabin after returning from Mt. Everest.
  • Grandma has a collection of “five baby angels” in the house. They stand for each of her miscarriages, her daughter, and Cara.
  • Tom’s “mom’s Jewish” and “dad’s Catholic,” but “they’ve kinda left it up to [Tom]” to decide which he would rather practice. He does not show a preference for either.
  • Cara and Kaitlyn talk about fate and God. Cara mentions that there is no word in Chinese for “coincidence,” and with that absence, something must take its place. Kaitlyn asks if that thing is “God.” Cara responds, “Maybe. God, spirits, angels, nature, fate. The Chinese call it yuan. Destiny. But I guess it depends on what you believe.”
  • Cara celebrates Christmas with her grandparents. When she wakes one morning, Cara can hear that Grandma “had changed the radio station from oldies to Christmas carols.”
  • Cara wonders if her grandparents went to church on Christmas, noting that her own parents didn’t. Cara says of her dad, “he felt closer to God when he was on top of a mountain than he possibly could in any church.”
  • Cara and her grandparents build two cairns as burial markers for her dog Tahoe and for Uncle Mark. Grandpa goes back the next day and notes that “standing near those stones, you almost feel like they’re alive.” Cara replies, “There’s an energy there.”
  • Tom jokes that Cara is like “the Angel of Darkness.”

by Alli Kestler

 

 

 

 

 

Out of Bounds

Makena Walsh absolutely loves soccer. She knows it’s the best sport around, and she feels lucky that the teammates on her super competitive and super skilled team, the Brookville Breakers, feel the same way. The girls always have and always will be soccer sisters.

When a new person joins the Breakers, everything changes. Skyler is a great player and really cool—but she also doesn’t always play by the rules. Makena, hoping to impress Skyler, starts acting out and running wild, off and on the field.

With a huge tournament looming, Makena’s got tough choices ahead–choices that will affect her family, her friends, and the game she loves. Can she stay true to what the soccer sisters believe in and win the big game?

At first, Makena thinks Skyler’s crazy ideas are fun, but soon Skyler’s lies add up, and Makena’s guilt catches up with her. To make matters worse, sneaking out and staying up late is affecting Makena’s game. Soon, Skyler’s behavior doesn’t seem so cool, especially when Skyler uses deception to win. She tells her teammates, “Just remember, when you get hurt, even a little, roll on the ground and act as if your leg is about to fall off. That way you will get the free kick or the penalty kick. Everybody does it.”

Out of Bounds’s play-by-play action will appeal to soccer players and sports lovers. The majority of the action takes place on the field; however, readers will get a glimpse of the crazy things Skyler convinces Makena to do as well as of Makena’s home life. In one scene, the reader will learn about the dangers of smoking through Makena’s grandfather who used to smoke and now has emphysema.

Makena is a relatable character who doesn’t like lying to others, but she struggles with the ability to say no. Because the story is told from her point of view, the reader will understand Makena’s worries. In the end, Makena grows as a character and realizes that “being a star off the field is as big a part of soccer as being a star on the field.” During the last tournament, Makena is able to stand up to Skyler and finally do what’s right, including telling her parents about her bad behavior.

The Soccer Sisters series is written by former soccer player, coach, and motivational speaker Andrea Montalbano. Out of Bounds’s high-interest topic, advanced vocabulary, and short chapters make the story accessible to advanced readers. While the story has relatable conflicts and many positive lessons, the many play-by-play soccer scenes are designed for soccer players and fans. The book ends with one suggested activity, questions, a glossary of soccer terms, and a short biography of Olympian Brandi Chastain. Those who have read Montalbano’s book, Breakaway, will see many similarities in the characters and plot. Out of Bounds is a fast-paced story that will engage soccer fans as it highlights the importance of compassion, sportsmanship, leadership, and following the rules.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Heck is used four times. For example, someone says, “Why the heck do we travel all the way to Philadelphia to play a team from nearby?”
  • “Oh my God” is used as an exclamation once.
  • Skyler asks, “Do you think those two guards are going to admit that two girls stole their golf cart and made them look like idiots?”
  • Skyler’s dad said that her old team “was a bunch of losers.”

Supernatural

  • None

Spiritual Content

  • None

I Survived the Great Chicago Fire, 1891

Oscar Starling never wanted to come to Chicago. But then Oscar finds himself not just in the heart of the big city, but in the middle of a terrible fire! No one knows how it began, but one thing is clear: Chicago is a giant powder keg about to explode.

An army of firemen is trying to help, but this fire is a ferocious beast that wants to devour everything in its path – including Oscar! Will Oscar survive one of the most famous and devastating fires in history?

While the story’s focus is the Great Chicago Fire, Oscar is also dealing with his father’s death and his mother’s new marriage. Even though Oscar’s father has died, Oscar thinks about his father often, which helps him be brave during the fire. Oscar’s father gives the story added depth and interest. Because of his father’s stories, Oscar is able to help two parentless kids and stand up to a street gang leader.

The Great Chicago Fire, 1891 jumps straight into the action, which continues throughout the story. The compelling story focuses on the fire, but also includes information about homeless street children. The two subplots are expertly woven together to create an interesting, suspenseful story that readers will devour. Full of surprising twists and unexpected danger, The Great Chicago Fire, 1891 brings history to life.

The story is told from Oscar’s point of view, which allows the reader to understand the danger and confusion associated with being surrounded by the fire. One of the best aspects of the story is Oscar’s changing opinion of a street kid named Jennie. When Jennie helps a gang of boys steal from Oscar, he thinks she is a terrible criminal. But his opinion of Jennie changes when he learns about her circumstances. In the end, the two kids work together to survive the fire.

The story is accessible to all readers because Tarshis uses short paragraphs and simple sentences. Realistic black and white illustrations are scattered throughout the story and will help readers visualize the events. While the story weaves interesting facts throughout, the book ends with more facts about the Chicago fire. The historical information about the cause of the fire would be an excellent opportunity for parents to discuss journalists reporting “fake news” and how gossip can “harden into established fact.”

Readers who enjoy history and fast action stories will enjoy The Great Chicago Fire, 1891. If you’re looking for more historical fiction, Survival Tails by Katrina Charman takes a look at historical events from an animal’s point of view. Both series use engaging stories to teach about history.

Sexual Content

  • None

Violence

  • Oscar thinks back to when his papa was a sheriff. “Papa heard that Earless Kildair was a killer. And sure enough, by morning the town’s bank had been robbed, and one of Papa’s friends was sprawled out dead in the street.”
  • Oscar’s father followed Earless to Chicago. “He finally found him in a stinking tavern near the river. Papa pulled out his gun, ready to arrest him. But Earless was too quick. He jumped behind the bar and started shooting. . . A bullet whizzed just past Papa’s head. . . The bullet hit Papa in the chest.” His father survives, but later dies.
  • Oscar gets trapped in Chicago during the fire. Burning embers “were all around him, attacking like a swarm of fiery bees. They seared his scalp, burned through the wool of his clothes, scorched his lips. Pain lashed him, and the sickening smell of his burning hair made him gag.” Oscar is injured, but otherwise okay.
  • Oscar goes into a burning house to help two kids escape. “Oscar felt as though he were being attacked by a wild animal. It grabbed him, clawed at him, and spun him around.” Oscar thinks he will not be able to escape, but “then he felt a hand on his arm, pulling him up.”
  • Otis, a gang member, tells Oscar’s friend that she can’t quit the gang. “And before he realized what he was doing, he sprang forward and gave Otis a hard push in the chest.” Otis smacks Oscar and “Oscar fell to the ground, the flash of pain in his head burning brighter than the blazing sky.”
  • As people are fleeing, they cross a bridge. The bridge catches fire and “next came splashes, and Oscar refused to think about what—or who—was falling off the bridge and into the river.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • A child tells Oscar, “My mama got sick. She is in heaven.” Oscar tells the boy, “my papa’s in heaven too.”

The Emperor of Nihon-Ja

When Horace travels to the exotic land of Nihon-Ja, it isn’t long before he finds himself pulled into a battle that is not his—but one he knows in his heart he must wage. A kingdom teeters on the edge of chaos when the Nihon-Ja Emperor, a defender of the common man, is forcibly overthrown. Only Horace, Will, and his Araluen companions can restore the Emperor to the throne. Victory lies in the hands of an inexperienced group of fighters, and it’s anybody’s guess who will make the journey home to Araluen.

In the last book of the series, The Emperor of Nihon-Ja brings many of the characters from previous books together. The story follows the same format as the other books, ending with an epic battle. The Emperor of Nihon-Ja teaches that all men have value and that each person has a unique skill. Even though not everyone is able to be a warrior, everyone is important—diplomats, soldiers, attorneys, and the common man. Hoping to overthrow the Emperor, Ariska forms a rebel army and his brutal ways are in stark contrast with the Emperor, who is “kind and honest and incredibly courageous. He’s trying to better the lot of the common people here and give them a bigger say in things.”

Alyss and Evalyn also play an integral part in the battle. The two women are never seen as silly maidens. Instead, they are courageous, brave, and imaginative. Even though the two girls do not get along, they are able to put their differences aside and work together for the greater good. In the end, the girls discuss their conflicts, which allows them to understand each other and finally become friends.

The Ranger’s Apprentice series reinforces the importance of friendship, loyalty, courage, and imagination. Even though most of the books have the same format, each story is unique and interesting. The Emperor of Nihon-Ja shows that a ruler’s strength does not come from brute force. Instead, a ruler is “a man who would forsake the highest position in the land to save the lives of his subjects.” Even though many of the characters are from different countries and have completely different cultures, they respect each other’s cultures and do not expect others to change.

The Emperor of Nihon-Ja concludes the Ranger Apprentice series. The series is a fast-paced and entertaining series that also has positive lessons. By the end of the series, readers will feel like Halt, Horace, and Will are their friends. For readers looking for another great series to enjoy, the Protector of the Small series by Tamora Pierce would make an excellent addition to your reading list because the story contains action, adventures, and knights.

 Sexual Content

  • None

Violence

  • The Senshi class tries to overthrow the Emperor. A soldier tells about the beginning of the uprising. “Many of the Emperor’s clan are dead already. They tried to resist Arisaka, and his men killed them.”
  • Soldiers ambush the Emperor and his traveling companions. “Horace heard a savage hiss as something flew past his face, missing him by inches. Then he saw George swaying, a long arrow buried in the upper part of his arm. As he watched, George slid sideways from the saddle and thudded onto the rough, churned-up earth of the track.” George survives.
  • Three soldiers attack the Emperor. “One grabbed the reigns of the Emperor’s horse, and as Shigeru drew his sword and struck at him, the man ducked under the horse’s neck to avoid the blow.” Horace jumps in to save the Emperor. The soldier “felt a moment of surprise when Horace’s horizontal stroke took him in the rib cage, exposed as he raised the sword high, and smashed through his lacquered leather armor. Then he felt nothing.”
  • Another soldier attacks Horace, but Horace “kicked flat-footed into the side of his knee. The man’s leg collapsed under him and he stumbled forward with a shrill cry of pain. A quick thrust cut off his cry, and he fell at Horace’s feet.” By the end of the ambush, seven of the attacking soldiers are dead and two of the Emperor’s men are dead. The ambush is described over four pages.
  • While traveling to Nihon-Ja on a boat, pirates attack. “The riders Halt had singled out were in the act of shooting again when the two long, heavy arrows hissed down and struck them. Halt’s target yelled in pain, dropping his bow and clutching at the arrow that had suddenly slammed into his upper arm.” One pirate is killed and one is injured before the pirates flee.
  • When the rebel army finds the Emperors’ coin in a peasant’s house, “they killed him. Then they ran amok through the village, burning cabins, killing women and the old people.”
  • A lieutenant in the rebel army plans to kill a village leader. Halt pretends to be the leader, and “the lieutenant raised the long weapon above his head, preparing to sweep down… The kneeling headman suddenly came up onto his right knee. There was another ringing hiss and his hand emerged from under the ragged Kikori cloak with a gleaming Senshi short sword… he thrust forward, burying the blade in the lieutenant’s midsection.”
  • After the lieutenant is killed, a battle ensues. The village is burned and “gradually, the sounds of fighting died away as the last of Arisaka’s men were cut down… Four of Shigeru’s warriors also lay silent on the bloodstained soil of the common ground, and another two were nursing wounds.” The scene is described over three pages.
  • A ship of pirates attempts to overtake another ship. Evalyn uses her sling and “one of the shouting, gesticulating pirates in the bow suddenly toppled over, folding up like an empty garment…” Evalyn shoots again and “the pirate skipper abruptly reared up, clutching his forehead, then crashed over backwards onto the deck.” The Skandian’s attack the pirate ship, disabling it. During the process, “nearly half the pirates were killed or disabled.” The scene is described over four pages.
  • As the Emperor flees from the rebel army, Horace watches the men who are engaging the army, allowing the Emperor to escape. “Several bodies were slumped over the hedge or sharpened stakes that had been driven into the ground of the riverbank. More were visible, drifting slowly downstream in the deeper water below the ford. The river itself was streaked with red ribbons of blood.” As men begin to die, the rebel army continues to attack. “The ten men with Arisaka crowded forward, slashing and stabbing, in a compact mass… Shigeru’s cousin staggered to one side, his sword falling from his hand. He doubled over in agony and fell to one knee. Almost contemptuously, Arisaka took a pace forward and struck again. Shukin fell face down on the sandy riverbank. He didn’t move…” The battle is described over four pages.
  • The Emperor tries to get to safety, Horace holds off a warrior. The warrior “stumbled forward, off balance. As he tried to recover, Horace made a quick, darting lunge and took him in the left thigh…” Horace uses his sword, which “crumbled the lacquered leather body armor the Senshi wore, crushing the ribs behind it. The man gasped in pain.” The man falls off a bridge. Several others also fall of the bridge falling to their death. The scene is described over three pages.
  • When the Arisaka’s army attacks the Emperor’s hideout, some of the men are killed when “rocks showered over the ramparts, hurled down.” Some of the Emperor’s men were killed when “an arrow slammed into the defender’s chest and sent him staggering back off the rampart.”
  • During the above attack, the rebel army finds themselves in a trap. “A vast pile of rocks, earth and timber tumbled end over end down the wall, bouncing, smashing, crushing anything and everything in its path.” Several of the men are killed. The attacking army lost more than thirty comrades. The battle is described over five pages.
  • The Kikori are loyal to the Emperor. They engage the enemy. The Kikori work as one and use shields to protect each other. While the Senshi attack with their swords, “short, razor-sharp iron blades began to stab out of the gaps in the wall, skewering arms, legs, bodies, aiming for gaps in the Senshi armor… Some of the Senshi did manage to cause casualties.” After many deaths, the Senshi retreat. The scene is described over three pages.
  • After the Senshi retreat, many of the warriors refuse to go back into the battle. One man speaks up, explaining the reason. His leader’s “sword flashed in a blur of reflected light, striking the man in the gap between helmet and breastplate. With a startled, choking cry, the Senshi staggered and fell.”
  • Alyss and Evalyn kill a large cat that had been hunting people. Alyss uses herself as bait and when the cat jumps on Alyss’s shield, Evalyn uses her sling. Evalyn’s “shot hit the animal with a sickening crack, taking it on the left shoulder, smashing and splintering the bone beneath the fur… Evalyn placed her third shot carefully, sending it crashing into the animal’s rear left hip. Again, bone crunched and the tiger’s left rear leg suddenly went limp.” The scene is described over three pages.
  • The book ends with a multi-chapter epic battle. The battle’s violence is similar to the battles that were described above.

 Drugs and Alcohol

  • When Horace and Evalyn announce their engagement, Halt yells, “Break out some of our special provisions, and some wine and ale. We’re having a party tonight!”

Language

  • “Oh God,” “for God’s sake,” and “my god” are used as an exclamation several times.
  • Darn is used once. Horace says, “That’s the trouble with you attorneys. You’re too darned literal.”
  • “By Gorlog’s beard,” “by Gorlog’s teeth,” and “by Gorlog’s toenails” are each used as an exclamation once.
  • Evalyn calls Alyss a “great gangly cow.”
  • A Skandian, Niles, calls the pirates “raggedy-bum backstabbers.” The Skandian’s captain yells, “Get back on board, you great idiot!”
  • Someone calls Arisaka a “bantam rooster.”
  • “What the devil” is used once.

Supernatural

  • None

Spiritual Content

  • In Nihon-Ja, the Emperor is “a person whose accession to the throne was guided and consecrated by the gods. To rebel against him was an unthinkable sacrilege.”
  • When Halt agrees to let Alyss and Evalyn go on a dangerous mission, Halt says, “But god help me when Will and Horace find out about it.”

Not-So-Great Presidents: Commanders In Chief

From heroic George Washington to the dastardly Richard Nixon, the oval office has been occupied by larger-than-life personalities since 1789. The position comes with enormous power and responsibility, and every American president thus far has managed to achieve great things. However, each president of the United States is only human—and oftentimes far from perfect. While some men suffered through only minor mishaps during their time in office, others are famously remembered for leaving behind bigger messes.

Take a trip through the history of the presidents and discover each man’s contribution. Historical artwork, photographs, and black and white illustrations appear every 1 to 3 pages. Many of the illustrations are comical caricatures of presidents. The short chapters, large text, and illustrations make the book accessible to readers. The book incorporates some definitions into the text. For example, some politicians start “attacking their opponents—explaining why people shouldn’t vote for the other guy, instead of why people should vote for them. This is called mudslinging.” Even though some of the vocabulary is explained, readers may still struggle with the difficult vocabulary.

Not-So-Great Presidents: Commanders In Chief uses a conversational tone that makes learning about history fun. The book uses many references to popular culture such as the Marvel Universe. For example, President Franklin Pierce “also has one of the most tragic backstories since the Punisher first showed up in Marvel comics.” While the vast amount of historical facts will not be retained, Not-So-Great Presidents: Commanders In Chief introduces history in an educational and fun way, which will keep readers interested until the very end. One of the best parts of the book is that it shows that everyone—even heroic presidents—makes mistakes. The history of the presidents shows that to be a respected leader, one does not need to be perfect.

Sexual Content

  • Bill Clinton was accused of “lying under oath when asked about an inappropriate relationship he had with one of his White House Interns.”

Violence

  • The book talks about different wars and sometimes includes the death count. For example, “The year was 1776, and the bloody fighting of the American Revolution was in full swing.”
  • Several presidents were assassinated, but the men’s deaths are not described in detail. For example, “On July 2, 1881, he [James A. Garfield] was shot at a train station by Charles J. Guiteau, once in the back and once in the arm.”
  • “On September 6, 1901, President McKinley was shot by a deranged anarchist (Leon Czolgosz) while shaking hands with supporters at the international Pan-American Exposition in Buffalo, New York.”
  • Andrew Jackson was “notorious for fighting in more than a hundred duels throughout his life—including one where he still managed to kill his opponent moments after taking a bullet to the chest!”
  • President Franklin Pierce “was once arrested, as president, for running over a woman with his horse.”
  • During World War II, America dropped an atomic bomb on Hiroshima. “More people died in a split second than there were soldiers killed at the Battle of Gettysburg from both Northern and Southern armies combined. Most of those people were civilians.”

 Drugs and Alcohol

  • After George Washington served for two terms, “he returned to his farm in Mount Vernon, where he focused on his real passion: brewing moonshine (no joke)!”
  • During the last days in office, President John Tyler threw a party at the White House, and “over three thousand people showed up. Several barrels of wine and eight dozen bottles of champagne” were served.
  • Andrew Johnson was “a reported alcoholic.”
  • Hiram Ulysses Grant became “one of the most famous generals in American history, despite his notorious reputation as an alcoholic. . . Abraham Lincoln even said, ‘I wish some of you would tell me the brand of whiskey that Grant drinks. I would like to send a barrel of it to my other generals.’”
  • President Franklin Pierce “could best be described as charming, indecisive, and alcoholic.” When he left the White House, he said, “There’s nothing left to do but get drunk. . . After his wife passed away, he took up binge drinking as a full-time gig and became a hermit. He died of cirrhosis of the liver because of the copious amounts of alcohol he consumed toward the end of his life.”
  • Woodrow Wilson passed prohibition, “which made it illegal to buy alcohol, which a lot of people really hated.”

Language

  • Heck is used four times. For example, to coordinate D-Day, Eisenhower used “his guts, brains, and a heck of a lot of patience.”

Supernatural

  • None

Spiritual Content

  • None

Deathcaster

In the Fells, the war with Arden couldn’t get any worse. The Queen is sick and out of the picture. The young Ardenine King, Jarat, is marching his army to the capital of Fells. And the heir to the gray wolf throne, Alyssa ana’Raisa, has been captured by the ruthless Empress Celestine.

For Ash, prince of the Fells, the only way forward is to rescue his sister, Lyss, from the Empress. But now that Celestine is on the war path, her armies ravaging the coast, that isn’t going to be an easy task. To cross the ocean and take on Celestine’s bloodsworn army, he’ll need help from unlikely allies and former enemies.

The rebel Ardenine general Hal wants nothing more than to see Lyss safe and in his arms. Yet to do that, he has to find a way to crush Celestine’s invading army. Between the arrogant King Jarat and his stubborn father, fielding an army to help the Fells drive off Celestine won’t be a walk in the park. Will Hal succeed in freeing Arden and the Fells from Jarat and Celestine’s grasp? Will Ash succeed in bringing his sister home to take her rightful place on the throne? Only time will tell.

Chima’s final entry in the Shattered Realms series is a wonderful conclusion to the saga. Focusing on the epic battles between the three nations and royal families, Deathcaster doesn’t disappoint in its suspense and action. Since this is the final book, the main theme of war is much more prevalent as multiple armies battle each other. These battles are each unique and well thought out, creating exciting and heart-pounding scenes.

The book splits its chapters into many points of view, including all of the main characters such as Ash, Lila, Jenna, Lyss, Hal, Destin, and Evan. While the sheer amount of main characters might appear to be overwhelming, the ease with which each chapter transitions to different points of view will pull readers in and never make them feel overwhelmed. Plus, each character is unique and interesting, with their own problems and personality that will hook readers.

The events of the story are believable, from the civil war in Arden to Ash’s journey across the ocean to save his sister. The ending feels a bit rushed, while some parts of the novel drag on, but overall the story is very well paced. The writing is easy to read and flows well, with each character getting a distinct voice. Overall, Deathcaster is a satisfying final entry to Chima’s Shattered Realms series.

Sexual Content

  • After a year apart, Ash meets Jenna. “There were many kisses but few words. His questions drew brief, vague answers, punctuated with the vivid images she delivered through touch.” Ash and Jenna have sex. “Making love with Jenna Bandelow was a twining of minds as well as bodies, a mingling of imagery and sensation so complete that sometimes it was hard to tell who owned what—who was giving, who receiving.”
  • Jenna tells Ash about dragon mating, “Dragons often mate in flight, so they twine their tails in order to, you know, maintain their—.”
  • Empress Celestine believes Lyss and Breon are lovers, and often tries to break them up. During dinner, Lyss thinks, “Celestine often included some handsome young men for Lyss, and a lovely young woman for Breon, or vice versa. She seemed determined to distract the erstwhile lovers with new options.” Later on, Lyss nearly shouts, “If I go to bed with someone, I want it to mean something.”
  • Samara, Celestine’s attendant, says, “I find that a bout between the sheets stirs my blood and prepares me to shed the blood of others.”
  • Ash gives Evan a massage to help ease the pain in Evan’s body after a fight. Evan then teases Ash, saying, “According to customs here in the drylands we are married now, and you are bound to perform this service every day.”
  • A soldier tells Hal, “There’s a rumor going around that you died at Delphi but the witch queen brought you back to life because she fell in love with your dead body.”

Violence

  • Lyss thinks about the fighting tournaments Celestine holds. “Sometimes the empress would choose two women to fight, or a mixed pair, or three against three. In one case, she blinded two soldiers, and then set them against each other.”
  • Evan and his subordinates are ambushed in his home. “Blood spattered Evan’s face and the floor around him. He lay on his back, helpless, though fully conscious, while the fighting went on around him. He was stepped on at least once.”
  • Hal is told that, “Karn’s disgraced, dead, and hanging from the city walls.”
  • Jenna’s dragon, Cas, attacks a member of the empress’ army. “He struck the bloodsworn, hard, just as he took his shot. The shot went wild and the soldier ended up pinned to the ground, screaming, bleeding from a dozen wounds.”
  • A group of dragons attacks the empress’ fortress city, “They burned everything that was burnable, from the quays to the houses that were tucked into the terraces on the hillside, to the small fishing boats that were all that remained in the harbor.”
  • Lila discovers a dead body in the woods. “It was what was left of one of the Darian Brothers, blood spattered all around. A knife lay in the mud nearby. He looked like he’d been torn apart by wolves.”
  • A servant is killed during a coup. “Before he could get there, the maiden lay dead in a pool of blood, run through by one of the blackbirds.”

Drugs and Alcohol

  • Hal’s younger brother says, “This drunk stumbled up to me, and I thought she was going to ask me for money or something.”
  • Ash and Sasha get drunk on a beach after being stranded at sea. Evan, the only one sober, “got the impression that they’d been at the cider for a while.”

Language

  • Bastard is used several times. A soldier tells Hal about a general’s death. “The scum-sucking bastard’s dead, thank the Maker.”
  • Ass is used frequently. When King Jarat orders Destin to lead a company of mages, Destin thinks, “And I will pull mages out of my ass.”

Supernatural

  • Jenna can see images of a person’s true self. “When Jenna gripped the Commander’s hands, images slid through her mind—a much younger Adam and Alyssa, dressed in elaborately stitched clothing, holding hands, watching a funeral procession, both weeping.”
  • Evan binds his followers to him with a blood ritual. “One dose was enough to bind a person; after that, they had an unquenchable thirst for more.”
  • Ash travels to the dream world, Aediion. “He was swept into a swirling black vortex. Gradually, he rebuilt the scene at Drovers’ Inn from memory.” In Aediion, spirits can meet with the living. Ash meets his father there, and his deceased father says, “Thank the Maker. I was close to giving up.” In Aediion, Ash also meets a demon. “It resembled a demon’s face—thin-lipped, hollow-cheeked in a cowl and prelate’s robes.”
  • When Ash enters Aediion, a demon attacks him with shadows. “It took everything Ash had to stand fast with shades flying into his face, swiping around his body, sliding under his clothes.”
  • Hadley DeVilliers uses her magic to sound proof a room, “Back at Kendall House, Shadow pulled glasses down from the shelf while DeVilliers circled the room, her hand on her amulet, putting up barriers to eavesdroppers.”
  • In Arden, mages are collared to keep them in check. Hal tells a mage about a key that can unlock every collar. “One key opens all of the collars. One key controls all of the collars. Nearly all the mages fighting for the Ardenine king are wearing them now.”

Spiritual Content

  • Magic is viewed as a heresy in Arden. Father Fosnaught condemns a group of mages. “You will burn for this, I promise you. We will wipe the scourge of magic from every corner of the Seven Realms.”
  • The Church of Malthus is the primary religion in Arden. Destin Karn, a spymaster, thinks about a saint, “There was plenty of information about Saint Darian, one of the patriarchs of the Church of Malthus a thousand years ago, and his followers, known as Darian Brothers, who were bent on eliminating the gifted from the Realms.”

by Jonathan Planman

Two Dogs in a Trench Coat Enter Stage Left

Sassy and Waldo love their boy Stewart, so every day they put on a trench coat and go to school with him. Everyone thinks they’re a student named Salty, though Stewart knows the truth.

The whole class is putting on a play based on The Wizard of Oz. Sassy and Waldo are excited about the play, but they don’t understand acting. Stewart is playing the part of the wicked dog trainer witch. Now Stewart is acting like a different person—an evil person. Sassy and Waldo want to make sure that Stewart doesn’t stay evil all of the time.

Similar to the previous books in the series, Sassy and Waldo are still obsessed with food. However, the story’s premise revolves around the far-fetched idea that the two dogs don’t understand what acting is. Sassy and Waldo pretend to be Salty every day, so it’s hard to believe that they don’t understand acting and are worried about Stewart turning evil.

Another area that the humor falls flat is the introduction of the drama teacher, Mr. Rollins. Throughout the book, Mr. Rollins acts like a piece of furniture, and then jumps out and surprises the students. The first couple of times, his actions are funny, but after a while, readers will wonder why Mr. Rollins doesn’t actually help the students perform their play.

Sassy and Waldo are admirable for their loyalty and love, and seeing the world from their point of view is entertaining. However, the fourth installment of Two Dogs in a Trench Coat is not as entertaining as the others and has no educational value. Despite this, fans of Sassy and Waldo will still enjoy the dogs’ silly antics and the sweet conclusion.

Every page has large black and white illustrations that add humor to the story. The illustrations show a cast of diverse characters, including a girl in a wheelchair. The font changes each time Sassy and Waldo talk, making it easy for readers to follow along with the conversation. Many of the words appear in large, bolded font, which adds interest to the pages and highlights the dog’s love of food. Two Dogs in a Trench Coat Enter Stage Left uses an easy-to-follow plot and a unique concept that will engage even the most reluctant readers. Readers who love the humor of the Two Dogs and a Trench Coat Series should also check out the Mac B. Kid Spy Series by Mac Barnett.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • A teacher uses “Holy chalkboard erasers” as an exclamation.
  • A teacher uses “Holy refrain and choruses” as an exclamation.

Supernatural

  • None

Spiritual Content

  • None

The Rescue

12-year old Emily has dreams of drowning. She’s being sucked under once, twice . . . until the third night, she realizes it’s not just a dream. It’s really happening to someone. On the rocky shore outside her house, Emily finds a large dog. He’s barely alive, but she’s determined to save him. She can feel his pain—and his determination to live. The dog is brought to the vet and with Emily’s help, he starts to improve.

But is the bond between the girl and the dog, Zack, something more? She can see what he sees and feel what he feels. And Zack seems to be able to read her mind, too. Is it possible that together, Emily and Zack can do more than read each other’s minds? Can they use their powers to help people?

The suspenseful story will pull readers in from the very first word. While the story focuses on the dog’s struggle to heal, it also has enough of Emily’s home life to keep the story interesting. The Rescue gives the reader insight into animal abuse without going into details that may frighten younger readers. In the end, readers will cheer when multiple characters come to Zack’s defense and save him from his cruel owners.

Emily is an extremely likable, biracial character who was adopted by a white family. The story has several examples of racism, such as when a white tourist talks to Emily and the lady assumes that if Emily is “in Maine, that must mean that some nice country family took me in for the summer. You know, to get me out of my deprived, inner-city neighborhood.” All of the examples of racism are kid-friendly and highlight Emily’s feelings. She wishes people didn’t see her “as African-American first, instead of a person named Emily.”

The Rescue will appeal to many readers because it is a suspenseful story about friendship, family, and helping a dog in need. While Emily is the only character that is well developed, the supporting characters have enough depth to be believable. Another positive aspect of the story is her family’s healthy dynamic and her supportive best friend. The Rescue is an excellent story that teaches the importance of not making assumptions about other people. Emily’s emotional journey will leave a deep impression on the reader. Readers will be eager to see how Emily and Zack use their unique powers to communicate in the next book in the series, Storm Warning.

Sexual Content

  • None

Violence

  • There is a rumor that one of Emily’s neighbors “killed her husband.” Later, Emily finds out that the woman was driving when the car crashed, and her husband died.
  • Zack’s owners go to the vet’s office to get Zack. When the owners find out that Zack isn’t there, they become violent. The violence is not described, but, “One of the men even had a baseball bat, and he had just broken the screen on one of the computers with it. . . Dr. Kasanofsky’s shirt was ripped, and it looked like his glasses might be broken, too.” The police escort the men to the police station.

 Drugs and Alcohol

  • When Zack is injured, the vet gives him “medicine to help him sleep, and to make sure he isn’t in any pain.”

Language

  • Cyril, a shopkeeper, calls a man “that lousy roughneck punk” because as a boy, “he had stolen—and promptly eaten—a piece of red licorice from the penny candy section.”
  • While talking to her neighbor, Emily stutters. The neighbor tells her, “Don’t ramble like a ninny.”

Supernatural

  • Emily was having a bad dream and realizes, “it wasn’t a bad dream of hers. She had just been having Zach’s nightmare!”
  • Somehow Emily can read Zack’s thoughts. At one point Emily thinks, “Either she was reading her dog’s mind—or she was crazy.”

Spiritual Content

  • While the vet is treating Zack, Emily’s mother says, “We’ll just have to pray that this is a temporary setback.”

Criminal Destiny

The clones of project Osiris are now free – but they’re being hunted. After their narrow escape from their “perfect” hometown, Eli, Tori, Amber, and Malik are finally in the real world and are determined to expose the leaders of the other world, Serenity. They decide to track down Tamara Dunleavy, the mysterious billionaire and founder of Project Osiris. Evading capture by breaking laws and sneaking into houses, hotels, buses, and cars—are they becoming the criminals they were destined to be?

What they learn will change everything and lead them straight back into the Plastic Works and the heart of the experiment in order to uncover the deadly criminals they’re cloned from—and find evidence that will convince the outside world to believe the truth. But the outside world isn’t exactly what they expected. Strangers aren’t just unfriendly, they’re dangerous. The wrong move could send them right back into the arms of Dr. Hammerstrom and leave them trapped in Serenity for good.

The story revolves around five characters—Eli, Malik, Hector, Tori, and Amber—and each chapter changes between these characters’ points of view. This allows the reader to understand each character’s thought process, which helps build their character. Each person struggles with the knowledge of being cloned from a criminal, but each one reacts to it differently and sometimes in surprising ways.

The story Criminal Intent has non-stop action as the kids discover how the real world works. As the kids try to navigate the real world, their misunderstandings lead to some hilarious comments. The kids truly believe that they need to break Rackoff, one of the criminals a kid is cloned from, out of prison in order to have a future. His escape is “a ticket for eleven clones to be able to prove who they are, and what’s been done to them. And maybe, just maybe, have a future.” Because of this belief, the kids are willing to commit crimes in exchange for his help.

While the conclusion is somewhat far-fetched, it also has several surprises and ends with a cliff-hanger. The kids are so busy evading the Purples, the police, and other people, that they do not have time to learn anything about Project Osiris. Unfortunately, the kids’ only plan is to find help from one of the criminals that they were cloned from. While Criminal Intent has humor and action, the kids have no real idea how they are going to have a future separate from the scientists from Project Osiris, which includes their parents. Instead of solving any problems, this action-packed story sets up an exciting third book, Payback.

Sexual Content

  • None

Violence

  • The Purple People Eaters try to capture the kids. When a Purple tries to grab Tori, Malik “barrels out from a group of students and makes a bull run at him. Malik crashes headfirst into the Purple’s midsection. . . the element of surprise knocks him on his butt.”
  • As the kids try to escape, a Purple grabs Malik. “Secret Agent Man gets Malik in a headlock. And the next thing he knows, his own car is coming at him, chewing up turf. The rear door swings open, catching him in the side of the head.” The kids escape without seriously injuring anyone. The scene is described over three pages.
  • While in Denver, the kids see a man being mugged in an alleyway. “Scruffy has the suit guy up against the wall and is holding the knife to his back. . .” Amber jumps in to help. “Scruffy wheels and now the knife is pointing at Amber. . . She starts lecturing the crook in what sounds eerily like her mother’s teacher voice.” The confused crook runs off.
  • The kids see a man digging through their backpacks. Amber goes after the guy. She jumps over a table and her “front foot gets tangled with his two fleeing ones. We both go down . . . there’s a thwack as his head hits the base of the tree.” The man is knocked unconscious and the kids take off.
  • A group of teens is lounging around the kids’ car. “Amber reaches out, grabs the leader’s leg just above the boot, and gives a mighty yank. He comes flying off the hood and lands in a heap on the pavement on the parking lot.” When a teen tries to grab Amber, “Malik’s fist shoots out like a battering ram, catching the kid full in the nose.” The teenagers back off and leave. The scene is described over two pages.
  • The kids’ research who they were cloned from. One of the men was sentenced to “over three hundred years behind bars. . . He was stabbed to death by another inmate last year.”
  • Late at night, Tori sees a man enter the hotel room. She grabs a metal wastebasket. “I’m out of bed, across the room, and swinging my weapon at the shadowy figure.” The person turns out to be her friend, Eli. His head is bleeding, but not hurt badly.
  • While trying to help someone escape from prison, the kids steal a postal service truck. Malik threatens the driver with a crowbar. “Malik drops the crowbar and enfolds the postal worker in a wrestling hug. George struggles against him, but Malik is just as big as he is, and strong. . .” Eli uses a maneuver he learned on the internet to make George pass out.
  • When the Purples find the kids, someone grabs Eli “strangling [him] with [his] own collar.” Eli gets the syringe and “wielding it like a knife, I get to my knees and stab it into my enemy’s thigh. He stops dead, letting out a gasp of pain that’s instantly familiar.” The man “collapses to the ground out cold.”
  • Bryan, a Purple, grabs  Tori and Eli rushes to help. “I come up behind him and stab the needle into the back of his shoulder. . . Bryan drops like a stone.”
  • Eli threatens a pilot with the syringe, so the pilot flies Eli and Tori away. When they get to their destination, Eli pricks the pilot “with the needle, careful to inject a small amount of tranquilizer into the back of his neck.” The escape scene is described over seven pages.

 Drugs and Alcohol

  • When the Purples find the kids, a doctor tries to tranquilize the kids with a “syringe filled with some kind of cloudy liquid.” Eli is able to get the syringe and he uses it on several people.

Language

  • Malik thinks about his friend Hector. “Poor stupid, pain-in-the-butt little Hector, who died during our escape from Happy Valley.” Later when Malik discovers Hector is alive, he says, “I wasted a lot of sad on your unworthy butt.”
  • There is some name calling, including pinheads, dimwit, moron, idiot, jerk, and stupid
  • While trying to steal a truck, the victim tells Malik, “you’re bat-poop crazy.”

Supernatural

  • None

Spiritual Content

  • None

 

The Girl with the Broken Heart

For the past few months, family has meant nothing but heartache for Kenzie Caine. When her second year at college comes to a close, the last thing she wants to do is return home. Luckily, she’s just landed her dream summer job working at the well-known Bellmeade horse farm in the nearby town of Windemere. Rehabilitating abused horses is hard work, but it’s the perfect distraction from her mother’s deep depression and her turbulent relationship with her father. With the beautiful horses, Kenzie is in her element.

Still, she has her own health limitations—a weakened heart. Her employers, the affable Jon and Ciana Mercer, are well aware of her condition and have tasked the charming stable hand, Austin Boyd, with helping Kenzie with some of the heavy lifting. But Austin has his own secrets. As Kenzie and Austin become closer, those secrets lead to shocking revelations that test the walls Kenzie has built around her heart.

The Girl with the Broken Heart follows a familiar romance format and holds few surprises. Kenzie is an admirable character who doesn’t allow her heart condition to get in the way of her dreams. However, the complicated backstory, which lacks development, makes it difficult to connect with Kenzie. Much of her conflict is internal and revolves around her family life, but the reason for her conflict lacks detail, which causes confusion.

Even though The Girl with the Broken Heart is a clean romance appropriate for younger readers, the age of the character may make it difficult for readers to connect with her. Kenzie is in college, but her love interest’s age is unclear, though he has been working as a police officer for many years. The story hits on the topic of sexting, internet bullying, and suicide. However, these topics are also underdeveloped and unfortunately don’t evoke an emotional reaction.

Kenzie’s summer job is rehabilitating abused horses and the story explains the dangers of the painful method of soring Tennessee Walking Horses. While the abuse may resonate with those familiar with horse competitions, others may be confused because soring isn’t described until later in the book. In addition, the story focuses more on Kenzie’s relationship with Austin instead of her interaction with the horses.

The Girl with the Broken Heart is a sweet romance, but the older characters and lack of plot development make the book more appropriate for older readers. While Kenzie’s heart condition adds interest to the story, in the end, her character will quickly be forgotten. Teens looking for romance with a unique plot should try I Believe in A Thing Called Love by Maurene Goo.

Sexual Content

  • Dawson and his fiancée kiss several times. For example, “Dawson bent down and kissed Lani on the mouth.”
  • After Kenzie acts frosty towards Austin, he says, “Why, I could have sworn yesterday when we held hands that you liked having me close to you. So much so that if I’d walked you to your door last night like I wanted, I might have gotten a kiss.” Kenzie denies her attraction towards Austin.
  • Austin tells Kenzie about his first kiss. “We kissed once just to try it out and broke out laughing. No chemistry. No magic.”
  • Kenzie doesn’t know how to feel about Austin. “When he’d leaned over her, listening to her every word and looking into her eyes, she’d felt a fluttering sensation in her heart. . . desire.” She thinks Austin is going to kiss her and is disappointed when he doesn’t.
  • Austin doesn’t like it when a coworker “let his gaze roam over Kenzie’s body.”
  • Kenzie falls asleep while caring for a sick horse. When Austin sees her, he “wanted to touch her, smooth her hair . . . He wanted to bend down and kiss her awake.”
  • Kenzie recalls when she was thirteen and one of the ranch hands cornered her in the stable. The man “came up behind me, started rubbing my shoulders, telling me he thought I was pretty. I froze. He said other stuff, too, sexy things I didn’t understand at the time. . . Then he turned me around and planted a big wet sloppy kiss on my mouth.”
  • After walking Kenzie home, Austin “longed to take her in his arms, hungered for the feel of her warm mouth on his.” He forces himself to leave.
  • After an outing with Austin, Kenzie “placed both hands against his chest, rose up on her toes, and brushed her lips over his. Pulling away with a saucy smile, she whispered ‘Tag, you’re it,’ and ran back to the house.”

Violence

  • An upperclassman convinced Kenzie’s sister to “send pictures of her naked body to him, she did . . . because he said he loved her.” The boy then sent the pictures to others, who “shamed her! Made f-fun of her.” Afterward, Kenzie’s sister hangs herself on Valentine’s Day.
  • Someone vandalizes Kenzie’s car. “Both seats had been slashed with long vicious wounds that left the innards oozing out of the pale creamy leather like pieces of roadkill.”
  • When Austin is in the barn alone, a masked man stabs him with a knife. “Austin, gagged, heard a whoosh—his lung blown, deflating. He staggered, twisted away from the stall, fell backwards, his head slamming against the hard floor. . . searing, burning pain.” The farm dog attacks the man. “The assailant was hurled to one side, then hauled backwards amid growls and snarls. The man screamed. Human bone crunched.” Both men end up in the hospital.

 Drugs and Alcohol

  • Kenzie goes to a party where people “gathered around patio tables, drinking sodas and beer.”
  • Kenzie’s mom takes pills for depression.
  • While at a Fourth of July party Austin is “nursing a beer.”
  • While in the hospital Austin is given a “morphine infusion pump.”
  • Austin tells Kenzie about a case he was working on. “Kids were dying. Opioids. Five area high schools had lost seven teens in four months.”
  • After taking drugs, a teen tells Austin, “The first time I used, I felt like I’d been kissed by an angel. Every time after, I was chasing that feeling. Never got it again.”

Language

  • Kenzie calls Austin a conceited jerk. Later, Austin tells Kenzie that someone is “pretty much a jerk.”
  • Crappy is used twice. Once Kenzie says, “Having a crappy heart condition wasn’t going to slow me down. So far, it hasn’t.”
  • At a horse competition, a man sees Kenzie looking at a horse. The man says, “If it isn’t the bitch who helped destroy my grandfather.” After the altercation, Austin asked, “And what should I have done? Beat the crap out of him?”
  • Damn is used once. Hell is used twice.

Supernatural

  • None

Spiritual Content

  • None

Dirt Road Home

Two years ago, Hal was sent to a state residence to keep him away from his alcoholic father. Hal escapes the boys’ home but is eventually captured. Now, he’s being sent to serve hard time at Hellenweiler Boy’s Home.

With his dad back on the wagon, Hal can walk out sooner than he thinks if he keeps his cool. But at Hellenweiler, trouble finds those who try to avoid it. In order to stay out of trouble, Hal tries to avoid the other residents, but two rival gangs each want Hal to pick a side. To make matters worse, Hal realizes the head of Hellenweiler, Mr. Pratt, is determined to keep Hal locked up. Is there any way Hal can stay out of the gangs’ fights? Will everyone believe Mr. Pratt’s lies?

Hal is determined to stay out of trouble, but other inmates notice his confidence and compassion. For example, Hal encourages the new arrival of Leroy to quickly choose a gang as Leroy will need protection. But after seeing Leroy and Hal interact, the gang leader chooses a cruel initiation task—beat up Hal. Hal quickly realizes Leroy’s struggle and promises not to fight back. Hal takes the beating because he knows it is the only way Leroy will be safe. Throughout the story, many boys fight each other. Some of the fights are barbaric and bloody, which may upset more sensitive readers.

Readers will admire Hal for his determination and grit. Hal’s experiences highlight the violent nature of boys’ homes and the corrupt system that is designed to keep the boys behind bars. The boys often fight each other and the guards gladly ignore much of the fighting. However, the guards seem to relish in being able to use violence to stop the fighting. While the story ends on a positive note, readers will be left wondering if all of the boys can be reformed or if are some of them already destined to live in a prison for the rest of their adult lives.

Full of violence, questionable characters, and suspense, Dirt Road Home will keep the reader interested until the very end. The story has a darker tone and explores difficult topics such as alcoholism, justice, and prison life. Hal and several other characters made an appearance in Alabama Moon. Even though readers do not have to read Alabama Moon to understand the story, understanding Hal’s background will help readers have empathy for him. Dirt Road Home is an easy-to-read story that illustrates how one person can make a positive difference in others’ lives.

Sexual Content

  • Hal dreams about his girlfriend and “the time I couldn’t help myself and leaned over and kissed her on the tailgate of my truck. And the way I’d felt when she’d kissed me back and then later when she’d stood behind me and put her hands in the front pockets of my jeans and pulled close against me.”
  • Hal kisses his girlfriend. “I leaned into her and kissed her on the mouth. Her lips were soft and tasted like cherry ChapStick. I’d been thinking about that kiss ever since.”

Violence

  • Two rival gangs try to recruit new boys. A boy chases after a basketball and gets too close to a rival gang member. “The Hound slapped the ball out of the Minister’s hand and bent down to get it. The Minister kneed the boy in the stomach and the Hound collapsed, holding himself.” An adult breaks up the fight.
  • As part of a gang initiation, Hal’s friend Leroy is told to beat up Hal. Hal tells him, “I won’t fight back, Leroy.” Leroy “drew back and hit me in the ribs. I grunted and leaned over and grabbed my side. . . He punched me hard in the stomach. I doubled over and went to my knees. . . He hit me across the face and I fell sideways. I rolled over and looked at him. Tears were coming down his face. ‘Kick me,’ I said.” Hal is taken to the infirmary.
  • When Hal refuses to join a gang, Tattoo “slammed his hand into my throat and pressed me against the wall. I gasped for breath as he held me there. . . He hit me again. I felt the coppery taste of blood in my mouth. Then I saw it running down his hand.” Hal is knocked unconscious. The scene is described over a page.
  • A gang member tries to make Hal throw a punch. “Jack’s hand shot out and grabbed me by the throat and pinned me to the wire. He was breathing heavy through his nose, and his eyes danced with craziness.” An adult intervenes.
  • When one of the boys refuses to fight, he disappears. Someone tells Hal, “Chase accepted a service he could not pay for. He is gone. . . He was taken away in an ambulance last night.”
  • Hal sneaks down to the basement intending to fight Jack. “I tightened my grip on the shiv and started to stand. Before I could rise, another figure slipped out of the darkness behind Jack and pulled him to the floor. The room was suddenly filled with screaming.” Someone beat up Jack. The next morning, one of the boys is found in bed with “blood staining his bedsheet and the entire side of his shirt.” Both boys heal from their wounds.
  • The two gangs fight. “It was a blur of chaos and confusion as the Hounds descended on their cowering prey . . .” Guards watch the fight and then one “stepped down onto the yard. Behind him came three more guards, each of them with his own club. . . Then I saw sticks rising and falling and caught glimpses of their faces, jaws clenched and eyes narrowed at the pleasure of what they dealt. I heard grunts of pain and more yelling. . . in the end, the guards stood in the settling dust. A few boys lay around them, moaning and curled into fetal positions.”
  • Paco explains how he became a gang leader. “I put a rock in my fist and walked up to their leader and hit him in the face with it until he fell to the ground and spit his teeth into the dirt.”
  • During a fight between the two gangs, “the boys are so worked up that they continue to fight and do not notice the guards. Perhaps even if they did notice they do not believe what is about to happen. . .” The guards attack the boys. After the fight, “there are several boys lying on the ground. One of them is not moving. . . Caboose’s younger brother.” When Caboose refuses to leave his brother’s side, “the guards close in and I hear the clubs hitting his back like punches to a side of beef. Slowly, after many blows, Caboose becomes silent. . . Then, after many more blows, he rolls over and falls across his brother.”
  • A guard finds a shiv in Hal’s locker. The guard grabs Hal and, “I felt the hand on my shoulder. I tried to twist away and the fingers dug clawlike into my collarbone and pain shot up my neck. Then I was hit hard from behind and I went to my knees with the room spinning.” Hal is put in solitary confinement.
  • Paco tells the story of how he ended up in the boys’ home. He was bullied. He became tired of the jeers and ridicule. “I snapped. I began picking up desks and throwing them at students from the back of the room. They screamed and ran for the door. . . All I had to do was throw the desk at the cluster of them.” Paco blames the boys’ home for turning him into a “violent youth.”
  • The gangs fight. Jack, one of the gang leaders, “charged and rammed Paco against the fence. . . Jack began driving his fists into Paco’s kidneys over and over while Paco did nothing to defend himself. . . Jack came at Paco again and began hammering his face with the fury of an insane person. . .” Paco’s friend Caboose “picked him up and put him over his shoulder like he weighed nothing. Blood drooled out of his mouth and down Caboose’s back.”

 Drugs and Alcohol

  • Hal’s father is a recorded alcoholic. In a brief conversation Hal asks, “He goin’ to AA meetin’s?” Occasionally, Hal thinks about the past, when his father would drink whiskey.
  • When Hal’s father comes to visit him, Hal is worried because his father has lost weight. His dad says, “I guess I’ve been wired to the stuff [alcohol] for too long. Gotta get reprogrammed.”
  • One of the boys tells Hal, “My parents are in jail for sellin’ drugs.”
  • Before Hal had to go to the boy’s home, he spent time with his girlfriend. They were “drinking a couple of hot Budweisers I’d found in the toolbox.”

Language

  • Profanity is used frequently. Profanity includes ass, crap, damn, hell and pissed.
  • Someone is called a wuss several times.
  • Christ is used as an exclamation twice.
  • Hal’s father writes Hal a letter. In it, he writes, “I figured you wanted her [Hal’s girlfriend’s] address, numbskull.”
  • While talking to his father, Hal calls his mom a “fat old nag.”
  • One of the boys calls someone a “dumb spic.” The boy replies, “Bring it on, cracker!”
  • Someone tells Hal that he will have to join a gang for protection. When Hal refuses, someone gives him a shiv. Hal says, “Then I’m screwed!”

Supernatural

  • None

Spiritual Content

  • None

11 before 12

Kaylan and her BFF, Arianna, have a foolproof plan for surviving middle school: 1. Make a list of eleven things they need to do to become amazing before they turn twelve and 2. Show off their brand-new selves with the best joint birthday party in the history of West Brookside Middle School.

But between cafeteria drama, crushes gone wrong, and some major misunderstandings, Kaylan and Ari lose sight of the one thing they forgot to put on their list: “Keep our friendship strong.” As their party grows nearer, they’re both left listing the ways their friendship is falling apart.

Told from Kaylan’s point of view, 11 before 12 is a one-sided story told by a self-centered, manipulative preteen. Unfortunately, Kaylan is hard to sympathize with for a variety of reasons. She is only nice to her mother when she wants something. Both Kaylan and her brother yell at each other and their mother. Kaylan wants to be treated like a mature grownup, but she acts like a brat and doesn’t take anyone else’s feelings into consideration—not even her best friend’s.

For the majority of the book, Kaylan and her BFF, Arianna, aren’t talking to each other because of a fight. However, they are both “loyal to the list” and continue working on checking everything off the list, including a first kiss. The story has plenty of awkward boy moments and silly conversations that will appeal to preteens. One positive aspect of the story is that Kaylan learns that “there’s really no purpose in dwelling on the past or mistakes or regrets. The only thing we can do is try and learn something and then move on.”

In the end, Kaylan and Arianna repair their relationship. However, the happy ending feels unrealistic and, unfortunately, the reader may wonder why Arianna would want to be friends with Kaylan. While the topics of first kisses and new friends will appeal to tweens, Kaylan’s selfish behavior dominates the story. Pugs and Kisses by J.J. Howard has similar tween-friendly themes with a more relatable main character.

Sexual Content

  • Ari’s mom says, “I think my first kiss was when I was eleven. I was at camp.
  • At lunch, a girl tells her friends about her first kiss. She mets a boy at camp and, “We kissed on the last night.”
  • At a party, Kaylan thinks Tyler “want to kiss me. I really do. Too bad for him I don’t kiss doofus boys like him, especially doofus boys who taunt my brother.”
  • Kaylan’s friend Saara, had a “first kiss miss.” Saara was at a party playing mancala when, “out of nowhere, he leaned in and kissed me.” Saara said she “backed away” because “it was too weird! I didn’t even know him!”
  • Instead of going to class, Jason and Kaylan go outside. Jason asks her a strange question. Then when Kaylan is distracted, he “kisses me. . . Well, it’s kind of a kiss. Our teeth crash. Part of his lip ends up on my nose. . . His lips are on my lips, kind of. My lips are on his lips, kind of.” Kaylan gets upset because she thinks the kiss was a “pity kiss.”
  • Arianna meets a boy at Hebrew school. Arianna says, “So anyway, we went to get some of the gummy snacks out of the vending machine, and we were standing side-by-side, and he just kissed me! Right there!”
  • At a party, Kaylan takes Jason into the laundry room so they can have a “redo” kiss. “We both lean in a little, and then Jason’s lips are on my lips. This is the redo. And it’s going really well. We’re kissing. We really are.” They both decide that the redo went “really well” and then return to the party.

Violence

  • None

 Drugs and Alcohol

  • At a party, a group of boys try to get Kaylan’s brother, Ryan, to drink out of a baby bottle. Kaylan wonders, “what if it’s laced with something? Some kind of poison?” When Ryan refuses, “people start saying, ‘What are you, chicken?’ and ‘He really is a baby!’ and ‘Scaredy-cat.’”

Language

  • Some of the teens occasionally call each other names such as jerk, doofus, dimwit, losers, imbecile, and flea brain. For example, when Tyler asks Kaylan if she likes him, she replies, “how can I like you if you’re that big of a jerk to my brother?. . . Do you even know what it means to be a good person and not a complete turd?”
  • God, “Oh my God” and OMG are used as exclamations frequently.
  • Freakin’ and darn are both used once.

Supernatural

  • None

Spiritual Content

  • Occasionally Kaylan says a silent prayer. For example, Kaylan’s brother, Ryan, grabs a list out of her hands. Kaylan thinks, “Thank god he didn’t see the sabotage Ryan part.”
  • Kaylan’s mom starts crying and Kaylan “prays that my mom stops crying.”

Hideout

Twelve-year-old Sam has been given a fishing boat by his father, but he hates fishing. Instead, he uses the boat to disappear for hours at a time, exploring the forbidden swampy surroundings of his bayou home. Then he discovers a strange kid named Davey, mysteriously alone, repairing an abandoned cabin deep in the woods. Not fooled by the boy’s evasive explanation as to why he’s on his own, Sam becomes entangled in his own efforts to help Davey. But this leads him to tell small lies that only get bigger as the danger increases for both boys and hidden truths become harder to conceal.

Hideout is a suspenseful survival story that delves into the complicated nature of friendship, self-esteem, and evil. Sam and his best friend, Grover, are savagely beaten. Sam is unable to forget about “the fight” and blames himself for the event. Told from Sam’s perspective, the reader gets an inside view of how Sam feels ashamed. He thinks that if he wasn’t a loser, “the fight” would have never happened. While Sam struggles with his own personal demons, he meets Davey who is living alone in the middle of a swamp.

Davey’s story is one full of hardship and mystery. Even though Davey is secretive, Sam is determined to help him. In doing so, Sam begins to tell lies that get him into a dangerous situation. Readers will be drawn into the two boys’ lives and wonder if their secrets will lead to their downfall.

Hideout expertly weaves the boys’ stories into an interesting, suspenseful story that is difficult to put down. The story ends on a happy note and shows Sam’s character growth. In the end, Sam learns several important lessons. He finally realizes that “there’s just bad people in the world. Sometimes they do bad things to people like us. But it doesn’t mean there’s anything wrong with us.” In addition, Sam learns that “being a man isn’t about winning fights and carrying guns. It’s about helping people however you can, no matter what.”

Fans of survival stories will enjoy Hideout’s fast pace, the surprises, and the life lessons. In addition, readers will empathize with Sam and Davey, who both struggle with hardships. Readers who enjoy Hideout should check out Key’s other survival stories which include Terror at Bottle Creek and the Alabama Moon Series. Readers looking for another intense survival story should check out ADRIFT by Paul Griffin and Surrounded by Sharks by Michael Northrop.

Sexual Content

  • None

Violence

  • Leroy and Gooch beat up Sam and his best friend, Grover. Leroy “tripped Grover. . . he smacked hard onto the concrete.” Then, Gooch “shot out and his fist punched Grover in the chest so hard it sounded like a hammer thumping a wood barrel. Grover flew backwards into the lockers and collapsed . . .” Sam tried to help him and “Gooch’s arm slid around my throat and constricted me in the crook of his elbow. . .”
  • While Grover was still on the ground, Leroy “kicked him in the stomach and bounced him off the lockers like a soccer ball.”
  • During the fight, Sam “began to struggle against Gooch, trying to break free. Then I felt a sharp blow to my ribs, and what breath I had left me and everything went blurry. . . Gooch kicked me in the stomach . . . [Sam felt] blows to [his] face and stomach and arms until it didn’t hurt anymore.” Both Sam and Grover have to be hospitalized. The fight is described over three pages.
  • Sam’s father chases a thief. “I saw the big man sitting up and punching down. . . I saw Dad start to stand. Suddenly he was falling, and then he was gone and the big man was punching again.” Sam’s father is able to restrain the man.
  • Sam meets a boy who tells him, “My stepmom got a boyfriend, and Dad stabbed him in the stomach with the knife.” No other details are mentioned.
  • Davey was in a foster home. “My foster dad used to tell me I was like a stray dog that nobody wanted. He hurt me sometimes, but he didn’t do it so you could tell. He’d do things like press his thumbs up real hard under my armpits. . . If I yelled, he’d press harder until I got quiet.”
  • Davey’s foster dad sprayed him “in the face with some air freshener . . . Everything’s been blurry ever since.”
  • Davey’s step-brother, Slade, tells Sam, “And if you screw up, I’m gonna come to your house on Acorn Drive and kill you in your sleep.”
  • Slade got upset at one of his friends and “grabbed him by the throat with one hand. Jesse swung and hit him in the stomach. . . [Slade] punched him in the face. . . Slade kicked him hard in the ribs and he went down again, clutching his side.”
  • Slade kicks Davey “in the shoulder and knocked him over into the leaves.”
  • While trying to flee the swamp, Slade crashes into a patrol boat. Davey gets thrown and stops breathing. After receiving mouth-to-mouth resuscitation, Davey is revived.

 Drugs and Alcohol

  • Slade and his friends show up with beer. The step-brother’s friends “were each drinking a beer.”
  • Slade and his friends are growing marijuana out in the swamp.
  • Sam’s father grabbed a beer.

 

Language

  • Profanity is used rarely. Profanity includes ass, crap, hell, and pissed.
  • A classmate trips Grover, Grover calls the boy a “dumbass” and a “stupid redneck.”
  • Someone calls Grover a “wuss.”
  • “Christ,” “Lord” and “my god” are used as exclamations seven times altogether.
  • Grover calls Sam’s dad a “redneck cop.”
  • Dumbass is used three times. For example, Davey’s step-brother calls him a dumbass.
  • Someone asks Sam, “Are you a complete idiot?”
  • While trying to resuscitate Davey, the officer says, “Breathe, damnit!”

Supernatural

  • None

Spiritual Content

  • Sam’s family attends First Methodist Church.
  • When Sam’s boat is almost out of gas, he prays, “Please God, let me get home. Just this one time. . . Okay, God, I won’t go out there again [into the swamp]. Just let me get home and I won’t go out there again.”
  • When Sam goes to church, he “remembered my plea to God and tried my best to pay attention to the sermon as repayment for any help.” The preacher’s sermon, which was about the good Samaritan, is paraphrased in a paragraph.
  • Sam goes missing. When his father finds him, he says, “Thank God.”

The Girl Who Drank the Moon

Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest, to keep the witch from terrorizing their town. But the witch, Xan, is really kind and gentle. She shares her home with a wise Swamp Monster and a Perfectly Tiny Dragon. Xan rescues the children left in the woods and delivers them to welcoming families on the other side of the forest.

One year, Xan accidentally feeds a baby with moonlight, filling the ordinary child with extraordinary magic. Xan decides she must raise this girl, who she calls Luna, as her own. As Luna’s thirteenth birthday approaches, her magic begins to emerge with unpredictable consequences, just as it’s time for Xan to go collect another child. Meanwhile, a young man is determined to free his people by killing the witch. And a volcano, dormant for centuries, rumbles within the earth. . .

The Girl Who Drank the Moon has many elements of a classical fairytale. A witch who lives in the woods, a swamp monster who recites poetry, a tiny dragon, and a curious girl filled with magic. Like a classical fairytale, the story is often dark, scary, and teaches a lesson. Despite this, readers may get bogged down in the long, repetitive descriptive passages that often use difficult vocabulary words. Between some of the chapters, there is a one-sided conversation between an anonymous speaker and another person. Because the speaker is unknown, these pages are more confusing than interesting.

The complex story uses an omniscient point of view so the reader can understand all of the characters’ thoughts. However, the story jumps to many characters—Xan, Glerk, Fyrian, Luna, the Madwoman, Sister Ignatia, Antain, Grand Elder Gherland, and Ethyne. While all the stories merge at the end, the large cast of characters and the winding plot make The Girl Who Drank the Moon best for strong readers.

Xan, a beautifully complex witch, shows love through every action. When she collects the abandoned babies and finds them new homes, she truly believes that she is doing what is right. Later she realizes that “I was wrong not to be curious. I was so wrong not to wonder.” Xan’s compassion allows her to understand others’ pain, and her love gives her the strength to fight for others.

The story deals with the difficult topics of death, grief, and political corruption. But beauty is woven into each page as the characters realize that family is not always determined by one’s birth, but by love. Luna’s family—Xan, the swamp monster, and the tiny dragon—is formed by love, loyalty, and the willingness to sacrifice for each other.

Even though The Girl Who Drank the Moon won the Newbery Award, the story may hold more appeal to adults than to middle-grade and teen readers. While the story has some interesting elements, the length of the story, the long descriptive passages, and the slow world-building make the story difficult to complete. Readers looking for a story about a witch that steals children may want to skip The Girl Who Drank the Moon and read Nightbooks by J.A. White instead.

Sexual Content

  • An anonymous speaker dreams about her son. She says, “Last night I dreamed that he waited next to a tree for a girl to walk by. And he called her name, and held her hand, and his heart pounded when he kissed her.”

Violence

  • Every year, the youngest child in the village is sacrificed to a witch. The town Elders take the baby into a clearing in the woods and leave the child there.
  • Paper birds come alive and attack a boy called Antain. “A paper raven swooped across the room, slicing its wing across Antain’s cheek, cutting it open, letting him bleed. . .” The birds permanently disfigure the boy’s face.
  • A man tries to take a sacrificed baby, but Xan stops him. “She could feel her magic rush from the center of the earth. . . like massive waves pushing and pulling the shore. She reached out and grabbed the man with both hands. He cried out as a surge hit him square in the solar plexus, knocking his breath clear away.” Xan turned into a bird and “lifted the baby into the sky.” Both the man and Xan were trying to keep the baby safe, but they did not realize it.
  • Xan turns into a sparrow. She flies over a frightened man. She tries to comfort him. “She fluttered out of her hiding place and circled over the figure. A young man. He screamed, loosed the stone in his hand, and hit Xan on the left wing. She fell to the ground without so much as a peep.” The sparrow’s wing is broken so the man binds the wing and carries the bird with him.
  • The Sorrow Eater feeds off of grief. In order to feed, she finds a starling nest. “She reached in and grabbed a tiny, wriggling nestling. She crushed it in one fist as the horrified mother looked on. The mother sparrow’s sorrow was thin. But it was enough. Sister Ignatia licked her lips and crushed another nestling.”
  • Sister Ignatia threatens Luna. In order to protect the girl, paper birds attack Sister Ignatia. “The birds cut her hands. They cut her forehead. They attacked without mercy.”
  • Sister Ignatia tries to take magical boots off of a woman. Sister Ignatia “balled her hands into two tight fists and raised them over her head. When she swept them back down, uncurling her fingers, they had four sharp knives. Without hesitating she reared back and snapped her hands forward, shooting the knife blades directly for the madwoman’s heart.” The madwoman moves just in time and is not injured.

 Drugs and Alcohol

  • The town Elders “grew big and strong on beef and butter and beer.
  • Luna gave “ale to the geese to see if it made them walk funny (it did).”
  • A woman goes mad after her baby is sacrificed. She is given “special potions to keep her calm.”
  • The Elders drink wine with lunch.

Language

  • A monster says, “As the Poet famously said, dear lady: ‘I don’t give a rat’s—‘” The monster stops talking when he is interrupted.
  • “My god” is used as an exclamation once.
  • When Antain asks to see the Elders, which is unusual, his uncle says, “Tradition be damned. The council will be ever so pleased to see you.”

Supernatural

  • Sister Ignatia is a Sorrow Eater, who “spreads misery and devours sorrow.” When someone feels grief, Sister Ignatia’s “tongue quickly darted out and disappeared back into her mouth. She closed her eyes as her cheeks flushed. As though she had just tasted the most delicious flavor in the world.”
  • Xan is a witch and can change forms. She picks up the sacrificed infants and feeds them starlight. “Once it was dark enough to see the stars, she reached up one hand and gathered starlight in her fingers. . . and fed it to the child.”
  • In order to hide from the Elder, Xan “transformed herself into a tree—a craggy thing of leaf and lichen and deep-grooved bark, similar in shape and texture to the other ancient sycamores standing guard over the small grove.”
  • When Luna was an infant, she drank moonlight, which “enmagicked” her.
  • Xan believes that “magic should never be used to influence the will of another person.” Despite this, she uses magic to make Luna sleep. When Luna begins transforming things, such as turning bread dough into a hat, Xan uses a spell to keep Luna from using magic. Xan is afraid Luna will hurt herself or someone else.
  • Xan uses her magic to cure a young woman of headaches.
  • Xan has a memory of protecting people “who lived in a castle. . . She remembered how she put protective spells on each of them—well, each of them but one—and prayed to the stars that each spell would hold as they ran.”
  • A girl is told a story about a witch who had boots that “could travel seven leagues in a single step.” The witch ate “sorrow, or souls, or volcanoes, or babies, or brave little wizards.” Soon, the girl discovers that the witch and the magical shoes are not just a story, but are real.
  • A woman learns how to transform herself into small things such as a cricket, a spider, or a waterbug.
  • Luna discovers a library, where the books are eager to have their voices heard. “Each book and each paper, as it turned out, had quite a bit to say. They murmured and rambled; they talked over one another; they stepped on each other’s voices.”
  • A flock of paper birds helps a “madwoman” escape from prison. The paper birds appear several times in the story.

Spiritual Content

  • A creation story explains how everything came from a bog. “In the beginning there was the Bog. And the Bog covered the world and the Bog was the world and the world was the Bog. . . But the Bog was lonely.” So the Bog created life on earth.
  • Xan remembers another time in her life when “she could remember climbing into her bed and clutching her hands to her heart, praying to the stars that she might have a night free from bad dreams. She never did.”

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