Icon: AR Test

Dark Waters

Until next time. That was the chilling promise the smiling man made to Ollie, Coco, and Brian after they last outsmarted him. And as the trio knows, the smiling man always keeps his promises. So when the lights flicker and a knock sounds at the door, there can only be one explanation: he’s back and a frightening new game is afoot.

But before the three friends can unravel the smiling man’s latest nightmarish scheme, they set sail on Lake Champlain, where it’s said Vermont’s very own Loch Ness monster lives. Brian is thrilled. He hasn’t sailed since visiting family in Jamaica, and even the looming threat of the smiling man can’t put a damper on what is guaranteed to finally be a day of fun—even if it is awkward being stuck on a boat with his former best friend, Phil, and his new best friends, Coco and Ollie. But when the crew finds themselves shipwrecked on a deserted island and hunted by a monster on both land and sea, fun becomes the last thing on their minds. The smiling man has at long last set the stage for a perilous rematch. But this time, Brian is ready to play.

Unlike the first two installments of the Small Spaces Quartet, Dark Waters’ worldbuilding isn’t as believable. When the kids go through a rain squall, they are transported behind the veil. However, at first, the kids refuse to believe they are in danger. While the story implies that the smiling man is responsible for the kids’ plight, he never makes an appearance. Instead, the ghost of a man who died hundreds of years before is one of the central figures. While the ghost’s story thread explains the mysterious island, the man’s appearance does little to advance the plot. Likewise, Brian’s friend Phil is added to the cast of characters. However, he does not add any depth to the story.

Readers will also miss Ollie, who quickly fades from the story because she refuses to leave her sick father’s side. This allows Brian to take center stage. Unfortunately, Brian doesn’t use his knowledge to beat the smiling man. Instead, Brian and his friends do little more than run from both the ax man and the snakes. Brian never interacts with the smiling man. Even though Brian keeps his friends safe, but he doesn’t discover a way to get off the island.

Through Phil’s character, the story hints that honesty is important. This is reinforced when “Brian belatedly realized that if you told a lot of lies, even if it was for a good reason, like trying to keep people safe, it started to get hard to trust that other people were telling the truth.” Despite this, Brian and the other kids never tell the adults the true reason they are on the island. Another negative aspect of the story is that Ollie makes a bargain with smiling man in order to save her father’s life. However, she makes this decision without consulting anyone else, she hides her actions until the last moment, and the conversation between Ollie and the smiling man is not described. The conflicting message is confusing and leaves the reader wondering what would have happened if the kids had been honest.

In the end, Dark Waters is disappointing because the kids do little to solve the problems that arise. Plus, the characters’ behaviors are not consistent. Readers who loved the first two books in the story may have a difficult time wading through Dark Waters, especially because the dynamic between Ollie, Coco, and Brian changes which is one of the main appeals of the series.

Sexual Content

  • None

Violence

  • A giant water snake jumps out of the water. “The silver thing lunged, mouth wide, going for Phil’s hand. Would have gotten it too. If Mr. Adler hadn’t put his whole arm in front of Phil, shoved him unceremoniously to the deck, and gotten bit himself instead. . .”
  • The water snake attacks the boat, causing it to begin to sink. “A groaning of metal as though—as though something big was trying to get into the boat. Or get farther into the boat. Metal shrieked. . . Rising out of the murky, swirling water. A giant pink mouth, wide open packed with teeth as long as his forearm.”
  • When the water snake attacks the boat, it is implied that it killed Phil’s uncle, Mr. Dimmonds. “Their bags, full of all their gear, were floating already in the surge. And . . .and there was Mr. Dimmonds’s blue-striped beanie, floating too. . . the beanie sank. It had tooth marks in it.”
  • The kids put a decoy life raft into the water and “then there was a sudden boiling froth of water under the decoy raft, and the whole thing went flying into the air. A snapping mouth attached to a glittering silver body came flying up after it.”
  • The kids and two adults board a life raft and float toward an island. When they near the island, they see “a dripping silver head, a mouth crowded with teeth, rearing up out of the water. The head was bulging and barnacles, the eyes huge and filmy and blank. The mouth opened wide.” Everyone makes it safely onto the island.
  • Phil realizes that Brian remembered what happened with the scarecrows (in book one). Upset, Phil “punched him. It wasn’t a very good punch, more a shove, but it took Brian by surprise and dropped him.”
  • While exploring the island, the kids find a cabin with a skeleton in it. “The rest of the skeleton was covered by a blanket, except for one arm. The skull lay on a moldy pillow, fallen sideways, turned toward them.”
  • The “ax” man, who turns out to be a ghost, offers to “ax” the kids. He says, “Better the ax than what’s coming for you.”
  • While the kids are in the forest, they hear the chime of metal. Then, Brian sees “ten feet of snake had unwound itself from a branch overhead. Its open cotton-pink mouth was four feet away, jammed with teeth.” The kids run and climb a tree.
  • The snake starts to climb the tree so Brian tried to “break off a pine cone, and hurl it down. . . the pine cone bounced off the snake’s nose.”
  • The kids, who are still stuck in the tree, need to get the snake to leave, so Phil “grabbed the last flaming pine cone, and pitched it down with a lot of force and accuracy right into the thing’s eye. . . Now the snake was really enraged . . . it lunged higher yet, wrapping its body around the trunk of the tree, jaws going wide. . . Phil pitched the log straight into the snake’s open mouth. . . Then the jaws slammed shut and the snake recoiled, all the way back down to the ground.” The kids finally escape.
  • The kids find a captain’s log that talks about a sailor who was “lost while attempting to cast a fishing line just offshore. The monstrous snake reared up out of the water and snatched him.”
  • The captain’s log tells about some of the men who tried to leave the island in a boat. “Grieved to report the destruction of the lifeboat Emily, with all hands. . . then a smashing sound as the boat was flung into the air. The men came down into the water, and they had not chance even to drown, for the serpent plucked them out like so many fish and swallowed them down.”
  • The ghost tells the story of how his men died. “They hadn’t made it to the boat at all, they were just gone—swallowed whole, like rabbits.”

 Drugs and Alcohol

  • None

Language

  • In total oh God, oh my God, and Jesus are used as exclamations six times.
  • Freaking is used twice.
  • Brian calls the snake a jerk.

Supernatural

  • Ollie’s watch helped the kids in the last two books, but this time, “after a second, as though the watch—the ghost of Ollie’s mom—whatever animated the watch—was reluctant, the screen shifted and became a compass.”
  • In each book, the kids go into a different world. “. . . Mist and water and through mirrors, that was how you went from world to world.”

Spiritual Content

  • None

The Griffin’s Feather

Life is good for Ben, the dragon rider. Two years after the events of the first book, Dragon Rider, Ben is living in Norway with the Greenbloom family on a remote sanctuary for magical creatures. Firedrake, his dragon friend, is visiting. However, a problem arises when a male Pegasus, one of the last in the world, loses his mate and leaves three unborn Pegasus eggs behind. The magical care needed for them to hatch can only be provided by the mother, so the Greenbloom family rushes to find a solution to keep the foals alive: a griffin feather.

A griffin feather may provide the right magical touch to incubate the eggs, however, numerous problems arise. First, Griffins are fearsome predators and only exist in sparse numbers around the world. Second, the Greenblooms and their friends only have two weeks to convince a griffin to give up a sun feather, a rare feather that only grows after a griffin performs a great deed. Lastly, griffins are the sworn enemy of dragons, and Firedrake won’t be able to accompany Ben on the journey. The odds are stacked against them.

Though Ben is upset to journey without Firedrake, he decides to undertake the adventure with his adoptive father Professor Greenbloom, a troll named Hothbrodd, his old friend Lola, and his constant companion Twigleg. Before the group leaves, Firedrake gives Ben one of his scales as a parting gift, which will allow them to share emotions no matter how far away they are from one another.

The group travels to Indonesia, where Professor Greenbloom believes griffins live. They do find griffins, but to the group’s surprise, the island is embroiled in a griffin civil war headed by the island’s evil ruler Kraa, who is challenged by his nephew Shrii. Before the group can meet the infamous Kraa, Ben and the others are captured by monkeys. Sensing Ben’s distress, Firedrake, Sorrel, and a young dragon named Tattoo, travel to rescue their friends. Together, the group of adventurers defeats Kraa, restoring freedom to the island. Plus, they retrieve the griffin feather necessary to ensure the survival of the Pegasus foals.

The Dragon Rider Series is great for readers with an active imagination. The Griffin’s Feather is rich with fantasy elements and adventure. However, the number of relevant characters and magical creatures may be confusing. The back of the book has an index of the characters, but it is easy to get lost in the multitude of names and species.

Even if the series can be confusing, the willingness of the characters to extend love and care to others makes reading this story worthwhile. At one point, Ben thinks “revenge can even drown out love.” Firedrake has a similar thought when he is so angered that he has trouble suppressing his violent instincts. In addition, the final battle stands as a reminder to care for others, even when they may not deserve it.

The Griffin’s Feather unites the characters from the first installment with new friends who undertake a dangerous journey to save a threatened species. This story will leave readers with a strong desire to do what is right, as all the characters would gladly sacrifice themselves for the good of others and the world. Readers who want to jump into a realm where mystical creatures live should also enter the world of The Spiderwick Chronicles by Tony DiTerlizzi & Holly Black and Rise of the Dragon Moon by Gabrille K. Byrne. Both are excellent books that will be less confusing than the Dragon Rider Series.

Sexual Content

  • None

Violence

  • Ben remembers his parents, noting that they died in a car crash soon after his third birthday.
  • A parrot warns Ben and Twigleg that if they go to where the griffins live, death awaits them. The parrot says, “[The griffins] will line their nests with your feathers and adorn their treasure chambers with the horn of your beak. They’ll use your bones to skewer their prey, and they’ll feed your beating hearts to their young.”
  • A monkey says all of the travelers are spies. The monkey says, “We ought to throw them into the sea. Or send them back to Kraa dead, like all the others whose bones are bleaching beneath the ruins of our nests.” Later, the monkey thinks that Kraa will kill him and the others for helping the group. The monkey says, “He’ll eat us and line his nest with our skins.”
  • Kraa has many names attesting to his violent nature, such as “Kraa the Merciless,” “Kraa of the Blood-Drenched Feathers,” or “Eater of Hearts.”
  • Twigleg has a nightmare. “It was a dreadful dream. . . [Monkeys] were pulling his master [Ben] to pieces the way children take an insect apart! Crowds of monkeys, screeching and baring their teeth, and [Twigleg] was kneeling in front of the parts trying to put them together again, but he simply couldn’t remember what Ben had looked like.”
  • Kraa’s palace is decorated with drawings, some of which show griffins at war with men and monsters, others where griffins are “perching triumphantly on the dead body of a dragon.”
  • A monkey hopes that a servant dies. The monkey says, “May the jackal scorpions tear him limb from limb! May the jenglots drink his blood—I’m sure it’s even more poisonous than theirs!”
  • Kraa plans Shrii’s demise. “Shrii will be the last [of the prisoners] to die. I’ll clip his claws and wings, and feed him on the gold I get for his servants until he chokes on it. And then I’ll tear his heart out of his colorful breast and eat it. Although it will probably taste as soft and sweet as an overripe melon.”
  • The dragon Tattoo sinks the poachers’ ship. “Their boat was already moving out to sea when Tattoo broke out of the forest. He breathed fire after them, and when the blue flames reached the boat’s hull it sank into the waves with the poachers.”
  • Shrii, Tchraee, and the others fight. During the fight, a human boy “hit [Tchraee] on the chest with the club . . . When Tchraee, striking out desperately with his claws, tore one of Firedrake’s wings open, Tattoo lost his self-control. . . the young dragon began breathing fire. Tchraee was enveloped in pale blue flames. . . Tchraee’s body turned to ash-gray stone and fell from the sky, rigid and petrified. With uncomprehending horror, Tattoo watched as the stone body crashed through the canopy of leaves below them and disappeared.” The battle is described over two pages.
  • Kraa says he wants to “rip out Shrii’s beating heart and eat it, so that everyone on the island will know who is their king.” He also says to Ben that, after he kills Firedrake, he’s going to “dip all my feathers in the blood of your dragon friend.”
  • Kraa, Firedrake, and others fight. “Feathers and scales. Claws and paws. Tawny yellow and silver-gray wings; Kraa’s dreadful beak; Firedrake’s bared teeth . . . But the sounds, if anything, were even worse. The dragon’s roar; the griffin’s screech.” The battle lasts two pages.
  • During the battle, Kraa pecks Sorrel’s hand and his snake tail bites her, but she recovers.
  • Tattoo defeats Kraa. “Tattoo soared into the air and breathed fire down on Kraa. Flames licked around the griffin’s coat and feathers… And when it went out, Kraa had turned into stone.”

Drugs and Alcohol

  • None

Language

  • Sorrel is known to be ill-tempered and she insults creatures and humans frequently, using mushroom names as expletives. For example, “Oh, lopsided liberty caps,” “moldy midgets,” and “mildew fungus of a homunculus.”
  • Other characters also occasionally call each other names such as “idiotic,” “thieving vermin,” “stupid,” “cudgel-swinging fur-faced kidnappers,” and “cowardly moorhen.”
  • Hothbrodd, who is from Norway, curses by referencing Norse mythology. “By Surtr’s flaming sword. . . This island is like an oven. Nifhel on earth.” Surtr is a god and Nifhel is the lowest level of Hell.
  • A monkey calls Kraa a “crook-beaked monkey-murderer.”
  • A character insults griffins. “Plaguey rapacious felines! Brood of snake-tailed robbers!”
  • The poachers refer to a character as an “imp of Satan.”

Supernatural

  • The story is filled with endless mythical creatures. Some are based on legend and others are completely made up. The creatures include dragons, fungus folk, krakens, mist ravens, centaurs, mermaids, elves, and kelpies, among many others. Only some of the creatures are described below.
  • Magical creatures give other creatures, including non-magic ones, the ability to comprehend the same language.
  • Firedrake is a silver dragon; his species lives off of moonlight.
  • Sorrel is a forest brownie, a bipedal, cat-like creature.
  • Twigleg is a homunculus, a small humanoid that was made by alchemy.
  • Hothbrodd is a troll that can make anything out of wood, including machines. He can also communicate with trees. Trolls also have magical spit with healing properties. He has other magical abilities as well.
  • Pegasi are winged horses that come in many colors, and hatch from magical eggs that can’t open unless cracked by the mother. “The egg of the winged horse, Pegasus unicus, is one of the greatest wonders of the world. . . It’s shell . . . resembles the most valuable glass. Yet it is as hard as diamonds. . . If [the mother] comes to any harm, the egg will not grow, and the foal will stifle in the unbreakable shell.”
  • Jenglots are dwarflike zombies who drink blood. Twigleg is often mistaken for one when the group of travelers is in Indonesia.
  • Since magical creatures attract one another, there is no shortage of them appearing in the story. When the group travels through the jungle, they see “a fist-sized spider with a frog’s head let itself down from a teak tree. A cat with fur that shone like molten gold made its way out of the thicket.”
  • Jackal scorpions, scorpions with jackal heads, are under Kraa’s command. Their stingers are made of gold and they eat human flesh. According to Professor Greenbloom, Mesopotamian kings fed their enemies to these scorpions. He also says they “love to tear their victims to pieces with their pincers after paralyzing them with their stingers.”

Spiritual Content

  • The dragons refer to the afterlife as “The Land of the Moon,” and believe that all dragons go there when they die. Additionally, once a dragon dies, it creates new stars.
  • The traveling companions stop at a temple to Garuda, who is a god-like creature from Hindu mythology, the mount of Vishnu. Ben describes him as, “The creature ridden by Vishnu. Thief of immortality and god of the birds.” Birds from all over the world are at the temple to pray to him.
  • A bird insults Twigleg by comparing him to Apasmara, a dwarf in the Hindu faith known for its stupidity and nonsense.
  • Ben thinks that a statue of a griffin with a dish in its hands “reminds [him] of the sacrificial vessels in which bloody gifts to the gods had once been left in ancient temples.”
  • When scared, one of the characters suddenly prays. “He implored whatever god protected homunculi and human boys.”

by Madison Shooter

Together

Unicorn and Yeti make every day adventurous. When they see how the seeds fly and the bugs zoom, they decide to go zip, zigzag, and zoom too. On another day, Unicorn decides it would be fun to copy everything Yeti says. At first, Yeti thinks it’s funny, but then he gets mad. When Yeti gets upset, Unicorn apologizes, saying, “I am sorry. I am being a copycorn. It is not fun for you.” In chapter three, Unicorn and Yeti dress up “fancy” and go to a tea party.  

Unicorn and Yeti is a fun series designed for children who are learning to read. Together contains easy-to-read text. Each page has illustrations and contains no more than four sentences. When each character talks, their words appear in different colored quote boxes. Beginning readers should be able to read the text alone and will enjoy flipping through the story multiple times to look at all the colorful pictures. 

Young readers will be drawn into the book because of the adorable cover art, but they will stay because they are entertained by Unicorn and Yeti’s funny stories. Readers will learn about how seeds move and are replanted, as well as how copying someone can be annoying. One of the best aspects of the story is that Unicorn and Yeti demonstrate positive communication skills and apologize when necessary. Even though the book is short, it packs in positive messages about friendship as it makes readers giggle. Readers who love Unicorn and Yeti will find even more sparkly friendship-themed adventures in Rebecca Elliott’s Unicorn Diaries. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language    

  • None 

Supernatural 

  • None 

Spiritual Content  

  • None 

The Halloween Queen

It’s Halloween and time for trick-or-treating. But there is one little girl who is afraid to go near her neighbor’s house. However, the Halloween Queen has the best candy on the whole block and hosts a fun party too. What is the little girl to do?  

Young readers will relate to the little girl, who is excited to dress up for Halloween but scared by the neighbor house’s scary decorations. The person who lives in the house clearly loves Halloween, because “a ghost haunts her front yard, and bats hang out back. Wolves howl from her rooftop. Cats hiss from her trees.” Once inside the woman’s house, the little girl realizes there was no reason to be afraid. The cute conclusion reveals that the woman, who dressed as a witch, is actually the little girl’s teacher. 

The book’s full-page illustrations use all the fall colors and are full of black cats, orange pumpkins, and white ghosts. Despite skeletons hanging from the trees, flying bats, and a green witch with spiders on her glasses, the illustrations are not scary but are festive and cartoonish. Each page has two to four short, rhyming sentences. Even though The Halloween Queen is a picture book, the story is intended to be read aloud to a child rather than for the child to read it for the first time independently.  

The Halloween Queen is best suited for young readers who are still frightened by the thought of monsters being out on Halloween night. Readers will enjoy looking at all the kids who are dressed up: a monster, a vampire, a cat, and a cowboy can all be found within the pages of the book. For a fun, Halloween read that reminds readers that there is nothing to fear on Halloween night, be sure to grab a copy of The Halloween Queen! For more wonderful, witchy fun, add The Witch Who Was Afraid of Witches by Alice Low to your reading list. 

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language    

  • When the girl is afraid to go up to the door of a house, some of the kids call her chicken. 

Supernatural 

  • None 

Spiritual Content  

  • None 

The Blue Ghost

Liz is staying with her grandmother in her old house in the woods of northern Minnesota when one night a noise awakens her. It is someone calling her name, calling for Elizabeth. Liz opens her eyes. There is a blue ghost in her room! What does the ghost want from her? 

The Blue Ghost pulls readers into the story right from the start. Even though the story focuses on a ghost, the ghost tugs at readers’ curiosity instead of scaring them. When the ghost beckons to Liz, she follows the ghost into the past where Liz meets one of her relatives, a young girl named Elizabeth. When Elizabeth mistakes Liz for a guardian angel, Liz doesn’t correct her, because trying to explain the truth would be confusing. Instead, guided by the ghost, Liz is able to help Elizabeth care for her baby brother who is sick with the croup. Once the baby is out of danger, Liz returns to the present. 

The Blue Ghost isn’t just a ghost story; it is also a story about family connections. Through Gran’s stories, Liz learns about the history of her family. This knowledge helps Liz when she goes back in time. However, Liz is surprised to discover that Elizabeth does not know how to read. While Elizabeth is embarrassed by her inability to read, Liz encourages her by saying, “[You] could learn very quickly.” Once Liz returns to the present, she discovers that Elizabeth not only learned how to read, but she also became a doctor!   

Readers will enjoy the mystery surrounding the blue ghost as well as the sweet relationship between Liz and Gran. Through Gran, Liz learns about her ancestors who built the house and the importance of family connections. While the two have some fun moments, the story’s tone has moments of sadness. However, sadness is not portrayed in a negative light, but as a natural part of life. Gran teaches Liz that “tears are probably the best cure for a touch of sadness. Or the second best, anyway.” According to Gran, the best way to get over sadness is “sharing your bit of sadness” with someone you love.   

Readers who are ready for chapter books will enjoy The Blue Ghost’s format because of the short chapters, large font, and illustrations. This book is part of the Stepping Stones Series that is specifically written for beginning readers. The series allows readers to explore different genres such as history, humor, mysteries, and classics. 

The Blue Ghost is an engaging story that gives readers a peek into the past and shows that it is never too late to learn. The story focuses on Liz, who is a curious and likable protagonist who wants to learn about her family’s past. While Gran takes a secondary role, the relationship between Gran and Liz is endearing and readers will enjoy seeing how Liz is able to help Gran. Unlike many ghost stories, Liz doesn’t keep her experience a secret. Instead, the book ends with Liz sitting down to tell her Gran all about her ghost. The Blue Ghost is a surprising ghost story because there is no scare factor. Instead, readers will be eager to see how Liz’s willingness to follow the blue ghost allows her to help in an important way.  

Sexual Content  

  • None 

Violence  

  • None 

Drugs and Alcohol  

  • None 

Language    

  • None 

Supernatural 

  • A ghost appears in Liz’s bedroom. At first Liz sees a blue light. Then, “It seemed to form a person, a woman . . . the woman grew more solid. She floated right over Liz’s head. . . She motioned, as if she wanted Liz to follow. Then she vanished.” 
  • When the ghost appears again, Liz follows her through a wall. Liz “kept expecting to bump into the wall. She didn’t. . . Slowly she opened her eyes and drew in a long, slow breath. . . she was in a log cabin.” When Liz went through the wall, she was transported back in time.

Spiritual Content  

  • The girl in the past believes Liz is an angel because “Mama always told me I had a guarding angel. And here you be!” 

The Agathas

Last summer, Alice Ogilvie’s boyfriend Steve dumped her for her best friend. Then, Alice disappeared for five days. Alice was pretty, rich, and popular. But that all changed when she returned to school. Now Alice’s old friends hate her, and the rest of the school follows their lead and begins treating Alice like she doesn’t belong.  

Then, Alice is paired with fellow classmate, Iris Adams, who agrees to tutor her. Iris is the opposite of Alice—she flies below the radar, she and her mom struggle to make ends meet, and she could care less about popularity. Despite this, Alice and Iris click almost instantly and their bond is strengthened by the untimely disappearance of Brooke Donovan—the very girl Alice’s boyfriend Steve dumped her for. Alice, a fan of mystery author Agatha Christie, and her newfound partner-in-crime, Iris, soon find themselves solving not calculus, but a murder case.  

When Brooke’s body is found, Steve is arrested but Alice and Iris aren’t convinced that Steve is guilty. Both girls have different motives for solving this case. Alice hopes it can win back the favor of her ex-friends and restore her status as the town’s golden girl, while Iris hopes to obtain the hefty cash prize that comes along with solving the case. In order to get the reward and prove Steve’s innocence, the two teens need to figure out who actually killed Brooke. But the town of Castle Cove holds many secrets, and Alice and Iris have no idea how much danger they’re about to walk into. 

Alice’s spunk and Agatha Christie obsession combine with Iris’s ingenuity and resilience to make a frightening yet captivating pair. Alice and Iris must navigate their oblivious teachers and parents, as well as work around an inept police force. At some points, it seems as if everyone is working against them, and readers will find it near impossible to put down the book while reading about how they handle it. The book switches between Alice’s and Iris’s perspectives. Both girls are fun and interesting characters. The reader will experience first hand how the girls interact with each other as well as how they perceive and feel about each other internally.  

Throughout The Agathas, Alice slowly learns what it means to truly have someone on her side. In meeting Iris, Alice finally feels like she has someone she can trust. On the other hand, Iris is carefully navigating a difficult domestic abuse situation at home, struggling with money issues as well as her father’s physical, verbal, and emotional abuse. Despite having a restraining order, Iris’s father still bothers her in person and through text messages. In dealing with her dad and supporting her mom, Iris learns to trust herself and hones her ability to help her and her mother get away from their abuser and lead their own lives.  

Alice and Iris navigate small-town scandal, school, and tumultuous personal lives, creating a thrilling, yet realistic adventure from cover to cover. For a murder mystery, there is a surprising absence of violence and gore, which makes for a wonderfully plot-dependent book instead of a story that relies on shock factor. Though the dramas of high school are largely exaggerated and the absence of parental supervision is unrealistic, The Agathas is an interesting read, featuring the perfect mix of drama, scandal, and the dark and intriguing side of mystery. Mystery fans who want a fast-paced story that shows the dangers of bullying should also read the Jess Tennant Mysteries Series by Jane Casey. 

Sexual Content  

  • Alice’s friend, Kennedy, shows Alice an explicit video of herself with a classmate. Then Kennedy says, “He’s hot! I’m not sorry! I deserve a nice piece of ass once in a while, too, you know.” The video is not described. 
  • Alice and her friends are talking about the “rich people” in town. Alice’s friend says, “Park’s rich and she tried to drug Brooke! Kennedy’s making sex tapes.” Another friend replies, “This is a virgin crowd. Except for Zora.” 
  • Alice and Iris are digging through Brooke’s dad’s things and find nude pictures of female staff. “Peeking out a box in the corner is a boob. A photograph of a boob. A boob… that belongs to the lunch lady, Mrs. Yang.” 

Violence 

  • Iris’s dad frequently abused her and her mother. When Iris was younger, she recalls her parents fighting. Her dad was angry at her mother for seemingly no reason. Iris recalls, “I can feel his hands on my chest, pushing me. I’d wedged myself between them after he’d lunged at her. The snap in my wrist as I hit the linoleum.” 
  • Alice and Iris are working on a school project and researching Henry VIII. Alice says to Iris,  “I don’t want to just sit here and talk about some gross dude who chopped off his wives’ heads.” 
  • A few days after Brooke’s disappearance, Alice discovers her ex-friend’s body at the bottom of a cliff. “There, nestled against the craggy rocks, is a body. A body facedown in a black leather jacket; long brown hair fanned out and floating in the water like seaweed; bare, blueish legs sticking out from a short, pleated cheerleader skirt. Being pelted by hard rain.” 
  • Iris tells Alice about a true crime show, saying, “I once saw a show about a guy who bludgeoned his mother to death in the kitchen and then cooked a full meal of pot roast and mashed potatoes, so anything is possible.” 
  • Brooke’s autopsy report shows that “her skull was fractured, most likely from the fall to the rocks . . . ”  The police speculate that she was pushed off the cliff by Steve after they had fought at a Halloween party. 

Profanity 

  • Profanity is used often. Profanity includes: ass, shit, fuck, goddammit, and bitch.  
  • Alice calls a character in one of Agatha Christie’s novels “a badass older woman.”   
  • After Alice and Iris find Brooke’s body, a boy says, “Holy shit . . . We have to call the cops.” 
  • Alice’s friend has a difficult relationship with her father. Alice says, “She’s scared shitless of him…He runs everything with a tight fist.”  
  • Alice confronts her friend’s abusive dad, saying, “I am Alice fucking Ogilvie, and I didn’t just solve a murder to run away from some jerk who clearly has been making my friend’s life a living hell.” 
  • When Alice realizes she is talking to Brooke’s murderer, she says “She was my friend, you bitch… We are not the same. I tried to help Steve when he was in trouble. I didn’t murder his fucking girlfriend.”  

 Drugs/Alcohol 

  • Teenagers frequently have high school parties where there is alcohol. “Even kids from neighboring towns came, swanked out and ready to get their drunk on.”   
  • Alice says her friend, Kennedy, “is not known for handling her liquor well.” 
  • At a party, Kennedy mixes ambien in Brooke’s alcohol. When someone else drinks it, Kennedy says, “I wanted her to pass out, that’s all. I didn’t mean for him to drink it.”  
  • Alice goes to Brooke’s house. In order to look for clues, Alice crushes Xanax and puts them in Brooke’s dad’s beer. The Xanax knocks him out. 

Spiritual Content  

  • None  

Supernatural  

  • None  

This Vicious Grace

Alessa is the latest finestra in a long line of people chosen by the goddess Dea to protect her island. Her powers are supposed to help her save her home, but so far they’ve only managed to kill three suitors simply through her touch. Her suitors, called Fonte, are paired with her in order to hone her power and strengthen their own, but instead, she overwhelms them. Alessa’s running out of time to learn how to use her power and save her people. There are only a few weeks left until the god, Crollo, sends his demons to attack and wipe out all human life from the island.  

In order to keep her safe, Alessa is separated from her family, her old life, and even her name. In order to train, she is locked away. She is lonely. The Fontes she’s paired with are supposed to supply her with a partner, a mate, and a friend, but instead, their unusual deaths have caused an even deeper rift between her and everyone else on the island. Then, a powerful priest begins convincing people that her inability to control her power is evidence that she is a false prophet. He begins to amass a following of very angry, very scared people that are willing to do anything to prevent her from harming others, including kill her. One night, one of Alessa’s own guards even tries to assassinate her. In response, she hires a bodyguard, Dante, to protect her until she can learn how to control her powers and defeat the demons.  

A group of prospective Fonte joins Alessa in order to figure out who, if any of them, can handle her power enough to use it. These Fonte are the only hope Alessa has at defeating the demons. Alessa’s relationship with her new group of prospective Fontes starts off rocky. Because of her failures with the three prior Fontes, the new Fontes are skeptical of her abilities and wary of her motives. When Dante realizes he can handle Alessa’s power, he helps her understand how to wield it. Then, Dante slowly paves the way for Alessa to build a friendship with the new Fontes, and to work alongside them to master her powers.  

This Vicious Grace is told from Alessa’s point of view, and she is a very likable main character. Alessa is a kind, level-headed main character with an affinity for justice. Despite how she’s treated, she still chooses to fight the good fight over and over again and is rewarded for it in the end. Alessa stays true to herself and is a fair and good person who is willing to do whatever it takes to save her people.  

A tale of friendship, overcoming loneliness, and holding out hope despite insurmountable odds, This Vicious Grace is a good novel for readers who enjoy a slow burn romance within a fantasy world filled with gods, demons, and war. This Vicious Grace is Emily Thiede’s debut novel. It includes a lot of references to malevolent gods, vicious demons, and mystical powers and abilities. Though it is a fantasy world, it is not hard to understand the complicated plot and numerous characters. This action-packed book is a fun and interesting read for fantasy lovers. Readers looking for more books set in a fantasy world should also read Serpent & Dove by Shelby Mahurin. 

Sexual Content  

  • While playing a drinking game, Dante asks Alessa, “If you could do anything before Divorando, what would it be?” Alessa replies, “Lose my virginity.” 
  • Dante and Alessa are sleeping in the same bed when Dante starts to kiss and touch her in his sleep. Dante’s “lips brushed the sensitive spot just below her ear, kindling a fire just below her navel. Her thoughts scrambled as his fingers grazed the underside of her breast.” 
  • Alessa kisses Dante outside of her room one night on their way back from rescuing Dante from prison. “Parting her lips, she traced his lips with her tongue, and his control snapped. His hands were everywhere at once—cupping her face, running through her hair, gripping her waist. He pressed her against the door, pressed his mouth to hers, pressed his hips into her. . . ” 
  • Alessa and Dante have sex. There is an intense kissing scene that takes place over two pages prior to this. Dante’s “fingers cupped her bottom, pulling her into him, and she melted, softness yielding to the hard planes of his body. When his hand cupped her breat, she forgot how to breathe . . . He nuzzled her through fabric, his breath warming the bare skin of her thigh . . . ” 

Violence 

  • Alessa’s gift causes her to overwhelm people when she touches them. This causes them severe injury and even death. When she was younger, she almost killed a boy during a race. “She was sitting on his chest. . . she’d touched his forehead and declared ‘you lose’. . . Tendons taut as bowstrings, blood-flecked foam between clenched teeth, he’d spasmed beneath her. He’d nearly bitten his tongue off and still talked with a lisp.” 
  • A masked figure breaks into Alessa’s room and tries to kill her in her sleep. The assassin is convinced that she is a false prophet. She wakes up in her bed to someone choking her. “Something – someone – had her pinned, trapped, crushing her windpipe . . . Hands, encased in thick gloves, tightening around her neck.” 
  • Alessa is in the city and watches two fighters brawl. “The Bear landed his first blow, his fist smashing into the Wolf’s jaw . . . The Wolf landed a punch to the big man’s gut, but the next blow he took sounded like it cracked a few ribs . . . The Wolf slammed a fist into the big man’s cheek and looked about to land a second hit when someone smashed a glass against the bars . . .  The Bear’s opponent’s back was turned, and he slammed his fist into the Wolf’s lower back. He dropped.” The scene continues over two pages. 
  • Alessa unintentionally sneaks up on Dante. Before he sees who it is, he stabs her with his two knives in self defense. “Dante turned so fast she didn’t have time to speak . . . twin fires tore through her abdomen . . . she looked down at his fists, clutching the hilts of his knives, pressed against her . . .blood dripped between his fingers. With a ragged gasp, Dante pulled the knives free.” She begins bleeding out and Dante saves her from the brink of death using healing powers.  
  • Alessa, Dante, and the Fontes fight the demons. When Alessa looks at Dante, “he was already on the ground. A wide gash ran from his chin to one ear, and he was covered in so much blood.” A couple other characters have injuries but none are described, or serious.  

Drugs and Alcohol  

  • After watching a fight in town, Alessa goes to a bar and overhears one of the fighters ordering a whiskey. She orders one for herself as well. “Alessa swirled the glass, watching the whiskey hug the sides and inhaled the sweet heat before she took a sip.”   
  • Alessa and Dante play a drinking game with limoncello in her room. Alessa says, “Truth or challenge . . . if you don’t perform the challenge or answer the question, you take a drink.” 
  • Someone tried to put poison in Alessa’s pastries.   

Language  

  • Profanity is used intermittently. Profanity includes shit, damn, and ass. 
  • Dante and Alessa are talking about how civilians have to pay families to take in their kids in case they die in battle. Alessa says, “It’s not my fault . . . I don’t make the rules I just have to follow them.” Dante replies, “Yeah, well, it’s a bit late to give a shit now.” 
  • Alessa hires Dante to be her bodyguard and they argue about what his duties will be. Dante says, “I don’t half-ass any job. You want me to guard, this is how I do it.”

Supernatural  

  • Demons sent by the malevolent god, Crollo, are the main antagonists in the book. There is no specification on where they come from or whether or not they have powers. They are sent to wipe out humanity because Crollo insists that people are “too flawed and too selfish to endure.” 

Spiritual Content  

  • The book includes God-given magic – the main character Alessa is referred to as a “divine weapon of the gods” throughout the book. There are also frequent references to their religious text, “Holy Verita,” their patron goddess, Dea, and the evil god, Crollo, who sends demons to the island.  
  • The Day of Divorando is a day when demon-like creatures will attack the islands. Kaleb, one of the prosepctive Fonte, says, “On the day of Divorando, we’re supposed to use our powers to ward off the invasion . . . The gods gave us the gifts for defense, so that is what we will use.” 
  • Alessa calls herself a “divinely ordained warrior.” 

The Race Around the World

When Nellie Bly read Around the World in Eighty Days by Jules Verne, she had an amazing idea. What if she traveled around the world in real life, and did it in less than 80 days? In 1889, people doubted it could be done—especially by a woman. But with one small bag and a sturdy coat, Nellie set out anyway. Soon the whole world was rooting for her. Could she make it back home in time?

Nellie Bly began her life with the name Elizabeth J. Cochran. When her father died, Nellie needed to work to help her family make money. She wanted to be a newspaper reporter, but most people believed that a “woman should stay out of the workplace. . .women should turn their attention to cooking, cleaning, and making a nice home.” Nellie believed that she could do anything a man could do, including being a reporter. However, at the time “women did not sign their names to articles. It was considered improper.” So, Elizabeth wrote articles with the byline under a man’s name: Nellie Bly. Nellie wrote about how hard factory work was for women and how some low jobs were dangerous. But what made Nellie Bly so famous, was her record-breaking trip around the world.

During Nellie Bly’s time, her adventures were exciting and newsworthy. However, today’s readers will find Nellie Bly’s travels mundane. Nellie Bly visits many countries, but nothing exciting happens and the reader will not learn much about each place in which she stops. The Race Around the World is informative and has many interesting facts, but the pacing is slow.

The Race Around the World uses short chapters and easy vocabulary, which makes the book accessible to young, fluent readers. Large black and white illustrations appear every 3 to 7 pages and show some of Nellie Bly’s adventures. At the end of the book, there is more information about Nellie and the time period in which she lived.

The Race Around the World would be interesting for readers who want to learn more about news reporters and travel during the 1800s. While the book would be helpful if you are looking to learn, it reads much like a history book. Readers who want a modern, imaginative adventure that revolves around Jules Verne’s story, Around the World in 80 Days, should add the Max Tilt Series by Peter Lerangis to their reading list.

Sexual Content

  • None

Violence

  • Men used canes to keep the beggars away.

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

 

Zombie Dog

Becky’s family has moved right next door to the creepy, abandoned McNally house. Rumors fly around school about the ghosts and monsters that live there, and Becky isn’t sure what to believe. Even her mischievous dog, Bear, stays away from that house. When Becky starts hearing mysterious howls coming from next door, paired with an awful smell, she starts to wonder if the rumors might be true. Snarls and glowing eyes confirm it—something is over there, and it’s not happy. Worse, Becky’s parents are blaming Bear for all the unexplained damage around their property. Can Becky stop this creature before it’s too late? 

While the zombie dog plays a prominent role in Becky’s story, Zombie Dog is also a story about friendship. Two significant events happen to Becky—moving to a new neighborhood and starting junior high. Because of this, Becky spends less time with her best friend, Charlotte. Readers will relate to Becky and Charlotte’s changing relationship as they learn how to keep their friendship alive while also adding new friends to their life. Both girls learn that they can be friends even if they have different interests and don’t spend all their free time together. 

Zombie Dog will appeal to middle-grade readers who want a spooky story with suspense, without being overly scary. Becky discovers the zombie dog was a neighbor’s pet that was brought back to life. However, the dog is confused and in pain. In the end, Becky is able to send the dog back to its grave, where it will be at peace. The neighbor eventually realizes that bringing the dog back to life wasn’t the right choice. Anyone who has ever dealt with a loss will empathize with the neighbor and understand her motives.  

Zombie Dog is a perfect read for a dark and stormy night. With plenty of suspense, a relatable protagonist, and a positive message, Zombie Dog will entertain readers. While the book is part of the Rotten Apple Series, each book has different characters and many are written by different authors, so each book can be read separately. If you enjoy Zombie Dog but haven’t read Mean Ghouls, you will definitely want to grab a copy. The easy-to-read Rotten Apple Series introduces readers to the horror genre but won’t leave readers with nightmares. 

Sexual Content  

  • None 

Violence  

  • A zombie dog chases Becky. “Despite its limp, the strange little dog was moving fast. . . Its snarl was steady, without it seeming to have to pause for breath. The smell kept getting worse and worse, too. . . Becky was panting and shaking, tears coming down her face, and the little dog was still snarling, its lips drawn back from its teeth, looking ready to bite.” 
  • When the dog tried to bite Becky, she put out a stick. “The Chihuahua’s teeth fastened onto the stick and it held on as she tried to jerk it away. . .the Chihuahua’s eerie green eyes were fixed steadily on her with what seemed like cold anger. Pulling hard, Becky managed to yank the stick from the Chihuahua’s mouth. A slow trickle of what seemed to be black blood ran from the creature’s lip as it crouched down, ready to leap at her.” Becky gets away. The scene is described over four pages. 
  • Becky goes to the zombie dog’s house in order to give her a ball that has been filled with a potion to put the dog to sleep. When the dog appears, “its teeth were bared in a growl, and its eyes were glowing savagely at her. . . Her eyes met the zombie’s, and she saw how angry and confused it was, saw its eyes shift to her neck and imagined it leaping at her throat.” The zombie dog takes the ball and leaves. 

Drugs and Alcohol  

  • While researching zombies, Becky finds out that “voodoo practitioners would first poison their victims with a paralyzing nerve poison that came from blowfish, which they would secretly put in their targets’ shoes to be absorbed by the sweat glands in their feet.” 
  • Becky reads about how “a paste made out of poppy seeds and cloves can help put a zombie to rest.” 
  • In order to put the zombie dog to sleep, Becky and her friend make an herbal paste that can “put the undead to rest.” The herbal paste has angel’s trumpet flower, poppy seeds, and cloves. The potion is “poisonous.” 

Language    

  • Becky calls her brother a dummy. 

Supernatural 

  • While researching zombies, Becky learns “the kind of zombie that wants something before it goes away, it can’t be put to rest until it gets what it’s looking for. Like, if it lost something important to it.”  
  • Becky sees a zombie dog for the first time. The dog’s “green eyes shining unnaturally in the glow from the streetlights. She realized that it was dragging its left hind leg behind it, moving painfully. . . Becky saw that its fur was matted and full of dirt. One ear hung off at a funny angle, seeming to be attached only by a long strip of ragged flesh.”  
  • Becky’s dog brings her a ball. Later, Becky realizes that the ball belonged to the zombie dog and is the reason the dog is bothering her. Becky finds out that “certain objects important to the walking dead in life can on occasion be buried with them and bring them peace; if these are removed from the dead’s final resting place, they will walk again.” 
  • Becky finds out that the zombie dog was brought back to life by its owner. Her owner was, “horrified at what [the dog] became, and we manage to put her back to rest.” 

Spiritual Content  

  • None 

Square

Every day, Square takes a block from his cave and pushes it up a hill, where he has gathered a pile of blocks. This is his work. One day, his ritual is interrupted by his friend Circle, who mistakes the blocks for sculptures. Circle is amazed by Square’s talent and calls him a genius. She then asks if he can make a sculpture of her by tomorrow morning. With that, she leaves Square before he can tell her the truth.

Square starts to worry. He thinks that Circle deserves a sculpture that is just as perfect as her but he doesn’t believe he is capable of making such a thing. Nonetheless, Square fretfully starts chipping away at a block. The more progress he makes, the less perfect the sculpture is. To make matters worse a rainstorm starts!

By morning, all that is left of the block is rubble. When Circle returns, she is amazed by what she finds. The rubble forms a circle, and the rain has formed a puddle inside that reflects Circle. Circle tells Square that his work is perfect and that he is a genius. However, after Circle leaves, Square doubts that her praise was earned.

 Square is a charming picture book with one to six sentences per page, making it an easy read. Its watercolor illustrations are simple, but make great use of light to show glistening minerals in Square’s cave and darkening clouds before the climactic rainstorm that perfectly captures Square’s mood. Characters are drawn as shapes with only two eyes, but the illustrator makes their expressions easy to discern through these features. For example, as Square works on his sculpture, you can see his frustration from his narrow squint.

While the vocabulary and story are easy to follow, Square presents complicated personal issues such as insecurity, inferiority, and perfectionism. While Square gets away with his lie, his last thought of doubt sends an important message to the reader: they should embrace their differences and not pretend to be someone else. Square’s struggle with his sculpture also teaches readers not to obsess over perfection as such a concept can never be entirely attained and that they should instead do what they love. Square does not clearly state this message, but it allows parents the opportunity to discuss these ideas with their child.

Sexual Content

  • None

Violence:

  • None

Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

by Luke  McClain

The Screaming Staircase

In London, ghosts haunt the living and only children have the ability to sense these otherworldly beings and remove them from our world. Lucy Carlyle and her co-workers, Anthony Lockwood and George Cubbins, are agents working for Lockwood & Co., an independent agency without adult supervisors. After an assignment goes wrong and the agency burns a client’s property down, the trio are forced to investigate the most haunted house in England: Combe Carey Hall.

The suspicious circumstances behind Combe Carey Hall might place Lockwood & Co. in even more danger than they realize, especially as they attempt to solve the mystery behind a decades-old murder. Will Lucy and her co-workers make it out of Combe Carey Hall alive? Can they help a restless spirit pass on? Or will they become just another one of the property’s victims? And what is the mysterious owner of the hall hiding?

The novel is written from Lucy’s point of view and, while she comes off as far more mature than the average teenager, her insecurities and snarky personality make her relatable without compromising her likability. The banter and trust between Lucy, Anthony, and George make each of the characters shine. Every character has strengths and weaknesses that complement each other, and this elevates their teamwork skills. In addition, the dynamic between the trio helps emphasize the importance of relying on others while also trusting in one’s own abilities. After the group escapes Combe Carey Hall alive, Lockwood even says, “I trust your talent and your judgment, and I’m proud to have you on my team.”

Stroud’s worldbuilding around the supernatural elements of this alternate London is extremely interesting and intricate. A variety of different ghosts are introduced, plus several government and private agencies that investigate the paranormal. Stroud deftly addresses how the appearance of ghosts would impact London on a wider scale. To help readers understand this complicated world, a glossary of new terms is used, which includes specific agencies and specters’ abilities.

The Screaming Staircase is an excellent introduction to more macabre horror stories, especially for tweenagers who love longer novels. The book’s grim atmosphere is more intense than most novels geared toward young children, with consistent descriptions of death and its central mystery being related to murder. However, the descriptions of violence never breach into anything too graphic, and Stroud’s light-hearted dialogue ensures that the book is never too grueling. Nevertheless, the horror elements, while toned down for a younger audience, are still present. Younger readers could easily get nightmares, so consider avoiding this book if your child is easily frightened.

A double-edged facet of the book is its lack of a true moral. The Screaming Staircase is not trying to convey any deep messages or complex ideas, but that lack of intention helps ensure the novel is a fun and down-to-earth read. The fun dynamic between Lucy and her co-workers, interesting ideas presented in a haunted London, and macabre elements make Lockwood and Co.: The Screaming Staircase an excellent introduction to YA horror.

Sexual Content

  • When George goes looking through Lucy’s armoire, he says, “Well, there’s nothing in here but some charming tops and skirts and. . . Ooh, Lucy-I’ve never seen you wearing that.”

Violence

  • When discussing the potential cause of a ghost’s manifestation, Lucy discusses how a man, “Fell down the stairs and broke his neck. . . He must’ve fallen with tremendous f-[orce].”
  • Lucy thinks about what happens to agents who forget to properly stock equipment. “A girl at Rotwell’s had died the previous week after forgetting to restock her magnesium flares.”
  • Lucy reveals that decomposed human remains are often the source of a ghost’s manifestation, “Most often. . . 73% of the time . . . it’s associated with what the Fittes Manual calls ‘personal organic remains.’ You can guess what that means.”
  • During an investigation, Lucy sees a corpse. She describes it as “a thing of bones, bared teeth, and shrunken skin, dark and twisted as burnt wood . . .”
  • Both of Lucy’s parents were abusive. Her father’s “hands were hard and swift in punishing any of his children who disturbed his usual taciturn indifference.” Lucy’s mother also “beat [her] sore.”
  • Lucy’s mother tells the story of a girl who committed suicide. The girl “waded out into the reeds, lain down in the stream, and drowned herself.”
  • Lucy and Lockwood discuss a variety of serial killers, including “the coin-in-the-slot killer” and the “one who kept heads in the fridge.”
  • When investigating the history of a house, George finds out that “in May 1926, the owner, a Mr. Henry Kitchener, had hung himself somewhere on the premises.”
  • The caretaker of Combe Carey Hall describes how a previous owner was a serial killer who decorated the hall with the skulls of his victims. “When he’d finished off each one, he set their skulls on the steps of the central staircase with candles burning behind the eye sockets.”
  • Lucy ponders the importance of securing a point of retreat while within Combe Carey Hall. She remembers, “two Grimble agents had been separated from their colleagues when the bathroom door blew shut on them . . . the two agents had been battered to death by whirling ceramics.”
  • While they’re in Combe Carey Hall, a thick, goopy substance called ectoplasm surrounds Lucy, Lockwood, and George. Lucy says, “It looks like blood, it smells like it. It’ll do as blood for me.”
  • Lucy finds the body of an agent who previously died in the house. “The neck was twisted at an odd, unnatural angle. One hollowed jacketed arm reached towards the hole as if it wished to drag itself forward and slip down into the dark.”
  • In an attempt to escape the torturous screaming of Combe Carey Hall’s staircase, Lucy nearly throws herself into the well. “Just a couple more strides and the screaming would stop. I’d be part of that silence too.”

Drugs and Alcohol

  • Lucy describes her alcoholic father. “His breath smelled of strong, brown beer.”
  • Lucy’s old mentor “chain-smoked cigarettes.”

Language

  • As Lucy tries to get someone’s attention, “he didn’t bloody respond.”
  • As she tries to follow Lockwood’s plans, Lucy thinks, “What the devil was Plan E?”
  • When Lucy collapses, George bursts into her room and says, “What the hell’s going on?”
  • Lucy calls the initial investigators behind a woman’s disappearance “idiots.”
  • George discusses how suspicious their assignment is by saying, “This whole thing is screwy.”

Supernatural

  • The premise of the novel is centered around the existence of ghosts and how to destroy them.

Spiritual Content

  • When London first got infested by ghosts, people visited various places of worship. “Churches and mosques did excellent business as people sought to save their souls . . . ”
  • Combe Carey Hall was initially “a priory, founded by a breakaway group of monks from one of the local abbeys.”
  • The monks who took up residence in Combe Carey Hall eventually, “turned away from God to the worship of darker things.

by Mia Stryker

 

Vampire Hunter

Ham Helsing is the descendant of a long line of monster hunters—who often don’t live long enough to rest on their laurels. Ham has always been the odd pig out, preferring to paint or write poetry instead of inventing dangerous new ways to catch dangerous creatures.

Ham’s brother Chad was the daredevil, carrying on the family legacy of leaping before looking, but after Chad’s death, the family business is left to Ham. Reluctantly, Ham sets out on his first assignment: to hunt a vampire. But Ham soon learns that people aren’t always what they seem and that you need a good team around you to help save your bacon!  

Ham Helsing is a unique protagonist who doesn’t jump to assumptions about others. Ham’s original mission was to kill the vampire. Instead of killing him, Ham befriends the vampire and the two join up to find the real villain. Not only does the vampire forgive Ham for his original intent, he praises Ham saying, “The brave can make their own path—their own way.” Despite being from a long line of vampire hunters, Ham departs from his family’s ways and instead of slaying vampires, Ham is a kind and selfless pig who uses his head. The story reinforces the idea that fate doesn’t determine a person’s (or a pig’s) decisions. 

While the story focuses on Ham, there are many other interesting characters. There’s a boy who keeps turning into a werewolf, a warthog who has social anxiety, a huge bear who frightens easily and cries, a cute female pig who isn’t afraid to use her sword, and a rat who loves big words. These interesting characters add humor and depth to the story. In the end, the large group of characters works together to defeat an evil chicken, who will be back to rain terror in the second book of the series, Monster Hunter.  

Vampire Hunter is told through full-color panels that are full of humor and action and have unexpected surprises. For example, the villain jumps out of a plane and is falling toward a hungry shark, but instead of being eaten, the villain “hugged his way out of it.” Readers will giggle as the villain clings to the shark. Each page has one to six sentences and many of them use onomatopoeia. The low word count and easy vocabulary make Vampire Hunter an easy read. Plus, readers will love the silly puns and jokes. For example, when Ham sees a group supporting vampires, a rabbit says vampires are just “immortal heartthrobs who are trapped in the bodies of lovesick teens!” 

Full of adventure, humor, visual gags, and interesting characters, Vampire Hunter is sure to entertain readers. There is plenty of sarcasm and suspense to keep readers flipping the pages. Readers looking for a fun read will come to love Ham Helsing and his friends. For another fast-paced graphic novel with an unexpected hero, grab a copy of The Boy Who Crashed to Earth by Judd Winick—but be warned, once you start reading you will want to read the entire series!  

Sexual Content  

  • When a warthog meets Ronin, a female pig, he says, “Hey there, cute thing.”  
  • When the warthog touches Ronin’s arm, she says, “I could be your undertaker. Hands off, vamp.”  

Violence  

  • Ham Helsing’s descendants all met their demise because of reckless behavior. For example, Bernard Helsing and his assistant both died when they jumped off a very tall cliff. Bernard’s plan was to “lather up our long johns with jelly from the Amazonian fling beetle. This will give us maximum zip. We’ll be like living toboggans, sledding past rock and creatures alike.” Their actual death is not illustrated, but their gravestones are shown.  
  • A large mechanical knight (controlled by a chicken) attacks Ham. The knight almost kills a female pig named Ronin who jumps in and takes the knight’s head off with her sword. The scene is illustrated over nine pages.  
  • After being defeated, the evil chicken is upset that “no one appreciates how diabolical I am.” To prove he’s evil, he kicks a squirrel.  
  • Ronin fights slices of bacon that attack her group. When Ronin cuts a piece of bacon, Ham yells, “AH! Watch it. That bacon grease burns. But it does smell good.” The bacon pieces run away.  
  • When a man ends up dead, Ham and his group are told that he was killed by, “Shadow creatures! Those spider-woman’s minions. She got Laurence. She made Laurence go bye-bye.” 
  • Ronin goes after a giant spider. Using her sword, Ronin cuts the spider in half. The spider’s green blood covers the ground. Later, the group finds Ronin cooking the spider and eating it. The attack is illustrated over three pages. 
  • In a multi-chapter battle, the spider-woman attacks Ham and his friends. The spider tries to impale Ham with her leg, but Ham slices it off with a sword. The spider-woman’s minions jump into the fight. During the fight, the warthog is tied up in spiderwebs.  
  • The spider-woman separates the group and ties up all of Ham’s friends. Someone goes into town and brings back reinforcements wearing clogs. The townspeople kill the spiders by stomping on them. The illustrations show two panels with dead spiders’ green blood.  
  • When the villain realizes that the spider-woman and her minions failed to kill Ham, he squishes one of the spiders to prove they are “expendable.”  
  • When the villain flees, the townspeople finish stomping and squishing the spider minions. The spider killing is illustrated over a page. 
  • A doctor creates a monster. When the monster awakens, he beats up the doctor and flees.  

Drugs and Alcohol  

  • None 

Language    

  • Silly exclamations are used throughout the story like “pigeon pellets,” “horse cookies,” and “buffalo bagels.”  
  • One of Ham Helsing’s descendants’ tombstone says, “courage and stupidity—a fine line.” Another descendant’s tombstone reads, “He died as he lived. Like an idiot.” 
  • There is some name calling such as buffoon, knuckleheads, bloodsucker, and losers.  
  • Heck is used once.  

Supernatural 

  • At the story’s end, a doctor makes a Frankenstein monster. 

Spiritual Content  

  • The spider-woman says she is “like God herself. I wield the power to unseat the very hierarchy of the forest.”  

Mosquitoland

After the sudden and unexpected divorce of her parents, Mim Malone is dragged from her Ohio home. Mim’s happy life collapses when she’s forced to live with her father and his new wife in “Mosquitoland,” otherwise known as the middle of Mississippi.  

When Mim overhears a conversation, she finds out her mother is sick, and something in Mim snaps. Mim runs home, packs a bag, steals her stepmother’s stash of money, and boards the next Greyhound bus out of town, starting her almost thousand-mile journey from Jackson, Mississippi to Cleveland, Ohio. 

On her bus is a cast of quirky characters—some annoying, some creepy, and some, like her seatmate Arlene, kind. When the Greyhound bus tips over in the middle of a rainstorm, what would have been a straightforward trip, spirals into an interesting journey into the unexpected. On this new journey, Mim finds unexpected friends in Beck, a college student on a trip to find his old foster sister, and Walter, a boy Mim’s age with down syndrome, who is homeless. With the help of these new friends, Mim begins to realize she is not alone in this world, and that while she is struggling with events in her life, she does not have to struggle alone. 

While the trip started as a plan to see her mother, Mim’s trip morphs into a journey of self-discovery and acceptance. Mim is a strong-minded and independent, but also an imperfect person. She describes herself as a “collection of oddities, a circus of neurons and electrons.” Mim explains “my heart is the ringmaster, my soul is the trapeze artist, and the world is my audience. It sounds strange because it is, and it is, because I am strange.” Readers will relate to Mim because she does not strive to be perfect. Instead, she recognizes her quirks and problems, and, as a teenager, she knows she still has much to learn. 

Throughout Mosquitoland, Mim explains that she is “not okay.” She struggles with an unspecified mental illness, and her world seems to be falling apart because her family fractured when her parents divorced. At first, Mim is attempting to go home, back to the life she had with her mother in Ohio, but throughout the trip, she realizes “home is hard.” She learns that she will never have her old life back – a life she somewhat idolizes – and that leaving her old life behind is for the better. Mim realizes that home is not a “place or a time,” maybe “home is the heart . . . an organ, pumping life into my life.”   

Mosquitoland is beautifully written, with witty dialogue and memorable characters. The story is written from Mim’s point of view, who has a very unique narrative voice. Readers get insight into her perspective of the world and her hilarious internal dialogue on various topics, including baseball games, shop signs, and teenage girls. Moreover, her point of view is interspersed with letters to her unborn sister, explaining why she decided to leave Mississippi and documenting her feelings about the trip. 

Mosquitoland explores the heavy subject matter of mental illness and sexual assault. Mim explains that throughout her life, she has often questioned her sanity and her father has often thought there is something wrong with her. Mim goes to psychiatrists and therapy and is prescribed medication, but often questions if this medication is necessary. Mim’s family has a history of mental illness. Mim’s aunt committed suicide and her mother is currently hospitalized for depression. This book also discusses sexual assault, as an older man forces himself on Mim and kisses her. This experience traumatizes Mim and she often has flashbacks to this moment. Plus, she becomes anxious around men who remind her of the man who assaulted her. Furthermore, she feels incredibly guilty for not speaking up about this man’s actions before he assaults another girl. Mim shows the readers her vulnerability in these moments, the tough persona she presents to the world is broken down, and readers see Mim as someone who is just trying to figure life out and survive.  

Overall, Mosquitoland is a funny and entertaining book, with memorable, relatable characters. While it does touch on some difficult topics, this is balanced with a lighthearted tone and humorous plot. Beyond being a coming-of-age story about Mim coming to terms with her life and finding herself, it is also a story about the power of friendship. 

Sexual Content  

  • When Mim was younger she liked her friend’s older brother. Mim explains that she “was sexually attracted to Steve insomuch as I was an indiscriminate preadolescent girl.” When she was a year older, she still liked him. As he drove Mim home one night she explains, “new images sprang to mind: less boxing-ring-chest-pounding, more bedroom-floor-topless-romping.” 
  • Mim imagines what high school girls should be talking about. She thinks it’s “argu[ing] over who gives the most efficient blow job.” 
  • After a long, deep conversation, Mim and Beck, the older boy she has a massive crush on, fall asleep with “Beck hold[ing] Mim . . . on the floor well into the night.” Mim explains, “[w]e don’t talk. We don’t need to. Sleep is close, and I’m okay with that . . . At some point, he carries me to bed and lies down next me. . . He wraps an arm around me, and I swear we were once a single unit.” As Beck rolls over in the bed, “he rolls sideways, toward me, his face hovering over me. We stare at each other for a second, silent, unmoving . . .And I sense the move before it comes. Beck leans in, slowly, and kisses my forehead. It isn’t brief, but it’s gentle, and full of sadness and gladness and everything in between.” Mim wonders “how it would smell-taste-feel to have his lips pressed against my own, to feel his weight on top of me.” The two never go past the kiss as Beck reminds Mim, “I’m too old for you.” 

Violence  

  • In the beginning of her journey, the Greyhound tips over. Mim observes, “it’s a simmering stew of glass and blood and sewage and luggage, a cinematic devastation . . . Some people are moving, some are moaning, and some aren’t doing either. Carl is bleeding in about six places, administering CPR to one of the Japanese guys. I see Poncho Man help Amazon Blonde to her feet, right where I’d been sitting. I stand and stare for i-don’t-know-how-long, until an ax crashes through the left wall—formerly the roof of the bus. Firefighters crawl through the wreckage like ants, pulling limp bodies around their shoulders, administering first aid. Two EMTs . . . approach the limp body of a woman. The redhead leans over, puts his ear to the woman’s chest. Straightening, he looks at his partner, shakes his head.” Mim realizes the woman is dead and she is Arlene, Mim’s seat mate, who she has bonded with during the trip. In the accident, Mim received “just a cut.” 
  • Mim accidently becomes locked in the bathroom with a man she has nicknamed “Poncho Man.” He comes on to her, getting closer to her. When she pulls away, he grips her aggressively and tries to kiss her. “His lips are cold against mine,” Mim explains. In order to get away from him, Mim forces herself to throw up, launching “a vomit for the ages directly into Poncho Man’s mouth.” 
  • When she was younger, a bully calls a friend of Mim a “retard.” Mim punched the bully “breaking his nose and earning a one-day suspension.” 
  • Caleb, a suspicious young man she meets in the woods, tells Mim his dad “used the beat the hell outta [him] with household appliances . . . [and] for no good reason, too. [His dad] wasn’t a drunk . . . He was just fine at it sober. But one day, I was all growed-up, see. So you know what I did? Pulled the fire extinguisher out of his garage and beat the shit out of him.” 
  • When Mim figures out Caleb is planning to steal from Walter, she and Walter run back into town. Caleb chases them on to the roof of a gas station, where he pulls “a sizeable hunting knife” on them. Eventually, the owner of the gas station, Ahab, who just happens to know karate, comes up to the roof and begins to fight Caleb. “A blurred figure plummets on top of him, knocking him to the ground. Within seconds, Caleb is back on his feet, wielding the hunting knife at this new adversary . . .The fight doesn’t last more than a minute. In a roundhouse kick that would have made Jet Li proud . . . [Ahab] sends Caleb’s hunting knife sailing over the edge of the roof. With him disarmed, it’s hardly a fight at all. A couple of hook-kick combos and graceful strikes to the chest, arms, and head, and Ahab has a whimpering Caleb trapped in a half nelson on the gravel.” Ahab keeps Caleb in his “clenches” until the police arrive.  
  • When Caleb begins to insult Ahab, “without thinking twice, Ahab lifts Caleb up by his hoodie, and punches him once, twice, three times in the face. Blood splatters across the gravel roof, as well as a single tooth.”  
  • Beck reveals that he saw a young girl exit a bathroom, eyes “puffy and red from crying.” Afterwards, Beck sees a man exiting the same bathroom, and Beck realizes what this man had done to the young girl. Beck “punched him. Twice. In front of a cop.” The man is arrested because the “little girl spoke up.” Mim realizes that predator responsible was Poncho Man, the same man who assaulted her.  
  • Beck recalls that he had a foster sister whose father had just been released from prison. Unfortunately, a few weeks later her dad was “stabbed to death in a drug deal.” Beck’s foster sister “shut herself in the upstairs bathroom. We could hear her sobbing all through the house,” Beck explains. “I kicked down the door, found her in the tub. She’d slit her wrists.” 
  • When Mim is six her aunt “hung herself in our basement. . .I found her hanging there, her feet dangling inches from the floor – inches from life.” 

Drugs and Alcohol  

  • Mim is prescribed “aripapilazone” or “abilitol.” Mim takes these pills a few times. Although it is prescribed by a psychiatrist for her mental health issues, she is unhappy taking this medication and stops.  
  • When she was young, Mim and her mom used to go to a block party every Labor Day. She remembers “beer buckets” and her mom drinking beer.  
  • As he talks to Mim, the Greyhound bus driver “lights a cigarette [and] takes a drag.”  
  • When Mim stops at a gas station, the “young girl behind the counter blows a giant bubble with her gum and offers [her] free cigarettes.” 
  • When Mim meets Caleb, he “pulls a pack of cigarettes from his pocket, sticks one in his mouth . . . and lights up.” 
  • In memories from her childhood, Mim remembers her mother and father “drinking beer” in various instances.  
  • When Mim was nine years old, she discovered that her father smoked, and he allowed her to try one. Mim “pulled out a cigarette, surprised by how light it felt in my fingers. Dad lit the end, then told me to breathe in deep. I followed his instructions and inhaled deeply, deciding Dad was way cooler than I’d given him credit for. This was immediately followed by my hacking my lungs out, then throwing up on my mother’s favorite Venetian blinds. I couldn’t taste anything for a week. It was my first and last cigarette.” 
  • When Mim is forced to move to Mississippi she really wants to take her mother’s couch. She tells her father, “I would literally jump off the roof while simultaneously swallowing a bottle of sleeping pills,” before leaving the couch behind.  

Language    

  • Profanity is used occasionally. The profanity includes shit, fuck, bitch, jackass, dick, bastard. 
  • When she was younger, Mim witnessed a bully call a friend a “retard.” When she asks her mom what that word means, her mom explains “retard is a mean word used by mean people.”  
  • Beyond the use of regular profanity, this book also uses words that are profane-esque, including “effing” or “muthafuckas.” 

Supernatural  

  • None 

Spiritual Content  

  • Beck asks Mim if she “believe[s] in God.” Mim tells a story, explaining when she was “maybe four years old,” she was with her mom running errands. Mim saw a man with “a really deformed face . . . so with the tact of a four year old, [Mim] pointed right at his cheek and asked what happened. He smiled even bigger and said God made him that way.” Mim continues “the prospect of there being a God scares me. Almost as much as the prospect of there not being one.”  
  • Beck says he definitely believes in God. He says, “My heart must continue beating in order to pump a red liquid called blood through tiny tubes called veins throughout this unit called a body. All my organs, in communication with my heart, must work properly for this carbon-based life-form called Beckett Van Buren to exist on this tiny spinning sphere called Earth. So many little things have to be just so, it’s a wonder we don’t just fall down dead.”  
  • When visiting her mother, Mim “ponder[s] the peculiarities of an angry Almighty.” She explains, “[a]nd now I know. I see it in the medicated drool dripping from the face of my once youthful mother. I see it in the slew of trained specialists assigned to her keeping. I see it in the Southwestern motif, from floor to ceiling of this nightmare called Sunrise Rehab, and I know what makes God when He’s angry: a person with the capacity for emptiness . . . a drained emptiness. A person who was once full. A person who lived and dreamed, and above all, a person who cared for something – for someone. And within that person, he places the possibility of poof – gone – done – to be replaced by a Great Empty Nothingness.” 

Hardly Haunted

After years with no residents, a lonely house on a hill comes to realize that she is haunted. The revelation scares her even more than any of the strange noises and rumblings inside her ever have. Who would ever want to live in a haunted house? The house starts to fear a lifetime of living alone, until she hatches a plan.  

The house believes that if she is on her best behavior, no one will know her secret. She tries her best to keep quiet, to keep her doors from creaking, her stairs from squeaking, and her pipes from rattling. After a long effort, she finally manages to hold still. Unfortunately, she is quickly ambushed by a rush of wind, and her efforts are immediately squashed. The branches of the tree beside her scratch at her windows. Her lights flicker. Her chimney howls. The wind passes, but the house thinks that the experience was fun. She realizes that she enjoys being noisy and haunted and does not want to pretend not to be. However, this doesn’t change her feelings of loneliness. After some thought, the house decides that she should look for people who like that she’s haunted. Just then, a family of ghosts approaches the house and steps inside. They make themselves at home, much to the haunted house’s delight.  

Hardly Haunted is a fun and delightfully scare-free picture book for the Halloween season. Each illustration is spread across two pages. The story takes place throughout one day, beginning in a sunny background with bright blue skies and ending in a dark violet background with twinkling stars and a glistening full moon. Young readers will enjoy the illustrations of the personified house with windows for eyes and a water pipe for a mouth. Plus, detail-driven readers will have a fun time finding the black cat in every page.  

The book uses simple and short vocabulary, with 1 to 4 sentences per page – though the font is relatively small on some pages. To help immerse the reader into the story, words such as creak and squeak appear in large, messy font and make the story fun to read aloud. 

By reading Hardly Haunted, readers will be introduced to such themes as loneliness and insecurity. The house’s decision to happily stay haunted will teach readers that they don’t have to change themselves to be accepted. The arrival of the ghost family at the end of the book shows that the right people will find you in time. This story will particularly appeal to those looking for a Halloween-themed story that is light on scares. 

Sexual Content 

  • None 

Violence 

  • None 

Drugs and Alcohol 

  • None 

Language 

  • None 

Supernatural 

  • The narrator is a talking haunted house. 
  • At the end of the novel, a family of ghosts appears.  

Spiritual Content 

  • None 

Vampire Myths

Whether they are characters in movies, books, or nightmares, vampires are among the most recognizable monsters in the world. Today, vampires are characterized by fangs and an unshakable lust for human blood, but some vampire myths differ from these notions. Vampire Myths begins by explaining why stories about blood-sucking vampires began, as well as different cultures’ vampire beliefs. Some of the vampire explanations are scary and cringe-worthy, such as in old Malaysian tales that describe vampires as “a floating head with entrails hanging to the ground.”

Vampire Myths is visually appealing. Each page has large illustrations that include short captions. In addition, each section is broken into smaller sections that have fun headlines such as “Bloody Feast” and “Buried Secrets.” Another appealing aspect of the story is the fun facts that appear in a graphic that looks like a scroll. Throughout the book, readers will encounter bolded words that may be unfamiliar; however, the words are defined within the text making the passage easy to understand.

Vampire Myths is not meant for the faint of heart. The graphic descriptions of vampire behavior and the different ways people killed the undead may be disturbing to younger readers. The vampire facts are interesting and include historical people connected with vampire lore. None of the myths are covered in detail which allows the book to cover many interesting topics including vampire movies, books, and people from history. Full of colorful pictures, interesting facts, and historical information, Vampire Myths will entertain readers who want to understand vampires and aren’t afraid of a little bit of horror.

Sexual Content

  • None

Violence

  • The Grim brothers wanted to rid a European village of a vampire. “First, the brothers dug up the grave and found the corpse with red-stained mouth and lips, proof that it must have been biting victims. . . The brothers decided to rip out the corpse’s accursed heart. . . They went on to whack the body with a blunt spade and remove the heart. Then they burned the corpse to a crisp.”
  • The ancient Greeks mutilated cadavers “to prevent the dead from returning to life. Vital organs including the brain, heart, and liver were removed.” Similarly, the Slavic people of Eastern Europe “bound the corpse, slit the muscles and tendons, cut off limbs, and drove a stake or cross through the heart.”
  • A buso is a tall, thin demon who prefers “to feast on rotting carcasses, but that has never stopped it from occasionally luring live victims to a very unpleasant death.”
  • To kill a vampire, someone would drive a stake through the heart. . . According to most African folklore, “vampires required two stakes: one through the heart and one to nail the tongue to the chin. This would prevent the undead from uttering spells and curses.”
  • The man who was the real Dracula “liked to sit and watch his victims die while he ate. Although he didn’t suck blood as the fictitious count did, some sources say he dipped his bread in his victim’s blood.” Dracula was rumored to have killed 40,000 people. “He impaled most victims on tall stakes. . . He would impale them by carefully sliding a wooden stick through the body without hitting any vital organs. That would ensure that the victim would die a slow and painful death.”
  • Some people joined vampire societies. Teenager Rob Ferrell joined a society and “committed a heinous double murder in 1996.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • In Asia, some people smeared garlic over their bodies “to shield against spells cast by witches or wizards.”

Spiritual Content

  • Some cultures wondered if people became ill because a demon spirit was bullying their body. “Call upon the wisest shaman or healer, and they might successfully drive the demon out.”
  • The Mayans “worshipped a bat deity known as Camazotz, the god of caves.”
  • Some people thought fire could “permanently snuff out” a vampire because “the Hebrew god once appeared in the form of a burning bush and often used fire to punish people, destroy cities, and cleanse the Earth.”

Thanks for the Trouble

Parker Sante has not said a single word in 12 years; not since he witnessed his father die in a fatal car accident. Instead, he writes out his thoughts in a journal and watches other people interact; studying their movements and actions until it is the perfect moment to steal something that others would never know is gone. That’s exactly what he is doing when he locks eyes with Zelda. The striking, silver-haired vixen who seems to entrap him with just one look. Suddenly, not only does he want to steal from her, but he wants to get to know her. To talk to her.  

However, Parker quickly realizes that Zelda isn’t everything he thought she would be. She’s a dream, but one that may be coming to an end very soon. When Zelda receives a mysterious phone call, she makes it clear she plans to end her life. While she won’t tell him the details, Parker knows he must change her mind. So, the pair spend the next few days doing everything that Parker hopes will make Zelda fall in love with life again. It includes one wild night at a Halloween party (a scene that is very unlike Parker), becoming the middleman in a very public breakup at the movies, and even letting Zelda convince him to apply for college. However, as time passes, Parker falls more in love with Zelda and is increasingly frustrated because he knows nothing about her.  

Zelda remains an enigma to Parker until he demands she tell him who she is and why she is going to jump off the Golden Gate Bridge. But the story that Zelda begins to tell Parker is one he never saw coming. Instead, it is filled with unbelievable lies that Zelda insists are her reality; a reality that causes her to remain young forever. But Parker isn’t buying it. People didn’t just stop aging and live forever…or did they?  

As Parker races against time, trying to change Zelda’s mind, he realizes that maybe she isn’t the only one who needs saving. After all, Parker was living his life at half volume until Zelda came along, and now that she’s here, he doesn’t want to let his life slip away again. He just may have to figure out how to live life to the fullest on his own. 

The odd, yet endearing friendship between Zelda and Parker adds a vibrancy to the novel that immediately draws in the reader. Considering all the challenges Parker faces, witnessing his social progression throughout the story will leave the reader with a sense of pride. For example, by the end of the novel Parker begins to make real friends at school and starts to form the connections that he always wanted but never had. While Zelda shows some signs of vulnerability, an air of mysteriousness remains around her. There are moments where even the reader will question if what Zelda is saying is true or just another made-up story to help her conceal her identity. Because of this, the reader may find themselves frustrated by Zelda’s consistent games, but they will simultaneously be entranced by her.  

While Thanks for the Trouble contains a great plot line and immense character development, there is a heavy presence of suicidal thoughts. Multiple times, Zelda mentions that she intends to jump off the Golden Gate Bridge, and she eventually carries through with the action. While Zelda discloses to Parker that she cannot age and that is why she intends to commit suicide, the reader is still left with a feeling of uncertainty around that reasoning. Therefore, it never feels like we get a complete reason as to why Zelda wants to commit suicide, which makes the novel heartbreaking. While Parker consistently attempts to get Zelda to rethink her decision to commit suicide, that is the only form of suicide prevention that is present within the novel. The novel does not discourage suicide, and it does not discuss methods of intervention.  

Aside from the heavy topic of suicide, the plot will keep readers on their toes and the mystery never lets up. Readers never know what will happen next, which makes Thanks for the Trouble a must-read. The story is heartbreaking and honest in a way that many novels for young adult readers are not. The novel plays on the impulsiveness of teenage feelings when it comes to love and relationships, creating a sense of understanding between the reader and the characters. Parker’s devotion to Zelda reminds the reader that love is the greatest kindness you can show someone. Once more, Zelda’s journey through the novel and her eventual death brings light to the idea that life is fragile in every form, and that we may never know how much time is left. All in all, the novel makes resounding commentary on how love, life, and death are the three sole things that can never be stopped, even if we wish they could be.    

Sexual Content  

  • Zelda guesses what Parker does in his free time. “Seventeen? What a horrible age. I bet you spend most of your free time playing computer games and watching pornography on the Internet.”  
  • Parker recalls his first kiss when he was in seventh grade. He was playing spin the bottle with a friend and “the bottle had landed on her first, then on me, then blam! I was kissed. Kisses are weird that way. They’re supposed to be performed by two people simultaneously, but they don’t have to be. We even have a term for it- a stolen kiss– which is really just a euphemism for full-on-oral assault. I can remember looking up from the open mouth of the bottle only to find another open mouth rushing at me. A crush of lip and tongue and saliva and the chorus of yowls from the onlookers.” 
  • Someone tells Zelda what a cougar is. “A cougar’s an older woman who gets it on with young men.”  
  • Zelda lies about Parker and her being lovers. A boy at the Halloween party “asked me if you were my community service project. I told him we’d been lovers for months. That you’d made me feel things I’d never felt before.”  
  • Zelda and Parker kiss at a Halloween Party. “I turned to smile at Zelda and she kissed me, right on the mouth this time, and I kissed her back.”  
  • As Parker walks around a museum with Zelda, he says, “Usually, the only thing that keeps me awake is all the nudity. Though not nearly as common as bowls of fruit, naked ladies tend to feature very prominently in your average museum.”  
  • Parker and Zelda passionately kiss in the Shakespeare Garden. “I moved across the dark distance between us and put my arms around her waist, pulling her into a kiss. I felt the cluck of her phone dropping to the grass. A moment later we were on the ground too. She rolled on top of me, pinning my arms behind my head, pushing against me in a way that made me forget every single problem I ever had or probably ever would have.”  
  • Parker’s mother gives him sex advice. His mom says, ” Try to do it mostly with people you love. Use protection. Don’t be an asshole.”  
  • Parker and Zelda have sex. “We finished undressing each other and got into bed. The house was just cold enough that it felt really good under the covers, skin to skin. And then we were kissing, and then it was happening, and I’ll leave the gory details to your imagination if that’s okay by you.”  

Violence  

  • Parker steals from a woman’s purse at the hotel. “I glanced around the room, and when I was sure no one was looking, I reached over and undid the clasp of the silver-haired girl’s little blue handbag. I pushed through a cloud of Kleenex and deep-sea dove into the mysterious mire of femininity until my fingers found the wad.”  
  • Parker describes his version of the sleeping beauty storyline. “He’s actually a douche-bag king—one who already has a queen by the way—and he rapes her. She wakes up pregnant, so the king’s wife tries to kill her, bake her into a pie, and feed her to the king. The happy ending? The king decides to have his wife burned to death so he can raise a family with Sleeping Beauty.”  
  • Parker writes a fairytale and describes one of the characters abusing his wife. “As a punishment, he beat his wife around the belly with a bent piece of barrel wood.”  
  • Zelda tells Parker about her plans of committing suicide. “I am waiting for a phone call. And when it comes, I’m going to give this money to the first needy person I see. Then I’ll take the trolley to the Golden Gate Bridge and jump off of it.”  
  • Parker describes the car accident that killed his father. His father caught the back bumper of another car when he was switching lanes and “we were flipped over in the middle of the highway and my dad was dripping onto the fucking roof, you know.”  
  • Parker recounts a character in one of his stories being hit by his mother. “His mother slapped him upside the head again. Go back to bed child!”  
  • Parker tells Zelda about how he got charged with assault in eighth grade from pushing his bully. “I pushed him back one time, and I wasn’t paying…this one car was driving way too close to the sidewalk, and so yeah, he ended up getting hit. Trevor’s parents pressed charges, and maybe because he was white and I wasn’t, I got this minor version of assault put on my record.”  
  • When Zelda finds out Parker declined the phone call she had been waiting for, Zelda slaps Parker. “Finally, I grabbed her shoulder, and she spun and delivered a stinging slap right to my bruised cheek. I was blind with pain for a few seconds, and by the time I recovered, she was gone.”  
  • Parker finds Zelda about to jump off the bridge. “Now, you might think it doesn’t really matter one way or the other—if a person wants to kill herself, she’ll just find some other way to do it, right? Wrong. It turns out that most people make these decisions pretty lightly, on the spur of the moment when the thought occurs, they often don’t do it at all.”  
  • Parker describes how Zelda looks before she jumps off the bridge. “Imperfect sadness maybe, which was another way of saying there was a little splinter of happiness in there too. I’d given her that at least. And then she jumped.”  

Drugs and Alcohol  

  • Zelda pours rum into her drink. “She took a small leather flask out of her purse and poured some of it into her soda.”  
  • Parker goes to see his mom and she is drinking. “The eviscerated remains of a TV dinner were still in my mom’s lap, and she was holding a mostly empty glass of red wine.”  
  • Parker gets home and notices his mom is drunk. “My mom was clearly a little bit tipsy. . . ”  
  • Parker describes his idea of high school parties. According to Parker, high school parties are “a bunch of people getting together to be drunk, loud assholes, with a special emphasis on the loud. And another emphasis on the drunk. And a third emphasis on assholes, while we’re at it.”  
  • After being left alone at the party, Parker gets drunk. “I’ve never seen the appeal in getting hammered every time there’s alcohol on offer. But here I was at a party made up entirely of people I either didn’t know or didn’t like, so what else was I supposed to do?”  
  • Parker sees others at the party drinking. “Jamie Schmid, the host of the party, came running from the other end of the yard, a bottle of Budweiser gripped tightly in each fist.”  
  • Parker describes his mother’s bedside table. “Her drugs were on the bedside table – Prozac and Tylenol PM – alongside an empty bottle of wine.” 
  • Zelda confronts Parker’s mother about her alcohol use. Zelda says, “But you cannot expect your son to stand here and be lectured about self-control by an alcoholic.” 

Language    

  • Explicit language such as fuck, shit, and ass are used frequently. 
  • Parker says others describe him as “a thug.”  
  • A friend of Parker’s argues with him over who should go first in chess. “You’re Latino is what you are, son. And that whole white-goes-first bullshit is straight-up racist.”  

Supernatural  

  • None 

Spiritual Content  

  • Parker describes some of the artwork in the museum: “All those haloed saints and weeping Marys and bleeding Jeses (that’s the plural of Jesus, right?) and yawn-inducing landscapes and dead chickens.” 
  • Parker, Zelda, and his new friends discuss God. The friend said, “God and science are not incompatible. And Zelda just said herself. Nothing adds up unless you consider God.”  
  • Parker expresses his thoughts on the Bible. “That’s the problem with the Bible—or one of them, anyway—it doesn’t just tell you what to do, it tells you what to want. That’s too much to ask, IMHO.”  

Ogre Enchanted

Evie is content when she is treating people, diagnosing symptoms, and prescribing medications, with the help of her dedicated friend, Wormy. So, when Wormy unexpectedly proposes to her, she kindly declines his offer. She has too much to do as a healer. And besides, she doesn’t think of him as anything more than a friend.  

However, a fairy named Lucinda had been listening in on their conversation, and she doesn’t approve of Evie’s rejection. Suddenly, Evie finds herself changed from a girl into an ugly, hungry ogre. Evie now has sixty-two days to accept another proposal, or else she will be stuck as an ogre forever. But Evie doesn’t forget her human side.  

The close first-person style narrative allows the reader to better empathize with Evie and see how Evie navigates being an ogre. On her travels, Evie deals with the prejudices that humans have towards ogres. Out of fear, most humans attack her or run away from her, unaware that she is a human. For instance, when she returned from treating a patient, the villagers in her hometown attacked her. But Evie also meets people that accept her for who she is on the inside and do not care about her looks. These experiences remind Evie that she needs to take more consideration for people’s thoughts and not evaluate them solely on their physical appearance, afflictions, or first impressions.    

Ogre Enchanted is a fun, delightful book that takes inspiration from the Beauty and the Beast fairy tale. The story explores love, particularly romantic love. Several times, Evie thinks someone makes her “tingle” due to her inexperience with romantic feelings. Equally as important is Evie’s time spent with her potential suitors. For example, the merchant Peter wants to marry a noblewoman and isn’t romantically interested in her. He confesses that he “was fond of her family’s position and [her family’s] money” and “[he] made her love [him].” This example teaches that there are people who would choose their romantic partner based on attributes such as social status or wealth and then undervalue the romance in their relationship. Interactions such as these will help readers not only understand the concept of falling in love but also to see what people think about romantic relationships in general.  

If you like fairy tales and stories about romance, then grab a copy of Ogre Enchanted. The story has an interesting take on different views of romantic relationships. Readers will learn lessons about love and compassion as well as the difference between romantic love and platonic love. The story’s romantic aspects lean more towards puppy love than ardor, making the story good for middle-grade readers.  

The implementation of aspects of the Beauty and the Beast fairy tale, such as Evie’s transformation into a beastly, hideous creature, help highlight many characters’ tendency to judge others based on appearances. Readers will be eagerly flipping the pages to see how Evie finds the one person that accepts her for who she is and proposes to her. Evie quickly becomes comfortable with falling in love, despite her staunch opposition to romance. The external pressure of a proposal makes it hard to believe that Evie would have loved someone romantically had it not been for Lucinda’s intervention. Nonetheless, the topics of love and romance as well as the implementation of a well-known fairy tale makes this story a good introduction to relationships and the fantasy genre.  

Sexual Content  

  • Evie looks at a sleeping, young man. She thinks that he is handsome, his cheekbones are high enough “to speed [her] heart . . .” 
  • There are many instances where someone would make Evie “tingle.” She feels a tingle whenever she sees the merchant Peter because she is charmed by his intelligence and humor. 

Violence  

  • The citizens in Evie’s village shoot arrows at her when she is an ogre. “An arrow bored into the right arm just below my elbow.” A mob of people go into the streets and chase after her. Evie runs away and yanks the arrow out of her arm; she doesn’t feel any pain from her injury.  
  • A band of six ogres attack a giant and start to eat her. One ogre hypnotizes the giant so she will relax and then another ogre “bit into her leg.” 
  • To help the giant, Evie distracts the ogres with sticks of meat and then attacks two of the ogres. “With a healer’s certainty of where to thrust the sword, I stabbed the base of [an ogre’s] skull.” The ogre slumps forward. Then, Evie pierced one of the eyes of another ogre. “[The ogre] fell on his side.”  
  • Another ogre grabs Evie, but Evie slashes him. The remaining ogres rush at her. Evie closes her eyes, then opens her eyes. Two of the ogres are “sprawled on the ground near me, their faces blue.” The last two ogres are eating the giant, when Evie yells at the ogres. The giant grabs the ogres by the throat, “squeezed, then tossed them aside.” The giant sustained many injuries over the course of the fight. This lasts two pages.  
  • Evie, Squire Jerrold, and Peter fight in a joust. Squire Jerrold hurled himself at Evie. “The squire and [Evie] went down, rolling over and over, trying to pin each other.” Peter kicks Evie’s head, but Evie counters. With her “brain reeling, [Evie] grabbed his ankle, pulling him to the ground.”  
  • Both Squire Jerrold and Peter were on top of Evie, so she rolled over them and “rained punches on Squire Jerrold.” In the confusion, someone stabs Peter. “A rapier lay on the ground. Blood spurted from Prince Peter’s thigh.” Peter is injured; Peter had injured himself on purpose, attempting to frame Evie or Squire Jerrold as his attacker. The scene lasts for two pages. 

Drugs and Alcohol  

  • Evie uses a liquid called purpine—also known as dragon urine—to cure illnesses and diseases. 
  • Evie also uses a variety of herbs and poultices to cure people. For example, she uses a “paste of galingale, zedoary, and ginger” to treat an elf boy’s rash. 

Language    

  • Evie thinks “Fie!” once.  
  • Evie calls Wormy an idiot. 
  • Fool is used many times.  

Supernatural  

  • Lucinda transforms Evie into an ogre. Evie’s “mind emptied. The kitchen tiles no longer seemed to be beneath me. Somewhere, fabric ripped. My mind filled again.” Evie has been transformed into an ogre and has sixty-two days to find a suitor and accept his marriage proposal. The side effect is that Evie feels more comfortable as an ogre as time goes on.  
  • Ogres are hideous creatures that are known for their voracious appetite and odiferous smell. They can charm humans by hypnotizing them with their words. When hypnotized, humans are compelled to obey an ogre’s every word and command. It is impossible for a human to break out of a hypnosis. Ogres cannot hypnotize each other. 

Spiritual Content  

  • None 

Gregor and the Prophecy of Bane

Several months have passed since Gregor’s first trip to the Underland. Just as his life is returning to normal, his baby sister Boots is kidnapped by the cockroaches, and Gregor is forced to journey back to the subterranean city of Regalia. Once there, Gregor reunites with the rebellious Luxa and his bat Ares whom Gregor has pledged his loyalty and protection. Gregor soon discovers that the Underlanders have kidnapped Boots because of The Prophecy of Bane. This ancient prophecy implies that if Boots were to be killed, the rats would have the key to power. 

The Underlanders believe that Gregor is the prophesied Warrior who must kill an evil rat cloaked in a coat of white: the Bane, an enormous, snow-white 10-foot rat that threatens to destroy Regalia and subject all of the Underland to his rule. The Prophecy of Bane mysteriously says that the Warrior will be fatally weakened if: “Die the baby die his heart, die his most essential part. Die the peace that rules the hour. Gnawers [another term for rats] have their key to power.” Believing that Boots is the baby spoken of in the prophecy, the rats kidnap her.  

In order to save his sister, Gregor and his companions must embark upon a long and dangerous voyage, sailing into the heart of rat territory.  Gregor is determined to destroy the Bane before the rats can kill Boots. Gregor must learn to fight for those he loves while encountering dangers, close calls, and surprises along the journey. He must also discover what it means to be a warrior. 

Those who read Gregor and the Prophecy of Bane will enjoy its simple yet engaging plot, its pulse-pounding action, and its variety of characters and settings. The character and mythos of the Underland are deepened in this worthy sequel. New and dangerous creatures are introduced, the uncharted, watery depths of the Underland are explored, and at the end of this long voyage lies a mysterious and powerful foe: the Bane. 

Once readers enter the world of the Underland, the quick-moving plot and the dynamic characters will sweep middle school readers up, keeping their minds and imaginations engaged for the entirety of the book. To keep the suspense high, each new chapter introduces a new danger, an exciting development, and an intriguing complication to the plot. The action, often violent and bloody, is kicked up a notch from the first book. However, like the first book in the series, it is often the creatures and not the humans that suffer wounds and death in battle. Despite this, sensitive readers may be upset by the vivid battle descriptions. 

Gregor and the Prophecy of Bane is rife with themes of familial love and sacrifice, compassion, friendship, and duty. Gregor will stop at nothing to protect his friends and family. However, Gregor is faced with many difficult situations and moral dilemmas, all of which develop his character. Gregor discovers that he possesses incredible powers as a fighter. In fact, whenever he is near or in the midst of battle, Gregor’s mind enters into “rager mode;” a “rager” is a gifted warrior who possesses fighting abilities that approach the supernatural. Throughout the book, Gregor must learn to harness and control these abilities, lest they control him. The danger of letting his violent, rager instincts overpower his kind nature forces Gregor to consider the nature of violence and how it should be used only to protect and defend. 

Gregor and the Prophecy of Bane provides a story that is an incredibly entertaining blend of mystery, travel, and adventure. Every chapter ends on a cliff-hanger, providing ample reason for even the most reluctant of readers to devour it quickly. Furthermore, the ending perfectly sets up the sequel, Gregor and the Curse of the Warmbloods. Readers will not be able to help themselves, they’ll have to immediately reach for the next installment. 

 Sexual Content 

  • None 

Violence 

  • The Underlanders practice their swordplay by having a contraption that throws small, golfball-sized balls at them in rapid succession. The Underlanders’ goal is to slice as many balls as possible. These balls are filled with red liquid that mimics blood. Gregor first goes into “rager mode” when training with the blood balls. “He was aware only of the blood balls flying toward him from all directions . . .  He could hear his blade making a whistling sound. Something splattered against his face. . . He could feel liquid dripping off his face and hands. The pounding of his heart was audible. He looked down at the ground. At his feet lay the oozing shells of fifteen balls.” 
  • The verbiage of the Prophecy of Bane itself is somewhat violent. For example, “If Under fell, if Over leaped,/ If death was life and Death life reaped,/ Something rises from the gloom,/ To make the Underland a tomb./ Hear it scratching down below,/ Rat of long forgotten snow,/ Evil cloaked in coat of White,/ Will the Warrior drain your light?/ What could turn the Warrior weak?/ What do burning Gnawers seek?/ Just a barely speaking pup / That holds the Land of Under up/ Die the baby, die his heart/ Die his most essential part/ Die the peace that rules the hour,/ Gnawers have their key to power.” 
  • Twitchtip, a rat that aids the humans in their mission, threatens a giant talking firefly, saying “. . . if you don’t stop your incessant babble, that big rat sitting in the boat next to you [referring to herself] will rip your head off.” 
  • While discussing effective ways to kill rats, Ares the bat says, “The neck is vulnerable. The heart, but one must get past the ribs. Through the eyes to the brain. Under the foreleg is a vein that bleeds greatly. If you strike at the belly, you may not kill instantly, but the rat will likely die within days from infection.” 
  • As the group is sailing, they are attacked by a giant squid. Gregor is grabbed by “a slimy red tentacle,” and nearly pulled overboard. However, Ares manages to grab him, and “a tug-of-war ensued, with Gregor as the rope.”  
  • As the battle against the squid continues, Gregor “sank his teeth into the tentacle as deeply as he could” and “slice[d] through a tentacle that had encircled his ankle.” Trying to free Gregor, the humans and bats slice and claw at the tentacles. Gregor enters again into rager mode and, “His sword began to move—not in a premeditative way, but with some instinctive precision and force utterly beyond his control. He hacked away at tentacle after tentacle.”  
  • After the battle, “Four angry red circles, sucker marks, swelled on his forearm” where Gregor was initially grabbed. These sucker marks “begin to ooze pus.” The scene is described over three pages. 
  • Gregor’s tentacle wound worsens. “The whole forearm was badly swollen. The sucker wounds, which had turned a revolting shade of purple, oozed fluorescent green pus. They burned as if they were on fire.” 
  • As Pandora, a bat, flies over a volcanic island, a large cloud of flesh-eating mites emerges from the jungle. “[Pandora] had no time to react. One moment she was darting around eating mites, the next moment they were eating her. In less than ten seconds they had stripped the writhing bat down to the bone. Her white skeleton hung for an instant in the air, then crashed into the jungle below.” Ares barely escapes these flesh-eating mites and is bitten on his tail several times while fleeing. 
  • The group is attacked by large, dinosaur-like serpents. As the monsters attack, large waves wash the rats “into the serpents’ mouths.” Various members of the quest are injured. “One of Mareth’s pant legs was soaked in blood. In front of him, Gregor saw the shuttering heap of wet fur that was Twitchtip. Blood poured from her nose, which appeared to have been smashed in, and oozed from the stump that had been her tail.” 
  • When a serpent tries to eat Twitchtip, Gregor stabs the serpent’s tongue. As a fellow quester is attempting to dress Mareth’s wound, he rips “off the remains of Mareth’s blood-soaked pant leg, revealing jagged flesh around a gaping wound.” 
  • Two rats, Snare and Goldshard, fight each other to the death. “The fighting was vicious . . . Snare lost an eye. Goldshard’s ear dangled from a shred of fur. You could see the bone in Snare’s shoulder. Goldshard’s left front paw was snapped in two. Finally, the gold rat came in on her opponent’s blind side and locked her fangs on his neck. In the final throes of death, Snare got his hind feet between their bodies and slashed open the length of Goldshard’s belly . . . Her intestines spilled out on the ground . . . With a terrible gurgling sound, Snare suffocated in his own blood.” 
  • After returning from their journey, the Regalian crowds that have gathered are outraged to learn that Gregor has not killed the Bane. They begin throwing objects at him and Ares. “Something hit [Gregor] on the side of his head. His hand went up and came away bloody . . . More objects began to rain around him . . . The one thing they had in common was that they were all made of stone . . . he and Ares were being stoned to death.”  
  • Because of his failure to slay the Bane, Gregor and the other Underlanders stand trial for treason. Ares informs Gregor that if convicted, “They will bind my wings and your hands and drop us off a very high cliff to the rocks below.”  

Drugs and Alcohol 

  • None 

Language 

  • In response to the taunting of Ripred (a rat), Gregor says, “Just shut up, okay?” 
  • After the mission’s failure, Ripred offers Gregor a warning saying, “And you know, there will be hell to pay in Regalia.” 

Supernatural 

  • Nerissa, a member of Regalia’s royal family, is a soothsayer, and interprets the Prophecy of Bane. 

Spiritual Content 

  • None 

Curse of the Night Witch

Everyone on Emblem Island has a symbol that decides their fate, but Tor Luna seems like the only person who hates the one he’s been given. While other people can speak with animals, have beautiful singing voices, or culinary talent, Tor’s emblem is for leadership. He expects to live an uneventful life and take over his mother’s position as town chief. On the New Years’ holiday, Eve, the town gathers to send their yearly wishes to the wish god. Tor decides that this Eve he’ll wish for a new emblem. However, rejecting one’s emblem is a sure-fire way to get cursed, which is exactly what happens when Tor wakes up the next day with a curse mark where his leadership emblem once was.  

Tor teams up with his friends, Melda and Engle, to find the legendary Night Witch, a fearsome woman who is said to have hundreds of emblems that she gained from killing their original owners. To find her, the group uses The Book of Cuentos, a storybook that includes legends about Emblem Island’s history that turn out to be more than just stories. Eventually, they reach the Night Witch – but things aren’t as clear-cut as they have been written in the storybook. 

The Night Witch used The Book of Cuentos to frame herself as a villain in order to prevent her from getting her power stolen. She warns Tor that a greater darkness, one that is all evil, is rising and that she has picked Tor as her successor. Tor is unwilling to inherit her abilities, but the Night Witch passes on her power anyway. She picked Tor because the Night Witch believes he won’t abuse her skills. She says: “the best leaders are the ones who don’t want to lead.” The book ends with Tor shouldering the heavy burden of the Night Witch’s abilities with his friends and family at his side to defend Emblem Island from the coming darkness.  

Curse of the Night Witch is steeped in Latin American folklore amplified by the author’s rich imagination. The book is heavy on worldbuilding that is relevant to the plot and is an immersive part of the story’s adventure. The stories from The Book of Cuentos can be unsettling, but they help craft a world where darkness lingers under a colorful exterior. In addition to being a detailed story, Curse of the Night Witch is a coming-of-age story as Tor and his friends undertake a dangerous journey. When Tor thinks the Night Witch is going to kill him, Tor wishes he would’ve been more grateful for what he had. However, he realizes that his journey has taught him to appreciate what he’s gained: Melda and Engle, “two friends he would trust his life with” as well as a deeper respect for his former emblem.  

Tor is a thoughtful and determined main character who will quickly earn the sympathy and respect of readers. His drive to improve himself while still protecting innocent people shows his emotional complexity. The story emphasizes the power of friendship through Melda, Engle, and Tor, who are always ready to support one another and see their journey through until the end, no matter what happens. The plot twists and compelling lore make this an interesting story, however, there is gore and violence that some readers may find disturbing. Readers who want to read another tale that combines a rich cultural world with three friends who will protect each other until the end will enjoy Maya and the Rising Dark by Rena Barron. 

Sexual Content  

  • None 

Violence  

  • The Night Witch has an emblem that allows her to kill people by touching them. She kills her father and other innocent people. The Night Witch “had a gift never seen before. The power to kill with a single touch. And kill she did. One day, the girl emerged from her home, covered in blood, her father’s emblem on her skin. . . [The Night Witch] traveled across the island, leaving only death in her wake, emblems appearing on her arms after each kill, the ones she had stolen from children in their beds and from the poor souls who found themselves alone on a dark night.” 
  • A troll attacks Tor for trespassing in its territory. “A troll reached forward, and Tor screamed as its claw ran down the length of his arm.” The troll also bites him. Tor “screamed. It was like a giant needle had skewered his toes. Sparks of pain ignited in his toes and his entire foot went numb.” This feeling comes from a toxin that dissolves after a few hours, so Tor is not injured.  
  • A pelilarga attacked Melda. “[Melda] screamed as the pelilarga reached up and clawed her ankle, leaving five long, bloody scratches. . . The pelilarga hissed, and Melda winced, like it had scratched her again.” Melda is scratched up, but nothing worse. The attack ends when Melda, Tor, and Engle are able to distract the pelilarga with fireworks so they can escape. 
  • A giantess cuts Tor’s ear with an arrow for trespassing on her tribe’s land. “Tor winced and reached for his ear. His fingers came back covered in blood. The tiniest part of his ear, at the very tip, had been cut away.” Other than the cut, which later heals, Tor is not injured. 
  • The Book of Cuentos describes a mother who tried to kill herself and her children. The children escape, but the woman dies and becomes a monster called “The Woman.” The Woman “walked into the water, holding [her children’s] hands, intending to drown them and herself. But, before they were submerged, her children escaped. . . The Woman roams the island in search of children to take for her own.”  
  • A kidnapper hurts Tor for freeing his prisoners. “The man charged at Tor, managing to grab his arm so tightly Tor was actually afraid the bone might snap in half. . . Tor struggled until the man elbowed him right in the ribs. [Tor] bent over, gasping, the air sucked right out of him.” Engle saves Tor by hitting the kidnapper with The Book of Cuentos. “The kidnapper made a grunting noise, blinked, and fell to the ground. Engle stood there, The Book of Cuentos still held high above his head.”  
  • Emblem thieves are people born without emblems that kill others to steal their emblems. Killing someone allows the murderer to take the emblem of the victim. A group of prisoners caught by the emblem thieves are freed by Melda, Tor, and Engle. The prisoners fight back against their captors. “A woman cried out and leapt forward, taking down a guard in a single motion. . . A teenage girl disappeared right before [Tor’s] eyes, then reappeared after having struck a thief in the head with a bucket. An old man with a telekinesis emblem threw a chair at another.” The battle lasts a few paragraphs and ends when someone with a snowflake emblem freezes the remaining guards. 
  • An old woman in an abandoned town admits she resorted to eating her children to survive. 
  • Engle’s curse mark hurts him when he steps into the Night Witch’s territory. Engle “doubled over, crying out in pain and gripping his arm. . . the skin on Engle’s arm ripped open like the slow tearing of a seam. In a few horrifying moments, blood spilled over the cape Melda had made, and a clear message appeared, carved deep into his skin.”  
  • The same skin-tearing happens to Melda as the group gets closer to the Night Witch. “Then it was Melda’s turn to scream out. She clutched her arm, and loudly ground her back teeth together.” Lastly, it happens to Tor. “[Tor’s] palm suddenly split open. He gasped in pain, blood puddling at his feet.” 
  • Creatures take Engle into the water. After Melda rescues Engle, he’s very close to dying. “Engle’s eyes remained closed, and large gashes had been sliced through his clothes. He was bleeding, everywhere. But he was still breathing.” He lives.  
  • When Tor confronts the Night Witch, she admits that she didn’t kill her father; he was killed by other men. “The men who came [to the Night Witch’s home] were emblem thieves. There to take my father’s alleged two powers. By killing him. Once they realized one of his marks was false, they came back. And found me. But I was ready this time. I killed each one where they stood. My father’s emblem became mine. . . I roamed the island, searching for thieves just like the ones that had killed my father. I killed them before they could end anyone else. And so, my markings grew.” 
  • Tor fights the Night Witch. The witch “raised her hand, and the ground beneath Tor’s feet began to shake. It broke open, and dozens of shards of rock like teeth trapped his legs, then torso. The sharp stone tips pierced his clothes, crimson stains blooming through the fabric in blotches.” The battle lasts two pages and ends with the Night Witch transferring her power to Tor. 
  • Tor wakes in the middle of the night as his first new emblem appears. “He awoke screaming at the top of his lungs, feeling like someone was carving at his arm with a butcher knife, then scrubbing it with sea salt.” Tor learns that the process of getting a new emblem is painful.  

Drugs and Alcohol  

  • Troll bites contain a toxin that induces drowsiness. Engle says, “Troll bites are nothing but annoying. Their teeth release just a bit of a chemical that promotes drowsiness, making it hard for their victims to escape.” 

Language    

  • Melda calls the Plains, a city on the island, “stupid.” 

Supernatural  

  • The Book of Cuentos is an important book of legends that tells the history of Emblem Island, as well as detailing information about the island’s creatures and curses. It is kept by the community’s leader, Tor’s mother, until she passes it on to him. Some of the stories from The Book of Cuentos appear at the end of chapters. They are often dark tales of murder, punishment, and otherworldly beings.  
  • The story takes place on Emblem Island, a place where everyone has two distinct features: an emblem and a lifeline. An emblem is a symbol representing a magical skill somewhere on the body. A lifeline is a line, usually around the hands, that shows high and low points representing hardships and victories. It also shows when the person’s life will end. 
  • People with two or more emblems are known as wicked or a witch. “Witch was a foul name for a person who had been born with multiple emblems.” The people of Emblem Island believe that people with multiple emblems have too much power which drives them to evil deeds. The Night Witch is the most infamous of these witches, as she has hundreds of emblems. 
  • Tor and Melda have leadership emblems, which help them inspire people. Engle has a sightseer emblem, which allows him to see long distances. There are emblems for just about everything, including cooking, talking to animals, and water breathing. 
  • The world is full of magic creatures and objects. Familiar objects, like peaches, grow purple, and some animals have gigantism; a starfish is the “size of a rug.”  
  • Some magical creatures include gnomes, mermaids, trolls, giants, and fairies, among others. 
  • A “barbed malkin” is a cat-like creature with spike-like fur along its back.  
  • The mention of curses or cursed objects is very common. Stories like this are present in nearly every chapter. “Tor knew that touching the Bone Boat’s treasure was strictly forbidden. Doing so would unleash a fury-storm of repercussions: a hundred years of curses, teeth falling from the sky, the sea turning gray, blah blah blah, the same old tales Tor liked to roll his eyes at.” These legends often turn out to be true.  
  • Due to his Eve wish, Tor is cursed. It manifests in the form of an eye on his arm that blinks. Engle touches Tor, and the curse spreads to Engle in the form of a mouth that can speak.  
  • A myth in The Book of Cuentos tells of the creation of a hydroclops, a snake with a head on either end.  
  • Melda has a necklace that contains a “drop of color.” “Drops of color were extremely rare – they could only be extracted from special creatures. The liquid from Melda’s necklace could turn anything in the world that shade of blue.” Colors on Emblem Island are very important and can be stolen or changed with powerful magic.  
  • Captivates, siren-like mermaids, capture Tor, but his friends help him break the spell. 
  • Pelilargas, fantastical women with long hair, have the ability to steal souls, which makes their hair grow longer and stronger.  
  • Goblins are greedy creatures who have the ability to suck color from objects. In exchange for passage on a boat, a goblin takes the color from Melda’s eyes.  
  • A vanor is a creature able to take on the appearance of other people and craft illusions. Tor encounters one. “The [vanor] had no face, only a flesh covered canvas where a face should have been. But he wanted one. All vanors did. They lived to steal faces to add to their collections.”

Spiritual Content  

  • The residents of Emblem Island believe in karma. Melda says, “I’m only helping you [Tor] because I don’t want any bad karma affecting my Eve wish.” 
  • Souls exist. Some creatures, such as pelilargas, have the ability to steal them. 

Biscuit Meets the Class Pet

Hop, hop! There’s someone new at Biscuit’s house. Nibbles, the class pet, has come for a visit. Nibbles likes exploring Biscuit’s home and wants to play with all of Biscuit’s toys. Biscuit isn’t sure if he is ready to share with Nibbles, but soon Biscuit realizes that he likes having a visitor after all! 

Biscuit is uneasy about sharing his toys with Nibbles, but when Nibbles disappears, Biscuit helps his little girl find the bunny. Readers will wonder where the bunny hopped off to, and they will laugh at the cute conclusion. Young reader will relate to Biscuit, who isn’t sure he wants to share his toys with Nibbles. Plus, they will enjoy seeing Biscuit search for the lost bunny.  

As part of the My First I Can Read Series, Biscuit is perfect for emergent readers. The story uses basic language, word repetition, sight words, and sweet illustrations. Each page has one to three simple sentences and many of the pages have just two words. Plus, the large pastel-colored illustrations are cute and focus on the two animals. 

 Biscuit Meets the Class Pet will appeal to young readers who love animals. As part of the My First I Can Read Series, the story will help build reading confidence in emergent readers. Plus, there are 35+ books in the Biscuit Series that cover many different topics. Readers who love rabbits will also enjoy Too Many Carrots by Katy Hudson and Saving Kate’s Flowers by Cindy Sommer. 

 Sexual Content  

  • None 

 Violence  

  • None 

 Drugs and Alcohol  

  • None 

 Language    

  • None 

 Supernatural 

  • None 

 Spiritual Content  

  • None 

Poultrygeist

A chicken crosses the road and is promptly run over by a passing truck. When the chicken awakes, it realizes that it is now a floating spirit separate from its flattened body, and that the world around it is suddenly dark. From the darkness, the eyes of other spirits appear. The spirits explain to the confused chicken that while it was crossing the road, it got to what they call “the other side,” a realm where the spirits of animals exist. They tell the chicken that he has become a “poultrygeist.” 

Terrified, the chicken asks if he can be a friendly ghoul. His fellow spirits insist that they must haunt the living for eternity. The chicken declares that even though he’s a ghost, he will not haunt anyone, no matter what. When the chicken declares this, he suddenly takes on a form with disheveled feathers, furious eyes, and jagged teeth. When the chicken scares the other spirits away, he smiles and goes on his way, wishing the spirits good riddance. 

Poultrygeist is a fast and funny read with a darkly comedic twist on a familiar joke. The chicken’s violent fate might disturb younger readers, but his experience in the afterlife teaches them a thoughtful lesson about the dangers of peer pressure. Readers will be drawn to the vivid and colorful illustrations of the living realm, while the other side will interest them with a unique art style full of glowing, single-colored characters and muted backgrounds.  

The book does not feature any narration and instead uses illustrations and the characters’ dialogue to tell the story. Each character’s speech is distinguished by separate font colors that match the color of their spirit. For example, the font of the chicken’s dialogue is blue, matching the chicken’s blue spirit. Each page contains 1-6 sentences with simple vocabulary. Readers will enjoy the spirits’ habit of speaking in rhyme. Though the spirits’ furious eyes and sharp teeth may frighten younger readers, they can take comfort in the chicken’s unconditional kindness and ability to resist peer pressure. On one page, the chicken even breaks the fourth wall to check in on the reader, asking “Psst…you doing okay?” 

Poultrygeist is a particularly great read for readers adjusting to new situations and searching for the right crowd. The story teaches readers to be the version of themselves that they are comfortable being and to not allow the negative influence of others to change them. Poultrygeist readers will be amused by the exaggerations of the spirit world as well as the story’s wordplay. 

Sexual Content 

  • None 

Violence 

  • The chicken’s body is shown after it is run over. The chicken is flattened with a tire mark across its body and crossed-out eyes. While it is not explicitly violent, it could upset younger readers, particularly animal lovers. 
  • The spirit of a rat tells the chicken, “Time for you to play dead . . . then twist your head!” 
  • The last page of the book shows a squirrel starting to cross the road while a truck quickly approaches, implying that the squirrel will share the chicken’s fate. 

Drugs and Alcohol 

  • None  

Language 

  • The spirits use rude language when trying to pressure the chicken into joining them. They call him names such as “weak”, and (ironically) “chicken.” 

Supernatural 

  • The story revolves around the ghosts of animals.   

Spiritual Content 

  • None 

The Girl in the Locked Room

A girl is locked in a room in an old, abandoned house. She has been hiding there for more than a hundred years. Another girl, Jules, arrives at the ruined house and sees a pale face in an upstairs window. Who is up there, she wonders, behind a locked door? 

Jules finds out that a young girl, Lily, has been watching her from the window. Jules is fearful, then fascinated, then eager to befriend—and help—the captive, who is burdened by a chilling secret from the distant past. 

Even though The Girl in the Locked Room is a ghost story that revolves around murder, the story won’t give readers shivery chills. From the start, readers know that Lily’s family was murdered. Since the family’s demise is not described in detail and leaves out any gore, the circumstances surrounding their death add suspense. The mystery of what happened will fill readers with curiosity.  

The story jumps back and forth between Lily and Jules’ perspectives, which allows readers to understand both girls’ feelings. Much of the suspense comes from the characters’ questioning themselves and wondering about each other. At times, the long string of questioning becomes overwhelming as they slow down the pacing.  

While the girls’ feelings are clear, the cause of some of the events is confusing. For example, portions of the family’s murder are played out each night and only Lily and Jules hear the raucous. The idea of multiple dimensions is introduced, which muddies the plot and makes the ending confusing. As far as ghost stories go, The Girl in the Locked Room is an uninspiring story with lackluster characters that will easily be forgotten. If you’re looking for a book that revolves around the supernatural, you should grab a copy of Ghost Squad by Claribel A. Ortega and Ophie’s Ghosts by Justina Ireland.  

Sexual Content  

  • None 

Violence  

  • When Jules moves into an old house, she learns that the family who used to live there was murdered and the house is haunted. Jules’ friend says, “Lots of kids have seen their ghosts, my brother included—he says if you go inside that house, you never come out.” 
  • At night, ghosts from the past reappear, playing out the past. In one viewing, a group of men finds the murdered bodies of the family. Their bodies are not described.  
  • Jules and her friend, Maisie, go into the old house. Jules thinks, “I knew people had been murdered in these rooms. Blood had stained its floor. Silent screams hung in the air.” 
  • Through multiple scenes, Jules learns what happened to the family. Mr. Bennett fired an employee who had stolen from him. Lily hears “the men’s voices rise. Mama screams and screams again. Lily hears explosions, two, three, maybe more. She recognizes the sound of gunfire. There’s more cursing, more thuds and bangs.” 
  • In the past, one of the women’s husbands was known to hit her and leave bruises “all over her arms.” When the man breaks into the Bennett’s house and his wife tries to stop him, “there’s a loud smacking sound, and Aunt Nellie cries out in pain.” 
  • In a plan to change the past, Lily doesn’t hide in the closet. Instead, when the men arrive, she goes downstairs and a man “grabs Lily and lifts her off her feet. He holds her under her arms as if she’s a dog. His breath smokes with whisky and his eyes are wicked, like the eyes of the old bull Papa keeps in the pasture.” 
  • When Lily breaks free, the man’s gun falls to the ground, and his wife, Aunt Nellie, grabs it. She says, “Stop right now, Charlie or I’ll shoot you dead. Don’t think I won’t.” Charlie’s friend shoots and accidentally hits Charlie. He “falls to the floor. His head is bleeding. A red stain spreads across the carpet.” The scene between Lily’s family and the bad men is described over ten pages.

Drugs and Alcohol  

  • The men who killed Lily’s family were drunk. 

Language    

  • When men threaten Mr. Bennett, he calls them “drunken fools.” 
  • Oh Lord, for the Lord’s sake, and Lord God Almighty are used several times. 
  • Someone asks, “What the devil’s going on?” 
  • Lily’s mom calls her husband an idiot. 

Supernatural 

  • When Lily’s ghost appears to Jules and her friend, “Jules and Maisie see her as she once was, not as she is now.” 

Spiritual Content  

  • Lily’s pastor “told us the world would end in the year two thousand. Judgement Day would come, and the dead would rise from their graves, and we’d be sent to heaven or hell.”  

Cemetery Boys

Sixteen-year-old Yadriel’s family doesn’t accept his true gender. Despite this, he’s determined to prove to his family that he is a real brujo. Yardriel embarks on a mission to help a spirit cross over to the land of the dead. However, instead of summoning his cousin, Yadriel summons the ghost of his school’s bad boy, Julian Diaz.

Julian agrees to let Yadriel release his spirit, but only after Julian does a few things first. During their time together, the pair grow closer and begin to develop feelings for each other. However, Yadriel, Julian, and his friend, Maritza, slowly begin to realize that Julian’s death might be linked with a series of disappearances across East LA. What could be causing them? Will Yadriel’s family ever fully accept him? And will Yadriel be able to set Julian’s spirit free to the afterlife?

Cemetery Boys is an excellent introduction to the genre of magical realism mixed with a sweet and genuine, if somewhat saccharine, YA love story. The fantastical elements of brujo magic remain consistent throughout the story and helps the reader clearly understand what can be accomplished by magic, but the realistic elements are where Thomas’s writing truly shines. They convey a down-to-earth story of a young man seeking acceptance from his traditional family. In addition, the author interweaves several problems that Latinx teenagers face in East LA.

Julian discusses how his friend, Luca, was sucked into a gang. Julian and his friends “didn’t see [Luca] for weeks and his parents didn’t care . . . By the time we tracked him down, he was living in a drug den and had gotten branded with tattoos.” Julian also talks about how his friend’s parents were deported. His friend was “the only one who’s got parents that actually like him . . . But they got deported . . . They sacrificed everything to get to the US and make sure Omar had a better life than them.” In addition, Julian is incredibly open about his rough relationship with his brother, Rio.

Thomas excellently disperses the more upsetting material among scenes of Yadriel and Julian growing closer. The pair go on an Odyssey of cute moments and teenage shenanigans, which makes them and their relationship both believable and sweet. Because of their relationships, Yadriel gains confidence and learns the importance of accepting himself.

Yadriel and his friends—Julian, and Maritza—are strong role models for teenagers because they do what they believe is right, even if it is not easy or socially acceptable. For example, Yadriel goes against his family’s wishes by investigating the death of his cousin. Maritza sticks to her values as a vegan even though she cannot use her magic abilities effectively, since her healing abilities depend on her using animal blood. Plus, Julian chooses to stay in the land of the living in order to help Yadriel prove himself as a brujo.

Cemetery Boys is deeply rooted within Latin American culture, especially through its supernatural elements. Latin American folktales are also sprinkled throughout the story. Additionally, a lot of Spanish is spoken within the book, especially when Yadriel performs magic. While this novel can be easily enjoyed without being bilingual, having some knowledge of both Latin American culture and the Spanish language enhances the reading experience.

Thomas successfully creates a story within the genre of magical realism that is both heart-wrenching and heartwarming. If your child is interested in urban fantasy or wants to read a book featuring diverse LGBTQ+ characters, Cemetery Boys is an excellent choice.

Sexual Content

  • Yadriel kisses Julian. “Yadriel threw himself against Julian and wrapped his arms around his neck kissing him fervently. He felt Julian’s smile under his lips . . . Someone let out a low whistle.”

Violence

  • Animal blood is used in several of the brujo rituals. For example, when Yadriel performs a ritual to summon Lady Death, “The black Hydro Flask full of chicken blood thumped against Yadriel’s hip . . . the rest of his supplies for the ceremony were tucked away inside his backpack.”
  • Yadriel cuts himself to offer his blood to Lady Death in order to summon her. “Yadriel opened his mouth and pressed the tip of the blade to his tongue until it bit into him.” He then puts this blood into a bowl.
  • When Yadriel attempts to heal an injured cat, the ritual backfires and hurts the cat, causing it to bleed. Yadriel “could still picture the drops of scarlet on his mother’s white skirt. The terrible yowl. The sudden, sharp pain of the poor cat piercing into his head.” The cat is later healed by Yadriel’s mother and survives the encounter.
  • When Julian dies, there is “thrashing and pain on Julian’s face. The blood seeping through his shirt. His gasps for breath.” When Julian’s body is found “right above his heart, was a dagger.” Later, Julian finds out his Uncle Catriz killed Julian to be used in a sacrifice to gain powers offered by Xibalba, a jaguar spirit who seeks human sacrifices in exchange for preserving the world and granting power. Yadriel later resurrects Julian and he makes a full recovery.
  • Catriz kills three other people. When they die, the stone under them is “streaked with dark, dried up blood.” Yadriel resurrects them when he resurrects Julian.
  • Yadriel’s evil uncle is dragged to a hellish realm by Xibalba. The spirit “sank its teeth into Catriz’s shoulder, molten eyes blazing. A scream ripped through Catriz, the whites of his eyes surrounding his dark pupils. With a lurch, the jaguar dragged him down. Catriz’s howls turn to wet gurgles as he was pulled below the surface. Dark blood and water spilled across the floor in a wave.”

Drugs and Alcohol

  • In a ritual to call upon Lady Death, Yadriel uses tequila. “Yadriel had nicked a mini bottle of Cabrito tequila from one of the boxes that had been gathered for the Día de Muertos ofrendas.”
  • Yadriel carries alcohol that he uses in rituals. At one point he says, “Last thing I need is to get caught by campus security with alcohol and a knife in my backpack.”
  • Yadriel goes to a bonfire where there are “illegal substances” and alcohol.
  • People spread rumors that Julian’s older brother, Rio, is a drug dealer. These rumors are false.
  • While in the hospital, Julian is put on a sedative which causes, “a thick fog in his head, dulling his senses.”

Language

  • Profanity is used occasionally. Profanity includes asshole, badass, fuck, hell, and shitty.
  • When Julian sees Yadriel’s cat for the first time, he jokingly says, “Holy shit . . . That’s one messed-up looking cat!”
  • Julian tells his friend, “You got shitty taste in music, by the way.”
  • Someone calls Julian “a real asshole.”
  • After Yadriel questions why Julian doesn’t have a girlfriend, Julian says, “Because I’m gay, asshole.”
  • Julian, a gay man, says “Queer folks are like wolves . . . We travel in packs.”
  • After Julian has an outburst, Yadriel says, “What kind of machismo bullshit was that?”

Supernatural

  • The premise of the novel is centered around summoning ghosts, magical powers, and the idea of an afterlife.  Some rituals include summoning Lady Death, releasing spirits into the afterlife, and healing other people. Many of these rituals involve food and alcohol, and some involve blood.
  • Portajes, either daggers or rosaries, are used to release spirits into the land of the dead or heal people.
  • Quinces, fifteenth birthday celebrations, are when most brujos receive their powers from Lady Death.
  • Yadriel’s aunt tells him a story about Xibalba , a jaguar spirit who seeks human sacrifices in exchange for preserving the world and granting power. “Without human sacrifices to satiate his hunger, he threatened to unmake the land of the living.” Xibalba later enters the mortal plane to receive Catriz’s human sacrifices and, when Catriz fails to provide them, drags Catriz into his domain.

by Mia Stryker

Long Lost

Eleven-year-old Fiona has just read a book that doesn’t exist. 

When Fiona’s family moves to a new town to be closer to her older sister’s figure skating club—and far from Fiona’s close-knit group of friends—nobody seems to notice Fiona’s unhappiness. Alone and out of place, Fiona ventures to the town’s library, a rambling mansion donated by a long-dead heiress. There she finds a gripping mystery novel about a small town, family secrets, and a tragic disappearance.  

Soon, Fiona begins to notice strange similarities that blur the lines between the novel and her new town. With a little help from a few odd Lost Lake locals, Fiona uncovers the book’s strange history. Lost Lake is a town of restless spirits, and Fiona will learn that both help and danger come from unexpected places—maybe even from the sister she thinks doesn’t care about her anymore. 

While Long Lost focuses on Fiona, the story also jumps back in time to tell the story of two sisters—Hazel and Pearl. Fiona finds a mysterious book that keeps disappearing and reappearing; the book gives her a look into Hazel’s and Pearl’s lives. Fiona’s side of the story starts off slowly as her most pressing conflict is getting a library card, but soon the action picks up and the reader will get hooked on the mystery of what caused Hazel to disappear. Another element that builds suspense is the town’s belief in the Searcher, a mysterious black-draped apparition that steals children. While the plot is interesting, with all the different story elements, the plot may be difficult for some readers to follow. 

While the story contains plenty of mystery, it is also a story about sisters. Both sets of sisters—Hazel and Pearl, and Fiona and Arden—get so angry that they wish the Searcher would take their sibling. However, like all siblings, the girls learn the importance of working out their problems and being supportive of each other. Unfortunately, for Hazel and Pearl, this realization doesn’t happen until after they have died and meet up again as ghosts. 

While the main characters, Fiona, Hazel, and Pearl are not necessarily relatable, they are well-developed and interesting. Anyone who has siblings will understand the girls who often fight, say mean things to each other, and at the same time love each other.  

At times, Long Lost is a spooky story that will have readers’ hearts pounding. Readers will also be trying to fit all the pieces of the puzzle together. The one downside of Long Lost is the conclusion, which is rushed and leaves readers with questions. However, the story ends on a hopeful note with Fiona and her sister, Arden, repairing their relationship. Middle-grade readers who love the idea of ghosts, but don’t want the frightening elements of many young adult novels will enjoy Long Lost. If you’re looking for more spooky, fun ghost stories, check out the Shadow School Series by J.A. White. 

Sexual Content  

  • None 

Violence  

  • When Pearl comes home alone, one of the servants didn’t recognize her. “The pale, fragile form drifting out from between the trees with trancelike steps, hollowed eyes barely looked alive at all. . . beneath the blue pallor and stunned stare, she recognized Pearl’s familiar face. . . The girl was too cold even to shiver. . . Mud clung to her shins. Scratches and scrapes covered her bare arms.” Later, it is revealed that Pearl jumped into the river trying to find her sister. 
  • While in the woods, Fiona sees the Searcher. “A tall, gaunt, black-draped form. Hunched shoulders. Long, bent spine.” Fiona “didn’t have time to think. She could only whirl around and run.” Fiona is frightened but uninjured. 
  • In the library, after hours, Fiona meets the ghost of Pearl. Then, “The library’s double doors thumped open. . . The Searcher stepped forward. His cloak dragged along the parquet. Its hood was too deep to reveal any hint of a face inside. . . The Searcher took another step. A rush of cold air swept up the staircase, carrying the smell of damp and mud and rot.” Both girl and ghost run. 
  • Fiona runs into the library’s basement. “She was still trapped in the dark with one long-dead girl, a ghost dog, and some silent, lurching thing in a long black cloak.” Later, Fiona discovers that the Searcher is really Hazel’s ghost. 
  • Angry at Hazel, Pearl “lowered her head like a charging bull, and barreled straight into her sister’s stomach. The two of them fell to the ground. . . Pearl lunged forward and snatched the knife from Hazel’s pocket, where it was always kept. As Hazel sat up, trying to grab it back, Pearl kicked her sister in the ribs, knocking her aside. Hazel let out a gasp of pain. . .” The fight is described over two pages. 
  • Hazel drowns, but her death is not described. 
  • Hazel’s ghost tricks Fiona into going into a cistern. Fiona “couldn’t feel hands wrapped around her wrists; there were no fingers, no flesh. But the coldness held on to her, as solid as stone. She couldn’t get up.” Hazel attempts to drown Fiona, but someone rescues her. The scene is described over four pages.

Drugs and Alcohol  

  • After Hazel disappears, her mother is “dosed by the doctor.” Her father locks himself up in a room with a “crystal decanter.”  

Language    

  • Fiona calls herself an idiot and Hazel calls her sister an idiot twice. 
  • In her thoughts, Fiona uses the word kook several times. When a boy tells her that a book is cursed, Fiona wonders if he is a kook.  

Supernatural 

  • The town has a rumor about a Searcher who “was a dark being that skulked through these woods, awaiting the moment when it might catch another wanderer alone. According to the tales that wound through the town, any such unlucky wander was never seen again.” When Pearl’s sister is missing, Pearl says the Searcher took her. 
  • Fiona finds a book that tells the story of Pearl and Hazel. The book keeps disappearing and then showing up in a different location. Fiona believes that the book has “been waiting for the right person to come along.”  
  • Fiona meets a boy her age named Charlie. He believes the disappearing book is cursed. “The book is cursed to remain at the library. It’s can’t leave for long. Just like a ghost can’t leave the place it haunts.” 
  • Charlie believes in ghosts. He says, “Ghosts are just parts of the past that haven’t stopped happening. Things are unfinished. Like if you disappeared, and no one found you.”  
  • The ghost of Mrs. Rawlins appears to Fiona.  
  • As Fiona discovers more about Hazel and Pearl, the book mysteriously adds new pages. 
  • While looking for clues in Hazel’s bedroom–which has been preserved as she left it—Hazel’s pocket knife “wobbled on its rounded handle like an egg set on a countertop. . . it spun faster and faster, making several full circles before coming back to a halt.” The knife points to “the spot where a peephole was drilled through the wall.” 

Spiritual Content  

  • None 
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