Reading Level: Junior High

Afterward

Ethan was kidnapped four years ago. But when his captor, Marty, brings home a new eleven-year-old boy named Dylan, the police break down Marty’s apartment door shortly after. Now, Marty is dead, and both boys are able to reunite with their families. Ethan’s parents are overwhelmed with relief at having found their only child alive after all this time. While very glad to be home, Ethan himself struggles to readjust after having lost four years of his life to captivity and trauma.

Afterwards switches back and forth between the perspective of Ethan and Dylan’s older sister, Caroline, who feels like she is the only one in her family willing to acknowledge what happened to her brother. Caroline observes, “It’s like my mom wants to act like everything is going to be okay if she just says it over and over enough.” To complicate matters, Dylan is nonverbal autistic, and since the family can’t afford therapy, they can’t understand his trauma. While her parents are attempting to sweep the whole incident under the rug, Caroline knows her brother is suffering and still needs to heal.

After several months, when the media’s cameras have faded away and the rest of the world has moved on, Caroline decides that there is only one person who can give her the information she needs to help Dylan—and herself—deal with the kidnapping. Slowly, a powerful friendship begins to form between the two teenagers who are suffering because of the pain inflicted by the same man.

Since each chapter of Afterward alternates between both Ethan’s and Caroline’s perspectives the reader is able to better understand their interactions with each other.  Readers will sympathize with Ethan as he describes the difficulty of returning to a normal life. He thinks, “I think I probably can’t be fixed at all.” The reader feels the heartache of his struggle and can easily root for him to overcome his trauma. Caroline is a bit more difficult to like. She is rather reckless, and at one point reignites Ethan’s trauma in an act of selfishness. However, Caroline’s more nurturing and considerate side is showcased in her relationship with her brother.

Ethan’s therapist, Dr. Greenberg is a lovely addition to the story as he is professional but personable and he’s the light that guides Ethan along the road to recovery. However, Dylan gets a bit lost in the narrative. Because he disconnects from the world, readers will find it difficult to connect with him. The story becomes more about Ethan and Caroline’s friendship than helping Dylan through the trauma he suffered. The closest the story gets to suggesting Dylan gets the help he needs is Caroline telling her mother that he needs therapy, and the reader can only hope they will find a way to afford it.

Afterward ends with some uncertainty about where the characters will go next. Nonetheless, Afterward is a difficult but heartfelt read that shows that recovering from trauma is possible. The story doesn’t shy away from difficult topics, but it does handle them in a way that is respectful and manageable for a teen reader. Afterward would be a good read for older teens who are looking for a serious and mature story. Readers who want to explore another book that revolves around a kidnapping should read Pretend She’s Here by Luanne Rice.

Sexual Content

  • Caroline and Jason work together. Caroline describes kissing and “messing around” with Jason during breaks and after work. During one of their encounters, she describes him as delivering “these tiny, goosebump-inducing kisses and nibbles all over [my neck] that make my hair follicles go electric.” Then he pulls her to the ground and it is strongly implied that they have sex.
  • During work, Jason texts Caroline suggesting they hide behind one of the hay bales and “get nekkid.”
  • While musing over her blossoming friendship with Ethan, Caroline reveals that she has never been able to be just friends with a guy. Before Jason, Caroline “messed around” with three other boys.
  • Before he was kidnapped, Ethan was heading to his friend’s house. He was wondering if he could stay overnight and he became excited at the prospect of using Jesse’s binoculars to spy on his babysitter. He hopes that she’ll “take off her shirt and everything.”
  • While at a party, Caroline describes seeing two people “groping each other like two eighth graders under the bleachers.”
  • While intoxicated, Caroline takes off her shirt and tells Ethan to kiss her. He does; Ethan describes “getting hard” as they grope each other. He says, “her tongue is in my mouth, and she’s putting her hands on my shoulders and back.”
  • Kissing Caroline triggers memories of Ethan’s sexual trauma from his captivity. He remembers, “Hands on me. Rough hands. Big hands. Not stopping. Not when I pleaded for them to stop and then gave up when the pleading only made it worse.”
  • Dylan was likely sexually abused during his captivity, but it is not described. Caroline is disturbed when imagining “Dylan being touched or hurt.”
  • Ethan talks to his therapist about his abduction. Ethan says, “‘When I was with him, sometimes my body responded then, too. Even though I hated what was happening.’” He questions whether this means some part of him wanted the sexual acts.
  • When Caroline’s mother tells her that her father is having an affair, she says, “Your father is having sex with someone else.”

Violence

  • In an article detailing the boys’ reappearance, Ethan and Dylan’s captor, Marty, is described as dying of “a self-inflicted gunshot when authorities attempted to arrest him at his workplace.”
  • Ethan and Dr. Greenberg talk about the protesting of nukes in the eighties. Ethan thinks to himself, “People don’t talk about countries firing nuclear weapons much anymore. It’s just terrorists blowing shit up or people shooting up schools that freaks everybody out.”
  • Both Ethan’s and Dylan’s roadside kidnappings get described in detail and each description is about two pages in length. Both boys are held at gunpoint. Ethan recalls his captor telling “me to get down. Get on the floor, this is a gun on your neck.” Ethan describes, “The [gun’s] metal feels heavy on me. Heavier than the guy’s hand.” The weapon is never fired, and no physical injuries are noted.

Drugs and Alcohol

  • Ethan takes prescribed medications to ease his anxiety and help him sleep. At one point, he reveals he is taking four different prescriptions.
  • When they are together, Caroline and Jason often smoke weed and drink heavily spiked sodas. Caroline muses that Jason “only gets sweet and gentle when he’s high.”
  • Ethan recalls smoking weed at fifteen and possibly even younger.
  • While at a friend’s house, Caroline drinks Shiners from the fridge.
  • While her father is in the kitchen, Caroline takes a beer from the refrigerator “just to see if he’ll notice,” which he does not. She drinks half of it in her room and pours the rest out.
  • Caroline offer’s Ethan a swig of heavily spiked Diet Coke. This leads to the sexual encounter mentioned above.
  • Occasionally, adults are described as drinking beer.

Language

  • Dylan often repeats the phrase, “Damn, piece of cake.”
  • Occasionally, Ethan or Caroline will use the words hell, ass and fuck.
  • Shit and bullshit are said multiple times.

Supernatural

  • None

Spiritual

  • After Dylan’s return, Caroline prays to God, though she is uncertain if she believes in him. She thanks God for bringing her brother home.
  • Near the end of the story, she again thanks God, even though she is pretty sure she doesn’t believe in him.
  • Ethan and Dr. Greenberg discuss why people do and don’t believe in God. Dr. Greenberg mentions that he is Jewish, but doesn’t elaborate on his beliefs. They briefly discuss atheism and Unitarian Universalism, a religion that lacks a set of beliefs and “supports the idea of everyone being on their own faith journey.”
  • Ethan thinks back to the idea he had of God before his abduction and how he began to resent God for not answering his prayers for help in captivity.
  • During one of his sessions with Ethan, Dr. Greenberg refers to the novel, Cat’s Cradle. He explains the story’s fictitious religion that involves a belief that people are cosmetically linked in ‘karasses,’ or teams, to do a section of God’s will. Ethan thinks of being connected to Caroline and Dylan in this sense and wonders why fate would link them in such a terrible way.

by Erin Cosgrove

From The Desk of Zoe Washington

Zoe Washington is a normal 12-year-old who is refusing to speak with her long-time best friend, Trevor. Her spiraling friendship with Trevor seems to be the most of her worries . . . until she checks the mail and sees a strange letter from the county prison. Could this be what she thinks it is? Is her long-lost father finally reaching out after all these years? 

All Zoe knows about her birth father, Marcus, is that he is in prison after being convicted of murder. Zoe’s mother refuses to speak about Marcus and brushes off all of Zoe’s questions. After all, Zoe has a wonderful stepfather that has taken care of her since she was born, so what need is there for Marcus? But there is a need. Zoe wonders about Marcus. Does he like Hawaiian pizza too? Why did he refer to her as “Little Tomato?” Why is he telling her he is innocent? Innocent people didn’t go to prison . . . or did they? 

For Zoe, Marcus’s letter brings up so many unanswered questions. Questions about who he is and what he did to end up in prison. But more than anything she can’t stop thinking, what if he is innocent? With each new letter and phone call, Zoe begins to piece together the clues of the crime that Marcus supposedly committed. The only problem is that nothing is adding up. Suddenly the answer seems so clear to Zoe; she needs to track down a mysterious witness to help prove Marcus’s alibi.   

But tracking down the witness is harder than Zoe anticipated . . . especially when she must keep it a secret. So, Zoe enlists the help of none other than her ex-best friend, Trevor, to travel to Harvard University to find the witness. However, the day trip turns out worse than anticipated and Zoe ends up in big trouble. Worst of all, now that she is grounded, Marcus has no one searching for the woman who may be the answer to his freedom. 

From the Desk of Zoe Washington is an inspiring story that showcases Zoe’s bravery. The plot emphasizes that even when life seems uncomplicated, it usually is anything but. The overlap between Zoe’s summer activities and her mission to prove her father’s innocence provides a delicious complexity to the storyline. The story takes a deep dive into Marcus’s conviction and the racial inequality of the justice system. The plot successfully educates the reader on wrongful convictions and racism, while maintaining a lighthearted nature that cuts the heavy feelings that can arise from such deeply serious topics. Even though the book delves into mature topics, it is not overwhelming. Instead, readers will find the story easy to understand.   

Zoe is a likable and well-written character who matures throughout the novel. Her character development reinforces that it is not the amount of time you spend with someone that matters, but instead how you spend it with them. Zoe reminisces on this towards the end of the novel when she visits Marcus in prison. “I had no idea what would happen next, but I hoped with all of my heart that The Innocence Project would set Marcus free. In the meantime, I was so thankful I found his letter on my twelfth birthday, and that he was in my life now, where he belonged.”  

Readers will sympathize with Zoe and understand her confusion when it comes to topics such as The Innocence Project and wrongful convictions – concepts that are hard to understand in the mind of a 12-year-old. Serious topics such as racism and wrongful convictions are discussed throughout the novel, but nothing of a graphic nature is present.  

While the story is intended for a younger audience, it still evokes a sense of realness within the plot and the characters. The roller coaster of emotions that Zoe goes through during her journey is easy for the reader to understand and admire. There are so many moments where the reader’s heart will reach out for Zoe. From The Desk of Zoe Washington focuses on themes such as having an unconventional family, social justice, and prison reform. The seamless, yet informative inclusion of social justice issues complements the kid-friendly nature of the novel, making it a must-read for those wanting to be gradually introduced to these topics. Middle-grade readers who want to explore other books about racial injustice should read A Good Kind of Trouble by Lisa Moore Ramé and I Am Alfonso Jones by Tony Medina. 

Sexual Content  

  • None 

Violence  

  • Zoe discusses the Black Lives Matter movement. “I knew about the Black Lives Matter movement, how Black people all over the country were getting shot by police for no good reason. If those police officers weren’t going to jail, then it made sense that the whole prison system was messed up. I never thought about whether prisons had the wrong people before. I assumed that if you committed a crime, you got the punishment you deserved, and innocent people would always be proven innocent. Apparently not.”  

Drugs and Alcohol  

  • None 

Language    

  • Zoe’s grandmother recalls a fight that Marcus got into when he was younger with another basketball player. “Marcus said that the other player, who was white, called him the N-word while they were playing. Under his breath, when nobody else could hear him.”  

Supernatural  

  • None 

Spiritual Content  

  • None 

The Greatest Zombie Movie Ever

Fifteen-year-old Justin and his friends Bobby and Gabe are amateur filmmakers . . . very amateur filmmakers. Their previous horror movies have gone unnoticed on YouTube (aside from a few derisive online comments) and no one seems particularly interested in their filmmaking endeavors. But after a minor setback during the trio’s recent vampire movie, Justin decides it’s time to pursue something new. Something ambitious. Something like making the Greatest Zombie Movie Ever.

Although Bobby and Gabe are immediately along for the ride, Justin’s plan to write, produce, and shoot the best feature length zombie movie of all time quickly hits a few roadblocks. For one thing, the trio has only a month to finish the project before Gabe leaves for the summer. Plus, they have no budget—just a highly dubious script that they cobbled together over two sleepless nights. But the boys’ luck turns around when they are able to get Alicia Howtz—the most popular girl in school and Justin’s longtime crush—to play the movie’s lead zombie-hunter Veronica Chaos, as well as secure a $5000 investment from Justin’s surprisingly cutthroat (and possibly mafia-affiliated) grandmother.

Despite a number of problems on set, the crew pushes forward with making the movie. With the help of a colorful cast of characters—including Bobby, Gabe, Alicia, Bobby’s Uncle Clyde, some extras in zombie makeup, and a twelve-year-old documentarian named Spork—Justin gives the film everything he has. It’s a noble effort, but in the end, Justin doesn’t complete this task the way he originally intended. When he is caught trespassing on school property, his principal threatens to suspend him unless he can get A’s on all his final exams. This puts his film on hold as Justin desperately scrambles to avoid repeating a grade. Five months later, when he does eventually complete the movie, it’s seventeen minutes long and mostly voiceover.

The Greatest Zombie Movie Ever is told from Justin’s perspective and, as a result, it’s a film nerd novel through and through. The text is punctuated by references to famous zombie movies and tropes, that Justin takes inspiration from. George A. Romero, director of Night of the Living Dead, comes to Justin in a vision to assure him that his scheme to film the final half hour of his movie in one shot will work. Additionally, Justin and his friends argue about whether they should include “fast zombies” or “slow zombies” in the movie; then they list good and bad zombie movies that have included each type. While non-zombie-appreciators might not understand these references, their placement does not detract from the story.

The Greatest Zombie Movie Ever deals primarily with the themes of sticking to your goals and persevering in the face of adversity, but this novel also explores when it’s time to call it quits. Throughout the book, Justin emphasizes the importance of finishing his zombie movie, but he also makes it clear that he has other priorities. After a problem with production, Justin worries that the only way to complete the movie is if “everybody was willing to skip school for two weeks. . .They weren’t . . .Nor was he.” Justin ends up sidelining the movie when he’s forced to choose between it and his education. However, he does eventually finish his film, even if the final product is much different from what he originally planned.

While the plot of The Greatest Zombie Movie Ever is not especially heavy on depth, this teen horror-comedy is a wildly entertaining exploration of zombie filmmaking, with a unique cast of characters and a heavy helping of relatively harmless comical mayhem. It’s the perfect book for teens who want a light read, especially if they are interested in zombie movies.

Sexual Content

  • During auditions, a student asks if her shirt will stay on in the movie.
  • The script includes a romantic relationship between Alicia’s character and a male lead. Justin is somewhat jealous of the two actors’ chemistry due to his own crush on Alicia, but a friend reminds Justin “it’s not like they’re slobbering all over each other through the whole movie. There’s one kiss at the very end, and they’re both covered in guts, so Alicia probably won’t be that into it.”
  • While on set, Gabe asks out Alicia’s friend, Daisy, but she turns him down because she “only dates directors.” Gabe dejectedly alerts Justin of Daisy’s availability, but Justin scoffs at this idea and reaffirms his crush on Alicia. When Gabe still insists, Justin says, “It doesn’t matter right now because unlike one of us, I’m here to make a movie, not a baby.”
  • Two actors share “a gentle kiss” at the end of the movie. Due to technical difficulties and much to Justin’s chagrin, this scene has to be refilmed several times, and the crew notes that Alicia and the male lead’s shots are especially “passionate.”
  • After he promises to complete the movie, Alicia gives Justin a kiss on the cheek.

Violence

  • Justin threatens to grab a friend “by the ears” and “bash [his] head into the floor” if he doesn’t take Alicia off speakerphone.
  • In the opening scene of his prospective script, Justin describes a helicopter crash “crushing dozens of zombies” and “leaving a thick smear of squished zombies in its path.”
  • In another scene, Justin writes that the protagonist punches a zombie in the face and then headbutts another zombie whose head “shatters like glass.”
  • During a sleepless night, Justin hallucinates his bed threatening to “bite” him “right in half” with “sharp, glistening fangs.”
  • During auditions for the movie, a student mimes swinging a shovel into a zombie’s face while repeatedly shouting “Die!”
  • While filming a scene in a park, Bobby accidentally drops the boom mic on Alicia, hitting her infected eyebrow piercing. In response, she “charge[s]” at him “knocking him to the ground.” Then, Alicia “pick[s] up the boom mic” before repeatedly smacking him in the face with it.
  • When he accidentally runs in front of a driveway, Justin is hit by a car. He wakes up in a hospital bed with both a concussion and a “mangled” arm.
  • During a heated exchange, Bobby throws a carton of chocolate milk at a school bully named Zack. It “douse[s] him like a water balloon.” In response, Zack “raise[s] his fist and step[s] forward.” The situation is diffused before anything more can happen.
  • Due to a misunderstanding, one of the cast members is tased by an elderly woman.
  • Justin’s principal, Ms. Weager, stumbles upon the crew trespassing in the school at night and is so startled by the zombified cast that she falls to the ground screaming. But she quickly stands up again and begins “knocking zombie heads together.”

Drugs and Alcohol

  • Uncle Clyde uses an e-cigarette.
  • At one point, the crew visits Uncle Clyde’s house to pick up the zombie effects. When he doesn’t immediately answer the door, Justin speculates that he is “probably drunk and unconscious.”

Language

  • Bobby says that he won’t let Justin “wuss out” on offering Alicia a part in their movie.
  • Justin’s boss frequently yells at his employees, and his tirades are often punctuated by the word “dang.”
  • At one point, Justin calls Gabe a “jerk.”

Supernatural

  • Many of Justin’s films center around supernatural creatures such as zombies, vampires, and werewolves.

Spiritual Content

  • A woman in the park tells Justin he should “spend a little less time thinking about zombies” and “a little more time thinking about the Lord.” She later refers to his cast and crew as “cultists.”

by Naomi Brenden

A Hundred Horses

Nell is not happy about spending her school vacation with relatives she doesn’t know. Expecting nothing more than silly little cousins and boring farm life, she sneaks along a special suitcase that once belonged to her father. In it, she knows, are the parts of a music box and sixteen miniature painted horses. She thinks maybe she can fit them all back together.

But the countryside has unexpected surprises. When a half-wild and mysterious girl named Angel steals Nell’s suitcase, the two girls are united in an adventure of Angel’s devising. Nighttime meetings and a horse that just might be magical, pique Nell’s curiosity. Soon, she might find a way to put together the mystery of who Angel truly is and understand the legend about the herd of a hundred horses. She may also discover something special about herself.

A Hundred Horses revolves around a fairytale about the one-hundredth horse. Some people believe that when the one-hundredth horse arrives, it will corrupt all the other horses. However, Nell’s friend Angel has learned the fairytale with a different conclusion. Angel’s story views the one-hundredth horse’s arrival as positive because the horse has magic. In the end, the one-hundredth horse’s arrival is tied into Angel’s personal story. However, many young children will not understand the significance of the fairytale and how it relates to Angel.

Nell narrates the story, which allows the reader to understand her complex thoughts. Despite this, some readers will have a difficult time connecting to Nell. The story grows at a slow pace because most of the suspense revolves around the mystery of Angel, who doesn’t want anyone to know she is back in town. Nell’s interactions with Angel allow Nell to look beyond Angel’s appearance. Because of her relationship with Angel, Nell realizes, “I knew what it meant when you don’t let people stick around. You’re scared that they don’t really want to know you, that when they do, they’ll leave you anyway. So you make yourself not care about them first.”

The book slowly weaves a story about friendship, family, and self-acceptance. While a horse and a foal make several appearances, they are not a focal point. Instead, the girls’ feelings of abandonment and their budding friendship take center stage in this heartwarming story. Readers who enjoyed Louisiana’s Way Home by Kate DiCamillo will like this book. However, many readers will have a difficult time reading to the end of the story. If you’re looking for an engaging book that explores the loss of a parent, you should read My Father’s Words by Patricia MacLachlan.

Sexual Content

  • Nell’s father “ran away to a place called Las Vegas with someone—called Susie or something. . .”

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • Because of the legend of the hundred horses, Nell wonders if Angel is a real angel. Nell ponders, “Isn’t that what real angels did? Watched over and protected us just at the time between life and death.”
  • Angel thought Nell was an angel. Angel says, “I know I kept telling you to go away, but you didn’t I thought that meant you must be an angel. Only you’d lost your wings, so you’d forgotten you could fly.”

 

 

The New Olympians

There is a horse named Tornado Warning that’s winning every race he enters—and faster than ever before seen—and Emily thinks the animal looks a lot like Pegasus. Afraid of what this might mean and of what Jupiter might do if he finds out, Emily, Joel, Paelen, Pegasus, and the sphinx Alexis decide to go to Earth to investigate. There they discover a plot to replicate Olympians and Nirads. The CRU has already created dozens of clones. Now they want to create their own Emily clone—and it doesn’t matter to them if the original Emily dies in the process. 

Can Emily and her friends put a stop to the CRU’s plans before Jupiter finds out and follows through on his threat to destroy the Earth? 

The New Olympians’ plot revolves around the CRU’s ability to make clones of the Olympians. The Olympians believe making clones is unnatural and that the humans must be stopped. Emily’s thoughts, the descriptions of the clones, and the Olympian’s views all reinforce the idea that making clones is immoral. To make matters worse, the CRU hopes to use the clones to dominate the world. An agent explains, “One world order isn’t a bad thing, Emily. There will be no more borders, no more wars . . . One language, one people and one country. . . The CRU is going to create Olympus on Earth.” In order to achieve this, the CRU will murder anyone who opposes them. While Emily has no desire to hurt anyone, she has no choice but to destroy the CRU facility and anyone who tries to stop her.  

The New Olympians has a more serious tone and ramps up the violence. Sensitive readers may be upset by the treatment of the clones, some of which have deformities and are kept in cages. While none of the actual deaths are described, the number of people who are injured, killed, and punished may be upsetting.  

One negative aspect of the story is inconsistencies in the characters’ actions. For example, even though the CRU can identify Paelen, he still puts himself and others in danger when he goes to the Las Vegas strip to see the sights. In the first two books, Paelen tries desperately to prove that he is no longer a thief. However, in The New Olympians, he steals several times and acts as if he enjoys the thrill of thievery. In another instance, Emily and her friends’ original goal was to verify that the CRU had indeed made clones. However, instead of reporting back to Jupiter once they’ve confirmed the existence of clones, the group decides to confront the CRU. Despite their knowledge of the CRU’s cruel tactics, the group makes several unrealistic decisions. For example, Agent T, who used to work for CRU, leads the group to a small town close to Area 51. Even though he knows the area is crawling with agents, Agent T thinks the group will go unnoticed. However, Agent T is quickly dispatched. Agent T’s presence doesn’t shed light on any new information which makes that section of the story feel unimportant and a waste of pages. 

Readers who have read the first two books in the series will find The New Olympians frustrating because of the story’s inconsistencies, Emily’s lack of character growth, and events that do not advance the plot. However, readers may enjoy the reappearance of several characters from the previous books. The New Olympians wraps up the main conflict with the CRU’s clone-making abilities, which allows the next book in the series, Pegasus and the Origins of Olympus, to take Emily back in time to the origins of Olympus and to the deadly battle between the Olympians and the Titans. Readers who love traveling to other worlds where pegasi live should also read the Riders of the Realm Series by Jennifer Lynn Alvarez. 

Sexual Content  

  • After Joel scores a winning goal, the sphinx Alexis “brushed back the hair from Joel’s eyes, leaned forward, and kissed him full and long on the lips.” The kiss makes Emily jealous. 
  • The newspaper prints a picture of Tornado Warning, who looks like Pegasus’ twin. One of the Olympians asks Pegasus, “Did you get up to some mischief while you were in Emily’s world?” 

Violence  

  • Emily and her friends break into a house that belongs to Agent T and Earl. When Agent T comes down the stairs, he screams. “Alexis knocked to the floor a long-haired man wearing a brown bathrobe. Emily received her first look at Alexis’s eating teeth as the Sphinx stood on the man’s chest and prepared to kill him. . . Huge, sharp canines filled her mouth as her jaw unhinged to allow her to open her mouth wider than Emily had thought possible.” Joel calms the sphinx down before anything worse happens.  
  • A newspaper article describes a robbery, saying “there was only one survivor of the massacre.” 
  • Another newspaper article describes a boy who broke into a chocolate store. “One witness said he was super strong and tossed everyone around like they weighed nothing.”  
  • When Pegasus sees Tornado Warning, Pegasus attacks him. “Tornado Warning charged out of his stable. Rearing up, the two glowing stallions attacked each other with all the fury they possessed. Pegasus’s wings opened and smashed at Tornado’s head, knocking him into the large open training ring.”  
  • Pegasus’s brother tries to stop the fight, but “all his presence did was to infuriate Tornado Warning further. The gray stallion rose high in the air and came crashing down on Chrysaor with his powerful front hooves. Driven to the ground, the winged boar squealed in pain.” Chrysaor is injured.  
  • Ranch hands hear the horses fighting and go to investigate. “A blast from a shotgun fired at Pegasus alerting the group. . . [Emily] raised her hands in the air. No flame emerged, but the man was lifted over the heads of the fighting stallions and thrown to the opposite side of the stable.” Agent T holds the ranch hands at gunpoint.  
  • The stallions continue to fight. “Pegasus was steadily gaining over Tornado. Despite the racing stallion’s strength, he was no match for the enraged Olympian . . . Tornado Warning was covered in blood from the deep cuts caused by Pegasus’s hooves. His eyes were closed, and he wasn’t breathing.” The fight is described over six pages. 
  • Agent T needs information about Tornado Warning. A ranch hand named Rip refuses to talk, so Agent T “slapped Rip across the face.” Rip is still defiant and Alexis attacks. “Moments later Rip Russell was on the ground, crying in pain and grasping his lower legs. His jeans were torn from Alexis’s claws, and blood was rising to the surface.”  
  • When Rip and some other ranch hands try to grab Emily, Alexis attacks them. Emily closes her eyes, so she doesn’t see the attack, but Agent T tells her, “Keep your eyes shut; you don’t want to see this.” Alexis kills the men who were “going after Emily.” Later, Emily sees blood on her clothes.  
  • When Agent T tries to talk to the CRU, they attack him and Alexis. Alexis’ wings are dislocated. Alexis thinks Agent T is dead, so she runs to warn the others. 
  • The CRU soldiers try to capture Emily and her friends. When the soldiers arrive, “Popping sounds filled the air as they fired. [Emily] felt the stings on her arms and back and realized they were using tranquilizer darts. . . She held up her hand and released the laserlike flame at the nearest military vehicle. It exploded in a brilliant blast.” This causes a chain reaction that blows up the other vehicles.  
  • The CRU also try to capture Tornado Warning. The horse “stopped, spun around, and charged the soldiers who were trying to capture him. . . He instinctively used his wings as weapons. He flapped them and struck the men who were trying to catch him. Others were kicked by his lethal hooves. . . the winged racehorse [was] finally brought down by the countless tranquilizer darts being shot into him.” 
  • During the attack, Joel is shot. In anger, Emily goes after the military helicopters. “Emily focused her eyes on the closest helicopter. . . Emily raised her hands and unleashed the flame.” The story implies that Emily destroys all the helicopters. The attack is described over five pages. 
  • While walking down a Las Vegas street, two men “pulled out weapons and shoved them into Paelen’s and Joel’s backs.” They take Paelen, Joel, and Frankie to their mob boss. After the mob boss threatens to kill them, Joel and Paelen attack the men. “A shot went off and hit Joel’s arm, but the bullet ricocheted off the silver and hit one of the men.” Paelen is shot in the head. “The bullet knocked Paelen backwards. He felt a searing pain in the center of his forehead. . . Joel charged the shooter. . . The tattooed man cried out as the bones in his arm shattered under the impact of Joel’s silver arm.” The scene is described over seven pages. 
  • After subduing the mob boss’ men, Joel tries to get the mob boss to talk. When he refuses, Joel “put his silver hand around the man’s throat and hoisted him up in the air. As the tattooed man squirmed and tried to break free, Joel slammed him hard against the wall.” The man eventually talks. Joel and Paelen then tie up the man and leave. 
  • When Paelen’s clone sees him, the clone attacks. The clone “smashed through the diner door and turned on Paelen. It screeched and roared and charged at him with murderous fury in his eyes. . . The clone lifted Paelen in the air and threw him through the plate-glass window of the diner. . . The clone struck out at Joel with a brutal blow that threw him several meters in the air. Joel landed on the roof of a seller’s pushcart and slipped down to the ground, badly winded.” 
  • As the fight continues, Paelen “tore up a streetlight from the pavement and used the pole like a bat, smashing the clone into a tall, brightly lit casino sign. Lightbulbs burst and sparked as debris poured down into the street.” As Paelen and the clone throw each other around, they start a fire. 
  • Ignoring the fire, Paelen “hurled the clone at the biggest, heaviest thing he could find—a lighted wall of a casino. The casino’s sign exploded with the impact, and the wall crumbled. As the clone fell to the ground, part of the lighted sign collapsed and fell on top of it.”  
  • A police officer raises his weapon at an injured Paelen. When Paelen refuses to stop, the officer shoots a taser. “Electrical current tore through him. He lost control of his muscles and collapsed to the ground, convulsing. The pain was intense, and he couldn’t move.” Paelen passes out and wakes up in jail. The fight scene is described over five pages. 
  • Paelen breaks out of jail, and returns to his hiding place, but the clone is still able to find him. “The clone, caught hold of him and, screaming in rage, lifted him high above its head. Snarling with uncontrolled hatred, it hurled Paelen at the painted window. . .” Paelen falls off the building and is presumed dead.  
  • In order to keep her friends safe, Emily shoots at the military helicopters that are shooting at them. “One by one, the helicopters exploded in the air and rained fire down on the dark desert floor. Soon they were alone.” 
  • In an epic, multi-chapter conclusion, the Olympians, led by Emily, fight the CRU. Emily tries to talk to the CRU soldiers, who shoot her. Emily “felt her body exploding in pain as several bullets found their mark. Thrown backwards, she hit her head on the ground with an explosive impact.” In a panic, Emily accidentally makes Alexis and Pegasus disappear and Emily assumes she has killed them. 
  • When Jupiter finds out what is happening on Earth, he takes his two brothers—Pluto and Neptune—to Earth. To help Joel, the three go to the police station. The police “opened fire on the chariots. Unaffected by their bullets, Jupiter returned fire with his lightning bolts. Suddenly the ground beneath the police exploded as Neptune commanded water to come forth.” 
  • When another police officer shoots at Pluto, “he swept his hand in the air. An instant later, the officer collapsed dead to the ground.” As they talk to the police, helicopters appear. “A second rocket was fired at the Olympians. Jupiter raised his arm, and the rocket shot away from the chariots and tore into the police station. The rocket exploded on impact. . .” Jupiter “fired powerful lightning bolts at [the helicopters]. They burst into flame and crashed down to the street in a heap of burning metal.” 
  • The military continues to shoot weapons at the Olympians, who remain unharmed. The weapons “were defeated by the Olympians’ powers and crashed into a big black pyramid-shaped building. The light at its top went out, the windows exploded, and the building burst into flame.”  
  • The CRU captures the Nirad prince, Toban. They secure him to a table with gold and the gold burns his skin. The gold “scalded him until his skin smoldered, opened, and bled. [Emily] watched scientists extracting fresh black blood and skin samples from the suffering young prince. . . The prince’s eyes were shut as he writhed and howled in pain. The tight gold bands were cutting deep into his smoking, open flesh.” 
  • To destroy the CRU’s ability to make clones, Emily destroys Area 51. “Emily unleashes her power. Laserlike flames rushed from her hands and burned their way into the buildings. . . The sounds of the groaning and crumbling facility filled the air and grew in intensity until they become almost unbearable . . . The dust settled, and where once stood the CRU facility was nothing but an impossibly large crater.” 

Drugs and Alcohol 

  • When Emily meets Tornado Warning, one of the workers tells her, “Tornado Warning is loco. He has killed two riders. No one can touch him unless he is drugged.” In order to control Tornado Warning, the horse is given sedatives.  
  • In order to keep Tornado Warning from fighting with Pegasus, the horse is given “heavy tranquilizers” that make him sleep.  
  • Paelen meets a homeless boy named Frankie. Frankie’s mother abandoned him, and the boy is being cared for by a man who is drunk often. 
  • In order to steal money, Paelen targets a drunk gambler. 

Language    

  • The adults use profanity infrequently. Profanity includes darn, heck, damn, and hell. For example, Agent T asks Emily, “what the hell are you doing back here?” 
  • Oh God and Lord are used as exclamations several times.  

Supernatural 

  • The story includes many Greek Gods, who have supernatural powers, such as the sphinx Alexis who can “read a human’s intentions.” 
  • The sphinx Alexis is given Pluto’s helmet of invisibility so she can travel around Earth without being seen. 
  • Emily can heal others. She also has new, unpredictable powers. She explains, “Sometimes I can move things. Sometimes items disappear and I can never find them again. And sometimes they explode.” 

Spiritual Content  

  • When Emily plans to go to Earth without permission, she “prayed she would be returning to him in Olympus soon with good news.” 
  • When Earl finds out about Tornado Warning, he says, “pray to God he’s just a horse and not an Olympian clone.” 
  • When Emily leads the military away from her friends, Paelen prayed, “Be safe, Emily.” 
  • At Agent T’s request, Jupiter turns him into a willow tree. Jupiter explains that Agent T is a “very happy” tree. “Agent T will never feel pain but can still experience joy. He can think, speak, and live a long and happy life with Alexis.” 
  • In order to punish the CRU staff, Pluto changes them into Prometheus Oak trees. “Being turned into a Prometheus Oak is living torture. He will remain fully conscious and aware of his previous life. He will feel everything. . . His bark is like breaking bones, and when the wind blow through his leaves, you will hear him screaming.” 

The Midwife’s Apprentice

A girl known only as Beetle has no family, no home, and no future until she meets Jane the Midwife and becomes her apprentice. As she helps short-tempered Jane deliver babies, Beetle—who renames herself Alyce—gains knowledge, confidence, and the courage to want something in life for the first time. 

At first, Alyce thinks she is unimportant and unworthy of kindness. The midwife often reminds Alyce that she is a nimwit, a lackwit, and has no brains. At first, Alyce believes the midwife’s assessment of her and silently takes the midwife’s abuse. Slowly, with the help of fate, Alyce begins to realize that she is worthy and deserves a real name. However, Alyce’s growing confidence is often overcome by fear. And when Alyce faces failure, she runs away from the midwife and leaves the village. While she is gone, she learns to value herself and to ask herself what she really wants.  

As the title implies, the story revolves around a midwife who often delivers babies. While none of the births are described in detail, there are some long descriptions of the herbs and potions that are used during birth. In addition, the story discusses some of the medieval superstitions revolving around birth. Because Alyce is the midwife’s apprentice, she accompanies the midwife and learns many skills through observation. Due to this, there is little action (after all, babies take time and patience to deliver.) 

While Alyce isn’t necessarily a relatable character, readers will still sympathize with her plight and understand her fear of failure. Originally, Alyce allows her fear and uncertainty to paralyze her, but she eventually learns that failure is part of life and she must “try and risk and fail and try again and not give up.” Even though Alyce is frightened, she is brave when a boy almost drowns and she saves him, and when a woman is struggling to birth her child, Alyce uses her knowledge to safely bring the child into the world. These events help Alyce learn that “everyone is somebody” and everyone deserves to be treated with kindness. It is Alyce’s compassion for those in need that make her a truly remarkable character.  

The Midwife’s Apprentice received the Newberry Medalist award. It has universal appeal because Alyce wants what every human wants—to be loved. Through Alyce’s experiences, readers will step back into medieval times and learn about their superstitions, customs, and the importance of midwives. The rich period language, advanced vocabulary, and slow pace make The Midwife’s Apprentice best for strong readers who are interested in the topic. Readers who stick with the story will fall in love with Alyce and her cat, and the story’s conclusion will leave readers with a warm glow and encourage them to never give up.  

Sexual Content  

  • Alyce spies on the midwife and sees her kissing the baker, “and him with a wife and thirteen children in their cottage behind the ovens.”  
  • While looking at a comb, the merchant says, “Comb those long curls till they shine, girl, and sure you’ll have a lover before nightfall.”  
  • Some of the village boys have “too much ale and too few wits.” When they see Alyce, a boy says, “Dung Beetle, give me a kiss.” Alyce runs away. 
  • The priest opens the door to a barn and sees “the smith’s lardy daughter, and the pockmarked pig boy from the manor. The boy gathered his breeches and flung himself out the barn window.” Their behavior was blamed on the Devil. 
  • While looking for a friend, a man looked at Alyce and said, “Forget this Edward, curly top. . . Climb up here on this hay bale and give me a warm, sticky kiss.” Alyce tells the man, “Save your sticky kisses for your wife or your cow.” 

Violence  

  • The boys in the village are mean to Alyce and her cat. “The taunting, pinching village boys bedeviled the cat as they did her, but he, quicker and smarter than they, always escaped. She did not, and suffered their pinching and poking and spitting in silence. . .” 
  • Two of the village boys throw rocks at Alyce, “which made the villagers laugh.” 
  • One day the village boys capture the cat. A boy put the cat in a sack with an eel. “And the sack with eel and cat was tossed into the pond.” Alyce saves the cat. 
  • A boy drags Alyce to a pregnant woman’s house to help deliver a baby. When Alyce doesn’t know what to do, the woman yells, “‘ ‘By the bones of Saint Cuthbert, they have sent me a nimwit! You lackwit! No brains!’ Screeching still, the miller’s wife let go of Beetle’s arm and began to throw at the girl whatever she could reach from her bed—a jug of warm ale, half a loaf of bread, a sausage, the brimming chamber pot.” The midwife shows up and sends Alyce away. 
  • For fun, a mean boy would sit on Alyce, “so Jack and Wat could rub chicken manure in her hair.” The miller was also mean to Alyce. He “pinched her rump when she brought grain to the mill.” 
  • When the village boys begin teasing Alyce’s cat, “she took a handful of nuts, the biggest and hardest and heaviest in her basket, and heaved them at the boys.” Then she yells, “Touch that cat again and I will unstop this bottle of rat’s blood and viper’s flesh and summon the Devil, who will change you into women, and henceforth each of you will giggle like a woman and wear dresses like a woman and give birth like a woman!” The boys leave the cat alone. 
  • A pregnant woman sends someone to get Alyce, instead of the midwife. The midwife is furious and “she began to throw cooking pots.” Alyce quickly leaves the room.  

Drugs and Alcohol  

  • The midwife uses herbs and other plants such as “columbine seeds to speed the birth, cobwebs for stanching blood. . . jasper stone as a charm against misfortune, and mistletoe and elder leaves against witches.” 
  • Throughout the story, both children and adults drink ale. The adults also drink wine. 

Language    

  • After Alyce pulls the cat out of a pond, she says, “Damn you, cat, breathe and live, you flea-bitten sod, or I’ll kill you myself.” 
  • The midwife insults Alyce and calls her derogatory names such as a “clodpole,” “brainless bratt,” “good-for-nothing,” “shallow-brained wiffler,” etc. Other villagers call Alyce names as well. 
  • While delivering a baby, the midwife tells the woman, “Push, you cow. If an animal can do it, you can do it.” 
  • Alyce saves a boy from drowning in the river. When he calls Alyce brave, she says, “I near pissed myself. I did it for else you’d have drowned and gone to Hell, a drunken loudmouth bully like you, and I would have helped send you there. . .” 
  • The saints’ names, such as “corpus bones,” are used as exclamations, but rarely. For example, a pregnant woman says, “Let me die. By the bones of Saint Mildred, let me die.”  

Supernatural 

  • The midwife requested “a murder’s wash water” to help in delivering babies.  
  • People are superstitious and think there are witches and devils in town because a two-headed cow was born and a “magpie landed on the miller’s barn and would not be chased away.” Then they see strange footprints and the villagers are “convinced the Devil had found their village and was looking for souls to lead into sin.” For a while, when people were found sinning, the villagers thought the Devil tempted them. 
  • People believed that “newborn infants are readily seized by fairies unless salt is put in their mouths and their cradles, that a baby born in the morning will never see ghosts, and that a son born after the death of his father will be able to cure fevers.” 
  • The villagers believed that twin cows were “a joy and a boon while twin babies were ill-starred and unlucky.” 

Spiritual Content  

  • When the hay had been cut and was drying, “the village [was] praying for rain to hold off until the grain was safely cut and stored away.” 
  • When the midwife injures herself, “her furious oaths made Beetle truly fear she was a witch, for only someone who had truck with the devil could know such words.” 
  • Alyce helps birth a cow. During the labor, a boy tells her, “Rub her head and belly. If we can but calm her, God will tell her and the calf what to do.” 
  • An innkeeper cheats her customers. She tells Alyce, “Thundering toads. . . I am sure God does not begrudge me my little economies.”  
  • A peasant “cursed God for making him a peasant and not a lord.”
  • While delivering a baby, Alyce “called on all those saints known to watch out over mothers—Saint Margaret and Saint Giles and Saint Felicitas, and even Saint Loy who protects horses, and Saint Antony, who does the same for the pigs, for she believed it would do no harm.” After the baby is safely born, “the man and the servants, still on their knees before her, prayed and thanked her for the cure of their mistress.” 

The Trials of Hairy-Clees

Zeus and the other gods at the Mount Olympus Pet Center are finally working together like a well-oiled machine. . . until they discover a multi-headed monster looming over Greece. And on top of that, a pesky new arrival is trying to join the Olympians.

It turns out defeating the monster is only one challenge on a long list of trials. Zeus and his team of gods—Athena, Demeter, Poseidon, and Ares—are facing their toughest quest yet. Even with some unexpected help from a feathered friend, can they succeed? Or have Zeus the Mighty and his Olympians met their match?

The Trials of Hairy-Clees mixes Greek Mythology, animals, and plenty of mayhem into an entertaining story that will have readers laughing out loud. In the third installment of the Zeus the Mighty Series, Hermes (a hen) makes a spectacular entrance. From the start, Ares (a pug) wants to help Hermes, because of her bravery. In a desperate attempt to get Hermes to leave, Zeus tells the hen that she can’t be an Olympian because she’s not immortal. Unfazed, Hermes is determined to complete the labors of Heracles, become immortal, and join the Olympian flock.

Readers who aren’t familiar with Greek Mythology will easily understand the book because the pet store owner listens to a podcast, “Greeking Out,” about the Greek myths; this allows the reader to get a quick lesson on the mythology that is necessary to fully appreciate the book. The book’s plot parallels the information given in the podcast, which helps readers understand key events.

In The Trials of Hairy-Clees, everyday objects become the relics and monsters of ancient Greece. For example, the animals believe a misting fan is the Hydra, a snake with many heads. The high-action plot, humorous situations, and black and white illustrations blend to make a fun series that will keep readers turning the pages. Each illustration shows the Greek gods, which gives the reader a visual and helps them understand the plot and the gods’ emotions. Plus, large illustrations appear every one to five pages.

In the end, Hermes plays a vital role in defeating the Hydra and even Zeus admires Hermes’ bravery and determination. After Hermes’ brave deeds, the Olympians decide to help Hermes complete all Heracles’ labors, which will have readers eager to read the fourth book in the series, The Epic Escape From the Underworld. Readers who love humorous stories about brave characters should put the Zeus the Mighty Series at the top of their must-read list. For more humorous books that put a spotlight on mythology, check out the Odd Gods Series by David Slavin and The Unicorn Rescue Society Series by Adam Gidwitz.

Sexual Content

  • None

Violence

  • While getting ready to attack the sea monster, “Zeus the Mighty’s world turned black and white. He had been swallowed by what seemed like an endless cloud of dirty white fluff . . . The stuff tickled his nose and poked into his mouth. It was like he was being crushed by a feather duster.” When the hen notices Zeus, she introduces herself.
  • The pet owner saves Hermes the hen from certain death. Hermes “was in line to receive the Kentucky-fried treatment.”
  • Much of the book’s humor and violence comes in the form of the cat, Athena, chasing Hermes. For example, when Athena sees Hermes for the first time, Athena leaps out. “The hen leapt backward with a flurry of wings, just a feather’s breadth from Athena’s claws. . . The cat sunk low, preparing for a second pounce, her tail twitching.” When Demeter yells at Athena, the cat stops the attack and “peered around sheepishly, her eyes no longer wild.”
  • As Zeus and Demeter are talking, they hear “a bloodcurdling hiss . . . Hermes was scrabbling below, her wings held wide, as if she were trying to take flight. Hot on her tail was Athena, claws out.” Hermes is able to escape.
  • In order to complete one of the labors of Heracles, Hermes must take on the Hesperis. Hermes “pulled the small wooden Zeus figure from beneath her wing. She threw it at the lead Hesperis. The flaming creature squealed when it struck her in the chest.” Hermes realizes the Hesperis aren’t as dangerous as they appear, and she is able to complete the task
  • Athena tries to attack Hermes. “Just as Athena was about to crash into her would-be prey, Hermes raised a wing and batted the cat aside. Athena tumbled gracefully, and then rolled to her feet. Her eyes remained focused on Hermes, but they no longer had that crazed look.” When Hermes stops running from Athena, Athena no longer wants to pounce on her.
  • Hermes, the Olympians, and the Amazons work together to kill the Hydra (a fan). “The monster’s five heads raged above [Zeus]. They swiveled to aim their foul fog at the Amazon flock, which was closing in fast. . . One after another, the birds release their payloads. The boulders [tennis balls] sailed through the air toward the Hydra’s chest. . . the five spinning heads slowed. The gale winds decreased.”
  • The fight against the Hydra continues as Zeus “yanked off his cloak and tossed it at the monster’s heads. . . In the next instant, the cloak slipped through the helmet’s bars and dropped directly onto the Hydra’s spinning heads. . .” The Hydra is defeated when it “detached from the wall and crashed to earth.”

 Drugs and Alcohol

  • None

Language

  • Athena is put in Ares’s dog crate. When Zeus talks to her, he says that “Ares’s place smells like pug butt.”
  • Poseidon calls someone an oaf.

Supernatural

  • Zeus finds a lion squeaky toy, that Athena thinks is “an incredibly potent relic. . . Whoever wears the hide of the Nemean lion is imbued with its powers. In other words, you’d be indestructible!” Zeus puts the squeaky toy over his head and the toy saves him from harm several times.

Spiritual Content

  • None

Gregor the Overlander

When eleven-year-old Gregor and his two-year-old sister, Boots, fall down an air duct in their laundry room, they find themselves in Underland: an underground world that has remained hidden from the surface dwellers for centuries. Underland is populated by the friendly but fierce Underlanders, who live in the underground city of Regalia. However, Underlanders are not the only ones who live in the dark. Giant, talking animals inhabit this strange place: enormous bats, upon whom the Underlanders ride and fly, cockroaches, spiders, and worst of all, rats.

The rats are the sworn enemies of the people of Regalia and when Gregor arrives, word begins to spread that he may be the warrior spoken of in an ancient Underland prophecy; a warrior who will save Regalia from the rats. Gregor, however, just wants to find his father, who’s been missing for over two years and may be lost somewhere in Underland. On his quest to recover his father, Gregor learns many important lessons about courage, friendship, and perseverance.

Those who read Gregor the Overlander will enjoy its unrelentingly quick pace and action. The peculiar and intriguing world of Underland, the fantastical and dangerous creatures, the mysterious “Prophecy of Gray,” and the hunt for a boy’s lost father are sure to hook the reader for the entirety of the story. The action, while violent and bloody, is not gory. Often, giant bugs or animals are wounded and killed in battle, which some may find more palatable than human violence.

The story is rife with themes that are important for every child to explore, such as family, friendship, sacrifice, courage, and empathy. Throughout the book, Gregor is unceasingly loving, kind, and protective of his little sister, and in the darkest moments of his quest, Gregor finds strength and hope in the thought of reuniting with his father. Gregor is not a perfect character though; he often finds himself losing his temper and judging others too quickly, like the cockroaches Tick and Temp. However, Gregor learns that these humble creatures possess virtues of their own and are deserving of respect and dignity. Gregor also frequently butts heads with two young Underlanders (who also happen to be royalty in Regalia), Luxa and Henry. However, after Luxa rescues Gregor and vice versa the two begin to trust and respect one another, planting the seeds of friendship.

Throughout the story, Gregor expresses doubt that he is in fact the warrior spoken of in the Prophecy of Gray. However, he continually demonstrates courage in the face of danger, surprising both himself and the Underlanders. In the end, Gregor finds that he is willing to sacrifice himself for his friends. Throughout the story, Gregor develops into a courageous, yet thoughtful young man. Though the story is self-contained, it also sets up the sequel, Gregor and the Prophecy of Bane, quite nicely.

Gregor the Overlander’s unique blend of fantasy, mystery, and adventure combine to create a story that is sure to entice and delight young readers. Plus, readers will find it easy to identify with Gregor and imagine how they would react to the challenges he faces. The fast-paced story with its unique world, its pulse-pounding action, and its compelling characters ensure that readers won’t want to put it down until they’ve finished, after which they’ll quickly reach for the next one, Gregor and the Prophecy of Bane.

 Sexual Content

  • None

Violence

  • When Gregor tries to escape and return home from Regalia, two rats find him and Boots, intending to eat them. The kids are saved when a squad of Overlanders comes to their rescue, but there are many bloody wounds sustained in the ensuing battle. One of the rats bites the wing and throat of a bat, and an Underlander cuts off a rat’s ear “with one stroke of her sword.” Gregor “thrusts his torch into [the rat’s] face,” causing him to stumble back “right into Henry’s sword.” A bat sprays blood from a wound in its wing, and another rat dies when stabbed through the throat.
  • Luxa, a human Underlander, “crossed the room and struck [Gregor] on the face” for attempting to escape Regalia’s palace.
  • A woman and her bat barge into a meeting, the woman “pressing her hands to her chest to stem the flow of blood [while one of her] bat’s wings folded in, but the other extended at an awkward angle, clearly broken.” The woman delivers a message, then passes out.
  • A giant spider nearly eats Luxa, but she is saved at the last moment: “From above, a jet of silk shot down, encircling Luxa’s sword arm and jerking her from her bat. The pair of striped legs reeled her in like a fish.” Gregor saves Luxa by spraying the spider in the face with a can of soda: “Just as the fangs were about to pierce Luxa’s throat, [Gregor] flew up and popped the soda can top. The stream of root beer shot out and smacked the spider queen right in the face. She dropped Luxa and began to claw at her six eyes.”
  • A brown spider who has been wounded and is “oozing a strange blue liquid” dies. A different spider “began to pump juice into [the dead spider]” and eats him.
  • Henry, a human Underlander, stands over Ripred the rat as he sleeps, “ready to plunge his sword into [Ripred’s] back,” but the rat awakens at the last second. “In the split second Henry drove the blade down, Ripred flipped onto his back and slashed his terrible claws. The sword cut across the rat’s chest as Ripred tore a deep gash along Henry’s arm.” The scene takes place over three pages.
  • Tick, a cockroach, charges a group of rats, sacrificing herself in order to save Boots. She dies when a “rat sprang forward and crushed [her] head in its jaws.”
  • Many rats fall from a bridge after Luxa and Henry sever it with their swords. The rats plunge into a river below where “enormous piranha-like fish surfaced and fed on the screaming rats.”
  • Ripred, a rat ally to Gregor and his quest, “tore out [one rat’s] throat with his teeth while his back feet blinded the second. In another flash, both rats lay dead.”
  • Gorger, king of the rats, using his tail, “slashed poor Gox (a friendly spider) in half.”
  • Gregor jumps off a cliff, and many rats follow him over the edge, as does the Underlander Henry. A bat dives down and saves Gregor, who sees “the rats beginning to burst apart on the rocks below,” and just before Henry hits the rocks, Gregor turns away. The scene is described over three pages.
  • Gregor falls off of a cliff and nearly breaks his nose when caught by Ares the bat: “At that moment, Gregor slammed into something. ‘I’m dead,’ he thought, but he didn’t feel dead because his nose hurt so badly and his mouth was full of fur. Then he had the sensation of rising and he knew he was on Ares’s back.”
  • Gregor attempts to help a wounded bat by stitching its wing. “He cleaned off [the bat’s] wound as well as he could and applied an ointment she told him would numb the area. Then, with great trepidation, he began to sew up the rip. He would have liked to move quickly, but it was slow, careful work mending the wing. Aurora (the bat) tried to sit motionless, but kept reacting to the pain involuntarily. ‘Sorry, I’m sorry,’ he kept saying. ‘No, I am fine,’ she would reply. But he could tell it hurt a lot.”

Drugs and Alcohol

  • None.

 Language

  • Several times, Boots declares that she has pooped herself and needs to be changed.

 Supernatural

  • Gregor’s neighbor, Mrs. Cormaci, is known to read tarot cards for people.
  • A reference is made to Nostradamus the soothsayer.
  • Central to the plot is a series of ancient prophecies from the half-sane founder of Regalia, Bartholomew of Sandwich. Pertinent to this book is the Prophecy of Gray: “Two over, two under, of royal descent, Two flyers, two crawlers, two spinners assent. One gnawer beside and one lost up ahead. And eight will be left when we count up the dead. The last who will die must decide where he stands. The fate of the eight is contained in his hands. So bid him take care, bid him look where he leaps, As life may be death and death life again reaps.”

 Spiritual Content

  • None

 

Babe & Me: A Baseball Card Adventure

On October 1, 1932, during Game Three of the Chicago Cubs–New York Yankees World Series, Babe Ruth belted a long home run to straightaway centerfield. According to legend, just before he hit, Babe pointed to the bleachers and boldly predicted he would slam the next pitch there.

Did he call the shot or didn’t he? Witnesses never agreed. Like other baseball fans, twelve-year-old Joe Stoshack wants to know the truth. But unlike other fans, Joe has the astonishing ability to travel through time using baseball cards—and now he’s determined to settle one of baseball’s greatest puzzles.

 Babe & Me explores the father-son relationship through both Babe Ruth’s eyes and Joe’s eyes. Even though Joe’s father has spent little time with him, Babe Ruth points out the good aspects of Joe’s dad. Despite this, Joe struggles with feelings of resentment because his father seems more concerned with coming up with get-rich-quick schemes than spending time with him. His father, who is often angry, blames his troubles on luck. He says, “You can try as hard as you want. Be as good as you can be. But a lot of what happens in the world is plain dumb luck.” Towards the end of the book, Joe’s dad finally realizes that his relationship with Joe is more important than money.

Throughout the story, both Babe Ruth’s public persona and his private, more serious side are shown. Babe Ruth is loud, reckless, and a big spender when around people. However, when he is alone with Joe and his father, Babe Ruth has a tortured soul because of his upbringing as well as his belief that he was not a good father. Historical pictures and partial news articles are scattered throughout the story. Plus, the author explains what events actually happened and which events he made up. In addition, there are four pages of quotes from baseball players that show that even now, people do not agree on whether or not Babe Ruth called his shot.

Joe is a likable main character, who has conflicting emotions about his father. Because Joe and his father were able to spend time with Babe Ruth, they witnessed Babe Ruth’s generosity, his reckless behavior, and his emotional turmoil. However, Joe’s father is not necessarily a likable man and his change of attitude is not believable. Despite this, the fast-paced time travel adventure will appeal to sport-loving readers even though the story has little baseball action. Readers who want to learn more about Babe Ruth should also read Babe Ruth and the Baseball Curse by David A. Kelly. Middle-grade baseball fans can also jump back into time by reading The Brooklyn Nine by Alan Gratz.

Sexual Content

  • Babe Ruth sees a woman crossing the road and says, “Got a load of the sweet patootie! She is one red-hot mama!”

Violence

  • While at a park, men stood on wooden crates making speeches. As one man spoke, “some people booed, and somebody threw a rock at the guy . . .” When two policemen show up, “somebody threw a rock at one of them, and it bounced off his helmet. The cop pulled out a nightstick and hit a guy with it. . . The people in the crowd began to hiss and boo and throw things at the cops. The second cop pulled out his pistol and fired it up in the air.” The scene is described over two pages.
  • Babe Ruth was signing his autograph when one boy dropped his paper. Joe picks it up and refuses to give it back to the boy. The boy’s father “reached into his jacket and pulled out a knife.” After the fathers’ argument, Joe gives the paperback to the boy.
  • As a boy, Babe Ruth stole money from his father. “Dad caught me and beat me with a pool cue.”
  • Babe Ruth’s father “got kicked in the head in a fight outside his saloon and died when he was forty-six.”
  • Babe Ruth tells a story about a baseball player who “didn’t see a pitch coming at him. It busted his skull. He crumpled like a rag doll right in the batter’s box.” The man died.
  • One of the reasons that Joe’s father is often angry is because of his family history. His grandparents and their children were rounded up by the Nazis. Joe’s father says, “Only my father escaped, by hiding under the house. The Nazis sent the rest of the family to Treblinka, a concentration camp. They were all killed. In the gas chambers.”
  • Joe’s father catches Babe Ruth’s home run ball. His father “and a few other guys dove for it, but I got there first. They tried to beat it out of me. That’s how I got the black eye, actually.”

 Drugs and Alcohol

  • Babe Ruth is seen smoking a cigar.
  • Even though it’s prohibition, Babe Ruth orders a pitcher of beer. During his meal, “he washed everything down with another pitcher of beer.”
  • Babe Ruth says that he “was drinking beer before I could read.”

Language

  • Several times cuss words are replaced with @#$%.
  • Someone calls Joe’s father an idiot.
  • Babe says heck once.
  • While at a game, some of the other teams called out insults. Someone calls Babe Ruth an “ugly tub of guts.” He is also called, fatso, a washed-up balloon headed meatball, old potbelly, lummox, and other names.
  • Some boys are playing baseball. A boy calls a player a dope.

Supernatural

  • For Joe, baseball cards function as a time machine. When he touches an old card, “that tingling sensation was the signal that my body was about to leave the present and travel back through time to the year on the card.”
  • In order for Joe and his dad to return from the past, Joe needs “to bring a new card. . . If I didn’t have one with me, we could have been stuck in 1932 forever.”

Spiritual Content

  • While men were giving speeches on the solution to the Great Depression, someone says, “God is the answer.”

The Wig in the Window

Sophie Young and Grace Yang are best friends, seventh graders, and wannabe spies. The town of Luna Vista is quite boring, so they make a game out of spying on their neighbors. They even have a map of who and who not to spy on. But their game quickly becomes serious.  On one of their midnight stakeouts, they stumble across a terrifying scene at the home of their eccentric yet demure middle-school counselor Dr. Agford (also known as Dr. Awkward). The school counselor is hacking away at what appeared to be a piece of human flesh. Even though they are proven wrong about what Dr. Agford was chopping, the girls are still convinced that Dr. Agford is hiding a dangerous secret—and are determined to find out what it is.

Sophie and Grace attempt to uncover more about Dr. Agford, but Dr. Agford effortlessly evades the girls’ efforts to trip her up. Dr. Agford, as a respected adult, easily inserts herself into Sophie’s life. She slowly changes the girls’ neighborhood watch into a serious game of cat-and-mouse. As their investigation heats up, Sophie and Grace crack under the pressure. Their friendship, along with their investigative skills, are put to the test.

The narrative squarely focuses on Sophie’s perspective. This point of view helps the reader understand the workings of Luna Vista Middle School and Sophie’s personal life. Older readers will relate to the book’s portrayal of middle school, as the story is realistic in depicting Sophie’s thoughts about her classes, peers, and teachers. Like any preteen, Sophie also openly talks about her obsession: hers is Chinese culture, more so since Grace is Chinese American. Sophie gets “carried away with the traditional Chinese practice of feng shui . . . the idea that you can arrange your space to bring good luck and positive chi” and she takes the teachings of philosopher Sun Tzu as fact. This is notable when Sophie uses Sun Tzu’s tips about deception (when you are near, you must pretend you are far) to make sure she doesn’t reveal any information to Dr. Agford.

The story also covers cultural appropriation and interracial friendships, which is a point of conflict between Sophie and Grace’s relationship. Sophie dislikes that Grace is seemingly unengaged in Chinese culture, and Grace hates that Sophie practices activities relevant to Chinese culture without knowing their cultural significance. Grace accuses Sophie of “being superficial” because she talks about Sun Tzu, arranges her room with feng shui in mind, and practices kung fu. Sophie is performative in her adoration of Chinese culture. To Grace, Chinese culture is who she is. While Sophie never understands its importance to Grace, the two friends make up, but Sophie doesn’t move past her surface-level understanding of Grace’s culture. Through their exchanges, readers will learn the importance of being considerate of other’s cultures.

The Wig in the Window is a suspenseful yet fun story that focuses on relationships between authority figures and friends. The suspense comes from the girls avoiding Dr. Agford’s wrath, as she has a lot of sway in the community. Sophie’s narration about the school and the town gives the story a humorous and light tone. There is some name-calling that is typical of middle schoolers bad-mouthing each other, such as when Sophie’s classmates purposely mispronounce her French name as “AY-NUS” instead of “AN-YES.”

The consequences for the girls’ crimes—spying on their neighbors and breaking-and-entering—are nonexistent for the sake of the plot. Any adults that could stop the girls from investigating criminal activity are equally absent. Still, this book has lessons about appreciating other cultures and a good portrayal of interracial friendship, alongside the masterful way the girls uncover the mystery surrounding Dr. Agford. If readers enjoy the game of cat-and-mouse between Dr. Agford and the girls, and the girls’ friendship, then they should consider reading the City Spies Series by James Ponti.

Sexual Content

  • Grace is in love with one of the boys in their grade. She says “Score. He’s totally hot”
  • Sophie’s brother, Jake, says Sophie’s probably angry because it’s “probably that time of the month.”
  • Jake got busted for not being home. At first, Sophie thinks her brother, “had his own brush of death at his girlfriend’s.” However, upon closer inspection, she notices that “the red welts all over his neck proved to be hickeys.”
  • Sophie thinks of her crush, Rod. “Who cares if people still called him Rod Pimple? He was cute now.”
  • Sophie thinks about Rod’s appearance. “At Luna Vista the guys weren’t allowed to let their bangs hang over their eyes. It made him seem even cuter that he was so adorable and a rebel.”

Violence

  • Agent Stone tackles Sophie to the ground. Sophie “groaned in agony as he pressed his knee against my back and wrenched my arms behind me.” Sophie feels pain on one side of her body for the rest of the night.
  • Sophie gets out of Agent Stone’s grip so she can stop Dr. Agford from hurting Grace. The adults want to get rid of the girls because the girls were going to tell the authorities about their crimes.  “[Sophie] hoisted [her] knee up and rammed [her] foot down over his.” He loosens his grip. Then, Sophie “delivered a swift donkey kick square into his crotch.” He crumples to the ground, groaning. Finally, Sophie pepper sprays the man’s eyes. He “screamed. His hands flew to his face as he stumbled backward.”
  • Agford is trying to drown Grace, so Sophie sneaks up on Dr. Agford. Then, Sophie hits Dr. Agford so she can get Grace out of Dr. Agford’s grasp. “[Sophie] slammed the heel of Grace’s cowboy boot directly into the back of [Dr. Agford’s skull]. She let out a bloodcurdling yell and crumpled to the sand in front of [Sophie].” Dr. Agford is knocked unconscious.

Drugs and Alcohol

  • None

Language

  • Most kids at Luna Vista Middle School refer to Dr. Agford as “Dr. Awkward.”
  • Grace says “Oh my God” nine times.
  • “Thank God” is used as an exclamation five times.
  • One of Sophie’s friends says “Oh, my lord!”
  • Sophie calls herself a “psycho.”
  • After meeting with Agent Ralston, Sophie comments that the government “sure gives [FBI agents] crappy cars.”
  • When she is trying to figure out why Dr. Agford wasn’t smiling at one of the assemblies, Sophie thinks “for God’s sake.”
  • While watching an episode of Wheel of Fortune, Sophie’s grandfather yells, “Buy a vowel, nitwit!”
  • Grace and Sophie call themselves “crazy” for confronting Dr. Agford.

Supernatural

  • None

Spiritual Content

  • Sophie is obsessed with Chinese philosophy, and she explains the concept behind the teardrop-shaped half of a yin-and-yang pendant. “According to Chinese philosophy, yin and yang are opposite forces that interact with each other. Yin is dark, quiet, colder energy. Yang is active, bright, and warm energy. The two need to be in balance for harmony.”
  • Sophie’s brother likes to topple some of Sophie’s “Buddha figurines” because he thinks it’s funny to mess with her.

by Jemima Cooke

Behind the Legend: Dragons

Are giant, fire-breathing dragons real, or just a myth? You decide with this new book in the nonfiction series, Behind the Legend!

Behind the Legend looks at creatures and monsters throughout history and analyzes them through a scientific, myth-busting lens, debating whether the sightings and evidence provided are adequate proof of a creature’s existence. In Behind the Legend: Dragons, readers learn about the sightings and “proof” of dragons from stories throughout history. The authors explore stories of dragons terrorizing towns, the people who claim to have fought dragons—such as St. George—and dives into stories from diverse cultures such as China, Japan, and Mexico. This book discusses additional history about the monster, including how dragons became major figures in popular culture. 

If you’re interested in dragons, then Behind the Legend: Dragons is a must-read because of the plethora of facts and stories. Readers will learn about the first dragon poem, Beowulf, as well as many other ancient stories and myths. The black-and-white illustrations show what ancient people thought dragons looked like. Even though Dragons is non-fiction, it is filled with dragon stories from different cultures, such as the Incas of Peru. The book explains how some cultures viewed dragons as monsters, while others believed dragons were divine. Peabody concludes with stories of the real-life dragons that still live on Earth. At the back of the book, readers will find a list of books that dragon lovers will want to add to their reading list, including Eragon by Christopher Paolini. If you’re looking for more stories that feature dragons, check out Rise of the Dragon Moon by Gabrielle K. Byrne, Legends of the Sky by Liz Flanagan, and Dragon Myths by Jenny Mason. 

Sexual Content  

  • None 

Violence  

  • The book tells the story of many dragons that were “fierce, cunning, and bloodthirsty. They devoured people, children, and pets—popping victims into their smoldering jaws like M&M’s.”  
  • The poem Beowulf chronicles a “stingy, gold-hoarding dragon” that is destroying a kingdom. King Beowulf and Wiglaf battle the dragon. The dragon “lunges for Beowulf’s neck. Blood spills in gushing streams. The brave king ultimately succumbs to this irreversible wound, but not before his faithful friend thrusts a perfectly positioned sword into the dragon’s soft underbelly.” 
  • A dragon was destroying a town’s crops. “The villagers offered up sheep to satisfy the dragon.” When the town ran out of sheep, the “townsfolk decided that the best way to appease the crop killing dragon was to feed it children! Sadly, and horribly, multiple kids were sacrificed.” Finally, “the princess is tied to a stake” for the dragon, but before she is eaten, a knight saves her. 
  • One legend tells of a town that could not get rid of a dragon. “When they sliced it into pieces, the worm reconnected itself and slithered on.”  
  • One legend tells the story of two shamans who “used tier magic to transform themselves into formidable beasts that duked it out in a nearby lake.” One of the shamans “morphed into a ferocious leech whose sharp, sucker-like mouth could latch onto something’s skin and suck out its content.”  

Drugs and Alcohol  

  • None 

Language    

  • None 

Supernatural 

  • John goes to a wise witch to discover how to destroy a “worm.” In order to get the advice, John promises that “once the worm was dead, John would have to kill the next person he saw.” Later John refuses to kill anyone. “Instead, he would have to endure the worm’s bitter curse: For the next nine generations, all heirs to the Lambton estate would die an early death.” 

Spiritual Content  

  • A knight named George defeats a dragon that is terrorizing the town. “George delivered the wounded beast to the king, promising to finish it off if the people in the kingdom converted to Christianity.” 
  • In one legend, Saint Marta of Bethan, a biblical figure from the New Testament, helps defeat a dragon. “With a few prayers and humans, she entranced the dragon, which was later killed by the townspeople.” 
  • Christianity vilified dragons. The Old Testament tells the story of how a “twisted serpent” temps Eve with an apple. “When the beast becomes too wild and unruly, it is slain by the archangel Gabriel and then fed to the people.”  
  • The dragon Quetzalcóatl “was an important god to people living in early Mexico and Central America. It’s quite possible, too, that the Quetzalcóatl was a real person. This Aztec leader was said to help civilize his people by denouncing barbaric practices such as human sacrifice.”  
  • Quetzalcóatl’s enemy was Tezcatlipoca, “a god known for darkness and trickery.” 
  • A Swiss naturalist found a skeleton that he believed was “of a ‘wicked’ man. . . who God had punished and drowned during the Great Flood.” 

Time Between Us

Anna and Bennett were never supposed to meet. She lives in 1995 Chicago, and he lives in 2012 San Francisco. But Bennett’s unique ability to travel through time and space sends him into Anna’s life, and he brings with him a new world of adventure and possibility.

As their relationship deepens, they face the reality that time might knock Bennett back where he belongs, even as a devastating crisis throws everything they believe into question. Against a ticking clock, Anna and Bennett are forced to ask themselves how far they can push the bounds of fate, what consequences they can bear in order to stay together, and whether their love can stand the test of time.

Anna is an extremely relatable and likable character, who hopes to travel out of the small town she has always lived in. Then she meets Bennett, who at first confuses and frustrates her. Bennett makes it clear that he is not interested in getting to know Anna, but fate has other plans. Bennett’s ability to time travel complicates matters because his future self appears to Anna before his present self has met her. Despite this, Anna and Bennett fall in love and engage in a sweet romance that will leave readers smiling.

Time Between Us is a story about family, friends, and falling in love. But it also explores the timeless question: what would you do if you could go back in time and change events? When two of Anna’s friends, Justin and Emma, are in a terrible car accident, Anna wants Bennett to go back in time and change the day’s event. This dilemma threatens to tear Anna and Bennett apart as they debate whether changing history is the right thing to do.

Teen readers who want a heartwarming romance will enjoy Time Between Us because of the likable characters, the relatable conflict, and the added interest of time travel. Readers will also fall in love with Anna’s friends and family who are warm, supportive, and protective. The story has the perfect blend of high school scenes, family life, and suspenseful time-jumping action. This easy-to-read romance will have readers wishing they could step into Anna’s life. Readers will be excited to read the companion book, Time After Time, which focuses on Bennett’s point of view.

Sexual Content

  • Anna’s mom tells her a story about “one of the nurses who got caught kissing an EMT out by the ambulance bay.”
  • Anna’s best friend, Emma, teases her about a boy. Emma says, “You wanna shag Shaggy!”
  • Bennett and Anna are talking about their plans for the future when Bennett “reaches forward and slowly traces the line of my [Anna’s] jaw to my chin. I close my eyes as his thumb slides towards my mouth and brushes my lower lip. . .I wait for the touch of his lips. But the kiss never comes.”
  • While at the beach with Bennett, Anna thinks about “him pulling me into a kiss and rolling around in the sand like we’ve just been dropped into a photoshoot for some cheesy designer cologne. . . I can’t bring myself to touch him.”
  • Bennett and Anna kiss several times. When Bennett decides to stay in Anna’s time period, he “scoots in closer and brings his hand to my face, and I fall back into the bookcase as he kisses me with this intensity—like he wants to be here. . .”
  • While on a date, Bennett “kisses the back of my neck. . . he kisses my neck again and I lose my train of thought entirely.” Later in the date, Bennett “pulls me tighter and kisses me, warm and sweet and long and slow and never ending, and I know this is what I want.”
  • One night, Bennett uses his ability to appear in Anna’s room. “Without even thinking about it, I grab his arm and pull him down on my bed, and he lands sprawled out next to me, looking a little surprised. I roll over onto his chest and smile down at him. . . His hand finds the back of my neck, and he kisses me, harder than usual.” The scene is described over a page.
  • Bennett uses his ability to take Anna to Italy. He “takes my face in his hands. Buried deep in his kiss is a new kind of promise for our future. . . We spend the rest of the day in the Cinque Terre. And then we spend the night there.”
  • Before Anna leaves for a trip to Mexico, Justin (Anna’s best friend’s boyfriend) kisses her. Anna isn’t “quite sure how to stop it. I feel trapped between his mouth and the wooden CD bin. I turn my head so fast that when our lips brush, it’s an awkward, almost accidental movement.” Anna calls Justin an idiot, and he apologizes.
  • After being unable to time travel, Bennett appears in Mexico. When Anna sees him, “I feel tears slide down my cheeks. . . within seconds he’s right next to me, and all I can feel is his fingers on the back of my neck. His kisses land everywhere on my wet cheeks and my forehead, on my eyelids and my neck, and finally on my mouth, and we pull each other close, neither one allowing even the smallest gap between us.”

Violence

  • A robber comes into the bookstore while Anna is working. He demands money. Anna’s “attention is on the shiny metal knife he pulls from his baggy jeans. He points it straight at me. . . I keep my gaze on the floor and try not to think about the cold steel of the blade on my neck or his heavy breath in my ear.” Bennett uses his abilities to relocate himself and Anna. The scene is described over three pages.

 Drugs and Alcohol

  • None

Language

  • Profanity is used rarely. Profanity includes ass, crap, hell, and pissed.
  • “Dear God,” “Oh My God,” and “Good God” are occasionally used as exclamations.

Supernatural

  • Bennett can travel through time. “Bennett can disappear. And reappear. He can make other people disappear and reappear.”
  • Bennett can also “do over minor details in the past to affect the outcome, but you can’t erase an entire event. You can travel to any place in the world and into other times, but only within certain dates.”
  • Bennett loses his sister Brooke in the past. They traveled back to 1994, but Bennett “couldn’t stay because I didn’t exist in March 1994. . . Brooke did. She was born in ’93.”

Spiritual Content

  • After Bennett uses his abilities to take Anna to a different place, she becomes sick. She prays, “Please, God. Please don’t let me throw up in front of him. Please. Just this one thing.”

 

Time Traveling with a Hamster

On his twelfth birthday, Al Chaudhury receives two gifts: a hamster, and a letter from his dad who died four years ago. The letter points Al to a time machine, an unimpressive-looking zinc-tube-and-laptop contraption in the secret bunker of their old house. It also describes a mind-blowing mission: if Al can travel back to 1984 and stop a go-kart accident involving his dad as a twelve-year-old boy, then maybe he can alter the course of history—and prevent his dad’s death.

As Al soon discovers, whizzing back thirty years requires not only imagination and courage, but also garage break-ins, midnight rides on his grandpa’s mauve scooter, and even setting his school on fire. And through it all, he’s got to keep his hamster safe.

One of the best parts of the book is the relationship between Al and Grandpa Byron, who doesn’t think anyone should try to change time. Grandpa Byron says, “Life, Al, is such a wonderful gift that we should open our minds to every possible moment and cherish the memory of those moments. Because people change. Places change. Everything changes, but our memories do not. Accept life the way it is, Al. That’s the way to be happy.”

Despite Grandpa Byron’s advice, Al goes back in time several times and unintentionally makes his timeline change for the worst. When Al first meets his father, Pye, he is considering setting a cat on fire to prove he is friends with a group of bullies. Instead of being a sympathetic character, Pye is whiny and weak. While the story focuses on the father-son relationship, Al’s relationship with his father is underdeveloped. Instead, Al’s relationship with his grandfather is the central relationship. This relationship adds interest to the story because Grandpa Byron shares his Indian culture and his immigrant story.

Grandpa Byron tells Al, “Don’t dream of a different life, Al. Love the one you’ve got.” Despite this, the conclusion shows Al changing time and saving his father’s life. The conclusion is anticlimactic because after all the craziness of Al’s earlier time-traveling adventures, he ends up saving his father’s life by sending a note back into time. The ending also conflicts with the central theme.

The cover art and the title suggest that Time Traveling with a Hamster will be a fun romp through time. However, the story’s themes — grief, blended families, and bullying — are more suited to older readers. Plus, the advanced vocabulary, the explanation of the theory of relativity, and the workings of time travel may be difficult to understand for some readers. While the story is full of adventure, the complicated plotline is, at times, difficult to follow. However, strong readers who want to explore the serious consequences of time travel will enjoy Time Traveling with a Hamster.

Sexual Content

  • Al asks his stepsister if she is a virgin. She says, “as it happens, yes, if that’s any of your business, of course I am. Jesus.”
  • After Al’s father dies, his mother starts seeing a man named Steve. “The first time he stayed over at our house, I couldn’t sleep in case I would hear them, you know, doing it. But I don’t think they did.”

Violence

  • Al thinks back to a time in the past. “Back in primary school Hector Houghman stabbed Conrad Wiley in the thigh with a compass, and he wasn’t punished at all because his mum came to school and said he had ADHD and that it was the school’s fault. . .”
  • Al’s grandpa lived during a civil war. “When he was a kid, pretty much everyone in a family he knew, including a boy he played with, was murdered one night just because they were Muslim, or Hindus, or something.”
  • A boy shoots a cat, and his friends were planning on setting the cat on fire, but Al stops them.
  • A mean boy, Mecca, takes Al’s hamster. When Al tries to grab his hamster, the boy “shoves me away, then turns to grab me, one hand gripping my jacket and the other grabbing a handful of my hair. . .He practically picks me up and marches two or three steps up the grass bank before throwing me hard on the ground.”
  • When Al tries to steal something, the shopkeeper “slaps me across my cheek with the full force of the large man he is. My head is jerked to one side with the strength of the blow.”
  • Al sets a school on fire. “I’ve barely had time to stand up again and already the flames are surrounding me, getting hotter by the second. . .”
  • Al changes time so his stepsister Carly no longer knows who he is. When Carly finds Al in her room, she freaks out. Carly’s friend, Jolyon, tries to grab Al. Al distracts Jolyon and then “I draw back my foot and deliver a swift, hard kick right between Jolyon’s legs. The sound he makes is horrible. . .I feel sorry for him as he keels over sideways, clutching his groin and retching.” Al gets away.

 Drugs and Alcohol

  • Al’s dad would sometimes tuck him into bed and “sometimes chat with [him], especially if he’d been drinking wine.”
  • On New Year’s Eve, Steve got “a bit drunk.”

Language

  • Oh my Lordy is used as an exclamation once.
  • Oh my God, God Almighty, and God are all used as an exclamation several times.
  • Al reads a letter his mother wrote. The letter says, “Life’s a bitch.”
  • Damnit and crap are used once.
  • Twice, Al is told to “piss off.”
  • Al comes downstairs in the morning, looking terrible. His grandpa sees him and says, “Oh my flippin’ Lordy. What happened to you?”
  • Heck is used several times.
  • Hell is used three times. A mean boy finds Al’s hamster. The boy asks, “How the hell can it be yours? Don’t be such a moron—it’s a rat with a deformed tail.”
  • A man calls Al a “gaandu” which means ass.

Supernatural

  • None

Spiritual Content

  • None

Dawn Patrol

Luca and Esme have more than monster waves to worry about.

When Kevin disappears, leaving only a cryptic note, his best friends Luca and Esme have no choice but to try and find him. Their journey takes them to the coast of Panama, where they confront monster waves, unfriendly locals and a surfer who seems bent on destroying them. As their hope dwindles and time runs out, Luca and Esme realize they may be in over their heads.

Because of the short length of the book, none of the characters are well-developed. However, the fast-paced mystery will still capture readers’ interest. The main plot focuses on Luca and Esme’s search for their missing friend. As the two friends search for clues, they meet Jose, whose strange behavior puts Luca and Esme on high alert. Between surfing monster waves, looking for clues, and trying to track down Jose, Dawn Patrol keeps the action and mystery high.

The story is told from Luca’s point of view. Readers will connect with Luca because he is an admirable character who is willing to go to great lengths to find his friend. The conclusion ends on a hopeful note but doesn’t wrap up all the story threads. Despite this, Dawn Patrol is a quick and easy read that will engage readers. As part of the Orca Sports collection, Dawn Patrol is perfect for reluctant readers because it uses a high-interest topic that will entertain teens and help them improve their reading skills.

Sexual Content

  • When talking to a girl, Luca tells her that he’s not interested in Esme. “Nor would I be interested in getting together in, um, that way with this Jose guy.”
  • Luca meets Alana and a few days later, “she leaned over and kissed me on the mouth.” Alana and Luca kiss two more times, but the kisses are not described.

Violence

  • While trying to chase down Jose, “a big guy in dark sunglasses ran out of a hut and barreled into us. . .I slipped and fell headfirst into the water. I popped up just in time to see Esme hit the water.”
  • Esme is kidnapped. When Luca finds the hut Esme is being held at, he tries to sneak up to it, but “Jose came out of the trees and tackled me to the ground. . . I was face-first in the dirt. I struggled to get away. Jose had his hand on the back of my head, pushing my face into the sand.” Luca gets away.
  • Kevin, Esme’s boyfriend, holds a knife toward Delgado, the man that kidnapped Esme. “Kevin hit Delgado’s throat with his forearm, dragged him to the ground, and smacked his head. There were tears on his cheeks.” Delgado lets Esme go.

 Drugs and Alcohol

  • While in the village, Esme and Luca pass a group of people who are drinking beer.

Language

  • Profanity is used frequently. Profanity includes ass, crap, damn, and hell.

Supernatural

  • None

Spiritual Content

  • None

Becoming Muhammad Ali

Before he became the legend, Muhammad Ali, young Cassius Clay learned history and card tricks from his grandfather, hid report cards from his parents, and biked around Louisville with his pals. But when his bike is stolen, Cassius decides there’s something else he wants: to be able to fend off bullies by becoming a boxer.

Cassius has a best friend, Lucky, who sticks by him whether his fists are raised in victory or his back is against the ropes. Before long, Lucky is cheering Cassius on in his first amateur fight. With the support of all his friends and family, will Cassius make it to the top?

Becoming Muhammad Ali focuses on Cassius’ younger years and highlights the importance of his family and his community. Cassius’ story is told from both his point of view and his best friend’s point of view. When Cassius is telling his own story, the words appear in poetry format. This narrows the story and allows Cassius’ swagger to shine. When the story shifts to Lucky’s point of view, the text appears in paragraph structure that uses a conversational tone. Lucky’s perspective allows the reader to see Cassius’ intense training schedule and shines a light on Cassius’ fear. The joint perspectives give a well-rounded picture of Cassius’ bold personality and personal struggles.

Because the story begins in the late 1950s, Cassius’ story isn’t just about boxing. The biographical novel delves into the racism prevalent during this time period. Each example of racism is described in a kid-friendly manner that allows the reader to picture the events. The descriptions all focus on events that affected Cassius. He explains the events in a way that shows the unfairness of the situation without sounding bitter or preachy. However, some readers will not understand the correlation between racism and Cassius’ desire to change his name to Muhammad Ali and “use his time to focus on black pride and racial justice.”

Becoming Muhammad Ali is an entertaining and engaging biographical novel that will inspire readers to fight for their dreams. Through Cassius’ actions, readers will see the hard work and dedication that allowed Cassius to become one of the best boxers in history. However, Cassius’ story isn’t just a boxing story, it’s a story about family and friends. Cassius’ story doesn’t gloss over some of the unfairness in life. Instead, Cassius shows how he overcame obstacles and, in the end, realized that there are some things that are more important than boxing.

When a reporter asked what Cassius wanted to be remembered for, he said, “I’d like for them to say, he took a few cups of love, he took one tablespoon of patience, one teaspoon of generosity, one pint of kindness. He took one quart of laughter, one pinch of concern, and then he mixed willingness with happiness, he added lots of faith, and he stirred it up well. Then he spread it over a span of a lifetime, and he served it to each and every deserving person he met.”

Cassius’ story comes to life in easy-to-read prose and includes full page, black and white illustrations that are scattered throughout. Becoming Muhammad Ali is a must-read because it highlights how hard work and dedication allowed Cassius to achieve his dreams. Readers who want to read another inspirational sports book should check out The Crossover by Kwame Alexander, which has also been made into a graphic novel.

Sexual Content

  • None

Violence

  • Since Cassius watched boxing matches and later fought in them, there are some descriptions of the matches. For example, Cassius describes a fight when Frank Turley “broke a guy’s nose with a left jab, then smiled when the joker went tumbling outta the ring, blood spurting everywhichaway.”
  • Cassius and his friends were walking along the street when a “car filled with men. White men” drove by. One of the men “flashed a knife—a switch blade. [Lucky] saw the guy with the knife say something to the driver. The car engine stopped. Then all four car doors opened at once.” Cassius and his friends ran away from the men and were safe.
  • Cassius tells a story about “how Tom the Slave escaped freedom by hiding in a casket on a ship of dead bodies on its way to London, England, and how when he got there he became a famous bare-knuckle boxer. . . the Brits rushed the ring in the ninth round, clobbered Tom, and broke six of his fingers.”
  • A kid from the neighborhood, Corky, bullied Cassius and his friends. Corky “stepped on my sneaks, and bumped Lucky with just enough force to make him lose his balance, and knocked Rudy backwards like a domino into a couple. . .” then Corky wandered off.
  • During a match, Cassius landed “a series of short pops to his head, one right below his left ear that makes him stumble into the ropes. . .” Cassius wins the match.
  • Cassius’ father showed him “a gruesome magazine photograph of a twelve-year-old faceless boy who was visiting family. . . when he was shot in the head, drowned in the river, and killed for maybe whistling at a white woman.”

 Drugs and Alcohol

  • None

Language

  • Darn is used once.

Supernatural

  • None

Spiritual Content

  • Cassius’ mom didn’t like him betting “on account of God not liking ugly, and all gambling is ugly.”
  • When Cassius says that the Bible didn’t get him and his brother into the whites’ park, his mother says, “Boy, don’t you dare blaspheme the Good book.”
  • During one match, Cassius “recited the Lord’s prayer.”
  • Cassius’ mother prays, “we gather together to send this boy out into the world, and ask that you hold his dreams tight, let them rocket to the stars and beyond.”
  • Cassius “joined the Nation of Islam—a movement that was founded to give black people a new sense of pride. A week later, he changed his name to Muhammad Ali.”

 

The Eagle’s Quill

After barely escaping Death Valley, middle school geniuses Sam, Martina, and Theo head to Glacier National Park to find the second of seven artifacts—keys that unlock a secret weapon—left by the country’s Founding Fathers. The clues lead them to look for Thomas Jefferson’s Eagle’s Quill at a Montana ranch on the outskirts of Glacier National Park.

But the dangerous Gideon Arnold, a descendant of the infamous Benedict Arnold, is hot on their trail—or is he one step ahead? Gideon Arnold takes the kids’ chaperone and the ranch owners hostage until the kids deliver the quill. Can Sam, Martina, and Theo, with the help of rancher girl Abby, find a way to save everyone without handing over Jefferson’s artifact? They enter the wilderness to solve riddles and escape traps that have protected the quill for generations…but if they find it, can they keep it away from Arnold?

Arnold captures the kids’ chaperone and Abby’s parents, leaving the kids to follow Thomas Jefferson’s clues alone. Readers will have fun trying to decipher Jefferson’s words; the first clue is a compass that is engraved with “in matters of style, swim with the current. In matters of principle, stand like a rock.” Throughout their journey, Sam relates the founding of America to chess. For example, he thinks, “The important thing about chess wasn’t how powerful you were. It was all about where you were standing and who you were standing with.”

Throughout the story, readers will learn some facts about Thomas Jefferson, who wrote “all men are created equal.” However, the story doesn’t portray Jefferson as perfect. While he was pivotal in helping form America’s government, he also “owned slaves. He’d kept his own children as slaves. And it had probably never occurred to Jefferson, that women—like Marty and Abby, would grow up to be—would like to be considered equal too.” The text is never judgmental of Jefferson, but instead uses a factual tone that will leave readers thinking about some of the unjust aspects of colonial America.

The Eagle’s Quill introduces Abby, who is an interesting addition to the cast of characters. The story is not as fast-paced as the first book in the series, The Eureka Key, because the kids are not being chased by villains. Instead, they are navigating Glacier National Park and running from wild animals. Plus, some of the founder’s traps are unrealistic. Despite this, The Eagle’s Quill draws the reader into the kids’ conflicts and will have them trying to solve the clues. The ending has a surprise twist that will have readers excited to read the last book in the series, Ring of Honor.

 Sexual Content

  • Thomas Jefferson owned a woman, Sally Hemings, and “he had seven children with her. . . And they were slaves in his own house.”

Violence

  • While sleeping, Sam hears an explosion. When he and Theo go to investigate, they find men in black. “Theo stepped forward, pushing Marty behind him. . . instead of running, Theo turned sideways to the oncoming men and thrust one arm out. . . He pretty much ran into Theo’s fist, and he fell to the ground with a groan, clutching at his nose.”
  • As the men try to grab the kids, “it was Abby who stepped forward this time. One leg bent, the knee drawing up. Her leg snapped forward and her foot connected with Jed’s wrist just as his gun was coming forward to point at Theo’s head.”
  • During the attack, Sam “dove for his knees. They both went down, and the back of the man’s head bounced off the wall with a heavy, solid thud. He hit the ground and lay still.” Then Abby points a musket at the two men, who stood “blinking with shock. . .”
  • When the bad guys surround them, Theo uses “his candlestick to crack the one with the bloody nose across the side of the head, knocking him to the floor.” The kids hide in a safe room. The attack scene is described over eight pages.
  • Sam runs from a bear and climbs up a tree to avoid the giant bear. “Less than three feet below him, the bear snarled. Sam’s heart was pounding. . .” Marty chases the bear off with a bear whistle.
  • An injured mountain lion chases the kids. Theo grabs an animal bone. “Then Theo stepped forward and braced himself like a major league batter facing a pitcher with a wicked fastball. He swung his length of bone. It hit the mountain lion in the face, and the animal yowled, flung off balance. It twisted in the air to land on three feet, keeping its front left leg off the ground.” The injured mountain lion slinks into the shadows.
  • Arnold captures the children and his goons “pushed all three kids to the floor. . . one of his men stood guard with a gun while two more made quick work of tying up two more prisoners.” The kids are tied up in the barn, where they find two adults, who have been tied up for days without food or water.

 Drugs and Alcohol

  • None

Language

  • Marty tells Sam, “Don’t be an idiot.” Later, she uses a secret code to write, “SAM IS A DOOFUS.”
  • Marty calls someone a moron.

Supernatural

  • None

Spiritual Content

  • None

Skylark

Angie lives in an old car with her brother and mother. Homeless after their father left to find work, the family struggles to stay together and live as normally as possible. It is difficult though. Between avoiding the police and finding new places to park each night, it is a constant struggle. When Angie discovers slam poetry, she finds a new way to express herself and find meaning and comfort in a confusing world.

Living in a car makes Angie’s life difficult and she tries to hide the fact that her family is homeless. Performing slam poetry gives her an outlet to explore her feelings. While performing, Angie meets several people her age. However, these relationships are superficial and add no depth to the story. For example, one boy continually glares at Angie, but the reason for his hostile behavior is never explained.

Through flashbacks, readers also get a look into Angie’s family life before her father left. While Angie’s father left to find work, Angie still wonders if he will ever return. Through Angie’s experiences, readers get a glimpse into the world of a homeless teen and her complicated family life. However, Angie’s poetry and the poetry slam are the main focus of the story. Because of this, readers who aren’t interested in poetry or language may find Skylark a difficult book to complete.

Written as a part of the Orca Soundings books, which are specifically written for teens, Skylark is an easy to read story that uses large text, short chapters, and a relatable protagonist to keep readers engaged. Despite this, Skylark is not a typical, fast-paced story, but instead, Angie’s thoughts are what drive the story. Readers who love delving into the inner thought of characters will enjoy Skylark. However, none of the supporting characters have any depth; instead, they are flat and add little to the story.

Because of the story’s slow pace and lack of dynamic characters Skylark is not for readers who love action and adventure. Even though the book shines a light on homelessness, readers interested in the topic may want to read books with more depth and character development such as Almost Home by Joan Bauer.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • Angie’s mom gets injured, and her dad “got her painkillers from the drugstore and fed her a couple every few hours.”

Language

  • Crappy, hell, piss and ass are all used once.

Supernatural

  • None

Spiritual Content

  • None

 Ghost Squad

The supernatural has always been a part of Lucely Luna’s life. Her father runs a ghost tour, and her hometown of St. Augustine is known for being the home of Las Brujas Moradas, aka the Purple Coven. And Lucely can see and converse with spirits, notably the spirits of her dead relatives. When her deceased family members aren’t in their human forms, they inhabit the old willow tree in the backyard as firefly spirits. However, her firefly family members recently flickered in and out of view, and then the fireflies began to fade.

Lucely and her friend, Syd, investigate how to revive her deceased family members. After learning more about Las Brujas Moradas, they visit Syd’s grandmother’s shop and steal a spell book that they need to revive Lucely’s family members. But when the two girls recite the spell, they accidentally awaken malicious spirits. The girls fight the ghosts, but all their efforts are for naught. They ask Babette, Sydney’s grandmother, for her help in fighting against the evil ghosts and reversing the curse to save the town and Lucely’s firefly spirits.

The narrative focuses squarely on Lucely’s perspective. This close view allows the reader to understand the ghosts, magic, and Lucely’s personal life. The narrative’s linear structure, mixed with Babette’s conversations and the occasional inclusion of the school setting, makes the explanations about St. Augustine, the magic, and the Luna family history easy to understand. In addition, the Latino culture is on full display throughout the story, mainly through the mannerisms and the Spanish phrases that Lucely’s family members say to each other. Readers will relate to Lucely and Syd’s friendship and empathize with Lucely as she frets over her family members’ safety.

Lucely also learns about responsibility while getting rid of the evil ghosts. She is responsible for awakening the evil spirits, so she fixes her mistake and takes on more accountability for protecting the town. According to Lucely’s grandmother, their family has been “charged with keeping [St. Augustine] and its inhabitants safe.” By the end of the story, Lucely is assured of her identity and purpose in her community, which is an important lesson for younger readers.

Ghost Squad is a story that focuses on family, friendship, and culture. The story has a few slow moments, mostly spent establishing the town and the Dominican Republic and the Latino aspects of the Luna family. St. Augustine has many interesting characters, such as Syd, Babette, and the firefly spirits. Like the firefly spirits, Las Brujas Moradas and the human spirits are some of the many supernatural elements that add interest to St. Augustine. The story is also chock full of pop culture references, such as Harry Potter and the Ghostbusters, which adds a lot of humor. Readers of all ages will enjoy the story for its lessons on responsibility and friendship. Readers who like Ghost Squad by Claribel A. Ortega will also enjoy The Girl Who Drank the Moon by Kelly Barnhill and Anya’s Ghost by Vera Brosgol.

Sexual Content

  • None

Violence

  • The mist monster attacks the family tree. but the monster is injured when it claws the tree. “It clawed at the bark and howled, bringing its hand back against its chest as if it were burned.” The monster ran around the tree, growing in size until it became as big as a hurricane. The cocuyos repelled the mist monster with a spell. The monster was thrown back into the brush, but attacks the ghosts with fire: the fire misses, “the fire seemed to extinguish itself as soon as it reached her abuela.” The fight is described over two pages.
  • Babette fights a dragon to distract it from Lucely and Syd. The dragon attacked with a rain of fire, but Babette points her wand at the dragon and says a spell— “Reverse, rearward from whence you came! Back, back! Into the flames!” Violet fire shoots from the wand and hits the dragon in the eye. “It let out one final, bloodcurdling shriek, and then began to burn.” The fight lasts for one page.
  • Lucely and Syd use the Razzle-Dazzlers, which are enchanted flashlights, on the mist monster, causing the mist monster to vanish “in a shriek of pain.”

Drugs and Alcohol

  • None

Language

  • Lucely uses the phrase “God forbid.”
  • Lucely uses the word “God” twice.

Supernatural

  • Ghosts, as in the spirits of humans, take the form of what they looked like when they died. Most ghosts are peaceful and hang around the graveyard or haunt the places where they died. There are also vengeful spirits of the dead that can possess the living.
  • Lucely’s deceased relatives have two forms as spirits; their human forms, and they take the shape of a firefly, dubbed “firefly spirits.”
  • One of Lucely’s deceased cousins floats up to the ceiling and relives his death. Lucely “could almost smell the rubber wafting around her cousin, like a strange and deadly aura.” When he wakes up, the cousin comes back to his senses.
  • The family uses a spell to get rid of the mist monster: “Away, away/We shall not fear/Away, foul beast,/And far away from here!”
  • In order to reanimate the family spirits, Lucely and Syd recite a spell from a scroll. They say, “Lavender, lilies, blossom and bloom,/ I call on the spirits to enter this room…/Rotten and putrid/Beneath the trees,/ I call on the spirits and let them roam free . . . ” Instead, they accidentally unleashed the undead, vengeful ghosts.
  • Syd makes a circle with salt in order to keep the evil spirits away. “The creature crashed into the salt circle and cried out in pain.”
  • Babette says a protection spell over the willow tree.
  • Babette and Lucely attack a storm of spirits using the energy of the spirits of the Las Brujas Moradas and the family spirits respectively. Babette says, “Las Brujas Moradas, hear us tonight./No longer in hiding, no longer in fright./Las Brujas Moradas, come to our call./No longer afraid, to tumble and fall./Las Brujas, Las Brujas, answer our plea./ Come to us now, from land and from sea./Take this demon away, tonight,/ Las Brujas Moradas./Take this demon from sight!” And Lucely says, “A sprinkle of sun,/ A shimmer of light/Turn back the darkness,/ Turn back the fright…I call on the power/of my ancestor’s ghosts/And speak three names, I love most…/Simon Luna, Teresa Luna, and Syd Faires!” A massive gateway forms in the sky and sucks all the bad ghosts into the void.

Spiritual Content

  • According to Lucely, in the Dominican Republic, there is a belief that the “spirits of your dead loved ones [live] on as fireflies.”

by Jemima Cooke

A Photobiography of Nellie Bly

Bylines is the latest title from award-winning biographer Sue Macy. Nellie Bly was a pioneering American journalist who lived by the belief that, “Energy rightly applied and directed will accomplish anything.” This credo took her from humble origins in Cochran’s Mill, Pennsylvania, a town named after her father, to the most exotic cities around the globe by the time she was 25.

Nellie Bly was born Elizabeth Jane Cochran in 1864, in an age when many women led unassuming lives. Her life would make people sit up and take notice. When she wasn’t making history herself, she was writing about others who did. Rarely has anyone left a more detailed record of her place in the world than Nellie Bly. In a very public life, she shared her feelings and opinions through her writing and embraced the struggles of all classes of Americans who were fighting for their rights.

The story of the two decades before and after the turn of the 20th century was her story, and she wrote with a powerful pen. Her “stunt journalism” included getting herself committed to an insane asylum for women and circling the globe in a mere 72 days. She profiled leaders from Susan B. Anthony to Eugene V. Debs, exposed corruption, and offered her readers a travelogue that expanded their horizons, even as it made the world a little smaller. Her words live on even now, and Sue Macy’s masterful biography invites young readers into Nellie Bly’s America, a country at a time of great growth and social change.

Nellie Bly didn’t let circumstances dictate her life. During her time, women were supposed to stay home and take care of the children, the house, and their husbands. Despite this, Nellie became the first female reporter. Not only did she use her position to make a living, but she also refused to only write about fashion and other female appropriate topics. Instead, she put herself in danger in order to investigate an insane asylum and factory workers. Through her writing, Nellie fought for the rights of the less fortunate. For example, she wrote about the plight of widows and unmarried girls. Nellie argued that woman should be able to be bank tellers, train conductors, and other male professions and “they should be paid the same wages as men.”

A Photobiography of Nellie Bly uses photographs, drawings, and maps to showcase Nellie’s adventures and to give readers an inside look at the time period. Nellie Bly’s life is interesting to read about and is a must-read for anyone interested in journalism or equal rights. Throughout her life, Nellie interviewed important people of her time such as Susan B. Anthony, wrote opinions on issues of the day, and even “answered letters from readers on the editorial page, giving advice on marriage, motherhood, and other topics.”

The biography uses some difficult vocabulary; however, by using oversized font and large pictures on every two-page spread the text appears in a reader-friendly format. Plus, the captions of the historical pictures add even more interesting facts about the time period. A Photobiography of Nellie Bly is an essential read for anyone researching Nellie Bly, but it also highlights how Nellie’s hard work and dedication changed the face of America and had a positive impact on millions of people.

Sexual Content

  • None

Violence

  • After Nellie’s father’s death, Nellie’s mother remarried. “His new family quickly learned that he had a bad temper, particularly when he drank. Ford threatened and sometimes hit his wife, flying into rages at home and in public.”

 Drugs and Alcohol

  • None

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Small Spaces Quartet #1

At night they will come for the rest of you. It’s with this ominous warning that eleven-year-old Ollie and her two friends, Coco and Brian, set out on a chilling adventure in the woods with nightfall fast descending and the ever-watchful eyes of scarecrows on their backs.

What began as an unremarkable school trip to a nearby farm soon becomes a frightening journey into the world behind the mist. In order to survive and not remain trapped there forever, Ollie and her friends need to be quick on their feet as they work to unravel a hundred-year-old mystery, save their classmates, and beat the villainous smiling man at his own game.

When night falls, Ollie and her friends must find small spaces to hide from the scarecrows, who follow the smiling man’s commands. During the daylight hours, the three friends search for a way back into their world. Along the way, they meet several ghosts, who were unwilling to leave their loved ones who the smiling man turned into scarecrows. However, before Ollie meets the ghosts, she finds Beth Webster’s book where she chronicled the story of her family and explains how the smiling man was able to turn her husband into a scarecrow.

Beth Webster’s story connects to Ollie’s own story. In Beth’s story, her mother-in-law was distraught over her son’s disappearance. In order to appease his grieving mother, Beth’s husband Johnathan makes a deal with the smiling man. The smiling man brings Johnathan’s brother back to life, but Johnathan then becomes the smiling man’s servant. Similar to Beth, Ollie is also grieving the loss of a loved one—her mother. However, Ollie doesn’t let her grief overshadow her life. When the smiling man offers to bring Ollie’s mom back to life, Ollie doesn’t accept the deal. Instead, she gives up the deepest desire of her heart in order to break the curse and restore her classmates.

While Small Spaces is predominantly a ghost story, it also touches on the theme of grief. Through her experiences, Ollie learns that her mother’s words and advice will continue to help her navigate life. Even though Ollie still grieves her mother’s loss, she is learning to find joy in life again.

Small Spaces will appeal to readers who want a creepy, scary story without bloodshed and gore. The easy-to-read story keeps readers on edge as the smiling man’s secrets are revealed. The story’s conclusion is a little confusing as it tries to piece together the stories of the past with the stories of the present.

While Ollie and her friends are not well-developed, they are an interesting group that learns to appreciate each other’s differences. If you’re looking for a fast-paced ghost story that will keep you guessing, then grab a copy of Small Spaces. Beware: when you get to the end, you will want to find out what happens in the next book, Dead Voices, in which Ollie and her friends get trapped in a haunted snow lodge.

 Sexual Content

  • None

Violence

  • After school, Mike takes Coco’s notebook and begins taunting her. When Brian does nothing to help Coco, Ollie threw a rock that “caught Brian squarely in the back of the head, dropped him thump onto the grass, and turned everyone’s attention from Coco Zinter to her.” Then Ollie gets on her bike and races home.
  • At the farm, the kids were going to learn about “slaughtering hogs (cut the throat and then hang it up to drain).”
  • Before the book begins, Ollie’s mother died in an airplane crash. “Ollie dreamed of the crash, even though she hadn’t seen it. She hadn’t seen the firs afterward, or the bits of broken plane stuck in a tree, the things that haunted her nightmare.”

 Drugs and Alcohol

  • None

Language

  • God is used as an exclamation twice.
  • The first time the scarecrows come for the kids, Brian asks, “What in hell was that?”

Supernatural

  • Ollie reads a book about a brother who makes a deal with the smiling man to bring his brother, Caleb, back to life. Caleb “came back. He was pale and blue-lipped; his eyes were strange and distant. . . It was his voice, his smile. Only the look in his eyes had changed, and he would not say where he was.”
  • Ollie’s teacher tells the class a story about the farm that the class will be visiting. The farm is rumored to be haunted because two brothers wanted to marry the same girl. The teacher says, “The younger brother disappeared. No one ever found traces of either of them. Eventually, the sheriff decided that the younger brother had killed the elder and then been overcome with remorse and thrown himself into the creek. That was when the rumors of hauntings started.”
  • In the past, there was a school at the farm. The schoolhouse “was burned to rubble, of course, right down to the foundation stones. . . The weird things is this: they never found any bodies.”
  • After Ollie’s mother dies, her father gives her her mother’s cracked watch. While running from the scarecrows, the watch gives her a countdown until sunset and tells her what to do. For example, “RUN” and “HIDE.” When Ollie whispers, “Mom? Is that you? Can you hear me?” The watch’s screen reads “ALWAYS.”
  • The scarecrows try to grab Ollie and her friends. They crawl into a small space under some rocks. “A nightmare face turned to Ollie: stitched-on snarl, eyes like two finger sized holes. The rake reached out again. . . A huge, straw-smelling arm thrust itself into the hole. . . Then the arm withdrew.” When the scarecrows realize they can’t reach the kids, they leave.
  • While running from the scarecrows, the kids go into a house where Ollie meets a ghost. Ollie discovers that two of the scarecrows are the ghost’s sons. When the kids leave the house, “Two scarecrows stood outside, one at each window. Somehow, they were not looking into the house anymore, but were watching the kids run, still smiling their wide smiles.”
  • Brian recognizes one of the scarecrows as his friend Phil. Brian says, “It’s wearing Phil’s clothes. Because that’s Phil’s hat and Phil’s hair and kind of Phil’s face—if it were sewn on.”
  • Ollie and her friends go into another house and Ollie sees a ghost. “A hand appeared on the doorframe. A thick, yellow-nail hand. Then a face popped around the edge of the doorframe. . . It was a woman. Or had been. Her skin was sunken in beneath the cheekbones, and when she smiled, her lips stretched too wide, the way a skull smiles.” The ghost tells her that the scarecrows are “neither flesh nor spirit” and that they are now the smiling man’s servants. The ghost says, “the cornfield is the doorway” to another world and the scarecrows hold the door between two worlds open.
  • While talking to the smiling man, Ollie figures out how to save her classmates. Ollie flings “a scattering of drops [of water] at the first scarecrow. . . the scarecrow screamed—a human scream.” The scarecrows that were from the past turned into dust but her classmates turned back into themselves.

Spiritual Content

  • After the scarecrows come for the kids, Brian says, “Deliver us from evil” and then did the sign of the cross. When Ollie and Coco look at him, he says, “I’m not a good Catholic but maybe God is listening.”

Forbidden City

Street-smart and agile, Paris is a huge fan of Liverpool F.C., Doctor Who, and chess. He’s also a survival specialist and the oldest member of the City Spies—a secret team of young agents working for M16, the British Secret Intelligence Service.

When M16 sets out to thwart Umbra’s attempts to recruit a prominent North Korean nuclear physicist for their nefarious purposes, the operation calls for Paris to make a covert connection with the scientist’s chess-prodigy son at a pair of tournaments in Moscow and Beijing. Meanwhile, Sydney is embedded as a junior reporter for a teen lifestyle site as she follows the daughter of a British billionaire on tour with the biggest act of her father’s music label.

The band and the billionaire are somehow connected to the scientist and the recent thefts of nuclear material from an old Soviet missile base, and it’s up to the City Spies to figure out how. The stakes couldn’t be higher, and the team will have to work together in perfect harmony in order to succeed on their most dangerous mission yet.

The third installment of the City Spies Series takes its focus off Brooklyn, and instead, Paris takes center stage. On the current mission, Paris and Mother go undercover. As part of their cover, Paris participates in the Around the World Chess Tournament, which allows Paris’s personality to shine. This also allows Mother to show that he truly wants to be a good father to his adopted children. The new dynamic adds interest and allows the story to focus on the common question: “Who am I?” This question gives Mother the perfect opening to share some of his background which gives the story a more sentimental vibe.

While Paris wrestles with the question, who am I, he also makes a decision that he thinks was a huge mistake. These two story threads dovetail perfectly and highlight the fact that everyone makes mistakes, and while some mistakes have devastating consequences, mistakes should be forgiven. In addition, when it comes to mistakes and consequences, we should not “celebrate people’s misfortunes.”

The mission requires part of the City Spies team to travel to both Russia and China which adds adventure and action. However, the team splits up into three groups and the constant back and forth between groups is at times a little overwhelming. Plus, readers who fell in love with Brooklyn will be disappointed by her absence because she sits out most of the mission.

The City Spies Series doesn’t rely on one plot formula, but instead, each book has a new focus that keeps the story interesting. Despite this, for maximum enjoyment, the series should be read in order. While the team must work together to complete the mission, their relationships—like any family’s—are complicated and have conflicts. These conflicts make the characters more relatable and add an interesting dynamic to the spy story. While the City Spies Series will appeal to readers of all ages, the series is perfect for middle-grade readers who love spy mysteries but want to avoid the violence. The Friday Barnes Mysteries Series has a more humorous tone, but will also appeal to middle-grade readers who love mysteries.

Sexual Content

  • None

Violence

  • While walking down a street, a man says something to two bodyguards, the Sorokins. “In a flash, Sasha grabbed him by the wrist and spun him around, twisting his arm up behind his back as he writhed in pain. . . on the verge of tears, he said something that Sydney assumed was an apology.”
  • When Jin-Sun is kidnapped, the City Spies find where he is being held captive. Sydney puts several smoke bombs down the chimney in the house where Jin-Sun is being held. The man guarding Jin-Sun, Sorokin, comes out of the house and “Sydney jumped on him from above. It was a direct hit, and as he staggered farther into the courtyard, Monty attacks him with a flurry of Jeet Kune Do moves to knock him out cold.”

 Drugs and Alcohol

  • While misleading the China Ministry of State, a spy leads them to an airport where they find her alone on a plane. When they enter the plane, she “took a sip of champagne.”

Language

  • None

Supernatural

  • None

Spiritual Content

  • None

Much Ado About Baseball

Twelve-year-old Trish can solve tough math problems and throw a mean fastball. But because of her mom’s new job, she’s now facing a summer trying to make friends all over again in a new town. That isn’t an easy thing to do, and her mom is too busy to notice how miserable she is.

But at her first baseball practice, Trish realizes one of her teammates is Ben, the sixth-grade math prodigy she beat in the spring Math Puzzler Championships. Everyone around them seems to think that with their math talent and love of baseball, it’s only logical that Trish and Ben become friends, but Ben makes it clear he still hasn’t gotten over that loss and can’t stand her.

Ben hasn’t played baseball in two years, and he doesn’t want to play now—but he has to, thanks to losing a bet with his best friend. Once Ben realizes Trish is on the team, he knows he can’t quit and be embarrassed by her again. To make matters worse, their team can’t win a single game. But then they meet Rob, an older kid who smacks home runs without breaking a sweat. Rob tells them about his family’s store, which sells unusual snacks that will make them better ballplayers. Trish is dubious, but she’s willing to try almost anything to help the team.

When a mysterious booklet of math puzzles claiming to reveal the “ultimate answer” arrives in her mailbox, Trish and Ben start to get closer and solve the puzzles together. Ben starts getting hits, and their team becomes unstoppable. Trish is happy to keep riding the wave of good luck . . . until they get to a puzzle they can’t solve, with tragic consequences. Can they find the answer to this ultimate puzzle, or will they strike out when it counts the most?

Much Ado About Baseball is a fast-paced story that teaches about friendship and fitting in using baseball as a backdrop. The story is told from both Ben’s and Trish’s point of view. The alternating points of view allow readers to see how Ben and Trish struggle with conflicting emotions. Middle grade readers will relate to Ben and Trish, who both are trying to fit in with their new baseball team. While the two are often at odds, they learn to work together. As a result, Ben realizes that friendship is about “arranging things so they’re best for the group, and not just for one person.”

While the story has plenty of baseball action, math puzzles also take center stage. Readers will enjoy trying to solve the puzzle before the answer is revealed. In addition, Much Ado About Baseball has a Shakespeare quoting character and magical fairies that need a lesson in cooperation. By combining baseball, puzzles, and Shakespeare, LaRocca creates an imaginative and engaging story that is full of suspense. While the story focuses on friendship, it also shines a light on the importance of honesty and forgiveness. The story’s conclusion is a little too perfect and cheerful. Everything is wrapped up in a positive manner which causes the ending to sound a little preachy. Despite this, Much Ado About Baseball will appeal to sports fans and non-sports fans alike. If you’re looking for another book full of baseball excitement, grab a copy of Soar by Joan Bauer.

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Several times someone is referred to as a jerk. For example, Trish thinks a boy is a jerk.
  • Heck is used occasionally.

Supernatural

  • Both Ben and Trish get a magical math puzzle book. When the right answer is written down, “the entire grid turned bright green. . . Then, under the puzzle, a sentence appeared.” The sentence gives help with a problem.
  • After using the magical math book, Ben tells the baseball where to go. The ball, “seemed to slow down. . . it was surrounded by sparkling green light.” Because of this, Ben is able to hit a home run.
  • Ben thinks eating the Salt Shaker snacks makes him better at baseball. His team eats the snacks before every game. “But the kids kept having weird reactions. . .breaking out in purple blotches that disappeared after a few minutes; hiccupping intermittently for an afternoon; even growing fuzzy hair on our forearms that resembled a donkey’s fur.”
  • In Ben and Trish’s world, fairies exist “as much as magic math books and lucky coins.”
  • Ben and Trish go to a part of the forest where fairies are. After a brief conversation, “The mouths surrounded us like a green cloud. When they finally flew away, we were back in my yard.”

 

Spiritual Content

  • None

Horse Girl  

Wills is a seventh-grader who’s head-over-hoof for horses, and beyond excited when she gets the chance to start training at the prestigious Oakwood Riding Academy. But Amara—the queen of the #HorseGirls—and her posse, aren’t going to let the certifiably dork-tagious Wills trot her way into their club so easily. Between learning the reins of horse riding, dealing with her Air Force pilot mom being stationed thousands of miles from home, and keeping it together in front of (gasp!) Horse Boys, Wills learns that becoming a part of the #HorseGirl world isn’t easy. But with her rescue horse, Clyde, at her side, it sure will be fun.

Wills’s embarrassing father, sensitive sister, and the members of the riding academy combine to make her story relatable and humorous. Every preteen will understand Wills’s desire to make friends as well as the embarrassing moments Wills suffers through. While Horse Girl has plenty of funny moments, readers will connect to Wills and understand her desire to find a place where she belongs. In addition to girl drama, mystery is added when someone begins leaving Wills encouraging notes and Wills begins investigating the members of the riding team.

Wills’s relationship with her parents is another positive aspect of the story. As Wills is trying to navigate life, she often thinks about her mom’s words of wisdom: “she says that whether you’re riding or flying or even just brushing your teeth, you have to be ready for surprises—the happy kind or the sad kind or the refreshingly minty kind. She says if you stop looking for surprises, they’ll stop looking for you—and what fun would life be then?”

The short paragraphs, text bubbles with emojis, and the list of Oakwood friend suspects makes the story engaging and fun. Plus, the text has footnotes that explain the horse terminology. The footnotes also include references that preteens may not know. For example, when Wills compares a rider to the movie Breakfast at Tiffany’s, the footnote says, “Breakfast at Tiffany’s is a movie from a million years ago (aka 1961) starring actress Audrey Hepburn wearing a little black dress and pearls.”

Horse-loving readers will enjoy Horse Girl because horses are a pivotal part of the plot. However, Horse Girl will also appeal to a wide range of readers because of Wills’s relatable conflicts, friendship worry, and embarrassing moments. Wills isn’t afraid to embrace her dorkiness, her frizzy hair, or her love of horses. And in the end, she learns a valuable fact about friendship; “Your friends—even the least expected ones, even the ones you thought were out to get you, and especially the ones with four legs—will be there to help pick you up.”

Sexual Content

  • None

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • OMG and OMGE are used occasionally.
  • Holy smokes and holy cow are both used as an exclamation once.
  • Heck is used five times.
  • Wills’s father says, “Dang it” once
  • Wills’s sister calls her a weirdo.
  • When Wills is feeling sorry for herself, her dad says, “But you’re behaving like an immature, whiny, selfish. . . brat.”

Supernatural

  • None

Spiritual Content

  • Before Wills’s competition, she takes “a deep breath and says a silent prayer to the #HorseGods.”

 

Page by Paige

New city. New friends. New Paige?

When Paige’s parents move her family from Virginia to New York City, Paige doesn’t know where she fits in anymore. At first, the only thing keeping her company is her notebook, where she pours her worries and observations, and experiments with her secret identity: ARTIST. With the confidence the book brings her, she starts to make friends and shake up her family’s expectations. But is she ready to become the person she draws in her notebook?

Paige tells her own story, which allows readers to understand her insecurities and struggles. Paige is an extremely likable and relatable main character who worries about many typical teenage problems such as making friends, having a boyfriend, and becoming more independent. As Paige matures, she learns to be comfortable in her own skin and she becomes more confident in sharing her artwork.

Throughout the story, Paige’s doubts and insecurities are shown in thought bubbles. When it comes to her art, she questions herself and thinks, “You’re going to fail, so why even try? What if I have nothing to say? No good at all?” Paige’s self-doubts continue when she begins to make friends. Paige thinks, “I’ve always been scared of revealing too much, saying the wrong thing, screwing up. . .” Paige is tired of always feeling “awkward, behind, sheltered,” so she begins a journey of self-growth and starts to stretch herself and be more open.

One of the best parts of Page by Paige is the black and white illustrations which are beautiful and interesting. Instead of just relying on facial expressions, Paige’s emotions come through her own artwork. For instance, when Paige is afraid of expressing herself, the illustration shows Paige’s mouth sewn shut. The imaginative artwork gives Paige’s emotions a life of their own and the pictures will help the reader understand Paige’s inner conflicts.

Readers can learn a lot about self-acceptance from Paige. At the beginning of each chapter, Paige writes a rule she wants to live by. For example, “Figure out what scares you and DO IT and let yourself FAIL. Don’t take it all so personally.” When Paige allows these rules to guide her behavior, she learns more about herself and begins to overcome her fears. As Paige matures, she realizes, “Bad experiences are like bad drawings. They stay in our sketchbooks. They stay a part of us. You can’t erase your past or who you are. You have to deal with it, I suppose.”

Page by Paige’s format will appeal to even the most reluctant readers. The story includes list and thought bubbles that use simple but expressive vocabulary. Some pages have no words, but allow the illustrations to express Paige’s complex emotions instead. While a few pages are text heavy, most pages have one to eight short sentences. Even though Paige’s struggles are typical, her illustrations elevate the graphic novel’s ability to express emotions.

Page by Paige will appeal to a wide variety of readers because it focuses on issues that most teens face. While the story gives readers a lot of good advice, the story never feels like a lecture. Instead, the graphic novel focuses on Paige’s personal growth. If you’re looking for an engaging graphic novel with interesting artwork, then Page by Paige is the perfect book for you.

Sexual Content

  • When meeting kids at her new school, someone asks Paige, “Are you Irish?” Then the kids tell Paige what their diverse heritage is. Paige says, “Me, I’m just like if all the pale countries got together and had a big orgy.”
  • A boy teasingly tells Paige, “I’ll try not to pop your cherry.”
  • The illustrations show Paige kissing her boyfriend twice. This is her first kiss.

Violence

  • None

 Drugs and Alcohol

  • None

Language

  • Crap is used four times.
  • Damn is used twice.

Supernatural

  • None

Spiritual Content

  • None

 

  1. Pages:
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  12. ...
  13. 44

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