Junior High – Page 15 – Sneak Peek Books

The Oracle Code

After an accident renders her disabled, teenager Barbara Gordon is sent to the Arkham Center for Independence (A.C.I). She learns to cope with her newfound disability, makes new friends, and processes her trauma. However, there seems to be something more sinister occurring within the rehabilitation center; kids are disappearing, and the doctors are hiding something. Can Barbara solve the mystery behind the facility before she too falls victim to it?

The graphic novel, The Oracle Code is told from Barbara’s point of view, which helps the reader see her character growth and understand the overarching themes of resilience, the importance of friendship, and embracing who you are. The story shows the difficulties of living with a disability, while still emphasizing that having a disability does not make your life less valuable. Barbara’s friend Issy reinforces this theme when she says, “The truth is, no matter what anyone led you to believe, life on wheels isn’t any worse or better than life on both feet, or one foot, or crutches. It’s what you make of it.”

Barbara also learns the importance of letting others help during hard times. While she tries to be as independent as possible, eventually Barbara accepts that it is okay to rely on others and ask for assistance when needed. As she tries to solve the mysteries behind the A.C.I, Barbara calls upon her friends and family, and it is through their teamwork that the puzzle is eventually cracked.

The secret behind the facility is incredibly dark and may be difficult and upsetting to read. The head physical therapist and head psychiatric therapist experiment on the A.C.I patients in order to find more effective treatments and cures. This is done by kidnapping the children whose parents have seemingly abandoned them and erasing any trace of their existence. The therapists then perform torturous experiments in order to “fix” them. The physical therapist even refers to the children he experiments on as “collateral damage.” In the end, Barbara and the rest of the patients within the A.C.I. prove that they don’t need to be “fixed.”

Preitano’s illustrations highlight the emotionally powerful moments with dynamic page compositions and incredible character expressions. The color schemes also help differentiate between flashbacks and the present day. Flashback sequences are illustrated in stark reds, oranges, and yellows. This contrasts the muted colors used in the rest of the graphic novel. Preitano’s use of intense shading also helps intensify the looming dreadful atmosphere of the A.C.I. Despite the excellent illustrations, the dialogue between the characters and Barbara’s internal monologue is still central to the story and ensures each idea is conveyed clearly. In addition, the text is easy to read because it uses simple vocabulary.

The Oracle Code is highly recommended for anyone struggling to come to terms with a disability. Barbara and her friends are excellent role models because they persevere through difficult circumstances and display selflessness by helping each other despite the dangers. In addition, their incredible vulnerability will encourage teens to be more open with their emotions. Plus, the well-written mystery and relatable characters make for an incredibly engaging read. Overall, The Oracle Code is an excellent graphic novel and a must-read for anyone who loves DC comics or a good mystery. Fans of DC comics should also read Wonder Woman: Tempest Tossed by Laurie Halse Anderson.

Sexual Content

None

Violence

Barbara gets shot “trying to help someone.” During flashback scenes, guns and bullets are consistently present in the illustrations.
The hospitalized kids retaliate against the doctor who experimented on them. The doctor is hit several times with mobility aids and then tied up with a jump rope. Onomatopoeias like “crunch” and “smack” are used during this segment.
The A.C.I. experiment on a patient, who later said they were “test subjects.”
One of the doctors conducting genetic experiments also threatens Barbara and her friends with a gun.

Drugs and Alcohol

None

Language

None

Supernatural

None

Spiritual Content

None

When the World Was Ours

Leo Grunberg spends his ninth birthday riding Vienna’s Ferris wheel with his two very best friends, Elsa and Max. While at the top, they swear they can see the whole world. They promise each other that they “will never forget the day [that they] were kings and queen of all Vienna.” To ensure that that promise will be kept, Leo’s father takes a picture and makes a copy for each of them.

But Europe is descending into war, and Max’s father is rapidly growing intolerant of his son’s two Jewish friends. As danger descends around Leo and Elsa’s families, their world falls apart. Soon, the lives of all three children take fateful turns when they move to separate countries. With their lives taking them across Europe—to Germany, England, Prague, and Poland—will they ever find their way back to one another?

The war dramatically changes the three friends’ lives. After Leo’s father is arrested for being Jewish, Leo and his mother escape to England. On the other hand, Elsa finds a short-lived sanctuary in Prague before being forced into a ghetto and eventually to a concentration camp. All the while, her hope that better days will return gradually dissipates. Meanwhile, starved for a sense of belonging he has only ever felt with Leo and Elsa, Max throws himself into the Hitler Youth. He convinces himself that his old friends could not have been Jewish, and when his father insists that they were, he convinces himself that they were never really his friends. All the while, one vivid childhood memory continues to link the three together.

When the World Was Ours alternates among the narratives of the three children. Interestingly, each perspective takes on a different style. Max’s is presented in the third person while Elsa’s and Leo’s are in the first person. Additionally, Elsa’s is in the present tense while both boys’ are in the past tense. Though a little jarring at first, this technique ultimately allows the narratives to stand apart from one another in such a way that the reader will never lose track of which perspective they are currently reading. The characters’ heartbreaking journeys are extremely well told and will leave a lasting impact on readers.

The book’s powerful climax occurs when Max’s father secures him a position as a guard at Auschwitz, and he is tasked to kill his first Jew, assuring himself that this is “the defining moment. Everything came to this.” He is ready to prove himself as a true Nazi but is taken aback when the emaciated girl beyond his pistol utters his name in an all too familiar voice. When she smiles at him, he knows for sure she is Elsa. In these pages, it becomes terrifyingly clear how easy it can be for ordinary people to be swept up in such a horrific regime.

When The World Was Ours is a powerful must-read but it is not for the faint of heart. The story, which is based on a true story, is an unflinching look at one of the most horrific events in recent history. Readers will find it difficult to forget the characters’ trauma and will walk away with a determination to never let the atrocities of World War II happen again. Readers who would like to learn more about the Holocaust should also read Elie Wiesel’s autobiography Night. To learn more about what happened to the Nazi’s after the war ended, grab a copy of The Nazi Hunters by Neal Bascomb.

Sexual Content

In the months before Elsa moves away, Elsa and Max have grown particularly fond of each other. When she informs her friends she is leaving, Max kisses her. “At first, her mouth was pursed up in shock. Then it softened and for two blissful seconds, their lips stayed together in a promise.”
As a teenager, Leo gets close to a girl. One day, he says, “[during] a sudden attack of bravery on my part. . .I kissed her.” She reciprocates and they begin dating.

Violence

A group of men forces Leo’s father and two other Jewish men to scrub the pavement. One of the men, who he recognizes as Max’s father, kicks his father in the stomach “so hard that Papa fell forward, his face landing in the puddle.”
Leo’s father was attacked at his local synagogue. “His face was cut and bleeding and he was limping.”
While visiting a concentration camp for the first time, Max witnesses a prisoner “get punched in the stomach so hard he [falls] to the ground.”
Elsa sees a man being pulled into a shed by an SS officer during a line-up. When they return, the man’s “left eye is closed and already swelling. He’s limping. He has blood dripping from his forehead.”
While at a concentration camp, Elsa learns that two men are being punished for sending letters to their wives. The inmates are forced to watch both men being whipped. When one man begs for mercy, the officer “kicks him in the stomach so hard that [he] almost flies through the air and lands on his side.”
Multiple people suffocate while being transported to Auschwitz in a cramped train car. The guards stop three times to “throw out the dead.”
Upon their arrival at Auschwitz, Elsa’s family is sent to the gas chambers. When Elsa asks to go with them, a guard laughs and says, “‘Believe me, you don’t want to go that way.’”
Elsa’s friend Greta plans to escape from the camp, but her plan is discovered by the guards. She is beaten to death. Elsa describes, “I watch one guard take hold of her while another kicks her in the stomach. And then I cannot watch anymore.”
Elsa is sent to be executed and Max is tasked with shooting her. Elsa recognizes him and experiences a surge of hope, telling him he doesn’t need to do this. Overwhelmed, Max nearly walks to her before being coerced back into the act by his two fellow guards. He decides this moment is no different from the other tests of “his true commitment to the regime.” He hesitantly raises his pistol, but one of the other guards fires his weapon, apparently intending to kill Elsa himself. The bullet instead hits Max “in the head.”
After shooting Max, the two guards panic and decide to stage the death to look like a suicide. In despair, Elsa demands they kill her too, saying she is done with her life. She closes her eyes, not letting them “into her soul while they [empty] out their own,” and is shot, but the death is not described in detail. This entire sequence spans 15 pages, alternating between Max’s and Elsa’s perspectives.

Drugs and Alcohol

Leo and Max’s parents had “drunk wine and sat talking together.”

Language

None

Spiritual Content

Leo’s family believes in Judaism. Leo and his family “say Shabbat prayers every Friday night.”
When Leo’s father returns home from synagogue, he states that he and several friends were “praying for an end” to their persecution.
While not as religious as Leo’s family, Elsa says that her family has begun “going to shul (Jewish services) on Saturday mornings when [they] can, and every Friday night [they] light candles . . . and say a brachah – a blessing – over them.”
Elsa hears several fellow passengers on the cart to Auschwitz reciting Kaddish, the Jewish prayer of mourning.
When Leo’s father returns to his family at the end of the war, he informs his son that both Elsa and Max died at Auschwitz. The family lights a candle and recites Kaddish for Leo’s friends.

Legend

Set in the Republic, what was once the western United States, the world of Legend dives into the lives of two intelligent fifteen-year-olds, Day and June, who come from completely different backgrounds. Amid a war splitting the nation apart and a plague spreading throughout the Republic, Day and June must try to navigate the twists and turns of their own lives.

Day is a wanted criminal from the slum sector who failed his Trials – a test every ten-year-old must take that determines how useful they will be to the government. Despite hiding from the Republic’s military, Day is trying to provide for his brothers and mother. When Day finds out his younger brother Eden has been infected with the plague, he tries to steal medicine and starts to uncover things the Republic wants hidden.

June is the Republic’s star student, who comes from an upper-class military family and had a perfect score during her Trials. She attends the top university and lives with her brother, Metias, a respected military officer and June’s guardian. However, when Metias is killed, the Republic tasks a grieving June to avenge her brother’s death and find the prime suspect: Day.

Their missions lead Day and June to meet each other and they unexpectedly discover an inexplicable attraction to each other. The two uncover a truth that the Republic wants to keep hidden. Soon, Day and June realize they must work together to understand the extent the Republic will go to keep its dark secrets.

Legend is a page-turning dystopian story that stars two quick-witted and strong characters that are trying to figure out who they are in a world of conflict and deceit. Both Day’s and June’s perspectives are told from first-person point of view. To help readers avoid confusion, the text’s fonts and colors change to distinguish the chapter’s speaker. By allowing the reader to experience both sides, they can learn new information alongside the characters. Readers will become more connected with the characters and understand how they feel, making both June and Day relatable and likable.

The story includes an array of issues such as classism, morality, trust, the effects of standardized testing, and the value of family. The subjects are well-integrated into the plot without being shoved in the reader’s faces. The book clearly lays out and compares the differences between Day’s poor background and June’s wealthy upbringing, exposing the vast inequalities. The Trials are a method of standardized testing split into three parts: the physical exam, the interview, and the written exam. Children take the tests to determine if they will be helpful to the military. While both Day and June are smart in their own ways, Day is not supportive of the Republic so he is ostracized and punished.

Legend is perfect for dystopian fans who like action, mystery, and a little bit of romance. The story is dramatic, intense, and has good pacing. The plot is understandable and thought-provoking, although some of the twists are a little predictable. The theme that nothing is as it seems shines as the deception of the government and the innocence of Day is revealed. Overall, Legend is a strong start to a trilogy that uses a believable situation to encourage readers to stick to their morals, even when it makes life difficult. Readers looking for more fast-paced dystopian novels will also enjoy the Matched Trilogy by Ally Condie.

Sexual Content 

While roaming the streets, Day wanders into a bar and chats with a bartender. Day thinks, “If I weren’t busy hunting for information, I’d take my time with this girl, chat her up and maybe get a kiss or three out of her.”
After helping June recover from her injuries from a fight, Day studies June. Day thinks, “At this moment all I’m thinking about is what I’d give up for the chance to kiss her or to run my fingers through her dark hair.”
There are several instances that both Day and June are imagining kissing and touching each other. Day says that “nothing good can come out of falling for someone on the streets.” But he admits, “a part of [him] still wants to kiss her, no matter how cracked a move it might be.”
Day and June are talking and drinking nectar wine when they kiss. Day “kisses [her] gently at first and then, as if he’s reaching for something more, he pushes [her] against the wall and kisses [her] harder.”
The following day, Day thinks about kissing June. Day can “still feel her lips against mine, the smooth, soft skin of her face and arms, the slight trembling of her hands.” June says he has kissed lots of girls before her, but that June is different and he “[wants] more.”
A jealous Thomas, a Republic soldier, brings June back to her apartment, asking if Day had kissed her. She says it was for the mission. “Then, before I can protest, one of Thomas’s gloved hands brushes my chin as he leans in to kiss me on the lips.” June is repulsed and pulls away but his hand stays on the back of her neck.
June has a dream. “Day has his arms wrapped around me and is kissing me again and again, his hands running up my arms and through my hair and around my waist, his chest pressed against mine, his breath against my cheeks and neck and ears.”
In the aftermath of their escape, June and Day talk about what happened. They hug and, “she wipes a tear from [his] cheek and kisses [him].”
Day and June discuss a plan to go to The Colonies. Day is appreciative that June wants to stay with him and kisses her while June “wraps [her] arm around his neck and kiss[es] him back.”

Violence 

While soldiers are inspecting the Lake sector for plague-infected people, a woman wanders into the street. A soldier “lifts his gun and aims. A volley of sparks engulfs the infected woman.”
To find a cure for his plague-ridden brother, Day infiltrates the hospital. To make the doctor show him where the cures are stashed, Day “whip[s] out one of [his] knives and hold[s] it close to the man’s throat.”
While Day is escaping from the hospital, soldiers fire at him. “One of the stray bullets scrapes [Day] and searing pain shoots up [his] arm.”
After Day escapes from the hospital, Metias confronts him. Metias tries to take him into custody, but “before he can fire, my knife hits him hard in the shoulder and he falls backward with a thud.”
The Republic soldiers have captured a spy from the Colonies and are torturing him in an interrogation room. “Whenever he thrashes, Commander Jameson stomps on the chain around his neck and chokes him until he stops.”
Day is watching and betting on a Skiz fight between Kaede, the bartender, and another girl. “Kaede strikes early and hard, lunging out and striking the other girl viciously across the face.” After another punch, the girl “crashes to the ground, hitting her head on the cement floor.” This fight scene lasts two pages.
June stumbles into a Skiz fight where viewers bet on two fighters. When someone loses, they are kicked out of the tournament while the winner picks the next contestant. June is fighting Kaede, a fan-favorite fighter. During the fight, “Kaede’s fist punches hard into [her] side, and [she] feel[s] a terrible, sharp pain.” June is stabbed, thinking that, “Only a serrated knife could have torn [her] skin that way.” June ends the fight by ‘twist[ing Kaede’s] arm in a tight hold. In one move, [she] shatter[s] it.” By the end of the fight, June’s side is bleeding. The fight lasts three pages.
While June is trying to escape the crowd who wants her to continue fighting, “Someone grabs [her] leg and yanks hard. [She] hit[s] [her] head hard enough to send the world spinning.”
The Republic military goes to Day’s house to take his family into custody. Thomas, a Republic soldier, kills Day’s mother when he “shoots her in the head.” From June’s perspective, she thinks she’s supposed to “feel the joy of avenging [her] brother’s death.” But she can’t. “The pool of blood underneath the woman is starting to make [her] feel sick.”
The soldiers capture Day and are trying to bring him into headquarters. When he fights back, “one soldier kicks him hard enough to knock him out.”
While Day is in custody, soldiers beat him, and he sustains many injuries. “The girl looks down, then takes a gun from her belt and strikes me hard across the face.”
The Republic is showing the civilians that they caught the infamous criminal Day, but some protesters in the crowd cause a ruckus, irritating soldiers. “One of the soldiers restraining me strikes me in the back with his rifle.”
After Day is taken into custody, June goes to talk to him and observes his injuries. “His lips are so cracked that a little blood has trickled down to his chin.” His leg “is swollen to twice its normal size,” and, “Blood oozes from the edges of the bandage.”
Hundreds of protestors gather outside of Batalla Hall and soldiers are sent to deal with them as they become unruly. Soon enough, “Bullets rain down on the square. People in the crowd collapse like levees in a flood.” Afterward, June scans “the scene of blood and bodies and prisoners. There are 97, 98 dead. No, at least 120. Hundreds more are in custody.”
There is mention of death by execution in several scenes. When a judge announces the verdict for Day’s crimes, he says, “Day is hereby sentenced to death…by firing squad, to be carried out four days from today, on December twenty-seventh at six p.m. . . ”
A soldier, Thomas, goes into Day’s cell to interrogate him. “His left fist hits me hard across the jaw, and my head snaps to the side.” By the end of the fight, Day’s face is bleeding, and it can be assumed that he is badly bruised because, “He hits me again, then one of his knees slams into my stomach.” Thomas also threatens Day’s brothers, saying that Day should, “Watch [his] tongue, unless [he] want[s] to see their bodies lined up next to [his] mother’s.” The confrontation lasts for three pages.
Day attempts to break out of prison. “I swing back down, kicking one soldier in the head with my good leg.” The escape is described over two pages.
After Commander Jameson prevents Day from escaping, she has a violent confrontation with Day. “Before she can stop me, I dart out of her grasp and sink my teeth deep into her hand.”
Day has a flashback to his childhood when he accidentally hit a policeman with a ball while playing with his brother John in the street. The police officer punishes him for it when “he lifts the knife and gets ready to hit [Day] across the face with its handle.” John tries to plead with the police to stop him but, “The knife handle whips [him] across the face. The policeman walks over and kicks [him] in [his] side.”

Drugs and Alcohol 

One night, Day and June talk to one another, and “a bottle of nectar wine sits between us.”

Language 

Hell and damn are both used once.

Supernatural

None

Spiritual Content 

None

Girl in the Blue Coat

Hanneke Bakker is struggling to find her place during World War II. Without her parent’s knowledge, Hanneke has been obtaining and selling black market goods. However, her life gets turned upside down when Mrs. Janssen, one of her usual customers, asks her to find Mirjam Roodveldt, a young Jewish girl that Janssen had been hiding in Mrs. Jansesen’s home.

At first, Hanneke refuses to help find Mirjam. However, when she agrees to search for her, Hanneke quickly becomes exposed to the brutal realities of war. When Hanneke meets a group dedicated to hiding and rescuing Jewish citizens who are under threat from the Nazis, it causes Hanneke to question how beneficial her efforts have been. With blonde hair and light eyes, Hanneke identifies herself as the “Nazi’s poster child,” making her feel guilty about her negligence to the war. Hanneke is eventually drawn further into the mystery of the missing girl and her search leads her to stunning revelations about the war and the people involved.

Teens will relate to Hanneke because she falls deals with many of the same struggles that normal teens experience, such as young love and conflicts with parents. The story is told from Hanneke’s point of view in a very raw and honest way. Throughout the book, Hanneke must cope with the death of her boyfriend, Bas, as well as the loss of her normal life during wartime. She also deals with losing her best friend, Elsbeth, whose morals become questionable after marrying a Nazi soldier. The story teaches readers that grief is not a one-way street and that there are multiple coping mechanisms that help someone deal with loss.

Since the story is written from Hanneke’s point of view, other characters are not well developed. While everyone is dealing with their own form of grief, describing the lives of other characters more in-depth would have made the novel more impactful. For example, Ollie copes with the loss of his brother who died in battle. When talking to Hanneke, Ollie reminisces on his brother’s life saying, “. . . I talk about him all the time. Him and his obnoxious jokes, his laugh, what he would have become.” Unfortunately, readers are given limited knowledge on Ollie’s personality and perspective. This leads readers to have a one-sided view of the conflicts in the story.

Even though Hanneke is the protagonist, she is not always likable. However, she has several positive attributes including courage and determination. Her naivety comes out frequently, which makes her seem self-centered. For example, when Mrs. Janssen asks Hanneke to find Mirjam, Hanneke focuses on whether or not it would benefit herself. At times, she lacks conviction and she frequently questions her actions, which may frustrate readers. She asks people involved in the war resistance dumb questions too, then becomes angry with herself because she had previously shielded herself from the horrors of the war.

Despite taking place in 1942, teens will be inspired by Hanneke and the positive messages she carries. Hanneke’s life would have been simpler had she not agreed to search for Mirjam; however, she knows it is what must be done for the sake of Mrs. Janssen, who is worrying herself sick over Mirjam’s disappearance. Despite making mistakes, Hanneke continues her journey. Ultimately, Hanneke’s compassion for Mrs. Janssen and for everyone who has lost people to the horrors of war is comes to drive her.

While the characters are fictional, many of the events are historically accurate and the war within the Netherlands was extremely well-researched by the author. However, at times the plot felt like it went too slow, while other times it went too fast. Plus, the conclusion was rushed and confusing. Nonetheless, those who are interested in the history of WWII would find this an interesting read, especially those who wish to learn more about the German occupation of the Netherlands. For readers interested in learning more about the World War II resistance, Resistance by Jennifer A. Nielsen is a must-read.

Sexual Content

Hanneke and Ollie, the brother of Hanneke’s dead boyfriend, briefly kiss whilst pretending to be a couple in front of German soldiers. “Ollie cups my face in his hands and kisses me. His mouth is soft and full, his eyelashes brush against my cheek, and only he and I know that our lips are shivering in fear.”
Hanneke occasionally flirts with German soldiers to avoid suspicion. “With the way I’m standing, my dress has risen above my knee, and the soldier notices . . . I shift my weight a little so the hemline rides even higher, now halfway up my goose-bumped thigh.”
Hanneke frequently recalls previous romantic encounters she had with her boyfriend. In one instance, she recalls her first kiss with him. “When he kissed me, he dropped his bicycle and it clattered to the ground, and we both laughed.”
Ollie confesses his love for Willem, saying, “Jews aren’t the only ones who suffer because of the Nazis. I don’t love Judith. I love Willem.”

Violence

At the beginning of the war in the Netherlands, “two thousand Dutch servicemen were killed when they tried but failed to protect our borders as the country fell” and “German planes bombed Rotterdam, killing nine hundred civilians.”
Hanneke is shocked when Mrs. Janssen says, “I’ve heard of people imprisoned, taken away and never returned. But four people, including a woman and a child, shot dead in cold blood?”
Mrs. Janssen recalls the death of her family at the hands of the Nazis. This took place at the Janssen family shop, where the Janssens were hiding their Jewish neighbors. Someone had tipped off the Nazis that these individuals were being hidden, leading to a massacre. “When the shooting was done, Hendrik was dead, and David, and Rose, and Lea. Only Mirjam managed to escape.”
The Nazis capture and beat a man, causing “bleeding from the nose, his right eye split and swollen.”

Hanneke talks about protests that have “left dead bodies in the streets.”
A fight breaks out between two shop customers. Nazi soldiers come to disperse the fight. “A fight broke out in the shop, which led to the earliest major roundup and hundreds dead.”
Hanneke talks about how resistance workers “could be shot” for their work.
During a round up, a girl tries to escape, but she is shot and killed by a Nazi soldier. “They shoot her. In the middle of the bridge, in the back of the neck so that blood bursts from her throat, slick and shining in the moonlight.”

Drugs and Alcohol

Hanneke smuggles items through the black market, including “cigarettes and alcohol.”

Language

Profanity is used rarely. Profanity includes damn in both English and italicized Dutch.

Mrs. Janssen goes to show Hanneke the cupboard where she hid Mirjam. When she sees it, Hanneke thinks, “Verdorie. Damn it, she’s crazier than I thought.”

Supernatural

None

Spiritual Content

Several of the characters are of Jewish faith, which is a big source of conflict within the story as it takes place during World War II.
The Nazi soldiers sympathize with the Christian characters. A soldier says, “I feel bad punishing a good Christian woman who is too stupid to know where her husband was.”

Ratpunzel

Harriet does not like sitting around her house, so when her friend, Prince Wilbur, tells her that he needs help finding his hydra’s stolen egg, Harriet is more than willing to accept the quest. During their search, they come across a friend of Prince Wilbur’s mother, Dame Gothel, and a tower where a rat princess with a long tail lives, named Ratpunzel. While trying to find the stolen hydra egg, the two hamsters try to gain the princess’s trust and find out more about the dame, but there is more than what initially meets the eye when it comes to this quest.

Ratpunzel uses the story elements of Rapunzel to create a humorous and fun adventure that will have readers eagerly turning the pages. Harriet takes the quest, happy to help her friends and leave the castle. As Harriet and Prince Wilbur go on their adventure, they discover that Dame Gothel is an evil witch. Gothel makes Ratpunzel cry and then uses her tears to turn every visitor into a wooden statue so Ratpunzel cannot escape the tower. Ratpunzel’s tears are an important part of Gothel’s magic because they come from a magical maiden “true and fair,” so Gothel keeps the princess close. Gothel is scary yet funny, and the readers will enjoy seeing how Harriet will foil the witch’s plan and get the hydra’s egg back.

On one of the hamsters’ visits to Ratpunzel’s tower, they learn that Ratpunzel cooks food to pass the time, but she does not know that no one likes it since everyone is polite to her. On top of that, she is optimistic about becoming a good chef, despite her odd dishes consisting of “fish-flake ice cream,” “asparagus waffles,” “sugar-and-shrimp pancakes,” and more! Ratpunzel’s interjections about her peculiar cooking add hilarity to the adventure.

Blue and white illustrations add to the wackiness of the book. Drawings with dialogue balloons help break up the text and keep the action moving. Ratpunzel shows the value of teamwork and will engage even the most reluctant readers. Ratpunzel is the third book in the Hamster Princess Series but can be enjoyed as a standalone book. With an unconventional heroine and many hilarious moments, Ratpunzel is a story that delights and amuses.

Sexual Content

None

Violence

Weasel-wolves attack Harriet, Wilbur, and the battle quails. Harriet fought a weasel-wolf one on one, but “she didn’t have to do anything. She just held her sword up and the weasel-wolf’s jump carried it right into the pommel, cracking itself in the forehead.” When the weasel-wolf hit the pommel, it “fell on the ground.” The fight continues for two pages.
Another weasel-wolf shows up and tries to bite a battle quail, but he ends up with a mouthful of tail feathers. The battle quail spins around and kicks the weasel-wolf. The battle quail’s “legs shot out—one-two—and lifted the weasel-wolf off its feet. It [the weasel-wolf] flew through the air [and] bounced off a tree trunk.” Finally, the weasel-wolf ran away; the rest of the weasel-wolves ran away too. The fight lasts for two pages.
Ratpunzel hits Dame Gothel with a hydra eggshell. “WHACK! . . .And then [Dame Gothel] slumped over into the grass, knocked out cold.” Later, Dame Gothel wakes up groggy.

Drugs and Alcohol

None

Language

None

Supernatural

Gothel turns Wilbur into a wooden statue using Ratpunzel’s tears. “Harriet heard a sploosh! a thud! and a very loud SNAP! . . . It was unmistakably Wilbur. It looked like a perfect wooden carving, down to the individual strands of hair and nails on his hands and his alarmed expression.”
Gothel traps Harriet with vines. “Green bands were snaking up her legs and were holding her in place. She swatted at the vines with her hands, and they whipped out and twined around her arms.”

Spiritual Content

None

by Jemima Cooke

Rebecca Rides for Freedom: An American Revolution Survival Story

The American Revolution is raging in Philadelphia, and Rebecca is determined to do all she can to help. With her father stationed with Washington’s army at nearby Whitemarsh, it’s up to Rebecca to help her mother at home with her younger siblings. That includes selling vegetables to British officers stationed in wealthy houses nearby. When Rebecca intercepts a message about an impending British attack against the Patriots from one such house, she knows she must act. It’s up to her to get the message to the Patriot army – before it’s too late.

Rebecca Rides for Freedom begins by describing how the American Revolution affected families. Rebecca’s father leaves the family alone so he can fight alongside General Washington. However, because of the families’ loyalties to the Patriots, there is constant fear that the Tories will harm them. Despite the danger, Rebecca is determined to deliver an important message to her father’s garrison. Rebecca’s ride through dangerous territory highlights her bravery and determination. When she is finally close to the Patriot’s camp, a soldier tries to send her away, but Rebecca refuses to give up. She thinks, “I’d ridden miles in the snow, been captured, escaped, and forded the frozen creek. I hadn’t come this far only to be dismissed as a silly girl.”

Rebecca’s experience doesn’t go in-depth about the history behind the American Revolution. However, readers will begin to understand people’s fear of the Redcoats and how the war impacted families. While Rebecca’s fear of the soldiers is obvious, the events are described in kid-friendly terms. However, this doesn’t detract from Rebecca’s harrowing experiences or her bravery.

To make the story easy to follow, each chapter begins with Rebecca’s location, the date, and the time. Every 7 to 10 pages there is a black-and-white illustration. The illustrations focus on Rebecca and the events surrounding her. Some of the illustrations show the Redcoats carrying rifles. The book ends with a note from the author that describes her inspiration for writing the story, a glossary, and three questions about the story.

Rebecca Rides for Freedom is a fast-paced, entertaining book that will spark readers’ interest in history. While Rebecca is a fictional character, the author explains how real women inspired Rebecca’s character. The author writes, “The women behind Rebecca’s story were real wives, mothers, and daughters. They were ordinary women who showed extraordinary courage in order to protect both family members they loved and the ideals they believed in.” This allows girls to see the important and often overlooked, contribution women made during the American Revolution. In addition, Rebecca Rides for Freedom will encourage readers to stand up for their beliefs. Readers who want to learn more about the Revolutionary War should grab a copy of George Washington’s Socks, which is a fast-paced time travel adventure that goes into more detail about the war.

Sexual Content

None

Violence

When the Redcoats moved into one family’s home, they “turned the families out onto the street in the middle of the night. Lydia Wright’s baby sister had died that way.”
A Redcoat officer accidentally “shot himself in the foot.”
Rebecca meets Betsy whose “brother was beaten in the street when he wouldn’t get out of the way of the Redcoats. They broke his arm.”
For Rebecca to take papers with attack plans, Betsy helps. Betsy “swept her arm across the surface of the desk. All the papers fluttered to the floor.” As Rebecca leaves the house, “there was a smacking sound, and Betsy cried out.”
Rebecca is captured by the Redcoats. When she escapes, she jumps on her horse, Brownie, who “ran directly through the soldier’s campfire before any of them could realize what was going on. . . the soldiers dived for safety to either side.”

Drugs and Alcohol

A group of Redcoats apprehends Rebecca. That night at their camp, the men were “Passing their jug from hand to hand, sometimes breaking into song. When the sergeant speaks, there is the “unmistakable slur of drink in his voice.”

Language

A Redcoat refers to General Washington’s soldiers as “Patriot devils.”

Supernatural

None

Spiritual Content

When Rebecca is planning to escape from the Redcoats, she “prayed none of them would sense my movement.”
While crossing a swollen river, Rebecca “held the wet reins, clinging to Brownie’s wet mane, and prayed. It must have been heard because the water grew more shallow.”

Afterward

Ethan was kidnapped four years ago. But when his captor, Marty, brings home a new eleven-year-old boy named Dylan, the police break down Marty’s apartment door shortly after. Now, Marty is dead, and both boys are able to reunite with their families. Ethan’s parents are overwhelmed with relief at having found their only child alive after all this time. While very glad to be home, Ethan himself struggles to readjust after having lost four years of his life to captivity and trauma.

Afterwards switches back and forth between the perspective of Ethan and Dylan’s older sister, Caroline, who feels like she is the only one in her family willing to acknowledge what happened to her brother. Caroline observes, “It’s like my mom wants to act like everything is going to be okay if she just says it over and over enough.” To complicate matters, Dylan is nonverbal autistic, and since the family can’t afford therapy, they can’t understand his trauma. While her parents are attempting to sweep the whole incident under the rug, Caroline knows her brother is suffering and still needs to heal.

After several months, when the media’s cameras have faded away and the rest of the world has moved on, Caroline decides that there is only one person who can give her the information she needs to help Dylan—and herself—deal with the kidnapping. Slowly, a powerful friendship begins to form between the two teenagers who are suffering because of the pain inflicted by the same man.

Since each chapter of Afterward alternates between both Ethan’s and Caroline’s perspectives the reader is able to better understand their interactions with each other. Readers will sympathize with Ethan as he describes the difficulty of returning to a normal life. He thinks, “I think I probably can’t be fixed at all.” The reader feels the heartache of his struggle and can easily root for him to overcome his trauma. Caroline is a bit more difficult to like. She is rather reckless, and at one point reignites Ethan’s trauma in an act of selfishness. However, Caroline’s more nurturing and considerate side is showcased in her relationship with her brother.

Ethan’s therapist, Dr. Greenberg is a lovely addition to the story as he is professional but personable and he’s the light that guides Ethan along the road to recovery. However, Dylan gets a bit lost in the narrative. Because he disconnects from the world, readers will find it difficult to connect with him. The story becomes more about Ethan and Caroline’s friendship than helping Dylan through the trauma he suffered. The closest the story gets to suggesting Dylan gets the help he needs is Caroline telling her mother that he needs therapy, and the reader can only hope they will find a way to afford it.

Afterward ends with some uncertainty about where the characters will go next. Nonetheless, Afterward is a difficult but heartfelt read that shows that recovering from trauma is possible. The story doesn’t shy away from difficult topics, but it does handle them in a way that is respectful and manageable for a teen reader. Afterward would be a good read for older teens who are looking for a serious and mature story. Readers who want to explore another book that revolves around a kidnapping should read Pretend She’s Here by Luanne Rice.

Sexual Content

Caroline and Jason work together. Caroline describes kissing and “messing around” with Jason during breaks and after work. During one of their encounters, she describes him as delivering “these tiny, goosebump-inducing kisses and nibbles all over [my neck] that make my hair follicles go electric.” Then he pulls her to the ground and it is strongly implied that they have sex.
During work, Jason texts Caroline suggesting they hide behind one of the hay bales and “get nekkid.”
While musing over her blossoming friendship with Ethan, Caroline reveals that she has never been able to be just friends with a guy. Before Jason, Caroline “messed around” with three other boys.
Before he was kidnapped, Ethan was heading to his friend’s house. He was wondering if he could stay overnight and he became excited at the prospect of using Jesse’s binoculars to spy on his babysitter. He hopes that she’ll “take off her shirt and everything.”
While at a party, Caroline describes seeing two people “groping each other like two eighth graders under the bleachers.”
While intoxicated, Caroline takes off her shirt and tells Ethan to kiss her. He does; Ethan describes “getting hard” as they grope each other. He says, “her tongue is in my mouth, and she’s putting her hands on my shoulders and back.”
Kissing Caroline triggers memories of Ethan’s sexual trauma from his captivity. He remembers, “Hands on me. Rough hands. Big hands. Not stopping. Not when I pleaded for them to stop and then gave up when the pleading only made it worse.”
Dylan was likely sexually abused during his captivity, but it is not described. Caroline is disturbed when imagining “Dylan being touched or hurt.”
Ethan talks to his therapist about his abduction. Ethan says, “‘When I was with him, sometimes my body responded then, too. Even though I hated what was happening.’” He questions whether this means some part of him wanted the sexual acts.
When Caroline’s mother tells her that her father is having an affair, she says, “Your father is having sex with someone else.”

Violence

In an article detailing the boys’ reappearance, Ethan and Dylan’s captor, Marty, is described as dying of “a self-inflicted gunshot when authorities attempted to arrest him at his workplace.”
Ethan and Dr. Greenberg talk about the protesting of nukes in the eighties. Ethan thinks to himself, “People don’t talk about countries firing nuclear weapons much anymore. It’s just terrorists blowing shit up or people shooting up schools that freaks everybody out.”
Both Ethan’s and Dylan’s roadside kidnappings get described in detail and each description is about two pages in length. Both boys are held at gunpoint. Ethan recalls his captor telling “me to get down. Get on the floor, this is a gun on your neck.” Ethan describes, “The [gun’s] metal feels heavy on me. Heavier than the guy’s hand.” The weapon is never fired, and no physical injuries are noted.

Drugs and Alcohol

Ethan takes prescribed medications to ease his anxiety and help him sleep. At one point, he reveals he is taking four different prescriptions.
When they are together, Caroline and Jason often smoke weed and drink heavily spiked sodas. Caroline muses that Jason “only gets sweet and gentle when he’s high.”
Ethan recalls smoking weed at fifteen and possibly even younger.
While at a friend’s house, Caroline drinks Shiners from the fridge.
While her father is in the kitchen, Caroline takes a beer from the refrigerator “just to see if he’ll notice,” which he does not. She drinks half of it in her room and pours the rest out.
Caroline offer’s Ethan a swig of heavily spiked Diet Coke. This leads to the sexual encounter mentioned above.
Occasionally, adults are described as drinking beer.

Language

Dylan often repeats the phrase, “Damn, piece of cake.”
Occasionally, Ethan or Caroline will use the words hell, ass and fuck.
Shit and bullshit are said multiple times.

Supernatural

None

Spiritual

After Dylan’s return, Caroline prays to God, though she is uncertain if she believes in him. She thanks God for bringing her brother home.
Near the end of the story, she again thanks God, even though she is pretty sure she doesn’t believe in him.
Ethan and Dr. Greenberg discuss why people do and don’t believe in God. Dr. Greenberg mentions that he is Jewish, but doesn’t elaborate on his beliefs. They briefly discuss atheism and Unitarian Universalism, a religion that lacks a set of beliefs and “supports the idea of everyone being on their own faith journey.”
Ethan thinks back to the idea he had of God before his abduction and how he began to resent God for not answering his prayers for help in captivity.
During one of his sessions with Ethan, Dr. Greenberg refers to the novel, Cat’s Cradle. He explains the story’s fictitious religion that involves a belief that people are cosmetically linked in ‘karasses,’ or teams, to do a section of God’s will. Ethan thinks of being connected to Caroline and Dylan in this sense and wonders why fate would link them in such a terrible way.

by Erin Cosgrove

From The Desk of Zoe Washington

Zoe Washington is a normal 12-year-old who is refusing to speak with her long-time best friend, Trevor. Her spiraling friendship with Trevor seems to be the most of her worries . . . until she checks the mail and sees a strange letter from the county prison. Could this be what she thinks it is? Is her long-lost father finally reaching out after all these years?

All Zoe knows about her birth father, Marcus, is that he is in prison after being convicted of murder. Zoe’s mother refuses to speak about Marcus and brushes off all of Zoe’s questions. After all, Zoe has a wonderful stepfather that has taken care of her since she was born, so what need is there for Marcus? But there is a need. Zoe wonders about Marcus. Does he like Hawaiian pizza too? Why did he refer to her as “Little Tomato?” Why is he telling her he is innocent? Innocent people didn’t go to prison . . . or did they?

For Zoe, Marcus’s letter brings up so many unanswered questions. Questions about who he is and what he did to end up in prison. But more than anything she can’t stop thinking, what if he is innocent? With each new letter and phone call, Zoe begins to piece together the clues of the crime that Marcus supposedly committed. The only problem is that nothing is adding up. Suddenly the answer seems so clear to Zoe; she needs to track down a mysterious witness to help prove Marcus’s alibi.

But tracking down the witness is harder than Zoe anticipated . . . especially when she must keep it a secret. So, Zoe enlists the help of none other than her ex-best friend, Trevor, to travel to Harvard University to find the witness. However, the day trip turns out worse than anticipated and Zoe ends up in big trouble. Worst of all, now that she is grounded, Marcus has no one searching for the woman who may be the answer to his freedom.

From the Desk of Zoe Washington is an inspiring story that showcases Zoe’s bravery. The plot emphasizes that even when life seems uncomplicated, it usually is anything but. The overlap between Zoe’s summer activities and her mission to prove her father’s innocence provides a delicious complexity to the storyline. The story takes a deep dive into Marcus’s conviction and the racial inequality of the justice system. The plot successfully educates the reader on wrongful convictions and racism, while maintaining a lighthearted nature that cuts the heavy feelings that can arise from such deeply serious topics. Even though the book delves into mature topics, it is not overwhelming. Instead, readers will find the story easy to understand.

Zoe is a likable and well-written character who matures throughout the novel. Her character development reinforces that it is not the amount of time you spend with someone that matters, but instead how you spend it with them. Zoe reminisces on this towards the end of the novel when she visits Marcus in prison. “I had no idea what would happen next, but I hoped with all of my heart that The Innocence Project would set Marcus free. In the meantime, I was so thankful I found his letter on my twelfth birthday, and that he was in my life now, where he belonged.”

Readers will sympathize with Zoe and understand her confusion when it comes to topics such as The Innocence Project and wrongful convictions – concepts that are hard to understand in the mind of a 12-year-old. Serious topics such as racism and wrongful convictions are discussed throughout the novel, but nothing of a graphic nature is present.

While the story is intended for a younger audience, it still evokes a sense of realness within the plot and the characters. The roller coaster of emotions that Zoe goes through during her journey is easy for the reader to understand and admire. There are so many moments where the reader’s heart will reach out for Zoe. From The Desk of Zoe Washington focuses on themes such as having an unconventional family, social justice, and prison reform. The seamless, yet informative inclusion of social justice issues complements the kid-friendly nature of the novel, making it a must-read for those wanting to be gradually introduced to these topics. Middle-grade readers who want to explore other books about racial injustice should read A Good Kind of Trouble by Lisa Moore Ramé and I Am Alfonso Jones by Tony Medina.

Sexual Content 

None

Violence 

Zoe discusses the Black Lives Matter movement. “I knew about the Black Lives Matter movement, how Black people all over the country were getting shot by police for no good reason. If those police officers weren’t going to jail, then it made sense that the whole prison system was messed up. I never thought about whether prisons had the wrong people before. I assumed that if you committed a crime, you got the punishment you deserved, and innocent people would always be proven innocent. Apparently not.”

Drugs and Alcohol 

None

Language 

Zoe’s grandmother recalls a fight that Marcus got into when he was younger with another basketball player. “Marcus said that the other player, who was white, called him the N-word while they were playing. Under his breath, when nobody else could hear him.”

Supernatural 

None

Spiritual Content 

None

The Greatest Zombie Movie Ever

Fifteen-year-old Justin and his friends Bobby and Gabe are amateur filmmakers . . . very amateur filmmakers. Their previous horror movies have gone unnoticed on YouTube (aside from a few derisive online comments) and no one seems particularly interested in their filmmaking endeavors. But after a minor setback during the trio’s recent vampire movie, Justin decides it’s time to pursue something new. Something ambitious. Something like making the Greatest Zombie Movie Ever.

Although Bobby and Gabe are immediately along for the ride, Justin’s plan to write, produce, and shoot the best feature length zombie movie of all time quickly hits a few roadblocks. For one thing, the trio has only a month to finish the project before Gabe leaves for the summer. Plus, they have no budget—just a highly dubious script that they cobbled together over two sleepless nights. But the boys’ luck turns around when they are able to get Alicia Howtz—the most popular girl in school and Justin’s longtime crush—to play the movie’s lead zombie-hunter Veronica Chaos, as well as secure a $5000 investment from Justin’s surprisingly cutthroat (and possibly mafia-affiliated) grandmother.

Despite a number of problems on set, the crew pushes forward with making the movie. With the help of a colorful cast of characters—including Bobby, Gabe, Alicia, Bobby’s Uncle Clyde, some extras in zombie makeup, and a twelve-year-old documentarian named Spork—Justin gives the film everything he has. It’s a noble effort, but in the end, Justin doesn’t complete this task the way he originally intended. When he is caught trespassing on school property, his principal threatens to suspend him unless he can get A’s on all his final exams. This puts his film on hold as Justin desperately scrambles to avoid repeating a grade. Five months later, when he does eventually complete the movie, it’s seventeen minutes long and mostly voiceover.

The Greatest Zombie Movie Ever is told from Justin’s perspective and, as a result, it’s a film nerd novel through and through. The text is punctuated by references to famous zombie movies and tropes, that Justin takes inspiration from. George A. Romero, director of Night of the Living Dead, comes to Justin in a vision to assure him that his scheme to film the final half hour of his movie in one shot will work. Additionally, Justin and his friends argue about whether they should include “fast zombies” or “slow zombies” in the movie; then they list good and bad zombie movies that have included each type. While non-zombie-appreciators might not understand these references, their placement does not detract from the story.

The Greatest Zombie Movie Ever deals primarily with the themes of sticking to your goals and persevering in the face of adversity, but this novel also explores when it’s time to call it quits. Throughout the book, Justin emphasizes the importance of finishing his zombie movie, but he also makes it clear that he has other priorities. After a problem with production, Justin worries that the only way to complete the movie is if “everybody was willing to skip school for two weeks. . .They weren’t . . .Nor was he.” Justin ends up sidelining the movie when he’s forced to choose between it and his education. However, he does eventually finish his film, even if the final product is much different from what he originally planned.

While the plot of The Greatest Zombie Movie Ever is not especially heavy on depth, this teen horror-comedy is a wildly entertaining exploration of zombie filmmaking, with a unique cast of characters and a heavy helping of relatively harmless comical mayhem. It’s the perfect book for teens who want a light read, especially if they are interested in zombie movies.

Sexual Content

During auditions, a student asks if her shirt will stay on in the movie.
The script includes a romantic relationship between Alicia’s character and a male lead. Justin is somewhat jealous of the two actors’ chemistry due to his own crush on Alicia, but a friend reminds Justin “it’s not like they’re slobbering all over each other through the whole movie. There’s one kiss at the very end, and they’re both covered in guts, so Alicia probably won’t be that into it.”
While on set, Gabe asks out Alicia’s friend, Daisy, but she turns him down because she “only dates directors.” Gabe dejectedly alerts Justin of Daisy’s availability, but Justin scoffs at this idea and reaffirms his crush on Alicia. When Gabe still insists, Justin says, “It doesn’t matter right now because unlike one of us, I’m here to make a movie, not a baby.”
Two actors share “a gentle kiss” at the end of the movie. Due to technical difficulties and much to Justin’s chagrin, this scene has to be refilmed several times, and the crew notes that Alicia and the male lead’s shots are especially “passionate.”
After he promises to complete the movie, Alicia gives Justin a kiss on the cheek.

Violence

Justin threatens to grab a friend “by the ears” and “bash [his] head into the floor” if he doesn’t take Alicia off speakerphone.
In the opening scene of his prospective script, Justin describes a helicopter crash “crushing dozens of zombies” and “leaving a thick smear of squished zombies in its path.”
In another scene, Justin writes that the protagonist punches a zombie in the face and then headbutts another zombie whose head “shatters like glass.”
During a sleepless night, Justin hallucinates his bed threatening to “bite” him “right in half” with “sharp, glistening fangs.”
During auditions for the movie, a student mimes swinging a shovel into a zombie’s face while repeatedly shouting “Die!”
While filming a scene in a park, Bobby accidentally drops the boom mic on Alicia, hitting her infected eyebrow piercing. In response, she “charge[s]” at him “knocking him to the ground.” Then, Alicia “pick[s] up the boom mic” before repeatedly smacking him in the face with it.
When he accidentally runs in front of a driveway, Justin is hit by a car. He wakes up in a hospital bed with both a concussion and a “mangled” arm.
During a heated exchange, Bobby throws a carton of chocolate milk at a school bully named Zack. It “douse[s] him like a water balloon.” In response, Zack “raise[s] his fist and step[s] forward.” The situation is diffused before anything more can happen.
Due to a misunderstanding, one of the cast members is tased by an elderly woman.
Justin’s principal, Ms. Weager, stumbles upon the crew trespassing in the school at night and is so startled by the zombified cast that she falls to the ground screaming. But she quickly stands up again and begins “knocking zombie heads together.”

Drugs and Alcohol

Uncle Clyde uses an e-cigarette.
At one point, the crew visits Uncle Clyde’s house to pick up the zombie effects. When he doesn’t immediately answer the door, Justin speculates that he is “probably drunk and unconscious.”

Language

Bobby says that he won’t let Justin “wuss out” on offering Alicia a part in their movie.
Justin’s boss frequently yells at his employees, and his tirades are often punctuated by the word “dang.”
At one point, Justin calls Gabe a “jerk.”

Supernatural

Many of Justin’s films center around supernatural creatures such as zombies, vampires, and werewolves.

Spiritual Content

A woman in the park tells Justin he should “spend a little less time thinking about zombies” and “a little more time thinking about the Lord.” She later refers to his cast and crew as “cultists.”

by Naomi Brenden

A Hundred Horses

Nell is not happy about spending her school vacation with relatives she doesn’t know. Expecting nothing more than silly little cousins and boring farm life, she sneaks along a special suitcase that once belonged to her father. In it, she knows, are the parts of a music box and sixteen miniature painted horses. She thinks maybe she can fit them all back together.

But the countryside has unexpected surprises. When a half-wild and mysterious girl named Angel steals Nell’s suitcase, the two girls are united in an adventure of Angel’s devising. Nighttime meetings and a horse that just might be magical, pique Nell’s curiosity. Soon, she might find a way to put together the mystery of who Angel truly is and understand the legend about the herd of a hundred horses. She may also discover something special about herself.

A Hundred Horses revolves around a fairytale about the one-hundredth horse. Some people believe that when the one-hundredth horse arrives, it will corrupt all the other horses. However, Nell’s friend Angel has learned the fairytale with a different conclusion. Angel’s story views the one-hundredth horse’s arrival as positive because the horse has magic. In the end, the one-hundredth horse’s arrival is tied into Angel’s personal story. However, many young children will not understand the significance of the fairytale and how it relates to Angel.

Nell narrates the story, which allows the reader to understand her complex thoughts. Despite this, some readers will have a difficult time connecting to Nell. The story grows at a slow pace because most of the suspense revolves around the mystery of Angel, who doesn’t want anyone to know she is back in town. Nell’s interactions with Angel allow Nell to look beyond Angel’s appearance. Because of her relationship with Angel, Nell realizes, “I knew what it meant when you don’t let people stick around. You’re scared that they don’t really want to know you, that when they do, they’ll leave you anyway. So you make yourself not care about them first.”

The book slowly weaves a story about friendship, family, and self-acceptance. While a horse and a foal make several appearances, they are not a focal point. Instead, the girls’ feelings of abandonment and their budding friendship take center stage in this heartwarming story. Readers who enjoyed Louisiana’s Way Home by Kate DiCamillo will like this book. However, many readers will have a difficult time reading to the end of the story. If you’re looking for an engaging book that explores the loss of a parent, you should read My Father’s Words by Patricia MacLachlan.

Sexual Content

Nell’s father “ran away to a place called Las Vegas with someone—called Susie or something. . .”

Violence

None

Drugs and Alcohol

None

Language

None

Supernatural

None

Spiritual Content

Because of the legend of the hundred horses, Nell wonders if Angel is a real angel. Nell ponders, “Isn’t that what real angels did? Watched over and protected us just at the time between life and death.”
Angel thought Nell was an angel. Angel says, “I know I kept telling you to go away, but you didn’t I thought that meant you must be an angel. Only you’d lost your wings, so you’d forgotten you could fly.”

The New Olympians

There is a horse named Tornado Warning that’s winning every race he enters—and faster than ever before seen—and Emily thinks the animal looks a lot like Pegasus. Afraid of what this might mean and of what Jupiter might do if he finds out, Emily, Joel, Paelen, Pegasus, and the sphinx Alexis decide to go to Earth to investigate. There they discover a plot to replicate Olympians and Nirads. The CRU has already created dozens of clones. Now they want to create their own Emily clone—and it doesn’t matter to them if the original Emily dies in the process.

Can Emily and her friends put a stop to the CRU’s plans before Jupiter finds out and follows through on his threat to destroy the Earth?

The New Olympians’ plot revolves around the CRU’s ability to make clones of the Olympians. The Olympians believe making clones is unnatural and that the humans must be stopped. Emily’s thoughts, the descriptions of the clones, and the Olympian’s views all reinforce the idea that making clones is immoral. To make matters worse, the CRU hopes to use the clones to dominate the world. An agent explains, “One world order isn’t a bad thing, Emily. There will be no more borders, no more wars . . . One language, one people and one country. . . The CRU is going to create Olympus on Earth.” In order to achieve this, the CRU will murder anyone who opposes them. While Emily has no desire to hurt anyone, she has no choice but to destroy the CRU facility and anyone who tries to stop her.

The New Olympians has a more serious tone and ramps up the violence. Sensitive readers may be upset by the treatment of the clones, some of which have deformities and are kept in cages. While none of the actual deaths are described, the number of people who are injured, killed, and punished may be upsetting.

One negative aspect of the story is inconsistencies in the characters’ actions. For example, even though the CRU can identify Paelen, he still puts himself and others in danger when he goes to the Las Vegas strip to see the sights. In the first two books, Paelen tries desperately to prove that he is no longer a thief. However, in The New Olympians, he steals several times and acts as if he enjoys the thrill of thievery. In another instance, Emily and her friends’ original goal was to verify that the CRU had indeed made clones. However, instead of reporting back to Jupiter once they’ve confirmed the existence of clones, the group decides to confront the CRU. Despite their knowledge of the CRU’s cruel tactics, the group makes several unrealistic decisions. For example, Agent T, who used to work for CRU, leads the group to a small town close to Area 51. Even though he knows the area is crawling with agents, Agent T thinks the group will go unnoticed. However, Agent T is quickly dispatched. Agent T’s presence doesn’t shed light on any new information which makes that section of the story feel unimportant and a waste of pages.

Readers who have read the first two books in the series will find The New Olympians frustrating because of the story’s inconsistencies, Emily’s lack of character growth, and events that do not advance the plot. However, readers may enjoy the reappearance of several characters from the previous books. The New Olympians wraps up the main conflict with the CRU’s clone-making abilities, which allows the next book in the series, Pegasus and the Origins of Olympus, to take Emily back in time to the origins of Olympus and to the deadly battle between the Olympians and the Titans. Readers who love traveling to other worlds where pegasi live should also read the Riders of the Realm Series by Jennifer Lynn Alvarez.

Sexual Content 

After Joel scores a winning goal, the sphinx Alexis “brushed back the hair from Joel’s eyes, leaned forward, and kissed him full and long on the lips.” The kiss makes Emily jealous.

The newspaper prints a picture of Tornado Warning, who looks like Pegasus’ twin. One of the Olympians asks Pegasus, “Did you get up to some mischief while you were in Emily’s world?”

Violence 

Emily and her friends break into a house that belongs to Agent T and Earl. When Agent T comes down the stairs, he screams. “Alexis knocked to the floor a long-haired man wearing a brown bathrobe. Emily received her first look at Alexis’s eating teeth as the Sphinx stood on the man’s chest and prepared to kill him. . . Huge, sharp canines filled her mouth as her jaw unhinged to allow her to open her mouth wider than Emily had thought possible.” Joel calms the sphinx down before anything worse happens.
A newspaper article describes a robbery, saying “there was only one survivor of the massacre.”

Another newspaper article describes a boy who broke into a chocolate store. “One witness said he was super strong and tossed everyone around like they weighed nothing.”
When Pegasus sees Tornado Warning, Pegasus attacks him. “Tornado Warning charged out of his stable. Rearing up, the two glowing stallions attacked each other with all the fury they possessed. Pegasus’s wings opened and smashed at Tornado’s head, knocking him into the large open training ring.”
Pegasus’s brother tries to stop the fight, but “all his presence did was to infuriate Tornado Warning further. The gray stallion rose high in the air and came crashing down on Chrysaor with his powerful front hooves. Driven to the ground, the winged boar squealed in pain.” Chrysaor is injured.
Ranch hands hear the horses fighting and go to investigate. “A blast from a shotgun fired at Pegasus alerting the group. . . [Emily] raised her hands in the air. No flame emerged, but the man was lifted over the heads of the fighting stallions and thrown to the opposite side of the stable.” Agent T holds the ranch hands at gunpoint.
The stallions continue to fight. “Pegasus was steadily gaining over Tornado. Despite the racing stallion’s strength, he was no match for the enraged Olympian . . . Tornado Warning was covered in blood from the deep cuts caused by Pegasus’s hooves. His eyes were closed, and he wasn’t breathing.” The fight is described over six pages.
Agent T needs information about Tornado Warning. A ranch hand named Rip refuses to talk, so Agent T “slapped Rip across the face.” Rip is still defiant and Alexis attacks. “Moments later Rip Russell was on the ground, crying in pain and grasping his lower legs. His jeans were torn from Alexis’s claws, and blood was rising to the surface.”
When Rip and some other ranch hands try to grab Emily, Alexis attacks them. Emily closes her eyes, so she doesn’t see the attack, but Agent T tells her, “Keep your eyes shut; you don’t want to see this.” Alexis kills the men who were “going after Emily.” Later, Emily sees blood on her clothes.
When Agent T tries to talk to the CRU, they attack him and Alexis. Alexis’ wings are dislocated. Alexis thinks Agent T is dead, so she runs to warn the others.
The CRU soldiers try to capture Emily and her friends. When the soldiers arrive, “Popping sounds filled the air as they fired. [Emily] felt the stings on her arms and back and realized they were using tranquilizer darts. . . She held up her hand and released the laserlike flame at the nearest military vehicle. It exploded in a brilliant blast.” This causes a chain reaction that blows up the other vehicles.
The CRU also try to capture Tornado Warning. The horse “stopped, spun around, and charged the soldiers who were trying to capture him. . . He instinctively used his wings as weapons. He flapped them and struck the men who were trying to catch him. Others were kicked by his lethal hooves. . . the winged racehorse [was] finally brought down by the countless tranquilizer darts being shot into him.”
During the attack, Joel is shot. In anger, Emily goes after the military helicopters. “Emily focused her eyes on the closest helicopter. . . Emily raised her hands and unleashed the flame.” The story implies that Emily destroys all the helicopters. The attack is described over five pages.
While walking down a Las Vegas street, two men “pulled out weapons and shoved them into Paelen’s and Joel’s backs.” They take Paelen, Joel, and Frankie to their mob boss. After the mob boss threatens to kill them, Joel and Paelen attack the men. “A shot went off and hit Joel’s arm, but the bullet ricocheted off the silver and hit one of the men.” Paelen is shot in the head. “The bullet knocked Paelen backwards. He felt a searing pain in the center of his forehead. . . Joel charged the shooter. . . The tattooed man cried out as the bones in his arm shattered under the impact of Joel’s silver arm.” The scene is described over seven pages.
After subduing the mob boss’ men, Joel tries to get the mob boss to talk. When he refuses, Joel “put his silver hand around the man’s throat and hoisted him up in the air. As the tattooed man squirmed and tried to break free, Joel slammed him hard against the wall.” The man eventually talks. Joel and Paelen then tie up the man and leave.
When Paelen’s clone sees him, the clone attacks. The clone “smashed through the diner door and turned on Paelen. It screeched and roared and charged at him with murderous fury in his eyes. . . The clone lifted Paelen in the air and threw him through the plate-glass window of the diner. . . The clone struck out at Joel with a brutal blow that threw him several meters in the air. Joel landed on the roof of a seller’s pushcart and slipped down to the ground, badly winded.”
As the fight continues, Paelen “tore up a streetlight from the pavement and used the pole like a bat, smashing the clone into a tall, brightly lit casino sign. Lightbulbs burst and sparked as debris poured down into the street.” As Paelen and the clone throw each other around, they start a fire.
Ignoring the fire, Paelen “hurled the clone at the biggest, heaviest thing he could find—a lighted wall of a casino. The casino’s sign exploded with the impact, and the wall crumbled. As the clone fell to the ground, part of the lighted sign collapsed and fell on top of it.”
A police officer raises his weapon at an injured Paelen. When Paelen refuses to stop, the officer shoots a taser. “Electrical current tore through him. He lost control of his muscles and collapsed to the ground, convulsing. The pain was intense, and he couldn’t move.” Paelen passes out and wakes up in jail. The fight scene is described over five pages.
Paelen breaks out of jail, and returns to his hiding place, but the clone is still able to find him. “The clone, caught hold of him and, screaming in rage, lifted him high above its head. Snarling with uncontrolled hatred, it hurled Paelen at the painted window. . .” Paelen falls off the building and is presumed dead.
In order to keep her friends safe, Emily shoots at the military helicopters that are shooting at them. “One by one, the helicopters exploded in the air and rained fire down on the dark desert floor. Soon they were alone.”
In an epic, multi-chapter conclusion, the Olympians, led by Emily, fight the CRU. Emily tries to talk to the CRU soldiers, who shoot her. Emily “felt her body exploding in pain as several bullets found their mark. Thrown backwards, she hit her head on the ground with an explosive impact.” In a panic, Emily accidentally makes Alexis and Pegasus disappear and Emily assumes she has killed them.
When Jupiter finds out what is happening on Earth, he takes his two brothers—Pluto and Neptune—to Earth. To help Joel, the three go to the police station. The police “opened fire on the chariots. Unaffected by their bullets, Jupiter returned fire with his lightning bolts. Suddenly the ground beneath the police exploded as Neptune commanded water to come forth.”
When another police officer shoots at Pluto, “he swept his hand in the air. An instant later, the officer collapsed dead to the ground.” As they talk to the police, helicopters appear. “A second rocket was fired at the Olympians. Jupiter raised his arm, and the rocket shot away from the chariots and tore into the police station. The rocket exploded on impact. . .” Jupiter “fired powerful lightning bolts at [the helicopters]. They burst into flame and crashed down to the street in a heap of burning metal.”
The military continues to shoot weapons at the Olympians, who remain unharmed. The weapons “were defeated by the Olympians’ powers and crashed into a big black pyramid-shaped building. The light at its top went out, the windows exploded, and the building burst into flame.”
The CRU captures the Nirad prince, Toban. They secure him to a table with gold and the gold burns his skin. The gold “scalded him until his skin smoldered, opened, and bled. [Emily] watched scientists extracting fresh black blood and skin samples from the suffering young prince. . . The prince’s eyes were shut as he writhed and howled in pain. The tight gold bands were cutting deep into his smoking, open flesh.”
To destroy the CRU’s ability to make clones, Emily destroys Area 51. “Emily unleashes her power. Laserlike flames rushed from her hands and burned their way into the buildings. . . The sounds of the groaning and crumbling facility filled the air and grew in intensity until they become almost unbearable . . . The dust settled, and where once stood the CRU facility was nothing but an impossibly large crater.”

Drugs and Alcohol 

When Emily meets Tornado Warning, one of the workers tells her, “Tornado Warning is loco. He has killed two riders. No one can touch him unless he is drugged.” In order to control Tornado Warning, the horse is given sedatives.
In order to keep Tornado Warning from fighting with Pegasus, the horse is given “heavy tranquilizers” that make him sleep.
Paelen meets a homeless boy named Frankie. Frankie’s mother abandoned him, and the boy is being cared for by a man who is drunk often.
In order to steal money, Paelen targets a drunk gambler.

Language 

The adults use profanity infrequently. Profanity includes darn, heck, damn, and hell. For example, Agent T asks Emily, “what the hell are you doing back here?”
Oh God and Lord are used as exclamations several times.

Supernatural

The story includes many Greek Gods, who have supernatural powers, such as the sphinx Alexis who can “read a human’s intentions.”
The sphinx Alexis is given Pluto’s helmet of invisibility so she can travel around Earth without being seen.
Emily can heal others. She also has new, unpredictable powers. She explains, “Sometimes I can move things. Sometimes items disappear and I can never find them again. And sometimes they explode.”

Spiritual Content 

When Emily plans to go to Earth without permission, she “prayed she would be returning to him in Olympus soon with good news.”
When Earl finds out about Tornado Warning, he says, “pray to God he’s just a horse and not an Olympian clone.”
When Emily leads the military away from her friends, Paelen prayed, “Be safe, Emily.”
At Agent T’s request, Jupiter turns him into a willow tree. Jupiter explains that Agent T is a “very happy” tree. “Agent T will never feel pain but can still experience joy. He can think, speak, and live a long and happy life with Alexis.”
In order to punish the CRU staff, Pluto changes them into Prometheus Oak trees. “Being turned into a Prometheus Oak is living torture. He will remain fully conscious and aware of his previous life. He will feel everything. . . His bark is like breaking bones, and when the wind blow through his leaves, you will hear him screaming.”

The Midwife’s Apprentice

A girl known only as Beetle has no family, no home, and no future until she meets Jane the Midwife and becomes her apprentice. As she helps short-tempered Jane deliver babies, Beetle—who renames herself Alyce—gains knowledge, confidence, and the courage to want something in life for the first time.

At first, Alyce thinks she is unimportant and unworthy of kindness. The midwife often reminds Alyce that she is a nimwit, a lackwit, and has no brains. At first, Alyce believes the midwife’s assessment of her and silently takes the midwife’s abuse. Slowly, with the help of fate, Alyce begins to realize that she is worthy and deserves a real name. However, Alyce’s growing confidence is often overcome by fear. And when Alyce faces failure, she runs away from the midwife and leaves the village. While she is gone, she learns to value herself and to ask herself what she really wants.

As the title implies, the story revolves around a midwife who often delivers babies. While none of the births are described in detail, there are some long descriptions of the herbs and potions that are used during birth. In addition, the story discusses some of the medieval superstitions revolving around birth. Because Alyce is the midwife’s apprentice, she accompanies the midwife and learns many skills through observation. Due to this, there is little action (after all, babies take time and patience to deliver.)

While Alyce isn’t necessarily a relatable character, readers will still sympathize with her plight and understand her fear of failure. Originally, Alyce allows her fear and uncertainty to paralyze her, but she eventually learns that failure is part of life and she must “try and risk and fail and try again and not give up.” Even though Alyce is frightened, she is brave when a boy almost drowns and she saves him, and when a woman is struggling to birth her child, Alyce uses her knowledge to safely bring the child into the world. These events help Alyce learn that “everyone is somebody” and everyone deserves to be treated with kindness. It is Alyce’s compassion for those in need that make her a truly remarkable character.

The Midwife’s Apprentice received the Newberry Medalist award. It has universal appeal because Alyce wants what every human wants—to be loved. Through Alyce’s experiences, readers will step back into medieval times and learn about their superstitions, customs, and the importance of midwives. The rich period language, advanced vocabulary, and slow pace make The Midwife’s Apprentice best for strong readers who are interested in the topic. Readers who stick with the story will fall in love with Alyce and her cat, and the story’s conclusion will leave readers with a warm glow and encourage them to never give up.

Sexual Content 

Alyce spies on the midwife and sees her kissing the baker, “and him with a wife and thirteen children in their cottage behind the ovens.”
While looking at a comb, the merchant says, “Comb those long curls till they shine, girl, and sure you’ll have a lover before nightfall.”
Some of the village boys have “too much ale and too few wits.” When they see Alyce, a boy says, “Dung Beetle, give me a kiss.” Alyce runs away.
The priest opens the door to a barn and sees “the smith’s lardy daughter, and the pockmarked pig boy from the manor. The boy gathered his breeches and flung himself out the barn window.” Their behavior was blamed on the Devil.
While looking for a friend, a man looked at Alyce and said, “Forget this Edward, curly top. . . Climb up here on this hay bale and give me a warm, sticky kiss.” Alyce tells the man, “Save your sticky kisses for your wife or your cow.”

Violence 

The boys in the village are mean to Alyce and her cat. “The taunting, pinching village boys bedeviled the cat as they did her, but he, quicker and smarter than they, always escaped. She did not, and suffered their pinching and poking and spitting in silence. . .”
Two of the village boys throw rocks at Alyce, “which made the villagers laugh.”
One day the village boys capture the cat. A boy put the cat in a sack with an eel. “And the sack with eel and cat was tossed into the pond.” Alyce saves the cat.
A boy drags Alyce to a pregnant woman’s house to help deliver a baby. When Alyce doesn’t know what to do, the woman yells, “‘ ‘By the bones of Saint Cuthbert, they have sent me a nimwit! You lackwit! No brains!’ Screeching still, the miller’s wife let go of Beetle’s arm and began to throw at the girl whatever she could reach from her bed—a jug of warm ale, half a loaf of bread, a sausage, the brimming chamber pot.” The midwife shows up and sends Alyce away.
For fun, a mean boy would sit on Alyce, “so Jack and Wat could rub chicken manure in her hair.” The miller was also mean to Alyce. He “pinched her rump when she brought grain to the mill.”
When the village boys begin teasing Alyce’s cat, “she took a handful of nuts, the biggest and hardest and heaviest in her basket, and heaved them at the boys.” Then she yells, “Touch that cat again and I will unstop this bottle of rat’s blood and viper’s flesh and summon the Devil, who will change you into women, and henceforth each of you will giggle like a woman and wear dresses like a woman and give birth like a woman!” The boys leave the cat alone.
A pregnant woman sends someone to get Alyce, instead of the midwife. The midwife is furious and “she began to throw cooking pots.” Alyce quickly leaves the room.

Drugs and Alcohol 

The midwife uses herbs and other plants such as “columbine seeds to speed the birth, cobwebs for stanching blood. . . jasper stone as a charm against misfortune, and mistletoe and elder leaves against witches.”
Throughout the story, both children and adults drink ale. The adults also drink wine.

Language 

After Alyce pulls the cat out of a pond, she says, “Damn you, cat, breathe and live, you flea-bitten sod, or I’ll kill you myself.”
The midwife insults Alyce and calls her derogatory names such as a “clodpole,” “brainless bratt,” “good-for-nothing,” “shallow-brained wiffler,” etc. Other villagers call Alyce names as well.
While delivering a baby, the midwife tells the woman, “Push, you cow. If an animal can do it, you can do it.”
Alyce saves a boy from drowning in the river. When he calls Alyce brave, she says, “I near pissed myself. I did it for else you’d have drowned and gone to Hell, a drunken loudmouth bully like you, and I would have helped send you there. . .”
The saints’ names, such as “corpus bones,” are used as exclamations, but rarely. For example, a pregnant woman says, “Let me die. By the bones of Saint Mildred, let me die.”

Supernatural

The midwife requested “a murder’s wash water” to help in delivering babies.
People are superstitious and think there are witches and devils in town because a two-headed cow was born and a “magpie landed on the miller’s barn and would not be chased away.” Then they see strange footprints and the villagers are “convinced the Devil had found their village and was looking for souls to lead into sin.” For a while, when people were found sinning, the villagers thought the Devil tempted them.
People believed that “newborn infants are readily seized by fairies unless salt is put in their mouths and their cradles, that a baby born in the morning will never see ghosts, and that a son born after the death of his father will be able to cure fevers.”
The villagers believed that twin cows were “a joy and a boon while twin babies were ill-starred and unlucky.”

Spiritual Content 

When the hay had been cut and was drying, “the village [was] praying for rain to hold off until the grain was safely cut and stored away.”
When the midwife injures herself, “her furious oaths made Beetle truly fear she was a witch, for only someone who had truck with the devil could know such words.”
Alyce helps birth a cow. During the labor, a boy tells her, “Rub her head and belly. If we can but calm her, God will tell her and the calf what to do.”
An innkeeper cheats her customers. She tells Alyce, “Thundering toads. . . I am sure God does not begrudge me my little economies.”
A peasant “cursed God for making him a peasant and not a lord.”
While delivering a baby, Alyce “called on all those saints known to watch out over mothers—Saint Margaret and Saint Giles and Saint Felicitas, and even Saint Loy who protects horses, and Saint Antony, who does the same for the pigs, for she believed it would do no harm.” After the baby is safely born, “the man and the servants, still on their knees before her, prayed and thanked her for the cure of their mistress.”

The Trials of Hairy-Clees

Zeus and the other gods at the Mount Olympus Pet Center are finally working together like a well-oiled machine. . . until they discover a multi-headed monster looming over Greece. And on top of that, a pesky new arrival is trying to join the Olympians.

It turns out defeating the monster is only one challenge on a long list of trials. Zeus and his team of gods—Athena, Demeter, Poseidon, and Ares—are facing their toughest quest yet. Even with some unexpected help from a feathered friend, can they succeed? Or have Zeus the Mighty and his Olympians met their match?

The Trials of Hairy-Clees mixes Greek Mythology, animals, and plenty of mayhem into an entertaining story that will have readers laughing out loud. In the third installment of the Zeus the Mighty Series, Hermes (a hen) makes a spectacular entrance. From the start, Ares (a pug) wants to help Hermes, because of her bravery. In a desperate attempt to get Hermes to leave, Zeus tells the hen that she can’t be an Olympian because she’s not immortal. Unfazed, Hermes is determined to complete the labors of Heracles, become immortal, and join the Olympian flock.

Readers who aren’t familiar with Greek Mythology will easily understand the book because the pet store owner listens to a podcast, “Greeking Out,” about the Greek myths; this allows the reader to get a quick lesson on the mythology that is necessary to fully appreciate the book. The book’s plot parallels the information given in the podcast, which helps readers understand key events.

In The Trials of Hairy-Clees, everyday objects become the relics and monsters of ancient Greece. For example, the animals believe a misting fan is the Hydra, a snake with many heads. The high-action plot, humorous situations, and black and white illustrations blend to make a fun series that will keep readers turning the pages. Each illustration shows the Greek gods, which gives the reader a visual and helps them understand the plot and the gods’ emotions. Plus, large illustrations appear every one to five pages.

In the end, Hermes plays a vital role in defeating the Hydra and even Zeus admires Hermes’ bravery and determination. After Hermes’ brave deeds, the Olympians decide to help Hermes complete all Heracles’ labors, which will have readers eager to read the fourth book in the series, The Epic Escape From the Underworld. Readers who love humorous stories about brave characters should put the Zeus the Mighty Series at the top of their must-read list. For more humorous books that put a spotlight on mythology, check out the Odd Gods Series by David Slavin and The Unicorn Rescue Society Series by Adam Gidwitz.

Sexual Content

None

Violence

While getting ready to attack the sea monster, “Zeus the Mighty’s world turned black and white. He had been swallowed by what seemed like an endless cloud of dirty white fluff . . . The stuff tickled his nose and poked into his mouth. It was like he was being crushed by a feather duster.” When the hen notices Zeus, she introduces herself.
The pet owner saves Hermes the hen from certain death. Hermes “was in line to receive the Kentucky-fried treatment.”
Much of the book’s humor and violence comes in the form of the cat, Athena, chasing Hermes. For example, when Athena sees Hermes for the first time, Athena leaps out. “The hen leapt backward with a flurry of wings, just a feather’s breadth from Athena’s claws. . . The cat sunk low, preparing for a second pounce, her tail twitching.” When Demeter yells at Athena, the cat stops the attack and “peered around sheepishly, her eyes no longer wild.”
As Zeus and Demeter are talking, they hear “a bloodcurdling hiss . . . Hermes was scrabbling below, her wings held wide, as if she were trying to take flight. Hot on her tail was Athena, claws out.” Hermes is able to escape.
In order to complete one of the labors of Heracles, Hermes must take on the Hesperis. Hermes “pulled the small wooden Zeus figure from beneath her wing. She threw it at the lead Hesperis. The flaming creature squealed when it struck her in the chest.” Hermes realizes the Hesperis aren’t as dangerous as they appear, and she is able to complete the task
Athena tries to attack Hermes. “Just as Athena was about to crash into her would-be prey, Hermes raised a wing and batted the cat aside. Athena tumbled gracefully, and then rolled to her feet. Her eyes remained focused on Hermes, but they no longer had that crazed look.” When Hermes stops running from Athena, Athena no longer wants to pounce on her.
Hermes, the Olympians, and the Amazons work together to kill the Hydra (a fan). “The monster’s five heads raged above [Zeus]. They swiveled to aim their foul fog at the Amazon flock, which was closing in fast. . . One after another, the birds release their payloads. The boulders [tennis balls] sailed through the air toward the Hydra’s chest. . . the five spinning heads slowed. The gale winds decreased.”
The fight against the Hydra continues as Zeus “yanked off his cloak and tossed it at the monster’s heads. . . In the next instant, the cloak slipped through the helmet’s bars and dropped directly onto the Hydra’s spinning heads. . .” The Hydra is defeated when it “detached from the wall and crashed to earth.”

Drugs and Alcohol

None

Language

Athena is put in Ares’s dog crate. When Zeus talks to her, he says that “Ares’s place smells like pug butt.”
Poseidon calls someone an oaf.

Supernatural

Zeus finds a lion squeaky toy, that Athena thinks is “an incredibly potent relic. . . Whoever wears the hide of the Nemean lion is imbued with its powers. In other words, you’d be indestructible!” Zeus puts the squeaky toy over his head and the toy saves him from harm several times.

Spiritual Content

None

Gregor the Overlander

When eleven-year-old Gregor and his two-year-old sister, Boots, fall down an air duct in their laundry room, they find themselves in Underland: an underground world that has remained hidden from the surface dwellers for centuries. Underland is populated by the friendly but fierce Underlanders, who live in the underground city of Regalia. However, Underlanders are not the only ones who live in the dark. Giant, talking animals inhabit this strange place: enormous bats, upon whom the Underlanders ride and fly, cockroaches, spiders, and worst of all, rats.

The rats are the sworn enemies of the people of Regalia and when Gregor arrives, word begins to spread that he may be the warrior spoken of in an ancient Underland prophecy; a warrior who will save Regalia from the rats. Gregor, however, just wants to find his father, who’s been missing for over two years and may be lost somewhere in Underland. On his quest to recover his father, Gregor learns many important lessons about courage, friendship, and perseverance.

Those who read Gregor the Overlander will enjoy its unrelentingly quick pace and action. The peculiar and intriguing world of Underland, the fantastical and dangerous creatures, the mysterious “Prophecy of Gray,” and the hunt for a boy’s lost father are sure to hook the reader for the entirety of the story. The action, while violent and bloody, is not gory. Often, giant bugs or animals are wounded and killed in battle, which some may find more palatable than human violence.

The story is rife with themes that are important for every child to explore, such as family, friendship, sacrifice, courage, and empathy. Throughout the book, Gregor is unceasingly loving, kind, and protective of his little sister, and in the darkest moments of his quest, Gregor finds strength and hope in the thought of reuniting with his father. Gregor is not a perfect character though; he often finds himself losing his temper and judging others too quickly, like the cockroaches Tick and Temp. However, Gregor learns that these humble creatures possess virtues of their own and are deserving of respect and dignity. Gregor also frequently butts heads with two young Underlanders (who also happen to be royalty in Regalia), Luxa and Henry. However, after Luxa rescues Gregor and vice versa the two begin to trust and respect one another, planting the seeds of friendship.

Throughout the story, Gregor expresses doubt that he is in fact the warrior spoken of in the Prophecy of Gray. However, he continually demonstrates courage in the face of danger, surprising both himself and the Underlanders. In the end, Gregor finds that he is willing to sacrifice himself for his friends. Throughout the story, Gregor develops into a courageous, yet thoughtful young man. Though the story is self-contained, it also sets up the sequel, Gregor and the Prophecy of Bane, quite nicely.

Gregor the Overlander’s unique blend of fantasy, mystery, and adventure combine to create a story that is sure to entice and delight young readers. Plus, readers will find it easy to identify with Gregor and imagine how they would react to the challenges he faces. The fast-paced story with its unique world, its pulse-pounding action, and its compelling characters ensure that readers won’t want to put it down until they’ve finished, after which they’ll quickly reach for the next one, Gregor and the Prophecy of Bane.

Sexual Content

None

Violence

When Gregor tries to escape and return home from Regalia, two rats find him and Boots, intending to eat them. The kids are saved when a squad of Overlanders comes to their rescue, but there are many bloody wounds sustained in the ensuing battle. One of the rats bites the wing and throat of a bat, and an Underlander cuts off a rat’s ear “with one stroke of her sword.” Gregor “thrusts his torch into [the rat’s] face,” causing him to stumble back “right into Henry’s sword.” A bat sprays blood from a wound in its wing, and another rat dies when stabbed through the throat.
Luxa, a human Underlander, “crossed the room and struck [Gregor] on the face” for attempting to escape Regalia’s palace.
A woman and her bat barge into a meeting, the woman “pressing her hands to her chest to stem the flow of blood [while one of her] bat’s wings folded in, but the other extended at an awkward angle, clearly broken.” The woman delivers a message, then passes out.
A giant spider nearly eats Luxa, but she is saved at the last moment: “From above, a jet of silk shot down, encircling Luxa’s sword arm and jerking her from her bat. The pair of striped legs reeled her in like a fish.” Gregor saves Luxa by spraying the spider in the face with a can of soda: “Just as the fangs were about to pierce Luxa’s throat, [Gregor] flew up and popped the soda can top. The stream of root beer shot out and smacked the spider queen right in the face. She dropped Luxa and began to claw at her six eyes.”
A brown spider who has been wounded and is “oozing a strange blue liquid” dies. A different spider “began to pump juice into [the dead spider]” and eats him.
Henry, a human Underlander, stands over Ripred the rat as he sleeps, “ready to plunge his sword into [Ripred’s] back,” but the rat awakens at the last second. “In the split second Henry drove the blade down, Ripred flipped onto his back and slashed his terrible claws. The sword cut across the rat’s chest as Ripred tore a deep gash along Henry’s arm.” The scene takes place over three pages.
Tick, a cockroach, charges a group of rats, sacrificing herself in order to save Boots. She dies when a “rat sprang forward and crushed [her] head in its jaws.”
Many rats fall from a bridge after Luxa and Henry sever it with their swords. The rats plunge into a river below where “enormous piranha-like fish surfaced and fed on the screaming rats.”
Ripred, a rat ally to Gregor and his quest, “tore out [one rat’s] throat with his teeth while his back feet blinded the second. In another flash, both rats lay dead.”
Gorger, king of the rats, using his tail, “slashed poor Gox (a friendly spider) in half.”
Gregor jumps off a cliff, and many rats follow him over the edge, as does the Underlander Henry. A bat dives down and saves Gregor, who sees “the rats beginning to burst apart on the rocks below,” and just before Henry hits the rocks, Gregor turns away. The scene is described over three pages.
Gregor falls off of a cliff and nearly breaks his nose when caught by Ares the bat: “At that moment, Gregor slammed into something. ‘I’m dead,’ he thought, but he didn’t feel dead because his nose hurt so badly and his mouth was full of fur. Then he had the sensation of rising and he knew he was on Ares’s back.”
Gregor attempts to help a wounded bat by stitching its wing. “He cleaned off [the bat’s] wound as well as he could and applied an ointment she told him would numb the area. Then, with great trepidation, he began to sew up the rip. He would have liked to move quickly, but it was slow, careful work mending the wing. Aurora (the bat) tried to sit motionless, but kept reacting to the pain involuntarily. ‘Sorry, I’m sorry,’ he kept saying. ‘No, I am fine,’ she would reply. But he could tell it hurt a lot.”

Drugs and Alcohol

None.

Language

Several times, Boots declares that she has pooped herself and needs to be changed.

Supernatural

Gregor’s neighbor, Mrs. Cormaci, is known to read tarot cards for people.
A reference is made to Nostradamus the soothsayer.
Central to the plot is a series of ancient prophecies from the half-sane founder of Regalia, Bartholomew of Sandwich. Pertinent to this book is the Prophecy of Gray: “Two over, two under, of royal descent, Two flyers, two crawlers, two spinners assent. One gnawer beside and one lost up ahead. And eight will be left when we count up the dead. The last who will die must decide where he stands. The fate of the eight is contained in his hands. So bid him take care, bid him look where he leaps, As life may be death and death life again reaps.”

Spiritual Content

None

Babe & Me: A Baseball Card Adventure

On October 1, 1932, during Game Three of the Chicago Cubs–New York Yankees World Series, Babe Ruth belted a long home run to straightaway centerfield. According to legend, just before he hit, Babe pointed to the bleachers and boldly predicted he would slam the next pitch there.

Did he call the shot or didn’t he? Witnesses never agreed. Like other baseball fans, twelve-year-old Joe Stoshack wants to know the truth. But unlike other fans, Joe has the astonishing ability to travel through time using baseball cards—and now he’s determined to settle one of baseball’s greatest puzzles.

Babe & Me explores the father-son relationship through both Babe Ruth’s eyes and Joe’s eyes. Even though Joe’s father has spent little time with him, Babe Ruth points out the good aspects of Joe’s dad. Despite this, Joe struggles with feelings of resentment because his father seems more concerned with coming up with get-rich-quick schemes than spending time with him. His father, who is often angry, blames his troubles on luck. He says, “You can try as hard as you want. Be as good as you can be. But a lot of what happens in the world is plain dumb luck.” Towards the end of the book, Joe’s dad finally realizes that his relationship with Joe is more important than money.

Throughout the story, both Babe Ruth’s public persona and his private, more serious side are shown. Babe Ruth is loud, reckless, and a big spender when around people. However, when he is alone with Joe and his father, Babe Ruth has a tortured soul because of his upbringing as well as his belief that he was not a good father. Historical pictures and partial news articles are scattered throughout the story. Plus, the author explains what events actually happened and which events he made up. In addition, there are four pages of quotes from baseball players that show that even now, people do not agree on whether or not Babe Ruth called his shot.

Joe is a likable main character, who has conflicting emotions about his father. Because Joe and his father were able to spend time with Babe Ruth, they witnessed Babe Ruth’s generosity, his reckless behavior, and his emotional turmoil. However, Joe’s father is not necessarily a likable man and his change of attitude is not believable. Despite this, the fast-paced time travel adventure will appeal to sport-loving readers even though the story has little baseball action. Readers who want to learn more about Babe Ruth should also read Babe Ruth and the Baseball Curse by David A. Kelly. Middle-grade baseball fans can also jump back into time by reading The Brooklyn Nine by Alan Gratz.

Sexual Content

Babe Ruth sees a woman crossing the road and says, “Got a load of the sweet patootie! She is one red-hot mama!”

Violence

While at a park, men stood on wooden crates making speeches. As one man spoke, “some people booed, and somebody threw a rock at the guy . . .” When two policemen show up, “somebody threw a rock at one of them, and it bounced off his helmet. The cop pulled out a nightstick and hit a guy with it. . . The people in the crowd began to hiss and boo and throw things at the cops. The second cop pulled out his pistol and fired it up in the air.” The scene is described over two pages.
Babe Ruth was signing his autograph when one boy dropped his paper. Joe picks it up and refuses to give it back to the boy. The boy’s father “reached into his jacket and pulled out a knife.” After the fathers’ argument, Joe gives the paperback to the boy.
As a boy, Babe Ruth stole money from his father. “Dad caught me and beat me with a pool cue.”
Babe Ruth’s father “got kicked in the head in a fight outside his saloon and died when he was forty-six.”
Babe Ruth tells a story about a baseball player who “didn’t see a pitch coming at him. It busted his skull. He crumpled like a rag doll right in the batter’s box.” The man died.
One of the reasons that Joe’s father is often angry is because of his family history. His grandparents and their children were rounded up by the Nazis. Joe’s father says, “Only my father escaped, by hiding under the house. The Nazis sent the rest of the family to Treblinka, a concentration camp. They were all killed. In the gas chambers.”
Joe’s father catches Babe Ruth’s home run ball. His father “and a few other guys dove for it, but I got there first. They tried to beat it out of me. That’s how I got the black eye, actually.”

Drugs and Alcohol

Babe Ruth is seen smoking a cigar.
Even though it’s prohibition, Babe Ruth orders a pitcher of beer. During his meal, “he washed everything down with another pitcher of beer.”
Babe Ruth says that he “was drinking beer before I could read.”

Language

Several times cuss words are replaced with @#$%.
Someone calls Joe’s father an idiot.
Babe says heck once.
While at a game, some of the other teams called out insults. Someone calls Babe Ruth an “ugly tub of guts.” He is also called, fatso, a washed-up balloon headed meatball, old potbelly, lummox, and other names.
Some boys are playing baseball. A boy calls a player a dope.

Supernatural

For Joe, baseball cards function as a time machine. When he touches an old card, “that tingling sensation was the signal that my body was about to leave the present and travel back through time to the year on the card.”
In order for Joe and his dad to return from the past, Joe needs “to bring a new card. . . If I didn’t have one with me, we could have been stuck in 1932 forever.”

Spiritual Content

While men were giving speeches on the solution to the Great Depression, someone says, “God is the answer.”

The Wig in the Window

Sophie Young and Grace Yang are best friends, seventh graders, and wannabe spies. The town of Luna Vista is quite boring, so they make a game out of spying on their neighbors. They even have a map of who and who not to spy on. But their game quickly becomes serious. On one of their midnight stakeouts, they stumble across a terrifying scene at the home of their eccentric yet demure middle-school counselor Dr. Agford (also known as Dr. Awkward). The school counselor is hacking away at what appeared to be a piece of human flesh. Even though they are proven wrong about what Dr. Agford was chopping, the girls are still convinced that Dr. Agford is hiding a dangerous secret—and are determined to find out what it is.

Sophie and Grace attempt to uncover more about Dr. Agford, but Dr. Agford effortlessly evades the girls’ efforts to trip her up. Dr. Agford, as a respected adult, easily inserts herself into Sophie’s life. She slowly changes the girls’ neighborhood watch into a serious game of cat-and-mouse. As their investigation heats up, Sophie and Grace crack under the pressure. Their friendship, along with their investigative skills, are put to the test.

The narrative squarely focuses on Sophie’s perspective. This point of view helps the reader understand the workings of Luna Vista Middle School and Sophie’s personal life. Older readers will relate to the book’s portrayal of middle school, as the story is realistic in depicting Sophie’s thoughts about her classes, peers, and teachers. Like any preteen, Sophie also openly talks about her obsession: hers is Chinese culture, more so since Grace is Chinese American. Sophie gets “carried away with the traditional Chinese practice of feng shui . . . the idea that you can arrange your space to bring good luck and positive chi” and she takes the teachings of philosopher Sun Tzu as fact. This is notable when Sophie uses Sun Tzu’s tips about deception (when you are near, you must pretend you are far) to make sure she doesn’t reveal any information to Dr. Agford.

The story also covers cultural appropriation and interracial friendships, which is a point of conflict between Sophie and Grace’s relationship. Sophie dislikes that Grace is seemingly unengaged in Chinese culture, and Grace hates that Sophie practices activities relevant to Chinese culture without knowing their cultural significance. Grace accuses Sophie of “being superficial” because she talks about Sun Tzu, arranges her room with feng shui in mind, and practices kung fu. Sophie is performative in her adoration of Chinese culture. To Grace, Chinese culture is who she is. While Sophie never understands its importance to Grace, the two friends make up, but Sophie doesn’t move past her surface-level understanding of Grace’s culture. Through their exchanges, readers will learn the importance of being considerate of other’s cultures.

The Wig in the Window is a suspenseful yet fun story that focuses on relationships between authority figures and friends. The suspense comes from the girls avoiding Dr. Agford’s wrath, as she has a lot of sway in the community. Sophie’s narration about the school and the town gives the story a humorous and light tone. There is some name-calling that is typical of middle schoolers bad-mouthing each other, such as when Sophie’s classmates purposely mispronounce her French name as “AY-NUS” instead of “AN-YES.”

The consequences for the girls’ crimes—spying on their neighbors and breaking-and-entering—are nonexistent for the sake of the plot. Any adults that could stop the girls from investigating criminal activity are equally absent. Still, this book has lessons about appreciating other cultures and a good portrayal of interracial friendship, alongside the masterful way the girls uncover the mystery surrounding Dr. Agford. If readers enjoy the game of cat-and-mouse between Dr. Agford and the girls, and the girls’ friendship, then they should consider reading the City Spies Series by James Ponti.

Sexual Content

Grace is in love with one of the boys in their grade. She says “Score. He’s totally hot”
Sophie’s brother, Jake, says Sophie’s probably angry because it’s “probably that time of the month.”
Jake got busted for not being home. At first, Sophie thinks her brother, “had his own brush of death at his girlfriend’s.” However, upon closer inspection, she notices that “the red welts all over his neck proved to be hickeys.”
Sophie thinks of her crush, Rod. “Who cares if people still called him Rod Pimple? He was cute now.”
Sophie thinks about Rod’s appearance. “At Luna Vista the guys weren’t allowed to let their bangs hang over their eyes. It made him seem even cuter that he was so adorable and a rebel.”

Violence

Agent Stone tackles Sophie to the ground. Sophie “groaned in agony as he pressed his knee against my back and wrenched my arms behind me.” Sophie feels pain on one side of her body for the rest of the night.
Sophie gets out of Agent Stone’s grip so she can stop Dr. Agford from hurting Grace. The adults want to get rid of the girls because the girls were going to tell the authorities about their crimes. “[Sophie] hoisted [her] knee up and rammed [her] foot down over his.” He loosens his grip. Then, Sophie “delivered a swift donkey kick square into his crotch.” He crumples to the ground, groaning. Finally, Sophie pepper sprays the man’s eyes. He “screamed. His hands flew to his face as he stumbled backward.”
Agford is trying to drown Grace, so Sophie sneaks up on Dr. Agford. Then, Sophie hits Dr. Agford so she can get Grace out of Dr. Agford’s grasp. “[Sophie] slammed the heel of Grace’s cowboy boot directly into the back of [Dr. Agford’s skull]. She let out a bloodcurdling yell and crumpled to the sand in front of [Sophie].” Dr. Agford is knocked unconscious.

Drugs and Alcohol

None

Language

Most kids at Luna Vista Middle School refer to Dr. Agford as “Dr. Awkward.”
Grace says “Oh my God” nine times.
“Thank God” is used as an exclamation five times.
One of Sophie’s friends says “Oh, my lord!”
Sophie calls herself a “psycho.”
After meeting with Agent Ralston, Sophie comments that the government “sure gives [FBI agents] crappy cars.”
When she is trying to figure out why Dr. Agford wasn’t smiling at one of the assemblies, Sophie thinks “for God’s sake.”
While watching an episode of Wheel of Fortune, Sophie’s grandfather yells, “Buy a vowel, nitwit!”
Grace and Sophie call themselves “crazy” for confronting Dr. Agford.

Supernatural

None

Spiritual Content

Sophie is obsessed with Chinese philosophy, and she explains the concept behind the teardrop-shaped half of a yin-and-yang pendant. “According to Chinese philosophy, yin and yang are opposite forces that interact with each other. Yin is dark, quiet, colder energy. Yang is active, bright, and warm energy. The two need to be in balance for harmony.”
Sophie’s brother likes to topple some of Sophie’s “Buddha figurines” because he thinks it’s funny to mess with her.

by Jemima Cooke

Behind the Legend: Dragons

Are giant, fire-breathing dragons real, or just a myth? You decide with this new book in the nonfiction series, Behind the Legend!

Behind the Legend looks at creatures and monsters throughout history and analyzes them through a scientific, myth-busting lens, debating whether the sightings and evidence provided are adequate proof of a creature’s existence. In Behind the Legend: Dragons, readers learn about the sightings and “proof” of dragons from stories throughout history. The authors explore stories of dragons terrorizing towns, the people who claim to have fought dragons—such as St. George—and dives into stories from diverse cultures such as China, Japan, and Mexico. This book discusses additional history about the monster, including how dragons became major figures in popular culture.

If you’re interested in dragons, then Behind the Legend: Dragons is a must-read because of the plethora of facts and stories. Readers will learn about the first dragon poem, Beowulf, as well as many other ancient stories and myths. The black-and-white illustrations show what ancient people thought dragons looked like. Even though Dragons is non-fiction, it is filled with dragon stories from different cultures, such as the Incas of Peru. The book explains how some cultures viewed dragons as monsters, while others believed dragons were divine. Peabody concludes with stories of the real-life dragons that still live on Earth. At the back of the book, readers will find a list of books that dragon lovers will want to add to their reading list, including Eragon by Christopher Paolini. If you’re looking for more stories that feature dragons, check out Rise of the Dragon Moon by Gabrielle K. Byrne, Legends of the Sky by Liz Flanagan, and Dragon Myths by Jenny Mason.

Sexual Content 

None

Violence 

The book tells the story of many dragons that were “fierce, cunning, and bloodthirsty. They devoured people, children, and pets—popping victims into their smoldering jaws like M&M’s.”

The poem Beowulf chronicles a “stingy, gold-hoarding dragon” that is destroying a kingdom. King Beowulf and Wiglaf battle the dragon. The dragon “lunges for Beowulf’s neck. Blood spills in gushing streams. The brave king ultimately succumbs to this irreversible wound, but not before his faithful friend thrusts a perfectly positioned sword into the dragon’s soft underbelly.”
A dragon was destroying a town’s crops. “The villagers offered up sheep to satisfy the dragon.” When the town ran out of sheep, the “townsfolk decided that the best way to appease the crop killing dragon was to feed it children! Sadly, and horribly, multiple kids were sacrificed.” Finally, “the princess is tied to a stake” for the dragon, but before she is eaten, a knight saves her.
One legend tells of a town that could not get rid of a dragon. “When they sliced it into pieces, the worm reconnected itself and slithered on.”
One legend tells the story of two shamans who “used tier magic to transform themselves into formidable beasts that duked it out in a nearby lake.” One of the shamans “morphed into a ferocious leech whose sharp, sucker-like mouth could latch onto something’s skin and suck out its content.”

Drugs and Alcohol 

None

Language 

None

Supernatural

John goes to a wise witch to discover how to destroy a “worm.” In order to get the advice, John promises that “once the worm was dead, John would have to kill the next person he saw.” Later John refuses to kill anyone. “Instead, he would have to endure the worm’s bitter curse: For the next nine generations, all heirs to the Lambton estate would die an early death.”

Spiritual Content 

A knight named George defeats a dragon that is terrorizing the town. “George delivered the wounded beast to the king, promising to finish it off if the people in the kingdom converted to Christianity.”
In one legend, Saint Marta of Bethan, a biblical figure from the New Testament, helps defeat a dragon. “With a few prayers and humans, she entranced the dragon, which was later killed by the townspeople.”
Christianity vilified dragons. The Old Testament tells the story of how a “twisted serpent” temps Eve with an apple. “When the beast becomes too wild and unruly, it is slain by the archangel Gabriel and then fed to the people.”
The dragon Quetzalcóatl “was an important god to people living in early Mexico and Central America. It’s quite possible, too, that the Quetzalcóatl was a real person. This Aztec leader was said to help civilize his people by denouncing barbaric practices such as human sacrifice.”
Quetzalcóatl’s enemy was Tezcatlipoca, “a god known for darkness and trickery.”

A Swiss naturalist found a skeleton that he believed was “of a ‘wicked’ man. . . who God had punished and drowned during the Great Flood.”

Time Between Us

Anna and Bennett were never supposed to meet. She lives in 1995 Chicago, and he lives in 2012 San Francisco. But Bennett’s unique ability to travel through time and space sends him into Anna’s life, and he brings with him a new world of adventure and possibility.

As their relationship deepens, they face the reality that time might knock Bennett back where he belongs, even as a devastating crisis throws everything they believe into question. Against a ticking clock, Anna and Bennett are forced to ask themselves how far they can push the bounds of fate, what consequences they can bear in order to stay together, and whether their love can stand the test of time.

Anna is an extremely relatable and likable character, who hopes to travel out of the small town she has always lived in. Then she meets Bennett, who at first confuses and frustrates her. Bennett makes it clear that he is not interested in getting to know Anna, but fate has other plans. Bennett’s ability to time travel complicates matters because his future self appears to Anna before his present self has met her. Despite this, Anna and Bennett fall in love and engage in a sweet romance that will leave readers smiling.

Time Between Us is a story about family, friends, and falling in love. But it also explores the timeless question: what would you do if you could go back in time and change events? When two of Anna’s friends, Justin and Emma, are in a terrible car accident, Anna wants Bennett to go back in time and change the day’s event. This dilemma threatens to tear Anna and Bennett apart as they debate whether changing history is the right thing to do.

Teen readers who want a heartwarming romance will enjoy Time Between Us because of the likable characters, the relatable conflict, and the added interest of time travel. Readers will also fall in love with Anna’s friends and family who are warm, supportive, and protective. The story has the perfect blend of high school scenes, family life, and suspenseful time-jumping action. This easy-to-read romance will have readers wishing they could step into Anna’s life. Readers will be excited to read the companion book, Time After Time, which focuses on Bennett’s point of view.

Sexual Content

Anna’s mom tells her a story about “one of the nurses who got caught kissing an EMT out by the ambulance bay.”
Anna’s best friend, Emma, teases her about a boy. Emma says, “You wanna shag Shaggy!”
Bennett and Anna are talking about their plans for the future when Bennett “reaches forward and slowly traces the line of my [Anna’s] jaw to my chin. I close my eyes as his thumb slides towards my mouth and brushes my lower lip. . .I wait for the touch of his lips. But the kiss never comes.”
While at the beach with Bennett, Anna thinks about “him pulling me into a kiss and rolling around in the sand like we’ve just been dropped into a photoshoot for some cheesy designer cologne. . . I can’t bring myself to touch him.”
Bennett and Anna kiss several times. When Bennett decides to stay in Anna’s time period, he “scoots in closer and brings his hand to my face, and I fall back into the bookcase as he kisses me with this intensity—like he wants to be here. . .”
While on a date, Bennett “kisses the back of my neck. . . he kisses my neck again and I lose my train of thought entirely.” Later in the date, Bennett “pulls me tighter and kisses me, warm and sweet and long and slow and never ending, and I know this is what I want.”
One night, Bennett uses his ability to appear in Anna’s room. “Without even thinking about it, I grab his arm and pull him down on my bed, and he lands sprawled out next to me, looking a little surprised. I roll over onto his chest and smile down at him. . . His hand finds the back of my neck, and he kisses me, harder than usual.” The scene is described over a page.
Bennett uses his ability to take Anna to Italy. He “takes my face in his hands. Buried deep in his kiss is a new kind of promise for our future. . . We spend the rest of the day in the Cinque Terre. And then we spend the night there.”
Before Anna leaves for a trip to Mexico, Justin (Anna’s best friend’s boyfriend) kisses her. Anna isn’t “quite sure how to stop it. I feel trapped between his mouth and the wooden CD bin. I turn my head so fast that when our lips brush, it’s an awkward, almost accidental movement.” Anna calls Justin an idiot, and he apologizes.
After being unable to time travel, Bennett appears in Mexico. When Anna sees him, “I feel tears slide down my cheeks. . . within seconds he’s right next to me, and all I can feel is his fingers on the back of my neck. His kisses land everywhere on my wet cheeks and my forehead, on my eyelids and my neck, and finally on my mouth, and we pull each other close, neither one allowing even the smallest gap between us.”

Violence

A robber comes into the bookstore while Anna is working. He demands money. Anna’s “attention is on the shiny metal knife he pulls from his baggy jeans. He points it straight at me. . . I keep my gaze on the floor and try not to think about the cold steel of the blade on my neck or his heavy breath in my ear.” Bennett uses his abilities to relocate himself and Anna. The scene is described over three pages.

Drugs and Alcohol

None

Language

Profanity is used rarely. Profanity includes ass, crap, hell, and pissed.
“Dear God,” “Oh My God,” and “Good God” are occasionally used as exclamations.

Supernatural

Bennett can travel through time. “Bennett can disappear. And reappear. He can make other people disappear and reappear.”
Bennett can also “do over minor details in the past to affect the outcome, but you can’t erase an entire event. You can travel to any place in the world and into other times, but only within certain dates.”
Bennett loses his sister Brooke in the past. They traveled back to 1994, but Bennett “couldn’t stay because I didn’t exist in March 1994. . . Brooke did. She was born in ’93.”

Spiritual Content

After Bennett uses his abilities to take Anna to a different place, she becomes sick. She prays, “Please, God. Please don’t let me throw up in front of him. Please. Just this one thing.”

Time Traveling with a Hamster

On his twelfth birthday, Al Chaudhury receives two gifts: a hamster, and a letter from his dad who died four years ago. The letter points Al to a time machine, an unimpressive-looking zinc-tube-and-laptop contraption in the secret bunker of their old house. It also describes a mind-blowing mission: if Al can travel back to 1984 and stop a go-kart accident involving his dad as a twelve-year-old boy, then maybe he can alter the course of history—and prevent his dad’s death.

As Al soon discovers, whizzing back thirty years requires not only imagination and courage, but also garage break-ins, midnight rides on his grandpa’s mauve scooter, and even setting his school on fire. And through it all, he’s got to keep his hamster safe.

One of the best parts of the book is the relationship between Al and Grandpa Byron, who doesn’t think anyone should try to change time. Grandpa Byron says, “Life, Al, is such a wonderful gift that we should open our minds to every possible moment and cherish the memory of those moments. Because people change. Places change. Everything changes, but our memories do not. Accept life the way it is, Al. That’s the way to be happy.”

Despite Grandpa Byron’s advice, Al goes back in time several times and unintentionally makes his timeline change for the worst. When Al first meets his father, Pye, he is considering setting a cat on fire to prove he is friends with a group of bullies. Instead of being a sympathetic character, Pye is whiny and weak. While the story focuses on the father-son relationship, Al’s relationship with his father is underdeveloped. Instead, Al’s relationship with his grandfather is the central relationship. This relationship adds interest to the story because Grandpa Byron shares his Indian culture and his immigrant story.

Grandpa Byron tells Al, “Don’t dream of a different life, Al. Love the one you’ve got.” Despite this, the conclusion shows Al changing time and saving his father’s life. The conclusion is anticlimactic because after all the craziness of Al’s earlier time-traveling adventures, he ends up saving his father’s life by sending a note back into time. The ending also conflicts with the central theme.

The cover art and the title suggest that Time Traveling with a Hamster will be a fun romp through time. However, the story’s themes — grief, blended families, and bullying — are more suited to older readers. Plus, the advanced vocabulary, the explanation of the theory of relativity, and the workings of time travel may be difficult to understand for some readers. While the story is full of adventure, the complicated plotline is, at times, difficult to follow. However, strong readers who want to explore the serious consequences of time travel will enjoy Time Traveling with a Hamster.

Sexual Content

Al asks his stepsister if she is a virgin. She says, “as it happens, yes, if that’s any of your business, of course I am. Jesus.”
After Al’s father dies, his mother starts seeing a man named Steve. “The first time he stayed over at our house, I couldn’t sleep in case I would hear them, you know, doing it. But I don’t think they did.”

Violence

Al thinks back to a time in the past. “Back in primary school Hector Houghman stabbed Conrad Wiley in the thigh with a compass, and he wasn’t punished at all because his mum came to school and said he had ADHD and that it was the school’s fault. . .”
Al’s grandpa lived during a civil war. “When he was a kid, pretty much everyone in a family he knew, including a boy he played with, was murdered one night just because they were Muslim, or Hindus, or something.”
A boy shoots a cat, and his friends were planning on setting the cat on fire, but Al stops them.
A mean boy, Mecca, takes Al’s hamster. When Al tries to grab his hamster, the boy “shoves me away, then turns to grab me, one hand gripping my jacket and the other grabbing a handful of my hair. . .He practically picks me up and marches two or three steps up the grass bank before throwing me hard on the ground.”
When Al tries to steal something, the shopkeeper “slaps me across my cheek with the full force of the large man he is. My head is jerked to one side with the strength of the blow.”
Al sets a school on fire. “I’ve barely had time to stand up again and already the flames are surrounding me, getting hotter by the second. . .”
Al changes time so his stepsister Carly no longer knows who he is. When Carly finds Al in her room, she freaks out. Carly’s friend, Jolyon, tries to grab Al. Al distracts Jolyon and then “I draw back my foot and deliver a swift, hard kick right between Jolyon’s legs. The sound he makes is horrible. . .I feel sorry for him as he keels over sideways, clutching his groin and retching.” Al gets away.

Drugs and Alcohol

Al’s dad would sometimes tuck him into bed and “sometimes chat with [him], especially if he’d been drinking wine.”
On New Year’s Eve, Steve got “a bit drunk.”

Language

Oh my Lordy is used as an exclamation once.
Oh my God, God Almighty, and God are all used as an exclamation several times.
Al reads a letter his mother wrote. The letter says, “Life’s a bitch.”
Damnit and crap are used once.
Twice, Al is told to “piss off.”
Al comes downstairs in the morning, looking terrible. His grandpa sees him and says, “Oh my flippin’ Lordy. What happened to you?”
Heck is used several times.
Hell is used three times. A mean boy finds Al’s hamster. The boy asks, “How the hell can it be yours? Don’t be such a moron—it’s a rat with a deformed tail.”
A man calls Al a “gaandu” which means ass.

Supernatural

None

Spiritual Content

None

Dawn Patrol

Luca and Esme have more than monster waves to worry about.

When Kevin disappears, leaving only a cryptic note, his best friends Luca and Esme have no choice but to try and find him. Their journey takes them to the coast of Panama, where they confront monster waves, unfriendly locals and a surfer who seems bent on destroying them. As their hope dwindles and time runs out, Luca and Esme realize they may be in over their heads.

Because of the short length of the book, none of the characters are well-developed. However, the fast-paced mystery will still capture readers’ interest. The main plot focuses on Luca and Esme’s search for their missing friend. As the two friends search for clues, they meet Jose, whose strange behavior puts Luca and Esme on high alert. Between surfing monster waves, looking for clues, and trying to track down Jose, Dawn Patrol keeps the action and mystery high.

The story is told from Luca’s point of view. Readers will connect with Luca because he is an admirable character who is willing to go to great lengths to find his friend. The conclusion ends on a hopeful note but doesn’t wrap up all the story threads. Despite this, Dawn Patrol is a quick and easy read that will engage readers. As part of the Orca Sports collection, Dawn Patrol is perfect for reluctant readers because it uses a high-interest topic that will entertain teens and help them improve their reading skills.

Sexual Content

When talking to a girl, Luca tells her that he’s not interested in Esme. “Nor would I be interested in getting together in, um, that way with this Jose guy.”
Luca meets Alana and a few days later, “she leaned over and kissed me on the mouth.” Alana and Luca kiss two more times, but the kisses are not described.

Violence

While trying to chase down Jose, “a big guy in dark sunglasses ran out of a hut and barreled into us. . .I slipped and fell headfirst into the water. I popped up just in time to see Esme hit the water.”
Esme is kidnapped. When Luca finds the hut Esme is being held at, he tries to sneak up to it, but “Jose came out of the trees and tackled me to the ground. . . I was face-first in the dirt. I struggled to get away. Jose had his hand on the back of my head, pushing my face into the sand.” Luca gets away.
Kevin, Esme’s boyfriend, holds a knife toward Delgado, the man that kidnapped Esme. “Kevin hit Delgado’s throat with his forearm, dragged him to the ground, and smacked his head. There were tears on his cheeks.” Delgado lets Esme go.

Drugs and Alcohol

While in the village, Esme and Luca pass a group of people who are drinking beer.

Language

Profanity is used frequently. Profanity includes ass, crap, damn, and hell.

Supernatural

None

Spiritual Content

None

Becoming Muhammad Ali

Before he became the legend, Muhammad Ali, young Cassius Clay learned history and card tricks from his grandfather, hid report cards from his parents, and biked around Louisville with his pals. But when his bike is stolen, Cassius decides there’s something else he wants: to be able to fend off bullies by becoming a boxer.

Cassius has a best friend, Lucky, who sticks by him whether his fists are raised in victory or his back is against the ropes. Before long, Lucky is cheering Cassius on in his first amateur fight. With the support of all his friends and family, will Cassius make it to the top?

Becoming Muhammad Ali focuses on Cassius’ younger years and highlights the importance of his family and his community. Cassius’ story is told from both his point of view and his best friend’s point of view. When Cassius is telling his own story, the words appear in poetry format. This narrows the story and allows Cassius’ swagger to shine. When the story shifts to Lucky’s point of view, the text appears in paragraph structure that uses a conversational tone. Lucky’s perspective allows the reader to see Cassius’ intense training schedule and shines a light on Cassius’ fear. The joint perspectives give a well-rounded picture of Cassius’ bold personality and personal struggles.

Because the story begins in the late 1950s, Cassius’ story isn’t just about boxing. The biographical novel delves into the racism prevalent during this time period. Each example of racism is described in a kid-friendly manner that allows the reader to picture the events. The descriptions all focus on events that affected Cassius. He explains the events in a way that shows the unfairness of the situation without sounding bitter or preachy. However, some readers will not understand the correlation between racism and Cassius’ desire to change his name to Muhammad Ali and “use his time to focus on black pride and racial justice.”

Becoming Muhammad Ali is an entertaining and engaging biographical novel that will inspire readers to fight for their dreams. Through Cassius’ actions, readers will see the hard work and dedication that allowed Cassius to become one of the best boxers in history. However, Cassius’ story isn’t just a boxing story, it’s a story about family and friends. Cassius’ story doesn’t gloss over some of the unfairness in life. Instead, Cassius shows how he overcame obstacles and, in the end, realized that there are some things that are more important than boxing.

When a reporter asked what Cassius wanted to be remembered for, he said, “I’d like for them to say, he took a few cups of love, he took one tablespoon of patience, one teaspoon of generosity, one pint of kindness. He took one quart of laughter, one pinch of concern, and then he mixed willingness with happiness, he added lots of faith, and he stirred it up well. Then he spread it over a span of a lifetime, and he served it to each and every deserving person he met.”

Cassius’ story comes to life in easy-to-read prose and includes full page, black and white illustrations that are scattered throughout. Becoming Muhammad Ali is a must-read because it highlights how hard work and dedication allowed Cassius to achieve his dreams. Readers who want to read another inspirational sports book should check out The Crossover by Kwame Alexander, which has also been made into a graphic novel.

Sexual Content

None

Violence

Since Cassius watched boxing matches and later fought in them, there are some descriptions of the matches. For example, Cassius describes a fight when Frank Turley “broke a guy’s nose with a left jab, then smiled when the joker went tumbling outta the ring, blood spurting everywhichaway.”
Cassius and his friends were walking along the street when a “car filled with men. White men” drove by. One of the men “flashed a knife—a switch blade. [Lucky] saw the guy with the knife say something to the driver. The car engine stopped. Then all four car doors opened at once.” Cassius and his friends ran away from the men and were safe.
Cassius tells a story about “how Tom the Slave escaped freedom by hiding in a casket on a ship of dead bodies on its way to London, England, and how when he got there he became a famous bare-knuckle boxer. . . the Brits rushed the ring in the ninth round, clobbered Tom, and broke six of his fingers.”
A kid from the neighborhood, Corky, bullied Cassius and his friends. Corky “stepped on my sneaks, and bumped Lucky with just enough force to make him lose his balance, and knocked Rudy backwards like a domino into a couple. . .” then Corky wandered off.
During a match, Cassius landed “a series of short pops to his head, one right below his left ear that makes him stumble into the ropes. . .” Cassius wins the match.
Cassius’ father showed him “a gruesome magazine photograph of a twelve-year-old faceless boy who was visiting family. . . when he was shot in the head, drowned in the river, and killed for maybe whistling at a white woman.”

Drugs and Alcohol

None

Language

Darn is used once.

Supernatural

None

Spiritual Content

Cassius’ mom didn’t like him betting “on account of God not liking ugly, and all gambling is ugly.”
When Cassius says that the Bible didn’t get him and his brother into the whites’ park, his mother says, “Boy, don’t you dare blaspheme the Good book.”
During one match, Cassius “recited the Lord’s prayer.”
Cassius’ mother prays, “we gather together to send this boy out into the world, and ask that you hold his dreams tight, let them rocket to the stars and beyond.”
Cassius “joined the Nation of Islam—a movement that was founded to give black people a new sense of pride. A week later, he changed his name to Muhammad Ali.”

The Eagle’s Quill

After barely escaping Death Valley, middle school geniuses Sam, Martina, and Theo head to Glacier National Park to find the second of seven artifacts—keys that unlock a secret weapon—left by the country’s Founding Fathers. The clues lead them to look for Thomas Jefferson’s Eagle’s Quill at a Montana ranch on the outskirts of Glacier National Park.

But the dangerous Gideon Arnold, a descendant of the infamous Benedict Arnold, is hot on their trail—or is he one step ahead? Gideon Arnold takes the kids’ chaperone and the ranch owners hostage until the kids deliver the quill. Can Sam, Martina, and Theo, with the help of rancher girl Abby, find a way to save everyone without handing over Jefferson’s artifact? They enter the wilderness to solve riddles and escape traps that have protected the quill for generations…but if they find it, can they keep it away from Arnold?

Arnold captures the kids’ chaperone and Abby’s parents, leaving the kids to follow Thomas Jefferson’s clues alone. Readers will have fun trying to decipher Jefferson’s words; the first clue is a compass that is engraved with “in matters of style, swim with the current. In matters of principle, stand like a rock.” Throughout their journey, Sam relates the founding of America to chess. For example, he thinks, “The important thing about chess wasn’t how powerful you were. It was all about where you were standing and who you were standing with.”

Throughout the story, readers will learn some facts about Thomas Jefferson, who wrote “all men are created equal.” However, the story doesn’t portray Jefferson as perfect. While he was pivotal in helping form America’s government, he also “owned slaves. He’d kept his own children as slaves. And it had probably never occurred to Jefferson, that women—like Marty and Abby, would grow up to be—would like to be considered equal too.” The text is never judgmental of Jefferson, but instead uses a factual tone that will leave readers thinking about some of the unjust aspects of colonial America.

The Eagle’s Quill introduces Abby, who is an interesting addition to the cast of characters. The story is not as fast-paced as the first book in the series, The Eureka Key, because the kids are not being chased by villains. Instead, they are navigating Glacier National Park and running from wild animals. Plus, some of the founder’s traps are unrealistic. Despite this, The Eagle’s Quill draws the reader into the kids’ conflicts and will have them trying to solve the clues. The ending has a surprise twist that will have readers excited to read the last book in the series, Ring of Honor.

Sexual Content

Thomas Jefferson owned a woman, Sally Hemings, and “he had seven children with her. . . And they were slaves in his own house.”

Violence

While sleeping, Sam hears an explosion. When he and Theo go to investigate, they find men in black. “Theo stepped forward, pushing Marty behind him. . . instead of running, Theo turned sideways to the oncoming men and thrust one arm out. . . He pretty much ran into Theo’s fist, and he fell to the ground with a groan, clutching at his nose.”
As the men try to grab the kids, “it was Abby who stepped forward this time. One leg bent, the knee drawing up. Her leg snapped forward and her foot connected with Jed’s wrist just as his gun was coming forward to point at Theo’s head.”
During the attack, Sam “dove for his knees. They both went down, and the back of the man’s head bounced off the wall with a heavy, solid thud. He hit the ground and lay still.” Then Abby points a musket at the two men, who stood “blinking with shock. . .”
When the bad guys surround them, Theo uses “his candlestick to crack the one with the bloody nose across the side of the head, knocking him to the floor.” The kids hide in a safe room. The attack scene is described over eight pages.
Sam runs from a bear and climbs up a tree to avoid the giant bear. “Less than three feet below him, the bear snarled. Sam’s heart was pounding. . .” Marty chases the bear off with a bear whistle.
An injured mountain lion chases the kids. Theo grabs an animal bone. “Then Theo stepped forward and braced himself like a major league batter facing a pitcher with a wicked fastball. He swung his length of bone. It hit the mountain lion in the face, and the animal yowled, flung off balance. It twisted in the air to land on three feet, keeping its front left leg off the ground.” The injured mountain lion slinks into the shadows.
Arnold captures the children and his goons “pushed all three kids to the floor. . . one of his men stood guard with a gun while two more made quick work of tying up two more prisoners.” The kids are tied up in the barn, where they find two adults, who have been tied up for days without food or water.

Drugs and Alcohol

None

Language

Marty tells Sam, “Don’t be an idiot.” Later, she uses a secret code to write, “SAM IS A DOOFUS.”
Marty calls someone a moron.

Supernatural

None

Spiritual Content

None

Skylark

Angie lives in an old car with her brother and mother. Homeless after their father left to find work, the family struggles to stay together and live as normally as possible. It is difficult though. Between avoiding the police and finding new places to park each night, it is a constant struggle. When Angie discovers slam poetry, she finds a new way to express herself and find meaning and comfort in a confusing world.

Living in a car makes Angie’s life difficult and she tries to hide the fact that her family is homeless. Performing slam poetry gives her an outlet to explore her feelings. While performing, Angie meets several people her age. However, these relationships are superficial and add no depth to the story. For example, one boy continually glares at Angie, but the reason for his hostile behavior is never explained.

Through flashbacks, readers also get a look into Angie’s family life before her father left. While Angie’s father left to find work, Angie still wonders if he will ever return. Through Angie’s experiences, readers get a glimpse into the world of a homeless teen and her complicated family life. However, Angie’s poetry and the poetry slam are the main focus of the story. Because of this, readers who aren’t interested in poetry or language may find Skylark a difficult book to complete.

Written as a part of the Orca Soundings books, which are specifically written for teens, Skylark is an easy to read story that uses large text, short chapters, and a relatable protagonist to keep readers engaged. Despite this, Skylark is not a typical, fast-paced story, but instead, Angie’s thoughts are what drive the story. Readers who love delving into the inner thought of characters will enjoy Skylark. However, none of the supporting characters have any depth; instead, they are flat and add little to the story.

Because of the story’s slow pace and lack of dynamic characters Skylark is not for readers who love action and adventure. Even though the book shines a light on homelessness, readers interested in the topic may want to read books with more depth and character development such as Almost Home by Joan Bauer.

Sexual Content

None

Violence

None

Drugs and Alcohol

Angie’s mom gets injured, and her dad “got her painkillers from the drugstore and fed her a couple every few hours.”

Language

Crappy, hell, piss and ass are all used once.

Supernatural

None

Spiritual Content

None

Ghost Squad

The supernatural has always been a part of Lucely Luna’s life. Her father runs a ghost tour, and her hometown of St. Augustine is known for being the home of Las Brujas Moradas, aka the Purple Coven. And Lucely can see and converse with spirits, notably the spirits of her dead relatives. When her deceased family members aren’t in their human forms, they inhabit the old willow tree in the backyard as firefly spirits. However, her firefly family members recently flickered in and out of view, and then the fireflies began to fade.

Lucely and her friend, Syd, investigate how to revive her deceased family members. After learning more about Las Brujas Moradas, they visit Syd’s grandmother’s shop and steal a spell book that they need to revive Lucely’s family members. But when the two girls recite the spell, they accidentally awaken malicious spirits. The girls fight the ghosts, but all their efforts are for naught. They ask Babette, Sydney’s grandmother, for her help in fighting against the evil ghosts and reversing the curse to save the town and Lucely’s firefly spirits.

The narrative focuses squarely on Lucely’s perspective. This close view allows the reader to understand the ghosts, magic, and Lucely’s personal life. The narrative’s linear structure, mixed with Babette’s conversations and the occasional inclusion of the school setting, makes the explanations about St. Augustine, the magic, and the Luna family history easy to understand. In addition, the Latino culture is on full display throughout the story, mainly through the mannerisms and the Spanish phrases that Lucely’s family members say to each other. Readers will relate to Lucely and Syd’s friendship and empathize with Lucely as she frets over her family members’ safety.

Lucely also learns about responsibility while getting rid of the evil ghosts. She is responsible for awakening the evil spirits, so she fixes her mistake and takes on more accountability for protecting the town. According to Lucely’s grandmother, their family has been “charged with keeping [St. Augustine] and its inhabitants safe.” By the end of the story, Lucely is assured of her identity and purpose in her community, which is an important lesson for younger readers.

Ghost Squad is a story that focuses on family, friendship, and culture. The story has a few slow moments, mostly spent establishing the town and the Dominican Republic and the Latino aspects of the Luna family. St. Augustine has many interesting characters, such as Syd, Babette, and the firefly spirits. Like the firefly spirits, Las Brujas Moradas and the human spirits are some of the many supernatural elements that add interest to St. Augustine. The story is also chock full of pop culture references, such as Harry Potter and the Ghostbusters, which adds a lot of humor. Readers of all ages will enjoy the story for its lessons on responsibility and friendship. Readers who like Ghost Squad by Claribel A. Ortega will also enjoy The Girl Who Drank the Moon by Kelly Barnhill and Anya’s Ghost by Vera Brosgol.

Sexual Content

None

Violence

The mist monster attacks the family tree. but the monster is injured when it claws the tree. “It clawed at the bark and howled, bringing its hand back against its chest as if it were burned.” The monster ran around the tree, growing in size until it became as big as a hurricane. The cocuyos repelled the mist monster with a spell. The monster was thrown back into the brush, but attacks the ghosts with fire: the fire misses, “the fire seemed to extinguish itself as soon as it reached her abuela.” The fight is described over two pages.
Babette fights a dragon to distract it from Lucely and Syd. The dragon attacked with a rain of fire, but Babette points her wand at the dragon and says a spell— “Reverse, rearward from whence you came! Back, back! Into the flames!” Violet fire shoots from the wand and hits the dragon in the eye. “It let out one final, bloodcurdling shriek, and then began to burn.” The fight lasts for one page.
Lucely and Syd use the Razzle-Dazzlers, which are enchanted flashlights, on the mist monster, causing the mist monster to vanish “in a shriek of pain.”

Drugs and Alcohol

None

Language

Lucely uses the phrase “God forbid.”
Lucely uses the word “God” twice.

Supernatural

Ghosts, as in the spirits of humans, take the form of what they looked like when they died. Most ghosts are peaceful and hang around the graveyard or haunt the places where they died. There are also vengeful spirits of the dead that can possess the living.
Lucely’s deceased relatives have two forms as spirits; their human forms, and they take the shape of a firefly, dubbed “firefly spirits.”
One of Lucely’s deceased cousins floats up to the ceiling and relives his death. Lucely “could almost smell the rubber wafting around her cousin, like a strange and deadly aura.” When he wakes up, the cousin comes back to his senses.
The family uses a spell to get rid of the mist monster: “Away, away/We shall not fear/Away, foul beast,/And far away from here!”
In order to reanimate the family spirits, Lucely and Syd recite a spell from a scroll. They say, “Lavender, lilies, blossom and bloom,/ I call on the spirits to enter this room…/Rotten and putrid/Beneath the trees,/ I call on the spirits and let them roam free . . . ” Instead, they accidentally unleashed the undead, vengeful ghosts.
Syd makes a circle with salt in order to keep the evil spirits away. “The creature crashed into the salt circle and cried out in pain.”
Babette says a protection spell over the willow tree.
Babette and Lucely attack a storm of spirits using the energy of the spirits of the Las Brujas Moradas and the family spirits respectively. Babette says, “Las Brujas Moradas, hear us tonight./No longer in hiding, no longer in fright./Las Brujas Moradas, come to our call./No longer afraid, to tumble and fall./Las Brujas, Las Brujas, answer our plea./ Come to us now, from land and from sea./Take this demon away, tonight,/ Las Brujas Moradas./Take this demon from sight!” And Lucely says, “A sprinkle of sun,/ A shimmer of light/Turn back the darkness,/ Turn back the fright…I call on the power/of my ancestor’s ghosts/And speak three names, I love most…/Simon Luna, Teresa Luna, and Syd Faires!” A massive gateway forms in the sky and sucks all the bad ghosts into the void.

Spiritual Content